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PHOENIX — When he was selected with the 13th pick of the 2024 MLB draft, outfielder James Tibbs III envisioned himself roaming the outfield of Oracle Park in a San Francisco Giants uniform for many years.

He could never have foreseen that a year and a half later, he’d be playing for a longtime Giants rival, already at the third stop of his young career.

The Giants packaged Tibbs along with Kyle Harrison, Jordan Hicks and Jose Bello in a trade to the Boston Red Sox in exchange for three-time All-Star Rafael Devers last June.

A month and a half later, Tibbs’ life was uprooted yet again, as the Red Sox moved him and Zach Ehrhard to the Dodgers in a trade for Dustin May.

MLB Pipeline prospect analyst Jim Callis has covered the draft for over 30 years, and can’t recall a situation quite like it.

“Tibbs is the only player I can think of who was taken in the top half of the first round and then traded twice during his first full pro season,” Callis said. “He really took off after joining the Dodgers, and I bet we see more consistency out of him when he’s not bouncing between [organizations] in 2026.”

Tibbs seems to have found a comfortable landing spot with the Dodgers. He posted seven home runs, 32 RBI and a .269/.407/.900 slash line over his 36 games in the Dodgers organization, rounding out his season at double-A Tulsa. And during his first camp with the Dodgers, Tibbs has turned heads. Through 15 Cactus League games, he’s hit two home runs, batting .281, with a .351 on-base percentage and .914 OPS.

He likely won’t open the season on the Dodgers’ big-league roster, but manager Dave Roberts sees his potential.

“I like James Tibbs,” Roberts said. “I like him a lot. He loves baseball, he is obsessed with getting better at the game and he just fits who I am as a baseball coach, and the players that we want, so he’s going to play in the big leagues. He’s a championship-type player.”

Tibbs was thrown for a loop by both trades, and taught him a lesson about facing adversity.

“Honestly, I might be one of the first first-round draft picks to be traded twice in their first year,” Tibbs said. “For me it was hard. I’m not going to sugarcoat it; it was hard. And really, mentally draining. [I] felt like I got punched in the face a bunch of times, and really had to learn how to get back up, and keep competing, and figure out how to be true to myself, and true to what I do well.”

Tibbs said that joining the Dodgers helped him to rediscover himself and return to his form from his time at Florida State.

“[When I joined the Dodgers, they] were like, ‘Hey, you know, we just want you to be yourself,” Tibbs said. “We want you to do what you need to do to be successful. Like, we believe in you, we believe in what you did in college. We want you to get that back and be able to be successful with how you swing the bat and how you play defense, and like, we don’t want to take that away from you.’ So obviously, there was tweaks being made, and there was things we needed to change a little bit to get to that spot, but I think for the most part, they just allowed me to be me and work within those boundaries to help figure out how to continue to make that better and better and better.

“And with that being said, I just felt a lot of relief from that.”

Tibbs clubbed 28 home runs in his junior year at Florida State, powering the Seminoles to their first College World Series trip since 2019. He received ACC Player of the Year and consensus First-Team All-American honors.

“Tibbs was one of the best offensive prospects in a loaded 2024 college class,” Callis said. “He makes good swing decisions and hits balls hard, giving him the ingredients to hit for average and power. Most of his value will come from his bat, but it’s a potentially potent bat.”

For now, Tibbs is content to be fulfilling his potential with one organization.

“Props to the Dodgers, they did everything they could to help me transition to that smoothly and make that a better process,” Tibbs said. “And it’s been a lot easier for me to go out and play every night, with the way that they’ve encouraged me and believed in me. It’s just been a blessing to be here.”

A jury found Ye, the controversial music impresario formerly known as Kanye West, liable in the legal dispute brought by his former contractor and ordered him to pay $140,000.

Tony Saxon, who also worked as Ye’s security guard and caretaker at the Malibu property, sued the rapper in Los Angeles Superior Court in September 2023, claiming a slate of labor violations, nonpayment of services and disability discrimination.

The $140,000 judgment announced Wednesday is far less than the $1.7 million in damages that Saxon’s lawyers had originally requested. Ye will also have to pay for Saxon’s legal fees, which is expected to put the total sum that West will have to pay at more than $1 million.

Although Saxon’s attorneys at the Los Angeles-based firm West Coast Trial Lawyers called the verdict a “mixed” one, they characterized it as as a “vindication for our client.”

“Ye’s lawyers called him a liar, a fraud, and a malingerer in court. His medical records, bank records, and personal family history were dissected, mocked, and vilified,” said attorney Ronald Zambrano in a statement.

“In true David-vs.-Goliath fashion, Mr. Saxon stood firm against one of the biggest celebrities in the world, with the truth on his side,” Zambrano said.

Saxon alleged that while working as a security guard on the property, he was forced to sleep on the floor and was fired in November 2021 for failing to comply with Ye’s “dangerous requests.” He also said that he frequently complained to West about these and other issues, but that the rapper failed to address them.

In a statement, Ye’s spokesperson noted the jury had “rejected almost all of his [Saxon’s ] claims,” and that Saxon only recovered “a small fraction of what his lawyers demanded.”

“The jury also found that Saxon acted in the capacity of a contractor and did not qualify for the employee exception under California’s contractor licensing statutes,” according to the statement. “We believe the damages award is legally barred and we’ll be seeking post-trial relief from the court.”

Ye purchased the beachfront concrete mansion in 2021— designed by Pritzker Prize-winning Japanese architect Tadao Ando — for $57.3 million. He then gutted the property on Malibu Road, reportedly saying, “This is going to be my bomb shelter. This is going to be my Batcave.”

Three years later, the hip-hop star sold the unfinished mansion (he had removed the windows, doors, electricity and plumbing and broke down walls), at a significant loss to developer Steven Belmont’s Belwood Investments for $21 million.

In court filings Ye denied Saxon’s allegations. In a November 2023 response to the complaint, he disputed that Saxon “has sustained any injury, damage, or loss by reason of any act, omission or breach by Defendant.”

In January, Ye sued Saxon and his law firm over a $1.8 million lien placed on the Malibu mansion, alleging they “wrongfully” placed an “invalid” lien on the property “while simultaneously launching an aggressive publicity campaign designed to pressure Ye, chill prospective transactions, and extract payment on disputed claims already being litigated in court.”

The Malibu mansion that Ye purchased and gutted was later purchased and restored to its original design.

(The Oppenheim Group / Roger Davies)

That case is pending.

Ye’s spokesperson said the lien “clouded the home’s title and interfered with its sale, destroying substantial value at the time of sale.”

In recent years, the mercurial superstar has faced a number of public and legal dramas.

In 2022, Ye lost numerous lucrative partnerships with companies like Adidas and the Gap, following a raft of antisemitic statements, including declaring himself a Nazi on X (which he later recanted).

Two years later, Ye abruptly shut down Donda Academy, the troubled private school he founded in 2020.

Ye, the school and some of his affiliated businesses faced multiple lawsuits from former employees and educators, alleging they were victims of wrongful termination, a hostile work environment and other claims.

In court filings, Ye has denied each of the claims made against him by former employees and educators at Donda.

Several of those suits have been settled.

A majority of Los Angeles voters are undecided about the race for mayor, with support for incumbent Karen Bass at 20%, according to a new poll.

The poll by Emerson College Polling/Inside California Politics found that about 51% of Angelenos have not made up their minds about who should lead the city for the next four years.

Spencer Pratt, a conservative reality TV star, came in second to Bass, at just over 10%. City Councilmember Nithya Raman, a former Bass ally who shook up the field with her last-minute entry, polled at slightly more than 9%. Tech entrepreneur Adam Miller was supported by just over 4% of those polled, with leftist candidate Rae Huang at about 3%.

Although Bass had the most support among the candidates in the June 2 primary election, the poll showed that nearly half of Angelenos are unhappy with her performance. She was weakened politically by her handling of the devastating Palisades fire but has touted reductions in homicides and homelessness.

About 25% of those polled said they approve of the job Bass is doing as mayor, while about 47% disapprove. About 28% said they have no opinion or felt neutral.

The poll, based on interviews with 350 likely voters March 7-9, revealed just how up for grabs the mayoral election is, with less than three months before the primary.

“This is a wide open race,” said Zev Yaroslavsky, a former city council member and L.A. County supervisor who runs the Los Angeles Initiative at the UCLA Luskin School of Public Affairs. “The general narrative [of the poll] is that the mayor is not popular for somebody going into reelection, but the majority of people have not made up their mind whether they’ll come back to her or go to someone else.”

City Councilmember Nithya Raman meets with reporters after filing paperwork to run for mayor of Los Angeles.

(Christina House / Los Angeles Times)

Bass campaign spokesperson Doug Herman did not respond directly to the poll. But he said in a statement that the mayor “took on the challenge to change Los Angeles after decades of decline from long ignored issues; resulting in first ever back to back drops in homelessness, 60 year lows in homicides and an unprecedented 40,000 affordable housing units accelerated.”

Pratt said through a campaign spokesperson, “The Emerson poll confirms what we’ve been seeing on the ground — this is a two-person race for Mayor of Los Angeles between me and Karen Bass. Angelenos are frustrated with the direction of the city and it’s reflected in her low approval numbers. Our campaign is gaining real momentum as more voters look for new leadership focused on results and accountability. This race is just getting started.”

Raman’s campaign, however, said she’s the one gaining momentum.

“It’s clear that voters want change, and we’re gaining momentum for our campaign to make L.A. more affordable and to govern with urgency and accountability,” the campaign said in a statement.

The field of candidates did not take shape until the week of the February filing deadline. Billionaire developer Rick Caruso and L.A. County Supervisor Lindsey Horvath both flirted with a run before deciding against it, and former L.A. schoolsSupt. Austin Beutner dropped out after the death of his 22-year-old daughter. With no other major candidate opposing Bass, Raman filed her paperwork with hours to spare.

With petitions still being verified, 13 mayoral candidates have qualified for the June ballot. If no one gets 50% of the vote in the primary, the top two finishers will head to a runoff in November.

“This race could shift dramatically come June,” Spencer Kimball, executive director of Emerson College Polling, said in a statement.

Kimball cited the large percentage of undecided voters of all stripes — 67% of independents, 49% of Democrats and 37% of Republicans are undecided. Pratt is a Republican, and the other major candidates are Democrats in a heavily blue city.

Pacific Palisades resident Spencer Pratt, who lost his home in the Palisades fire, stands with supporters after announcing his run for Los Angeles mayor on the one-year anniversary of the Palisades fire in the Palisades Village on Jan. 7, 2026.

(Genaro Molina / Los Angeles Times)

The poll is not the first to show negative views of Bass.

Last year, after the Palisades fire, a poll of L.A. County residents by the UCLA Luskin School of Public Affairs found that 37% held favorable views of the mayor, while 49% held unfavorable views.

The Emerson poll also featured questions on issues such as public safety and homelessness.

More than 82% of Angelenos in the poll said they feel very safe or somewhat safe in their communities, while about 17% said they feel not too safe or not safe at all.

On homelessness, the view was grimmer. Only 15% of Angelenos polled said that homelessness is getting better, while more than 55% said it is getting worse. Almost 30% feel it is staying the same.

Los Angeles has seen significant reductions in street homelessness for the last two years, after years of steady increases.

Bass has attributed the declines to her signature Inside Safe program, which clears encampments and places homeless people in short term housing.

“There is no doubt that Inside Safe, by bringing thousands of people inside and reducing street homelessness by 17.5 percent, has saved lives and helped drive this decline,” Bass said in a statement Tuesday.

The Emerson poll also asked California residents about the governor’s race. Rep. Eric Swalwell (D-Dublin) had the most support at slightly more than 17%, followed by Republicans Steve Hilton at just over 13% and Chad Bianco at more than 11%. Billionaire Tom Steyer came in at about 11%.

Nearly a quarter of California voters were undecided, according to the poll.

Paul Mitchell, a political data expert, called the Emerson poll flawed. Not enough Angelenos were polled, and the sample skewed too heavily toward young people, when older residents are more likely to vote, he said.

Mitchell called the poll an “amuse-bouche.”

“This tells all of the candidates [they] should be doing a poll,” he said.

When Jeff Bryant was playing high school basketball at Sylmar, the top teams in the City Section were annually among the best in California.

“The City dominated back in the day,” Bryant, now the head coach at Palisades, said Tuesday before Southern California Regional Division II boys’ basketball final. His Dolphins lost a heartbreaker, 59-57 at Bakersfield Christian, falling a win short of a trip to Sacramento for the state finals.

Eleven days earlier Palisades captured the City Open Division crown, going undefeated against section opponents, and with 10 players — including all five starters — returning next season, Bryant not only has his sights set on a repeat, he wants to reverse a 15-year trend during which City teams have struggled to compete at the highest level.

City boys teams won the state’s top division five times in six years from 1993-98 and seven times in nine years from 2002-10. However, since the Open Division debuted in 2013 only two City teams have advanced to the regional finals in that division — Westchester in 2014 and Fairfax in 2015 — and the last time a City team made the Open bracket was five years ago when Birmingham lost in the first round.

Bryant, who graduated in 2006, will be rooting for his former coach on Friday when his alma mater plays for the Division V state championship under the guidance of Bort Escoto, who piloted the Spartans to the City Division II title on the same night Palisades won the Open Division. Sylmar was dropped down to Division V for regionals and ran the table.

Birmingham was upset by Fairfax in the opening round of the City Open Division playoffs Feb. 11 and dropped to Division III for the regional tournament. The Patriots have since reeled off four convincing victories and will also play for a state title Friday afternoon.

Birmingham and Sylmar are the latest City teams to benefit from regional playoff expansion in which teams are placed several divisions lower from where they played in their section. Chatsworth advanced to the Division II state final last winter after losing in the City Open Division final and reached the Division IV state final after its City Open semifinal loss two years ago. Like Sylmar this season, Verdugo Hills was the City Division II champion in 2024 and went on to play for the Division V state title.

On the girls’ side, no City squad has won an Open Division state playoff game. Five teams from the section have received berths in the highest division over the last 14 years, but none since Fairfax in 2018. Narbonne is the last City team to conquer the state’s top division, claiming back-to-back Division I titles in 2000 and 2001, long before the Open debuted.

Like the boys, City girls’ teams fare well when dropped to lower divisions.

Palisades, which fell in the first round in the City Open Division, plays for the state Division IV crown Saturday while City Open Division champion Westchester was seeded 14th in Division I for regionals and lost in the first round. Granada Hills went to the Division III state finals two years ago after losing in the first round of the City’s Open Division.

Before taking the helm at Palisades, Bryant guided West Ranch of the Southern Section into the Open Division regional playoffs in 2023. Now he aims to do the same at a school in the section he once played in.

WASHINGTON — Jill Biden is breaking her silence about Joe Biden’s decision to abruptly end his 2024 presidential reelection bid under pressure from Democrats concerned about his age, health and viability against Republican Donald Trump in a rematch of their 2020 campaign.

A political spouse for nearly 50 years, Jill Biden said she has never publicly discussed her feelings about the three-week stretch when her husband ended his political career, instead saving her thoughts for the pages of her soon-to-be-released memoir.

Gallery Books, an imprint of Simon & Schuster, on Wednesday announced that her book, “View from the East Wing: A Memoir,” is scheduled to be published June 2.

Jill Biden told the Associated Press in a brief telephone interview that the book is a “reflection of my four years as first lady” and that writing it was somewhat healing.

“It was kind of cathartic for me to write it, and I wrote about all the, you know, sometimes painful — but other times, most of it really beautiful moments that Joe and I shared during his presidency,” she said.

Jill Biden declined on Tuesday to discuss any of those moments, good or bad — including watching her husband work his way to the decision to end his five-decade-long political career by dropping out of the 2024 presidential race.

In an announcement video shared on Instagram, she said she wants to “set the record straight.”

The last chapter of her husband’s political career

In April 2023, then-President Joe Biden was 80 and the oldest president in U.S. history when he announced he was running for a second term. His age and fitness to serve another four years — which would take him to age 86 — became a source of concern for the public. Some fellow Democrats began to pressure him to step aside after he turned in a disastrous debate performance against Trump in June 2024 in which he struggled, in a raspy voice, to land his debating points and often appeared to lose his train of thought. Aides blamed the poor performance on a cold.

Joe Biden at first insisted that he would stay in the race, but after a few weeks he withdrew from the campaign and endorsed Democrat Kamala Harris, his vice president. Harris became the party’s presidential nominee but lost to Trump in the November 2024 election.

Jill Biden said that, with the book, “I have put things in perspective,” presenting what she describes as a “more balanced view” of her husband’s time as president.

The memoir is also a tribute of the sorts to women who, like herself, juggle multiple roles.

“It’s also a story about my being able to balance life, you know, as a working woman and as a mother, a grandmother, a first lady,” she said.

During her four years in the role, Jill Biden, 74, made history as the first first lady to continue the career she had before entering the White House. She had taught English and writing for decades at the community college level, and she continued teaching twice a week at a Northern Virginia school while serving as first lady.

Joe Biden ‘doing well’ after his cancer diagnosis

The former president’s office announced in May 2025 that he was diagnosed with an aggressive form of prostate cancer and that it had spread to his bones. He’s receiving treatment.

Jill Biden said it was “quite a shock getting the diagnosis” for her husband, who’s now 83.

“The fact that it is in his bones means that he will have cancer, you know, all his lifetime,” Jill Biden said. She said the doctors say he will “live out his natural life.”

“Like most retired couples, he’ll probably drive me crazy till the end of it,” she joked.

She said he visits Washington at least once a week for meetings or to give speeches.

A unique period in American history

The former first lady also writes in the book about serving during a unique period in U.S. history, including the COVID-19 pandemic and the aftermath of the insurrection at the Capitol on Jan. 6, 2021, according to the publisher.

Her husband was sworn into office on the steps of the Capitol on Jan. 20, 2021, just two weeks after a mob of Trump supporters, spurred by his false claims that the Republican lost because of election fraud, stormed the building in a violent attempt to keep lawmakers from certifying Joe Biden’s victory.

Joe Biden’s first year in office was dominated by the federal response to the pandemic and, while he mostly stayed at the White House, Jill Biden wore face mask and traveled around the country to encourage people to get their vaccinations. She also continued her advocacy on behalf of military families, education and community colleges, cancer prevention and women’s health initiatives.

Before she became first lady, Jill Biden was second lady of the United States from 2009 to 2017, when her husband was Barack Obama’s vice president. She currently chairs the Milken Institute’s Women’s Health Network.

Jill Biden is also the author of “Where the Light Enters,” published in 2019, in which she writes about meeting Joe Biden, then a U.S. senator from Delaware, and marrying and building a life with him. She also has written three children’s books.

Superville writes for the Associated Press.

There’s a hidden door in Downtown Disney. Only this one isn’t meant to be walked through.

Flanking a stage near the monorail station, you’ll find a glistening white tower, the work of artist and activist Nikkolas Smith, who has adopted the term “artivist.” At first glance, the tower — one of Downtown Disney’s most striking works — appears to be a nod to Disneyland’s Midcentury art, for its curved lines and space-age optimism wouldn’t be out of place in Tomorrowland.

That’s there, says Smith, but there are also a number of more subtle inspirations.

The tower is a nod to five Black architects, trailblazers whose creations sometimes went unnoticed or overlooked. And that’s why at the base of the structure is a looping opening meant to signify a half-open doorway.

Downtown Disney’s Legacy Tower touches on the styles of different Black architects as it rises into the sky.

(Gary Coronado / For The Times)

Smith shares a distressing anecdote. “They had to learn how to read drawings upside down, because they weren’t allowed to sit next to the white clients,” Smith says, adding they also had to endure unequal pay. “So I was incorporating things like the half doorway to symbolize their struggle.”

Officially designated as the Legacy Tower, Smith himself fixates on that word — “legacy.” The term, he says, represents a thematic constant across his work. A regular collaborator on a number of Walt Disney Co. projects and a former architect with Walt Disney Imagineering, the division of the company focused on theme park experiences, Smith is something of a connector. His canvas art, full of fast-moving brush work, is often rooted in the past while urgently seeking to draw links to the present.

Artist Nikkolas Smith went viral for his portrait of Martin Luther King Jr. in a hoodie, a tribute to slain teenager Trayvon Martin.

(Nikkolas Smith)

His 2025 children’s book, “The History of We,” tells the story of how humanity can trace its roots to Africa. And one of his best-known pieces is of Martin Luther King Jr. in a hoodie, meant to evoke the image of Trayvon Martin, the slain 17-year-old whose death inspired a social justice movement. The work went viral in 2013 while Smith was still working for Imagineering. It altered his career trajectory.

“It was like, ‘I cannot just make art about churros and rides right now,’” Smith says. “There’s a time for that, and there’s also a time to talk about this.” He references his portraits related to the killings of Black men, many at the hands of police officers, such as Philando Castile and Michael Brown.

“At the end of the day, Disney understood that,” Smith adds. “They understood that I needed to make art that was extremely important at the moment, about justice or the lack of justice.”

Smith left Disney in 2019 after 11 years but has maintained a close relationship with the company, so much so that Imagineering called upon Smith to design the tower, which opened in 2023.

Artist Nikkolas Smith, left, chats with guests Ricky Yost and Martina Yost of Aubrey, Texas, who recognized Smith from a recent Disney cruise excursion.

(Gary Coronado / For The Times)

As the Legacy Tower spirals toward the sky, its patterns and and lattice work nod to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams. All were active in Los Angeles — Williams, for instance, was a pivotal designer on the LAX Theme Building — and Smith interlaces decorative flourishes in varying styles that twist around one another to work up the Legacy Tower’s pointed spheres.

The door of the Legacy Tower symbolizes perseverance, Smith says. “They made it through, despite all of the obstacles they had to go through.”

Smith had studied the architects while a student at Hampton University, and has documented on his Instagram their various stylings, which range from restrained to whimsical to ornate. A section referencing Vaughn is modern minimalism, whereas an area dedicated to Sealey is full of jagged, pointed linework. All of it is held together via a coiling design that feels full of movement.

The patterns of the Legacy Tower are nods to the likes of James H. Garrott, Robert A. Kennard, Roy A. Sealey, Ralph A. Vaughn and Paul Revere Williams.

(Gary Coronado / For The Times)

“How can I show humanity’s interconnected future? That’s the idea,” Smith says. “There’s this African theme of Sankofa. If we look toward our future, we have to look at the past and value and appreciate the past. I thought it would be great if I could really commemorate some Black designers and architects as the foundation and backstory of the tower. And I was also thinking about these breezeway block patterns that you see in Leimert Park.”

And yet it also feels like something that belongs in the park. Smith says he looked at some Tomorrowland designs.

“A Midcentury Modern vibe was Walt,” Smith says, referring to park patriarch Walt Disney. “That was Walt’s thing. It all connects. I love that people can hopefully now connect both things. You can connect Tomorrowland and Walt with Paul Revere Williams.”

It’s clearly Smith’s favorite design of his for Disney, although it’s not the only space at the resort that features his artistry. During his decade-plus with Imagineering he regularly worked on teams that focused on projects at Disney California Adventure, which this year is celebrating its 25th anniversary. He was heavily involved, he says, in the evolution of Avengers Campus, contributed to a small promenade stage in Pixar Pier and helped envision the facade of Guardians of the Galaxy — Mission: Breakout!, which transformed the former Tower of Terror into a sci-fi structure.

Nikkolas Smith says elements of Downtown Disney’s Legacy Tower symbolize perseverance.

(Gary Coronado / For The Times)

Smith looks back fondly at his years at Imagineering, specifically calling out his time on the Guardians project. The former fake hotel is now full of glistening bronze pipes, a retro futurist look that former Imagineer Joe Rohde, who led the design, has said takes influence from the high-tech aesthetic of architect Renzo Piano, who worked on France’s Pompidou Centre.

“How much can we add to it? How much can we get away with gluing onto this thing?” Smith says of the Guardians facade. “What is the right amount of ‘Guardians of the Galaxy,’ without being too much? Without scaring people on the freeway?”

Today, Smith continues to focus on social justice work, and has also collaborated with filmmaker Ryan Coogler, such as completing concept designs for his Oscar-nominated film “Sinners.” Smith’s 2023 children’s book “The Artivist” documents the importance of creating art that’s in conversation with the world, believing it’s not only a source for education but for empathy. Smith’s weekly paintings speak out often against the current administration, and Smith has been particularly vocal on the ICE raids.

A selection from “The Artivist,” an illustrated book from Nikkolas Smith.

(Nikkolas Smith)

“Some people say that all art is activism, but I feel that some of the best art that is created is art that has a message,” Smith says. “And hopefully that message has to do with the humanity of all people, and for me, I like to focus on marginalized communities, and how we can value the humanity of everybody. That’s why I make picture books about the origins of humanity and the origins of this country.”

The Leimert Park resident says his wife and young son regularly visit the Disneyland Resort. And when he does, Smith says, he always takes a moment to stop by the Pixar Pier stage that he contributed to, which is often used for character meet and greets.

“They were team projects, and I do go up to them with so much pride,” he says. “I go up to the Pixar Pier promenade stage, and I just go up to it and touch it. … The beautiful thing about Disney is these creations are usually around for a lifetime.”

It turns out you can take the artivist out of Disney, but you can’t fully take the Disney out of the artivist.