SHOW BIZ

Social media star Amelia Dimoldenberg is making way for a new chapter, ending her beloved celebrity interview series “Chicken Shop Date” after more than a decade.

The British personality, who has disarmed A-list celebrities with her deadpan delivery and brought her distinct interview style to the Oscars red carpet, announced on Thursday that the final episodes of “Chicken Shop Date” are imminent and that new work is on the horizon. “I never thought I’d stop Chicken Shop Date, I thought maybe it would be a part of me forever, and in some way it always will,” Dimoldenberg, 32, said in her Instagram announcement, “but I feel like it’s now time to move on from this adventure and onto a new one.”

Dimoldenberg began “Chicken Shop Date” as a teenager. It first manifested as a column in a youth publication before the host eventually took it to YouTube in 2014. In the years since moving to the online platform, Dimoldenberg became a viral sensation, sitting down for chats and chicken with stars including Cher, Keke Palmer, Charli XCX, Jennifer Lawrence and Andrew Garfield. She has published and produced, via her production company Dimz Inc., more than 100 episodes, with the series’ final installments on the way.

In her Instagram caption, the host reflected on her celebrity subjects over the years.

“I’ve spent my entire twenties sitting across from the most incredible people, people I’d always dreamt of meeting,” she wrote. “All of them charmed me (some more than others) and I definitely charmed them.”

She also wrote that “Chicken Shop Date” has been her “very own romcom” and also reflected on the show’s journey which has made her a staple on the awards circuit. She returned to the Oscars earlier this year to oversee its red carpet coverage.

“The beauty of my interviews is that they look so off the cuff,” she told The Times ahead of the ceremony earlier this year. “I think that’s what people like about me: I’m not going to be doing an in-depth look at their career or ask a very sincere question, but I will have done all my research so that I can ask them something that’s related to their movie or themes of their work or their interests that maybe catches them off guard. I don’t have to take the style of other reporters; I can do it in my own way.”

In the comments section, fellow social media stars and interviewers “Hot Ones” host Sean Evans and Ziwe celebrated Dimoldenberg. “Legendary run Amelia, I’ll be first in line for whatever’s next,” Evans wrote. Dimoldenberg and Evans appeared on each other’s shows in a crossover event in 2023.

For more than three decades, Liz Phair and Sleater-Kinney existed in parallel without ever quite meeting. They admired one another from afar, brushed shoulders only in passing, and, in some ways, represented opposing ways of challenging the limits placed on women in indie rock. Phair, who found novel and peerlessly smart ways to write about heterosexual skirmishes, used her ambitions to edge closer to the mainstream; Sleater-Kinney, one of the great duos of American rock, have succeeded in becoming the last band standing from the underground scene in which they emerged.

Both acts are about to share the stage for the first time, co-headlining a tour they’ve cheekily and earnestly named the Flannel and the Fury, with stops across the country, from El Cajon, Calif., to Ocean City, Md., and a night at Los Angeles’ Greek Theatre on Tuesday.

Yet, despite having spent more than 30 years orbiting the same world, they have had surprisingly little time together. This interview is one of a few substantial conversations they’ve ever had. It is, at first, slightly stilted. Carrie Brownstein and Corin Tucker (Sleater-Kinney) are in sync as always; Phair is clearly excited, but seemingly unsure of where to place herself in the dynamic. Now all in their 50s, the women have been asking similar questions of the same culture, and are only now getting the chance to compare answers.

“Sorry, I know you’re like, ‘Why aren’t you better friends?’ For me, that’s the point. I’m trying to be better friends,” says Brownstein. “Yeah, talk to us again when tour’s over,” Tucker adds.

Brownstein is sitting in a parking lot in Los Angeles, wearing a cardigan and glasses, people walking past her window, unaware of who’s inside. Tucker calls from her home, a blurred background behind her, wearing a white blouse and lipstick. Phair is at home too, makeup on and hair straightened, various musical instruments on the wall behind her. It’s a few weeks before their co-headlining tour, and Tucker has already loaded up all the equipment. She’s packed her suitcase too, full of socks she’ll throw away by the end of tour, and a wardrobe almost entirely of black.

“This is news to me,” says Brownstein. “I was thinking more of a chocolate brown. I will be all brown town.”

Phair is going for wine-like jewel tones. “A Cab Sav,” to be specific.

Phair, who’s had an on-and-off relationship with touring, is noticeably more nervous than Brownstein and Tucker. “It takes me two or three shows to get into it. At first I’m like, why are you all staring at me?”

Phair had been sitting on the idea of a co-headlining tour with Sleater-Kinney for a few years. She sheepishly says that she didn’t reach out herself, but got her manager to do it while she was working on the second half of her memoir. She’s been keen to share a bill with Sleater-Kinney ever since she heard their 1996 album “Call the Doctor.”

“By then, I’d started to pull back from indie rock,” says Phair. “I had gotten married, and I didn’t know I was pregnant at the time, but I was starting to drift out of this scene, and then they put out this kick-ass record, and I just remember thinking, I kind of want to be back in the game. It inspired me. It stuck with me.”

Phair felt she was atomized from the female coalitions of the ’90s, and that this co-bill might be a way to rectify that. “I’d love to be able to go back and sew it together again,” she says. “Here’s a band I was a fan of that meant something to me and now I can play with them.”

For Sleater-Kinney, Phair has long been more than a neighboring act. Tucker and Brownstein describe her as one of their “biggest inspirations.” Both have the same Phair favorite song: “Divorce Song.” “It’s a perfect song,” says Tucker. “I think I’ve put it on every mixtape I’ve ever made,” Brownstein adds.

By the time Phair released her debut album, “Exile in Guyville,” in 1993, she was the one of the two acts edging toward the mainstream. Within a year, she was on the cover of Rolling Stone.

“I still have a copy of the magazine,” says Brownstein. “We were all so excited. Like, an actual artist made the cover.”

Nirvana had made this small corporate alliance permissible a couple of years earlier, finding a loophole as Cobain wore a T-shirt that read “Corporate Magazines Still Suck” on their Rolling Stone cover. It was a time when an antiauthoritarian stance was the only artistically credible one. Before we started calling one another “performative,” Tucker, Brownstein and Phair came from a time when “poser” was the worst insult and sin. They came from a scene of ideological puritanism.

“You know when people die their life flashes before their eyes, sometimes, it’s like that when I do a deep dive, and I’m like, God, there were a lot of rules. There was a lot of fear. And I don’t think anyone who wasn’t there would be able to picture it,” says Brownstein. “It took us a long time to get over it.”

“OK, can I ask the question? Can I get right in here? Because I want to know,” Phair chimes. “Do you think that’s because there weren’t enough women? You think women would have brought the inclusivity to inclusivity?”

“Unfortunately, no,” replies Tucker.

“We had these all-female festivals in Olympia, and we had our own publicist, and they were like, how dare we?” says Brownstein. “You know, it was just gatekeeping, that now seems sort of repugnant. But it was also a way to establish yourself in opposition to what felt like the only way to be.”

It’s part of why Sleater-Kinney declined an invite to play Lilith Fair, the mainstream precedent for so-called female solidarity in music. One of history’s most famous traveling all-female festivals, Lilith Fair was considered by many in the Riot Grrrl movement to be an early symbol of the commodification of “girl power,” female solidarity aligned with corporate ideals.

Sleater Kinney

(Robin Laananen)

“It seems like they haven’t really given credit to women in an independent milieu who have organized a lot of female-only shows for years,” Brownstein told the Dallas Observer in 1998.

“I think at the time we thought we were too cool to play Lilith,” Tucker reflects.

“I’ll just leave your answer,” says Brownstein.

Then she changes her mind four seconds later.

“I saw the Lilith Fair documentary last year and got FOMO, I kind of regretted not playing” she says. “But at the same time we had a handicap from a small indie punk community that was kind of didactic, there was a real rigidity to what you were and weren’t allowed to do. Even us signing with Matador in the U.K. was considered too big.”

Selling out, they all conclude, is no longer a concern for anyone. Phair’s son, who is Gen Z, often says the phrase “it’s time to get the bag.”

“You know, every artist has the right to get their bag,” says Phair. “I always felt that way and I was especially vilified for it.”

That vilification reached its apex when she released her mainstream-aspiring self-titled album in 2003, an album Sleater-Kinney said they hated in an interview with Rolling Stone that year, and which Pitchfork gave a rare 0.0 score in one of its most notorious reviews.

“I’d be on tour doing 10 interviews a day back-to-back, and I almost had to give these interviewers therapy, because they were so sad about my turn from indie rock,” says Phair.

Phair is adamant she made her mark on “every one of those songs, except maybe ‘Favorite,’” she says, referencing the chintzy, awkwardly phrased track where she sings about her underwear. Maybe it’s a metaphor, but more likely, it is just a song about her underwear. Safe to say it won’t be on the show’s setlist: “I will never play it live.”

The old argument about selling out now sits inside a very different touring economy. Sleater-Kinney and Phair’s co-headlining tour happens to follow a flood of co-headlining tours this year, from indie acts like Waxahatchee and MJ Lenderman to big marquee names like Usher and Chris Brown. With higher ticket prices and more competition — not only with other touring bands but with the allures of home comforts — audiences need a bigger draw. Artists want an opportunity to play to big audiences, as well as a better chance of “getting the bag.”

All three artists insist they won’t necessarily bring home the bag, nor is that why they’re doing this.

“All our budget’s gone on to the lighting designer,” jokes Brownstein.

“When I do these interviews with you guys, I get kind of excited and nervous because I feel challenged in the best way,” says Phair. “I think co-headlining bills, it does let you go into bigger venues than you could by yourself. But it also, for me, gives me creative food, like nutrition. It makes me grow.”

When the 53rd Telluride Film Festival kicks off Friday high in Colorado’s San Juan Mountains, its lineup will span family rupture and sumo wrestling, AIDS and rock stardom, with films touching on astronomy, Rupert Murdoch and extraterrestrial biker gangs — a typically wide-ranging mix for a festival that likes to keep audiences guessing.

For festival director Julie Huntsinger, the films share less a theme than a feeling. “Tenderness is something that I see in a lot of the movies,” she says. “This is a very heartbreaking, tender year.”

Telluride’s intimacy is part of its peculiar power. Smaller and scruffier than the annual film events of Venice, Toronto or New York, the four-day festival has no competition or juried prizes and keeps its lineup secret until the last minute. Celebrities trade red-carpet formality for jeans and flannel, while audiences crisscross town between screenings in a high school auditorium, a Masonic lodge, the county courthouse and half a dozen other spaces pressed into service for the week.

For a festival that can feel this homespun, its awards-season footprint is remarkably large. Last year, five of the 10 eventual best picture Oscar nominees screened there: “Hamnet,” “Bugonia,” “Sentimental Value,” “The Secret Agent” and “Frankenstein.”

This year there are fewer obvious awards heavyweights in the mix, at a time when prestige and independent films have become harder to finance, distribute and sell to audiences. Then again, Telluride has never depended entirely on known quantities; films such as “Slumdog Millionaire” and “Moonlight” arrived with relatively modest expectations and left as major contenders.

“It’s such a quintessential Telluride lineup,” Huntsinger says of this year’s eclectic program. “They kind of always feel that way because they’re so handmade.”

Among the more than 40 films in Telluride’s main program are new works from major directors such as Martin McDonagh, Werner Herzog, Mike Leigh, Danny Boyle and Paweł Pawlikowski. This year’s Silver Medallion tributes — the festival’s signature career honorees — will go to filmmaker Andrew Haigh and actors Sandra Hüller and John Malkovich, who will make his first trip to Telluride.

John Malkovich and Sam Rockwell in Martin McDonagh’s “Wild Horse Nine”

(Diego Araya Corvalan / Searchlight Pictures)

Haigh, whose films include “All of Us Strangers,” “Lean on Pete” and “45 Years,” returns with “A Long Winter,” adapted from a Colm Tóibín novella and relocated from the Pyrenees to the American Rockies in the 1950s. Ebon Moss-Bachrach, Caitríona Balfe, Kit Connor and Fred Hechinger star as members of a struggling family that begins to unravel after the mother disappears.

Huntsinger calls Haigh deeply humanist. “I don’t know how Andrew is so skilled at getting these performances but that is truly his gift,” she says.

Malkovich comes to Telluride with the dark comedy “Wild Horse Nine,” the latest from McDonagh, writer-director of “The Banshees of Inisherin” and “In Bruges.” Malkovich and Sam Rockwell play veteran CIA operatives who, after helping destabilize Salvador Allende’s government in 1973 Chile, head to Easter Island on a more personal assignment.

“It’s my favorite thing that McDonagh has ever done,” Huntsinger says. “He’s quite incisive. It is a timely film. And Malkovich is extraordinary.”

Hüller returns after a breakout 2023 Telluride, where she brought both “Anatomy of a Fall” and “The Zone of Interest.” She has another two films in the lineup this year: Markus Schleinzer’s “Rose,” in which she plays a woman passing as a male soldier during Europe’s Thirty Years’ War, and Pawlikowski’s “Fatherland” as Erika Mann on a journey back to postwar Germany with her father, the author and Hitler critic Thomas Mann.

Huntsinger seems as taken with Hüller herself as with her artistry — “so much intelligence and compassion for human beings,” she says.

Sandra Hüller and Hanns Zischler in the movie “Fatherland.”

(Agata Grzybowska / Mubi)

Elsewhere, Ira Sachs’ “The Man I Love,” starring Rami Malek, Tom Sturridge and this year’s guest director Rebecca Hall, looks back at New York’s queer creative community during the AIDS crisis. In Simon Stone’s “Elsinore,” Andrew Scott plays “Chariots of Fire” star Ian Charleson, who took on the role of Hamlet at the National Theatre while dying of AIDS. Scott’s performance is already generating early awards-season attention.

Huntsinger hopes audiences won’t overlook Arthur Harari’s “The Unknown,” an uncanny body-swapping drama starring Léa Seydoux that uses its genre premise to explore questions of identity and selfhood. “It is really dense and obtuse but I think it is rewarding and I hope people take up the challenge,” she says.

Telluride has long emphasized nonfiction and this year is no exception. Among the higher-profile entries are “Pete Townshend: Behind Blue Eyes,” a portrait of the Who guitarist and songwriter, and Nanette Burstein’s “Carl Sagan: We Are Made of Star Stuff,” about the astronomer and science communicator. The slate also includes Bryan Fogel’s endurance-sports documentary “The Row”; Pegah Ahangarani’s Iran-focused “Rehearsals for a Revolution”; and Mark Cousins’ 16-hour “The Story of Documentary Film.”

“Everest: The Other Side,” from filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi, follows mountaineers Hilaree Nelson and Jim Morrison as they prepare to climb Everest’s north face and attempt an unprecedented ski descent. Chin and Vasarhelyi won an Oscar for 2018’s “Free Solo,” their nerve-shredding chronicle of Alex Honnold’s ropeless ascent up El Capitan.

Huntsinger calls the new film “an even more complex, emotional, deep and profound examination of what we call the call of the wild.” After seeing it, she says, she ran into Chin and blurted out, “I’m so glad you’re alive.”

The looming subject of artificial intelligence will also get its own moment in Telluride. A conversation called “The Humanity Dilemma” will examine what the festival calls the “species-level event” of AI’s rise and whether an AI-dominated future is inevitable. “I’m very worried about AI,” Huntsinger says.

For all the films Telluride has announced, the one that might generate the most chatter is still under wraps.

While Telluride routinely reserves “TBA” slots for popular repeat screenings, it has occasionally used them to spring an unannounced title on audiences — as it did last year with “Frankenstein.” This year it has set aside a prime Sunday night slot for just such a surprise: a world premiere involving, Huntsinger says, some “very known names.”

“Do not miss it,” she teases. “You just won’t see this one coming and your jaw will be on the ground for the entire length of the film.” Beyond that, Huntsinger falls back on the festival’s unofficial motto: “Underpromise, overdeliver.”

Inevitably, there will be guessing. One possibility is “The Social Reckoning,” a follow-up to “The Social Network” directed by its Oscar-winning screenwriter Aaron Sorkin. This one’s about Facebook whistleblower Frances Haugen and Wall Street Journal reporter Jeff Horwitz and stars Jeremy Strong, Mikey Madison and Jeremy Allen White. It’s due from Sony on Oct. 9. The film was still undergoing reshoots in mid-July.

Huntsinger volunteers one thing: The mystery film is not Alejandro González Iñárritu’s “Digger,” a gonzo satire starring Tom Cruise, Hüller, Riz Ahmed, John Goodman and Jesse Plemons. She says Iñárritu — whose last film, “Bardo,” had a rocky reception on the 2022 festival circuit — was adamant that the decision wasn’t about avoiding festivals.

“As I understand it, there’s a big twist that he would like audiences to discover as close together as possible,” she says of “Digger,” which premieres in London Sept. 22 before opening Oct. 2.

Two of last year’s biggest Oscar contenders, “Sinners” and “One Battle After Another,” also skipped fall festival launches, raising questions about how essential such festivals — Telluride among them — remain to an awards campaign.

Huntsinger understands why a studio might hesitate to expose a film to scrutiny months before release. “The stain can happen if something gets savaged very far ahead of a release,” she says. “There’s a lot at stake.”

But she isn’t convinced the model is broken. She still believes the smaller, more challenging films Telluride tends to champion have “genuine shots” in the Oscar race.

“Getting selected is the prize,” Huntsinger says.

After all the strategizing and prognosticating, what no one can predict is which films will actually connect once audiences arrive.

“I don’t know what people are going to fall in love with,” Huntsinger says. “People have become like cats rather than dogs. You just never know what they’re going to go for.”

EMILY Ratajkowski was spotted passionately kissing Dua Lipa’s ex during a romantic Rome getaway.

The model’s son Sly, five, who she shares with ex husband Sebastian Bear-McClard was seen holding her hand amid her PDA with Romain Gavras, 45.

The Brit, 35, took to Instagram in February to share a series of loved-up photos with the French director.

And it appears their romance has gone from strength to strength, with the pair looking blissfully in love during their latest holiday.

Emily, dressed in a black frock with a plunging neckline, could be seen staring adoringly at her man as they strolled the streets.

She pulled on a pair of sunglasses and swept her brunette hair back with her hands for an effortlessly chic look, but couldn’t take her eyes off Romain.

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After their smooch the pair were seen holding hands, with Emily also safely holding onto her son.

Romain carried a green shopping bag in his other hands as they continued to explore the Italian capital.

Emily hard launched the pair’s romance on social media earlier this year.

At the time, the model looked stunning in a skimpy red dress as she cheekily stuck out her tongue for the camera.

Another snap showed Romain gently caressing her head and wrapping his arm around her while she wore a figure hugging backless dress and held a drink in her hand.

Emily divorced movie producer Sebastian in 2022.

She previously had flings with Harry Styles, Shaboozey, and comedian Eric André.

Meanwhile, Romain previously dated Dua Lipa but after nearly a year together, the couple split up in 2023.

An insider said at the time: “Dua and Romain have gone their separate ways after a summer of love.

“She has blinkers on when it comes to her career and the pair ended the relationship before things turned sour”.

Long Lost Family is back with a new emotional episode on Thursday, where three brothers are reunited with a long-lost sister

A Long Lost Family guest makes an astonishing discovery on Thursday’s episode.

The emotional ITV series, hosted by Davina McCall and Nicky Campbell, sees the hosts strive to reunite family members who have never met, including twins separated at birth and young mothers who had to give up their babies.

In an exclusive clip obtained by the Mirror of Thursday’s episode, it sees guest Marie looking for her birth father. Marie is a train conductor working for Greater Anglia railways. She lives in Norfolk where she has lived her whole life.

It comes as Thursday’s episode also sees a guest called Avril, 77, reunited with her daughter after 60 years despite being told she’d never find her.

Marie grew up with her grandparents after her 17-year-old mother couldn’t look after her. She had a good childhood in a busy household as her grandparents had six children still living at home when they took on Marie.

The guest had some contact with her mother growing up but she was largely absent from her life. When Marie was 16, she wanted to know more about her birth father and confronted her mother. Marie recalls: “I just blurted it all out: ‘Where’s my dad?’, I wanted to know about my father!”

Marie was surprised to learn her birth father’s name and the fact he had visited her in hospital when she was born. In another shock, Marie discovered that her birth father had chosen her name. She admits: “That really touched me. Must have cared for me to do that.”

Over her life, Marie has often wondered about her birth father, wondering where he is and did he have more children, meaning she could have long-lost siblings. Marie emotional admits: “Even on the train, even at work, I’m constantly looking at people all the time wondering are they related to me.”

Sadly, Long Lost Family’s intermediaries are unable to find any trace of James in the UK but after uncovering his birth certificate they discover that before meeting Marie’s mother, James had been married and had three sons – Anthony, Paul and Ian.

The team manage to locate the brothers living in the same county as Marie, Norfolk. While Anthony wishes to meet Marie, he does not want to appear on camera, so Nicky goes to meet with Paul and Ian, who admit they didn’t really know their father or know where he is after years of trying to find him.

In an exclusive clip of the moment, it sees Nicky tell Paul and Ian about Marie, explaining that she works as a train conductor for Greater Anglia railways and lives in Norfolk too.

This discovery leaves the siblings floored especially as one of the brothers remarks: “I get the train to go to work in the mornings”, confirming it’s Greater Anglia railways. He adds: “So she could well be on that train taking my ticket, amazing.”

The brother is then shown a photograph of Marie, who he instantly recognises, as he exclaims: “Wow. I recognise her on the train. Yeah. Now I see the face, yeah. That’s amazing.”

He adds: “A couple of weeks ago, I actually had a slightly longer conversation with her. Yeah, talking about how they’re changing the timetables. I’ve always wanted to have a sister” to which Nicky sweetly replies: “Well you’ve got one and you never knew it!”

To which the guest admits: “No, 60 years I didn’t know. I live so close as well, all under our doorstep.”

The other sibling then reveals he recognises Marie from the train too, saying: “I think I may have done, I may have walked past, that’s uncanny! Looking forward to seeing her.”

Viewers will have to wait and see how Marie takes the news, and of course, the heartwarming and emotional reunion.

Long Lost Family returns at 9pm to ITV and ITVX on Thursday 3rd September

Love Island host Maya Jama’s mysterious role in the Gentlemen season two has been revealed.

Love Island icon Maya Jama has made her debut in The Gentlemen season two on Netflix.

A number of new faces are being welcomed into the fold of Netflix’s epic crime drama The Gentlemen season two, including Downton Abbey star Hugh Bonneville.

But someone who subscribers may not have been expecting to see in the eight-part second outing is Love Island presenter Maya Jama as it marks her first major scripted TV debut.

The only other acting experience that the 32-year-old has had was in a breif cameo role for Katherine Ryan’s The Duchess on Netflix six years ago.

With The Gentlemen season two now ready to binge-watch, fans are eager to find out all there is to know about Maya Jama’s role.

When does Maya Jama appear in The Gentlemen season 2?

It isn’t long before Maya Jama pops up on our screens as she features in the first episode of The Gentlemen season two.

She is mostly seen speaking to Kaya Scodelario’s Susie Glass but shows up once again in episode four.

Maya Jama’s The Gentlemen season 2 role explained

Maya Jama portrays a character named Aisha in the second season of The Gentlemen on Netflix.

She plays the wife of one of Eddie Horniman’s (played by Theo James) criminal associates, Prince Amir bin Abdullah al-Hadidi, brought to life by actor Amra Mallassi, reports the Express.

Susie Glass (Kaya Scodelario) describes her as a “clever girl” and “aspirational”, saying: “Looks after herself and everyone who comes within her orbit. She moved out to the Middle East five years ago to work in hospitality. Now she’s snagged herself a seat at the royal table.”

Talking about her experience shooting The Gentlemen, Jama described creator Guy Ritchie as “very personable” to Variety.

She continued: “He’s really kind and nice. He doesn’t feel as intimidating as you’d think, being who he is. He’s very personable and he would be like, ‘Yeah, you’re doing well’, and reassure me, which was really nice.

“He’s just really involved and kind of a genius to watch, because everyone’s practising their lines and then he says something that’s way better than the original. You just feel like you’re in the presence of greatness.”

The Gentlemen is available to stream on Netflix.

Emmerdale actress Nicola Wheeler was left “gutted” by her long-term co-star’s exit, following emotional scenes that brought viewers to tears

Last week, Emmerdale fans were left in tears as long-term resident Jimmy King, played by Nick Miles, lost his life in a horrific car accident. The actor had played Jimmy for 22 years, with much of that time spent portraying the husband of Nicola King.

His on-screen wife, Nicola Wheeler, has now opened up about the sad moment Nick told her he was stepping away from the soap.

Speaking to My Weekly magazine, the 52-year-old revealed: “I’ve worked with Nick (Miles) for 17 years. It was Nick who told me the news he was leaving. He contacted me after he’d told his real wife. We will stay friends, so it’s not like I won’t see him, I just won’t see him being Jimmy King again, which is odd.”

Nicola also reflected on filming their final scenes together, telling the Press Association that it suddenly dawned on her that it was the end of an era for their characters.

She said she felt “gutted” by the end of Jimmy and Nicola’s long-running partnership, explaining that filming the death scenes felt particularly strange. Episodes are shot out of order, she said, meaning the reality of Nick’s departure did not always feel real – while part of her also did not want it to be over.

Despite her sadness, Nicola praised the scripts, describing the farewell scenes as “beautifully written”, adding that she wanted to do them justice, even though filming them made the ending feel final.

Reports of Nick’s exit first emerged in May, amid claims that his contract would not be renewed and that producers had informed him earlier in the year.

While he has not addressed the reason behind his exit specifically, he has admitted that the script left both him and others who read it in tears.

Jimmy’s final scenes saw him telling his wife he loved her before succumbing to injuries sustained in the crash. As the tragedy played out on August 27, viewers flocked to X to share their sadness.

One said the soap “won’t be the same without Jimmy King,” while another admitted they were “in bits”.

Sharing what she believes could be next for her character, Nicola said: “I can’t imagine the character would ever fully move on.

“I think there’s always going to be part of her that loves him. Her heart will grow to fit another love in, but she will never let Jimmy go.”

She also teased a new storyline involving Kev Townsend, played by Chris Coghill. “Something happens in which I can only say Nicola behaves appallingly, and Kev is a gentleman, and I think from that moment she starts to see him in a different light,” she added.

Emmerdale continues tonight at 8pm on ITV and ITVX.

The fans of the BBC show think one beloved character should take the spotlight and lead the Saint Marie team.

It looks as though Death in Paradise viewers are in agreement for a shake-up.

Earlier this year, the beloved BBC crime drama came to an end after a dramatic series for DI Mervin (Don Gilet). Following a season of new additions, family reunions and a much-welcomed return, people are eager to see what’s next in store for the Saint Marie police team.

The programme ended with DI Mervin deciding to let his niece remain with him on the island as her dad and his brother, Solomon (Daniel Ward), finished his time in prison. Elsewhere in series 15, people saw the new DI grow closer to Detective Sergeant Naomi Thomas (Shantol Jackson).

While the pair worked together to solve the crimes on the island, their relationship got stronger as he often turned to her for advice and guidance. As people gear up for the annual festive special later this year, they are looking forward to the return of the beloved characters.

However, it seems as though many are calling for a major shake-up for the island, with demands for DS Naomi to step up in the new series in a higher role. During a discussion thread on Reddit, one person shared their thoughts on the matter.

They commented: “Although I adore Don Gilet/Mervin, I think it’s time for a female inspector. Naomi would be awesome as Inspector, with Mattie as her Sgt. I really hope that before the series ends and/or she leaves, they give the character a chance to advance.”

Someone else added: “I would love for Naomi to be the DI at some time.” As another wrote: “She’s really spot on. I hope the writers show more of her investigative skills this season.”

In another thread, someone shared: “I really hope when there is a next inspector that Naomi gets the nod. Watching her navigate being in charge would make a good story.” The demand for a change comes after actor Don Gilet joined the BBC show back in 2024.

He joined the long-running drama following the exit of actor Ralph Little, who played Detective Inspector Neville Parker for four years.

As each lead DI has been fronted my a male since the series began, could there be a first female DI on the way for Death in Paradise?

Earlier this year, it was confirmed that the BBC drama has been recommissioned for another two series. There will also be two more Christmas specials for fans to look forward to.

Speaking about the news, Lindsay Salt, Director of BBC Drama, said: “Death in Paradise is a global phenomenon and we are incredibly proud to have it on the BBC, where it goes from strength to strength. It’s with great pleasure that we share the news that we’ll be returning to Saint Marie for two more sun-soaked series and Christmas specials.”

Meanwhile, Tim Key, Executive Producer, Red Planet Pictures added: “We remain incredibly proud of the show and the team that makes it, and delighted that the audience continue to love it as much as we do.

“The response to our latest series has been wonderful and we can’t wait to get started again – we’ve got something very special lined up to kick off our 16th season, with a big surprise setting it up in our Christmas special. Watch this space…”

Death in Paradise is available to watch on BBC iPlayer.

AN emotional Stacey Solomon has revealed that she’s sold £1.3m ‘dream home’ Pickle Cottage.

The Sort Your Life Out presenter, 36, took to her Instagram story alongside husband Joe Swash, 44, to share the news.

The pair, who tied the knot in the garden of their former home in 2022, bought the property back in 2021.

Now, five years later, they have decided to “start a new chapter” with their three kids Rex, Rose and Belle, as well as Stacey’s older children Zachary and Leighton.

Speaking to her 6.1 million followers, Stacey said: “We are leaving Pickle Cottage, we are moving out of Pickle Cottage, which I never thought I’d say, imminently.

“The reason we haven’t said anything up until this point is, anyone who has moved before knows what it is like. You don’t know if it is going to actually happen before it happens.

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“Also, leaving Pickle Cottage was a massive, massive, decision for us, we had a lot of people we needed to speak to, we needed to get the kids around to the idea and speak to all our neighbours and lovely friends in the area. There were so many people we needed to speak to before we told everybody.

“Then also, even the thought of selling Pickle Cottage would be impossible if everyone knew we were selling Pickle Cottage.

“Does that make sense? We have just waited until someone amazing come along and fell in love with the cottage.”

Stacey continued: “Pickle Cottage is our dream house, as soon as we moved here we fell in love with it and I still love it so, so, so, so much.

“It’s a really special place to us. I gave birth to both of the girls there, we got married there, it’s just so special to us.

“But for a little while we have always wanted to rescue more animals, grow more vegetables, my vegetable patch, I have got so much joy out of it, but it’s on Farmer Scott’s land. So if he decides to do something with that land, it’s gone.

“So we have always been thinking if there was ever a chance to move further out and to get a bit more land, then we would consider it.

“We saw somewhere, found somewhere, and I was like ‘Oh my God’ and I was like, we could have a massive vegetable patch and we could offer our land to animals who need it and stuff like that.

“We could bring the horses back there, the ponies, and we went to see it…”

Joe chimed in: “We fell in love. It wasn’t an easy decision, like we said, we’re leaving behind somewhere we built our lives together at Pickle Cottage but now we have find somewhere where we can see our family growing and really flourishing. And this is the place.”

Stacey ended the video with: “So it’s time to say goodbye to Pickle Cottage, which feels so weird and basically move across to our new chapter.

“It’s a project, we’re moving somewhere really, really different. And it needs a lot of love. What I can say is I loved bringing Pickle Cottage back to life.

“I had so much joy from that. I genuinely, every single thing I did there, I loved.

“I will truly miss Pickle.”

Stacey captioned the post: “A new chapter…”

Fans rushed to the comments section to share their love and support about their huge move.

One said: “Good luck on your new journey.”

Another wrote: “Can’t wait to see it!! Happy for you all!”

A third chimed in: “You did such a great job before and you will again.”

“Living the dream guys,” a fourth added.

Over the years Stacey has shared her renovations online.

EXCLUSIVE: Crissy Rock has admitted she would love to join the Loose Women panel following the exit of Denise Welch and revealed that there was a time she could have had a part in Coronation Street

Crissy Rock has revealed that she would like to join Loose Women. The actress, 67, is probably best known for playing hotel manageress Janey Yorke during the first four series of the sunny sitcom Benidorm, and has also had an incredibly successful career as a stand-up comedienne.

Over the years, the TV star has appeared on the ITV lunchtime chat show, which has recently seen the exits of long-serving panellists Denise Welch and Nadia Sawalha, that she would jump at the chance to become a full-time panellist.

Speaking to The Mirror ahead of starring in a nationwide tour of Tits Up!, she said: “I would love to be a panellist, instead of just going on talking.”

When it was suggested that she could act as a replacement for Denise, who recently quit after more than 20 years, Crissy said: “Oh yeah, I’ll have to get in there!” Denise, also known for her roles in Waterloo Road and Coronation Street, said she was stepping down because acting is her “first love and the thing she’s best at,” so would like to make the most of new opportunities.

Crissy shot to fame when she took on the role of Maggie in the Ken Loach film Ladybird, Ladybird in 1994 and won critical acclaim for her performance. Since then, the Liverpool-born star has appeared in episodes of Peak Practice, Brookside and Dalziel and Pascoe, whilst also treading the boards regularly in productions such as Snow White, Cinderella and Menopause the Musical.

Shortly after Crissy competed on I’m A Celebrity…Get Me Out Of Here! in 2011, there was speculation that she could be about to join the cast of Coronation Street as the sister of Jackie Dobbs, played by fellow Liverpudlian Margi Clarke – but it never came to fruition.

She said: “I’ve never done Coronation Street, ever. There was rumours, but it never, ever happened. It never come about. It would have been lovely, that, wouldn’t it? To play Margi Clark’s sister, Tyrone’s auntie. That would have been a good thing, but it just never happened.

“You always hear things. Like ‘Oh, Benidorm’s going to come back.’ but is it or isn’t it? We don’t know, and I’m just as in the dark as everyone else!”

Benidorm began in 2007 and, over the course of 10 series, followed the escapades of a group of British holidaymakers, with a host of names such as Sheridan Smith, Siobhan Finneran, and Hannah Waddingham all checking into the Solana hotel during its long run.

Whether a Benidorm revival is on the cards or not. Crissy admitted that even though she had been in the industry for years before it all began, that was the role that cemented her status in showbiz.

She said: “I’ve been an actress way before Benidorm, but I think Benidorm because of what it did and how it influenced everyone, and it become like a cult thing, it did, in my eyes, put me firmly back on the map, you know what I mean?”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Jason Watkins and Robson Green are back for the next chapter in their dangerous game of cat and mouse.

Channel 5’s The Game season two is well underway with fans already desperate to find out what happens next.

Patrick Harbottle (played by Robson Green) continues to attack Huw Miller (Jason Watkins) and his family from behind bars but this time, he sets his sight on his daughter Margot (Indy Lewis).

This time around, Patrick goes a step further in the second episode, getting prison guard Jackie ( Tanya Franks ) to break into her flat and steal her diary in a bid to really get under Margot’s skin.

Things get even more intense though when she discovers that Huw has secretly visited Patrick in prison again, causing her to “explode”.

But the worse could still be yet to come as she grows suspicious that Patrick has hired someone to stalk her.

But as she grows suspicious that Patrick is hiring someone to stalk her, will Margot be able to trust that her own father wasn’t somehow involved?

When is Channel 5 The Game season 2 next on?

Channel 5’s The Game has returned one year later for its second series which made its debut last night, Tuesday, September 1.

Fans have since been treated to episode two this evening, Wednesday, September 2, but unfortunately, its third instalment won’t be airing on Thursday night as expected.

Channel 5 viewers are going to have to wait until the following week for the remaining two episodes of the four-part drama.

The Game season two, episode three, will be shown on Tuesday, September 8, and the grand finale on Wednesday, September 9, both at 9pm, on Channel 5.

What will instead be taking its place tomorrow night will be the sixth and final episode of Benidorm is Murder starring John Hannah.

The intense official synopsis for the finale reads: “A farewell party takes a deadly turn after a power cut plunges the gathering into darkness.

“When the lights return, one guest lies dead on the floor, a kitchen knife in his chest.

“Forced to investigate to clear his name, Dennis reconstructs the blackout second by second, exposing contradictions in the guests’ stories and asking whether the killing was a sudden act of rage or meticulously planned.”

The Game is available to watch on 5.

The Quintanilla family is taking their personal disputes to the public.

On Tuesday, A.B. Quintanilla III — brother of the late Tejana singer Selena Quintanilla — uploaded a statement to Instagram claiming that there is a lawsuit involving Suzette Quintanilla Arriaga, as well as “facts and circumstances” related to their father, Abraham Quintanilla Jr.

According to the Latin Grammy-winning producer and songwriter, the lawsuit began a “few months ago,” but he shared that the circumstances surrounding the case have been simmering for years.

“What led me to this point did not start a few months ago. It comes from years,” stated A.B. “Years of accumulated situations, decisions and circumstances that for a long time I chose to keep silent out of respect, out of loyalty, and above all, because it involved my own family.”

While no clear wrongdoing was presented in his statement, the Kumbia Kings musician shared that, when the time is right, he will disclose his side of the story. “I was never the type to wait for the paycheck from someone else’s hard work to come to my door,” he added.

After his post, Suzette and Marcella Quintanilla, their mother, published a joint statement Wednesday morning on the official Selena Instagram account, claiming that the parties involved were not served a lawsuit, nor have they been able to locate the alleged lawsuit in public records.

“[Suzette] has received no court-filed complaint, summons, petition, or other legal pleading concerning the allegations A.B. is describing,” read their statement. “So, we ask a simple question: What lawsuit? Where was it filed? What is the case number?”

In a subsequent Instagram post uploaded Wednesday by A.B., he alleged that Suzette and her lawyers were notified with the corresponding documents via mail and electronic mail; the carousel also contained a letter by Manatt, Phelps & Phillips addressed to Michael A. Trauben, Esq., of Sign, Sign & Trauben.

“She was notified of a lawsuit related to her fiduciary duties, that is, her legal obligations to act with loyalty, transparency and in the best interests of those she was responsible to,” read the statement uploaded by A.B. “She responded, but did not provide what was being requested: contracts, documentation and financial information.”

The Times attempted to locate the lawsuit in Nueces County, Texas, court — headquarters for Q-Productions, an entertainment company founded by Abraham, as well as the Selena Museum — but was unable to locate any case filings related to “Suzette Quintanilla” or “Suzette Arriaga.”

The only available case involving Suzette is a California lawsuit she filed against clothing company Shein in March over unauthorized merchandise that featured her late sister.

In their Sept. 2 Instagram post, Suzette and Marcella claimed that A.B.’s insinuations concerning Suzette, Abraham and the overall Quintanilla family were false.

The pair also addressed rumors that Suzette is selling personal belongings related to Selena, stating that “any potential sale of an ownership interest in a company is entirely separate and should not be mischaracterized as the sale of Selena’s personal items.”

“There was no theft by Suzette. Suzette has not stolen, misappropriated, or improperly taken money or property belonging to A.B., Abraham, Chris, Selena’s estate or any family-owned or jointly owned business,” read the statement. “If A.B. has evidence that Suzette stole or misappropriated anything, he should present it.”

This online dispute comes almost nine months after Abraham’s death on Dec. 13, 2025. The patriarch played a crucial role in the development of his daughter Selena’s career, establishing his family-led band Selena y Los Dinos in the 1980s as a way to meet financial needs. With A.B. on bass, Suzette on drums and Selena as the tender vocalist, the group would eventually sign their first recording contract with Freddie Records in 1984.

In 1995, after Selena’s tragic death at the hands of Yolanda Saldivar, the former president of her fan club, Abraham dedicated his life to safeguarding her legacy and overseeing primary control over her estate. This included managing the rights to her image, name and likeness — at times, to controversial ends.

“If he is alleging wrongdoing by Abraham, he should clearly state what he is alleging rather than leaving the public to speculate about a man that is no longer here to respond for himself,” stated Suzette and Marcella jointly.

A.B. and Suzette’s representatives did not immediately respond to a request for comment.

In his Wednesday Instagram statement, A.B affirmed that more information will be shared via his lawyer on Friday.

A guest on The Repair Shop: Beyond The Barn opened up about the tragic death of their son.

A guest on The Repair Shop has opened up about their heartbreak after the tragic death of their son. The BBC programme returned to screens on Wednesday, September 2, with the first episode of Beyond the Barn.

The series follows experts restoring precious items from guests across the country, while also discovering what happened after the special items were restored.

The items included in tonight’s episode were a replica of Doctor Who’s robot dog K-9, a cowboy hat worn by musician John Cambridge, who played alongside David Bowie, and a leather case used by a cook who catered for Winston Churchill during World War II.

Luthier Julyan Wallis, who repairs instruments and guitars, also set to work on restoring a ukulele, after the owner’s parents brought it in following his tragic death in a motorcycle accident.

Couple Colin and Trish were looking for Julyan’s expertise to return the music to their precious instrument. Showing the broken ukulele, with its strings torn out of place, Trish explained: “This is our son’s ukulele. He was killed in November 2022 in a motorcycle accident.”

“Awful, I’m really sorry to hear that,” host Will Kirk replied. Trish went on: “Cameron had lots of musical instruments, he loved music.” Colin continued: “He grew up in a very musical house, his brother played guitar and Cameron wanted to play guitar too.”

They shared how their son played guitar, bass guitar, double bass, banjo and accordion. “He was a teacher in Thailand,” Trish went on. “When he went off to Thailand he took the ukulele and a chess set, and nothing else.”

Paying tribute, Colin called Cameron “outstanding”, as Trish shared: “He loved people, he was a caring person. He hated to see anybody sad, down, music was part of the way he tried to make people happy.”

Will replied: “This must have meant quite something to him.” Trish and Colin wanted to restore Cameron’s most-prized possession so that she could one day play it herself.

Cameron’s ukulele had been broken after a friend sat on it, with Colin sharing: “We heard a crunch. But Cameron, being the type of person he was, he didn’t want the friend to be upset so he threw it over his shoulder and denied that it was there. It landed in some bushes near the house, I think he knew it was beyond repair so he left it there. And I think it rested there for about six months.”

When Trish and Colin travelled to Thailand to bring Cameron’s body home, they couldn’t find the ukulele at first. “There were lots of tears,” they recalled. Trish explained how they found the ukulele when her sunglasses “flew off”, with Colin saying: “It was almost as if Cameron was saying, don’t forget my ukulele.”

Trish broke down in tears as she reflected on the moment she saw the broken instrument. She said: “For me it was, Cameron’s gone and that’s gone too, because it’s smashed.” She added: “Cameron touched this, he touched the strings, he held it close to him, almost hugging it. I’ll be able to do the same, it will feel like I’ve got a little bit of Cameron back.”

The Repair Shop: Beyond the Barn is available to watch in BBC iPlayer.

KATE Beckinsale has revealed her PTSD diagnosis and admitted she’s in a ‘lonely place’ in a heartbreaking Instagram video.

The actress said that there’s loads of information around military PTSD but not Civilian PTSD and that people find that harder to understand.

Kate, 53, explained that people who “have seen or experienced levels of horror, terror or violence” see it every time they blink or any time they close their eyes for a second.

She said: “Those people aren’t recognised as heroes.”

She went on to explain that although people with PTSD go about their everyday lives that “they don’t sleep for more than an hour because when they do, it’s full of nightmares.”

She said: “Anything, smells, sounds, thoughts, feelings. Can trigger them into a place that is actually like hell.”

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She shared that since battling PTSD is “invisible,” people should be “kinder and gentler” to others.

She continued: “It really is true that if you haven’t walked a mile in someone’s shoes — however fancy you think the shoes are — you have absolutely no idea what they might be carrying, masking, dealing with day and night.

“And if in doubt, especially to a little child. And I am someone who had a little child who was treated extremely cruelly by grown adults, who forgave themselves immediately.

“So if in doubt be kind. Always be kind.”

The star ended her video by explaining that PTSD victims “are the loneliest people because they are alone with a level of horror that’s incompatible with life.

“Yet a lot of the time these people continue to try and put one foot in front of the other.”

Fans flocked to comment and one wrote: “Thank you for sharing this, I appreciate you being so open n giving some insight, I don’t know if it helps but I hope you know it’s appreciated.”

Kate replied: “I’m really glad that makes me happy. I just hope at least one person can feel seen and appreciated and understood. It can be such a lonely place.”

Another added: “Sending love and hugs.”

A third wrote: “The truest words I’ve heard all f***ing year! Hope you’re ok xx.”

While a fourth said: “You’re right… there’s not enough awareness of complex PTSD at all!”

Kate lost her beloved mum Judy Loe, 73, in 2025 after a battle with cancer.

Kate first revealed her mother’s cancer diagnosis last year, shortly after the death of her famous stepfather Roy Battersby, who tragically passed away following a massive stroke.

The Serendipity star also lost her father Richard Beckinsale at the age of five after he suffered a huge heart attack.

 GRAMMY-WINNING 90s singer Cassandra Wilson has died aged 70.

The jazz singer died surrounded by family and friends on Wednesday.

The award-winning jazz vocalist from Jackson, Mississippi, worked with the Roots and co-founded the M-Base Collective.

Her manager of 20 years Robert Torre told WBGO: “It is with profound sadness that we announce the passing of Cassandra Wilson, the Grammy Award-winning and legendary jazz artist.

“Cassandra Wilson transitioned peacefully at home, surrounded by family, close friends, and her manager.”

Cassandra blended blues, country and folk music into her work.

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The singer was nominated for four Grammys, and won two in the Best Jazz Vocal Album.

Cassandra won for her 1997 album New Moon Daughter and for her 2007 album Loverly.

She was described by critic Gary Giddins as “a singer blessed with an unmistakable timbre and attack who has expanded the playing field”.

Cassandra was named as a Jazz Master in 2022 by the National Endowment of the Arts.

Tributes flooded in for the star, with fellow NEA Jazz Master Dorthaan Kirk saying she is “devastated” by the loss.

She said they were like family and Cassandra called her “Mother Kirk”.

Dorthaan said: “I’m just devastated. Cassandra completely related to me because she looked up to me as an elder and somebody that was in the business.”

Cassandra took up piano at six, guitar at 12 and launched her career as a vocalist in the 70s, moving to the Big Apple the next decade where she became one of the founding members of the M-Base Collective.

She later signed with Blue Note Records in 1992 and released her seminal album titled Blue Light ‘Till Dawn.

The singer collaborated on albums with Coleman, Greg Osby, and Wynton Marsalis.

Cassandra sang as the character Leona in Marsalis’ recording of his Blood on the Fields oratorio, which became the first jazz composition to win a Pulitzer Prize.

She was a guest vocalist on the Roots’ Silent Treatment and One Shine.

And star collaborators on her own work included Elvis Costello, John Legend, Jon Batiste and Ravi Coltrane.

She told The New York Times in 1994: “I continue to choose the path I take musically,

“And it’s not motivated by becoming famous or having a lot money, or any other pop motivation.”

Jim Thornton, the longtime announcer for the popular game show “Wheel of Fortune,” has been suspended following unspecified allegations.

“We have recently been made aware of allegations concerning Jim Thornton,” a spokesperson for Sony Pictures Television Studios told The Times. “He has been suspended from ‘Wheel of Fortune’ and we are recasting while we conduct a thorough investigation.”

Sony Pictures did not specify the reason for the suspension.

The allegations could possibly stem from an incident that occurred in May aboard a commercial American Airlines flight to Los Angeles, TMZ reported, when a passenger complained about Thornton to a flight attendant.

American Airlines told TMZ that a passenger was met by law enforcement upon arrival at Los Angeles International Airport on May 14, although the airline did not identify the individual.

Thornton’s attorney told the outlet that the 61-year-old “did not engage in any illegal conduct, was not arrested and has not been charged with any crime.”

“When questioned about the complaint made by a fellow passenger on the flight, law enforcement spoke to him for five minutes or less, immediately determined that no wrongdoing had occurred and told my client he was free to go,” his attorney continued.

Thornton joined “Wheel of Fortune” in 2011 following the death of announcer Charlie O’Donnell.

Thornton’s credits include “The Price Is Right,” “The Soup,” “Jeopardy!” and “Celebrity Wheel of Fortune.” Thornton’s voice was also been featured in the 2001 animated hit “Monsters, Inc.,” and video games including “Wall-E” and “Mafia II.”

A brand new series of Channel 4’s The Jury started this week

The Jury viewers were left slamming the show after pointing out a major problem.

The Channel 4 programme returned for a new episode on Wednesday (September 2) following a group of ordinary people in a specially constructed jury room in a recreated murder trial.

This time, the jury is considering the case of two brothers who are accused of killing their stepfather. The brothers admit stabbing the man more than 69 times while he was asleep, with the jury having to decide whether the killing was an act of desperation or a calculated murder.

In the latest instalment, 14-year-old defendant Daniel took the stand and described the abusive home he grew up in. Meanwhile, CCTV and other evidence challenged key parts of the boys’ evidence, unsettling even the sympathetic jurors.

However, fans watching at home were left feeling disgruntled by one aspect of the show. They slammed how the jurors were able to break and talk about the case throughout the trial.

In real life though, jurors are not allowed to discuss the case this early in proceedings and can only share their thoughts once all the evidence has been presented from both prosecution and defence.

“I get that it’s a simulation but in my experience juries do not discuss the trial until the deliberation,” said one person on X. Someone else added: “This programme is utter rubbish!! It’s meant to be realistic, but you are not meant to discuss the case until the end.

“Certainly no talking while in court and the judge would have been right on to the juror talking.” A third chimed in: “Quite. It’s ridiculous and so annoying and I just can’t watch it.”

It comes after The Jury viewers were surprised to see such strong opinions emerging early on during the first episode this week. One viewer wrote on X: “Not seen any evidence yet and they already arguing #TheJuryC4.”

Another said: “Making up your mind before you’ve heard even a lick of evidence is insane but go off I guess.” A third questioned the make-up of the jury, asking: “Do they actually have level-headed people on the series this time? #TheJury.”

However, not everyone watching was critical of the programme. One viewer praised the return, writing: “I’m watching, it’s one of the best programmes on TV and with all the debate over jury trials, a fitting watch. #TheJury.”

The Jury airs at 9pm on Channel 4.

TIKTOK star Max Balegde broke down in tears as he confirmed he has split from his boyfriend of five years.

The Sun revealed this week that the influencer, 27, and his boyfriend Andrew Spann have now called time on their relationship.

And things appeared to have not ended amicably as they both unfollowed each other on Instagram.

Max has now broken his silence on the shock split and admitted he’s “losing the plot” and feels “devastated”.

An emotional Max took to social media with a new video as he explained his side of the story.

With tears in his eyes, the content creator started: “Hello everyone, I’m just making this video to let you know that sadly it is true that me and Andrew have broken up after five and a half years of being together.

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“We broke up around two weeks ago and obviously it’s been a really sad and tough time.

“There’s been so much love between the two of us, between our family and friends over those years.

“When you’re with someone for that long, your life becomes so intrinsically bonded together and you can’t imagine not having them in your life to be honest with you. That’s kind of how it gets.

“So I’ve been struggling a lot. I am in Ibiza right now, I’ve been here for a week.

“But the narrative online that I’m just partying and don’t give one and he’s all sad, could not be further from the truth.”

Max explained that he had this holiday booked months ago and when the break-up happened, he decided to go to Ibiza with his friends instead of “sobbing alone in his room”.

He shared that he’s been looking after himself and going to the gym and has avoided going out and boozing much.

“I’ve just been spending time with lovely supportive friends who have just been a godsend,” he continued.

Max then addressed the reason behind the split and admitted it was him who decided to end it.

“I know everyone will want an explanation because we shared so much of our relationship with you lot,” he said.

“All I’ll say is I chose to end the relationship for personal reasons that I don’t really want to discuss on the internet and out of respect for Andrew.

“There is so much love there, it’s not hate. It’s just you can’t get everything you need from someone, you have to sometimes face reality and it’s sad and devastating.”

Max admitted he was “losing the plot” as he copes with the new adjustment.

“I’ve never had a break-up like this before, I’ve never experienced anything like this, I don’t know how to navigate it, all I know is I’ve spent a lot of time focusing and looking after a lot of people but now it’s time to focus and look after myself.

“As scary as this is, I’m excited for the future, even though I can’t feel that excitement right now.

“I just feel sad, scared, anxious and depressed.

“But I have a lot of exciting work stuff I want to delve into, time with my friends and family and value the time with myself. I’ve been around people for five and a half years non-stop, I’ve forgotten what it’s like to be by myself.

“That’s terrifying, I’m genuinely terrified.”

Max said he was going to focus on his career and himself going forward.

He added: “If it looks like I’m losing the plot, then it’s because I am, I f***ing am.

“I’m terrified to go home tomorrow but I have to face reality at some point.

“I’ve got to find out where I’m going to end up living, what’s going to happen to our dog.

He then hid his face and said: “I’m going to cry again.”

The media star then thanked his fans for their support and said he was heartbroken as he felt he had “failed” his fans, especially those in the LGBT community.

Max captioned the post: “Please respect both of us, I still have so much love for Andrew and this is a really hard time for us both. thank you for the love.”

His followers raced to show their support for the star.

One wrote: “Sending you so much love… the end of a relationship when you still care for the person is so hard however put all that love into yourself now and everything will fall into place.”

A second said: “This is a very mature way to handle it. You should hold your head up & remember you are so loved.”

Earlier this week, The Sun announced news of the split.

A source told The Sun: “Max and Andrew broke up a few weeks ago and it’s been incredibly tough for both given how long they were together.

“Max is enjoying some time in Ibiza and will be ploughing ahead with work as he navigates the situation.”

Max, who has been on Gogglebox alongside his podcast co-host George Clarke, has been sharing what he’s been up to in Ibiza on his Instagram.

He shared a video of him miming to Ingrid Michaelson’s song Be OK while standing out on his balcony with a huge bottle of water.

The star can be seen wearing a T-shirt with the words ‘Good girls go to heaven, bad girls go to Ibiza’.

The two started dating back in 2021 after they matched on dating app Hinge.

Max and Andrew celebrated their five year anniversary back in April.

Andrew shared a selection of snaps from throughout their relationship with the caption: “Half a decade of us, no biggie.”

Jeremy Clarkson has reunited with Richard Hammond and James May at the premiere of the latest series of The Grand Tour after qutting the long-running programme two years ago

Jeremy Clarkson has reunited with Richard Hammond and James May at the premiere of the latest series of The Grand Tour. The TV star, 66, famously fronted the motoring series with Richard and James in the years after they found fame fronting Top Gear.

The trio decided to step down in 2024 after eight years at the helm of the hit Amazon Prime series and it was then announced that Francis Bourgeois, along with YouTube stars Thomas Holland and James Engelsman were stepping into their shoes.

But Jeremy, James and Richard were still out in full force at the launch of the world premiere of the new series of The Grand Tour as it all took place in London on Wednesday night. The guys all looked in good spirits as they walked the red carpet and greeted their successors.

In the first series, the team will tackle some big motoring questions, such as what’s the most unbreakable car in history and can you travel across Colorado undetected in a trio of Japanese microcars.

F1 World Champion Jenson Button also makes a special appearance in the trailer, whilst it also shows the trio head to Malaysia to see all about the country’s rich car culture as well as how little someone can spend on a sports car without it immediately blowing up.

In the new series, they travel through Angola in track-cars, which are quite unsuited for the job. They even test out the greatest American cars including the the Ford Mustang GTD, Chevrolet Corvette ZR1, and $2.75m, 2000-horsepower Hennessey Venom F5 Revolution Evolution against a bunch of fighter jets.

Francis Bourgeois said of joining the show: “Since completing the filming of the series, I haven’t stopped replaying every moment in my head. It has made me laugh, made my heart race and my stomach turn…remembering the tent

“I shared with Thomas and James filled with sulphuric farts whilst Angolan jackals snooped around outside. It feels as though it was a dream but knowing we will get to share our adventures soon makes me so incredibly excited!”

James Engelsman added: “We took on the West African Desert. We contended with fighter pilots. We even decided to challenge an entire nation’s legal system by protesting from the mountain tops. In doing so, the three of us learned our true strength: How to accept defeat gracefully.”

Thomas Holland shared: “I figured someone would be there to hold our hand the whole time. Nope. We were on our own in some absolutely wild environments in very, VERY questionable cars. What did we learn from this experience? Only that we have very poor decision-making skills. When you watch in September, expect a good laugh. And maybe a few butt clenches…”

The Grand Tour will launch all six episodes exclusively on Prime Video on Friday 4th September.

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SYDNEY Sweeney has flashed her underboob in a very short lace crop top as she arrived to the Venice Film Festival.

The American actress, 28, is attending the city’s annual film festival in her role as an ambassador for Armani Beauty.

The Housemaid star looked stunning in a gold lace handkerchief top which she paired with a pair of cream bermuda shorts.

But the cheeky star, who turns 29 in a few days, couldn’t help flash a bit of underboob under her gorgeous short top.

This comes only a day after Sydney pulled down her skirt to reveal a bejeweled pink thong to celebrate her Birthday Boobs line launch.

In the sizzling snap, Sydney was seen standing in a kitchen whilst wearing pink flowery lingerie with a bow around her neck.

BIRTHDAY SUIT

Sydney Sweeney spills out of Syrn bra as she licks cake off her fingers

She is also seen pulling down her underwear with a look of surprise on her face.

It wasn’t the first time that Sydney had promoted her new birthday collection in the sexy pink lingerie.

Last week, she thrilled fans in the underwear as she baked a cake for a saucy video.

In one particularly raunchy scene, she slapped flour onto her backside and left hand prints all over bottom.

Sydney captioned the post: “celebrate my birthday month with my newest @syrn collection. coming september 1st.”

The actress went Instagram official with her new boyfriend Scooter Braun in April – as he gushed he’s a “lucky b******”.

Sydney confirmed the romance in a loved-up post, sending fans into a frenzy.

Meanwhile, Venice Film Festival’s red carpet events began last week with the premiere of British director Danny Boyle’s film Ink which is about the rise of media magnate Rupert Murdoch. 

It closes on September 12, with Italian costume drama Dio Ride (God Laughs), written and directed by Giovanni Veronesi.

EastEnders fans believe they’ve worked out Ravi Gulati’s exit storyline, and it’s fair to say that the Walford bad boy could be set to bring more drama than ever as he bows out

Ravi Gulati could be set to cause major disruption with his EastEnders storyline. It was revealed last month that Ravi, played by Aaron Thiara, would be leaving Walford after four years of instilling fear in his neighbours.

Over the course of his time in Albert Square, Ravi has been at the centre of action-packed storylines, but his latest could be the most heartbreaking for the former gang leader. After being sectioned, Ravi was noticeably absent from the Square and ended his relationship with Priya (Sophie Khan Levy), which led Priya to sleep with Max Branning.

Priya previously revealed that she had been seeing another man, but this week, Ravi was dealt a crushing blow when he saw her acting cosy with Max Branning (Jake Wood). In tonight’s episode, Ravi headed over to Max and Cindy’s flat, silently snooping around the place to discover if a picture Priya had taken was in fact at Max’s home, which it was.

When he confronted Priya about whether Max was her mystery man, she was shocked by the question and later confirmed what Ravi already knew. But she clarified that it was simply a “fling” and the relationship was over.

But with the news that Ravi is leaving Walford, fans believe that this could be a key part of the upcoming 2027 New Year episode, which viewers saw on New Year’s Day this year, kicking off the biggest storylines for next year.

During the episode, viewers saw Max being arrested by armed police before his wedding for solicitation to murder. He’s also been spotted with a woman despite getting married, though his bride’s identity remains a mystery. Although he’s engaged to Cindy, some believe that she won’t be tying the knot with Max, who is set to marry her this week.

A male figure was also spotted lingering over the Brannings ‘ and Beales’ in Lauren’s house – and some believe that this could be Ravi, as part of his storyline. Now, it wouldn’t be surprising, given Ravi’s history with criminal activity and weaoponary.

We also know that Priya is pregnant with Max’s baby, as a result of their fling, but Ravi, her fiancé, doesn’t know about the pregnancy. One fan said: “Priya is pregnant, it’s Max’s, but she tells everyone it’s Ravis. Max’s bride is Linda at new year. Which makes more sense to have Ian as his best man.

“Priya is in Max’s bed. In the flash-forward, we see Cindy looking at a wedding dress, but it is her reflecting on what could have been. Also, in the flash forward, a police officer comes out of the flats saying there is a problem; I think that Priya’s waters have broken or labour has started- she locked herself in the bathroom. Ravi or Cindy is holding the gun to Oscar and Lauren.

“Ravi’s reason – he finds out about the affair and the baby is not his, and goes crazy, wanting to take away Max’s children for ruining his family. Cindy’s reason – payback for leaving her and finally getting revenge for Max being involved in her son’s death. We know that Linda, Oscar, Zoe and Ravi are leaving.”

Another fan said: “I think Cindy and Ravi find out about Max and Priya, Ravi is the gunman, and Cindy has set Max up for solicitation to murder.” While a third added: “I think the solicitation to murder is Ravi – he faked his own death and framed Max for it.”

“Maybe Ravi shoots Oscar, that’s his exit and Ravi for murder?” said a fourth. A fifth added: “If Priya goes into labour LYD, it’ll be another baby born prematurely, I think it’ll be Ravi with the gun.”

EastEnders airs Monday to Thursday at 7:30pm on BBC One and BBC iPlayer.

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