York

The Knicks are bidding to win their first Championship since 1973 and Karl-Anthony Towns said the fans have been inspiring their comebacks.

“It’s something that’s in the city, you feel that energy in the city,” said Towns, who posted 18 points and 12 rebounds.

“The grit, the grind, the hard work you’ve got to put in to make it in the city.

“I think we reflect our fans and their lifestyles and what it takes to make it in New York City, when we step on that court with the Knicks jersey.”

It was a quiet night for Victor Wembanyama. He was the top scorer for the Spurs but only scored six of his 21 shots from the field.

“We’ve been down in a series before – never in the Finals – but I’m not kicking myself about anything,” said Wembenyama.

“I was bad, it’s not more complicated than that. I’m not worried in the slightest.”

The best-of-seven series continues in San Antonio on Friday before the teams head to Madison Square Garden for Game three on Monday.

FLIGHTS to New York could eventually take the same amount of time as it does to fly to Tenerife – and passengers might be onboard sooner than you think.

X-59 QueSST, nicknamed the “Son of Concorde” has been developed by NASA to travel as much as 300mph faster than current commercial flights.

At the speed of over 900mph, the aircraft could travel from London to New York in 3hr45 – far less than it does to get to some of the Spanish islands.

Currently, flights from the UK to New York take around 7hr30, on average.

With the jet it could be under four hours which is even quicker than a flight to Tenerife at 4hr30.

Most commercial flights currently operate at around 600mph but the aircraft is set to conduct test flights where it will reach supersonic speeds of 630mph at 43,000ft for the first time.

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After that, NASA said that “mission conditions” will follow where the jet will go even faster.

If successful, it is hoped that supersonic flights could launch by 2029.

Don’t worry about hearing a sonic boom either – despite the sound barrier sitting at 660mph, the aircraft have been designed to avoid this.

Instead it will create a sonic “thump”, which is “about as loud as a car door closing”.

Up until now, NASA has been conducting tests in wind tunnels or in the skies but at slower speeds.

The jet is dubbed the ‘Son of Concorde’ as Concorde was the world’s very first supersonic airliner that first flew passengers in 1976.

Concorde’s fastest recorded flight was on February 7, 1996, when British Airways flew Concorde from New York’s JFK airport to London Heathrow in two hours, 52 minutes, and 59 seconds.

Around 20 Concordes were created, but the fleet was grounded in 2003.

This was three years after the crash of an Air France flight, in which all passengers and crew were killed.

Low passenger numbers and high costs were also cited as reasons for the ending of Concorde.

When Concordes were flying they would often break the sound barrier, causing the shaking of windows and creating a loud noise that replicated thunder when passing overhead.

Fancy seeing a real Concorde plane? You can see retired ones at Manchester Airport, Aerospace Bristol or Brooklands Museum in Surrey.

As Israel faces growing international scrutiny for its actions in Gaza and Lebanon, Al Jazeera’s Ava Warriner takes a look at the Israeli and US officials who joined the annual Israel Day parade in New York – the world’s largest gathering in support of the State of Israel.

US States react following increasing criticism of football’s global governing body for the pricing of FIFA World Cup 2026.

FIFA faces a subpoena from the ‌states of New York and New Jersey as part of an investigation surrounding ticket pricing and ⁠accuracy of seat locations for the 2026 World Cup.

In a joint news release on Wednesday, New York Attorney General Letitia James and New Jersey Attorney General Jennifer Davenport ⁠said prices for the 2026 World Cup matches “far exceeded the prices for any previous World Cup tournament”.

FIFA has detailed the first-time use of “dynamic pricing” to adjust ticket costs based ⁠on demand. Fan complaints and allegations of paying for tickets in one location of the stadium but receiving a less-desirable seat caught the attention of state officials.

When pressed to explain why prices of tickets, which went on sale in October, were so high, FIFA President Gianni Infantino ‌defended the governing body on multiple fronts by pointing to the limited ticket supply for an event with worldwide demand.

The state attorneys general confirmed they are seeking information regarding the general event pricing structure, location pricing structure, seat locations and other details related to the eight World Cup matches scheduled to be played at MetLife Stadium in East Rutherford, New Jersey, in the United States. The July 19 final as well as group stage matches and early knock-out round games are to be held at MetLife Stadium.

“New ⁠Yorkers have been waiting years for the World Cup to ⁠come to their backyard, and they deserve a fair shot at affordable tickets,” James said in a release. “No one should be manipulated into paying sky-high prices for seats, and fans should be able to trust that the ⁠tickets they purchased will be the ones they receive.”

The investigation seeks to soothe concerns for fans who’ve purchased – or hope to have an ⁠opportunity to purchase – tickets but feel misled about ⁠the final product.

“FIFA has turned buying a ticket to the World Cup into a gauntlet of confusion, fake scarcity and impossibly high prices – all at the expense of consumers and hard-working New Jerseyans,” Davenport said in the statement.

James said ‌watchdogs called on government officials for guidance to resolve disputes from fans who said they had selected a seat in one category of the four available at MetLife Stadium only to be ‌assigned ‌seats farther back from the playing surface.

FIFA contributed to elements of the seating location confusion with the late introduction of a premium ticket option, or “Front Category”, after initial tickets had already been sold.

A mile from the Manhattan jail where convicted sex offender Jeffrey Epstein was found dead in 2019, an unassuming Tribeca gallery at 101 Reade Street has been transformed into a physical archive of the disgraced financier’s many cases.

More than 3.5 million pages of law enforcement documents published by the United States Department of Justice have been printed, bound and stacked across 3,437 volumes to line the walls of a room from floor to ceiling.

The exhibition, titled “The Donald J Trump and Jeffrey Epstein Memorial Reading Room”, was organised by the Institute for Primary Facts, a nonprofit that says it focuses on transparency and anti-corruption initiatives.

Epstein was arrested on sex trafficking charges in July 2017 before hanging himself in his New York jail cell a month later, denying victims a chance at justice. The “reading room” is an attempt to shed light on the many cases connected to Epstein that never went to trial.

The shelves hold documents released under the Epstein Files Transparency Act, alongside timelines, handwritten visitor notes, and a memorial space dedicated to survivors and victims.

Since opening two weeks ago, the gallery has drawn a steady stream of visitors, including survivors of a string of offences linked to Epstein.

Lara Blume McGee, who was only 17 when she was abused by Epstein, visited the reading room last week.

“I found something brutally human in the Trump-Epstein reading room,” Blume McGee told Al Jazeera. “Proof that our lives mattered enough to be gathered, cataloged, and finally seen.”

She described entering the room as walking into a “paper city”, with three and a half million pages on display, a sight that hit her “like a physical blow”. What she remembers most vividly is the silence.

“The silence was thick with memory,” she said. “Row after row, each bound volume a life, a name, a day that should never have happened if the US government had acted when he was reported to the FBI in 1996.”

The overwhelming scale of the archive is intentional. Organisers say the physicality of the documents forces visitors to confront not only the extent of Epstein’s crimes, but also the number of lives affected by them.

Thousands of victims have been identified in connection with Epstein’s abuse network. One of the most prominent survivors, Virginia Giuffre, died by suicide in April 2025.

David Garrett, a co-founder of the exhibition, said the project was built around survivors from the outset.

“We are centred around the victims and survivors more than anything,” Garrett said. “The biggest thing is transparency and accountability.”

Garrett described the exhibition as part of a broader effort to create “real-life pop-up museums” aimed at generating public pressure around corruption and institutional failure.

“Our goal is how can we drive public outrage in order to put pressure on Congress and the Department of Justice to get full and real transparency and hopefully eventually accountability,” he said.

The process of assembling the archive was itself chaotic. Garrett said organisers downloaded the files from the Department of Justice in March, believing they had received properly redacted documents. Only after printing the collection did they discover that many survivors’ names remained visible in the files.

“What seems to have happened is the Department of Justice modified its search function instead of actually redacting the names,” Garrett said. “The names of survivors were left unredacted while the names of witnesses and co-conspirators were hidden. They brazenly broke the law.”

Finding a venue also proved difficult. Garrett said several locations backed out after initially agreeing to host the exhibit, fearing controversy or retaliation. The Tribeca gallery ultimately became the fifth venue that organisers approached.

Despite these challenges, survivors and advocates quickly embraced the project.

On Tuesday, the gallery became the site of a 24-hour livestream reading of the files led by survivors, advocates and supporters.

Dani Bensky, an Epstein survivor, opened the broadcast Monday afternoon, standing at a podium inside the dimly lit gallery with one of the thick white volumes in her hands.

Her reading marked the beginning of a continuous public recitation of excerpts from the files – an attempt, organisers said, to ensure the documents are not quietly buried again.

Throughout the gallery, visitors have left flowers, handwritten notes, and messages of grief and anger.

Garrett recalled one woman who spent hours walking silently through the space before telling organisers she was herself a survivor of sexual abuse.

“She said this helped her realise that she felt seen,” Garrett said. “That meant a lot to us.”

For Blume McGee, that feeling of visibility carries both relief and frustration.

“For years we were told to be quiet, to accept settlements, to move on,” she told Al Jazeera. “Seeing our truths preserved in a public archive felt like a long-overdue acknowledgment of our pain, our abuse and our reality.”

But she warned that documentation alone is not justice.

“This exhibition gives real hope because the record is now undeniable,” Blume McGee said. “Finally, there is action: documentation, visibility, proof. But those same files map systemic failure — how many doors stayed shut, how many people escaped scrutiny.”

“Visibility without consequence only prolongs the wound,” she added. “We need both: the files on the table and the government to act — investigate, prosecute, reform — so that being ‘finally seen’ becomes finally safe.”

York: Dagger; Galeano, Wood, Mata’afa, Nofoaluma; Roberts, Hunter, Martin, Inman, Vuniyayawa, Buchanan, Field, McShane.

Interchanges: Balmforth, Va’a, Hudson, Hingano.

Catalans: Staines; Russell, Laguerre, Faataape, Cotric; Sexton, Aispuro-Bichet; Allen, Tison, Navarrete, Lipowicz, Maria, Garcia.

Interchanges: Satae, Condon, Wilson, Lis.

Referee: Matty Lynn

The New York Knicks scored 18 unanswered points on the way to a 109-93 win against the Cleveland Cavaliers as they took a 2-0 lead in their best-of-seven Eastern Conference final.

The score was tied at 53-53 when the Knicks pulled away at their Madison Square Garden home to take a 71-53 lead on the way to a ninth straight victory.

Josh Hart scored 26 points, including five three-pointers, for the home side as he racked up a career-high tally for a play-off game, while team-mate Jalen Brunson added 19 points and 14 assists.

The Knicks, who last reached the NBA Finals match in 1999 and have not been champions since 1973, also had Mikal Bridges scoring 19 points and Karl-Anthony Towns 18.

“We don’t really care who gets the shine, the shots, the minutes, those kind of things – we’re focused on winning,” Hart said.

“I think everyone is willing to sacrifice their own personal agendas or performance for the betterment of the team. And when you have a group of guys that do that, sky’s the limit.”

Donovan Mitchell scored 26 points for the Cavaliers and James Harden contributed 18 for the visiting side, who went 2-0 down to the Detroit Pistons in the last round before emerging 4-3 series winners.

“This isn’t our first time facing adversity,” Mitchell said. “We’ve been to two game sevens, so being down 2-0, it’s not the biggest challenge.

“It’s right there. So let’s go ahead and take advantage of it.”

Games three and four will take place in Cleveland on Saturday and Monday.

The winners will play either the Oklahoma City Thunder or San Antonio Spurs, whose Western Conference final is tied at 1-1.

The deal, valued at more than $300m, gives Murdoch control of a storied magazine and a podcast division with a reach valued by advertisers.

Media scion James Murdoch has agreed to acquire New York Magazine and the Vox Media Podcast Network in a deal that will significantly expand his portfolio and stands to boost his influence over news and entertainment.

“This acquisition reflects both our interest in the forward edge of culture and our deep commitment to ambitious journalism,” Murdoch, the younger son of media mogul Rupert Murdoch, said in a statement on Wednesday announcing the transaction. His company Lupa Systems will buy both properties from Vox Media.

The deal, valued at more than $300m, gives Murdoch control of a storied magazine known for its coverage of culture, politics and fashion, and a podcast division whose reach, among a demographic coveted by advertisers, rivals that of cable television news networks, according to several people with direct knowledge of the acquisition. The politics news site Vox.com is also included.

Murdoch and his wife Kathryn Murdoch were intimately involved in courting key talent from Vox, specifically Kara Swisher and Scott Galloway, stars of the popular Pivot podcast, as well as several other programmes on the company’s podcast network.

“I like James and Kathryn,” Swisher said in a phone interview. “Unlike many other media owners these days, they’re savvy about the business and willing to take smart risks.”

Vox’s podcast division was valued much higher than New York Magazine in the transaction, two of the people said, spotlighting the importance of making sure top programmes were locked in. Pivot, for example, has three years remaining on its contract, which will continue under Murdoch. Swisher met with the investor and his wife Kathryn several times before the deal came together.

“In a company like Vox, if its talent doesn’t like something, it’s not gonna happen,” Galloway said in an interview. He added, “James is the only Murdoch that this deal could have happened with.”

Several years ago, James was locked in a fierce dispute with his father over the editorial direction and future control of the family’s media empire. In 2019, he founded Lupa after stepping down as chief executive of 21st Century Fox. In 2020, he resigned from the board of News Corp, the publishing arm of the family’s media empire, citing “disagreements over certain editorial content”.

Vox’s podcast and publishing assets will operate as a subsidiary of Lupa Systems, which also owns Art Basel, which hosts annual events in Paris, Miami, Hong Kong, and Doha, and Tribeca Enterprises, the media and entertainment company cofounded by Robert De Niro and Jane Rosenthal.

Vox Media CEO Jim Bankoff will join Lupa Systems and will continue to lead the brands under the Vox Media label, he said in a note to the company’s staff, adding the deal is expected to close in four to six weeks.

New York Magazine’s publications include The Cut, Vulture and Intelligencer, with a digital audience of tens of millions and more than 400,000 paying subscribers currently.

The acquisition does not include other Vox Media brands such as Eater, Popsugar and The Verge. These brands, along with SB Nation and The Dodo, will become an independent company under a new corporate name.

James’s father, Rupert Murdoch, once owned New York Magazine from the late 1970s till he sold it in 1991.

Hotel operators avoid a ‘very real threat’ by signing a deal with 25,000 workers as the city hosts the 2026 tournament.

New York City hotel operators and ⁠unions have reached an eight-year labour deal covering about 25,000 workers, averting a strike over wages, workloads and staffing levels that had threatened to disrupt the city ⁠before the FIFA World Cup, said the head of the Hotel Association of New York City.

Vijay Dandapani, the association’s president and chief executive, said on Tuesday that the mood among owners was “overall positive” after weeks of negotiations, though the industry made significant concessions.

“We came ‌a long way from where things were,” Dandapani said.

The United States will cohost the tournament with Canada and Mexico from June 11 to July 19.

While FIFA, football’s global governing body and tournament organiser, was not involved in the talks, the prospect of an influx of fans raised the stakes.

A union campaign had warned of a possible strike and urged visitors to avoid affected hotels.

The potential walkout was a “very real threat”, Dandapani said, noting recent labour actions in US cities including Los Angeles and ⁠Boston.

Dandapani said a figure of about $200,000 reflected compensation at the end of the agreement, not at the outset.

Hotel owners entered the talks aiming to preserve profitability, arguing New York’s lodging market has not ⁠fully recovered from the pandemic. Occupancy remains below 2019 levels, and inflation-adjusted room rates have yet to catch up, he ⁠said.

He also cited broader pressures, including the US-Israel war on Iran, tariffs and visa issues.

The deal follows the withdrawal of a proposed city measure that operators said would have sharply raised labour costs by limiting room attendants’ workloads and requiring double pay beyond certain ‌thresholds. Owners estimated it could have lifted wage costs by about 40 percent.

The new pact will still add costs, though operators expect tourism demand and major events to ‌support ‌revenue.

On the second weekend of May, Gustavo Dudamel gave the New York Philharmonic a salsa shock. He gleefully brought the startled players together with the Spanish Harlem Orchestra, an uptown salsa and jazz band, for concerts at Lincoln Center and Washington Heights. The city‘s classical music fans treated it as a cultural breakthrough; Dudamel is expected to transform the orchestra as a cultural institution when he returns in the fall as its music and artistic director.

A day later he was back in Los Angeles to begin rehearsals at a Walt Disney Concert Hall that had been fantastically transformed by Frank Gehry for the Los Angeles Philharmonic’s staging of “Die Walküre.” Transformation — be it cultural, orchestral, personal — has marked Dudamel’s 17 years as music (and more recently artistic) director of the L.A. Phil, which is now coming to an end with his three weeks of concerts in Disney to close the season June 7, followed by a celebratory weekend at the Hollywood Bowl in late August.

But meeting with Dudamel in his dressing room after a “Walküre” rehearsal (the opera begins Tuesday night at Disney and runs for six nights, an act a night, the full opera performed twice) , he says as he has said before, he does not think of this as a culmination, merely the beginning of a new adventure. He’s apartment shopping in New York. But he is keeping his house in Los Angeles.

He’s also departing with two very long new titles as “Die Walküre” premieres: the Diane and M. David Paul Artistic Cultural Laureate of the L.A. Phil and Jane and Michael Eisner Founding Director and Conductor Laureate of Youth Orchestra Los Angeles (YOLA).

Gustavo Dudamel conducts the Los Angeles Philharmonic in a performance of Beethoven’s Missa Solemnis at the Walt Disney Concert Hall on Feb. 22.

(David Butow / For The Times)

“We are talking about projects,” he says. “Look, I’m coming back for two weeks in December,” when he will lead Beethoven programs. He returns in the spring. The Bowl will always be a second home.

“I’m living here and I’m not living here,” he explains. “The connection will always be here.”

The energy in New York is, he continues, “super exciting.” And what excites him the most is how comfortable he feels with the very real differences between L.A. and New York.

“As a Latino from Venezuela,” he says, “I have an immediate connection with the New York that is home of salsa. When I was in the womb I was hearing salsa.” His father, Oscar Dudamel, is a trombonist and salsa musician.

But he adds that mariachi, ubiquitous in Mexico and L.A., is also an integral part of Venezuelan culture. “What I have to say is that I am blessed. I’m blessed that both cities are now part of my life.”

Bringing ‘crazy’ ideas to Los Angeles

L.A., of course, has been the major part of his adult life. At 24, an unknown, he made his dazzling U.S. debut in 2005 leading the L.A. Phil at the Hollywood Bowl. Four years later, he became the orchestra’s music director and caught the world’s attention.

There is no doubt that Dudamel’s extraordinary talents would have meant a major career wherever he landed. But, here, he inherited the world’s most culturally open major orchestra, where fresh thinking and new music thrive. Disney Hall allowed him the extraordinary freedom to dream. Being back at Disney, Dudamel admits, is very emotional, especially conducting “Walküre” with Gehry’s sets of billowy, sumptuous clouds and fanciful white papery horses.

“Frank is here with us,” Dudamel exclaims about the architect, who died in December and with whom he had become close. Conducting Wagner’s opera, in many ways, sums up Dudamel’s ambitions, the way he has connected with more sides of L.A.’s cultural landscape than possibly any other artist.

In L.A., Dudamel grew as an artist and a person, he says, through his relationship with an orchestra that is uniquely flexible and a welcoming community. This allowed Dudamel to be what he likes to call “crazy.”

“I remember the first time I came here. I didn’t have a chance to do or see anything,” he says of his Bowl debut. “So, I remember driving from the airport to Sunset Boulevard, where my hotel was, and I didn’t understand anything. But immediately it was the connection with the orchestra.”

Frank Gehry designed the sets for a Jan. 18, 2024, performance of Wagner’s opera, “Das Rheingold,” with Gustavo Dudamel leading the Los Angeles Philharmonic at Walt Disney Concert Hall.

(Allen J. Schaben / Los Angeles Times)

Flash forward 20 years from 2005 to 2025. In what seemed like a truly crazy idea, he brought the L.A. Phil to the Coachella Valley Music and Arts Festival, where he led a varied set of classical favorites and appearances with pop stars, for 150,000 people shouting “L.A. Phil! L.A Phil.” Among the highlights was “Ride of the Valkyries,” the English title of “Walküre.”

The symbolism of doing “Walküre” is, for Dudamel, unmistakable. Wagner’s four-part “Ring” cycle, of which “Die Walküre” is the second opera, strongly influenced the “Star Wars” films Dudamel grew up with. The saga’s composer John Williams is another L.A. legend who became for Dudamel like family. Williams has, in fact, written a fanfare, “Bravo Gustavo!” that Dudamel will premiere on June 4 in a concert in which he celebrates the musicians of the L.A. Phil.

The “Walküre” production, moreover, further expresses his desire to remain connected with L.A. When asked whether he still plans to complete the “Ring” cycle with the L.A. Phil, which he began two seasons ago with “Das Rheingold,” he says, “completely.”

It’s a radical notion, to say nothing of an extraordinarily expensive and time-consuming challenge for any orchestra given to a former music director, but Dudamel has never been one to take no for an answer. “At my last conversation with Frank,” he recalls, “I said I was coming to talk about ‘Siegfried’ [the next opera in the cycle], and he said, ‘You are crazy.’”

“That was Frank. He freaked out about the operas every time I talked to him about them. And then he came up with fabulous ideas.

“You know I never dreamed about coming to the L.A. Phil. I was happy in Venezuela and guest conducting elsewhere. But when I met Frank and John [Williams], I knew I had come to the right place.”

One reason Dudamel was happy in Venezuela was his position as music director of the Simón Bolívar Youth Orchestra, part of El Sistema, the country’s famed music education program. He brought a version of that to Los Angeles with YOLA, which offers free musical education to students. Bringing young people together to learn — and not just to play music but to listen to each other — has grown increasingly essential to him.

Gustavo Dudamel has fun with John Williams at the Hollywood Bowl as he conducts the L.A. Phil during “Maestro of the Movies: John Williams with the LA Phil” on July 9, 2023.

(Emil Ravelo / For The Times)

On Thursday evening, USC awarded Dudamel an honorary doctorate during its graduation ceremonies at the Coliseum, where Dudamel also gave the commencement speech.

“I will never tire of repeating this: music, art and beauty are universal rights,” he told the graduates, urging them to go out into the world listening to others, seeing others, paying attention to everything. These are the practices he has long championed as the essential need for youth orchestras.

This was, in fact, almost precisely what he said when he first arrived in L.A. “I was very young, but I grew up with these ideas,” he told me.

“You have to say to the students, ‘Stop! Let’s pause. Just listen.’”

“It’s a way to really connect with what surrounds you, but also connect with yourself. That’s the beauty of all the layers of listening we do as musicians. I now think that is our main tool. In the end it’s not listening only to sounds. It’s listening as connecting with others.”

Practicing what he preaches

As Dudamel plans for his next chapter, he indicates that the advice he gives students is what he is also saying to himself.

YOLA students perform on stage during a “Gracias Gustavo Community Block Party” at the Judith and Thomas L. Beckmen YOLA Center in Inglewood on Oct. 11, 2025.

(Etienne Laurent / For The Times)

What L.A. gave him, he concludes, is a greater depth of his own listening. There was the guidance of Deborah Borda, who, as the orchestra’s president and CEO, hired and mentored him. There were the opera productions with Peter Sellars, who made him look deeply inside himself. There were the communities to discover and with which to collaborate.

New York, he insists, will be a further continuation of this process. “There are a lot of things to do. As I did here, that will be not only conducting but spending a big amount of time doing other things. I will have to listen to the community. Every place is different.”

And every place needs to be, for Dudamel, connected. He began his last season in Disney in the fall with the world premiere of Ellen Reid’s “Earth Between Oceans,” a bicoastal co-commission between the L.A. Phil and the New York Philharmonic, sonically evoking the environmental difference between L.A. and New York. He recently repeated it with his new orchestra in David Geffen Hall in New York.

In L.A., Reid’s score felt like a vast, moving, spiritual soundscape of our fires’ fury as well as our coastal fancy. At Geffen, it became a gripping showpiece, like attempting to zoom in a Ferrari through Manhattan streets, were they ever empty — the thrill of taking it all in.

Dudamel says his favorite place in New York so far is the orchestra’s archives. Becoming absorbed in the history of America’s oldest orchestra gives him new ideas. He wants simultaneously the old, the new and the many.

He also insists on ever more connections. ”We are making, many, many projects together,” he says of the L.A. Phil and the New York Philharmonic. That includes bringing the two orchestras together in a further experiment in listening.

“That‘s very important to me, one of my dreams. And it’s not difficult,” he says. “We have plans and it’s beautiful. We have to do that.”

Israeli forces had been preparing the makeshift sites in western Iraq since late 2024, the US newspaper reported.

Israel built two covert military outposts in Iraq’s western desert in advance of the US-Israel war on Iran, The New York Times has reported.

The daily reported on Sunday that Iraqi officials had identified two covert Israeli-operated base in Iraq’s western desert, citing an Iraqi official and a lawmaker. It said Israeli forces had been preparing to build one of the makeshift sites since late 2024, citing a regional official.

Last week, The Wall Street Journal reported that one base was established shortly before the war began and operated with the knowledge of the United States. It said the installation housed Israeli special forces and served as a logistical hub for their air operations. It also reportedly included search-and-rescue capabilities for downed pilots.

According to the newspaper, Israeli forces launched attacks from the base against Iraqi units that came close to discovering the site in early March. Open-source analysts cited by the report identified the suspected location using satellite imagery near Iraq’s border with Saudi Arabia.

The reports have added to months of conflicting accounts over alleged Israeli activity inside Iraq. On Thursday, Lieutenant-General Qais al-Muhammadawi, Iraq’s deputy commander of joint operations, said authorities had received reports of “individuals or movement” in the Najaf desert near Karbala, about 100km (62 miles) southwest of Baghdad, according to the state-run Iraqi News Agency.

The WSJ also referenced comments made in March by Israel’s former air force chief, Major-General Tomer Bar, who said Israeli special forces had carried out “extraordinary” operations during the conflict with Iran, though he did not specify where.

Iraqi officials have publicly denied authorising any foreign military presence in the area. “There is no agreement or consent for any force to be present in this location,” al-Muhammadawi said last week, before the details of the alleged Israeli outpost were reported.

However, the WSJ report said Baghdad privately lodged a protest with Washington in late March over suspected covert military activity, calling it a violation of Iraqi sovereignty.

US officials quoted by the newspaper said Washington was not involved in the operation. On Sunday, a senior Iraqi security official again denied reports that Israel had established a military base in the desert, speaking to Turkiye’s Anadolu news agency.

On Tuesday, the commander of Iraq’s Karbala operations told Al Jazeera that an Israeli military group had been detected in the Najaf desert in March, although he said it had remained in the area for less than 48 hours.

The reports come as Iraq faces growing pressure amid escalating tensions between the US, Israel and Iran.

Washington has repeatedly urged Baghdad to curb the influence of Iran-backed armed groups operating in Iraq. In March, US forces carried out strikes against the Popular Mobilisation Forces after attacks on a US diplomatic and logistics facility near Baghdad airport.

Iran has also raised concerns over the allegations. Iranian Ministry of Foreign Affairs spokesperson Esmaeil Baghaei said on Monday that Tehran would raise the issue with Iraqi authorities. He accused Israel of seeking to destabilise the region.

“Israel’s behaviour in the region shows that they do not respect any limits or red lines,” Baghaei said.

Round-trip train tickets brought down to $98 from $150, and bus fares to cost $20 instead of $80, state officials say.

Local governments in New Jersey and New York have reduced the cost of train and bus tickets for commuters travelling to the states’ joint World Cup venue during the tournament.

New Jersey Transit train tickets to the MetLife Stadium, renamed New Jersey New York Stadium for the FIFA World Cup, will now cost $98 as opposed to the earlier price set at $150 for a return fare, New Jersey Governor Mikie Sherrill announced on Wednesday.

“Ahead of NJ Transit World Cup train tickets going on sale tonight, NJTRANSIT is lowering ticket prices to $98 without New Jersey taxpayer money,” Sherrill wrote in a social media post.

The move followed intense backlash from local and international football fans planning to attend World Cup games at the stadium in East Rutherford, New Jersey, where the tournament’s final will be held on July 19.

The $98 fare, which will be charged during the World Cup matches hosted in New Jersey, is still significantly higher than the regular fare of $13 for the 29km (18-mile) round trip from New York City’s Penn Station.

When the $150 fare was announced, Sherrill defended it by suggesting the upcharge was necessary to ensure that her state’s commuters were not stuck with a “tab for years to come” for hosting the World Cup on its return to the United States for the first time since 1994.

NJ Transit officials said it would cost $62m to transport fans to and from the stadium over the duration of the tournament and outside grants had defrayed only $14m of those anticipated expenses.

“This isn’t price gouging,” NJ Transit President and CEO Kris Kolluri said last month. “We’re literally trying to recoup our costs.”

Meanwhile, the cost of taking a shuttle bus from New York City to the World Cup venue has also been reduced.

“The cost of shuttle bus tickets to and from matches will be reduced from the initial $80 round-trip price to $20,” New York Governor Kathy Hochul announced on the same Wednesday.

The move from the NYNJ Host Committee offers some respite for fans who would have already spent thousands of dollars on attending a World Cup game, largely due to the exorbitant match ticket prices, international and local airfares, and visa costs.

The host city officials said 20 percent of bus tickets for each match will be reserved exclusively for New York state residents. The remaining tickets will be available for all match-going fans.

The US is cohosting the tournament with Mexico and Canada. It begins on June 11.

The beautiful city has “wonderful” Roman architecture and stone houses

A new study by Sweepstakes Table examined the UK’s major cities to determine which are the easiest to explore on foot, with the beautiful city of Bath coming out on top. Scoring an impressive 99.04 on the walkability index, Bath was crowned the most pedestrian-friendly destination in the country.

The city’s key attractions are all within 1.3 miles of one another, meaning visitors can stroll between them in just 29 minutes. Highlights include the Roman Baths, Bath Abbey, and the Royal Crescent. One Reddit user said: “Bath is a wonderful city to walk in. I’ve lived here for two years without a car, and it’s been a pleasure.

“The University is on a hill, so some students don’t like walking up it much and tend to get the bus. The bus can get busy at peak times. You can get a scooter halfway up the hill at the moment.

“If you’re going up five days a week for 9am, it might get annoying. But overall, no, you don’t need a car, and often you’re better off without one.”

A visitor reviewing the city on Tripadvisor said: “Bath is incredibly beautiful. The atmosphere is romantic and good to spend all day getting to know the city.”

Another traveller added: “Unmissable! And if you are in London, you can make a return trip the same day and still get to know Stonehenge. The town is old, of Roman architecture, beautiful, medieval, with stone houses.”

The 10 most walkable cities in the UK

1. Bath
2. Cambridge
3. Reading
4. Portsmouth
5. Dundee
6. London
7. Bristol
8. York
9. Oxford
10. Southampton

ICE agents arrested a Nigerian immigrant in Brooklyn on Saturday night. People promptly staged a protest outside Wykhoff Heights Medical Center, where Chidozie Wilson Okeke was taken after the violent arrest. NYPD officers assaulted and arrested protesters.

The Himalayan nation restores centuries-old statue, stolen in the 1980s, to its original temple in capital Kathmandu.

A centuries-old Buddha statue stolen from a Nepali temple has been reinstalled in its original location, one of several artefacts returned from foreign museums and collectors in recent years.

The statue, dating to the 13th century, was carried in a palanquin back to its pagoda-style temple in the capital, Kathmandu, to the sound of traditional music on Friday.

“I feel so happy, we all do. Our god is coming back,” temple-goer Sunkesari Shakya, 67, told the AFP news agency, recalling the day the statue was stolen, wreaking “havoc” in the community.

In a ceremony attended by a visiting United States envoy, the statue, which returned from New York in 2022, was placed back on its original stone plinth. The event coincided with the festival of Buddha Jayanti, marking the birth of the founder of Buddhism.

A replica that locals had been worshipping instead was moved to another area of the temple.

The statue was taken from the temple in the 1980s and later emerged at Tibet House US, a cultural centre in New York, where it was gifted by an unknown monk, according to Nepal’s Department of Archaeology.

Sergio Gor, Washington’s special envoy to South and Central Asia, told AFP, “One of the things we are focusing on is to be able to bring back some of these incredible artefacts that decades past got into the wrong hands.”

“We are trying to right a wrong from the past,” said Gor, who was on a three-day visit to Nepal.

Many in the Himalayan nation of 30 million people are deeply religious, and the country’s Hindu and Buddhist temples, as well as heritage sites, are an integral part of everyday life.

But many sites are bereft of centuries-old sculptures, paintings, ornamental windows and even doors, which were often stolen after the country opened up to the outside world in the 1950s.

Many pieces were taken with the help of corrupt officials to feed art markets in the US, Europe and elsewhere, although their export remains illegal.

About 200 artefacts have been returned to Nepal, according to the Archaeology Department, including wood and stone carvings, paintings, scriptures and idols of gods and goddesses. At least 41 artefacts have been placed back in their original locations.

“This is very important. Our statues are not just objects of art but part of a living heritage,” conservation expert Rabindra Puri told AFP.

Puri said there was growing momentum to return stolen artefacts. More than 400 are officially listed as missing, but experts estimate the actual number to be in the thousands.

Authorities are specifically seeking to return more artefacts from the US, France, Germany and the United Kingdom.

US President Donald Trump on Thursday sharply criticized The New York Times and CNN over their coverage of the US-Israeli war on Iran, describing CNN as “stupid” and claiming the newspaper’s reporting was “seditious,” Anadolu reports.

Trump said he had “militarily decapitated” Iran, speaking to reporters at an Oval Office event where he signed an executive order aimed at expanding workers’ access to retirement savings, while also criticizing Democratic efforts to limit his war powers.

“And every day, I read about how well they’re doing militarily,” he said. “They’ve got nothing left, they’re done. And yet I read in The New York Times, I see on stupid CNN — which I only watch because you have to watch a little bit of the enemy.”

READ: Pentagon says Iran still has part of naval fleet despite Trump claims

Trump also said coverage by the two outlets implied that Iran is “winning the war,” criticizing their reporting on the war.

“If you read The New York Times — it’s actually seditious, in my opinion,” he said. “You read some of these columnists, but it all starts with the top. It’s a terrible thing.”

He said he did not “care, and everybody knows the facts. We are decimating the country.”

Earlier, the New York Times editorial board suggested that the US military is “losing its edge” in the Iran war, arguing that tactical gains have not translated into overall victory and may weaken Washington’s position.

READ: American journalist Tucker Carlson feels ‘betrayed,’ criticizes Trump on Iran war: Report

One travel influencer has suggested three places in the UK which people should consider visiting instead of more popular destinations. “It’s not about skipping any of them… just travelling a little differently,” she said

The UK is full of incredible places to visit, from historic sites dating back thousands of years, to bustling towns and cities. Whether you want to spend some time in the countryside or on a beach, or if shopping in high-end boutiques and eating in Michelin-star restaurants is more your speed, we’ve got it all.

There are plenty of places in the UK which are famous across the world as destinations for tourists, from the ancient mystery of Stonehenge and the historic streets of Edinburgh, to the spectacular countryside of the Cotswolds and the iconic Big Ben. But what if you want something a bit more off the beaten path?

One travel influencer has suggested three places in the UK which people should consider visiting instead of the more popular destinations. Apryl, who has 47,000 followers on Instagram and regularly shares tips for travel in the UK, shared the advice on social media. Writing in the first slide of the post, Apryl said: “Three places everyone plans in England but I wouldn’t… where I’d go instead.”

Writing in the caption, she said: “Everyone goes to the icons, and you probably should too. But if you’ve already done them, or want something a little less crowded, here’s what I’d add to your England itinerary.” She added: “It’s not about skipping any of them… just travelling a little differently.”

Ely instead of Oxford

Firstly, she said people planning to visit Oxford should instead consider the Cambridgeshire city of Ely. She said: “Fewer crowds, cathedral views, medieval streets.”

Nestled in the Cambridgeshire countryside, the city’s most iconic feature is the spectacular Ely Cathedral, with its incredible octagonal tower. Tourism site Visit Ely describes it as “the destination city with something for everyone”.

It said: “From the monastic buildings of the city past, the vibrant food scene and the scenic majesty of the Riverside, Ely packs a great deal into a pocket city. With Ely Cathedral, independent shops around the city centre, places to relax and replenish both body and mind, there has never been a better time to enjoy this quintessentially English jewel in the heart of East Cambridgeshire. “

Hastings Old Town instead of Brighton Pier

Next, Apryl said people planning a visit to Brighton Pier should instead consider travelling 36 miles east to Hastings Old Town in East Sussex. Apryl said: “Fishing huts, antique shops, and a slower seaside.”

Hastings Old Town is famous for its 19th-century Net Shops, tall, black wooden sheds originally built to provide weatherproof storage for fishing gear. Today the huts are Grade II-listed, while one serves as a free museum.

The area itself comprises the part of the town of Hastings which existed before the 19th century. Today it is the easternmost valley of the current town.

Chester instead of York

Apryl’s final tip was directed at people planning a trip to the historic city of York. She said people should instead visit Chester in Cheshire. She said: “Timbered streets, Roman walls, and fewer crowds.”

Steeped in history, Chester has the most complete city walls and the largest Roman Amphitheatre in the UK, as well as a 10th century cathedral. Chester Zoo is also home to 35,000 animals, and is reportedly the most-visited attraction in the UK outside London.

Visit Cheshire said: “Visit Chester, for its bewitching beauty and unique atmosphere which make it one of Britain’s most popular places for an unforgettable short break. The ancient city is a breath-taking experience with each chapter of Chester’s history etched into the very fabric of the city. Walk where Roman Legionnaires marched to war, Viking raiders wreaked havoc and Norman invaders conquered Anglo Saxons.”

Concluding, Apryl clarified she wasn’t suggesting people shouldn’t visit Oxford, Brighton, or York, but that they should consider other lesser-known destinations too. “Don’t cancel your trip… just try these too,” she said.

LILY Allen has suffered a fresh woe after the sale of her former New York marital home fell through.

It went on the market just days after the Lily’s latest album, which details the alleged infidelity in her marriage, was released last year.

The lavish pad was on sale for £6m ($8m), and it was reported in January that a price of £5m ($7m) had been agreed.

However, the home in Brooklyn is back on the books of estate agents Gambino for £5.3m ($7.3m).

The 19th-century brownstone was reimagined by designer Billy Cotton and architect Ben Bischoff specifically for Lily and her former husband, the Stranger Things actor David Harbour.

The pair, who split in 2024 and are now divorced, recently made headlines following the release of Lily’s album, West End Girl, which alleges that David was unfaithful during their marriage and in one of their homes, possibly 381, Union Street.

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The couple purchased the house in 2021 and gave Architectural Digest a tour of the premises two years later.

The video, which went viral and now has 8.2 million views on YouTube, features some of the couple’s more curious design ideas.

These include a pink fridge in their carpeted bathroom, their windowless pink bedroom and a pair of back-to-back green sofas that, according to the couple, were perfect for arguments.

The couple paid £2.4m ($3.3 million) for the five-bedroom, four-bathroom property in 2020 and its new owners will inherit their busy botanical wallpaper , a kitsch tiger-print television room, and other flamboyant features — which Gambino describes as ‘whimsical’.

Outside, in the garden, there is a cold plunge pool and a sauna.

Gambino tells would-be buyers: “Nestled on one of the most sought-after blocks in Carroll Gardens, 381 Union Street is an enchanting, 22-foot-wide brownstone reimagined by AD100 designer Billy Cotton and architect Ben Bischoff of MADE.

“This late-19th-century townhouse unfolds across four levels. From its stately facade to its refined interior palette, the home is a layered narrative of traditional English charm, modern Brooklyn sensibilities, and rich Italian influence.”

Earlier this year, Lily opened up about her state of mind and the “huge change” in her family life situation following her split.

The popstar candidly told how she had now come out from the other side of a “nervous breakdown” which saw her hospitalised.

Lily, 40, who shares two daughters with first husband Sam Cooper, and endured a bitter split with Stranger Things actor David, 50, last year.

Cheating allegations and a marriage lacking intimacy were allegations levelled at the Netflix actor by Lily.

The marriage breakdown sparked Smile songstress Lily’s first album in seven years.

At the heart of the record is a character called Madeline, who Lily confirmed to the Times is a construct of other people, and the secret relationship she has with a man many are interpreting to be Harbour.

Lily previously told how she was suicidal after her marriage split and voluntarily opted to go to rehab.

She has previously been open about her recreational use of drugs and alcohol but she opted to quit the substances six years ago.

It led the star to find her marriage split even more challenging as she wasn’t able to use the substances as a way out.

Lily said: “The feelings of despair that I was experiencing were so strong.

“The last time that I felt anything like that, drugs and alcohol were my way out, so it was excruciating to sit with those [feelings] and not to use them.”

Lily said: “I’ve been into those places before against my will and I feel like that’s progress in itself.

“That’s strength. I knew that the things I was feeling were too extreme to be able to manage, and I was like, ‘I need some time away’.”