Month: July 2026

Ken Marino loves living in L.A.

Living here has certainly been good for his acting career. Though he broke into the business as a member of NYC-turned-MTV sketch comedy group the State in 1994, he moved to L.A. in the fall of 1997 when he landed a role in the second season of “Men Behaving Badly,” an NBC sitcom. Marino shot just 13 episodes before the show was canceled. Still, he stayed in L.A., landing roles in much-loved shows like “Veronica Mars,” “Party Down,” “The Residence” and “Running Point.” He’s also co-written a few things, including “Role Models” and “Gail Daughtry and the Celebrity Sex Pass,” out July 10, which was filmed in and around Los Angeles.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“Working around L.A. and running around to jobs is how I got to understand L.A.,” Marino says. “It’s just a very comfortable city to live in. I just think it’s fun to be able to bounce around and do anything you feel like doing.”

Here’s how Marino would spend his perfect, carefree Sunday in Los Angeles.

This interview has been edited for length and clarity.

6 a.m.: Dog walking, coffee and flowers

We have two dogs. They need to go outside in the morning and eat, and they are very vocal about it. For a while, every morning at 5:58 my one dog, Dot, would start whining and moving around until I’d go “yeah, OK, let’s feed you.”

In our family, I’m the one who feeds the dogs and takes them out, because I’m a morning person. I enjoy it when it’s not fully light out, maybe making myself a coffee or taking a walk to this place called Project Bloom Coffee. It’s a little mom and pop kind of place and they have terrific coffee and breakfast sandwiches. They’re also a florist. Sometimes they even use this cool paper holder with a handle where, on one side you put the coffee and then on the other side you put your beautiful flower display. So then you get to walk home with your coffee and your flowers together and it’s something I’ve never seen anywhere else.

7:30 a.m.: Online chess

After I go get my coffee and walk the dogs, I’ll still be the only person up so I’ll get on my computer and get a couple of games of chess in. I play people from around the world online on Chess.com, and I usually either get frustrated or feel like I’m the best chess player in the world. Anyway, I’m getting my rating up on the app and I’m very excited about it. I’ve gone down the rabbit hole of chess tutorials on TikTok and YouTube that teach me how to play better.

9 a.m.: More coffee and “911”

If I go to Project Bloom, I’ll bring my wife a coffee and some flowers but if not, we have a little espresso and cappuccino maker so I’ll use that to make her a cappuccino, which I’ll bring to her in bed. She’s always very happy about that and then I’ll go try to wake my [16-year-old] daughter up, which usually takes about two or three tries until I take her phone, set the timer for five minutes, and then put it on the other side of her room so she has to get out of her bed to turn it off when it sounds.

She and I have been religiously watching “911” recently. We started with Season 1 and now we’re about six or seven seasons in so I’ll make her breakfast — maybe a Nutella crepe with some little cherry tomatoes on the side, which is weird but she likes it or maybe some oatmeal — and then we’ll watch “911” and talk about our favorite characters, like Buck, Chimney and Bobby.

Noon: Lunch on the Westside

We have a little apartment in Marina Del Rey that’s right by the beach so sometimes I’ll go out there with the dogs, just to sit for a while and enjoy. I usually walk between the Venice pier and Washington Street, but sometimes I’ll go further north and walk along Venice Beach if I want to hang out with some freaky deakies.

When I’m over on that side of town, there’s a couple of places that I might go for food, like this Italian restaurant called Ospi that’s in Venice. They’re incredible. They make their own homemade pasta and it’s delicious. There’s also this chain called Guisados, and I love their tacos so sometimes I’ll do that too. Venice Ramen is good too, and they do these things called jumbo gyoza that are absolutely delicious. They’re like 2.5 times bigger than a normal gyoza, like palm-sized, and I really like them.

2 p.m.: Play practice and a pint

My daughter is in two plays right now at this place called the Morgan-Wixson Theatre in Santa Monica, so it’s my responsibility to take her over there and drop her off for practice. When I do that, if it’s a Sunday, I might want to grab a Guinness somewhere and watch basketball. There’s a bar called Weary Livers down the street that has a lot of board games and it feels like you’re in somebody’s basement, which is good. It’s also right next to the Brixton, which is another nice bar that I’ll go to from time to time if I’m waiting for my daughter to finish rehearsal because it’s a lot of driving otherwise.

4 p.m.: Garage band practice

Typically on Sunday, we’ll also have a rehearsal for the Middle Aged Dad Jam Band. [Editor’s note: Marino co-founded the group with David Wain, whom he’s known since “The State” and who co-wrote “Wet Hot American Summer.”) We’ll play for a couple of hours in David’s garage, trying out new songs and working out what we’re going to do at our next live show.

6 p.m.: Guerilla promotion

Right now, David [Wain] and I are trying to figure out different promotional things we can do for our movie, “Gail Daughtry and the Celebrity Sex Pass,” so maybe we’d do some more of that. It’s a really funny movie and we sold it at Sundance.

Anyway, two Sundays ago we walked around with our friend Frank Barrera, who is also one of the camera operators on “Gail Daughtry.” We went to the Hollywood Walk of Fame and we shot promos for the movie where we were talking to different people and pretending that the Gail Daughtry cinematic universe is vast and has been around for decades, like we were asking people what their favorite Gail Daughtry movie is. It confused a lot of them, but every once in a while somebody would say something so we’re using those for promo spots.

I also spent some time just running up and down the street being very overly enthusiastic and screaming “the new Gail Daughtry movie is coming out!” and then we shot people’s reactions, which were typically “confusion” and “not caring.” Like, “Stop yelling at me, weirdo.”

7:30 p.m.: Thai takeout

On weekends, my wife and I like to order from a specific Thai place that’s won many awards. It’s called Luv 2 Eat Thai Bistro and it’s absolutely fantastic. The crab curry is so delicious and they do these street food sausages that we crave. They come with ginger and peanuts and garlic, plus a big slab of raw cabbage and some hot peppers and we’ll eat them like popcorn, just throwing them in our mouths while we catch up on “Survivor.” The flavor is just insane, and we think about how good they are all the time.

9:30 p.m.: Checkmate

After we watch “Survivor,” usually what happens next is that we’ll end up going, “Should we watch a movie?” Then we’ll look around for a movie for a while and then my daughter will be like, “Hey, Mom! Come in here and watch this YouTube show with me” so my wife will get pulled away, and I’ll immediately pick up my computer and start playing chess again. I like to bookend my day with a quiet chess game in the morning and another quiet game at night. It’s a nice way to wind down.

I’ll typically play a minimum of about three games before my eyes start to close because they’re trying to fall asleep. That’s when I’ll quit because I’ll be making stupid moves and it affects my rating, like “Oh, I just lost that game because I fell asleep while my computer was on,” so that’s how I know when I’m done.

THIS summer, it looks like it’s time to call a truce on the great Spain vs. Turkey debate.

Because by looking at the latest booking data, I’ve noticed a massive change in 2026.

More and more Brits are swapping Europe’s traditional heavyweight resorts for a handful of Greek destinations.

These spots serve up the exact same sunshine, brilliant beaches, and all-inclusive value – often for a chunk less money.

And because I work in travel, my screen is basically permanently locked onto live price trends and capacity numbers.

The pattern right now is clear: holidaymakers are moving away from the usual high-premium hubs in Spain, the Canaries or the Turkish rivieras because Greece has suddenly become the ultimate value loophole.

A massive influx of flight capacity from the UK means you can bag that peak-summer Mediterranean experience without paying the usual school holiday markup.

If you want to know where the smart money is heading this summer, these are the seven Greek spots I’d be circling.

7. Ixia, Rhodes

If there’s one Greek resort that’s aggressively stealing traffic from the traditional Spanish and Turkish mainstays this summer, it’s Ixia.

Our data shows a massive wave of holidaymakers ditching the likes of Benidorm, Alanya, Costa Adeje, Costa Teguise, Marmaris, and Torremolinos specifically to head here.

It gives you that classic beach holiday setup people love, but with a slightly more premium edge, proper decent hotels, and historic Rhodes Old Town sitting just a ten-minute taxi ride down the road.

Plus, you get a constant coastal breeze, which makes the peak August heat infinitely more comfortable than the suffocating temperatures you get elsewhere.

I spotted five nights at the Belair Beach from Edinburgh on 21 August, with half board and flights included, from £375pp.

The hotel sits right across the road from the front, but the real insider perk here is their specialised windsurfing and water sports station directly on the sand.

Because Ixia is a world-class windsurfing hub, the hotel has gear hire sorted right on your doorstep, meaning you can try your hand at proper coastal sports for a fraction of what a commercial water sports center down the coast would fleece you for.

6. Ialyssos, Rhodes

Just around the bay from Ixia is Ialyssos, another Rhodes resort that’s turning into one of the island’s biggest success stories.

The booking data tells us that the crowds usually bound for Benidorm, Costa Adeje, Alanya, and Marmaris are pivoting here instead.

It offers the exact same guaranteed August sunshine you’re chasing in the western Med, but swaps the crowded strips for a much more relaxed, authentic village vibe and some brilliant, family-run apartment setups.

I found five nights at the Trianta Hotel Apartments from 19 August, with flights included, from £255pp.

Landing peak summer flights and accommodation for barely over two hundred and fifty quid is a massive result.

This property is notoriously highly rated by return guests, and the standout feature here is its poolside taverna nights.

Instead of serving up generic, mass-produced package food, the family that runs the place cooks up proper, home-style Greek mezze using vegetables grown in their own garden lot behind the apartments. It’s elite local dining on a shoestring budget.

5. Messonghi, Corfu

If you’re after somewhere that feels slower, greener, and a bit more rustic than the sprawling concrete mega-resorts, Messonghi is a top-tier shout.

And this year, it’s proving particularly popular with Brits swapping away from Benidorm, Costa Adeje, and Alanya.

Corfu‘s scenery is stunning, the beaches are incredibly calm, and a massive boost in regional UK flight routes this year has driven package prices right down into bargain territory.

One standout deal I spotted was five nights all inclusive at Canvas by Mitsis Messonghi from 20 August, with flights included, from £478pp.

And getting a fully loaded, peak-season Mitsis property under the £500 mark is an absolute steal.

The beachfront setting and massive pool complexes at this hotel are brilliant for keeping kids occupied, but what elevates this place above so many Spanish hotels for me is the complimentary, on-site aqua park.

They’ve integrated a proper mini waterpark into the resort grounds with zero entry fees, saving you from shelling out €40 a head for a public waterpark day trip into town.

4. Faliraki, Rhodes

Faliraki has completely reinvented its identity over the last decade.

While people of my generation might still associate it with rowdy 18-30 nightlife, today it’s quietly morphed into one of Rhodes‘ best all-round family beach resorts.

I’m seeing a huge influx of families swapping over from Benidorm, Marmaris, the Costa Blanca, and Alanya to secure one of the island’s widest sandy coastlines and a massive number of modern hotels.

I found five nights at the Hillside Studios from 25 August, with flights included, from £340pp. 

It serves as a brilliant, no-nonsense base with an immaculate pool area, but the secret benefit of this specific hotel is its location near the Erimokastro hills.

Because it sits just outside the central valley, the hotel offers an incredibly peaceful night’s sleep away from the main resort hum, and it puts you right on the doorstep of the hidden, cliff-sheltered Astron Beach cove – a spot most tourists completely miss!

3. Kiotari, Rhodes

If your main holiday priority is peace, quiet, and premium lounging, Kiotari is easily one of my favourite recommendations on the map.

More people are moving here from heavy-hitting hubs like Alanya in Turkey because the hotels feel noticeably more luxurious and modern than the older resort blocks elsewhere in the Med, serving up wide beaches, reliable sunshine, and massive all-inclusive footprints without the premium price tag.

One deal that stood out to me was five nights all inclusive at the Kiotari Miraluna Beach Resort from 19 August, with flights included, from £535pp.

My pick of the features at this resort is easily the cinema lounge.

They run open-air family movie nights right on the edge of the sand under the stars in the evening, which is a fantastic, high-end touch that lets you unwind with a drink by the waves while the kids are completely glued to a big screen.

2. Hersonissos, Crete

Crete never goes out of fashion, and Hersonissos remains the undisputed king of its value market.

Holidaymakers are increasingly swapping over from traditional mainstays like Benidorm and Marmaris, tempted by Crete’s reliable weather, lively waterfront, and massive choice of hotels.

It delivers that buzzing, lively atmosphere that Brits love, but pairs it with incredible independent tavernas, fascinating ancient history, and excellent flight availability from pretty much every major UK runway.

I spotted five nights at the Palatia Village Apartments from 20 August, with self-catering and flights included, from £283pp.

The hotel serves up fantastic, panoramic views across the bay, but the real selling point here is the traditional Cretan architecture of the rooms.

The apartments are styled like a mini, stone-walled Greek village rather than a sterile hotel corridor, meaning you get that high-end, boutique aesthetic for under three hundred quid.

1. Kavos, Corfu

Kavos might raise a few eyebrows on a value list, but the resort landscape here is changing rapidly.

Beyond the main neon strip, there is an influx of quieter, family-run properties that are drawing in couples and budget-conscious travellers who simply want cheap sun without the chaos.

And these great summer prices are driving a massive spike in people swapping here instead of choosing Spain’s traditional budget resorts.

A deal that really caught my eye was five nights at the Oula Maisonettes from 25 August, with self-catering and flights included, from just £235pp.

This is a small, family-run complex that heavily over-delivers for the money.

The absolute best feature here is the independent duplex layout of the maisonettes themselves.

Having your living area completely separate from the upstairs sleeping quarters gives you a proper apartment feel, allowing you to relax on your private terrace with a cold drink after the kids have gone to bed without waking them up.

Jet2 has reminded passengers to bring their physical card on board to help keep its cashless onboard service running smoothly and efficiently

Jet2 has encouraged passengers to bring a simple everyday item on board to help minimise certain in-flight delays. The airline says having this item helps keep its onboard service running smoothly and efficiently.

In the “onboard service and conduct” section under payments, it states: “To make our service as efficient as possible, we only accept card payments.”

Urging travellers to bring a card with them, which may help any delays with orders, it adds: ” We’ve also introduced a few updates to contactless, including Apple Pay and Google Pay. So, please bring your physical card to use chip and PIN when needed.”

Can I smoke or drink alcohol on a Jet2 flight?

Passengers should also be aware that only alcohol purchased on board is permitted to be consumed during the flight. Smoking is strictly prohibited.

It warns: “In accordance with safety laws, smoking and the use of e-cigarettes is strictly prohibited on all flights. Please note that only alcoholic drinks purchased on board may be consumed during the flight. Jet2.com reserves the right to serve alcoholic drinks at our absolute discretion.”

Passengers could be kicked off Jet2 flight

Passengers are also reminded that disruptive behaviour will not be tolerated. The aircraft’s Captain has the authority to refuse boarding or take appropriate action against anyone considered disruptive, disorderly, or likely to pose a risk or cause unnecessary inconvenience to fellow passengers or crew.

It adds: “Anyone falling foul of this provision shall be liable to indemnify us in full against any liability or loss we may suffer as a result. In addition, they may be prevented from flying with us in the future.”

You can read about Jet 2’s Conduct on Board here.

A NEW multi-million attraction with a karting experiences is planned for the UK.

A new £10.2million attraction for Kilvey Hill in Swansea, Wales, is currently being discussed by Swansea Council.

Called the Swansea Skyline project, the attraction would have a gondola-style lift stretching over one-mile long from the Hafod-Morfa Copperworks to the top of the hill.

There would also be a downhill karting experience from the top of the hill via three winding tracks.

A promotional video for the new attraction also showed that the tracks could be used at night too, lit with neon lights.

There would then also be a sky swing and a number of walking and cycling trails.

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For when you get hungry, there would also be a restaurant onsite with a separate bar overlooking the bay.

And for kids needing to let off some steam, a children’s playground is planned for outside as well.

In an update this week, work has started on the base station for the gondola as well as on Kilvey Hill, where the groundworks for the ‘luge’ tracks has started.

The company behind the project is based in New Zealand and Swansea Skyline would be their first site in the UK, as well as Europe.

According to the projects website, the company said: “We are here because we believe Kilvey Hill is an extraordinary place, and we’re committed to benefiting the Swansea community for the long term.”

Kilvey Hill sits just outside the city of Swansea and is known for being a 193 metre hill with panoramic views of the city centre, Swansea Bay and the coastline.

Currently, the spot is popular for woodland walks and mountain biking.

The attraction hopes to open in 2028.

Spain achieved its primary goal at SoFi Stadium on Thursday, defeating Austria 3-0 and advancing to the World Cup round of 16 in front of a pro-Spain announced crowd of 70,492.

The Spaniards extended their unbeaten match streak to 34 games and their win streak over European teams to 35 dating back to 2023. They have yet to concede a goal this tournament, tying the record for most consecutive men’s World Cup clean sheets with five.

By every metric, Spain controlled the match and won decisively in its best performance of the tournament.

But Spain coach Luis de la Fuente said his team still has room to improve and has yet to play its best soccer.

The team favored to win the World Cup before matches kicked off last month is still ramping up and working to championship standards.

While France’s fearsome foursome led by the electric Kylian Mbappé has bulldozed opponents, Norway’s Erling Haaland is scoring at a rapid pace and Lionel Messi is dancing his way to immortality, Spain superstar Lamine Yamal is still waiting to deliver a multi-goal dominant World Cup performance.

Yamal, an 18-year-old prodigy, showed flashes of his talent and set up his teammates well en route to winning man of the match honors that more than a few Spanish media members questioned. But his efficient teammates carried the scoring load Thursday, with Mikel Oyarzabal scoring two goals and Pedro Porro adding another for La Roja.

Spain has been managing Yamal’s minutes while he recovers from injury, but Thursday was supposed to be an opportunity to unleash his dominance.

“I think we need to keep improving our game, our intensity — everything — but obviously we know the quality we have, and we know we’re not afraid of any team,” Yamal said after the match. “We’re Spain, and we have to prove it on the field, but we believe in ourselves.”

Spain still advanced with ease and will face the winner of the Portugal-Croatia match to be played later Thursday. Their round of 16 match will be played Monday in Arlington, Texas. On July 10, the winner of that contest will face the winner of Monday’s U.S.-Belgium match at SoFi Stadium.

Austria coach Ralf Rangnick is convinced Spain, the European champions, easily could become World Cup champions.

“If you watched the game today, you would recognize it is really difficult to play against this opponent,” Rangnick said of Spain. “… I cannot remember any unforced error they made.”

Spain’s de la Fuente shook his head when he heard Rangnick’s praise, saying he was happy for his players and loves his team but saw many areas that could be improved.

“There’s much to do,” de la Fuente said, noting the competition will only grow tougher. “The defense can still be improved. There have been some situations when we lacked high pressure. … Prior to the first hydration break, the team was still trying to evolve.

”… You need to keep improving all the time.”

Spain forward Lamine Yamal falls after Austria midfielder Florian Grillitsch kicks the ball away from him during the second half Thursday.

(Kelvin Kuo / Los Angeles Times)

During its round of 32 match on Thursday, Spain handled Austria’s high press and attacked spaces behind the defense.

The Spanish team capitalized on its opponent’s defensive misalignments, found depth down the wings and consistently exposed the Austrians’ defensive weaknesses.

Austria came out quickly looking to pull off an upset, but it ran into a Spain team that was well-organized defensively. The counterattack ended with Yamal firing a shot straight at Austria goalkeeper Alex Schlager one minute into the game.

The Austrians tried to get behind the Spanish defense, but their attacking creativity was limited and they never managed to turn their promising opportunities into goals. One of Austria’s clearest chances came on a play by Marcel Sabitzer, who sent a cross from the left flank to forward Michael Gregoritsch, who wasn’t fast enough to put a head or foot on the well-placed ball before it sailed out of bounds.

The pace of the game favored Spain, as Austria took risks on the attack and left spaces open.

In the 29th minute, Yamal’s corner kick pinballed in the penalty area before falling to Marc Cucurella, who appeared to score. The goal was erased, however, because Spain tackled Austria’s goalkeeper before Cucurella took his shot.

Yamal was dynamic early and a run into the box nearly resulted in another clear scoring opportunity. Schlager barely had time to react and prevented another Spanish celebration in the 32nd minute.

Four minutes later, Cucurella sent a pass to Oyarzabal, who was left unmarked because David Alaba had left a large gap between himself and the forward. Oyarzabal connected with the cross and easily scored to give Spain a 1-0 lead.

Spain had two great chances to extend its lead during first-half stoppage time. The first was a long-range shot by Álex Baena that hit the crossbar; on the rebound, Yamal fired the ball straight into the Austria goalkeeper’s body.

In the second half, Yamal continued to pressure the Spanish defenders and set up Oyarzabal for a shot caught by the Austrian goalkeeper.

Rodri’s dribbling opened more space for Spain, allowing him to create a shooting opportunity that grazed the post in the 54th minute.

Austria was looking to attack more and brought on Sasa Kalajdzic, who responded quickly with a header that sailed over the crossbar.

Spain responded by scoring a few minutes later.

In the 66th minute, Baena won the ball back on the left and sent in a cross for Porro, who headed in his team’s second goal. It was Porro’s first goal for Spain during international competition.

In his final play before being replaced in the 85th minute, Yamal received a pass inside the penalty area and although he struck the ball well to beat the Austrian goalkeeper, another Austrian defender managed to block his shot.

When it seemed both teams were content with the result, Cucurella once again linked up with Oyarzabal off a deep pass into the center of the penalty area. Oyarzabal got behind two defenders and scored, sealing Spain’s 3-0 win.

“The game kind of tells you what you need — whether the team needs more on offense or more on defense,” Porro said. “It’s about staying more focused on that, and surely when you’re more confident in what you have to do, you perform better.”

World Cup fans in Benidorm were left floored after they were allegedly “attacked for wearing England shirts”. Natalie Brookfield shared the story as she opened up about the incident

The World Cup has got many football fans hooked, but some people actually venture to Benidorm to enjoy the sporting event while soaking up the party atmosphere. However, for one group of Brits, it seems things didn’t go to plan, as they were allegedly “attacked for wearing England shirts”.

Natalie Brookfield detailed what reportedly happened after the incident unfolded at the popular holiday destination, and it clearly left her and her friends pretty shocked. In a candid TikTok video, she explained what took place in Benidorm, while filming their red and soar-looking eyes, and it’s left people in total disbelief as they can’t believe such an incident occurred during the World Cup.

It’s not the first time the travel hotspot has hit the headlines recently either. Previously, it was reported sunbeds were empty at the destination for a totally unlikely reason.

Over footage of the group in their England shirts, Natalie wrote: “Wearing an England top to Benidorm? Apparently that’s a sprayable offence.

“Three girls and two guys pepper sprayed us for no reason. To anyone in Benidorm wearing England shirts, stay alert. We weren’t the only ones this happened to.”

In the clip, you see the three friends donning their England shirts and looking quite uncomfortable. It looks like their eyes were stinging following the alleged attack, and they appeared totally stunned too.

The video has since gone viral, after being viewed more than 50,000 times. Over 1,000 people also commented to share their thoughts and well wishes.

One said: “Benidorm in 2026 is crazy.” Another added: “Me and my friends wore NUFC tops in Benidorm and only received love from everyone. I’m sorry to hear this.”

A third replied: “It’s a terrible shame. Benidorm was once the party and fun centre. Very sad world we live in.”

Meanwhile, a fourth commented: “I have been going Benidorm for 10+ years and unfortunately, over the past two years, I have seen more of this. I won’t stop going, but I will say don’t let it put you off going back and hope you are good.”

Someone else also noted: “I was in Benidorm on Monday. Loads wearing England tops! No problems.”

It’s something that got a lot of people talking, as people seem to have encountered mixed experiences at the party destination. However, for Natalie, it’s evident the group had a bit of a shock, but it’s unclear if they reported the incident.

Do people travel to Benidorm to watch the World Cup?

Little you may know, thousands of British tourists flock to Benidorm to watch the World Cup. Many fans choose the Spanish resort over travelling to host cities.

A five-night holiday in Benidorm often costs less than a single match ticket in the US, and flights from the UK to nearby Alicante see massive spikes during the tournament.

World Meteorological Organization forecasts more likelihood of heatwaves, droughts and heavy rainfall due to El Nino.

The United Nations’ weather watchdog is warning governments and humanitarian organisations to brace for “extreme weather events” including heatwaves, droughts and heavy rainfall due to the El Nino weather phenomenon.

The World Meteorological Organization (WMO) said in a statement on Friday that El Nino conditions had already set in and are “forecast to strengthen rapidly” between July and September.

El Nino typically peaks between November and February.

The UN agency has activated climate information services and early warning systems to help governments and humanitarian agencies prepare support plans for farmers and vulnerable communities.

“El Nino conditions are already under way and are forecast to strengthen rapidly into a strong event – as accurately anticipated by WMO forecasts,” said WMO Secretary-General Celeste Saulo.

“This will intensify the chances of drought and heavy rainfall and the risk of heatwaves on land and marine heatwaves in many regions of the world.”

Saulo added that “advanced seasonal forecasts and early warnings are vital to save lives and cushion the impact on our economies and our communities.”

El Nino is a natural climate phenomenon that warms surface temperatures in the central and eastern equatorial Pacific Ocean, bringing worldwide changes in winds, pressure and rainfall patterns.

El Nino events typically occur every two to seven years and usually last between nine and 12 months. Not all regions of the world are affected.

Conditions oscillate between El Nino and its opposite La Nina – both phases of the El Nino-Southern Oscillation (ENSO) – with neutral conditions in between.

Even when ENSO is neutral, extreme weather can still occur.

On Thursday, the WMO reported that global ocean temperatures hit a new high in June, partly driven by El Nino.

The last El Nino contributed to making 2023 the second-hottest year on record and 2024 the all-time high, at about 1.55 degrees Celsius (2.79 degrees Fahrenheit) above the 1850-1900 pre-industrial average.

There is growing anxiety among residents after nine Ebola virus patients escaped from a treatment centre in the Ituri province of the Democratic Republic of Congo (DRC) after a fire outbreak. Authorities and the local population are deeply concerned that these individuals could spread the Ebola disease to other provinces.

On June 30, nine patients suddenly vanished from the health facility after a group of hostile locals set the Nia-Nia Ebola treatment centre on fire. Among the missing patients are two confirmed cases of Ebola infection and seven suspected cases.

According to Joseph Pemanakue, the chief medical officer of the Nia-Nia treatment centre, the patients have still not been found several hours after fleeing the health facility.

“The burnt-down centre was housing two confirmed positive cases of Ebola as well as seven suspected cases. The nine patients fled from the structure and remain to be tracked down, causing fear of an increased propagation of the epidemic within the community,” Joseph said.

The attack on the treatment facility happened after some members of the community refused to surrender the body of a suspected Ebola patient to the medical team. This confrontation escalated quickly, resulting in the destruction of the treatment centre and the loss of a significant stock of medicine and medical equipment.

The local authorities consider the incident to have seriously compromised the efforts to contain the epidemic in Ituri province.

“Some opinion leaders manipulate the population by affirming that Ebola is a business, whereas the disease actually exists. In PK 51, we have recorded ten deaths. A corpse tested positive was removed from a coffin and transported by the population, an action which increases the risk of spreading the disease. The health facility responsible for taking charge of patients, which was created after several efforts, was unfortunately destroyed,” said Alexis Mungaki, a chief of the Ngayo tribal group.

The incident occurred amid heightened tensions between specific communities and the Ebola treatment teams. Health officials are concerned that the escape of confirmed and suspected patients may trigger new transmission chains, as Ituri province continues to be the focal point of the 17th Ebola outbreak in the DRC.

THE word “splat” has been on Ian Gillan’s mind for a few years now.

To him, it is a word to conjure with, one to fuel his wild flights of imagination.

To most of us, it summons visions of insects hitting windscreens or ripe tomatoes falling to the floor.

As you will discover, however, the Deep Purple singer and lyricist — he of the legendary full-throated holler — has given “splat” a much deeper meaning.

What if it represents the end of humanity as we know it?

Then, as he suggests with an “optimistic” spin on the notion, “What if we morph into something else that’s metaphysical?”

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When Gillan first considered Splat! as an album title, he thought it sounded “too terminal”.

He says: “I knew how the interviews would go — ‘So this is your last record, right?’ ”

It soon becomes clear from talking to the hard rock survivor that Deep Purple, the last band standing in a so-called “unholy trinity” alongside Led Zeppelin and Black Sabbath, are very much alive and kicking.

When it came to writing themed lyrics for Purple’s 24th studio LP, Splat! screamed out from the pages of the notebook Gillan keeps to record his ideas.

Now, in tall, spidery type, it adorns an album cover housing some of the band’s heaviest, most riff-driven, yet most concise music in years.

As Gillan attests, Splat! summons the devil-may-care spirit of iconic early albums Deep Purple In Rock and Machine Head — and songs like Child In Time, Smoke On The Water and Black Night.

“What I’m hearing now is the band as it was in ’69,” he says.

There’s no doubting that the current line-up of Gillan, founder member Ian Paice (drums), another stalwart in Roger Glover (bass), Don Airey (keyboard player since 2001) and recent recruit Simon McBride (guitar) has hit a purple patch.

“You can give all kinds of reasons, but, quite simply, I think it’s human chemistry,” says Gillan, who lives in Portugal and turned 80 last August.

“The songs are coming easy.

The band is cranking live.

When all the elements work well, they feed off each other.”

He salutes Northern Irish guitarist McBride, who replaced Steve Morse in time for previous album =1, for adding a dynamic gut-punch to proceedings.

He agrees with me that the songs on Splat! don’t “outstay their welcome”, crediting legendary Canadian producer Bob Ezrin (Alice Cooper, Pink Floyd, Kiss) for “keeping the arrangements snappy”.

Gillan recalls how it used to be: “With the band having no leader — we never have really — it was often a case of sitting there and one of us would say, ‘Let’s make this bit longer, let’s put another section in there’.

“We might spend weeks arguing or debating an arrangement.

But Bob just comes in and says, ‘I’m not liking that’, and cuts it out.”

Gillan considers Purple to be “an instrumental band”, with the music always getting written first.

Then it’s time for him to step in with the lyrics and those still mighty vocals, delivered with all the theatricality you might expect from someone who took the part of Jesus on the original Jesus Christ Superstar album.

It’s fair to say that Splat!, also the name of the album’s emphatic closing track, represents one of Gillan’s most ambitious concepts, so let’s return to his thought process.

“For some time now, I’ve been trying to make an album sound as if all the songs belong,” he says.

“There’s one exception on this record and I’m not happy about it,” he announces by way of a slight digression.

When I suggest that the track in question might be Third Call, which seems more to do with sex than metaphysics, Gillan replies: “Oh, how did you guess?

It should have been called Sore Thumb.

“I’ve done my own little album on my computer, replacing it with a song destined to be a B-side or bonus track called Hoot ’n’ Slither, which does fit.”

So, let’s hear about his mind-boggling concept, so big that it almost hurts the brain.

“I’ll probably find myself in pseud’s corner again,” he mutters with a smile, before launching into his explanation.

“I’ve been fascinated by the word eternity since I was eight.

I couldn’t understand how things could go on forever.

As a child, it didn’t seem possible to me.

“One summer night, I started thinking about the end of the road, the end of the country, beaches, the sea, the sky, the stars.

“I started panicking, so I built a brick wall around my universe, as many kids have, I’m sure.

“That was it, I was safe.

And then, a horrible thought occurred to me: ‘What’s behind the bricks?’ ”

Gillan says that “later in life”, Edwin Abbott’s classic novella Flatland, a satirical study of a two- dimensional world written in 1884, got him thinking about other dimensions, the afterlife and spiritual worlds.

Then he considered that the population of Earth had “virtually tripled” during his lifetime.

He continues: “For some years, this explosion has seemed unsustainable to me and that the only way to escape is not by flying through the solar system in tin cans.

“It has to be metaphysical.

I’m hopeful.

Perhaps we might become some sort of intelligent energy.”

Gillan draws my attention to the song The Only Horse In Town, one of the last recorded for Splat! and driven by Airey’s fulsome keys and McBride’s shimmering riffs.

It was inspired by a real-life encounter with someone close to death near Noble Street Studios in Toronto where Purple were doing a recording session.

“The snow came down and we saw there were these vagrants living under a blue tarp,” he says.

“The place looked like a rubbish dump.

“We offered them some hot food when we went out to get our takeaway for lunch — and they didn’t want it.

They just wanted dollars for crack.

“I thought of this one guy who probably had days to live.

I imagined his final hit.

“Then (in my mind) I stepped into his shoes and started walking across America until I got to the high plains of New Mexico and found this derelict film set.

“Along with a clapped-out old horse, this guy finds solace, a haven.

It fits very nicely with the overall pattern of the album.”

Next, we take a dive into more of the Splat! songs, starting with the three-minute opening blast, Arrogant Boy, about a bloke called Billy.

“The attitude in the music screamed frustration to me,” says Gillan.

“I had this idea of an ordinary guy down the pub who doesn’t give a monkey’s toss about what goes on at the higher levels of society.

He’s sick of the political pendulum.

“Everyone knows that nothing’s happened in the last fifty, sixty years.

We’ve built nothing.

We’ve done nothing.

We’ve gone backwards in almost everything.

The great institutions are useless piles of rubble.

“So Billy is sticking his head up out of a hole and saying, ‘Get on with it!’”

This brings us to the wild Diablo, recorded in Nashville and featuring guitar solos from none other than country rock star Keith Urban, whose studio the band were occupying.

Here, Gillan truly lets his imagination run riot.

“Diablo is a place where young people go for their rite of passage.

It’s dangerous and many don’t come back,” he says.

“This is the story of Dra-ma.

She pickles her knuckles and has 20 fights before beating up Guts McKenzie in the final.

She celebrates with a bucket of wine and falls into the glitter pool.

It’s all a bit surreal.”

You may think Gillan’s gone off on one but this ceaselessly entertaining character is also partial to a bit of humour.

The Rider is not about someone on a horse, but more about the notorious demands of rock stars when they go on tour.

He says: “I’m not going to mention his name, but he’s a very famous musician in a very famous band.

I was sitting having a beer with him and he said, ‘Someone got a fear of flying so we hired a psychologist.

The next week, there were four psychologists on the plane, one for each member of the band.

Then someone got a bad back so we got a physiotherapist.

The next week, there were four of them.’’

So what about his band’s riders?

“Deep Purple have never been extravagant,” he answers.

“When I was with Black Sabbath, it was a slightly different story, more funny than extravagant.

“I remember Geezer [Butler] complaining that the ham was round and the bread was square, that his sandwich was an incongruous mess which didn’t look right.

“My rider has always been very simple.

It’s bread and cheese, some tea bags — it has to be PG Tips — and a kettle.”

Elsewhere on Splat!, Jessica’s Bra has got to be one of the most eye-catching song titles of the year.

It was supposed to be Bar but, as Gillan admits: “I can’t see too well and make loads of typos these days.

“It’s a sort of Irish pub song.

I grew up in pubs with a beer in one hand, a fag in the other, and in fantastic company.

“My pals were drinking pals — I didn’t smoke a joint until I was 38.

We were pub guys who got locked in, behaved outrageously, but it stayed within the walls.

No harm done.”

Guilt Trippin’, with its gorgeous piano intro and outro and screaming vocals, is about “God and Charlie Darwin having a pint”.

Gillan says: “God is saying, ‘We’ve got to get the numbers right next time,’ but Darwin just goes, ‘Humpty, humpty’.

He doesn’t want to interfere!”

The Lunatic, inspired by the plight of George Orwell’s 1984 protagonist Winston Smith, summons a bout of indignation from Gillan.

“I can’t believe the prescient nature of that book, which was published in 1949,” he says.

“More recently, the NHS proscribed the word lunatic.

I take great offence at that.

Most of my friends are lunatics and always have been — and I happily follow the moon around.”

Through the song Scriblin’ Gib’rish, Gillan vents his spleen at those online matrixes where you have to identify motorbikes or traffic lights, “proving that I am a human being to a f***ing robot”.

Of note here is that he’s heading to UK theatres next spring for his Talking Gib’rish spoken-word tour, a departure from the arena-sized norm.

It’s an opportunity for him to regale audiences with stories from more than six decades in the business.

On a personal level, it’s clear that Gillan is pressing on despite the rigours of live performance and, as he reports, “failing eyesight”.

“Over the past few days, I’ve been taking a deep breath and looking at the future,” he says.

“A few years ago I was doing a talk and the theme was positive ageing.

I realised that when people retire, they stop making long-term plans — even if it’s small things to do with the house or garden.

“But I keep thinking some years ahead with projects, and don’t worry whether I complete them.

“That’s a self-creating energy, like nuclear energy.

It’s incredible.

So, I’m making long-term plans and to hell with it!”

If that’s the template for his mind, what about his body?

Alluding to his younger self — that skinny figure in tight flared jeans with a shaggy mane — he says: “Obviously, I used to be quite athletic when I was young, but I can’t pole vault anymore!

“Well into my sixties, I used to run upstairs two at a time, and now I run down ten at a time.

“So, you’ve got to have a laugh.

Otherwise, you’d sit down and cry.”

One thing is for certain, Ian Gillan and Deep Purple are NOT about to go Splat!

DEEP PURPLE

Splat!

★★★★☆

Published on 03/07/2026 – 10:07 GMT+2•Updated
10:11

Stock markets across Asia mostly advanced on Friday, taking their cue from a fresh record close for the Dow on Wall Street, as some of the AI-linked shares battered in this week’s sell-off found their feet again while others kept falling.

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The volatility was calmer than the heavy selling seen a day earlier, when worries about stretched technology valuations sent semiconductor shares tumbling across the region.

At the time of writing, South Korea’s Kospi led the bounce, climbing over 4% to recoup part of the nearly 8% plunge it suffered on Thursday. Samsung Electronics, the country’s largest company and a major chipmaker, jumped 7%, while smaller memory rival SK Hynix rose 4.9%.

In Tokyo, the Nikkei 225 added 1%, helped by a 6.6% leap in memory maker Kioxia, although chip-equipment supplier Tokyo Electron slipped 2.5%.

Elsewhere, Hong Kong’s Hang Seng gained 1.7% and the Shanghai Composite rose 0.7%, while Australia’s S&P/ASX 200 advanced 1.3% and Taiwan’s Taiex bucked the trend, easing 0.6%.

As for European markets, both the Euro Stoxx 50 and the broader pan-European Stoxx 600 opened within a 0.3% range.

The UK’s FTSE 100, Germany’s DAX 30, France’s CAC 40 and Italy’s FTSE MI, all traded between 0.1% and 0.3% higher.

Spain’s IBEX 35taly’s FTSE MIB led the pack and rose about 0.4%.

Wall Street’s record, a cooler jobs report and oil

US stocks were mixed on Thursday, but the Dow still managed a fresh peak, rising 1.1% to 52,900.

The broader S&P 500 ended virtually flat despite seven in ten of its members gaining, held back by another retreat in chip stocks, while the technology-heavy Nasdaq fell 0.8%.

Sentiment drew support from data showing US employers added 57,000 jobs last month, well below the 100,000 forecast and a slowdown on May.

A softer labour market could ease inflation pressure and, with oil back below its pre-war levels, may lessen the case for the Federal Reserve to raise interest rates repeatedly this year, an outcome investors would welcome.

Crypto-linked shares also firmed as Bitcoin rose about 2%, lifting Robinhood and Coinbase alongside it.

Still, the AI trade remained under strain.

Micron gave up an early gain to fall 5.5%, a day after a 10.6% slump, while Lam Research sank more than 10% and Nvidia, now worth close to $4.7 trillion, edged 1.4% lower.

On oil, Brent crude, the international benchmark, rose 1% to around $73 a barrel early Friday, while US crude added 0.5% to about $69, with prices still sitting below where they were before the Iran war began in late February.

Additional sources • AP

Bournemouth have agreed an initial fee of £21.4m rising to £25.7m with add-ons for Elche striker Alvaro Rodriguez.

The 21-year-old is set to complete his medical and sign a five-year deal at the Vitality Stadium on Monday.

Real Madrid will receive 50% of any transfer fee for the Uruguay youth international, who is also eligible to represent Spain, after selling him to their La Liga rivals last summer.

Bournemouth are looking to strengthen their squad after qualifying for the Europa League with a record Premier League finish under Andoni Iraola, who left to become Liverpool manager.

Former RB Leipzig and Borussia Dortmund boss Marco Rose has succeeded Iraola, with the Cherries targeting a striker and a left-sided centre-back this summer.

Any striker signing would provide competition and support for Evanilson, while the club are also open to selling Turkey forward Enes Unal for the right price.

Bournemouth are hoping for a more stable summer than last year, when three of the club’s first-choice back four and their starting goalkeeper departed.

Several clubs have expressed an interest in midfielder Alex Scott, who is reported to be valued at about £80m.

However, club sources insist he is not for sale despite enquiries from Arsenal, Manchester City and Manchester United.

Bournemouth hope Scott will sign a new contract on improved terms, potentially including an agreement that would allow him to leave in the future for a predetermined fee, similar to the arrangement that preceded Antoine Semenyo’s move to Manchester City for a fee in the region of £65m in January.

They have also finalised their pre-season tour in the last 24 hours, announcing games against St Pauli and Augsburg in Austria, along with Real Betis and Mainz away in an effort to get used to European trips, with Genoa also facing the Cherries at their training ground this summer.

July 3 (UPI) — A California man has pleaded guilty to sending phony ransom requests to the family of Nancy Guthrie, the mother of Today host Savannah Guthrie, who has been missing for five months, federal prosecutors said.

Authorities have been investigating the disappearance of Nancy Guthrie as a kidnapping and ransom scheme since she was reported missing from her Arizona home on Feb. 1.

In his plea deal, announced Thursday, 42-year-old Derrick Callella of Hawthorne, Calif., admitted to calling and texting a demand for a bitcoin transfer to a member of Nancy Guthrie’s family on Feb. 4, while acknowledging that he knew there had been an earlier ransom demand.

He also admitted that he meant to harass the family by seeking information about the 84-year-old woman and the investigation into her disappearance.

Authorities have said that Callella is not connected to the disappearance of Nancy Guthrie.

After Nancy Guthrie went missing, her adult children, including Savannah Guthrie, posted a video to social media urging the kidnappers to contact them.

According to the complaint, not long after the video was published, two people identified in the document as A.C. and A.C.’s husband, T.C., who are believed to be Annie Guthrie, one of Nancy Guthrie’s daughters, and Tommaso Cioni, separately received text messages, stating: “Did you get the bitcoin were [sic] waiting on our end for the transaction.”

Authorities said the messages were sent with the use of voice-over-Internet-protocol and a smartphone application that allows users to obtain a separate phone number for the device other than the one they were assigned.

Despite the efforts to obfuscate the origin of the text messages, authorities were able to trace the messages back to Callella in California, the complaint states.

The FBI arrested Callella a day after the text messages were sent.

When sentenced, Callella faces up to a maximum penalty of two years’ imprisonment and a fine of $250,000 for each of the two counts of harassment using a telecommunications devices he pleaded guilty to.

Callella pleaded guilty amid renewed interest into the case following reports stating authorities believe notes from the purported kidnappers claiming Nancy Guthrie had died were legitimate.

On Wednesday, the FBI’s Phoenix field office appeared to be undercutting those reports, issuing a statement stating that some of the ransom notes they have received over the course of their investigation have not been legitimate.

Activists found guilty of misdemeanour counts after blocking San Francisco’s Golden Gate Bridge in a 2024 Gaza protest.

A San Francisco jury has convicted seven pro-Palestine protesters of multiple misdemeanour charges for blocking the Golden Gate Bridge during a 2024 demonstration, but remains deadlocked on a more serious felony conspiracy charge.

The seven activists were each found guilty of six misdemeanour counts, including false imprisonment, obstruction of thoroughfare and unlawful assembly, San Francisco District Attorney Brooke Jenkins said in a statement on Thursday.

Local news outlet KQED named the seven as Bhavika Anandpura, River Allen, Rocky Chau, Conrad de Jesus, Sarah Ferrell, Em Tillotson, and Sara Cantor.

Cantor, who acted as a police liaison during the event, faced an additional misdemeanour conviction for refusing to disperse.

The demonstration, which took place on April 15, 2024 as part of a coordinated “Tax Day” protest, completely brought southbound lanes of the bridge to a standstill for four hours.

Protesters used vehicles to block traffic and chained themselves together through pipes to demand an end to US military aid to Israel during its genocidal war on Gaza. According to a report by CBS News San Francisco, the blockaded toll plaza usually records approximately 5,000 vehicles during those specific hours.

While prosecutors secured misdemeanour convictions, the jury remained deadlocked on the felony conspiracy charge, which could have carried a maximum sentence of 15 years in prison. Following weeks of trial and days of deliberation, the jury split 10-to-2 in favour of guilty on the conspiracy count, resulting in a mistrial on that charge, KQED reported.

Defence lawyers framed the deadlocked felonies as a significant victory against the government and prosecution. Public defender Nuha Abusamra, who represented one of the defendants, told local media that the outcome was a win, arguing that demonstrators acted out of moral necessity after institutional avenues, like writing to elected officials, failed.

District Attorney Jenkins emphasised the safety risks and human toll of the four-hour gridlock, noting that stranded motorists included medical workers missing hospital shifts and a mother unable to access water for her baby’s formula. “At this time, we will evaluate our options and consider next steps,” Jenkins said regarding a potential retrial on the conspiracy charge.

The defendants face up to five years in county jail for the misdemeanour counts and are scheduled for sentencing in August.

The group were originally part of the “Golden Gate 26” group of activists arrested on Tax Day in 2024 for shutting down the bridge to protest US financial support for Israel’s genocidal war on Gaza. While 19 of the demonstrators accepted pretrial diversion programmes, community service, and fines, the remaining seven chose to go to trial.

Herb Alpert walks up a long driveway at his rambling Malibu estate, wincing slightly after having woken up around 3 a.m. with a cramp in his left calf.

“It’s still kind of seizing,” the trumpeter says as he leads me past a garden lush with moist-looking tropical plants.

This, Alpert accepts, is the reality of life at 91. Yet the only reason he’s out here racking up steps by the hundreds on a recent morning is because he was tooling around in his sculpture studio before I arrived. And the only reason the sculpture studio is so far from his music studio — there’s also a studio devoted to his painting — is because of his huge success over the last 60 or so years.

“So I can’t really complain,” he says.

A Los Angeles native who got his start writing songs like Sam Cooke’s “Wonderful World,” Alpert has lived here in Malibu since 1972, a decade after he released “The Lonely Bull,” his debut album with the Tijuana Brass. The LP’s title track, inspired by a bullfight Alpert caught in Mexico, went to No. 6 on Billboard’s Hot 100; more than a dozen finger-snapping Top 40 hits followed, including “A Taste of Honey,” “Spanish Flea” (also heard as a theme song on TV’s “The Dating Game”) and “This Guy’s in Love With You,” which took a rare Alpert vocal turn all the way to No. 1.

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What’s more, these inescapable tunes came out on Alpert’s own label, A&M Records, which he “formed on a handshake,” as he puts it, in 1962 with his business partner Jerry Moss. The label quickly became one of the biggest independent record companies in music, with acts such as Carole King, the Carpenters, the Police, Peter Frampton and Janet Jackson, as well as a beloved recording studio complex on La Brea Avenue. (Moss, who with Alpert sold A&M in 1989 for a reported $500 million, died in 2023.)

After years working on his own and with his wife, the singer Lani Hall, Alpert revived the Tijuana Brass name in 2024 and launched a tour that will stop Sunday night at the Hollywood Bowl. We sat down in his gear-stuffed music studio to talk about it and much more.

I’m sure you heard that John Mayer and McG bought the former A&M Studios last year. I wondered what your emotional investment is in the place at this point.
I don’t have an emotional investment. Once I left the lot, I was out of there — I didn’t look back. I wanted to paint, I wanted to sculpt, I wanted to make music. I wasn’t thinking about the business.

What’s an A&M success story you took particular pride in?
Cat Stevens. I heard this kid — he was a kid at the time — at the Troubadour, just him and a guitar, and I got goosebumps. It was so beautiful and so honest.

What was Karen Carpenter like?
She was a doll. She didn’t know how great she was — didn’t think she was a great singer. One hell of a drummer too. Go onto YouTube and search Karen Carpenter’s solo on drums — it’ll knock your socks off. But she was innocent. She was lucky to have [her brother] Richard because Richard knew what to do with her in a very gentle way.

Even at the Carpenters’ smoothest, I hear deep sadness in Karen’s singing.
I think that’s a standard ingredient to great artists. Listen closely to Miles Davis and you’ll hear the same thing.

Karen struggled with her mental health, which her fame didn’t help. Did you ever feel responsible for what she went through?
I’ve gone over that question so many times in my head: If I hadn’t picked them out and signed them, would the same result have happened?

Where have you landed?
I don’t have an answer.

In a recent documentary about you, you’re talking about “Wonderful World” and you say that nobody knows what a hit record sounds like. That’s your feeling now based on years of experience. But did you think you knew when you were young?
I didn’t know then either. “Wonderful World” was a demo that Keen Records put on a shelf. When Sam started selling records on RCA Victor, they pulled it out as a lark, and it ended up one of the biggest-selling singles Sam ever had. I’ve told this story before, but at A&M a guy played a record for me — I said, “Man, this record stinks.” Well, I was turning down “Louie Louie.”

Why didn’t you understand “Louie Louie”?
It was out of tune. It was too long. I didn’t know what the hell they were saying.

That’s why it’s great.
Probably so. But did they have another hit record? Sam used to say, “Close your eyes when you listen to a new artist — don’t get swayed by whether they’re beautiful or they’re handsome or they can dance their ass off.”

OK, but you were like a heartthrob in the ’60s.
What am I now — chopped liver?

I don’t think you can say your success had nothing to do with your looks.
I don’t think it did. You know that sadness you were talking about? It’s in my horn.

I agree. But it didn’t hurt that you looked great.
It didn’t hurt once I had a hit record. It wouldn’t have given me a hit record.

Jerry Moss, left, and Herb Alpert in 1974.

(Michael Putland / Getty Images)

Let’s talk about your song “Rise.”
Got lucky with that.

In what way?
My nephew Randy, who’s one of my managers, he wanted me to take some of the Tijuana Brass records and do a little disco number with them. So we go into the studio with a bunch of great musicians, start playing “Taste of Honey” at 120 beats per minute. I got nauseous — I said, “Man, I ain’t doing this.”

Nauseous?
The record was big, and I didn’t want to tamper with it. But Randy had written this song called “Rise” with a friend of his. He wanted me to play that at 120 beats per minute too. I said, “Lookit, man — let’s slow this thing down and let people dance closer together.” We recorded it live in the studio. Julius Wechter was playing marimba — dear friend of mine. I said, “What do you think of this thing? Pretty cool, isn’t it?” He turns around and says, “I hate it. That beat — the four-on-the-floor is killing me.” I expected a different answer from him. But it didn’t matter.

What’d you make of the Notorious B.I.G.’s sampling “Rise” for his “Hypnotize”?
How could you not like that record? These guys that take your bass line and make a record by pressing a button — I think that’s cheating a bit. But there’s 70 zillion streams on that song. Can’t deny it.

“Rise” was also sampled by the rapper Nas for his song “Power, Paper & P—.”
I don’t know how to comment on that one.

A lot of musicians from your generation have been selling their catalogs lately. Have you considered it?
There’s no reason to — I don’t need the money.

I wrote about Frankie Valli a few years ago, and he and Bob Gaudio seemed eager to have this company Primary Wave out there finding ways to —
Monetize the catalog. I get it. But they don’t have to do that with us. I don’t know if you know what’s happening, but I’m in the heyday of my career right now.

Right now?
It wasn’t my idea to get the Tijuana Brass back together again. My nephew, he’s a social media guy, and he went around the world to see what songs of mine were selling the most. Turned out there were about 18 songs. I started listening to the 18, and at the end, I felt happy, I felt joyous, I felt a smile was on my face. I thought, Man, let’s try this — this might be interesting. We started doing it, and we’ve been sold out 50 concerts in a row.

It strikes me that without the Tijuana Brass, you weren’t playing the Hollywood Bowl.
Hell no, I wasn’t.

What’s that say to you?
That the music is touching people. The times we’re living in, there’s a lot of doubt with what’s going on, and I think people are getting some positive energy from it.

You’re a lifelong Angeleno. Lots of well-to-do folks say that L.A. has gone to hell in a handbasket. What’s your take?
I think it’s pretty much the same all over the country.

Which is?
Gone to hell in a handbasket. People are confused about where they’re going, whether they’re gonna be able to have enough food on the table, whether they can afford gasoline. I’m not saying it’s all bad — it’s just hard to make sense of a lot of it for a lot of people, including the guy you’re talking to.

Your music has pulled from any number of cultures. Do you think it speaks of your Jewish identity?
Most definitely. My father was born in a shtetl outside Kyiv — didn’t speak Russian, spoke Yiddish. He brought his mandolin with him when he was 16 years old on a boat by himself and landed at Ellis Island. He used to play songs for me on the mandolin. When his nostrils flared, I knew he was into it. That kind of got me.

Jewish meets Mexican feels very L.A. to me.
I think we’re all a product of our surroundings. In high school I used to go see Gerry Mulligan and Chet Baker, and I was touched by them. Of course, they were loaded.

What kind of guy was Chet Baker?
A troubled guy who was a brilliant musician. I gave him one of my horns, and he pawned it the next day. He was sweet but he didn’t have a hold on his emotions.

Not great for living, obviously. But good for music?
Well, you’re opening up a whole can of worms. I mean, why did so many great jazz musicians get hooked on drugs? Maybe guys that were hung up on being a human being, they found that getting stoned helped them through the struggle. I recorded Stan Getz the first time he ever recorded without drugs. It was at A&M — he was wearing this red silk shirt that had sweat stains under both arms. He had like 75 reeds on the ground because he couldn’t pick out the right one. He finally found the right reed, got over the anxiety and started playing — same Stan Getz you heard throughout his career. These guys were under the assumption that being stoned would change what they played. I don’t think that holds any water.

Was there a time you thought it might be true?
I did experiment with grass once. Turned on a recorder, took a puff, started playing some jazz. Took another puff, started playing some more jazz. I listened to that recording the next morning — it was terrible.

(Robert Gauthier / Los Angeles Times)

Can we do a little Herb Alpert trivia to finish?
Do I have a choice?

“A Taste of Honey” won record of the year at the Grammys in 1966.
You’re gonna ask why.

You beat the Beatles’ “Yesterday.”
No kidding?

The year after “Taste of Honey,” you were nominated for record of the year again with “What Now My Love.” That one you lost. Remember what you lost to?
Not “Louie, Louie.”

“Strangers in the Night.”
That’s a real pop song. Love the guy, but not my favorite by him.

What’s your favorite Sinatra song?
“Only the Lonely.”

“This Guy’s in Love With You” — great vocal performance. Why didn’t you do more?
I’m not a singer.

Sure you are.
I know it’s a great performance. But it was one take, man — I did that in one take.

This is what I’m saying.
Look, I had an interesting guy in the sound booth who did the arrangements named Burt Bacharach.

I read that you talked with Burt a few times a week until he died.
I did, and not about music. We talked about football, basketball, politics, you name it.

What’s your basketball team?
Lakers.

Hard to be a Lakers fan these days.
Easy to be a critic.

Four-time Tour de France winner Chris Froome has brought an end to his illustrious career in professional cycling.

The 41-year-old British rider has not raced since a serious crash in August 2025 when he collided head-on with a road sign at more than 30mph and suffered five broken ribs, a collapsed lung and a lumbar vertebrae fracture.

Froome’s wife later said doctors discovered a pericardial rupture – an injury where the sac that surrounds the heart is torn – during surgery and were able to repair it.

“Unfortunately, there was that crash last summer – that was not the way I wanted it to end. But even then, I knew it was over,” Froome told Belgian broadcaster Sporza.

The Kenyan-born rider retires as one of the most decorated cyclists in history, winning seven Grand Tours with Team Sky (now Team Ineos).

His four Tour de France victories came in 2013, 2015, 2016 and 2017. Only four men – Jacques Anquetil, Bernard Hinault, Miguel Indurain and Eddy Merckx – have won more Tour de France titles.

He also won the Giro d’Italia in 2018 and Vuelta a Espana in 2011 and 2017, and claimed two Olympic bronze medals in the individual time trial in 2012 and 2016.

Froome was made an OBE for his services to cycling in 2015.

Switzerland remain unbeaten at the 2026 World Cup and will face either Colombia or Ghana in the next game.

Switzerland ‌striker Breel Embolo struck early and winger Dan Ndoye added a second as their side ⁠cruised to a 2-0 ⁠win over Algeria on Thursday and into the last 16 at the FIFA World Cup, where they will meet Colombia or Ghana back in Vancouver next week.

Murat Yakin’s Swiss ⁠side put on a tactical masterclass, shifting formations and laying traps for Algeria before hitting them with two sucker-punch goals that decided a contest short on excitement, but full of intrigue and nuance.

Pitted ⁠against a familiar foe in Algeria coach Vladimir Petkovic, who had seven years at the helm of Switzerland between 2014 and 2021, Yakin set his team up to absorb early pressure and strike on the break, and that is exactly what they did.

Their opener was as simple as it was effective.

The Swiss won ‌the ball in their own half and sent 20-year-old Johan Manzambi off down the left on the counter, and he squared for Embolo to steer the ball into the net from close range in the 10th minute.

The lead secured, Switzerland shifted to a five-man midfield out of possession, snuffing out the space and challenging the Algerians to play through them, but Petkovic’s charges struggled to break their opponents down.

Algeria’s best chance came in first-half stoppage time when Ibrahim Maza dragged ⁠a snap shot wide of the near post, one of the few efforts ⁠on goal they managed in the game.

The Swiss struck again almost immediately after the break, attacking down the right before a half-hearted clearance from Rafik Belghali ended up at the feet of Ndoye, and the winger placed his shot beyond the ⁠dive of goalkeeper Luca Zidane.

Algeria captain Riyad Mahrez could have pulled a goal back moments later, but he fired straight at a defender from ⁠a central position, summing up a frustrating evening for the Algerians.

With Granit Xhaka steering Switzerland’s defensive shape, they reverted to their original game plan of ceding possession and launching lightning-fast counterattacks, but the Algerians were wary of committing players forward, lest they concede again.

Despite the sellout crowd at BC Place, the last 15 ‌minutes were played in virtual silence, only broken by cheers and then groans as Swiss substitute Fabian Rieder somehow contrived to miss with the goal at his mercy, scuffing his shot back across ‌goal ‌where a grateful Zidane was able to avert the danger.

Fortunately for Switzerland, it had no bearing on the outcome as they celebrated moving into a last-16 clash on Tuesday.