News Desk

I Will Find You stars Gilmore Girls legend Milo Ventimiglia and Severance icon Britt Lower.

Harlan Coben fans have yet another Netflix thriller to get excited about.

I Will Find You has gone down a storm with Netflix subscribers with the eight-part thriller still topping the streamer’s most-watched charts.

But that doesn’t come as too much of a surprise given that it’s based on another best-selling Harlan Coben novel, following in the footsteps of Run Away earlier this year.

But the author and Netflix showrunner doesn’t let the grass grow for very long as he’s now busy bringing to life another of his books for the small screen. And this time, it’s one of Coben’s most “iconic” characters who has starred in a whopping 12 of the author’s novels.

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Harlan Coben’s Myron Bolitar novels initially began in 1995 with the release of Deal Breaker, delving into the titular character’s world as a sports agent.

Bolitar was an NBA superstar but was forced to switch careers and so now represents other sporting heroes but often finds himself “investigating blackmail attempts, murder and more”.

The new adaptation is also going to be co-showrun, co-written and co-executive produced by Lincoln Lawyer and Big Little Lies creator David E Kelley and Suits writer and co-producer Kyle Long.

Myron Bolitar is currently in development with an expected release date window sometime in late 2027.

Netflix’s Head of Series US and Canada Jinny Howe described Bolitar as Coben’s “most personal and iconic character”.

She continued: “Bringing this story to the screen has been a big priority for us, and we knew that finding the right creative partners was essential.

“It’s been a dream to collaborate with David E. Kelley — a true master of the genre, and the talented Kyle Long on this series.

“This is a major milestone for our partnership, and we look forward to many more years of working together.”

But before viewers can get excited about Myron Bolitar, another Coben drama will be released in early 2027, once again starring Fool Me Once actress Michelle Keegan.

Based on his 2007 novel of the same name, The Woods will see Keegan’s character investigate the 20-year-old disappearance of a barrister’s sister whose traumatic past soon comes to light.

Keegan will be joined by Behind Her Eyes’ Tom Bateman, Mobland star Mandeep Dhillon and Small Prophets actor Pearce Quigley.

Harlan Coben dramas are available to watch on Netflix.

June 26 (Asia Today) — South Korea plans to create an investment and procurement system aimed at producing homegrown security technology companies comparable to U.S. data analytics company Palantir Technologies, the government said Friday.

The Ministry of SMEs and Startups announced the strategy with the Defense Ministry and Korea AeroSpace Administration during a meeting on future security innovation companies at the Blue House.

The plan seeks to accelerate the transfer of advanced civilian technology into national defense and security.

The government aims to develop five security technology companies valued at more than 1 trillion won ($651 million) and 50 companies with annual sales exceeding 100 billion won ($65.1 million) by 2030.

It will designate five strategic sectors covering drones and robotics, defense artificial intelligence and semiconductors, advanced sensors and materials, aerospace technology and cybersecurity and quantum communications.

Officials described the initiative as an effort to cultivate a “Korean Palantir,” referring to the U.S. company known for software that integrates and analyzes large volumes of defense and intelligence data.

The phrase is a policy description rather than the name of a company the government plans to establish.

Investment vehicle modeled on In-Q-Tel

The ministry plans to establish a government-backed investment organization modeled on In-Q-Tel, the nonprofit strategic investor created to support technologies relevant to U.S. intelligence agencies.

The proposed organization would make direct investments in early-stage security technology companies to address funding shortages.

The government also plans to support the establishment of a technology-focused asset management company tentatively called Korea Strategic Technology Partners.

Through government and private investment vehicles, officials aim to create as much as 10 trillion won ($6.5 billion) in strategic technology financing over the next five years.

The money would provide growth capital to startups and smaller companies developing technologies with potential defense, intelligence, aerospace or cybersecurity applications.

Faster research and procurement

South Korea also plans to introduce a special research and development program modeled on the U.S. Other Transaction Authority system.

The system would connect research, testing and government purchasing under a faster contracting process intended for rapidly changing technologies.

Selected companies could receive as much as 10 billion won ($6.5 million) each over five years.

The Defense Ministry and Korea AeroSpace Administration plan to create procurement systems capable of placing some advanced weapons or technologies into initial service within one year.

The government also plans to expand access to defense data through a catalog showing what information may be available to approved companies.

Aerospace authorities will support the development of core technology for a national space data center and platforms that allow businesses to use satellite information.

The strategy reflects the government’s view that traditional defense procurement moves too slowly for technologies such as artificial intelligence, drones, robotics and cybersecurity software.

Support for smaller technology companies

Minister of SMEs and Startups Han Seongsook said the global security industry is shifting rapidly from traditional hardware toward software, data and artificial intelligence.

“The government will provide bold and rapid support so startups and small venture companies with flexible and creative technologies can become leaders in security innovation,” Han said.

The government also plans to protect companies’ intellectual property rights and allow technologies developed through public programs to be adapted for civilian markets.

Officials said the strategy would help smaller companies enter a defense industry that has traditionally been dominated by large manufacturers and hardware-centered weapons programs.

The ministries plan to form an interagency committee, pursue special legislation and revise contracting rules to support the initiative.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260626010009467

U.S. Central Command said it struck Iranian targets today in response to an Islamic Revolutionary Guard Corps (IRGC) attack on a cargo vessel exiting the Strait of Hormuz on Thursday. This marks the first U.S. kinetic response against Iran since Washington and Tehran signed a Memorandum of Understanding about a peace deal last Friday.

CENTCOM said the strikes were “a powerful response to yesterday’s attack on a commercial ship that was transiting the Strait of Hormuz.” The command added that “U.S. aircraft struck Iranian missile and drone storage locations and coastal radar sites after Iran hit M/V Ever Lovely on June 25 with a one-way attack drone. The Singapore-flagged cargo ship was exiting the Strait of Hormuz along the Omani coast at the time of Iran’s attack.”

That incident “clearly violated the ceasefire,” the command proclaimed. “Furthermore, Iran’s dangerous behavior undermined freedom of navigation as commerce increasingly flows through the vital international trade corridor.”

As we noted yesterday, the attack on the Ever Lovely prompted the U.N. International Maritime Organization (IMO) to pause its plan to evacuate hundreds of ships stuck in the Persian Gulf which has been largely closed since Iran was attacked by the U.S. and Israel.

Earlier on Friday, President Donald Trump told reporters “We’ll find out,” when asked if Iran faced any consequences for the ship attack.

Asked if he considered the ceasefire to still be in place, the president said: “I don’t like the fact that they took a shot yesterday. Actually, four, we knocked down three at a ship, not an allied ship, but a ship, a very expensive ship, and it was fine, but it took a little beating. They shouldn’t be doing that. You’ll find out.”

There was no immediate military response from Iran, a U.S. official told us. However, as we have reported in the past, these kinds of attacks have resulted in tit-for-tat kinetic actions between the two nations. We also do not know the level of command and control the Iranian government has over hardline IRGC elements and if these kinds of attacks are occurring independent of the government leadership’s wishes.

In its post on X, CENTCOM said its forces CENTCOM forces “continue to provide safe passage coordination and support to commercial vessels transiting the strait. The U.S. military remains present and vigilant to ensure all aspects of the agreement with Iran are adhered to, obeyed, and in full force and effect.”

The U.S. and Iran continue to negotiate over a future peace deal, but many sticking points remain, including how the country’s nuclear material will be dealt with and future nuclear operations monitored.

This is a developing story.

UPDATE: 5:56 PM EDT –

After the U.S. airstrikes, Iran reiterated that it will continue to hold at risk shipping in the Strait that does not follow its rules for transit.

“Iran has repeatedly stated that the situation in the Strait of Hormuz will not return to what it was before the U.S. attack on Iran,” the official Iranian IRIB media outlet stated on X. “Any transit through the Strait must follow the routes announced by Iran; otherwise, the security of vessels cannot be guaranteed.”

UPDATE: 8:05 PM EDT-

The IRGC Navy claims it “struck American military targets in the region in retaliation for earlier aggression against Iranian coastal areas,” the official Iranian Press TV media outlet reported.

“The force made the remarks in a statement issued on Friday, saying its reprisal ‘targeted the deployment sites of the US terrorist military in the region,’” the outlet added.

However, there was no visual proof provided of any attack.

CENTCOM declined comment.

A BRIT music legend, 70, has been ‘admitted to hospital’ with a mystery illness as he reschedules gigs last-minute.

Bruce Foxton – the bassist and backing vocalist of The Jam – was set to play a gig in Kidderminster on Friday evening.

But in a post on social media, it was revealed Bruce had fallen ill and would have to reschedule the performance.

The post by AGMP Concerts read: “Due to illness, the Bruce Foxton concerts this weekend are being rearranged.

“Tonight’s concert in Kidderminster has now been cancelled. Tomorrow’s Lincoln show (Saturday 27th June) has moved to Friday 15th January 2027.

“Thanks for your understanding. We look forward to seeing you in the new year.”

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Meanwhile another post on X from a fan claimed: “Bruce’s show in Kidderminster tonight has been cancelled and not rescheduled due to the fact he has been admitted into hospital.

“Let’s hope it’s not too serious for this absolute legend.”

Bruce’s fans were quick to comment, with one writing: “Get well soon Bruce. Take a break sir, we’d prefer a happy healthy retired Bruce than a pushing himself to the limit to the detriment of his health Bruce.”

Another added: “Sending u my love Legend…TIME2RELAX NOW U WORKED YOUR A*** OFF….We have memories Bruce..enjoy your life now..we all love u and now time to enjoy your memories xx.”

A third commented: “Get well quickly Bruce. Such a great bass player, seen him in The Jam, Stiff Little Fingers and of course From The Jam.”

Bruce first came to prominence in the 1970s in The Jam before pursuing a solo career when the band broke up.

In 1990 he joined Stiff Little Fingers and was with the band until 2007, before he joined Rick Buckler and members of his tribute band, the Gift, to tour under the name From the Jam.

The Sun Online has reached out to a representative for Bruce for comment.

June 26 (UPI) — The U.S. Centers for Disease Control and Prevention on Friday increased its response level to the Ebola outbreak in the Democratic Republic of the Congo and Uganda.

In an update to reporters, Satish Pillai, the Ebola response incidence manager at the CDC, said public health officials were concerned about the rapid increase in and geographic spread of cases of the deadly virus. She said the CDC has upgraded its response to Level 1, making it a top priority.

“Elevating the response level reflects the urgency, scale and complexity of the outbreak, and allows [the] CDC to bring additional resources to support the coordination and operational needs of our response,” Pillai said.

The World Health Organization has confirmed more than 1,000 cases of Ebola and more than 260 deaths from the disease since the outbreak, which began in May. Most of the cases have been reported in eastern DRC, with a smaller number of cases spreading across the border into Uganda.

This Ebola outbreak has been linked to the Bundibugyo virus, making it particularly challenging to treat. Unlike the Ebola-zaire strains of the virus, there are no approved approved therapeutics or vaccines for the Bundibugyo strain, the WHO said.

Ebola was first identified in central Africa in 1976. The virus, which has a two- to 21-day incubation period, causes fever, fatigue, muscle pain, headache, sore throat, vomiting, diarrhea, rash, and, in some cases, internal and external bleeding. It can be transmitted from animals to humans and in human-to-human contact, including sexual intercourse.

While there’s no proven treatment specifically for the virus, people can survive through treatment of the symptoms, including oral and intravenous fluids, and immune and drug therapies.

Rescue workers in one Caracas neighbourhood say no help has arrived, two days after twin quakes tore through the city. Al Jazeera’s Noris Soto says aftershocks are making the search for survivors harder and rescue efforts are turning to the recovery of bodies.

NEW YORK — David Clayton-Thomas, the lead singer of Blood, Sweat & Tears, whose husky, high-strung tenor on “Spinning Wheel,” “And When I Die” and other hits helped make the so-called brass rock band among the most popular acts of the late 1960s, has died at age 84.

Spokesperson Eric Alper said that Clayton-Thomas died peacefully Wednesday at St. Michael’s Hospital in Toronto. Alper did not cite a specific cause of death.

Clayton-Thomas was a onetime street fighter and petty thief from Canada who briefly became a rock superstar, the front man of a nine-member group that sold millions of records and won two Grammys for “Blood, Sweat & Tears,” which beat out the Beatles’ “Abbey Road” for best album of 1969. Calling out amid a jazzy parade of horns, keyboards and percussion, Clayton-Thomas’ urgent shout was a signature voice of the era, preaching love on the Motown cover “You’ve Made Me So Very Happy,” a lasting legacy on Laura Nyro’s “And When I Die” and a cool head on his own “Spinning Wheel.” Meanwhile, Blood, Sweat & Tears helped inspire a wave of horn-led bands, among them Chicago, the Electric Flag and Ten Wheel Drive.

“A lot of the guys [in Blood, Sweat & Tears] would play a Broadway show matinee, then go up to Harlem and play Latin music or R&B and funk at night, or come down to the Village and play pure jazz the next night,” Clayton-Thomas told Bestclassicbands.com in 2023. “I was just a blues player: Give me three chords and I’ve got a song.”

At its peak, Blood, Sweat & Tears’ appeal was so broad it helped lead to the band’s downfall.

Hip enough to perform at the 1969 Woodstock festival, where they were among the highest paid acts, they also were known enough to the establishment to tour Eastern Europe the following year on behalf of the State Department. When Clayton-Thomas and other band members denounced the Communist regimes on the other side of the Cold War, Rolling Stone’s David Felton wrote that “the State Department got its money worth.” Counterculture Yippies would turn up at a 1970 Blood, Sweat & Tears show at Madison Square Garden, carrying obscene banners outside and dumping manure by the front gate.

The band had practical reasons for going along with the government: Clayton-Thomas, who had allegedly wielded a gun at his girlfriend, had been denied a green card and faced deportation. But after topping the charts in 1970 with the album “Blood, Sweat & Tears 3,” their appeal soon faded. A burned-out Clayton-Thomas left the group in 1972, and neither he nor the remaining musicians ever regained their old stature. Blood, Sweat & Tears would continue recording over the next few years, and even briefly reunited with Clayton-Thomas, who went on to release more than a dozen solo albums and tour on his own for decades.

Beginning under a licensing agreement reached in 1984, Clayton-Thomas toured as “Blood, Sweat Tears” for 20 years with a revolving roster of bandmates. A 1994 Times review of a show at the Coach House in San Juan Capistrano reported that “BS&T’s formula has legs, that its music has withstood the test of time. Indeed, in a world full of today’s pop harmonic minimalism, the sound of trumpets, trombones, guitar and sax backing a singer somehow seems fresh, even if it has been around for so long,” and Clayton-Thomas “still has all the enthusiasm and buzz-saw roughness that gave his voice its distinctive quality way back when.”

In 2005, BS&T re-formed (without Clayton-Thomas, who continued his solo career) and has toured since with various lead singers.

Clayton-Thomas was inducted into the Canadian Music Hall of Fame in 1996. “Spinning Wheel,” covered by everyone from James Brown to TV star Barbara Eden, was voted into the Canadian Songwriters Hall of Fame a decade later.

Born David Henry Thomsett on Sept. 13, 1941, in Kingston upon Thames, near London, and raised near Toronto and Ottawa, he was the son of a Canadian World War II veteran and of a pianist-entertainer who helped inspire her son’s interest in music. Thomsett was lucky to have the chance. He fought violently with his father, was living in the streets by his mid-teens and by age 20 was serving time in a reformatory for vagrancy, assault and other crimes.

An old guitar, left behind by a fellow inmate, changed his life. He taught himself to play and began spending extensive time in the early 1960s around Toronto’s Yonge Street music “strip,” where peers included the American rockabilly star Ronnie Hawkins, a mentor to Robbie Robertson and other future members of the Band and a guide for Thomsett early in his career.

Eager to reinvent himself, he changed his last name to Clayton-Thomas while leading his own groups. In the mid-’60s, he released such albums as “Sings Like It Is” and had a hit single with the antiwar rocker “Brainwashed.” He would also befriend a rising star, Joni Mitchell, whose childlike “Circle Game” helped inspire “Spinning Wheel,” and the venerable John Lee Hooker, who would indirectly contribute to Clayton-Thomas’ breakthrough in the U.S.

The band Blood, Sweat & Tears, including David Clayton-Thomas, far right, from the documentary “What the Hell Happened to Blood, Sweat & Tears?”

(Sony Music Archives)

Hooker had encouraged Clayton-Thomas to move to New York, where the American bluesman had an engagement at the Cafe Au Go Go in Greenwich Village. When Hooker unexpectedly departed for a tour of Europe, club owner Howard Solomon needed a replacement and recruited Clayton-Thomas.

“So I played him a couple songs on the guitar,” Clayton-Thomas told Bestclassicbands.com. “He said, ‘Do you have a band?’ I said, ‘Sure,’ and went out into Greenwich Village looking for anybody carrying a guitar case or even looking like a musician, and we put together a little band and we opened there that night. We ended up staying there for several months.”

Around the same time, session man-producer Al Kooper was looking to form a jazz-rock group and was joined by such musicians as guitarist Steve Katz, drummer Bobby Colomby and horn players Randy Brecker and Jerry Weiss. They called themselves Blood, Sweat & Tears, releasing the debut album “Child Is Father to the Man” early in 1968. Although praised by Rolling Stone publisher Jann Wenner as “a fine, exemplary group,” members were torn between those allied with Kooper and those who thought his vocals too weak to attract a substantial audience.

By the end of the year, Kooper and others had departed, and the band was seeking a new singer. After Judy Collins saw Clayton-Thomas perform, she recommended him to Colomby.

“I got home and just a couple of days later, Bobby Colomby called me up and said, ‘Hey, Kooper’s gone. We got four guys left out of the nine. And we still got a record contract with Columbia. Do you want to come down and try out for the band?’ ” Clayton-Thomas told Bestclassicbands.com. ”I said, ‘You’re damn right.’ I knew [bassist] Jim Fielder real well and I knew they were superb musicians. So I was on the next plane. We had a rehearsal that afternoon, an audition, and it was instant magic. We just knew right off the bat.”

Clayton-Thomas is survived by his daughters, Ashleigh Clayton-Thomas and Christine Graham.

Italie writes for the Associated Press.

June 26 (UPI) — The National Weather Service on Friday evening issued its first Dangerous Situation Red Flag Warning in the history of Salt Lake City, Utah, based on concerns about rapid growth of wildfires in the state.

NWS issued warnings for an area in southwest Utah that it considers to be in significant danger based on ongoing wildfires and weather conditions, the agency said in a series of posts on X.

NWS has predicted low humidity levels — less than 10% — and wind gusts of at least 50 miles per hour, which could help to grow the Cottonwood Fire, which has already burned nearly 72,000 acres, KSL-TV reported.

The fire started Monday near Beaver, Utah, before spreading to cover more than 70,000 acres as gusty winds and dry conditions helped the flames to spread, NBC News reported.

“This is the first formal PDS Red Flag Warning we’ve issued since it was formalized by NWS,” the agency said in a post on X.

“This is the first time we’ve reached the Weather Risk Outlook level of ‘Extreme,'” NWS said of the language it has not used in a notification since 2021. “In short, this combinaton of high winds, low humidity, very dry fuels and a large fire is a rare and dangerous situation!”

Utah this year experienced its lowest-ever snowpack and a heatwave that started in March prompted Utah Gov. Spencer Cox to sign an executive order limiting fireworks celebrations throughout the state through July 5.

Utah meteorologist Jason Stroud told The Washington Post that the warning, which has been in place for the last few days, that the danger from fires in the area could be devastating and potentially life-threatening.

“This shows that the combination of weather effects that are coming in the next 48 hours are extremely concerning,” Stroud said, reiterating that the fact that Salt Lake City’s NWS office has never issued the type of warning that is currently in effect.

Only competitions involving professional athletes will be held, with all other activities cancelled.

This weekend’s Diamond League track and field meeting in Paris will go ahead as planned despite the historic heatwave gripping the country and stretching emergency services, organisers said.

Hours after Paris police authorities said they wanted the event cancelled, the French Athletics Federation (FFA) confirmed on Friday that it would take place on Sunday at Charlety Stadium, in agreement with the police prefecture.

Citing the exceptional heat that has affected Paris since June 21, the police prefecture had asked organisers of the meet, and other events scheduled this weekend, including a music festival and a Pride march, to cancel.

The prefecture said it would be forced to comply with the order if they didn’t agree voluntarily, as emergency services needed to concentrate their efforts on protecting the most vulnerable people.

Noah Lyles, Femke Bol and Mondo Duplantis are among the athletes expected to compete in Paris.

The FFA, which organises the meet, said it would be staged in “an adapted format designed to ensure the safety of all participants”.

Only competitions involving professional athletes will be held, with all other activities cancelled.

“Since the beginning of this extreme weather event, the French Athletics Federation has been closely monitoring the situation in constant coordination with government authorities. The safety of athletes, coaches, volunteers, officials, spectators and all staff involved remains our highest priority,” the FFA said.

Among the measures put in place to mitigate the effects of the heat, the FFA cited delaying the opening of the stadium gates to the public, reinforcing medical and emergency services, and providing additional drinking water stations and shaded areas.

The average temperature recorded at 30 weather stations by the Meteo France weather agency on Thursday reached 30 degrees Celsius (86 degrees Fahrenheit) again, matching the record for the hottest day nationwide set the previous day.

More than three-quarters of France has been placed under a red weather alert for the first time.

Celebrity Gogglebox returned to screens on Friday night, with a host of new stars

Viewers of Celebrity Gogglebox settled in to watch a host of famous faces participate in a landmark episode.

The Channel 4 spin-off programme returned to screens on Friday (June 26) for a new episode, which was filmed over the previous seven days, covering the week’s TV and news highlights.

In each celebrity household, Gogglebox captures their instant reactions, love/hate relationships and fierce debates on the best and worst television shows of the past week – all from the comfort of their sofas.

From the Saturday night juggernauts and the week’s big soaps, to documentaries and gritty drama, the famous households offer witty, insightful, feisty and sometimes emotional critiques of the week’s popular and topical TV shows.

The latest instalment of the hit series welcomed back firm favourites, such as Martin and Roman Kemp, James and Clair Buckley, Nick and Liv Grimshaw, Bez and Shaun Ryder, and Joe Marler and Maisie Adam.

There were several new additions too, including Strictly Come Dancing stars Amy Dowden and Carlos Gu, actor Michael Sheen and his partner Anna Lundberg, friends Georgia Tennant and Fearne Cotton, and Chris Packham and step-daughter Megan McCubbin.

Channel 4 viewers were quick to say the same thing during the landmark 50th episode of Celebrity Gogglebox.

Fans shared how much they enjoyed the show, with one person writing on X (formerly Twitter): “Who doesn’t just love a bit of @C4Gogglebox. Always such an entertaining way to spend the time. The perfect switch your brain of TV any time of day needs.”

Another added: “Watching the always delightful Celebrity @C4Gogglebox. It’s still so fascinating how watching a show about people simply watching TV can be so strangely addictive. Watching as a host of celebs give their views on what’s on the small screen.”

A third said: “I love Celeb Gogglebox.”

Someone else shared: “All hail Celebrity @C4Gogglebox. How is it therapeutic watching people watch TV? Always the much needed relief a s****y day always requires. Love the celebrity version.”

During the instalment, the celebrities tuned into new episodes of I Kissed A Girl, The 1% Club, and First Dates, as well as watching Jennifer Lopez’s Netflix film, Office Romance.

The future of the UK’s leadership also came under scrutiny in this week’s episode. The famous faces reacted to Sir Keir Starmer’s resignation as Prime Minister, and gave their opinions on the man tipped to replace him, Andy Burnham.

Reacting to Starmer’s emotional speech outside 10 Downing Street, Michael Sheen commented: “That’s got to be tough”.

Joe Marler added: “He’s finally shown us the human side to him, that would have connected more with the world.”

Celebrity Gogglebox is available to stream on Channel 4

Iran’s IRGC says it targeted US military in region after Trump administration launched attack on the country.

The US has struck Iranian missile and drone storage sites in retaliation for what it says was an Iranian attack on a commercial ship in the Strait of Hormuz. The tit-for-tat has raised doubts about the stability of the US-Iran agreement, as Kimberly Halkett reports.

Fans have branded the series the ‘best thing since toast’ and it’ll now be available to UK viewers.

Fans of BBC’s ‘masterpiece’ series Ghosts are about to get a new series to sink their teeth into.

The beloved sitcom starring Charlotte Ritchie and Kiell Smith-Bynoe ran from 2019 to 2023, leaving fans devastated at its axe.

But now, three years later, the Australian version will be landing on the BBC. The broadcaster has announced it has acquired the rights to the comedy series, which premiered last year.

The synopsis for the adaptation teases: “Young couple Kate and Sean inherit Ramshead Manor after the timely death of Kate’s great-uncle.

“Heading out to the country to inspect the dilapidated property, they debate whether to uproot their city lives and turn Ramshead into a boutique hotel. Unbeknownst to them, the manor is also home to an eclectic group of Ghosts…”

The cast includes Tamala as Kate and Rowan Witt as Sean, alongside Mandy McElhinney, Brent Hill, Ines English, Michelle Brasier, George Zhao and Jackson Tozer.

The eight-part series will land on BBC iPlayer and BBC Three soon, with Nick Lee, Head of BBC Programme Acquisition, saying: “It’s a fresh and very fun spin of the wheel for this beloved BBC format. Fans will really enjoy the world this new ghoulish gang create.”

Ghosts: Australia has already been hailed “excellent” by fans, with one calling it “the best thing since toast”. They went on: “With just enough familiarity to make one feel at home, but sprinkled with unique elements and spirit unlike any series seen before, Ghosts Australia is a must-watch.”

Another called the characters “magnificent”, while someone else wrote: “I’m so impressed with this adaptation! I binged the entire series in one night. The performances are outstanding, the production is stellar, and the writing is sharp, clever, and full of heart.”

Someone else said: “Call me biased because I’m Australian, but this feels like peak cinema chaotic, unforgettable masterpiece that somehow changes your life, steals your milk, borrows your sanity, and still leaves you grinning like it did you a favour in the end. Honestly, nothing else even comes close to this madness.”

The original UK sitcom Ghosts came to an end after five seasons, leaving fans heartbroken.

In a statement shared at the time, the Ghosts team said: “After five incredible years haunting the halls of Button House, we have decided that the time is right to let our beloved sitcom Ghosts rest in peace.

“We have just wrapped filming on our fifth and final series and we can’t wait to share it with you all later this year.

“We could never have imagined the reception the show has enjoyed, or the fun we have had making it, and we would like to thank our amazing cast and crew as well as everyone at BBC Comedy, BBC1 and Monumental Television for their tireless support.”

A highly-demanded feature film is now set to air, The Possession of Button House, with the cast and actors set to return.

“We never planned to come back,” the show’s creators said.

“But when we had the idea for this story, we all got so excited that we couldn’t resist returning to our haunted home for one more adventure.

“We can’t wait to be together and to welcome some brilliant new faces, to tell this soul-stirring tale of life and death.”

Ghosts is available to watch on BBC iPlayer.

June 26 (UPI) — President Donald Trump on Friday threatened to impose a 100% tariff on any country that enacts a digital services tax against a U.S. company.

The new tariff would be applied to all goods shipped into the United States and be levied on top of any other tariff already in effect for that country, Trump said in a post on Truth Social.

At least a dozen nations have digital services taxes, which are meant to limit the influence of large technology companies — especially large U.S. companies such as Apple, Amazon and Meta — and are being considered by several European countries, CNBC and Politico reported.

Canada last year rescinded a digital services tax hours before it was set to go into effect in order to restart trade negotiations with the United States, which Trump held back on until the tax was canceled.

“Please let this statement serve to represent that any Country that imposes such a Tax will immediately be met with a 100% TARIFF on any and all Goods sent to the United States of America,” Trump said in the post.

“This TARIFF will supersede Trade Deals made with the Country, whether implemented, signed, or not,” Trump said. “Additionally, the 100% TARIFF will be immediately imposed, if they proceed.”

Canada’s tax was to be levied against online marketplace and advertising services companies, as well as social media companies, but Trump called it a “direct and blatant attack” on the United States and canceled talks on the tax was rescinded.

Gary and Sarah Andrews’s daughter Wynter died 23 minutes after she was delivered by Caesarean section at the Queen’s Medical Centre on 15 September 2019 after repeated warning signs of her being in distress had been missed.

Wynter died from a loss of oxygen flow to the brain – which an inquest found could have been prevented had staff delivered her earlier.

Sarah, 41, had been admitted to hospital on 14 September, six days after initially experiencing contractions.

The inquest heard the maternity unit was “busy” when she arrived, with information on the patient’s history not properly handed over to other staff at shift changes.

The inquest found Wynter may have survived if “multiple missed opportunities” had been spotted.

In what would become a recurring theme about warning signs being missed, the coroner cited a 2018 letter from midwives to bosses at the trust, outlining concerns over staffing levels as “the cause of a potential disaster”.

“The grim predictions… were indeed realised some 10 months later when Wynter died as a result of the unsafe practices warned about,” coroner Laurinda Bower said.

The Care Quality Commission (CQC) prosecuted NUH over her death in January 2023, with the trust pleading guilty to care failures.

The criminal prosecution resulted in NUH being fined £800,000.

In 2015, musician Roberto Carlos launched Boleros de Noche, an annual concert series held in Los Angeles that aimed at preserving and showcasing the Latin American bolero music genre.

This year, the event is celebrating its 10th anniversary with performances at the Ford on Aug. 1 by Puerto Rican singer and former Calle 13 member iLe and L.A.-based bolero trio Voz Bohemia

On Friday, the city of L.A. honored the series’ decade-long run and legacy of uplifting bolero music by declaring Aug.1 “Día del Bolero.”

Boleros are ballads noted for their slow tempo and romantic lyrics accompanied by a crooning vocal style. Though the genre originated in Cuba, it quickly gained popularity across Latin America, with each culture putting their own spin on it. In the early 20th century, the evolving sound of boleros was shaped by the Cuban group Trio Matamoros, Mexican composer Agustín Lara, Puerto Rican artist Rafael Hernández and Ecuadorian singer Julio Jaramillo.

The genre saw a resurgence in popularity in the 1980s and ‘90s when famed Mexican artists Juan Gabriel and Luis Miguel embraced the bolero sound. In recent years, the bolero movement has been modernized and electrified by artists such as Mon Laferte, Romeo Santos, Adrian Quesada and Kali Uchis. In the last five years, Quesada has released two bolero albums, “Boleros Psicodélicos” and “Boleros Psicodélicos II,” that mix the genre’s classic sounds with elements of psychedelic rock.

“Over the past decade, Boleros de Noche has presented numerous concerts featuring both local and international artists, has brought together thousands of people across the city to bask in the lush orchestration of this music,” said City Councilmember Nithya Raman, who presented Carlos with the honor. “For so many in the Latino community and beyond, this isn’t just music, it’s memory, it’s home, and perhaps most importantly, it’s heritage being carried forward.”

Raised in L.A. County by parents who immigrated from the Mexican state of Oaxaca, Carlos says he first fell in love with live performance and bolero music in his midteens, when he would frequent the now-defunct Teatro los Pinos in South Gate.

He yearned for that same level of comfort and awe at music and wanted to share that with a larger audience. The first iteration of Boleros de Noche took place in 2015 at an art gallery in Echo Park.

“Over the years, I have heard countless stories from audience members who tell me how this music reminds them of their parents, grandparents, first loves and family traditions,” Carlos said Friday at City Hall. “Ten years ago, bolero was rarely part of our city’s cultural conversation, and today bolero programming can be found across Los Angeles, and I’m honored that Boleros de Noche has been a driving force behind its growth.”

Boleros de Noche has sold out shows at the Ford over the last few years and has featured artists such as Gaby Moreno, Marisoul and the legendary trio Los Panchos. In 2025, the event made its debut at Chicago’s historic Symphony Center.

The bolero genre’s popularity and cultural significance has been spotlighted outside of L.A. in recent years as well.

On Dec. 5, 2023, UNESCO, the United Nation’s agency aimed at safeguarding social and cultural foundations, recognized the musical genre as an Intangible Cultural Heritage of Humanity.

As part of Friday’s ceremony, Carlos and his bolero group Los Rebeldes Románticos performed several tunes, including the Mexican bolero classic “Sabor a Mí.”

Last year, Carlos spoke with The Times about his ambitions for Boleros de Noche and the mentality that drives the event series.

“At Boleros de Noche, [I want] for us to speak in Spanish, to feel recognized, to do this music as a celebration for all these artists that unfortunately became background music for a lot of like weddings and quinceañeras,” he said. “How about if we celebrate them and give them recognition? How about if, through my events, I can take people back to the 1940s to my experience at Teatro los Pinos?”

Given recent attacks on Latinos on the local and national levels, Carlos said he hoped his events would create a safe and welcoming gathering place.

“It’s about bolero music. It’s about community. It’s about people. It’s about the musicians,” he said. “Many of the musicians were undocumented. They brought this music to L.A. through their hometowns.”

A record 10 African teams are competing at the 2026 World Cup. But 60 years ago, not one African nation played in the 1966 World Cup. Al Jazeera’s Samantha Johnson looks at the 1966 boycott that helped reshape the tournament for generations to come.

Families are sharing details about their loved ones online as more than 50,000 people remain missing after two devastating earthquakes hit Venezuela on Wednesday night. Rescue teams and local residents are still digging through the rubble on Friday, hoping to find survivors.

Tom Sandoval’s girlfriend Victoria Lee Robinson was arrested after the two had an altercation that involved her father being pushed into a lit fire pit.

Sandoval, known for the cheating “Scandoval” that erupted on the reality television series “Vanderpump Rules,” filed a restraining order against the model and her father J. Will Robinson (who goes by Will) over a June 3 incident that was partially caught on video. He was granted a temporary restraining order and a subsequent hearing was set for July 16.

According to court documents obtained by The Times, the altercation involving Sandoval, Victoria Robinson and J. Will Robinson happened in the early morning hours after the couple returned home from a night out at a bar. Sandoval claimed in the petition that since the two became a couple in February 2024, Victoria Lee Robinson has been violent and attacked him physically, as well as changing the passwords on his phone and social media and tracking him using Airtags.

“The most recent physical incident occurred on June 3 when [she] punched my face and injured my neck and ear. During this same incident, Mr. Robinson, grabbed me and punched an approximately 12-inch hole in the door of my spare bedroom where I was barricading myself,” reads the petition.

In a video, obtained by TMZ, that captured part of the June 3 incident, Victoria Robinson and Will Robinson are seen sitting next to a lit fire pit on the patio when Sandoval and Will Robinson begin arguing. Sandoval is heard yelling at Will Robinson before he asks Victoria Robinson if she is recording and approaches her. Will Robinson stands and wraps his arms around Sandoval, seemingly to get him to back away from Victoria Robinson, and Sandoval turns and pushes Will Robinson, who falls backward into the lit fire pit.

After Will Robinson gets back up, he rushes after Sandoval into the home while Victoria Robinson screams for the men to stop.

According to the petition, the fight escalated, and Will Robinson phoned the police while Sandoval hid inside a spare bedroom. When police arrived, the petition claims that they initially put Sandoval in handcuffs, but after reviewing footage, Victoria Robinson was arrested for intimate partner battery with physical violence.

Robinson bonded out and was released the same day. The Los Angeles Police Department was not able to confirm the reason for Victoria Robinson’s arrest.

Representatives for Sandoval did not immediately respond to The Times’ request for comment. Victoria Robinson could not be reached for comment.

According to the petition, both Victoria Robinson and her father have lived in the Los Angeles rental home with Sandoval. According to the filing, the reality star hopped between hotels and friends’ houses after the June 3 incident.

Will Robinson told TMZ, “The DA did not file the case for a reason. I lifted Tom off of my daughter because he was overpowering and twisting her arm and trying to take her phone aggressively after yelling at us in a very aggressive and threatening manner.”

“This is my daughter’s home and we just want Tom as far away from us as possible and to keep his lies and drunken abuse away,” Robinson said.

June 26 (Asia Today) — China said Friday that it remains in close communication with South Korea over fisheries issues after President Lee Jae Myung called for stronger action against Chinese fishing boats accused of operating illegally in the Yellow Sea.

Chinese Foreign Ministry spokesman Guo Jiakun said maintaining stable waters and an orderly fishing environment between the two countries serves their common interests.

China consistently instructs its fishermen to operate in accordance with laws and regulations while also protecting their lawful rights, Guo said at a regular news briefing in Beijing.

“China and South Korea have a relatively mature dialogue mechanism on fisheries issues and maintain close communication on related matters,” Guo said.

He did not directly address whether the Chinese vessels cited by Lee had engaged in illegal fishing.

Lee raised the issue Wednesday during a visit to the Yeonpyeong Peace Observatory, where he received a briefing on waters near the Northern Limit Line, the de facto maritime boundary between South and North Korea in the Yellow Sea.

After being told that Chinese fishing boats had moved south of the maritime line, Lee questioned why they remained there despite being observed by South Korean forces.

He also asked whether South Korea should station enforcement vessels in the area.

“We have officially confirmed that they crossed the NLL,” Lee said. “I do not think we should simply leave this unattended.”

Lee ordered officials to take firm action, saying the visible presence of the boats during daylight hours showed the seriousness of the problem.

The Chinese government’s response largely repeated its previous position, emphasizing lawful fishing, the protection of Chinese fishermen’s rights and continued consultations with South Korea.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260626010009476

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Two of my favorite movies of the year so far are opening in Los Angeles today and they both benefit from being seen with a proper audience. You will find yourself surprised by what you are laughing at, curious about what other people are laughing at and then feel the air in the room collectively shift as both films take unexpected turns toward more genuine emotional moments.

The third feature directed by Olivia Wilde, “The Invite” is a biting look at modern relationships. Wilde stars as one half of a struggling couple, unhappily married to a character played by Seth Rogen. She invites over a couple from the apartment upstairs, played by Penélope Cruz and Edward Norton, and soon all sorts of feelings start flying around.

I reviewed for the paper, noting, “It feels daring for how it wants to actually examine the emotional costs of contemporary grown-up life, bringing wincing laughs of recognition.”

Wilde will be making appearances around L.A. over the weekend, including at the Vista, where the movie is playing in 35mm.

Also opening this weekend is “Maddie’s Secret,” the debut feature as writer-director from comedian and actor John Early, who also stars as the title character, an aspiring L.A. food influencer battling bulimia. It is a truly astonishing performance, one that walks a difficult tightrope between sincerity and parody. Early will appear for Q&As around town this weekend.

I spoke to Early about the film when it played as part of the Los Angeles Festival of Movies about its unusual tone — somehow earnest, tender and very funny all at once. Joshua Rothkopf reviewed the film, which he calls the indie arrival of the year, comparing it to movies by John Waters, Todd Haynes and Douglas Sirk.

Jack meets the maestro

Jack Nicholson in the 1975 movie “The Passenger.”

(Sony Pictures Classics)

One movie I feel obligated to note whenever it plays it Michelangelo Antonioni’s “The Passenger.” Jack Nicholson stars as a disaffected journalist who assumes the identity of a dead man in an attempt to start over, only to find that his new life is even more complicated than his own. It is a powerful examination of middle-aged malaise that has Antonioni’s trademark mystery but, thanks to Nicholson, also has a directness that makes it accessible to wider audiences.

Nicholson made the film in between “Chinatown” and “One Flew Over the Cuckoo’s Nest,” at the height of his fame in the 1970s, a time when going to Europe and Africa to shoot a movie with an esoteric art-house filmmaker was a huge risk. He would personally purchase the rights to the film in the early 1980s and essentially treated it like owning an art object, very rarely allowing it to be shown publicly. It reentered circulation in 2005 with a rerelease but still has a certain air of rarity around it. The film will be showing at the New Beverly in 35mm on Saturday and Sunday.

Nicholson sat for an extended interview with The Times’ Patrick Goldstein around that 2005 reissue of the film, calling the production “the most vivid filmmaking adventure I’ve ever had.” He described his relationship to Antonioni by saying, “He’s been like a father figure to me. I worked with him because I wanted to be a film director and I thought I could learn from a master. He’s one of the few people I know that I ever really listened to.”

When the Italian filmmaker died in 2007, Nicholson got on the phone with us to say, “I don’t know how to put this: He’s just a maestro, and everybody loved him. … He was a man of joy and impeccable taste. His whole life was dedicated to modestly being a brilliant artist.”

Truffaut’s humanist warmth

Delphine Seyrig and Jean-Pierre Léaud in the movie “Stolen Kisses.”

(Janus Films)

Richard Linklater’s “Nouvelle Vague” last year didn’t exactly start a renewed wave of interest in the French New Wave of the 1960s, but then again, those movies never really went away. They’ve been inspirational to generations of film fans for more than 60 years now.

But one French director who has perhaps fallen out of favor slightly is François Truffaut. Long seen as one of the quintessential New Wave filmmakers, he has become taken for granted a little of late. Which is why it is exciting to see Brain Dead Studios showing his 1968 film “Stolen Kisses” in 35mm on Sunday.

The third in the series of films Truffaut returned to throughout his career, including his 1959 breakthrough “The 400 Blows,” the film again stars Jean-Pierre Léaud as Antoine Doinel, Truffaut’s alter ego through the stages of his life. Discharged from the army, Antoine drifts through a series of jobs. His real concern is juggling his busy love life, making the film something of a male-centered rom-com while capturing Truffaut’s warm, humanist worldview.

Rohmer’s caustic cynicism

Jean-Claude Brialy in the 1970 movie “Claire’s Knee.”

(Janus Films)

Conversely, a filmmaker of the French New Wave who has seen his stock rise during the last few years is Eric Rohmer, championed by Noah Baumbach among others. His more caustic view of the world may resonate better with more cynical modern audiences.

The American Cinematheque will begin showing Rohmer’s cycle of “Six Moral Tales” at the Los Feliz Theatre this weekend with a 35mm screening of “My Night at Maud’s” and continuing with other screenings through the end of July. Other films in the series include the sultry, summertime tale “La Collectionneuse,” the ethical dilemma of “Claire’s Knee” and the tale of infidelity “Love in the Afternoon.”

Writing about “Claire’s Knee” in 1971, Charles Champlin noted, “What redeems Rohmer’s films from a defeating sameness is the quite extraordinary charm, believability and complexity of his characters and his meticulous attention to detail and his refusal to go for gross events at the expense of the subtle shadings of human relationships.”

Honestly, if a trip to France isn’t happening for you this summer, this series makes for a not-bad substitute.

Reconsidering ’90s comedy

An image from the 2025 documentary “We Are Pat.”

(The Film Collaborative)

Fresh off its world premiere at the recent Tribeca Film Festival, Ro Haber’s documentary “We Are Pat” will screen at Vidiots on Sunday. Haber will be there along with comedians Julia Sweeney and Harper Steele and, for good measure, Alan Cumming.

“We Are Pat” examines the afterlife of Sweeney’s character from “Saturday Night Live,” a confusingly genderless person who no one can ever quite figure out how to engage with. The way Pat has been picked up by a new generation of genderfluid comedians shows how influence and inspiration can come from the unlikeliest of places, and also how comedic ideas can transform over time.

Ali in Africa

Muhammad Ali fights George Foreman in the 1996 documentary “When We Were Kings.”

(Gramercy Pictures)

Released in 1996, “When We Were Kings” depicts the 1974 boxing match in Zaire between Muhammad Ali and George Foreman known as “The Rumble in the Jungle.” Director Leon Gast was unable to complete the film at the time, so the footage languished for years until he got an assist from filmmaker Taylor Hackford in shooting contemporary interviews with the likes of Norman Mailer, George Plimpton and Spike Lee. “When We Were Kings” would go on to win the Academy Award for documentary feature. It will be screening at Vidiots on Saturday.

The core of the movie is watching the thrilling, inspiring footage of Ali training and interacting with the locals. As Kenneth Turan wrote in his original review, “Because a classic heavyweight championship fight, especially with these protagonists, epitomizes the drama inherent in sport, ‘When We Were Kings’ always compels our interest.”

New this week

• Amy Nicholson wasn’t crazy about “Supergirl,” but reserves praise for star Milly Alcock as the “one reason to see the film.”
• Johnny Knoxville and friends are back for another round of stunts and pranks in “Jackass: Best and Last.” Age has finally caught up with them, Amy Nicholson laments.
• It seems a little odd that a movie starring Angelina Jolie, “Couture,” is just sort of sneaking into theaters, but that’s movie business in 2026. We spoke to Jolie at last year’s Toronto International Film Festival about the film.