SHOW BIZ

The star, who died aged 76, also presented the schools show Our World and pioneering deaf community shows Listening Eye and Insight.

One of the stars of Children’s ITV has died aged 76. Tributes are being paid to Peter Llewellyn-Jones, who played Mr Grimley in The Riddlers, which was a teatime fixture throughout the Nineties.

The Riddlers featured the adventures of Marjorie Dawe, played by Victoria Williams, her neighbour Montgomery Lancelot Grimley, played by Llewelyn-Jones, and two Riddlers – puppet creatures – called Mossop and Tiddler.

The show, which was produced by Yorkshire Television, was a huge success, running for 224 episodes on ITV from 1989 until 1998. Five videos, two DVDs and a series of Riddler books were also released.

Away from Riddleton End, Llewellyn-Jones also presented on Our World, an ITV schools series about how children approach life that ran during the Eighties and Nineties.

He was also a prominent British Sign Language (BSL) advocate and appeared in the children’s TV show Insight, which produced sketches and short stories for deaf and hard of hearing young people from 1980 to 1984.

Llewellyn-Jones also appeared on its successor, the BBC’s Listening Eye, a pioneering show for the deaf community which later became Sign On.

The British Deaf Association paid tribute in a signed video, saying: “Today the British Deaf Association is deeply saddened by the passing of Peter Llewellyn-Jones, a BSL champion and strong ally of the deaf community for over 50 years.

“Peter had a long and valued association with the BDA, supporting our work and contributing to BDA events over many decades.

“From the early BDA Summer Schools through to wider national Deaf community events, he played an important role in improving communication and access between Deaf and hearing people.

“Peter was a visionary leader and pioneering advocate for linguistic rights.”

One fan responded to the news, writing: “Sad to hear that Peter Llewellyn Jones has passed away, I love The Riddlers and I remember buying it on video, when I was a kid.”

The Repair Shop’s expert craftsman Dominic Chinea has launched into yet another ambitious engineering project – leading to a somewhat chaotic video from his workshop

“The pressure really is on,” says The Repair Shop’s Dominic Chinea as he embarks on a tough engineering project: “We’re going to blitz this Land Rover and get it hopefully running, starting, possibly driving.”

In a new video, Dominic adds that, as he’s still missing a few components, it probably won’t be fully running for a little while yet. Nevertheless, he says, he’s determined to move as fast as he can with the project: “I do feel like this video needs to come with a little bit of a disclaimer or a warning that it’s quite hectic,” he joked, while giving his YouTube viewers an update.

Explaining that he has overstretched himself a little, Dominic says: “I’ve got multiple jobs all over the place and I am jumping around with no time. I filmed as much as possible and I’ve tried to assemble it into some kind of video to make some kind of sense.”

He stresses that the heat is on: “I have two days to get as much done as I possibly can.” But nevertheless, Dominic adds, he knows that rushing a job can lead to disaster.

“Patience is so important at moments like this.” He says, “I’m so tempted to just reach for the biggest hammer and try and persuade these things off of the shaft. But that is how you damage things.”

Dominic doesn’t need anything in his workshop to suffer any more damage. When Dominic and his wife Maria packed up their house in Kent last year and moved to Cornwall with their dog Wendy, he admitted that weatherproofing the newly converted workshop would be a “pressure.”

The dramatic storms that thrashed the county in January made Dominic’s prediction all too real. He was left struggling to make urgent repairs before he could get back to work, all while attempting to complete the renovations for his farmhouse kitchen.

He said at the time: “The storm has caused a lot of damage, the workshop roof, various tiles and bits and bobs. I’m doing my best to deal with those, I’ve ordered more roof sheets and I’ve lined up roofers to try and fix the roof, but I’m also juggling trying to finish this kitchen.”

A month later, another violent storm caused a section of his workshop roof to collapse, inflicting substantial damage to a nearly irreplaceable vehicle he’d been restoring underneath.

Then, in June, Dominic’s workshop was hit by yet another apocalyptic storm. Somehow, amid all this chaos he’s managed to fit in the filming of two TV series.

His decision to put his life on screen with his new series Dom Chinea’s Cornish Workshop was by no means an easy one. “It was definitely different to filming The Repair Shop, but that was part of the reason to try to do it, to experience something new.”

And of course he’s still working alongside the rest of The Repair Shop team. In tonight’s season opener for Beyond the Barn, electronics expert Mark Stuckey restores a homemade K-9 dog, and leather expert Suzie Fletcher repairs a bag belonging to Winston Churchill’s cook.

Meanwhile, milliner Jayesh Vaghela undertakes the delicate restoration, determined to bring this unique piece of rock ‘n’ roll history back to life while preserving its authentic character and remarkable connection to the rise of David Bowie and the 1970s glam rock movement.

CHARLOTTE Church shot to fame aged just 11 and went on to make over £25m as a child star.

Her debut album Voice Of An Angel followed a year later, launching a career that saw her sell more than ten million records worldwide.

But after admitting she does not have “a lot of money” left, the singer has now put her character-filled Welsh cottage on the market for under £700,000.

The period property is packed with character, featuring exposed wooden beams, brick walls and plenty of greenery throughout.

The sale comes two years after Charlotte admitted to Closer magazine in 2024 that she no longer had millions in the bank while discussing her decision to sell her former six-bedroom mansion, The Spinney.

“I am not a millionaire anymore,” she said. “What mattered to me when I bought The Spinney is it was absolutely beautiful and close to the forest and it was a big mansion house.”

A LOTTE WRONG

Charlotte Church’s forest school being closed for ‘negative effect on nature’

CHURCH SMELLS

Charlotte Church reveals she STINKS as she doesn’t wear deodorant or shave

Previously, Charlotte transformed the 15th-century Rhydoldog House in Powys, Mid Wales, into a hippie wellness retreat.

She previously admitted sinking “pretty much” her entire life savings into the property, which she bought for £1.5million in 2021.

Charlotte was able to access her millions when she turned 18 after spending six years performing around the world.

Her famous audiences included US President Bill Clinton, Pope John Paul II, the late Queen and King Charles.

She even told reporters she planned to buy a £1million ruby-encrusted bra to celebrate her 18th birthday.

Charlotte later admitted her spending habits meant she would need to continue working.

She told Stylist: “I haven’t got a lot of money. I’ve got enough to be comfortable if I was reasonable for the rest of my life.

“But I’m not reasonable, so I will have to find a way to sustain my lifestyle.”

Charlotte Church has been approached for comment.

The actor will be joined by a string of professionals as he unpacks how the system got people wrongfully convicted.

Will Mellor will be hearing from those falsely accused in a brand new series.

True crime fans are in for a treat as the actor, who has starred in the likes of Broadchurch, The Teacher and A Woman of Substance, will be taking a closer look at how the legal system has failed some people.

After investigating Cops Who Kill and Cops Gone Bad in the past, he’s now returning to Crime+Investigation for Convictions Gone Bad. The five-part series will see Will delve into some of the most shocking miscarriages of justice in legal history.

Throughout the series, Will is joined by a range of professionals, including a seasoned former detective, a top forensic scientist and a legal expert. In the programme, he’ll be unpacking how the system got it so disastrously wrong.

The star will also reveal the crucial new evidence that finally set the wrongfully convicted free. A synopsis for the show reveals that in the episodes, Will will be hearing from those falsely accused.

In their own words, they’ll be ‘Providing an insight into what it’s like to be arrested, tried and convicted of the most horrendous of crimes; and the subsequent battle to clear their name.’ One of the people Will speaks to is Justin Plummer, who served over 27 years in prison for a murder he didn’t commit and Kevin Richardson of the Central Park 5.

Other cases featured include Andrew Malkinson, Sam Hallam, and Angela Cannings, who collectively served over 25 years in prison whilst maintaining their innocence.

An overview reads: “Alongside former Detective Inspector Howard Groves , Will takes a fresh look at the original crime, retracing the steps of the investigators and exploring how the case was built.

“Will meets forensic scientist Carol Rogers to examine the crucial evidence used by the prosecution to secure a conviction. They break down the complex science, revealing where the evidence was flawed and the expert advice was unsafe.

“He’s joined by legal expert Professor Claire McGourlay to chart the twists and turns of the appeal, until finally – the wrongfully convicted get their day in court.”

The programme, which has been produced by ITN for Crime+Investigation, will see the actor examine what happens when the justice system fails, and the wrong person ends up going to prison for a crime they didn’t commit.

In the past, Will has also delved into cops who have killed, but also fraudsters, swindlers, sexual predators and drug dealers. In the seven-part series at the time, he looked into former metropolitan police officer David Carrick, former Cheshire police constable Martin Forshaw, former Metropolitan police officer Rodney Whitchelo and a former Met officer, Kashif Mahmood.

It also looked into Michael Coulton, a police officer assigned to royal protection duties at Buckingham Palace, who hatched an elaborate plan to murder his wife. The programme also went abroad to shine a spotlight on US cop Drew Peterson and ex-chief investigative officer Mark Standen from Australia.

Speaking about his true crime series, Will commented: “I’m really pleased to be back for Cops Gone Bad. In this series, we’ll be examining cases of corrupt officers from the UK, US and Australia, and whilst the majority of cops do an amazing job every day, it’s important to hold those that don’t, to account.”

Convictions Gone Bad with Will Mellor premieres on Monday, October 5 and airs 9pm weekly exclusively on CRIME+INVESTIGATION

August Wilson’s “Ma Rainey’s Black Bottom,” the first of his plays to reach Broadway, catapulted the author’s playwriting career.

It’s the only drama in Wilson’s 10-play American Century Cycle not set in Pittsburgh’s Hill District. But the series might never have come to fruition were it not for the way “Ma Rainey’s Black Bottom” heralded the emergence of a major new American dramatist.

Although it’s still one of his most produced works, “Ma Rainey’s Black Bottom” has the hallmarks of an early piece. Wilson discovers his playwriting voice in this play, but he’s still working out his approach to dramatic structure.

I wasn’t champing at the bit to see another production of “Ma Rainey’s,” but I’m glad I didn’t miss this latest Wilson revival at A Noise Within, directed by Gregg T. Daniel. Acted with breathtaking ensemble naturalness, the play seems lived in rather than performed.

Francis C. Edemobi, from left, Amber Liekhus and CJ Obilom in August Wilson’s “Ma Rainey’s Black Bottom” at A Noise Within.

(Craig Schwartz)

The voices of the characters come through as though we’re eavesdropping from a discreet distance on their banter and squabbles. There’s nothing more riveting on stage than the truth, and here we have human beings in all their flagrant, unadorned and seemingly irreconcilable complications.

Set in a Chicago recording studio in 1927, the play splits its focus between the title character, a fictitious re-creation of the great blues singer Ma Rainey engaged in a power struggle with her white industry overlords, and the exchanges of her sidemen, a quartet of Black men with markedly different ambitions and sensibilities.

Levee, the role magnificently played by Chadwick Boseman in George C. Wolfe‘s 2020 film adaptation, may have more of a claim on the protagonist role than even Ma Rainey, who’s the play’s thematic center. As she throws her diva weight around in defense of a talent born out of Black suffering, she crystallizes the racial politics that Wilson powerfully illuminates.

But Levee’s role is the most dynamic in the play. A trumpeter who wants to move the band in a more musically sophisticated direction, he’s written his own arrangement of the song “Ma Rainey’s Black Bottom” that they’ve come to the studio to record. But Ma Rainey insists on doing it her way, even if Levee’s version is more interesting from a jazz perspective.

Overcome with anger from a traumatic childhood in which he witnessed his mother being raped by a mob of white men, he can’t tolerate slights, big or small. And his fiery temper, igniting at every possible moment with his older and more accommodating bandmates, turns this snapshot of history into genuine tragedy.

Kai A. Ealy, from left, Alex Morris, Gerald C. Rivers and Jamar Gilbert in August Wilson’s “Ma Rainey’s Black Bottom” at A Noise Within.

(Craig Schwartz)

The bedraggled studio has been visually renovated with the wood-slatted elegance of Tesshi Nakagawa’s scenic design. Daniel’s production demands that we experience the play in a fresh light. The period is respected but never allowed to become stiff or artificial. This isn’t a waxwork staging.

Standing microphones, placed on different tiers of the set, never let us forget that Wilson was first and foremost a conductor of voices. He bestows on his characters arias, and Daniel’s cast delivers them as though the words were expressly made for these particular actors.

Jamar Gilbert’s Levee moves through the world as if it’s a battle zone, which of course for him it has been. Conflict has dogged him his entire life, and injustice is what he’s come to expect. His focus is on himself, his music, his sensual pleasures and his determination not to be anyone’s victim. He takes as much pride in the shine of his new shoes as he does in the flirtatious giggle of a pretty woman.

Toledo (Gerald C. Rivers), the philosopher and historian of the group, tries to broaden Levee’s perspective, but the two men have a knack for getting under each other’s skin. Their antagonism is fueled in part by Levee’s immaturity, but there’s also a divide in their worldview: Levee wants society to change in time for him to make good while Toledo is more concerned with the collective spirit of his people.

Meanwhile, Slow Drag (Alex Morris) mostly wants to get on with the session, collect his money and enjoy life as it was meant to be enjoyed, with whiskey, a little reefer and good-looking women. Cutler (Kai A. Ealy) tries to be a moderating influence, but he winds up as exasperated by Levee as Toledo.

Alex Morris, from left, Amber Liekhus and Jamar Gilbert in August Wilson’s “Ma Rainey’s Black Bottom” at A Noise Within.

(Craig Schwartz)

The authenticity of the production encompasses the music. These actors don’t mime making music, as is often the case in revivals. They jam together, modestly but effectively enough to make their recording session real to us.

There’s nothing at all modest about Amber Liekhus’ musical talent. Indeed, Liekhus is the first actor who was able to convince me that the character of Ma Rainey really is a professional, jobbing singer. She doesn’t imitate being the mother of the blues, as her character is known. She earns the distinction through the wondrous depths of her soulful singing.

She refuses to be bulldozed by either Irvin (Bert Emmett), her manager, or Sturdyvant (Matt Foyer), the owner of the recording studio, knowing full well that they depend on her gift for their pile of money. Her insistence that Sylvester (Francis C. Edemobi), her nephew with a pronounced stutter, speaks the intro to her new record, is her way of asserting human control over corporate greed.

Liekhus’ Ma Rainey isn’t merely being temperamental, as Sturdyvant and Irvin assume. She’s using her limited leverage in whatever ways she can. There’s something touching about her imperiousness, a regal vulnerability that shines through even in her romantic interaction with Dussie Mae (CJ Obilom), whom Levee has his predatory eye on.

The honesty of the acting is so enlivening that I’m tempted to rank this production among the very best Wilson revivals I’ve seen. If there’s one slight misstep, it happens at the play’s violent climax. The moment makes perfect psychological and dramatic sense, but the confrontation needs a few more beats than Daniel allows.

But this encounter with “Ma Rainey” reveals that even early Wilson can, in the right hands, offer unadulterated playwriting greatness.

The Great ADHD Myth? sparked fury among viewers as it sought to ‘determine whether ADHD is a genuine neurodevelopmental disorder, or a social construct’

Channel 4 has been hit with hundreds more complaints over its controversial ADHD documentary.

The Great ADHD Myth? sparked fury among viewers as it sought to “determine whether ADHD is a genuine neurodevelopmental disorder, or a social construct”. Last week, the media regulator confirmed that it had received 9,656 complaints after the show aired on Tuesday, August 18.

And the rage is still ongoing, with Ofcom receiving another 561 complaints, bringing it to a jaw-dropping total of 10,217.

An Ofcom spokesperson told the Mirror: “Complaints relate to the representation of ADHD in the programme.”

It comes after charity ADHD UK filed a furious complaint to the media regulator themselves, saying: “ADHD is not a myth. It is not a social construct.”

The documentary featured a 10-year-old boy with ADHD who made changes to his lifestyle and stopped taking his medication in an attempt to see how it would affect him. At the end of the programme, his mum said that he would continue to not take his medication – however a caption later confirmed at the end that he had resumed taking the drugs and his school performance improved.

“The programme’s own end credits told you what its 60 minutes wouldn’t: the boy at its centre went back on his medication, and his schoolwork improved,” said ADHD UK. “Their experiment disproved their conclusion. They aired their version anyway. We have already complained to Ofcom.”

The NHS recently released information about the number of people affected by ADHD. Data from May 2025 reports that it is estimated that 2,498,000 people in England have ADHD, including those without a diagnosis.

Of those, an estimated 741,000 are children and young people aged between five and 24. The report also stated that in March 2025, up to 20,000 people were newly referred for an ADHD assessment to mental health services, an increase of 13.5% from the previous year.

In a statement shared after the documentary was announced, amid backlash, a Channel 4 spokesperson stated, “This documentary does not deny the lived experience of people with ADHD traits, but does hear from a group of senior medical and academic experts – many of whom work or have worked with the NHS or have held presidential roles at professional membership bodies – who seek to question whether ADHD is a neurodevelopmental disorder. They also ask whether modern living has contributed to a rise in diagnoses, and whether there may be better alternatives for children than medication.”

The documentary featured NHS psychiatrist Dr Max Pemberton, who had previously said: “As a psychiatrist, I’ve watched ADHD go from a diagnosis that was only occasionally made and after careful assessment, to one that is increasingly demanded and dispensed, and I wanted to understand why.

“There’s no doubt that the people seeking these diagnoses are genuinely struggling; that isn’t in question. What the film asks is whether ADHD is really the best explanation for that struggle and my hope is that we come away with permission to ask better questions about what modern life is doing to all of us.”

When the documentary was first announced, viewers were left appalled. One wrote: “The endless hostility toward people with ADHD, autism, and anxiety is reaching a terrifying point.”

Another wrote: “More demonising and minimising those with mental health struggles. Fabulous.” One person called it “absolutely disgusting”, while another said it was “incredibly hurtful”.

However, some viewers called the documentary “interesting”, with one writing: “Interesting programme on Channel 4 about ADHD.” Another called it “great”, while a third said: “I filled it in to say how interesting I found the programme. I have a child with a diagnosis of ADHD.”

The Mirror has reached out to Channel 4 for comment.

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“Obsession,” the indie horror movie written and directed by Curry Barker, has proved to be one of this year’s most successful films. Made for a reported budget of about $750,000, it has earned more than $500 million at the global box office since Focus Features released it in May — the biggest hit in the distributor’s history, according to a new lawsuit.

But one of its producers, Leonora Ann Darby, is claiming she hasn’t received her share of the profit.

Darby, who rose to become one of three producers at Tea Shop Productions, the U.K. company behind the movie, sued Tea Shop, its Delaware affiliate The Tea Shop & Film Company, and co-founders James Harris and Mark Lane in Los Angeles County Superior Court. The 135-page complaint lays out 10 causes of action — among them, breach of contract, retaliation for wage complaints, whistleblower retaliation and unfair competition — and describes a seven-year pattern of “unequal treatment and broken compensation promises.” Darby has demanded a jury trial.

Harris and Lane allegedly treated Darby “as their subordinate, including in a highly demeaning and gendered manner,” and continually refused to compensate her properly, “culminating in ruthlessly cutting Darby out of the overall net profits” for “Obsession,” the lawsuit says.

“Ms. Darby has brought serious and substantial claims, supported by a detailed factual record,” Darby’s lawyer Thomas K. Richards of the Beverly Hills firm Singh, Singh & Trauben, said in a statement. “She is confident in her case and intends to pursue it fully.”

Tea Shop has already rejected the core of her claim. In an Aug. 13 letter attached to the complaint as an exhibit, the company’s lawyer wrote that Darby “was an employee and, subsequently, a consultant” who has never been a member, shareholder or owner of Tea Shop, and therefore has no right to inspect the company’s financial records. The parties’ written agreement, the letter says, does not entitle her to profit participation or collection-account status on “Obsession” or on any other film not previously identified in writing, and she “has been compensated in accordance with the parties’ agreement.” Tea Shop Productions did not respond to a request for comment.

Darby is credited on screen as an executive producer of “Obsession,” rather than as a producer — a decision she says the company made despite Lane’s absence from the production in 2025 and limited involvement with the film. She claims she functioned as a lead producer under Tea Shop’s own internal definition, a distinction at the center of the case, because the profit deal she is suing over applies only to films she lead-produced.

The complaint alleges that she stepped in at a point when the edit had been taken away from Barker and handed to a new editor, leaving the movie “mired in an edit that was not working.” She “provided fundamental and critical creative and structural notes that changed the course of the film,” “advocated heavily” for the edit to be returned to Barker, and recommended the reshoots that followed, according to the suit. She then took on the post-production, credits, clearance and delivery work that got the film finished in time for its Toronto International Film Festival premiere, where Focus bought it for about $16.2 million — well above the $14 million to $15 million that trades were reporting during negotiations.

Once the value of the movie became apparent, the lawsuit alleges, she was iced out. She wasn’t invited to the Los Angeles premiere and was “deliberately” cut out of major trade articles and interviews, the suit says, including a May profile of Harris and Lane that didn’t name her. Her name was added to that piece in August, after she complained.

Darby first started working at the company in 2019, as a development and production executive. In this role, the lawsuit said, she was responsible for originating and developing projects, attaching filmmakers, assembling financing and producing films from preproduction through delivery. She originated and produced movies including “A Banquet,” “Tornado” and “The Surfer,” which stars Nicolas Cage.

In 2024, she and Tea Shop allegedly reached an agreement raising her salary to 100,000 pounds and entitling her to a third of the net profits Tea Shop itself receives on films she lead-produced, “together with direct participation in the applicable collection account management agreements” — the deals that govern how money from a film is divided among its participants.

Tea Shop has allegedly honored that arrangement on other films. On “Obsession,” the complaint says, Darby was paid $300,000 out of the film’s initial minimum guarantee after Tea Shop directed her company, Runt Productions, to invoice for “Services: Obsession.” That payment, the suit argues, was fixed compensation for her producing services — not a settlement, release or buyout, with no writing calling it full and final.

In addition to her share of Tea Shop’s profits on “Obsession,” Darby is seeking a full accounting for several projects as well as unpaid wages, expenses and relief for retaliation.

Dr Xand van Tulleken said people could make a key mistake as UK hit with killer salmonella outbreak

A BBC expert has explained the ‘thing you should worry about’ with UK kitchen egg storage after Salmonella outbreak. Cases of salmonella linked to imported eggs have risen, according to new figures from the UK Health Security Agency (UKHSA).

Officials reiterated that babies, young children, pregnant women and older people should only eat thoroughly cooked eggs in restaurants and cafes. There is no evidence that eggs produced in the UK are affected and the risk to the public remains low.

As of August 25, there have been 259 cases of salmonella and one death, the UKHSA said. Appearing on BBC Morning Live, Dr Xand van Tulleken said people need to consider how they store their eggs – but added one thing they should not do is wash them.

On the subject of whether people should store eggs in the fridge, he said: “From the Food Standards Agency, the advice is that the fridge is good. That’s their gold standard. But it is fine to store your eggs outside the fridge provided it’s in a place that is a steady temperature below 20°.

“Now this summer, my eggs are just out in the kitchen and it’s well over 20° for a lot of the summer and the temperature is fluctuating as well. So you’re fine in the fridge, you’re fine outside the fridge, but you want to cool the kitchen.”

People need to be aware of a potentially dangerous situation in fridges which can allow bacteria to grow, Dr van Tulleken said: “So here, let me give you the thing that you should actually worry about. It’s condensation. So, the reason they say keep them in the fridge at a steady temperature, so you’re trying to avoid temperature fluctuations and condensation because condensation, moisture on the outside of the egg allows bacteria into the egg.

“And so, if you’re getting your eggs in and out of the fridge all the time, you’re getting a lot of condensation, that could be a problem. And so having them in a cool kitchen is fine, but you’ll get a longer life from the egg if you keep it in the fridge. But you’re not mad if you’re keeping your eggs outside the fridge, but on a on a warm summer, you might be better in the fridge in the box.”

He added that people should not wash them: “You don’t want to wash your eggs for the same reason. You don’t want to get your eggs covered in moisture. Your eggs are fine. Don’t wash them. Just crack them.”

Anyone eating in a restaurant should ask one question: “The other thing is I think if you’re eating out at the moment, you can either ask them and say, ‘Have you checked for the British lion? Can I check that your eggs are not imported?’ If you’re not feeling up for that conversation with the waiter, it would be fine to also avoid soufflé, mousse, hollandaise, and mayonnaise.

“The steak with the raw egg on it. Any of those things, soft-boiled eggs, poached eggs, all those things would, if you’re worried, particularly if you’re vulnerable, I think that would be reasonable at the moment. But if you if the kitchen uses UK eggs, you’re fine.”

MELANIE C is in fine shape after raking in £1million last year from her solo work and Spice Girls royalties.

New accounts for Mel’s touring company, Red Girl Media Ltd, show Sporty Spice raked in £550,000 from solo shows in the year to 31 August 2025.

During that time Mel embarked on a DJ tour of the UK, Ibiza and Australia.

Latest paperwork for her publishing firm, Red Girl Productions Ltd, shows she took home a further £300,000 last year from solo royalties.

She also earned her share of Spice Girls royalties worth £600,000.

The money is set to keep rolling in for the recently married singer, as the accounts don’t cover the release of her latest album Sweat earlier this year.

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The 52-year-old, is also set to start a solo world tour, including gigs in London, Birmingham and Glasgow in October.

Last week Mel shared her new tattoo tribute to her summer nuptials and wild honeymoon.

The Spice Girl married partner of three years Chris Dingwall in a stunning ceremony in the grounds of The Country House Cumbria in July.

The happy couple were surrounded by their loved ones and a host of celeb guests, including her bandmates – bar Victoria Beckham who was away supporting husband David at the World Cup.

Shortly after saying I Do, Mel and Aussie model Chris were seen snogging in the sea during their Ibiza honeymoon – and her latest body art marks their first trip as husband as wife as well as her work on the White Isle.

In a new video posted to TikTok, Mel was seen having a cherry icon tattooed onto her forearm.

The cute design, which featured the striking red fruit on its stalks, also commemorated her fifth year DJing at Ibiza club Pacha, which has the twin cherry as its emblem.

Raygun became a global phenomenon back in 2024, now she is speaking out in her own documentary

Netflix subscribers have said the same thing following the release of a documentary on a viral breakdancer.

Raygun, whose real name is Rachael Gunn, became a global phenomenon at the 2024 Olympics in Paris when her unconventional breakdancing routine went viral – for all the wrong reasons. Her unusual routine featured non-traditional movements including floor rolls and the now famous kangaroo hops, and she later found herself an internet meme.

After scoring zero points, the routine sparked controversy across the world, resulting in heightened mockery and online hate as she became one of the most talked about athletes of 2024.

Now, she has returned to cameras for her very own Netflix documentary titled ‘Untold: Raygun Breaking Badly’ which has today (September 1) landed on the streaming platform.

An official synopsis reads: “Nobody, least of all Rachael Gunn, expected to be an Olympian. But as Raygun’s performance at the 2024 Paris Olympics went viral overnight, so did an avalanche of memes, misinformation, and conspiracy theories questioning how she ever got there.”

Taking to Instagram, Netflix UK shared a teaser clip from the documentary as they captioned their post: “From Australian academic to global meme… Untold Raygun: Breaking Badly is now playing on Netflix!”

After landing on the streaming platform today, viewers are already having their say as opinions are divided. As some questioned “why” the documentary was released, one person penned: “There’s a Raygun documentary. That I have to watch!!! Surely there’s an interesting story behind those dances.”

Another said: “Just finished the Raygun documentary on Netflix and it is definitely a must-watch.” A third wrote: “Watching this Raygun documentary on Netflix and I’m in real tears lol Netflix the GOAT of documentaries btw but S/O to her for doing this too tho cuz [sic] she didn’t have to!”

On Instagram, one person said: “Fair play to her.” Another penned: “Just watched it. Jaw dropped to the floor all the way through. This screams Will Ferrell movie in all its aspects.”

Breakdancing, officially called breaking, made its Olympics debut in 2024. Away from the sporting event, Raygun was an academic as she has now opened up about the event that made history.

In the clip shared to social media today, Rachael can be heard saying: “Right before the Olympics, I went to my therapist, panicked. She was like ‘what’s the worst that could happen?’

“The whole world could laugh at me. She’s like ‘do you think that’s reasonable?'” She later adds: “There was this frenzy. It was this growing monster.”

Untold Raygun: Breaking Badly can be streamed on Netflix

ARIANA GRANDE broke down in tears on stage at what could be her final-ever concert.

The superstar, 33, sobbed as she opened up about her decision to step back from public life.

Halting her final gig at London’s O2 Arena, Ariana said: “I just wanted to say thank you so much.

“This has been such an extraordinary experience.

“Thank you for ten beautiful London shows and 41 incredible Eternal Sunshine shows.”

Breaking down in tears, Ariana continued: “This has been one of the most beautiful extraordinary experiences of my life and I just wanted to express my gratitude without sobbing. 

over & Out

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“Thank you from the bottom of my heart.

“It has been so special and I will cherish this experience always.

“I have loved every minute of this with you all and I just wanted to make sure I express how grateful I am.”

Signing off, she continued: “Thank you for being by my side all the way from Honeymoon Avenue to Hampsted.”

Ariana broke down in tears for a second time before performing Hate That I Made You Love Me. 

The singer struggled to get her words out as she thanked everyone who has worked on the tour from hair and make up to the security. 

For the final show of the tour Ariana added four songs from her new album Petal. 

The singer belted out Oh Well, Like I Do and the record’s lead single Hate That I Made You Love Me. 

Ari also performed Nowhere, Nobody for the first time.

During her performance of hit single Thank U, Next the star continued her recent trend of changing the words to reflect her rekindling things with dancer Ricky Alvarez. 

Rather than singing “wrote some songs about Ricky, now I listen and laugh” the superstar sang: “Wrote some songs about Ricky, I’m trying to make him my last.”

Ariana’s Wicked co-star Cynthia Erivo watched her final show from the sound decks. 

However, unlike on night two of the 10 London shows when she joined Ariana on stage, she opted to take a back seat and simply watch the show as a fan.

It was previously revealed that Ariana would be retreating from the public eye following the end of tonight’s run of 10 O2 Arena shows of the Eternal Sunshine Tour.

In a statement released last month, a rep for the 7 Rings singer said: “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.

“She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which have led to endless, ongoing public scrutiny.

“This tour has been a beautiful experience for her.

“She loves her fans and has loved every minute of this tour so much.”

Ariana herself later clarified that the decision had been months in the planning and was not in response to widespread concern for her health after visible weight loss over the past year.

The singer said: “It was not a reactive or impulsive thing. It is something that I have decided, a plan that I had quietly made a long time ago and it’s a decision that was made from a thoughtful and empowered place.

“And I want you to know that many things can be true at the same time.”

She added: “I heard that my fans were worried that negativity was ruining things for me, but I just have to say that could not be more the f*** opposite.

“This is not what that is. I just want to be very, very clear. Multiple things can be true at the same time.

“Boundaries need to be set.

“Human beings need a break sometimes. And also, this can be, and will continue to be, the greatest experience of my professional and creative life. So, I just wanted to make that quite plain.”

It comes a month after Ariana pulled out of making her West End debut in Sunday in the Park with George slated for next year at the Barbican.

Her co-star Jonathan Bailey has also since pulled out too, as exclusively revealed by The Sun earlier today.

A contestant on The Great British Sewing Bee spoke about how proud they were to have made it so far.

A contestant on The Great British Sewing Bee has spoken of their pride in making it so far, as they were forced to leave the show. The BBC competition’s 12th series is well underway, with Patrick Grant and Esme Young returning as judges, while Sophie Willan replaced Sara Pascoe as presenter.

Just a week before the semi-finals, the remaining amateur sewers were challenged with Literary Icons week. As they channelled their inner bookworms, they were tasked with creating a deerstalker worn by Arthur Conan Doyle’s character Sherlock Holmes in the Pattern Challenge.

They were then asked to imagine what Roald Dahl’s Matilda would be like as a grown-up, creating an outfit from second-hand school uniforms. And finally, in the Made-to-Measure, the sewers created an outfit from the Regency period, inspired by the works of Jane Austen.

Despite her enthusiasm for the challenges, it was unfortunately Rebecca who missed out on a place in the semi-finals. She broke down in tears as Sophie announced she would be leaving the competition.

Sophie said: “Now for the difficult bit, one of you does have to go home today.” She went on: “You’ve all been amazing, it’s getting very serious now, it’s up here, so it’s very difficult for the judges. But unfortunately, the person going home today is Rebecca.”

Rebecca was supported by her co-stars as she wept over her exit, before sharing her pride in making it so far. She said: “I’m feeling incredibly proud of myself, I never thought I’d make it to the quarter-finals, so it’s been a privilege, every step of the way.”

Esme added: “I’ll really miss Rebecca. She was such fun, and making a dress and jacket was a lot of work. But she made so many mistakes.”

Rebecca continued: “Doing all of what I’ve achieved, being in pain the whole time, it’s just, I’m so proud of myself, and I hope that anyone who is living with an invisible disability or any disability, knows they can do incredible things.”

The Great British Sewing Bee continues next week, with the BBC teasing: “It’s the semi-final, and judges Patrick Grant and Esme Young set three challenges celebrating wardrobe heroes. These are items found in every wardrobe. However little or often they are worn, these clothes are must-haves and essentials.

“First, in the Pattern Challenge, the sewers must put their spin on the classic leather jacket, only this time, the judges have asked them to use plant-based leather.

“Next, for the Transformation Challenge, the sewers take men’s shirts and transform them into outfits for a wedding. Finally, in the Made-to-Measure, it’s the timeless little black dress that is the inspiration Four sewers remain, but only three will make it to the final.”

The Great British Sewing Bee is available to watch on BBC iPlayer.

IT’S BEEN nine months of drama for Katie Price after she said “I do” to con man Lee Andrews.

After The Sun revealed tonight that Katie, 48, is talking to top divorce lawyers, we take a look at all the signs that pointed to her secretly planning to split from her jailbird fifth husband, 43.

Katie ditches wedding ring

Katie has had a rocky year so far, with the drama surrounding her marriage to Lee, who is currently in jail.

Since trouble started brewing in May, when he was first banged up, the former pin-up has had a very on/off relationship with her wedding ring.

Just yesterday, in a clear sign that the marriage is in big trouble, the star ditched the significant piece of jewellery as she enjoyed time in Marbella.

Katie was also seen without her wedding ring as she flashed her bum while dancing on her close pal during her wild trip.

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Refusing to return to Dubai

One of the biggest signs that Katie was not happy with her marriage to Lee is her refusal to go back to Dubai, where he lives.

The star hasn’t returned to the UAE since the end of June, which was just before Lee was sent back to jail, for a second time.

Previously speaking about how she would never move to Dubai to live with Lee, she said in a YouTube vlog: “I don’t know why people think I’m moving to Dubai.

“My family’s here. The husband is there, but the husband come here and I can go to Dubai when I can.”

Katie then added: “It’s a lot of hoo-ha.”

Katie openly flirts with Jake Quickended

At an awards ceremony earlier this month, as Lee languished behind bars, Katie asked Jake Quickended if she was “his type”.

The star was seen publicly flirting with the former The X Factor star at The Hair and Beauty Awards.

It happened as they shared the stage to present an award, and Katie told him how This Morning host Ben Shephard had said to her that she would make a “good match” for Jake.

She then proceeded to see how Jake felt about that, and when he was left red-faced she said: “Are you blowing me out? Is that a yes or a no? I’m putting you on the spot.”

Never paid his bail

Lee was sent back to jail in July, just weeks after he was freed from prison the first time this year.

The con man was originally locked up in May for fraud, but was most recently nabbed for unpaid debts.

However, Katie has refused to pay any of the money he owes, in order for his release.

She told The Sun: “He’s in prison and the only way Lee will get out of prison, he has to sort it out himself.

“That’s the end of that. If not, he’ll be prison. There’s nothing I can do. I’m not here to pay anything for anyone. I’ve got my own life. Even though he’s part of my life.”

Stopped speaking about Lee

Last, but not least, Katie has stopped speaking about Lee on her podcast.

The star drops an episode of The Katie Price Show, which she does with her sister Sophie, every Thursday.

However, recently Katie has been very quiet on the topic of her jailbird husband.

KATIE Price has not laid eyes on her soon to be ex-husband Lee Andrews since June.

The star, 48, has started proceedings to divorce the Dubai-based alleged conman just eight months after their surprise ceremony in his home city.

Lee has been in out of jail in Dubai since May and is currently holed up in the UAE’s notorious Al Awir prison.

The last time Katie saw Lee was shortly after he was released from prison the first time.

He then went back to prison at start of July and has been in there for eight weeks over three civil cases.

Katie has now vowed to never go back to Dubai and visit him.

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pricey fears

Katie Price ‘worried’ that Lee will ‘take her money’ as she consults lawyer

The Sun revealed exclusively tonight that Katie had quietly consulted a top London divorce lawyer about ending her marriage.

She discovered he only had £2.22 in his crypto bank account — not the £37million he had promised her.

Katie told a pal on Tuesday: “I have come to my senses — Lee has lied and lied and lied. I am sick of it. It is over.”

A source added: “The marriage is done. She will never go to Dubai to see Lee again.

“It was, of course, an accumulation of many things but the final straw came after Lee had told Katie he had $50million (£37million) in a crypto wallet, and promised her some of the funds.

“He gave her the ‘recovery phrase’ — the passkey — to get into his account, and on Monday she had a financial expert access the wallet — and, to her shock, discovered it contained just $3, or £2.22.

“Lee never had $50million; he doesn’t have a bean. The most he ever had on any one day was in March for $14,490 (£10,720) which was sent out the very same day.

“Obviously over the past few months Kate has seen all the damning evidence building up against him — and was always planning her exit once the white noise became unavoidable.

“But after seeing his accounts — as opposed to his AI mock-ups — she lost her s***.

“He has deeply embarrassed her and, more importantly, has scammed, hurt and cheated so many other women. Enough is enough.”

Rob and Michele Reiner’s son Jake Reiner has reportedly tied the knot with fiancée Maria Gilfillan.

The couple got married in a small ceremony in early August, TMZ reported Monday.

The duo has kept the relationship largely out of the spotlight. Jake shared images on Oct. 7, 2025, on Instagram of him and Gilfillan attending a wedding in Las Vegas. They went to the L.A. premiere of Rob’s film “Spinal Tap II: The End Continues” with his entire family in September.

In an interview with ABC7’s Marc Cota-Robles, released Aug. 27, Jake appeared to be wearing a wedding band.

Jake’s representatives did not immediately respond to a request for comment.

Jake’s sit-down interview with ABC7 marked the first time the former reporter spoke to the press after his parents were fatally stabbed in their Brentwood home on Dec. 14, 2025. His 27-year-old sister, Romy Reiner, discovered the bodies and his younger brother, 32-year-old Nick Reiner, was arrested in connection to the crime.

“Every moment that I wake up, I’m reminded of my reality, and you’re living through that every single day,” Jake, 35, told ABC7.

In July, a grand jury indicted Nick on murder charges with special allegations of committing multiple murders and lying in wait, making him eligible for life without parole or the death penalty if convicted. Nick has pleaded not guilty. A pretrial hearing is slated for Sept. 15.

“I don’t care how it’s explained to me. I don’t care what facts come out. I will never understand why this happened,” Jake shared with ABC7, adding that he has not spoken to his brother since his parents’ deaths.

In an essay written by Jake on his Substack in April, he expressed being robbed of many milestone moments following his parents’ deaths. “My parents won’t be at my wedding, they won’t get to hold their future grandchild, and they won’t get to see me have the successful career I’m still seeking,” Jake wrote. “It simultaneously breaks my heart and enrages me.”

Jake wrote that his dad helped him overcome personal obstacles: “No subject was ever off-limits.”

“Whenever I was in a difficult relationship, he would challenge me and say, ‘You need to really think about what draws you to a person like this, and once you figure that out and break that pattern, you’ll find the person who is truly right for you,’” Jake wrote in the April essay. “I’m proud to say I have found that person in Maria, and I couldn’t be more grateful she had the chance to know and love my parents.”

Times staff writer Richard Winton contributed to this report.

DJ Spoony was sent in some joke names on BBC Radio 2 but read them out loud without realising.

The Radio 1 and 2 legend was sitting in for his mate, Trevor Nelson, when he ran a competition asking people to guess a song after playing only one second of it.

After reading out some of the guesses from listeners, he followed up with their names and where they’re from, as per radio tradition.

The next guess was Joe Dolce’s hit Shaddap You Face, with Spoony saying, “Someone always guesses Joe Dolce.”

He then added that the guess was from, “Ben Down and Phil McAvity.”

Thankfully, Spoony mispronounced the two surnames and saved himself the embarrassment of having read two very rude prank names.

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The Radio 2 star has been filling in for Trevor Nelson over the past two months after he was diagnosed with a brain tumour,

Trevor suddenly stepped away from his weekday radio show in June and returned to social media to update fans on why he was absent.

The dad-of-two said he felt he wanted to share more details due to the outpouring of love he had received.

He said: “I was minding my own business and then it was discovered I had a brain tumour.

“As you can imagine, I was shocked. In fact, my world was turned upside down.

“Quite literally, my head was all over the place. I knew I had to stop work because I couldn’t be that guy on the radio knowing I had that going on.”

After confirming his surgery was a success, Trevor said he’d been at home “recuperating and resting” and having post-op treatment.

He went on: “I can only tell you the truth, and the truth is I feel great right now.”

Trevor added he was back playing golf and in the gym and living his old life, except for the radio and gigs.

The veteran DJ hosts the afternoon show on Radio 2 between 2 and 4pm.

The Jury viewers were left baffled as tensions erupted among the jurors just minutes into the first episode of the new Channel 4 series.

The Jury took a turn minutes into the new series.

Viewers were left baffled just moments into the return of the Channel 4 series after tensions began to rise among the 12 jurors. The BAFTA-winning programme returned for a new series on Tuesday (September 1) night, once again putting a group of ordinary people in a specially constructed jury room in a recreated murder trial.

This time, the jury is considering the case of two brothers, one just 14 years old, who are accused of killing their stepfather. The brothers admit stabbing the man more than 69 times while he was asleep, with the jury having to decide whether the killing was an act of desperation or a calculated murder.

However, viewers were quick to comment on the reaction inside the jury room after the first trial and initial evidence had been presented. As the 12 contestants began discussing what they had heard, it quickly became clear that they were far from united in their views.

One juror, Jamie, admitted he was struggling to remain objective because of the age of one of the defendants. “This is mental,” he said. “My main aim is to be completely objective and then there’s a 14 year old put in front of me and it’s thrown it out of the window. I’ve got a boy that’s nearly f****** 14. As a dad, two young boys. I feel like it’s made it so much more challenging to be objective.”

He later described the evidence they had heard as a “massive bombshell”. Another juror questioned whether the group could fairly assess the case given that Daniel was only 14. “Do we feel that we can make a fair decision, because he’s so young?” they asked.

But not everyone believed Daniel’s age should influence their thinking. Kim insisted: “Age doesn’t come into it for me. Maybe it should but as it stands, I’m not looking at it as an age thing.”

Christopher, 20, disagreed and argued that Daniel’s age could be important when considering his responsibility for what happened. “I think it ought to a bit. I’m gonna be a really annoying sociology student right now,” he said. “But I think we do need to consider his age because I think that’s going to impact whether he’s in full control of his faculties.”

Jamie agreed with Christopher’s argument, pointing out that a teenager’s brain is still developing. “Their brain is still forming. So how can you say someone’s completely responsible as an adult when they’re not an adult?” he asked.

Kim, however, pushed back strongly. “So it justifies him killing him? No,” she replied. Jamie insisted the situation was more complicated than that. “But it’s not as simple as that. It’s not a simple thing,” he said.

Kim responded: “For you, maybe not, but for me, it is that simple. I am very black and white.” She went on to focus on the circumstances of the killing, arguing that the number of stab wounds made it difficult for her to separate Daniel’s age from the crime itself.

“The killing was nasty. The amount of times Daniel stabbed him. There was no justifying that,” she said. “Looking at him as a 14 year old, rather than the crime that he’s committed, I think it kind of clouds the judgement.”

Chloe, 23, also took a firm position on the issue. “Yeah. That’s overkill. You know what you’re doing after you’ve done it over 69 times,” she said. “If you’ve already done one big gash on the neck, you can’t do that to someone and expect them to be walking around perfectly the next day.”

She added that she believed the brothers intended to kill their stepfather and did not think Daniel’s age could be used as an excuse. “If they were adult enough to commit an adult crime, then surely they can take the punishment,” Chloe said.

The heated discussion came relatively early in the programme, with viewers watching the jurors begin to form opinions as the case started to unfold. Some viewers were surprised to see such strong opinions emerging while the group had only been presented with an early portion of the evidence.

One viewer wrote on X: “Not seen any evidence yet and they already arguing #TheJuryC4.” Another said: “Making up your mind before you’ve heard even a lick of evidence is insane but go off I guess.” A third questioned the make-up of the jury, asking: “Do they actually have level headed people on the series this time? #TheJury.”

However, not everyone watching was critical of the programme. One viewer praised the return, writing: “I’m watching, it’s one of the best programmes on TV and with all the debate over jury trials, a fitting watch. #TheJury.”

As the first episode continued, the jurors were presented with further information about the case, giving them more evidence to consider as they attempted to establish exactly what had happened.

You can stream the new season of The Jury on Channel 4

Emmerdale’s Claire King revealed her heartache over co-star Olivia Bromley’s exit from the ITV soap, following Dawn Fletcher’s death

Emmerdale actress Claire King has shared her heartache over co-star Olivia Bromley’s exit from the soap, following an explosive episode.

The 30-year-old has played Dawn Fletcher in the long-running ITV programme for eight years, sharing the screen with Claire’s Kim Tate, her stepmother.

Fans were left shocked when her character was killed off in devastating scenes on her tragic wedding day, after prematurely giving birth to a baby boy with partner Joe Tate. In the emotional footage, she suffered internal bleeding and sadly died after giving birth.

Touching on the episode in a press roundtable, Claire described their final few moments together on set as “heartbreaking”.

“But we did have a good laugh that week because we were all outside this massive marquee where we were doing all the wedding stuff and car crash, and it’s all supposed to be tragic but we were all actually having a good life.

“We had some really nice people on set that day. Great crew, and it was just a bit of camaraderie.

“But I could see as the days went on to the final day she was getting more and more sort of angst and things.”

Dawn made a big impact when she arrived in the Dales almost a decade ago, and has been at the centre of huge storylines since then – including the moment she found her long lost son, and her on-off romance with ex-husband Billy.

Olivia was told of her character’s fate earlier this year, with bosses teasing the huge exit plot. However, despite the advanced warning, she admitted that she found it tough to bid farewell.

“It was the toughest storyline I’ve done during my time in the soap,” she told the Mirror.

“I was surprised by how emotional I found it and it was way more emotional than I was expecting. I did cry.

“It is very strange to kill off your character as an actor and in front of your colleagues. But that said, what a gift to be given. Often people leave and just slip off.”

She added: “Psychologically, now I have had time to reflect, I know it’s good for me, because I can say bye to my Emmerdale chapter. It’s been brilliant. I was originally only signed up for 12 episodes and I’ve stayed eight years!”

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Jared Freid remembers the moment he found his true calling in comedy.

Oddly it came after he’d already found success with his debut Netflix special “37 & Single” in 2023, which allowed him to live the stand-up dream of making it to a big streamer. But then that moment passed and the Boston-bred comic was once again starting from square one scrounging for joke ideas. That’s when he decided to dig up an old story he’d told on stage about his dad body-shaming him during a family outing in Delrey Beach, Fla.

“We’re sitting at the beach, and my dad asked me how much I weighed, and I was so mad about it,” Freid remembers. Seething at his dad for poking at his body insecurities, the comedian dealt with his emotions like any good millennial — by podcasting about it. Venting the story that took only about a minute to tell on a microphone led to more fights with his aging boomer parents soon after when they heard the episode.

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Jared Freid sits down with LA Times Entertainment Editor Nate Jackson to discuss his new Netflix hour, “The Family Plan,” which turns a beach blowup with his dad into a sharply observed, big-hearted look at boomer-millennial family warfare and reconciliation.

Scrolling back through that memory, Freid said something clicked when he thought about the alarmingly close relationship millennials still have with their parents in adulthood including still being on the family cellphone plan. “I can pay my own cellphone bill, but I’m still on their family plan,” he said. “That says something about the millennial/boomer relationship, in my opinion. We’re weirdly attached to our parents, and in a way that no other generations were tied like that, like not mushed together.”

Extending his one-minute bit into a full hour in his new Netflix special “The Family Plan” (out on Tuesday) took two and a half years of dedication polishing the story and seeing it start to resonate on tour at shows around the world. It also required him understanding that what underlies the struggles between millennials and their parents is how shockingly alike they are despite being constantly annoyed by each other. Freid now says his goal is to be a family-friendly comedian for families that usually aren’t friendly with each other but can easily agree on that fact while they laugh at jokes about themselves.

This interview was edited for length and clarity.

Your new one-hour special was inspired by a one-minute story you’ve told about a fight with your dad at the beach. You tapped into something really universal with the strife between boomer parents and their millennial children — a real tug of war for power that’s happening in a lot of people’s lives right now.

Totally, I and I feel it, especially because we can talk back to [our boomer parents] in a respectful way. We can have debates. You’re finding out your parents are just people too. I started telling people on my podcast, “Bring your parents.” This special is to be enjoyed with your family. You’d see a guy with his dad [at one of my shows], point at him and go “[Jared’s] talking about you!” That made me feel so good. I did it in Canada, Australia, New Zealand, Europe, I did it everywhere, and it was always just unbelievable how much people related to it and now it’s how I want to do comedy. This is who I am. This special means so much to me. It’s been a fight to get it out. I wanted it on a platform like Netflix because I want parents to watch it with their kids. It’s hard enough to get your parents on your Netflix account. Imagine getting them to watch a special on YouTube? They’re not going to do it. So I need this to be in a place where boomers and millennials can share it with each other and enjoy it together.

As an adult, what’s been the most interesting thing about seeing what things you picked up from your parents despite constantly arguing with them?

We’re exactly the same. We’re so alike that that’s probably why my dad’s asking me how much I weigh at the beach because I also look like him. It’s almost like an argument with yourself. I’m a version of him, and he’s a version of me. I have a lot of empathy for my parents. I’m 41, no kids, never married. They had to grow up while having a kid. I can’t understand that.

Right now there’s a lot of talk about divorcing your parents going around. I also can’t understand that for a second, because it’s not in my nature. For so many of the things that I go through in my life and feel frustrated by, [my parents] are, they’re my conscience a lot of times. Like when I wonder whether I should go right or left, I hear my mom in my head like, “You’re gonna go right? Why would you go right? You always go right. You’re lazy.” I hear them. I feel like I understand them more now, being older.

From selling life insurance in New York to headlining global tours and hit podcasts, Freid has built a devoted, largely female fan base that treats his stand-up like family therapy.

(Christina House / Los Angeles Times)

Every generation has their obstacles, and we’re constantly looking at each saying “Oh, you have it easy, no you have it easy!” But in your special, it kind of comes out that there’s obstacles for every group.

Totally. I don’t do comedy to make anyone feel bad. I do it to make people laugh and enjoy. And like it was cool to see a family would come to me to take a picture afterwards, and then the parents would be like, “We’re the boomers you’re making fun of.” I’m making fun of them, but I’m also making fun of ourselves [as millennials]. And I think it strikes a balance between the two because it does show that I love my family. I love how I grew up. I love that you know the people in my life. That doesn’t mean you can’t be totally angered by them.

Where did you cut your teeth in comedy?

I started in New York. I was selling life insurance and annuities in New York, and I was writing funny emails to friends. Any time we were on the same group email, Gmail, or G Chat it was always “what did we do last weekend, and what are we going to do this weekend?” And then you just make fun of each other. Anytime someone would write back “Oh my God, I’m dying at my desk. That made me laugh so hard,” I was like, “That that feels like drugs. How do I get that?” I started doing open mics, and I kind of treated it like grad school. I did improv, sketch, and storytelling. I took all these classes, and just to see what I liked, because I just wanted to be funny for my friends. Plus I could go to open mics at night, so you could add that in and feel forward momentum.

Being a millennial comedian right now seems very much like being stuck between two worlds of having the old model of success in comedy you learned from your idols and then you have people who are younger than you who are blowing up just by like posting a random video.

What you’re saying is completely right. Like we’d look up to these guys like Colin Quinn on his show “Tough Crowd,” that’s the table I wanted to sit at, and I wanted to hang out with those guys and bust each other’s chops, that’s what comedy is. I always could see myself at that table, but I also understood that table is kind of earned. You don’t just get to it because you’re funny. When I started, you could count the comedians on one hand that could do theaters, without being on a TV show. You know, there was like Brian Regan, Kathleen Madigan, Jim Gaffigan. These people weren’t on TV, but they had their audience, so it was very different to be a stand-up. Earthquake is in that group. Then you look at the sitcom people who get to do stand-up because they were on a sitcom, like you know Seinfeld and you know Ray Romano, and these are great stand-ups.

A millennial comic wedged between club legends and viral upstarts, Freid uses candid stories and crowd work to bridge generational divides — including in L.A.’s intimate, under-the-radar comedy rooms.

(Christina House / Los Angeles Times)

How did podcasting allow you to grow your career in a different way?

I thought “well, I’m listening to these podcasts. I should start a podcast.” And I was downloading podcasts in 15-minute increments to my iPod Nano. I love talk radio. I grew up on WEI in Boston. I love sports, I like sports talk, I like high energy shows. At that time, I thought everyone had one, but now I look like I started early. I can do a podcast where I can speak directly to people who might want to come to my shows. I didn’t even think of ads. I wasn’t thinking of that stuff. I was just [thinking] I can talk right to someone who likes what I do, and I would team up with these websites… I was trying to do this internet stuff, understanding there was power there. I was caught between two worlds, working on my stand-up as kind of my nighttime job, and then doing these podcasts and contributing wherever I could as a daytime job.

When you started working with Betches Media through podcasting on shows like “U Up?” [with platform co-founder Jordana Abraham] it opened up a lane for you to suddenly grow a female audience in a way that seemed natural despite being out of the ordinary for most straight male comedians. What’s that been like to grow that type of audience?

It’s weirdly gratifying. It’s not what I was like angling towards. I think if I was angling towards a female audience as a stand-up, it wouldn’t work. I think that it would be a lie. I’m so happy with it. I feel really thankful because you know the [founders of] Betches [Abraham, Aleen Dreksler and Samantha Fishbein] they’re my sisters. The audience is family like when they come to shows I know them, you know, that’s like a beautiful thing and I think especially in the world of stand-up where all you hear about is like the Manosphere and the Rogan types, and a lot of stand-up comedy is men dragging a girlfriend to someone they think is funny because they get an ego puff out of showing a woman who they know is to be funny. And my shows are very different. It’s women bringing their boyfriends, women who now bring their husbands, couples coming together, and I love it.

Lastly, what cellphone family plan are you and your parents currently on?

Oh, we’re on T-Mobile. I’m getting kicked off by my dad currently.

Because you’re too famous?

Yeah, he’s like it’s getting embarrassing for him. I could pay for it myself. I just like, now I got to go to the store, I gotta go do it. It’s annoying.

EastEnders fans believe that Nicola Mitchell’s storyline involving her estranged family, with some claiming that her son Harry may not actually be Teddy’s son

EastEnders fans have predicted a “horrible” twist for Nicola Mitchell. In recent days, we have seen Nicola reunite with her estranged family, sisters Gemma and Jodie, as well as her mum, Rose.

While this is the first time we’ve seen Nicola’s family all together, viewers have previously been informed that she has a strained relationship with them and has distanced herself from them after growing up.

And they are also aware that Nicola was no fan of her dad and instantly shudders whenever he is mentioned. Only recently, she opened up about the abuse she endured at the hands of her dad, who died after drink driving following an argument, when she told him to leave the house during an abusive moment.

But this week, Nicola’s sister, Gemma Hawkins, stated that Harry Mitchell was the double of his grandad, Nicola’s father, leaving her enraged. “No, he’s not, he’s nothing like him,” she fumed before storming out. Harry is the son of Nicola and Teddy Mitchell, who is currently behind bars for the murder of Okie, which he lied about to protect Harry, who was suffering from addiction issues.

And in tonight’s episode, viewers saw Nicola locked in the back of a van with her mum, and it’s fair to say that this didn’t go down too well. Well, Rose asked Nicola if it had been worth “severing ties,” she replied: “I didn’t have a choice, did I? Actually, yeah, I think so, I’ve built myself a life, and I’m doing just fine without you in it.”

An enraged Rose commented: “Sounds like it, Teddy in prison for killing a drug dealer, Barney the product of a roll around with your personal trainer, oh yeah, Gemma told me all about it, what’s next? Living with a man fast approaching as many wives as Henry the 8th. And poor Harry, an addict.”

Nicola, clearly angered by her mother, hit back, explaining that the last time they spent “extended time” together was Christmas in 2009, when she was subjected to “sly digs, constantly needling,” and Rose “trying to get a reaction.”

But fans now believe that Nicola’s relationship with her mum could be down to a horrible twist. Despite viewers being told that Teddy is Harry’s dad, they now believe Nicola’s own father could be the dad of her eldest son.

Nicola has spoken openly about her dad being abusive after consuming alcohol, often leaving her fearing for the worst when he would return home.

One fan said: “I actually think it’s the start of something really dark. I instantly noticed just how much Harry looked like Nicola, and then I thought… Is it going to be some really horrible story that ends up revealing she was abused by her dad?”

They continued: “And that her mother couldn’t deal with that, and that’s why there’s been this great big falling out? Wouldn’t put it past them to do something like that. Kind of a new spin on the Kat/Zoe/Uncle Harry thing, I guess.”

Another said: “Harry is defo Nicola’s Son/ brother. He’s a product of her Dad.” While a third went on to write: “It was explained why Nicola hates her dad because she caught him beating her mum, and wishing him dead, her mum has held his death against her all these years.”

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Olivia Attwood The Price of Perfection has returned for a brand new season

Former Love Island star Olivia Attwood has been left horrified after a worrying health discovery when travelling the world.

Olivia Attwood: The Price of Perfection is a documentary series following the reality TV star who explores the UK’s obsession with cosmetic treatments, beauty standards and body modifications.

It has since returned to ITV2 for its third series, with brand new episodes being released every Tuesday at 9pm. Episodes are also available to stream on ITVX, with a new instalment dropping today (September 1).

Tonight’s episode marks the fifth in the series and follows Olivia as she travels to Seoul, South Korea as she joins those who are drawn to the K-beauty standards. K (Korean) beauty is a term for skincare, cosmetics, and beauty practices that originate from South Korea, which includes treatments that Olivia dubs “out of this world“.

The former Love Island star is also seen getting treatment herself, but it wasn’t long before she was horrified by what she saw. Just minutes in tonight’s episode, Olivia is seen getting a scalp analysis, showing what her scalp looks like up close. However, she was unimpressed by what she saw.

After seeing her hair follicles on screen, the star squealed in disgust as she said: “Ew. That is minging.” Covering her face with her hands, Olivia then heard a breakdown of what was seen on screen.

Describing her “thin hair”, Olivia was told she has “hair loss” issues meaning if left, things could become worse. She asked: “So my hair is going to fall out?” before looking at the camera in shock.

Seung Pyo, global manager, told the star she needed more nutrients for her hair to grow thicker and healthier. Olivia replied: “Yeah, I need help. Clearly. I am so ready, I’ve never been more ready for anything in my life.”

Getting her treatment, Olivia is then seen chatting to Brits who have lived in South Korea for five years as they opened up on the beauty treatments available.

Later in the episode, the star was seen “recovering from another surprise” after she was informed of excess body fat and other treatments on offer.

Season 3 of The Price of Perfection is now streaming on ITVX, and the just-aired fifth episode explores the cosmetic treatments that even celebrities have received. A synopsis for the instalment teases: “Olivia travels to Seoul, South Korea – the home of K-Beauty. She joins Brits who are drawn to their beauty standards, and gets treatments herself.”

However, ITVX issued strong guidance alongside the episode which reads: “With strong language from the start and graphic scenes of surgery.”

Olivia Attwood: The Price of Perfection is available to stream on ITVX

Celebrity MasterChef star Sue Cleaver has previously opened up about a terrifying health battle that left her ‘seriously ill’

Sue Cleaver previously suffered a “scary” health scare

The actress, best known for playing Eileen Grimshaw in Coronation Street, opened up about a terrifying health battle which left her seriously ill and needing treatment in intensive care. The star is currently appearing on Celebrity MasterChef as she takes on a new challenge away from the cobbles.

But while viewers watch Sue battle it out in the kitchen, the star has previously spoken candidly about a difficult period in her life after undergoing surgery and later becoming seriously unwell. In 2023, Sue revealed she had endured a particularly difficult year after undergoing a hysterectomy before later being rushed to A&E.

Speaking about her health at the time, Sue explained that she had been seriously ill and had required intensive care treatment. “I had a really bad year. I had a hysterectomy in March then a few weeks ago, I ended up in A&E,” Sue said during an appearance on ITV hit chat show Loose Women.

Sue chose not to go into detail about exactly what had happened but admitted it had been an extremely frightening experience.

She explained: “I don’t need to go into details, but I have not been on a diet this year. I have been seriously ill. It was a scary, scary time. I had surgery and ended up in intensive care.”

The star had been subjected to speculation about her changing appearance, with images of her being used in adverts promoting weight-loss products. But Sue made clear that her weight loss had not been the result of following a particular diet. Instead, she had been dealing with serious health problems behind the scenes.

Despite the difficult experience, Sue was able to joke about the attention she had received over her appearance. “I’ve been seriously, seriously ill, but I look amazing!” she quipped.

The health scare came several years after Sue experienced another frightening medical emergency. In 2019, the actress developed sepsis after suffering from a kidney infection.

Sue later recalled becoming extremely unwell while she was working, initially believing that her symptoms could have been caused by flu or another illness.

Her condition deteriorated rapidly and she was eventually taken to hospital, where doctors diagnosed her with sepsis. The actress has since spoken about how serious the situation became and how important it was that she received medical treatment.

Sue has continued working throughout her health battles and has remained a familiar face on British television.

Now, the actress is taking on another challenge as she joins the line-up for Celebrity MasterChef. The cooking competition sees famous faces put their culinary skills to the test as they compete to impress the judges.

For Sue, it marks another chapter in her television career and gives viewers the chance to see a different side of the much-loved soap star.

Celebrity MasterChef is available to stream on BBC One and BBC iPlayer