News Desk

June 26 (Asia Today) — China said Friday that it remains in close communication with South Korea over fisheries issues after President Lee Jae Myung called for stronger action against Chinese fishing boats accused of operating illegally in the Yellow Sea.

Chinese Foreign Ministry spokesman Guo Jiakun said maintaining stable waters and an orderly fishing environment between the two countries serves their common interests.

China consistently instructs its fishermen to operate in accordance with laws and regulations while also protecting their lawful rights, Guo said at a regular news briefing in Beijing.

“China and South Korea have a relatively mature dialogue mechanism on fisheries issues and maintain close communication on related matters,” Guo said.

He did not directly address whether the Chinese vessels cited by Lee had engaged in illegal fishing.

Lee raised the issue Wednesday during a visit to the Yeonpyeong Peace Observatory, where he received a briefing on waters near the Northern Limit Line, the de facto maritime boundary between South and North Korea in the Yellow Sea.

After being told that Chinese fishing boats had moved south of the maritime line, Lee questioned why they remained there despite being observed by South Korean forces.

He also asked whether South Korea should station enforcement vessels in the area.

“We have officially confirmed that they crossed the NLL,” Lee said. “I do not think we should simply leave this unattended.”

Lee ordered officials to take firm action, saying the visible presence of the boats during daylight hours showed the seriousness of the problem.

The Chinese government’s response largely repeated its previous position, emphasizing lawful fishing, the protection of Chinese fishermen’s rights and continued consultations with South Korea.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260626010009476

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Two of my favorite movies of the year so far are opening in Los Angeles today and they both benefit from being seen with a proper audience. You will find yourself surprised by what you are laughing at, curious about what other people are laughing at and then feel the air in the room collectively shift as both films take unexpected turns toward more genuine emotional moments.

The third feature directed by Olivia Wilde, “The Invite” is a biting look at modern relationships. Wilde stars as one half of a struggling couple, unhappily married to a character played by Seth Rogen. She invites over a couple from the apartment upstairs, played by Penélope Cruz and Edward Norton, and soon all sorts of feelings start flying around.

I reviewed for the paper, noting, “It feels daring for how it wants to actually examine the emotional costs of contemporary grown-up life, bringing wincing laughs of recognition.”

Wilde will be making appearances around L.A. over the weekend, including at the Vista, where the movie is playing in 35mm.

Also opening this weekend is “Maddie’s Secret,” the debut feature as writer-director from comedian and actor John Early, who also stars as the title character, an aspiring L.A. food influencer battling bulimia. It is a truly astonishing performance, one that walks a difficult tightrope between sincerity and parody. Early will appear for Q&As around town this weekend.

I spoke to Early about the film when it played as part of the Los Angeles Festival of Movies about its unusual tone — somehow earnest, tender and very funny all at once. Joshua Rothkopf reviewed the film, which he calls the indie arrival of the year, comparing it to movies by John Waters, Todd Haynes and Douglas Sirk.

Jack meets the maestro

Jack Nicholson in the 1975 movie “The Passenger.”

(Sony Pictures Classics)

One movie I feel obligated to note whenever it plays it Michelangelo Antonioni’s “The Passenger.” Jack Nicholson stars as a disaffected journalist who assumes the identity of a dead man in an attempt to start over, only to find that his new life is even more complicated than his own. It is a powerful examination of middle-aged malaise that has Antonioni’s trademark mystery but, thanks to Nicholson, also has a directness that makes it accessible to wider audiences.

Nicholson made the film in between “Chinatown” and “One Flew Over the Cuckoo’s Nest,” at the height of his fame in the 1970s, a time when going to Europe and Africa to shoot a movie with an esoteric art-house filmmaker was a huge risk. He would personally purchase the rights to the film in the early 1980s and essentially treated it like owning an art object, very rarely allowing it to be shown publicly. It reentered circulation in 2005 with a rerelease but still has a certain air of rarity around it. The film will be showing at the New Beverly in 35mm on Saturday and Sunday.

Nicholson sat for an extended interview with The Times’ Patrick Goldstein around that 2005 reissue of the film, calling the production “the most vivid filmmaking adventure I’ve ever had.” He described his relationship to Antonioni by saying, “He’s been like a father figure to me. I worked with him because I wanted to be a film director and I thought I could learn from a master. He’s one of the few people I know that I ever really listened to.”

When the Italian filmmaker died in 2007, Nicholson got on the phone with us to say, “I don’t know how to put this: He’s just a maestro, and everybody loved him. … He was a man of joy and impeccable taste. His whole life was dedicated to modestly being a brilliant artist.”

Truffaut’s humanist warmth

Delphine Seyrig and Jean-Pierre Léaud in the movie “Stolen Kisses.”

(Janus Films)

Richard Linklater’s “Nouvelle Vague” last year didn’t exactly start a renewed wave of interest in the French New Wave of the 1960s, but then again, those movies never really went away. They’ve been inspirational to generations of film fans for more than 60 years now.

But one French director who has perhaps fallen out of favor slightly is François Truffaut. Long seen as one of the quintessential New Wave filmmakers, he has become taken for granted a little of late. Which is why it is exciting to see Brain Dead Studios showing his 1968 film “Stolen Kisses” in 35mm on Sunday.

The third in the series of films Truffaut returned to throughout his career, including his 1959 breakthrough “The 400 Blows,” the film again stars Jean-Pierre Léaud as Antoine Doinel, Truffaut’s alter ego through the stages of his life. Discharged from the army, Antoine drifts through a series of jobs. His real concern is juggling his busy love life, making the film something of a male-centered rom-com while capturing Truffaut’s warm, humanist worldview.

Rohmer’s caustic cynicism

Jean-Claude Brialy in the 1970 movie “Claire’s Knee.”

(Janus Films)

Conversely, a filmmaker of the French New Wave who has seen his stock rise during the last few years is Eric Rohmer, championed by Noah Baumbach among others. His more caustic view of the world may resonate better with more cynical modern audiences.

The American Cinematheque will begin showing Rohmer’s cycle of “Six Moral Tales” at the Los Feliz Theatre this weekend with a 35mm screening of “My Night at Maud’s” and continuing with other screenings through the end of July. Other films in the series include the sultry, summertime tale “La Collectionneuse,” the ethical dilemma of “Claire’s Knee” and the tale of infidelity “Love in the Afternoon.”

Writing about “Claire’s Knee” in 1971, Charles Champlin noted, “What redeems Rohmer’s films from a defeating sameness is the quite extraordinary charm, believability and complexity of his characters and his meticulous attention to detail and his refusal to go for gross events at the expense of the subtle shadings of human relationships.”

Honestly, if a trip to France isn’t happening for you this summer, this series makes for a not-bad substitute.

Reconsidering ’90s comedy

An image from the 2025 documentary “We Are Pat.”

(The Film Collaborative)

Fresh off its world premiere at the recent Tribeca Film Festival, Ro Haber’s documentary “We Are Pat” will screen at Vidiots on Sunday. Haber will be there along with comedians Julia Sweeney and Harper Steele and, for good measure, Alan Cumming.

“We Are Pat” examines the afterlife of Sweeney’s character from “Saturday Night Live,” a confusingly genderless person who no one can ever quite figure out how to engage with. The way Pat has been picked up by a new generation of genderfluid comedians shows how influence and inspiration can come from the unlikeliest of places, and also how comedic ideas can transform over time.

Ali in Africa

Muhammad Ali fights George Foreman in the 1996 documentary “When We Were Kings.”

(Gramercy Pictures)

Released in 1996, “When We Were Kings” depicts the 1974 boxing match in Zaire between Muhammad Ali and George Foreman known as “The Rumble in the Jungle.” Director Leon Gast was unable to complete the film at the time, so the footage languished for years until he got an assist from filmmaker Taylor Hackford in shooting contemporary interviews with the likes of Norman Mailer, George Plimpton and Spike Lee. “When We Were Kings” would go on to win the Academy Award for documentary feature. It will be screening at Vidiots on Saturday.

The core of the movie is watching the thrilling, inspiring footage of Ali training and interacting with the locals. As Kenneth Turan wrote in his original review, “Because a classic heavyweight championship fight, especially with these protagonists, epitomizes the drama inherent in sport, ‘When We Were Kings’ always compels our interest.”

New this week

• Amy Nicholson wasn’t crazy about “Supergirl,” but reserves praise for star Milly Alcock as the “one reason to see the film.”
• Johnny Knoxville and friends are back for another round of stunts and pranks in “Jackass: Best and Last.” Age has finally caught up with them, Amy Nicholson laments.
• It seems a little odd that a movie starring Angelina Jolie, “Couture,” is just sort of sneaking into theaters, but that’s movie business in 2026. We spoke to Jolie at last year’s Toronto International Film Festival about the film.

June 26 (UPI) — A Federal Emergency Management Agency official who claims he was once teleported to a Waffle House has been ousted from the agency, unnamed sources familiar with the situation told media outlets Friday.

Gregg Phillips, who was appointed to lead the Office of Response and Recovery in December, was asked to vacate his position because of concerns about how he’s publicly perceived, anonymous sources told The New York Times, The Washington Post and CNN.

Phillips, the associate administrator for FEMA’s Office of Response and Recovery, posted on social media in April doubling down on his teleportation claim. He said it really happened and that it is connected to his Christianity.

“God will not be mocked,” Phillips posted on Truth Social. “People can debate me. Question me. Even ridicule what they don’t understand.”

He clarified that it happened while he was heavily medicated during cancer treatment.

“The word ‘teleportation’ was not mine,” Phillips posted on Truth Social. “It was used by someone else in the conversation reaching for language to describe something with no easy name. The more accurate biblical terms are ‘translated’ or ‘transported’ — not new ideas for people of faith.”

The Department of Homeland Security confirmed Thursday that Phillips is leaving the agency, saying he is taking leave for personal reasons. But sources told CNN the departure was not by his choice.

New DHS leadership was tired of his public image and clashes with department leadership, the sources said. David Arnold, a senior official who left FEMA earlier this year, will fill in as an acting leader of the Office of Response and Recovery.

The office has more than 1,000 employees and a budget of nearly $300 million. It’s critical to the mission of responding to disasters.

Phillips was known as a conspiracy theorist, particularly concerning election fraud. He said millions of noncitizens had voted in the 2016 election. Trump also boosted those claims.

Some agency staff were unhappy with his ouster, saying he wanted to help improve the agency.

“He showed interest in preserving the mission of the agency and helping us serve citizens,” one current agency official told The Post.

Another agency official told The Post that Phillips was one of the only political appointees who supported staff and would push back against leadership such as former Homeland Security Secretary Kristi Noem or Karen Evans, who briefly led FEMA.

Deaths of immigrants held in US detention centres have surged during Donald Trump’s second term.

The United Nations High Commissioner for Human Rights, Volker Turk, has called for an independent investigation into the severe uptick in deaths in migrant detention centres during President Donald Trump’s second term in office.

In a statement on Friday, Turk expressed concern over the lack of transparency over those deaths, at least 19 of which have occurred so far this year, according to US government statistics.

“Those responsible for violations of the law must be held to account, and the rights of the victims’ families to truth, justice and reparation and guarantees of non-recurrence must be upheld,” the UN rights chief said.

Deaths in immigrant detention centres have surged during Trump’s second term in office, a by-product of what rights groups and immigration lawyers have depicted as systematic neglect, inhumane conditions and abuses.

The Trump administration has sought to rapidly expand the network of immigrant detention centres, some operated by private contractors, as it seeks to carry out the mass deportation of immigrants in the US.

Trump stated in a social media post on Friday that his administration has the “Highest Average Daily Arrest Rate by ICE and CBP, including Total Detention, with Final Orders of Removal, than any other president, by far!”

The reported death of a Georgian man, Mamuka Artmeladze, in a detention facility in Louisiana on June 4 increased the number of fatalities so far this year to 19, compared to 33 last year and 11 in 2024.

“The mortality rate of deaths in ICE custody is at its highest level in over a decade and has more than doubled since Trump’s second term began,” the watchdog group Human Rights Watch wrote in a report on detention deaths earlier this month. “The rate is nearly four times that of the Biden administration and more than two and a half times as high as that of the first Trump administration.”

That report said the 52 people who have died in detention during Trump’s second term ranged in age from 19 to 75 and came from 20 different nationalities.

Turk wrote on Friday that there have been “concerning allegations regarding the use of force” at such facilities and that five of the deaths recorded in 2026 were classified as suicides.

He also expressed concern over the reported use of solitary confinement, which is associated with a heightened risk of suicide and considered a form of torture by the UN after a period of 15 days.

“All these factors exacerbate vulnerability and raise serious concerns as to whether some of these deaths in ICE custody could have been prevented,” he said.

In the last decade or so, Angelina Jolie has been on screen less frequently. So when she is — and not in forgettable tentpoles like “Eternals” — it’s worth paying attention. There seems to be a thoughtful intentionality to the roles she now chooses, almost as if this astoundingly famous woman wants to tell us something vital about herself, offering clues into her understandably guarded personal life.

Take 2015’s “By the Sea,” which she wrote and directed. Coincidentally or not, that pained study of marital dissolution, co-starring Jolie’s then-husband Brad Pitt, intersected with the couple’s real-life breakup — not to mention Jolie’s grief over the death of her mother, Marcheline Bertrand. Two years ago, Jolie portrayed a version of the elusive, emotionally closed-off opera singer Maria Callas in “Maria.” The conception of the role, marked by a dim view of stardom’s suffocating alienation, was something Jolie clearly understood. Moviegoers should be careful not to read too much autobiography into an actor’s creative choices, but Jolie makes such speculation tantalizing, adding additional layers of drama to her films.

The intermittently affecting “Couture” feels similarly close to her heart, depicting a filmmaker whose life is interrupted by a cancer diagnosis — a reality Jolie knows all too well. In 2013, she underwent a preventive double mastectomy over concerns of her likelihood to develop breast or ovarian cancer. (Bertrand died of cancer in 2007.) Knowledge of Jolie’s circumstance will inform a viewer’s reaction to her wounded, resilient performance, but our inherent sympathies can only take French writer-director Alice Winocour’s ensemble piece so far.

Jolie plays Maxine, an American indie director hired to create a flashy opening film for Paris Fashion Week. Newly arrived in the City of Light, she has only a few days to put together the short, assisted by her trusted cinematographer Anton (Louis Garrel). As we deduce from the phone calls Maxine makes back home, she’s also going through an acrimonious divorce and has trouble connecting with her blasé teenage daughter. At least this Paris paycheck gig will bolster her finances — and get her ready for the feature film she’s been wanting to make for years.

Just then, though, Maxine’s future gets a rewrite. A French doctor (Vincent London) tells her she has breast cancer and needs a double mastectomy immediately. Maybe she can finish the Fashion Week film, but her passion project must wait. An artist and mother who has spent her adulthood in constant motion will have to learn what it means to stop everything and be still.

The film’s title would appear to be a reference to the story’s setting, but in French, “coutures” can also mean “stitches,” and indeed Winocour sews together three thematically linked story strands. As Maxine wrestles with her cancer diagnosis, an inexperienced South Sudanese model named Ada (Anyier Anei) works Fashion Week so she can send money home to her family. (Ada has no interest in modeling, hoping instead to become a pharmacist.) Meanwhile a makeup artist, Angèle (Ella Rumpf), longs to be an author, although she cannot get anyone interested in her writing. Each one becomes a part of the fabric of Fashion Week, but their disparate problems are a far cry from the glitzy event’s self-importance.

Winocour has often made films about women balancing their public-facing life with their private selves In 2019’s “Proxima,” Eva Green played an astronaut missing her young daughter. In 2022’s “Paris Memories,” Virginie Efira starred as an interpreter recovering from the shock of surviving a terrorist attack. Winocour shows us the intimate, vulnerable spaces within her characters that those on the outside don’t have access to.

“Couture’s” three principals rarely interact with one another, but those meaningful exchanges argue that, amid the mad clatter of the everyday, a brief, unguarded moment with a stranger can be supremely restorative. Unfortunately, the juggling of storylines ends up being more schematic than insightful. Angèle’s narrative never catches fire and while Anei is striking as Ada, that section of the film feels slightly patronizing, reducing this immigrant tale to yet another strained salute to perseverance.

This leaves Jolie as the movie’s magnetic center, with Maxine drifting through despair as she ponders what to do. Her doctor insists that the surgery cannot wait, but putting her ambitions on hold means losing a part of herself — a different kind of death sentence than the one she’s now facing.

The character is underwritten but Jolie picks up much of the slack through her silently shattered expression. As she’s gotten older, the Oscar winner has become more comfortable doing less in her performances, allowing for a fragile serenity that is belied by the anguish and anxiety roiling underneath. It’s not just our recognition of the real-life parallels that make Jolie so touching in “Couture” — it’s that ineffable star power she’s possessed for so long. In a story about a potential tragedy, what’s saddest is that Winocour’s film cannot match its lead’s effortless command.

June 26 (UPI) — The Transportation Security Administration on Friday said that it expects to screen roughly 18.7 million travelers at U.S. airports during the July Fourth holiday week that runs from June 30 to July 6.

The agency said it has prepared itself for the traditionally busy week of travel to be even busier, as this July 4 is America’s 250th birthday amid the FIFA World Cup, which has games in 11 U.S. cities next week.

AAA has projected that this year’s week of holiday travel is set to break records, with roughly 72.2 million Americans expected to travel at least 50 miles from their homes — an increase from the 71.8 million that traveled in 2025.

“TSA security checkpoints are fully staffed and prepared to welcome these travelers and handle the large passenger volumes expected during the Fourth of July holiday period,” Ha Nguyen McNeill, a senior TSA official who is performing the duties of the administrator, said in a press release.

“We’ve implemented significant technology enhancements at key airports for the historic FIFA World Cup 2026, as well as for America 250 celebrations across the country,” McNeill said. “TSA is working closely with federal, state and local partners to safeguard the traveling public and manage security for large-scale public events.”

TSA said it expects that Thursday, July 2, will be the busiest travel day next week, with more than 3 million people moving through U.S. airports.

The Top 10 domestic destinations for Americans during the holiday week for July 4 include Seattle, Orlando, Anchorage and Fairbanks in Alaska, New York City, Chicago, Fort Lauderdale, Denver and Boston,

TSA also has prepared for teams, team staffs and fans to travel to the 11 World Cup host cities in the United States.

The 11 cities have some cross-over with the locations most Americans are expected to travel, which include Atlanta, Boston, Dallas, Houston, Kansas City, Los Angeles, Miami, New York/New Jersey, Philadelphia, the San Francisco Bay Area and Seattle.

An Israeli attack on a vehicle in the central Gaza Strip has killed three Palestinians and injured several more.

Palestine’s Ministry of the Interior and National Security condemned the attack, which took place in Maghazi refugee camp in Deir el-Balah on Friday, saying that the victims were all police officers.

“Their vehicle was treacherously bombed by the Israeli occupation forces,” said a ministry statement published on Telegram.

It named the three deceased as Captain Mansour Sami Shahtout, Captain Mohammed Khaled Nofal, and First Sergeant Mahdi Nader Jabr.

Palestine’s Wafa news agency said an Israeli combat drone targeted a vehicle near the entrance of the Maghazi refugee camp, while Anadolu news agency reported that the Israeli drone fired at least two missiles at the vehicle, causing it to catch fire, which resulted in the deaths and injuries.

Witness video accounts showed a civilian vehicle burning after it was struck on Salah al-Din Street at the entrance of Maghazi camp.

The bodies were reportedly taken to Al-Aqsa Martyrs Hospital in Deir el-Balah.

“The Ministry of Interior condemns the heinous crime committed by the occupation in targeting civil police personnel, an act that demonstrates a persistent intent to spread chaos across the Gaza Strip,” the ministry added in its statement.

It reiterated its “call on the international community and the guarantor states of the ceasefire agreement to exert pressure on the occupying forces to cease their repeated targeting of the police force, its personnel and its resources.”

The US-brokered “ceasefire” agreement has been in effect in Gaza since October 10, 2025, though violations have continued to be reported across the enclave, with Israel continuing its attacks.

According to Gaza’s Health Ministry, Israeli violations of the “ceasefire” agreement have killed 1,031 Palestinians and injured 3,309 others as of Thursday. In total, since Israel’s genocidal war began in October 2023, more than 73,000 Palestinians have been killed in Gaza.

Gaza ‘ceasefire’ developments

As attacks on the ground continue, Hamas said that consultations are ongoing with other Palestinian factions and regional mediators to reach understandings that would ensure the full implementation of the Gaza “ceasefire” agreement.

“These discussions concern the full implementation of the ceasefire agreement, including what remains of the first phase and mechanisms for implementing the second phase,” Hamas spokesman Hazem Qassem told Anadolu on Friday.

He added that a delegation from Hamas and other Palestinian factions is expected to visit Cairo in the coming days to deliver its response to newly proposed approaches.

Qassem said Palestinian factions had previously reached understandings that were welcomed by mediators, before Board of Peace envoy Nikolay Mladenov presented what he described as “different approaches” that are currently under final review by Hamas and the factions.

“We hope the efforts of the mediators and Mr. Mladenov will lead to compelling the occupation to implement what was agreed upon, particularly the humanitarian provisions of the first phase, and then move to the second phase with all its complexities,” Qassem said.

Regarding the situation on the ground, Qassem accused Israel of committing major and continuous violations of the ceasefire agreement, including restrictions on humanitarian aid and continued killings.

He told Anadolu more than 1,000 Palestinians have been killed since the ceasefire entered into force, adding that Israel had expanded the “yellow line” into new areas of Gaza, accompanied by displacement and home demolitions.

“These violations require, first, a clear stance from the mediators to pressure the occupation, and second, serious work to bring the national committee into Gaza so a genuine relief and reconstruction process can begin,” he said.

“We do not want the starvation policy imposed on our people to be repeated while the world remains a spectator. Nor should the killing and destruction continue while the world watches,” he added.

TELLY favourites Stacey Solomon and Joe Swash are set to upgrade their Pickle Cottage home for a sprawling mansion set in 30 acres.

The couple have set their sights on an impressive eight-bedroom Victorian mansion, which is said to be central to DIY influencer Stacey’s next renovation project.

A source said the pair “fell in love” with the Essex property after viewing it as a potential new home for their family of eight.

And the news should help quash rumours that their relationship is on the rocks.

Stacey, 36, will have her work cut out transforming the already-impressive gaff, which costs almost double the £1.3million price of their current home and is more than 7,500 sq ft — complete with a pool and a lake.

Our source said the couple would be sad to leave Pickle Cottage, but are grateful to have the chance to make “new memories” with their brood.

They said: “They viewed the house and fell in love with it. It’s got extra space for the kids.

“Pickle Cottage only has five bedrooms. They have six children and then they need a room for themselves. It gives Stacey a chance to do more of her amazing DIY work as well.

“She has a great eye for interiors. This house needs a bit of love and work to make it the absolute dream home where they can make new memories.”

The family’s current Tudor-style Pickle Cottage, also in Essex, is the setting for their reality TV show, which launched to 4.2million viewers in April last year, with a second series last September.

The BBC has commissioned a third series of the show, despite scrutiny after The Sun’s revelation that the couple’s lavish 2022 wedding was never made legal.

Following the news, Stacey took to social media to tell her six million followers the pair had always been clear it was a “religious ceremony and blessing” in their garden.

She added that the couple plan to get “legally married at a later point”.

Stacey and Joe, 44, have three kids together — Rex, seven, Rose, four, and three-year-old Belle — while Stacey also has teenage sons Zachary, 18, and Leighton, 14, and Joe has son Harry, 19.

In March, after being pictured multiple times with and without her wedding ring, Stacey addressed speculation about “issues going on” in her marriage on ITV’s This Morning.

She told presenter Ben ­Shephard: “There’s a new rumour each week. Have I not been wearing my ring? I probably took it off to go to the toilet or something.”

Stacey and ex-EastEnders star Joe have built lucrative careers on their family image after first meeting on ITV’s I’m a Celebrity show in 2010.

June 26 (UPI) — President Donald Trump said Friday that Iran has attacked ships in the Strait of Hormuz and that it’s a violation of the cease-fire between the United States and Iran.

A cargo ship in the strait was attacked Thursday, but it’s unclear if this is the attack about which the president was speaking.

“The Islamic Republic of Iran shot at least four One Way Attack Drones at Ships transversing the Strait of Hormuz. One of the Drones solidly hit the upper deck of a large and very expensive Cargo Carrying Ship. Damage was done, but the Ship was able to proceed on its way. We knocked down three other Drones. Obviously, this is a foolish violation of our Ceasefire Agreement. President DONALD J. TRUMP,” the post on Truth Social said.

Trump did not address the negotiations with Iran.

Iranian Deputy Foreign Minister Kazem Gharibabadi posted a statement on X Friday emphasizing Iran’s control of the strait.

“Safe passage through the Strait of Hormuz, with ambiguous arrangements, parallel routes, or decision-making outside of Iran’s considerations as the coastal state, cannot be guaranteed. Any credible framework must be based on coordination with Iran and the provisions of paragraph five of the Islamabad Memorandum of Understanding. Otherwise, the outcome will be the suspension of the designated parallel route,” the post said.

The memorandum of understanding that Trump and Iran’s president signed on June 17 established the cease-fire and opened passage through the strait. In the fifth paragraph, it said Iran will use its “best efforts” to ensure the safe passage of commercial vessels with no charge for 60 days, The Hill reported.

On Thursday, the United States issued a joint statement with the Gulf Cooperation Council saying that “free, unconditional, and unrestricted navigation” through the strait is guaranteed under international law.

“The Ministers rejected any tolls, fees, or attempts to assert control over the strait,” the statement said. The council includes Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates.

The Supreme Court’s ruling allowing the administration of US President Donald Trump to do away with a special legal status for Haitians and Syrians has sent shockwaves through communities across the country.

Immigration advocates say the 6-3 majority decision allowing the Trump administration to terminate Temporary Protected Status (TPS) will have a resounding impact on nationals of Haiti and Syria, raising the spectre of deportation and family separation, while likely leaving US employers in the lurch.

But the ruling is set to have more far-reaching implications, advocates have warned, creating a new tool to “empower Trump’s ICE deportation machine to take away legal protections and work permits from hundreds of thousands of people”, according to Hector Sanchez Barba, the president of the Mi Familia Vota advocacy group.

“This has been a defining element of the Trump- [White House adviser Stephen] Miller campaign of cruelty, revoking legal or temporary status, taking away work permits and forcing immigration judges to dismiss cases to accelerate detentions and deportations,” Barba said in a statement following Thursday’s ruling.

Here’s what to know.

What does the ruling mean for Haitians and Syrians on TPS?

Temporary Protected Status (TPS) was created by Congress as part of the Immigration Act of 1990. It allowed the executive branch, particularly the Secretary of Homeland Security, to declare that it is unsafe for foreigners to return to their home countries in light of extraordinary temporary conditions, such as armed conflict, natural disasters or other internal crises.

When a country is designated under TPS, its nationals are granted temporary legal status to reside and work in the US.

Haiti was first designated for TPS following the devastating earthquake in 2010, which killed over 250,000 people. The status has been repeatedly renewed as the Caribbean nation has suffered overlapping political, security and humanitarian crises.

Syria has been designated for the status since 2012, after the start of the civil war which lasted almost 14 years.

All told, about 350,000 Haitians and about 6,000 Syrians are believed to be in this status.

Immigration advocates say the ruling will send TPS recipients scrambling to find other legal pathways to stay in the US or become deportable under Trump’s mass deportation drive.

Given that both countries have been designated for TPS for over a decade, the decision also raises the spectre of family separation, particularly for parents with children born in the US.

“Ending these protections for hundreds of thousands of Haitians and thousands of Syrians will tear families apart, disrupt workplaces and communities and place vulnerable individuals at risk,” Council on American Islamic Relations (CAIR) national executive director Nihad Awad said.

“Many TPS holders have lived in our nation for years, raised American children, built businesses, contributed to our economy and become integral members of their communities.”

What does it mean for US employers?

Several labour organisations and unions have underscored the impact the sudden change in status could have on US industries.

Neidi Dominguez, the executive director of Organized Power in Numbers, called the ruling a “gut punch that requires workers, immigrant communities and the employers who rely on them to hit back together through our organising”.

“They work in hospitality, food service, education, construction, health care and every industry,” Dominguez said. “These are our coworkers, our neighbours and the backbone of the economy across this country, from service to construction and healthcare.”

The healthcare industry is expected to be particularly hard-hit by the decision, with the Migration Policy Institute finding that Haitian immigrants held over 103,000 healthcare jobs in 2021.

“This unconscionable ruling will leave thousands more immigrants – not just registered nurses and healthcare workers, but also teachers, airport workers, hard-working people – vulnerable to the Trump administration’s deadly, money-making deportation machine,” the National Nurses United union said in a statement.

“This decision will further strain our healthcare workforce and worsen the nurse staffing crisis,” it said.

Why does this extend beyond Haitian and Syrian TPS?

Lower courts had previously ruled that the Trump administration did not follow proper procedures, including conducting an inter-agency review to determine that conditions in both countries had improved, in terminating TPS for Haiti and Syria.

But, as Aaron Reichlin-Melnick, a Senior Fellow at the American Immigration Council, explained, the Supreme Court’s majority ruling did not even address whether the Department of Homeland Security Secretary had followed the legally mandated procedures in terminating TPS.

“Rather, the Court said that questions of whether the DHS secretary followed the law cannot be heard by courts in the first place,” he wrote, “meaning that in the future even an openly unlawful decision to grant or terminate TPS could be entirely insulated from judicial review”.

The ruling will further allow the Trump administration to “return to federal court in other cases and overturn decisions ruling against the termination of TPS for countries such as Venezuela, Somalia, Ethiopia and others”, he added.

Angelica Sedgwick Oun, a US immigration researcher at Human Rights Watch, said the ruling “leaves the DHS secretary with unfettered power to make a life-and-death decision about whether it is safe enough to send someone back to a country facing rampant violence, like Haiti, or conflict, like Syria, without meaningfully consulting on human rights conditions there”.

What comes next?

Because the Supreme Court is the top appellate court in the US, there is little recourse available through the judiciary.

But an array of advocacy groups have called on Congress to intervene.

In a rare bipartisan move on immigration, the US House of Representatives in April passed an extension to Temporary Protected Status for Haitians until 2029. The Senate has not yet taken up the measure.

Others have called on Congress to pass legislation to assert a process for courts to review any TPS terminations.

How well do you remember your U.S. history class from high school or college? Did some of the key moments in America’s 250 years of existence involve Larry David playing a founding father? OK, maybe not, but it’s fun to imagine what that would be like. And that’s precisely what David and Jeff Schaffer have done with their new HBO series “Life, Larry and the Pursuit of Unhappiness.”

The series, premiering Friday, is a timely look at some of America’s big moments in history with a comedic twist that will remind viewers of “Curb Your Enthusiasm,” partly because it also features some cast members from the show. The series arrives on the cusp of the 250th anniversary of America’s founding, and offers an alternative history that’s still steeped in facts. Schaffer stopped by Guest Spot to talk about creating the series with David and what it was like to work with former President Obama.

Speaking of laughter, if you like yours with a whole lot of drama, FX dropped the final season of “The Bear” Thursday on Hulu. The series, which premiered in 2022 and made phrases like “cousin,” “yes, chef,” and “every second counts” memorable, ties up a lot of strings for its crew of chefs. Jeremy Allen White and Ayo Edebiri, the actors who were at the center of the show for five seasons, spoke to us about “The Bear” coming to a close, where their characters end up and what it feels like to leave them behind (be forewarned, the interview has lots of spoilers).

The finale feels like a fitting end to one of the best shows of the past decade (so far) — but we won’t say much more. Enjoy each episode like a multi-course meal at a fine-dining restaurant. You’ll want to savor each bite before it’s over.

Also in this week’s Screen Gab, our writers recommend an animated series with monsters and mystery and a documentary about one of America’s greatest bands. I’ll get my flags, fireworks and BBQ supplies ready in the meantime. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Bobby and Romy in Disney+’s “The Doomies.”

(Disney)

“The Doomies” (Disney+)

If you’re missing “Widow’s Bay,” and like cartoons, here’s another tale of monsters loose in a coastal tourist town, with the difference that the town, called “Ouimpre,” is decidedly on the Atlantic coast of northwest France. (It’s a Franglais pun.) There are half-timbered buildings; what used to be a Camembert factory after it was a beret factory; a cafe that serves crepes, not pancakes; and boulangeries, not bakeries. (It’s a French production; Disney encouraged animator Andrés Fernandez to go local.) As in “Stranger Things,” which no one may be missing by now, the protagonists are kids — Romy, who is excitable and impulsive, and Bobby, who is neither — abetted by a formidable female teenage demon slayer and a lighthouse keeper with occult knowledge. The series is energetic, funny and character-driven — even the monsters. The action is well-staged and intense, the color palette moody and evocative, and the design not at all reminiscent of a hundred other cartoons, which makes the show refreshing as well as fun. — Robert Lloyd

Earth, Wind & Fire in HBO’s “Earth, Wind & Fire (To Be Celestial vs. That’s The Weight Of The World)”

(Jeffrey Mayer / HBO)

“Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)” (HBO Max)

Even if you think you don’t know Earth, Wind & Fire, chances are they’ve soundtracked a wedding, bar mitzvah, awkward office party or some other memorable celebration in your life. Somewhere between “Shining Star,” “Let’s Groove” and “September,” the band mastered the art of coaxing three or four generations of a family onto the same dance floor. Questlove’s new documentary explores how that happened. If his recent Sly Stone film examined how genius can curdle into self-destruction, this one asks a different question: How did Earth, Wind & Fire founder Maurice White build something that lasted? Abandoned by his mother as a child, White set out to create not just a band but a family, assembling a sprawling ensemble around a musical and spiritual vision. Questlove is too thoughtful a filmmaker to sand down the rough edges. White emerges as both inspiring and flawed: a gifted bandleader, spiritual seeker and demanding perfectionist whose drive sometimes came at a personal cost. Drawing on interviews with everyone from former bandmates to Stevie Wonder, Lionel Richie and Barack and Michelle Obama, Questlove builds a portrait of White that never shies away from his contradictions. In the process, he shows how White’s fascination with spirituality, Egyptology and the cosmic unknown shaped both the band’s music and mythology. You may occasionally wish the film lingered longer on the performances themselves (for a reminder of what made Earth, Wind & Fire such a formidable live act, start with the 1975 concert album “Gratitude”). But by the end, you have a deeper appreciation for the band’s unlikely feat: turning something so eccentric into something so universal. — Josh Rottenberg

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Larry David in “Life, Larry and the Pursuit of Unhappiness.”

(John Johnson / HBO)

Is Larry David about to be the most entertaining (and crankiest) history teacher America has ever had?

To celebrate the arrival of the nation’s semiquincentennial, the comedian teamed up with Barack and Michelle Obama’s Higher Ground Productions to revisit the truth of our history with some comedic chaos. The result is “Life, Larry and the Pursuit of Unhappiness,” a seven-episode sketch comedy series from the mind of David and his longtime “Curb Your Enthusiasm” collaborator Jeff Schaffer that pairs reenactments of seminal milestones from America’s past with David’s misanthropic humor — or, as its creators dub it, “‘Curb’ in costume.” Subtitled “An Almost History of America,” it features a star-studded roster of actors dressing up in period clothes alongside David, including “Curb’s” Jeff Garlin, J.B. Smoove and Susie Essman, as well as Bill Hader, Kathryn Hahn, Jon Hamm and Jerry Seinfeld. The first episode premieres Friday at 9 p.m. ET/PT on HBO and will stream on HBO Max.

Over a video call, Schaffer discussed the show’s genesis, former President Obama’s improv skills and the British TV series that has him entertained. — Yvonne Villarreal

Tell me about getting into business with the Obamas. Their production company approached Larry. How did it evolve into this?

Larry and President Obama know each other a little bit. They really enjoy each other’s company, or at least Larry enjoys needling Obama, and Obama really enjoys needling Larry. The moment that we all met together to have our first meeting, the first thing Obama does — I’ve never met the president [prior]— he starts just ragging on Larry’s golf game, and how he wears so much sunscreen on the golf course. And Larry just goes to President Obama, “Oh, I’m sorry, my dad’s not from Kenya.” And that’s how it started. They have a great rapport and they wanted to do something special for the 250th [anniversary]. Larry says no to everything — his best friend can be having a premiere of a movie, and Larry will go, “Where is it in Hollywood?” But Larry’s not going, that’s too far. When this came around, Larry was like, “Huh, that’s actually pretty interesting.” He responded right away to the historical nature of it because, as he would say, he’s an American history buff.

The genesis for Larry and I is that we had done a tiny test run of this with that FTX ad for the Super Bowl a few years back. I don’t know, whatever happened to those people — I’m sure they’re fine — but he remembered how much fun he had being in costume. And honestly, I think he forgot how much he hated being in a wig. It’s like childbirth, enough time had passed.

Given the sort of tenor of the times, why does this type of comedic look at America’s history feel like the appropriate way to mark this anniversary?

It’s the 250th and I get that celebrating the country right now may feel like throwing a birthday party for your friend who’s in rehab — he’s all f— up — but we still love him, right? There’s a way to look at the country’s history, warts and all, the two steps forward and the one step back. And I think one of the best ways to do that is through comedy.

Going back to President Obama — what are the negotiations to get him to appear in it? Or was that on the table from the beginning?

Once I saw the two of them interact together, that became my primary mission. We’ll write the sketches, and we’ll do the documentary stuff, we’ll make it all historical and fun, whatever, but we have to get you two on screen together. It was also sort of the promise of the show, too. When I originally talked to Amy Gravitt at HBO about it, I remember I said, “What if I could give you a show that brought together two people half of America loves?”

What was it like directing them in a scene together? He gives the opening remarks at the start of the show.

He is a truly inspiring, amazing human being who also happens to have great comedic timing. He and Larry get into a groove immediately, which is very fun, and it was honestly one of the coolest things I’ve ever done in my life, directing them. The president said, “I guess I like being annoyed by Larry. Once we get together, I start sounding like him.” It’s like Larry’s this black hole of negativity that sucked Obama in for these brief periods of time; it was just fun.

Is he good at improv then on the spot like that?

Yes, he is. He’s got some really funny stuff in the sketch they’re in together that is all him — 100% the president.

Do you have a favorite moment from this first episode — it features the Declaration of Independence, segregation and Rosa Parks.

There’s different things in each of them. The thing that I’m most excited about is when you don’t know what the next one’s going to be, and then when the narration for the little documentary section starts, and it starts talking about Rosa Parks, I can just see [viewers] going, “Oh no …” That’s a great “Curb” feeling. It’s a comedy horror film — “Oh no, don’t do that, oh no.” Then you get sucked in.

We tried really hard to make sure that production-wise, there’s historical accuracy, so it really felt like you were in this moment. Then Larry gets dropped in, and all hell breaks loose. Same thing with World War I — I got to shoot a whole bunch of World War I fighting — and there’s Larry pretending to be dead. One of the things that attracted us to it in the very beginning was the idea of the juxtaposition between these big dramatic moments and then Larry. History is writ large, and Larry writes so small and that dynamic is fun for us.

One of the great things about a show like this — or what’s come before, like “Drunk History” — are the lessons that can be learned. Is there something you learned while filming this series or a takeaway you had in looking back at our history?

There are things I did not know. One of the things that was also enjoyable is being able to talk about modern things in a historical context, even with that phone. We don’t write dialog — we write some, but it’s basically like doing “Curb.” Larry knew that people were going to ask some questions about the phone, but I just was peppering these people with questions about all of the modern stuff, and just watching Larry get angrier and angrier at these people. At a certain point, the membrane of actor, of character to real human being was breached. He was so mad at them, but that’s what making the show is. Actually, at the end of the our shoot, President Obama said to me, “I see how it works. Larry makes the world uncomfortable, and you make sure the world makes Larry uncomfortable.” That’s literally how we make the show.

Would this format work for current historical events? How do you think, 250 years from now, a reboot of this show would tackle something like telling the story of the UFC fight on the White House lawn?

That’s the problem — we’ve entered an era of America parodying itself. It’s insane. One of my good friends, Dave Mandel, used to do a “Veep” and he’s like, “What do you do now?” I think what we tried to do, and you’ll see as you go further into episodes, we try to address a lot of things that are happening right now through a historical lens. So we might be back in colonial times, and we might be back in the ‘50s, but we’re actually talking about something that’s happening right now.

Before I let you go, what is the TV show or movie out right now that you’re telling everyone to watch?

I just started watching “Steve and Alice” [Hulu, Disney+]. It’s so well done; it’s so dark and funny and really engaging.

What’s the comfort show or movie you return to again and again?

I can pretty much put on any “Lord of the Rings” [HBO Max] movie anywhere and not be able to get my butt off the seat.

ICYMI

Must-read stories you might have missed

BREAKINGBREAKING,

US Secretary of State Marco Rubio has announced the deal after talks unfolded in Washington, DC.

United States Secretary of State Marco Rubio has announced a deal framework between Lebanon and Israel after negotiations in Washington, DC.

Details about the agreement remain scarce. But in his remarks on Friday, Rubio made clear that the deal was only the “first step” in further negotiations.

“It’s the beginning of the beginning,” Rubio said, surrounded by representatives from both Lebanon and Israel.

“There’s a lot of work ahead. We don’t in any way underestimate the difficulty of the task ahead, but we understand the importance of it, how vital it is.”

The two sides had gathered in Washington, DC, for three days of US-mediated talks this week, starting on Tuesday.

More details to come…

A viral World Cup campaign tapped into a familiar conversation among Egyptian football fans, prompting debate over hope, expectation and decades of World Cup disappointment. Al Jazeera’s Yasmeen ElTahan explains.

Stranger Things favourites are back again as a father-daughter duo.

Stranger Things fans are getting hyped up over an unexpected Netflix reunion.

Netflix has confirmed that David Harbour and Millie Bobby Brown, who played Jim Hopper and Millie Bobby Brown in Stranger Things, are going to be working together again.

The iconic pair will be teaming up in an untitled father-daughter spy thriller, loosely inspired by author Paul Warner’s debut novel A Spy in the Blood.

What’s even more exciting is that this upcoming series will be created by none other than Jack Thorne, co-creator of Netflix’s Adolescence, as well as other hits like His Dark Materials and the Enola Holmes franchise.

Harbour and Brown will be returning to familiar territory in the new series as they will be portraying a dad and daughter, very much like the familial dynamic between Stranger Things’ Hopper and Eleven.

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In the freshly announced series, Harbour will be playing “disgraced FBI agent turned security expert Matt Wolfe” while actress Millie Bobby Brown is behind Rebecca, his estranged daughter and FBI agent.

However, Matt is drawn back into the world that he left behind when Rebecca “vanishes on a mission, forcing him back into a field that has evolved beyond him”.

While the spy thriller has been given a straight-to-series order by Netflix, there has been no word on when subscribers can expect the series just yet.

Netflix Head of Scripted Series, US and Canada Jinny Howe said: “We are delighted to bring this spy drama to life with an extraordinary group of talent we’ve been fortunate to collaborate with before.

“Jack Thorne’s ability to find the deeply human story inside a thriller is unmatched, and watching Millie Bobby Brown and David Harbour reunite — this time as estranged father and daughter on opposite sides of a crisis — is something audiences are going to love.”

Harbour hinted at the collaboration in an interview with Variety, teasing: “You’ll see more of me and Millie. 10 years wasn’t enough,” referring to their time together on Stranger Things.

“There is a special bond there. I love her, she loves me.”

Brown also praised her former Stranger Things co-star for bringing them back together, telling the Happy Sad Confused podcast this week: “Father-daughter is where we live, but Netflix will always be our home.

“The David Harbour project is sooner than expected, and it’s David’s idea, so kudos to him.”

Stranger Things is available to watch on Netflix.

Hezbollah leader Naim Qassem says Israel has “no option” but to “unconditionally” withdraw from southern Lebanon and other areas under its occupation. His statement came after Israeli Defence Minister Israel Katz reiterated there are no plans to leave, even if the US were to demand a withdrawal.

The advertisements all start the same way. It could be a barber, an aunt or a family member in discussion with others about the FIFA World Cup, but in each case, they assume Egypt will be heading home after the group stage.

Then an Egyptian footballer pushes back: “To all the doubters, this time we’re staying longer.”

It’s a line that’s resonating like never before in the nation of 120 million people, as Egyptian football fans wait with bated breath for the final round of group stage matches that could send The Pharaohs, as the national team are known, into uncharted territory: the knockout stages.

Here’s why these commercials have captured the zeitgeist in Egypt:

Egypt’s poor World Cup track record

Egypt was the first African and Arab nation ever to play in a World Cup, back in 1934. It has won the Africa Cup of Nations a record seven times. Football in Egypt isn’t just a sport, it’s a national identity, and The Pharaohs have long been a source of genuine pride and belief.

But the World Cup has always told a different story. Before this tournament, Egypt had qualified just three times — in 1934, 1990 and 2018.

It had never won a single match. Fans still carry the painful memories of a penalty shootout loss to Senegal that kept Egypt out of the Qatar World Cup 2022 entirely.

What’s different this time?

Everything — at least, so it seems.

After two games at the World Cup, Egypt sits at the top of Group G, above Iran, Belgium and New Zealand.

The 26th ranked Egypt drew 1-1 with Belgium — ranked 10 in the world — in its first match. Then, it beat lower-ranked New Zealand 3-1.

Its four points are the most Egypt has ever earned at a World Cup. Its four goals are the most Egypt has ever scored at a World Cup.

Now, on Friday night in Seattle — early Saturday morning in Egypt — the team faces Iran in their final group game. A win or a draw would guarantee that Egypt’s national team goes into the knockout stages for the first time.

If Egypt loses to Iran, they might still make it to the round of 32, but their fate will depend on what happens in the Belgium-New Zealand match that will be held at the same time, and potentially, on the outcomes of matches in other groups. Eight of the 12 teams places third in their groups will also move into the next round.

So in a nutshell, Egypt is on the cusp of going where it never has before — and only a rare set of permutations can deny it that chance.

But it isn’t just the performances. Part of what makes this year feel different, to many fans, is the identity of the main man standing outside the pitch, next to the Egyptian dugout.

Hossam Hassan is Egypt’s all-time top scorer and one of the most iconic figures in the country’s football history. In 1990, he scored the goal that ended a 56-year wait and sent Egypt to the World Cup in Italy. Now, more than three decades later, he is the national team’s coach, making him the first Egyptian ever to reach the World Cup as both player and manager.

For older fans, his presence carries the memory of a time when Egypt genuinely believed it could make its mark on the world stage.

So what are the advertisements really about?

They aren’t really making fun of the team. They’re making fun of the deeply ingrained expectation that Egypt won’t go very far. And that expectation, many argue, goes beyond football. Years of economic hardship and political uncertainty have made expecting the worst feel like common sense for many Egyptians. They protect themselves from disappointment. They assume it won’t work out before it doesn’t.

That’s what has also made the campaigns somewhat divisive. For some viewers, the humour felt honest — a reflection of a habit fans know they have. It prompted real questions about why low expectations have become so normal. Others argued the advertisements risked making those same low expectations feel permanent, even acceptable.

Either way, they underscore how the 2026 World Cup has reignited faith among Egyptian fans, as they wait for the Iran match. An advertisement campaign challenging doubters has come to reflect the broader hopes, doubts and debates surrounding The Pharaohs.

Our Yorkshire Farm star Amanda Owen has been a firm favourite on our screens for years

Amanda Owen rose to prominence on the much-loved series Our Yorkshire Farm.

The Channel 5 programme launched in 2018, chronicling Amanda’s experiences at Ravenseat Farm alongside her ex-husband Clive and their nine children. The show has since become one of the broadcaster’s most-watched offerings.

Channel 4 subsequently commissioned a ten-part series titled Our Farm Next Door, which documents the family as they renovate a 200-year-old farmhouse in the Yorkshire Dales.

The third series broadcast earlier this year, with a further instalment on the way.

As Our Farm Next Door prepares to air a repeat episode this evening (Friday, June 26), here’s everything you need to know about Amanda Owen’s life beyond the cameras, reports Yorkshire Live.

Heartbreaking losses

Amanda and her family have endured several painful losses at the farm. In 2022, the Owens bid farewell to their cherished dog, Kate, who died peacefully in her sleep.

In a series of tweets at the time, Amanda said she was “mourning” her “faithful workmate, companion, colleague and friend,” adding: “I miss her”.

Additionally, an emotional Amanda supported her children through the loss of their treasured horse, Little Joe. “Eventually, all life will come to an end, right? Anything can die; life is a truly fragile thing,” she noted.

In a previous episode of Our Farm Next Door, Amanda also battled to contain her emotions after discovering that their family dog, Chalky, had passed away.

When reflecting on the moment she learned the news, the mother of nine said: “It was really clear and obvious that Chalky was fading away. When the children came running out of the house saying that Chalky had passed away, they were absolutely bereft, and they knew it was coming, and I knew it was coming.”

Health struggles

The Yorkshire Shepherdess has spoken candidly about her struggle with an eating disorder that left her fearing for her life.

Amanda previously told Daily Mail: “I just shut down. Physical and mental health are intertwined and anxiety, depression, paranoia, agoraphobia and an eating disorder were all smooshed into one.”

She added: “I remember sitting in the sheep pens in the dark, just hiding. It’s the price you pay for living your life in the open, for being observed. It’s like having a post mortem before you’re dead.”

The television star revealed that she was repeatedly in and out of hospital during what she described as a “critical time”, with her former partner, Clive, even worrying that Amanda might not make it through to the following morning.

Amanda has since reassured her followers with the welcome news that she is “out of the woods”.

More recently, Amanda found herself back at hospital after her son, Miles, suffered a medical emergency on the farm due to his type one diabetes.

“It’s been a hard few days but we’re all here to tell the tale. I’m super proud of you @milesowen86,” the star wrote on Instagram, prompting an outpouring of support from her devoted fans.

Our Farm Next Door: Amanda, Clive and Kids is available to stream on Channel 4

The United Nations’ International Maritime Organization (IMO) has suspended plans to evacuate more than 11,000 sailors stranded in the Strait of Hormuz after a cargo ship transiting the waterway was struck by a projectile.

IMO Secretary-General Arsenio Dominguez said several crews had already been evacuated, but the agency had decided to pause the operation until there were “necessary safety guarantees” for those involved.

The United Kingdom Maritime Trade Operations (UKMTO), a Royal Navy maritime security agency, said on Thursday that a cargo vessel had been struck by “an unknown projectile” about 7.5 nautical miles (14km) southeast of Dahit, Oman. No casualties were reported.

The incident comes despite a memorandum of understanding (MoU) signed by the United States and Iran last week that ended hostilities and included provisions aimed at reopening the strategic waterway. Iran had restricted passage through the strait in early March after the US and Israel attacked it on February 28. In April, the US imposed a naval blockade on Iran-linked vessels trying to pass through the waterway.

Since the MoU was signed, commercial traffic has restarted through the strait, but key disagreements remain over which shipping routes vessels should use — and whether Iran gets to charge a toll or fee.

Oman and the IMO have proposed a new shipping corridor that would partially bypass waters under Iran’s direct control. Tehran has rejected the plan, saying it was announced without consultation and raises safety concerns while demining operations are still under way. While Iran has not claimed responsibility for Thursday’s attack on the ship off Oman, it has not denied any role, either.

The latest attack has heightened concerns that tensions over navigation through the strait remain unresolved. Here’s what we know.

Why is the UN evacuating sailors?

Following the outbreak of the US-Israel war on Iran on February 28, Tehran and Washington imposed counter restrictions on the passage of ships through the Strait of Hormuz, leaving thousands of seafarers unable to leave vessels trapped in the waterway.

More than a dozen sailors have also been killed in attacks on ships — some from American missiles, others from Iranian projectiles. Most of those killed were from India.

Even with last week’s agreement between Washington and Tehran to end the conflict, more than 11,000 sailors remain stranded in the strait.

Announcing the evacuation plan on Tuesday, the IMO’s Dominguez said the operation would be conducted in “close cooperation with Iran, Oman, all other coastal states in the region, the United States and the maritime industry”.

Oman’s Ministry of Defence said the operation, which had been under discussion for months, would be carried out in phases.

Denmark also announced on Tuesday that it would join a multinational maritime mission led by France and Britain to help restore safe navigation through the strait.

Why was the ship attacked?

The Singapore-flagged cargo vessel Ever Lovely was struck by what authorities described as an “unknown projectile” while transiting the Strait of Hormuz on Thursday.

Ship-tracking data from MarineTraffic showed the vessel had been following the southern shipping route proposed by the IMO earlier that day, a corridor that passes closer to Oman’s coastline and has been rejected by Iran.

Singapore’s Maritime and Port Authority (MPA) said the vessel had since completed its transit through the strait and was continuing its voyage, adding that all 21 crew members were safe.

The authority said it was “deeply concerned” by an attack it described as “unprovoked, unjustifiable, and a breach of international law”.

“All actions affecting international shipping must fully comply with international law, in particular the United Nations Convention on the Law of the Sea, and not endanger the safety of seafarers and ships at sea,” the MPA said.

The incident prompted the IMO to suspend its planned evacuation of stranded sailors. Dominguez said the Ever Lovely “did not transit under IMO’s evacuation framework”.

“I have always reiterated that the safety of the seafarers remains paramount. Therefore, to ensure a coordinated approach and navigational safety, the evacuation plan will be paused until further clarity is obtained,” he said.

What has Iran said?

While it remains unclear if the attack was carried out by Iran, the country’s Islamic Revolutionary Guard Corps had criticised the new shipping corridor announced by Oman and the IMO, while also warning that passage through the strait, “is only possible via routes announced by Iran,” the state broadcaster IRIB reported.

Kazem Gharibabadi, Iran’s deputy foreign minister, has said safe passage through the Strait of Hormuz cannot be guaranteed for vessels transiting “with ambiguous arrangements, parallel routes, or decision-making outside of Iran’s considerations as the coastal state”.

“Any credible framework must be based on coordination with Iran and the provisions of paragraph five of the Islamabad Memorandum of Understanding,” he said in a statement on X. “Otherwise, the outcome will be the suspension of the designated parallel route.”

Iran first published its own map of approved navigation routes in April, directing ships to sail much closer to the Iranian coastline than before the conflict.

The IRGC’s latest warning came after a Liberian-flagged oil tanker transited the strait on Thursday using a route closer to Oman’s coast.

On Friday, a further three foreign oil tankers that attempted to cross the Strait of Hormuz “without authorisation” were turned back after a warning from the IRGC, Iranian state TV reported.

Analysts say control over the Strait of Hormuz has long been one of Tehran’s most important sources of strategic leverage, allowing it to exert pressure on the US, whose economy is inextricably tied to global markets.

Why was the evacuation suspended?

Reporting from Tehran, Al Jazeera’s Resul Serdar Atas said the attack appeared to show Iran was prepared to enforce its warnings over navigation through the Strait of Hormuz, after Tehran insisted vessels using either the Iranian or Omani route must coordinate with its authorities.

“Yesterday, Oman announced new routes for the passage of the ships. But then the IRGC released a statement, saying that whether the ships go through the Iranian or Omani territorial waters, they need to be in full coordination with Iranian authorities,” Atas said.

“And if they violate that, then Iran is going to act accordingly. So the question was whether Iran is going to really act or not?

“The answer is yes. Now, we have seen that a tanker has been attacked by some projectiles in the Strait of Hormuz. The Revolutionary Guards did not claim responsibility but did not deny it either.”

Atas added that Gharibabadi, Iran’s deputy foreign minister, had also warned that any shipping arrangements made without taking Iran’s position as a coastal state into account would be unacceptable.

“Perhaps, in the coming days and weeks, we are going to see that the Strait of Hormuz will be one of the main sticking points.”

What other disputes remain?

Under last week’s memorandum of understanding, Iran agreed it would “make arrangements using its best efforts for the safe passage of commercial vessels with no charge, for 60 days only, from the Persian Gulf to the Sea of Oman and vice versa”.

Although the agreement says commercial traffic should resume immediately, it also acknowledges that mines laid during the conflict must first be cleared, stating that “demining by the Islamic Republic of Iran will be instated within 30 days”.

It also provides for discussions between Iran, Oman and other Gulf states over future arrangements for managing navigation through the waterway.

However, the agreement does not specify what will happen after the initial 60-day period.

Last week, Tehran announced it would waive any transit fees during those 60 days while negotiations with the United States continue in Switzerland, raising the possibility that charges could be introduced if no broader agreement is reached.

Iran’s chief negotiator, Mohammad Bagher Ghalibaf, has also suggested Tehran does not intend to return to the pre-war status quo.

“Hormuz will never return” to how it operated before the conflict, he said. The proposal has also faced resistance from the United States and several Gulf states.

Are ships still moving through the strait?

Commercial shipping has gradually resumed, although traffic remains well below normal levels. Before the conflict, between 120 and 140 vessels typically passed through the Strait of Hormuz each day.

According to maritime analytics firm Kpler, 54 verified commercial and energy-related vessels transited the strait on Thursday, down from 70 verified crossings the previous day.

“West-to-East movements dominated, while the Omani Route accounted for the largest share of identified passages. Yet route transparency remains incomplete, with several Dark or Unknown crossings recorded.

“A reported projectile strike on a cargo vessel southeast of Dahit, Oman, adds fresh operational risk, underscoring the gap between improving physical flows and still-fragile maritime security conditions,” Kpler added.

President says his country will readmit genuine nationals but insists Europe must first verify deportees’ identities.

Mogadishu, Somalia – The European Union has imposed visa restrictions on Somali citizens, escalating a dispute with Mogadishu over the return of Somalis living in Europe illegally.

The bloc’s member states approved the measures on Thursday, acting on a report that Somalia was not doing enough to take back nationals who had been refused the right to stay.

Somalia’s President Hassan Sheikh Mohamud pushed back, saying his government would readmit its citizens, but said that many returnees were not Somali nationals.

“We haven’t rejected our people; they own this country. And we cannot reject them,” the president said at an Independence Day event on Thursday, adding that Somalia had “questions about how those people would be returned.”

People across the Horn of Africa share a similar appearance, he said, and some present themselves as Somali to claim asylum in Europe. He pointed to past cases in which individuals sent back as Somalis turned out not to be, including some who “don’t know the Somali language.”

“If they are Somali, then we’ll take them. If they aren’t, we’ll help you find out where they are from, and you can send them there,” Mohamud said.

The pressures driving people to leave are rooted in decades of upheaval.

Somalia is still rebuilding after the collapse of its central government in 1991 and the long civil war that followed.

Recovery efforts have been stifled by the ongoing armed rebellion of al-Shabab, an al-Qaeda-linked armed group that has waged deadly attacks since 2006.

Those conditions have pushed many young Somalis to attempt the dangerous journey to Europe, often through Libya, where migrants have faced detention, extortion and violence.

The prime minister regularly handled such cases, Mohamud said, adding that Somali embassies had been instructed to help citizens return.

Magnus Brunner, the bloc’s migration commissioner, said countries of origin had to meet their commitments “otherwise, there can be consequences.”

A European Commission assessment concluded that Somalia’s cooperation on readmission was insufficient.

Under the new rules, member states can no longer issue multiple-entry visas to Somalis, and the fee waiver for holders of diplomatic passports has been removed. The standard processing time for visa applications has also been extended from 15 to 45 days.

The suspension has no fixed end date and is intended as leverage to push Mogadishu towards closer cooperation.

Somalia now joins a short list of countries hit with such measures.

The EU imposed similar restrictions on The Gambia in 2021 and Ethiopia in 2024, lifting the Ethiopian curbs in May after deciding cooperation had improved.

The visa restrictions add to a run of setbacks for Somali travellers.

The United States imposed a sweeping travel ban in 2025, after President Donald Trump returned to office, covering citizens of a dozen countries, including Somalia.

The policy drew attention this month when Omar Abdulkadir Artan, named Africa’s referee of the year in 2025, was denied entry to the US and couldn’t officiate at the World Cup, despite holding a valid visa.

The standoff comes as the EU tightens its wider approach to migration, pursuing return centres beyond its borders and faster deportations for people refused the right to stay.

FORMER The X Factor singer Katie Waissel has been dashed back to hospital with a suspected blood clot on her lung — less than two days after being discharged.

The 2010 reality TV star was readmitted to hospital just 36 hours after being allowed to go home.

Singer Katie is currently fighting a severe case of bacterial pneumonia and doctors now suspect a blood clot on her lung.

The 40-year-old was taken to London’s private Wellington Hospital for urgent scans and tests.

Taking to X, Katie told her followers: “After a day and a half at home, I’m now BACK at the hospital and not doing so great.”

She added in a later update: “Whilst still battling this awful bacterial pneumonia, there’s now a suspected blood clot on my lung, so I’m back in for more scans, tests and needles.

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“I’m fairly certain I’ve run out of veins for people to poke at this point.”

The mum-of-one praised the medical team at the facility for their ‘incredible’ support.

She stated that her absolute priority is to ‘get better and get home to my little boy’.

Katie shares her seven-year-old son, Hudson, with her former partner, personal trainer Andy Speer, who was born in 2018.

This latest setback follows her emergency admission last week to St John and St Elizabeth’s Hospital in London.

Reflecting on the initial scare, the songwriter admitted she was ‘far closer to the edge than I realised’.

She called the illness ‘one of the most frightening and excruciatingly painful experiences of my life’.

The close call has given her a brand new outlook on life.

In a separate social media post on Thursday, she shared: “I’m still a little bit in shock, if I’m honest, coming to terms with just how close I came to not being here anymore.

“It’s made me realise there are still so many things I want to see, do, learn and experience, and that perhaps ‘one day’ isn’t a date we should rely on.

“So, I’ve decided it’s time to write a proper bucket list and start ticking things off.”

This is not the star’s first sudden health crisis.

Back in 2021, she needed emergency treatment for a suspected heart attack, later sharing images of herself fitted with a cardiac monitor.

Katie originally rose to fame on the seventh series of The X Factor.

She was mentored by Cheryl in the girls category and eventually finished the ITV competition in seventh place – which was won by Matt Cardle.

She also appeared as a housemate on Celebrity Big Brother in 2016.

The singer is now qualified to work as a paralegal or start vocational training to become a solicitor or barrister.

The mum-of-one and lawyer set up her own dedicated foundation, O.W.H.L, in 2023 – campaigning to reform safety standards within the showbiz world.

She was branded the “most hated contestant” when she appeared on the show and has sought therapy for post-traumatic stress disorder (PTSD) after suffering panic attacks and suicidal thoughts.

Casablanca court delivers landmark verdict in ‘Escobar of the Sahara’ case: up to 12 years for top figures.

A Moroccan court has handed prison sentences of up to 12 years to 29 individuals – including prominent politicians and sports figures – concluding a major international drug trafficking and corruption trial.

The verdicts, delivered late on Thursday in Casablanca following a two-year trial, mark one of the largest anti-corruption operations in Morocco’s history.

Among those convicted were Abdennebi Bioui, a construction tycoon and former regional council president, Said Naciri, former president of Casablanca’s Wydad AC football and sports club and former MP Belkacem Mir – all senior members of the governing PAM party. Naciri received 10 years, Bioui 12 and Mir 10.

Besides the three main defendants, sentences for the remaining ranged from two to nine years, depending on their individual role in the network.

The wide-ranging case was triggered by courtroom testimony from El Hadj Ahmed Ben Brahim, a notorious Malian drug trafficker nicknamed the “Pablo Escobar of the Sahara”.

Currently serving a 10-year sentence in Morocco, Ben Brahim told judicial investigators that his former Moroccan political and business associates had betrayed him, seizing millions of dollars worth of his luxury real estate and vehicles following his arrest in 2019.

The trial involved more than 20 defendants, 18 witnesses and two civil parties which centred on a sophisticated network that transported tonnes of Moroccan cannabis resin across North Africa to Europe, alongside Latin American cocaine shipments.

Defendants were convicted on charges including drug and gold trafficking, corruption, forgery and money laundering.

The court also ordered the seizure of assets and levied hundreds of millions of dollars in customs and exchange fines against the principal ringleaders.

Moroccan media reported that families of the convicted, present without legal representation due to a lawyers’ strike, were left in shock, with some collapsing in the courthouse.

The scandal reached the highest levels of state, prompting King Mohammed VI to demand a legally binding code of ethics aimed at “moralising” parliamentary life.