Dine-in movie theater chain Alamo Drafthouse Cinema is launching a new initiative to show unreleased independent films that had successful festival runs, a move that comes as specialty films have struggled to gain distribution.
The Alamo Exclusives program, announced Wednesday, will give limited theatrical runs to films that showed at festivals including Sundance, the Toronto International Film Festival, Tribeca Festival and South by Southwest festival, as well as Alamo’s own Fantastic Fest.
The idea is to help showcase films that received critical acclaim, but did not secure distribution or acquisition deals. The chain will not acquire these films, but instead will enter into agreements with filmmakers to exhibit their films on Alamo Drafthouse screens. By showing these films to audiences on the big screen, these films could get the momentum they need for further opportunities.
The program’s first film will be the documentary “Butthole Surfers: The Hole Truth and Nothing Butt,” which debuted last year at South by Southwest and chronicles the history of the punk rock band.
The film will be shown in Alamo Drafthouse theaters for a limited time later this summer.
The Austin-based chain, which is owned by Sony Pictures, has a long history of curating indie films for its audiences, giving Alamo Drafthouse confidence that its viewers want to see these kinds of movies, company chief executive Michael Kustermann said in a statement.
“Time and again, they’ve shown they’ll come out to support bold, original films when given the opportunity,” he said. The new Alamo Exclusives “gives us another way to champion filmmaker-driven films that deserve to be discovered and connect them with the wider Alamo Drafthouse audience.”
The initiative comes at a difficult time for indie films. Since the pandemic upended the movie business, traditional studios and distributors have had less appetite for risk, including betting on smaller indie films out of festivals.
And as the 2023 dual writers’ and actors’ strikes thinned out theatrical lineups, that aversion to uncertainty became a push for reliable and profitable hits.
“Too many incredible films premiere at festivals and then never receive the theatrical life they deserve,” Lisa Dreyer, director of Fantastic Fest and film innovation at Alamo, said in a statement. “We are actively searching for films across all genres, from horror to comedy, to everything in-between, to champion in this new, exciting way.”
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This week’s narrow Supreme Court decision protecting birthright citizenship is rightly being hailed as a triumph for the American experiment.
By some, anyway.
Check out MAGA world and you’ll quickly find Trump surrogates and even elected leaders spouting a kind of extremist anti-immigrant sentiment that once, not so long ago, was considered intolerable in the public sphere.
This has included suggestions that go as far as banning pregnant women from traveling to the United States for fear they might give birth here, and — no joke — one notable commentator writing that demanding female immigrants be sterilized might be a solution.
Trump’s Homeland Security advisor Stephen Miller said after the ruling that children of immigrants might not be “qualified to carry on or capable of executing the inheritance of this country.”
“We have people from all over the world, from Third World nations, nations that on their own would have never invented the wheel, let alone modern technology, let alone medicine, let alone air travel, and they can just come into the country, have a baby at a hospital, paid for it by you and me, and then that baby is automatically a citizen,” Miller said.
Before you tell me that the Supreme Court has spoken and this is a done deal, no matter if there’s more gross Miller mush, let me tell you about Supreme Court Justice Ketanji Brown Jackson’s written opinion and why it matters. It is, if read in the right light, a warning for what comes next — a fight to rewrite history to serve political aims.
“The odds were long and the stakes were high,” Jackson wrote about the creation of the 14th Amendment in 1866, which has long been understood as granting citizenship to any child born on U.S. soil and which was the focus of this case.
Still, she wrote, despite the unlikeliness of post-Civil War America rising to the challenge of inclusiveness, the amendment was always meant to do just that — because free Black people, recently emancipated but denied citizenship, “fought for the shared humanity of all people.”
An alternative interpretation by MAGA world of this amendment and this history was the center of this case.
To greatly simplify, the 14th Amendment was originally a response to a Supreme Court decision, the Dred Scott case, that said freed Black slaves could not be U.S. citizens. MAGA world was arguing that the authors of the 14th Amendment never intended much more than that — citizenship for ex-slaves and their descendants.
While concurring with the majority of the court, Jackson also wrote her own summary that makes a vital point: Without history that includes the Black experience — as most of the arguments in this case did — we are left bereft of the suffering that has shaped our values and which gives us the empathy required to be a pluralistic society.
Black history — any non-white history, really — is the history of resistance and the road map to recovery from this dark era of hate.
It’s hard to call someone your fellow citizen if you take away their humanity — which is exactly what this case was attempting to do by splitting into factions those who would fight for equality and rewriting history with only the voices that match the current administration’s goals.
It was disappointing that the court, whose individual justices bounced around arguments from a myriad of sources outside of their erstwhile adherence to the ideas of originalism, did not call out that erasure more forcefully, and that it was left to Jackson to do so.
Jackson took that narrow idea that Black people — and the white legislators sympathetic to their cause — had only themselves in mind when crafting the 14th Amendment and attacked it head-on, arguing that if we just look at what Black people were saying at the time, the larger intent of the amendment becomes clear.
“This alternative account pitches Black Americans against immigrants when the advocates who promoted the Fourteenth Amendment did no such thing,” Jackson pointed out of the MAGA version of events. “Freed Blacks fought for the shared humanity of all people.”
That “universalist vision of belonging and citizenship,” she wrote, “eventually won the day.”
The 14th Amendment was largely written by Sen. Lyman Trumbull of Illinois, who took much of the basis of it from the legal arguments of Black intellectuals, including Frederick Douglass, the most influential Black statesman of the era.
Trumbull then argued in Congress that the amendment was meant to be inclusive — even of so-called “gypsies” and Chinese immigrants, who faced extreme racism, especially in California.
One congressman opposed to the measure warned that if it passed, Chinese immigrants would “overrun” California and “will double or treble the population.” At the same time, the Romani would likely continue to “wander in gangs” and “have no homes, pretend to own no land, live nowhere, settle as trespassers where ever they go, and whose sole merit is a universal swindle,” he warned.
Asked if the amendment would grant citizenship to those two controversial groups of immigrants, Jackson points out that Trumbull gave an unapologetic “undoubtedly,” again drawing on the universalist ideas of Douglass and others.
The “child of an Asiatic is just as much a citizen as the child of a European,” Trumbull said (and Jackson quoted, drawing from an amicus brief by Evan Bernick of Northern Illinois University and Jed Sugerman of Boston University).
“There is a serious breakdown in on the court that reflects the breakdown and echo chambers in America,” Sugerman, the professor, told me Wednesday. “When it comes to history and originalism, you have to read more broadly than just the founding fathers that you liked.”
So the history of the 14th Amendment is right there — equality not just for Black Americans but for immigrant Americans — but it required Jackson to write her own opinion to put it on the court record.
Legal scholars aligned with Trump did Olympic-level gymnastics in this case to parse what the authors of the 14th Amendment meant with the phrase “subject to the jurisdiction” — words that MAGA claimed were meant to secretly exclude undocumented immigrants.
Brown instead reminded us that outside of those white-only discussions when the amendment was written, it was the activism of Black people — their demand for colorblind equality — that actually shaped the final words that granted citizenship to all babies born within our borders.
Solidarity — the unbreakable strength of American democracy.
After the ruling, Trump wrote on social media that Congress could write legislation undoing birthright citizenship. Some pundits say that wouldn’t work, but I’m here to say Trump has managed a bunch of stuff that the pundits said wouldn’t work.
More chilling, and direct, were more comments from Miller.
“It’s an abomination,” he said of the ruling.
But “because of President Trump’s courage and leadership, we are now on the precipice. Yes, we were dealt a setback, but because of his courage alone, we’re on the precipice as a nation of being in a position to end this travesty once and for all, and that’s what we have to fight for.”
Miller and his ilk are seeking to rewrite history to justify their vision of the future of America.
Jackson alone in the court offered us both a warning and a path — a reminder that our history holds indisputable facts despite politics, and we erase them at our own peril.
The Lakers secured their starting center of the future in a massive trade with Utah on Wednesday, agreeing to send two first-round picks (2031 and 2033) and two pick swaps (2028 and 2030) to the Jazz in exchange for 24-year-old Walker Kessler, sources not authorized to speak publicly on the matter confirmed Wednesday to The Times.
Kessler, who was limited to five games last season because of a shoulder injury, is expected to sign a four-year, $130-million contract with the Lakers, people with knowledge of the situation said.
The center was a restricted free agent, but the Lakers worked around difficult negotiating limitations by throwing in nearly every first-round asset they had in addition to digging into their $51 million in salary-cap space. If the Lakers had only presented an offer sheet to the Jazz to lure Kessler away instead of working on a trade, Utah would have had until July 7 to match the offer.
Kessler’s addition, a day after LeBron James told the Lakers that he’d return for an unprecedented 24th season elsewhere, highlighted a flurry of transactions that will help the Lakers remake their roster around Luka Doncic. Soon after the Kessler trade Wednesday, the Lakers agreed to terms with three free agents — center Sandro Mamukelashviki, guard Quentin Grimes and guard Collin Sexton.
Kessler is a much-needed defensive backstop. The 7-foot-2 center has averaged 2.4 blocks over his career. He was off to a strong start last season in Utah before a season-ending shoulder injury. The previous season, he averaged 11.1 points and 12.2 rebounds. His 4.6 offensive rebounds per game in 2024-25 led the league.
Mamukelashvili declined a $2.8-million player option with the Toronto Raptors and was rewarded with a four-year, $52-million deal with the Lakers, a person with knowledge of the situation confirmed to The Times. Primarily coming off the bench, the Georgian center averaged 11.2 points and 4.8 rebounds for the Raptors last season.
Toronto’s Sandro Mamukelashvili scores on a layup in front of Wizards forward Anthony Gill on Feb. 28 in Washington.
(Scott Taetsch / Getty Images)
His three-point shooting has improved in recent seasons; Mamushkelasvili shot 38.9% from three-point range last season on 3.7 attempts per game, improving from 37.3% on 2.6 attempts the previous season. The long-range shooting element would stand out in a revamped front line that includes the return Deandre Ayton, who was the Lakers’ major free agent signing last year. He exercised a $8.1-million player option after career lows in points (12.5), rebounds (eight) and minutes (27.2) per game.
Grimes, 26, averaged 13.4 points, 3.6 rebounds and 3.3 assists for the Philadelphia 76ers last season. He agreed to a four-year, $60-million contract, The Times confirmed.
Sexton agreed to a two-year, $19-million contract, The Times confirmed, after the guard played for the Charlotte Hornets and Chicago Bulls last year. The Lakers will be his fifth team in his eight-year career, which began in Cleveland, where he was named All-Rookie second team in 2019.
Health officials say three people died during massive celebrations in Mexico City after Mexico’s 2-0 World Cup win over Ecuador. The victims — a 19-year-old woman, a 48-year-old woman and a 44-year-old man — died of asphyxiation. Thousands had crowded into the streets to celebrate Mexico’s first World Cup knockout-round win since 1986.
Published On 1 Jul 20261 Jul 2026
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For years, India’s Muslim women have been subject to online abuse.
Now researchers warn that generative AI is taking that harassment to a new level, making it easier to create fake sexualised imagery and propaganda targeting Muslim women.
Published On 1 Jul 20261 Jul 2026
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Advertised as “from the world of ‘Legally Blonde,’” the new Prime Video series “Elle” revisits that film’s heroine, Elle Woods (Lexi Minetree), as a 16-year-old high school student, suddenly transported from Beverly Hills to Seattle after her plastic surgeon father (Tom Everett Scott) botches a nose job and has to lie low.
Set in 1995, six years before the events of the first “Legally Blonde” film, with Seattle still living through the long tail of first-wave grunge — Kurt Cobain, Eddie Vedder and Chris Cornell are mentioned almost in a single breath — it shares with the big-screen mothership only its indomitable protagonist, who loves pink and her Chihuahua, Bruiser. (The dog gets its own origin story: It was “rescued” from the Spellings, as in Aaron, who found that its “earth tones” didn’t match “their new color palette.”)
There’s a passing reference to the lawyer Elle might (and does) become, and surely some things I missed, but if you’ve never seen “Legally Blonde,” you will not be at any particular disadvantage. (Possibly you will be at a disadvantage if you have seen it.) Bruiser aside, nothing that happens here affects what happens there. Don’t think twice, or even once, about canon. This is something else entirely.
What that is is a high school comedy, which is to say it’s full of familiar characters swept up in teenage drama. And because this is an eight-episode series and not a two-hour movie, relationships will shift more than once. Indeed, they will not be done shifting by the season’s end; a second is clearly in the producers’ sights.
The series is a fish out of water story as Elle moves from Beverly Hills to Seattle. From left, Kimberly (Chandler Kinney), Liz (Gabrielle Policano), Elle (Lexi Minetree), Miles (Jacob Moskovitz) and Dustin (Zac Looker).
(Kimberley French / Prime Video)
Floating into her new school on a bubble of positivity that will stubbornly refuse to burst, Elle is a spot of color in a sea of black and plaid. (There’s a joke that all the cliques — “jocks, D&D nerds, stoners, kids with parents with Microsoft money, kids with parents with Boeing money” — dress exactly alike.) Her surface mistaken for her substance, she’s mocked by Kimberley (Chandler Kinney), the Mean Queen Bee in a reversal of the usual dynamic; it’s the supposedly deep, authentic characters looking down on the privileged, seemingly shallow one. (Not understanding that Bikini Kill is a band, Elle will offer, “Bikini Kill? I know bikinis … that kill.”) Introducing herself to the skeptical Liz (Gabrielle Policano), who makes music and works in a record store, she says, “I like iced coffee, the month of July and when people dress kind of tennis-y, even when they don’t play tennis.”
At the same time, Elle will quickly bond with Shannon (Danielle Chand), the school’s self-appointed one-woman welcoming committee, and Miles (Jacob Moskovitz), a central-casting nice guy who literally collides with her, as is traditional. (His jacket is blue denim to set him apart.) Socially aware quasi-outsider Dustin (Zac Looker) will take a second longer to sway. Inevitably, all will fall before her goodness, her school spirit and her No Doubt karaoke, though her good intentions will have unintended consequences as well, and she’ll have things to learn — it’s a fish out of water story in which the water will change the fish, and the fish the water. In a late-season plotline, in order to give them something to think about than one another, they’ll become a Scooby Gang (with explicit references to “The Breakfast Club”), investigating adult shenanigans. Well, we love a Scooby Gang.
Chief among the grown-ups is Elle’s equally blond mother, Eva (June Diane Raphael), who will become involved in the mayoral campaign of (the late) James Van Der Beek’s Dean Wilson. At school, there are prickly Principal Anderson (Matt Oberg) and Donna (Amy Pietz, nice to see her), his good-hearted secretary, a champion of needy teens and, it will be revealed, Liz’s mother. It feels wrong to saddle the lovable Scott, as Elle’s father, Wyatt, with a fugitive-from-malpractice plot, such as it is — they had to get the family out of Beverly Hills somehow — and just as his character is lying low, so does he disappear, sadly, a little into the scenery. He does get a nice line about meeting someone named Mike McCready, the Pearl Jam guitarist, in a coffee shop and maybe getting together to play, and a chance to lead partygoers in Oasis’ “Wonderwall.”
Minetree is an apt choice to play a younger Reese Witherspoon (an executive producer), with a dash of “Clueless” Alicia Silverstone stirred in, and the younger cast is likable across the board. Written by Laura Kittrell, “Elle” is lightweight, often obvious and oddly, refreshingly innocent — Elle is waiting for “a perfect first kiss from a perfect guy” — both for the genre and the setting. (As Robyn Hitchcock sang of Seattle in “Viva! Sea-Tac,” “They’ve got the best computers and coffee and smack.”) In a way, it feels like a show made for those who already want what it’s selling, but that’s not me, and I had a perfectly fine time.
IF you need a central London stay but want all the perks of an apartment, then there’s Citadines Islington.
Here is everything you need to know about staying at the aparthotel.
The hotel is just a short walk from Angel Underground Station in London, which is just one stop from London St Pancras.
Built inside the former Royal Mail postal sorting centre, it dates back to 1907.
The modern hotel is in the heart of Islington Square, and hidden down a quiet side road.
The main lobby is popular with co-workers, and where you will find lounge areas, tables and a 24-hour cofffee machine.
Being an aparthotel, this means all of the rooms come with a kitchenette, so is perfect for longer stays.
My Studio Deluxe had wonderfully high ceilings so felt extremely spacious.
Inside the kitchenette is everything you’d need from a hob, mini fridge and microwave to crockery and cutlery.
My plush kingsize bed was extremely comfortable, and the floor to ceiling curtains blacked out any light for a great night sleep.
A coffee machine, complimentary tea and biscuits were all included, along with a seating area and huge flatscreen TV.
It was an extremely beautiful and cosy room – especially after some time spent in the walk in shower, followed by a fluffy dressing gown and slippers evening.
Rooms start from £198.90. See here.
There’s no restaurant, although guests can enjoy a limited breakfast of fruit, pastries, cereals and some hot options.
But if you want lunch or dinner, there is loads to choose from in the area.
Right outside in Islington Square is everything from brunch at Megan’s to dinner at Rosa’s Thai.
Just round the corner is the main high street as well, with cuisines ranging from Chinese and Japanese to Italian and Mexican restaurants.
The hotel also has an on-site gym, as well as laundry services on offer.
Otherwise outside the hotel is a huge Odeon cinema and attractions like indoor golf.
The hotel has family rooms that sleep up to four people, and each room can accommodate one extra bed or crib.
Additional beds cost extra but cribs are free.
There are accessibility rooms as well as wheelchair access and adapted bathrooms.
Lifts also go to all of the floors as well.
Another day, another stunning Wimbledon outfit for Naomi Osaka.
After the four-time Grand Slam champion arrived for her opening match at the All England Club in an elegant, full-length kimono – entirely white to adhere to the tournament’s strict dress code – Osaka chose to “mix it up a little bit”.
Returning to action on Wednesday, the 28-year-old combined a white jacket with floral pattern with a long train that trailed behind her, attached to her waist by an obi – a large, decorative belt traditionally worn with a kimono.
Osaka stopped spectators and photographers in their tracks on her walk from the locker room to number two court.
Little over an hour later, she equalled her best Wimbledon run by beating Russian Anastasia Gasanova 6-3 6-2 to reach the third round.
“I feel like my inspiration can be anything,” said former world number one Osaka, who was born in Japan to a Haitian father and Japanese mother and mostly grew up in Florida.
“I took a trip to Japan one day. Obviously, you go to Harajuku [a district of Tokyo famous for its fashion culture], and see everyone expressing themselves through clothes.
“It was just so cool and colourful. That stuck out to me a lot. I kind of used that in my fashion experimentation.
“I don’t really ever have a plan when it comes to clothes. I think it’s OK to try something and fail, but I’d rather just try it and see how it goes.”
A punishing heatwave affected many parts of the country during the last week of the month.
Published On 1 Jul 20261 Jul 2026
Last month was provisionally the warmest June in England since records began, as well as the second-warmest for the United Kingdom, according to figures published by the country’s Met Office.
Rare extreme heat warnings were issued for several days last month, with “exceptionally warm overnight temperatures”, the weather agency said on Wednesday.
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England registered an average temperature of 17.1C (62.78 degrees Fahrenheit) last month – the highest since records began in 1884.
“The exceptional warmth was driven by an intense and record-breaking heatwave at the end of the month,” the Met Office said in a statement.
The previous record of 16.9C (62.4F) was set in June 2025, nearly 3C (5.4F) above the long-term average. It means England’s top three warmest Junes since data began in 1884 have all occurred this decade, with the third being in 2023.
A punishing heatwave affected many parts of the country during the last week of the month, with temperatures topping 30C (86F) at some places in the UK for seven days in a row from June 21-27.
A peak of 37.7C (99.86F) was provisionally reached at Lingwood in Norfolk on June 26 – the highest maximum temperature ever recorded for the month.
This was more than 2C higher (3.6F) than the previous June record of 35.6C (96.08F), set in 1957 at Camden Square in London and equalled in 1976 at Mayflower Park in Southampton.
Last month also saw a provisional new June record for the highest overnight minimum, with temperatures at Cardiff Bute Park dropping no lower than 23.5C (74.3F) on June 25.
More than 1,000 schools and nurseries were closed during the heatwave, and there was disruption to public transport with overhead wires and signalling strained because of the heat.
Critics felt the country was ill-prepared to deal with the sweltering heat. Climate experts have urged the UK government to adapt its infrastructure to warming summers, with a surge in demand for fans and air conditioners, which remain rare in British homes.
The heatwave has also affected many countries in Europe, including France, Germany, Slovakia, Serbia, Croatia, Italy, Austria and western Ukraine, with more than 1,000 deaths linked to the scorching heat reported in France alone.
A group of scientists blamed climate change for the dangerous weather blazing across Europe. In a report by the World Weather Attribution, experts warned that the phasing out of fossil fuels is essential to reverse the extreme weather trend.
There’s this idea in social media that you’re supposed to choose a lane. Either you grow “purely organic”, patiently waiting for the algorithm to reward you, or you automate everything and turn your account into some kind of growth machine that runs without you.
In reality, nobody who actually tries to grow an account long-term sticks to either extreme.
Pure organic growth is slow enough to make you question whether anything is happening at all. Pure automation without real content is just noise with extra steps.
Most accounts that survive past the first few months end up somewhere in between, even if nobody says it out loud.
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When people hear “automation”, they still imagine spam bots or engagement farms from years ago. That’s not really what we’re talking about anymore.
Used properly, automation isn’t about replacing activity. It’s about smoothing out the worst part of it – posting something decent and watching it sit at zero for hours because the algorithm didn’t pick it up.
That initial silence is where a lot of good content dies. Not because it’s bad, but because nothing happens around it early enough.
Automation in this context is just early support. A bit of initial visibility, some signal that the post isn’t completely invisible, enough to get it into circulation instead of letting it sink immediately.
Organic-only accounts usually hit the same pattern. At the beginning, everything feels like progress. A few posts perform, you get your first audience, and there’s a sense that things are starting to move.
Then it slows down. Not dramatically, just quietly. You keep posting, improving, adjusting – but the results stay in the same range. It’s not that the content gets worse. It’s that platforms don’t scale reach in a predictable way.
That’s usually where frustration starts. Not failure, just repetition. You’re doing the same work, but the outcome doesn’t change much. And that’s a difficult place to stay in for long.
On the other side, accounts that rely only on automated promotion usually run into a different problem. They can create activity, they can push numbers, they can make a profile look alive. But without real content behind it, there’s nothing for people to actually connect to.
No point of view, consistency and reason to follow.
People notice that, even if they don’t consciously analyze it. An account can look active and still feel empty. Automation can amplify reach, but it can’t replace identity.
The more stable setups usually combine both sides. Organic content is responsible for the actual message – what the account stands for, what it’s trying to say, why it exists in the first place.
Automation supports distribution – making sure that message doesn’t get lost immediately after it’s published. They solve different problems:
Most accounts struggle because they only solve one of those properly.
There’s also a simpler factor that often gets ignored: perception. People don’t evaluate accounts in isolation. They compare them instantly to everything else in their feed.
An account with visible engagement feels more established. Not because people sit and analyze metrics, but because inactivity is noticeable.
Good content with no traction creates hesitation. Not rejection – just a pause. And on social media, hesitation is usually enough for someone to move on.
Adding early visibility reduces that friction. It makes the account feel like it already exists in circulation, not like it’s still trying to get noticed.
In practice, most teams don’t frame this as theory. They just build a workflow.
Organic content is used for messaging, storytelling, positioning. That part doesn’t change.
Promotion, including automated support, is used when something deserves more reach than it would naturally get in the first hour or two.
Some posts are left alone, some are boosted, while others are tested and dropped. It’s less about forcing outcomes and more about not letting good content disappear by default.
Services like Top4SMM are often used in that layer – not as a replacement for marketing, but as a way to stabilize visibility when organic reach is unpredictable. If you want to compare options, you can see details.
A common mistake is treating growth like a short-term push. People post more, experiment harder, try to “fix” the algorithm in a week or two – and then step back when nothing changes immediately.
What actually works is much less dramatic. Steady output. Steady distribution. No spikes needed.
When both sides are consistent, results start compounding. Slowly at first, then more noticeably over time.
There isn’t really a pure way to grow on social media anymore. Organic alone struggles with reach. Automation alone struggles with meaning.
The accounts that keep growing are the ones that combine both – content that actually says something, and distribution that makes sure it doesn’t disappear on impact.
Everything else mostly comes down to hoping for timing to behave like a strategy.
It is a prequel of the film series of the same name(Image: Peacock)
Fans claim that the prequel series is even better than the movie it is based on.
An ‘absolutely genius’ show that has just been added to Netflix has been labelled as the ‘funniest show ever’. Containing eight episodes in total viewers should be able to binge watch the title in record time.
The first season of Ted is now available on the platform as of today (July 1). It serves as a prequel for the film of the same name written and directed by Family Guy creator Seth McFarlane.
McFarlane returns to voice the titular character Ted as well as serving as one of the show’s writers. He also directs every episode of the show.
According to its synopsis, the comedic prequel event series to the films begins in 1993. Ted the bear’s moment of fame has passed.
He’s now living back home in Framingham, Massachusetts with his best friend, 16-year-old John Bennett, along with John’s parents, Matty and Susan and cousin Blaire. Ted may be a lousy influence on John, but at the end of the day, he’s a loyal pal who’s always willing to go out on a limb for friendship.
MaxBurkholder takes over the role of John, which was previously played by Mark Wahlberg in the films. Meanwhile, Euphoria’s Alanna Ubach plays John’s mother and The Punisher’s Giorgia Whigham plays his cousin.
Scott Grimes, who has appeared in multiple MacFarlane projects including American Dad, The Orville plays John’s dad.
A second season released earlier this year but the future of the show is up in the air. McFarlane has said there aren’t any plans for a third season saying its production costs might be too high, although he’s also hinted there could be a film in the future with the series cast.
For now Netflix users can enjoy all episodes of the first season. The second is currently only available via Sky or NOW streaming platform.
Fans are full of praise for the series that boasts a rating of 87% on Rotten Tomatoes, which is higher than the original film. One person labelled it a “hilarious masterpiece.”
They added: “The CGI for the bear is insanely good, you almost forget he isn’t real. Seth MacFarlane does an incredible job bringing Ted to life, and the chemistry between the entire cast makes the show feel effortless. The cast bounce off the absurdity perfectly, and the dialogue never stops being funny. It’s one of those comedies that’s just pure fun to watch from start to finish.”
Someone else claimed they still love it just as much after multiple watches. They said: “I’ve watched Ted at least 10 times, and it still makes me laugh every single time. The jokes are sharp, the timing is perfect, and the cast is just amazing. it’s absurd, honest, and perfectly delivered. Shows like this don’t come around often, and it’s my ultimate rewatchable series.”
While one person posted: “It’s absurd, a little bit chaotic, and somehow still incredibly charming, much like the bear himself. The show cleverly balances raunchy humour with an oddly heartfelt coming-of-age story, proving that even a foul-mouthed, beer-loving teddy bear can provide surprisingly good life advice—albeit sandwiched between jokes that would make your grandmother faint.”
The go on to say: “Seth MacFarlane’s voice work is as sharp as ever, delivering laugh-out-loud moments with the kind of deadpan brilliance usually reserved for grumpy old men at the pub. In the end, Ted Season 1 is exactly what you’d expect: hilarious, ridiculous, and strangely heartwarming.”
Others warned that as soon as you watch one episode, you will quickly find yourself breezing through the whole series. They said: “Seth is a comedy genius and this project is no different after putting it on with the intention of watching one at 12.30am at night I binge watched it and was left wanting more.”
Ted is streaming on Netflix and NOW
Immigrants detained at two federal facilities in California have launched a boycott in protest of increasing and, in their view, burdensome prices at the facilities’ commissaries for items including tampons, coffee and soup.
The Times reviewed a grievance letter and spoke with three detainees who are involved in the boycott at the California City Detention Facility, about 80 miles east of Bakersfield, and at the Golden State Annex in McFarland.
More than 300 detainees are estimated to have signed grievance letters sent recently to facility administrators, according to advocates with the California Collaborative for Immigrant Justice.
Both facilities are operated by private prison corporations — the California City facility by Tennessee-based CoreCivic and the Golden State Annex by Florida-based GEO Group.
The Times has reached out to the Department of Homeland Security, GEO Group and CoreCivic for comment.
Detainees are provided certain essentials, such as food and soap, free of charge, but many also purchase items at commissary stores that are of better quality or otherwise unavailable. Detainees said shampoo and other hygiene items sometimes run out for days and that meals are small or exacerbate diabetes and other health issues.
“The three daily meals that CoreCivic provides at California City Detention Facility are the bare minimum to keep a person alive,” they wrote. “Because of this, charging inflated prices on necessities is considered price gouging and profiteering against vulnerable incarcerated population who have no ability to refuse or shop elsewhere.”
The detainees said an 8 oz. jar of Folgers instant coffee costs $18 at the California City facility, a single instant ramen soup is 75 cents and a box of 40 tampons costs nearly $21.
At Walmart, the same Folgers coffee costs $8.97, Maruchan chicken ramen soup is 50 cents and 40 Tampax tampons are $12.19.
U.S. Immigration and Customs Enforcement detains immigrants for civil purposes. Detention is meant to facilitate removal proceedings but is not meant to be punitive.
Detainees are paid $1 per day under a voluntary work program for cleaning or cooking. Many detainees rely on money from family and friends.
In their grievance letter, the detainees called the markups an unacceptable business practice with no apparent limit. They said they view the situation as an example of captive market exploitation and economic coercion.
The detainees requested a review of commissary pricing by facility leaders, a comparison of prices with prison industry standards, an immediate reduction in prices of essential items and the implementation of reasonable price caps. They also requested an increase in the portions of daily meals, including for meals meeting religious requirements, which they said are particularly small.
In May, the California State Senate passed a bill that would prohibit the excessive markup of products sold at private detention centers, limiting prices to 35% above the vendor cost. Existing California law already limits such markups in state prisons. The bill is now in the Assembly.
Priya Patel, an attorney at the California Collaborative for Immigrant Justice, represents people who have been detained at both facilities. She said that during legal service consultations, commissary pricing frequently comes up.
“The higher the prices get, the higher of an impact the conditions have on people and the more difficult it becomes to fight their cases,” Patel said.
The collaborative is one of the organizations that brought a lawsuit last year alleging inadequate medical care, as well as insufficient clothing, food, water and outdoor recreation time at the California City facility, which can hold more than 2,500 people. The lawsuit remains ongoing; in March, a U.S. district judge in San Francisco appointed an external monitor to ensure the facility provides “constitutionally adequate health care.”
The lawsuit describes multiple commissary-related issues. For example, it says the facility doesn’t provide headphones for tablets, making private phone calls — including privileged calls with attorneys — impossible unless the detainee can afford to purchase headphones from the commissary.
“One detained person has difficulty walking and standing for extended periods of time without shoes that provide arch support,” the complaint says. “He arrived at California City with appropriate shoes to accommodate his mobility disability, which were approved as an accommodation at a prior ICE facility. California City staff confiscated those shoes and instead provided him with plastic, orange sandals.”
“Several weeks after staff confiscated his shoes, he had an appointment with a doctor at California City,” it continues. “The doctor told the him … to buy different shoes from commissary to accommodate his foot condition.”
A contract between CoreCivic and ICE for the California City facility, dated April 1, 2025, says the contractor must provide notice of any price increases and that “any revenues earned in excess of what is required for commissary operations shall be used solely to benefit aliens at the facility.”
Alfredo Parada Calderon, 52, has been detained at the California City facility since September. He said commissary prices were already high before they increased around mid-June.
Parada Calderon said he asked an ICE officer why the prices had increased so much. The officer said he wasn’t aware of the change but that the vendor is Keefe Group, which supplies commissaries at prisons and immigrant detention centers across the country.
Detainees in his dormitory submitted a grievance about commissary prices, Parada Calderon said. The answer was vague.
“They’re blaming it on inflation,” he said.
Parada Calderon said his family sends him about $100 per month to spend on commissary items, which he spends on packets of crackers, coffee, soups, soap, shampoo, deodorant and chips.
“Enough is enough,” he said. “It’s a horrible enough place to be in and you guys are making it even more horrible, not just for me but for my family. The detainees want to be heard and this is the only option we actually have — a peaceful protest.”
Tommaso Bardelli, a researcher at New York University who studies mass incarceration, said the families of most people in prison are working class and may sacrifice their electricity bill or credit card payment to send money to their incarcerated relatives. The money they send no longer pays for small luxuries, he said, because prisons have over the years reduced how much they spend per person on necessities such as food.
Bardelli published a research article in 2022 about inequality within prison commissary stores. Commissary is often now the difference between starving and a semi-normal diet, he said.
Brighton have agreed a club record £46m deal with Tottenham Hotspur for Croatia defender Luka Vuskovic.
Brighton had two bids for Vuskovic turned down last month.
However, they have now reached an agreement over a transfer that is also subject to potential additional payments that could take the overall fee to £50m.
The 19-year-old will have a medical when Croatia’s World Cup campaign is over.
They play Portugal in a last-32 tie in the early hours of Friday morning UK time.
Born in Split, Vuskovic came through the academy at local club Hajduk, becoming the youngest player to feature in Croatia’s top flight when he was just 16 – and going on to become his club’s youngest goalscorer.
He agreed a deal with Tottenham in September 2023 that saw him join the club in 2025.
Although he is yet to make his Spurs debut, Vuskovic made 30 appearances on loan with German club Hamburg last season, scoring six goals in the Bundesliga, and is now one of the most highly rated young central defenders in Europe.
He will replace Jan Paul van Hecke in Fabian Hurzeler’s squad.
Ironically, Van Hecke is moving in the opposite direction after Tottenham agreed to pay £52m for the Netherlands international, who had a year left on his Brighton contract.
An intense heatwave is set to blanket much of the central and eastern United States this week as a “heat dome” settles over the region, bringing days of oppressively high temperatures and humidity ahead of the Fourth of July weekend and FIFA World Cup matches in several US cities.
Forecasters say in some places it could feel as hot as 46 degrees Celsius (115 degrees Fahrenheit). Dozens of temperature records could be broken, according to the National Weather Service (NWS), which called the conditions “dangerous”. More than 60 million people are currently under heat alerts.
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At the centre of this week’s forecast is a weather phenomenon known as a heat dome. What is it, and why does it make heatwaves even more intense and unbearable?
A heat dome is a large area of high pressure, formed when warm air flows northward, that acts like a lid over the atmosphere, trapping hot air close to the ground.
As the air sinks, it compresses and warms even more. At the same time, the pressure system helps prevent cooler air and storms from moving in, allowing heat to build at the surface and remain trapped there. With few clouds and little wind, the sun has more direct access to the ground, creating a heat feedback loop.
Heat domes are linked to prolonged heatwaves that can last for days.
The heat dome is already building and is expected to strengthen over the coming days, spreading from the central US towards the east coast, with dangerous heat lasting several days into early July.
The hottest conditions are expected Thursday and Friday, according to the NWS, and are set to continue through the Fourth of July weekend, which marks the 250th anniversary year of the US, and forecasters say some areas across the Great Plains, the southeast, and the mid-Atlantic are likely to remain unusually hot into next weekend.
Many places are expected to see daytime temperatures in the high 30s Celsius (low 100s Fahrenheit), but humidity will make it feel much hotter. In parts of the central and eastern US, the heat index – a measure of how hot it feels when humidity is factored in – could climb between 40C and 46C (100F and 115F).
“That’s heat that’s impactful to anyone,” said NWS meteorologist Bryan Putnam. “It’s not just older adults or younger children or people who are spending a ton of time outdoors, maybe straining themselves a little more than normal. This is heat that really could impact everyone, especially with people outdoors going into the holiday weekend.”
The nights won’t bring much relief either, with temperatures expected to stay in the 20s Celsius (70s Fahrenheit) overnight, creating potentially miserable sleep conditions for those without air conditioning and making it harder for people to cool down.
“Even after the sun goes down, it’s still going to be very hot,” said AccuWeather senior meteorologist Alan Reppert. “We’re at a pattern that’s really going to be hot during the good portion of the afternoon and even into the evening hours.”
The most dangerous conditions are expected in a broad corridor stretching from the Great Lakes to the East Coast, where several cities could experience their hottest day of the year so far. New York City, Philadelphia, Washington, Baltimore, Chicago, Indianapolis, Detroit and St Louis are all expected to be affected, with temperatures also soaring farther south in Dallas, Little Rock and Memphis.
Several of those cities are also hosting FIFA World Cup events. In Philadelphia, organisers have already changed Fan Festival hours to start later in the day.
Cities across the US are rolling out emergency measures as temperatures climb.
Chicago said it would open cooling centres and send city workers to check on vulnerable residents.
In New York City, Mayor Zohran Mamdani’s office announced what it called an “unprecedented” response to the heat, including hydration vans and pop-up cooling stations equipped with misting fans and cooling towels.
Washington, DC, where temperatures are expected to exceed 38C (100F) from Thursday through Saturday, the heat will coincide with Fourth of July celebrations, including what organisers say will be the largest fireworks display ever held on the National Mall.
The NWS says people should stay hydrated, avoid strenuous outdoor activity during the hottest part of the day and seek air conditioning or cooling centres where possible. If you’re spending time outside, wear loose, lightweight clothing and stay near shady areas.
Experts say one of the biggest risks during a prolonged heatwave is that the body doesn’t have time to cool down overnight, which can make the effects of the heat build up from one day to the next. They also recommend drinking water before you feel thirsty and limiting alcohol, which can increase the risk of dehydration.
“If somebody realises that they’re hot, but they’re not sweating, or if they begin to feel a little bit dizzy, those are some signs that they really need to take a break, get inside, find some cooling, and drink plenty of water,” said Geoff Cornish, assistant chief video meteorologist for the weather forecasting company AccuWeather. “And if they really begin to experience significant symptoms, they need to seek medical attention right away.”
“Imagine the scenario; one of our Havoc hypersonic missiles loaded on an F-15EX Eagle with a mission profile locked-in and ready to go. This new missile is designed for low-cost and high-effect – it’s very difficult for an adversary to track in flight,” explains Chris Spagnoletti, chief executive officer of Ursa Major, as he discusses the company’s expanding hypersonics activities. Part of a company strategy to help overcome critical Department of War munitions shortages, Ursa Major’s Havoc was unveiled in early 2026. With a unique 3D-printed propulsion system, Havoc has been envisioned as a hypersonic missile that aims to re-write the rulebook for these types of weapons.
Ursa Major’s ambitious vision comes at a time of something of a renaissance in U.S. aerospace development and defense manufacturing, with newer firms establishing major positions within a rapidly evolving marketplace. These fresh takes on cutting-edge defense technologies also come as the United States celebrates its 250th birthday and looks back on a history of unlikely up-starts changing the world with new ideas and ways of doing business. It’s in this same spirit that Ursa Major looks to stake its claim.
The firm is evolving from a propulsion provider into a prime contractor and integrator with a keen focus on hypersonics and solving a need for affordable high-speed missiles at scale for the U.S. and its allies. In recent operations, the U.S. has fired a vast number of standoff air-to-ground weapons including more than 850 Tomahawks cruise missiles in the recent war with Iran and hundreds of high-end interceptors, stressing a system that’s been constrained by prolonged replenishment timelines.
Spagnoletti says he strongly believes that hypersonic missiles are “the most important and pressing issue within critical munitions, with solid rocket motors coming close behind.” The company’s approach to design and production in both of these areas means Spagnoletti sees Ursa Major as being “well positioned to solve” these pressing requirements for the U.S. military.
“We are innovating on manufacturability and on new munition systems,” he continues. “It’s all under the umbrella of scalable munitions. Ursa Major’s founders really focused on developing very complicated propulsion systems, but with a strong propensity on design for manufacturability – essentially developing very high performing rocket engines as low-cost and as reliably as possible.”
Ursa Major has produced hundreds of engines and motors and accumulated more than 135,000 seconds of hotfire test time in under a decade. From its very beginnings the company has innovated through advanced manufacturing techniques that have evolved to leverage AI-enabled 3D-printing, specifically metal printing. “We’re looking at the problem set, and the landscape here is about how we can help the United States catch up as quickly as possible. We don’t just want a “me too” product, because we find there’s a lot of that in this space. This is about finding real answers to the desperate need to replenish our critical munitions fast,” says Spagnoletti.
Having started out with liquid rocket engines, Ursa Major increasingly saw a burgeoning requirement for solid rocket motors (SRMs) for munitions, which Spagnoletti says have remained tied to traditional manufacturing approaches. Ursa Major says its approach to SRM manufacturing is designed to complement and strengthen the broader defense industrial base by providing flexible manufacturing capacity, common architectures, and modernized production methods.
Ursa Major’s manufacturing approach fundamentally changes how SRMs are designed and built using additive manufacturing, modular tooling, and software-backed production cells. This enables rapid switching between SRM variants without expensive retooling, which reduces production timelines and increases flexibility.
In addition, Ursa Major’s highly-loaded grain technology increases motor performance and range without increasing motor size. By leveraging common architectures and using a limited set of qualified propellants, it says it can reduce qualification timelines and simplify production across multiple variants. The company’s energetics (solid propellent grain) strategy aims to expand domestic propellant capacity and reduce dependence on fragile supply chains, while using reliable mix, cast, and cure processes.
“Both in the liquid rocket engine side, and in solid rocket motors, the approach from the outset is deeply embedded in our culture; how we design, how we build, how we scale,” says Nick Doucette, co-founder and vice president of strategic operations for Ursa Major. “We came at the manufacturing problems from a completely different direction. We started out building liquid rocket engines, which were – to a degree – supporting the launch industry. That approach allowed us to develop new platforms that use new types of fuels or higher performance rates and lower costs.”
“From the start it helped support a growing launch industry, but very quickly it started to find its way into the hypersonics community as our engines, products, and performance points really started to solve some interesting problems. As we leaned heavily into the hypersonics needs, we realized that the early Ursa Major approach in manufacturing and the types of tech that we’re using are really solving some of the actual problems, and that led to our solid rocket motor programs.”
When building solid rocket motors, the inert part of the manufacturing leverages additive manufacturing heavily – Ursa Major avoids fixed tooling. “For example, after we qualify a motor, say a specific diameter booster, and then the government comes back to us and says that the adversaries have adapted. Now they want slightly different thrust, or maybe get additional range. We’ve already thought about that, our manufacturing line doesn’t need to change. We can use the same manufacturing line and adapt it,” explains Spagnoletti.
“We kept the energetics formulation essentially the same – it’s tried and true and it has been munition-tested for years – but we looked at the problem from the manufacturability of the entirety of the system. From a contracting point of view, this gives the government a lot more flexibility and to be as agile as the adversary. This has been happening on the development side for the past three years, working with several primes and the U.S. Navy. They’re inherently leveraging our ability to turn things fast, and now that’s translating into contracts for us.”
“The Navy really understood our approach to manufacturing,” adds Doucette. “They challenged us to apply our approach with liquid rockets to the solid rocket motor industry. To look at the problems and peel back the onion on solid rocket motors. What we found is that the choke point actually lies the metallic components that make what we call the inert tube section, that then gets packed with the energetics. The energetics are difficult for sure, but what actually chokes the supply chain is the 36-plus months to make the metallic tube structures. To compound the problem, all these production lines of the last 30, 40, 50 years are designed around one platform. Can you imagine an automotive company that has a huge expensive factory but only ever makes one car model! I mean, it would economically go out of business.”
“We have demonstrated that, by looking at the steps to make a solid rocket motor, be it metal printing the end domes or how we do the internal features and make the actual case to how we in some cases load the highly-loaded grain to get more performance, we can do all of it on the same production line for any motor between two inches and 22 inches in diameter. The same equipment, the same people, the same factory footprint. If we want to scale, we just copy paste the factory. If the demand signal changes in a year – which if recent conflicts give us any indication they probably will – that factory can switch over to a different munition. We just stop making one size and tool up for the new size in a matter of months.”
Ursa Major’s primary 93-acre corporate headquarters is located in Berthoud, about an hour north of Denver, Colorado. Here the company has the facilities to test its liquid rocket engines on site and it also designs, develops, and manufactures here. “Our main building is really split in half,” explains Spagnoletti. “On one side we have liquid rocket engine manufacturing and development to power hypersonics, and on the other behind a steel rolling door are the solid rocket motor development and low-rate production as part of our replenishment of critical munitions.”
“At the Colorado site, we’re actually grinding, mixing, casting, curing thousands of pounds of energetics per year for our solid rocket motors, with a lot of automation built-in to not only protect the people but also to make the process more consistent. We have another site for our high volume solid rocket motor production – it needs a lot of space – and we are targeting to manufacture hundreds of thousands of pounds of energetics for use in various shapes and sizes by the middle of 2027.”
The company has expanded with more than 400 acres for SRM production in Galeton, Colorado.
Nick Doucette already sees the solid rocket motor work evolving. “We will eventually boost-power our Havoc system with our solid rocket motors. Remember, we got into SRMs due to seeing the critical munition needs, with an open door for manufacturing innovation and a problem we want to help solve. So we’ve built a manufacturing approach and we are now building a multitude of different size classes for different customers.”
The smallest SRM that Ursa Major is actively working on is for the Advanced Precision Kill Weapons System, or APKWS, from BAE Systems. “This currently uses a very dated motor and there’s been a lot of need in the industry to essentially innovate on that motor,” explains Doucette. “So we’ve been working extensively with both BAE Systems and the U.S. Air Force on that particular platform, especially with highly loaded grain, and we see a very promising future there.”
Doucette explains that Ursa Major has already made several hundred 2.75-inch motors for testing and development. This will be an extended range version of the motor, packing a significantly larger amount of energetic material into the same size rocket casing.
In 2024, Ursa Major won a contract with the Naval Energetics Systems and Technologies (NEST) program to develop and test a new design to apply its SRM manufacturing processes to the Mk104 dual-thrust rocket motor that powers the U.S. Navy Standard Missile 2 (SM-2), used for surface-to-air defense, and the SM-6 anti-air, land, and sea missile.
Trusted solid rocket motor providers are in limited supply, and the versatility of Ursa Major’s production process opens up a raft of potential opportunities, particularly in the missile defense space. The 10-14-inch range is what Doucette calls a “sweet spot” for interceptor missiles.
Asked about air-to-air missiles, Doucette says: “of course, we’re looking at it. There’s been a lot of conversations around how Ursa Major would approach the problem, but we have a lot going on already, so we’re making sure we don’t try to swallow the whole critical munitions list at once.”
“Most of these larger hypersonic weapons are all boosted,” adds Doucette. “These have a booster in the back end, and we have additionally completed internal work to develop that 22-inch diameter SRM capability. So now we can do anything from 2-inch to 22-inch on that same production line using our common modular manufacturing approach.”
Ursa Major’s parallel efforts in hypersonics brings the story full circle. Alongside the solid rocket motors business, hypersonic missiles have become a critical part of the company’s efforts, as Nick Doucette picks up the story.
“There’s two specific products that Ursa Major makes in the hypersonics realm right now. The first is an engine that’s liquid oxygen-powered with rocket fuel. We call it Hadley, and we’ve had that for the better part of a decade. Hadley powers the Stratolaunch hypersonic Talon A testbed, for example. We don’t make the vehicle, we just provide the engine and support services, and Hadley has flown 10 times now.”
“The challenge with Hadley is that it uses cryogenic liquid oxygen, which presents a whole suite of issues from a tactical perspective. A military user can’t sit and wait for the propellant to get cold, like you do with liquid oxygen. We needed to make a similar engine, slightly lower thrust, a little smaller, but essentially in the same packaging, make it storable and most importantly, make it tactical, so that you can drop it from a plane or shoot it vertically from a ship. So we switched from liquid oxygen to hydrogen peroxide.”
“The catch there was that the only way we were able to do that in the right packaging, tightness, and density, was to use 3D-printing. Fast-forward through six years of insane additive development and the Draper engine became a reality. It simply would not have been possible without massive advances in the additive world because of the complexity of what we’re doing geometrically. It’s a really challenging thing to do.”
Draper is a 4,000-pound-thrust engine that is powered by hydrogen peroxide and rocket fuel. Its use of non-cryogenic storable propellants enables long-duration storage, rapid deployment, and operational flexibility in real-world conditions. Its massive potential drove Ursa Major to search for a suitable hypersonic vehicle design to match it with.
“We strongly believed that Draper introduced a differentiating threat vector for any adversary,” Doucette continues. “China has had boost-glide hypersonics for a decade. Other hypersonic designs use a scramjet, which are costly and complex. Draper opened up hypersonic performance, where you have a wide range of trajectories and adaptability as well as other really creative mechanisms that, to be honest, the adversaries don’t have. I mean it’s wildly different, which we see as being a very valuable asset to the national security arsenal.
“The concept of using a liquid rocket engine for a hypersonic weapon is absolutely game changing. Draper can be throttled – unlike solid rocket motors that use a pre-mixed propellant and oxidizer that cannot be controlled once ignited – plus it’s designed to be more safely stored than other liquid rocket engines, providing the tactical storage capabilities that are typical of a solid rocket motor.”
Doucette says that Ursa Major looked to find a partner for the vehicle itself, but concluded that none were suitable, particularly when it came to moving fast. The decision was made to go it alone in-house with an air vehicle. The result is Havoc, which is designed like other hypersonic programs to fly in excess of mach 5, and intended to be launched in a variety of ways; as a single-stage from an aircraft or ground-launched with added booster stages. It’s also designed to run out at circa $3-million apiece. “We entered a rapid campaign in partnership with the Air Force Research Laboratory and we went from concept to flight-ready in about six months,” Doucette says.
Hypersonic missiles currently in testing with the USAF include the AGM-183A Air-Launched Rapid Response Weapon (ARRW), which is a boost-glide hypersonic system, with rocket boost and an unpowered glide vehicle inside. The Hypersonic Attack Cruise Missile, or HACM, also features rocket boosters, but with an air-breathing scramjet second stage vehicle. Both are limited to operations in the Earth’s atmosphere – whereas Havoc can operate either in or above the atmosphere.
“With regard to propulsion in aerospace defense, there’s three main types; air-breathing, solid powered, and liquid powered,” Doucette explains. “In the world of hypersonics, specifically, we’re talking about fast-moving, somewhat unpredictable, missile systems that are moving at over five times the speed of sound. You have the same propulsion methods, but liquid fuel has never really been introduced.”
“The air-breathing hypersonic weapons are typically scramjets and ramjets, which the U.S. has been developing for a very long time. They’re expensive and exquisite, but very long range.
“China has something in the order of 600-700 operational boost-glide systems in its arsenal right now. This is not new to them. They’ve been practicing, watching, and rehearsing.” Doucette warns that the U.S. fielding a boost-glide or scramjet hypersonic weapon may not really change the dynamic, which is why Ursa Major’s argument for its liquid-powered weapon is so strong.
“The novelty of being liquid-powered is that it carries its own oxidizer and fuel, which means it can go anywhere – in the atmosphere, out of the atmosphere, high, low. A solid rocket can technically do the same thing, but the big difference with the liquid system is that it can turn on and off an infinite number of times. A solid is going where it’s going, but a liquid could be on one trajectory and a split second later turn it off, then instantaneously head on a different trajectory because you can maneuver it from a powered vector perspective. Draper is also fully throttleable down to 10% all the way up to 100%.”
There are currently no competing systems that have the ability to bridge the gap between running in atmosphere and out of atmosphere with such a degree of throttle control. Ursa Major is currently the only company with a hypersonic vehicle and experience in the liquid-powered hypersonic realm. It has twice ground-launched from a rail what it calls “Havoc Block 0” in partnership with the Air Force Research Laboratory, under its Affordable Rapid Missile Demonstrator (ARMD) program. These demonstrator flights have been designed as multi-domain tests. “The great thing about Havoc is that we can alter the wings, add our solid rocket motor boost system, and it means we can ground launch, VLS [vertical launch system] launch, or air-launch,” Doucette says.
“Havoc provides something the Department of War has not previously seen,” adds Chris Spagnoletti. “Having a mid- and long-range tactical weapon that can deep throttle, turn on and off at will, is agnostic to atmosphere, rapidly change vector, accelerate and de-celerate, skim the sea, fly outside the atmosphere – this really opens up the aperture of what a munition can do. This is very tough for conventional systems to figure out what it’s intending to do.”
Spagnoletti says Ursa Major’s hypersonic program can scale quickly because of the company’s additive manufacturing and AI-driven manufacturing processes. Draper’s liquid propellant also has additional advantages when it comes to production. “We can drain the fuel, bring them into a facility, and that now-inert system doesn’t need massive keep-out distances,” explains Spagnoletti. “So, say in a 100,000 square foot building, we can produce 500 full-up missile systems per year inert, then fuel them right before we ship them or at the operational location.”
“Some companies are advocating for things like multi-year contracts, and that really matters to them because they’re setting up rigid long-term production lines. We’ve flipped that on its head where if a customer decides in say five years they want this weapon to look different, we have a common modular approach that we can swap things out. Most of the aerospace systems I’ve worked on in my career have long five or 10-year windows. Design, build, qualify – they don’t want to make hardware changes because it’s going to take ages and cost a lot of money to modify and qualify those systems. They’re inherently resistant to change, not because they don’t want to help and adapt, but because the system allows a massive amount of inertia, production lines have rigid tooling and processes, they can’t adapt. What’s different about Ursa Major is, again, that we design for manufacturability and leverage advanced manufacturing.’
Ursa Major Additive Manufacturing
In addition to its Colorado facilities mentioned earlier, Ursa Major also has a plant in Youngstown, Ohio, which is a center of excellence for 3D-printing, they then ship to Berthoud for final assembly and test. A lot of parts and components are manufactured in house, including valves, tanks, pressurization systems, avionics, but it does have dependency on some external suppliers where appropriate. “We have some really strong partnerships where we can’t bring things in-house. We’re such experts in additive manufacturing that we know when not to do it.”
“Importantly, we are not reducing costs by using the cheapest parts. In my 36 years in the aerospace industry, when it comes to building a critical munition, I know the devil’s in the details – it has to work every time and there’s only so cheap you can go before you start to sacrifice reliability. Some of our competitors are trying to achieve a lower cost hypersonic system, which is great, but those are typically salvo weapons where you just launch a lot of them. The Havoc missile system is more of a strategic asset.”
Ursa Major is making significant moves in the U.S. military’s missile stockpile recapitalization effort. It has opened up versatile methods of producing solid rocket motors, and it has demonstrated the functionality of Havoc with the Air Force Research Laboratory, including the concept of operations with the liquid rocket. Spagnoletti points out that the U.S. used to use liquid rockets prior to the advent of solid rocket motors. Use of additive manufacturing and 3D-printing is always in the conversation too, it’s how this company can scale its innovations fast.
The next major milestone it’s driving towards is a follow-on demonstration phase for Havoc – a boosted, full hypersonic flight. “We’re pushing for that in 2027,” says Spagnoletti.
As America marks its 250th year, the dream of a hypersonic missile with a 3D-printed engine that can be delivered in large quantities at an affordable price could materialize into another significant landmark in the story of American defense innovation. At least that’s Ursa Major’s goal, and it appears to look more promising by the day.
On the Shelf
Come Undone: A Novel
By Eddie Huang
One World: 240 pages, $29
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Eddie Huang has never felt lighter. Last month, after his debut novel, “Come Undone,” finally released, something shifted.
“I have a family. I feel healed,” he said over coffee and short ribs in Santa Monica hours ahead of a live talk with Ottessa Moshfegh, the bestselling, critically acclaimed author of Huang’s favorite book, “My Year of Rest and Relaxation.”
“People always write me off as a personality or a multi-hyphenate,” he said. “It’s a nice way of saying I’m not really good at anything. But I didn’t have any of that this time.” He leaned forward, serious. “I have to be honest. I do think the Knicks are a big, big part of it.”
His beloved Knicks winning the championship, he said, kept him from spiraling over the book. In person, Huang subdues his ironic braggadocio with polite eye contact and rolling belly laughs at his own jokes. For years, audiences have watched Huang resist whatever box you put him in. His particular brand of cultural fluency — a rapid-fire mix of food, fashion, basketball, politics and pop culture — is what made the “Gua Bao Bad Boy” impossible to categorize.
For most of his career, Huang has seemed constitutionally incapable of standing still. Chef. Memoirist. TV host. Filmmaker. Lawyer. Comic. Podcaster. His first book, “Fresh Off the Boat,” became the longest-running network sitcom centered on an Asian American family, even as Huang publicly distanced himself from the show. Since leaving post-fires L.A. for New York, he’s reopened Baohaus — returning to the kitchen that built his career. Waiting for him at home after the book tour is his wife, Natashia Perrotti, and their 2-year-old son.
Now there’s “Come Undone,” fiction that Huang called his most honest — and vulnerable — work to date.
“It’s sort of this next-gen auto fiction type thing that is creating its own rules,” Moshfegh said ahead of their Q-and-A. “It made me think about my own appreciation for the experience of male heterosexuality and how much it’s been commodified.”
The book follows Hubie, a globe-trotting food-show host drifting through Chateau Marmont, Madeo, Nobu and other “dirtbag L.A” (as Huang coins) spots. He meets Janine, his equal in appetite and id, sending him into a tailspin of yearning and loops of Sky Ferreira’s “Everything Is Embarrassing” on sadboi walks. The “two walking red flags” decide to try to make it work.
Huang called the novel an “autofictional riddle.” The puzzle isn’t especially difficult if you’ve followed his relationship with Perrotti, who co-hosts their podcast, “Canal Street Dreams.” Marrying a writer, she’s learned, often means finding out what he feels by reading it. “We’ll get into a fight,” she said, “and I’ll wake up to a Substack article about it.”
It’s also part of the private life she’s since conceded. “It’s annoying,” she added. “But now I can read it, and maybe understand him a little bit better. He’s trying to communicate through the writing, like sending somebody a song and saying, ‘I want you to listen to these lyrics.’”
The novel goes further, drawing from experiences the couple has never discussed publicly. In the novel, Hubie and Janine’s relationship pivots after an ectopic pregnancy ends in loss. Perrotti said the scene is fictionalized but mirrors a similar experience they had early in their own relationship.
“It brought us closer together,” she said. “It was the catalyst for us realizing we were serious.”
Before Huang could finish the book, the life he was writing about had to fall apart. “This book was very much about breaking up with your family to start your own,” he said. “There was a lot of anger in the book that had not been resolved.”
By the end of 2024, Huang had stopped speaking to his mother. The break followed what he described as a blowup at a Cheesecake Factory. It also unlocked the ending he’d been chasing.
Eddie Huang.
(Jason Armond / Los Angeles Times)
Looking back, Huang thinks the earlier versions failed because he was still arguing with her. He’s still trying, in some way, to communicate with her through his writing. “If there’s one person I wish would read the book,” he said, “it would be my mom.”
There were other chapters he had to close the book on, mainly Hollywood. His foray into fiction coincided with the writers’ strike, drying up all his income and future projects. That same year, he became a father. “I had to accept and realize that my value was not in making money,” he said. “Because for three years, I couldn’t.”
He recalled a particular low point researching life insurance policies. “I had to rebuild my whole self. Really love myself despite not being able to offer anybody anything.”
That new certainty didn’t make Huang any less willing to pick fights. Last year, as his documentary “Vice Is Broke” — an autopsy of the media company behind “Huang’s World” and its eventual bankruptcy — awaited release, Huang said distributor Mubi shelved the film after he boycotted the company over Sequoia Capital’s investment in an Israeli defense technology startup. (Mubi denied this and said it still planned to distribute the film.)
The ghost of Vice still lingers in today’s media ecosystem in what he called our “era of cartel journalism:” creators navigating a world of blurred incentives and corporate interests. He traced this instinct to challenge those systems back to Socrates’ “gadfly” — the person whose job was to annoy power. “As a writer, you should be challenging people,” he said. “If your memoir can be turned into a sitcom, it probably wasn’t challenging.”
Eddie Huang.
(Jason Armond / Los Angeles Times)
After the 2025 L.A. fires drove his new family back to New York, Huang went back to cooking. He worked pop-ups, reopened Baohaus and found himself alongside line cooks half his age. In March 2025, he rewrote the novel in five days. That same month “was the first month I didn’t overdraft my credit card,” he said, with the majority of his income today coming from the restaurant. It’s allowed him to make films, write books and walk away from deals he doesn’t believe in. “Being a chef is the anchor that allows me to maintain my artistic integrity.”
For years, comparisons to Anthony Bourdain followed Huang everywhere. The two eventually became friends.
“He was one of the few people who was as advertised,” Huang said. “Nicer and more generous in person. And wounded.”
Bourdain is the only real person who appears in “Come Undone” under his own name.
When Huang mentions him, he stops talking. He covers his face. Tears come.
“I don’t believe in God,” he said, “but I asked the universe why for many, many years.”
Bourdain’s suicide, he said, was one of the reasons he walked away from “Huang’s World” in 2018. At the time, few people understood why. “It was Tony. It was family. It was everything.”
Eddie Huang.
(Jason Armond / Los Angeles Times)
Now, looking back, Huang thinks he was writing “Come Undone” toward a different ending than the one he’d imagined.
“This book is a guy saying, ‘I don’t want to be like my biological father,’” he said. “And, in the most respectful, loving way, I don’t want to go out like Tony.”
He paused. “I needed to name the sadness in me. I needed to allow myself to be loved.”
Huang is already writing another memoir about getting back into the kitchen. Still, he said, these days, he’d rather write fiction.
Rudi, an L.A. native, is a freelance art and culture writer. She’s at work on her debut novel about a stuttering student journalist.
Summer has just begun, but there’s a certain magic in the air in Los Angeles right now. On the heels of Juneteenth and Pride Month, the city is fully immersed in World Cup, which continues through July 19, with some of the matches being played at Inglewood’s SoFi Stadium. There are plenty of places to eat and drink near the stadium if you’re heading there for a game and plenty of watch parties at local restaurants and bars for those looking to cheer alongside other soccer fans.
If you’re staying close to home this summer, keep your taste buds entertained with Food’s guide to the 50 essential dining experiences that define living here, from an East L.A. taco truck crawl to pastries in Chinatown and Iranian cafes in Westwood’s Persian Square. There are also plenty of new bars to explore, including rooftop destinations with sparkling views of the city.
And if your summer plans involve travel abroad, bookmark Food’s international dining guides. Far from exhaustive, these food and drink recommendations encompass memorable highlights from past off-the-clock visits to major food hubs like London, Paris, Tokyo, Melbourne, Mexico City, Hong Kong, Lima and little-known Colima, Mexico.
Keep reading for even more dining ideas to keep you busy this month:
WITH summer in full swing, there’s nothing quite like packing a bag and heading off to explore the best of Britain on a staycation.
But you don’t need to empty your wallet to enjoy a brilliant break this year.
Best Western has 200+ great value hotels across the UK, plus they are currently offering FREE breakfast on selected 2026 breaks if you book them before July 31.
Click here to browse which Best Western hotels are offering free breakfast, which includes hundreds of country houses, seaside hotels and city stays across the UK.
Not only this, but they have put together special staycation packages which they call GEMS – which stands for Great Escapes, Memorable Stays.
These are specially-curated breaks that include your stay, food, as well as special experiences like cocktail masterclasses, family activities and spa treatments.
Read more on UK staycations
We’ve rounded up the most exciting, best-value staycations across the UK that you can book with Best Western with very affordable rates.
From 80’s disco weekenders to wellness weekends by the sea, here’s our round-up of the best-value Best Western breaks this summer.
Lowestoft‘s original 80’s party night is taking place on the weekend of September 26-27 – and a stay at this Best Western hotel comes with a free ticket.
Spend your Saturday night boogieing to Chica DJ’s 80’s anthems, which range from famous rock and pop songs to sing-your-heart-out ballads.
Book a stay at Best Western’s Hatfield Hotel for your ticket, a comfy place to stay right on the seafront, and free breakfast included in the morning.
Stays start from £103.68 per night.
If cocktail classes and fresh stone-baked pizzas are up your street, then opt for this package stay at the Abbots Barn Hotel.
Once you’ve checked in, guests will head to The John in Canterbury, where you can take part in a cocktail masterclass and sit down to sip your own creations. Plus the prosecco on arrival truly sweetens the deal.
This stay also includes a delicious stone-baked pizza for dinner, plus a Full English breakfast with all the trimmings in the morning.
Make sure to spend time in the hotel itself, which is a grand Victorian Gothic property surrounded by two acres of peaceful, manicured gardens.
Stays start from £229.49 per night.
Treat yourself to a wellness weekend at The Kings Arms hotel in Christchurch, Dorset this summer.
This GEM stay lets you pick a wellness treat from a 60-minute sauna session on Avon Beach, or a yoga or pilates class.
The relaxing stay also includes a free gift from Bramley and midday check out so you can enjoy a slow start in the morning.
Stays start from £131.97 per night.
Enjoy a three-night stay in sunny Bournemouth at Hotel Collingwood, a BW Signature Collection hotel with a luxurious feel.
This break includes a decadent three-course dinner each night as well as fresh Full English breakfasts in the morning, plus the Bubble Lounge Bar is the perfect classy spot to enjoy a cocktail or two.
Guests will also get full access to the Eden Spa, which has a pool, sauna and hydrotherapy treatments. You’ll also get 25 per cent off any spa treatments, so make sure to book yourself in for a massage.
Plus it’s easy to get out and discover Bournemouth with a 24-hour hop-on, hop-off bus ticket included with your stay.
Stays start from £180 per night.
Two adults and one child can set off on a family staycation this summer at the Best Western Plus Centurion Hotel in Somerset.
This hotel has its own soft play on-site, Planet Volt, where little ones can slide, climb, and crawl to their heart’s content.
The hotel is also in an ideal location for countryside walks, where you can explore tranquil riverside and woodland trails as a family.
Then return to a comfortable and spacious family-sized room, and enjoy freshly-cooked breakfasts in the morning, included in your stay.
Stays start from £124.81 per night.
These Best Western GEM stays package your hotel, food and experiences all into one.
PLANS for a huge aquadrome with slides, party rooms and padel courts have been confirmed.
The proposed £60million site would be located in a major UK market town.
A brand new Aquadrome could come to Basingstoke, in Hampshire, after the council confirmed a contract has been signed with Places Leisure to manage the site.
Basingstoke and Deane Borough Council said that work will now begin to finalise the design of the water and leisure complex, ahead of submitting the planning permission this autumn.
According to the plans, the new £60million centre is set to include a 25-metre competition pool, a leisure park with slides, a 150-station gym, indoor play and party rooms.
A luxury health suite, Reformer Pilates studio and padel tennis courts have also been proposed.
If approved, the complex will be built in a new location on the leisure park, with an expected completion date of 2029.
The existing Aquadrome will remain open until the new facility is completed.
Places Leisure – who operate over 90 leisure facilities across the UK – will also take over the management of Basingstoke Golf Centre & Knights Realm Adventure Golf and Tadley Health & Fitness Centre from 2027.
The town‘s existing Aquadrome opened more than 24 years ago in 2002, and is currently run by Serco and Basingstoke and Deane Community Leisure Trust.
At the time plans were announced, Dan Walker, business development director at Places Leisure, said: “The new landmark leisure destination is an investment in health and wellbeing for the entire community.
“We look forward to working closely with local partners, colleagues, residents and community groups to shape a facility that truly reflects the needs and aspirations of the area.”
The new Aquadrome forms part of a wider regeneration of the leisure park, which includes new play areas, nature trails, a “flexible use” plaza and cultural hub.
More than 100 examples passed the legal thresholds for preparing case files to enforce action.
While detection methods have improved, the SMPS said the “data trends show a concerning direction of travel in terms of racially aggravated abuse”.
The Netherlands players who missed penalties in the last-32 shootout defeat to Morocco on Monday all suffered racist abuse.
Justin Kluivert, Quinten Timber and Crysencio Summerville were subjected to discriminatory, racist and hateful comments on social media, said the Royal Dutch Football Association (KNVB).
More than six million posts and comments were scanned – an increase of 33% – with 225,000 identified for human review.
Around 1,000 accounts were identified for further investigation and 181,000 hateful comments hidden.
The new 210-member parliament takes shape, marking a historic shift after decades of Assad family rule.
By AFP and The Associated Press
Published On 1 Jul 20261 Jul 2026
The first parliament in Syria’s post-Assad era has taken shape with the release of a list of 70 legislators picked by President Ahmed al-Sharaa.
The inauguration of the new parliament on Wednesday shows the country is moving ahead with drafting laws as the nation works on recovering from decades of iron-fist rule under longtime ruler Bashar al-Assad, who was ousted in December 2024 after more than 13 years of civil war, which killed about half a million people.
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The head of Syria’s electoral committee, Mohammed Taha al-Ahmad, told reporters that the new 210-member legislature will hold its first meeting on Monday, when the new members will be sworn in, and the parliament’s presidential council will be elected.
Interim President al-Sharaa directly appoints one third of the 210 seats. His list of 70 legislators includes 15 women, raising the number of female members in the legislature to 22.
Syria held the first phase of its parliamentary elections in October last year while excluding the southern province of Suwayda, a predominantly Druze governorate and where no date has been set yet for a vote due to security concerns.
The October vote also excluded northeast Syria, which was under Kurdish control. A vote in that region was held in May after government forces took control of the area during deadly clashes earlier this year.
The new parliament also includes representatives of the Alawite community and two legislators from Suwayda.
“Initially, there was a very small portion of the elected members that were from some of the minority groups, such as the Kurdish community,” said Al Jazeera’s Obaida Hitto, reporting from the capital Damascus.
“The appointees by the president remedied that by adding several more Kurdish members from the Hasakah governorate,” Hitto added.
The new parliament will have a 30-month term and work on a new elections law while preparing the ground for a popular vote in the next elections, according to al-Ahmad, as a test for the country’s transition.
