SHOW BIZ

Junior and Princess Andre give a joint interview as part of a new series about the life of their mum Katie Price.

The emotional children of Katie Price have broken down in tears as they recalled how their mother’s drug use meant she was unable to look after them properly and left them feeling “lonely” and unloved.

Junior, 21, and Princess, 19, have grown up in the spotlight since their parents Katie and Peter Andre split up when they were very young. And they’ve also dealt with the fallout afterwards which saw Katie struggle to cope and at one stage turn to cocaine to try to deal with her problems.

Junior says: “I remember missing her so much. This one time in particular, I was in her bed waiting for her to come back, and I woke up probably 3:30am to some loud noises, and I see her come in the room, and I’ll never forget the look on her face, she was obviously on stuff, right?

“I could see it in her eyes, and I was.. it scared me, because I’ve never seen my mum look like that. She’s there, but she’s not there, you know.”

Junior adds: “She wasn’t in the right headspace, she really wasn’t. And she wasn’t being a mum, she wasn’t being the mum that I knew from when I was a little boy.

“The amount of love she gave me was so immense that that’s what I missed so much. Mum was on drugs, and she could not look after us, and that is the reality of it. She couldn’t.

“And then I got fed up. I clocked on that this was a very unhealthy environment, and I needed to get out. I did leave. I think I was about 14 or 15, Thank God that my dad was stable, because that’s the house that I went to and gained my sanity back, you know.

“While I was wishing and hoping that my mum would come back and turn herself around. It made me feel like I wasn’t good enough, because she wasn’t fixing herself for me.”

His sister Princess says: “She’d give me a blanket, and she sprayed all her perfume on it, and that was like that was my, my attachment to Mum. So I remember after school I used to go home and just feel so like lonely in a way. I used to just cuddle to the blanket and just cry.”

She adds: “I stayed. I always wanted to be there for her, and I always wanted to show her that, like, she has me, she has us, but she didn’t understand that at the time, because she was so hooked up in her own problems.”

The pair, who break down in tears in the joint interview, also say they had to learn how to fend for themselves including making microwave meals and “looking after each other”. In a new Sky documentary series, Katie also is open herself about her drug use in the past. It came around decade after her split from husband Peter Andre in 2009, and coincided with a series of failed relationships including a troubled marriage to Kieran Hayler who she wed in 2013.

“It was the only thing that blocked everything out,” Katie says of drugs thinking back to the worst period of her life. It will take out that pain, it will take out any worry, it will take out the noise.”

She was regularly using cocaine and staying out late and not putting her family first. Looking back she says: “When I hear what the kids, how they saw it, it breaks my heart. But they were still always looked after, I still had people around me looking after them, like helping me.

“But that’s not good enough. Kids need their mum, kids need their mum’s love, their mum’s hugs, and I thought I was given that, but obviously I wasn’t. It must have been horrible for them, horrible for them, and I’m just sorry to them that I put them through that and thought I was doing the best I could with them, but what could I have done?

“I was unwell. I couldn’t even look after myself. I was more than rock bottom. I didn’t want to be. I wanted to die. I felt worthless, suicidal thoughts all the time.”

After one night of taking drugs and drinking, she crashed her car whilst feeling suicidal in September 2021. At the crash scene before being taken to the hospital, and then a police station, she had told her mum she “wanted to be out of it”.

“I remember when they put me in a cell it was like peace. Peace and quiet. I found that quite comforting. It is quite sad to think that,” She recalls.

Thankfully she also credits six weeks in The Priory after this incident with saving her life and helping her to learn to look after herself in a better way. Her relationship with Junior and Princess has improved as a result.

The new documentary covers the whole 30 year career of Katie, beginning as a glamour model who at her peak could command six figure fees for photoshoots or appearances on shows like I’m A Celebrity, where she met Peter Andre in 2004.

But since then she has been made bankrupt and is less in-demand to be on TV.

She is currently married to Dubai businessman Lee Andrews and her family express their shock on screen at the fact she again married someone in January she had known for just weeks.

On the documentary her stepdad Paul Price recalls a conversation he had before her fourth marriage.

“I said what’s she going to Dubai for? ‘To see a bloke’. I said ‘what’s the catch?’ And then we find out she’s getting married. I said ‘you’re off your head’. And then the geezer is in the paper pretending to be a millionaire.”

Asked if he was angry with her, Paul replies: “100 percent”.

Son Junior adds: “This is the most silliest stupidest thing, marrying a guy she doesn’t even know. This is my mum, this is what she does.”

Her mum Amy Price ends the film with a simple dream that her daughter will fine happiness and less drama in her life at some stage as she gets older.

Amy says: “In some ways, she’s still like a child. But she’s a good daughter. I hope she really does find someone to love and be happy.”

* Katie Price: Nothing to Hide, a four-part Sky Original series, will be available on Sky and streaming service NOW on 8 July.

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BBC viewers have called the cosy detective series the ‘best TV show of all time’

Death in Paradise fans looking for their next fix need look no further.

BBC viewers have gone wild for ‘one of the best’ detective series, calling it a ‘real gem hidden in the daytime schedules’.

Shakespeare and Hathaway: Private Investigators first aired in 2018 and is now in its sixth series. It stars EastEnders legend Jo Joyner as Luella Shakespeare and Waterloo Road star Mark Benton as Frank Hathaway.

A synopsis for the show reads: “After the death of her fiance, Luella Shakespeare joins Frank Hathaway, a private detective, to help him solve some bizarre cases in Stratford-upon-Avon.”

The series has been a huge hit amongst fans who have likened it to Death in Paradise, Beyond Paradise and Midsomer Murders.

One person said: “I don’t know what this show is doing in the day time section, I would have missed it, had it not for the fact that I logged into iPlayer. It reminded me of ‘Death in Paradise’ but set in Warwickshire. They have filmed in really scenic locations, and I love the cast.

“The two leads have very good on screen chemistry and their side kick, the “RADA Grad” is pretty funny. I have watched six episodes so far and I can’t wait to finish it.

“I hope BBC renews it because it is pretty cheerful and feel good show. I am a little tired of gritty and dark dramas so this is pretty much right up my stream!”

Another show watcher put: “Just binge watched the first and second series of this show on demand! I can’t believe I’d never heard of it or even seen it advertised.. I absolutely loved it! Light hearted, clever writing, witty loveable characters, I could go on and on…”

A different viewer said: “I have watched both seasons of this sweet, light hearted and funny show. I think it should be on in the evenings, it’s very much like Death in Paradise except set in Stratford Upon Avon.

“Hope it’s renewed for season! It’s a witty sweet show and some of us like light-hearted programmes!”

Another fan commented: “This show is much better than I hoped. I was looking for something on Britbox once I had watched the last episode of Death in Paradise and decided to give this a try. What a complete gem.”

While a different viewer added: “If you are a fan of exquisite British murder mysteries in the vein of Midsommer Murders you will be hooked! Fun characters, engaging comedic elements and very interesting plot twists make this a winner!! LOVE IT!!!”

Made In Chelsea royalty Jamie Laing and his wife Sophie Habboo have reportedly landed a second series of their Disney+ show Raising Chelsea, in a deal said to be worth £500,000

Jamie Laing and Sophie Habboo are reportedly adding a second Disney+ series to their TV empire. The former Made In Chelsea star and his wife are said to have landed a second series of their show Raising Chelsea.

Jamie, 37, and Sophie, 31, allowed cameras to follow their lives as they prepared for the birth of their son Ziggy during the first three-part series of the show.

The second series would focus on their lives now that Ziggy, who is seven months old, is here. Producers are said to be hoping to film enough content to make the next edition span more than three episodes.

A source told The Sun that Disney bosses were “delighted” with how audiences responded to Raising Chelsea, adding that Jamie and Sophie “secured the hearts of Disney subscribers” with how “authentic and vulnerable” they were. “The deal’s done,” the source continued. “And filming is set to start soon.”

According to the insider, the couple have been offered £500,000 to continue sharing their lives with the public. Jamie and Sophie were previously on Made In Chelsea. He spoke to the BBC about how he wanted their return to screens as a couple in Raising Chelsea to feel “real”.

He said: “If there are three cameras and a set-up, it feels forced. We wanted to capture everything and I wanted to make sure it was really real so you see everything. Even when things happened that were intense we kept it in because we made a deal. There is nothing off limits – I don’t like the idea of a filtered version of ourselves, it’s not true, authentic or real.”

Sophie also told the publication that doing the show felt “natural” as they’d already been on reality TV. But, she continued, there were moments when she forgot they were filming as just one camera was involved in capturing content.

During the show, a camera was even permitted into the delivery room as Sophie gave birth to Ziggy, who was born in December 2025. The anaesthesiologist filmed it on Sophie’s phone. She shared that she didn’t initially want that recorded, but ultimately decided that it was part of the story and should be included.

Jamie has also landed another TV role. According to reports, the newly married father of one, has now landed a role as a guest investor on BBC’s Dragon’s Den alongside veteran business entrepreneurs including Deborah Meaden and Peter Jones.

He is reported to be joining the judging panel for the 23rd series, following in the footsteps of other celebrities who have guest judged, including Joe Wicks and Gary Neville.

Away from the telly, Jamie is quite the businessman. He co-founded a successful vegan confectionary business, Candy Kittens in 2012, which sells sweets in flavours including Eton Mess and Sour Watermelon. Back in 2024, his company had a £15million turnover and this was later followed up by the £36million acquisition of healthy snack bar Graze.

The Mirror contacted Jamie and Sophie’s reps for comment.

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Tuesday’s episode of EastEnders ended with an explosive showdown between Bea Pollard and Honey Mitchell as the ‘Misery’-esque villain’s past is exposed

EastEnders‘ Bea Pollard’s past has come to light, as the BBC soap aired a dramatic showdown between the villain and her kidnapping victim, Honey Mitchell.

Throughout Tuesday’s episode, Bea (Ronni Ancona) showed how obsessive she had become. The villain, who fans have likened to Misery’s Annie Wilkes, took Honey (Emma Barton) hostage in a cottage out in Fordwich, Kent.

Honey had been unconscious after Bea knocked her over in Albert Square, but she woke up in the cottage and discovered all the doors and windows had been locked.

While there, Bea revealed that the cottage belonged to an ex-boyfriend of her mother. She explained that her mother had always blamed her for the breakdown on her relationships, finally revealing the tragic backstory that may have made her so angry at men.

Bea also tried to convince Honey to run away with her, and forced her to transfer £10,000 from the Minute Mart accounts. But clever Honey made the reference Fordwich, tipping off Suki Panesar (Balvinder Sopal), Nicola Mitchell (Laura Doddington) and Linda Carter (Kellie Bright) as to her whereabouts.

When a holidaymaker turned up at the cottage, Bea locked Honey in a cupboard, though she was able to get out and escape through a window. After stumbling through the countryside, she was found by Suki, Nicola and Linda, who took her home.

Honey’s ordeal wasn’t over though as Bea snuck into the B&B and held a corkscrew to Billy Mitchell’s (Perry Fenwick) neck. She told Honey that she hated being lied to and the two ended up brawling on the floor. Honey soon got the upper hand and held a heavy ornament above Bea’s head, threatening to beat her with it.

The police then swooped in and arrested Bea. She was carted away in the back of a police car. Fans have been split on whether this is her last episode.

One said: “I don’t think this is Bea’s last episode (either she escapes, trial, or let go due to insanity).” Another agreed: “Not convinced this is the conclusion to the Bea story though.”

But a viewer said they thought this was the end: “I’m guessing it’s a goodbye to Bea in the coming days.” And a commenter added: “An enjoyable episode and good conclusion to the Bea saga. Loved to see Linda, Nicola and Suki banding together to save Honey.”

A fan suggested the ending, with Bea being taken away in a police car, was reminiscent of Janine Butcher. This comes as Charlie Brooks teased Janine may return soon. In a chat with Richard Arnold on Good Morning Britain, it was mentioned that Janine, who has been in prison for her involvement in Mick Carter’s (Danny Dyer) death, is due to be released in a year.

Host Susanna Reid said: “OK! Out in about a year… sounds like Richard knows about the future script!” To which, he cryptically replied that Janine could be released “earlier” and “you never know” with EastEnders.

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Lauren Bennett, the British singer who told millennials to “put yo’ hands up” in LMFAO’s megahit “Party Rock Anthem,” and a member of pop group G.R.L., has died. She was 37.

G.R.L. members Emmalyn Estrada, Natasha Slayton and Paula van Oppen announced Bennett’s death on Monday via social media.

“It is with great sadness that we share the passing of our beloved Lauren,” G.R.L.’s statement read.

“Our hearts are broken, and we cannot begin to express how much she meant to us. We will forever cherish the love, laughter, and countless memories she gave us. Her beautiful spirit touched so many lives, and she will be deeply missed and forever loved. Rest peacefully, sweet Lauren. You will always be in our hearts.”

Bennett’s cause of death has not been revealed.

The British singer first splashed onto the music scene when she appeared on the U.K. “X Factor” in 2006. She was eliminated before the live show round of the series, but the following year she was recruited to join Paradiso Girls, a group launched by Pussycat Dolls founder Robin Antin. In 2009, they dropped “Patron Tequila,” featuring Lil Jon and Eve. The group disbanded in 2010 and their debut album was never released.

In 2011, Bennett joined forces with electronic dance duo LMFAO on “Party Rock Anthem.” The track spent six weeks topping Billboard’s Hot 100 chart and became wildly popular globally. Billboard ranked the megahit second on their official “Top Hot 100 Songs of the Decade” list for the 2010s, behind Mark Ronson and Bruno Mars’ “Uptown Funk.”

In 2012, she and Antin teamed up again, forming pop group G.R.L. (Girls Rock Life) with founding members including Bennett, Estrada, Slayton, van Oppen and Simone Battle. The group debuted on the “Smurfs 2” soundtrack with “Vacation” in July 2013 and, in early 2014, they were featured on Pitbull’s “Wild Wild Love.” In the summer of 2014, they dropped “Ugly Heart,” the lead single of their self-titled EP, but in September, founding member Battle died by suicide. G.R.L. split up the following year. By 2016, the group reformed as a trio with Bennett, Slayton and new member Jazzy Mejia.

Bennett welcomed her daughter, Harlow, with partner and “Footloose” star Kenny Wormald in 2019. Wormald often shared photos of Bennett on his Instagram with loving captions.

Longtime friend and music producer Josh Stevens, who co-wrote and engineered LMFAO’s sophomore album “Sorry for Party Rocking,” posted a tribute to Bennett on Monday, writing, “My friend [Lauren Bennett] we will deeply miss you. I was lucky enough to witness you change the world! We traveled the globe party rocking from night clubs to stadiums, a wild and crazy time. A true legend!

“Later on in life our children had the same birthday, I remember us texting each other while you were in labor and my wife was in labor on the same day, same time, both in the hospital. We were laughing and it somewhat seemed calming to know to each was going thru this at the same time.

“We will very much miss you.”

Netflix fans say the gripping drama is the best true crime show they’ve ever watched

Fans are begging for even more episodes of a true crime drama sitting quietly in Netflix‘s library.

Viewers might have missed a harrowing docuseries that is hiding in plain sight on the streaming platform.

Homicide first hit screens in 2024 with five episodes diving into chilling murders that have taken place in Los Angeles. Seasons 2 and 3 closely followed with a fresh focus on New York crimes.

The series comes from Law & Order creator Dick Wolf and examines gruesome killings from the perspectives of those directly impacted. Viewers hear from detectives and prosecutors, as well as the families of the victims.

It offers a complete overview of how law enforcement approached the cases, and how citizens were forced to mourn their loved ones.

Season 3, which is titled Homicide: New York, focuses on a serial offender who targeted victims in Central Park, a suspicious drowning at Soho House, and an unfiltered recounting of 9/11 from the officers who were at Ground Zero.

While many Netflix subscribers may have missed the show, those who caught it upon its release were thoroughly impressed.

An IMDb user raved “we need more,” before writing: “Amazing!! The editing was simply perfect, but the true stories oh my they were so sad but very interesting to hear.

“The people behind all the hard work to find out the results were brilliant and very well spoken about the cases and families involved! Need another 5 episodes!!!”

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Someone else agreed with the praise, adding: “In True Crime Drama…This one STANDS ABOVE. There are a lot of documentaries out there regarding true crime. Dick Wolf has done an extraordinary job on bringing this one to the screen. I would say it’s one of the best written, true crime dramas ever made.”

While an X, formerly Twitter, user urged others to tune in. “If anyone’s looking for a good murder mystery, definitely recommend Homicide New York on Netflix,” they said.

Yet another fan agreed, stating: “Homicide: New York is insaneeeeeee. if you’re into true crime, you definitely want to watch it.”

All fifteen episodes of Homicide are available to stream now on Netflix

Whether you covet a golden statuette of your own or just want to see your favorite show sweep its categories, it’s time to start gearing up for the 2026 Emmy Awards.

The best way to stay in the know is to follow nominations as they’re revealed in real time Wednesday. It may have been a somewhat underwhelming year for television, but there are still a number of standout series to root for and races with the potential to surprise us.

Will Jean Smart win her fifth straight Emmy for “Hacks”? Will “Widow’s Bay” shoot to the top of the nominations list despite its late-season arrival? And which streamer will dominate the ceremony?

Read our predictions here, and find everything you need to know about this year’s nominations below.

When will Emmy nominations be announced?

Nominations for the 78th Emmys will be announced live Wednesday starting at 8:30 a.m. Pacific./11:30 a.m. Eastern. Emmy winners Liza Colón-Zayas (“The Bear”) and Jeff Hiller (“Somebody Somewhere”) will do the honors, along with Television Academy Chair Cris Abrego.

How can I watch?

You can livestream the announcement on the Television Academy’s website or Youtube channel. If social media is more your speed, you can also stream it on Facebook, TikTok or Instagram.

Who are the predicted nominees?

“Pluribus” and “The Pitt” are expected to lead in overall nominations, with the latter poised to shine in the acting categories.

Other top drama series likely to score a nomination include “Task,” “Paradise,” “Slow Horses” and “The Diplomat.”

In the comedy field, “Hacks” is once again considered the frontrunner on the heels of its fifth and final season. “Shrinking,” “Abbott Elementary,” “The Bear” and “Margo’s Got Money Troubles” are also strong contenders.

Among limited series, nominations are probable for “Beef,” “Half Man,” “DTF St. Louis” and “Love Story: John F. Kennedy Jr. and Carolyn Bessette.”

This year’s awards will honor programming that aired between June 2025 and May 2026, meaning summer releases are not eligible. Neither are foreign productions, which means the Canadian hockey romance “Heated Rivalry” is off the table.

When is the actual awards show?

The 78th Primetime Emmy Awards will take place Sept. 14 at the Peacock Theater in downtown Los Angeles. It will air live on NBC and stream on Peacock.

No host has been named yet. In January, the Television Academy announced that this year’s ceremony will include the first new major prize in almost 20 years: the Legacy Award, which will be “presented to television programs that have made a ‘profound and lasting impact’ on audiences and remain relevant to society, culture and the industry.”

The Creative Arts Emmy Awards, honoring artistic and technical achievements,  will be held Sept. 5 and 6.

NICK Knowles’ wife Katie has revealed that she’s been suffering with pain every day for ‘almost two decades’.

The brave star shared the news after undergoing surgery to remove parts of her reproductive system.

Katie posted an emotional video online where she’s hugging a loved one while sitting down in tears at home post-surgery.

Penned in the post’s caption, Katie shared a health update and rejoiced that the decades worth of pain she’s been feeling should now be gone.

She said: “I’ve made some videos from hospital and after my op, and I think I’m ready to share them.

“The ovaries. The endo. The adhesions. The organs that had stuck together. The prolapses. The bits of my body that have caused me pain for nearly two decades. All gone!

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“5 and a 1/2 hours in surgery. Mr Raafat has been amazing. He is the first surgeon who has ever made me feel truly heard and understood, and I’ve been through a fair few. Around 10, I think. He understood how draining, exhausting and painful this has all been, and he’s confident this should improve my quality of life. I am so grateful for that.

“Hopefully this is the last big recovery. Hopefully this is the start of life without that pain.”

Katie continued to share how she’s still in immense pain as she’s recovering from the operation, and it’s difficult to go through even though it’s temporary.

She explained: “I know this pain is short-lived. I know the scars, the stitches, the bleeding, the gas pain, the swelling, the injections, the cannulas, the bruises and all the awful hospital bits are temporary.

“But temporary doesn’t mean easy. It is brutal. My body feels completely battered.”

Katie finished the post off by sharing just how much endometriosis has impacted her life and how as much as she feels grateful now to go forward with less pain in the future, she still feels ‘heartbroken’.

Katie concluded: “Endometriosis and adenomyosis have taken so much from me. They’ve taken years. They’ve taken energy. They’ve taken confidence. They’ve taken plans. They’ve taken parts of my body. They’ve taken versions of me I’ll never get back.

“I wish I could go back and tell younger me she wasn’t weak. She wasn’t making it up. She deserved better. So yes, I’m relieved and grateful. I really am. But I’m also heartbroken.”

Fans reading the emotional caption left their well wishes in the post’s comments section, with one user saying: “You are so incredibly strong, please remember that. Sending so much love.”

A second shared: “Sorry you have been through all of this. I wish you a speedy recovery.”

A third added: “Much love to you and your family.”

Katie is the wife of TV presenter Nick, who has hosted shows including Who Dares Wins, DIY SOS and Break The Safe.

The health update comes two months after Katie opened up about her father sexually assaulting her for “years” as she grew up.

HARRY Styles’ rarely-seen sister told him “I’m so proud of you” as she joined him on-stage for an emotional speech during his final Wembley gig.

The Sign of The Times singer’s Wembley residency began on June 12 and ended on July 4 after a string of successful shows.

During his last gig yesterday, his sister Gemma took to the stage to pay tribute to her brother.

She said: “This is the last place I thought I’d be! But my little brother is about to finish a record breaking 12 nights at Wembley.

“I don’t think of you like this in day to day life. I think of you as a brother, as an uncle, a best friend.

“The community that’s been formed around you is just indescribable, thank you to everyone been here with you over the past 12 nights and last 16 years.

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“Since I left you over the wall over there. I was like ‘are you gonna be okay, small person’ and now we’re here.

“I’m so proud of you and not just proud because you’ve done things like this, which nobody does.

“I’m proud of who you are and who you allow other people to be.

“The impact you’ve made on so many not least on us who get to love you and what a privilege that is.

“Thank you for being you.”

Gemma then asked the audience to help her congratulate Harry on his historic 12 night event as the siblings warmly embraced each other.

It comes after Harry stunned fans by the sweet tribute he made to his ex Taylor Swift at his Wembley gig last night.

The former One Direction star, who dated Taylor in 2012, was on stage in London last night when he crooned a song about his ex on her wedding day to Travis Kelce.

Harry sang the song Two Ghosts, which is widely believed to be about Taylor, after NOT performing it at any of his prior Together Together gigs at Wembley stadium.

Reacting to Harry’s seemingly brazen tribute, one person said on X: “TWO GHOSTS WHILE TAYLOR IS GETTING MARRIED IS CRAZY.”

“COMPLETELY CRAZY! Harry pulling a chorus of ‘Two Ghosts’ with the fans today at #TogetherTogetherLondon,” said a second.

“ON TAYLOR’S WEDDING DAY he isn’t innocent,” penned a third.

Harry last crooned the song on June 16 when he performed an orchestral rendition of the track at the Meltdown Festival in London.

But fans were still left taken aback by it being included in his Together Together gigs, as it has not been part of any setlist on this specific run of shows before.

Harry was invited to the wedding, as was his partner Zoe Kravitz.

The reason Harry was not at the wedding, was not because of any lingering bad blood between the exes – because they’re actually on good terms – but because he is currently on his Together, Together tour.

Taylor is now an officially married woman after her nuptials to Travis Kelce on Friday night.

And Harry is smitten with Zoe, who is good pals with Taylor.

Death, taxes and Jean Smart winning another Emmy are among life’s certainties.

But outside of the realm of the expected, what are we looking for when Emmy nominations arrive Wednesday?

I do have questions, namely:

Can two-time Emmy winner Zendaya earn a nod for “Euphoria,” a show that remained a ratings hit even if it seemed like people mostly watched to complain about it?

Might “Widow’s Bay,” television’s best new comedy, grab the momentum from “Hacks,” Smart’s Emmy-winning series that looked like it’d be taking a victory lap for its final season?

And, will voters stop encouraging Ryan Murphy or do we need to write another hundred think pieces about why “Love Story” felt so wrong?

For an Emmy season that looked more than a little underwhelming just a few weeks ago, those intrigues offer a wrinkle or two, something for us to chew on as we search for a candle that doubles as a receptacle for hot caramel sauce, as seen in the just-released final season of “The Bear” — a season that, because of its June release, won’t be eligible until 2027.

Meanwhile, here’s what we can look for this year.

Comedy series

Matthew Rhys and Stephen Root in “Widow’s Bay.”

(Apple)

“Abbott Elementary”
“The Bear”
“The Comeback”
“Hacks”
“Margo’s Got Money Troubles”
“Only Murders in the Building”
“Shrinking”
“Widow’s Bay”

Possible surprise: “Rooster”
Possible snub: “The Bear”

Google “Widow’s Bay” and your first result will be: “Did you mean: the next Martha’s Vineyard and definitely not cursed.” It’s an inspired bit of marketing for a series that found the sweet spot between comedy and horror, making us shriek with laughter and revulsion, sometimes simultaneously.

The Apple TV series premiered on April 29, arriving so late that only seven of its 10 episodes are eligible for Emmy consideration. Apple had considered bumping it to October, so it could establish a beachhead with guild and Globes voters before competing at the 2027 Emmys, but decided to enter the fray this year to compete with shows that, while still favorites, are a bit past their prime.

The inaugural season of “Widow’s Bay” evolved as a classic slow burn, establishing the world of its cursed New England island with care and then burrowing into its characters and lore with the kind of detail that prompts full-blown obsession. The 811-song playlist that Patricia made for her Sunset Cocktails party? Who doesn’t have a spare 60 hours to listen? Mining the multitude of horror movie references that the show ingenuously employs? Of course! Something’s wrong with you if you didn’t rewatch “Jaws” after the episode where, out at sea, Stephen Root’s cantankerous Wyck has his own Captain Quint USS Indianapolis monologue.

The question now: Did “Widow’s Bay” have enough time to hook Emmy voters? Or am I just so taken with this show, a series I myself came to late, that my enthusiasm is clouding my judgment? Short answer: “Widow’s Bay” may not get every nomination it deserves. (The late arrival makes its extraordinary season finale ineligible.) But I don’t think you can argue with perfection.

Comedy actress

Ayo Edebiri, left, with Liza Colon-Zayas in Season 4 of “The Bear.”

(FX)

Quinta Brunson, “Abbott Elementary”
Ayo Edebiri, “The Bear”
Elle Fanning, “Margo’s Got Money Troubles”
Lisa Kudrow, “The Comeback”
Jean Smart, “Hacks”

Possible surprise: Kristen Bell, “Nobody Wants This”
Possible snub: Edebiri

Remember when the biggest Emmy question about “The Bear” revolved around whether it belonged in the comedy categories? Now, after a couple of seasons that tried viewers’ patience when it came to narrative momentum, it’s fair to wonder whether the series — and its cast — will continue to be nominated. In the absence of anything better and because the show, even when spinning its wheels, continues to offer much to enjoy, I think “The Bear” is safe for now. And its final season, which dropped after voting ended, reaffirms just how good the series and its stars can be when it’s cooking.

Comedy actor

Martin Short, right, with “Only Murders in the Building” co-stars Steve Martin and Selena Gomez.

(Patrick Harbron / Disney)

Steve Carell, “Rooster”
Matthew Rhys, “Widow’s Bay”
Jason Segel, “Shrinking”
Martin Short, “Only Murders in the Building”
Jeremy Allen White, “The Bear”

Possible surprise: Adam Brody, “Nobody Wants This”
Possible snub: White

It’s worth remembering that “The Studio” won comedy series last year, and its co-creator, Seth Rogen, prevailed here. In its absence, this category is open for business, with Rhys, so good at shifting between his show’s droll humor and genuine terror, an obvious choice. Short figures to get a small boost from the Netflix documentary “Marty, Life Is Short,” which offers a moving look at the losses he has endured over the years and his inspiring endurance. Short has never won an acting Emmy and you know he’d give a great speech.

Comedy supporting actress

Kate O’Flynn in “Widow’s Bay.”

(Robert Clark / Apple TV)

Hannah Einbinder, “Hacks”
Janelle James, “Abbott Elementary”
Kate O’Flynn, “Widow’s Bay”
Ashley Padilla, “Saturday Night Live”
Michelle Pfeiffer, “Margo’s Got Money Troubles”
Sheryl Lee Ralph, “Abbott Elementary”
Jessica Williams, “Shrinking”

Possible surprise: K Callan, “Widow’s Bay”
Possible snub: Padilla

Last note (I promise) on “Widow’s Bay.” Because its season finale aired after the May 31 eligibility deadline, K Callan’s showcase episode opposite Rhys isn’t eligible, though anyone who watched the series might be inclined to vote for the 90-year-old actor anyway. Dorothy’s walk down memory lane, filled with tantalizing stories (“He got bit by an animal and became that animal,” she says of an old boyfriend), Tennessee Williams stitch-quotes, existential wisdom and bombshell revelations, was pitch-perfect, one of the standout moments of the television year. (Another, of course, was Patricia’s Sunset Cocktails party, with a tour de force turn from O’Flynn.)

Comedy supporting actor

Harrison Ford, left, with Michael J. Fox in “Shrinking.”

(Kevin Estrada / Apple)

Paul W. Downs, “Hacks”
Harrison Ford, “Shrinking”
Ebon Moss-Bacharach, “The Bear”
Nick Offerman, “Margo’s Got Money Troubles”
Stephen Root, “Widow’s Bay”
Michael Urie, “Shrinking”
Tyler James Williams, “Abbott Elementary”

Possible surprise: Bowen Yang, “Saturday Night Live”
Possible snub: Williams

Can we roll over last year’s “It’s time to give Harrison Ford an Emmy” campaign? Because it’s still time.

Drama series

Noah Wyle in “The Pitt.”

(Warrick Page / HBO Max)

“The Diplomat”
“A Knight of the Seven Kingdoms”
“Paradise”
“The Pitt”
“Pluribus”
“Slow Horses”
“Stranger Things”
“Task”

Possible surprise: “The Testaments”
Possible snub: “Stranger Things”

It’s hard to believe that “The Pitt” earned a mere 13 nominations for its first season, winning for series, casting and for actors Noah Wyle, Katherine LaNasa and Shawn Hatosy. Encore victories seem assured for all but Hatosy, who will bump from guest actor to supporting, where he’ll compete against castmate Patrick Ball, among others. “Pluribus” figures to score plenty of recognition too — it might even best “The Pitt” for most nominations. But its prognosis for victory would seem guarded at best.

Drama actress

Zendaya as Rue Bennett in “Euphoria.”

(Eddy Chen / HBO)

Kathy Bates, “Matlock”
Carrie Coon, “The Gilded Age”
Keri Russell, “The Diplomat”
Rhea Seehorn, “Pluribus”
Zendaya, “Euphoria”

Possible surprise: Chase Infiniti, “The Testaments”
Possible snub: Bates

Zendaya won for the first two seasons of “Euphoria,” becoming the youngest person to win in 2020 and, two years later, the youngest actress to take two Emmys. So hate on her show all you want (seriously, go ahead, it was a mess), but voters will (rightfully) give her a pass. Winning another Emmy is off the table, though, making this a race between the gifted Seehorn, a perennial Emmy underachiever, and Russell, nominated five times as actor and still looking for her first trophy. How fun would it be if the Emmys turn into a reunion for “The Americans” with both Russell and Rhys winning?

Drama actor

Mark Ruffalo in “Task.”

(Peter Kramer / HBO)

Sterling K. Brown, “Paradise”
Walton Goggins, “Fallout”
Gary Oldman, “Slow Horses”
Mark Ruffalo, “Task”
Noah Wyle, “The Pitt”

Possible surprise: Jon Hamm, “Your Friends and Neighbors”
Possible snub: Goggins

Brown, Oldman and Wyle were nominated last year, with Wyle winning. Ruffalo as the grief-stricken, alcoholic FBI agent in “Task” is an easy add. That leaves one spot, and it’ll probably go to a veteran actor — Goggins, Hamm, maybe Billy Bob Thornton for “Landman” — though Peter Claffey would be a better choice as the beloved gentle giant in “A Knight of the Seven Kingdoms.”

Drama supporting actress

Katherine LaNasa, left, and Sepideh Moafi in “The Pitt.”

(Warrick Page / HBO Max)

Isa Briones, “The Pitt”
Taylor Dearden, “The Pitt”
Allison Janney, “The Diplomat”
Katherine LaNasa, “The Pitt”
Sepideh Moafi, “The Pitt”
Julianne Nicholson, “Paradise”
Karolina Wydra, “Pluribus”

Possible surprise: Fiona Dourif, “The Pitt”
Possible snub: Briones

Last year, “The White Lotus” accounted for four of the category’s nominees. In its absence, the women from “The Pitt” figure to equal that number and perhaps even surpass it, though it’s hard to see voters bypassing past favorites Janney and Nicholson or overlooking Wydra’s subtle work as the emotionless emissary of the alien hive mind in “Pluribus.” Then again, understated performances often go unrewarded. Just ask Wydra’s co-star Seehorn.

Drama supporting actor

Patrick Ball stars in Season 2 of “The Pitt.”

(HBO Max)

Patrick Ball, “The Pitt”
Billy Crudup, “The Morning Show”
Shawn Hatosy, “The Pitt”
Gerran Howell, “The Pitt”
Jack Lowden, “Slow Horses”
Tom Pelphrey, “Task”
Carlos-Manuel Vesga, “Pluribus”

Possible surprise: James Marsden, “Paradise”
Possible snub: Vesga

Will we ever know what this category would look like if “Severance,” “The White Lotus” and “The Pitt” aired seasons during the same eligibility window? I’m not holding my breath. But with “Severance” and “The White Lotus” vacating six of the seven supporting actor slots from last year, there’s plenty of room for old favorites (Lowden, Crudup) and new (Vesga for his nonverbal brilliance in “Pluribus”) as well a trio of standouts from “The Pitt.”

Limited series

The cast of “Beef” Season 2.

(Netflix)

“The Beast in Me”
“Beef”
“DTF St. Louis”
“Half Man”
“Love Story”

Possible surprise: “All Her Fault”
Possible snub: “Half Man”

It wasn’t exactly a banner year for limited series with only “Love Story” sparking cultural discourse — mostly for all the wrong reasons. Richard Gadd’s “Half Man” was provocative with its brutally violent look at male rage and unresolved trauma. But you can’t permeate the culture if viewers refuse to watch the second episode. That leaves “Beef,” Lee Sung Jin’s anthology series about enmity, envy and the multiple ways that blood orange juice can be made, as the presumptive front-runner. “DTF St. Louis,” the strange, affecting look at suburban loneliness, belongs at the head of the pack.

Limited series / TV movie actress

Sarah Pidgeon as Carolyn Bessette in “Love Story.”

(FX)

Claire Danes, “The Beast in Me”
Sally Field, “Remarkably Bright Creatures”
Carey Mulligan, “Beef”
Sarah Pidgeon, “Love Story”
Sarah Snook, “All Her Fault”

Possible surprise: Kerry Washington, “Imperfect Women”
Possible snub: Field

Can you win an Emmy for a hair-flip …?

Limited series / TV movie actor

Paul Anthony Kelly as John F. Kennedy Jr. in “Love Story.”

(FX)

Jason Bateman, “Black Rabbit”
Charlie Hunnam, “Monster: The Ed Gein Story”
Oscar Isaac, “Beef”
Paul Anthony Kelly, “Love Story”
Matthew Rhys, “The Beast in Me”

Possible surprise: Jamie Bell, “Half Man”
Possible snub: Bateman

… Or looking really good while riding a bike?

Limited series / TV movie supporting actress

Linda Cardellini in “DTF St. Louis.”

(HBO)

Linda Cardellini, “DTF St. Louis”
Grace Gummer, “Love Story”
Laurie Metcalf, “Monster: The Ed Gein Story”
Cailee Spaeny, “Beef”
Naomi Watts, “Love Story”
Yuh-Jung Youn, “Beef”

Possible surprise: Constance Zimmer, “Love Story”
Possible snub: Cardellini

Misplaced or otherwise, all the best performances from limited series are in supporting this year, including Spaeny’s scene-stealing schemer in “Beef” and Cardellini’s passive-aggressive perfection in “DTF: St. Louis.”

Limited series / TV movie supporting actor

Jason Bateman and David Harbour in “DTF St. Louis.”

(Tina Rowden)

Jonathan Banks, “The Beast in Me”
Jason Bateman, “DTF St. Louis”
Richard Gadd, “Half Man”
David Harbour, “DTF St. Louis”
Charles Melton, “Beef”
Alessandro Nivola, “Love Story”

Possible surprise: Troy Kotsur, “Black Rabbit”
Possible snub: Banks

And here you have Melton’s vulnerable people-pleaser trying his best to find the right color of Gatorade for Spaeny in “Beef” and unlikely BFFs Bateman and Harbour burrowing into the mind of the suburban American male in “DTF: St. Louis.”

LOU Teasdale has split with footballer Andy Carroll for a third time – and for her sake, I hope this time it’s for good.

To me Andy is a classic Peter Pan, a man seemingly devoid of the ability to grow up and stop partying like he’s a single twenty-something.

We saw it in the run up to his marriage to the lovely Billi Mucklow back in 2022, when he made a buffoon of himself by passing out topless in bed with two women in Dubai, and now it seems history is repeating itself.

I watched him sidling up to two rather attractive women at Glastonbury last year and although it might have just been a flirt – who doesn’t get turned on by The Prodigy? – it was enough to get the red flags waving in my mind.

If you feel like this is the nineteenth time Andy and Lou have split over the past year, you’re a little way off but not totally incorrect.

They’ve been more on and off than my laptop over the past 12 months so I am hoping, if only for Lou’s sake, that this is the final time.

If she was one of my mates, I’d be staging an intervention because enough is enough.

This time around, insiders have said it’s Lou who has kicked Andy to the kerb, after he flew off on a boozy holiday to Ibiza, despite supposedly promising her he wouldn’t touch drink to save their relationship.

Lou, a respected make-up artist, has now wiped Andy from her social media.

But why she stood by him time and time again is what I cannot understand. They first started dating back in the autumn 2024 and on social media, naturally, it all seemed rather rosy.

Andy had only been single for a short time, following the end of his ill-fated marriage to Billi, the mother of his three youngest children.

But from the outside, all appeared to be well. And, long had been forgotten the scandal that had engulfed the lead up to their wedding back in 2022.

To recap, and if you don’t remember, Andy ended up landing himself in hot water after getting so drunk at his stag do in Dubai that he ended up topless and in bed with two women – who took photographs of him and shared them with pals.

I reported on the story at the time as I knew people close to Billi.

The former reality star was so humiliated by the footballer she almost called off the wedding.

Nothing happened between Andy and the women who partied with him in Dubai, but her friends confessed to me at the time that they were begging her not to marry him.

But their pleas fell on deaf ears and the pair looked genuinely happy in their wedding pictures in the summer of that year.

But fast-forward two years and they announced they were divorcing.

I rang one of her pals after hearing of his latest split with Lou and they made a pertinent point.

“Marrying Andy was something Billi did for love but it was never going to work out,” a friend admits.

“We told her not to go through with it but everything was in place for the wedding, calling it off would have been a nightmare.

“She did love him deep down and wanted to move past it though.

“Andy might not have cheated in Dubai but he was as drunk as a skunk and topless in bed with two women.

“What does it say about your future husband that he’s going to put himself in this position?”

Well, quite.

Not long after his split from Billi was revealed by The Sun, it emerged Andy had started dating Lou.

There was no crossover between the relationship and on the outside, things between Andy – who has two older children from a previous relationship – and Lou seemed happy.

Their Instagram accounts were full of snaps of them together in France, where Andy had been playing for fourth tier club Bordeaux.

But less than a year into their relationship, it all started to get a bit messy.

Lou, who is sober and has been for over a decade, appeared to have no issue with the fact Andy drank alcohol and the pair made it work.

But last summer, things came to a head in Mykonos – with Andy being quizzed by the police twice after two very public rows last June.

The first incident, at the Nikolus Tavern, was so shocking, a restaurant worker went on the record and told us Andy was “very drunk and furious” with Lou.

He added: “He was using very bad words. It was improper behaviour. The woman looked very upset.”

After speaking to police, Andy was allowed to return to Lou but just hours later alarmed staff called cops again after reports of damage to their £500-a-room at a posh hotel.

Andy was taken to a station for questioning but was released without being arrested. Despite the two incidents, Lou stuck by Andy and their relationship continued.

For eight more weeks, the pair went back to posting loved-up selfies online, until out of the blue – Andy’s pals confessed he had dumped Lou last August.

And thus the madness started.

A friend close to Andy was less than charming about their relationship when they told us about the break-up and said: “Andy got sick of Lou’s demands and her influencer lifestyle.

“She’s always posting on social media and he hates that. He told her it was over this week. He’s single now.”

Days later, Andy then confessed he’d “made a mistake” and they got together again.

But fast forward a few weeks and they split up once more.

This time was after a “make or break” holiday, with a friend saying: “They’ve tried to make it work, but they’re just too different.”

Bizarrely, even after all of this – they ended up patching things up – but unsurprisingly it’s now over again.

That relationship, which has become a very tedious version of Groundhog Day, should, in my opinion, end for good now.

And Lou, I implore you not to take Andy back.

There are only so many times someone can drag you down before something has got to give.

I had the misfortune of standing next to the Dagenham and Redbridge player at Glasto last summer as I watched The Prodigy and he got very friendly with two women during the set.

Lou had been on-site with Andy that weekend but by this point had retreated to the Babington House for a well-earned rest from the stench of the long-drops at Worthy Farm.

Being honest, I can’t work out what annoyed me more – having a colleague poke me repeatedly because Andy was all over these women while my favourite song Smack My B**** Up was playing or the fact he had the gall to act like a single man when he was in what appeared to be a loving relationship.

I’m not saying anything happened with those women, or that his actions went beyond a flirt and someone to lean on late at night.

But when a man truly loves a woman, he doesn’t give another one a second look, let alone put his arms around them when his missus’ back is turned.

We’ve all been the woman, or man, that forgives stupidity because we love. But as the old saying goes, once is happenstance, twice is a coincidence, three times is a pattern.

Don’t let him make a mug of you, Lou.

The nation’s favourite Danny Dyer delves into his personal life as he explores modern masculinity in his new two-part documentary.

Danny Dyer admitted he and his younger brother were polar opposites in his eye-opening documentary.

English actor Danny Dyer’s documentary Danny Dyer: How To Be a Man is climbing the Netflix charts as the star explores what it means to be a man in modern-day Britain.

The two-part series, which originally aired on Channel 4 in 2024 and ranks in the charts alongside shows like Worst Neighbor Ever, sees the star travel across the UK to ask questions around men’s mental health and male identity.

In the documentary, viewers are introduced to his younger brother, Tony, who was born two years after him.

Danny admitted he was bullied at school for taking acting classes as a teenager and was keen to discuss the stigma around gender stereotypes.

Tony agreed that at school: “If you didn’t like football, none of the boys wanted to play with you.” Here is all you need to know about Danny’s brother.

Who is Danny Dyer’s brother Tony?

Danny and his brother Tony, who was born in 1979, were brought up on an East London council estate and approached childhood very differently.

While Danny focused on typical “boys'” activities like football, Tony had the confidence to do what he wanted regardless of traditional gender expectations.

Danny opened up about his brother in the documentary, sharing how unlike Danny, Tony was not afraid to play with dolls as a child.

He said: “Me and my brother, who came out of the same womb, had the same upbringing, but we’re so different.

“I’ve got so much respect for him. Never in a million years would I have had the b****** to have picked up a doll if I wanted to play with a doll.

“Just not what boys do, you know? So I look back on it and I think f****** good for you bruv.”

Tony was known to have missed Danny Dyer’s wedding to Joanne Mas back in 2016 because his own wife was giving birth.

Danny told Female First at the time: “My sister, she’s my best girl and I loved her with all my heart.

“She stepped in at the last moment, which is great because she is five months pregnant too. She’s a special girl.”

Danny Dyer: How To Be a Man is on Netflix

The BBC has produced a number of critically acclaimed and beloved films and TV shows over the years – but one gritty crime drama may have slipped under the radar for many fans

A “gritty” BBC crime drama has left viewers “heartbroken” but it may well have gone completely unnoticed by some film fans.

The BBC has built a stellar reputation among TV and film enthusiasts thanks to its numerous top-tier productions which continue to be praised long after they first aired. There’s something to suit all tastes, from entertaining and fun sitcoms, steamy storylines and beloved period dramas, to powerful, unflinching crime thrillers, and much more.

Lots of BBC-backed films remain critically celebrated and adored to this day, from 2019’s musical crime drama hit Blue Story, and the thought-provoking Looted, to the 1989 Gary Oldman-led cult crime classic The Firm, and countless others.

The BBC’s television catalogue is equally respected, with the likes of hugely popular police drama Line of Duty, bleak favourite Happy Valley and the tense anthology drama The Missing frequently listed as among the best the broadcaster has produced.

But a 90-minute crime film may have escaped many viewers’ attention – and if you’re partial to hard-edged legal dramas, it’s worth checking out.

It’s the 2014 made-for-television film, Common. It was written by Jimmy McGovern and directed by David Blair. The film stars Nico Mirallegro, Michelle Fairley and Harry Potter alum Michael Gambon.

The storyline follows 17 year old Johnjo O’Shea, portrayed by Mirallegro, who is asked to give his older brother’s friends a lift in his brother’s car to take them to a pizza takeaway.

Unbeknownst to Johnjo, one of his passengers has an ulterior motive for heading to the takeaway – he intends to confront a rival who’ll be there.

A row erupts between one of Johnjo’s passengers and an onlooker, Tommy Ward. Tommy is eventually stabbed and fatally wounded by the passenger.

Johnjo ends up in court charged as an accessory to murder, under the doctrine of common purpose; a component of the UK’s contentious Joint Enterprise legal doctrine which permits multiple people to be prosecuted and found guilty of the same offence – regardless of the different roles they may have played in a crime.

Writer Jimmy McGovern drew inspiration from the actual case of 16 year old Jordan Cunliffe, who received a sentence under this law for a minimum period of 12 years for the murder of Garry Newlove, who was beaten to death in August 2007 after challenging a group of youths outside his home.

Cunliffe was understood to have played no active role in the assault on Newlove.

The film traces the legal proceedings that follow, alongside the consequences and tensions that arise between the various families affected.

On Rotten Tomatoes, viewers have shared their opinions on the somewhat overlooked drama. One fan said: “Actor and storyline driven, this gritty British drama brings a new area of crime and punishment to light.

“Jodhi May stands out, but with many regular British drama faces, this is a tale that leaves no mother without an emotional pull.”

Another viewer wrote: “I thought this was a simple movie, but powerful all the same.”

A third added: “Very well made and acted, but so heartbreaking I never want to see it again.”

Critics were equally impressed, with The Guardian describing it as “a brutal and devastating drama” that’s “bleak, powerful” and “thick with political intent”, though it noted this “occasionally robs it of its quality”.

Common is streaming now on BBC iPlayer.

Lionel Richie appears to be on the mend from the unspecified health issue that prompted him to cancel a pair of concerts in June.

The 77-year-old Grammy-winning “Hello” and “All Night Long” singer on Sunday thanked fans for “every message, every kind word and for all your love” on Instagram, sharing photos from recent concerts. He also seemingly addressed his health, writing, “I’m doing well, and I’m grateful for all of you.”

In late June, Richie unexpectedly hit pause on his concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times while performing “Dancing on the Ceiling.” According to videos shared on social media, the singer told his audience that he felt “dizzy.” Later in the evening saxophonist Dino Soldo told concert attendees that Richie was “not feeling well” and would not continue the show.

TMZ reported at the time that the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution. Richie then postponed his following concerts at Chicago’s United Center and the Schottenstein Center in Columbus, Ohio. He returned to the stage June 30 for his show in Pittsburgh.

“Pittsburgh and Detroit were an absolute joy,” Richie said Sunday of his recent concerts. “The energy, the dancing, the faces in the crowd … we made real memories together.” The singer also performed in Toronto on Saturday and in Montreal on Sunday. He is next set to perform in Boston on Wednesday.

Live Nation unveiled Richie and Earth, Wind & Fire’s joint tour in January, revealing a 26-city lineup with concerts in Chicago, Orlando, Fla., San Francisco and Los Angeles. Richie and the group are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin, Texas.

The history of all living things is examined through five key species chosen for the way they move, feed and reproduce and also for their size and intelligence

Chris Packham famously hates so-called “T-shirt” animals – preferring beetles and bugs to the more box-office elephants, lions and tigers.

But for his major new BBC series examining the history of every living creature’s existence, the presenter had to block that prejudice as he looked back over 4 billion years. In Evolution, viewers will see how every plant and animal evolved – differently – from a single celled organism called LUCA.

And in order to explain this effectively, the five episodes focus on the elephant (size), ostrich (reproduction), horse (movement), bat (feeding) and dolphin (intelligence) to show what changes have happened over the millennia until they started to look a bit like the creatures we recognise today.

“TV likes an iconic species, something to put on the T-shirt,” Chris laughs, acknowledging that he doesn’t normally go for these “celebrity” animals which tend to draw in viewers, but go against the grain for Chris. “On Springwatch we’re always keen to champion the underdog, we make films about slugs and snails and flies and all those sorts of things, so we’re trying to build up that idea in people’s minds that everything counts – not just the fluffy birds in the nest, or the cute pine-marten kits. Survival of the cutest has always been an issue.”

“But had we picked, I don’t know, some innocuous little bug, it wouldn’t have looked great,” he laughed. “I’m not a great fan of T-shirt animals, but I am a fan of using them constructively.”

He even admits that filming the series, in different locations around the globe, brought him one of the best moments of his life, when he found himself right in the middle of a pod of dolphins during a break in filming. “It was absolutely extraordinary,” he says. “There were times when the cameraman was doing something and I was still in the water and I could just actually just be there with them.

“I dived down about four metres and I looked down and I had a dolphin right underneath me, under my chest. And I had couple on one side, I mean they never touch you, but they’re close, and a couple on the other side – and then I looked up and they were above me. And I was like in the middle of a pod of dolphins. You can hear them the whole time, they’re constantly clicking. So you can here that that’s that communication going on.

“It was just five minutes or something, it wasn’t a lot of time, but long enough to actually just engage, and realise that this was one of the most remarkable moments in my entire life. To be in that environment with these astonishing animals. I thought ‘blimey, I’m Flipper’.”

The five-part science show, which must be Packham’s most ambitious programme to date, has clear similarities in scope to Sir David Attenborough’s 1979 series Life on Earth, which set out to look at the earliest life forms. “I’d say it was more modern in its narrative structure,” he says thoughtfully. “Also, we’re catering for an audience that we know we need to surprise. We want to feed them short snippets, which are basically entry information into a bigger story, if you like. Those twenty-second things that get people to prick up their ears. And we want people to down the pub and say, ‘do you know what? I just watched this programme and, you won’t believe it, we couldn’t have a head before we had an arse’.

“I don’t think Life on Earth is like that. That felt very 1970s, because that’s when it was made, this just feels like a really modern, cutting-edge version.”

To film the series the BBC team were very careful about where they went in order to limit the carbon footprint. “Ten or 15 years ago, we would have gone to multiple locations to make a series like this,” Chris says. “But I’m pleased to say that each of our programmes was essentially made in one location.”

The elephants in the series opener were filmed in Kenya and the ostriches in South Africa. The horses were in the UK, with three days in France which was reached by train. Then the dolphins were in the Bahamas and the bats were in Borneo.

Chris says his role as presenter on the show, from the team who previously brought us Earth, is to keep the audience enthralled, and showing his own excitement is a big part of that, just as he experienced while watching his hero Attenborough. He particularly remembers a programme made by the veteran broadcaster about birds of paradise, filmed in Papua New Guinea.

“They were my dream birds because they’re mental, they look like space aliens,” he explains. “And I was sat there waiting for it to come on, just thinking, ‘you b****rd, I want to go to Papua, I want to see that.’ But in fact my response to the programme, and a testament to his broadcasting, was that I absolutely loved it because I felt the connection to the birds through his joy.”

Chris found himself caught up in some beautiful moments that will also tug at the audience’s heartstrings, such as when a baby ostrich hatched out of its egg right into his hands. “You’re peering into it, it’s not even in the world yet, and it’s like you’ve had a sneak preview into a life which is going to unfold,” he marvels. “It’s just this little thing moving, and that was really very emotional, that formation of new life.”

Learning new stuff is “the greatest joy” of his job. “I get to work with people who know more about a subject than I do. And their job is to tell me and the team everything they know about it in 30 seconds,” he says. “So my joy is that I attend the University of Zoology every single day that I’m working, and this is updated information, so we’ve constantly gone to the latest science.”

While they don’t skirt away from the technical stuff, like explaining how DNA works, Chris feels it is carefully woven into the narrative. “There’s no dumbing down, but we are conscious constantly of building a narrative which will keep our audience engaged.”

– Evolution, BBC2, Monday 13 July, 9pm

John Slattery was jet-lagged in Budapest late one night after a day of shooting the 2025 drama “Nuremberg” when his old “Mad Men” co-star and friend Jon Hamm texted him with the kind of pitch that would send many actors sprinting in the opposite direction.

Would he be willing to play an out-of-work version of himself who hadn’t had a gig in a decade and was shamelessly coasting on his “Mad Men” fame?

Reading the script for “Gail Daughtry and the Celebrity Sex Pass” through the haze of fatigue, Slattery fixated on that one detail: “Hasn’t worked in 10 years, huh?” he recalls by phone from his home in New York. “I had to go: Wait a second. Let me IMDb myself.”

As it happens, the 63-year-old Slattery — best known for his four-time Emmy-nominated turn as the silver-haired ad executive Roger Sterling on “Mad Men” — has racked up some 30 film and TV credits since that show ended in 2015. Still, he says he was happy to detonate his cool, unflappable persona in the latest comedy from “Wet Hot American Summer” and “Role Models” filmmaker David Wain.

The gleefully unhinged “Gail Daughtry,” which premiered earlier this year at Sundance and opens Friday, casts Slattery as a washed-up version of himself who is enlisted by a Midwestern woman (Zoey Deutch) who flies to Los Angeles determined to cash in on a celebrity sex pass with Hamm after discovering her fiancé cheated on her with Jennifer Aniston.

For Slattery, what begins as an exercise in comic self-demolition gradually becomes the movie’s biggest surprise, with the actor turning a desperate, delusional version of himself into its most unexpectedly lovable character.

From left, Miles Gutierrez-Riley, John Slattery, Ben Wang, Ken Marino and Zoey Deutch in the movie “Gail Daughtry and the Celebrity Sex Pass.”

(Sundance Institute)

Speaking with The Times, Slattery reflected on cheerfully becoming the butt of the joke, why broad comedy is anything but easy and what it’s like navigating Hollywood at a moment when fading away feels a little less far-fetched than it once did.

Actors spend years building a certain cool image, but within seconds of appearing onscreen in this movie, you’re whining, farting and generally making an ass of yourself. What appealed to you about that?

I never considered it risky. Not that it was foolproof, but it was just such a silly idea and I was a fan of David Wain and those guys anyway. These kinds of comedies take skill and experience. I mean, you have to be really smart to make a movie this stupid.

You’re always looking for something that’s different and this was such a funny way to depart from myself — ironically, by playing myself. It seems like the wildest character I’ve played in a while, and it’s me. I thought: What kind of research am I supposed to do? Am I supposed to watch myself and imitate myself? But there was really nothing to do. You just learn the lines and show up.

Was there ever a moment where you thought: This is either going to be really funny or the end of my career?

I didn’t have that feeling on this. There’s nothing funnier to me than a confident moron. My favorite thing in the world to watch or try to do is somebody who has full confidence in their idiocy.

I’m not somebody who dives into the deep end right away. First I want to know I can trust the people in charge of what I’m about to deliver to them. If I do all this, whose hands am I leaving it in? With David, that wasn’t even a consideration. He’s just so good at what he does, and that gives you permission to just go all in.

Have you always been able to laugh at yourself or is that something that’s gotten easier as you’ve gotten older?

I come from a large family of piss-takers. They’re all really good at ball-breaking and really funny. My mother had six kids, and all her brothers had five or six kids. I had a million cousins, and they will shred you. Somebody would always knock your feet out from under you if you took yourself too seriously.

John Slattery and Jon Hamm in a scene from the AMC drama “Mad Men.”

(Frank Ockenfels / AMC)

Every successful actor probably has a nightmare that one day the phone stops ringing and you’re coasting on fading glory. Did you ever have that feeling after “Mad Men” ended?

After going through COVID and the strike and directing an independent movie [2023’s black comedy “Maggie Moore(s)”], which doesn’t pay very well, I hadn’t acted in a while. I was like: Oh, I wonder if this is going to continue. I don’t know.

The business has contracted. It seems like there’s an endless list of titles on every streaming menu, and yet they’re making less and people are struggling. So I’m glad to be working. I’ve had a pretty lucky run of late and I’m not taking it for granted.

At this point in your career, what makes you say yes to something?

Money. [laughs] No, it’s really the same as it’s always been. You always want a big, fat, juicy part, but sometimes it’s just a functioning part in a really good story.

You kind of roll with the punches. You do something, you have some success with it and then you get a lot of offers for things that are a lot like that. If that’s all that comes in, you pick the best one and keep going. People say, “Well, it’s not ‘Mad Men.’” And you go, “Well, what do I need to do that again for? I did that.”

This is a perfect example of something that’s every bit as interesting and fun in a completely different way. If they could all be like this one, I could die tomorrow. You want them all to be this fun, because they’re not. Sometimes you’re stuck in a courtroom all day and it’s pretty dry. This was anything but that.

Hollywood feels like a deeply anxious place right now. You’ve worked through a lot of different eras of this business. How does this moment compare?

I have a job coming up, so that’s always hopeful. Having just come off something, and knowing you’re about to do something else, gives you a sense of security. But there’s definitely a palpable anxiety. You hear it when people get jobs: “Thank God.” Or, “It’s about time.” Or, “I don’t care what it is, I’m going to do it.”

I was listening to Taylor Sheridan recently talking about how people who don’t tell stories are governing the telling of stories. That’s more than disconcerting. And now AI is the overlord of all that. It’s very strange.

It’s always been a youth-oriented business. There are definitely more movies about people who are 27 than people who are 63. Maybe it all kind of shakes out. I don’t know. Sometimes I wish it were 1943 and I was in a suit playing a detective.

I would watch that movie. Meanwhile, Hollywood doesn’t make many broad theatrical comedies like this anymore. Why do you think that is?

I don’t know why the studios have given up on comedies in movie theaters. They used to be the thing, right? Those big Will Ferrell movies were huge moneymakers.

Maybe this will turn the tide. When you think about the condition of the country right now, and how pissed off and divided everybody is, you roll out this silly, smart-but-stupid comedy, and it seems like the perfect amelioration of everybody’s anxiety. Go get some popcorn and laugh your ass off. You’ll feel better.

Trying is back on Apple TV after a two-year hiatus.

Trying season five is arriving sooner than you might expect, continuing from that shocking cliffhanger.

Rafe Spall and Esther Smith return as couple Jason and Nikki, who have endured a rollercoaster fertility journey since the very beginning in the Apple TV and BBC comedy-drama.

At long last, they managed to adopt siblings Princess and Tyler, with the programme jumping forward to their teenage years where yet another twist emerged in season four’s closing moments.

As anticipation grows for its comeback, here’s everything you need to know before Trying season five.

Trying Season 5 release date

Trying season five debuts on Wednesday, July 8, on Apple TV with fresh episodes dropping every Wednesday.

The latest series will comprise eight episodes, with the finale scheduled to land on Wednesday, August 26.

An official BBC or BBC iPlayer release date is yet to be confirmed, though previous series have generally appeared roughly a year following its Apple TV launch.

What is Trying Season 5 about?

Trying Season 5 will pick up from the dramatic finale of series four when Princess and Tyler’s biological mother Kat turned up unexpectedly.

Her appearance throws a spanner in the works for their settled family life, with Jason and Nikki poised to confront even more fresh challenges as they navigate this enormous disruption.

Trying Season 5 cast

Under Salt Marsh star Rafe Spall and Cuckoo’s Esther Smith reprise their roles as couple Jason Ross and Nikki Newman.

They will be joined by Kat, Princess and Tyler’s biological mother, portrayed by actress Charlotte Riley, best known for her roles in Peaky Blinders, The Take and Wuthering Heights.

Newcomer to Trying for its fifth series is The Thursday Murder Club’s Celia Imrie, who takes on the role of Harriet, an “upper-class hoarder” whom Jason encounters while training for a new job.

The Paper’s Gbemisola Ikumelo steps in as Chrissy, a hard-pressed social worker, while Merlin and The Killing Kind’s Colin Morgan takes on the role of Kerry, Nikki’s easy-going colleague and confidante.

Trying Season 5 premieres on Wednesday, July 8, on Apple TV.

Reality TV star Tom Sandoval’s former girlfriend Victoria Lee Robinson has filed a dueling restraining order after she was arrested in June following an altercation that involved her father being pushed into a lit fire pit.

In the petition, filed Thursday in a Los Angeles court, Robinson claims that over the course of the former couple’s 2.5-year relationship, the former “Vanderpump Rules” star “routinely physically and verbally abused” her.

According to court documents reviewed by The Times, the model alleges that Sandoval shoved her down a flight of stairs in his home, pushed her to the ground at a hotel in Nashville, and attacked her and her father on June 3.

On Monday, a Los Angeles Superior Court judge denied Victoria Robinson’s request for the temporary domestic violence restraining order because Sandoval’s existing temporary restraining order requires a hearing (which was set for July 16) before Robinson’s could be granted.

Representatives for Sandoval told The Times in a statement, “It’s no surprise that Victoria’s request for a restraining order was immediately denied.”

Sandoval, known for the Scandoval cheating scandal that erupted on the hit Bravo series “Vanderpump Rules” in 2023, filed a temporary restraining order against Robinson and her father J. Will Robinson on June 25. In Sandoval’s petition, he claimed that since the two became a couple in February 2024, Victoria Robinson has been violent and attacked him physically.

Sandoval was granted a temporary restraining order which required Robinson and her father to vacate the Los Angeles rental the three had shared. According to Sandoval, he’d left the house and stayed in hotels and with friends following the June 3 incident.

“This is my home. We are both on the lease, but I paid the first month’s rent and deposit, surprised him with the keys and virtually every item in it is mine,” Victoria Robinson said in a statement shared with The Times. “I have filed my own legal action because I have my own account of what happened and it’s very different from what has been said publicly.”

Robinson said that while her father has been under media scrutiny, he was trying to protect her.

“My relationship with Tom has already controlled the past two years of my life,” she said. “I cannot allow a false narrative to control my future.”

The altercation involving Sandoval, Robinson and her father happened in the early morning hours after the couple returned home from a night out at a bar, according to both accounts.

In a video of the June 3 incident, obtained by TMZ, Robinson and her father are seen sitting next to a lit fire pit on the patio when Sandoval and the elder Robinson begin arguing. Sandoval is heard yelling at Will Robinson before he asks his girlfriend if she is recording and approaches her. Will Robinson stands up and wraps his arms around Sandoval, seemingly to get him to back away from Victoria Robinson. Sandoval turns and pushes Will Robinson, who falls backward into the lit fire pit.

After Will Robinson gets back up, he rushes after Sandoval into the home while Victoria Robinson screams for the men to stop.

According to Victoria Robinson’s petition, when Sandoval noticed she was recording his exchange with her father, he twisted her arm while trying to gain control of her phone.

Will Robinson allegedly suffered a thumb fracture and elbow and back injuries.

Victoria Robinson was arrested after police responded on June 3 and released on bond the same day. On June 4, Sandoval returned to their L.A. house to collect his things and Victoria Robinson called police, who escorted Sandoval from the home, according to the filing.

The Los Angeles Police Department declined to comment on the reason for Robinson’s arrest.

Will Robinson told TMZ last month, “The DA did not file the case for a reason. I lifted Tom off of my daughter because he was overpowering and twisting her arm and trying to take her phone aggressively after yelling at us in a very aggressive and threatening manner.”

“This is my daughter’s home and we just want Tom as far away from us as possible and to keep his lies and drunken abuse away,” Robinson said.

This isn’t the first time their fights have turned physical, according to both accounts. Victoria Robinson‘s petition claims that in August 2025, Sandoval shoved her down their hardwood stairs and she suffered knee injuries. She said she reported the incident to police but ultimately recanted her statements to protect Sandoval from being arrested. “In hindsight, I deeply regret this decision,” reads the suit.

Weeks before the fire pit incident, Robinson alleges that during a trip to Nashville to visit her grandfather who was in hospice care and has since died, Sandoval pushed her to the floor of their hotel and locked her out of their shared room.

“During their 2½-year relationship, Tom has made it clear he never physically harmed Victoria,” representatives for Sandoval said. “Instead, he lived in fear of her repeated physical attacks and unpredictable behavior. He will show he was the victim of ongoing physical and emotional abuse, and has substantial evidence documenting what he endured, which will be presented through the legal process.”

THE Saturdays singer Una Healy stripped down to a VERY racy superhero costume, as she took a swipe at her famous exes.

The Irish star, 44, has endured very public heartbreak, and now she is embracing being a single lady.

Today the sexy singer, who shot to fame in the noughties girlband The Saturdays, showed off her stunning figure in a sizzling video.

Wearing a saucy superhero costume, Una was seen in the first slide appearing to throw up, as though she was sick to her stomach.

The star wrote over the top of it: “The thought of dating with what is left in the dating pool in your 40s.”

However, in the next clip Una was seen putting on a sexy dance and penned: “Never mind, I’m gonna slay single.”

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Una recently opened up to The Sun about the single life and insisted that she was “very happy on her own right now”.

“I’m enjoying being single, but I do have nights where I think: ‘Wouldn’t it be nice to have someone to cosy into?’” she told us.

“However, I know it sounds cliched and corny, but I have all I need at home with my family.”

Una’s decision to stay single comes after a string of very public heartbreak.

The singer’s six-year marriage to rugby star Ben Foden ended in 2018.

It came after the shattering discovery that he had cheated on a night out with rugby pals in February 2015, days after the birth of their son Tadhg, now ten.

The sports star then shocked fans when he wed his second wife Jackie, just TWO days after his divorce from Una was finalised.

After Ben, Una found herself at the centre of “throuple” rumours with David Haye.

The rumour mill went into overdrive when she was snapped in her bikini on holiday standing next to the boxer, with his wife Sian on the other side.

It was widely reported that the three had started a “throuple” romance, something which Una has STRONGLY denied.

However, the singer insisted she only dated David, not Sian, and said they had a “lovely relationship”.

In an interview with the My Therapist Ghosted Me podcast in May 2023, Una said: “I’m a monogamous person, hopefully I will settle down again one day with a nice monogamous man.”  

She also claimed that when she first met Haye on a dating app, he told her he didn’t “believe that traditional relationships exist anymore.”

She added: “He was honest that I wasn’t the only woman he was seeing. I was very aware that he was seeing other people.

“I was like, ‘I’m out. This isn’t for me. He can have whoever he wants’. One will never be enough for him.” 

The star has also dated jockey Aidan Coleman and Irish singer Darren Flynn.

Despite wanting to embrace single life, Una has dipped her toe into the dating app pool, and even signed up to the celebrity site, Raya.

“Sometimes I think I would like that person, but I’m not gonna settle for anyone,” she told us.

“I went on and off Raya a few times – it was like fishing in a swamp. I’m working hard on myself, I’m not looking at all. As my friend says, ‘I am gonna attract, not chase.’”

Disneyland Resort is rolling out the red carpet for its closest neighbors with a limited-time $71 ticket deal exclusive to Anaheim residents.

The one-day, one-park promotion runs from July 20 through October 8, a timeframe that includes Halloween celebrations at Disneyland. Anaheim residents over age 10 can also purchase discounted one-day Park Hopper tickets during this time for $104. Children ages 3 to 9 can get either one-day, one-park tickets or one-day Park Hopper passes for $50. Park reservations are required.

Disneyland has offered deals for Anaheim residents in the past. But this promotion comes less than a week after the theme park announced a limited-time $59 evening ticket offer. Already, that deal has sold out for all dates.

Together, the two promotions highlight the importance of local visitors for Disneyland. Earlier this year, an executive said the theme park’s high volume of California attendees helped mitigate a dip in international tourism. More than 50% of the Anaheim theme park’s audience typically has been from California.

The Burbank media and entertainment company previously signaled that it would pivot its marketing and promotional efforts toward domestic visitors as it monitored the headwinds affecting international attendance.

In May, Disney executives said its U.S. theme parks had a 1% drop in attendance compared with the previous year, which the company attributed to “continued softness” in international visitors. However, during a second-quarter earnings call, Disney leaders said the park was starting to move past those headwinds.

Gustavo Dudamel’s farewell to Los Angeles will also function as a benefit for his homeland of Venezuela, which suffered catastrophic losses from twin earthquakes in late June.

Dudamel and the Los Angeles Philharmonic announced Monday that the beloved composer’s final Hollywood Bowl performance as the orchestra’s music and artistic director, originally programmed as “Celebrating Gustavo at the Bowl: A Musical Legacy,” will instead be called “A Concert for Venezuela.” Still scheduled for Aug. 23, the show will raise funds for communities affected by the earthquakes.

“Venezuela will always be my home, and every moment, my thoughts are with the families whose lives have been forever changed by this tragedy,” Dudamel said in a statement. “The suffering is immense, but so is the strength and resilience of our people. This concert at the Hollywood Bowl is an invitation to stand together and transform our compassion into action.”

A full program and special guests will be announced later. Dudamel and the musicians will contribute their time and services free of charge.

Donations will benefit Dudamel’s Earthquake Recovery to Support Venezuelan Communities fund, in partnership with the United Nations Development Programme and the Development Bank of Latin America and the Caribbean fund. The L.A. Phil will contribute $50,000 to the fund, announced President and Chief Executive Kim Noltemy.

“In moments of profound need, our responsibility as an institution extends beyond the stage,” she said. “We are grateful for the opportunity to provide direct financial support to relief efforts for communities in Venezuela with a $50,000 charitable donation and to stand alongside Gustavo in bringing this concert to life at the Bowl.”

Twin earthquakes on June 24 devastated Venezuela, with more than 3,300 deaths and more than 30,000 people reported missing. As international rescue teams depart and locals are left to search through rubble, Venezuelans abroad, including L.A. restaurants, have looked for ways to send support.

Dudamel, who was born and raised in Barquisimeto, Venezuela, wrote in a 2015 op-ed for The Times that he is a “product” of El Sistema, the country’s government-funded youth music program. He has been the music director of the Simón Bolívar Symphony Orchestra since 1999.

KATIE Price’s husband Lee Andrews has confessed he’s going bald – and blamed his thinning hair on prison food. 

Lee recently spent time in Dubai’s notorious Al Awir jail where he was held over unpaid debts. 

In a new social media clip, the conman told followers he will be exposing “60 people from the celeb world” who have been talking bad about him recently. 

During the video, Lee pointed to his head and showed off a bald spot before saying: “I’m going bald. What the f**k?”

Sighing, he added: “Prison food.” 

One celebrity who has made her feelings about Lee very clear is Vogue Williams. 

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Calling out Lee’s recent debunked claims he’s adopted Katie’s five children and landed a part in EastEnders, she said: “He’s saying he’s adopting the kids now. 

“He is actually one of those people that I look at and I’m like, ‘erghhhhh’.”

Vogue continued: “He’s taking the p**s out of everybody.

“This is why I have such a problem with it, I’ve likened it to being really stupid.

“He’s trying to make people seem stupid and think that we actually believe his b******t and I can’t bear it.

“I feel like he doesn’t even have two brain cells to rub together, that’s how I feel about him and I hate being dragged down to his level.”