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Chris Evans makes major comeback with TFI Friday as beloved show returns to screens

Chris Evans has made a major comeback with the relaunch of TFI Friday and brought the iconic programme to his radio station almost 30 years after it first aired

Chris Evans has relaunched his hit 90s series TFI Friday. The presenter, 59, fronted the hit series during its initial run on Channel 4 from 1996 until 2000 and it became staple viewing at the start of the weekend.

The format featured a mix of live performances and celebrity interviews. Chris left the programme after the fifth series, and big names like the Spice Girls, Davina McCall and Elton John stepped in to take the reins for the last run of episodes in the build up to Christmas 2000. Now best known for fronting his radio show on Virgin, the TV star, who also presented the short-lived revival in 2015, has brought the programme back once more.

The revamped version of the iconic series is currently being released on Virgin Radio’s YouTube channel, and welcoming the audience to the first episode, Chris said: “Hello friends. Thank you for tuning in! Welcome to TFI Unplugged.

READ MORE: BBC presenter Chris Evans breaks down as he pays emotional tribute to Eddie JordanREAD MORE: This Morning guest sparks chaos by failing to show up to ITV show

“On the way today, Delroy Lindo, currently nominated for Academy Award, Hollywood Sim Car of course. Also on the way, the hilarious Ross Noble going to be here!”

Some of the more regular segments during the original run of the show included Freak or Unique, which encouraged participants to show off a strange talent. Other items included Fishbowl Challenge, Show Us Your Face Then and Sink Or Swim.

The show also ran a segment called Someone’s Going to Be a Millionaire!, based on Who Wants To Be A Millionaire?, and on Christmas Eve 1999, TFI Friday became the first British programme to issue a £1 million prize, almost a year before one player won the jackpot on the ITV game show.

Chris became a major television star in the early 1990s, as the Channel 4 show The Big Breakfast which he presented alongside Gaby Roslin, before other showbiz favourites like Denise Van Outen, Zoe Ball and Kelly Brook took on the hosting role.

He wrote and presented TFI Friday whilst working on the BBC Radio 1 Breakfast Show, which he eventually resigned from whilst he was live on air in 1997 after Radio 1 refused to allow him to work a four-day week.

He also presented The One Show on Fridays between 2010 and 2015, and later became the lead host of Top Gear in 2015 after the sacking of Jeremy Clarkson.

In 2022, Chris explained on his radio show that a reboot of TFI Friday didn’t need to be on television anymore thanks to the advent of streaming. He said: “Can I tell you a bit more about it?

“Oh, sure. The thing is, you don’t need a TV channel now. You don’t don’t need one. It’s amazing what you can do. TFI Friday doesn’t have to be an hour long, it could be longer, we could livestream it!”

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How to watch and stream this year’s Oscar-nominated movies

Now that the 2026 Oscar nominations are out, it’s officially binge watch o’clock.

Chances are you caught a few of the contenders upon their 2025 movie theater openings, but with the onslaught of new releases in the weeks leading up to Thursday’s nominations announcement, even some voters are surely behind. (Don’t tell the Academy of Motion Pictures Arts and Sciences).

The good news is, the lion’s share of nominated films are available to stream or see in theaters (or both).

Here is a guide to where you can find all the feature-length nominees ahead of the Academy Awards on March 15, paired with some commentary from Times critics.

“The Alabama Solution”

Where to watch: HBO Max
Nominated for: Documentary feature
What we said: “Much of ‘The Alabama Solution,’ which reports on inhumane living conditions, forced labor and widespread violence against the state’s incarcerated population, is comprised largely of footage captured by inmates using contraband cellphones, offering one of the most shocking, visceral depictions of our carceral state ever put to film.”

“Arco”

Where to watch: In theaters
Nominated for: Animated feature
What we said: “The most impressive part of French animated sci-fi epic ‘Arco,’ which took the top prize at the Annecy International Animation Film Festival, is its imaginative world-building.”

“Avatar: Fire and Ash”

Where to watch: In theaters
Nominated for: Costume design, visual effects
What we said: “Viewed in ultra-crisp high frame rate, ‘Fire and Ash’ feels so overwhelmingly real that it circles back around to surreal.”

“Blue Moon”

Where to watch: Apple TV, Prime Video, Fandango at Home, in theaters
Nominated for: Lead actor, original screenplay
What we said: “[Richard] Linklater’s movies have frequently featured affable underdogs, but by contrast, ‘Blue Moon’ is an elegy to a bitter, insecure man whose view of himself as a failure has become a self-fulfilling prophecy.”

“Bugonia”

Where to watch: Peacock
Nominated for: Best picture, lead actress, adapted screenplay, original score
What we said: “‘Bugonia’ is a hilarious movie with no hope for the future of humanity. What optimism there is lies only in the title, an ancient Greek word for the science of transforming dead cows into hives, of turning death into life.”

“Come See Me in the Good Light”

Where to watch: Apple TV
Nominated for: Documentary feature
What we said: “‘Throughout the Festival, we saw audiences moved by Andrea Gibson’s and Megan Falley’s journeys in ‘Come See Me in the Good Light,’’ Sundance Film Festival Director of Programming Kim Yutani said to the fest’s website. ‘Festival goers embraced the humor and heartbreak of this intimate documentary directed by Ryan White, as it speaks to art and love and reminds us what it means to be alive as we face mortality.’”

“Cutting Through Rocks”

Where to watch: Not currently available
Nominated for: Documentary feature

“Diane Warren: Relentless”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV
Nominated for: Original song

“Elio”

Where to watch: Disney+
Nominated for: Animated feature
What we said: “‘Elio’ is a breezy Pixar adventure, the studio’s pivot back to making original, rip-roaring children’s yarns.”

“F1”

Where to watch: Apple TV
Nominated for: Best picture, editing, sound, visual effects
What we said: “The pleasures of ‘F1’ are engineered to bypass the brain. It’s muscular and thrilling and zippy, even though at over two and a half hours long, it has a toy dump truck’s worth of plot.”

“Frankenstein”

Where to watch: Netflix, in theaters
Nominated for: Best picture, supporting actor, adapted screenplay, cinematography, costume design, makeup & hairstyling, original score, production design, sound
What we said: “‘Frankenstein’ is [Guillermo del Toro’s] lifelong passion project: He doesn’t just want to make a ‘Frankenstein’ but the ‘Frankenstein,’ so he’s faithfully set his adaptation in the past. But he’s adjusted the wiring so that 1850s Europe reminds us of Silicon Valley. The result is the best movie of his career.”

“Hamnet”

Where to watch: In theaters
Nominated for: Best picture, director, lead actress, adapted screenplay, casting, costume design, original score, production design
What we said: “The film’s depiction of grief has rightly been at the center of the conversation around ‘Hamnet,’ with their revelatory performances resulting in immense Oscar buzz for both actors. But [Paul] Mescal and [Jessie] Buckley were almost more interested in the relationship between William and Agnes and how artists navigate the trappings of conventional life.”

“If I Had Legs I’d Kick You”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV, in theaters
Nominated for: Lead actress
What we said: “From the moment it begins, Mary Bronstein’s ‘If I Had Legs I’d Kick You’ aims to put you inside the head of a mother in crisis, and for the next couple of hours it does so in such an exhausting, claustrophobic, anxiety-inducing manner that, as you take a journey on this cinematic endurance test, you feel many things: grudging admiration, abject terror and, finally, sweet relief when the closing credits roll.”

“It Was Just an Accident”

Where to watch: YouTube, Apple TV, Prime Video, Google Play, Fandango at Home, in theaters
Nominated for: International feature, original screenplay
What we said: “In a movie full of heightened emotions and anxious uncertainty, ‘It Was Just an Accident’ (which is France’s entry for the international film Oscar) glides between genres, too slippery to be nailed down. [Jafar] Panahi dabbles in the road movie, the revenge thriller, even the ‘getting the band back together’ comedy.”

“Jurassic World Rebirth”

Where to watch: Peacock
Nominated for: Visual effects
What we said: “‘Rebirth’ is a confounding title for a downbeat entry that’s mostly preoccupied by death and neglect.”

“Kokuho”

Where to watch: In theaters (Feb. 5)
Nominated for: Makeup & hairstyling

“KPop Demon Hunters”

Where to watch: Netflix
Nominated for: Animated feature, original song
What we said: “‘KPop Demon Hunters,’ the cartoon musical about a girl group using catchy tunes to keep evil at bay, has become a viral phenomenon since it launched on the streamer June 20. With 210 million views globally so far, it’s the most watched animated movie ever on Netflix, and is expected to soon top ‘Red Notice’ as the company’s most popular film.”

“Little Amélie or the Character of Rain”

Where to watch: YouTube, Apple TV, Prime Video, Google Play, Fandango at Home
Nominated for: Animated feature
What we said: “Amélie’s rowdy approach becomes more nuanced when she is confronted with a loved one’s death, as well as her own mortality in the aftermath of two accidents. [Liane-Cho] Han and [Maïlys] Vallade also make room for her realizations about life’s unfairness and the inevitability of sorrow — all communicated via flights of fancy that only animation can materialize.”

“The Lost Bus”

Where to watch: Apple TV
Nominated for: Visual effects
What we said: “This time [director Paul Greengrass] mixes star heroism with you-are-there spectacle and the results can be galvanizing if awkwardly framed.”

“Marty Supreme”

Where to watch: In theaters
Nominated for: Best picture, director, lead actor, casting, cinematography, costume design, editing, production design, original screenplay
What we said: “The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

“Mr. Nobody Against Putin”

Where to watch: Apple TV
Nominated for: Documentary feature

“One Battle After Another”

Where to watch: HBO Max, in theaters
Nominated for: Best picture, director, lead actor, supporting actor, supporting actress, adapted screenplay, casting, cinematography, editing, sound, original score, production design
What we said: “Paul Thomas Anderson’s fun and fizzy adaptation views its Molotov cocktail as half-full. Yes, it says, the struggle for liberation continues: ideologues versus toadies, radicals versus conservatives, loyalists versus rats. But isn’t it inspiring that there are still people willing to fight?”

“The Perfect Neighbor”

Where to watch: Netflix
Nominated for: Documentary feature
What we said: “‘The Perfect Neighbor’ does leave us with a patiently earned moment of justice. But it’s haunted by the notion that a lethal rage prevailed, that a crime was allowed to happen and an ordinary, trusting American neighborhood — where a loving mom unhesitatingly tells an inquiring cop, ‘All these kids are mine’ — isn’t protectable ground.”

“The Secret Agent”

Where to watch: In theaters
Nominated for: Best picture, international feature, lead actor, casting
What we said: “‘The Secret Agent’ isn’t tightly coiled so much as it gradually unfolds, its full meaning unclear until the filmmaker eventually hurtles forward nearly 50 years, snapping the final puzzle piece into place.”

“Sentimental Value”

Where to watch: Fandango at Home, YouTube, Apple TV, Prime Video, Google Play, in theaters
Nominated for: Best picture, director, lead actress, supporting actor, supporting actress, editing, international feature, original screenplay
What we said: “‘Sentimental Value’ is a movie for people who don’t like to cry, who may not admit that they have ever cried, who listen to Loudon Wainwright’s song ‘The Man Who Couldn’t Cry’ and say, ‘Yes, that’s me!’”

“Sinners”

Where to watch: HBO Max, in theaters
Nominated for: Best picture, director, lead actor, supporting actor, supporting actress, casting, cinematography, costume design, editing, makeup & hairstyling, original score, original song, production design, sound, visual effects, original screenplay
What we said: “What a blood rush to exit Ryan Coogler’s ‘Sinners’ aware that you’ve seen not merely a great movie but an eternal movie, one that will transcend today’s box office and tomorrow’s awards to live on as a forever favorite.”

“Sirāt”

Where to watch: Not currently available
Nominated for: International feature, sound
What we said: “‘Sirāt’ is taut and riveting and nearly all mood. You feel the exhilaration of veering off the path, the self-exile of speeding toward nowhere, the dread that this caravan has veered too far for its own safety.”

“The Smashing Machine”

Where to watch: YouTube, Prime Video, Fandango at Home, Google Play, Apple TV
Nominated for: Makeup & hairstyling
What we said: “While ‘The Smashing Machine’ represents a step in a new direction for [Dwayne] Johnson, it also finds [Benny] Safdie setting off on a new path as a writer and director on his own after years of collaborations with his brother. Sifting through the emotional and physical struggles of [Mark] Kerr’s life, Safdie found something at its core that aligns with his own ongoing interest in what it takes to move forward despite life’s difficulties. It’s not about being a loser, he thinks, but it is about not winning.”

“Song Sung Blue”

Where to watch: In theaters, YouTube, Apple TV, Google Play, Fandango at Home
Nominated for: Lead actress
What we said: “‘Song Sung Blue’ couldn’t be less cool. But the Sardinas were completely sincere and [Hugh] Jackman and [Kate] Hudson honor their innocence by playing them straight.”

“Train Dreams”

Where to watch: Netflix, in theaters
Nominated for: Best picture, adapted screenplay, cinematography, original song
What we said: “‘Train Dreams’ is the kind of movie that people often say they want more of, but when one actually comes along they don’t quite know what to do with it. Told with an unassuming, gentle simplicity that grows into an accumulating emotional power, the film manages to feel very small and specific while also vast and expansive.”

“The Ugly Stepsister”

Where to watch: Hulu
Nominated for: Makeup & hairstyling

“Viva Verdi!”

Where to watch: Not currently available
Nominated for: Original song

“The Voice of Hind Rajab”

Where to watch: In theaters
Nominated for: International feature
What we said: “The movie is a powerfully blunt instrument of empathy. [Kaouther] Ben Hania’s insistence on close-up melodramatics — faces in anguish, a handheld camera glued to them — sometimes overshadows a thirst for something more analytical. But it’s decidedly a vision, one steeped in roiling pain.”

“Weapons”

Where to watch: HBO Max
Nominated for: Supporting actress
What we said: “A former sketch comic, [Zach] Cregger knows how to work a crowd. The combination of his assurance and his characters’ confusion is wonderful in the moment, as though you’re listening to a spiel from someone who sounds crazy but might be making all the sense in the world.”

“Zootopia 2”

Where to watch: In theaters, YouTube
Nominated for: Animated feature
What we said: “After several haphazard attempts with the ‘Frozen’ and ‘Moana’ franchises, ‘Zootopia 2’ can take the title as Disney’s most effective animated sequel yet.”

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Theme park revenue soared, but the YouTube dispute took a toll on Disney’s Q1 earnings

A record fiscal quarter for Walt Disney Co.’s theme parks division was dampened slightly by a streaming aquisition and a protracted fight with YouTube, the Burbank media and entertainment giant reported Monday.

Disney recorded overall revenue of about $26 billion in the three-month period that ended Dec. 27, up 5% compared to the previous year. Disney’s income before income taxes totaled nearly $3.7 billion, a 1% jump from the same time period last year. Earnings per share were $1.34 for the quarter, down from $1.40.

Disney Chief Executive Bob Iger said in a statement that he was “pleased” with the company’s start to the fiscal year and nodded at the transition ahead to a new CEO.

“As we continue to manage our company for the future, I am incredibly proud of all that we’ve accomplished over the past three years,” he said.

It was a big quarter for Disney’s experiences division, which includes its theme parks, cruise line and Aulani resort and spa in Hawaii.

The sector reported $10 billion in revenue, aided by a 1% bump in attendance at its domestic theme parks and higher guest spending. The launch of the new Disney Destiny cruise ship in November also helped boost operating income to $3.3 billion, a 6% boost compared to the previous year.

Disney’s box office success with billion-dollar hits like “Zootopia 2” and “Avatar: Fire and Ash” helped propel revenue for its entertainment division by 7% to $11.6 billion. But costs related to its acquisition of a majority stake in FuboTV, as well as higher marketing costs in theatrical distribution and streaming services affected the sector’s operating income, which declined 35% to $1.1 billion.

The dip in operating income from the entertainment sector took a toll on the company’s total segment operating income, which was down 9% to $4.6 billion. That was also partly due to Disney’s contract dispute last fall with YouTube TV, which lasted for nearly 15 days and resulted in a blackout of Disney channels.

The temporary suspension of Disney channels on YouTube TV took a $110 million toll on operating income within Disney’s sports division, which was down 23% to $191 million. Sports revenue for the quarter totaled $4.9 billion, up 1% compared to the previous year.

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‘I travelled to mysterious UK island removed from maps and what I found was horrifying’

In her exploration of so-called “banned” locations Ellie Whitby set out to investigate an island in northwest Scotland, renowned for its disturbing past, and where access was strictly prohibited

A brave YouTuber has explored a remote Scottish island that was once erased from maps, but what she found was terrifying. Last year, Ellie Whitby, who runs the EllieMarieTV channel on YouTube, ventured to a mysterious island off northwest Scotland with a notoriously dark history as part of a video investigating so-called “banned” locations.

Ellie and a companion drove to Gruinard Island, also known as “Anthrax Island”, a sinister moniker it acquired after scientists contaminated the land whilst carrying out secret biological weapons experiments during World War II.

Anthrax is a potentially fatal infectious disease typically caused by the Bacillus anthracis bacterium. Following these experiments, Gruinard Island was deemed far too hazardous for both livestock and people.

The island’s grim history didn’t deter Ellie, who acknowledged it was “very scary”, but was determined to speak with local inhabitants about the site and, courageously, hoped to persuade someone to take her across to the island.

She explained: “So, we’re in the local town and see if there’s anyone willing to take me out to Anthrax Island, and I want to know their opinions on this. What do they think about this massive, secret government cover-up that happened a mile off their shores?”

Ellie proceeded to interview local residents, one of whom confirmed that the government kept the island under wraps, while another alleged that the tests resulted in the death of sheep on the mainland.

She ultimately discovered a kayaker called Will, who was willing to ferry Ellie across to the island. She remarked: “It was time to be one of very few people to ever step foot on an island hidden from the entire world and see if any of the conspiracies are true.”

Setting off across the water, she quipped: “I literally never used to leave my room out of fear of germs, and now I’m going all the way to an Anthrax Island. I think my therapist would be proud of me or, actually, very concerned.”

Ultimately, they landed on the island near a cave system, but Ellie seemed to have a change of heart. Once she determined there were no “nuclear bunkers”, she declared that she wasn’t “stupid enough” to remain any longer.

Back in 1942, then-Prime Minister Winston Churchill, concerned that Nazi Germany had developed a biological weapon, instructed scientists to investigate ways of weaponising the lethal bacterial infection, the BBC reports.

Located in Gruinard Bay, the 522-acre island served as a testing ground; residents in nearby settlements were unaware of these experiments, but rumours reportedly started to circulate once livestock began dying.

In a 2022 documentary, The Mystery of Anthrax Island, Edward Spiers, emeritus professor at the University of Leeds, stated: “The aim was to test whether the anthrax would survive an explosion in the field. They didn’t know that, and then would it remain virulent thereafter.

“Eighty-odd sheep were tethered at various stages downwind of the likely explosion. The explosion was done by remote control. It isn’t a great bang, a draught of highly potent spores moving down on the wind and causing infection and death wherever it goes.”

This led to devastating consequences, as the sheep rapidly developed symptoms and died; their bodies were then incinerated or buried under debris.

The covert trials lasted until 1943, but the impact of the experiments would be long-lasting. The highly resistant anthrax can reportedly remain in the soil for decades, and access to the island became strictly prohibited.

As reported by Lethbridge News, Gruinard Island was even erased from some maps due to fears that terrorist groups “would travel to the island to procure samples” of the deadly bacteria.

Deemed a success, the scientists concluded their work and returned to Porton Down, a secretive government facility in Wiltshire where research into diseases and chemical weapons is conducted.

Churchill’s proposed biological weapon was never used, and a militant group known as the Dark Harvest Commando of the Scottish Citizen Army (DHC) sought action from the government to decontaminate the island.

One of their strategies involved leaving a bucket of contaminated soil outside Porton Down. Years later, efforts were made to cleanse the island, which seemingly proved successful.

In 1990, the UK government officially announced that the island was free from anthrax, bringing a 48-year quarantine period to a close.

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‘I quit the UK and moved to Spain and you’ll be surprised the reason why’

After uprooting himself from the UK, expat Mark Danby has revealed that there has been one surprising upside of moving from Britain to the Costa del Sol in Spain

As Storm Chandra batters the UK with fierce winds and heavy downpours, many Brits will find themselves fantasising about relocating to warmer climes. One Briton who made the move is Mark Danby, who left his home in the UK and moved to Spain’s Costa del Sol.

However, it wasn’t the holiday destination’s blistering summers that drew Mark in, but rather its gentle, temperate winters. On his Tapas Guy channel on YouTube, he reveals that winter on the Costa del Sol is when he feels most content as an expat.

He explains: “You may be surprised to know that I moved to the Costa Del Sol because of the winter, not because of the summer.

“Winter here is when a place actually reveals whether it’s the right place to live or not, or whether it’s just a place to come for your summer holidays. Before I came here, winter meant something very, very different to me. It meant short, dark days, and cold, wet mornings.”

The milder climate in southern Spain allows Mark to genuinely savour a complete day, wandering in the winter sunshine instead of sheltering indoors from the rain. “My first winter here felt somewhat unfamiliar,” he recalled. “The beaches were quiet. Evenings were calm. For the first time in a long time, my winter days weren’t dictated by weather extremes. I didn’t realise how much I needed that until I had it.”

Mark reveals that his relocation from the UK to Spain has had an unexpectedly positive impact on his mental health. He shares: “Here in the winter, mornings can start with a walk or a drink outside, even in January.”

He elaborates: “Physically and mentally, winter has changed things for me. I get out more. I walk more. I spend more time outside. And as a result of that, I do feel generally less stressed.”

He also notes that his improved mood has boosted his productivity. However, he points out that life isn’t just easier during the Spanish winter, it’s also more affordable.

“The winter in the Costa del Sol is when it becomes financially honest,” he says. “There’s no tourists. Rents drop, sometimes significantly. Leases become available and eating out feels sustainable not just like a luxury.”

Mark admits that some eateries and pubs do shut down during the winter, resulting in slightly fewer dining options.

On the other hand, he observes, the Spanish summer also brings everything to a halt. He adds: “It becomes too hot, everything shuts down and it takes even longer to get things done.”

The rhythm of life, Mark explains, is generally more laid-back throughout the year.

Yet it’s the winter season that holds a special charm. He concludes: “The mild climate removes friction from your daily life. You don’t have to fight the weather like you do in the summer. You can actually live with it.

“When you stay through winter, something changes. You stop being a visitor. You become part of the rhythm.”

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