Month: September 2026

A NEW train ticket rule has officially rolled out to make life much easier for travellers.

Passengers on Britain’s biggest train operators will now spend much less money when their train is cancelled.

For the first time, passengers left stranded at stations can use an alternative operator’s service to complete their journey free of charge.

The new rule which came into force on Sunday, September 20 hopes to end limbo at stations following cancellations and end the need for costly re-bookings.

Many regular travellers will be aware that this scheme already operates across all 13 publicly-owned operators, such as LNER, Southern, South Western Railway and Greater Anglia.

However, from now, Avanti West Coast, Chiltern Railways, CrossCountry and Great Western Railway will also be involved, offering more stability on a host of key intercity routes across the UK.

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East Midlands Railway will also be joining the scheme at a later date.

The new scheme comes ahead of the establishment of Great British Railways (GBR) – a programme to transfer all rail services to public ownership and to create a “one-stop shop” for train travel.

Valid ticket holders can travel with another train operator on a direct or reasonable alternative route, but the service must depart within two hours before or after the original cancelled train.

To claim the new ticket, passengers will need to show their original ticket to customer support staff as a proof of purchase, and will not be required to download the new one.

When the new scheme was unveiled, Rail Minister, Lord Hendy, said: “This is a simple, common-sense change that puts passengers first.

“No one should be left stranded because of a fragmented railway when their journey is disrupted.

“From this weekend, if your train is cancelled, you can get on another operator’s service and carry on your journey without paying again.  

“We’re fixing the railway from the ground up, making it simpler, fairer and easier to use, as we move towards Great British Railways and put public service back at the heart of our railways.”

Denmark, Greenland and the United States are set to sign a security agreement that Copenhagen says will give NATO a larger role in protecting the Arctic, potentially shifting responsibility beyond the United States and Denmark alone.

The agreement is expected to be signed at the United Nations General Assembly in New York on Tuesday. Its full contents have not been made public, although US President Donald Trump has described it as giving Washington “permanent control” over Greenland’s security.

Denmark and Greenland have not endorsed Trump’s description. Both have said the agreement will benefit Greenland while respecting the island’s sovereignty.

The deal follows months of pressure from Trump, who has repeatedly argued that the United States should control Greenland and at times declined to rule out military or economic measures to acquire the semi autonomous Danish territory.

His demands triggered a diplomatic crisis within NATO and pushed Copenhagen and Nuuk into negotiations with Washington to address US security concerns while maintaining Greenland’s status within the Kingdom of Denmark.

A broader NATO role

Danish Foreign Minister Lars Lokke Rasmussen said the agreement would change the way Arctic security is handled.

“It will be in a form where responsibility for security in the Arctic is not only Danish or American,” Rasmussen told Danish broadcaster TV2 on Sunday. He added that NATO would play a major role in protecting the region.

A NATO spokesperson said the alliance welcomed the agreement, describing it as a step that could advance security, stability and cooperation in the Arctic.

Rasmussen travelled to New York for the signing but has declined to disclose the agreement’s details.

He said Denmark had been open from the beginning to addressing what he described as legitimate US security interests.

The negotiations therefore appear to have focused on finding a framework that can accommodate Washington’s strategic concerns without formally transferring Greenland’s sovereignty to the United States.

Trump’s claim raises questions

Trump has offered a different description of what the agreement means.

In a post on Truth Social on Friday, he said the deal gives the United States “permanent control over security, and all other needs” in Greenland. He also said no US adversary would be able to establish a base or military presence on the island without Washington’s written approval.

Copenhagen has not publicly responded to that characterization.

The difference between Washington’s description and Denmark and Greenland’s public statements leaves important questions about the agreement unresolved.

Among the most significant is whether it changes the 1951 US Denmark defence agreement, which provides the legal basis for the American military presence in Greenland.

The document’s provisions on US access, military infrastructure and the role of NATO have not been made public.

Greenland at the centre

The agreement comes as Denmark acknowledges that it underinvested in Greenland’s defence for decades.

Copenhagen has since pledged to increase its military presence on the island and strengthen Arctic surveillance, including through greater NATO involvement.

Greenland’s government has sought to reassure residents that the negotiations do not compromise the island’s sovereignty.

Erik Jensen, an opposition lawmaker in Greenland, said on Facebook that he had read the draft agreement and felt reassured by its contents. He also praised Greenland’s foreign minister for handling the negotiations.

For Greenland, the issue is particularly sensitive because the island has extensive autonomy within the Kingdom of Denmark and has long maintained a political debate over eventual independence.

What the agreement could mean for the Arctic

The deal could mark a significant change in the security architecture of the Arctic.

Greenland occupies a strategically important position between North America and Europe, making it valuable to the United States and NATO as competition over the Arctic increases.

A larger NATO role could provide a multilateral framework for responding to concerns about military activity and strategic infrastructure in the region. At the same time, the agreement’s precise legal and operational arrangements will determine how far that shift actually goes.

Until the text is released, it remains unclear whether the agreement represents a substantial restructuring of Greenland’s defence arrangements or primarily a political framework for closer cooperation.

What is clear is that the negotiations have moved Arctic security from a dispute centred on US ambitions for Greenland toward a broader discussion about NATO’s collective role in one of the world’s increasingly contested strategic regions.

With information from Reuters.

The In Memoriam segment at the 78th Emmy Awards opened with a tribute to Catherine O’Hara from her movie and TV kids — Macaulay Culkin, Annie Murphy and Dan Levy.

“There are all kinds of words I could use to describe Catherine,” Culkin said as he took the stage with the “Schitt’s Creek” stars. “She was encouraging, she was warm, she was funny, but the word that I think of is ‘mama.’”

O’Hara, of course, played Culkin’s mother in “Home Alone” and “Home Alone 2.”

“She wasn’t just a wife and mother to [husband] Bo and [sons] Matthew and Luke. She was my mom. She was our mama,” Culkin said, looking toward Murphy and Levy. “And by extension, she’s all of our mama…. She may have forgotten me twice, but we will always remember her.”

Murphy and Levy also shared personal anecdotes about their TV mom. Murphy spoke about O’Hara’s laugh, and the many interactions she’s had with fans “that remind [her] how profoundly Catherine has impacted the world … because she brought us joy.” Levy shared what it was like to work with O’Hara and how she taught him to “always say yes.”

Singer-songwriter Noah Kahan performed a cover of Simon & Garfunkel’s “Bridge Over Troubled Water” as images of actors, writers, directors and other industry figures who died this year were projected onto the stage.

Among those honored in the segment were James Van Der Beek, Hayden Panettiere, Eric Dane, Vincent Pastore, Hal Williams, Tim Curry, Shelley Fabares, Isiah Whitlock Jr., Anthony Head, Diane Ladd, Sid Krofft, Ted Turner and Bob Mackie.

The segment closed with tributes to James Burrows and Rob Reiner from Jamie Lee Curtis.

“For over 1,000 episodes of television, the great James Burrows set a standard of comedy directing that will be cherished and studied for generations to come,” Curtis said. “And sadly, last year, we lost another cherished legend. Our beloved Meathead, Rob Reiner.”

Reiner won a posthumous Emmy for guest actor in a comedy series for his work on “The Bear” earlier this month. Curtis said Reiner broke the record set by his father, Carl Reiner, for the longest gap between acting Emmys.

“He was generous and kind and funny as hell and a friend to all,” Curtis said. “We all miss Rob and Michele [Singer] and all those we lost this year.”

The ceremony also featured a tribute to Dolly Parton earlier in the evening with Sally Field and Reba McEntire.

The provided text from Occasional Digest explores the significance of St. Robert Bellarmine’s Day in Vatican City, specifically in the context of the fictional or future Pope Leo XIV. This new pontiff, formerly known as Robert Francis Prevost, shares a name day with the 16th-century Jesuit scholar and intellectual. The article details Bellarmine’s historical contributions, such as his work on the Vulgate Bible and his role in the judicial proceedings against Galileo. Beyond religious history, the source functions as a news aggregator, displaying global exchange rates and weather for London. It also highlights various contemporary news snippets ranging from international diplomacy and political ap … 

Only the Pirates and Cubs have met more often than the Dodgers and Giants, who faced off for the first time in 1889. And over all that time, the Dodgers are just two games better, with 1,294 wins to the Giants’ 1,292.

The Dodgers and Giants have also won more pennants, made more World Series appearances and have more players wearing their caps in the Hall of Fame than any other National League teams, all of which fueled a rivalry that was once among the most visceral and passionate in American sports.

But that was then and this is now.

After Sunday’s 3-1 victory over the Giants, the Dodgers’ 14^th win in their last 17 games, the team could finish a season with 100 wins for the fourth time in six years. The Giants have had just one winning record in that time.

The Dodgers (96-60), who have won five straight division titles, are headed to the postseason for a record-tying 14^th consecutive year. The Giants will miss the playoffs for a fifth straight season.

So is the rivalry dead? That depends on who you ask.

“It’s always a rivalry,” Giants pitcher Logan Webb. “We’d like to make it a little closer when it comes to the standings. But I definitely feel it when I throw against them.”

But then Webb, who is from Northern California, grew up with the rivalry and, as the longest-tenured Giant, pitched against the Dodgers in games that mattered. Giants coach Ron Washington, who made his major league debut with the Dodgers when the rivalry was still a thing, said many players on San Francisco’s roster don’t know that background.

“It should be a rivalry. But I don’t think the young kids we got know anything about a rivalry. They’re not history buffs.”

Webb said it’s the responsibility of the veterans on both sides to keep that history alive by explaining the enmity to the young players.

“I think there are still guys that came up in the system that know what it’s like,” he said. “It’s my job to kind of hype these guys up to play a game like this.”

Dodgers manager Dave Roberts, who played for the Dodgers and Giants during his 10-year career, agrees the rivalry now exists more in the history books than the current standings, where the Giants have been overtaken by the San Diego Padres, who will finish second to the Dodgers in the N.L. West for the fourth time in five seasons.

“It’s certainly a rivalry in the sense of the history, the fan bases,” Roberts said. “But obviously it’s about relevancy. The Padres have been successful the last handful of years, and so it’s certainly built some momentum. The geography lends itself to that too.

“But Dodgers-Giants is always fun.”

It hasn’t been so much fun for the Giants lately. San Francisco hasn’t won the season series with the Dodgers since 2021 and has lost more than 90 games this year for the first time in nine seasons.

On Sunday they went in front three batters into the game with Johan Cox working Dodger opener Jack Dreyer for a leadoff walk, then making his way around the bases on Dreyer’s throwing error, a stolen base and a one-one single by Victor Bericoto.

San Francisco would get just one more hit — a single by Jung Hoo Lee with one out in the sixth.

That allowed the Dodgers to tie the score in the bottom of the sixth on Tommy Edman’s seventh home run of the season just inside the right-field foul pole. An inning later they went ahead to stay when Max Muncy singled under a sliding Cox at second, moved to third on a single by rookie Josue De Paula and scored on Kiké Hernández’s double to center.

Josue de Paula hits a double in the fifth inning Sunday.

(Ronaldo Bolaños / Los Angeles Times)

A two-out single by Muncy, his second of the game, scored Teoscar Hernández, who also had two hits, in the eighth inning with the final run.

Even the slumping Freddie Freeman contributed to the Dodgers’ 11-hit attack, ending an 0-for-11 slide with a broken-bat single in the fourth then singling again in the eighth.

Sunday’s result helped clarify the Dodgers’ once-muddy playoff picture. With six games left in the regular season, the Dodgers lead Atlanta by four games in the race for the second seed in the National League playoffs, which would give them a first-round bye and the homefield advantage in the division series.

The team’s postseason roster may be getting clearer as well. Right-hander Emmet Sheehan, who made 22 starts this season, came out of the bullpen for the first time Sunday and was brilliant in his audition for the playoffs.

“If there is a role in the postseason, it will be out of the [bull]pen,” Roberts said of Sheehan, who gave up just a hit and walk, striking out nine — one off his season high — in 5 1/3 innings.

De Paula, meanwhile, whose third multihit game extended his modest hitting streak to four games, appears to have secured a job as the team’s left-handed bat off the bench while utility player Hyeseong Kim, who has spent the last four months in the minors, will rejoin the Dodgers after the triple-A playoffs and be considered for a roster spot as a pinch-runner and late-inning defensive replacement.

“My expectation is that Hyeseong will be here during the off week and potentially be a conversation for the postseason because he has the ability to run, play defense, and steal a base,” Roberts said.

After Monday’s off day, the final break of the regular season for the Dodgers, the team is expected to activate Andy Pages, Roki Sasaki and Shohei Ohtani from the injured list during its three-game series with the Padres.

“We’ll get Andy back on Tuesday, which will be great, and then shortly thereafter we’ll get Shohei back. So yeah, things are starting to come together,” Roberts said. “We’re in a good spot.”

South Korean officers injured in DMZ explosion, possibly caused by a landmine, according to local media reports.

Three South Korean military officers have been wounded in an explosion in the western sector of the Demilitarized Zone (DMZ) that separates North and South Korea, Seoul’s Joint Chiefs of Staff (JCS) said.

The cause of Monday’s explosion was not immediately clear, the Ministry of Defence said.

Two of the officers were evacuated from the site by helicopter, while the third was transported by land before being airlifted, according to the ministry. The officers are being treated at a military hospital near the capital Seoul, it said.

Mine explosions and other blasts are a recurring hazard in and around the DMZ, where legacy ⁠devices and suspected stray mines have periodically wounded military personnel on both sides.

The DMZ, which is 248km (154 miles) long and 4km (2.5 miles) wide, is one of the world’s most heavily armed borders. An estimated 2 million mines are peppered inside and near the border, which is also guarded by barbed wire fences, tank traps and combat troops on both sides. The zone is a legacy of the Korean War from 1950 to 1953, which ended with an armistice but not a peace treaty.

There have been growing concerns in South Korea about increased activity by North Korean soldiers near the military demarcation line as the North strengthens its border defences during prolonged tensions.

MORE flights are being cancelled at a major airport in Europe due to continued strike action.

Charleroi Airport in Brussels is expecting to cancel around 34 flights today with a further 21 flights set to be rescheduled.

So far, 16 departures have already been cancelled including one to the UK.

Around 20 arrivals have also been cancelled including one from the UK.

It comes as the air traffic controllers have been carrying out strike action since September 16 regarding the management of night-shift bonuses.

The unions for the air traffic controllers have warned that strike action could continue until October 10.

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Strike action takes place during every night shift from 10pm to 8am the following morning.

Since the strike began, around 160 flights have been cancelled.

Last week, Ryanair confirmed that it had cancelled at least 30 flights so far.

The budget airline flies to the airport from Newcastle, Manchester and Edinburgh.

So far one flight to the UK has been cancelled today, which is to Manchester with Ryanair at 7:40pm.

The airport said in a statement: “We are monitoring the situation very closely and sharing verified general information through our official channels.

“For information regarding your specific flight, we encourage you to regularly check the communications from your airline.

“We share our passengers’ frustration and hope that the social conflict at Skeyes will be resolved quickly.”

THE under fire boss of air traffic control has been told he “must quit” after a number of UK airports were hit with delays following another technical glitch.

Thousands of passengers saw their flights disrupted after an issue with the National Air Traffic Services [Nats] affected airspace in the north of England and in Scotland.

Holidaymakers are facing lengthy delays after the issue which began at Nats’ Prestwick centre in Scotland.

Airports in Edinburgh, Belfast and Manchester were registering delayed flights and urged passengers to check with their airlines while Luton Airport said domestic flights had been disrupted.

Nats has stressed that the issue was unrelated to a massive outage that saw hundreds of flights cancelled just two weeks ago.

In a statement on the most recent air traffic control outage, a Nats spokesperson confirmed the issue was now fixed – but disruption is still on the cards for many holidaymakers.

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But calls for Nats chief Martin Rolfe to resign have intensified after the latest debacle.

The 51-year-old senior executive of National Air Traffic Services was paid £1.5 million, including £871,000 in bonuses, last year and has already faced questions over his future.

The executive has previously been accused of overseeing a “litany of failures” during his time as CEO of the UK’s air traffic control services.

At least 200 flights departing or arriving into the UK have been cancelled so far today, aviation analytics company Cirium has said.

Ryanair has said more than 25,000 of its passengers are expected to be disrupted after the latest air traffic control incident and called for Rolfe to resign.

Chief operations officer Neal McMahon said: “Just three days after Nats assured airlines and passengers that it had introduced robust ‘mitigation plans’, its flight data processing system has failed again.

“More than 25,000 Ryanair passengers have already suffered disruption, with over 140 Ryanair flights delayed, yet Nats still cannot tell passengers when this disruption will end.

He added: “Rolfe has presided over repeated system failures, repeated passenger disruption and repeated failures to deliver an effective back-up system.

“Enough is enough. Martin Rolfe should resign today.”

Easyjet said in a statement: “A NATS Air Traffic Control system failure in its Prestwick Centre is causing delays to flights with some unable to operate.

“This, once again, calls into question the resilience of NATS’ systems and demonstrates the need for firm actions to prevent these repeated failures.

“We will do all we can minimise the impact of this for our customers and advise anyone due to fly today to check our flight tracker for the latest information.”

The airline said the latest disruption “calls into question the resilience of Nats’ systems.”

The firm said earlier this morning that engineers were working to resolve the issue but that regulations had been imposed to “maintain safety.”

And, British Airways said it is “disappointing” that some customers may experience disruption after “yet another technical fault with Nats”.

A spokesperson for the airline said: “Yet another technical fault with Nats means some of our customers are likely to experience disruption to their travel plans today.

“This is disappointing and whilst it is an issue that is entirely out of our control, we’re doing everything we can to limit the impact on customers and are keeping them updated.”

A Nats statement this afternoon read: “The issue in our Prestwick centre is now fixed. We are working with airports and airlines to safely lift air traffic regulations as quickly as we can to minimise any further disruption.

“Passengers should still check the status of their flight with their airline.

“We apologise for the disruption.”

Passengers tpoday are being advised to check with their airline for information on their flights.

Holidaymakers at Glasgow airport were reportedly been left waiting on the tarmac for hours amid the delays.

Meanwhile, Luton Airport said domestic flights had been disrupted by the air traffic control issue.

And several flights at Manchester Airport have been delayed with passengers warned to expect further disruption.

However, most airports south of Manchester are broadly unaffected by the issue but flights travelling north may be subject to some delays, Nats said.

British Airways and Easyjet have issued messages to passengers hoping to travel today, warning them that some delays are expected.

Highlands and Islands Airports Limited has said flights are being disrupted across all of the airports it operates.

Meanwhile, Belfast International Airport said it is experiencing some delays amid the air traffic control issue.

Passengers and airlines “deserve better”, an aviation industry body has said after the second air traffic control issue within two weeks.

Tim Alderslade, chief executive of Airlines UK, said: “The UK’s ATC (air traffic control) system is critical national infrastructure and it must be resilient enough to keep people moving.

“Passengers and airlines deserve better and the independent CAA (Civil Aviation Authority) report, together with the forthcoming Civil Aviation Bill, must address the underlying weaknesses in the system so that these failures stop happening.”

The previous Nats failure affected thousands of passengers with many stuck abroad amid the chaos.

Nats announced that a “technical issue” with its “flight processing system” had caused the widespread travel chaos just two weeks ago.

A majority of the UK’s biggest airports were brought to a standstill by the failure, which is understood to have been caused by a software error.

It led to calls for Nats chief Martin Rolfe to resign with furious airline executives blaming him for the failure.

Transport Secretary Heidi Alexander previously demanded Rolfe launch a rapid review into the chaos last week and said that she did not believe the most recent air traffic control issue was “unavoidable.”

He previously faced turbulence in 2023 when he oversaw his first failure in air traffic control, which affected more than 250,000 passengers.

The August bank holiday failure was sparked when a small piece of incorrect data set off a mass system failure lasting just a few hours.

New imagery shared with TWZ by Anduril shows its YFQ-44A Fury Collaborative Combat Aircraft (CCA) configured with air-to-ground weapons, underscoring the fact that the CCA could take on an air-to-ground role in the future in addition to its current air-to-air focus. Yesterday, Anduril executives revealed that the company had begun integration and fit checks for a range of air-to-ground weapons, although they confirmed to us that those weapons had not yet been flight-tested aboard Fury.

The YFQ-44A is one of two aircraft selected by the Air Force for its CCA Increment 1 program, alongside General Atomics’ YFQ-42A Vengeance. The service’s stated priority for the initial aircraft is air dominance, and Anduril says the production FQ-44 will have four external hardpoints capable of carrying four AIM-120 AMRAAM air-to-air missiles. The YFQ-44A, which currently has two underwing pylons for two AMRAAMs, has already conducted a live AIM-120 firing as part of testing with the Air Force’s Experimental Operations Unit.

The new imagery, however, points toward a substantially broader weapons envelope, with the aircraft shown carrying different air-to-ground stores on its two external stations. The weapons are shown fitted to the aircraft during a ground-based fit check, an important step in the integration process before captive-carry and, ultimately, live-release testing, if Anduril and the USAF choose to go down that route.

During a recent roundtable with reporters yesterday at the Air & Space Forces Air, Space and Cyber Symposium that TWZ is attending, Anduril’s Jason Levin, senior vice president for Air Dominance and Strike, and Erin Simpson, vice president for Strategy for Air Dominance and Strike, said the company had already begun integration and fit checks of 500-pound Joint Direct Attack Munitions (JDAM), 250-pound Small Diameter Bombs (SDB), and low-cost cruise missiles. Pods for 2.75-inch guided or unguided rockets are also seen fitted to the aircraft. In each case, the stores are mounted on a twin adaptor rack.

Furthermore, Anduril’s plans extend to testing the Fury with other air-to-air weapons and targeting pods.

Importantly, the diversity of weapons will give Fury a range of potential missions beyond high-end air-to-air combat, including counter-UAS, counter-cruise-missile, and air-to-ground or air-to-surface strike missions.

“We’ve begun integration and fit checks of a lot of other munitions,” an Anduril executive said. “We’ve done 500-pound guided bombs. We’ve done Small Diameter Bombs.”

The company said it had also begun engineering work to integrate its Barracuda 500 offering for the Air Force’s emerging low-cost cruise-missile effort.

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It should be noted that giving the YFQ-44— or YFQ-42A — the ability to deliver a JDAM or SDB against a predetermined fixed target is not particularly complex. This type of austere air-to-ground capability should be relatively straightforward to add, providing a useful secondary strike function without requiring the aircraft to take on the far more demanding requirements associated with dynamic targeting or more sophisticated air-to-ground missions. This could also allow for these increment one CCAs to be used independently as air-to-ground ‘weapons trucks’ if their air-to-air assistance isn’t needed.

When the production FQ-44 arrives, it will have four hardpoints, compared with the two currently fitted to the YFQ-44A. Anduril says loading all four stations with AIM-120s for the Air Force’s air-dominance mission would reduce the range of the aircraft but would not require a larger engine or otherwise push the aircraft outside its basic takeoff, landing, climb, and flight-envelope requirements.

While the Air Force’s initial CCA requirement is heavily focused on air dominance, the same aircraft could potentially be configured for different missions by changing its external stores and sensors. Anduril is already positioning Fury as something more than a single-purpose “missile truck.”

That flexibility could become increasingly important as the Air Force considers how CCAs will be employed alongside crewed fighters. During a July Experimental Operations Unit (EOU) exercise at Creech Air Force Base, Fury flew in the same airspace as crewed fighters and other CCAs while Air Force personnel operated its Mission Autonomy system. Anduril says the aircraft has also flown in formation alongside F-35s, although the fighters were not yet controlling Fury.

The company is now working toward what it calls “quarterback integration,” in which a crewed aircraft will direct autonomous aircraft as part of a larger combat formation. Anduril says that work has already progressed through hardware- and software-in-the-loop environments and onto the aircraft itself, with live testing expected in the near term.

A Fury operating under the direction of an F-35 could potentially carry air-to-air missiles for counter-air missions, while other aircraft in the formation could be configured for strike or other effects. Alternatively, the same autonomous aircraft could be reconfigured for a different mission before being dispersed to another operating location. Having four pylons would also give the production Fury greater scope to undertake “swing-role” missions, flexing between prosecuting air and surface targets as required.

The July EOU exercise also demonstrated a rapid “hot reload” capability, with two Air Force personnel replacing an AIM-120 on a running Fury and reducing the turnaround between sorties to single-digit minutes. The demonstration was intended to show how CCAs could be rearmed and returned to the fight without the large maintenance and ground-support footprint associated with traditional combat aircraft. This will be vital as the Air Force integrates CCAs into its Agile Combat Employment concept, in which the drones can be dispersed across multiple operating locations rather than relying on a single large ground footprint.

Also speaking yesterday at the Air & Space Forces’ Air, Space and Cyber Symposium was Air Force Chief of Staff Kenneth Wilsbach, who confirmed that the service hasn’t necessarily made any decisions on Increment 2 of the CCA program yet, but it could include air-to-ground capabilities.

“We’re going through some thought processes about what Increment 2 should be able to do. Increment 1 is air-to-air, so do we want air-to-ground? Maybe, maybe not. Do we want it to have more sensors? Do we want it to be a lot cheaper? Do we want it to be more attritable or expendable, or do we want it to be more exquisite? Do we want shorter range or longer range? Do we want something that can be dropped from another platform, or does it take off and land by itself?”

“These are all considerations,” Wilsbach continued. “It’s still a bit early to make any definitive decisions on that, especially before we really get our hands on the current Increment 1 aircraft and learn from them.”

It’s also important to note that export customers for Fury may demand an air-to-ground capability set, especially if they will only be buying a limited number of CCA types. Having this option ready to go is relevant to prospects beyond the U.S., which are certainly growing.

Fury’s air-to-ground weapons work is part of a broader effort to make the aircraft a flexible combat system rather than simply an uncrewed air-defense adjunct for crewed fighters. The Air Force’s immediate priority may be air dominance, but the weapons integration underway suggests that the same four hardpoints could eventually support a much wider range of missions. This weapons flexibility could ultimately be central to the broader CCA concept, especially as the Air Force works out what it wants Increment 2 to deliver.

Contact the author: thomas@thewarzone.com

Every so often, an aspiring screenwriter wanders into the dim red glow of Jumbo’s Clown Room hoping to interview one of the dancers. “They’re like: ‘I’m writing a screenplay. Can I interview you?” says Cecilia Fairchild, one of the longtime dancers at the renowned East Hollywood bikini bar.

Her response is usually some version of this: “I’m like, ‘Why are you writing about that? Don’t you know we are all writing that too? Leave us alone,’” Fairchild says with a mischievous laugh. What bothers Fairchild is the assumption behind it — that the dancers are voiceless and helpless. Worst of all, they’re presumed to have stories worth mining but not the ability to produce literature themselves.

Jumbo’s has a longstanding reputation of being part of L.A.’s literary lore.

In the 1970s and 1980s, Charles Bukowski — L.A. nightlife’s debaucherous poet laureate — was rumored to haunt the bikini bar in its early days. David Lynch wrote his classic screenplay “Blue Velvet” at the bar. (According to local legends, the iconic opening shot of “Blue Velvet” came to Lynch when he spotted a dancer with only one ear.) Writer and director Quentin Tarantino reputedly wrote at the bar. But while Jumbo’s has garnered a mythology as a magnet for filmmakers, writers and musicians who collect impressions, the dive’s dancers have shifted from being the subject to the artists.

Many of Jumbo’s dancers write fiction and memoir, host literary salons across Los Angeles and find ways to tell their own stories rather than serve as muses. “It’s funny because I wish that male auteurs would tell the story of customers. I want a sniffer’s memoir. I think that’s a real point of view,” Fairchild says. (Speaking of alienation and horniness, the dancer has been meaning to crack the Marcel Proust canon.)

Honey Ryder (Claudia Musikul) types on the bar inside Jumbo’s Clown Room. (Carlin Stiehl / For The Times)

Fairchild is a playwright, poet and memoirist. Her recently completed memoir, “The Poison + The Spit,” traces a life of tumultuous love affairs and a stint dancing in New Orleans, rendered in prose that is whimsical, surreal and deeply emotional. The dancer also hosts the Downpour, a popular monthly literary salon at Bar Covell, and recently directed “Fool in the Pool,” a play that premiered at El Condor in Silver Lake this summer.

Her writing style mirrors her dancing: kinetic, wild and unpredictable. She sometimes takes the stage in roller skates, dancing to David Bowie. Her memoir achieves that same sense of hypnotic motion. “The memoir is so heavy,” she says. “Everything was so sad that I needed some lens to look at it that was fun, zippy and crazy.”

For Fairchild, dancing and writing possess the same need to expose oneself. “Vulnerability is one of the most interesting things about dancing,” she says. “There really is the potential to look into people, and they look into you, and you wordlessly share something with them that is half sexual and half this other thing.”

Meanwhile, Danielle Henderson — another dancer and aspiring novelist at Jumbo’s who writes under the pen name D.M. Faulk — has been working on a science-fiction novel titled “Meridian.” The book imagines a dystopian American wasteland where pregnant women are surveilled and controlled. She has been a longtime science-fiction fan since she and her father watched “Jurassic Park” and “Planet of the Apes” when she was a child.

Long treated as passive muses by visiting writers, Jumbo’s dancers — from left, Caroline Blaike (Caroline Moyer), Honey Ryder (Claudia Musikul), and Cecilia Fairchild — are reclaiming the narrative as active poets, memoirists and screenwriters.

(Carlin Stiehl / For The Times)

Unexpectedly, the Jumbo’s comically tiny dressing room became the inspiration for her novel. In 2022, when Roe v. Wade was overturned, conversations between dancers about reproductive rights ignited in the dressing room, which in turn informed her novel.

“A lot of those conversations happen in the dressing room. I’m incredibly inspired by the women I’m with who are incredibly sex positive and strong.” That ethos informed Henderson’s protagonist, Zayla.

In recent years, the bar has become a local author hangout. Allie Rowbottom, the author of the recent buzzy adult film novel “Lovers XXX,” discovered the bar in 2011 on the occasion of writer Elizabeth Hall’s birthday party. “I recall sitting front row on novelist Jon Lindsey’s lap, raining dollar bills on dancers performing intricate, beautiful athletic feats,” Rowbottom says. “I spent more than I could afford that night and have been back often since.”

Increasingly, Jumbo’s has cemented itself as a watering hole to the local writing scene. “Two years ago, I rented out a few tables for Jon Lindsey’s birthday, attended by Los Angeles literati like Tea Hacic-Vlahovic, Sammy Loren, Morgan Krantz, Tex Gresham and Nada Alic,” she adds.

According to Rowbottom, Jumbo’s is rife for literary inspiration. “To me, Jumbo’s feels uniquely dedicated, as a venue, to intersecting sex and art, despite the obvious dissonance of selling either,” she says. “I suspect such is what has historically made it a rich spot for writers, dissonance and tension being of utmost importance to good literary work.”

From left, Caroline Blaike (Caroline Moyer), Honey Ryder (Claudia Musikul), Cecilia Fairchild and Stephen (Aaron Laughton) inside Jumbo’s Clown Room.

(Carlin Stiehl / For The Times)

A charged scene in L.A. writer Aiden Arata’s critically-acclaimed 2025 essay collection, “You Have a New Memory,” features a night out at Jumbo’s Clown Room. “The dancers are starlets, athletes, artists; the theme is clown, and also longing — longing is a high form of physical comedy,” says Arata. “It possesses that heady mix of scuzz and glamour that can trick you into thinking your life is about to change.”

Jumbo’s burgeoning literary interest revives a hotly debated question: Who gets to tell the stories of sex work? For decades, the club has inspired celebrated writers and filmmakers, but Claudia Musikul — a dancer at Jumbo’s and a screenwriter herself — hopes its literary legacy will increasingly belong to the people at its core: the dancers.

“I hope that everybody can actually get their work out there because I feel it’s much deserved,” says Musikul. “You’ve probably heard about Bukowski, David Lynch doing ‘Blue Velvet’, or Anthony Bourdain. That’s all really cool, but in a way, it’s the actual dancers’ turn to have that kind of recognition.”

Musikul primarily writes screenplays about strippers, a subject she believes is seldom represented authentically. She has been in writing partnerships and workshops while developing scripts centered on dancers. In a sea of films depicting sex work, she cites Paul Verhoeven’s “Showgirls” as a film that resonates with her experience.

“‘Showgirls’ is my very favorite movie,” she says. “It’s my very special place in my heart movie.”

For Caroline Blaike, a poet and dancer at Jumbo’s, the connection between dancing and writing lies in observation. Years of performing have made her acutely attentive to the people who pass through the club, a voyeuristic habit that carries over into her poetry.

“When you’re a dancer, you’re very observant. You watch every person that walks in,” she says. “I feel like the way dancing makes you observe people helps you write from a perspective that other people can then relate to.”

Blaike has been working on a poetry collection that explores love, queerness, desire and personhood. “It’s gotten a little sexier over time, which is kind of fun,” she says. “I also just write about love, being gay, just existing. It can be a little aggressive, but people seem to like it, so that’s good.” She writes these poems from her prized typewriter — a “1951 Olympia typewriter that is my child.”

Among Blaike’s earliest literary touchstones was Maya Angelou. She still remembers encountering Angelou’s line in her poem “Still I Rise,” “I dance like I have diamonds at the meeting of my thighs,” and being stunned by it.

“I was like, ‘Oh, you can write that? That’s amazing,’” she says.

The literary ambitions at Jumbo’s extend well beyond the stage. Stephen Laughton, one of the club’s security guards, jokes that he leads a double life. By night, he keeps watch at the door; by day, he is an award-winning playwright. He’s recently been named the new associate artistic director of the Echo Theater in Atwater Village, and Laughton’s served as the writer-in-residence in the astrophysics department at the Natural History Museum in New York. Last November, his latest play became the first in the world to be staged in a planetarium.

“It’s this crazy, beautiful science play about two guys who meet in a club that explores mental health in the LGBT community, human interaction, time and astrophysics,” Laughton says.

Like many of his co-workers, Laughton has found himself turning Jumbo’s into copy. The club, he suggests, has a way of compelling everyone who works there to write about it.

“I think that probably what we’re all going to realize is that we’re all writing a version of the exact same story,” Laughton jokes.

Blaike argues that the dancers’ diverse talents are a key reason why Jumbo’s Clown Room has become such a beloved institution in the city. “It attracts confident, creative women who work there,” says Blaike. “Our community of women is supportive of each other and each other’s endeavors. … It really does facilitate that.”

There is now a three-week international break with no Premier League games until 10 October.

We are five matches into the league season and there is a long way to go in the campaign, but which teams have impressed so far and who have disappointed?

You can have your say in the comments at the bottom of the page.

Arsenal: Solid start to their title defence until they were ripped apart by Brighton having survived a penalty scare at Sunderland. 7

Aston Villa: Signs they are beginning to move in the right direction after losing so many key players during the transfer window. 6

Bournemouth: If games lasted 80 minutes the Cherries would be near the top of the table. Need to cut out conceding so late. 6

Brentford: Demolished Spurs and Chelsea without fuss during a highly impressive unbeaten start. Can they keep it up and challenge for Europe? 8

Brighton: Kings of entertainment after hitting 16 goals in five top-flight games, including three against champions Arsenal. A joy to watch. 9

Chelsea: After a strong start under Xabi Alonso, the Blues have lost two of their past three – and were picked apart by Brentford. Are they really moving in the right direction? 6

Coventry City: You could hear the sighs of relief in the away end at Nottingham Forest on Saturday. Will Frank Lampard’s side kick on after that win? 6

Crystal Palace: Room for improvement after one win and three defeats. 5

Everton: Despite a transfer window to forget, David Moyes has made the Toffees hard to beat. 6

Fulham: Decent draws against Liverpool and Manchester United but need a win. Ipswich (away) followed by Hull (home), Coventry (away) and Crystal Palace (home) offer hope when they return from the international break. 5

Hull City: To have eight points from a tough opening five fixtures is an excellent return, including beating Manchester United and drawing with Aston Villa and Chelsea. 8

Ipswich Town: Defensively vulnerable but two late winners, against Sunderland and Crystal Palace, have earned them six points and shown their fighting spirit. 5

Leeds United: Fifth in the league, unbeaten and with the joint-best defensive record. They showed what they are capable of with a superb 4-1 win over Newcastle. 7

Liverpool: Unbeaten but have been far from their best. Three clean sheets in their past three games, but more is expected from Andoni Iraola’s side. 6

Manchester City: Five league games, five victories. Managed to win at Manchester United despite going down to 10 men midway through the first half. With Erling Haaland already top scorer, City fans will expect a real push to win the league. 9

Manchester United: Disappointing performances to lose at Hull and draw at a Fulham side who were bottom of the league. Their only win so far came against Ipswich and they were denied a victory at Everton by a late equaliser. 4

Newcastle United: A mixed bag under new manager Matthias Jaissle. They impressed in a draw against Liverpool, won comfortably at Tottenham, but were also terrible in a loss at Leeds, although they responded well to beat Hull. 6

Nottingham Forest: Their best results have come away, drawing at Liverpool and winning at Aston Villa. But their home form will be a huge worry – yet to score a goal and with only one point from three matches at the City Ground. 5

Sunderland: After coming seventh in 2025-26, Sunderland fans will have wanted a better start to this season. The Black Cats gave good accounts of themselves against Arsenal and Manchester City, but lost both matches. 5

Tottenham Hotspur: After spending more than £300m in the summer, Spurs have been poor, failing to score in their opening four league matches. Supporters will be demanding an instant improvement after the international break. 2

Philip White, a software engineer from Cornwall, has invented a way of bringing those costs down when it comes to booking a family holiday at one of Center Parcs six sites

A dad has invented a tool that helps Center Parcs customers claim back £100s, even after they’re already booked and paid.

Center Parcs is one of the UK’s most beloved holiday parks. It runs six holiday villages throughout the country. It is especially popular for short getaways in its car-free woodland settings, which are perfect for kids to explore while parents relax in the hot tubs and saunas.

While few would question how good Center Parcs’ offering is, it regularly comes in for criticism on price. The holiday park chain ranked close to the bottom in Which?’s latest holiday park survey, almost entirely because of price.

“It’s extraordinarily expensive, at more than twice the price of budget rival Haven. Activities cost even more on top, and you need to secure your preferred slots weeks in advance. The two-star rating for value for money is the joint lowest in our survey. You could save a fortune by choosing a better-rated rival,” the Which? survey noted.

Do you have a travel story to share? Email webtravel@reachplc.com

Philip White, a software engineer from Cornwall, has invented a way of bringing those costs down.

“It started because we were on a family Center Parcs holiday. It was a great time. One of my relations booked straight away for a year later,” Philip told The Mirror. Center Parcs offers guests £50 off if they book again within 30 days of a stay.

As prices may rise or fall throughout the year, booking early can leave you out of pocket, despite the cash back. Which is why Center Parcs offers a ‘price promise’. “Our price promise means that if you see the same break offered for sale at a lower price at any time before you arrive for your break, you will be eligible for a refund of the price difference or a reduction in cost to meet the new price,” its website explains.

Rather than spending his time checking the Center Parcs website in the months before his family’s next stay, Philip created a widget that does the work for you. All you need to do is enter your name and booking details, and it will tell you if there’s been a price drop. Then you can claim the difference back from Center Parcs.

“If you notice the cost drops, they refund the difference against your stay. But they don’t do that for you automatically; you have to manually check it all the time. I tried to automate it on my own. We caught the specific lodge we were trying to get dropped by £150, which was a good saving, especially with the cost of living,” Philip said.

Another feature of Philip’s widget helps guests bag slots on popular activities. “When we were there, a lot of the popular activities for our toddlers were booked out. With Parc Watch, can also check when new bookings open up.”

In the majority of categories in the Which? survey, Center Parcs scored impressively. The company received four stars for activities, entertainment and facilities, alongside quality of accommodation and cleanliness. It secured three stars for customer service and food and drink.

However, its low position in the table, fifth from bottom, came from its value for money rating of merely two stars. It ranked as the third most costly among all the holiday parks in the survey. Even positive assessments of the parks frequently reference the cost. One recent review of Center Parcs Woburn Forest noted: “Amazing place to holiday. Personally, I felt the prices of things on-site were a little high, and that was even going outside of term-time; however, you cannot fault the fun and wonder of being at these parks.”

The UK’s best and worst holiday parks

(Name of resort, overall customer score)

1. Potters Resorts – 83%
2. Hoburne Holidays – 81%
3. Darwin Escapes – 80%
4. Landal Parks – 80%
5. Waterside Holiday Group – 80%
6. Shorefield Holidays – 76%
7. Away Resorts – 75%
8. Bluestone Wales – 75%
9. Park Leisure UK – 75%
10. Highland Holidays – 74%
11. Lyons Holiday Parks – 74%
12. Largo Leisure – 73%
13. Park Holidays UK – 73%
14. Warner Coastal Villages – 73%
15. Forest Holidays – 72%
16. John Fowler Holidays – 72%
17. Center Parcs – 69%
18. Haven Holidays – 68%
19. Parkdean Resorts – 68%
20. Butlin’s – 63%
21. Pontins – 61%

Based on a survey of 2,221 Which? Connect panel members and general public conducted in February and March 2026.

A weekend in Europe might seem like an expensive option in the run up to Christmas, but these festive weekend breaks could be cheaper than the train fare to another UK city and offer unforgettable Christmas market experiences

While the UK has some great Christmas markets, the ones found in Europe tend to be bigger and more traditional. If you’re dreaming of drinking mulled wine and wandering around wooden chalets to buy gifts, you don’t need to drain your bank account to enjoy a festive weekend away.

Here are some Christmas market breaks coming in at around £100 per person. Prices are correct at the time of going to press, but can change, especially air fares which are likely to become more expensive as the Christmas dates book up.

Christmas in Tivoli – Copenhagen – £96.50

Many Christmas markets are set in town squares, but Christmas in Tivoli takes over Copenhagen’s historic amusement park, turning it into a winter wonderland. Its beautifully decorated gardens are full of wooden stalls, often dusted with snow, and there are festive rides, freshly-baked Danish treats, and serious hygge vibes. Head to Christmas in Tivoli for its opening weekend, November 13, and you can take return flights from Bristol for £56 on Ryanair.

With just a two hour flight time it’s perfect for a weekend break, and you can return on Sunday to avoid taking extra annual leave. Generator Copenhagen is about a 15-minute walk away, or a quick metro ride, and has a lively bar, restaurant, and terrace. Stays start at £23.81 for a dorm. Another unique option, if you’d like a little more privacy, is the Urban Camper Hostel, which has indoor tents that come with twin or double beds and lockers. Prices start at £40.50 per person for the weekend based on two sharing. If you prefer a hotel, you can find stays from £82 for two nights with Kayak.

Spitalerstrasse Christmas Market – Hamburg – £99.34

If traditional Christmas markets are your thing you can’t go wrong with Spitalerstrasse in Hamburg, which is basically a blueprint for every festive city centre event in Europe. Wooden chalets line the streets, vendors sell gingerbread, bratwurst, and mugs of glühwein, and it’s all set amid a backdrop of glorious medieval buildings covered in twinkly lights.

Hamburg has fewer options for direct flights from the UK – only London and Manchester offer this route – but there are bargains to be found. For example, if you travel between November 20 and 22, a return from London-Stansted costs £48, and the 90 minute flight time makes it perfect for a weekend away.

Next to Hamburg’s central station is the Generator Hamburg has basic dorms from £25.67 a night. Other budget options in the centre include the unique CAB20, which offers inexpensive cabin-style rooms for £164 for two nights based on two sharing.

Plaza Mayor Christmas Market – Madrid – £84.50

Enjoy Christmas with a Spanish flair at the Plaza Mayor Christmas Market, which runs from late November to December 31. The Spanish capital’s stunning historic square is the perfect backdrop for more than 100 red stalls, lit by fairy lights, where you can buy handcrafted nativity figures, unique decorations, and gifts. Enjoy freshly roasted chestnuts, turrón nougat, or churros with proper hot chocolate.

The cool weather means December tends to be an inexpensive time to visit Madrid, and if you fly from Bristol on Friday December 4, coming back Sunday, you can pick up flights from £38. If you’d like to stay in the city centre, one option is the Capsule Inn Madrid where couples can share a double capsule for £93 for two nights. Although it’s an extremely cosy space so you’d need to ensure you don’t fight at the airport before arriving.

Campo Santo Stefano Christmas Market – Venice – £94.56

Venice’s Campo Santo Stefano Christmas market kicks off on November 17, so it’s perfect for an early festive break. Stick to November dates and you can avoid the tourist crowds, and browse a wide range of Italian and European Christmas foods, artisan gifts, and canals lined with lights.

You can book flights from November 27 to 29, departing London-Luton on Wizz Air from £43, while the Generator Venice , housed in a historic building on Giudecca Island, has beds from £25.78 a night on those dates. Giudecca Island is about a 20-minute walk to the Christmas market, taking you across Venice’s bridges, or you can take a boat and enjoy the festive canal views. Meanwhile on Skyscanner you can find hotels with stays from £92 for two nights over a December weekend.

RAW Christmas Market – Berlin – £109.94

Berlin’s RAW Christmas Market is a unique experience. Set in a former railway repair yard in the hip, alternative neighbourhood of Friedrichshain, it has a medieval theme giving it vaguely Ren Faire vibes. Taking place from November 12 to December 22, you can enjoy this creative market which includes a wooden Ferris wheel, street entertainment, and lots of artistic stalls.

You can fly with Ryanair from London-Stansted to Berlin on November 20 to 22 from £51, making it an ideal time to visit the city. Continue the cool arty theme with a stay at Generator Berlin Mitte , a design-led hotel that has dorms, sleeping pods, and private rooms, from £18.99 a night. A single pod is £29.47 a night, if you’re feeling brave and not claustrophobic, while a private twin ensuite room for the weekend costs £92.82 a night.

Have a story you want to share? Email us at webtravel@reachplc.com

High pressure is building across the UK and this means the weather will become more settled with brighter conditions.

After a chilly start on Monday morning, with sunshine and light winds across much of England and Wales, temperatures will climb into the low 20s.

Even with more cloud in Scotland and Northern Ireland, it will turn warmer with highs also reaching 18 to 22C.

It will also start to feel more humid again.

That more humid air combined with light winds across England and Wales into Tuesday means it will start off rather misty and foggy with areas of low cloud for some.

Once the sun has broken through though, it will feel warmer still.

Temperatures could peak at around 24 or 25C in south-east England, but reach the low 20s Celsius in many other parts of England, Wales, Northern Ireland and Eastern Scotland.

The highest temperature though will be determined by how much the cloud breaks allowing the strong September sunshine through.

2026 has already been a record-breaking year for the number of days above 25C, with last week exceeding the record of 89 days set in 1959.

Is President Trump holding the Kennedy Center hostage? The allegation has been made at least twice, most recently by John F. Kennedy’s niece Kerry Kennedy, and earlier by Rep. Joyce Beatty (D-Ohio), an ex-officio member of the board, who has sued to keep Trump’s name off the building.

The Merriam-Webster dictionary defines “hostage” as, “a person taken by force to secure the taker’s demands.” Swap, “person” for the “Kennedy Center” and “taker” for “Trump,” and you have a pretty straightforward “yes.”

The ongoing Kennedy Center dumpster fire points to an unusual presidential obsession with the nation’s premier performing arts venue that dates back to Trump’s first term when he became the first sitting president in history to twice miss the annual Kennedy Center Honors.

In his second term, Trump turned that snub upside down by firing the board and strong-arming his way into being named chairman. If he expected to be welcomed into the arts community with open arms, he was gravely mistaken. His takeover resulted in a wave of high-profile cancellations that ultimately led to a massive dip in ticket sales. The exodus became even worse when the Trump-appointed board voted to add Trump’s name to the building late last year. The reaction, it seems, injured the president’s fragile ego and incurred his wrath.

By early February the president announced he would close the center for a two-year, $257-million renovation. Calling the historic venue “dilapidated,” Trump said he would be the one to restore it to glory. Behind the scenes another story was unfolding, and six months later the Washington Post reported that “ticket sales and fundraising collapsed” after Trump’s name was added to the building, “even as the center’s leaders publicly touted a financial turnaround.”

This week saw chaos at the venue that even the most seasoned journalists struggled to keep up with as the board voted to close the building on the same day that a federal judge upheld an order that Trump’s name could not be restored to its facade after he ordered it removed in late May.

Trump took to social media to decry the decision, threatening to withhold his support for the renovation and noting that the center could be “ripped down” if he wasn’t formally honored with his name on the building. Despite a preliminary injunction barring the venue from closing, people were kicked out of the building and barricades erected in the name of public safety that same day.

Those prone to hyperbole might be tempted to call this presidential tantrum disguised in procedural clothes a constitutional crisis. Or you could just say that Trump has taken the Kennedy Center hostage. The taker wants his name on the building, and the center will not be released for renovation or reopening if that doesn’t happen.

In the meantime an image of Trump on Air Force One was captured that shows him holding a large placard that reads, “Kennedy Center DEMO[LISHED],” leaving concerned parties to wonder just what exactly the chairman of the board has in mind. Is he using a Sharpie at this very moment to slash a line through the image at the center on that board, or is it just a prop to be trotted out in a cruel bit of future social media hazing?

Getting lost in all the drama: a beloved arts venue has gone pointlessly dark, and the people who loved it are heartbroken. If no one is inside to hear the wind whistle, does it make a sound?

I’m Arts editor Jessica Gelt, willing to rustle up a ransom. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Oliver Lee Jackson: Form Follows Feeling
The Bay Area painter, sculptor, and printmaker’s work, created over decades, is inspired by the human figure in its composition and structure.
Opening reception, 6-8 p.m. Friday; 10 a.m.-6 p.m. Tuesday-Saturday. Lisson, 1037 N. Sycamore Ave. lissongallery.com

“Vitruvian Figure (Los Angeles Memorial Coliseum),” 2026, 3D model by Paul Pfeiffer.

(Paul Pfeiffer/Perrotin)

Paul Pfeiffer: Olympia
In new work focused on Los Angeles, the artist explores the intersection between media, spectacle, architecture and the body ahead of the city hosting the 2028 Olympic Games.
Opening reception, 6-8 p.m. Friday; Pfeiffer in conversation with Britt Salvesen, 3 p.m. Saturday; exhibition, 10 a.m.-6 p.m. Tuesday-Saturday, through Nov. 7. Perrotin, 5036 W Pico Blvd. perrotin.com

SATURDAY

“Couple walking, Park Avenue,” 1960.

(Estate of Roy DeCarava)

Roy DeCarava: the sound i saw
The exhibition presents more than 130 images created between the late 1940s and 1960s, depicting the photographer’s intense interest in the relationship between the visual and the aural. Accompanying the exhibition, in the gallery next door, will be “SIDE B: the sounds,” a listening room featuring DeCarava’s personal playlists and favorite jazz album.
Opening reception, 6-8 p.m.; exhibition runs through Oct. 31. David Zwirner Gallery, 606 and 6166, N. Western Ave. davidzwirner.com

Sutton Foster
The two-time Tony winner and TV star performs Broadway hits and standards with Pacific Jazz Orchestra, featuring new arrangements by conductor Chris Walden.
8 p.m. The Soraya, 18111 Nordhoff St., Northridge. thesoraya.org

Mia Middleton: Summoning Cleo
New work by the artist explores interpreting familiar forms through a surreal lens.
Opening reception, 5-7 p.m. Saturday; exhibition runs through Oct. 24. Roberts Projects, 442 S. La Brea Ave. robertsprojectsla.com

Mrs. Warren’s Profession
Real-life mother and daughter Cyndy Fujikawa and Nell Murphy star in this production of George Bernard Shaw’s 1893 play about a Victorian woman coming to terms with how she built a business empire. Directed by Michael Rothaar.
Opening night, 8 p.m. Saturday; 8 p.m. Thursdays, Fridays and Saturdays; 3 p.m. Saturdays and Sundays (check website for exceptions), through October 25. Pacific Resident Theatre, 707 Venice Blvd, Venice. pacificresidenttheatre.org

Grammy Award-winning composer and bandleader Arturo O’Farrill and Afro Latin Jazz Orchestra open the Segerstrom Center for the Arts’ Jazz series.

(John Abbott)

Arturo O’Farrill & Afro Latin Jazz Orchestra
The pianist and composer, a six-time Grammy winner, and his ensemble kick off the Segerstrom Center for the Arts’ 2026-27 Jazz series with Afro-Cuban rhythm, modern jazz harmony and big-band sounds.
8 p.m. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

Other Places
An alternative art fair devoted to contemporary art spaces and projects, plus workshops, readings, talks and performances.
Noon-7 p.m. Angels Gate Cultural Center, 3601 S. Gaffey St., San Pedro. opaf.info

Karma
The gallery presents solo exhibitions by painters Randy Wray (“Hothouse”) and Felipe Suzuki, one featuring vivid abstractions, and the other, work created through the lens of memory .
Opening reception 6-8 p.m. Saturday; 10 a.m.-6 p.m. Tuesday-Saturday, through Oct. 24. Karma, 7351 Santa Monica Blvd. karmakarma.org

SUNDAY

Alexander Apóstol
“Regime: Dramatis Personae” (2017), a series of black-and-white portraits of archetypal figures in both populist and authoritarian governments, uses photography to analyze the intertwining of art and political power in Latin America.
11 a.m.-5 p.m. Tuesday, Wednesday and Friday; 11 a.m.-8 p.m. Thursday; 11 a.m.-6 p.m. Saturday-Sunday; through Jan 3, 2027. Museum of Contemporary Art, 250 S. Grand Ave., downtown L.A. moca.org

Textile Alchemy: The Art of Reiko Sudō and NUNO
More than 100 limited-edition textiles, along with numerous objects, including drawings, sketches, raw materials, tools, mock-ups, and prototypes, are part of the largest retrospective ever of the Japanese designer’s work created with her textile collective and other collaborators from throughout Japan,
Through March 7, Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

TUESDAY

The entrance of the Lucas Museum of Narrative Art in Los Angeles in Exposition Park.

(Ron De Angelis/For The Times)

Lucas Museum Of Narrative Art
Where else will you see Luke Skywalker, Vincent Van Gogh, Norman Rockwell, Gordon Parks and Charles Schulz under one roof? The new museum officially opens Tuesday, featuring 100,000 square feet of space spread across more than 30 galleries, exhibiting a mind-bending range of visual storytelling. Check out our full coverage.
Public opening, 10 a.m.-5 p.m. Tuesday; regular hours, 10 a.m.-5 p.m. Mondays, Wednesdays and Thursdays; 10 a.m.-5 p.m. Fridays; 9 a.m.-9 p.m. Saturdays; 9 a.m.-5 p.m. Sundays. Lucas Museum of Narrative Art, Exposition Park, 3800 S. Vermont Ave. lucasmuseum.org

THURSDAY

Bilal
The Grammy Award-winning singer-songwriter delivers a blend of soul, funk, and jazz. Queens-born R&B musician Yaya Bey is the opening act.
8 p.m. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Each Other’s Hands: Trans Mutual Aid, 1966—1996
Oxy Arts, Occidental College’s community-based arts hub, presents an exhibition featuring the work of six L.A. artists. curated by Umi Hsu. The opening reception marks the launch of the 2026 CIRCA Queer Histories Festival hosted by One Institute.
Opening reception, 7 p.m. Thursday; 11 a.m.-4 p.m. Monday-Saturday. Oxy Arts, 4757 York Blvd. oxyarts.oxy.edu

Arts Anywhere

Robert Wilson and the Civil Wars
The newly remastered 4K version of Howard Brookner’s 1987 documentary, the essential yet long elusive film about the 1984 L.A. Olympics Arts Festival, can finally be streamed courtesy of Criterion Channel. It is everything LA28 doesn’t want you know. criterionchannel.com

— Mark Swed

Culture news and the SoCal scene

Christian Barillas, Melinda Page Hamilton and John Lavelle in “The Visit” at Pasadena Playhouse.

(Jeff Lorch)

Pasadena Playhouse opened a new production of Swiss dramatist Friedrich Dürrenmatt’s revenge tragicomedy “The Visit,” and The Times got in on the action. Contributor Jenelle Riley wrote a preview about how the new show features more than a dozen creatives behind the Playhouse’s production of Peter Shaffer’s “Amadeus” earlier this year, including director Darko Tresnjak and actor Jefferson Mays. “Amadeus” was a major hit, so Artistic Director Danny Feldman welcomed the team back with open arms.

Meanwhile, Times theater critic Charles McNulty attended opening night and declared the play a refreshing success (with a few caveats), and expressed “gratitude for the high-level production, gratitude for making the case for why the play still matters, and gratitude for the opportunity of allowing us to make up our own minds about whether the work earns its designation as a modern classic.”

Castulo Guerra as Tlahtoani Klion in a dress rehearsal ahead of its premiere of “Antigone: In the Language of the Kings” by the Latino Theater Company at the Getty Villa.

(Ariana Drehsler/For The Times)

McNulty also headed to the Getty Villa for its annual outdoor theater production. This year, the Villa’s outdoor stage marks its 20th anniversary with a co-production with Latino Theater Company of Sophocles’ “Antigone,” reimagined to take place in pre-conquest Tenochtitlan and performed in English, Spanish and Nahuatl. “If the drama is oversimplified, it nonetheless makes for a gripping spectacle,” McNulty writes.

Finally, a very busy McNulty checked out out a revival of José Rivera’s “Marisol” in an Open Fist Theater Company production at Atwater Village Theatre. The play originally opened in the early 1990s around the same time as Tony Kushner’s “Angels in America,” and McNulty says this new staging is gratifying because it allows a new generation to “embrace the play’s kinetic freedom.”

There are as many acrobats as actors in “Water for Elephants,” which is running at the Hollywood Pantages Theatre through Sept. 27 before heading to Segerstrom Center for the Arts (Nov. 10-22, with stops in Portland, Seattle, Reno, Sacramento, Tempe, Fresno and Eugene in between). Contributor Jenelle Riley headed backstage before opening night to watch the high-stakes performers warm up with poles, hoops, ropes and more. When the curtain raises, there’s a real circus onstage.

Long Beach Opera will perform its 2026-27 season aboard the Queen Mary.

(Allen J. Schaben / Los Angeles Times)

Long Beach Opera announced its 2026-27 season, which is slated to be performed aboard the historic Queen Mary. First up: three works by composer Georges Aperghis, with vocal performances from coloratura soprano Habin Kim. Next: soprano Amanda Forsythe and Opera Prima in a performance of “Tormento Seicento.” Four additional productions include: an Anna Schubert recital, Peter Brook’s “Impressions of Pelleas,” Handel’s “Tolomeo” and Ana Sokolović’s “Svadba.”

The Jewish Federation of Greater Los Angeles and Daniel Gryczman, the federation’s board chair, sued Pasadena’s Norton Simon Museum for the return of the diptych “Adam and Eve,” a pair of 16th century masterpieces by Lucas Cranach the Elder. The suit was one of two filed in the state “since California and Congress passed a pair of laws bolstering U.S.-based claims to Nazi-looted artwork around the world,” reports the Times’ Kevin Rector.

— Jessica Gelt

And last but not least

The Food section got the skinny on Skywalker Grill at the Lucas Museum, which is already booked through the end of the year.

Alan Roden hit a three-run homer and drove in a career-high four runs, and Dean Kremer yielded one hit over six stellar innings in the Minnesota Twins’ 8-0 victory over the Angels on Sunday.

Josh Bell had three hits and two RBIs for the Twins (73-83), who have won three of five overall after splitting four games at Angel Stadium with two shutout victories. Brooks Lee added three hits and scored three runs.

Roden had three hits in his first major league game this month, punctuated by a shot to right in the seventh for his third career homer, his first since Aug. 6, 2025.

Kremer (3-1) shut down the Angels in the third consecutive strong start by Minnesota’s deadline acquisition. He walked three, but struck out eight for his most in a start since April.

Minnesota allowed just two singles by the Angels, with Bailey Ober pitching the final three innings to earn his first career save.

Ryan Johnson (5-9) yielded three runs on seven hits and couldn’t get out of the fifth inning despite striking out six for the AL-worst Angels (60-96) in the home finale of their 11th consecutive losing season and their 12th straight non-playoff campaign, both the longest active streaks in the majors.

The game also was likely their last at Angel Stadium during the 24-year tenure of owner Arte Moreno, who intends to sell the team to Rams owner Stan Kroenke before next season begins.

Bell and Roden singled in runs with two outs in the third, and Bell added another two-out RBI single in the fifth to chase Johnson.

Emmanuel Rodriguez got credit for a double in the sixth even though Jose Siri dropped his catchable fly ball to the warning track in center. Rodriguez beat Siri’s throw to score on a single by Ben Ross, who then stole second and scored when Zach Neto let the throw trickle into center.

Up next for the Angels: Yusei Kikuchi (1-6, 5.02 ERA) makes the 13th start of his injury-plagued season in West Sacramento against the Athletics on Tuesday night.

Fuming Real Madrid manager waves printouts of what he believes were clear red-card tackles by Atletico Madrid players following his team’s loss.

Jose Mourinho needed only a sheet of paper to deliver his verdict on ⁠⁠La Liga’s Madrid derby, waving ⁠⁠images of two first-half tackles as he accused the officials of losing control in Real Madrid’s 2-1 defeat by Atletico Madrid.

Real were furious that Atletico defender Cristian Romero was not sent off for a stamp ⁠⁠on Jude Bellingham and also complained about a challenge by Lee Kang-in on Federico Valverde, before the visitors were themselves reduced to 10 men five minutes after half-time in the heated capital derby on Sunday.

Valverde finished the match but was later diagnosed with “severe trauma to his left ankle”, the ⁠⁠club said in a statement. The midfielder will undergo further tests, it added.

“We could skip the press conference because the story of the match is right here,” Mourinho said, holding up the images in what was the start of a near five-minute rant.

“Those were two clear red cards. The difficulties we’ve faced since the sending-off: 11 against 10. Well, we can imagine what 50 minutes of ‌‌11 against nine would have been like if justice had been done.”

Real defender Dean Huijsen was dismissed for bringing down Giuliano Simeone inside the area as the last defender, allowing Alejandro Grimaldo to score with a low spot kick. Jonathan David doubled Atletico’s lead six minutes later, with Antonio Ruediger heading in a free kick late to reduce the deficit.

Mourinho said he could only “hug” his players after what he described as a first half “full of class and great character”, but he aimed sharp criticism at referee Miguel Angel Ortiz Arias and those who appointed him.

“They’ve put a referee, aged 41, ⁠⁠with no international experience – it’s certainly not because he’s a great referee,” Mourinho said.

“Then the ⁠⁠poor chap has come here and hasn’t been able to cope with the pressure – and it really is intense pressure. I call it ’80s-style pressure’ here in this stadium, which you hardly ever see these days.”

Asked about being six points behind Barcelona, Mourinho offered a pointed reply.

“If they just leave us in ⁠⁠peace and let us compete on a level playing field with everyone else, we’ve still got a long way to go,” he said.

“I don’t want to go so far as to say ⁠⁠this was set up … I want to believe that they simply made a ⁠⁠mistake.”

Asked about Mourinho’s comments, Atletico manager Diego Simeone urged restraint.

“Whoever is speaking – be it me, Mourinho, Hansi Flick or Manuel Pellegrini, anyone – we have to be careful what we say,” Simeone said. “When you step outside the bounds of respect, whoever you are, it’s not on. You can’t cross that line.”

Simeone preferred to focus ‌‌on Atletico’s performance.

“Today we saw a great match; we defended very well against a team that plays very well,” he said.

“We controlled the match when it was 11 against 11. We continued to control it when it became 10 against 11. But ‌‌this ‌‌isn’t just another step towards continuing to grow and improve.”

Atletico climbed above Real to second in the standings on 16 points, five behind leaders Barcelona and one ahead of Real and Real Betis.

Presley Gerber, the son of supermodel Cindy Crawford and her husband, businessman Rande Gerber, died Sunday at a rehab facility at age 27, according to the Los Angeles County medical examiner.

Few details were available late Sunday.

Gerber worked as a model, including in 2018, at age 18, as the face of Calvin Klein Jeans’ global advertising campaign, along with his sister, Kaia Gerber.

A year later, he was arrested and charged with driving under the influence, according to USA Today. He was sentenced to three years’ probation and ordered to complete a DUI program, TMZ reported.

Kaia, left, and Presley Gerber in Paris in 2017.

(Kamil Zihnioglu / Associated Press)

The death was confirmed to the Associated Press by Allie Jenkins, a representative for Crawford and Rande Gerber, who were married in 1998.

“The family is asking for privacy during this very difficult and painful time,” Jenkins said.

In an Aug. 11 interview with Vogue, sister Kaia, a model and actor, spoke of her older brother struggling with drug addiction, which he described in a since-deleted Instagram video in December.

She told the magazine that she was proud of him.

“My parents … were very, very private,” she said. “Now we have this absolute teacher, my brother, who said, ‘I’m gonna be very human for everyone.’”