Month: September 2026

In the most bizarre of cricketing summers, Ben Duckett has had a bizarre summer of his own.

The only Englishman to compile a Test ton, and the scorer of 141 against India in a one-day international at Lord’s, ends with nine scores below 20 from his other 15 innings.

He was talked about as the world’s best all-format batter after his 149 against India last summer but has averaged 27.15 since then across formats.

It is right that England are reticent to drop a batter who has hit such highs, especially as a senior player and one with significant List A experience – a total of 111 matches – behind him in a squad still lacking in 50-over matches.

Duckett and Jacob Bethell also shared an opening stand of 192 in the series decider against India at Lord’s.

But, unlike the Test side where Emilio Gay’s place as Duckett’s partner is not fully secure, never mind a replacement waiting in the wings, Tom Banton and Bethell have shown there could be another world without the diminutive left-hander.

Bethell, who scored 91 in the third ODI against India before missing the Sri Lanka series with a knee injury, is talked of as a senior player in the group, despite still being just 22, while Banton’s first England century on Sunday was superb.

The way Banton hits the ball at the top of the bounce looks suited to the bouncy pitches of South Africa, where the majority of the World Cup will be played.

Duckett, in contrast, averages 23.4 on surfaces deemed as ‘high bouncing’ since the start of 2023. This winter’s Test series in South Africa may shed some more light.

They flew to France for lunch, spent seven hours exploring the town then headed home

A pair of best friends nipped to France for lunch and came home the same night, spending less than £75 on the whole trip. Mel Evans travelled to Beauvais with her friend and work colleague, Joanne Howard.

Mel managed to snap up return flights from Birmingham for just £48. The retail workers took an 8.45am Ryanair flight and landed at Beauvais Airport at 10.55am local time before taking an 85p bus into the town centre.

“We had seven hours to explore before we needed to get the bus back to the airport,” said Mel, from Chesterfield, Derbyshire. “The itinerary was to visit the cathedral and wander around the pretty streets and shops, look around the local markets and have some lunch and a drink.

“I love architecture and got lost looking at the cathedral, chateau and old houses. I was in my element. When we got there, we headed straight to the market and had a walk around. They had fish, meat, clothing, bags, purses and all sorts.

“We then headed to the cathedral. There was a lovely street nearby where I took pictures. We walked around the cathedral, then went inside and watched the astronomical clock.

“There was a craft fair, so we bought a few souvenirs for £5. We then headed to the Oise museum, which looked like a château from the outside. It had beautiful grounds.

“We then headed for lunch in the main square. After lunch, we walked around the town some more, stopping in shops and churches. We had a £2.50 ice cream, and found a street with old buildings. Then we looked around a second market and headed back to the main square for a £2.15 coffee until it was time to head for the bus.”

Their two main meals and two drinks cost £38 before they caught the bus back to the airport and boarded their 10:50 pm flight home. They landed back in the UK at 11 pm and, after travelling home, Mel was finally in bed by 12:30 am.

Mel and Joanne have been friends for 12 years and have already been on four day trips abroad together to Milan, Bergamo, Alicante and Oslo. Mel says everything went according to plan – and she would happily do it all over again.

Mel said: “I’m the planner, and Jo turns up; she’s very happy to go with the flow and my itinerary. It works well. There were no hiccups at all.”

Mel and Joanne’s trip began on 19 Sept with a £9.50 parking fee at Birmingham International train station, where they left their car for 24 hours before taking the free shuttle to departures. Their flight took around one hour and 10 minutes. After paying 85p each for the bus into Beauvais, they began exploring the town.

Mel then enjoyed a burger while Joanne had an omelette in the main square alongside two Coke Zeros. With no delays or other problems, the pair had plenty of time to enjoy their whistle-stop visit before catching the 85p bus back to Beauvais Airport.

The whole trip cost less than £75 each. Mel said: “At the end of the day, before flopping into bed, I felt very grateful I’d been able to travel. The next day is when I feel tired. I like that you can explore other countries in a day without having to book annual leave. You can explore the world one day at a time.”

Mel and Joanne have more day trips planned for the rest of the year, with France, Italy and Spain all on their travel radar.

Mel added: “We love day trips. It gives us something to look forward to, and we have a few more booked for this year. Friends and family think it’s great how we nip to France, Italy or Spain just for a day.

“My family call me Judith Chalmers because I’m always away. Day trips aren’t for everyone, as they are long days, but for how nice it feels to sit in a local cafe or park in another country makes it all worthwhile.

“I definitely recommend it to anyone. My biggest tip is to use a site such as Skyscanner to search for flights. Midweek tends to be cheaper than the weekend, and it’s best to book around 12 weeks in advance.”

Kohli remained not out on 139 off 88 balls as the hosts romped to an eight-wicket win in their first ODI of the series.

Virat Kohli has become only the second batter after Sachin Tendulkar to reach 15,000 runs in men’s one-day international (ODI) cricket, achieving the milestone with an unbeaten century as India cruised to an eight-wicket victory over West Indies.

Kohli struck 139 not out from 88 balls and Shubman Gill made 110 as India chased down 296 with 50 balls to spare to take a 1-0 lead in the three-match ODI series on Sunday.

The milestone comes just days after Kohli announced that he would retire from national duty after next year’s 50-over World Cup. The leading century-maker in ODIs has already retired from T20 internationals and Test cricket ⁠⁠and now represents India only in the 50-over format.

Rohit Sharma and Gill launched the chase with a 74-run opening stand before Sharma was dismissed in the 12th over. Gill, the world’s top-ranked ODI batter, then took control, maintaining the aggressive approach and bringing up his 10th ODI century with a sweep.

Kohli came in at number three and notched his 86th international century, while Gill struck 110 in 108 deliveries as the pair put on a dominant 151-run stand off 132 balls that all but sealed the contest on Sunday.

Roston Chase eventually removed Gill, but Ruturaj Gaikwad made 13 off 19 balls and helped Kohli steer India home without further alarm. Kohli sealed victory with successive boundaries.

Put in to bat after the toss, Justin Greaves and John Campbell gave the West Indies a strong start, adding 135 from 117 balls for the opening wicket.

India struggled to find a breakthrough for much of the first 20 overs as the pair dominated the bowling and provided a solid platform.

Greaves, who was dropped by Sharma on 16, made India pay with a maiden ODI century and top-scored for the visitors.

The momentum shifted when Kuldeep Yadav dismissed Campbell in the 20th over, beating him in the air as he swept a catch to short fine leg. Yadav and Prasidh Krishna then applied the brakes on the West Indies innings as they lost four wickets for 22 runs between the 31st and 36th overs.

Yadav finished with 4-40 on his ODI return, but Amir Jangoo counterattacked with 58 off 43 balls. With support from Chase, he helped the West Indies recover from 198-5 and post 295.

There’s a saying in Cologne, repeated with the mild smugness of people who know they’re right: kölsch is the only culture you can drink. It sounds like a line lifted straight from the tourist board’s brochure. Then you spend a day working your way around the city’s traditional brewhouses and realise it’s a statement of fact.

Since 1997, kölsch has held a protected geographical indication within the EU, guaranteeing that any beer bearing the name is brewed within 50km of the city and made strictly to the Kölsch-Konvention. That agreement, signed in 1986, defined the style as “a light, highly attenuated, hop-accentuated, clear, top-fermenting ‘vollbier’ [full-beer]”, restricting production exclusively to the local area. It is, in effect, the champagne of pale ales: locally adored and tied to a city that has always insisted on doing things its own way.

The delivery is as ritualised as the brewing itself. You sit. A köbes – the traditionally deadpan, blue-aproned brewhouse waiter – arrives carrying a kranz (a circular tray) holding a ring of stangen, narrow 200ml glasses designed to keep the beer cold and effervescent long enough for you to drain one before the next takes its place. You drink. He marks a tally on your beer mat with a stub of pencil. You never order a second; you never need to. The conveyor belt only stops when you place your beer mat on top of your glass.

Ten hours, seven brewhouses and an inadvisable number of tally marks later, I had formed some very firm opinions about Cologne’s legendary liquid culture.

The twin spires of Cologne cathedral are visible from the doorway of this brewhouse. So, unfortunately, is the gift shop and a tour group from Ohio. Früh am Dom, arguably the most internationally recognisable kölsch brand, is housed in a sprawling warren of vaulted dining rooms, cellars and long oak bars. It is enormous and boisterous, yet the kölsch, poured at speed to a rotating cast of daytrippers, lacks the crisp clarity found elsewhere. Being on the cathedral’s doorstep makes this prime real estate, but the footfall turns the room into something closer to a transit lounge, where most visitors drop in for a quick photo with their stange before rushing off.
4.5/10, €2.50

Founded in 1912 and heavily renovated since, Sion merges a contemporary interior with old-world charm. The result is the slickest room on this list: warm mood lighting, clean lines and a menu that reaches beyond the usual brewhouse staples of fried pork and potatoes. The kölsch itself is technically flawless and refreshing, though it lacks the rustic bite of the city’s smaller producers. It’s a fine spot for a proper sit-down dinner rather than a session – and even the köbes here shows genuine warmth, a demeanour that feels either refreshing or faintly suspicious depending on how strictly you hold to Rhenish brusqueness.
6/10, €2.60

Beyond the tourist centre, in the lively and historic Friesenviertel district, is the hallowed Päffgen. Operating on Friesenstraße since 1883, this is one of the last hausbrauereien (brew pubs) that refuses to bottle for supermarket shelves; if you want Päffgen, you come here or haul a wooden keg home yourself. The beer is tapped straight from wooden barrels on the counter, giving a pour with a floral, grassy hop aroma, a hint of stone fruit and a crisp bitter finish. The room feels untouched by time – look out for the old wooden beichtstuhl (“confessional”), the elevated booth where the innkeeper once oversaw the floor and counted the day’s takings. One of the köbesse, sliding a fresh stange across the counter without breaking stride, put it more bluntly than any brochure could: “Kölsch is not a drink, it is a religion. And this is the church.” With its gruff, lightning-fast staff and a leafy beer garden out the back, Päffgen is the gold standard of kölsch culture.
9.5/10, €2.60

Tucked into the historic old town, Peters is what the cathedral-adjacent halls wish they were. It strikes the finest balance in central Cologne, fiercely popular with local people while remaining welcoming to passing travellers. The interior is gorgeous – stained-glass skylights throwing amber light across scrubbed, decades-old wooden tables, dark wainscoting framing the chatter of the room. The kölsch is beautifully balanced: smooth, clean and poured properly cold. We might have come at a bad time, though, as it wasn’t particularly busy and lacked atmosphere.
7/10, €2.50

Sitting on the edge of the historic Heumarkt, Malzmühle is the second-oldest brewery in Cologne, operating on this spot since 1858. Destroyed almost entirely in the second world war, only the stone portal survived; you now pass through that same archway into a sprawling hall of rustic brickwork and heavy oak benches. Malzmühle brews Mühlen Kölsch, a pour favoured by the former US president Bill Clinton, who declared “Ich bin ein Kölsch” on a visit in 1999. It is slightly darker and maltier than its peers, with a gentle honey note against a solid bitter backbone. The atmosphere is unapologetically noisy and authentic – a meeting ground where workers in hi-vis vests share benches with executives in suits. We spoke to one of the köbesse, Carl, who told us he’d worked here for 38 years: “This is the place to be. These walls have seen so much and heard so many conversations. I wouldn’t work anywhere else.”
8.5/10, €2.50

Gaffel is a heavy hitter among local people, distributed widely across the city’s bars and football stadiums. Its flagship hall, opposite the central station, is handsome and impeccably run, with high ceilings and sweeping arches giving it real metropolitan energy. The kölsch is consistently good – bright, sharply carbonated and noticeably hop-forward, exactly as the Konvention prescribes. Knowing this same beer is sold at the gate in Cologne Bonn airport slightly undercuts the local romance, though; it’s reliable in a high-volume, commercial way. The kitchen redeems it somewhat with a stellar himmel un ääd – crispy black pudding with smooth mash and stewed apples – comfort food good enough to justify the visit alone.
6.5/10, €2.50

Down a cobbled alley in the old town, Sünner im Walfisch is pure historical theatre. Housed in a striking 17th-century step-gabled building, dismantled and rebuilt brick by brick on its current site, it serves as the old town outpost for Sünner, Cologne’s oldest operating kölsch brewery. Inside, narrow timber-framed rooms and low ceilings transport you back to medieval Rhineland. The beer is fantastic – crisp and dry with a peppery hop finish that makes it dangerously easy to drink – and it’s quieter and more intimate than the echoing halls near the station, its köbesse still delivering drinks with a wink of humour. A favourite for decor and character, if not quite for atmosphere.
8/10, €2.50

Scott Antcliffe’s travel to Cologne was provided by Viking as part of its 8-day Rhine Getaway, from £1,695

Last week’s settlement of the antitrust lawsuit between state attorneys general and Paramount Skydance over its planned merger with Warner Bros. Discovery marked a clear victory for David Ellison.

If approved by a judge, the settlement would clear the way for the emerging Hollywood mogul to complete the blockbuster $111-billion purchase after months of uncertainty over whether the deal would overcome intense opposition in Hollywood.

What’s more, Ellison achieved the settlement without having to agree to any so-called structural remedies that California Atty. Gen. Rob Bonta had been seeking.

But Ellison can hardly rest on his laurels. The Paramount Skydance chief executive will have to work hard to repair badly frayed relations with Hollywood talent who fiercely opposed the consolidation of two historic studios as a bad deal for workers. And the 43-year-old tech scion will be constrained by some of the terms that were imposed in the consent decree negotiated with Bonta and other attorneys general.

“I don’t envy David Ellison. You bought this ship, now you’ve got to sail it. And you’re facing threats on all fronts: bad will, everybody rooting for you to fail and operating a business in an incredibly uncertain, challenging time,” said Gabriel Kahn, a professor at the USC Annenberg School for Communication and Journalism. “At the same time, you are going to have to mortgage everything to make these debt payments.”

As part of the deal, Paramount agreed to a slate of requirements that, if it fails to deliver, could induce financial penalties, litigation and other costs.

For one thing, Paramount would have to pay a penalty and divest the Miramax film studio if it does not distribute 30 or more films a year in theaters.

The studio also pledged to spend $300 million more each year on film production in the U.S. and further boost its film spending if the federal government adopts a film tax credit of at least 20%; it agreed not to sell or close its lot on Melrose or the Warner Bros lot in Burbank and to operate them “in a manner consistent with past practices,” until 2031.

Additionally, Paramount is required to establish a board to ensure editorial independence for CNN and CBS News, though it will be appointed by Paramount directors with the authority to remove its members.

Beyond attempting to smooth the industry’s many ruffled feathers, Hollywood’s newest mogul must now also wrestle down an astonishing $80 billion in debt accrued as a result of this highly leveraged merger.

Ellison’s father, billionaire Larry Ellison, late last year agreed to backstop the $47 billion in equity needed to complete the acquisition. Royal families from Saudi Arabia, Qatar and Abu Dhabi have agreed to contribute another $24 billion for an equity stake by assuming some of Ellison’s financial commitments.

The months-long battle was bitter and hard fought and enmity within the industry has yet to subside.

On Tuesday, the morning after Bonta announced the settlement agreement, protesters converged outside of Paramount Skydance’s Melrose Avenue gate criticizing the deal. Some held fake gravestones that read: “RIP local business,” “RIP crew call” and “RIP creativity.”

Two days later, a coalition of several groups including the Committee for the First Amendment, filed an amicus brief asking the court to reject the consent decree, saying that it failed to address the anti-competitive concerns of the state attorneys general and would not protect jobs or consumers.

The sense of betrayal was acute.

“Hate to say it but we all got played,” wrote actor Mark Ruffalo, a leading organizer in Block the Merger, a grassroots organization made up of 1st Amendment advocates and Hollywood celebrities who aggressively opposed it, in a post on X.

Sen. Elizabeth Warren (D-Mass.) repudiated the deal, saying in a statement. that it “enables a handful of billionaires to call the shots in the media.”

The entertainment unions struck more cautionary notes.

SAG-AFTRA, the actors union, wrote in a statement that the deal “addresses some of our deep concerns,” but added, “We hope that the process of engaging with the attorneys general has impressed upon them the fact that in addition to collective bargaining, our members rely on the law to help protect our interests. These are the lowest standards that our employers must meet.”

Bonta, who had spearheaded the antitrust suit, gave a tepid endorsement of the consent decree.

“I want to be clear about something right up front: This settlement is not a vote of support for this merger. It is not a blessing,” he said.

During Paramount’s heated and often contentious legal and political wrangling to wrest control of Warner Bros., many in Hollywood became increasingly apprehensive. Combining two legacy studios, opponents feared, would bring even more job losses to an industry already battered by runaway production.

The skepticism hardened as the Ellisons made several controversial moves after Skydance acquired Paramount last summer. They included agreeing to pay $16 million to settle a lawsuit filed by President Trump over a “60 Minutes” interview segment, canceling the “Late Show With Stephen Colbert,” ending diversity, equity and inclusion programs and appointing Bari Weiss as editor in chief of CBS News, who engaged in a wholesale overhaul that led to a revolt at the esteemed “60 Minutes.”

When the newly formed Paramount Skydance announced its intention to swallow up Warner Bros. Discovery just months later, a massive wave of political pressure and public backlash began.

But the Ellisons dug in.

In January — after Netflix threw a surprise wrench into the Ellisons’ designs on Warner Bros. by offering $72 billion, which the studio accepted — Paramount took Warner Bros. to court and launched a hostile takeover bid.

A month later, Netflix walked away from the deal and collected a $2.8-billion termination fee after the Warners’ board agreed to Paramount’s higher all-cash bid.

But many in Hollywood began agitating against the planned merger and pushing for guardrails and protections.

In April, Block the Merger released an open letter declaring their opposition; its list of professionals across the film and television industry eventually swelled to nearly 6,000 names, including Ruffalo, Jane Fonda, Ben Stiller, Sofia Coppola, Trey Parker and Denis Villeneuve.

“The future of free media and a strong entertainment industry in America is at stake here,” said Norm Eisen, co-founder and executive chair of Democracy Defenders Fund, who also helped lead the Block the Merger campaign.

The Writers Guild of America sued to stop the deal, saying it violated antitrust laws. The union last week settled its lawsuit, citing the costs of continuing the litigation, after Paramount agreed not to lay off writers at CBS Broadcast News for years and to pay $17.5 million to the union’s health fund. Nonetheless, the guild said: “We continue to believe the merger will cause damage to writers and the industry at large.”

Some backed the megadeal, including power broker Ari Emanuel.

The WME executive and chairman and CEO of TKO came out swinging, excoriating the antitrust suit, in an op-ed for the Wall Street Journal in July. “They say they are protecting competition. Their actions threaten to destroy it,” he wrote.

The Ellisons’ ongoing ties with Trump — whose administration has clashed with ABC, CNN and other networks — only deepened the suspicions.

Oracle co-founder Larry Ellison has been a Trump supporter and friend. In addition to political donations, he participated in a Nov. 14, 2020, conference call that discussed ways to challenge Trump’s presidential election defeat.

Both Ellison and his son David reportedly promised the president they would make “sweeping” changes at CNN, which is owned by Warner Bros. Discovery.

In June, David Ellison attended the “UFC Freedom 250” event hosted by Trump on the South Lawn of the White House, and last week he was a guest at the White House state dinner honoring Chinese President Xi Jinping.

Amid the high-level public-facing Trump engagements, Paramount had been quietly trying to allay fears about the relationship to industry insiders.

Two individuals in the entertainment industry, who declined to be named for fear of retaliation, said that Paramount sent emissaries to extend a kind of olive branch, explaining their commitment to Hollywood and downplaying the relationship as a necessary step to get the deal done.

In August, Ellison published an op-ed in the New York Times in which he extolled his lifelong love of movies and laid out his case that he could be “trusted as a steward” of the media giant he was amassing, that includes two institutional news organizations (CBS and CNN) and the legacy studios he wished to combine.

However, his seemingly conciliatory message was undercut that same month when he threatened to relocate Paramount’s base to Tennessee or Texas. Ellison built his Skydance production in Santa Monica.

Across the industry, workers viewed the mixed messaging with wariness and anger.

“If Ellison truly wants to be a steward and do the things that he said he can do and wants to do in that article, I think people would welcome it,” said Pamala Buzick Kim, a co-founder of Stay in LA, the 23,000-member grassroots campaign aimed at boosting local film and television production. “They just have no evidence of it.”

Aside from the bad blood, Ellison’s biggest challenge may be financial.

At a time of massive industry upheaval, most observers believe that the company will have to lay off droves of workers to bring its costs down.

“I will honestly say that the biggest work that they have cut out for them is servicing this debt, and that’s going to guide every decision,” said Kahn, the USC professor.

“Now they’re going to have to fire lots of people in order to reduce costs to be able to make this deal pencil out, and they’re going to be skating on the razor’s edge to make sure that they have enough revenue coming in going forward to service this debt. They have almost no room to maneuver.”

But Paramount has one thing working in its favor: leverage. David (as in Ellison), for better or worse, is now the industry’s Goliath.

“I think temper tantrums can be easily forgotten if the work is there,” said Buzick Kim. “I think most people would be happy to leave it behind them — if the work is there.”

Times staff writers Meg James, Stephen Battaglio and Samantha Masunaga contributed to this report.

More state money to pay for arts teachers will reach local schools if legislation signed Sunday by Gov. Gavin Newsom works out as intended, but the new law will not resolve a lawsuit accusing the Los Angeles school district of misspending as much as $77 million in its share of the funding.

The aim of Assembly Bill 2440 is to encourage more school systems to use arts funding made available through Proposition 28, which voters passed in November 2022.

“The clear message we heard was that many school districts have been struggling to navigate legal ambiguity regarding compliance with Proposition 28,” said bill author Al Muratsuchi (D-Rolling Hills Estates) in a recent statement to The Times. He said his goal was to provide “statewide guidance” so that all or most school systems could use the money without concern over violations of spending rules that could result in financial penalties.

Proposition 28 sets aside an amount equal to 1% of the state’s base education funding — close to $1 billion per year — to increase arts education. This extra funding is drawn down from the state’s general fund — so it adds to the total allotted for education.

The initial funding, nearly a billion dollars statewide, went out for the 2023-24 school year and has continued annually. But millions of dollars have not yet been spent, according to early reviews of the data.

Some local officials said they were holding back over concerns that they would inadvertently violate the rules for spending the money — and would then have to pay it back, creating significant financial risk.

This bill had backing from arts organizations, education and school district officials and the California Teachers Assn. No opposition was recorded in the legislative record; nor were there any opposing votes as the bill worked its way through the legislative process.

But then Austin Beutner — the author of Proposition 28 — learned of the measure and stepped forward with concerns. He contendedthe bill would make using the arts money easier, but in wrong ways. He said the bill would undermine the guarantee that new arts funding would reach every school. Also it would in effect eliminate the provision that campuses serving low-income communities receive higher levels of new funding. Moreover — and of key importance — the legislation would allow districts to use the new arts money to replace existing arts funding, leaving students no better off than before, he said.

Beutner had structured Proposition 28 precisely to prevent this supplanting of funds. Districts not willing to provide the required increased instruction at every school would, by design, lose access to the new arts money.

Beutner began to rally opposition, including United Teachers Los Angeles, L.A. mayoral candidate Nithya Raman and San Diego school board President Richard Barrera, who is running for state superintendent of public instruction — and who has the endorsement of the California Teachers Assn.

Beutner also announced his attention to file litigation against the bill.

Muratsuchi said he had no intent to undermine the goals of Proposition 28 — and a compromise soon emerged.

The final version — which has Beutner’s approval — clarifies that small schools or small school districts can pool their money to share an arts teacher, provided that every school gets the additional arts instruction. The bill also gives some legal protection for school districts against financial penalties if their arts funding decreases as a result of factors beyond their control, such as the expiration of a grant.

An LAUSD lawsuit continues

Beutner alleges that L.A. Unified has intentionally misused the new arts money.

Beutner pursued passage of Proposition 28 after serving as superintendent of L.A. Unified. His stint ended in mid-2021 with the expiration of a three-year contract.

“LAUSD has done exactly what the law prohibits,” Beutner alleged in an ongoing lawsuit filed in February 2025. “It has eliminated existing funding sources for existing art teachers, and replaced those funds with Proposition 28 funds, thereby violating the requirement that the funds supplement rather than supplant existing sources.”

The lawsuit lists 37 elementary schools with the same or reduced money for arts instruction from 2022-23 to 2023-24 — when the new funding first arrived — and alleges that most L.A. Unified schools faced a similar funding situation.

Before the lawsuit, but in response to growing criticism, L.A. Unified officials quietly added $30 million to the elementary school arts budget for the 2024-25 school year amid ongoing accusations from Beutner, union leaders and parents.

The district has defended its actions.

“We continue to follow implementation guidance as provided by the state of California to ensure that we are fully complying with the requirements of Prop. 28,” the district said in a statement at the time of the lawsuit, a contention that it has made repeatedly.

DENVER — Mile sigh.

The Rams came here aiming to put together a second consecutive impressive prime-time performance.

And for the first half against the Denver Broncos on Sunday night, it looked like the Rams would do just that.

But the Rams’ 16-point halftime lead literally vanished into thin air.

After rallying briefly, the Rams could not hold off the Broncos in a 30-26 defeat in front of 76,633 at Empower Field at Mile High.

Matthew Stafford passed for two touchdowns, and Harrison Mevis kicked four field goals for the Rams, but it was not enough.

Broncos quarterback Bo Nix passed for two second-half touchdowns and dived one yard for a touchdown with 47 seconds left, dropping the Rams’ record to 1-2.

Under 10th-year coach Sean McVay, the Rams had started a season 1-2 only once before. In 2024, the Rams were 1-2 after three games and 1-4 after five. They rebounded to finish 10-7 and advanced to the divisional round, where they lost to the eventual Super Bowl-champion Philadelphia Eagles.

Next Sunday, the struggling Rams play the Eagles in Philadelphia.

Against the Broncos, less than a week after limiting the New York Giants to two field goals in a 28-6 victory at SoFi Stadium, the Rams’ defense dominated for two quarters.

But the Rams could not overcome Nix or a Broncos defense that got a 66-yard interception return for a touchdown by safety Talanoa Hufanga, who also intercepted a pass in the end zone on the final play.

The Rams built a 16-0 halftime lead on Stafford’s touchdown pass to Tyler Higbee and three field goals by Mevis.

But the Broncos ended any hope of a shutout midway through the third quarter when what had been a mostly anemic offense came to life.

Nix fired a five-yard touchdown pass to Pat Bryant and then completed a two-point conversion pass to Jaylen Waddle to cut the lead in half.

Denver Broncos quarterback Bo Nix passes against the Rams in the first half Sunday.

(Jack Dempsey / Associated Press)

A few minutes later, Nix found tight end Nate Adkins for an eight-yard touchdown pass and then fired a two-point conversion pass to Bryant to tie the score.

The Broncos were driving again early in the fourth quarter when Rams cornerback Josh Wallace intercepted a pass, setting up Mevis’ fourth field goal for a 19-16 lead.

The Rams got the ball with about seven minutes left and Stafford connected with Adams for a 49-yard gain. But Hufanga picked off a pass and returned it for a touchdown that put the Broncos ahead, 23-19.

But Stafford’s 48-yard touchdown pass to receiver Konata Mumpfield put the Rams back in front, 26-23.

Nix all but sealed the victory when he dived and reached over the pile for the one-yard touchdown with less than a minute left.

The Rams drove to the Broncos’ 14-yard line with two seconds left. But after a false-start penalty, Stafford’s pass was intercepted by Hufanga in the end zone.

Stafford completed 30 of 55 passes for 390 yards. He was sacked four times.

Davante Adams caught seven passes for 137 yards and Higbee had eight catches for 62 yards.

Running back Kyren Williams rushed for 88 yards and had 70 yards receiving.

Nix completed 17 of 34 passes for 186 yards.

Ukrainian President Zelenskyy says Moscow launched nearly 4,000 drones, aerial bombs and missiles against his country in past week.

A Russian military strike on northeastern Kharkiv, Ukraine’s second-largest city, has injured at least 22 people, including children, less than a day after eight people were killed in attacks nationwide.

Kharkiv Mayor Ihor Terekov said on his Telegram account that a guided Russian aerial bomb hit an apartment block early on Monday, destroying two floors of the multistorey building.

He said six children were among the injured.

Russian attacks were also reported across Ukraine on Sunday.

Ukrainian Minister of Internal Affairs Ivan Vyhivskyi said three people, including a 16-year-old girl, were killed in air strikes that damaged a children’s centre in the northern city of Sumy.

Authorities in the Odesa region, meanwhile, said a “massive strike” on the south of the Black Sea region killed one person and damaged residential buildings, a shop, a hotel, a medical building, and a grain warehouse.

And in the capital, Kyiv, Mayor Vitali Klitschko said a woman and two 16-year-olds were injured and hospitalised.

“The enemy continues to relentlessly attack the Kyiv region with strike drones,” the city’s administration said.

“Sixteen sites have been damaged”, including 12 houses, a warehouse and a production facility, it added.

Ukrainian President Volodymyr Zelenskyy said on Sunday that three people were killed in strikes in the southern Zaporizhia region and that a Russian drone strike had killed one man in Kyiv.

Zelenskyy said in a post on his X account that Russia had launched more than 2,200 attack drones, 1,630 aerial bombs and 38 missiles of various types against Ukraine in the past week.

“If Russia were truly preparing for any real steps towards de-escalation, as it claims, particularly to American negotiators, this wave of Shahed terror would not be happening,” Zelenskyy said in later comments, referring to the Iran-developed drones Moscow has used against Ukraine.

In Moscow, Russia’s Ministry of Defence said it had bombed a Kyivstar data centre in Kyiv and another belonging to the Omega Telecom company. It said that the firms were providing services to the Ukrainian army.

Russian Minister of Foreign Affairs Sergey Lavrov told the United Nations General Assembly in New York on Saturday that Moscow intended to continue its military campaign “to the end”.

Ukrainian drones struck an oil depot in Russia’s Krasnodar region on Monday, according to local reports.

Ukrainian Telegram channel Exilenova+ published footage of a large fire and identified the facility as the Pavlovskaya oil depot.

No injuries have been reported so far.

Ukraine has intensified its targeting of Russian oil infrastructure in recent weeks.

United States-led talks to end the war, which began with Russia’s full-scale invasion of Ukraine in February 2022, have failed to produce a breakthrough, and the UN has highlighted the growing civilian toll.

Both sides deny targeting civilians.

Sherrie Hewson has reunited with Tony Maudsley almost a decade after they finished filming Benidorm and fans have been quick to demand a reboot of the sunny sitcom

Sherrie Hewson has reunited with Tony Maudsley almost a decade after they finished filming Benidorm. The actress, 76, played hotelier Joyce Temple-Savage on the sunny sitcom, which came to an end in 2018 after 10 series.

Tony starred as hairdresser Kenneth Du Beke, and took to social media to share a snap of himself and his former co-star Sherrie both enjoying their time together over the weekend,

He wrote on Instagram: “Back with my old sparring partner, Joyce Temple Savage. Had the best time reliving our Benidorm days.” In a second post, he wrote: “Laughs a-plenty with Dame Sherrie Hewson.”

Sherrie, who replaced Crissy Rock in the role of the hotel boss after series four, became a household name through her role as Maureen Holdsworth on Coronation Street in the 1990s and now Tony, 58, stars as George Shuttleworth on the ITV soap.

The post instantly caused a stir amongst fans of the show, and several of them rushed to the comments section to beg for a reunion.

One said: “Am still watching and loving the reruns,” and another wrote: “We need a Christmas special,” and a third wrote: “Will it be on TV again??”

A fourth said: “These two were the best in Benidorm … wish it was brought back to give us all some genuine comedy,” and a fifth wrote: “We need a petition up to bring it back ! @tonymaudsley1 you were both amazing in Benidorm. I watch it most nights. How did you walked in them tight shorts all day.”

Sherrie recently told The Mirror that she would be keen do return to her role of Joyce and thought that a reboot should be in the form of a feature-length film.

She said: “In the difficult world we’re living in now… as soon as that music comes, it softens their world, and they feel so much better. And they laugh and laugh. Wouldn’t it be great as a film? The Benidorm film! A 2.5 hour film, wouldn’t that be fabulous?

Benidorm, created by The Catherine Tate Show star Derren Litten, first aired from 2007 until 2018 on ITV and focused on a group of holidaymakers at the Solana resort. Over the years, the cast featured a stellar lineup of names from the acting world.

For the first six series, Siobhan Finneran and Steve Pemberton played a couple who holidayed with their children alongside Sheila Reid as the cantankerous Madge Harvey. The programme was filled with several other fan favourites including swingers Donald (Kenny Ireland) and Jacqueline Stewart (Janine Duvitski), quiz enthusiast Geoff Maltby (Johnny Vegas) and barman Mateo Castellanos (Jake Canuso).

Others to have appeared over the years included screen favourites Sheridan Smith, Hannah Waddingham, Una Stubbs and Amanda Barrie.

In 2023, show creator Litten revealed he had ideas for countless new episodes – and sent fans into a tailspin during an online Q&A. Taking to X, one fan asked the screenwriter: “Would be great to see new episodes…

“Derren Litten surely living in Benners you have plenty of stories you could pen.” Derren responded: “I don’t live in Benidorm but I live fairly close by.”

He then went on to tease: “I have more stories for another 74 episodes; if ITV wants them, they know where I am!” Benidorm fans were quick to react to his message – and began begging him, ITV and even Netflix to make his suggestion become a reality.”

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Gov. Gavin Newsom has signed a bill that prohibits third-party brokers from advertising, selling or transferring tee-time reservations at publicly owned golf courses without the written consent of the course operator.

The state legislation is a response to a network of brokers that had sprouted up around Los Angeles municipal golf course tee times.

These brokers, many of whom were in the Korean community, would gobble up tee times, then advertise them on social media, particularly the Korean app KakaoTalk. They charged up to $40 as a booking fee.

Getting tee-time reservations at L.A. municipal golf courses had long been difficult. But after golf influencer Dave Fink revealed evidence of the broker network to his viewers, the problem became public.

“This is an issue that affects everybody who pays taxes in the city, and anybody who plays golf as well, so I just felt like it was my duty to say something,” Fink said in an interview with The Times in March 2024.

After Fink’s videos went viral, the L.A. Department of Recreation and Parks announced an investigation into the practice.

The state has more than 200 municipally owned golf courses, according to Assemblymember Christopher M. Ward (D-San Diego), who authored the bill.

“Public golf courses belong to the public, and residents shouldn’t have to compete with brokers buying up tee times just to turn around and sell them at inflated prices,” he said in a statement Sunday.

The legislation “puts an end,” he said, “to this unfair practice and helps ensure local residents, seniors, students and families can continue accessing the public courses their communities support.”

Demonstrators protest against UK government’s proscription of Palestine Action as a terrorist organisation.

Police in the United Kingdom have arrested more than 50 people protesting in support of the banned Palestine Action group outside a Labour Party conference in the northwestern English city of Liverpool.

The local Merseyside Police confirmed the arrests in a statement published on Sunday.

The police said those taken into custody at the protest, organised by Defend Our Juries, had displayed material in support of Palestine Action, proscribed as a “terrorist” group by the Labour government in July 2025 under the Terrorism Act.

According to the statement, police respected the rights of people to protest lawfully while aiming to keep the peace and ensure the public are safe.

More than 250 protesters sat outside the conference centre holding banners with words supporting the group on Sunday, before dozens of police began making arrests.

English band Massive Attack singer Robert Del Naja was among those arrested.

After asking demonstrators if they were going to continue holding up the signs, officers led people away, telling them they had been arrested under the Terrorism Act.

Reporting from Liverpool, Al Jazeera correspondent Milena Veselinovic said the protesters wanted to put proscription “front and centre of the UK Prime Minister Andy Burnham’s agenda” on the first day of his party’s annual conference.

“Being arrested is nothing in comparison to what the people in Gaza are going through, and it’s also worth it, because this is about our right to free speech,” one protester told Al Jazeera.

Another said that “there are priests, there are healthcare workers, there are people who deeply care, and deeply care about right and wrong.”

Kerry Moscogiuri, chief executive of Amnesty International UK, said protesting “is one of the most effective tools” to make government leaders listen and described the arrests as “a truly shameful attack on freedom of speech”.

“The new prime minister can reform our laws so that communities are protected in coming together and demonstrating on the issues they care about. Will he do so?” she said.

Activists also confronted Foreign Secretary Ed Miliband inside a restaurant in Liverpool, demanding that he lift the ban on the group and declare Israel’s genocide in Gaza.

The activists left after Miliband reportedly refused to comment.

A civil disobedience campaign has emerged since Palestine Action was outlawed in July 2025, with more than 3,600 people arrested for showing their support for the group, often while holding signs reading, “I oppose genocide. I support Palestine Action.”

The UK Supreme Court is now set to hear the case after London’s Court of Appeal upheld the government ban in June.

Nobel laureate Maria Corina Machado has been living in exile, with plans to return to Venezuela spoiled multiple times.

Hundreds of supporters of Venezuela’s opposition leader Maria Corina Machado have taken to the streets to demand her safe return and presidential elections that could lead to a democratic transition in the country.

In Caracas, hundreds of activists in sky blue shirts – the colour of Machado’s Vente Venezuela party – rode motorcycles through the capital’s main avenues on Sunday, honking their horns and waving Venezuelan flags. Similar demonstrations were held in state capitals, including Valencia, Maracaibo and Merida.

“This is not a matter of parties or politics,” said Flavio Valentini, a Vente Venezuela activist in Caracas who grabbed a megaphone and addressed the crowd. “This is a movement for the people and by the people.”

Machado has been living in exile for the past nine months and has had plans to return to Venezuela spoiled multiple times. Opposition activists have accused Venezuela’s government of blocking her return, a claim the authorities deny. Machado’s party said that on Monday night, the opposition leader made three unsuccessful attempts to return.

“We hope this transition process leads us to presidential elections and consolidates a free, democratic country that will be the main ally of the United States,” said Anthony Romero, a leader for Vente Venezuela, in the nation’s capital.

The government has been widely accused of stealing elections, jailing dissidents and stifling freedom of speech. But late last week, Venezuela released more than three dozen political prisoners following a second round of talks backed by the US between the interim government and the opposition.

Machado, one of Venezuela’s most popular political leaders, was barred from running in Venezuela’s last presidential election by courts under the control of former President Nicolas Maduro. But her stand-in candidate is widely believed to have won the election with almost two-thirds of the vote.

Maduro claimed victory nevertheless and unleashed a violent crackdown against dissidents who protested the official results, forcing Machado and dozens of opposition leaders to go into hiding. Machado smuggled herself out of Venezuela last year after she was awarded the Nobel Peace Prize for her efforts to restore democracy in the country.

US special forces abducted Maduro from his Caracas home in January, but Machado has been unable to return to Venezuela since then.

The government is now led by Delcy Rodriguez, a Maduro ally who has opened Venezuela’s oil industry to foreign investment and is working closely with the administration of US President Donald Trump.

Rodriguez told the United Nations General Assembly (UNGA) on Wednesday that Venezuela would hold elections as part of a transition to “full democracy”, but did not give a date for the vote.

John Green’s nine-year hiatus from fiction has ended, and his adult debut, “Hollywood, Ending,” comes right on time to explore the dark side of fame.

The novel centers on former child actor Juniper Castillo and Hollywood newbie Kai Laramie, who are cast in the artsy biopic “Andy Warhol Never Gets Old,” with hotshot movie star Matthew Malone in the title role. It’s Juniper’s chance to establish herself as an adult actor and Kai’s first foray into the spotlight, a position he quickly realizes doesn’t come without a personal cost.

“There’s no way I could have written this book without spending a lot of time on film sets,” Green told The Times in a recent call.

Over the last two decades, several of the author’s bestselling young-adult novels have been adapted for the screen. His debut, “Looking for Alaska” (2005), was adapted as a Hulu limited series in 2019, the same year Netflix released the feature film adaptation of his co-authored holiday anthology, “Let It Snow” (2008). On the big screen, “Paper Towns” (2008) made its film debut in 2015, while his bestseller “The Fault in Our Stars” (2012) became a box-office hit in 2014. Most recently, his 2017 novel, “Turtles All the Way Down,” received a feature film adaptation in 2024.

“I hope the book is a love letter to movies. But I also wanted to be honest about how difficult it is to make a work of art that, in order to be commercially successful, has to be loved by millions of people,” Green said. That’s where the Hollywood machine comes in. “It’s really hard to figure out how to get millions of people to pay to watch something, and that challenge leads to all kinds of compromises and sacrifices.”

While Green’s young-adult novels have often explored the teenage experience, he never felt confined by the YA genre. “I think teenagers have infinite intellectual capacity,” he said, adding that he doesn’t really think about which shelf will hold his novels inside a bookstore. In “Hollywood, Ending,” his main characters are navigating their early 20s, a period which Green finds especially interesting.

“The questions in this novel explore how it feels in those early years of adulthood when there are still so many possibilities, so many directions you might go,” he said.

The following conversation has been edited for length and clarity.

How did you land on Andy Warhol as a celebrity figure and metaphor to use in telling this story about Kai and Juniper?

I think Andy Warhol saw so much of our world coming. He saw that three-dimensional experience was going to be rendered in two dimensions. He’s most famous for taking cylindrical soup cans and making them flat, but he also saw celebrity culture coming.

There’s the famous quote about everybody being world-famous for 15 minutes. I think he understood that normal people were going to experience celebrity, and he also saw the way that the repetition of images, as I write about in the novel, would lead to a certain desensitization. So I think everything from screen-based experience to the ways that technology was going to reshape our lives, he was the patron saint of all of that.

One of the images that really struck me is when you talk about him dying wigless and being too uncomfortable with that to have friends come and visit him in the hospital.

I think Juniper says at one point that fame is a kind of armor. I don’t know how Warhol thought of his wigs, but I wanted it to be a sort of emblem of protection for him.

Your wife, Sarah, is an Andy Warhol scholar. Was that a major strength while you were writing this?

There’s a huge advantage to being able to fact-check something by shouting down the hall. I also wanted to include Warhol partly as a love note to Sarah … She co-wrote a book about Andy Warhol’s relationship with money and business called “Andy Warhol Enterprises.” After 25 years, our way of looking at art and the art that we’ve shared together is so deeply intertwined that anything I write is unimaginable without her. She’s my first reader and most important reader … It’s only thanks to her that Warhol’s in the book.

You really humanize the young actors in “Hollywood, Ending,” which, unfortunately, is a unique thing. This is an intimate, vulnerable portrayal of behind-the-scenes Hollywood — why was that important for you to examine?

I wanted to write about the machine that takes private experience and commodifies it, and I think that machine is especially challenging to navigate when you’re young, when you’re in early adulthood, because you don’t yet have those relationships that are going to carry you through. You don’t have the love that you need to survive all that you’ve got to survive. When my work became very successful, I was in my 30s. I was married. I had two kids. I lived in Indianapolis. I had best friends. I was pretty grounded, and it was still very disorienting.

How so?

It’s a completely different life to have everybody have opinions about your work than it is to take your kids to school every day. So I was thinking partly about that, but I was also thinking about the influencers I’ve known, and the actors I’ve known who’ve had to go through that [while] much younger, and what that’s been like for them as well.

You do a really good job of examining the dark side of the attention economy. Why was this especially of interest?

Well, it used to be that the attention economy was mostly a problem for actors and other celebrities, but now the attention economy is something we all participate in. We’re all taking our private experiences and packaging them up for public consumption on Facebook and Instagram and Twitter and Reddit, and I think we gain something from that, or we wouldn’t do it. But we also lose a lot.

I wanted to try to be honest about what we gain, and also be honest about what we lose. My last novel, nine long years ago, was about a young woman with OCD. I also have OCD, and I had to make a decision when I was promoting that book, about whether I would talk about having OCD, and I decided that I would, and that became a huge part of talking about the novel — talking about my own experiences with mental illness, and it was a gift in many ways because so many people have said to me that it helped them to see that it’s possible to have a good and fulfilling life while living with a serious mental illness, and it was helpful for me because it helped me feel less alone in it.

But it was also complicated because there are real costs when you share something. It’s not yours anymore in ways that are a relief, but also in ways that are difficult.

You’re offering it up for scrutiny in a way that can be really scary.

It is really scary to have your private life scrutinized in that way, right? And there’s an element of judgment that comes with creative expression that’s a natural and healthy part of conversations about what art is and what art should be, but being in the middle of those conversations isn’t always fun.

I think you capture that in Kai’s experience. He is really pressured to come out and talk about his traumatic experience, and he doesn’t want to. The “machine” wants to sell tickets and exploit his trauma in the process.

It’s one thing to try to make good art. It’s another thing to try to make good art that lots of people interact with, and a portion of that second issue is inevitably finding ways to interest an audience, and nothing interests an audience quite like a personal story, especially a personal story of overcoming difficulty.

Was the movie star Matthew Malone based on anyone specifically?

I have aphantasia, this brain condition that causes me not to be able to imagine anything visually. I have no visual imagination, and so I can’t see actors when I’m writing. I can’t see characters when I’m writing. I can’t see anything. Everything’s made out of language, and so there’s no way I could have cast the movie in my mind or had somebody in mind for the character. It’s been great to hear all the folks who people were thinking of. I’m curious who you were thinking of.

I thought of Tom Cruise a couple of times. Have other people said that?

A couple people have said that as well. Yeah.

That’s so interesting about your work with language solely. Do you think that’s been a strength with you as a writer? Because you create such vibrant visuals for your readers.

It’s the only way I’ve ever been. I never knew that other people had this vibrant visual imagination until I was in my 40s, and my wife said I think maybe the reason you don’t have a sense of direction and you have to open up all the cabinets when you put away the dishes and you don’t know whether there’s a rug in the living room is because you don’t have a visual imagination, and I was like, of course I don’t. Nobody does, and she was like, you can’t picture an apple in your head? And I was like, no, nobody can picture an apple in their head. They say they can, but they mean it metaphorically … And Sarah explained to me that, in fact, the vast majority of people can see an apple, which still seems fictional to me, like science fiction stuff.

Some people don’t have that inner voice in their head (anendophasia).

I do have an inner voice. I think. But this all gets to something really interesting about being a person, though, which is that you’re stuck the whole time you’re here inside of one consciousness and looking at the world through one set of eyes. And I have no idea what it’s like to be you. The great thing about writing fiction for me is that act of imagination, that attempt to empathize, that attempt to escape the self and imagine what it would be like to be somebody else with some clarity, but of course, there’s always a limit to my ability to do that, and that problem has fascinated me my whole career.

Your books have meant so much to so many people, and in recent years, I’ve reported quite a bit on your book, “Looking for Alaska,” being one of the most commonly banned books. How do you feel about that?

I’m really concerned about attempts to limit intellectual freedom in the U.S., especially when it comes to libraries and schools. We have professionals we’ve trained to make collection decisions and to make curricular decisions in schools, and those professionals are teachers and librarians, and I’m very disturbed when other people come into that conversation and try to usurp the work that teachers and librarians are doing. I think a lot of times authors get most of the credit for the fight against book bans, and the truth is, all the credit should go to the teachers and librarians who are often putting their jobs on the line, making really difficult decisions to try to do the best by the kids that they’re representing and working with.

John Green will be in conversation with Julia Whelan to discuss “Hollywood, Ending” at 7 p.m. Tuesday, Oct. 13, at a ticketed ALOUD event hosted at Saban Theatre. 8440 Wilshire Blvd., Beverly Hills.

Defeat – which came just three days after a 1-0 loss to Portugal in Lisbon – has left Wales with plenty of work to do.

They will at least have home advantage at Cardiff City Stadium as they prepare for the remainder of the current international break, with matches against Norway on Thursday, 1 October, and then Denmark the following Sunday.

Captain Davies felt Wales were being taught some harsh lessons in what is their second stint in the top tier of the Nations League.

“It was a tough game. They are a good team and made it a hard game for us,” the Spurs defender told BBC Match of the Day Wales.

“It was really frustrating to concede from two set-pieces. The Nations League games are against the best teams in Europe, it was always going to be tough.

“If you’re not at 100% then you are going to get punished at this level. We have to regroup and go again on Thursday.”

Despite the setback in the Danish capital, winger Sorba Thomas echoed Bellamy’s sentiments.

“Thankfully we’ve got two games at home still to come. We’ll have home advantage so we need to show a reaction,” he told BBC Match of the Day Wales.

“We are just going to get better. We are a small nation but we’ve got big hearts and beliefs and for us it’s about showing that more on the pitch.”

Private dinner will be the first one-on-one meeting between the two men, according to reports.

Anthropic CEO Dario Amodei is set to dine one-on-one with US President Donald Trump at the White House.

The meeting on Sunday evening, confirmed by Trump, comes after months of open conflict between the artificial intelligence startup and the Trump administration.

The private dinner would be the first one-on-one meeting between the two men, according to US media, including Axios, which first reported the dinner.

Trump confirmed the dinner on Sunday evening and reaffirmed his stance against slowing the pace of AI development.

Trump also reiterated his belief that new regulations would open the door for China to outpace the United States in AI advancement.

Although he acknowledged Amodei’s concern that going too fast on artificial intelligence could expand risks, Trump said it was more important for the US to maintain a technological edge over China.

“We’re about maybe a year and a half up on China,” Trump told Fox News while attending the Presidents Cup golf tournament in Illinois.

“We’re leading, and we’re building tremendous, trillions of dollars’ worth of places. And why should we give that up?”

The meeting comes two days after a federal appeals court upheld the Pentagon’s decision to classify Anthropic as a “supply chain risk”, which prohibits the US military from using its models.

The startup was sanctioned by the Trump administration after refusing in February to allow its tools to be used for fully autonomous weapons or domestic mass surveillance.

Trump also badmouthed Amodei, saying he was trying to be “a perfect little angel” after the Anthropic chief called for a pause in AI development.

Amodei was absent from the state dinner held for Chinese President Xi Jinping on Thursday, attended by AI industry leaders, including Amodei’s rival Sam Altman of OpenAI.

Despite mounting calls to slow down AI development due to the risk of losing control of the technology, the US government believes that the sector’s major players – OpenAI, Anthropic, Google, and Meta – cannot afford to slow down for fear that China will gain the upper hand.

Trump and Mike Johnson, the speaker of the House of Representatives, are set to meet with leading AI executives on Tuesday.

TAYLOR Swift debuted Patient Zero music video at the MTV Video Music Awards after accepting a massive honor.

The Fate of Ophelia singer accepted the first-ever Artist Director Honor at the annual awards ceremony on Sunday.

Taylor’s good friend, Dakota Johnson, who also stars in the music video for her new single Patient Zero, presented her with the award.

The global pop star kept her acceptance speech short and sweet before introducing the world premiere of the highly anticipated music video.

She shared a teaser of the video, which also stars Colin Farrell, on Friday, before announcing that all will be revealed during Sunday’s ceremony.

Fans were taken aback by the video’s grim twist, as she portrayed Colin’s character’s deceased former partner, but it overall received rave reviews online.

Read More on Taylor Swift

HOLY SMOKES

Nirvana’s Pat Smear lights a cigarette ON STAGE at VMAs

“Taylor really wanted to team up with MTV to do something to celebrate the release of Patient Zero,” a source told Page Six about Taylor’s VMAs appearance.

“They created this award just for her. It’s their first time handing out this award.

The insider also said that the “timing made sense,” given the release of Taylor’s latest single, alongside three other new tracks.

The four new songs are a part of The Life of a Showgirl: The Encore, an extended deluxe edition of her 2025 album, The Life of a Showgirl.

“She really wanted to be there, and the network wanted to figure out a moment in the show that was special to her where she wasn’t just in the background, so MTV made this moment happen,” the source added about the collaboration.

Taylor, 36, was one of the last to arrive on the red carpet at Peacock Theater in Los Angeles in a stunning black and silver gown.

Her husband, NFL tight end Travis Kelce, 36, skipped the event to play with the Kansas City Chiefs in their game against the Miami Dolphins in Florida earlier in the day.

While Taylor has supported her man on the sidelines since the football season began, she couldn’t miss this night as she was the first recipient of the Artist Director Honor.

This marked the singer’s 31st Moon Man trophy, breaking her tie with Beyoncé for the most VMA wins.

The vocalist was also nominated for nine other awards – the second-most of the night behind Madonna, who had 11 nominations – and won the Video of the Year award.

Taylor has kept a lower profile since her and Travis’s extravagant July 4th wedding.

MOST AWARDED ARTISTS IN VMA HISTORY

Since the iconic MTV Video Music Awards first premiered to shake up pop culture in 1984, artists across all genres have tried their best to score the coveted Moonman trophy. Here are the top 10 musician’s who have taken home the most hardware:

• Taylor Swift – 31 wins: Taylor is now the most-awarded artist in VMA history. She has won Video of the Year five times, including for her hit All Too Well, and picked up a record nine awards in one night for Midnights in 2023.
• Beyoncé – 30 wins: Beyoncé’s haul includes six wins for Formation in 2016, plus Video of the Year for Single Ladies in 2009. Her total also includes two wins with Destiny’s Child.
• Lady Gaga – 22 wins: Gaga dominated the 2010 VMAs, taking home seven awards for Bad Romance. She has also won Artist of the Year twice.
• Madonna – 20 wins: The original VMA powerhouse has collected wins for Vogue, Ray of Light and Express Yourself, as well as the Video Vanguard Award.
• Eminem – 15 wins: The rapper is the most-awarded male artist in VMA history, with wins including Without Me, The Real Slim Shady, Not Afraid and Houdini.
• Ariana Grande – 13 wins: Ariana has collected 13 Moonmen, including Video of the Year and Best Pop for Brighter Days Ahead and three wins for Rain on Me with Lady Gaga.
• Peter Gabriel – 13 wins: Peter holds one of the biggest records in VMA history: 10 wins at the 1987 ceremony, including nine for Sledgehammer.
• R.E.M. – 12 wins: The rock band swept the 1991 VMAs with six wins for Losing My Religion and later added four for Everybody Hurts.
• Justin Timberlake – 11 wins: Justin’s haul includes Video of the Year for Mirrors, multiple wins for Cry Me a River and the Video Vanguard Award.
• Green Day – 11 wins: Boulevard of Broken Dreams powered Green Day’s VMA haul, winning six awards in 2005. 21 Guns added even more to their collection in 2009.

She showed her love for her husband last week while celebrating his touchdown against the Indianapolis Colts.

The Out of Style singer was caught on video screaming and clapping as Travis darted across the field to score.

She could also be heard yelling, “That’s my husband!” while pointing at her $1 million wedding ring.