News Desk

INFLUENCER Perrie Sian is known to her millions of followers for her fashion and hilarious sense of humor.

But she recently went global after sharing a video of her accidentally sharting while doing an outfit reveal on holiday in Antalya.

The clip has been watched almost 20 million times in ten days, with her bottom blooper making the news in the US, Australia and even Turkey.

And Perrie told The Sun it was Stacey Solomon’s dad Dave who persuaded her to post the viral moment.

She said: “I wasn’t sure I had recorded it because my phone is always filming for my vlogs, but I watched it back and then heard it and I was in hysterics,” Perrie explains.

“I was on holiday with Stacey Solomon  and her family, and it was her dad Dave who said post it.

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“The internet can be such a negative place and I thought, if this can make someone smile then it’s worth it.

“If you want some entertainment, go read the comments, there are over 4,000 and they are brilliant.”

Of the global reaction to the clip, Perrie adds: “National TV in Turkey, I’m obsessed. And the New York Post. Imagine this being your entry into America, them writing about your shart.

“But it’s been giving people such a laugh, it’s worth it. The memes are so good, my podcast Can I Be Candid posted one that said, ‘total eclipse of the shart,’ after the eclipse last week.

“I’m actually really just glad that I did post it. It’s made my family and friends laugh, it’s made so many people laugh now across the globe.

“I don’t think any video I do will come close to this annoyingly. I might try but I don’t think it will.”

If you’ve yet to catch this moment of comedy genius, check out @perriesian on TikTok and Instagram.

Malta’s Foreign Minister Chris Fearne calls for a stronger and more coordinated European response to growing crises across the Mediterranean and beyond. He rejects the idea of the Mediterranean as a border separating a more affluent Europe from a less affluent Africa, arguing instead that it should be seen as a bridge connecting the two.

In this discussion, Fearne says Malta supports a two-state solution for Israel and Palestine, continued European support for Ukraine, and efforts to bring Libya’s rival factions towards elections and reunification. However, he warns the world has become a more dangerous place and that the rule of law internationally does not always apply.

The devastating hurricane grazes the Big Island in Hawaii in the US, but avoids making landfall.

Hurricane Lala has weakened from a Category 1 hurricane to a tropical storm after passing south of Hawaii, but meteorologists warned that hurricane-force gusts could still batter the islands with flash flooding and punishing winds.

On Saturday, the US National Hurricane Center (NHC) issued a hurricane warning for the Big Island, which has not suffered a direct hurricane landfall in 155 years.

But as tropical storm winds soared west from Maui to Oahu and Kauai on Sunday, Hurricane Lala drifted past, edging the Hawaiian coast and just escaping primary impact zones.

Still, pounding waves crashed against the shore of the Big Island. Wild squalls bent tall palm trees, and fierce sideways rain swelled rivers.

Up to one metre (three feet) of rain was expected on higher windward slopes. Such a torrent could turn rivers into turbulent floods and cause life-threatening mudslides. The NHC said in an advisory published early Sunday morning that rainfall totals could even reach up to 90cm (35 inches) in some areas of the Big Island.

More than 60,000 households were without power, and three hospitals switched to generator power, Hawaii’s Governor Josh Green said Saturday evening.

At least one person died in a car accident in the South Point area of the Big Island, while 19 roofs were lost in the “enormous storm”. 

Christine Matsuda, who lives in Waimea, on the northern side of the island, told the Associated Press that “big gusts every few minutes rattle the whole house”.

Tropical storm warnings remain active for Maui, Molokai, Lanai, Kahoolawe, Oahu, Kauai, and Niihau. Dire conditions continue to lash the Hawaiian coast as monster waves drive coastal erosion and severe flooding plagues communities across the US state. The westward-moving storm raises fears among residents regarding heavy floods and strong winds that could spark catastrophic wildfires in the Aloha State.

Countryfile’s Adam Henson has highlighted a worrying issue facing Britain’s farming industry after a set of figures left him deeply concerned

BBC Countryfile presenter Adam Henson has highlighted a serious concern facing the farming industry after new figures revealed a sharp rise in the number of people dying at work.

The farmer, who runs Cotswold Farm Park, said the statistics had prompted him to think carefully about the risks faced by those working on farms and whether more could be done to prevent fatal accidents.

Writing in BBC Countryfile Magazine, Adam said: “There’s so much bad news around that it’s easy to be numbed by the torrent of negative stories in the media. But occasionally something hits the headlines that stops me in my tracks – and that’s what happened when the latest figures for deaths in the workplace were released.”

Figures showed 33 people died while working in agriculture during the 2025/26 financial year, compared with 23 the previous year and 27 in 2023/24.

Adam pointed out the disproportionate number of deaths in the sector, noting that agriculture employs only around 1% of the British workforce but accounts for approximately one in five workplace fatalities.

The figures also prompted him to reflect on safety procedures at his own farm, where both employees and contractors carry out a wide variety of work.

He explained that risk assessments and training were already part of everyday operations, but said the figures were a reminder that it was worth looking again at how hazards were identified and managed.

Adam stressed that there was no single reason behind the number of deaths and that every incident had its own circumstances. However, he highlighted the nature of agricultural work as one possible factor.

Long days, physically demanding jobs and working alone can all create additional risks, particularly when there is nobody nearby to spot a problem or intervene.

“If there are no colleagues around and no chance of a second opinion (or a crucial second pair of eyes), it’s easy to imagine how something potentially dangerous could go unnoticed,” he wrote.

Farming also involves a huge variety of potentially hazardous tasks, with workers dealing with livestock, machinery, chemicals and other equipment.

Adam said the rural setting could sometimes make it easy to forget that a farm is still a workplace, and compared it with more conventional working environments such as factories and workshops.

He also recalled Apaches, the notorious public information film from the 1970s which highlighted the dangers children could face on farms. Adam described the film as “terrifying to watch”.

Research by the Farm Safety Foundation found that 88% of farmers surveyed believed complacency, including overconfidence and a false sense of security, was a major contributor to accidents on farms.

Several initiatives are attempting to improve safety, including the Foundation’s Yellow Wellies campaign, which provides advice and training. Meanwhile, charity RABI has developed FarmersAid, a free app intended to support people who are alone after a serious accident while they wait for emergency assistance.

Adam’s comments come after he recently raised another concern affecting the farming industry during a Q&A with fellow farmer Olly Harrison at Cotswold Farm Park.

Asked what they wanted from the Government, Harrison argued that farming needed to receive greater attention.

Adam subsequently discussed food fraud, saying he had been told by someone at the Food Standards Agency that the problem was worth £9 billion in the UK.

He said: “I was with someone from the Food Standards Agency and food fraud in the UK has a value of nine billion pounds. So stuff that is on a glass or a packet or says it’s something that it’s actually not.”

He went on to claim: “Huge amount of food coming into the country that is, you know, meats that is unlabelled or out of date or not fit for human consumption. Honey, olive oil and dairy products are the three biggest fraudulent foods.”

But it was the farm safety figures that left Adam with a simple hope for the future.

“Like everyone, I’m hoping and praying for zero avoidable deaths on our farms in the future.”

The deputy commander of United States Northern Command (NORTHCOM) was asked on Thursday if he could defend against an attack by a swarm of drones in the homeland. His reply was blunt and chilling: “No.”

“We don’t have the sensors, and depending on where that swarm is going to attack, it depends on whether we have any sensors at all, and also on whether we’ve got any effectors to go after that problem,” stated Army Lt. Gen. Joseph Jarrard, who also serves as the Vice Commander, United States Element, North American Aerospace Defense Command (NORAD). He was addressing an audience at the Space and Missile Defense Symposium (SMD) in Huntsville, Alabama, attended by TWZ.

“So we are ill-equipped right now to handle something like that, and obviously we’ve seen it used,” the general added. “We’re seeing it used on a daily basis around the world, and we’ve got to figure out how to mitigate that threat, but we’re not there yet.”

2026 SMD Symposium Day 3

Jarrard’s statements were a sharp admission by a U.S. military leader of a number of interconnected gaps, including the lack of domain awareness over the homeland. It is a topic TWZ has frequently raised over the years, but one that U.S. officials would not admit to or address until after the Chinese spy balloon floated over much of the country in 2023 before being shot down off the Carolinas. He was also raising other concerns we have often highlighted, like having the right systems in place to take drones down once they are detected and the proper authority to use them when needed.

Though Jarrard didn’t offer any specific examples of potential threat scenarios, the most glaring is Ukraine’s Operation Spiderweb attack on Russian air bases. Drones stored in pre-positioned trucks were launched nearby remotely and destroyed a large number of Russian bombers and other critical aviation assets.

You can see a video of one of those attacks below.

Another example of a similar near-field attack was the first-person view (FPV) drone strike on a U.S. Army helicopter in Iraq earlier this year, which you can read more about here.

The following video captures that incident.

An Iranian-backed militia carried out a successful FPV drone strike on Camp Victory in Iraq yesterday, successfully hitting multiple targets.

Seen here, one of the FPV attack munitions hits a parked UH-60 Black Hawk. pic.twitter.com/ngY8td9ONZ

— OSINTtechnical (@Osinttechnical) March 25, 2026

These incidents underscore the very real risk faced by military infrastructure, other critical assets and VIPs in the United States, a point that TWZ has repeatedly raised for a decade. In particular, near-field attacks like Operation Spiderweb pose a huge threat and one that would be hard to stop once it began. Compared to a combat theater, there are fewer defenses and far less surveillance, let alone similar alert levels, at sensitive installations all over the U.S. With advances in drone technology and accessibility, attacks coming from within the U.S. could be executed by longer-range drones, as well, which presents additional challenges for preparing defenses.

Speaking at SMD, Jarrard acknowledged many of these concerns and offered some insights into the challenges the command faces and how it is working to address them.

While the authority to use counter-drone systems is still catching up with the technology, Jarrard noted that his commands are working to apply lessons from Operation Noble Eagle (ONE) on the counter-drone effort. ONE, which came into being following the September 11th attacks, changed America’s air defense posture. It included putting fighters on higher readiness and upping the surveillance over the United States with regular air patrols and flights by AWACS surveillance aircraft. In addition, new rules of engagement were put in place and trained for.

“We are integrating some of the TTPs [tactics, techniques and procedures] that we use in that mission to also incorporate with the counter-UAS mission, so some of that is just a natural flow from the ONE mission,” the general proffered at SMD without offering further details. “But the other problem is detection. That is obviously the biggest issue, and so how we are able to detect is one of our biggest concerns right now.”

“We’re using the assets that we have, radars, et cetera, but it’s going to be also involving local law enforcement because it’s not just installations, Army or military installations, but it’s also things like we did [by] interacting with the federal authorities and local law enforcement with respect to the FIFA World Cup,” Jarrard suggested. “We’ve got to be interoperable with the systems that they’re procuring, using, utilizing, and they’ve all got to talk together, and so that’s where we’ve got to get to with respect to the interoperability between not just military systems, but also those that are protecting our cities, critical infrastructure, et cetera, that are off our installations.”

Inside Look at US Drone Security During FIFA World Cup 2026

As we have previously noted, NORTHCOM has taken measures to help base commanders protect against drones once they arrive. One example came earlier this year, after incursions over two installations, including Barksdale Air Force Base in Louisiana, home of B-52 Stratofortress bombers and nuclear weapons storage facilities, and a key part of the airborne leg of America’s nuclear triad. NORTHCOM deployed its new counter-drone fly-away kit, designed to give installation commanders the ability to detect, quantify, and defeat small drones that they cannot defend against on their own.

However, given that these systems have to be requested and then delivered, there is a limit to just how much protection they can provide, especially against an attack like Spiderweb that popped up with no warning. The fly-away kits would not arrive until after such an attack occurred, unless there was intelligence that gave some kind of warning. Meanwhile, there is a huge lack of capacity when it comes to installing these systems on a more permanent basis at installations that really need them, let alone critical civilian infrastructure and other high-value targets.

Moreover, for years now, U.S. military officials have often pushed back on the utility and cost-effectiveness of investing more in the physical hardening of bases and other critical facilities, especially shelters to shield aircraft from drones and other threats. However, that is starting to change. In a notable shift in department policy, the Pentagon in February issued new guidance for defending critical infrastructure against drone attacks through the increased use of netting, cables, and other kinds of passive physical defenses.

Jarrard’s comments at SMD, while troubling, were also a refreshing acknowledgment by someone in charge of protecting the U.S. that we remain woefully vulnerable to the kind of attack Ukraine launched against Russia last year, and admitting the problem will hopefully help with putting real solutions in place in the not-so-distant future.

Contact the author: howard@twz.com

Sunny Nights has arrived in the UK and fans have been on the “edge of their seats”.

Sunny Nights is here and fans are eager to find out who stars in this dark comedy crime drama.

After its initial release in Australia and the US, Sunny Nights has made its way to the UK with the entire eight-episode season released on ITVX today, Sunday, August 16.

Having made a fresh start Down Under in Sydney, Australia, brother and sister Martin and Vicki Marvin open up their tanning shop but unfortunately, they don’t get the happily ever after they were looking for.

Instead, they accidentally get involved in a blackmail that puts them on the radar of Sydney’s criminal underworld.

Sunny Nights cast in full

Martin Marvin – Will Forte

Martin is usually a law-abiding citizen who can’t help but analyse risks but was pushed to make the big move to win back his estranged wife.

Actor Will Forte will be remembered for starring in the NBC sketch comedy series Saturday Night Live from 2002 to 2010, as well as for series The Four Seasons on Netflix and The Last Man on Earth.

Vicki Marvin – D’Arcy Carden

Vicki is Martin’s loose cannon sister who has a far more laid back attitude when it comes to risk and danger.

Actress D’Arcy Carden earned a Primetime Emmy Award nomination for her role in the NBC sitcom The Good Place but she’s also known for starring as Greta Gill in A League of Their Own.

Mony – Rachel House

Ruthless syndicate crime boss Mony is out for revenge after the siblings accidentally ruin her life.

Mony is brought to life by actress Rachel House who has been in Hunt for the Wilderpeople, Time Bandits and is the voice of Gramma Tale in the Disney movie Moana.

Susi – Jessica De Gouw

Susi quickly entraps Martin and starts to blackmail him for as much money as she can get out of him.

Arrow fans will best recognise actress Jessica De Gouw as Helena Bertinelli, The Huntress, in the superhero drama.

She has also starred as Mina Murray in the NBC series Dracula and Elizabeth Hawkes in the historical series Underground.

Joyce – Ra Chapman

Joyce moved to Sydney to start over but her past soon catches up with her when her estranged husband Martin also moves to Australia.

Korean-Australian actress Ra Chapman will be remembered for her roles in Knowing, White Fever, Dear Life and Wentworth as Kim Chang.

Terry Torres – Willie Mason

Terry is Mony’s enforcer when she needs a heavy hand to take care of business. He is played by former Australian rugby league player Willie Mason who makes his acting debut in Sunny Nights.

Other cast members include Megan Wilding as Nova, George Mason as Dreadlock Pete and Matuse as Dentist Dave.

Sunny Nights is available to watch on ITVX.

Sunday marks one week since Israeli settlers began their siege of Qusra, a Palestinian village south of Nablus in the occupied West Bank.

Since August 9, dozens of Israeli settlers have surrounded three Palestinian homes in the Ras al-Ain area on the edge of the village, cutting off water and electricity as food and other supplies run low. About 15 Palestinians from the Abu Rida and Hassan families live in these homes, among them two children under the age of seven and one belonging to a dual US citizen. Residents said settlers from nearby outposts have been trying to take the properties for months.

On Thursday, the Israeli military ordered the residents of two of the houses to leave and forced them all into the third. That same day, US Ambassador to Israel Mike Huckabee, a staunch supporter of Jewish settlements in the West Bank, described the settlers besieging the homes as “Israeli terrorists“. The Office of the United Nations High Commissioner for Human Rights and the Palestinian Ministry of Foreign Affairs condemned the siege, calling it criminal and inhumane.

Over the course of the week, the Israeli army declared the area a closed military zone and blocked Israeli and foreign activists from reaching the besieged families. Reporting from Qusra on Sunday, Al Jazeera’s Nour Odeh said the UN was able to bring in some aid that morning after coordinating with the Israeli military.

Where is Qusra?

Qusra sits in Area B, which makes up about 21 percent of the West Bank. It is where the Palestinian Authority runs civil affairs, such as education, healthcare and the economy, but Israel retains full security control and its forces can enter at will.

Odeh said the sequence in Qusra is following a pattern repeated across the West Bank: The Israeli army deploys to an area, takes over Palestinian homes and dispossesses residents of their properties while settlers face no arrests.

Average of six settler attacks each day

According to the UN Office for the Coordination of Humanitarian Affairs, from January 2025 to June 2025, there were at least 3,033 settler attacks in the occupied West Bank – an average of six per day.

Settlements built illegally on Palestinian land

Last month, a similar siege in the neighbouring village of Jalud displaced Palestinian families from their land, which settlers then took over. Qusra itself has faced repeated attacks, including the burning of a newly built mosque last month.

Since October 7, 2023, when Israel’s genocidal war in Gaza began, settler attacks and land grabs have intensified in the West Bank under Prime Minister Benjamin Netanyahu’s right-wing government, which has backed a rapid expansion of settlements.

About 700,000 Israelis live in settlements, which are illegal under international law. About three million Palestinians also live in the West Bank. Israel has occupied the region since 1967.

Neighbouring countries send personnel to help keep the blaze from crossing into Germany.

Firefighters are battling Belgium’s largest wildfire on record as it burns through the High Fens nature reserve near the German border on Sunday.

The fire broke out on Friday in Belgium’s Liege province and has been spreading east towards Germany. It has burned more than 27sq km (10.4sq miles).

Belgium’s previous record fire occurred in 2011, burning 14sq km (5.4sq miles) of the same reserve, the European Forest Fire Information System said.

More than 250 emergency services personnel have been deployed, among them firefighters from Belgium, Germany, Luxembourg and the Netherlands.

Firefighters focused on containing the advancing front of the fire, spokesperson for the government of Belgium’s Wallonia province, Stephanie Ernoux, told the Reuters news agency.

About 600 people in the Belgian border municipalities of Waimes and Butgenbach were told to leave their homes on Saturday as winds shifted and smoke spread.

Authorities said no homes had been affected as of Sunday morning, but urged people to stay away from the fire zone.

In Germany, the town of Monschau said the fire had come within about 3km (1.9 miles) of the border. Officials did not expect the flames to cross the border, the town said, but it advised residents of three of its districts to leave temporarily due to the smoke.

The fire came as Belgium had just come through another burst of severe heat, the thermometer touching roughly 37C (98.6F) in places on Friday, on top of weeks with barely any rain.

Like other parts of Europe, Belgium is in the middle of a summer of repeated heatwaves. Weather agencies logged temperatures above 35C (95F) in several European countries on Thursday, and the United Kingdom had its hottest day of the year when west London reached 38.1C (100.5F).

Fires have frequently followed the heat. Thousands of people have been driven from their homes in Germany, France, the UK, Croatia and Greece in recent days, and about 500,000 hectares (about 1.24 million acres) have burned across the European Union this year.

GORKA Marquez has admitted he sometimes “can’t be a*sed” to have sex with fiancée Gemma Atkinson as he made yet another joke about their private life.

The Strictly dancer made the candid confession on the couple’s Lost In Translation podcast.

Gorka, 35, said: “Sometimes when Gemma says, ‘Do you want a cheeky one?’ I just think, ‘I can’t be bothered. For f***’s sake, Gemma!’”

He then quickly added: “But I bet she thinks that about me.”

The saucy exchange was sparked by a listener asking whether the couple ever don’t feel like recording their podcast.

They admitted there are days when they aren’t in the mood – prompting Gorka to compare it to their sex life.

OPENING UP

Gemma Atkinson reveals sad reason she won’t have any more kids with Gorka

STRICTLY SPICY

Strictly star Gorka shocks fans with X-rated comments to wife Gemma Atkinson

He later swapped back to talking about the podcast saying: “It’s like going for a run. You never feel like doing it, but you always feel better for it afterwards!”

Gemma, 41, chipped in: “You have to have those days where you think, ‘For eff’s sake,’ because then you appreciate the other days.”

It comes shortly after Gorka made headlines with another series of racy remarks to Gemma during a previous episode.

The loved-up pair were answering the question: “Who is fitter out of you both? And what are your strengths and weaknesses in fitness?”

Gorka then decided it was the perfect opportunity to make a string of cheeky comments.

As part of her answer, Gemma said: “I stretch every day. You’ve got to as you get older.”

Gorka winked and replied: “I stretch her out,” before asking: “Can I pipe you tonight?”

Gemma and Gorka met during the 2017 series of Strictly Come Dancing and announced their engagement in 2021.

The smitten pair share two children – Mia, six, and Thiago, two.

President Donald Trump on Friday said he would designate the Strait of Hormuz a territory of the United States “pretty soon” as the status of the waterway, a global chokepoint through which a fifth of global oil and gas passes, remains under a military and diplomatic deadlock.

Iran has fired back, dubbing Trump’s threats as “nonsense” as the memorandum of understanding signed between the two in June expires on Sunday.

Tehran has blocked the passage to leverage it as a global economy kill switch, while Washington has maintained a military naval blockade against Iran’s ports, choking its economy further.

In the apparent game of who blinks first – though Trump says negotiation with Iran “is like chess” – the US president’s military rhetoric has also followed a pattern throughout the ongoing war, which began on February 28. On many occasions, he has threatened to attack Iran only to pull back at the eleventh hour.

So, can the US actually make the Strait of Hormuz its territory? And what does that even mean?

What has Trump said?

“After we finish defeating Iran, which is being very badly defeated, pretty soon I’ll be declaring the Hormuz Strait a territory of the United States,” Trump said during a speech at a police academy in New York.

Referring to the naval blockade, Trump went a step further to suggest that the Strait of Hormuz is already a US territory. “Essentially, that’s what it is,” he added.

“We have the blockade. No ships get through unless we want them to,” he said.

Iran maintains that it controls the waterway — and despite the US claims, some vessels have transited the passage despite the blockade, maritime navigation data shows.

“It’s clear the US president, with a chuckle as he said that, even himself, is not taking this particularly seriously,” said Al Jazeera’s Kimberly Halkett, reporting from Washington, DC.

“These are the territorial waters of Iran and Oman. But what the US president likes to do is get under the skin of adversaries, and, in this case, it’s Iran,” she said.

“What we should point out, though, is what the US president is not backing down on is the fact that there is a naval blockade by the United States in effect in the Strait of Hormuz, and that is ongoing.

How has Iran reacted to it?

Several Iranian officials have sharply reacted to Trump’s remarks. The head of the judiciary came out with furious rhetoric, calling the US president criminal and feather-headed, his remarks “nonsense” and saying the Strait of Hormuz belongs to Iran.

Kazem Gharibabadi, Iran’s deputy foreign minister, also responded, saying, “The Strait of Hormuz cannot be seized by tweet, nor by aircraft carrier, nor by issuing an order, nor by an election speech.”

“The Strait of Hormuz has been Iranian, is Iranian, and will remain Iranian; this strait will only be closed and opened under Iran’s command, and as long as you do not accept the reality of defeat and cease your fanciful delusions, Iran will continue to enforce the blockade,” he added.

Meanwhile, Iran has been holding talks with Oman, the only other coastal country in the strait, to reach a settlement on the management of maritime traffic in the strait. Foreign Minister Abbas Araghchi, in comments carried by the Iranian Students’ News Agency, said negotiations between Tehran and Muscat “may reach a conclusion soon”.

The reopening of the waterway, however, is a separate issue, Araghchi said, where Washington has to adhere to promises made in the June memorandum of understanding, including removal of the naval blockade and sanctions on Iran.

That is the new Iranian position on the ongoing war, where Tehran is now seeking these US concessions for mere reopening of the waterway, which were originally conditions for ending the war.

Is Trump’s claim even practical?

First, sovereignty does not exchange hands over a mere unilateral presidential proclamation.

For instance, Trump had earlier threatened to send US boots to Iran’s Kharg Island to take over the key Iranian oil export hub in the Gulf. Tehran then responded by saying that its Islamic Revolutionary Guard Corps would be waiting for them, “with fingers on the trigger”. Trump had previously also threatened to take over Greenland, an autonomous territory of Denmark.

Bruce Fein, associate deputy attorney general under President Ronald Reagan, says Trump is constitutionally powerless to annex on his own.

“A treaty ratified by the Senate or statute is constitutionally required to annex territory, as with the Louisiana Purchase or annexation of Hawaii or Panama Canal or acquisition of Puerto Rico or the Philippines in ending the Spanish-American War.

If he goes ahead with annexation, Fein says, it would “constitute the crime of aggressive war under international law, including the UN Charter”.

Natalie Klein, a specialist in international law and associate dean at the University of New South Wales, Sydney, said, “Essentially the only way Trump’s claim could have any plausibility under international law would be if the US was asserting control over the Strait as an occupying power perhaps comparable to the authority the US exercised over Japan immediately after World War II.”

“But in that scenario, the US would need to have military control over Iran or at least its coastal areas.”

Trump’s war on Iran is also widely unpopular in the US, where the president and his fellow Republicans are seeking to defend their narrow congressional majorities in November’s midterm elections. Barely 35 percent of Americans approve of the war, according to a Reuters/Ipsos poll.

Several US media publications have reported that Washington is running short on munitions, including the crucial Patriot antimissile interceptor. Petrol prices have also increased, and are now averaging more than $4 a gallon – a major issue for Americans.

Last week, US Vice President JD Vance said the Trump administration’s top priority in the war was to control increasing petrol prices, while stopping Iran’s supposed race to a nuclear weapon now comes second.

Tehran has also attacked its neighbours in the Gulf, which analysts say are aimed at forcing the regional countries to push Washington into a corner at the negotiating table.

Even Iran does not enjoy unfettered sovereignty over the strait as a whole, under international laws, including the UN Convention on the Law of the Sea (UNCLOS), but only some coastal sites near its own borders.

The UNCLOS recognises coastal-state sovereignty over territorial waters, but limits that territorial sea to 12 nautical miles (22km), and notes that ships enjoy a right of passage that “shall not be impeded”.

The Strait of Hormuz is in international waters, sandwiched between the coasts of Iran and Oman. At its narrowest point, the strait is only about 21 nautical miles (39km) wide — and the two countries’ 12-nautical mile territorial seas overlap across it.

While neither the US nor Iran has ratified UNCLOS, the convention’s rules on international straits are widely regarded as customary law.

Paul Musgrave, an associate professor of government at Georgetown University in Qatar, said Trump usually makes such statements primarily to speak to a US audience, especially his support base.

It is important to remember, he added, that Trump is a product of US reality TV and is, at the end of the day, a “showman”.

“This is a guy who speaks big. You have to take him seriously in some cases but not literally,” Musgrave cautioned.

Trump cannot be taken seriously, especially in this case because making the strait US territory is physically and legally impossible, he said. But the statements do show that Trump is determined not to back down from Iran and accept defeat in the months-long war, he added.

Palestinian politicians and analysts have warned against what they describe as an Israeli plan to illegally annex the occupied West Bank by implementing a series of decisions and actions under different pretexts.

Israel’s Defence Minister Israel Katz, on Friday, ordered the military to prepare a plan for transferring civilian law enforcement in the occupied West Bank to the Israeli police.

According to the Israeli newspaper Haaretz, the decision follows criticism over the army’s handling of Israeli settlers who besieged a Palestinian home in the village of Qusra.

Katz justified the shift, saying, “The army’s role is to combat Palestinian terrorism … and not chase hilltop youth.”

The Defence Ministry indicated the police would establish a dedicated force to handle these civilian matters.

However, Palestinian officials and a wide array of political experts warn this structural shift represents a dangerous acceleration of illegal annexation, apartheid, and ethnic cleansing.

Mustafa Barghouti, secretary-general of the Palestinian National Initiative, told Al Jazeera that the settlers are the “spearhead in the process of annexation and Judaisation”.

He drew direct historical parallels to the mass displacement of Palestinians, stating, “They repeat what the Zionist terror gangs did in 1948, like the Haganah and the Stern Gang.”

Barghouti warned that placing security in the hands of National Security Minister Itamar Ben-Gvir and illegal Israeli settlements under Finance Minister Bezalel Smotrich amounts to “handing over the West Bank to the settlers”.

He stressed that this is an open war on the population, adding, “The actual ruler in the West Bank is the known fascist terrorist Smotrich.”

De facto annexation

Analysts argue that replacing military occupation law with domestic civilian law fundamentally alters the legal reality of the territory. Mohanad Mustafa, an academic and researcher in Israeli affairs, told Al Jazeera that the decision legally erases the borders.

“The government is dealing with the West Bank not as an occupied territory,” Mustafa said. He explained that by transferring power to a civilian police force, “this means that the government has annexed the West Bank”.

He noted this move absolves the military of its obligations under international law, placing enforcement under Ben-Gvir.

Mustafa warned that Ben-Gvir, who previously oversaw the demolition of thousands of Arab homes in Israel, will now command the police to “support the settlers more and more and push them more and more towards deepening their repression and terrorism against the Palestinians”.

Palestinian leadership strongly condemned the mandate. Hussein al-Sheikh, secretary-general of the Palestine Liberation Organization’s executive committee, described the move as a blatant violation of international agreements and an attempt to “impose Israeli law and sovereignty over the occupied West Bank, including East Jerusalem, and to entrench the illegal annexation of Palestinian land”.

The Palestinian group Hamas echoed this sentiment, releasing a statement calling the order a “dangerous step on the path to imposing de facto annexation” that provides “cover and more protection for the escalating attacks and crimes of the settlers”.

Fascist militias

The Palestinian Authority has accused the Israeli government and its military of sponsoring settlers’ violence. Even Israeli members of parliament have accused the army of being complicit.

Analysts stress that relieving the military of its duties essentially deputises settler violence, turning them into an armed extension of the state.

Nihad Abu Ghosh, an expert in Israeli affairs, told Al Jazeera that there is no contradiction between the army and the settlers. He noted that the settlers have evolved into “fascist militia formations” that perform the state’s dirty work.

“These are fascist militia formations, and there are similar precedents in many countries that were ruled by fascism, whether in Spain, Italy, Germany, or even Chile,” Abu Ghosh said.

He added that these militias carry out roles that “require evading any discipline, rules, or laws” to achieve a “creeping, gradual annexation to make it a reality”.

Apartheid and displacement

The dual legal framework resulting from this shift has drawn sharp international and local criticism. Shadi al-Shurafa, a researcher in Israeli affairs, told Al Jazeera that the situation is a textbook definition of segregation.

“We are facing an application of an overt racist apartheid system in the West Bank,” al-Shurafa said, noting it involves one regime operating with two entirely different laws based on ethnicity.

He added that the ultimate goal of the current government is carrying out complete ethnic cleansing and trapping Palestinians in “isolated cantons and isolated Bantustans”.

Other experts argue that the move completely alters the international legal status of the territory, pushing the crisis into a new, more dangerous phase.

“The subject has bypassed the issue of annexation to a post-annexation phase and creating a reality where the Palestinian finds himself forced to think about migration,” said Adel Shadid, expert in Israeli affairs.

International complicity

Analysts also pointed to the role of the international community, particularly the United States, in enabling this systemic shift.

Shadid dismissed recent US condemnations of settler violence as mere theatre to “mislead global public opinion”.

He argued that the underlying project has full US backing, noting that “all that is happening now is an American-Israeli plan and there is harmony between the two right-wing administrations in Washington and here in Israel”.

Andrew Whitley, a former United Nations official and director of the Balfour Project, stressed that the planned transfer is “completely illegal” and urged immediate global intervention.

He told Al Jazeera that the “Palestinian state is disappearing before our eyes”, demanding that the international community move beyond rhetoric.

“We have to do much more than just wring our hands and complain that governments are not doing anything about this,” Whitley said, calling for concrete sanctions to halt the rapid erasure of the Palestinian presence.

ARIANA Grande appeared to show off a mysterious new tattoo as she kicked off the first night of her London tour.

The new inking is thought to match one recently seen on boyfriend Ricky Álvarez, sparking speculation that the couple may have got identical designs ahead of Ariana’s ten-day residency.

Taking to the stage at the opening night of her Eternal Sunshine Tour, her first tour in the UK since 2019, Ariana appeared to have the words “I do love you” tattooed across her collarbone.

Ricky reportedly has the same phrase inked on his chest.

The rekindled couple first dated in 2015, when Ricky worked as one of Ariana’s backing dancers.

Their last public appearance as a couple was in 2016, shortly before they went their separate ways.

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He was later namechecked in her 2018 hit Thank U, Next, in which she sang: “Wrote some songs about Ricky, now I listen and laugh.”

Rumours of a reunion first began swirling in June after Ricky was spotted at Ariana’s birthday concert in Austin, Texas.

During the show, she changed the original lyric to: “I know he’s still got my back.”

She fuelled speculation further at a later show in Brooklyn, singing: “We always find our way back.”

The pair appeared to confirm they had rekindled their romance last week when Ariana shared two photos of them together in an Instagram carousel and tagged Ricky in both.

The pair are believed to have reunited last month, with Ricky appearing to make their rekindled romance Instagram official by sharing a carousel of photos on social media.

The new design joinig around 50 other tattoos Ariana has, including a matching “For Good” design she shares with Cynthia Erivo in tribute to their time filming Wicked.

Last month, Ariana announced she would be withdrawing from the spotlight after her latest music video for Petal sparked concern among fans over her health.

Despite insisting onstage that her break from the spotlight was planned “a long time ago” she axed plans to star in the West End revival of the classic Stephen Sondheim musical Sunday in the Park with George.

It’s also been rumoured that she’ll no longer be taking part in the press tour for her upcoming movie release Focker-In-Law.

Her representative said at the time: “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.

“She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny.”

EXPLAINER

Man City, Liverpool and Chelsea all have new faces in the dugout as Arsenal attempt to defend title for first time in 90 years.

The 2026/27 Premier League season is set to kick off on August 21 as champions Arsenal host newly promoted Coventry.

It has been a busy preseason for many clubs, albeit truncated for some by the World Cup, and as always there are a number of tantalising questions as the new season begins in all its hope and anticipation.

Al Jazeera outlines the five most compelling storylines ahead of the opening game.

Arsenal defend Premier League title for first time since 2005

The Gunners go into the campaign as Premier League champions for the first time since their Invincibles era, bringing a different kind of pressure for Mikel Arteta’s squad. The last time the Gunners retained a league title was in 1935.

They will also be looking to go one better in Europe after reaching the Champions League final for the first time in 20 years last season, only to lose to PSG.

While Leandro Trossard has left for Besiktas, Arsenal have generally kept their squad intact and added to it with some promising signings – buying Bruno Guimaraes from Newcastle, Christos Tzolis from Club Brugge, Illan Meslier on a free transfer, and making Piero Hincapie’s loan permanent. Guimaraes captained Newcastle and adds real leadership, steel and depth to the middle of the pitch.

Arsenal had the best defence in the league last year and the best record from set pieces – maintaining these attributes will be key.

Perhaps one area of uncertainty remains up front, where a convincing out-and-out striker remains elusive, despite the flashes of promise shown by Viktor Gyokeres and Gabriel Jesus.

New faces in the dugouts

Manchester City have appointed Enzo Maresca to replace Pep Guardiola, ending a glittering decade under the Catalan. Maresca previously worked as Guardiola’s assistant during City’s treble-winning season and now inherits the job of reinventing a team built entirely around one man’s philosophy. His fortunes may depend significantly on whether City can hold on to key midfielder Rodri amid interest from Barcelona and Real Madrid.

Maresca left Chelsea mid-season back in January, and the Blues have since turned to Xabi Alonso, a talented manager with a point to prove after he was sacked by Real Madrid last season. Whether Chelsea’s unpredictable owners give Alonso the freedom he needs to work could be a big factor in whether he succeeds at Stamford Bridge. He’s already made some interesting signings, such as bringing in Morgan Rogers from Aston Villa and the 35-year-old Danny Welbeck from Brighton.

Liverpool, meanwhile, go into the season under new boss Andoni Iraola after a wretched title defence under Arne Slot. The Spaniard will be tasked with making a coherent side out of the very talented but unsettled collection of individuals at Anfield, while also rebuilding after the departure of long-term stalwarts such as Mohamed Salah and Andy Robertson.

Newcastle have appointed 38-year-old German coach Matthias Jaissle following Eddie Howe’s departure after nearly five years in charge. He inherits a squad that’s lost much of its spine over the preseason, with Guimaraes, Anthony Gordon, Sandro Tonali and Kieran Trippier all leaving.

Iraola’s move to Liverpool left a vacancy at Bournemouth, where the club has turned to Marco Rose, a former Borussia Dortmund and RB Leipzig coach.

World Cup hangover looms over the league

With the Premier League season starting just 33 days after the World Cup final, several of the league’s biggest clubs face a rough turnaround from international duty straight into a title race.

Manchester City sent 19 players to the tournament across 12 nations – the heaviest World Cup workload in the league – while Arsenal had 16 involved, raising questions about squad freshness for two of the sides most likely to be challenging for the title.

New rules target time-wasting and holding but ease up on hair-pulling

The Premier League has confirmed a set of new rules for 2026-27, targeting time-wasting and improving consistency around some of last season’s biggest flashpoints.

Players receiving on-field treatment must now stay off the pitch for a full minute, double the previous 30 seconds, while referees will apply a five-second countdown on delayed throw-ins and goal kicks – time-wasting beyond that means possession or a corner will be awarded to the opposition.

Holding and grappling at corners will also draw closer scrutiny, with penalties now more likely for defenders who impede attackers.

There’s a notable softening on hair-pulling too after three straight red cards for it last season – now deliberate pulls without “excessive force or brutality” will only merit a yellow.

Can Sunderland maintain their remarkable form?

Three years after playing in English football’s third tier, Sunderland finished seventh in the Premier League last season – qualifying for the Europa League.

It is an astonishing achievement for a club that spent close to a decade outside the top flight, with most newly promoted clubs battling for survival at the other end of the table.

Manager Regis Le Bris has built a talented squad, but sustaining this level of performance alongside the demands of European football is going to be tough – indeed, Sunderland are again among the favourites to go down.

Sunny Nights is the dark comedy drama that ITV fans have been impatiently waiting for.

Sunny Nights is ready to binge-watch with viewers keen to get a full breakdown of its filming locations.

Following the chaotic story of brother and sister duo Martin Marvin (played by Will Forte) and Vikki Marvin (D’Arcy Carden), Sunny Nights sees the pair leave their lives in the US behind to start over again in Australia.

As Martin also hopes to win back his estranged wife, they set up their own tanning shop but their lives are upended when they accidentally anger a ruthless syndicate crime boss.

Martin also gets himself caught up in a blackmailing plot so their once peaceful future quickly looks a lot more complicated.

As Sunny Nights dropped on ITVX today, Tuesday, August 18, here’s everything there is to know about where the series was filmed.

Where is Sunny Nights on ITV filmed?

Sunny Nights was filmed in New South Wales, Australia, with the comedy drama set in the iconic city of Sydney.

Coastal walks and the beautiful scenery in Bondi are particularly featured in the beginning, including spots like the Bondi Icebergs and the suburb of Tamarama.

Other Sunny Nights filming spots include the coastal residential suburb of Malabar, Botany Bay featuring heritage sites like Bare Island and Frenchman Bay.

The historic pools of Wylie’s Baths can also be seen along with the stunning views of the Blue Mountains.

Heading up the cast as Martin Marvin is Saturday Night Live icon and Netflix ’s The Four Seasons star Will Forte.

Opening up to Rolling Stone, Forte shared that it was a life-changing prospect working on the show.

“It was really after only two episodes were written that I had to make this decision: Am I bringing my whole family down to Australia on the chance that these other six episodes are going to be as good? With [Australian filmmaker] Trent O’Donnell, you say yes to that.

“Looking back, it is the greatest decision of my life.

“Marrying my wife, deciding to have kids, those are all other ones up there as well, obviously, but everything about this show turned out to be the best version.”

Sunny Nights is available to watch on ITVX.

The Egyptian forward, who joined the Turkish club on a free transfer, came off the bench early in the second half.

Ex-Liverpool star Mohamed Salah made his competitive ⁠debut for ⁠Trabzonspor on Saturday, coming off the bench in their Turkish Super Lig opener as Kasimpasa rallied from a goal down to secure a 1-1 draw.

Trabzonspor took the ⁠lead in the first half through Noah Saviolo before Kasimpasa’s Adrian Benedyczak levelled from the penalty spot in the second half.

Salah, who joined ‌Trabzonspor on a free transfer after nine seasons at Liverpool, was introduced in the 58th minute shortly after Kasimpasa scored the equaliser.

The Egypt forward, deployed on the right wing, helped create a number of ⁠openings for the visitors ⁠but Trabzonspor were unable to find a winner.

“It’s a sad start today,” Trabzonspor coach Fatih Tekke said.

“It was a game we had to ⁠be victorious in, but we couldn’t succeed.”

“Thursday is really ⁠important; we play a ⁠match in Europe, and the opponent is far better than us,” Tekke added, referring to Trabzonspor’s Europa League playoff with Hungarian side Ferencvaros on August 20.

Trabzonspor, seven-time Turkish champions, finished third ‌in the Super Lig last season and won the Turkish Cup.

Earlier this month, Salah, 34, signed a two-year contract with Trabzonspor, shortly after guiding Egypt to a historic last-16 run at the 2026 FIFA World Cup.

Widely known as the “Egyptian King” among his fans, Salah established himself as a Premier League great with Liverpool, winning two league titles and the Champions League among eight major honours at the Anfield club.

The forward is considered among the greatest players of all time and the best from the African continent in recent years.

German defense giant Rheinmetall has demonstrated its new FV-014 loitering munition being launched from a containerized launcher mounted on a truck, including while the vehicle was moving. The test marks the first time the FV-014 has been fired from its Containerized Missile Launcher, a modular system intended to carry significant numbers of missiles or loitering munitions.

The demonstration took place in July at the National Test Center for Unmanned Aerial Systems at the German Aerospace Center in Cochstedt, Saxony-Anhalt. The customer demonstration included both stationary and mobile launches from an HX-series truck, followed by simulated operational profiles and attack flights.

Rheinmetall demonstrates FV-014 launch from Containerized Missile Launcher

The FV-014 is a relatively long-range, truck-launched loitering munition that can perform its own reconnaissance and then conduct a precision attack. Rheinmetall says the weapon has a range of up to 100 kilometers (62 miles) and can remain airborne for as long as 70 minutes.

Like many loitering munitions, this endurance gives the operator considerably more time to search for targets and decide whether to conduct an attack than would be available with a conventional fire-and-forget missile. Rheinmetall describes the system as combining “reconnaissance, target identification and precision strike capabilities within a single system.”

The FV-014 is designed to remain under permanent human control. An operator using the associated ground station can identify and track targets and authorize an attack, while also having the ability to abort an engagement if circumstances change.

As we have discussed in the past, human-in-the-loop architecture is useful when operating against targets that may be moving or difficult to identify in advance.

However, the concept also has significant drawbacks compared to increasingly autonomous loitering-munition concepts in which the system itself can perform much more of the target-detection and engagement process. Human-in-the-loop comes with latency and communications dependencies, as well as operator workload, but it may also be the result of a particular customer demand, whether operational or legal. At the same time, for all its promise, autonomous technology is still in its infancy.

The FV-014 has a launch weight of around 50 pounds, including a payload of approximately 13 pounds. Its HEDP, or high-explosive dual-purpose, warhead is claimed to be capable of penetrating around 24 inches of solid armor steel.

That would give the weapon a substantial anti-armor capability for its size, although Rheinmetall also says the warhead can be used against unarmored targets and infrastructure.

After being ejected from its launch tube using a booster, the FV-014 unfolds its wings and transitions into aerodynamic flight. An electrically driven propeller provides propulsion during the cruise phase. Rheinmetall also says the weapon has been designed with reduced radar and infrared signatures in mind.

The company is pitching the FV-014 for both individual attacks and coordinated swarm operations. In the latter case, multiple weapons could be used simultaneously against a number of targets or to overwhelm an adversary’s defenses and create outsized, rapid effects on the battlefield.

‘Swarm’ has become something of a catch-all term in the loitering-munition market, however, and Rheinmetall has not provided detailed information about the level of autonomy or coordination available between FV-014s. The company does say that the weapon has network connectivity and a “high degree of autonomy” intended to help it operate in environments where satellite navigation is being disrupted.

This capability is particularly important on the modern battlefield, where electronic warfare systems are routinely used to interfere with satellite-navigation signals. Rheinmetall says the FV-014 is resilient to global navigation satellite system (GNSS) interference, although specific details about its navigation architecture have not been disclosed.

The weapon’s launch system, Rheinmetall’s Containerized Missile Launcher, is built around a standardized ISO container that can be installed on a fixed site, carried by a truck, or potentially integrated onto a ship. In its 20-foot configuration, the company says the launcher can accommodate up to 18 FV-014s.

That is considerably fewer weapons than some other containerized drone-launcher concepts Rheinmetall has previously promoted. In 2024, for example, the company showed a containerized system intended to carry as many as 126 Hero-series loitering munitions from Israeli manufacturer UVision.

Rather than simply acting as a large rack of launch tubes, the new launch system has its own integrated power supply and can connect to command, control, communications, computers and intelligence networks. It can also be operated locally, through a radio link, or via satellite communications.

The launcher is intended to make extensive use of commercial off-the-shelf components, which should reduce lifecycle costs. It also incorporates what the company calls a “sleeper” capability, allowing the launcher to remain inactive and be remotely activated when required.

The ability to move the entire system on a standard military truck is potentially significant. Rheinmetall has demonstrated the launch of FV-014s from a moving truck, as well as a stationary one. Shooting on the move could be beneficial when defending convoys, engaging targets of opportunity, or offering rapid fire support to units within range. Beyond that, interceptor drones would allow for engagements against drone threats while on the move.

Using a standardized container makes it possible to rapidly relocate a large number of long-range loitering munitions without relying on a dedicated launcher vehicle, and also opens up potential maritime applications. Rheinmetall says future versions are planned for other mobile land platforms and seagoing ones, while the container itself is compatible with existing transportation and logistics infrastructure.

This general concept is already seeing considerable uptake. Containerized launchers provide a relatively discreet way of deploying large numbers of missiles or drones and can potentially turn trucks, ships, or other platforms capable of carrying ISO containers into weapons carriers. TWZ has previously examined the broader appeal of this approach, including Rheinmetall’s earlier Hero-family launcher concept.

In the past, we have also highlighted the immense potential battlefield impact of this type of capability, which other countries, especially China, are also actively pursuing.

The video below shows a test of a Chinese truck-mounted launcher design capable of being loaded with up to 48 kamikaze drones. 

中国电科陆空协同固定翼无人机“蜂群”系统

In general, containerized launchers offer an unusual degree of concealability: a weapons system housed in a standard shipping container can potentially be moved through conventional logistics networks and deployed without the distinctive appearance of a dedicated missile battery. Rheinmetall has explicitly pitched the standardized container format as supporting “covert operations,” and this immediately calls to mind Ukraine’s audacious Operation Spiderweb that saw several Russian bombers and other aircraft destroyed or damaged by (much shorter-range) drones launched from trucks.

Rheinmetall has not disclosed details about the customer involved in the July demonstration, nor of the targets used, the engagement distances, the number of FV-014s launched, or the extent of autonomy involved in reported swarm operations.

However, with the FV-014 now proven, Rheinmetall can offer a complete system in which a truck can arrive with a sizeable magazine of relatively long-range weapons, launch them individually or in groups, and provide operators with the ability to search for targets before deciding whether to attack. The German company’s mobile containerized launcher and a 100-kilometer-class loitering munition are eye-catching, but the system also enters an increasingly competitive market.

Contact the author: thomas@thewarzone.com

In this week’s episode of The Envelope podcast, Chase Infiniti discusses her meteroic rise, her Emmy nomination for “The Testaments” and nurturing the ambition to become an actor since age 10.

Kelvin Washington: Hello, everyone, and welcome to this week’s episode of The Envelope. You have myself, Kelvin Washington, alongside my usual suspects, Yvonne Villarreal, Mark Olsen as well. It’s been a week, so I’m trusting everybody’s good. Yvonne, we’re coming to you here because you’re going to help us break this down. Don’t bug the eyes. Yes, we’re coming to you. The [TV] Academy, they’re making some changes when it comes to the live broadcast, and it can be a little bit confusing. That’s why we got you here. Tell us more.

Yvonne Villarreal: They announced that they will be moving five categories that are usually handed out during the ceremony, the Primetime [Emmys] ceremony, to a week prior and handing them out during the Creative Arts Emmys’ weekend. They say the decision is sort of to make space to innovate the live show and incorporate new things. You know, viewership is always something that they’re after. But it’s causing a stir in Hollywood because we’re losing some mainstays of the show, and that’s writing for a variety series, but also taking a big hit is the limited series or movie categories. We’re losing supporting actor, supporting actress, but also writing and directing. And people have a lot of thoughts. Mark, I want your thoughts. Kelvin, I want your thoughts.

Mark Olsen: I feel like there’s a disconnect between the people who watch award shows and the people who make and produce award shows, where I feel like those of us who watch them, we just want more sort of genuine moments from the talent, from the nominees. I want more speeches! And so taking away five categories, there’s going to be that much fewer speeches. I just can’t help but think of like Linda Cardellini, who’s one of the people nominated, she was on our roundtable earlier this year and just like a great presence, a stalwart TV actor, and to have to take away that chance for her to potentially get up onstage be really genuine, why would you not want that as part of your show instead having these kind of like canned comedy bits or, you know, hacky reunions plus canned comedy bits that nobody particularly wants.

Villarreal: It’s an awards show.

Washington: True, but maybe I’m Nobody in this case. We were talking about this a little bit earlier, you guys were making fun of the 1990s reunions there. I enjoyed it. I enjoyed seeing, I think it was maybe two years ago, when they had “Martin” up there and they had never been invited; they were kind of joking, “Oh, we never got invited” or “We never won an Emmy.” And so I think it’s been pretty cool. And I will say that this is the challenge for productions, when you’re trying to appease everyone. Is it about the awards? It is about the length of time — just speed this thing up? Is it about having the magical moments? And then you see the Grammys try to get these things right as well. You’re never gonna be able to please everyone. So I think it’s always a difficult balance. So we’ll see how it works out this year. But I’m looking at you, Mark, some people might enjoy those. And you too, those nerdy little reunion shows.

Villarreal: But in a time when it’s already hard to get a show visibility in this marketplace, and so many people don’t know what’s nominated anymore, when you’re taking away an access point for them to discover something or not tell them about a show, it’s a short-sighted change I think.

Washington: The only response I would add to that is that’s kind of where we are. Even if you keep up with television, movies and music, it seems to be a lot more word of mouth than historically where things are plastered everywhere. And even if you didn’t care about the particular thing, you saw it, you heard it. Now it’s like word of a mouth and just watercooler or just the algorithm telling you what to like.

With that being said, somebody who’s having a great run right now, Chase Infiniti. I know you had a chance to speak with her. Of course, “Handmaid’s Tale” did so well. Then there’s the spinoff, “The Testaments.” Tell me a little bit more about your chat with her.

Villarreal: Talk about, like, a breakout nomination this year. Chase has really been a star on the rise. She made her debut in Apple TV’s adaptation of the legal thriller, “Presumed Innocent” playing Jake Gyllenhaal’s daughter. And in recent projects, she’s played this young revolutionary, both in Paul Thomas Anderson’s “One Battle After Another” and now in “The Testaments,” which takes place after the events of “The Handmaid’s Tale.” She’s the daughter of a high-ranking commander, but she’s also the biological daughter of June, who’s Elisabeth Moss’ character. And this show is really about seeing the rebellion of young teenage girls and how they are sort of key to the inside resistance of toppling this regime. And so we talked a little bit about that.

Washington: All right, well, you got me a little nervous. You’re talking about the rebellion of teenage girls. You know, I’ve got a 9, a 7, and a 5-year-old, so that could be my future.

Villarreal: Let’s hope it is. They’re the future.

Washington: You’re right, you’re right. Yvonne and Chase, here they are now.

Chase Infiniti, photographed in late March ahead of “The Testaments” premiere.

(Jason Armond / Los Angeles Times)

Yvonne Villarreal: Chase, thanks so much for being here. Congratulations on your Emmy nomination. What do you want to remember about this moment, this feeling?

Chase Infiniti: Oh. I don’t know. I’m trying to take little pictures in my brain of everything and remember all of the influx of emotions that I felt that entire time, but also throughout the whole journey of making Season 1 of “The Testaments.” There’s so many things about it that I’m like — I just never want to lose that feeling. There’s a lot of [memorable] moments I had on set and also during the press tour and then even finding out about the Emmy nomination, which feels very crazy to say. But even finding out about that, there’s so many little things that I’m like, “I never want to lose that feeling. I want to keep it in my brain forever.”

Villarreal: Is it as thrilling as what you remember feeling when you booked that first role in a local production of “Hairspray,” when you were 10?

Infiniti: It definitely does. I also feel very grateful that with my job and with everything I get to do, I really try to keep intact how much I love the work and how much I love creating. That’s what helps it keep that same energy as me finding out I’m playing Crystal in “Hairspray” versus me finding out that I have an Emmy nomination.

Villarreal: Were you on Cloud 9 getting the news of Crystal?

Infiniti: Oh, yeah. I was so happy because I was it was the first time I ever had a name in a musical. And I remember when I was a kid, I watched the movie version of it every night for six months. Not a lie. Me and my sister would turn it on religiously after school and we would start singing “Good Morning, Baltimore.” It got to the point where we knew almost every line in the movie.

Villarreal: I feel old asking which version of “Hairspray”… Zac Efron? What was it about it?

Infiniti: It’s just catchy — everything about it. It just makes me happy, When I hear “Run and Tell That,” I just want to do twirls in my room. I love musicals so much and they make me so happy. If I’m ever down or need a little pick-me-up, I’ll literally just blast that soundtrack. I blast the soundtrack to “Pippin” or … “Shrek: The Musical.” I remember being in the production and it kind of brings me back to those happy memories I had ,or productions that I saw that I was like, “Oh, my gosh, this really makes me want to work towards being in something like that.” I love musicals.

Villarreal: It was just two years ago where the general public was starting to learn your name with your debut in Apple TV’s “Presumed Innocent.” Since then, you’ve navigated the film award season with “One Battle After Another,” and now the TV awards season with “The Testaments.” How do you make sense of what this moment is? Are there still things you’re getting used to? What have you enjoyed about this part of the job?

Infiniti: There’s a lot of things I’m still getting used to. Especially with “One Battle,” I think the biggest adjustment I had was people knowing me before I walked up to them — people that I’m massive fans of. I met Angela Bassett at something, and she came up to me and said my name, and I was like, “You’re Angela Bassett, and you know who I am?” That was like an “Oh, my gosh” [moment]. I’m still really adjusting to that. I feel like there’s a disconnect in my brain between like what I think people know of me versus what reality actually is. And my friends bring it up all the time and they’re like, “Chase, these people know who you are.” But I can’t wrap my head around that. It’s very strange, especially going from like a 0 to 100 situation. That’s something that I’m still trying to find an adjustment on in my brain.

[What have I] enjoyed about it? I’ve gotten to meet all of my superheroes, in a way. All the people that I’ve grown up watching on the screen and on the stage, [I’ve encountered at] all of these different events and in passing, and everyone could not be kinder and just getting to meet them and just pour into them how much they’ve shaped my life and shaped the creative work I want to do. Another adjustment thing is hearing them pour back into me too. That’s something that I’ve been getting used to. But meeting the superheroes of it all in my brain has been something I’ve really loved. Also getting to meet people who’ve watched “The Testaments”; like younger girls who’ve watched it and then really found a connection point with it, and it’s had an impact on them and their friends. That’s something I really cherish about getting to do what I get to do. I had it with “One Battle.” It’s really cool to see it happening again with “The Testaments.” That’s a very wonderful gift.

VIllarreal: Before we delve further into “The Testaments,” I do want point out this moment onstage at the Academy Awards. When “One Battle After Another” won best picture, Paul Thomas Anderson singled you out, calling you “My American girl” and the “heart of this movie.” Place me in that moment as Chase.

Infiniti: Well, I didn’t hear him. I just heard him say my name. I remember he was going down the list and saying names of different people, and I thought that it was something like that. I was touched that he even mentioned me onstage. Obviously, that movie has quite literally changed my life and that entire cast. And I love Paul so much. So I didn’t hear him onstage, and it wasn’t until afterwards that my parents had sent me a screenshot of the [closed] captions from that night. They were like, “This is what Paul said about you.” I just remember feeling so honored that I got to be a part of something that changed my life, but [it was a film that] also really, I think, changed a lot of people’s lives as well; they connected with it. I can distinctively remember every single day on that job. I just remember feeling such a rush of emotions after reading [what he said] because I love that movie and I love Paul so much. I could not be more grateful for that opportunity and for the opportunity to play Willa, let alone get to be a part of the crazy world that is a Paul Thomas Anderson set. But I learned so much. There’s so much I could say about it.

Villarreal: How did playing Willa inform how you thought about Agnes, who’s also this young revolutionary in the making, as you were putting yourself on tape for “The Testaments”?

Infiniti: I signed on to it with one script in mind. Obviously, I had read the book beforehand, so I had an idea of what she was going to go through, but I didn’t necessarily know how it was going pan out onscreen. The biggest help Willa [provided] beforehand going into that is, I feel like I, by nature, have a little bit of a rebellious spirit, but I really had to turn it up with Willa. I think that being able to access that through Willa and then shape it differently for Agnes, given the circumstances of where she is, was the biggest key between the two. They do share the strong sense of rebellion. Granted, Agnes doesn’t know where it comes from. She doesn’t really know how to handle it, necessarily. But I think that that was a nice way into Agnes and creating her world mentally of where she is and also the inner turmoil of, “I know that there’s this thing happening inside me, but I don’t really understand it.” I think [that] was the biggest cheat code from Willa to Agnes.

Villarreal: What was it about “The Testaments” that spoke to you and made you want to tackle the material?

Infiniti: Just from that one script alone that I read before I signed on, it was hidden that it was “The Handmaid’s Tale,” but you can get a sense of what the world is based off of that initial script. I just fell in love with how detailed it was. It didn’t feel like there were any question marks in the world, and I think that diving into something [like] that felt very interesting because it’s not otherworldly but it feels otherworldy in the sense of the way that they speak and the way Gilead itself looks on paper versus on the screen. That was something that I found to be very interesting. But I think with Agnes specifically, I really love the amount of love that she has for her friends, because that’s something that I feel very strongly about. My friends and my family, but especially my friends, are the people I cherish most in my life. My loved ones are near and dear to my heart, and I will do anything for them. That’s something that I really loved about Agnes. That makes me very happy to see, that even in a world that’s so dark and so dim — even if she doesn’t view it as that, it is dark and it is dim for a young girl in Gilead —she still has so much love and so much hope for her friends. And I found that to be very inspiring.

Villarreal: Did you have any hesitation about the heaviness of this fictional world?

Infiniti: I don’t think that that necessarily terrified me, because I think that I have this very privileged ability to step into this world that seems like it’s so far outside of what we are, I guess, used to — but it’s really not. Nothing that Margaret Atwood writes is fiction. It is all based off of history or things that are happening at the time that she’s written it. I knew that it was going to be very relevant. I’m in this very privileged position where this isn’t my reality, but this is the reality of so many women around the world. And I thought when I read this script that this was a way for people to not, I guess, become desensitized to seeing these things, because I think that we’re in a world where it’s so easy to just turn off your phone, scroll past something, and just ignore what’s actually really happening. With “The Testaments” and with the things that these girls go through, I truly feel heartbroken. But if this in any way can wake people up, can help people continue to ask questions and really question their own environments, that was something that I wasn’t scared of. And I really felt empowered to join something that was doing that. And I am also grateful that on that set, it never felt like the material was too heavy for a day because our entire cast and our entire crew kept the energy on set very light. And if there was ever a point where a day was extra heavy, I knew that I could turn to Lucy [Halliday, who plays Daisy] and she would always be there for me. I know that I can turn to one of the directors and they would always be there, or even one of the [production assistants]. Everybody on set was very forthcoming with kindness and always very open. That was something that helped to keep the heaviness of the subject matter [from] going home with us.

Villarreal: Agnes has only known obedience and repression. She’s very controlled with her emotions. As somebody with roots in musical theater, did you have to curtail some of those instincts that you might’ve had to be a little more expressive? How was it settling into Agnes?

Infiniti: It was honestly pretty easy because you get into the space, you get into the world, and you instantly are transported and you get little context clues based off of the things that you see in Agnes’ room versus the things that you’ve seen in the school — or the absence of things. The absence of things really helped to start to put me in a box in a way — not the negative connotation of that — like putting the costume on. It really helped for me to feel the restriction of the world to understand what Agnes’ mind is, and getting to see that from the outside and then getting to step into it. It wasn’t that hard to shut off that part of my musical theater brain, but I think part of that is also I’ve learned how to maneuver through that just based off of “Presumed Innocent” and “One Battle,” because both of those parts are also very, very much so not musical theater-y at all. So I think that was also something that I had the privilege of learning on both of those sets.

Villarreal: Something that stands out with Agnes is we’re witnessing her awakening. Gilead is all she’s ever known. And she’s very dutiful to the practices of that society. But she’s grappling with coming into her identity and feeling this gap of her internal thoughts and feelings and what society tells her to be. What was important to you in having those two realities live side by side?

Inifiniti: The one thing I never wanted her to lose was her sense of love. She is a character who that is at the root of most of her decisions, especially when it comes to the final episodes with Becka [played by Mattea Conforti]. I think the love that Agnes has in this world is something baseline I never want to lose. I really tried to maintain that throughout.

There’s so much that you keep to yourself — your inner thoughts, your inner personality in a way — versus what you outwardly show the world. I just had to turn up the extremes when it came to Agnes, and really make sure to keep those things that she keeps close to her heart guarded. And put on this almost armor in a sense of what she views to be the most perfect version of herself for the outside world. And then watching that kind of crumble, those layers are peeled apart based off of what happens to her and what she sees happen to her friends. But also, there’s a point in everyone’s life where they realize, “Oh, what I had been raised under the belief of is actually not the reality. Whether it be something like that or whether it be an idea or an ideal that you have about the world or about yourself or your morals, just based off of what you’ve been raised with. I think that everybody has a point in their life where they have to face a version of reality that they’ve been told versus what actually is reality. There’s things that I’m still learning, and there’s still things that I’m questioning just based off of what I see in my personal life, and then also with my friends or what my family goes through.

Villarreal: A key character in the show is menarche and the menstrual cycle. We see how it’s weaponized, but we also see how it gives these young girls their power. What was it like to explore that?

Infinti: The thing I honestly really enjoyed about it is the openness of it. Like, you know when you go to the bathroom — and this is perfect podcast talk — and you’re taking your pad or your tampon to go change, but you’re hiding it because you’re like, “I don’t know if I want anybody to see it” [or hear] the crinkling of everything. But I think that the openness of everything in the show — granted, circumstances are completely different — but the openness that they have with it, I found to be very freeing and refreshing in a way. That was something, especially when we started shooting, that we all talked about, because we were like, “We’ve never been in a place where it didn’t feel like there was a stigma against it.” It felt like we were almost encouraged to talk about it. Getting to put this show out into the world and letting girls see that there isn’t something that they should be afraid of, but also letting them see that this is normal. This is not something that we should be scared of, let alone try to hide, because it’s a part of womanhood. It’s also a part of girlhood and a point of connection between younger girls. Getting to see it on the screen and see the way that these girls talk about it, ignoring the society of Gilead and the amount of pressure that the men put on them in this society, that connection that they have with those few things that span across culture, that is something that we were all very happy to kind of have that openness with something that we’ve felt so scared to talk about, especially at like 14 and 15.

Villarreal: Scared to experience too.

Infiniti: I remember when I got my period for the first time I was like, “What is happening? I don’t know what is going on.” The first person that you call, if it’s not your mom or another maternal figure in your life, is your friends. Because they’re normally the person closest to you in proximity if you’re at school or if you were at an after-school activity or something like that. Getting to have that openness felt very refreshing to have on set.

Villarreal: There was so much openness that there was a menarche playlist curated by director Mike Barker. Tell me the backstory on this.

Infiniti: We did. I’m trying to remember how we found out about this playlist. We were doing a camera test for the costumes, and I remember Mike just putting on this playlist and he’s like, “I like putting up these songs for everyone to listen to” because there was no dialogue in this little camera test between me, Mattea, Rowan [Blanchard], Lucy, Brad [Alexander], Amy [Seimetz] and Mabel [Li] — I can’t remember if I might be forgetting somebody else, and I’m so sorry if I am. But it was a bunch of the cast and then there was also some pinks in there just to see how everything looks on camera. And we were hearing all these different songs playing. We’re like, “Wow, this is great. Thanks for putting together a playlist, Mike.” At some point, Lucy went to grab his phone to look at what the song was and his playlist was open, and she’s like, “Why is the playlist called ‘The Menarche Playlist’? And after that, it just became us trying to get him to approve a song that we would suggest.

Villarreal: I remember you telling me Britney Spears’ ”… Baby One More Time” was on it. But I had wondered who else made the cut.

Infinti: “… Baby One More Time” was on it. I think that was the first song on it, but there would be points in lunch — we’d all eat lunch together — and we’d be like “OK, Mike, what about this one for the menarche playlist, or what about about this one?” We would all secretly hope that they would get added to the show.

Villarreal: Did one of your suggestions get added?

Infiniti: There are songs on there that I don’t even remember. So one of them probably did get added. I just don’t remember what it was.

Villarreal: Agnes is somebody that doesn’t really experience culture. We don’t know what kind of music she likes, what kind of TV or film she likes. And you’re someone that’s very much into culture, at least from what I’ve seen. Were you thinking about what she might like? How did you think about her backstory with that kind of absence?

Infiniti: I was really just relying on what you saw of her in “The Handmaid’s Tale,” and that was the extent of what I would let a part of her backstory be because she doesn’t remember much about her childhood. Once she becomes conscious, in a way, in Gilead, all I did was rely on the things that I knew that she liked and really try to remind myself, “She doesn’t know what a movie is. She knows what ‘Jaws’ is, but she doesn’t really have an understanding of what watching a movie is like. She doesn’t know what YouTube is, she doesn’t know what a phone is.” I had to keep reminding myself, especially at the beginning, to not put those things in the forefront of our minds, unless, of course, like you’re a Pearl girl who has prior knowledge of everything. A lot of it was just reminding myself, “You don’t know what this is, she doesn’t know what this is.” If I were to meet Agnes right now, she would probably think I was crazy because she just doesn’t understand a lot the things I’ve seen, and the things that we use in our day-to-day life, and I really tried to make sure to keep that intact, but also relying on the bits of information that I had from “The Handmaid’s Tale” going back to the show. And also, of course, we had Bruce Miller, so I could ask him anything.

Villarreal: What would you, Chase, expose her to? If she were to come to you, what she should be listening to or watching, what’s the guide you’d give her?

Infiniti: The crash course to being 14? I would show her One Direction. I’m sorry. That is something that is so quintessential to being a 14-year-old, especially me being 14. I would be like, “Agnes, I see the things that you love and you’re obsessed with. I’m going to show you the thing that I was in love and obsessed with when I was your age.” I would be very curious to see how she would react to hearing One Direction for the first time; hearing “What Makes You Beautiful,” that would be interesting to see. I would show her something that is representative of me being her age. I still am a fan. I’ve always been a fan my whole life, but especially One Direction, that’s probably something I would show her.

Villarreal: Who was Chase at 14? You talked earlier about having a little bit of that rebellion in you. And after playing these two characters back to back, what have you sort of learned yourself, about your power or finding your voice, especially in an industry like Hollywood?

Infiniti: Something that I realized when I was probably about 13 or 14 is, I used to be very upset when people would underestimate me. I found a way to, I guess, not make it my superpower … but use it as opposed to [letting it be] something that would defeat me. [I would] use it as something to continue to motivate me to work towards the goal that I already had because there’s always gonna be people that underestimate you. There’s always going to be people in the world that want to pour negativity into you when you’re truly just living your life, working towards the things that you want. That was something that I realized pretty young because I knew at 10 that I wanted to be an actor. And so at that point, I kind of made a shift in my mind where I was like, “OK, I need to start working towards the thing that I want to do.” At 13, people were like, “Why are you so motivated to do this? It’s a bit embarrassing that you want to be an actor. What makes you think you can do that?” And I was like, “Because I want to do it.” I never had a doubt in my mind that this would be the thing that I would get to do because that was something that my parents always told me. They were like, “Dream big because the dreams that you’re imagining can be your reality, especially if you work hard enough towards it.” And I feel very lucky that I get to do the thing I’ve always dreamed of doing.

Villarreal: How does that live side by side with also learning how to deal with rejection so young?

Infiniti: It’s a lot of tears, a lot of sad days, sad weeks, conversations with my friends, conversations with parents. But from being underestimated, I remember my dad being like, “You have to get comfortable with ‘no.’ And it’s not going to be fun. It’s not gonna be something that you’re excited to hear, because no one’s excited to hear that they didn’t get something that they really wanted.” Now I’m at a point where I’ve really learned how to process it and not let a no or a rejection affect my view of myself or affect my view of a performance or my abilities to do anything. It took a long time to learn, and I’m still nowhere near perfect, but I’m definitely at a place that’s better than when I was 13 because it is hard for somebody that young to get that amount of rejection. It’s also hard for somebody at my age to handle that level of rejection, especially when you get so close to something. I have to give that credit to processing those things to my parents because that is all them. I had many tear-filled nights when I was a kid because I was so sad that I didn’t get a solo in something, and they’re like, this doesn’t mean that you’re not talented. I’m also somebody who believes the right things will find you. And they’re [my parents] also the people that kind of instilled that in me too.

Villarreal: Does that reframing of no also give you the confidence to approach Leonardo DiCaprio and Benicio del Toro and say, “Will you make a TikTok with me?”

Infiniti: It honestly was like a lot easier than I thought it was going to be. I was very specific. I did lots of research because I also was like, “I want it to be something that they can look at and also laugh at.” They can enjoy it.

Villarreal: Do you think you’ll get there with Ann Dowd? A TikTok?

Infiniti: I would love to. I don’t know what it would be, but I would love to make a TikTok with Ann Dowd one day. If it could be like all the girls on set making a TikTok, I would be very happy. I do have some planned. So, we’ll see.

Villarreal: Margaret Atwood makes a cameo in the finale of Season 1. How do you even talk to Margaret Atwood when you meet her? What was that experience like for you?

Infiniti: The person who was probably the most shocked was Lucy because Lucy Halliday is the biggest Margaret Atwood fan I think I’ve ever met. I had the gift of getting to witness Lucy meeting Margaret for the first time. But meeting her — she’s so kind. [Producer] Warren Littlefield says this all the time where he’s like, “You can’t talk to Margaret Atwood and not learn something with every conversation.” I just remember being very quiet and listening to her talk and listening to her ask questions of me, ask questions of Lucy, but we would just pour into her and be like, “Thank you so much for your work because you truly have touched millions.” She’s also so funny and so witty and very charismatic. I remember being very nervous beforehand, but she made it very easy for our nerves to go away. The highlight was getting to see Lucy meet Margaret.

Villarreal: You’re about to head out to Canada to start production on Season 2. You’ve seen two scripts. What do you hope to see for Agnes in Season 2?

Infiniti: I hope Agnes is happy, and I hope that she can continue to push and find her happiness. I hope that she doesn’t lose her spark, and I hope that’s something that she continues to explore and understand why she is the way that she is. Those are two hopes that I have.

Novak Djokovic suffered from punishing heat and humidity on Saturday but made a match of it before falling 2-6, 6-4, 6-4 to Thiago Tirante in what could be the Serb’s last appearance at the ATP-WTA Cincinnati Masters.

The second-round battle lasted for more than two and a half hours, and it proved too much for the 24-time Grand Slam champion, who was playing his first match since he lost to Jannik Sinner in the Wimbledon semifinals more than a month ago.

Top-seeded Alexander Zverev, the French Open champion who fell to Sinner in the Wimbledon final, was more fortunate, squeezing out an opening 3-6, 6-3, 6-3 victory over Cameron Norrie in a match that took two hours and 45 minutes and ended at 2:15am.

Britain’s Norrie has now lost all eight of his matches against the German, winner of the Cincinnati title five years ago, who is hoping a return to Ohio will help him shake off an abrupt exit in Canada last week.

Norrie had wrapped up the opening set before Zverev began to find his footing to level the match.

Norrie saved six break points in a 12-minute game to begin the deciding set but was broken twice as Zverev advanced.

“I needed to get a match rhythm,” Zverev said. “The confidence was not there after Canada.

“The first set was not great, but the other two were at a high level, and I’m happy about that.”

Depleted Djokovic

Djokovic, who claimed the last of his three Cincinnati titles in 2023, took the opening set against Argentina’s Tirante with little fuss.

But the sweltering afternoon temperatures took a toll.

“It was a combination of the heat and humidity, all those things,” he said. “Everything involved makes it worse.”

Djokovic won a brutal 18-minute third game of the second, saving four break points over nine deuces. But he was bent over in distress between several points and even dropped to his hands and knees after one particularly gruelling exchange.

Djokovic took a medical timeout after that game, with the physio and then a doctor coming on court to assist with assessments and ice towels.

After Tirante took the second set, both players cooled off in the locker room.

Slightly revived, Djokovic set the pace again in the deciding set. But it all went wrong in the ninth game, when Djokovic saved three break points before getting it wrong on a drop shot to bring up a fourth break chance that his opponent converted.

Tirante clinched the biggest win of his career in the next game as Djokovic again failed to land a drop shot on match point.

The Serb, who must now try to regroup before the US Open starts on August 30, admitted he might have played his last match in Cincy.

“It looks like I won’t be back, unfortunately, to play here,” he said.

Tirante called the win the best of his career.

“I managed the nerves of playing a legend like Novak. It was all so much pressure.”

‘Focused’ Eala advances

In the WTA draw, Philippines sensation Alexandra Eala advanced to the third round 6-1, 3-0 as injured Elena-Gabriela Ruse retired from their match during a weather delay.

The Romanian had received treatment on her right ankle just before play was halted by a thunderstorm, Ruse pulling the plug during the delay.

Eala, the emerging WTA star who captured her first WTA title in Washington, DC, this month, will next play ninth-seeded American Amanda Anisimova, who beat Turk Zeynep Sonmez 6-2, 6-3.

“I was playing well and feeling really focused,” Eala said. “I tried to stay in the zone.”

“A retirement is not the way you want to end a match,” she added. “Injuries are not fun.”

Roland Garros finalist Maja Chwalinska advanced 6-2, 6-2 over Spain’s Cristina Bucsa.

Wimbledon winner Linda Noskova followed suit with her 6-3, 6-3 defeat of Britain’s Katie Boulter.

There was heartbreak for Payton Stearns, who grew up just blocks from the tennis centre. She lost 7-6 (9/7), 1-6, 7-5 to Dane Clara Tauson, who played through back pain but rallied from 4-1 down in the final set to win.