SHOW BIZ

The hit Channel 4 true crime documentary series recently returned with a brand new special, but fans are still waiting for the second half to air.

Channel 4 has issued a fresh update on its beloved true crime series 24 Hours in Police Custody.

The long-running documentary series has amassed a devoted fanbase since its premiere back in 2014. It offers an unflinching look at police work in the UK and the lengths teams go to in order to bring criminals to justice.

After a months-long wait for new episodes, fans were finally informed they had a new two-part special to look forward to. That was The Ambush, which aired its first half just last week on Sunday night (August 30).

Many fans were left confused when the second part didn’t air the following evening on the Bank Holiday Monday, as a number of fans had expected the double bill to unfold over two nights. They were sadly mistaken, as the second part had always been scheduled to air exactly one week after part one, meaning it will be shown on Sunday, September 6.

Channel 4 has now directly addressed the legion of baffled fans with a cheeky post on its dedicated documentaries Facebook page. The broadcaster posted a series of screenshots of the flurry of remarks regarding the special episodes, including fans asking “Can’t find part two?” and “When is part two?”

The post was captioned: “POV you’re the Social Media Manager reading the comments on the new 24 Hours in Police Custody,” before clarifying exactly when fans can see the new episode. It added: “Watch part two of ‘The Ambush’ this Sunday at 9pm on Channel 4.”

Reacting to the post, many fans admitted they had been left confused and preferred watching both back-to-back. “I wish you’d air the episodes over two nights rather than have to wait a week,” one fan said accompanied by a crying emoji.

Another fumed: “Next time I’ll binge both on the day the second is released. I hate that wait!” Meanwhile a third series fan added: “I’d prefer not to wait a whole week. Had I known in advance I would have waited and watched them both at the same time. Still looking forward to it though.”

Yet another posted: “I’m waiting till Sunday to watch both and ignoring the spoilers,” as one vented: “Please listen to the feedback and NEVER again make us wait a week for part two!!! Consecutive days is long enough.”

24 Hours in Police Custody: The Ambush returns to Channel 4 on Sunday, September 6 at 9pm.

The brand new series shows the ‘unfiltered’ side of a well-known social media star

A beloved social media star’s new Netflix show has come under fire just hours after landing on the platform.

The streaming giant added Earle Meets World to its lengthy reality TV roster on Friday (September 4), and it has already divided viewers. The eight-part show promised to showcase influencer Alix Earle’s “unfiltered” life away from social media feeds.

A synopsis teases: “Gen-Z’s ultimate It Girl, Alix Earle, is making the next big jump in her career. Can she balance her burgeoning business empire with being that unfiltered, twenty-something, hot mess that America fell in love with? Now she’s taking her candid chaos from your FYP to TV… and nothing is off limits.”

We follow the 25-year-old as she comes to terms with her first major breakup from long-term partner Braxton Berrios, as well address her ongoing feud with podcaster Alex Cooper.

Despite her online following of over 13 million, Alix’s venture into TV has been hit with brutal reviews. One viewer took to TikTok to confess they switched off the show during its first episode, penning: “I can’t get past the first 20 minutes and I love Alix and reality shows.”

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Critics have also shared scathing verdicts, with Variety stating: “The same relatability that makes Earle a dependable brand ambassador also makes her everyday life almost painfully boring to watch, with the few juicy nuggets either overhyped, downplayed or both.”

Time agreed, writing: “If the show made a genuine effort to fulfil the 25-year-old social media star’s vow to reveal the rawest, most intimate aspects of her life, then the only reasonable conclusion to draw from it would be that there just isn’t much to see.”

Meanwhile, The Sunday Guardian published a more generous review stating: “Fans of Alix Earle will probably enjoy getting more access to her family, career and personal life”. And it seems they were spot on because Alix’s fanbase are completely hooked on the series.

“I love the show so far,” someone posted on TikTok. Another person added: “LOVING already so excited to watch more.”

A third viewer praised the show for its authentic approach to the genre, saying: “As someone that is a chronic reality TV watcher, the show is not over-produced and that has been my biggest qualm with the reality TV shows that I watch.”

Someone else admitted: “No guys I’m so invested,” and a final captivated viewer shared: “Oh they got me hook, line and sinker!”

All eight episodes of Earle Meets World are streaming now on Netflix

Viewers tuning in to the new series of The Grand Tour have been left curious about the title card

The Grand Tour fans have been left intrigued by a title card featured in one episode.

The six-part series premiered on Prime Video today (September 4) with a fresh set of hosts: Francis Bourgeois, James Engelsman and Thomas Holland. The trio replace veteran stars Jeremy Clarkson, James May and Richard Hammond, who gladly handed over the baton to the newbies.

The new series of The Grand Tour even saw the former Top Gear trio make appearances throughout the episodes. Jeremy appeared in the opening episode as he gave some blunt advice to the newbies, while Richard helped to judge a competition to find the toughest car, and James hosted the line-up in his pub.

Episode five of The Grand Tour featured an exciting race between Thomas in a hypercar against Francis and James on a train as they tried to get from the UK to the Belgian Grand Prix. The instalment titled A Relaxing Spa Weekend also featured James delving into the incredible history of the BMW Isetta and its Cold War history.

The episode ended with a title card which featured two images of Klaus-Günter Jacobi, who built the smallest-ever escape car used to cross the border between East and West Berlin during the Cold War. Many are curious about the figure mentioned in the title card. Here’s what you need to know.

Who is Klaus-Gunter Jacobi?

Klaus-Günter Jacobi was a mechanic who helped his best friend escape from East Berlin into West Berlin, crossing the heavily guarded border crossing of Checkpoint Charlie. He hid his best friend Manfred Koster in a tiny and concealed compartment in the BMW Isetta.

Manfred was trying to escape East Germany as he was set to be drafted into the army. Thankfully, his friend Klaus came up with the cunning plan.

Klaus-Günter modified the Isetta, reduced the fuel tank to a bare minimum and managed to build in the hiding space. He had also removed other unnecessary components and provided heat protection.

However, they only had an hour to cross the border before it closed for the night. The men were delayed and almost didn’t make it, with sniffer dogs checking for anything suspicious.

If they had been caught, the pair might have paid with their lives for trying to leave. The guards inspected the vehicle thoroughly and let Klaus through without suspecting what he was carrying.

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Klaus’ story was immortalised in the mini-film The Small Escape, which was produced by the BMW Group. After word spread of the escape, the Isetta was used by other defectors to escape East Berlin.

The BMW Isetta was conceived post-WWII by Italian refridgerator company boss Renzo Rivolta and his company Iso Spa. The car essentially had the engine of a scooter, the door of a fridge and seating for two people. BMW was on the verge of bankruptcy when they licensed the design from Iso Spa and set about making it more into one of their cars, thus saving the firm from ruin.

After sharing the unbelievable true story, James then asked Thomas to try and get into a similar-sized space. Despite his best efforts to assume a foetal position, Thomas was unable to get into the space and this illustrated just how tiny this compartment was.

Later in the episode, the two men stopped at a pedestrian crossing as Klaus walked across and waved at them. He now serves as a tourist guide at the Berlin Wall Museum in Friedrichstrasse.

The Grand Tour is streaming on Prime Video now

In the opening moments of the first episode, the trio were seen paying a visit to a familiar farm.

The new Grand Tour hosts witnessed Jeremy Clarkson in action behind the meat counter at Diddly Squat Farm.

The Grand Tour is back on Prime Video with three new hosts taking the wheel – train enthusiast and social media star Francis Bourgeois, and YouTube hosts James Engelsman and Thomas Holland. The streamer announced the new series would feature cameos from the original trio, but the extent of Jeremy Clarkson, James May and Richard Hammond’s involvement was kept under wraps.

Now, it has been revealed that the new hosts visited Clarkson’s Diddly Squat Farm, featured on the hit Clarkson’s Farm, to get Clarkson’s seal of approval. Speaking exclusively to The Mirror, host Holland said it was a “weird experience”. He shared: “About two years earlier, I went to the farm as a tourist, just for fun, I just happened to be here.

“I went into the tent and had a beer and did whatever you do when you are there, and the next time I was back there it was to talk to Jeremy Clarkson, so that was a bit weird.” Engelsman enlightened viewers by revealing “Jeremy does 9-5 shifts behind that [meat] counter”. While many fans already know Clarkson had warned the new trio “don’t f*** it up”, it was actually another part of his testimony that resonated most with the new hosts.

Engelsman explained: “It was strange, we have seen the footage now and after we left, he delivered that message to camera. That slightly longer, more sincere message, I think, for me at least, it resonated a lot harder than just the brief piece of advice.” What Clarkson had told viewers once the trio had walked away was: “I have got to be honest with you, I have actually been watching what they have been up to for the last year and a half, and they are very, very good, I think you are going to love it.”

Holland expressed to The Mirror: “We didn’t see that in the moment, we didn’t know that happened until much later on, so seeing that played back was like ‘Oh, that’s nice’.” Bourgeois agreed, adding: “It means a huge amount to us and also gives us quite the superpower, to have his blessing is just a phenomenal start for us.”

In the opening moments of the first episode, the trio were seen driving through the English countryside when they pulled into Diddly Squat Farm. They paid a visit to The Farmer’s Dog, which featured the original Grant Tour sign hanging from the tent ceiling.

Nervously, they approached Clarkson, who was behind the butcher’s counter. “Hey, how’s things?” he said with a smile. “So, how can I help?” Francis joked: “We have come to ask, please may we use the tent for our studio?”

Clarkson looked at the three blankly before saying: “Not really. I mean, you could, but it’s got a butcher’s in it now, and a bar, and a shop, and an off-licence. It’s usually quite busy as well, so it wouldn’t be an audience so much as customers. I want to help, but look, it’s been repurposed.”

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The joke referred to a Clarkson’s Farm moment when Jeremy called on the help of his old Grand Tour boss to supply a tent to house various projects like the farm shop and butcher’s counter. Following the skit, Clarkson got serious, saying: “Listen guys, seriously, have fun with this. I mean it, good luck, and don’t f*** it up.”

Speaking directly to viewers, it was then that Clarkson gave his heartfelt speech that resonated with the new hosts, who had been totally unaware of his kind words.

The Grand Tour is streaming on Prime Video

Good vibes weren’t invented in Marin County. But reading “Morning in Marin,” David Perlis’ history of the place and its outsize cultural influence for much of the 20th century, you get the sense it served as America’s leading countercultural way station.

Hosts of spiritual-minded sorts called it home: Alan Watts popularized Zen Buddhism in the ’60s, alongside poets Gary Snyder and Kenneth Rexroth. Francis Ford Coppola decamped there to write his script for “The Godfather,” and it’s where his compatriot George Lucas conjured up the “Star Wars” universe. (The cuddly Ewoks in “Return of the Jedi” were named after the region’s Miwok tribe.) Jack Kerouac sought enlightenment there; his compatriot Neal Cassady was imprisoned there, in San Quentin. It was the Grateful Dead’s retreat, Robin Williams’ launchpad, and the solid ground upon which Philip K. Dick questioned reality.

Why all these people, in this place, at that time? Perlis, an artist, radio host and Marin native, doesn’t strive for sociological or demographic explanations. His strategy is to sinuously move from moment to moment, artist to artist, as if in one continuous tracking shot, pausing only for a moment to catch some of the interesting characters he spots along the way. Over there, film critic Pauline Kael; and there, poet and sitcom star Suzanne Somers; and look, there’s bar-band singer Hugh Cregg, who’ll eventually use the stage name Huey Lewis.

Author David Perlis

(Jordan Blackman)

Still, Perlis breaks the flow just enough to offer a few reasons why the region became America’s affluent bohemia. It is, of course, gobstoppingly gorgeous, with Mount Tamalpais, Stinson Beach, Point Reyes and Bolinas practically designed to be edenic retreats. (Fairfax, he writes, is “ribboned with waterfalls, tufted with moss.”) Its isolation made it a counterculture haven for those looking to avoid San Francisco’s bustle: Gay poet Elsa Gidlow made her home there in the 1940s, among the first of many misfit pioneers. Wreckage from the 1906 earthquake was used to build the first “arks,” houseboats in Sausalito, providing a quirky infrastructure. Add some slow-growth initiatives, and you get artsy scrimping arrivistes; add LSD, legal until 1966, and you have a party.

So by the late ’60s, Marin had become a haven for a particular type: creative, interested in Eastern spirituality and profoundly disinterested in social convention (not to mention conspicuously white). Perlis’ portrait of the county at the height of the decade suggests a region that had escaped — or at least refused to look at — the worst of America’s turmoil. “Despite atomic bombs, rampant racism, political violence, and the war in Vietnam and Marin, there is hope, a sincere, emphatic belief, in an imminent inner revolution,” he writes. “When Zen, acid, or whatever your trip is, opens enough minds that people can outgrow this absurd, unwinnable conflict with nature and themselves.”

Perlis writes that with a slight smirk — of course nobody outgrew the conflict. Sure, a lot of people made a mint on the dream of transcendence: The Grateful Dead became a premier touring act, Lucas taught the country the ways of the Force and Sausalito’s Record Plant became the studio of choice for Sly Stone, Fleetwood Mac and more. But in the process, Marin became a kind of parody of itself, satirized by the writer Cyra McFadden in her 1977 novel, “The Serial.” In a world of what Perlis calls “swimmable wealth,” enlightenment sure looked a lot like narcissism in caftans. “I have no idea how I manage to do it,” Dick muses about his productivity at one point, prompting Perlis to bluntly break into the narrative: “I do. Drugs.”

Perlis could have gone further than that. One of the peculiarities of the Marin cultural scene, at least in Perlis’ reckoning, is that it hardly seems like a scene at all. Otis Redding and Frank Herbert and Linda Ronstadt and Anne Lamott and Shel Silverstein and Van Morrison all had little in common and interacted even less; if Marin was an incubator, it’s one where every egg hatched a different, brand-new species. Communal activity seemed relegated to the checkout aisles where locals kibbitzed over “The Serial,” or druggy extravaganzas that would in time claim Dick and various Dead members and associates as victims.

The irony, as the region stumbled into the ’80s, is that between its wealth and carefully cultivated isolation, Marin came to exemplify the ethos of conformist America: every man for himself. The actor Peter Coyote resisted: “When a Buddhist is thinking about shooting out traffic lights, it’s time to leave,” he quips. Others dug in: Huey Lewis and the News climbed the charts with a song titled “Hip to Be Square,” though to his credit, he explains to Perlis that it was meant to be a song about the difficulty of reconciling affluence and bohemian values. The man knows where he lives.

Perlis’ book isn’t a dismissal of Marin’s cultural moment, or even really a critique of it: His story is more something to be wondered at, like fog rolling over Mount Tamalpais. And Perlis’ storytelling skills make it seem like good fun as he pingpongs from artist to artist, each somehow inventing a meaningful, or at least recognizable, cultural touchstone. Marin gave us New Age music and Pablo Cruise; it also gave us Jim Carroll’s indelible punk classic, “People Who Died.” But one of the things to wonder at amid the good vibes is whether a different, more coherent, more sober scene would have been more meaningful, more enduring.

A regular contributor to The Times, Athitakis is a writer in Arizona and the author of “The New Midwest.”

Since its monumental debut in March, “sister dreamer lauren halsey’s architectural ode to tha surge n splurge of south central los angeles” has been active.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

That’s the official name of Lauren Halsey’s public sculptural park nestled at the corner of 76th and Western in South-Central. In its first few months, the park has hosted intimate jazz shows, Kemetic yoga classes, art workshops and album listening parties where artists like Childish Gambino and Vince Staples have performed. For Halsey, a contemporary visual artist who began dreaming up the space 17 years ago, it’s all been part of the plan.

“At a museum or a gallery, I can program in a context that makes sense there, but at the park, it becomes a venue that is limitless,” she says. “So I can have a music series. People can roller skate. It can be a classroom. It can be a dance floor. It can be a theater, so I’m getting to know it every day, which is just so cool.”

She adds, “It’s just very alive so I love it.”

Now, Halsey is plotting on her next project: “emajendat,” a music festival that merges fine art, music and community activation all in one night. Featuring live performances from Erykah Badu, the Alchemist, Flea (of Red Hot Chili Peppers), DJ Pee .Wee (a.k.a Anderson .Paak) and the Charles Gaines Collective (with Black Nile and Devin Daniels), the immersive event will take place on Sept. 29 at the Hollywood Bowl.

Ahead of the big night, the South-Central native shared her itinerary for a magical day in L.A. It involves listening to rare ‘70s funk and soul music at her favorite brunch spot, supporting all of her favorite vendors (including a henna artist) in Venice Beach and bowling at Lucky Strike.

6:30: Coffee and produce at the Westchester Farmers’ Market

I wake up early no matter what. I’m out of my door between 6 to 6:30 a.m. I’d do my walk around my neighborhood and wait until my partner gets up then we’re off to the Westchester Farmers’ Market, which we go to sometimes. There’s this really amazing vendor called Gus’ Coffee. He makes coffee with his daughter. I’d get a black coffee with a tiny bit of milk or a horchata-based coffee and we’ll just shop for produce. We’d get some yellow watermelons, which are in season right now.

11 a.m: Brunch and ‘70s funk music at RVR

I’m going to my favorite restaurant RVR in Venice for brunch. I’m talking to the chefs, Travis and Ian. I’m listening to amazing music because they have this wonderful vinyl program led by Carlos Niño. So I’m listening to this rare B-side of the B-side ‘70s soul and funk while eating amazing plates. They change their menu quite often because it’s a call and response to what produce is available seasonally. No matter what, I start with the pickled vegetables then I get one of the hamachi rolls. Right now, I’m getting the melon salad, egg plate and the spotted prawn. Depending on the day, they’ll have six or 21 of the prawns, so sometimes they’ll hold me one when they know I’m coming in. Then I’m getting the dessert. Right now it’s banana ice cream with blueberries and it’s heaven.

2 p.m.: Get blasted with henna tattoos in Venice Beach

Then we’re racing to Venice Beach, which has been my favorite since I was a kid. It’s just so wild and grungy and weird and fun yet family friendly and safe. My girlfriend’s best friend lives on the boardwalk so we’ll go see him. I’ve always loved the vendors there so I have my favorites. Right now I’m really into Martha who is a henna tattoo artist, so I just get blasted with henna tattoos. She has a fat notebook of [inspiration], so I’ll pick some and then I’ll remix them with her. It’s this really cool collaboration. I do it every few weeks. I’ll sit with her for like two hours while life is happening, watching the roller skaters, the families, the cool outfits, the riffraff. Sometimes I’ll go to a lady to get the back of my hair wrapped in thread, which I used to do as a kid. It’s just another way I can adorn myself with color. Also, I love a hat, so I’ll go to everyone who’s selling a hat and maybe we’ll buy some fruit.

5 p.m.: Bowl and live my WNBA dreams at Lucky Strike

We’re going bowling at Lucky Strike, which used to Bowlero. We have the summer season passes and we just go ham. We go to the arcade first and I just live my WNBA dreams. Then we’ll go bowl two or three games. My partner usually orders the chicken wings. I don’t eat meat, so I’ll do a beer, French fries with “truffle,” shrimp tacos and maybe some candy.

8:30 p.m.: Head home to prepare for the week

Next, we’re going home. I’d look at my calendar for the week and answer emails. Then I’d take a shower and watch something with my partner. I’m into heist films and basketball. She’s into the psychological thrillers and those sort of crime investigation shows, so we meet in the middle. It’s going to sound so silly and I don’t care, but the last good show I watched was Tyler Perry’s “Beauty in Black.” His imagination is wild, so we just can’t wait until Season 3. It’s ridiculous that it’s so good. We’d watch something until I fall asleep usually by 10 p.m.

TREVOR Nelson has revealed when he’s returning to Radio 2 after undergoing brain tumour surgery.

The 62-year-old announced in June that he was stepping back from his work commitments before revealing last month that he was diagnosed with a brain tumour and had “very serious” surgery.

But now he’s looking onwards and upwards as he returns to work.

Trevor confirmed today that he will be returning to host his BBC Radio 2 show from Monday (September 7).

He will be back in his 2pm-4pm slot at the beginning of the week before returning to his BBC Radio 1Xtra show on Sunday (September 13) at 11am.

The iconic DJ said: “I will be slowly easing my way back on to the airwaves from Monday on Radio 2 and next Sunday on 1Xtra. I look forward to being with you all then.”

READ MORE ON TREVOR NELSON

BRAVE TREV

Trevor Nelson reveals he’s been battling a brain tumour & had ‘serious surgery’

off air

Trevor Nelson hinted his working days were numbered – days before Radio 2 break

The news was revealed in a trail on Sara Cox’s Breakfast Show this morning at 8:50am.

Trevor popped up to ask: “Oh hi Sara Cox…. Have I missed anything?

“Now where were we before I was rudely interrupted?

“It’s been a minute, I know… but over the next few weeks I’m getting back to where I belong… In the Radio 2 studio, behind the microphone and spinning some records!

“It’s so good to be home and I’d be delighted if you could join me Monday afternoon from 2. Just ask your smart speaker to play BBC Radio 2, but for now Sara…  “It’s FRI-YAYYYYY.”

He’ll be making a staggered return with two days next week, three days the week after, four days the following week, before returning full time on the airwaves on Monday 28 September.

DJ Spoony, who has largely covered for Trevor in his absence, will be stepping in for the days he’s not in, as well as Clara Amfo.

He returned to social media last month as he addressed speculation after suddenly stepping away from work two months prior.

Trevor expressed: “There’s been a lot of speculation as to what’s wrong with me, I know that much.

“My phone’s blown up 20 times over with people asking what’s wrong with me.”

The dad-of-two said he felt he wanted to share more details due to the outpouring of love he had received.

However, he said he wasn’t going to do a “deep dive” just yet, rather that would come at a later date.

He continued: “I was minding my own business and then it was discovered I had a brain tumour.

“As you can imagine, I was shocked. In fact, my world was turned upside down.

“Quite literally, my head was all over the place. I knew I had to stop work because I couldn’t be that guy on the radio knowing I had that going on.”

After confirming his surgery was a success, Trevor said he’d been at home “recuperating and resting” and having post-op treatment.

He went on: “I can only tell you the truth, and the truth is I feel great right now.”

Trevor added he was back playing golf and in the gym and living his old life, except for the radio and gigs.

STACEY Solomon has shared an emotional goodbye to Pickle Cottage after selling her £1.3 million home. 

Yesterday she and husband Joe Swash confirmed to fans they had sold their “dream home” and would be moving out “imminently”.  

Now Sort Your Life Out host Stacey, 36,  has shared a montage of her favourite memories from living in Pickle Cottage, which they bought in 2021. 

Writing on Instagram, she said: “Thank You & Goodbye Pickle Cottage.

“A little montage of some of the best years of our lives… We will forever be grateful for the last 5 years at Pickle. 

“What a special place & how lucky we’ve been to have lived there. Memories that will last forever… 

PICK OUT

Emotional Stacey Solomon reveals she’s SOLD £1.3m ‘dream home’ Pickle Cottage

IN A PICKLE

Tensions boil over on Turkey holiday between Stacey Solomon and Joe Swash

“Wishing all of the love & happiness to the new family who get to love pickle cottage. And here’s to the next chapter…”

Stacey, who is mum to Zachary,  18, Leighton, 14, Rex, seven, Rose, four, and three-year-old Belle, yesterday explained how she and Joe, 44, are moving to a new property with more land so they are able to rescue more animals.  

She said: “Leaving Pickle Cottage was a massive, massive, decision for us, we had a lot of people we needed to speak to, we needed to get the kids around to the idea and speak to all our neighbours and lovely friends in the area. 

“There were so many people we needed to speak to before we told everybody.

It’s a really special place to us. I gave birth to both of the girls there, we got married there, it’s just so special to us.

“But for a little while we have always wanted to rescue more animals, grow more vegetables, my vegetable patch, I have got so much joy out of it, but it’s on Farmer Scott’s land. So if he decides to do something with that land, it’s gone.”

Stacey added: “We saw somewhere, found somewhere, and I was like ‘Oh my God’ and I was like, we could have a massive vegetable patch and we could offer our land to animals who need it.”

SHE’S long been known as one of Towie’s most fiery personalities, but Ella Rae Wise has now broken her silence on a fresh fallout with a co-star – and revealed exactly what’s going on behind the scenes with an ex she once couldn’t be in the same room as.

Speaking to The Sun, the 26-year-old lifted the lid on the real story behind her rocky relationship with former best friend Dani Imbert, addressed another friendship that has quietly crumbled away from the cameras, and explained what it’s actually like filming alongside ex Dan Edgar these days.

When it comes to Dani, Ella insists there was never one big bust-up, but rather a realisation that the loyalty she was giving out wasn’t being returned. 

She said: “I would just say we decided not to be friends anymore. I don’t really know why on her behalf, but for me people always scream loyalty, but when the shoe is on the other foot, loyalty probably isn’t that strong towards me. 

“But I’m the one that needs to be seen to have loyalty everywhere and cut my nose off to spite my face. With this specific friendship, she was okay doing what she wanted to do behind my back with people who didn’t like me. 

“So, it wasn’t a mirrored friendship. It was one-sided is how I feel. With time going on, I think I prepared myself for this… I could see it coming.”

Ella and Dani first became close after Dani joined the show in 2021, quickly forming an inseparable trio alongside Junaid Ahmed that dominated cast trips, nights out and red carpet appearances for the best part of two years. 

Cracks first appeared in early 2023 when Dani admitted on camera to lying to Ella about a secret kiss with co-star Roman Hackett, but the real turning point came later that year during a cast trip to Cyprus, when Ella fell ill and says she was left feeling completely “frozen out“ by both Dani and Junaid. 

Matters were made worse when Dani and Junaid began socialising with Chloe Brockett – Ella’s long-running nemesis on the show – something Ella viewed as the ultimate betrayal, accusing Dani during fiery on-screen rows of being spineless and easily led by Junaid.

The pair did appear to patch things up by March 2024, but Ella admits the relationship never really recovered, and their apparent truce hasn’t lasted. 

In a teaser shared on Towie’s socials with Ella and her co-star Jodie Wells, Ella reflected on a moment where she found herself defending Dani in her absence, saying: “I defended her in a room she wasn’t in with Jonnie… why was I being so nice?” 

Jodie pointed out that Ella had been “really defending Dani… which is really nice considering she wasn’t being that much of a friend to you at that time,” before asking where things stand between them now. 

Ella replied: “I’d say the friendship is probably quite non-existent. I didn’t ever think I’d be in this position with Dani. We’ve fell out before and we always made a pact that we wouldn’t fall out again.”

But it seems the girls have gone back on their word, with Ella adding: “I don’t see where the friendship can go,” while Jodie suggested: “Maybe you’ve outgrown each other.” 

Asked by The Sun whether she and Dani have fallen out again, Ella made her feelings clear, admitting there’s little chance of a reunion this time round. 

The pair have now settled into two firmly separate camps within the cast, with Dani remaining closely aligned with Freddie Bentley, while Ella sticks by her pal Harry Derbidge.

The two groups manage to film together during big cast scenes and parties, but rarely mix on a personal level.

Dani isn’t the only co-star Ella has fallen silent with, though.

She also confirmed she and former best friend Freddie are no longer on speaking terms, telling us bluntly: “No. I’m alright with it, though. I don’t feel any type of way about it.”

Ella and Freddie were close pals long before Freddie officially joined the show and, when he did make his debut, he wasted no time stepping up as one of Ella’s fiercest defenders on screen, backing her throughout her dramatic falling out with Dani and Junaid. 

The two became practically inseparable, filming together constantly and championing one another in the media, but their bond hit a wall during a Towie Christmas special when an explosive row – fuelled by shifting group loyalties and Ella’s closeness with Harry Derbidge, who already had history with Freddie, triggered a complete breakdown in their friendship. 

Freddie later confirmed on GK Barry’s podcast Saving Grace last year that the pair were “not friends” anymore, and while the two briefly appeared to patch things up during a cast trip to Vietnam earlier this year, secondary drama involving Saffron Lempriere and Elma Pazar reignited old tensions, with a frustrated Freddie quitting the trip early and flying home. 

Freddie has since buried the hatchet with Harry but, as Ella’s own words confirm, his friendship with her shows no sign of being repaired heading into the new series.

Dani and Freddie are far from the only names on Ella’s list, either – the star has built up something of a reputation over the years for falling out with those closest to her. 

Her rivalry with Chloe Brockett remains one of her longest-running and most explosive, with the pair’s friendship collapsing not long after they joined the show together in 2019 when Ella began dating Chloe’s ex, Harry Lee – a feud that has seen the two repeatedly clash on camera ever since, each branding the other insincere. 

Her fallout with Junaid also stemmed from that same Cyprus trip, with Ella accusing him of being controlling and toxic and of deliberately turning mutual friends against her. 

Meanwhile her relationship with Amber Turner has been fraught since 2022, when Ella claimed Amber’s then-boyfriend (and her now-ex) Dan Edgar behaved inappropriately towards her on a night out. The feud reignited in 2024 once Amber and Dan split and Ella and Dan struck up a holiday fling of their own while filming in Bali.

Which brings us to the one relationship that, remarkably, appears to be going in a positive direction. 

Despite that turbulent history, Ella insists she and Dan have found a way to move past their issues, telling us: “We’re literally amicable, polite to each other, keep it moving. And it’s easy because we’re in the same group. 

“The boys banter it and break up the awkwardness. It’s been fine. This series has really been a good series for me. I’m feeling comfortable around everyone.”

It’s a far cry from the tension that once defined their dynamic, after Ella and Dan’s relationship first hit headlines in Bali following his split from Amber.

Things later boiled over during the cast trip to Vietnam for season 36 when Courtney Green accused Dan of “flirting” with Ella and being disrespectful to his then girlfriend Chloe Lewis. 

But with their wider friendship group having shifted considerably since then, the pair have settled into a far calmer footing – something Dan himself has previously credited to their mutual closeness with Jodie Wells and James “Diags” Bennewith.

As for her own life away from the group dramas, Ella tells us this series has marked a real turning point in how she feels in herself. 

She said: “It’s been fun. It’s been nice to do different things and have happy moments. This series is so different. So much better. 

“The change is probably how I feel in myself. I think I needed to focus on how I feel in myself to be able to get over things. So, I did that, and yeah, I’m over it!” 

She added that rebuilding her confidence has come from learning to love herself again and leaning on easier, less intense friendships, saying: “I think it’s more finding love for yourself again. That comes in time, doesn’t it… And the friends you have around you. That’s changed.

“I have a lot more easy-going friendships. They’re not hard work. We don’t have to be attached to each other 24/7. We’ve all got our own lives. It’s been good.”

Ella’s newfound sense of stability comes as she’s also settled into a new romance away from the cast, having gone public with new boyfriend Ricky, 34, in early August while on holiday with mutual pals Lorri Haines and Ferne McCann. 

The pair were pictured kissing at Marbella’s luxury Don Carlos Hotel and even sparked marriage rumours after Ella was spotted wearing a gold band.

TOWIE continues on Sunday and Monday every week on ITV2 & ITVX.

At the top of Gloria Steinem’s “Famous Last Words” interview on Netflix, Brad Falchuk describes the writer and activist as “the face of the feminist movement” for the last 50-plus years — and Steinem says she hopes that isn’t true.

“I hope I wasn’t the face of the feminist movement,” Steinem says during the intimate conversation released Thursday on the streamer after her death at age 92. “Because it’s not right. … It’s a diverse movement, and, actually, on the issues, in public opinion polls, women of color are more likely to support the issues than white women.”

According to a Netflix news release, Steinem sat down with Falchuk in February 2025 for the interview she knew would not be released until after her death. In “Famous Last Words: Gloria Steinem,” the celebrated feminist reflects on her life and legacy in terms of her political activism, as well as her family and upbringing, relationships with other feminist figures and her hopes for the future.

Steinem maintained her hopes, even in a post-Roe vs. Wade world. When the landmark decision was overturned by the Supreme Court in 2022, it meant states could again outlaw abortion.

“I get angry or disappointed and so on [thinking about it], but I don’t lose all hope in the future,” Steinem said, before sharing observations about previously living near an abortion clinic.

Women are “still struggling,” she said. “There’s still religious restrictions that many people feel. There’s, I’m sorry to say, race and class restrictions.

“We have, right as we speak, Trump in the White House. So we have no shortage of things we need to do in order to be compassionate toward each other.”

One of the most recognizable feminist figures of our times, Steinem was known for her role in launching Ms. magazine as well as organizations such as the National Women’s Political Caucus and the Women’s Action Alliance. When asked by Falchuk to reflect on her “feminist awakening,” she mentions that her time in India studying Gandhi was when she “realized that patriarchy was made up. Racism was made up.”

But the interview has its lighter moments. For instance, Steinem reveals she finds joy in reality TV, including “Dance Moms.”

“It’s shows in which you see real people being who they are and disclosing their own stories,” Steinem said. “Those are more fun.”

And although she seems hesitant about contemplating her own “nonexistence,” she does share how she wants to be remembered: As “this person who tried to make the world a little more equal, compassionate, joyful, funny than it was when I showed up.”

“I just hope that I have, however accidentally, left behind some words or actions or stories or something that is useful to the people — and pleasurable, hopefully — to the people who are going to continue long after you and me,” she said.

Falchuk, also an executive producer of the “Famous Last Words” series, described Steinem in a news release as “the steady heartbeat of a revolution, but in this room, she was a woman reflecting on the simple, profound beauty of human connection.”

“She spoke about the intersection of race, gender, and peace with a wisdom that only comes from a lifetime on the front lines. Even in her final moments, she was organizing us, challenging us to keep moving forward. It is an extraordinary privilege to share her final thoughts with the world.”

After her conversation with Falchuk, Steinem was given the opportunity to share her final words alone, directly addressing the audience through the camera. Read her full message below.

“Hello, all you unique individuals out there. I’m so glad to be meeting you through the magic of the media. I wish I could meet each one of you in person. But in a way, this is what allows us now to see each other’s lives, to influence each other’s lives, to respect each other, and to, therefore, perpetuate what we hope is a global democracy.

“Please feel free to respond in any way you can. And please tell your own story. This is the most important thing we can do for each other — to know each other through stories. And I hope so much that whoever you are, listening right now, you are able to do what you love [and] to be … the unique person you are.”

Wendell Berry, a Kentucky farmer and writer whose work advocated fiercely for working landscapes and working people, died “suddenly and peacefully” on Monday at his home in Port Royal, Ky., according to his family. He was 92.

His daughter, Mary Berry, confirmed his death. On Thursday, she told The Times that her father, until about six months ago, was still writing regularly in his cabin on the banks of the Kentucky River, a place he called “camp,” where many of his more than 50 volumes of poetry, short stories, essays and novels were written.

Berry championed sustainable farming and rural community preservation and railed against industrial agriculture and corporate agribusiness.

“He was fierce and he was fearless, and he remained fearless,” she said, explaining that her family taught her the erosion of rural places wasn’t inevitable but “destruction by design,” engineered by corporate interests and political policies.

Berry, whose writings were often fueled by an anger toward the forces that have driven the destruction of the rural land and communities that he dedicated his life to defending, softened in his final years, according to his daughter. “He was always a tender man, and that part of him got stronger. He was rereading a lot of books that he had loved in his life, and he told me he was looking for the tenderness in the books, and that’s a lovely thing.”

Berry’s most influential work began with a list of the problems he’d observed in modern agriculture, scribbled onto a legal pad as he traveled the long stretch of road between Kentucky’s Henry County and Spokane, Wash., where Berry would deliver a speech at the “Agriculture for a Small Planet” symposium in 1974.

“I was asked to talk about labor-intensive microsystems agriculture. That’s not my language, and it’s not the sort of language that I wish to use because it’s the way people speak when they don’t want to be understood by most people,” he began.

Berry spoke of the six generations of farmers who worked his land before him, and the concerns for farming communities and their agricultural economy that he inherited from his father. He decried “the experts and politicians who have prescribed, encouraged, and applauded the disintegration of such farming communities all over this country into our allegedly miraculous modern American agriculture.”

The speech would later become Berry’s 1977 manifesto “The Unsettling of America: Culture & Agriculture,” which launched a sustainable-farming movement and cemented Berry’s authority on agrarian issues on the national stage.

Beyond his cultural critiques, Berry wrote notable novels including “The Memory of Old Jack,” “Jayber Crow” and “Hannah Coulter.” He was a prolific poet as well. His verse included his debut collection, “The Broken Ground,” and his celebrated Sabbath Poems series, which explored living in harmony with the land.

Over the course of his career, he was honored with the T. S. Eliot Prize, the Aiken Taylor Award for Modern American Poetry and the Richard C. Holbrooke Distinguished Achievement Award from the Dayton Literary Peace Prize, among other accolades. In 2010, Berry was awarded the National Humanities Medal by then-President Obama for his achievements as a poet, novelist, farmer and conservationist. In 2016, he was the recipient of the Ivan Sandrof Life Achievement Award from the National Book Critics Circle.

Wendell Erdman Berry was born on Aug. 5, 1934, in Louisville, Ky., to John Marshall Berry Sr., a lawyer and tobacco farmer, and Virginia Perry Berry. Wendell was the eldest of four children, two boys and two girls. In high school, his parents shipped him off to Millersburg Military Institute, a former military boarding school in Kentucky, where rather than conform to the teachings, he later wrote that his takeaway was, “Take a simpleton and give him power and confront him with intelligence — and you have a tyrant.”

He went on to study English and creative writing at the University of Kentucky. There he met and wooed Tanya Amyx, who would become his wife and the mother of his two children, Mary and Pryor. He landed a Wallace Stegner writing fellowship at Stanford in 1958, and in 1961 he was granted a Guggenheim Fellowship, which allowed him to pack up the family and live in Tuscany and southern France.

After Berry’s scholarly pursuits took him to the West Coast, then Europe, then the East Coast, where he taught at New York University, he accepted a job at the University of Kentucky, allowing him to return home and back to his roots, on a farm near the river.

Then-President Obama presents the 2010 National Humanities Medal to Wendell Berry during a ceremony March 2, 2011, in the East Room of the White House.

(Mark Wilson / Getty Images)

“Within a few years, Mom and Dad were raising 85% of the food we were eating,” Mary told The Times. “We had a milk cow, raised hogs for our own use, and by the time I was a teenager, I resented the whole thing pretty seriously, and I remember saying to them more than once, ‘I did not choose to live this way, and I don’t know why we have to do everything the hardest way possible.’ We had no television. … But I was in a heck of a position with my parents because I never really thought they were wrong about anything, and I still don’t.”

When Mary would gripe, she said, her dad would laugh or “just keep working.” But “he talked about what we were doing and why we were doing it,” she said. “He told my brother and me from the time I can remember to look and see that this is good and don’t forget, and I have not forgotten.”

In 2011, when Berry was nearly 80 years old, he joined a high-profile sit-in at the office of Kentucky’s then-Gov. Steve Beshear to protest the destructive mountaintop strip-mining of coal. In an interview with Bill Moyers shared by the Berry Center in 2025, Berry said that he and his compatriots had had enough of the state government ceding control of resources to the coal companies. “In our society,” he said, “people with money are bigger and more powerful and more noticeable and count more as citizens than people without much money. … So we did confront the governor and tell him we weren’t going to leave.”

His attempt at civil disobedience was turned on its head when the governor invited Berry and the Kentucky Rising activists to stay.

“We did stay,” he said. “The whole weekend.”

“We were beautifully treated by the security staff and people who sent us food and bedding and good wishes and even came in and gave us massages. And it was altogether one of the loveliest weekends I’ve ever spent in my life.”

Berry continued writing into his old age.

Next month, Counterpoint Press will posthumously release “Dispatches From Rural America,” a collection of 15 essays. In one, “The Problem Is Industrialism,” Berry wrote about a 2021 conversation he had with a friend of more than 40 years, author Wes Jackson.

“To the extent that we were talking in earnest, our subject was the set of calamities that the media and the commentators frequently take up, typically dealing with each one in isolation from the others and representing each as an emergency more or less apocalyptic, and in tones recalling a number of vernacular alarms, from ‘Last chance for beer’ to ‘Prepare to meet God.’”

He continued later that the two discussed how industrialism “grows only by consuming, once and for all, the living world.”

Mary said she wanted people to know that, yes, her father was worried and wouldn’t have written so much if he weren’t terribly concerned about the future of rural America, but she wants people to understand that he was a man of great hope.

“Hope he felt was a duty, and I learned that from him,” she said. “As he said in one of his many poems, hope is what we owe people younger than ourselves.”

Mary said she was continuing her father’s work through the Berry Center, a nonprofit that aims to put Berry’s writings to work and advocates for farmers, land-conserving communities and healthy regional economies.

Berry is survived by his wife of nearly 70 years, Tanya, his daughter Mary, son Pryor, five grandchildren and four great-grandchildren.

A brand new series has returned with 12 new hopefuls battling it out for the winning title

RuPaul’s Drag Race descended into chaos with an apparent feud exposed just minutes in.

The latest season of the hit show has returned to BBC screens tonight (September 3) with an impressive roster of celebrity guests.

As always, 12 new hopefuls will be battling it out for the coveted title of the next Drag Race Superstar. Resident judges Alan Carr, Graham Norton, and Michelle Visage have returned to the BBC panel alongside an A-list rotation of guest judges including Hollywood actress Thandiwe Newton.

The brand new season kicked off this evening, with episodes available on BBC iPlayer and BBC Three.

But it wasn’t long before the show was plunged into chaos when an apparent feud became known. Paris Baby was the third contestant to be introduced as she admitted she liked to “start some drama”.

However, introducing herself to her cast members, she confessed to “saying some things” about former drag queens that have previously been seen on the show.

Stating she had been blocked after messages were “leaked”, she was then asked what she would do if one of the girls walked in the room today, to which she replied: “Ask them why they blocked me.”

And it wasn’t long before tensions started to rise, when Flesh walked in the doors, drag related family to previous contestants Bones and Krystal Versace.

Appearing to be one of those who had “blocked” Paris Baby, the two soon met face to face. When asked about their history, Flesh replied: “I don’t think we’ve ever met before”, as Paris Baby explained.

Speaking to cameras, Flesh admitted: “I didn’t immediately recognise Paris until I sat down and she said we had beef. We’ve never met but I saw her perform once and I left before the number had finished. I thought it was rude to laugh.”

Explaining to the group, she continued: “We are a super tight family so anyone speaks about your family you’re obviously going to say well you’re not going to be in our space.” Flesh then branded Paris a “troll” before a tense head to head that had had the group in fits of laughter.

But some fans watching at home were left unimpressed as one person said on X: “Flesh VS Paris Baby – The two have their first encounter of the season and well …” Another wrote: “Is Paris Baby becoming already one of the least liked queens from the franchise already?” However, one viewer said: “I love Paris baby so so much already I just know she’s only gonna last like 2 episodes though”

A synopsis for the episode reads: “A brand spanking new series of RuPaul’s Drag Race UK returns! Over the next ten weeks, a cast of fabulous new drag queens will compete for RuPaul’s seal of approval and the much-coveted title of UK’s Next Drag Race Superstar.

“International drag legend RuPaul welcomes the queens into the werkroom for the very first time. Entering one by one, they meet their fellow competitors, and of course, they meet RuPaul, who sets them a surprise first challenge.

“The queens are tasked with staging a talent show at the Werkin’ Queens’ Club – RuPaul’s very own twist on a traditional working men’s club.”

RuPaul’s Drag Race can be streamed on BBC iPlayer

The Grand Tour’s new lineup is filled with “testosterone-fuelled petrolheads” again, and it’s certainly not a progressive apporach to things, says Nicola Methven

‘If it ain’t broke, don’t fix it’ the old adage goes, and that’s certainly what they’ve gone for with The Grand Tour.

Perhaps you can’t blame them. Jeremy Clarkson, James May and Richard Hammond proved enormously popular after they de-camped from the BBC’s Top Gear and so having three white blokes is a tried and tested formula that no one can argue with.

Testosterone-fuelled petrolheads is what we are used to, and what we are getting.

Andy Wilman says it’s ‘comfort food’ for the audience. But progressive? It certainly isn’t. And the notion that sticking a female car expert into the mix would somehow turn the show into a box-ticking exercise does rankle. What is this, the 1990s?

On the question of whether a male presenter could have infiltrated the fashion world formerly occupied by Trinny Woodall and Susannah Constantine (20 years ago!) I’m going to say, yes, he could. Let’s ask Gok Wan what he thinks.

This whole gender-based stereotyping is just incredibly tedious and without anyone ever pushing back, will never change.

But when it comes to the trio they have chosen, Wilman is not wrong when he says they are likeable. They really are.

Between them, James, Francis and Canadian Thomas have about a trillion followers across every platform imaginable. They eat, breathe, and sleep the one same thing: cars.

Watching the first episode as they race around in motors worth more than some people’s houses, you can feel the passion oozing out of them. Their interaction with guest driver Jenson Button is also very funny.

None of them can hide their glee at being let loose on some of the fastest vehicles on the planet. But they show just as much enthusiasm when it comes to winning races in clapped out old bangers worth £100.

The secret to their imminent TV success is their authentic joy for what they are doing, which is contagious for the viewers. After a few minutes of watching, everyone at home will have adrenaline levels that are sky high, to match theirs. Also, they look so damn happy, you can’t watch without getting a bit of that feel-good glow.

Of course, a woman would be capable of all this too.

When it comes to moving forwards, this show is stuck in a rut. But will it be a car-crash? Absolutely not.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

AN emotional Michael Owen has revealed his son’s eye condition has left him so blind he has to ‘cut his food for him’.

The former England footballer has four children with his wife Louise, including son James, 20.

James was diagnosed with Stargardt disease – a degeneration of his retina, and in 2019, Michael revealed his son was “clinically blind”.

During an appearance on the Great Company podcast this week, Michael, 46, opened up to Jamie Laing about James and his condition.

He said: “I look at it and think, do you know what, every time we sit at a restaurant, he’s by my side.

“Because I read him the menu and I need to cut his food, because he can’t.

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“Whenever we’re watching racing, he’s by my side because I’m giving a commentary.

“Whenever he wants to go…he needs his dad to take him. I’m his taxi driver.”

Michael continued: “I get to spend three times more time with my lad because he’s got an eye condition.

“Now I might be a selfish b*****d but I think that is…I love it and I wouldn’t want it any different.

“And of course I’d give my eyes to him in an instant, if we could swap, of course I would. But let’s take the positive, he is so bright, he just doesn’t sit back and pity himself.

“In fact it’s quite the opposite, he gets out there and he laughs at himself.”

While Michael is clearly proud of James and his other children, daughters Gemma, Jessica and Emily, he also admitted on the podcast that he doesn’t tell them he loves them.

He said: “I never ever tell my kids I love them. I don’t say anything like that.

“I just assume my actions would show them that I love them. It’s a bad thing. I think most of us are like that.”

Taskmaster made a return to our TV screens for a brand new series and viewers were quick to share their reaction

Taskmaster’s highly-anticipated return has sparked the same reaction from viewers.

Fans were quick to share their verdict just minutes into the return of the Channel 4 comedy show which returned to screens tonight (September 3) for its 22nd series. It introduced a brand new group of celebs taking on the bizarre challenges set by Greg Davies and his co-host Alex Horne.

The new series saw Richard Ayoade, Matt Lucas, Chloe Petts, Isy Suttie and Nina Conti enter the Taskmaster’s set for the first time. Richard Ayoade, best known for playing Maurice Moss in The IT Crowd, is joined by Matt Lucas, the Little Britain star and former Great British Bake Off host. Comedian Chloe Petts, Peep Show actress and comedian Isy Suttie, and award-winning ventriloquist Nina Conti complete the line-up.

As ever, the five comedians were handed a collection of strange and seemingly impossible challenges, with Greg ultimately deciding who deserves the coveted points.

The opening episode, titled In My Mind There’s A River, saw the stars thrown straight into the madness, with Greg and Alex putting them through their paces as they battled to impress the Taskmaster.

They first challenge called hunting for golden apples, where they had to search for and obtain the apples, with the usual Taskmaster opportunities for creative interpretations and questionable tactics. Up next was rearranging furniture and the stars were given a furniture-based challenge where their ability to interpret the instructions became important.

And finally they took on performing a duet with themselves, which was one of the more bizarre tasks, requiring the contestants to effectively perform both parts of a musical number.

It didn’t take long for viewers to share their reactions to the new series on social media as a flurry of fans claimed that it is the “best show on TV.”

One fan wrote: “Aaah, and #Taskmaster is back… suddenly the world feels normal again. The only TV show that makes me smile every time.” Another viewer was already in stitches after the opening challenge, posting: “First task in and I’m creasing already #Taskmaster.”

Others were equally enthusiastic, with one simply declaring: “Best show on tv #taskmaster.” A fourth fan added: “This is gonna be a fab series I feel it in my bones #Taskmaster.” And another agreed, writing: “Really fun opening to the series.”

You can stream the new series of Taskmaster on Channel 4.

WHILE most shy away from pain, Ellie Goulding leans into hers for new album I Know Too Much.

And it makes the ten-track record, out today, one of her greatest pieces of work.

Her searingly honest lyrics shine a light on the last two years of her life, while the mix of pacy beats and stripped-back acoustic ballads elevate her ethereal voice.

Part heartbreak, part rebirth, I Know Too Much takes listeners on a journey through deceit and betrayal before ending in a place of euphoria with final song Ravers.

The end of her marriage to art dealer Caspar Gopling has most definitely inspired some of the tracks.

But you can also see how fans might link some lyrics to her apparent unhappiness with her old management team, with whom she is now locked in a nasty legal battle after they parted ways earlier this year.

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Two ultimate diss tracks, Always Thinking Of You and Misremember You, are sure-fire hits for the broken-hearted.

Lyrically, the latter is raw, with Ellie singing: “All my friends would die if they knew I still see you in a good light from time to time. But I won’t let the truth get in the way of a good story.

“I’ll leave out all the details that don’t add up to your glory.”

On Always Think Of You, Ellie chides: “Run your mouth, when I post a pretty picture you would make me take it down.

“The s**t you did then I would never put up with now.”

She continues: “Losing your s**t over something small, throwing a fit like you’re two feet tall, blame it on me, or the alcohol, what do you know now, Mr know it all?”

For Your Entertainment and Loser are my stand-out favourites, with the lyrics on Loser enough to make any of her former flames cringe.

“See you got a new job, new life, got a new girl that’s fine, you’re not fooling anybody,” Ellie sings.

“You can change all your clothes, baby you’re still a loser.

“Change your cologne, you still smell like a loser.”

I’ll be singing that on repeat any time someone gets on my wick.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

Greg Ito with “Personal Effects,” 2026, “The Spectrum Within,” 2025 and “Love is a Vessel,” 2026.

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

Jerson Hondall in the library of Gagosian Gallery, Beverly Hills.

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

Aleza Zheng in her South L.A. studio featuring “The Unbearable Lightness of Being,” 2026, “Of Providence,” 2026 and “All That Is In Heaven,” 2026.

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.

The exterior of the two-story, beige-colored building looks like any other drab office space near the Hollywood Burbank Airport. But on a recent weekday afternoon, the inside was bustling with activity: hairstylists carried brightly colored wigs between soundstages, a prop artist was building a fake leg for an upcoming video and YouTube stars gathered in a lobby, fidgeting with their phones while they waited to film their next scene.

They were among more than 100 employees of Smosh Productions, which this spring moved into the 32,000-square-foot facility, from a much smaller location in the city, to accommodate their programming needs.

It’s the latest creator-run company deepening its roots in Burbank, a neighborhood long defined by such iconic studios as Disney, Warner Bros. and Universal Pictures.

Other influencer-led companies that have expanded production footprints in the city include Rhett McLaughlin and Link Neal’s Mythical Entertainment and Alan Chikin Chow.

Internet content production is one of the few growth categories left in a Los Angeles production landscape that keeps shrinking.

“Being ‘Media City’ is a part of Burbank’s tagline. And it’s still true; we are just a different kind of media,” said Katelyn Hempstead, Smosh’s executive coordinator, on a tour of the new facility.

The company, owned by pioneering YouTubers Ian Hecox and Anthony Padilla, produces up to 10 hours of internet content weekly across five channels. Its programming ranges from sketch comedy to games and challenges for their fans.

Shoot days for digital productions rose 47% in the second quarter to 661 compared with the same period a year ago — even as the overall number of on-location shoot days dropped 13% during that period, according to FilmLA, the nonprofit group that tracks local filming.

“When people have an opportunity to work for a few days on a vertical series or [when] they make an income out of being an influencer and producing regular content for their various social channels, that does help the economy,” said Philip Sokoloski, a spokesman for FilmLA. “They still purchase things. They still utilize equipment. They may rent things from local supply houses.”

Cameras inside the “Who Meme’d It?” studio at Smosh Studios in Burbank.

(Kayla Bartkowski / Los Angeles Times)

Burbank has more than 1,000 media and entertainment companies that generate about 66,000 jobs.

Although the city does not give a breakdown of jobs by category, the creator economy has fueled some of the growth in the city’s entertainment employment over the last six years, said Patrick Prescott, Burbank’s community development director.

Most occupy flexible industrial space in the Airport district, leasing space for $1.65 to $2.81 a square foot, he said.

“It’s definitely a transitional period,” Prescott said. “There’s still something really valuable about sitting in a theater with a bunch of other people. But there’s also a lot of scrolling going on. Who’s generating that content? A lot of it’s generated here.”

Filmmakers work in the theater set at Dhar Mann Studios.

(Jason Armond / Los Angeles Times)

Due to anemic production activity, soundstages across L.A. have struggled to fill their studio spaces. That has opened up opportunities for new types of internet productions to fill at least some of the gap, said Sam Glendon, an industrial broker who’s handled several such deals. Creators building out their own space can pick up a discounted soundstage as a result, he said.

“There’s been this big supply-and-demand imbalance,” Glendon said. “It’s still a very niche type of clientele, but I’m certainly searching YouTube much more for who these people are and how many followers they have. Five years ago, I never did that.”

Controlling a studio matters to creators because it lets them move fast without a major studio’s bureaucracy, and platforms such as YouTube reward a steady, frequent posting cadence.

Alan Chikin Chow, behind the scripted YouTube high school drama series “Alan’s Universe,” moved his 13-person operation into a 10,000-square-foot Burbank facility in 2024 after outgrowing his Koreatown apartment.

“YouTube creators are the new trendsetters, and so we wanted to be associated with the big media in Burbank,” said Moris Zingman, the show’s lead producer. Proximity to the Warner Bros. lot helps land celebrity guests, too — Jacob Moncrief, Mythical’s studio president, said it’s an easy sell for shows like “Last Meals” when guests are already a few minutes away.

Filmmakers rehearse a scene in the restaurant set at Dhar Mann Studios.

(Jason Armond / Los Angeles Times)

Traditional media have taken note. Mythical Entertainment and Alan Chikin Chow both struck deals with Netflix in July. “Good Mythical Morning,” “Mythical Kitchen,” “Last Meals” and “Alan’s Universe” are all set to stream there alongside their YouTube releases starting later this year.

Dhar Mann Studios, one of Burbank’s biggest creator-run operations, added a deal with Disney last week for 20 episodes of family-oriented programming — its second major-studio partnership after a 40-title vertical-video deal with Fox Entertainment earlier this year.

Mann, 42, started making YouTube content in 2018 under the Dhar Mann Studios banner, centered around morality and motivational videos. The company now runs a 125,000-square-foot, three-soundstage facility with roughly 220 employees producing rotating sets — restaurants, school hallways, a courtroom, jail visitation rooms — designed to mimic a small town.

But Dhar Mann Studios doesn’t own its Burbank building — it leases the space — and this month the company bought a 108,000-square-foot production campus in Chatsworth for $23 million, with plans to relocate there by 2027, the Real Deal reported.

It’s the same pattern playing out across L.A.’s creator economy.

“The scale that creators have gotten to is ginormous,” said Sean Atkins, Dhar Mann Studios’ chief executive. “Media companies are always looking at what the next thing is. The answer isn’t that they become us or we become them. It’s somewhere in the messy middle, of which nobody knows right now.”

Most internet content work is mostly non-union and typically pays less than traditional film and TV jobs. SAG-AFTRA and the Motion Picture Editors Guild have started drafting new-media-specific contracts in response.

Even so, some workers welcome the opportunity.

Austin Scott, an editor who built a career cutting reality shows like “MasterChef” and “Dancing With the Stars,” recently landed his first big gig after three years of being unable to find post-production work, editing a YouTube series for Kevin Hart’s Hartbeat. Over eight weeks, he’ll work 12-hour days for $3,500 a week — below the $5,000 to $6,000 a typical TV editing job pays.

“My expectations are that it’s going to be harder work, longer hours, more notes, less money,” Scott said. “But there’s no work, so people are kind of forced to take what they can get.”

For reality TV network Bravo, the boat has sailed on any future work with “Below Deck Mediterranean” cast member Nathan Gallagher after he was convicted this week of assaulting his partner and castmate.

“Bravo does not plan on working with Nathan in the future,” a spokesperson for the network said Thursday in a statement shared with The Times. Gallagher has appeared in the last three seasons of the “Below Deck” spinoff, including its 11th season that premiered in June. Filming on the current season concluded before the superyacht bosun was arrested and charged in December on three counts of domestic violence against a 29-year-old woman. Bravo has no intentions to remove footage of Gallagher from the current season, The Times has learned.

Bravo cut ties with Gallagher after law enforcement officials in Australia announced Tuesday that Gallagher is “wanted on an outstanding arrest warrant.” The New South Wales Police Force said in a news release that Gallagher, 28, is believed to be offshore. Gallagher failed to appear for a court hearing on Tuesday but a judge still convicted him on the domestic violence charges, the New York Times reported.

According to an August police report shared with The Times, Ryde Police Area Command responded on Dec. 27, 2025, to reports of an alleged assault and arrested Gallagher at an apartment complex in the Australian suburb of Melrose Park. He was accused of assaulting an unidentified 29-year-old woman the day prior to his arrest. Although not named in the initial report, Gallagher’s “Below Deck” co-star Gael Cameron later filed an Apprehended Violence Application — a request made to a court to protect a person from somebody they believe could cause them harm — against Gallagher, according to Rolling Stone. The two share a young son.

Police also said in the August report that there were no “serious” injuries at the time of Gallagher’s arrest. He was booked at the Gladesville Police Station on three domestic violence charges: common assault, assault occasioning actual bodily harm and intentionally choking a person without consent. Gallagher was eventually released on bail.

The “Below Deck” star addressed his arrest for the first time last week, telling Rolling Stone in a statement he doesn’t believe the public “has heard the full story surrounding what happened” and he is prioritizing care for their son. “What has been publicly reported, however, represents only one side of what was an extremely complicated situation,” he said.

Police urged anyone with information about Gallagher’s location to get in contact.

Norah O’Donnell is returning to “CBS Mornings” in what is expected to be the start of a significant revamp of the struggling program.

CBS News told staffers Thursday that the former anchor of the “CBS Evening News” will become a co-anchor of the morning show on Tuesday Sept. 8 alongside Gayle King and Nate Burleson. O’Donnell is also a full-time correspondent at “60 Minutes.”

The addition of O’Donnell is the first step in a makeover for “CBS Mornings,” which will be redesigned to have a faster pace and more live interviews, according to people familiar with the plans and were not authorized to discuss them publicly.

There is also talk it will become more of a discussion program similar to MS NOW’s “Morning Joe.” The memo announcing her return was written by Jon Tower, a “CBS Mornings” senior producer who once worked on that program.

O’Donnell, 52, was part of the trio of co-hosts that gave CBS News the highest ratings in three decades, “CBS This Morning,” when she shared the desk with King and Charlie Rose. The program launched in 2012 and saw its ratings increase for five straight years. The audience levels fell off when Rose departed the program after he was hit with sexual harassment allegations in 2017.

“CBS This Morning” was renamed “CBS Mornings” in 2021, and adapted the theme music of the network’s popular weekend program “CBS Sunday Morning.” But the revamp never lived up to a promise to deliver the same in-depth stories as the Sunday program and failed to draw new viewers.

“CBS Mornings” has long been the ratings also-ran in the mornings behind NBC’s “Today” and ABC’s “Good Morning America.” But the program has hit record audience lows this year in part due to the cancellation of “The Late Show with Stephen Colbert.”

Colbert was replaced by “Comics Unleashed” which is attracting about a third of the “Late Show” audience which was just over 2 million viewers. As a result, far fewer viewers are leaving their sets tuned to CBS after switching off for the night.

O’Donnell left the morning shift in 2019 to become anchor of the “CBS Evening News.” The program remained in third place in the ratings behind “ABC World News Tonight” and “NBC Nightly News,” but performed far better than John Dickerson and Maurice DuBois, the anchors who replaced her in 2025 and only lasted a year before they were replaced by Tony Dokoupil.

O’Donnell was content with a new role as a senior correspondent and contributor to “60 Minutes.” She has steered clear of controversies that have occurred at CBS News since Bari Weiss was installed as editor-in-chief, and showed a willingness to step up for big assignments.

O’Donnell’s put-me-in-coach attitude has turned out to serve her well as she was elevated to a full-time correspondent at “60 Minutes” and will soon be the center of a revamped morning program.

O’Donnell joined CBS News in 2011 as chief White House correspondent after a 12-year run at NBC News.

EXCLUSIVE Great British Bake Off spin off show Extra Slice has been replaced with a new show called Second Helpings which will now run alongside the main show with new hosts too.

Channel 4 are revamping the spin off show for The Great British Bake Off for the first time in 12 years – with new hosts and a show which airs the same day the main show goes out.

Extra Slice, which has been on screen for more than a decade and was fronted by Jo Brand and Tom Allen, will be replaced by a new series called Second Helpings hosted by Bake Off superfan Jon Richardson and Loose Women star Judi Love.

They’ll be joined by celebrity guests and bakers to look at the drama that has happened earlier in the evening on Channel 4. An insider said the plan was part of a major revamp for the show this year and an overhaul which has also seen Nigella Lawson join as a new judge, replacing Prue Leith who quit earlier this year.

“This is going to be a fresh new show, very different in style to Extra Slice,” a source told the Mirror. No strangers to the Bake Off tent, Jon and Judi have both previously taken part in The Great Celebrity Bake Off For Stand Up To Cancer, with varied results.

Confirming her new job, Judi said: “I’ve been lucky enough to be in the tent a few times and work alongside Jon, both were pure joy! Joining the show to talk all things baking and celebrate showstopping bakes, including some unique spins sounds like absolute blast. I can’t wait to get started and of course eat a few cakes or whatever treats they may have.”

Joking about his new job and paying tribute to the previous hosts, Jon, 43, said: “Bake Off is an institution. Jo Brand is a comedy God. Together with Tom Allen, they have made a spin off show that is warm, witty and unique. I pity the poor sap they lure into stepping into those shoes.”

Jo and Tom seem to have taken the news of the revamp well, which has ultimately seen them sidelined after fronting Extra Slice for many years. Jo was first on Extra Slice when it aired on BBC and then continued to work on Bake Off when it moved to Channel 4 in 2017.

The comedian said: “I’ve loved every minute of Extra Slice. The bakers have been brilliant, talented and remarkably calm for people whose pork pies are being discussed on national television. And working alongside my TV husband Tom has obviously been a joy, he’s always been more immaculately presented than anything in the tent.”

Tom, who joined in 2018, added: “I have loved working with the team and with the kindest person in television, Jo Brand. It’s been a joy to meet so many delightful Home Bakers from all over the world and learn about them through their cake creations. Please don’t tell anyone, but I have stolen the whisk.”

The new show will also bring viewers exclusive behind-the-scenes stories and unexpected revelations from those in the know, including Bake Off hosts and judges Alison Hammond, Noel Fielding, Paul Hollywood and new judge Nigella.

Sarah Lazenby from makers Love Productions, said: “We’re delighted to be serving up Second Helpings of Bake Off with comedy pals Jon and Judi. Together they’ll unpack all the gossip and memorable moments from the tent over a cup of tea in Cake Corner.”

Senior Commissioning Editor, Channel 4, Vivienne Molokwu agreed: “We have revamped Extra Slice by giving it a brand-new shape and a brand-new home.

“Second Helpings will be available on the same night as Bake Off meaning viewers don’t have to wait long to chew over what’s gone down in the tent. With the deliciously funny Jon and Judi at the helm we’ll all have a hilarious time talking all things sweet treats”.

Second Helpings will air weekly on Channel 4 alongside the new series of the Great British Bake Off when it begins later this month.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Fox News Media has parted ways with anchor Maria Bartiromo.

The company announced Thursday she is no longer employed at Fox News and Fox Business Network, effective immediately.

Bartiromo was anchor of the daily Fox Business Network program “Mornings with Maria,” which starting Friday will be called “Mornings with Fox Business.” Her weekend program “Sunday Morning Futures” will continue with fill-in hosts until a permanent replacement is named. Bartiromo has not appeared on any Fox News Media programs since August 9.

“We thank Maria for her work over the last 12 ½ years and wish her all the best on her next chapter,” a Fox News representative said in a statement, which offered no other details on the reason for her exit. But Bartiromo has been a problematic figure for the network in recent years, despite being a favorite of Fox Corporation Chairman Emeritus Rupert Murdoch.

Bartiromo was one of the network’s staunchest believers in President Trump’s false accusations of voter fraud during the 2020 presidential election won by Joe Biden. The claims, many of them perpetuated on Bartiromo’s Sunday program, resulted in Fox News paying a $787.5 million settlement to Dominion Voting Systems which sued the network for defamation.

Fox News recently had to issue an apology for comments made by Kevin O’Leary, the entrepreneur and “Shark Tank” personality, who said during an appearance on Bartiromo’s program that opponents of his Utah data center were being funded by the Chinese government.

Bartiromo is a major cheerleader for Trump and her departure is likely to generate speculation that she is headed for a role at the White House. The administration is currently in the process of hiring a new press secretary to replace Karoline Leavitt.

Bartiromo was a protege of the late Fox News chief executive Roger Ailes, who made her a star at CNBC when she became the first woman to report from the floor of the New York Stock Exchange. Ailes later recruited her to join Fox Business Network in 2013.