News Desk

The United Nations’ International Maritime Organization (IMO) has suspended plans to evacuate more than 11,000 sailors stranded in the Strait of Hormuz after a cargo ship transiting the waterway was struck by a projectile.

IMO Secretary-General Arsenio Dominguez said several crews had already been evacuated, but the agency had decided to pause the operation until there were “necessary safety guarantees” for those involved.

The United Kingdom Maritime Trade Operations (UKMTO), a Royal Navy maritime security agency, said on Thursday that a cargo vessel had been struck by “an unknown projectile” about 7.5 nautical miles (14km) southeast of Dahit, Oman. No casualties were reported.

The incident comes despite a memorandum of understanding (MoU) signed by the United States and Iran last week that ended hostilities and included provisions aimed at reopening the strategic waterway. Iran had restricted passage through the strait in early March after the US and Israel attacked it on February 28. In April, the US imposed a naval blockade on Iran-linked vessels trying to pass through the waterway.

Since the MoU was signed, commercial traffic has restarted through the strait, but key disagreements remain over which shipping routes vessels should use — and whether Iran gets to charge a toll or fee.

Oman and the IMO have proposed a new shipping corridor that would partially bypass waters under Iran’s direct control. Tehran has rejected the plan, saying it was announced without consultation and raises safety concerns while demining operations are still under way. While Iran has not claimed responsibility for Thursday’s attack on the ship off Oman, it has not denied any role, either.

The latest attack has heightened concerns that tensions over navigation through the strait remain unresolved. Here’s what we know.

Why is the UN evacuating sailors?

Following the outbreak of the US-Israel war on Iran on February 28, Tehran and Washington imposed counter restrictions on the passage of ships through the Strait of Hormuz, leaving thousands of seafarers unable to leave vessels trapped in the waterway.

More than a dozen sailors have also been killed in attacks on ships — some from American missiles, others from Iranian projectiles. Most of those killed were from India.

Even with last week’s agreement between Washington and Tehran to end the conflict, more than 11,000 sailors remain stranded in the strait.

Announcing the evacuation plan on Tuesday, the IMO’s Dominguez said the operation would be conducted in “close cooperation with Iran, Oman, all other coastal states in the region, the United States and the maritime industry”.

Oman’s Ministry of Defence said the operation, which had been under discussion for months, would be carried out in phases.

Denmark also announced on Tuesday that it would join a multinational maritime mission led by France and Britain to help restore safe navigation through the strait.

Why was the ship attacked?

The Singapore-flagged cargo vessel Ever Lovely was struck by what authorities described as an “unknown projectile” while transiting the Strait of Hormuz on Thursday.

Ship-tracking data from MarineTraffic showed the vessel had been following the southern shipping route proposed by the IMO earlier that day, a corridor that passes closer to Oman’s coastline and has been rejected by Iran.

Singapore’s Maritime and Port Authority (MPA) said the vessel had since completed its transit through the strait and was continuing its voyage, adding that all 21 crew members were safe.

The authority said it was “deeply concerned” by an attack it described as “unprovoked, unjustifiable, and a breach of international law”.

“All actions affecting international shipping must fully comply with international law, in particular the United Nations Convention on the Law of the Sea, and not endanger the safety of seafarers and ships at sea,” the MPA said.

The incident prompted the IMO to suspend its planned evacuation of stranded sailors. Dominguez said the Ever Lovely “did not transit under IMO’s evacuation framework”.

“I have always reiterated that the safety of the seafarers remains paramount. Therefore, to ensure a coordinated approach and navigational safety, the evacuation plan will be paused until further clarity is obtained,” he said.

What has Iran said?

While it remains unclear if the attack was carried out by Iran, the country’s Islamic Revolutionary Guard Corps had criticised the new shipping corridor announced by Oman and the IMO, while also warning that passage through the strait, “is only possible via routes announced by Iran,” the state broadcaster IRIB reported.

Kazem Gharibabadi, Iran’s deputy foreign minister, has said safe passage through the Strait of Hormuz cannot be guaranteed for vessels transiting “with ambiguous arrangements, parallel routes, or decision-making outside of Iran’s considerations as the coastal state”.

“Any credible framework must be based on coordination with Iran and the provisions of paragraph five of the Islamabad Memorandum of Understanding,” he said in a statement on X. “Otherwise, the outcome will be the suspension of the designated parallel route.”

Iran first published its own map of approved navigation routes in April, directing ships to sail much closer to the Iranian coastline than before the conflict.

The IRGC’s latest warning came after a Liberian-flagged oil tanker transited the strait on Thursday using a route closer to Oman’s coast.

On Friday, a further three foreign oil tankers that attempted to cross the Strait of Hormuz “without authorisation” were turned back after a warning from the IRGC, Iranian state TV reported.

Analysts say control over the Strait of Hormuz has long been one of Tehran’s most important sources of strategic leverage, allowing it to exert pressure on the US, whose economy is inextricably tied to global markets.

Why was the evacuation suspended?

Reporting from Tehran, Al Jazeera’s Resul Serdar Atas said the attack appeared to show Iran was prepared to enforce its warnings over navigation through the Strait of Hormuz, after Tehran insisted vessels using either the Iranian or Omani route must coordinate with its authorities.

“Yesterday, Oman announced new routes for the passage of the ships. But then the IRGC released a statement, saying that whether the ships go through the Iranian or Omani territorial waters, they need to be in full coordination with Iranian authorities,” Atas said.

“And if they violate that, then Iran is going to act accordingly. So the question was whether Iran is going to really act or not?

“The answer is yes. Now, we have seen that a tanker has been attacked by some projectiles in the Strait of Hormuz. The Revolutionary Guards did not claim responsibility but did not deny it either.”

Atas added that Gharibabadi, Iran’s deputy foreign minister, had also warned that any shipping arrangements made without taking Iran’s position as a coastal state into account would be unacceptable.

“Perhaps, in the coming days and weeks, we are going to see that the Strait of Hormuz will be one of the main sticking points.”

What other disputes remain?

Under last week’s memorandum of understanding, Iran agreed it would “make arrangements using its best efforts for the safe passage of commercial vessels with no charge, for 60 days only, from the Persian Gulf to the Sea of Oman and vice versa”.

Although the agreement says commercial traffic should resume immediately, it also acknowledges that mines laid during the conflict must first be cleared, stating that “demining by the Islamic Republic of Iran will be instated within 30 days”.

It also provides for discussions between Iran, Oman and other Gulf states over future arrangements for managing navigation through the waterway.

However, the agreement does not specify what will happen after the initial 60-day period.

Last week, Tehran announced it would waive any transit fees during those 60 days while negotiations with the United States continue in Switzerland, raising the possibility that charges could be introduced if no broader agreement is reached.

Iran’s chief negotiator, Mohammad Bagher Ghalibaf, has also suggested Tehran does not intend to return to the pre-war status quo.

“Hormuz will never return” to how it operated before the conflict, he said. The proposal has also faced resistance from the United States and several Gulf states.

Are ships still moving through the strait?

Commercial shipping has gradually resumed, although traffic remains well below normal levels. Before the conflict, between 120 and 140 vessels typically passed through the Strait of Hormuz each day.

According to maritime analytics firm Kpler, 54 verified commercial and energy-related vessels transited the strait on Thursday, down from 70 verified crossings the previous day.

“West-to-East movements dominated, while the Omani Route accounted for the largest share of identified passages. Yet route transparency remains incomplete, with several Dark or Unknown crossings recorded.

“A reported projectile strike on a cargo vessel southeast of Dahit, Oman, adds fresh operational risk, underscoring the gap between improving physical flows and still-fragile maritime security conditions,” Kpler added.

President says his country will readmit genuine nationals but insists Europe must first verify deportees’ identities.

Mogadishu, Somalia – The European Union has imposed visa restrictions on Somali citizens, escalating a dispute with Mogadishu over the return of Somalis living in Europe illegally.

The bloc’s member states approved the measures on Thursday, acting on a report that Somalia was not doing enough to take back nationals who had been refused the right to stay.

Somalia’s President Hassan Sheikh Mohamud pushed back, saying his government would readmit its citizens, but said that many returnees were not Somali nationals.

“We haven’t rejected our people; they own this country. And we cannot reject them,” the president said at an Independence Day event on Thursday, adding that Somalia had “questions about how those people would be returned.”

People across the Horn of Africa share a similar appearance, he said, and some present themselves as Somali to claim asylum in Europe. He pointed to past cases in which individuals sent back as Somalis turned out not to be, including some who “don’t know the Somali language.”

“If they are Somali, then we’ll take them. If they aren’t, we’ll help you find out where they are from, and you can send them there,” Mohamud said.

The pressures driving people to leave are rooted in decades of upheaval.

Somalia is still rebuilding after the collapse of its central government in 1991 and the long civil war that followed.

Recovery efforts have been stifled by the ongoing armed rebellion of al-Shabab, an al-Qaeda-linked armed group that has waged deadly attacks since 2006.

Those conditions have pushed many young Somalis to attempt the dangerous journey to Europe, often through Libya, where migrants have faced detention, extortion and violence.

The prime minister regularly handled such cases, Mohamud said, adding that Somali embassies had been instructed to help citizens return.

Magnus Brunner, the bloc’s migration commissioner, said countries of origin had to meet their commitments “otherwise, there can be consequences.”

A European Commission assessment concluded that Somalia’s cooperation on readmission was insufficient.

Under the new rules, member states can no longer issue multiple-entry visas to Somalis, and the fee waiver for holders of diplomatic passports has been removed. The standard processing time for visa applications has also been extended from 15 to 45 days.

The suspension has no fixed end date and is intended as leverage to push Mogadishu towards closer cooperation.

Somalia now joins a short list of countries hit with such measures.

The EU imposed similar restrictions on The Gambia in 2021 and Ethiopia in 2024, lifting the Ethiopian curbs in May after deciding cooperation had improved.

The visa restrictions add to a run of setbacks for Somali travellers.

The United States imposed a sweeping travel ban in 2025, after President Donald Trump returned to office, covering citizens of a dozen countries, including Somalia.

The policy drew attention this month when Omar Abdulkadir Artan, named Africa’s referee of the year in 2025, was denied entry to the US and couldn’t officiate at the World Cup, despite holding a valid visa.

The standoff comes as the EU tightens its wider approach to migration, pursuing return centres beyond its borders and faster deportations for people refused the right to stay.

FORMER The X Factor singer Katie Waissel has been dashed back to hospital with a suspected blood clot on her lung — less than two days after being discharged.

The 2010 reality TV star was readmitted to hospital just 36 hours after being allowed to go home.

Singer Katie is currently fighting a severe case of bacterial pneumonia and doctors now suspect a blood clot on her lung.

The 40-year-old was taken to London’s private Wellington Hospital for urgent scans and tests.

Taking to X, Katie told her followers: “After a day and a half at home, I’m now BACK at the hospital and not doing so great.”

She added in a later update: “Whilst still battling this awful bacterial pneumonia, there’s now a suspected blood clot on my lung, so I’m back in for more scans, tests and needles.

A&E DASH

X Factor star Katie Waissel rushed to hospital by ambulance in ‘excrutiating pain’

ABUSE SHOCK

Katie Waissel reveals 8 celebs told her they suffered sex abuse in industry

“I’m fairly certain I’ve run out of veins for people to poke at this point.”

The mum-of-one praised the medical team at the facility for their ‘incredible’ support.

She stated that her absolute priority is to ‘get better and get home to my little boy’.

Katie shares her seven-year-old son, Hudson, with her former partner, personal trainer Andy Speer, who was born in 2018.

This latest setback follows her emergency admission last week to St John and St Elizabeth’s Hospital in London.

Reflecting on the initial scare, the songwriter admitted she was ‘far closer to the edge than I realised’.

She called the illness ‘one of the most frightening and excruciatingly painful experiences of my life’.

The close call has given her a brand new outlook on life.

In a separate social media post on Thursday, she shared: “I’m still a little bit in shock, if I’m honest, coming to terms with just how close I came to not being here anymore.

“It’s made me realise there are still so many things I want to see, do, learn and experience, and that perhaps ‘one day’ isn’t a date we should rely on.

“So, I’ve decided it’s time to write a proper bucket list and start ticking things off.”

This is not the star’s first sudden health crisis.

Back in 2021, she needed emergency treatment for a suspected heart attack, later sharing images of herself fitted with a cardiac monitor.

Katie originally rose to fame on the seventh series of The X Factor.

She was mentored by Cheryl in the girls category and eventually finished the ITV competition in seventh place – which was won by Matt Cardle.

She also appeared as a housemate on Celebrity Big Brother in 2016.

The singer is now qualified to work as a paralegal or start vocational training to become a solicitor or barrister.

The mum-of-one and lawyer set up her own dedicated foundation, O.W.H.L, in 2023 – campaigning to reform safety standards within the showbiz world.

She was branded the “most hated contestant” when she appeared on the show and has sought therapy for post-traumatic stress disorder (PTSD) after suffering panic attacks and suicidal thoughts.

Casablanca court delivers landmark verdict in ‘Escobar of the Sahara’ case: up to 12 years for top figures.

A Moroccan court has handed prison sentences of up to 12 years to 29 individuals – including prominent politicians and sports figures – concluding a major international drug trafficking and corruption trial.

The verdicts, delivered late on Thursday in Casablanca following a two-year trial, mark one of the largest anti-corruption operations in Morocco’s history.

Among those convicted were Abdennebi Bioui, a construction tycoon and former regional council president, Said Naciri, former president of Casablanca’s Wydad AC football and sports club and former MP Belkacem Mir – all senior members of the governing PAM party. Naciri received 10 years, Bioui 12 and Mir 10.

Besides the three main defendants, sentences for the remaining ranged from two to nine years, depending on their individual role in the network.

The wide-ranging case was triggered by courtroom testimony from El Hadj Ahmed Ben Brahim, a notorious Malian drug trafficker nicknamed the “Pablo Escobar of the Sahara”.

Currently serving a 10-year sentence in Morocco, Ben Brahim told judicial investigators that his former Moroccan political and business associates had betrayed him, seizing millions of dollars worth of his luxury real estate and vehicles following his arrest in 2019.

The trial involved more than 20 defendants, 18 witnesses and two civil parties which centred on a sophisticated network that transported tonnes of Moroccan cannabis resin across North Africa to Europe, alongside Latin American cocaine shipments.

Defendants were convicted on charges including drug and gold trafficking, corruption, forgery and money laundering.

The court also ordered the seizure of assets and levied hundreds of millions of dollars in customs and exchange fines against the principal ringleaders.

Moroccan media reported that families of the convicted, present without legal representation due to a lawyers’ strike, were left in shock, with some collapsing in the courthouse.

The scandal reached the highest levels of state, prompting King Mohammed VI to demand a legally binding code of ethics aimed at “moralising” parliamentary life.

Jorge Rodríguez, the president of Venezuela’s National Assembly, said 250 buildings had been damaged or lost, mostly in La Guaira.

Photos and videos showed debris strewn on the streets. In some footage, people can be heard calling for help.

The BBC has verified footage of a 10-storey hotel reduced to rubble in La Guaira, and another video that recorded people screaming and fleeing as a multi-storey collapses in El Junquito, west of Caracas.

Other verified footage shows destruction further from the capital. One video shows a multi-storey building, reportedly a hotel, totally collapsed in Tucacas, on Venezuela’s coast, about 250km (155 miles) northwest of Caracas.

Mayor Gustavo Duque of Chacao, which forms part of the greater metropolitan area of Caracas, said on Thursday outside the rubble of one collapsed building that 11 people had died there and 23 had been rescued.

In an Instagram video, he said the team was trying to clear the rubble so that specialists could go in “to reach people who are hopefully still alive”.

“We’re trying to rescue as many people alive as possible,” he said.

Fuel supplies into the city have been cut off and internet blackouts have also been reported.

As summer heats up alongside the exhausting news cycle, it’s crucial to find ways to unplug and wind down. Golden Hour in the newly renovated sculpture garden at the Norton Simon Museum is just the thing. Taking place tonight (Friday), and on two more Fridays this season (July 31 and Aug. 28), the event lasts from 4:30-6:30 p.m. and features a different musical group each time.

Tonight is the Verbena Quartet; a North Indian ensemble and a jazz trio are upcoming.

The fun is free with museum admission, and guests are encouraged to bring blankets to relax in the grass. I took my family of four to a recent event and it proved to be the rare occurrence when both the 10-year-old and the 17-year-old were happy. The museum provides all kinds of great art supplies on a big table by the entrance, including sketch paper, clipboards, colored pencils and charcoal drawing utensils.

There are also sheets of paper encouraging creative ways to approach drawing various sculptures in the garden, alongside a family-friendly Golden Hour bingo card with squares including “Spot something framed by tree branches” and “Look at the space between two objects.”

I did some drawing with my toes in the grass while my kiddos curved their necks over their own mini masterpieces. My husband read a book. The sun slanted low as the afternoon melted into early evening, casting lovely shadows on the families, couples, friend groups and solitary artists scattered around the garden sipping wine and snacking on cheese and crackers from the nearby cafe.

When we had our fill of relaxing, we ambled into the museum. My daughter wanted to gaze at the Picassos and the Van Goghs. As did I. I never don’t cry when I look at “The Mulberry Tree.”

“Can you imagine what he was thinking?” I asked my 10-year-old as we regarded the painting. “The pain and the beauty of it?”

She nodded sagely, gently smoothing her thumb against her own recent drawing, her deep inner world a mystery to me. The beauty and the pain of it. I was glad we had cuddled together in the late afternoon sunshine.

I’m arts editor Jessica Gelt, wishing you and your loved ones peace. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Antigone
The Bebelos Players present a back-to-basics production of Sophocles’ classic drama about a young woman who defies a king to honor her dead brother.
7 p.m. Friday-Sunday. Theosophy Hall, 245 W. 33rd St. eventbrite.com

“Horse,” by Rick Bartow, 2014, wood, tar, wax, false teeth, nails. 56 x 42 x 12 in.


(Yubo Dong, ofstudio)

Rick Bartow
Last chance to catch “All of these things have happened,” an exhibition of works on paper by the late Native American artist that touch on tragedies from throughout his life, as well as “Horse,” a 2014 sculpture covered in tar, wax, false teeth and nails that is “a study of sustained resilience.”
Noon-5 p.m. Friday-Sunday, Wednesday and Thursday (last day). Timothy Hawkinson Gallery, 7424 Beverly Blvd. timothyhawkinsongallery.com

Spencer Finch
“Balboa of House and Garden,” composed entirely of new work, is the artist’s first exhibition in Los Angeles. The show includes more than 50 unique works on paper, a site-specific skylight installation and a monumental outdoor sculpture. Finch’s “Memory Landscape (Nairobi, Chicago, Honolulu, Jakarta),” 2025, a commissioned tile wall mural inspired by places from President Barack Obama’s formative years, was recently installed at the Obama Presidential Center in Chicago.
Opening, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday, through Aug. 22. Lisson, 1037 N. Sycamore Ave. lissongallery.com

Bodo Mato
The pseudonymous multidisciplinary artist uses a subconscious dreamworld to access a legendary lost city to find real-world parallels in the exhibition “Atlantis: Echoes of Hubris.”
Opening reception, 6-10 p.m. Friday. 11 a.m.-5 p.m. Saturday-Tuesday. 7811 Gallery (West), 7813 Melrose Ave. 7811gallery.com

Raymond Saunders, “Layers of Being,” 1985. Mixed media on canvas, 81 x 59 15/16 x 1 in.

(Carnegie Museum of Art, Pittsburgh / Gift of Mr. and Mrs. William Block / © 2025 Estate of Raymond Saunders)

Raymond Saunders
“Flowers From a Black Garden” is a career-spanning look at the painter (1934-2025) as he moved from Dada, expressionism and assemblage to Fluxus, Pop and postmodernism, beginning in the 1960s.
11 a.m.-6 p.m. Wednesday-Sunday, through Jan. 3. UC Irvine Langson Orange County Museum of Art, Segerstrom Center for the Arts, 3333 Avenue of the Arts, Costa Mesa. langson.uci.edu

SATURDAY

Chrysalis prototypes deployed in Joshua Tree, 1970, reproduction.

(Chrysalis Corporation)

Alternative Palm Springs: Other Desert Architectures
In some parallel reality there may exist a Coachella Valley unlike anything you’ve ever imagined. In lieu of that, this exhibition shares the unbuilt visions of prominent architects, off-grid designs of the counterculture, and private and public worlds created by the LGBTQ+ during the 20th century, yielding an expanded view of the area’s architectural ambitions.
10 a.m.-5 p.m. Friday-Sunday; noon-8 p.m. Thursday; through Jan. 4; closed June 26 and July 4. Architecture and Design Center, Edwards Harris Pavilion, 300 S. Palm Canyon Drive, Palm Springs. psmuseum.org

Declarations of Independence
Gay Men’s Chorus of Los Angeles and guest artist Justin Tranter celebrate national and individual freedom and pride for America’s 250th anniversary.
7 p.m. Saturday; 3:30 p.m. Sunday. Saban Theatre, 8440 Wilshire Blvd., Beverly Hills. gmcla.org/declarations

A Great Night in Hip-Hop
The Roots return for their third year at the Bowl, joined by Nas, with appearances from T.I., Bun B, De La Soul and more.
7:30 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

Rota Fortunae
A one-night-only experimental opera featuring Jordan Slaffey reimagines the four women of the 1996 crime thriller “Set It Off” using movement, live music and fashion. Directed by Chris Emile, music by composer and DJ Cody Perkins and designs by James Flemons.
7:30 p.m. Indoor Swap Meet, 128 S. La Brea Ave., Inglewood. eventbrite.com

Peter Stampfel
An innovator of anti-folk, freak-folk and psych-folk, the 87-year-old co-founder of the Holy Modal Rounders makes a rare West Coast appearance.
8 p.m. McCabe’s Guitar Shop, 3101 Pico Blvd., Santa Monica. mccabes.com

THURSDAY

Ojai Film Society Summer Screening Series
Annual presentation of independent, foreign, documentary, critically acclaimed and classic films kicks off Thursday with Taika Waititi’s 2016 adventure comedy “Hunt for the Wilderpeople,” starring Sam Neill. Other screenings: “Selena Y Los Dinos” (July 10); “Cookie Queens” (July 17); “Best in Show” (July 24); “Arrival” (Aug. 20); and “Jurassic Park” (Aug. 27).
7:30 p.m. Thursday; various dates through Aug. 27. Libbey Bowl, 210 S. Signal St., Ojai. ojaifilmsociety.org

Tank and the Bangas
The Grammy-winning New Orleans music group shares its signature blend of funk, soul, hip-hop, rock and spoken word. Featuring an opening set by Butter Funk Family and DJ sets by Tosstones.
7 p.m. Skirball Cultural Center, 2701 N. Sepulveda Blvd. skirball.org

Arts anywhere

Meryl Streep, from left, and Amanda Seyfried, Rachel McDowall and Ashley Lilley in the 2008 movie version of “Mamma Mia!”

(Peter Mountain / Universal Pictures)

Broadway unbound

Two of the biggest hit musicals ever are in town simultaneously starting this week — “Mamma Mia!” is at the Ahmanson through July 19 and “Phantom of the Opera” plays the Hollywood Pantages through Aug. 9. If you want to bone up beforehand or relive the hits after you’ve been to the theater, the cinematic adaptations of both are widely available. The 2008 movie version of “Mamma Mia!” starring Meryl Streep and Amanda Seyfried streams on Prime through the end of June and the 2004 “Phantom” with Gerard Butler and Emmy Rossum is streaming on Prime and Apple TV. Both films are available to rent or buy on various platforms and, if you’re into physical media, relatively inexpensive Blu-ray and DVD versions can be had online. Public libraries are also great resources for arts-related content.

— Kevin Crust

Culture news and the SoCal scene

Passengers wait to board the first train to arrive at the Metro D Line at the Wilshire/Fairfax Station in Los Angeles on May 8, 2026.

(Genaro Molina / Los Angeles Times)

With the new Metro D Line subway extension up-and-running with new stations at Wilshire/La Brea, Wilshire/Fairfax and Wilshire/La Cienega, we asked architecture writer Sam Lubell to take an aesthetic look at these new displays of public art. “Suddenly the city feels different. Not transformed, exactly. But more connected,” wrote Lubell. “The fracturing grip of the city’s incomprehensible expanses, clogged arteries and stagnant governance — all intimidating barriers to healthy civic life — feels a little looser. … The stations, too, feel more connected, with art, architecture and infrastructure blending seamlessly into a cohesive experience … But above ground, it’s a tale of two (transit) cities. Outdoor plazas lack the kind of textured civic presence that’s been created below.”

The Hollywood Bowl opened its summer season with a lavish production, “The Best of Broadway,” starring Lea Salonga, Brian Stokes Mitchell, Darren Criss, Renée Elise Goldsberry and Halle Bailey, and hosted by Billy Crystal. The program including a selection of Broadway tunes old and new, was delivered with flair to an appreciative audience. “I had a lovely time,” reports Times theater critic Charles McNulty, “but I can’t say the concert lived up to its title. Not that impressive virtuosity wasn’t on display, but Broadway is truly at its best when musical numbers are embedded in a story, allowing the performers to feed off each other and reach heights that they might not be able to reach on their own. Too much of the bill required the actors to stand and deliver, ‘American Idol’-style. It was a little unfair to place such a heavy burden on them.”

McNulty also reviewed the Geffen Playhouse’s Los Angeles premiere of Pearl Cleage’s “Angry, Raucous, and Shamelessly Gorgeous,” about an American expat actor angling for her big comeback. The play, wrote McNulty, “is hamstrung with exposition. More time is devoted to setting up the dramatic situation than to activating it. … The intentions are noble and the themes are handled with admirable complexity, but the writing is sluggish. The plot is like an old car whose engine just refuses to start on a cold winter morning.”

After 20 years as LA Opera Music Director James Conlon will step down.

(Robert Gauthier / Los Angeles Times)

The final show of L.A. Opera’s production “Marriage of Figaro” last Sunday also marked the end of James Conlon’s tenure at the podium as the organization’s music director. Stepping down after 20 years, Conlon spoke to Times classical music critic Mark Swed. “I love L.A. and I’m not going to leave,” said Conlon. “I am absolutely happy at this point in my life. You know my age is 76. It is not a secret. I wear it proudly. But I’ve been a music director for 47 years, and I don’t want to be a music director any longer. I will still conduct.” Will he return regularly to L.A. Opera? “That’s the theory,” he said

Another maestro who can’t quit L.A. is Esa-Pekka Salonen. Last weekend, the beloved composer and conductor, who is back with the L.A. Phil as creative director, returned to the Ojai Music Festival after a quarter-century absence. “Salonen found renewal not from the desperation of rethinking but from freshening, illuminating the perception of exceptional young musicians first encountering greatness,” wrote Swed in his review of the four days. “In these uncertain times, that may be the most remarkable act of artistic optimism.”

Spanish artist Nieves Gonzalez stands next to one of her paintings that is part of her solo show at the Richard Heller Gallery at Bergamot Station in Santa Monica on June 18, 2026.

(Genaro Molina / Los Angeles Times)

Not yet 30, Spanish painter Nieves González is a burgeoning international art star with an exhibition at Richard Heller Gallery in Santa Monica. “Fashion inspires me,” she told writer Jane Horowitz in a recent interview. “Just as 17th century artists drew inspiration from the fashion of their day — often creating paintings that served as catalogs of current styles — I do the same. The goal is to not merely convey a specific message or ideology but to create a testament to a generation and the era in which we live.”

“California Gothic: A Bus Tour,” an avant-garde sightseeing event organized by the New Theater Hollywood, turns Tinseltown “into a stage, drawing locals for a mash-up of state history, gothic storytelling and public-intellectual riffing on the broken California dream,” wrote Times staff writer Eloise Rollins-Fife. The tour ended its latest run in mid-June, but will reopen during the last week of October for a special “ghost tour” edition.

Times columnist Patt Morrison reported from the City of Lights on Paris-born street artist JR’s “La Caverne du Pont Neuf,” which she describes as “an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range … an homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.” The work uses about 200,000 square feet of printed fabric on the city’s oldest bridge to create the illusion and the artist told Morrison, “Your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

Stewart McLaurin, president of the White House Historical Assn., displays a newly-acquired suite of four interrelated paintings by Norman Rockwell titled, “So You Want to See the President!” at the association’s offices Wednesday, June 10, 2026, in Washington.

(John McDonnell / Associated Press)

In the 1940s, Norman Rockwell spent time in the visitor’s lobby of the White House sketching U.S. senators, members of the military, the press and a Miss America as they awaited entry into the Oval Office to see President Franklin D. Roosevelt. Eight decades later, four of the sketches have been acquired by the White House Historical Assn. for $7 million, according to the Associated Press. Titled “So You Want to See the President!” the sketches will be on public display through June 2027 at the historical association’s “The People’s House” education center near the White House.

It was a busy week for announcing some of this fall and winter’s Broadway openings. Lincoln Center Theater’s Vivian Beaumont will host a revival of Aaron Sorkin’s “A Few Good Men,” starring Bradley Whitford and Tom Blyth, directed by six-time Tony winner Michael Arlen, starting Oct. 8. In March 2027, LCT Artistic Director Lear deBessonet will helm a new production of Rodgers and Hammerstein’s “The Sound of Music,” for its first Broadway run in nearly 30 years. A revival of Richard Greenberg’s “Three Days of Rain” lands in February 2027 at a Shubert Organization-owned theater to be announced with Anna D. Shapiro directing. The cast will include “Heated Rivalry’s” François Arnaud and David Corenswet of “Superman” in their Broadway debuts, joined by Yvonne Strahovski of “The Handmaid’s Tale.” The play was previously on Broadway in 2006 with Julia Roberts, Bradley Cooper and Paul Rudd. Walter Hill’s 1979 gang saga “The Warriors” will make the leap from screen to stage as a musical, with a book, music and lyrics by Lin-Manuel Miranda and Eisa Davis. Previews begin at Broadway’s Lunt-Fontanne Theatre in March 2027 with an opening slated for April. Jenny Koons will direct.

— Kevin Crust

And last but not least

We cover a lot of awards in this space, but today we get to give a shout-out to one of our own. Times theater critic Charles McNulty was awarded the prestigious Nell Minow Award for Cultural Criticism by the National Press Club this week. His submission included a reflection on the Los Angeles wildfires through the poetry of Shakespeare’s “The Tempest”; a tribute to South African anti-Apartheid trailblazer Athol Fugard; and an essay on the complexities of Audra McDonald’s performance in “Gypsy,” among others. The Times also won the Breaking News Award in the print/online category for its reporting on the January 2025 L.A. firestorms. A presentation ceremony and dinner will take place Aug. 27 at the National Press Club in Washington, D.C. For the complete list of winners, visit press.org.

June 26 (UPI) — Authorities in Paris implemented restrictions on drinking in public and takeout alcohol sales on Friday for the second time in five days, amid one of the most severe June heat waves on record.

In an effort to reduce stress on the capital’s hospitals, public consumption of alcohol will be banned from noon through 7 a.m. Saturday, local time, and from noon on Saturday through 7 a.m. on Sunday, and can only be sold in bars and restaurants between 6 p.m. and 7 a.m on both days.

Prime Minister Sebastien Lecornu said the health alert level was being raised to its highest, to boost hospital staffing and protect the vulnerable while Paris police chief Patrice Faure said the the capacity of hospitals to cope was “reaching a saturation point.”

“As you know, drinking alcohol with the sun beating down can have a devastating effect,” said Faure.

The bans coincided with a France-Norway game at the FIFA World Cup in Boston, due to kick off in the early hours of Saturday, local time.

Paris Pride, which was due to run Thursday through Sunday, was moved to September, and the Solidays music festival, scheduled to be held over the same period, was canceled because police felt going ahead with either amid the searing temperatures posed a major public health risk.

On Thursday, a three-year-old child died in a hot car in Saint-Gratien in the northern Paris suburbs.

As Paris baked in record temperatures that peaked at 40.9 degrees Celsius earlier in the week, Health Minister Stephanie Rist warned the health impacts of the heat were not restricted to the elderly, infants and other vulnerable groups.

“Even if you are young and in good health with no underlying medical issues, this heat will affect you too. Young people are also suffering from cardiac arrests,” she said, explaining that the Paris ambulance responded to a four-fold jump in cardiac arrests, compared with normal, during a 24-hour period.

Paris mayor Emmanuel Gregoire said the mortality rate was on the increase and urged people, especially the young, to suspend normal physical activity such as jogging.

“We must not believe we are invulnerable. It’s fine to take a couple of days off from exercising,” he said.

Activists have used thermal cameras to show the extreme temperatures outdoor workers are facing during Europe’s summer heatwaves, with one construction worker shown enduring surface temperatures above 65°C.

The thrilling final season of The Bear has finally arrived, but one key player is tragically missing from the last night of service

The series paid tribute to one of his most iconic films.

**Warning – this article contains major spoilers for The Bear Season 5.**

The Bear’s last ever episode pays tribute to a major star who tragically was unable to return to film the final season.

FX’s popular comedy-drama, which streams on Disney+ worldwide, follows the talented yet chaotic team of a gourmet restaurant in Chicago, led by head chef Carmy Berzatto (played by Jeremy Allen White).

Season 4 of the hit series introduced business consultant Albert Schnur, who advised grill cook Ebraheim (Edwin Lee Gibson) with his plans to franchise the restaurant’s profitable sandwich window.

Albert was portrayed by actor and director Rob Reiner, who is best known for helming a string of major films in the 1980s and 90s, including Stand By Me, This Is Spinal Tap, Misery, When Harry Met Sally…, and A Few Good Men.

Reiner, 78, was tragically killed last December with his wife Michele, 70. Their son, Nick, was charged with two-counts of first-degree murder and is awaiting a preliminary hearing after pleading not guilty.

He does not appear physically in the final season of The Bear, but eagle-eyed viewers will have spotted a touching reference to both the character and one of Reiner’s most beloved films.

After Ebraheim gets the go-ahead from Carmy to franchise The Beef, he rings up Albert to let him know his plans.

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Promising to send him over some documents, he asks if there is anything else he needs. Ebraheim pauses, smiles and replies: “As you wish.”

Movie buffs will immediately recognise the quote from one of Reiner’s most iconic films, The Princess Bride. In the classic fantasy adventure, farm boy Westley (Cary Elwes) often says this to Buttercup (Robin Wright), when he really means “I love you”.

The quote has stood the test of time as an admission of love and now stands as the perfect send-off to the cherished filmmaker who played such a memorable role in the series.

Viewers who noticed the tribute have taken to social media after it left them emotional, with one fan admitting: “ugh broke my f****** heart. you know rob would’ve played the f*** out of actually coaching ebra.”

“Damn near cried through every episode of the bear final season but then they F****** THREW IN ‘AS YOU WISH’,” another exclaimed with a tearful emoji.

Another emotional post read: “EBRA’S, ‘AS YOU WISH’. YOU GUYS CAN’T DO THIS TO ME [crying emoji] I LITERALLY JUST WATCHED PRINCESS BRIDE A FEW NIGHTS AGO. RIP ROB REINER”

Someone else said: “Finally watching S4 of the Bear (S5 coming out made me finally do so) and oh my god I am so depressed knowing Rob Reiner is no longer with us.”

The Bear Season 5 is available to stream on Disney+.

June 26 (UPI) — Britain’s King Charles III paid $17.2 million in taxes in 2024-25 and almost $40 million since he ascended the throne in 2022, according to the first ever tax statement published by the crown.

The British monarch has no tax liability in law, but both the then-Prince Charles and the late Queen Elizabeth II began paying voluntarily in 1993.

The palace said in a news release Thursday that the move to release the sovereign’s personal tax bill — but not his tax return — together with a statement detailing income sources was “part of the Royal Household’s commitment to transparency.”

The Royal Household’s annual financial statement shows Prince William paid a little over $10.3 million in taxes in 2024-25, bringing the total father and son paid to His Majesty’s Revenue & Customs to more than $66 million since September 2022.

Charles’ effective rate of tax remains unknown because the only source of income provided is $33.7 million revenue from his Duchy of Lancaster, a private estate that has provided the reigning monarch’s personal income since 1399, out of which other working members of the royal family are paid.

Same for William, who earned $28.5 million in revenue from his Duchy of Cornwall, out of which he pays his own way for himself and his family.

William’s duchy, which he inherited from his father, was worth $1.59 billion, while the King’s had assets of $911 million. Neither can benefit from sales of assets belonging to their respective estates.

Taxation experts said the releases did little to increase the transparency they were billed as providing.

Dan Neidle of Tax Policy Associates told the BBC that the King’s affairs remained “highly opaque”.

“We don’t know how much of that is capital gains tax, how much is income tax. Very importantly, we don’t know what expenses he’s deducted to come up with the figure on which he pays the tax,” he explained.

At the same time, the Sovereign Grant for the financial year ended March 31, money the government pays each year to fund the monarch’s official duties, the travel of working members of the royal family, and running and maintaining the main five royal palaces and castles, rose to $174.6 million after remaining flat for the past four years.

More than half, $88.2 million, went on maintaining and “reservicing” the royal real estate, according to the Sovereign Grant Statement.

The grant will rise to $182.4 million in the current financial year, which started April 1, but the rise is a one-off to cover the final year of a 10-year, $489.4 million modernization program for Buckingham Palace, and will thereafter be pegged at $132.2 million a year through 2032.

The grant is a fixed share — 12% — of the profit generated over the two previous financial years by the Crown Estate, a sprawling $16 billion business, real estate and land portfolio that technically belongs to the monarch but was surrendered to parliament in 1760.

Keeper of the Privy Purse, James Chalmers, pointed to the stability afforded by previous reigns during periods of historic transition, saying today’s monarchy was continuing to adapt to meet the challenges of the modern world where the Royal Family’s “soft” diplomacy was ever more valuable.

“So, while much changes, our central principles remain: to deliver value for money and to support the Royal Family as they seek to help shape a better world, here in the United Kingdom, across the Commonwealth and beyond,” he said.

“While Royal finances can sometimes appear complex, the underlying system is clear in principle, structured in law and refined over time to ensure the Monarch can serve with independence, accountability and in the long-term interests of the nation,” added Chalmers.

The king also used the news release to announce that, despite the costly refurbishment, he and Queen Camilla will never live at Buckingham Palace — the iconic official royal residence since Queen Victoria made it her home in 1837 — although it will continue to be used for official events and engagements and will be opened to the public.

King Charles’ preferred royal residence is the nearby Clarence House.

The Turkish Air Force looks set to receive a major boost to its fighter fleet, with the delivery of dozens of F110 engines required to power the homegrown TF Kaan combat jet. This would be one of the most significant positive developments in U.S.-Turkish defense relations since Turkey was ejected from the F-35 program in 2019, and may even pave the way for Ankara to rejoin that effort.

Citing four sources familiar with the matter, Reuters reports that President Donald Trump’s administration plans to go ahead with the engine sale, said to be worth more than $700 million, despite some resistance from Congress.

Ahead of his July trip to a NATO summit in Turkey, Trump was asked by a reporter whether Turkish President Tayyip Erdogan would be provided with a “big gift” in the form of F110 engines and potentially F-35 fighter jets.

“He’s a member of NATO,” Trump replied. “He really is a strong member of NATO. Yeah, I’m going to probably do something that’s going to make him very happy.”

Speaking alongside Trump, Vice President JD Vance said a review was underway to see if Turkey could receive the F-35.

“Pete and the entire team are reviewing this right now, because there are certain things that we have to certify have happened … in order to comply with American law,” Vance ⁠said, referring ​to Secretary of Defense Pete Hegseth.

The question of whether Turkey might receive F-35s has long been a fraught one, with Ankara kicked out of the program back in 2019, a development we will return to later.

For now, however, Turkey’s priority seems to be securing F110 engines.

Turkey’s TF Kaan next-generation fighter is a flagship program of the country’s burgeoning aerospace industry. The program was launched in 2010, and the first prototype took to the air in early 2024.

Reportedly, Turkey plans to complete three pre-production prototypes, to be followed by 250 series-production aircraft, incorporating various refinements.

Last month, a contract was reportedly signed for 20 examples of the initial Block 10 versions of the Kaan.

The twin-engine Kaan was developed with a reduced radar signature in mind, as well as a high level of performance and modern avionics and other systems. As a result, it doesn’t offer the same level of low observability as the F-35, while its sensor fusion, electronic warfare capabilities, and other ‘fifth-generation’ features lag behind the U.S.-designed jet.

Critically, the Kaan is powered by U.S.-supplied General Electric F110 turbofans.

F110s are assembled under license in Turkey by TUSAS Engine Industries (TEI) but are still governed by U.S. export restrictions. These engines are already used in significant numbers by the Turkish Air Force F-16 fleet, the third-largest in the world. Outside of the F-16, the F110 is also used in the F-15E Strike Eagle and F-15EX Eagle II, among other F-15 variants. An F110 comes with a typical flyaway unit cost of $10 to $15 million.

The Kaan program has long been overshadowed by the question of whether Washington will make available in larger numbers the F110 turbofans used in the prototype. Reportedly, an initial batch of 80 engines is required.

While Turkish officials have expressed hope of ultimately switching to a domestically produced engine type for the Kaan, TEI’s TF35000, it’s unclear how realistic this is, at least in the near term. Turkey has also looked at acquiring alternative engines, too, including those from Russia or Rolls-Royce in the United Kingdom.

In the meantime, the importance of the Kaan to the Turkish Air Force increased significantly in 2019, when it became clear that Ankara would be kicked out of the F-35 program, in which it had a considerable industrial stake, and a plan to buy around 100 of the fighters. Washington took that decision after Turkey refused to abandon its purchase of Russian-made S-400 long-range air defense systems.

As well as the S-400, U.S. lawmakers were unhappy with Turkey’s worsening relations with Greece, its other connections with Russia and Azerbaijan (which included the deployment of F-16s to the latter country), its conduct in the Syrian civil war, and human rights abuses. Turkey’s opposition to Sweden joining NATO also proved to be a significant hurdle.

In the wake of all this, the chances of Turkey receiving F110 engines were dramatically reduced. At the same time, Turkey’s request to buy additional F-16 fighters was also turned down. Turkey reportedly also began stockpiling spare parts for its F-16 back in 2019, fearing the effects of U.S. sanctions.

Toward the end of the Biden administration, U.S.-Turkish relations began to improve, and Washington moved to push through sales of new F-16s and upgrade kits for older jets to Turkey. There also began to be suggestions that the F-35 was potentially back on the table for Turkey.

Under the Trump administration, Washington’s relationship with Ankara has become closer, with Erdogan frequently praised by the U.S. leader.

In early 2024, the U.S. State Department finally approved a possible Foreign Military Sale to Turkey of 40 new F-16C/D Block 70 fighters, plus the upgrade of 79 existing aircraft to F-16V configuration.

At the same time, the issue surrounding the S-400 and the sanctions that followed that acquisition remains.

As it stands, U.S. law does not permit Turkey to operate or possess the S-400 system if it wishes to rejoin the F-35 program, as a result of security concerns around the Russian-made system.

During a visit to Turkey in early 2024, the U.S. Acting Deputy Secretary of State Victoria Nuland reportedly suggested that the United States might be willing to offer Patriot air defense systems if it were to give up its S-400s, which could also clear the way to re-entering the F-35 program.

“Frankly, if we can resolve this S-400 issue, which we want to do, the United States would be pleased to welcome Turkey back into the F-35 family,” Nuland said. “But we must solve this other issue first, and while we solve it, we must also ensure that Turkey has a strong air defense.”

The apparent decision to clear the F110 sale certainly represents a further softening of Washington’s stance, and it could be a stepping-stone to Ankara eventually being readmitted to the F-35 program.

Turkey’s desire for F-35s has only been intensified by the fact that Greece, its major strategic rival, has been approved for a purchase of the jets. You can read all about how tensions between Greece and Turkey are reflected in the countries’ respective air forces in this previous feature.

Even regarding the F110 transfer, some opposition to defense sales to Turkey remains in Washington.

In particular, Representative Gregory Meeks of New York, the leading Democrat on the House of Representatives Foreign Affairs Committee, has reportedly stood in the way of the engine sale during an informal review process.

However, according to the four sources who spoke to Reuters, the F110 deal should be “finalized in the coming days, followed by a formal notification from the State Department to Congress.”

While lawmakers can use the congressional review process to raise their concerns over big-ticket defense exports, the administration can override these.

According to the Wall Street Journal, the Trump administration is expected to override Meeks’ effort to block the engine deal.

For the Kaan program, the F110 is vital.

Denied the F-35 and with F-16 deals moving forward only slowly, Turkey has been forced to look elsewhere to meet its short-term fighter needs. Most significantly, it signed a deal for 20 Eurofighter Typhoon jets last October.

Turkey has also been investing heavily in drones, including the ANKA-3, a low-observable flying wing uncrewed combat air vehicle (UCAV), and the fighter-like Bayraktar Kizilelma. Still, these are viewed as adjuncts to advanced crewed fighters, like the Kaan.

Whether securing the F110 engines means the Kaan meets its target of service entry around the 2030 timeframe remains questionable.

However, it is a major step in that direction.

As well as being fielded by the Turkish Air Force, the Kaan could have significant potential for export, although sales would be governed by U.S. restrictions on its engines. It is one of a number of medium-weight fighters that feature low-observable characteristics and advanced avionics. These include China’s FC-31 and South Korea’s KF-21.

Reportedly, Indonesia already signed a contract for 48 Kaan fighters last June.

Perhaps most importantly, the F110 deal would get back on track what is very much the flagship of Turkey’s military aerospace industry. At the same time, a U.S. decision to provide Ankara with these engines will also be welcomed by those in Turkey who still wish for a way back into the F-35 program.

Contact the author: thomas@thewarzone.com

Should I stay or should I go?

It’s at once a practical and existential question that plagues the two lead chefs in FX’s “The Bear.” He was the emotionally tortured and volatile chef who left behind a rising career in Michelin-starred restaurants to return to Chicago, his hometown, to run his recently deceased brother’s floundering sandwich joint. She was a Culinary Institute of America-trained chef with potential and a steady demeanor seeking mentorship and an opportunity to work with a prodigy. Together, Carmen “Carmy” Berzatto and Sydney “Syd” Adamu — played by Jeremy Allen White and Ayo Edebiri, respectively — transformed the Original Beef of Chicagoland from a hole-in-the-wall into the titular fine-dining establishment.

But now their partnership in the kitchen has come to an end.

Created by Christopher Storer, “The Bear’s” fifth and final season picks up the morning after Syd, Richie (Ebon Moss-Bachrach) and Nat (Abby Elliott) learn Carmy is quitting the food industry and leaving the restaurant in their hands at a make-or-break moment. And the pressure mounts for Syd to decide if she’ll jump ship to pursue another opportunity. The eight-episode season, now streaming in full on Hulu, largely stretches across one day as the restaurant’s debts accumulate, suppliers cut them off and an unrelenting storm floods the kitchen and threatens to upend a night of service the chefs desperately need to have one last shot at survival and one last performance as a team to deliver an improbable turnaround.

In some ways, it’s a journey that mirrors the actors’ own trajectories. Before “The Bear” became a runaway hit, White was best known for his role on Showtime’s long-running dark comedy “Shameless,” while Edebiri primarily worked as a stand-up comedian and writer. Just as their characters have evolved and gained electric momentum in their careers, so have the actors. Both garnered Emmy Awards for their performances on “The Bear,” and they have added a multitude of film and TV credits to their résumés since. Edebiri is currently starring opposite Don Cheadle in the revival of “Proof,” her Broadway debut, while White will be starring this fall as an investigative reporter in Aaron Sorkin’s “The Social Reckoning,” a companion piece to “The Social Network” that chronicles Facebook’s whistleblower scandal.

Over separate video calls from New York, Edebiri and White reflected on “The Bear’s” conclusion and what it means to leave the characters that supercharged their careers behind. Here are edited excerpts from the conversations.

Ayo Edebiri as Sydney Adamu and Jeremy Allen White as Carmen “Carmy” Berzatto in a scene from Season 5 of “The Bear.”

(FX)

After living inside these characters’ skins for so many years, what’s it like to be done playing them?

Edebiri: They keep saying that we’re done, so I guess that really is the thing of it. Obviously I know that it’s over, but even when we were finishing our first seasons, it didn’t matter how much critical acclaim we got because we’re on a show that’s a part of a network that has a deal with the streaming service — there’s all these things that are continually in flux or that you know that you have no control over. As an actor, you’re used to this state of limbo or not totally knowing or being prepared for an ending, so I think I’m not overwhelmed by it, if that makes sense.

White: I don’t know yet. We were very lucky to understand for a long time when the show was going to end and, to a degree, how the show was going to end. It was difficult to see the direction it went — I have strong feelings about Carmy and where he ends up and how his story might continue on. So much of this season, for Carmy, is about a surrender or acceptance of his place in the world and his place in the kitchen, and it’s the first time he’s really been able to get very honest with himself since we’ve met him. And, in doing so, he chooses to leave, and that was hard for me, for Jeremy. Maybe there’s a world in which he tries this and he comes back. I think I had a different understanding for a while of Carmy’s future. I want him to be happy and healed, but it felt like … I don’t know — imagining him outside of a kitchen was hard for me.

I want to unpack that a little bit more. He wants to be happy. But it was interesting to see him wrestle with how his work hinders that — is it the crutch or the salvation? Did you find yourself having an existential moment as Jeremy taking in what Carmy was wrestling with, or have you reckoned with it before?

White: He threw himself into this work, into this world, pretty young in life. And he was really good at it. But a big part of him burying himself has so much to do with his brother, with his family. I was finishing something too. And, yes, of course, I was thinking of goodbyes, and I was thinking of moving on, and new pursuits and all of these things. I was checking in with myself and what it might feel like to just make such a hard turn in life. I thought a lot about what you get back from your work, but I think ultimately, what Carmy and I don’t share is he was causing so much chaos in his work life; it wasn’t just himself that he was punishing at times. It came down to this surrender to an easier way, a softer way, which was to turn it over to Syd, to turn it over to Richie, to turn it over to Tina in the kitchen — that part, I had an easier time understanding.

“The most beautiful thing about their relationship is their true unconditional belief in one another,” says Allen about Sydney and Carmy in “The Bear.”

(David Urbanke / For The Times)

Syd was facing a crossroads: a shiny new job that could take her to the next level or sticking with this seemingly sinking ship that has taken her to the next level, but where she’s felt unappreciated or stifled at times. Ayo, what did you think of the choice she made?

Edebiri: We’re really fortunate to have such amazing writers who thought about her and her journey. [There’s] an awareness of Sydney’s womanhood and Blackness and youth, but I think [they treated] her with the full dignity of just being a human being and getting able to be a complex character in this show and giving her the dignity of being just as flawed as the other characters. [The choice she made] just made sense to me. It made sense in the architecture of the show. It was gratifying to get to build to that with everybody.

The bulk of this final season has the team dealing with this massive storm that’s created a slew of setbacks at a make–or–break moment for the restaurant. It leads to one final symphony in the kitchen together.

White: Those days were beautiful. So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another, not just for the emotional beats of a scene, but in this very technical aspect as well. I remember going back to Season 1 and filming Episode 7, “The Review,” which was the single-take episode, and just how much camaraderie came from that, and how much respect came from that for everyone — that feeling of real success that we could do this. It’s a really nice thing that happens sometimes on sets, where there is such a nice mirror of what’s going on with the characters and what’s going on with the cast. In this last push, and this team effort, we want these things as the characters, and we want these things as the cast. We want these people to have what they want, what they deserve, so it was really exciting shooting that last episode or two where all those things are coming into place.

Edebiri: That’s Chris’ thing — it’s like a classical piece of music or something; there’s different movements. His own challenge that he puts on himself, and that, in turn, puts on us, is that we’re still in the same piece of music, but everything just has a different feeling. He’d been talking about it since, low-key, Season 3, but definitely started talking about it a little bit more concertedly when we were filming [Season] 4. It was really starting to take shape in his brain. This challenge of having it be in this one day, and how each episode can feel different, was really exciting to him, so in turn, it became exciting to us.

Were you hoping for more runway to chart what the characters were facing?

Edebiri: No, I think it was cool. I was just like, “Yeah, let’s see what it is.” That’s kind of what everything has been with this show. Part of her emotional journey for the last season, what was on a slower track, in a way, there was something also really fun in having the pressure cooker of one day, and everything getting to ramp up and be quite immediate, which I think has been reminiscent of Seasons 1 and 2 in a fun way.

Tina (Liza Colón-Zayas), left, Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Carmy (Jeremy Allen White) in “The Bear.” The restaurant faces multiple setbacks, including a storm that causes damage and dwindling supplies.

(FX)

Carmy and Sydney’s dynamic has been so fundamental to the series. These are two people who see something in each other that the other doesn’t. What do you admire about their relationship as friends and as co–workers?

White: The most beautiful thing about their relationship is their true unconditional belief in one another. They see the beautiful things in one another that the other one is not able to witness in themselves. Even though trust has been tested and trust has been broken at times, there is such a loyalty to the best in themselves. They know that they can rely on one another. In a lot of ways, they saved each other. That piece in the opening episode of Season 3, where Carmy gets the call about Mikey and serves the scallop to Syd without ever having met her — there is this invisible tether that was not witnessed by either of them, but it inspired Syd, and whether Carmy knew it or not, this thing was loved and enjoyed by someone that was birthed from this very traumatic moment. There’s just this beautiful, invisible tether that has always existed and will always exist between the two of them.

Edebiri: What I admire about it is the fact that they are able to bring out — through a lot of miscommunication and hard work, but ultimately, I think, with good intentions — the best in each other. They want to see each other be the best versions of themselves.

How is that reflected in your dynamic? Jeremy, who is Ayo as a scene partner and what has she brought out in you as a performer, and vice versa?

White: I was really so lucky to kind of witness Ayo in real time — everybody else had to wait some months to see her on the show. I remember genuinely being struck by her presence, her groundedness. It felt like, if this makes sense, wrong because she was doing it so well. She’s incredibly smart, she’s a wonderful writer, and she’s very skilled improvisationally, and so, in acting with her, there’s something that always makes you feel very in the moment. You can never like relax, in the best way. It’s like you always have to surrender yourself to each moment.

Edebiri: When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work. He’s a really great leader. There are ideas in society of men in power, and what power held by men has to look like and feel like, and he’s very gentle — especially in the show, which can live so much in the space of chaos and anxiety, having a gentle spirit really helps with filming. He’s so good at making that very clear and helping teach me that as well … I’ve definitely learned from him, without realizing it, ways to protect yourself and protect your peace, and protect also the peace of your co-workers — you get the work done, you be serious about it, but it doesn’t have to be torture.

Edebiri on working with White: “When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work.” (David Urbanke / For The Times)

What was it like to see them get this thing they’ve been after — not one, but two Michelin stars?

White: Reading that moment —there’s been so much pain and heartache … for years and years and years, and I was just so relieved to see this joyous moment on the page. It felt so, so close to the surface of me already. And we — Jeremy and Ayo — have shared so many insane, joyous moments in our lives since the show. So it felt familiar in the best way. I’m so glad for that moment for both of them — for Carmy and Syd.

Edebiri: We’re shooting it so fast. You always wish you just had more time, and that was one of the last scenes — I think it was the last thing that he and I shot. There’s obviously a bit of a preciousness and emotionality that you’re feeling in that moment, while also tapping into what’s happening to the characters. It’s this thing that, in the brain of myself, we’ve been building to this over five seasons. There’s obviously a somewhat meta reflection of what we’ve gone through — this is just such a crazy journey. But I think at the end of it, especially because of what we know is going to change in their relationship, that in their working proximity, that they are not going to be close, but they know that they were able to do this thing and build this thing together, I think [is] what felt very special, and felt very cool. I hope it’s something that people who have loved the show also feel.

Fans have intense feelings about their relationship, as I’m sure you know. Has it surprised you how strongly people feel about their dynamic?

White: I know that exists. I don’t have too much knowledge on how that all works. It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us. It didn’t occur to us. But I understand it. There is an intimacy, of course, with these two characters. And there is this trust. They lean on each other and they admire each other so much. I’m not like — nobody’s crazy to feel that. There is love there, it’s just not a romantic partnership.

Edebiri: It surprised me the first two [seasons] because I don’t think that that’s what we were doing. Anytime that you say otherwise, I’ve learned [not to]. It’s been hard when doing press, it feels like we get asked specific questions to try to give a specific answer, but the point of art is we make it and we give it. If people are having a response, that’s great, and if I don’t agree with you, I don’t think I’m shutting it down or anything. We made something, then you’re picking something up — that’s the exchange.

White says he knows fans have intense feelings about the relationship between Carmy and Syd. “It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us.” (David Urbanke / For The Times)

Carmy has a few heartfelt conversations this season, but one that really stands out is the one with his mom, played by Jamie Lee Curtis, while revisiting the family home he’s stayed away from for years. He cooks for her. She’s remorseful. Jeremy, what did you think of that moment for Carmy?

White: There’s resistance in it. People like Carmy, you can give them the answer, you can give them the sorry, you can give them the opportunity, and a lot of the times they don’t know what to do with it, or they push it away, or they push it down. What that scene was about, for Carm, was becoming available to even listen. That was the conflict of the scene and the moment. But he was able to eventually get to that acceptance to release some of the resentment, to release some of the anger. Then he is able to show up for her, which was what has been absent. He was able to take it and give her something. It’s been years, if ever, that he’s really been able to do that, to get out of his own way, and be of service in that way to his mother.

Ayo, it was really touching to see Syd naming Tina her chef de cuisine. How did you feel about what that sets up for where Syd and the Bear might be headed with these women as partners in the kitchen?

Edebiri: I loved it. I love getting to work with Liza [Colón-Zayas]. I’ve been so privileged to also be able to direct her — she’s just phenomenal. I think about these two characters, where they started Day 1; Tina was pretending not even to speak English just to stay away from the girl. It was rough from the get-go, but I think both for Liza and I, as two women of color as well, we felt so invested in their relationship and the community they built with each other. There’s something very moving about that to me. Part of the thing for Sydney, she doesn’t know — I think Carmy can see it — that one of her strengths is that they’re different types of leaders. Part of what I think makes Sydney a great leader is that she’s able to delegate and actually remove herself when she knows that she might not be the best in a situation, it might be somebody else.

I haven’t actually seen it. I can’t watch the episodes, but I know when we were filming it, it was both very sweet and very funny. I don’t know if they kept any of the improv from Liza.

You can’t watch because you’re emotional about it or because you just don’t have access?

Edebiri: No, I don’t want to. We were doing all this press and everybody was, “You were so emotional; you wanted to cry, right?” And I’m like, “No, I just don’t want to watch.” I’ll watch it later. The only season that I watched before [it aired], frankly, was 3 and 4 because I had episodes that I made in it. I love the show and I know the show is good. I don’t enjoy watching myself.

I do love that Syd’s ethos in the kitchen is borrowed from “Ratatouille.”

Edebiri: Yes, f—ing rat. It tracks for Sydney.

“I love getting to work with Liza [Colón-Zayas],” says Edebiri about her co-star, whose character is named chef de cuisine. “I’ve been so privileged to also be able to direct her — she’s just phenomenal.”

(FX)

Jeremy, what was your reaction when you read Carmy is in a suit interviewing for an internship at an architectural firm? And what he expresses there?

White: I understand and I’m proud of the courage that it takes [to do a life pivot], but also I tried to play that scene in a way where I didn’t want it to be entirely clear [what happens next]. I wanted the question to be like, “Is this guy still so f— up in the head that he’s trapped regardless of his place in this world, or place of work? Is it a romance that he’s saying goodbye to? Is it a love that he still has, and he’s not quite over yet?” Then I was like, “Do we snap out of that scene and we’re back on the clock?” What is this? I think the goal of the scene is it shouldn’t be all too clear and wrapped up.

What do you think?

White: I could see there’s obviously so much love. There’s love for the people he works with, and there’s love for the paces he’s gone through, but I didn’t know. … I didn’t know if it was a goodbye or an admittance. I think I was trying to find something between him coming clean and being like, you know what, I don’t belong anywhere else or I’m so in love with this thing, but it’s not good for me, and I think it exists somewhere in between that.

Ayo, what was your reaction to Carmy interviewing at the firm?

Edebiri: I was like, “Yeah, that makes sense. This boy’s a noodle.” He’s a fool, he’s ridiculous. It makes sense.

Where do you think he goes from here? Have you thought about it? Do you think he will ever find his way back to the kitchen?

White: I haven’t thought about it too much. I do think there’s something really honest about that direction that Carmy was moving into, but I would hope there’ll always be room for him somewhere in a kitchen.

Edebiri: Syd is like, “You can’t do anything else, brother. Like, what’s the plan?” I don’t know if he takes a break, if he comes back to help her, if he does his own thing.

What do you think happens to the Bear?

Edebiri: I think they do well. It’s not just her; it’s her and Sugar and Richie and Marcus and Tina. She got in it for Carmy, but I think she ended up finding her own voice. I think they keep going, at least for a few more years. I really do.

White: I have to believe that all the pain and suffering and trauma — not only that Carmy has gone through, but that everybody has gone through — is for some greater good. That there is a payoff. My hope is that it would be successful. They’ll have the endurance and the motivation to make it.

June 26 (UPI) — South Korea’s leading mobile operator SK Telecom said Thursday that it would invest $481 million in a U.S. subsidiary of SK hynix as part of the group’s efforts to concentrate on the artificial intelligence strategy.

SK Telecom said that it agreed to purchase a 0.9% stake in SK hynix NAND Product Solutions, a company geared toward investing in innovative AI enterprises in North America.

“To secure synergies with our AI business, we are pursuing the acquisition of an equity stake in SK hynix NAND Product Solutions,” SK Telecom said in a regulatory filing.

This is not the first time that SK Group affiliates channel fresh funds into the U.S. unit. In March, SK Corp. and SK Innovation injected capital amounting to $250 million and $380 million, respectively.

In 2021, SK hynix spent around $9 billion to take over Intel’s NAND flash business and subsequently formed SK hynix NAND Product Solutions, which is now being restructured into an AI-focused investment company.

Earlier this January, SK hynix said that it would commit $10 billion to the company, with the funds to be deployed on a capital-call basis.

“The planned establishment of the AI company is aimed at securing opportunities in the emerging AI era,” SK hynix said in a statement at the time. “The company will continue to work closely with global partners while proactively creating value for customers.”

The share price of SK Telecom edged down 0.88% on the Seoul bourse on Friday, while that of SK hynix plunged 8.36%. The benchmark KOSPI declined 5.81%.

The extreme June temperatures would have been ‘virtually impossible’ 50 years ago, says the World Weather Attribution group.

The historic heatwave gripping Europe is part of a dangerous weather trend that can only be explained by human-caused climate change, scientists have said.

The extreme temperatures sweeping across much of Europe mark the region’s “most severe” heatwave ever tracked for the month, and would have been “virtually impossible” half a century ago, the World Weather Attribution group of scientists said in a report released on Friday.

Millions in France, Italy, Spain, the United Kingdom and elsewhere in Europe have been experiencing blazing heat this week, with daytime temperatures topping 40 degrees Celsius (104 Fahrenheit) in many places.

The heatwave was reported on Friday to be moving eastwards, threatening Germany and central Europe with similar conditions to those which killed dozens in the western reaches of the continent, strained medical services and stressed the economy.

The World Weather Attribution estimated that a heatwave with similar characteristics occurring in the climate of June 1976 – when Europe was also hit by persistently high temperatures – would have been about 3.5 degrees Celsius cooler.

During another episode in 2003, temperatures would have been about 2 degrees Celsius cooler, the research suggests.

The analysis shows that intense heat is increasing rapidly, even within living memory, “with such events tens to hundreds of times more likely since only 2003 and virtually impossible just 50 years ago,” the study says.

“This event would not have been possible in June without climate change,” the study’s lead author, Theodore Keeping from Imperial College London, told reporters.

Phasing out fossil fuels ‘critical’

The planet has warmed about 1.4C above pre-industrial times, driven by the burning of coal, oil and gas.

Scientists agree this is making extreme weather events like heatwaves more frequent and intense, and that limiting warming is vital to avoid the worst impacts of climate change.

Of the nearly 850 cities the World Weather Attribution’s study analysed in Europe, some 45 percent had broken – or were expected to break – their all-time heat stress records in June.

“The weather pattern itself is not particularly unusual, but the temperatures are – or at least they used to be without human-induced climate change,” said Friederike Otto, the cofounder of World Weather Attribution.

The June heatwave in Europe is the second such episode this year. An early-season period of heat in May brought temperatures more typical of high summer to central and western parts of the continent.

World Weather Attribution said the rapid phase-out of fossil fuels is “critical if we are to avoid even higher temperatures and their consequences in the future”.

MILLIE Bobby Brown has shown off her stunning figure as she celebrated the upcoming release of Enola Holmes 3 on Thursday night.

The actress, 22, who plays the titular character in the Netflix series, donned a mesh nude ensemble while attending the premiere’s afterparty in New York.

Flashing her toned stomach in an embroidered sheer crop top with a matching satin and mesh skirt, Millie posed for snaps at the TV bash.

In the series, which began in 2020, the Stranger Things star plays the teenage sister of Sherlock Holmes – with Enola on a search for her mother.

The third season is set to be released on July 1.

The appearance comes just weeks after Millie defended her husband, Jake Bongiovi, from dad-shaming trolls.

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Millie and Jake, who wed in 2024, announced last August that they had adopted a baby daughter together.

And earlier this year, images of the couple went viral as Millie was seen laden with her daughter’s car seat and two bags, as another saw her pushing a suitcase at the same time as her daughter’s pram.

Many fans were confused as to why Jake wasn’t helping her carry anything despite being there too.

Earlier this month, Millie addressed the backlash during an appearance on Kylie Kelce’s Not Gonna Lie podcast.

On the show, she said: “Hi, I’m Millie Bobbie Brown and I’m not gonna lie, when did women become incapable of holding their own bags, car seats and stuff?…

“This stems from me holding all of my suitcases and bags and my kid and people are like, ‘Your husband doesn’t hold a single thing.’ And I’m like, ‘Because I’m three miles ahead. I have been planning this all night’….

“We’re all about empowering girls and, ‘You got it’ and ‘You don’t need a man’. But then when I’m like, ‘OK, I can carry my own things,’ people are like, ‘Where’s your husband?”

She added: “Nobody knows my husband. My husband is the most polite, sweet, will-do-anything-for-me. But he also knows I’m capable”.

Millie also shared that she hopes to one day have a biological child, but adoption was always something she wanted to do.

Unification Minister Chung Dong-young called Friday for shifting away from an approach that sticks to denuclearization as the sole solution to the North Korean nuclear issue, saying such a precondition has been one of the reasons for stalled diplomacy with Pyongyang.

Chung made the remarks in a keynote speech at a forum, co-hosted by Yonhap News Agency, pointing out that the lack of progress in nuclear diplomacy has only helped the North bolster its nuclear and weapons capabilities for the past three decades.

“As the past 30 years have shown, whenever peace talks were halted by the denuclearization hurdle, North Korea used that time to further advance its nuclear capabilities,” Chung said at the Korean Peninsula Symposium.

“We must move away from the old notion that a peace regime can only be discussed after the North Korean nuclear issue is resolved … We need to pursue a phased and pragmatic solution. It is time for a paradigm shift,” he said.

Recalling major breakthroughs in nuclear diplomacy with Pyongyang in the past, Chung stressed the path toward peace opened up when relevant countries, including South Korea and the United States, sought to actively engage Pyongyang for dialogue.

Chung went on to highlight the need for a phased approach — halting and scaling down the North’s nuclear program before denuclearizing — as a solution to the nuclear issue.

“A step-by-step process toward peaceful coexistence and denuclearization should proceed in three stages — freeze, reduction and denuclearization,” he said. “China, too, has expressed support for this pragmatic approach.”

Chung said this phased approach must begin with dialogue between the U.S. and North Korea.

“As agreed in the 2018 Singapore summit between North Korea and the U.S., both sides should immediately resume talks to end mutual hostility and establish a new relationship,” he said.

“The resumption of U.S.-North Korea dialogue will serve as a powerful catalyst for opening four-party talks among the U.S., China and the two Koreas, who are the key stakeholders in achieving lasting peace on the Korean Peninsula,” Chung added.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

The reopening of the Strait of Hormuz has restored the flow of oil and natural gas after more than 100 days of disruption, but the crisis has already left a lasting mark on global energy markets. The prolonged closure exposed the vulnerability of the world’s energy supply chain and has prompted governments to reconsider how they secure fuel supplies.

Analysts say the crisis mirrors the impact of the 1973 Arab oil embargo, which transformed global energy policy by encouraging conservation, diversification, and strategic stockpiling. While today’s energy system proved more resilient, the Hormuz disruption may accelerate a broader shift away from fossil fuels.

What Happened?

The Strait of Hormuz, through which nearly 20 percent of global oil and liquefied natural gas supplies normally pass, remained effectively closed for more than three months during the US Israeli conflict with Iran.

Despite the disruption, global markets avoided a severe supply crisis through rapid rerouting of cargoes, the release of strategic reserves, reduced Chinese imports, and shifting demand patterns.

However, analysts say these emergency measures were only temporary. Energy inventories fell sharply during the crisis, and markets were approaching a critical point before shipping resumed.

Why the Crisis Matters

The Hormuz disruption demonstrated that even today’s highly interconnected global energy system remains vulnerable to geopolitical conflict.

Unlike previous crises, the world avoided a complete energy collapse because governments, traders, and shipping companies quickly adapted. Nevertheless, the episode exposed the limits of those emergency responses and reinforced concerns about overreliance on a single strategic chokepoint.

The crisis is expected to influence long term energy investment decisions far beyond the Middle East.

Lessons From the 1973 Oil Embargo

The 1973 Arab oil embargo fundamentally changed global energy policy after oil producing nations restricted exports to countries supporting Israel during the Yom Kippur War.

The embargo caused oil prices to surge, triggering inflation and prompting governments to adopt fuel efficiency standards, develop domestic oil production, establish strategic petroleum reserves, and create the International Energy Agency.

Rather than ending fossil fuel use, the crisis encouraged countries to consume energy more efficiently while reducing dependence on imported oil.

A New Energy Strategy Emerges

The Hormuz crisis appears to be driving another major strategic shift, particularly across Asia.

Countries heavily dependent on Middle Eastern oil and gas are increasingly prioritizing energy security over low fuel costs. Governments are expected to expand strategic petroleum reserves while accelerating investment in domestic renewable energy, nuclear power, and alternative fuel sources.

India, Pakistan, Japan, and South Korea are among the countries reviewing long term strategies aimed at reducing exposure to overseas energy disruptions.

Europe Continues Its Energy Transition

Europe entered the Hormuz crisis after already reshaping its energy system following Russia’s invasion of Ukraine in 2022.

The loss of Russian energy supplies forced European countries to cut gas consumption, diversify imports, and rapidly expand renewable energy capacity.

The latest Middle East disruption is expected to reinforce that trend by encouraging further investment in clean energy and energy efficiency while reducing dependence on imported fossil fuels.

Investment Trends Support the Shift

Global investment patterns already suggest that energy markets are evolving.

According to the International Energy Agency, worldwide energy investment is projected to reach 3.4 trillion dollars this year, with much of the growth directed toward renewable energy, electricity infrastructure, battery storage, and grid resilience rather than new oil production.

Electric vehicle sales continue to rise rapidly across Europe, Latin America, and Asia Pacific, while Chinese solar panel exports have surged across Africa and Southeast Asia.

Governments are also increasing spending on energy efficiency, with around 20 countries introducing new conservation measures directly in response to the Hormuz crisis.

Why It Matters

The Hormuz crisis has reinforced that energy security is becoming just as important as energy affordability.

Rather than relying solely on global oil markets, governments are increasingly pursuing diversified energy systems that combine fossil fuels with renewables, nuclear power, strategic reserves, and domestic production.

This transition is expected to influence investment, industrial policy, and international trade for years to come.

Future Outlook

Oil and natural gas are expected to remain central to the global economy for decades, particularly in transportation, manufacturing, aviation, and power generation.

However, future growth in fossil fuel demand may become significantly slower as governments invest more heavily in renewable energy, electric vehicles, battery storage, and efficiency improvements.

The Hormuz crisis may ultimately be remembered not as the event that ended the oil era, but as the moment many countries accelerated preparations for a more diversified energy future.

Implications

The Hormuz crisis is likely to have consequences that extend far beyond the immediate recovery in oil and gas flows. Governments that experienced supply disruptions are expected to place greater emphasis on energy security, even if it comes at a higher economic cost. This could accelerate the expansion of strategic petroleum reserves, diversify import sources, and increase investment in domestic energy production, including renewables, nuclear power, and critical energy infrastructure.

For oil exporters in the Gulf, the crisis may strengthen the case for developing alternative export routes that bypass the Strait of Hormuz, reducing dependence on a single maritime chokepoint. Import dependent economies, particularly across Asia, are also likely to rethink long term procurement strategies by securing more flexible supply contracts and expanding storage capacity.

Financial markets are also expected to assign a higher geopolitical risk premium to energy prices. Even after shipping has resumed, investors may continue to price in the possibility of future disruptions, increasing volatility across oil, gas, shipping, and insurance markets. The crisis could also accelerate capital flows into technologies that reduce dependence on imported fossil fuels, including electric vehicles, battery storage, hydrogen, and energy efficiency.

Analysis

The Hormuz crisis may ultimately prove more significant for what it revealed than for the physical disruption it caused. Although global energy markets demonstrated remarkable resilience, that resilience depended on temporary measures such as drawing down inventories, rerouting cargoes, reducing consumption, and relying on spare production capacity. These mechanisms bought time rather than solving the underlying vulnerability of the global energy system.

Unlike the 1973 Arab oil embargo, which primarily forced consuming nations to improve efficiency while expanding fossil fuel production elsewhere, today’s crisis occurred at a time when commercially competitive alternatives to oil and gas already exist. Renewable energy, electric vehicles, battery storage, and advanced power grids have matured into viable strategic assets rather than purely environmental investments. As a result, governments are increasingly viewing clean energy not only as a climate policy but also as a national security priority.

Another important distinction is the shift in investment behavior. Historically, supply disruptions often encouraged greater investment in oil exploration and production. Following the Hormuz crisis, however, a growing share of capital is moving toward energy diversification instead of simply increasing fossil fuel output. This suggests policymakers increasingly see reducing oil dependence as a more sustainable way to improve resilience than expanding strategic reserves alone.

The crisis also exposed a structural imbalance in global energy markets. While production remains concentrated in politically sensitive regions, demand growth is increasingly centered in Asia, leaving major importers highly exposed to geopolitical instability. Countries such as India, Pakistan, Japan, and South Korea may therefore pursue parallel strategies of securing diversified hydrocarbon supplies while rapidly expanding domestic renewable generation, nuclear power, and energy storage.

Perhaps the most important takeaway is that energy security has overtaken cost as the dominant driver of policy decisions. For decades, governments largely optimized their energy systems for affordability and efficiency. The Hormuz disruption demonstrated that the cheapest energy source can quickly become the most expensive if geopolitical events interrupt supply. That realization is likely to reshape government policy, corporate investment, and global energy trade for years to come.

The crisis does not signal the immediate end of the oil era. Oil and natural gas will remain indispensable for transportation, petrochemicals, aviation, heavy industry, and electricity generation in many regions. However, it may represent an inflection point where the trajectory of fossil fuel demand begins to flatten as countries systematically reduce their strategic dependence on imported hydrocarbons. In that sense, the Hormuz crisis could be remembered less as an energy supply shock and more as the catalyst that accelerated the next phase of the global energy transition.

With information from Reuters.

KELLY Osbourne has signed up to star in a new reality show documenting her life and personal struggles after the death of her father.

The daughter of belated icon Ozzy Osbourne, 41, used to feature in the much-loved show The Osbournes alongside her family.

But this time around Kelly will be taking centre stage in a show focusing on her reinvention as a single mother to son Sid, 3.

Kelly and her fiance, Sid Wilson from Slipknot, split up in March of this year.

She’s since been romantically lined to hairstylist Kiinicki but according to The Daily Mail it’s been an “on and off” relationship.

Kelly’s family and friends, including Lily Allen and DJ Fat Tony, may also be making appearances in the new programme.

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Speaking about the show’s contract, a friend said: “The deal is done, and the production company is finalising which broadcaster this will go with; most likely Disney.

“It will focus on how she is stepping back into life after the trauma of Ozzy dying last year and after breaking up with Sid. It’s about her rebuilding.”

Kelly lost her father in July last year after he suffered a heart attack in his home in Buckinghamshire.

The Black Sabbath star, 76, had only finished his farewell tour Back To The Beginning a matter of weeks before passing away.

Despite suffering a heart attack, Ozzy struggled with numerous other health conditions including Parkinson’s and complication of a quad bike accident from 2003.

Kelly and her family have since been grieving and doing their best to stay strong.

In December, marking the first Christmas without her father, an emotional Kelly shared online: “Christmas will never be the same.

“I will never be the same. The person I was before he died does not exist any more.

“It changes you. He was magical. There is no one like him.”

The Osbournes premiered its first episode in 2002 on MTV, with its first season being cited as the most-viewed series to ever hit MTV.

A Seoul court on Friday sentenced former first lady Kim Keon Hee to seven years in prison for taking expensive gifts in return for job appointments and business favors.

The Seoul Central District Court handed down the sentence to Kim, the wife of ousted former President Yoon Suk Yeol, after she was indicted on charges of accepting bribes for mediation, including over 100 million won (US$64,750) worth of jewelry in exchange for a government job for a son-in-law of a construction company chairman.

In total, she was charged with taking approximately 300 million won worth of gifts, and the court found her guilty on all counts.

“The defendant disregarded the social responsibilities associated with the position of first lady and used it merely as a means to pursue her private interests,” presiding judge Cho Sun-pyo said during the hearing, which was televised live.

Kim was indicted in December on charges of receiving a Van Cleef & Arpels necklace and other jewelry from the construction company chairman between March and May 2022; a golden turtle ornament in April 2022 from Lee Bae-yong, former head of the National Education Commission, in exchange for her appointment; a Dior bag worth 5.4 million won from a pastor the same year; and a Vacheron Constantin watch from another businessperson in September 2022.

In February 2023, she was accused of receiving a painting by renowned artist Lee Ufan from a former prosecutor in return for her help in securing him a nomination for an election.

The exchanges mostly took place during the period her husband was in office from May 2022 until his ouster in April 2025.

The judge said Kim sought to evade responsibility for her crimes by returning some of the gifts once an investigation got under way or arguing she had purchased them herself.

“This shows that she was fully aware of the illegality of her actions but tried to conceal it,” he said.

Special counsel Min Joong-ki’s team, which had demanded a 7 1/2-year prison term, welcomed the ruling. Kim’s lawyers said they would appeal.

The court also sentenced the construction company chairman to a one-year prison term, suspended for two years, the businessperson who gifted the watch to a 10-month prison term, suspended for two years, and the pastor to a fine of 8 million won.

The former first lady has already been sentenced by an appeals court to four years in prison in a separate corruption case.

She is also set to stand trial over her alleged involvement in a case where members of the Unification Church were reportedly forced to join the now main opposition People Power Party ahead of the 2022 presidential election in an attempt to influence the outcome of the party primary to pick its presidential candidate, which her husband Yoon won.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

As two powerful earthquakes hit Venezuela, west of Caracas, in quick succession on Wednesday, the country’s capital sustained extensive damage.

Authorities were continuing to search for people under the rubble of collapsed buildings on Friday as 235 people were confirmed to have been killed, with 4,300 more injured.

Here is more about why Caracas has sustained so much damage.

How badly damaged is Caracas?

A magnitude 7.2 earthquake struck about 160km (100 miles) west of Caracas, followed less than a minute later by a magnitude 7.5 tremor, the strongest since 1900, according to the US Geological Survey (USGS).

Jorge Rodriguez, head of Venezuela’s national assembly and brother of interim President Delcy Rodriguez, said earlier in the day that 200 people had been trapped, with 250 buildings damaged or destroyed nationwide.

In Caracas and nearby coastal areas, at least eight hospitals, the headquarters of the Venezuelan Red Cross and the French embassy were among buildings reported to have been badly damaged.

Initial assessments released on Thursday put the estimated economic damage at between 1 and 7 percent of Venezuela’s $111bn gross domestic product (GDP). Authorities have not yet provided a separate estimate for losses in the capital.

However, the heaviest damage has been reported in Caracas itself, Al Jazeera’s Teresa Bo, reporting from Bogota in neighbouring Colombia, said on Thursday.

Public infrastructure was also heavily damaged, with acting President Rodriguez reporting power outages in Caracas.

Health Minister Carlos Alvarado said late on Thursday that 235 people had been confirmed dead at medical centres across Venezuela. He also told state media that about 4,300 people had been reported injured so far. Hundreds more are feared trapped or missing under the rubble.

How badly has the city been damaged in previous earthquakes?

This is not the first time Caracas has suffered heavy damage in an earthquake.

In 1812, a powerful earthquake roiled the cities of Merida and Caracas, killing about 30,000 people, according to the USGS. The tremors caused near-total destruction of Caracas’s colonial architecture, flattening homes, churches and public institutions.

In 1967, another earthquake hit the city, causing several high-rise buildings to collapse and killing 240 people.

Why has Caracas been so hard-hit?

Venezuela has a long history of devastating earthquakes because it is located along the boundary between the Caribbean and South American tectonic plates.

Caracas is also in a deep sedimentary basin, which amplifies the seismic waves from earthquakes, Vashan Wright, a geophysicist at the University of California in San Diego, told Al Jazeera.

Another reason Caracas is so vulnerable to damage from earthquakes is that its buildings and infrastructure are not specifically designed to withstand tremors and are often standing on insecure ground.

Al Jazeera’s Teresa Bo said the heaviest damage in Caracas occurred in the Altamira district, where emergency crews pulled survivors from the rubble of a 22-storey building while relatives searched for missing family members. Officials said they are still assessing the full extent of the destruction.

“For example, in the [hard-hit] area of Altamira in Caracas, many of the buildings that collapsed are built on sediments, and this makes them much more vulnerable to seismic waves,” Bo said.

“Also, there’s lots of informal housing in several areas across the country, and those types of buildings are not prepared to sustain very strong earthquakes,” she added.

Adequate urban planning and building codes, which incorporate seismic activity, require substantial funding, which Venezuela can ill afford as it has long been subject to heavy sanctions from the United States and other Western countries.

While some sanctions have been lifted since the US abducted former President Nicolas Maduro in a military strike on Caracas in January and he was replaced by Rodriguez, Caracas is still grappling with the effects of decades of underinvestment.

Another issue for Caracas is that at about 7.8km, the earthquakes were shallow, which means they were more destructive than deeper quakes of the same magnitude would have been.

In deeper earthquakes, much of the energy dissipates as it moves through layers of rock. By contrast, shallow ones release their energy closer to the ground, producing stronger shaking and greater damage in populated areas.

How many people live in informal housing in Caracas?

People living in informal housing are more at risk than others during earthquakes because low-cost, self-built housing structures, often built on hillsides and other slopes, are not resilient against tremors.

The slums in Caracas are known as barrios and are densely populated, lacking proper infrastructure. They comprise self-constructed housing or structures built with unreinforced cinderblocks or bricks, often without formal foundations or steel reinforcement, mostly on the mountainous hillsides surrounding the capital.

The lack of proper urban planning, coupled with construction on steep slopes, makes the barrios vulnerable to natural disasters.

While there is no official figure for the number of Venezuelans living in informal settlements in Caracas, academic estimates suggest they account for 40 to 50 percent of the city’s nearly five million residents.

According to the latest National Survey of Living Conditions (ENCOVI), about 55 percent of Venezuelans are living in poverty.

Which countries are better prepared for earthquakes?

Many parts of the world have adapted infrastructure with seismic engineering. Many earthquake-prone countries now plan and construct buildings with damage mitigation from tremors in mind.

Japan, one of the most quake-prone nations in the world, has strict building codes, which means many structures survive shaking that would devastate poorly built homes in parts of Indonesia or Central America. In most inland earthquakes, the majority of deaths and injuries are caused when poorly built structures collapse rather than by the shaking itself.

Japan has made enormous public investments in seismic research and has superior access to advanced engineering technologies like base isolation, which involves the installation of massive steel or rubber shock absorbers beneath the foundations of buildings.

This is why global deaths and destruction from earthquakes have reduced in the past decades. For instance, in 1556, the deadliest earthquake in recorded history in China’s Shaanxi killed about 830,000 people. In 2023, an earthquake hit northwestern China near the Shaanxi province, killing 127 people.

Lionel Richie brought the first stop on his summer tour with Earth, Wind & Fire to an abrupt stop Wednesday evening, citing his health.

The 77-year-old Grammy winner, hitmaker of “Hello” and “Say You, Say Me,” unexpectedly hit pause on the concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times during his performance of “Dancing on the Ceiling” and telling his audience he felt “dizzy,” according to videos shared on social media.

“What I have learned about my years of being in the business, when you are feeling dizzy, sit your a— down,” he joked, according to a TikTok posted Wednesday evening by user ynaffitmocha. “When you are feeling strange about yourself, sit your a— down.”

Moments later, saxophonist Dino Soldo informed the audience that the singer was “not feeling well” and would not continue the concert. A representative for the singer did not respond to a request for comment, but TMZ reported on Thursday the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution.

A spokesperson for the Saint Paul Fire Department did not immediately respond to a request for confirmation on Thursday.

Live Nation announced “American Idol” judge Richie and Earth, Wind & Fire’s joint tour in January, unveiling a 26-city circuit that includes stops in Chicago, Orlando, San Francisco and Los Angeles. Richie and the “September” group are next set to perform at the United Center in Chicago on Friday and again at Schottenstein Center in Columbus, Ohio. It is currently unclear whether Richie will resume performing for those concerts.

Richie and Earth, Wind & Fire are scheduled to play Inglewood’s Intuit Dome on Aug. 9. The tour ends Aug. 14 with a show at the Moody Center in Austin.

June 26 (UPI) — New York City’s rental board has approved Mayor Zohran Mamdani’s two-year rent-freeze proposal for nearly 1 million rent-stabilized apartments, fulfilling a major campaign promise.

New York City’s Rent Guidelines Board voted 7-1 to set a 0% increase for rent-stabilized one-year and two-year leases commencing on or after Oct. 1, and on or before Sept. 30, 2027.

Cheers erupted from the spectators assembled as it was announced that the motion passed.

“This is a historic victory for New York City tenants,” Mamdani said in a statement following the vote.

“After reviewing the data and hearing from New Yorkers across the city, the independent RGB has delivered a freeze on one-year leases, and the first-ever freeze on two-year leases in our city’s history. This is the relief that working people across our city deserve.”

Mamdani, a democratic socialist, campaigned heavily on making life more affordable for the average New Yorker, including by creating new affordable housing and freezing rents where legally permitted.

The mayor said he is grateful for the board members’ “thoughtful consideration of the data” before casting their votes.

“I’ll continue to deliver a more affordable city by building and preserving affordable housing, lowering building operating costs like insurance, and ensuring tenants know their rights,” he said.

According to a New York City housing survey from 2023, there were 996,600 rent-stabilized units, representing about 41% of all rental units across the city. Rent stabilization generally applies to buildings with six or more units built before 1974.

The only vote against the rent freeze came from Arpit Gupta, an associate professor of finance at New York University’s Stern School of Business.

In a statement published online following the vote, Gupta argued that the rent freeze will not solve the housing crisis while possibly making it worse and ultimately driving up rents. He also said the rent freeze could prevent building owners from considering improvements and renovations.

“Residents might continue to enjoy low rents but at the cost of being trapped in units that no longer fit their needs, and with few alternatives and steadily deteriorating conditions,” he said.

“A better option is to undertake the harder reforms needed to make housing more affordable and accessible — that is, build more of it.”

The vote was held following a series of hearings in which nearly 330 people participated and nearly 700 people submitted written, audio or video testimony about their experiences.

New York State Assembly Member Tony Simone said the rent freeze will impact about 2 million New Yorkers and is expected to save renters as much as $6.8 billion over Mamdani’s four-year term.

“This immediate action reflects the urgency needed to prevent more working-class New Yorkers from being priced out of our city,” he said in a statement, while stating that the structural factors that are driving up prices must be addressed.

“To truly address the housing crisis, we need to tackle its root cause: the housing shortage,” he continued.

“New York needs to build more housing units.”