Bring

A federal judge has ordered the Trump administration to bring a Colombian woman back to the U.S. from Congo, after she was deported to the African nation that had refused to accept her.

The deportation of Adriana Maria Quiroz Zapata “was likely illegal,” U.S. District Judge Richard J. Leon ruled Wednesday.

Zapata, 55, who has diabetes and a thyroid condition, “has been sent to a country that refused to accept her because they cannot provide sufficient medical care,” the ruling said. “As a result, she faces a daily risk of medical complications, up to and including death.”

Black spots began to grow on Zapata’s back and foot while she was in detention, her skin started to peel and her nails blackened, according to a declaration that Zapata submitted in court, and which was provided to the AP by her lawyer.

“She’s not doing well and does worry that she’s going to die,” her lawyer, Lauren O’Neal, said.

Zapata entered the U.S. from Mexico in August 2024 and was taken into Immigration and Customs Enforcement custody. Since being deported, she has lived in a hotel in Kinshasa, Congo’s capital. The hotel gates are locked, O’Neal said. Zapata and other deportees are rarely allowed out, and only with supervision, she said.

Zapata was among thousands of immigrants living legally in the U.S., waiting for rulings on asylum claims, when they were suddenly issued deportation decrees that ordered them expelled to countries where most had no connections.

More than 15,000 third-country deportation orders were issued in the White House push for ever more immigrant expulsions, advocacy groups say, though only a fraction of the orders have been carried out.

Few details are known about the agreements to accept these deportees, though the U.S. has signed them with a range of countries, including Ecuador, Honduras, Uganda, Cameroon and Congo. Advocacy groups estimate only a couple of hundred third-country deportations, at most, have been carried out.

Galofaro writes for the Associated Press.

Last year, studios and Hollywood labor unions lobbied hard to ensure animated movies and shows could compete for California’s expanded film and television tax credit program.

The payoff came last week, when three animated movies were among the nearly 40 film projects that received a production incentive in the latest round of awards, the California Film Commission announced Thursday.

Walt Disney Co.-owned 20th Century Studios received $21.9 million for “The Simpsons Movie 2,” Disney Entertainment Television got $3.5 million for “Phineas and Ferb” and DreamWorks Animation was awarded $24.7 million in credit allocation for a yet-untitled animated film.

The three are the first animated feature films to receive tax credits from the state of California. (Last month, two animated shows — a spin-off of “Rick and Morty” and “Stewie,” which branches off from the “Family Guy” cartoon — also received tax credits.)

I spoke with DreamWorks Animation Chief Operating Officer Randy Lake about the award, which he called a “potential game changer” for the Glendale-based studio known for the “Shrek” and “Kung Fu Panda” franchises.

“Unlike live-action, our projects are years long,” he said. “You’re talking about not just a job for six or nine months on set. It’s literally three or four years that these projects can take. It’s long-term employment.”

Like most of Hollywood, the animation industry has suffered from the effects of the 2023 dual writers’ and actors’ strikes, as well as the retrenchment in studio spending after the initial rush to invest in content for streaming services.

And like much of U.S. film and TV work — particularly in California — the animation business has been deeply affected by the increasingly rich tax credits offered by other countries.

Over the last 15 years, countries including Canada and Ireland have slowly built up animation hubs, aided by their local talent and lucrative production incentives specific to animation and visual effects.

For instance, visual effects and computer animation unit Sony Pictures Imageworks, which Lake ran for years, relocated its Culver City headquarters to Vancouver more than a decade ago.

DreamWorks, too, has outsourced work to partner studios, particularly in Vancouver and Montreal, as costs in the U.S. have increased and studios face pressure to rein in their production expenses while theatrical box-office revenue has become less reliable.

Just three years ago, DreamWorks cut about 70 jobs across its corporate functions, feature films, TV and technology departments. In 2024, Disney-owned computer animation studio Pixar laid off about 175 employees as it pulled back on its production of streaming series.

But with the recent tax credit allocation, DreamWorks will hire about 100 people in California for its upcoming untitled film. Those jobs would probably would have been outsourced to a third-party studio, Lake said. Keeping all of the jobs on that film in California helps improve collaboration among the teams and foster more creativity, he said. Today, DreamWorks has about 1,000 employees.

To understand why the new incentives are meaningful, consider that a DreamWorks Animation movie similar to the one that received the credit will typically have a crew of about 400 to 500 people.

That film is a big feature, though Lake declined to share details since the project hasn’t been announced.

Both the Animation Guild and studios have pointed to the incentive as a way to bring back animation jobs to the Golden State.

“Studios have been chasing animation tax credits in other states and countries for years, so it’s incredibly rewarding to see them use California’s for the very first time,” Marissa Bernstel, a trustee on the union’s executive board and member of the task force that helped lobby for the expanded production incentives, said in a statement last week. “The results feel very real, and I’m excited to see what future employment opportunities the incentive inspires.”

Lake said DreamWorks hopes to take advantage of the state incentives for all of its full-budget films.

“We’ll be applying for the next window,” he said, adding that he hoped they will be successful so “we’ll be able to have more and more of our films be fully produced in state. That’s the goal.”

Stuff We Wrote

Film shoots

Number of the week

Lionsgate’s “Michael” had a massive opening weekend with just over $217 million in global box-office revenue. In the U.S. and Canada, the Michael Jackson biopic hauled in about $97 million, far surpassing studio expectations.

The film, which stars Jackson’s nephew, Jaafar Jackson, as the late singer, chronicles the pop star’s rise from his early days in the Jackson 5 through the growth of his solo career. The movie ends in 1988 while Jackson is on tour for his hit album “Bad.”

The premiere for “Michael” marks the biggest domestic opening for any biopic, musical or otherwise. The 2015 movie “Straight Outta Compton” previously held the record for highest opening weekend total for a musical biopic, with $60 million in the U.S. and Canada, followed by the Queen biopic “Bohemian Rhapsody” in 2018, which had a $51.1-million domestic opening.

Critics’ reviews of “Michael,” however, were largely negative. Many noted the plot sidesteps the child sexual abuse allegations against Jackson and said the film presents a more one-dimensional view of the singer.

An earlier cut of the film did end in 1993 and addressed the allegations, but that ending had to be scrapped due to a clause in a legal settlement with an accuser that stipulated he could never be pictured or mentioned in a dramatization of Jackson’s life. Jackson and his estate have denied that the pop star abused children.

What I’m watching

I finally finished the Hulu series “Paradise” this last week, which kept me guessing about literally everything all the way until the end. I’m interested in seeing where this genre-morphing show goes next season.

HE has long been known for his enthusiasm for so-called throuples.

Now David Haye‘s ex has spoken of the day he asked her to “bring your girlfriends” to his hotel room, where he was waiting in his boxer shorts.

Model Zoe Gregory says the I’m A Celeb star seemed fascinated by her unconventional romance with Playboy boss Hugh Hefner, with whom she shared a bed along with six other women.

She met heavyweight boxing champion Haye after he fought a bout at Hef’s notorious mansion in LA in 2003.

In an exclusive interview Zoe, 51, revealed: “He asked me what group sex is like and I said, ‘It works.’

“He seemed fascinated and very curious. He probably thought, OK I’ll have to give that a try one day. After I gave him my number, he asked me to visit him and he said: ‘Bring your girlfriends to the hotel too.’

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“He was on a high after the boxing match and he probably thought, they all want to smash me. I was in awe of him so it didn’t put me off. He’s a smooth operator. I don’t remember exactly what he said, but he was charming and persuasive.

“He was very complimentary when I turned up to the hotel but I knew he just wanted to get in my pants.

“When I reached his hotel, I thought we would chill by the pool, but he said, ‘No come to the room, I’m still getting ready.’

“He opened the door in his boxer shorts and I wasn’t expecting that, but I wasn’t mad either. He literally grabbed me out the doorway and threw me on the bed so that was that.”

Zoe opened-up about her time with the boxer after he was slammed for his “sexist” comments while competing on the all-star version of I’m A Celeb in South Africa.

Referring to his long-term girlfriend Sian Osborne as having the personality of “a proper ugly bird,” he went on to claim that most good-looking women are “idiots” and that less attractive girls work harder on their personalities to win attention.

Singers Ashley Roberts and Sinitta were left shaking their heads while Corrie actress Beverley Callard later complained: “I’ve never heard anything so sexist in my life.”

Fashion model Sian, 33, defended him, saying in an exclusive interview: “I consider it a compliment.

“A big one. I’m fluent in David by now and my family find it hilarious.”

Miami-based Zoe, who cheated on Hefner with Haye, also backs him.

She explains: “I totally agree with him because everyone judges a book by its cover. People will look at me, blonde hair and big tits, and assume that I’m a bimbo.

“That’s because most blondes are bimbos, unfortunately. Blondes are very ditzy and that’s why they get that label. I’ve found myself saying the same things as David.

“Being around the girls at the Mansion, the ugly ones were always overcompensating with their personality. They would feel, I’m not that great looking so I’m going to have to do cartwheels to compete with the favourites.

“When I go the gym, I see girls wearing next to nothing and they don’t have a body to be wearing that – or a face. They don’t even look like they work out but sometimes people go that extra mile to overcompensate, to fit in.

“I feel bad saying it, but it’s true. It’s the way society is and social media has made it even worse. You are always going to have girls that get bent out of shape by comments like David’s and they are usually the fat ugly ones.

“David has met enough women to be an authority on this. If this is his opinion based on all the women he’s met, I can’t say he’s wrong.

“But he is in a corner with the public and he’s got to take a beating. Everything he says, people are watching and listening and they will use it against him to make out he’s a bad person. But he’s really not a bad person.

“He’s an opinionated person and he’s got a right to his own opinion. David is known for talking his mind and having a crazy sex life and being open about it.

“I can’t fault him for being like that.”

Mum-of-one Zoe moved from London to Los Angeles in her early 20s to work as a model and erotic B movie actress. She was accompanied by her husband, DJ Chris Paul and their young son, who is now in his 30s.

But once offered the chance to live with Hefner at his £150m LA mansion – having met the magazine boss at one of his notorious parties – she decided the opportunity was too good to turn down.

She lived with Hef, who was then in his 70s and relying heavily on Viagra to perform in bed, from 2001 to 2004.

But still married to her first husband, she always living with Hef as a job rather than a romantic relationship and she walked out following a series of rows with his number one girlfriend Holly Madison.

In 2024, she published a memoir called From Britain to Bunny in which she detailed her “hot 15 minutes” with Haye, which she described as “crazy and electric.”

Looking back on that day, she recalls: “David did seem fascinated by Hef. He asked me lots of intimate questions about him.

“He said, ‘So you’ve got to sleep with him?’ I said, ‘Yes, but it’s more of a job for me.’

“He said, ‘That’s weird.’ Then he asked, ‘Can Hef still get it up?’ I said, ‘Yes, of course.’

“I told him what went on in the bedroom – the orgies and Hef’s harem of women – and he seemed impressed by that. He was very complimentary towards me – he told me I have both beauty and brains.”

Zoe, who now works in promotions, last bumped into Haye at a restaurant in Miami two years ago just before her book was released. He was with girlfriend Sian, who has allowed him to spend time with Saturdays’ singer Una Healy and DJ Mica Jova – relationships that have been described as ‘throuples.’

Zoe continued: “David and Sian were over for a boxing event and it turned out we had a mutual friend, a photographer.

“David was surprised to see me. He was like, ‘Oh!’ It was a bit awkward because I wasn’t sure if Sian knew about our history.

“David said, ‘You look really well.’ I said ‘Yes, you too.’ It was a flirty moment and it was funny. And I swear David looked exactly the same as I remembered him. He’s aged very well.

“I got to meet Sian and she’s lovely, sweet girl. When I first met her, she didn’t say much and wasn’t very outgoing. She just sat there.

“I introduced myself and was doing extra to make her feel comfortable and after a few minutes, she warmed up. I kept the conversation away from him because I didn’t know what she knew and the book hadn’t come out yet.

“I wouldn’t say, ‘Oh by the way I f****d your boyfriend.’ I would never have a conversation like that. I do think David has got used to women throwing themselves at him.

I told him, ‘You need to go for an older woman that doesn’t get intimidated by you and can put you in your place.’

“Because otherwise he is just going to walk all over a girl, because it’s his way or the highway. He’s got his cake and he’s eating it – and I love him for that.”