SHOW BIZ

After his Netflix roast inspired tit-for-tat feuding among comedians and backlash from viewers over a joke about George Floyd, Kevin Hart’s stance is clear: All is fair in love, war and comedy.

During a Tuesday appearance on “The Breakfast Club,” Hart addressed the controversy stemming from Netflix’s “Roast of Kevin Hart,” which aired earlier this month and included material that shocked viewers. Tony Hinchcliffe, who helms the No. 1 live podcast in the world, “Kill Tony,” applied his politically incorrect approach to comedy that similarly outraged audiences at a 2024 campaign rally for then-presidential candidate Donald Trump.

“The Black community is so proud of you right now,” he quipped at Hart. “George Floyd is looking up at us all, laughing so hard that he can’t breathe.”

In 2020, Floyd was murdered by police Officer Derek Chauvin, who pressed his knee into Floyd’s neck for more than nine minutes, until he died. His last words were “I can’t breathe,” which he said more than 20 times. The killing sparked global unrest and the largest civil rights protest since the 1960s. Hart attended Floyd’s memorial and private service in Minneapolis.

“The George Floyd joke, it wasn’t a tasteful joke to our culture,” Hart told the podcast. “But our audience that’s watching the roast … you get why they’re doing it, you get why the racial humor is on the table.”

Hart continued that the approach to comedy is nothing new and said, “Tony Hinchcliffe arguably had the best set, or one of the best sets.”

“Would I tell those jokes? No, but do I get why they’re being told? Yes,” Hart said.

Floyd’s brother, Terrence Floyd, spoke with “Breakfast Club” host Loren LoRosa after the roast aired and said that he expected Hart to step in and tell Hinchcliffe he’d gone too far.

“What do you want me to do? Drag him off?” Hart asked during his appearance on the podcast. “That’s not what I agreed to do. That’s not the job at hand. The job at hand was to produce a successful roast, which I did.”

Not only has the Netflix roast caused a stir among viewers, but the comedians who participated also have been trading slights in recent weeks. Chelsea Handler didn’t mince words when she offered her take on Hinchcliffe, as well as Shane Gillis, who also performed a set during the roast. According to Handler, ex-girlfriends of the controversial comedians slid into her DMs and told her what she said she already knew about them.

“They’re racist,” she said during an appearance on Deon Cole’s “Funny Knowing You” podcast. “That they’re bigots, that they’re sexist, that they think they’re like invincible.”

Handler said that one of Gillis’ jokes about lynching Hart was “worse than rape.” In response, Gillis told the Hollywood Reporter in a statement that Handler was capitalizing on the moment.

On Monday’s episode of “Kill Tony,” Hinchcliffe responded to Handler’s remarks by calling her “a bit of a c—. “

OLIVIA Attwood and Pete Wicks have revealed that they were snubbed from a recent trip to Ibiza hosted by KISS Radio.

It comes a year after the duo were seen looking cosy together on a yacht on a different trip with KISS.

At the time, uproar arose because Olivia was still married to former flame Bradley Dack.

Though the TV presenter Olivia and ex-Towie’s Pete are now dating, after being seen kissing in a bar in March.

Speaking about the snub on their Sunday Roast podcast, Olivia and Pete addressed the “elephant in the room”.

Olivia began: “Pete I can’t believe we haven’t actually addressed the elephant in the room.

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“I wasn’t sure how to address it but basically… this year we haven’t been invited back to Ibiza Pete…’

Pete then chimed in, saying: ‘I’m disappointed to be honest with you. I don’t know if it was our performance last year or what we did but we have been put on the bench. We’ve been replaced actually. 

“This week KISS has been out in Ibiza for the opening parties and last year we got an invite but this year Tyler (West) and Chloe Burrows are going.”

Olivia quipped back: “Yeah I can’t imagine why we weren’t invited…”

It comes after Olivia and Pete have been hinting that they are an item after being friends for over a decade.

Olivia recently hinted at it, saying it’s “great to fall in love” during an appearance on Loose Women where the ladies were discussing the topic of relationships and friendships.

Giving her opinion on the topic, Olivia said: “I love love and it’s great to fall in love and to be in a relationship.”

But not giving too much away, she then explained how its also important to maintain friendships alongside romances.

Olivia continued: “But never neglect those relationships outside, because they will probably be the ones that consist your whole life.”

Pete also hinted at something, getting shy when asked on the spot whether he loves a girl.

During a recent episode of his podcast Staying Relevant, which he co-hosts alongside his best pal Sam Thompson, Sam probed Pete about being spotted with Olivia at Heathrow airport.

Sam asked: “Do you like to go to the airport frequently when you’re not flying?”

Pete replied: “Yeah when I’m around. I bumped into a few people I know and that. It’s just one of those things sometimes I like to go to the airport to get my coffee, there’s a really good Cafe Nero there.”

Former I’m A Celeb star Sam argued that Heathrow was quite a way from Pete’s home but appearing to use a clever euphemism for Olivia he said the “coffee is worth it.”

Talking of Olivia and Pete’s pap pictures, Sam joked: “You looked really happy to be there.”

Sam then tried to get Pete to confess his love for Olivia, but he failed.

He said: “I love girls. No, no not loads of girls, I love girl… Do you love girl, Pete?”

Poor Pete was lost for words as he tried to keep the conversation moving.

A FRENCH actor with a role in Netflix series Emily in Paris has died after a brave battle with amyotrophic lateral sclerosis.

Pierre Deny, a dearly beloved face on French television for decades, died on Monday at the age of 69 from complications with the disease that causes progressive muscle paralysis.

“It is with deep emotion that we announce the passing of Pierre Deny, which occurred this Monday following a sudden and severe case of ALS,” his daughters said in a statement.

Also known as Charcot’s disease, ALS is a progressive neurodegenerative disease that affects nerve cells in the brain and spinal cord.

It leads to muscle weakness, atrophy, and paralysis, eventually affecting the ability to speak, eat, and breathe.

Tributes have been paid to the star by other celebrities, hailing him as a “generous actor”.

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Sylvie Vartan, Bulgarian-French singer and actress, wrote on Instagram: “It is with great sadness that I learned of the passing of Pierre Deny.

“I shared many wonderful moments with him on stage in Isabelle Mergault’s play.

“He was a generous actor and a sensitive and funny man. In these painful moments, my thoughts are with his family and loved ones.”

Raphael Benoliel, someone who said was a friend of Deny’s, described him as a “great artist” and a “magnificent person.”

“I shared with him a passion for soccer that he loved above all else … he was a true enthusiast, and we were still playing together just a year ago like a couple of kids,” the post on X read.

“He had the joy of the game, the joy of being together, the love of effort, of life … That goddamn Charcot’s disease took him away far too soon … it’s so unfair.”

The actor began his career in theatre in the 1980s before moving into film and television.

He was particularly known for his roles in the police series such as “Julie Lescaut” or “Une femme d’honneu”, where he played Captain Philippe Kremen.

He also played the role of Renaud in the soap opera “Demain nous appartien” in which he appeared in 500 episodes. 

Most recently, Deny appeared in seasons three and four of Emily in Paris, in which he played Louis de Léon, CEO of fashion giant JVMA.

Eleanor Tomlinson is returning to screens in the new Channel 5 thriller The Fortune

Poldark actress Eleanor Tomlinson is returning to television screens as she leads the cast in a gripping new Channel 5 drama.

The 34-year-old actress is famed for playing Demelza Poldark on the BBC period drama across all five seasons from 2015 to 2019.

The character was the devoted wife of Ross Poldark, played by Aidan Turner, an army officer who returns to his native Cornwall after the American Revolutionary War in 1783.

Following her exit from Poldark, Tomlinson played Louisa Bryne in the period drama The Forsytes and Mary Brighton in The Nevers, a Victorian-set drama. However, the actress will now be appearing in the modern psychological thriller The Fortune, reports Radio Times.

The Fortune will premiere on Channel 5 on Tuesday, 2 June and follows Tomlinson’s character, Amanda, after she suddenly inherits a vast fortune from a man she has never met or heard of.

With his own family incensed to find out his estate is going to a supposed stranger, battle lines are soon drawn, and threats soon start to fly.

Amanda goes from her regular life of working in a café and being a happily married mother to her life being turned upside down.

Ahead of The Fortune landing on screens, Tomlinson has opened up to Radio Times about the direction of her career following her exit from Poldark.

“I’d done it for five years”, she said, “There are elements I miss, but it was time to do something else, spread my wings and push myself in a different direction.”

When asked which acting role she mostly gets recognised for by fans, she explained: “Poldark is the main one and I get a lot of One Day, and The Forsytes. It’s always nice when they get it right and don’t say, ‘Were you in Game of Thrones?’, ‘No, wrong redhead!’.”

As well as Tomlinson leading the cast, The Fortune also boasts the likes of Harry Potter star Matthew Lewis, All Creatures Great and Small favourite Callum Woodhouse and former EastEnders star Nina Wadia.

Also starring in the Channel 5 drama are Rebecca Front (The Thick of It), Stephen Tompkinson (DCI Banks), Paula Wilcox (Trying), Danielle Walters (Chewing Gum) and Denis Lawson (Bleak House).

The synopsis for The Fortune reads: “Amanda Blakefield’s life is a happy one, with her husband Jimmy and their son Luke. But when Amanda is left an enormous inheritance by a man she has neither met nor heard of before, her life starts to fall apart.

“Amanda becomes embroiled in the world of the Worralls, where Martin Worrall is head of a family bound in past secrets. As Amanda is drawn further and further into past events and relationships, all of their lives are turned upside down.”

It’s now been confirmed that The Fortune will premiere on 5 on Tuesday, June 2 at 9pm, followed by the second episode the following Wednesday evening at the same time.

Stephen Colbert’s viral public access spot had former bosses CBS and its parent company Paramount in a brief tizzy over the weekend, mere hours after his buzzy late-night sign-off.

The longtime TV personality, 62, returned to the air on Friday evening on “Only in Monroe,” a public access program in Monroe, Mich., with an hour-long late-night parody episode that featured several guests and took shots at Paramount’s monopolistic aspirations in media. Colbert, previously a one-time host of “Only in Monroe,” began his episode: “It’s been an excruciating 23 hours without being on TV, so I am grateful to be able to be here on Monroe Community before they also get acquired by Paramount.”

The “Only in Monroe” episode was broadcast in southeast Michigan, the Associated Press reported, and also published to Colbert’s official YouTube page. News of Colbert’s surprise late-night spot spread online, with social media users reposting the episode in its entirety or sharing clips. Journalist and the Desk founder Matthew Keys shared the episode to his X (formerly Twitter) page, tweeting on Sunday that he received a “frivolous” copyright notice from Paramount Global.

CBS said in a statement shared over the holiday weekend to multiple outlets that the “Only in Monroe” episode was “financed and produced by CBS Studios” and was posted on Colbert’s YouTube page through a collaboration with Monroe Community Media and Colbert’s “The Late Show” YouTube channels. The network, which was home to “The Late Show With Stephen Colbert” for more than a decade, said in its statement that it is “regular practice” to copyright-strike “unauthorized websites” that repost its “copyrighted content,” but later added that it’s walking back its actions.

“For this episode, we have decided to waive further enforcement of this standard industry practice until additional review,” the statement said.

A representative for CBS did not immediately respond to The Times’ request for comment on Tuesday. A representative for Colbert also did not immediately respond.

Colbert’s guests on Friday included regular “Only in Monroe” hosts Michelle Baumann and Kaye Lani Rae Rafko Wilson, Emmy winners Jeff Daniels and Steve Buscemi, rapper Eminem (via video call) and White Stripes rocker Jack White. Friday’s broadcast ended with a literal bang, with Colbert, Daniels and White taking hammers to the talk show set and setting it ablaze.

“Since they are no longer using this set, it would actually be helpful for me to destroy it,” Colbert said, “which is pretty great news because right now — for no particular reason — I would very much like to break something.”

“The Late Show With Stephen Colbert” ended its run at CBS after 11 seasons and more than 1,800 episodes. Colbert began his late-night talk series in 2015, succeeding David Letterman. CBS announced it was canceling “The Late Show” in July 2025, with chief executive George Cheeks claiming “this is purely a financial decision against a challenging backdrop in late night.”

“It is not related in any way to the show’s performance, content or other matters happening at Paramount,” Cheeks added at the time.

CBS announced it was parting ways with Colbert, a relentless critic of President Trump, after Paramount settled a lawsuit filed by Trump for $16 million. At the time, media mogul David Ellison’s Skydance Media was also awaiting federal approval to acquire Paramount for $8 billion. Ellison is the son of Oracle co-founder, tech billionaire and Trump ally Larry Ellison.

Colbert ended his CBS tenure at the Ed Sullivan Theater on Thursday evening, joined by an impressive roster of celebrity guests including Paul Rudd, Bryan Cranston, Tim Meadows, Ryan Reynolds and Paul McCartney. The “Late Show” time slot now hosts media mogul Byron Allen’s “Comics Unleashed” syndicated show.

After late night, Colbert revealed in March that his next project is co-writing a new “Lord of the Rings” movie with his screenwriter son Peter McGee. Even as Colbert begins a new chapter away from late night, work may bring him right back under the Paramount umbrella.

The new “Lord of the Rings” films, including Colbert’s project, will be produced by New Line and its parent company, Warner Bros. Discovery. David Ellison‘s Paramount Skydance is seeking a $111-billion takeover of Warner Bros. Discovery and its properties.

Times staff writers Greg Braxton and Meg James contributed to this report.

Lindsie Chrisley, one of reality star Todd Chrisley’s two children with his first wife, was arrested Saturday night on suspicion of driving under the influence in Concord, Ga.

The podcaster was booked on charges including DUI less safe — a DUI charge for those whose blood alcohol is less than 0.08% — attempting to elude police, improper passing, reckless driving and speeding, according to a police report obtained by The Times. Her bail on the five counts totaled $5,961, according to the Cherokee County Sheriff’s Office.

“I got pulled over speeding past a car on a two-lane road because they almost hit an animal,” Chrisley told TMZ, which first reported the arrest. She said she was trying to miss that car and “whatever the animal was.” She said she planned to fight the charges.

Law enforcement had a different story to tell in its report, alleging that she was pulled over for traveling 86 mph on a surface street. After the deputy activated the lights on his car and initiated the traffic stop, Chrisley allegedly passed “multiple suitable stopping locations” before finally pulling over at a Chevron station, the report said.

The sheriff’s deputy who spoke with Chrisley said in his report that her stories weren’t making sense, her speech was slurred and her breath smelled of alcohol. After she was asked to step out of the Ford Bronco, she told the officer she didn’t know why she had been pulled over, then said it was because she had swerved around another vehicle that had “almost hit a deer,” the report said. The officer asked her if that was why she was speeding and she said “that is exactly why,” according to the report, then talked about the car in front of her brake-checking her as she drove home and said she hadn’t been traveling at nearly 90 mph.

The report said she refused to participate in field sobriety tests when the deputy asked her to and she also declined a blood test. No contraband was found in the car, according to the report.

Chrisley, 36, was released from custody around 4:15 a.m. Sunday morning.

Her encounter with law enforcement comes after her then-boyfriend, David Landsman, was arrested in Cherokee County in mid-April on a felony charge of aggravated assault/strangulation and a misdemeanor charge of battery after he allegedly placed his hand around a person’s neck and told them they were “not going anywhere,” People reported.

Lindsie Chrisley, the host of “The Southern Tea” podcast, appeared in 20 episodes of “Chrisley Knows Best” from 2014 into 2017. She and brother Kyle Chrisley are the children of Teresa Terry, Todd Chrisley’s first wife.

Todd and second wife Julie Chrisley were convicted of bank fraud and tax evasion in 2022 and imprisoned at separate facilities. Todd was serving a 12-year sentence in Florida and Julie was serving seven years at a facility in Kentucky when President Trump pardoned them in 2025, clearing the convictions from their records and ending their sentences.

Lindsie was estranged from her family for years over their suspicion that she had squealed to state and federal officials. Todd and Julie sued the state of Georgia in 2019, alleging that a tax official had targeted the couple’s estranged daughter and improperly shared confidential tax information to try to elicit compromising information on the family. As a result of the official’s efforts, the Chrisleys were forced to “incur substantial personal and financial hardship,” the suit said.

Sources who said they were close to Lindsie told TMZ in October 2019 that she spoke with the state official only to get updates about when her father might be arrested, so that she could shield her young son from any drama. In 2022, she said on her podcast that she and her father got back in touch after her second filing to divorce husband Will Campbell went public in summer 2021. The family members did crossover appearances on their various podcasts.

However, the reconciliation appeared to be short-lived, with Lindsie saying on her podcast in March 2025 that she hadn’t had any contact with her dad in a year.

The state of Georgia settled with the elder Chrisleys in January 2024, agreeing to pay them $1 million.

Is Paramount making a Tony Soprano move?

David Ellison’s media company appears to be girding for a big battle with California Atty. Gen. Rob Bonta and fellow state attorneys general who may team up to file a lawsuit aiming to block Paramount’s proposed $111-billion takeover of Warner Bros. Discovery.

Last week, Paramount hired powerhouse antitrust attorney Jeffrey Kessler to help defend its proposed takeover of Warner, which owns CNN, TBS, HBO and the prestigious Burbank film and television studios.

Kessler — co-executive chairman of Winston & Strawn in New York — is one of the nation’s top antitrust lawyers. He most recently led the state attorneys’ case against concert promoter and ticketing firm Live Nation, resulting in a monumental win for the states, including California.

Now Kessler may be on the opposite side, potentially going after the government to help Paramount build a behemoth that would include CNN and CBS News, two historic film studios and four streaming services.

The states have not indicated whether they plan to go to court to block Paramount’s takeover of Warner, but Bonta has said Ellison’s proposed consolidation, which is widely expected to lead to layoffs, is problematic.

Paramount declined Tuesday to discuss Kessler’s remit. Kessler was not immediately available for comment.

Hiring an attorney who is more commonly aligned against big companies prompted at least one observer to postulate that Paramount could be angling to remove a big name from the legal chessboard to prevent him from joining the other side, in the vein of TV mob boss Tony Soprano.

During the HBO show’s fifth season, Soprano spent months consulting with top divorce attorneys, creating a potential conflict of interest that prevented those lawyers from representing his wife Carmela in the dispute.

Attorney Jeffrey Kessler arrives at federal court in Oakland in a file photo.

(Noah Berger/Associated Press)

Kessler also knows the ins and outs of a courtroom as well as antitrust settlements, which could benefit Paramount as it seeks to avoid a bruising court challenge.

More than 5,000 artists and other entertainment industry workers already have signed an open letter that urges Bonta to take action to upend the Paramount and Warner Bros. deal.

Ellison and his team have vowed to make $6 billion in cuts following the merger. The combined company would have to contend with $79 billion in deal debt.

Adding Kessler comes as state attorneys general have been taking a more aggressive role in waging anti-trust fights. Many believe the U.S. Justice Department has been sitting on the sidelines to allow deals favored by President Trump to sail through their legally mandated regulatory reviews.

Trump favors Paramount’s takeover of CNN and other Warner properties.

Paramount Chief Legal Officer Makan Delrahim has made several savvy tactical moves since joining Ellison’s Melrose Avenue firm last fall.

Delrahim, who was Trump’s antitrust chief during his first term, filed paperwork to win the U.S. Justice Department’s blessing in December — soon after Netflix had clinched the bidding war for Warner Bros.

Netflix ultimately bowed out of the auction in late February. And Delrahim’s move gave Ellison’s Paramount a head start in the regulatory approval process.

The company is waiting for confirmation that the Justice Department will consent to its Warner Bros. purchase. It is separately responding to issues raised by regulators in Europe.

It’s not clear when Bonta or his fellow attorneys general might decide whether to bring a case against Paramount, although the deadline is approaching because Ellison wants to get his deal wrapped up by September.

Attorneys general also could opt for negotiating a settlement agreement with Paramount, which might be willing to bend to concessions to get the deal approved.

Bonta is leading a challenge against another big merger — TV station owner Nexstar Media Group’s $6.2-billion purchase of rival company Tegna Inc. Nexstar owns KTLA-TV Channel 5 in Los Angeles and more than 100 other stations.

Nexstar initially argued that Bonta’s action came too late — after Nexstar had gained its federal approvals for the deal. Nexstar also was in the process of consolidating Tegna’s operations and top Tegna executives had cashed out.

The move backfired on Nexstar as a federal judge in Northern California issued a preliminary injunction, ordering Nexstar to halt the Tegna consolidation.

U.S. District Judge Troy Nunley ruled Tegna must be managed as a separate company pending the outcome of a trial.

On Tuesday, Tegna announced that it hired a former Fox TV station executive, Patrick Paolini, as its chief executive. Beginning next week, Paolini will be responsible for “Tegna’s daily operations, revenue-generating business strategies, local journalism and production, and growth initiatives,” according to a corporate statement.

Paolini will report to Tegna’s board — not Nexstar.

BRAD PITT and Channing Tatum have halted work on their new Isle Of Man motorbike film after a serious crash at the TT Races over the weekend.

The pair are working on a new movie about the annual gathering, which is regarded as one of the world’s most ­dangerous motorsport events.

Filming had started on the Amazon MGM Studio production over the weekend but was stopped on Sunday following an accident on the opening practice day.

My on-set source said: “Channing was filming on loca­tion when the crash happened with one of the ­professional motorbike riders.

“It ended up being very serious, with eight people taken to hospital after one of the riders crashed into spectators.

“They were taken to hospital for treatment immediately.

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“The film is being made around the same areas so they have an authentic backdrop. As soon as the ­incident happened, filming was halted. Everyone on set was gravely worried about those involved in the incident.

“There is a reason the Isle of Man TT is known as the most dangerous motorbike race.

“The accident brought home to everyone the risks that are involved in this sport.”

Brad — who played racing driver Sonny Hayes in 2025 sports drama F1 — is a producer on the film, which is called Isle Of Man.

Channing has the starring role as one of the bikers.

Channing first started preparing for the film in 2023 when he was seen on the track meeting the riders and their teams.

A documentary series about the Isle of Man TT and called The Greatest Show on Earth, will be released in conjunction with the film.

Earlier this month, TT veteran John McGuinness said he had been helping Channing get ready for the role.

He said: “I speak to Channing a little bit and have a bit of a chat with him, and he just loves it — loves the bikes — I think it’s ­fantastic.

“It’s a big Hollywood thing. I know some of the guys who are involved in it and, you know, let’s hope it’s a success.”

Suki’s a belter

SUKI WATERHOUSE looks stunning in a new fashion campaign for Miu Miu.

The model-turned-singer posed in co-ords for the brand’s Upcycled collection as she gears up to release her third studio album, Loveland.

Suki, who signed a deal with Island Records last summer, will drop the record on July 10.

And it will be her first since she and actor boyfriend Robert Pattinson became parents.

She said: “I finished my last record right as I had my daughter, and this one has been everything since then. The process has been somewhat different because, I think, at the beginning of writing it, I was quite fragile.”

BRITNEY: I WISH FANS WOULD STOP RAKING UP MY PAST

BRITNEY SPEARS has called for an end to “embarrassing things” from her past being shown online – which doesn’t bode well for her big-budget biopic currently in the works.

The pop star made the plea to fans on Instagram weeks after being arrested for driving under the influence and subsequently checking herself into rehab.

In a post online, she wrote: “When you get that awkward, weird feeling you can start to feel that perhaps too much chatter is going on behind your back.

“It actually affects people. I still send them love but most importantly, I hope they feel my smile.

“The media has been a bit much in my opinion and I hope they can respect my unbelievable and miraculous spiritual journey.

“I’m so excited to embrace my journey and hope they stop showing embarrassing things from my past.”

Britney’s biopic was first announced in 2024, when Universal Pictures said it was working on an adaptation of her memoir, The Woman In Me, with Wicked filmmaker Jon M Chu as director.

I told last year how work on the much-publicised project was “not going at full speed” because of concerns that Britney was getting cold feet.

As it stands, the lead role has still not even been cast.

So perhaps Britney doesn’t need to worry about things being dredged up again quite yet.

Timothee Nicks kiss from Kylie

I THINK Kylie Jenner might be Timothee Chalamet’s lucky charm when it comes to his basketball team, the New York Knicks.

The couple were seen going bananas courtside – with Kylie giving Timothee a big kiss – after the Nicks beat the Cleveland Cavaliers to reach the NBA finals over the weekend.

It was the first time they have got there in 27 years, having last made an appearance when Timothee was four.

The joy wasn’t shared by everyone though, as across the court Taylor Swift was seen trying to cheer up her Cavaliers fan fiancé Travis Kelce.

As a Spurs supporter who almost chewed off every fingernail over the weekend, I feel his anguish.

SWIFTLY ON TO EMMYS

TAYLOR SWIFT was snubbed at the American Music Awards this week, but she’s not letting that stop her.

The chart-topper has already set her sights on September’s Emmys.

The Look What You Made Me Do singer has submitted her Eras Tour: The Final Show for Outstanding Variety Series and The End Of An Era show for Outstanding Docuseries.

Both were released on Disney+ last year and have become two of its most streamed shows.

Something tells me that Taylor could be getting at least one win in a few months’ time.

KYLIE MINOGUE has only just released her Netflix docuseries, but she is already giving fans more with Kylie: Tension Tour Live, out today on the streamer.

The behind-the-scenes look at her 2025 arena shows gives fans the chance to relive the concerts and her biggest tour in a decade.

PINK P’S BID WAS POINTLESS

PINKPANTHERESS has discovered that there really is such a thing as being too famous.

The Boy’s A Liar singer told fans during her Manchester show on Monday that she once tried to go on BBC quiz show Pointless, only to be rejected because producers thought viewers would recognise her.

She said with a laugh: “I applied for Pointless once and they said I was too famous.”

Given most contestants dream of being remembered for something on the show, that’s really quite a nice problem to have.

MAISIE PETERS is on course to score her second No1 with third album Florescence, two years after The Good Witch topped the charts.

She has competition though from Michael Jackson’s The Essential hits compilation, which is behind at No2 in the midweek figures from the Official Charts.

ARRDEE’S DRUG PAIN

ARRDEE has opened up about his secret battles with alcohol and ketamine addiction, admitting he blew the entire £300,000 from his first record deal on booze and designer clothes.

The Brighton rapper revealed he landed the huge payday aged 18 after bluffing rival labels into a bidding war.

But instead of saving the cash, he confessed: “I p**sed it up the wall.

“I didn’t save a penny even for the tax man. I didn’t even know what tax was.”

ArrDee admitted splashing thousands at Selfridges on Stone Island jumpers and Ralph Lauren polos before spiralling into years of heavy drinking and drug use.

He said: “I was super-numb. We was rock-star living.”

The rapper revealed he would drink heavily while filming videos and eventually developed addictions to alcohol and ketamine.

Asked if he believed he was addicted, he replied: “100 per cent.”

But speaking to Paul C Brunson on his We Need To Talk podcast, he said his older brother suffered a drug-induced psychosis, which changed his outlook on life.

He added: “If I could turn back time and not have fame and music, but have my brother be how he was before, I would.”

The rapper has since settled down with his partner Ocean and they now have a child together, which helped him re-evaluate life.

And he admitted: “I always thought I’d be a bad dad because I didn’t know what a good one looked like.”

It’s Baller or nothing for AJ

AJ TRACEY brought the heat to the Baller League final when he debuted his new track Quaresma live at London’s O2 Arena.

The song was inspired by Portuguese football great Ricardo Quaresma, and rapper AJ walked out with the man himself in front of a packed crowd

The football wasn’t bad either.

Prime FC, run by KSI, took the crown, beating YouTuber Niko Omilana’s NDL FC 5-2 in the final to become Baller League Season Three champions.

Prime FC knocked out Deportrio FC, managed by former Premier League stars Micah Richards and Daniel Sturridge, in a chaotic 5-3 semi-final.

Where else can you watch football legends, YouTubers and AJ Tracey all share the same pitch?

Only in the Baller League.

As fans anticipate the Call the Midwife prequel, they can enjoy four seasons of another heartwarming drama set in the 1930s.

Call the Midwife fans are urging period drama lovers to watch a show that features an All Creatures Great and Small star.

Earlier this year, season 15 of Call the Midwife left viewers in tears when Sister Monica Joan (Judy Parfitt) passed away peacefully at Nonnatus House from chronic kidney disease.

The much-loved, who had been a part of the BBC show since its launch in 2012, declined medical intervention for her health condition, allowing the illness to take its natural course, leaving her friends devastated.

The future of Nonnatus House also remains unknown due to advances in the National Health Service. However, the drama will return with a prequel, a movie, and season 16.

While fans wait for new episodes, they can watch another popular period drama featuring some well-known actors.

The Durrells, which originally aired on ITV back in 2016, is based on the best-selling book trilogy by author Gerald Durrell, chronicling his childhood on the Greek island of Corfu in the 1930s.

Keeley Hawes plays matriarch Louisa Durrell, who relocates her family from Bournemouth to the island of Corfu after struggling financially following the untimely death of her husband a few years earlier.

Making up the Durrells are Louisa’s four children, including sons Lawrence (Josh O’Connor), Gerald (Milo Parker), Leslie (Callum Woodhouse), and her only daughter, Margo (Daisy Waterstone).

All Creatures Great and Small fans will recognise Callum Woodhouse as rule-breaking veterinarian Tristan Farnon in the period drama.

The Durrells consists of four seasons and proved a hit with critics and viewers alike, earning a BAFTA and a TV Choice Award for Best Drama Series in 2017.

Seasons two and three also still have a perfect 100% Rotten Tomatoes rating, with one fan describing it as: “Full of sibling squabbles, an exasperated mother and gorgeous beach scenery. Despite the family drama, Durrells always maintains a sweet, loving tone.”

Taking to Reddit, one Call the Midwife asked: “Almost done with Call the Midwife on Netflix and it has become my newest comfort show. What else can I watch that will scratch my cosy historical itch?”

One person replied: “The Durrells or All Creatures Great and Small!”, while another echoed the sentiment and commented: “Yes! The Durells of Corfu was the first thing I thought of!”

“The Durrells is great”, added one fan as another suggested: “Agree and would add Grantchester.”

On IMDb, one fan referred to The Durrells as a “Lovely, quirky show”, while another commented: “Heart-warming but in a good way”.

“I see this as a charming, sun-baked, Mediterranean-blue inspired bit of froth. The family is suitably wacky, the scenery is stunning and the script is full of good fun. Opa!”, added another.

The Durrells is available to stream on Disney+ and all seasons of Call the Midwife are available to watch on BBC iPlayer

A HUGE British band has been forced to cancel their UK tour after one of the member’s revealed a devastating diagnosis.

Popular indie duo Seafret have scrapped the remainder of their current UK tour after the band’s lead guitarist Harry Draper was diagnosed with a debilitating eye disease that will eventually cause him to go blind.

The band, who consist of Harry alongside frontman Jack Sedman and first formed in 2011, shared the news in a statement on the band’s social media on Tuesday afternoon.

Harry explained he had been diagnosed with Stargardt, which is a rare genetic eye condition that causes progressive central vision loss.

The post read: “Hey everyone, I’m so sorry to have to do this, but I’m afraid I’m going to have to cancel the remainder of the tour.

“I’m going to be totally honest with you, I’m struggling. I’ve recently been diagnosed with an eye disease called Stargardt, which will sadly mean I’m going to go blind.”

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The musician said he was going to take some time out but thanked his fans for their support and insisted “I won’t let this stop me”.

“It’s been so much to get my head around, and I’ve really struggled to see last few nights on stage,” the statement continued.

“I just need to take a bit of time out to get my head around all of this.

“I won’t let this stop me, but I do just need a little time.

“I know you’ll understand, you’re the best fans in the world. From the bottom of my heart, I’m so sorry. Harry xx.”

The band’s fans rushed to show their support for the musician following his statement regarding his diagnosis. 

The duo kicked off their huge UK and European tour last week and were due to visit a number of cities around the UK before heading over to Europe next month. 

The band first achieved chart success in 2016 when their debut album charted on the official album charts.

They then went on to release a number of singles and EPs. Their biggest success came in 2022, when a sped-up version of their song “Atlantis” went viral on TikTok.

Following this, they released an official version of the song, leading it to chart all across Europe and pass over 400 million streams on Spotify.

While their monthly listeners on the platform increased to over 13 million.

POP star Mollie King has admitted that the birth of her daughter Annabella was a bittersweet moment for her family.

She and cricket star Stuart Broad welcomed Annabella, now three, in November 2022 – at a time Mollie’s father Stephen was dying from a brain tumour.

The Saturdays singer-turned-Radio 1 host has revealed that the sad circumstances gave her the incentive to book a C-section for the birth – to make sure Stephen would be able to meet his granddaughter before he passed.

Stephen died 10 days later, but got to meet Annabella thanks to Mollie’s decision.

Chatting to Giovanna Fletcher on the Happy Mum podcast this week, Mollie, 38, revealed that she learnt of her father’s illness when she was six months pregnant.

“It happened in August. And I had seen my dad that morning. We had gone out for a walk with my dog and with Stuart as well. And everything seemed pretty fine, pretty normal,” she recalled.

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“And then that evening, I had a call from my sister to say Dad’s not been very well at all – he’s gone into hospital.

“I was like, Oh my gosh. Basically, over the next few days, we got the news that he had a brain tumour, which is obviously shocking because there was nothing – there were no signs.

“And you just don’t know how to process it.”

Mollie went on: “I think that I was trying to really get my head around it and come to terms with it. But also, I’m in this stage of like – I’m pregnant, this is meant to be such a magical happy time.

“I was really worried that he wasn’t going to meet Annabella. I was like, I can’t have him not meet my kids.”

Mollie – who has since welcomed a second daughter – reflected on how her father had been a very “present granddad” for her nephews, and couldn’t picture her own child never knowing him.

“I was like, I just can’t have him not meet my little girl. It can’t be like that,” she continued. “And so… because of that… I’d booked in to have a C-section.

“I was like, I just need to know that she is going to come out at a safe time, but I need her to meet dad.”

Mollie admotted that, after she made the decision, she felt self-conscious telling the hospital staff of her reasons; but that they were happy to accommodate the C-section, booking her in for it right away.

Mollie was one fifth of The Saturdays – they released four studio albums and 18 singles between 2008 and 2014 before going on hiatus. Mollie then turned to radio presenting.

She welcomed her second daughter, Liliana, with Stuart in January 2025.

Skin Rocks is the skincare and anti-ageing brand founded by Caroline Hirons, and it has a steady stream of fans – including our beauty editor. Here’s her honest review of every product…

Octopus one even moderately interested in beauty will know about skincare super-influencer and author Caroline Hirons – as well as her expanding range of products, Skin Rocks. Shunning gimmicks and trends and instead focusing on brilliant formulas with clinically proven results, as well as with no-nonsense instructions, Skin Rocks has quickly become popular with beauty fans – including myself.

As Reach’s Beauty and Wellness Editor, I and my team have been lucky enough to try every product from Skin Rocks, often before they hit the shelves, from cleansers and moisturisers, through to the latest launch, The Strong Acid, so we know which are really worth shouting about. Spoiler alert: I’ve never used a Skin Rocks product I didn’t like – they’re expertly formulated, never irritate my skin, and are well packaged – but here are the products that I would genuinely rebuy when I get to the bottom…

READ MORE: Caroline Hirons on ‘utter filth’ beauty trend and the one product teens should avoid

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Pros

• Really well formulated: they’re very effective but never pill or irritate the skin
• Packaging looks and feels great, and is clear to understand, with notes about who it’ll suit (and who it won’t), and handy guides on the lids showing how much to use
• Clinically proven results
• Lots of the products are refillable, with refills costing a little less
• Lots of the products come in fragranced or fragrance-free options (I always choose fragrance-free)

Cons

• The prices range from mid range to high end
• Bottles are made of glass and are heavy (good for recycling, less good for travelling)

Skin Rocks product reviews

Skin Rocks Cleansers:

Caroline has been a vocal advocate for double cleansing since the beginning (before Skin Rocks, she created the two-in-one Double Cleanse with PIXI).

If double cleansing to you still sounds like too much time and effort, here’s why it’s probably worth you doing:

• Oil removes oil, which is why an oil-based balm cleanser is effective for make-up, SPF (especially water-resistant stuff) and sebum, the skin’s natural oil (which you don’t want to strip, but removing excess can be good). If your skin is normal/dry, you don’t use make-up and you’ve not applied SPF, you won’t need an oil-based balm cleanser. (Though by the way, if you’ve not applied SPF, that’s a bigger problem).
• Meanwhile a cream, gel or foaming cleanser will get off all the everyday grime, sweat and pollution – bits that those oil cleansers are not as effective at. That is why you might find the cream or gel cleansers aren’t the best for removing layers and layers of waterproof mascara – it’s not designed to.

The Cleansing Balm, £58 here

Though it’s probably your first step in a routine, this is the latest cleanser Caroline has released – and it’ll come as no surprise to learn that it’s truly one of the best I’ve ever tried. It melts into the skin, breaks down make-up and SPF easily, and emulsifies away quickly with water and a flannel, leaving skin feeling conditioned but absolutely no oily residue left behind.

There are also a few high street cleansing balms that I love and are cheaper, namely Versed Day Dissolve Cleansing Balm, £16.50, and e.l.f. SKIN Holy Hydration! Makeup Melting Cleansing Balm, £11. However, if you love luxe offerings such as Elemis Pro-Collagen Cleansing Balm (I’ve reviewed the newest cherry scented one here), I encourage you to try this Skin Rocks one next.

Side note: the Skin Rocks flannels are the biggest – and best – I’ve found.

Skin Rocks The Cream Cleanser, from £35 here

Skin Rocks’ first cleanser, and it’s a real goodie. As I’ve already covered, it’s not completely effective on layered up waterproof mascara, but for everyday make-up and daily grime, especially if your skin is on the drier side, it’s perfect. If I was only going to use one cleanser from Caroline’s range it would be the next one, but my colleague Octavia, with her dryer skin, would pick this one.

Due to popular demand, this and The Gel Cleanser (below) are now available in supersize 250ml tubes.

Skin Rocks The Gel Cleanser, from £39 here

This is nothing like the typical foaming, drying gel cleansers you’re probably used to. The formula is so unique – thick, nourishing and rich in moisture-locking glycerin – yet washes completely away as a milky liquid, that it would suit all skin types: young or old, dry or oily, sensitive or not. I squeezed out every drop of this and loved it, and would buy it again.

Skin Rocks Acids:

Exfoliating acid toners can brighten, renew and refine skin – though they are easy to overdo if you pick the wrong one for your skin type, age or routine – something I’m definitely guilty of. Caroline’s collection of three, covers all skin types and she’s really clear that the Strong is what is says in the bottle – so it’s not for everyone.

• The Control Acid, £45 hereIdeal for oily, congested and spot-prone skin, this salicylic acid (BHA) helps to control breakouts and minimise pores.
• The Gentle Acid, £53 hereThe brand’s original all-skin-types formula, contains AHA and PHA, is for tackling signs of ageing. It’s not actually that gentle compare to a lot that is on the market, but it’s a great balance of suitable for everyone to use but with effective results. I think you’ll notice a difference within a week if this is the first time you’re adding an acid toner to your regime.
• The Strong Acid, £75 here NEWThis is about as strong as an acid can get and stay on the right side of legal in this country. It’s a combination of AHAs, BHAs and PHAs in a secret formula (to prevent copycats) and even Caroline herself advises you don’t add it to your regime unless your skin is used to acid exfoliators already. You’ll feel it tingling on your skin when you apply (use cotton pads – not hands – for this one, and don’t be afraid to scrub a bit with them as you go to aid exfoliation). Two to three times a week is enough to see impressive results.

Skin Rocks Retinoids:

Retinoid 1, £70 here and Retinoid 2, £80 here

Retinoid 1 and 2 were Skin Rocks’ first products, and are a brilliantly formulated – and foolproof – way to introduce skin-renewing and anti-ageing ingredient vitamin A into your skincare routine: start with Retinoid 1, then move on to Retinoid 2. I find that I can use Retinoid 1 every night without any irritation, peeling or flaking; a rarity for me when using this potent ingredient.

Skin Rocks Retinoid 3, £90 here

Designed for more experienced users, Skin Rocks has launched its most advanced retinoid formula to date, created to deliver powerful results when targeting visible signs of skin ageing. The formula combines the brand’s highest concentration of vitamin A with 0.21% retinal and 0.5% Adapinoid — a third-generation retinoid known for helping to reduce breakouts while also addressing fine lines, texture, and overall skin ageing concerns.

According to Skin Rocks’ clinical studies, Retinoid 3 helped reduce the depth of deep wrinkles, minimise the appearance of UV pigmentation, and improve overall skin texture after four weeks of use. The studies also reported improvements in skin firmness, elasticity, and brightness. In consumer trials, 81% of users said their skin felt firmer after two weeks, while 91% felt their skin looked more youthful after eight weeks. The accompanying before-and-after images and customer feedback are equally impressive.

Skin Rocks The Eye Cream, £65 here

I’m fussy about eye creams – lots either irritate my skin, aren’t moisturising enough, or are too rich – but this one is absolutely perfect – immediately silky, smoothing and plumping. I’d happily use this one forever if I could.

Skin Rocks Moisturisers:

Keeping things as simple as possible, there are only three moisturises in the range – light, normal and rich, with each available fragranced or unfragranced. As someone with combination and occasionally blemish-prone skin, I go for the lighter Moisturiser, and it’s as close to a perfect face cream as you can get. It’s hard to pinpoint exactly why it’s so good, but it layers well with other products, leaves my skin looking and feeling much healthier and, crucially, doesn’t cause breakouts.

My colleague Octavia on the other hand, can’t get enough of the the rich version: ‘My skin is normal-to-dry, but generally dehydrated (probably because I’m better at drinking coffee than water) so I love, love, love The Rich Moisturiser, which I’ll happily use all year round. I love the instant drink feeling it has and how well it dried down to a make-up base with no pilling. It’s just silky. It’s not my only moisturiser, I change things up, but it’s a core part of my repertoire.’

This is definitely one I would invest in, beaten only ever so slightly in price by my other ‘near perfect’ moisturiser.

Skin Rocks The Eye Cream,£70 here

I don’t mess about when it comes to eye cream – I’m very particular! Many either irritate my skin, aren’t hydrating enough, or are too heavy – but this is instantly silky, smoothing and plumping. I’d happily use this one forever if I could afford to.

Skin Rocks The Antioxidant, £70 here

Admittedly the one Skin Rocks product I haven’t thoroughly tested, mainly because of the aforementioned stripping of my skincare routine down to basics in a bid to repair its barrier, but I has tried it a few times, and it feels so nice on the skin and gives an instant subtle glow, and I love how it contains more antioxidants than just vitamin C.

The Hyperpigmentation Serum, £90 here

Another I can’t give a full review to as hyperpigmentation or melasma isn’t a big skin concern of mine, but as I’m naturally freckly I used this regularly in summer to try and reduce some of the unwanted post-summer pigmentation. If the clinical studies and incredible before-and-after photos of this new serum are anything to go by, this is the product I’d trust to help to tackle serious hyperpigmentation. I’ve also recommended it to others on numerous occasions and the feedback I’ve had was excellent.

Like all of Caroline’s products, it’s foolproof to use – it doesn’t pill, irritate or need introducing slowly into your routine, and feels wonderfully hydrating on the skin – and the results speak for themselves.

The Amplifier, £70 here

Another newbie on the Skin Rocks roster: a supercharged essence that does more than just hydrate skin – it’s clinically proven to make your other skincare products work more effectively, too, plus it increases moisture and skin firmness, and minimising the look of pores.

I’ve been using this liquid after cleansing and before serums for a couple of weeks now, and it’s an excellent way to add another light layer of hydration to my skin, especially at this time of year when the weather’s getting colder. I haven’t noticed a dramatic difference, but skin does feel smoother, softer and more hydrated afterwards.

I find this one quite difficult, because it’s a literal extra step in your skincare regime that I’d hope was already covered in other areas. But at the same time, it takes every one of your skincare products and makes it work harder, which in turn makes them better value for money. So overall, I wouldn’t say it’s the most essential product to have in your routine (I’d always prioritise a good cleanser, SPF and targeted serum), but if you can afford this additional step, it’s definitely a nice-to-have – a luxurious extra boost.

Conclusions – which Skin Rocks products I’d buy again tomorrow

Overall, it’s difficult to find fault with any of the Skin Rocks products. They’re a brand I completely trust, and I genuinely feel my skin would thrive using nothing but their range. That said, if I had to narrow it down to a few standout favourites, I’d choose the Retinoids, The Moisturiser, and whichever cleanser best matches your skin type and cleansing preferences.

If you’re beginning to notice new signs of ageing and want to introduce something effective into your skincare routine with visible results, I’d especially recommend The Acids. There are three options to choose from, so you can pick the one that best suits your skin’s needs and where you are in your skincare journey.

For more of Caroline’s practical, no-nonsense skincare advice, you can also pick up her books, Skincare: The New Edit, £17, and her latest one, Teen Skincare, £16.99.

True crime fans are urged to check out the Netflix documentary series described as “one of the best” ever made.

A “fascinating” Netflix series with a major twist is the perfect binge watch for fans of true crime documentaries.

The docu-series, which viewers have described as “heartbreaking” and “mindblowing”, first aired back in 2019.

It follows the stranger-than-fiction story of Henry Lee Lucas, who was known as “the most prolific serial killer in the US”.

However, the bizarre case takes an unexpected turn, and the series about his extraordinary life has left viewers stunned.

The synopsis on Netflix reads: “Henry Lee Lucas rose to infamy when he confessed to hundreds of unsolved murders. =

“This documentary series examines the truth – and horrific consequences.”

Titled The Confession Killer, the Netflix series was a hit when it first came out, earning a rare 100% fresh score on Rotten Tomatoes.

Audiences took to the review section to share their thoughts on the mini-series, with many praising its detail and calling it a “must watch”.

“Superb, my mind was blown as the story unfolded,” one person wrote, as another agreed: “This is amazing. One of the best, if not the best, true crime doc series of late.”

“Very well described in terms of details and information. Very little bias,” another praised, as a fourth person said: “Henry Lee Lucas is a tragic story where everyone involved was surprised in the end. It’s heartbreaking. You must watch it.”

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Another person reflected: “As someone as complicated as Henry Lee Lucas, this is probably the best and most well put together documentary about him that has ever been made.”

One more viewer observed: “This was fascinating and SO well done. The old footage was terrific as were the interviews with people who are still alive to tell their versions of the story. I was hooked.

“I thought I was just watching a good profile of a serial killer and then everything took a completely different turn. Anyone interested in true crime will find this a compelling documentary. Highly recommended.”

Critics also applauded the documentary, with Mashable noting: For true crime devotees, watching the five-part series will do more than hit the spot.”

The Confession Killer is available to stream now on Netflix.

The Strictly Come Dancing star turns detective to investigate the mysterious death of her 14-year-old great-aunt in 1888, before uncovering a heartbreaking truth about why her grandfather was the only one of six siblings to be given up for adoption

Strictly Come Dancing star Amy Dowden is set to turn detective this week as she delves into her Welsh family history – uncovering a potentially murderous story and a heartbreaking family secret that left her in tears.

The professional dancer, 35, takes centre stage in the second episode of Who Do You Think You Are?, airing tonight, as she embarks on an emotional journey through West Wales that will see her investigate a rumoured murder and discover the painful truth behind her grandfather’s adoption.

Amy’s investigation begins with the death of her three-times great aunt Elinor, who died aged just 14 on a farm in 1888. Playing detective, the Caerphilly-born dancer travels through Ceredigion and Carmarthenshire, desperate to uncover what really happened to her young relative all those years ago.

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“I really enjoyed playing detective but, gosh, what we unravelled there,” Amy says. “I found myself really wanting to learn more, faster and quicker. I didn’t want to wait to have to go to court or wait to learn more from another historian, you get really hungry wanting all the answers as quickly as possible.”

While the murder mystery remains open-ended, Amy discovers something special along the way – that a valley in Wales, Cwm Nell, is named after one of her relatives. “It’s so beautiful to be able to see the impact she made in her short life,” she adds.

But it’s on her father’s side where Amy makes the most devastating discovery. Determined to find answers for her dad, who never had information about his own father Frank’s birth family, Amy uncovers why her grandfather was the only one of six siblings to be unofficially adopted.

Frank was informally adopted as a baby after his mother Louisa died of breast cancer aged 39 and his father Bill, a Welsh miner, was left struggling to support six children during the 1921 miners’ strike.

“It was really shocking and emotional, but it was the answer to so many questions,” she explains. “Before we struggled to understand why my grandad Frank, who was one of several siblings, was the only one given up. We could never really understand why. But from the information we learnt, I think we felt a real sense of empathy, and then the sadness and heartache for them took over, really.

“My dad’s reaction to the news was that he was really shocked and quite upset.”

The journey also sheds light on her great-grandfather’s honourable service during the war and the harsh conditions faced by her working-class mining family. “You know about the history, but I don’t think you ever know about the severity of it all,” Amy reflects. “When you’re reading and seeing how it affected your own family it hits differently.”

For Amy, who is Welsh “through and through,” the experience has only deepened her connection to her homeland. “It’s made me even more proud to be Welsh,” she says. Her parents were so captivated by her discoveries that they retraced her steps, visiting every location from the programme.

The episode has brought together family members together, including Amy’s second cousin. “It really brought families who had never met before together. It’s been really heartwarming, really lovely.”

Who Do You Think You Are? airs on BBC One tonight at 9pm

RIVALS star Emily Atack has revealed she was touched and sent inappropriate text messages by male co-stars when she was a teenager.

Speaking in a new interview with Grazia, she expressed: “I’ve done so many things; I’ve done 13 movies. I’ve worked on some incredible sets and really difficult ones.

“Where I was a teenager, I learned to accept that on certain sets things were going to happen – whether it was touching me, whispering things in my ear between takes when nobody was listening, or texting me outside of work hours with inappropriate things.

“I’ve been through it,” the 36-year-old admitted to the publication.

Her latest show, Rivals on Disney+ features plenty of raunchy scenes but Emily previously praised the use of intimacy co-ordinators on the sets.

Speaking about the use of them in September last year, the mum-of-one explained: “I’ve seen people roll their eyes about them and say, ‘I don’t need one.’

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“There’s a defensiveness about it, because they feel like they’re being accused of something they haven’t even done yet. 

“Intimacy coordinators are there for support if you feel uncomfortable, whether you’re a man or a woman.

“I’ve been sexually assaulted at work throughout my career, whether it’s on the actual set, or at a wrap party. 

“And since the #MeToo movement, it shows that people are listening and that there has to be a shift in behaviour on sets.” 

The actress, who plays Sarah Stratton, told Radio Times: “I’m really proud of the Rivals gang because, throughout my life, I haven’t felt safe all the time, and we’re all so respectful of each other.  

“We have to do a lot of sexual scenes and we’re very looked after — it’s a really positive thing.” 

Back in 2023, she was a part of the BBC Two documentary, Emily Atack: Asking For It?, which explored the devastating scale of online sexual harassment.

She uncovered the normalisation of cyber-flashing and addressed the societal tendency to blame victims for unwanted explicit messages.

Following the airing of the highly-praised documentary, Emily actively briefed MPs in Parliament to address loopholes regarding sexual harrasment.

Her advocacy helped secure legal protections in the Online Safety Act.

Emily rose to prominence in 2008 when she played Charlotte Hinchcliffe in The Inbetweeners.

As well as her acting work, she’s also made appearances on television shows including Dancing On Ice, I’m A Celebrity, Celebrity Juice and the new ITV quiz show Nobody’s Fool with Danny Dyer.

Outside of her career, she got engaged to materials scientist Dr Alistair Garner in July last year, with their wedding scheduled to happen this September.

The year before, she became a first-time mum when the couple welcomed their baby boy Barney into the world.

She wrote on instagram: “We have a beautiful son. Barney James Garner. All my dreams have come true”

The post featured a sweet black and white snap of Emily with Alistair and their new arrival lying on Emily’s chest.

When actors from TV’s top comedy series recently gathered for The Envelope’s Emmy Comedy Roundtable, any lessons they’d learned over the years about how not to break quickly went out the window — this year’s guests made each other laugh early and often.

Contributing to the hilarity were Danielle Deadwyler, whose English professor in HBO’s “Rooster” has her life disrupted by a bestselling writer; Donald Faison, who reprises the role of Christopher Turk, now chief of surgery, in the revival of ABC’s medical sitcom “Scrubs”; Sabrina Impacciatore, who embodies the vain managing editor of a failing regional newspaper on Peacock’s “The Paper”; Justine Lupe, who plays Morgan, a flighty but loyal sister and podcast co-host in Netflix’s rom-com “Nobody Wants This”; Lamorne Morris, who portrays New York City journalist Robbie Robertson in Prime Video’s Depression-set “Spider-Noir”; and Chris Perfetti, who features on “Abbott Elementary” as awkward but well-intentioned social studies teacher Jacob Hill.

In the course of our conversation, participants discussed surviving bad reviews, what fans misunderstand about comedy and, yes, how they keep a straight face during funny scenes (if not on The Envelope roundtable). Read excerpts from the conversation below.

What is the last thing that made you laugh out loud, whether it was meant to be funny or not?

Lupe: I have a one-and-a-half year-old. She’s just starting to talk. She doesn’t really say a lot of words at once, but she started doing this thing where, when she’s going poop, she just goes, “Oh, wow. Oh, wow.” And every time it’s just so cute.

Perfetti: I also do that when I poop, so please tell her it’s normal… I don’t know, guys. It’s scary times. I don’t find myself laughing out loud very much anymore. I guess to that end, I watch Jimmy Kimmel’s monologue every night and I think that it’s pretty drop-dead gorgeous. It’s so funny, and he’s using that platform in such a gorgeous way.

Faison: My daughter was playing a volleyball game against a very formidable opponent. I’m just going to put it out there: LeBron James’ daughter. She was serving and pushed everybody back with her serve. Boom! Everybody backs up. Now she’s got everybody out of bounds, then she taps it real soft and it falls in front of them. I laughed out loud. I was just so impressed, and my daughter looked at me like, “You mother—. Don’t you enjoy that!”

Impacciatore: A couple of days ago I was fighting with my boyfriend and it was a very bad fight and I really wanted him to understand my reasons. I was trying to put on my trousers and unfortunately I put two legs in one [side]. He started to laugh so loud and I was so upset. And then I started to laugh loud too. But it’s horrible when it happens, because I’m a very serious person when I fight.

Donald, the last season of “Scrubs” concluded in 2010. Now Dr. Turk is back working at the hospital with his buddy J.D. (Zach Braff) and a lot of the original cast. What was it like stepping back into that world?

Faison: When the pandemic happened, Zach and I did a rewatch podcast of “Scrubs,” and that’s where all of this started to formulate again. In doing the rewatch podcast, we researched what the fans liked, what we liked, and what we thought was funny. And we were very honest about it. If it sucked, we said it sucked. Then the T-Mobile [ad campaign with Faison and Braff] happened. So for the past five or six years, I’ve been playing Turk to Zach Braff’s J.D. When the revival came around, it was easy to slip back in because we had been doing this banter for so long. The only thing that’s different is that he’s older, but maturity has not set in with him yet. He’s a 50-year-old kid who’s really good at cutting people open and training younger people, but for the most part, he’s still silly.

Chris, “Abbott Elementary,” which follows several teachers at an underfunded public school in Philly, is heading into its sixth season. That means you’ve been playing Jacob for quite some time. Do you ever find the line between your personalities blurring?

Perfetti: The line between Chris and Jacob is definitely blurring. When we first started, I was shocked that [creator] Quinta [Brunson] saw me as this person. We weren’t alike at all, but I trusted that she saw something [in me] she wanted to exploit. Now, I would be so lucky to steal some of what he’s got going on. He’s unbelievably loyal and ambitious and really comfortable in his own skin. He leads from that place. And I need to shut the hell up and stop telling the writers things about my own life because now they’re showing up in the show. So truly the line between Chris and Jacob is getting weirder.

Danielle, “Rooster” takes place at a fictitious college. You actually have several degrees, including multiple master’s. Did you draw on your own experience in academia for “Rooster”?

Deadwyler: I was a student, and that’s a very different dynamic than being an administrator or a professor. But I dig education. I dig the intention of the environment, the debate, the ongoing pushing of the self and weaving that into your personal life. It’s all super connected. So I just brought that to the show.

You’re renowned for your work in intense films like “Till” and “The Piano Lesson.” Do you use a different muscle for comedy?

Deadwyler: I was always saying to the [“Rooster”] team, ‘Hey, guys, I feel good. I can breathe. I have energy to do things. Is that normal for people?’ So yes, it’s a completely different muscle. But [co-star] Steve [Carell] says this beautiful thing that characters don’t know whether they’re in a comedy or a drama. And that’s about as true as it gets. You bring full rigor and development and discipline to the making of a role, regardless of what genre.

Justine, how much do you relate to your character Morgan in the interfaith romantic comedy “Nobody Wants This”? Or is it more like you want to fix her?

Lupe: I don’t know if I want to fix her because that’s what’s compelling about her. I have so much fun playing the mess of Morgan. I relate to her. I started off where she was kind of a semiautobiographical story of [show creator] Erin Foster’s relationship with her sister, Sara. Then immediately the ship left the dock when I took the character. Justine has now taken over this idea of who this person is, and it’s a lot more sloppy and unbridled. The mess of her is actually me, because I’m a little bit sloppy as a person.

The show really captures the relationship between siblings, and sisters in particular.

Lupe: I identify with the idea of being someone who’s evolved past their original home life, and then going back into circumstances with your family, and regressing immediately. I wanted to play with that dynamic. Morgan might think that she’s evolved past certain things and then the minute she’s codependent with her sister, they devolve back into the bratty kid-like versions of themselves that are like picking on each other. I know the feeling, when you go back home and you’re like, “Wow, have I grown up at all?”

Lamorne, “Spider-Noir” is based on a Marvel comic and is set in an exaggerated version of 1930s New York. Audiences have the choice to watch the series in black and white or in color. How does the tone change between the two styles?

Morris: I watched both and they both have their own unique qualities. I would say the way folks should watch it is the way we traditionally watched TV as a people. You start in black-and-white and then when color was introduced, you would go back and watch those same films when they added color to it. While we’re filming it, [I was thinking] “How are they gonna make this visual effect look cool in black-and-white?” And then you watch it in black-and-white and you go, “What the f—?!” And I go back and watch it in color and go, “Holy — it looks great in color, too.” Everything down to the wardrobe [and] the set design, you watch it in black-and-white and it looks bold and as vivid as if it were in color. But then when you watch it in color and you go, “Holy crap, that house is blue, that suit is orange.” So just go watch it in both versions.

Sabrina, your character in “The Paper” wants to be the managing editor of the Toledo Truth Teller, but she’s really all about the clickbait. How much did you know about that conflict in modern journalism?

Impacciatore: I made sure not to know anything about it because Esmeralda doesn’t have a clue. Esmeralda is not a real journalist. Esmeralda is there for some mysterious reasons that I’m trying to figure out. She’s the queen of bull—, so I made sure not to know anything about journalists. And because I had played Valentina in “White Lotus,” I wanted to make sure that this character is going to be completely different from her. She must be out loud, she must be big. So I made some choices about her, for example, the nails. I still have these nails because I’m still shooting, but usually I don’t have long nails. But these nails started to make me think in a different way, to move my hands in a different way. Like these are guns, weapons to manipulate people. [Touches Morris with her nails.]

Morris: Consider myself manipulated.

Impacciatore: I’m the opposite. I have no filters in life. I am my own worst enemy. I’m too transparent. I don’t know how to hide feelings. So I thought, “What does she do?” Because it’s a documentary, she thinks one day she will be a star. So I have her have hair like Rita Hayworth the first day I arrived on set. They were looking at me like, “What is she doing?” They didn’t get it, so I had to explain that she wants to be a star. Once you start to play a manipulative person, you see manipulation everywhere. It’s like now I’m losing a bit of innocence, because I don’t trust anybody anymore. Now randomly I say, “Are you trying to manipulate me?”

“The Paper” and “Abbott Elementary” are mockumentaries. Does it make a difference in how you’re performing when it’s shot in that style?

Perfetti: On our best day, we’re trying to dupe people into believing that it’s real life. But similarly, I think Jacob thinks that he will be the star of this documentary whenever it comes out. He’ll be an executive producer on it. So there’s very much an element of having one foot in the audience’s experience. His outrage is heightened because he knows it’s being captured on film. I grew up doing plays and so it’s an easy dynamic to borrow from. When you’re on stage, even on your best days, you always have even a pinkie in the audience’s experience. You have to be able to be in conversation with them. The mockumentary format really allows for that and I think it informs the show in a really beautiful way.

Impacciatore: The first time that I watched “The Office,” I thought, “This project is incredible, but the light is so horrible. I will look so ugly.” I was trying not to be chosen for this project because I was so scared to be so ugly. So when I arrived on set as the character, I brought my own ring light and I said, “Guys, Esmeralda, because she knows she’s in a documentary, she needs her own lighting.” I got away with it. To me, comedy is a very serious thing.

What do audiences underestimate or misunderstand about what it takes to make a comedy?

Deadwyler: The assumption is that you’re being funny, and it’s not that at all. When you [Chris] just talked about doing plays, I was thinking theater is the thing that enabled me to really lean into the joy and transition into working on “Rooster.” There’s a rhythm and a quality of engagement that I learned completely in the theater world that applied to the gelling and the cohesion of “Rooster” in all of the scenes. So leaning into drama enables you to lean into the hilarity or the quirkiness or awkwardness of humor.

Morris: If the script is funny, it’s going to be funny if you’re an actor playing it real. And obviously you have throughout history those characters who know how to add to that, who can ham it up in such a way. Chris Farley and those guys. The Belushis, the Will Ferrells. They can take something really funny and just say, “I’m gonna add my stamp to it so when you see this type of humor, you know it was from me.” Then you have your Judd Apatows of this world who can create a funny environment and all the actors are basically playing it real and playing it straight.

Faison: People think you’re actually that funny or you’re that quick and you can come up with those jokes that fast. But really you’re saying somebody else’s words and you’re being somebody else. Somehow I got labeled as a stand-up comic. I’ve never done stand-up in my life, but I’ve been in so many comedies that people think, “He must be funny in real life.” I imagine Jack Black must hate going outside because everybody’s, “Do that skandosh, sliggidy, diggity thing that you do!”

Deadwyler: They want you to do that you do for drama, too.

Morris: “Make me cry”?

Deadwyler: They want you to give them the feeling that they know you for, because that’s all they’ve witnessed of you. They want me to ride a horse. They want me to cry. And it’s like, “I’m just trying to get these chicken wings and go home.”

And trying to break out of that, whatever that is, and move on to the next thing that you want to do.

Faison: For a long time it was very difficult as an actor to do anything else other than comedy, because you could get typecast. That’s something that happens right away. You could be the best friend for the rest of your life if you’re not careful.

Morris: I came up in traditional comedy. Second City, Chicago. When I was a kid, I didn’t care about anything else other than like making people laugh. So in plays and things, I was always cast as the comic relief, back in my ham-it-up days. Up until the beginning of my TV career with “New Girl.” I didn’t know who I wanted to be on that show. I didn’t know who I was and I’m thankful to the staff for just allowing me to grow into that character. But what I grew into was a f— clown. I just was like, “Oh man, I get to do this for seven years.” I loved every minute of it.

When you get recognized out in public or somebody knows they know you from something, who have you been misidentified as? Or do they simply call you by your character’s name?

Faison: I was at sushi once and it was actually another famous person that came up to me, I’m not gonna say their name. And he looks at me and goes, “Alfonso?” I said, “Nope.” And he hightailed it out so quick. I was like, “I gotta call Alfonso Ribeiro and tell him that somebody thought that I was him at a restaurant.” I’m glad to be recognized, but I am not Alfonso Ribeiro.

Morris: People think I’m everybody, but there’s one guy I get. Malcolm Barrett. This has been going on for 15 years. A good friend from theater school, we did every play together, he called me when I moved to L.A. and was like, “Dude, congratulations on your AT&T commercial!” I was like, “What AT&T commercial?” And he’s like, “The one where you’re playing Pop-a-Shot basketball.” And I’m like, “That’s not me.” Years later, everyone, people would come up to Malcolm all the time and say, “Congrats on ‘New Girl.’”

Perfetti: I cannot go to Philadelphia because I suddenly now have 5 million new family members. I don’t get mistaken for an actual person, but I do love the moment where you pass them on the sidewalk or on the subway and you see the wheels churning in their mind.

Lupe: I have a yoga teacher that still calls me Willa [her character from “Succession”]. I’ve been going to her for like a year and she’ll be like, “And Willa, you want to move into down dog.”

Justine, you’ve been referred to as a scene-stealer more than once for your work in “Succession” and “Nobody Wants This.” What do you make of that?

Lupe: That was the thing about “Succession.” I started when I was 26 and I felt like I got to be a fly on the wall in so many incredible scenes with all-star actors. To even be even seen among that kind of company, it makes me so happy. I feel the same way about “Nobody Wants This.” I look around and I’m like, “Wow, these are just incredible people that I’m working with.” So it’s nice to know that people are even registering my existence.

Perfetti: Willa is responsible for what I think may be one of the funniest TV moments ever. I can’t remember which season where you read your reviews and throw the iPad overboard, but it lives in my mind rent-free. The sound you make, the way that you just kind of stare off into the distance afterward, it’s one of the greatest things I’ve ever seen.

Do you read reviews of your work?

Morris: I did a movie called “Sandy Wexler” with Adam Sandler and he said to me, “Hey buddy, when a film comes out, don’t read the reviews.” He’s like, “Who cares? We got our own thing going.” … It allowed him to stay true to who he is for his fan base, which is larger than life. If you start caring so much about what people think about your art, it’s going to change what got you there in the first place. That’s what Jamie Foxx talked about after winning an award, you don’t want to switch it up all of a sudden because everybody looks at you like you’re this great actor, you won this thing, and you start doing things differently.

Impacciatore: On set, if someone gives me a feedback about something that he liked, I don’t want to hear that because it feels like a trap. And I don’t want to know what worked and what didn’t work because I want to be free. I want to explore things. Reading a review … it’s something rational that is describing something irrational. Like to me, acting is an irrational act. It’s wild when it happens. It’s going somewhere else and not even knowing what you did.

Faison: I tend to not look at reviews. This was the first time ever in my life … when “Scrubs” came out this time around. It’s because we made it for the fans. It was strictly for the fans. So when we put it out and the critics were very nice this time around, that was cool. And then you get to Reddit and Instagram and you’re waiting for them to be like, “You guys suck!” “How dare you?!” And that didn’t show up. It was like, well, I’m gonna read the reviews then.

Lupe: I once had a critic call me a “bargain-basement Gwyneth Paltrow.”

Morris: You’re like, “Gwyneth Paltrow, you say?”

Lupe: As long as the word Gwyneth is in there, I’m OK.

Morris: If someone calls me “a bootleg Eddie Murphy,” I’m retiring.

Faison: “He kind of reminds me of a poor man’s Richard Pryor.” Why, thank you.

Lupe: There was like a part of me where I was like, “Well, if I can make it through that, then whatever. Who cares? It’s just fun to hear people’s perceptions of what you’re putting out there. How people interpret it. Because sometimes you can’t see the forest through the trees. If you have enough perspective, it’s interesting to hear the dialogue about the things that you’re working on.

Deadwyler: If it’s productive, I find that critical analysis is useful. But if it’s critical stabbing, that’s useless to me.

Faison: I have a question for all of you guys. When it comes to acting on set, do you prefer to see what you just did or do you prefer to trust what the director says? When it comes to comedy, I wanna see what the f— we are doing just to make sure we’re in the rhythm.

Lupe: I don’t watch it in the moment. I’ve gotten easier on myself watching things after they’re released. When I first watched my work, I just wanted to like, in all honesty, tear my face off. It was really a tough experience.

Morris: If I trust the director, I never look at the monitor. No knock on, like first-time directors, because I work with a lot of first-time directors that I trust, but there are some from time to time that just go, “It’s great,” every take. And so sometimes I have to go, “Just give me a second, let me see.” … A couple of times [they’d tell me], “Everything you did was brilliant.” And I know for a fact it wasn’t. So now I don’t trust s— you say.

The Envelope’s 2026 Emmy Comedy Roundtable: Lamorne Morris, from left, Justine Lupe, Chris Perfetti, Danielle Deadwyler, Donald Faison and Sabrina Impacciatore.

Chris, the cast on “Abbott” are so good at bouncing lines off one another. How are you not breaking all the time, or are you?

Perfetti: It’s certainly gotten harder as we’ve gotten closer. We’re all trying to make each other break now. But we’re pretty good. The show is sort of made on the fly and we’re constantly throwing jokes away or trying to see how far we can push something. I think a lot of what we find funny on “Abbott” is people trying to avoid pain. Even when it’s ridiculous, it doesn’t feel too hard to keep our feet on the ground. We’re also so blessed with the mockumentary [format]. The story is very much told by the camera. So I’m always on, and something that comes up in that take might make it into the final cut because there’s three cameras going at all times. But Quinta probably breaks the most because … she genuinely forgets about some of the jokes that she writes. And so when she hears it again, it takes her by surprise.

Lupe: There is something to that energy of people enjoying being in that kind of space with each other, like on the verge of laughing. Riding the line of being just about to break, it’s so much fun. The chemistry between them is so palpable. When you see a break like that, you’re like, “Wow, they’re really enjoying each other.”

Morris: [It’s hard when] I’m literally loopy, it’s late and I know this actor I’m working with is a f— killer. I start laughing before we roll, and I’m like, “This is gonna be so difficult.”

Lupe: And then it’s like that thing when you’re like a little kid, where someone’s like, “Stop laughing” and it makes it worse because you are trying so hard not to laugh.

Impacciatore: If there is that moment where we can break, there is a real abandonment and there is a real freedom … It’s the most beautiful feeling about being an actor. It’s about feeling less lonely.

Faison: Danielle, you’re working with Steve. First of all, he’s gonna break everybody. I’m pretty clear that everybody on set’s gonna laugh because he’s just got that. But has anybody made him break yet? And who is that person? I know if I made Steve Carell break in the middle of a scene, I’m dancing for a while. I’m gonna be calling my mom like, “Yo, he f— laughed at my joke!”

Deadwyler: I know that they wilded out the day the bed broke [during a fight scene with co-star Phil Dunster]. But I have not seen him break in that way. He is so rigorous. He’s about building the character, building a dynamic, trying to tell a full story.

Lupe: He also must have so much practice from “The Office.”

Deadwyler: He’s strong.

Faison: I laugh harder at “Saturday Night Live” when they break than when they keep it together.

ZOE Ball has opened up about having an empty nest at home, after her daughter Nelly, 16, moved out to live with her dad, Fatboy Slim, full time.

The former Radio 2 DJ, 55, who recently lost out on the Strictly Come Dancing hosting job, is now living in a “quieter” house with her boyfriend.

Mum-of-two Zoe shares both Nelly, and son Woody, 25, with her ex-husband, Norman Cook, 62.

But, the presenter has revealed how her house is now “so quiet” after both of her children had moved out, as her son now lives in Bristol.

Speaking to Jo Whiley, 60, on their Dig It podcast, Zoe reflected on how empty her Brighton home was, in comparison to her co-host’s busy house.

“Mine’s so quiet, it’s like ugh! It’s less and less because Nel is based more at her dad’s now because I think she’s got to that point of, ‘Ah can I just be in one place?’” the star said.

HAVING A BALL

Zoe Ball on why she’s GLAD she missed out on Strictly & ‘rant’ at producers

STRICTLY SNUB

Emotional Zoe Ball reveals ‘grief’ & ‘rejection’ over Strictly host job snub

“All of her CSI revision notes are on the wall at her dads and it’s just [nice] not having to move from house to house, so she’s just spending more time there now.”

Zoe then revealed how Nelly was not far away, as Norman lived closed by.

“It’s great because it’s only around the corner and I can nip round at any time, which is great, and she can come here if she gets upset about anything like, ‘Mum, I need you’ but it’s less and less,” she said.

But Zoe isn’t on her own in her big house, as she moved her boyfriend Mathieu Weekes, 49, into the family home earlier this year.

The couple have been dating for a year now, with the pair completely smitten with each other.

Speaking about being a single mum and dating, Zoe previously told her podcast: “Introducing new partners, it’s a tricky one.

“You just have to go with the feeling of it. I think it’s okay to have a bit of a private life that isn’t part of the kids’ life for a little bit.

“In the past I’ve rushed that by welcoming someone in and being like ‘here’s my kids. Here’s my life. This is me.’

“And it’s all a bit much. It’s all a bit much for me. It’s all a bit much for the kids.

“Hopefully at some point there is someone where you think actually this person’s pretty cool and they’re pretty laid-back and they’re not going to come in and demand to be part of your kids’ lives.”

Meanwhile, this latest revelation comes just days after Zoe opened up to The Sun about how she REALLY feels about not getting the plum Strictly hosting job.

The star was beaten to the role by comedian Josh Widdicombe, 43, presenter Emma Willis, 50, and dance pro Johannes Radebe, 39.

The trio take over from Claudia Winkleman, 53, and Tess Daly, 57, who stepped down last year.

Zoe told The Sun: “I screen tested with Josh and he is hilarious. He is going to be so good.

“Emma is just gorgeous and I love Johannes, so they are going to ace it.

“And I don’t have to have a facelift, so I’m quite happy.”

Zoe also sent her congratulations to the trio, and thinks they will give the series a boost.

She said: “I have messaged Emma, Josh and Johannes — they are going to be brilliant.

“You know what? It needed fresh energy, and you can totally see why that’s happening.

“It’s like, move forwards, and that is great.”

Love Island have confirmed the first three singletons for the upcoming series, and it’s set to get even hotter this summer with a DJ being thrown into the mix

Love Island is back – and the first singletons have been revealed. These include Robyn, a quantity surveyor and DJ, Lorenzo, a businessman and Mica, a student from Barbados who lives in London.

The series is just days away from starting, with a fresh batch of singletons hoping to find the love of their life in the Majorcan villa during the summer of love and ITV is pulling out all the stops this year. But one thing is certain, one singleton will not be played by any men in the villa.

Liverpudlian Robyn, 21, a quantity surveyor and DJ, says that everybody in the villa will be equal and she’s hoping that nobody will think they’re better than another person. She said of the type of person she doesn’t want to meet: “Someone full of themselves or someone who thinks they’re better than everyone. You’re never better than anyone next to you. Also, people who eat with their mouth open – it’s a no from me.”

But Robyn has her eyes firmly set on one type of man, although she admits she finds personalities attractive too. She’s hoping to meet a man who is “tall, fair, muscles, nice teeth, pretty boy.” A situationship is also off the cards for her. She explained: “Finding love is my only goal. There may be a little bit of drama but I’m going in there for myself so I’ve got to do what I’ve got to do. But I would like to think I’m a girl’s girl and that I handle situations quite well. I’ve got a mature brain.”

Robyn also says she won’t be quick to jump into a relationship; instead, she wants to really get to know her next partner. She explained: “I like to observe first. I wouldn’t say I’m a slow burner, but I like to take in someone’s personality, how they carry themselves, and how they interact with other people. I won’t just rush into something; I have to genuinely like someone. And I’m an absolute star, they’ve got to tick all the boxes before they even have a chance with me.”

And that leads us on to business owner Lorenzo, 28, from Hertfordshire. He admits he’s looking for a blonde girl, but hasn’t ruled out any other hair colours. And he’s partial to dating a “posh girl”. Lorenzo admits he has a “niche” attraction to one part of a woman’s body – her arms.

“I don’t know why,” he said, adding: “It’s really strange! Imagine like a Jessica Alba or an Angelina Jolie kind of arm and neck, I find that very elegant. Very niche, I know!”

And like Robyn, he has no time for ill-mannered people; instead, he prefers high maintenance when it’s “done right”. “If someone is rude with it and not good fun or good vibes, I’d find that quite irritating,” he commented. But unlike Robyn, Lorenzo admits he’s hoping for drama in the villa.

“As long as no one is crying, all is fair in love and war,” he said. Speaking of the competition he’ll be up against, he went on to say: “I’m very much a self-deprecating person, so if I and another guy were interested in the same girl, I’d encourage her to go and speak to him, that’s how I’d navigate the situation. Sometimes it ends up working, reverse psychology!”

Mica, 21, a student from Barbados but living in London, says she’s after a tall man, as she’s quite tall herself. “I like a little bit of a buffer, a bigger guy,” she said, adding that personality is most important when it comes to finding a boyfriend.

One type of person she will not entertain is an “egotistical cringey” man; instead, she wants her boyfriend to be totally obsessed with her. And although she’s looking for love, she also wants drama. She revealed: “Obviously the whole point is finding love and that’s going to be my main goal. I’m not saying I’m going to start drama but if there is drama going on, I would obviously be a little bit nosey and want to know what’s going on.”

And she’s not going to hold back on the quest to find a partner. “If I have my eyes set on someone, obviously I’m going to pursue them,” she disclosed, before adding: “But if they’re not reciprocating that then I’m going to take a step back, have a think, and change directions and think about who else I could explore with.”

Love Island returns Monday 1st June at 9pm on ITV2 and ITVX

Junade Khan has joined Coronation Street as new character Idris Nazir and here’s everything you need to know about the actor including his eight years driving buses to his famous family

Coronation Street newcomer Idris Nazir is poised to cause disruption.

Alya Nazir’s (Sair Khan) cousin has landed in Weatherfield and is set to catch the eye of Leanne Battersby (Jane Danson) as he establishes himself over the coming weeks.

Nevertheless, this isn’t Junade’s inaugural appearance on the cobbles. He portrayed the romantic interest of Rosie Webster (Helen Flanagan) 18 years ago. His character was named Saj and was shown approaching the Street’s resident in a nightclub during the peak of her John Stape abduction storyline.

As Idris gets comfortable, here’s an insight into the life of actor Junade including his notable family and his surprising job before securing his Corrie role.

Idris who wastes no time establishing his presence as he turns up unexpectedly in his expensive car, catching cousin Alya off guard, impressing Brody Michaelis (Ryan Mulvey), antagonising Daniel Osbourne (Rob Mallard), and pursuing one of Weatherfield’s unattached women.

Hinting at what audiences can anticipate from Idris, Junade revealed: “He’s multi-layered and incredibly ambitious. As a child, he suffered a lot of hardship and neglect, so he’s had to overcome those obstacles entirely on his own.

“He’s a lone wolf – the black sheep of the family who has made a name for himself. He’s addicted to success and the finer things in life, but there’s a real vulnerability there, too. It’s the first time I’ve played a character where I can show that side, which is a great gift for an actor.”

Junade is perhaps best recognised for his role as Ash Roy in Channel 4 soap Hollyoaks from 2008 until 2009, featuring in over 80 episodes. He has also had roles in Game of Thrones, Better, The Last House and Emmerdale.

In a candid chat with ITV, the actor disclosed: “I’ve been driving buses for eight years while doing little acting jobs here and there, so to be able to give that up, it was unbelievable. I even had a Coronation Street magnet on my fridge for years.

“I’d bought it after a failed audition for the role of Imran years ago. I was working in a call centre then and was so desperate for a way out. I remember looking at the magnet after my audition. It feels like a total full-circle moment as if it was all meant to be.”

Junade isn’t the sole well-known member of his household. His wife Gem Khan is a presenter, singer and owner of PopGems Academy. The couple’s daughter, Alara-Star Khan, is an actress with credits spanning both UK and US film and television.

She has starred alongside Hollywood icon Angelina Jolie in a film called Anxious People, featured in Ridley Scott’s The Dog Stars, and portrayed Poppy across all four episodes of The Serial Killer’s Wife for Paramount+ and Channel 5.

Their son Pacino Khan has likewise secured roles in a Marvel production and Waffle the Wonder Dog. Gem manages the children’s Instagram accounts and regularly keeps fans updated with the latest casting news.

Coronation Street airs weeknights on ITV1 at 8.30pm and available to stream from 7am on ITVX

Strictly Come Dancing star Amy Dowden was left in tears after uncovering a heartbreaking family discovery.

Strictly Come Dancing star Amy Dowden was left fighting back tears after uncovering a heartbreaking family secret during her appearance on BBC’s Who Do You Think You Are?

The beloved dancer delved into her ancestry on the popular genealogy programme, where she made a series of shocking discoveries about her family’s past.

Among them was the devastating revelation that a 13-year-old relative had been murdered, prompting Amy to seek out the truth behind the tragedy.

However, it was another discovery that truly struck a chord with the Welsh star. Exploring her dad’s side of the family after learning her grandfather had been adopted, Amy uncovered the story of her great-grandmother Louisa, who passed away young, leaving behind several small children.

The emotional revelation hit particularly close to home for Amy, who was diagnosed with breast cancer in May 2023, aged 32, after finding a lump before her honeymoon with husband Ben Jones.

Upon learning that Louisa had died in 1921 at just 39 years old from breast cancer, Amy was visibly overcome with emotion, reports Wales Online.

“Oh my goodness,” Amy said, speechless for a moment. “That’s made me a little bit emotional.”

Pausing to compose herself, she tearfully shared, “She was only in her 30s. I wonder if there’s a link between her and me.”

Amy continued: “What an awful few years they went through, the war and then this cancer diagnosis, never mind then the Lockout with the collieries.

“My mum had breast cancer and witnessing her go through it, that was tough. Just the thought of the family having to go through what we went through, and it would have been worse then.

“But also, knowing the timing as well. Poor Bill, losing his wife to breast cancer and then having six children.

“Also, she had one of the same type of breast cancers as me, and I’d love to find out more, did she get surgery, did she have treatment? Was there a chance of cure?”

She added, “Knowing what she went through is horrible, but I’m lucky, I’m still here; it took her life, so it’s a bit raw.”

Hearing of the treatment that wouldn’t have been available for Louisa, with cancer at the time known as an incurable disease, Amy shared: “I can’t imagine, I know what it’s like to have a cancer diagnosis, but I’m a lucky one, I’ve been able to come out the other side.”

Louisa’s six children were aged between 11 years old and just one year old, including Amy’s grandfather Frank, who was informally adopted after her death.

“You instantly just feel for these children,” Amy said. “To lose their mum, the girls grew up without a mother and probably also had to become a mother really to the younger siblings.”

She continued, “It’s heartbreaking to see a family go through losing a mum. I couldn’t imagine what it was like to be told you’ve got cancer, and knowing then that was a death sentence.

“I’d imagine Louisa and Bill had to make a very difficult decision, most likely together, about my grandfather Frank, and that must have been absolutely heartbreaking.”

Amy Dowden’s episode of Who Do You Think You Are? airs on Tuesday 2 June at 9pm on BBC One and iPlayer, with Zoe Ball’s episode airing tonight.

The Vicar of Dibley star Dawn French was taken aback when a fan yelled at her in the street enthusiastically but had mistaken her for her fellow sitcom legend Dame Joanna Lumley

Dawn French was taken aback aback when a fan mistook her for Dame Joanna Lumley. The comedienne, 68, is best known playing the title role of Geraldine Granger in The Vicar of Dibley, while former model Joanna, 80, starred as boozy fashion magazine editor Patsy Stone in Absolutely Fabulous alongside Dawn’s sketch comedy partner Jennifer Saunders.

The TV star took to social media on Bank Holiday with a humorous video where she recounted the situation for her fans and followers as she appeared to take it all in good humour.

She said: “So I did something on the telly and come out of there, just walking along and [someone shouts] ‘Hey you, you! You are absolutely fabulous.’

READ MORE: Dawn French shocks fans with talk of ‘funeral’ plans and the sad story behind new projectREAD MORE: Joanna Lumley says she believes secret to not ageing is not eating meat as she turns 80

“Oh, thank you very much!’ [And they said] ‘No, you are Absolutely Fabulous, Joanna Lumley. That’s you!’ Yeah that’s me all right!” Captioning the post, she wrote: “ABSOLOOOOTLY FABLUSS!!!”

Fans were quick to react to the post, with one simply writing: “Joanna Lumley,” and leaving behind a string of crying-laughing emojis. Referring to a moment from the second series of The Vicar of Dibley, in which Geraldine is mistaken for a celebrity, another fan wrote: “Its like someone thinking you’re Alison Moyet all over again!”

Another joked: “You’ve finally made it [face palm emoji]” and a fourth said: “Recognition get it where you can! and another said: “Poor fella probably thinks Joanna Lumley was a lady vicar.”

Author and singer Jann Arden wrote: “joanna lumley!! just the best. I once had someone come up to me in the grocery store, they were awfully excited and then proceeded to tell me that I looked like Jann Arden’s mother. So there’s that.”

Dawn is actually part of the history of Absolutely Fabulous, which followed the capers of hapless PR guru Edina Monsoon and her best friend Patsy.

The sitcom, which ran sporadically over the course of 20 years, was initially based on a sketch that appeared as part of French & Saunders titled Modern Mother and Daughter, where Dawn played the part of Edina’s straight-laced daughter Saffy, and the part was eventually taken on by Julia Sawalha when the project was greenlit as a full series.

Dawn later made a cameo appearance as a television presenter in the first series, and reprised the role for Absolutely Fabulous: The Movie in 2016, alongside a host of other guest stars like Rylan Clark, Kate Moss and Dame Joan Collins.

Joanna’s early career consisted of appearances in Coronation Street and The New Avengers but she has also gone on to become known for narrating a host of travel documentaries, and has found renewed sitcom success with a starring role in Amandaland.

Meanwhile, as well as French & Saunders and The Vicar of Dibley and more recent TV roles with Can You Keep A Secret? , Dawn has carved out another career as an author, having recently released her fifth novel Enough.

It follows a woman named Etta who at 68 invites all of her family to go to the beach as the sun is rising, where she tells them that by sunset, she won’t be there anymore.

“She’s made a decision to excuse her kids from the difficult, prickly last part of life,” Dawn said as she appeared on The One Show. “And she has made this decision thinking that it’s extremely selfless to do that.”

The star told the BBC show’s hosts Angellica Bell and Clara Amfo that she felt that the fact her own father had died by suicide gave her some “permission” to write the story. Dawn also shared that her own age – 68 – was also a factor when she penned the book.

She said: “I feel a little bit of permission to write this theme because I am a child of suicide myself. My dad took his life when I was 19. And I have lived with the various stages of grief about that for my whole life.”

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Emmerdale spoilers for next week tease big moments ahead on the ITV soap, from Dr Todd being exposed, to a planned Home Farm robbery and there’s also an affair heating up

It’s another big week ahead on Emmerdale, with new spoilers teasing big plans and secrets under threat.

Charity’s desperate when Kim pulls out of the Woolpack purchase deal. She instead asks Kim for a loan, but Chas overhears their conversation. Charity confesses to Chas she’s being blackmailed by Dr. Todd about Leyla’s true parentage.

Charity and Chas hatch a plan to rob Home Farm to pay Todd. When Charity can only give Todd a portion of the money she’s demanding, Todd demands the rest of it within 24 hours, or she will reveal her secret.

Laurel and Ross’ secret affair heats up, while Gabby is devastated over her rejection from Ross. As Ross and Laurel’s passion continues, only for them to almost be rumbled by Sam.

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To cover things up, Ross claims Laurel is Sam’s new dance partner as Sam continues to have secret sessions to impress Lydia. Kim is suspicious of Sam’s shifty behaviour though, while Nicola, knowing about Ross and Laurel, almost reveals all to Manpreet.

Kerry and Pollard present a united front after being conned by Archie. Liam advises Cain to find a practical solution to start living his life again and Gabby contemplates clean living.

Emmerdale isn’t the only soap seeing big things ahead, with Hollyoaks and Home and Away also offering emotional and dramatic moments in the coming days. On Hollyoaks, Diane’s funeral arrives, and Dee Dee is devastated by her late mum’s letter to Tony.

Dee Dee publicly calls out Leela, accusing her of trying to replace Diane. As Dee Dee turns to drugs to deal with her grief, Tony is concerned.

Elsewhere, Beth is convinced the Osbornes are hiding Charlie who has decided to go on the run from the police. As she organises a family lunch, what does she have planned?

As for Home and Away, Tane wakes from his coma after his recent brutal prison attack, and he shocks Jo by dumping her after she’s been supporting him at his bedside. Alf sparks concerns after his recent driving troubles, as he’s determined to visit Martha.

But when he faces accusations of a hit and run, is he to blame? Sonny wants to move back in with Dana, and Richie and Cash continue to clash at work.

So it’s a big week across more than one soap next week, with plenty to keep focus on. As ever some things are not revealed in spoilers too with plenty under wraps, so expect twists and turns.

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .