Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Rebecca Ellis, with an assist from David Zahniser, Noah Goldberg and Matt Hamilton, giving you the latest on city and county government.
There is no shortage of budget-busting costs facing Los Angeles County, Supervisor Lindsey Horvath recently told guests at this week’s Los Angeles Current Affairs Forum luncheon.
There’s the costly fire recovery effort. And the deep cuts from the federal government. And a continuing homeless crisis.
As Horvath wrapped up her remarks, Emma Schafer, the host of the clubby luncheon, asked about yet another expenditure: What was up with that $2-million settlement to the county’s chief executive officer Fesia Davenport?
“We were faced with two bad options,” Horvath told the crowd dining on skewered shrimp.
Horvath said she disagreed with Davenport’s demand for $2 million, but also believed “that we have to focus on a functional county government and saving taxpayer money.”
Three months ago, all five supervisors quietly voted behind closed doors to pay Davenport $2 million, after she sought damages due to professional fallout from Measure G, the voter-approved ballot measure that will eventually eliminate her job.
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Measure G, which voters passed in November, reshaped the government, in part, turning the county’s chief executive into an elected position — not one selected by the board. The elected county executive, who would manage the county government and oversee its budget, will be in place by 2028. Davenport, a longtime county employee, had been in her post since 2021.
Davenport, as part of her financial demand, said Measure G caused her “reputational harm, embarrassment, and physical, emotional and mental distress.”
Critics contend unpleasant job changes happen all the time — and without the employee securing a multimillion dollar payout.
“Los Angeles County residents should be outraged,” said Morgan Miller, who worked on the Measure G campaign and called the board’s decision a “blatant misuse of public money.”
Horvath, who crafted Measure G, promised during the campaign it would not cost taxpayers additional money. More recently, she voiced dissatisfaction with Davenport’s settlement, saying the agreement should have had additional language to avoid “future risk.”
Horvath said in a statement she considered having the settlement agreement include language to have Davenport and the county part ways — to avoid the risk of litigating additional claims down the road.
Supervisor Janice Hahn, who pushed for Measure G alongside Horvath, said she voted for the settlement based on the advice of county lawyers.
“In the years I worked to expand the board and create an elected county executive, I never disparaged our current CEO in any way,” she said in a statement. “I always envisioned the CEO team working alongside the new elected county executive.”
Davenport has been on medical leave since earlier this month and did not return a request for comment. She has told the staff she plans to return at the start of next year.
It’s not unusual for county department heads to get large payouts. But they usually get them when they’re on their way out.
Bobby Cagle, the former Department of Children and Family Services head who resigned in 2021, received $175,301. Former county counsel Rodrigo Castro-Silva got $213,199. Adolfo Gonzales, the former probation head, took in $172,521. Mary Wickham, the former county counsel, received $449,577.
The county said those severance payments, all of which were obtained through a records request by The Times, were outlined in the department heads’ contracts and therefore did not need to be voted on by the board.
Sachi Hamai, Davenport’s predecessor, also received $1.5 million after saying she faced “unrelenting and brutal” harassment from former Sheriff Alex Villanueva.
Davenport’s settlement was voted on, but not made public, until an inquiry from LAist, which first reported on the settlement.
David Loy, legal director for the First Amendment Coalition, says the county is required under the Brown Act to immediately report out a vote taken on a settlement if the deal is finalized and all parties have approved it. But if it’s not, he says, they don’t need to publicly report it — they just need to provide information when asked.
“You don’t have to proactively report it out in that meeting. You still have to disclose it on request,” said Loy. “ I don’t think that’s a good thing — don’t get me wrong. I’m telling you what the Brown Act says.”
State of play
— DEMANDING DOCUMENTS: Two U.S. senators intensified their investigation into the Palisades fire this week, asking the city for an enormous trove of records on Fire Department staffing, reservoir repairs and other issues. In their letter to Council President Marqueece Harris-Dawson, Sens. Rick Scott (R-Fla.) and Ron Johnson (R-Wis.) showed much less interest in the Eaton fire, which devastated Altadena but did not burn in the city of Los Angeles. An aide to County Supervisor Kathryn Barger, who represents Altadena, said neither she nor other county offices had received such a document request.
— BUMPY BEGINNING: The campaign of City Council candidate Jose Ugarte is off to a rocky start. Ugarte, who is backed by his boss, Councilmember Curren Price, recently agreed to pay a $17,500 fine from the Ethics Commission for failing to mention his outside consulting work on his financial disclosure forms, But on Wednesday, two ethics commissioners blocked the deal, saying they think his fine should be bigger. (Ugarte has called the violation “an unintentional clerical error.”) Stay tuned!
— A NEW CHIEF: Mayor Karen Bass announced Friday that she has selected Jaime Moore, a 30-year LAFD veteran, to serve as the city’s newest fire chief. He comes to the department as it grapples with the continuing fallout over the city’s response to Palisades fire.
— LAWSUIT EN ROUTE: Meanwhile, the head of the city’s firefighter union has accused Bass of retaliating against him after he publicly voiced alarm over department staffing during the January fires. Freddy Escobar, president of United Firefighters of Los Angeles City Local 112, said he’s preparing a lawsuit against the city. Escobar was suspended from his union position earlier this year, after an audit found that more than 70% of the transactions he made on his union credit card had no supporting documentation.
— HE’S BACK! (KINDA): Former Mayor Eric Garcetti returned to City Hall for the first time since leaving office in 2022, appearing alongside Councilmember Nithya Raman in the council chamber for a celebration of Diwali, the Hindu Festival of Lights. Garcetti, a former U.S. ambassador to India, described Diwali as a “reawakening,” saying it may be “the longest continuous human holiday on earth.”
— GENERATIONS OF GALPIN: The San Fernando Valley auto dealership known as Galpin Motors has had a long history with the Los Angeles Board of Police Commissioners, the civilian oversight panel at the LAPD. On Wednesday, the council approved the nomination of Galpin vice president Jeffrey Skobin, to serve on the commission — making him the third executive with the dealership to serve over the past 40 years.
— AIRPORT OVERHAUL: Los Angeles World Airports is temporarily closing Terminal 5 at Los Angeles International Airport, carrying out a “complete demolition” and renovation of the space in the run-up to the 2028 Olympic and Paralympic Games. During construction, JetBlue will be operating out of Terminal 1, Spirit shifts to Terminal 2 and American Airlines lands in Terminal 4, the airport agency said.
— OUT THE DOOR: Two of the five citizen commissioners who oversee the Department of Water and Power have submitted their resignations. DWP Commissioner George McGraw, appointed by Bass two years ago, told The Times he’d been laying the groundwork for a departure for six months. McGraw said he found he could no longer balance the needs of the commission, where he sometimes put in 30 to 40 hours per week, with the other parts of his life. “I needed extra capacity,” he said.
— NO MORE MIA: DWP Commissioner Mia Lehrer was a little more blunt, telling Bass in her Sept. 29 resignation letter that her stint on the board was negatively affecting her work at Studio-MLA, her L.A.-based design studio. Lehrer said the firm has been disqualified from city projects based on “misinterpretations” of her role on the commission.
“As a result, I am experiencing unanticipated limitations on my professional opportunities that were neither expected nor justified under existing ethical frameworks,” she wrote. “These constraints not only affect my own business endeavors but also carry significant consequences for the forty-five professional and their families who rely on the continued success of our work.”
QUICK HITS
Where is Inside Safe? The mayor’s signature program to address homelessness went to Cotner Avenue near the 405 Freeway in Councilmember Katy Yaroslavsky’s Westside district.
On the docket next week: The board votes Tuesday on an $828-million payout to victims who say they were sexually abused in county facilities as children. The vote comes months after agreeing to the largest sex abuse settlement in U.S. history.
That’s it for this week! Send your questions, comments and gossip to [email protected]. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Welcome to Screen Gab, the newsletter for everyone who wore out their remote’s fast-forward button while watching the Season 9 finale of “Love Is Blind.”
In the wake of the news that Lauren Speed-Hamilton and Cameron Hamilton, the inaugural couple to get engaged on “Love is Blind,” welcomed their first child earlier this month (raising the already high bar their rom-com coded relationship had set), the latest season of Netflix’s addictive and maddening social experiment concluded with a dramatic first in the reality franchise’s history. And while the “Sparkle Megan” nickname reveal early in the season still feels like the biggest shock to our system, the outcomes of this season’s weddings will hopefully make next week’s reunion special interesting to watch. But maybe our “Love Is Blind” correspondent Kaitlyn Huamani was onto something when she chose to add some intrigue to her binge of the show. She leaned into the mystery the singles experience in the pods by obscuring her screen and strictly listening to the participants during that critical phase of the experiment to test her assessment of the matches.
But don’t fret, lovers of love. “Nobody Wants This” is back for its second season to help maintain Adam Brody’s grip on GIF-able kisses. For the uninitiated, the L.A.-set series revolves around the will-they/won’t-they relationship between Joanne (Kristen Bell), a woman who often regales about her single life on a podcast, who falls in love with Noah (Brody), a progressive rabbi. But can their relationship make it past hurdles that include their careers, family and religion? The new season takes us on their ongoing journey to figure that out. But there’s another complicated relationship coming into focus too. Joanne’s sister and podcast co-host, Morgan (Justine Lupe), has a boundary-pushing friendship with Noah’s married brother, Sasha (Timothy Simons), that continues to cause tension with his longtime wife, Esther (Jackie Tohn) — and unlocks some other issues about their union in process. Simons stopped by Guest Spot to discuss his character’s approach to marriage and platonic friendships.
Also in this week’s Screen Gab, our recommendations are a light comedy caper that’s a spinoff of the long-running British crime series “Death in Paradise,” and a documentary that gives an intimate look at the life and career of award-winning Deaf actor Marlee Matlin.
ICYMI
Must-read stories you might have missed
Actor Aidan Delbis, photographed in Beverly Hills in October. Delbis has a breakout role in Yorgos Lanthimos’ upcoming “Bugonia.”
Recommendations from the film and TV experts at The Times
Kris Marshall as Humphrey Goodman and Zahra Ahmadi as DS Esther Williams in “Beyond Paradise.”
(Joss Barrett / BritBox / Red Planet Pictures)
“Beyond Paradise” (BritBox)
The third season of this spinoff from the island-set “Death in Paradise” has arrived. Following tall, awkward detective inspector Humphrey Goodman (Kris Marshall), transplanted from the Caribbean back to a small seaside town in Devon, England, trading blue skies for gray, it’s the coziest of cozy mysteries. Comedy and romance thread their way among its apparently impossible murders, always solved with a sudden inspiration in the final minutes of an episode. Sally Bretton plays Martha, Humphrey’s possibly permanent fiancee, who has moved her cafe to larger quarters; they’re still hoping to foster a child. Meanwhile, Martha’s previous fiance, Archie (Jamie Bamber), a well-heeled wine merchant, has crept back into the story, projecting a vibe of “I’m not your rival, rival” toward Humphrey. (I don’t trust him.) At the police station, in an old church, we find Zahra Ahmadi as Sgt. Esther Williams (not awkward), Dylan Llewellyn as PC Kelby Hartford (a puppy dog), and the great Felicity Montagu (known for playing Alan Partridge’s long-suffering assistant Lynne) as office manager Margo, uninhibited. Watch with a cup of something warm, with a shot of something stronger. — Robert Lloyd
Marlee Matlin in “Marlee Matlin: Not Alone Anymore.”
(Courtesy of Sundance Institute)
“Marlee Matlin: Not Alone Anymore” (PBS.org)
She didn’t set out to be a groundbreaker or an activist, but Matlin became both. This intimate documentary directed by Shoshannah Stern (who is Deaf like Matlin) that premiered at Sundance earlier this year provides a showcase for a talented woman whose star rose quickly, thanks to a breakout performance in 1986’s “Children of a Lesser God.” The role won her an Oscar, making her the youngest person to receive the actress award at 21 — a distinction she still holds — and the first Deaf performer to win an Academy Award. (Her “CODA” co-star Troy Kotsur would become the second, 35 years later.) The film examines her upbringing in a hearing family; how a meeting with Henry Winkler led to a lifelong friendship and a path to Hollywood; and how she became a spokesperson and activist for the Deaf community after her Oscar win. (Matlin lobbied Congress for closed captioning on televisions; the first time she watched “The Wizard of Oz” with captions, she says, was a “revelation.”) While she garnered success, she struggled to get more acting roles despite her Oscar win, but more came over time, including parts in “Picket Fences,” “Seinfeld” and, later, “The West Wing.” The film also details her battle with addiction and leaving an abusive relationship with actor William Hurt, her “Children” co-star. However, what makes the film unique is how it places its Deaf subject first, largely using sign language and captions to communicate to viewers. It’s an inclusive look at one of America’s most inspiring actors. — Maira Garcia
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Timothy Simons as Sasha and Justine Lupe as Morgan in Season 2 of “Nobody Wants This.”
(Netflix)
Can men and women be just friends? It’s a question that has long been dissected, debated and downplayed by couples and friends — and in plenty of movies and TV shows. “Nobody Wants This,” the Netflix romantic comedy, offers its own complex and controversial portrayal of such a dynamic. While the show swirls around the hurdles in the love journey of its main characters — Joanne (Bell) and Noah (Brody) — the relationship triangle that’s been brewing between its supporting players comes more sharply into focus in Season 2, now streaming. As Sasha, Noah’s brother who is played by Timothy Simons, tries to place better boundaries with Joanne’s sister, Morgan (Lupe), their friendship places a strain on his marriage to wife Esther (Tohn), leading to more hard truths. Simons stopped by Guest Spot to discuss what interests him about exploring a lived-in marriage at a breaking point, his go-to L.A. spots for a perfect day and the unconventional movie picks on his comfort-watch roster. — Yvonne Villarreal
The season dives into the tough decisions or sacrifices people make when being part of a relationship, and the potential long-term resentments or buried feelings that may resurface later. In this challenging time in Sasha and Esther’s marriage, we get more insight into what those issues are for them. What intrigues you about exploring the rough patches of a lived-in relationship?
I think there’s something interesting about examining those challenges for both actor and audience because it reflects broadly what a lot of people go through as they age in a relationship. People grow and change and can learn to grow and change together, and it’s hard to ask a question like, “Would I choose this person or this life if I met them now,” because what if the answer is no? That’s a rough one to face. Falling in love is somewhat easy, but staying in love is hard. Specific answers to Esther and Sasha aside, I think it’s interesting for an audience to grapple with that question, cause they’ve probably asked some form of it in their real lives.
The bond between Sasha and Morgan has been controversial from the start, with viewers wondering if it was going to evolve into an affair or remain a questionable approach to a platonic relationship. What do you think is going on there and what has it revealed to you about Sasha and what he’s seeking or lacking at this stage in his life? Are there things Sasha and Morgan do or discuss that would be a hard no for you as a married person?
I think that there is a kinship with Morgan and Sasha that, despite very different upbringings, is based on a similar worldview and station in their respective families. I think they get each other in a lot of ways despite not fitting in with most of the world. They are misfits and I think they connect in that. As long as the communication is good and boundaries aren’t crossed, finding someone to discuss issues or seek advice from, I don’t think is a betrayal.
The show is set in L.A. What are three go-to spots you’d recommend to an out-of-towner for the perfect day in L.A.?
Oh man. A lot of ways to go here, but taking a hike in Elysian Park and then going to Jitlada and Jumbo’s Clown Room would be a fun day for everyone. I think with those three you get a wonderful cross-section about what makes the city so rad to live in day-to-day.
You appeared in the final season of “The Handmaid’s Tale” as loathsome Commander Bell. When I spoke with the showrunners, they said when they conceived that character, they used your “Veep” character, the incompetent and insufferable Jonah Ryan, as a model. What’s it like to be synonymous with a character like Jonah and to see how his name gets invoked in discussions of both fictional and real life matters of governance?
Hopefully I can convince people that I’m not as big of a scumbag in real life as those characters, and I love that I got to be a part of something that people hold as fondly in their hearts as I do. That was an incredible experience and a wonderful ensemble of writers, actors and crew all working together. It’s wild, though, to live in a world where Jonah Ryan seems somewhat aspirational.
What have you watched recently that you are recommending to everyone you know?
It’s horror movie season, so I’ve been recommending everyone watch “Pieces”(1982) [AMC+], which is my favorite slasher. A truly wild film with the best ending to any horror movie I’ve ever seen (and that includes “Sleepaway Camp” [Peacock, Prime Video, Tubi]). Also, no surprise here that I’m quite high on “One Battle After Another,” which I’ve seen three times and will go back for a fourth cause I haven’t been able to see it in VistaVision yet.
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
Comfort films are an odd thing for me because I find myself rewatching movies like “Sicario” [Peacock] and “Zero Dark Thirty” [Paramount+], which you can’t argue are comforting in their subject matter. But they are so perfectly constructed, shot and performed that it’s comforting to watch them.
Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
The caption to this week’s top shot reads:
377th Test and Evaluation Group missile operators conduct mission operations at Vandenberg Space Force Base, Calif., Feb. 18, 2025. The 377 TEG, the nation’s only dedicated intercontinental ballistic missile (ICBM) test organization, oversaw an operational test launch of an Air Force Global Strike Command unarmed Minuteman III intercontinental ballistic missile. Fired at 1 a.m. Pacific Time on Feb. 19, 2025, the missile traveled approximately 4,200 miles at speeds up to 15,000 miles per hour before impacting in the Pacific Ocean.
Also, a reminder:
Prime Directives!
If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you.
If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like.
Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.
So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
Within 24 hours of approving a rule change that will allow student athletes and athletic department staff to bet only on professional sports, the FBI arrested more than 30 people in connection with a major sports gambling and betting scheme. The level of sophistication alleged in one 22-page indictment reads like an “Ocean’s Eleven” script with four New York Mafia families, a current NBA player and a head coach all allegedly involved.
For Adam Silver, commissioner of the NBA, the news and arrests are a public relations nightmare.
But for the NCAA, it’s a warning.
Since a 2018 Supreme Court ruling paved the way for sports betting, more than 35 states have legalized it, so I understand why the industry no longer feels dirty. But the governing body for more than half a million young athletes must remember nothing will ever sanitize that industry.
A century ago, the Black Sox scandal nearly destroyed baseball in America. Fast forward a hundred years and we find out 16 professional tennis players — including a U.S. Open champion — were fixing matches for gambling syndicates in Russia and Italy. In between, Pete “Charlie Hustle” Rose received a lifetime ban for betting on baseball games as a manager and Tim Donaghy, an NBA referee, is busted for betting on games. Last year, former NBA player Jontay Porter was found to have placed several bets on games using another person’s account. We call him “former” because the league banned him for life.
So, if NCAA officials believe it is too cumbersome to enforce its current gambling ban (it is investigating multiple violations across several schools), imagine what life inside the organization would be like without some sort of deterrent.
In fact, no imagination is required. Just read the indictment filed by the U.S. District Court for the Eastern District of New York. The FBI alleges the gambling scheme began in 2019, operated across 11 states and involved crime families with origins that date back more than a century.
According to documents, hidden cameras, programmable card shuffling machines and X-ray tables were among the pieces of technology used to steal tens of millions from victims during rigged poker games. Those allegedly involved in the scheme included Chauncey Billups — a Hall of Fame player and head coach of the Portland Trailblazers. Authorities said Billups, who led the Detroit Pistons to the 2004 championship, used his celebrity to lure in victims. In addition, the FBI said Damon Jones, a former player and assistant coach for the Lakers, shared inside information about the health of LeBron James with betters back in 2023. Terry Rozier, an active NBA player on a $100-million contract, was also arrested.
Now consider this: There are roughly 40,000 young men and women who play NCAA basketball and about 8,000 head and assistant coaches leading teams. How confident are you that March Madness won’t take on a different meaning if coaches and players are allowed to bet on games and find themselves underwater? A recent UC San Diego study found internet searches seeking help with gambling addiction increased 23% between 2018 and June 2024.
And while it’s true, the new rule maintains a ban against student athletes and coaches betting on college sports — so there are some guardrails against fixing games — but tilting outcomes is only one possible harm from gambling. The International Tennis Federation found that angry gamblers accounted for 40% of social media attacks aimed at players, with several threats credible enough to be submitted to the FBI. And there is already evidence that college students who aren’t athletes are using student loan money to place bets, and a 2023 NCAA survey found that 14% of U.S. 18- to 22-year-olds bet at least a few times a week.
Another 16% use a bookie.
I repeat: a bookie.
This just feels like a tragedy we can all see coming.
And we’re to believe the NCAA will be equipped to protect student athletes from predators when the Mafia is said to be using professional athletes and X-ray machines to steal from card players who are supposed to know better? The decision-making process for the human brain isn’t fully developed until a person is 25, and the NCAA just voted to let 18-year-olds with “name, image, likeness” money go in the deep water with sharks.
Given what just unfolded in the NBA this week the responsible move for the NCAA would be to pause the rule change — which is to take effect Nov. 1 — and reassess the risks. It’s one thing for sports gambling to cost a pro athlete to lose his career. It would be worse to see addiction or debt obligations steal a young person’s future before it begins.
Do you wish that discovering shows playing at live theaters around Los Angeles was as easy as finding movies in local cinemas? Now it is. A new nonprofit called Theatre Commons L.A. — founded by some of the city’s most prominent theater leaders — launched earlier this week with easy-to-navigate local theater listings for more than 100 houses big and small.
The listings can be filtered by date, neighborhood and genre, and users can simply click on links to buy tickets. I’ve tried it and am happy to report that it takes all the guesswork and Googling out of finding a show that fits your schedule and suits your interests. It also introduced me to a whole host of new shows that I didn’t even realize were playing.
“Theatre Commons LA is about making it easier to make theatre in Los Angeles — and easier for people to find and enjoy it,” wrote Pasadena Playhouse producing artistic director Danny Feldman in an email. “By connecting artists, companies, and audiences, we’re working to build a more connected ecosystem for LA’s bold, local, living theatre.”
That connection is key. Because Los Angeles is a tough city to get a handle on. I’m old enough to remember getting hopelessly lost when I first moved here — crying in my old Toyota Corolla on freeway offramp, clutching a Thomas Guide that I could not make heads or tails of. Ironically, given the subject of this newsletter, I was trying to get to a theater downtown.
Visitors to L.A., and even plenty of seasoned Angelenos, often find the city sprawling and fragmented. The vast landscape is carved up by thriving neighborhoods, each with singular identities molded by unique cultural, business and arts offerings. TCLA aims to bring these diverse theaters together under a common umbrella to pool resources, and promotional and engagement opportunities, as well as to expand a sense of community in a difficult moment for the art form.
“It is no secret that the last few years have been particularly hard for theater in LA from the pandemic to the recent wildfires and curfews,” Center Theatre Group’s artistic director Snehal Desai wrote in an email. “What has become clear during this period is that the Los Angeles theater community is rich in artists, talent and leadership but our resources are scattered and there is not a consolidated place for information and outreach,” he continued. “Theatre Commons LA is a way to bridge those gaps — to share knowledge, opportunities, and support so that everyone, from small ensembles to major institutions, can thrive together. It creates the space our community has been asking for — where artists, institutions, and audiences can come together to imagine what Los Angeles theatre can be next.”
A volunteer steering committee, including Desai and Feldman, launched TCLA and its listings website with the financial support of the Nonprofit Sustainability Initiative. Last month, the Perenchio Foundation made a substantial investment meant to sustain the organization’s future growth, including the hiring of an executive director. (Please see the photo caption above for a list of the other steering committee members.)
Earlier this week also marked The Times’ launch of “The 52 best places to see plays and musicals in Southern California,” curated and written by Times theater critic Charles McNulty, assistant entertainment editor Kevin Crust (who also edits this newsletter) and me. The list contains short summations of each theater’s defining traits and connects to a map that plots each theater in its own pocket of the city. It was a real labor of love and I urge you to use it in conjunction with the new TCLA website to plan your next night out.
I’m arts and culture writer Jessica Gelt, mulling over more than a dozen entertainment options for the weekend. All of them good. Here’s this week’s arts and culture news.
On our radar
Complexions Contemporary Ballet comes to the Music Center on Friday and Saturday.
(Rachel Neville)
Complexions Contemporary Ballet The New York-based company celebrates its 30th anniversary with “Retro Suite,” a collection of works from 1994 to the present, created by co-founding artistic director and principal choreographer Dwight Rhoden. Complexions is known for its high-energy mashup of traditional ballet with hip-hop and street dance, as well as for the multicultural makeup of its troupe and its novel approach to incorporating visual art and theater into its choreography. — Jessica Gelt 7:30 p.m. Friday and Saturday; 2 p.m. Sunday. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. musiccenter.org
Children make art at the 2024 Grand Ave Arts: All Access event.
(John McCoy)
Grand Ave Arts: All Access A day of free art, music and culture along downtown Los Angeles’ cultural corridor. Participating institutions include the Broad, Center Theatre Group, Classical California KUSC, Colburn School, Dataland, Gloria Molina Grand Park, L.A. Opera, the L.A. Phil, Los Angeles Central Library, Los Angeles Master Chorale, Metro Art, MOCA, the Music Center and Redcat. 11 a.m.-4 p.m. Saturday. Grand Ave. from Temple to 6th Street, downtown L.A. grandavearts.org
Cyndi Lauper wrote the music and lyrics for the new musical “Working Girl,” based on the 1988 movie.
(Larsen & Talbert / For The Times)
Working Girl This musical adaption of the 1988 film — directed by Mike Nichols, written by Kevin Wade and starring Harrison Ford, Sigourney Weaver and Melanie Griffith — has assembled an all-star team of its own. The music and lyrics are by Cyndi Lauper, Theresa Rebeck has written the book and Christopher Ashley directs. The Wall Street Cinderella story centers on a Staten Island secretary who, tired of being misused, underestimated and passed over, cunningly takes her corporate future into her own hands in a revenge tale that has everyone rooting for the underdog. Yet another La Jolla Playhouse world premiere that has “Broadway hit” written all over it. — Charles McNulty Tuesday through Nov. 30. La Jolla Playhouse, Mandell Weiss Theatre, 2910 La Jolla Village Drive. lajollaplayhouse.org
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The week ahead: A curated calendar
FRIDAY Tiago Rodrigues In “By Heart,” the Portuguese playwright and actor invites 10 audience members onto the stage to learn a poem as he shares stories of his grandmother and explains the connections created by the words. 8 p.m. Friday and Saturday. UCLA Nimoy Theater, 1262 Westwood Blvd. cap.ucla.edu
SATURDAY John Giorno “No Nostalgia,” an exhibition devoted to the late poet, artist and activist (1936-2019) who turned words into performance, sound installation and painting. The show includes a select group of Giorno’s work ranging from early prints to his black-and-white text and rainbow paintings, a selection of materials from Giorno’s archive showing how he pieced together his poems and his 1969 work Dial-A-Poem. 11 a.m.-6 p.m., Tuesday through Saturday, through April 25, 2026. Marciano Art Foundation, 4357 Wilshire Blvd., Los Angeles. marcianoartfoundation.org
The Los Angeles Chamber Orchestra performs Saturday at Zipper Hall in downtown L.A. and Sunday at the Wallis in Beverly Hills.
(Brian Feinzimer for LACO)
Romantic Resonance When a talented 19th century French pianist named Louise Farrenc became tired of giving concerts accompanying her flutist husband, she founded Éditions Farrenc in Paris, which became one of the country’s leading music publishing houses. She also gained a smallish reputation as a composer of mainly salon pieces for piano. But she had far greater ambitions nearly impossible for a woman at that time to realize. Farrenc composed three large-scale symphonies that are only now, more than a century after her death in 1875, being noticed. Los Angeles Chamber Orchestra’s music director, Jaime Martín, is one of her champions, and he is pairing Farrenc’s impressive Schumann-esque “Second Symphony,” written in 1845, with Brahms’ “First Piano Concerto,” featuring the dauntingly virtuoso pianist Marc-André Hamelin. — Mark Swed 7:30 p.m. Saturday. Zipper Hall, 200 S. Grand Ave., downtown L.A.; 4 p.m. Sunday. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. laco.org
Night of Ritual and Revelry LACMA hosts this after-hours party with a focus on plants. The evening includes open galleries, plant-themed activities, a costume contest, food and drink, plus an outdoor screening of the 1986 cult classic “Little Shop of Horrors” hosted by Meatball. Guests must be 18 or older to attend. 7 p.m. Los Angeles County Museum of Art, Smid Welcome Plaza, 5905 Wilshire Blvd. lacma.org
Ragamala Dance Company performs Saturday at Broad Stage.
(Three Phase Multimedia)
Ragamala Dance Company Ragamala Dance Company — founded and run by the mother-daughter trio Ranee, Aparna and Ashwini Ramaswamy — brings Aparna’s most recent work, “Ananta, the Eternal,” to BroadStage with live music accompaniment. The company specializes in the South Indian dance form Bharatanatyam, and the troupe is known for its soulful embodiment of classical dance techniques and its bold and beautiful traditional costumes. — Jessica Gelt 7:30 p.m. BroadStage, Santa Monica College Performing Arts Center, 1310 11th St., Santa Monica. broadstage.org
Songs of Emerging Endangerment This sound installation by artist TJ Shinn, commissioned by the local multidisciplinary arts organization Clockshop, is set to sound hourly from dawn to dusk. The project features a 30-foot-tall sculptural air raid siren that mimics bird calls to map systems of global migration. Opening Saturday, 2-4 p.m., and through Feb. 22, 2026. Los Angeles State Historic Park. 1245 N. Spring St. clockshop.org
SUNDAY Colburn Orchestra Grammy Award-winner Carlos Miguel Prieto conducts the flagship ensemble from the Colburn School of Music in a program featuring Ravel, Dvořák and Schoenberg. 3 p.m. The Saroya, 18111 Nordhoff St., Northridge. thesoraya.org
The Heart Sellers Lloyd Suh, author of “The Far Country,” a finalist for the 2023 Pulitzer Prize for drama, examines the deracinating effects of immigration in his work. In “The Heart Sellers,” two immigrants, one Filipino, the other Korean, strike up a friendship after a chance meeting at that quintessential American crossroads: the supermarket. Set in 1973, after the 1965 Hart-Celler Act abolished the national quota system that restricted immigration from non-European countries, they bond over what they left behind, the strange universe they’ve entered and the challenge of cooking a frozen turkey. Jennifer Chang directs this comedy about the power of friendship to redefine the idea of home. — Charles McNulty Through Nov. 16. South Coast Repertory, Julianne Argyros Stage, 655 Town Center Drive, Costa Mesa. scr.org
MONDAY Bright Harvest: Powering Earth From Space This documentary follows Caltech professors Harry Atwater, Ali Hajimiri and Sergio Pellegrino on their quest to provide an endless supply of clean sustainable energy for the 2023 launch of the Space Solar Power Demonstrator. Followed by a Q&A with the three professors and filmmaker Steven Reich. Admission is free; reservations recommended. 7:30 p.m. Beckman Auditorium, Caltech, 332 S. Michigan Ave., Pasadena. caltech.edu
TUESDAY Carrie A screening of Brian De Palma’s 1976 adaptation of the Stephen King horror novel, starring Sissy Spacek, Piper Laurie, John Travolta, Amy Irving and William Katt, hosted by drag entertainer Jackie Beat. 7:30 p.m. Tuesday. Vidiots, Eagle Theatre, 4884 Eagle Rock Blvd. vidiotsfoundation.org
WEDNESDAY Pacific Jazz Orchestra’s Big Band With Jane Monheit Step into the elegant past for a program of timeless swing music, big band standards and seductive ballads. 7 and 9:30 p.m. Wednesday and Thursday. Blue Note L.A., 6372 W. Sunset Blvd. bluenotejazz.com
THURSDAY
Lon Chaney in 1925’s “The Phantom of the Opera.”
(Universal Pictures)
The Phantom of the Opera L.A. Opera’s tradition of presenting classic silent horror films for Halloween continues this year with the 1925 version of “Phantom” starring Lon Chaney. Frank Strobel conducts the L.A. Opera Orchestra performing Roy Budd’s original score live. 8 p.m. Thursday and Oct. 31. The United Theater on Broadway, 929 S. Broadway, downtown L.A. https://www.laopera.org/performances/2026/phantom-of-the-opera
Mark Ryden The new solo exhibition “Eye Am” envisions a lurid, mischievous world via twelve paintings and a selection of drawings. Opening reception 5-8 p.m. Thursday; book signing, 1-3 p.m. Oct. 31; exhibition continues through Dec. 20. Perrotin, 5036. W. Pico Blvd. perrotin.com
Nicole Scherzinger Just months removed from her Tony Award-winning triumph as Norma Desmond in “Sunset Boulevard” on Broadway, the former Pussycat Dolls singer makes her Walt Disney Concert Hall debut. 8 p.m. Thursday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com
Culture news and the SoCal scene
The Laura Gardin Fraser “Lee-Jackson Monument” at the “Monuments” exhibit at MOCA.
(Carlin Stiehl / Los Angeles Times)
Los Angeles is home to the “most significant American art museum show right now,” writes Times art critic Christopher Knight in his review of “Monuments,” which opened Thursday at the Brick and the Museum of Contemporary Art’s Geffen Contemporary. Featuring nearly a dozen, mostly Confederate, statues that have been toppled or removed from public spaces over the past decade, the show “pairs cautionary art history with thoughtful and poetic retorts from 20 artists, including a nonprofit art studio,” writes Knight.
I wrote a preview of the show, which includes a few backstories about the people featured in the decommissioned statutes. Men like “newspaper owner Josephus Daniels, who helped foment the 1898 Wilmington massacre in which a mob of more than 2,000 white supremacists killed as many as 300 people in the course of overthrowing the city’s duly elected biracial government.”
Times theater critic Charles McNulty wrote a column examining the ways that various playwrights are engaging with the idea of AI in their work. For examples, he digs into two plays, Lauren Gunderson’s “anthropology,” which is staging its North American premiere in a Rogue Machine Theatre production; and Jordan Harrison’s “Marjorie Prime,” which is having its Broadway premiere this fall. “Gunderson and Harrison are looking ahead to see how AI might be super-charging our disembodiment. To anyone paying attention, business as usual is no longer an option. The very basis of our self-understanding is on the line,” McNulty writes.
“Ha ha ha ha ha ha ha” at Pasadena Playhouse, created and performed by Julia Masli and directed by Kim Noble.
(Jeff Lorch)
McNulty also attended opening night of performance artist and comedian Julia Masli’s one-woman show, “Ha ha ha ha ha ha ha,” at Pasadena Playhouse. He describes the 75-minute improvisational work as “less a traditional comedy show than an experiment in collective consciousness. It doesn’t take much to transform a room of jaded strangers into a representative slice of compassionate humanity.” That’s because Masli devotes her time in the spotlight to solving audience members’ problems, finding their shared empathy in the process.
Times classical music critic Mark Swed has been chronicling the departure of the Los Angeles Philharmonic’s beloved musical and artistic director, Gustavo Dudamel. In a recent column, Swed writes about the hoopla on display during the “first three love-fest weeks of Dudamel’s final season.” There was lots of “Gracias Gustavo” merch, and a daylong “Gracias Gustavo” block party at Beckmen YOLA Center in Inglewood, which included a performance by rapper D Smoke. And let’s not forget Tuesday night’s “Gustavo’s Fiesta” at Walt Disney Concert Hall. Dudamel also gave “four soul-searching performances of Mahler’s Symphony No. 2,” Swed writes. “His Mahler is neither overly exuberant nor constrained by grief and Berliner decorum. This performance heralds a new Dudamel, conductor of prophetic grandeur.”
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A rendering of a still image from Refik Anadol’s giant LED wall, “Living Paintings Immersive Editions,” at Jeffrey Deitch.
(From Refik Anadol Studio)
Last September, I wrote a feature on immersive media artist Refik Anadol and his plans to open the world’s first museum of AI arts, called Dataland, in downtown’s Grand L.A. complex across the street from Walt Disney Concert Hall. Anadol hoped to open the museum — which features five distinct galleries in a 20,000-square-foot space — this year. But this week, the artist announced that the project is now set to debut next spring. Anadol also released a first look at one of the galleries called Infinity Room. You can watch the teaser, here.
Everybody is talking about the brazen jewel heist at the Louvre. You can almost hear the key-clacking of dozens of hopeful screenwriters already drafting their spec scripts. The story is too outrageous to feel true — masked men cutting through a window in broad daylight and entering a gallery full of people before escaping without a trace on a pair of motorcycles. The value of the precious jewels they got away with is estimated to be about $102 million. If you have been living under a rock for the past week, you can read all about it, here.
— Jessica Gelt
And last but not least
Did you know that L.A. is experiencing a golden age of pizza? Neither did I. Fortunately, Times food critic Bill Addison has compiled a list featuring 21 of the city’s best slices.
HEIDI Klum has dropped a NSFW clue about her highly-anticipated Halloween costume – one week before her exclusive annual bash.
The German model is known for being the talk of Hollywood every October 31 with her over-the-top party and outrageous outfit.
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Heidi Klum has dropped a clue about her Halloween costumeCredit: InstagramThe star sent fans wild when she shared this NSFW pictureCredit: Instagram/heidiklumHeidi previously shared this photo to tease what she could be dressing up asCredit: instagramHeidi is known for her over the top looks at her A-list bash – seen here last HalloweenCredit: Getty
Each year, the star rocks an even crazier Halloween ensemble than the previous year and it seems that 2025 will be no exception.
Speaking about their “bedroom sports”, the blonde stunner told The Sunday Times: “Sport en chambre is my favorite exercise — it sounds better in French.
“I have a younger husband,” she gushed.
What could Heidi Klum be dressed as for Halloween?
Booking your holiday on a specific day could actually make your trip cheaper when compared to the rest of the week – and it’s good news for those who want short breaks
08:01, 24 Oct 2025Updated 08:06, 24 Oct 2025
There’s a specific day of the week you should start your holiday (stock photo)(Image: Getty Images/iStockphoto)
There’s a lot to think about when it comes to booking a holiday. Once you’ve chosen where you’d like to go, you have to consider what time of year you’d like to travel, how long you want to go for, and whether you want an all-inclusive resort holiday or want to get out and experience a new culture.
But what you might not have considered before is the exact day of the week you want to fly out. Most people will either pick the start of the week if they’ve taken time off from work, or will opt to travel on the weekend in order to squeeze a couple of extra days out of their trip.
According to one travel expert, however, travelling on specific days of the week could actually make your holiday cheaper or more expensive – and it’s not always a good idea to avoid the weekends.
A holiday expert named Rob, who is an insider for On The Beach, shared a TikTok video in which he looked through the On The Beach data for 2026 holidays and found that some days of the week are cheaper to travel on.
He stipulated that the data he looked at was specifically for couples’ holidays in 2026, but said that “it goes to show that picking the right date can save you a lot of money”.
Rob ran through the days of the week, starting with the most expensive day to travel – Wednesday.
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Explaining why this is, he said: “It’s probably because midweek flights are packed with business travellers, so that pushes the price up, especially on short-haul flights. So that’s your baseline, and one to avoid if you can.”
Next, saving just 1% in comparison to Wednesday, is Tuesday, and the third most expensive day to travel is Saturday. Sunday is marginally cheaper as the middle day on the list, coming in at the fourth cheapest and fourth most expensive.
Speaking about Sunday, Rob said: “Sunday gives you about a 5% saving versus Wednesday. Not to be sniffed at, 5% can be a big difference. Hotels love a Sunday check-in, [as there are] quieter lobbies and fewer crowds, and often, because of this, [there are] lower rates. Plus, you skip the weekend airport chaos.”
The third cheapest day to travel is actually a Monday, as Rob said people “tend to hate the idea” of travelling on a Monday on a psychological level, as it reminds people of going to work.
Second place went to Thursday, as you miss out on the weekend rush, but coming in first place, and saving a whopping 13% compared to those travelling on Wednesday, is actually Friday.
While travelling on a Friday might seem like it would be expensive because it’s so popular, Rob said that’s actually why it’s cheap – as there are more flights and more package deals available.
He said: “There are more flights. Airlines put on more leisure routes because there’s more demand, which means prices get driven down. It’s also the day most hotels want you to check in, meaning more package deals, more discounts, and overall better value.”
Rob ended his video by stating that his data is “foolproof” and booking a holiday on a Friday won’t always work out cheaper, but it’s certainly worth a look if you’re planning a holiday for 2026.
In four days, the Chargers’ defense went from rattled to relentless.
The Minnesota Vikings were the victims, unable to move the ball Thursday night against a unit that looked shaky and unsure of itself in a humbling loss to Indianapolis the previous Sunday.
That, along with the consistently excellent play of quarterback Justin Herbert and a solid ground attack, paved the way for a 37-10 victory by the Chargers before a national audience.
The game marked the first time the Chargers scored 30 points or more. They didn’t punt all game, something that hadn’t happened since Week 16 of 2021. They had 29 first downs to 12 by the Vikings.
The performance looked much closer to one the Chargers might have turned in last season, when they led the AFC by allowing just 18.5 points per game. In the previous three games, the Chargers had allowed an average of 30.6.
The Chargers turned in the defensive gem without the services of All-Pro safety Derwin James Jr., the team’s leading tackler who left in the first half with an ankle injury. His backup, Tony Jefferson, was hobbled by a hamstring injury, leaving the duties to rookie R.J. Mickens, who had an interception early in the fourth quarter.
The decisive victory propels the Chargers into their mini-bye on a high note, washing away some of the bad taste of three losses in the previous four weeks. Their next game is at the one-win Tennessee Titans on Nov. 2.
That means the Chargers will have more time to heal, vital for a team so banged up.
The Chargers rushed for 207 yards, the most since coach Jim Harbaugh’s first two games with the team last season. Running back Kimani Vidal ran for 117 yards and a touchdown.
Chargers quarterback Justin Herbert throws during the second half against the Vikings on Thursday.
(Eric Thayer / Los Angeles Times)
The emphasis on the run was far more Harbaugh’s style than the 55 pass attempts Sunday in the 38-24 loss to the Colts, when the Chargers spent all game trying to claw their way out of a ditch.
Herbert threw for 227 yards and three touchdowns.
Minnesota was hurting at quarterback with Carson Wentz playing with a brace on his left, non-throwing shoulder. At various times, he was holding his limp arm and wincing on the sideline. He was under near-constant pressure from the Chargers’ pass rush.
Late in the fourth quarter, Wentz was leveled from the blindside by blitzers Cam Hart and Troy Dye. The quarterback lay on the ground in what looked to be excruciating pain for a moment, got up, ran to the sideline and flung his helmet in frustration.
Rookie quarterback Max Brosmer finished the game for the Vikings, who dropped to 3-4. J.J. McCarthy is nursing an injured ankle but is likely to return at quarterback soon.
Chargers safety R.J. Mickens (27) shows his excitement after intercepting a pass from Vikings quarterback Carson Wentz in the second half Thursday.
(Eric Thayer / Los Angeles Times)
Khalil Mack, wearing a brace on his injured elbow, was a nightmare for Vikings blockers and spent much of his time in the Minnesota backfield.
As well as the Chargers played, they got off to a terrible start. On their second snap, Herbert threw a short pass to his left that apparently was intercepted by diving cornerback Isaiah Rodgers and returned for an 18-yard touchdown.
The play was nullified, however, when replays showed the football move when Rodgers hit the ground before climbing to his feet.
Having survived that scare, the Chargers took advantage of their new life with a 14-play drive capped by an eight-yard touchdown reception by rookie Oronde Gadsden II.
Herbert has been pressured and hit more than any NFL quarterback, yet he got much better protection Thursday night, thanks in no small part to the return of left tackle Joe Alt.
Also key was the ball carrying of Vidal, promoted from the practice squad in Week 6 because of injuries to the top two Chargers running backs, Najee Harris and Omarion Hampton. Herbert got some big yardage on scrambles as well.
Vidal would score a touchdown in the second quarter, as would Ladd McConkey, and the Chargers had a 21-3 lead at halftime.
In a bit of near-synchronicity, this came four days after the Chargers trailed Indianapolis, 23-3, at halftime.
Just about everything went well for the home team in the first two quarters, with Herbert completing 14 of 18 passes for 191 yards and a pair of touchdowns. The only blemish was an errant 49-yard attempt by kicker Cameron Dicker, his first miss of the season.
A look at this week’s top high school football games in the Southland:
FRIDAY
Garfield (6-2, 4-0) vs. Roosevelt (4-4, 3-1) at East Los Angeles College, 7:30 p.m.
Throw out the records. Close the blinds. It’s East L.A. Classic week. Garfield should be a heavy favorite with running back Ceasar Reyes coming off a school-record 420 yards rushing performance. Roosevelt, though, has won three straight Eastern League games. Jason Moreno is Roosevelt’s version of Reyes. The pick: Garfield.
King/Drew (7-1, 3-0) at Crenshaw (7-1, 3-0), 7 p.m.
King/Drew has never won the Coliseum League title. This is the Eagels’ best chance behind top athlete Jayden Mitchell. Crenshaw has continued to improve behind receiver/defensive back Deance’ Lewis and quarterback Danniel Flowers. The pick: Crenshaw.
The Trump administration is sending federal agents to San Francisco following weeks of threats from the president to deploy the National Guard to the Bay Area.
California Gov. Gavin Newsom released a statement on X confirming and criticizing the agents’ upcoming arrival. He called deployment a “page right out of the dictator’s handbook” intended to create the conditions of unrest necessary to then send in the National Guard.
“He sends out masked men, he sends out Border Patrol, he sends out ICE, he creates anxiety and fear in the community so that he can lay claim to solving that by sending in the [National] Guard,” said Newsom. “This is no different than the arsonist putting out the fire.”
Around 100 federal agents, including members of U.S. Customs and Border Protection, are en route to the U.S. Coast Guard’s Alameda base, according to reporting from the San Francisco Chronicle. The Coast Guard and DHS did not immediately respond to The Times’ request for comment.
Trump has suggested for weeks that San Francisco is next on his list for National Guard deployment, after the administration sent troops to Los Angeles and Chicago and is battling in court to send them to Portland, Ore.
On Sunday, Trump told Fox News, “We’re going to San Francisco and we’ll make it great. It’ll be great again.”
Trump has suggested that the role of the National Guard in San Francisco would be to address crime rates. However, the National Guard is generally not allowed to perform domestic law enforcement duties when federalized by the president.
In September, he said that cities with Democratic political leadership such as San Francisco, Chicago and Los Angeles “are very unsafe places and we are going to straighten them out.”
Trump said he told Defense Secretary Pete Hegseth that “we should use some of these dangerous cities as training for our military, our national guard.”
Newsom urged Californians to remain peaceful in the face of the arrival of federal agents.
“President Trump and [White House Deputy Chief of Staff] Stephen Miller’s authoritarian playbook is coming for another of our cities, and violence and vandalism are exactly what they’re looking for to invoke chaos,” said Newsom on X.
The sending of federal agents to San Francisco comes as the Trump administration continues to crack down on immigration across the nation in an attempt to carry out what the president has proclaimed is the largest deportation effort in U.S. history.
RALEIGH, N.C. — North Carolina Republican legislative leaders completed their remapping of the state’s U.S. House districts on Wednesday, intent on picking up one more seat to help President Trump’s efforts to retain GOP control of Congress in next year’s midterm elections.
The new boundaries approved by the state House could thwart the reelection of Democratic U.S. Rep. Don Davis, who currently represents more than 20 northeastern counties. The state Senate already approved the plan in a party-line vote on Tuesday.
Republicans hold majorities in both General Assembly chambers, and Democratic Gov. Josh Stein is unable under state law to use his veto stamp on redistricting maps. So the GOP’s proposal can now be implemented unless likely litigation by Democrats or voting rights advocates stops it. Candidate filing for 2026 is scheduled to begin Dec. 1.
Republican lawmakers made the intent of their proposed changes crystal clear — it’s an attempt to satisfy Trump’s call for GOP-led states to secure more seats for the party nationwide, so that Congress can continue advancing his agenda. Democrats have responded with rival moves in blue states. A president’s party historically loses seats in midterm elections, and Democrats currently need just three more seats to flip House control.
“The new congressional map improves Republican political strength in eastern North Carolina and will bring in an additional Republican seat to North Carolina’s congressional delegation,” GOP Rep. Brenden Jones said during a debate that Republicans cut off after an hour.
Democratic state Rep. Gloristine Brown, an African American who represents an eastern North Carolina county, made an impassioned floor speech in opposition, saying “You are silencing Black voices and are going against the will of your constituents.”
“North Carolina is a testing ground for the new era of Jim Crow laws,” Brown said.
Republican-led Texas and Missouri already have revised their U.S. House districts to try to help Republicans win additional seats. Democratic-led California reciprocated by asking the state’s voters to approve a map revised to elect more Democrats, and Jones accused California Gov. Gavin Newsom of ramping up the redistricting fight.
“We will not let outsiders tell us how to govern, and we will never apologize for doing exactly what the people of this state has elected us to do,” Jones said.
North Carolina’s replacement map would exchange several counties in Davis’ current 1st District with another coastal district. Statewide election data suggests this would favor Republicans winning 11 of 14 House seats, up from the 10 they now hold, in a state where Trump got 51% of the popular vote in 2024.
Davis is one of North Carolina’s three Black representatives. Map critics suggested this latest GOP map could be challenged as an illegal racial gerrymander in a district that has included several majority Black counties, electing African Americans to the U.S. House continuously since 1992.
Davis is already vulnerable — he won his second term by less than 2 percentage points, and the 1st District was one of 13 nationwide where both Trump and a Democratic House member was elected last year, according to the Center for Politics at the University of Virginia.
Davis on Tuesday called the proposed map “beyond the pale.”
Hundreds of Democratic and liberal activists swarmed the legislative complex this week, blasting GOP legislators for doing Trump’s bidding with what they called a power grab through a speedy and unfair redistricting process.
“If you pass this, your legacy will be shredding the Constitution, destroying democracy,” Karen Ziegler with the grassroots group Democracy Out Loud, told senators this week. She accused the state GOP of “letting Donald Trump decide who represents the people of North Carolina.”
Democrats said this map is a racial gerrymander that will dismantle decades of voting rights progress in North Carolina’s “Black Belt” region. Republicans counter that no racial data was used in forming the districts, and the redrawing was based on political parties, not race.
Based on last week’s arguments before the U.S. Supreme Court in a Louisiana redistricting case, the Democrats may lose this line of attack. A majority of justices appears willing to neuter a key tool of the Voting Rights Act that has protected political boundaries created to help Black and Latino residents elect favored candidates, who have tended to be Democrats.
State GOP leaders say Trump won North Carolina all three times that he’s run for president — albeit narrowly last year — and thus merits more GOP support in Congress. Senate leader Phil Berger called it appropriate “under the law and in conjunction with basically listening to the will of the people.”
WASHINGTON — As the government shutdown enters its fourth week, Senate Republicans are headed to the White House on Tuesday — not for urgent talks on how to end it but for a display of unity with President Trump as they refuse to negotiate on any Democratic demands.
Senate Democrats, too, are confident in their strategy to keep voting against a House-passed bill that would reopen the government until Republicans, including Trump, engage them on extending health care subsidies that expire at the end of the year.
With both sides showing no signs of movement, it’s unclear how long the stalemate will last — even as hundreds of thousands of federal workers will miss another paycheck in the coming days and states are sounding warnings that key federal programs will soon lapse completely. And the lunch meeting in the White House Rose Garden appears unlikely, for now, to lead to a bipartisan resolution as Senate Republicans are dug in and Trump has followed their lead.
Asked about the message at lunch, Sen. John Barrasso of Wyoming, second in Senate GOP leadership, told Fox News Channel’s “Fox & Friends” on Tuesday that it will be, “Republicans are united, and I expect the president to say, ‘Stand strong.’”
Senate Republican leader John Thune, of South Dakota said on Monday that he thinks Trump is ready to “get involved on having the discussion” about extending the subsidies. “But I don’t think they are prepared to do that until (Democrats) open up the government,” he said.
Missed paychecks and programs running out of money
While Capitol Hill remains at a standstill, the effects of the shutdown are worsening.
Federal workers are set to miss additional paychecks amid total uncertainty about when they might eventually get paid. Government services like the Special Supplemental Nutrition Program for Women, Infants and Children, known as WIC, and Head Start preschool programs that serve needy families are facing potential cutoffs in funding. On Monday, Energy Secretary Chris Wright said the National Nuclear Security Administration is furloughing 1,400 federal workers. The Federal Aviation Administration has reported air controller shortages and flight delays in cities across the United States.
And as the shutdown keeps future health costs in limbo for millions of Americans, most U.S. adults are worried about health care becoming more expensive, according to a new Associated Press-NORC Center for Public Affairs Research poll, as they make decisions about next year’s health coverage.
Still, there has been little urgency in Washington as each side believes the other will eventually cave.
“Our position remains the same: We want to end the shutdown as soon as we can and fix the ACA premium crisis that looms over 20 million hardworking Americans,” said Senate Democratic leader Chuck Schumer, D-N.Y., on Monday, referring to the expanded Affordable Care Act subsidies that expire in December.
Schumer called the White House meeting a “pep rally” and said it was “shameful” that House Speaker Mike Johnson, R-La., has kept the House out of town during the shutdown.
November deadlines
Members of both parties acknowledge that as the shutdown drags on, it is becoming less likely every day that Congress will be able to either extend the subsidies or fund the government through the regular appropriations process. The House GOP bill that Senate Democrats have now rejected 11 times would only keep the government open through Nov. 21.
Thune on Monday hinted that Republicans may propose a longer extension of current funding instead of passing individual spending bills if the shutdown doesn’t end soon. Congress would need to pass an extension beyond Nov. 21, he said, “if not something on a much longer-term basis.”
Democrats are focused on Nov. 1, when next year’s enrollment period for the ACA coverage begins and millions of people will sign up for their coverage without the expanded subsidy help that began during the COVID-19 pandemic. Once those sign-ups begin, they say, it would be much harder to restore the subsidies even if they did have a bipartisan compromise.
“Very soon Americans are going to have to make some really difficult choices about which health care plan they choose for next year,” Schumer said.
The president last week dismissed Democratic demands as “crazy,” adding, “We’re just not going to do it.”
North Dakota Sen. John Hoeven said that Republican senators will talk strategy with the president at Tuesday’s lunch. “Obviously, we’ll talk to him about it, and he’ll give us his ideas, and we’ll talk about ours,” Hoeven said. “Anything we can do to try to get Democrats to join us” and pass the Republican bill to reopen the government, Hoeven said.
Still, GOP lawmakers expect Trump to stay in line with their current posture to reject negotiations until the government is open.
“Until they put something reasonable on the table to talk about, I don’t think there’s anything to talk about,” said Louisiana Sen. John Kennedy.
Democrats say Trump has to be more involved for the government to reopen.
“He needs to get off the sidelines, get off the golf course,” said House Democratic leader Hakeem Jeffries, D-N.Y. “We know that House and Senate Republicans don’t do anything without getting permission from their boss, Donald J. Trump.”
Jalonick writes for the Associated Press. AP writers Kevin Freking, Stephen Groves and Matt Brown contributed to this report.
Welcome back to this week’s Lakers newsletter, where things are going to get weird (in a good way). Lakers basketball is officially back Tuesday as the team begins its regular season with the Golden State Warriors at Crypto.com Arena.
Coach JJ Redick downplayed any suggestion that his emotions entering his second season at the helm were significantly different than last year, but he said something that resonated with me as I’m entering my first full season in the NBA world.
“The fun part about this,” Redick said, “is the chaos.”
Let’s embrace this chaos.
All things Lakers, all the time.
Make Luka joyful again
Redick has a word for what Luka Doncic does. When the star guard skips up the court after a one-footed jump shot. The way Doncic grins slyly at his bench after a particularly bold pass. How he makes even the most unimaginable feats seem possible when the ball is in his hands.
‘He’s a weirdo,” Redick said in the most affectionate way possible.
“He has an ability to do what I would call, like, silly stuff, but still be locked in. It’s important to him that basketball is fun. … He’s at play. And that’s part of what makes him great.”
When he was drafted third overall in 2018, Doncic was 19 years old. People called him “The Wonder Boy.” He played with the joy of a child who was discovering new things each time he stepped on the court.
Now he’s 26. He’s seen that the NBA isn’t always just audacious step-back threes and sky-high lobs. Sometimes business gets in the way. Doncic’s ability to bridge the gap between his inner child and the outward seasoned veteran will be what defines the Lakers’ success this year.
“By being in a clearer headspace, and by that I mean just mentally and emotionally in balance, it allows you the freedom to just be yourself,” Redick said of Doncic. “That gets reflected in his expressions, his interactions with teammates, his interactions with our coaching staff, his desire to toe that line between competition and joy and playfulness that truthfully makes him the special person and player that he is.”
Redick has had a unique view of Doncic’s style. They were teammates in Dallas during Redick’s final year. They were unexpectedly reunited by a late-night trade so monumental that it even dominated the conversation at the Super Bowl.
But the shell-shocked version of Doncic wasn’t exactly the joyful player Redick remembered. Doncic said the basketball court has always been his “peaceful place.” The trade shattered not only the collective NBA mind, but also Doncic’s own spirit.
“The joy wasn’t there,” Doncic said.
Doncic was also struggling with a calf injury that kept him sidelined for a week after the trade. He made his debut on Feb. 10. He has said that, in retrospect, that first game was the highlight of his first season as a Laker because of the way the crowd received him. But it took maybe 10 or 15 games for the joy to truly return, Doncic said.
“At the end of the day, we’re all human,” guard Austin Reaves said. “It’s not like we’re robots out here that don’t have feelings, don’t have emotions, anything like that. … That’s not saying that he wasn’t fun to be around. He was always, still joking, having fun, but you can tell that he’s at peace with it. And he’s excited to go to war with us every night.”
Doncic has been adamant about trying to become more of a vocal leader this season. Time has healed his trade wounds, and Doncic said he’s felt much more comfortable speaking up around his teammates. He treated them to a Porsche driving experience as a team-bonding activity and gifted everyone his newest signature shoe. He traded jerseys with Jarred Vanderbilt at a recent practice just for fun. He and Rui Hachimura trade barbs about each others musical preferences.
In front of reporters, Doncic is not a gregarious interview subject, but he still dutifully plodded in front of a hoard of cameras and reporters Monday after practice. Reaves walked by and said loud enough to make sure everyone could hear that Doncic was his “favorite teammate ever.”
Doncic, laughing, responded that Reaves was his least favorite.
“He’s a big kid,” Doncic said sarcastically. “Very childish.”
But in Doncic’s world, that’s a good thing.
Defense wins championships
Gabe Vincent chases a loose ball during last season’s playoffs.
(Robert Gauthier / Los Angeles Times)
Gabe Vincent got the starting nod in LeBron James’ place during the preseason finale and will likely hold onto that role as the season begins in earnest. He has surely earned it.
Vincent shot a sizzling 55.6% from three-point range in the preseason and averaged 16.3 points per game. It was a glimpse of the player he showed he could be in Miami when helped lift the Heat to the NBA Finals.
The 29-year-old guard is also a gritty defender and strong communicator. The Lakers need that to improve on their defense that allowed the Sacramento Kings — playing without stars Keegan Murray, Domantas Sabonis and DeMar DeRozan — to shoot 54.7% from the field.
Doncic said a major piece missing from the Lakers’ defensive performance was physicality. Redick said he saw what the defense could be in two- or three-play bursts in each of the games following a flat performance against the Golden State Warriors in the first game. Now the key is to turn those flashes into sustained stretches.
“Building our habits, building our communication, and being in great shape, it’s how you build a great defense,” Redick said, echoing his three mantras of the year. “I could have put ‘championship defense’ up there. What does that mean? Actually what does that mean? Doesn’t mean anything. It literally doesn’t mean anything. How do you have a championship defense? You gotta have great habits. You gotta be able to communicate. That builds trust. And you gotta be in elite shape so you can play harder than the other team every night. It’s pretty simple.”
Favorite thing I ate this week
Oxtail ragu with pappardelle pasta
(Thuc Nhi Nguyen / Los Angeles Times)
It’s not a bad gig when you get to watch basketball for a living and in between games eat at different restaurants across the country. But after days, and sometimes weeks, on the road, a good home-cooked meal just hits different.
That’s why my culinary highlight came out of my own kitchen this week: Oxtail ragu with pappardelle pasta from Trader Joe’s. And because I like counting on home cooking after road trips, the leftovers will be waiting for me in the freezer for later this season. Nothing says comfort food like a big bowl of noodles.
Small screen giant Netflix has once again turned to the big screen, this time with the release of its latest buzzy film, “Frankenstein.”
Written and directed by Guillermo del Toro, the film opened last weekend with a limited release in 10 theaters in Los Angeles, New York and a few other cities, and will expand to more sites for a total theatrical run of three weeks. The film stars Oscar Isaac as the titular egomaniacal scientist and Jacob Elordi as the Creature (who, contrary to popular belief, is not named Frankenstein — you can thank my English major for that tidbit).
The film is getting some awards attention, particularly for the performance of the prosthetics-and-makeup-laden Elordi, and notched a solid 86% approval rating on aggregator Rotten Tomatoes. As of Sunday afternoon, Del Toro posted that the film had sold out at least 57 screenings. “Frankenstein” will debut on the streamer on Nov. 7.
Del Toro’s “Frankenstein” is just the latest in a long line of adaptations of the classic 1818 novel by Mary Shelley. From the first silent film short in 1910 to Boris Karloff’s famed turn as the monster in 1931 and the Kenneth Branagh-directed movie in 1994 that starred Robert De Niro as the creature (Branagh played Frankenstein and Helena Bonham Carter was Elizabeth Lavenza), the classic horror story has proved ripe for filmmakers’ commentary on humanity, science and nature.
In fact, “Frankenstein” has been a lifelong passion project for Del Toro, who has made an award-winning career out of analyzing and depicting monsters, from 2006’s “Pan’s Labyrinth” to 2017’s “The Shape of Water.”
For Netflix, it’s a reminder of why film remains an important, if unlikely, part of the streamer’s strategy.
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It’s no secret that Netflix has built its reputation — and its streaming prowess — on the strength of its series, from “Orange Is the New Black” to “Stranger Things” and “Bridgerton.” After all, popular episodic shows keep viewers on the platform, rack up hours of engagement and help draw new subscribers to the service.
The Los Gatos, Calif., company’s embrace of movie theaters may seem surprising given its longstanding testy relationship with movie theater exhibitors and their distribution strategy.
In fact, Netflix has also long said its main goal is to offer subscribers first-run movies on its platform, directly undermining the traditional 90-day “window” between a film’s release in theaters and when it appears in the home.
Earlier this year, Netflix Co-Chief Executive Ted Sarandos poured salt on the wound when he called the theatrical business “outdated,” at a time when many chains are struggling to fill seats to pre-pandemic levels.
Yet, theaters are still important to Netflix, which releases about 30 films annually in cinemas.
One reason: the allure of Oscar glory.
For the last few years, Netflix has submitted dozens of movies for awards-qualifying runs.
It’s typical for those films to be in cinemas for about two to three weeks before showing up on the platform. (Sometimes, those theatrical showings are for marketing purposes, like the recent “KPop Demon Hunters” singalong screenings.)
Netflix has won numerous Academy Awards over the years, ranging from animated feature (Del Toro’s “Pinocchio” in 2023), supporting actress (Laura Dern for “Marriage Story” in 2020 and Zoe Saldaña for “Emilia Pérez” in 2025) and director (Alfonso Cuarón in 2019 for “Roma” and Jane Campion in 2022 for “The Power of the Dog”).
Best picture, however, has continued to elude the company.
Theatrical releases also help the streamer to attract filmmakers and build relations with key talent. For instance, Netflix’s upcoming “Narnia” film from Greta Gerwig will get a two-week Imax run next year. Netflix previously ran Del Toro’s well-received horror anthology series “Cabinet of Curiosities.”
And while serial narratives may reign supreme, to maintain subscribers, you need other kinds of content to keep it fresh. That’s where movies (and live events) come into play.
As consumers decide which streaming services they can’t live without, a platform that has a little bit of everything has an advantage.
“Having a good mix of movies and serial content is really important,” says Alicia Reese, senior vice president of equity research in media and entertainment at Wedbush Securities. “A lot of people use this as their one and only subscription.”
In other fronts, is the fight over OpenAI’s new Sora 2 dying down? Maybe not, but there are signs of easing tensions.
On Monday, United Talent Agency, SAG-AFTRA, Creative Artists Agency, Assn. of Talent Agents, actor Bryan Cranston and OpenAI released a joint statement noting that Cranston’s voice and likeness was able to be generated “in some outputs” without consent or compensation when the tool was launched two weeks ago in a limited release.
“While from the start it was OpenAI’s policy to require opt-in for the use of voice and likeness, OpenAI expressed regret for these unintentional generations,” the statement said. “OpenAI has strengthened guardrails around replication of voice and likeness when individuals do not opt-in.”
Cranston, who brought the issue to SAG-AFTRA’s attention, said he was “grateful” to OpenAI for improving its policies and “hope that they and all of the companies involved in this work, respect our personal and professional right to manage replication of our voice and likeness.”
Stuff We Wrote
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NBC News sent termination notices to 150 staffers last week, as the network struggles with declining TV ratings and ad revenue. Layoffs have been prevalent throughout the media landscape this year, but have been felt especially hard at broadcast news outlets, as audiences increasingly migrate to streaming platforms and cut the cord.
In addition to these issues, my colleague Stephen Battaglio reported that the NBC News layoffs were also attributed to the spin-off of cable networks MSNBC and CNBC. NBC News now no longer shares resources with those outlets, which will become part of a new company called Versant.
Affected employees were encouraged to apply for 140 open positions throughout the news group.
Finally …
I had to do it. With the Dodgers returning to the World Series, my colleague Jack Harris looks at the team’s season this year and how they fought through multiple injuries on the roster to eventually turn the ship around.
WHILE the UK threatens to be a washout, we’ve found the place in the Mediterranean least likely to have rain in October.
The place in question is the Algarve in Portugal, and the best news is that Brits can be there in less than three hours and flights cost as little as £15 for a one-way ticket, even during half-term.
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Deputy Travel Editor revealed her favourite place in the Algarve was FaroCredit: SuppliedThe Algarve is a place in the Med with barely any rain during OctoberCredit: Alamy
The Algarve in Portugal is the driest place in the country thanks to its Mediterranean climate that’s influenced by dry winds from the northeast and hot air from the Sahara.
During October temperatures in the Algarve range from 15C all the way to 23C.
The southern spot has between seven and eight hours of sunshine a day on average, throughout the month.
Next week, during October half-term, Brits can fly to Faro, also known as the ‘gateway of the Algarve’ from Birmingham, Liverpool, Bristol, Newcastle, London Stansted and Glasgow from £15 with Ryanair.
So here’s where Sun Travel suggests you explore next…
Albufeira
One of the most well-known spots in the region is the coastal city of Albufeira with sandy beaches and a lively nightlife strip.
Believe it or not, Albufeira was a former fishing village, and despite all the built up areas, there’s still an old town to explore.
Some of the best beaches are Praia dos Pescadores’, also known as Fisherman’s Beach, and Praia da Falésia.
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There’s also a busy marina, and visitors can take boat trips out for dolphin-watching and exploring the Benagil Caves.
Albufeira is popular with tourists, but that’s not necessarily a bad thing as you’ll find plenty of hotels, waterparks, restaurants and bars.
However, if you’re looking to escape the tourist traps one local suggested heading just outside of Albufeira to the fishing village of Olhos de Água.
The Benagil Caves in Albufeira are a popular attraction for touristsCredit: AlamyKara found herself to be one of the only people on the beach in Faro
Angela Antor, who is a watermelon farmer told Sun Travel: “There you can enjoy a nice evening drink and watch the sun go down whilst the fisherman take to the sea.
“And in the traditional village of Ferragudo you can enjoy the catch of the day in riverside restaurants straight from the fishing boats.”
Faro
Faro is the capital of southern Portugal’s Algarve and is considered the ‘gateway’ region.
Deputy Travel Editor Kara Godfrey visited Faro, and discovered very few tourists. She added: “Most people skip Faro to head further into the Algarve.
“But there are some fantastic islands just off the coast where you will see barely any tourists. Ilha Deserta, also known as Barreta, takes just 20 minutes by boat, with tickets a few euros.
“Some call it the Caribbean of Portugal – something I agree with thanks to its golden sandy beaches. There is nothing on the island apart from the fabulous restaurant Estamine – a must visit serving up locally caught food”.
Other highlights in Faro include the 18th-century Capela Dos Ossos on Largo do Carmo within the walled city.
Translated as the Chapel of Bones, the ancient walls are decorated with pieces from over 1,250 human skeletons.
As for the best beach, Kara said: “Praia de Faro, on the island Ilha de Faro, is considered the best beach in the Faro region by locals, but few tourists have heard of it.
“The gold sands stretch for five kilometres with views of the sea on one side and a natural park on the other.”
Lagos has pretty white-washed towns and plenty of beachesCredit: Alamy
Lagos
Lagos has become one of the most visited cities in the Algarve, mostly thanks to the number of tourist-friendly beaches.
Some of the most popular are Praia de Dona Ana, Ponta da Piedade and Praia do Camilo.
Sun Travel chatted to some locals about the Algarve and Ana Veiga, travel and food writer and the co-founder ofWe Travel Portugal, said: “Lagos is a brilliant town that has long attracted surfers to the west Algarve, but recently has become a prime destination for visitors of all types.
“It has incredible hiking trails, water and beach sports, and a historic old town to explore, plus its proximity to the west Algarve is great for explorers that want to see the wild coastline with cliffs and big waves.”
Salem Haire, who lives in Lagos, said: “Pomò La Pasta Italiana has the best Italian food – people will wait more than two hours to eat there (speciality mains from €19), and there’s a local Portuguese kitchen called Tasca de Lota that’s my personal favourite (mains from €11 and bottles of wine from €13).
“Also in Lagos, Go Bao has delicious bao buns for those who are tired of Portuguese food (buns from €5), and Gelicia has amazing Italian gelato, with vegan and gluten free options too.”
Portimao has beaches and golden cliffsCredit: AlamyThere’s a stretching promenade with palm trees and boatsCredit: Alamy
Portimao
Portimão is the second-largest city in the Algarve so there’s plenty to explore, like beaches such as Praia da Rocha – a lively resort town.
It’s known for having a vast sandy beach with water sports, as well as lots of restaurants and bars.
Inês Tito, aPortugaland Algarve trip planner, said: “Portimão, near the Praia De Rocha, is the perfect place for beachholidays. There are plenty of accommodation options, some only a fewstepsfrom the beach, so you won’t have any issue in finding a place to stay.
As for places to stay, Inês said: “Or the Bela Vista Hotel & Spa – Relais & Châteaux in Portimão is a beautiful boutique hotel set in a 19th palace overlooking Praia da Rocha.”
Silves in the Algarve is one of the cheapest places to take a holidayCredit: Alamy
Silves
Silves doesn’t have beaches as it’s inland, but there’s still plenty to do, and last year it was named one of the cheapest places to visit.
The city used to be the capital of the Algarve, and it’s around an hour away from Faro.
It’s a great place for an affordable break, with the average price of a hotel being around £73, while a beer can cost as little as £2.50.
In Silves, you’ll find cobbled streets with independent shops selling gifts, and ceramics, and plenty of cafes.
Compared to the other destinations in the Algarve, Silves is likely to be quieter than the others.
An estimated 7 million Americans turned out Saturday to peacefully protest against the breakdown of our checks-and-balances democracy into a Trump-driven autocracy, rife with grift but light on civil rights.
Trump’s response? An AI video of himself wearing a crown inside a fighter plane, dumping what appears to be feces on these very protesters. In a later interview, he called participants of the “No Kings” events “whacked out” and “not representative of this country.”
I’m beginning to fear he’s right. What if the majority of Americans really do believe this sort of behavior by our president, or by anyone really, is acceptable? Even funny? A recent Economist/YouGov poll found that 81% of Republicans approve of the way Trump is handling his job. Seriously, the vast majority of Republicans are just fine with Trump’s policies and behavior.
According to MAGA, non-MAGA people are just too uptight these days.
Vice Troll JD Vance has become a relentless force for not just defending the most base and cruel of behaviors, but celebrating them. House Speaker Mike Johnson has made the spineless, limp justification of these behaviors an art form.
Between the two approaches to groveling to Trump’s ego and mendacity is everything you need to know about the future of the Republican Party. It will stop at nothing to debase and dehumanize any opposition — openly acknowledging that it dreams of burying in excrement even those who peacefully object.
Not even singer Kenny Loggins is safe. His “Top Gun” hit “Danger Zone” was used in the video. When he objected with a statement of unity, saying, “Too many people are trying to tear us apart, and we need to find new ways to come together. We’re all Americans, and we’re all patriotic. There is no ‘us and them’,” the White House responded with … a dismissive meme, clearly the new norm when responding to critics.
It may seem obvious, and even old news that this administration lacks accountability. But the use of memes and AI videos as communication, devoid of truth or consequence, adds a new level of danger to the disconnect.
These non-replies not only remove reality from the equation, but remove the need for an actual response — creating a ruling class that does not feel any obligation to explain or defend its actions to the ruled.
Politico published a story last week detailing the racist, misogynistic and hate-filled back-and-forth of an official, party-sanctioned “young Republican” group. Since most of our current politicians are part of the gerontocracy, that young is relative — these are adults, in their 20s and 30s — and they are considered the next generation of party leaders, in a party that has already skewed so far right that it defends secret police.
Here’s a sample.
Bobby Walker, the former vice chair of the New York State Young Republicans, called rape “epic,” according to Politico.
Another member of the chat called Black Americans “watermelon people.”
“Great. I love Hitler,” wrote another when told delegates would vote for the most far-right candidate.
There was also gas chamber “humor” in there and one straight up, “I’m ready to watch people burn now,” from a woman in the conversation, Anne KayKaty, New York’s Young Republican’s national committee member, according to the Hill.
Group members engaged in slurs against South Asians, another popular target of the far right these days. There’s an entire vein of racism devoted to the idea that Indians smell bad, in case you were unaware.
Speaking of a woman mistakenly believed to be South Asian, one group member — Vermont state Sen. Samuel Douglass, wrote: “She just didn’t bathe often.”
While some in the Republican party have denounced, albeit half-heartedly, the comments, others, including Vance, have gone on the attack. Vance, whose wife is Indian, claims everyone is making a big deal out of nothing.
“But the reality is that kids do stupid things. Especially young boys, they tell edgy, offensive jokes. Like, that’s what kids do,” Vance said. “And I really don’t want us to grow up in a country where a kid telling a stupid joke — telling a very offensive, stupid joke — is cause to ruin their lives.”
Not to be outdone, Johnson responded to the poop jet video by somehow insinuating there is an elevated meaning to it.
“The president was using social media to make a point,” Johnson said, calling it “satire.”
Satire is meant to embarrass and humiliate, to call out through humor the indefensible. I’ll buy the first part of that. Trump meant to embarrass and humiliate. But protesting, of course, is anything but indefensible and the use of feces as a weapon is a way of degrading those “No Kings” participants so that Trump doesn’t have to answer to their anger — no different than degrading Black people and women in that group chat.
Those 7 million Americans who demonstrated on Saturday simply do not matter to Trump, or to Republicans. Not their healthcare, not their ability to pay the bills, not their worry that a country they love is turning in to one where their leader literally illustrates that he can defecate on them.
Maybe 7 million Americans angry at Trump can’t convince him to change his ways, but enough outraged Vermont voters can make change in their corner of the country.
Which is why the one thing Trump does fear is the midterms, when voters get to shape our own little corners of America — and by extension, whether Trump gets to keep using his throne.
Iconic panel show Mock the Week is set to return to screens in 2026, four years after it was axed by the BBC, and will be broadcast on a free-to-air rival challenge
13:41, 20 Oct 2025Updated 13:42, 20 Oct 2025
Mock the Week is making a huge comeback(Image: BBC)
Mock the Week was axed from television four years ago, but the BBC panel show is now poised for a spectacular return next year. The satirical news commentary programme, which launched the careers of Hugh Dennis, Frankie Boyle, and Russell Howard, is scheduled to make its comeback on screens in 2026.
Initially debuting back in 2005, Mock the Week offered a comedic take on weekly news stories and quickly established itself as a broadcasting favourite. The half-hour comedy format eventually concluded in 2022 following 17 years on air, but its return has now been officially announced.
This time around, the programme will air on TLC, as the channel transitions to free-to-air broadcasting in the UK come January 2026, delivering additional scripted and unscripted programming, reports the Express.
Warner Bros. Discovery released a statement confirming the show’s revival, produced by Angst Productions, would provide the “much-loved” format with a “new look”.
Cast announcements remain pending, though supporters are eager to witness Hugh, Frankie, Russell, and fellow comedian Andy Parsons grace screens once again.
TLC operates as a television network in America, which Warner Bros. Discovery has recently chosen to introduce on Freeview in Britain, simultaneously discontinuing HGTV.
The UK debut of TLC will additionally showcase scripted programming including The Big Bang Theory and its enduring comedy-drama offshoot, Young Sheldon.
The show, which first aired in 2005, was cancelled back in 2022 with host Dara O’Briain sharing a sad statement at the time. “That’s it folks, the UK has finally run out of news,” he said.
“The storylines were getting crazier and crazier – global pandemics, divorce from Europe, novelty short-term prime ministers. It couldn’t go on.”
Earlier this year, Mock the Week star Milton Jones announced that he was ‘cancer free’ after undergoing surgery. The stand-up comic cancelled a number of dates earlier this year after being diagnosed with prostate cancer.
However, he said in August that he is “in a completely different place” now. He said in a statement: “A few months ago, I had to stop my tour Ha! Milton because I needed treatment for prostate cancer. I’m glad to say I’ve had that treatment and am now cancer free!”
Milton continued to the PA News Agency: “So, many thanks to all the doctors and nurses who helped me get better – I couldn’t do their job (I tried, but apparently you have to be qualified).
“A big thank you to my family, friends, all those who helped reschedule things and the many others who have been so nice to me.
The Chargers had the look. All-gold uniforms. Retro logos. Powder-blue end zones with script from the nostalgic days of Dan Fouts and Don Coryell.
But their defense?
As dead as disco when it counted most.
Indianapolis Colts running back Jonathan Taylor, the NFL’s leading rusher, trampled the Chargers on Sunday with touchdowns of 23, eight and 19 yards in a 38-24 victory at SoFi Stadium.
It was just another Sunday for Taylor, who came into Week 7 leading the league in rushing yards and touchdowns, and averaged 5.9 yards per carry against a Chargers defense that had been respectable to this point. That defense allowed an average of 20.8 points in the six previous games.
That helped open the passing lanes for Colts quarterback Daniel Jones, who threw a pair of touchdowns and again made an early-season case for Comeback Player of the Year after his career had seemingly flamed out with the New York Giants.
It was the second trip to Los Angeles in four weeks for the Colts, who lost to the Rams here in Week 4. They got better on both sides of the ball but couldn’t fully atone for their ineffectiveness in the first half.
The Chargers, whose distinctive look was a nod to the 1970s, were sleepwalking in the first half before coming to life in the second.
Justin Herbert kept the home team somewhat in the game with three touchdown passes after halftime but found himself trying to dig out of a deep hole all day.
The Chargers actually outgained the Colts, 445 yards to 401, and held the ball for nine minutes longer, but Indianapolis was more efficient with its possessions, better in the red zone, and took advantage of its opportunities.
Chargers quarterback Justin Herbert slides while scrambling during the second half Sunday.
(Eric Thayer / Los Angeles Times)
Herbert saw two of his passes intercepted in the first half. The first was batted high in the air at the line of scrimmage and plucked by 314-pound defensive tackle Grover Stewart. The second pick came in the red zone, when safety Nick Cross slipped in front of Quentin Johnston in the end zone to intercept an eight-yard pass.
The Chargers, who trailed at halftime, 23-3, clawed their way back into the game with touchdown passes to Johnston, Keenan Allen and Oronde Gadsden II.
Such a rollercoaster of a season for the Chargers, who ran the table against the AFC West in the first three weeks, then lost back-to-back games to the Giants and Washington Commanders, before rebounding with a come-from-behind win at Miami.
There’s not much bounce-back time after Sunday’s loss as the Chargers play host to Minnesota on Thursday night.
The Chargers can take solace in that no one is running away with the division. Kansas City stomped Las Vegas on Sunday, 31-0, but the Chiefs aren’t as dominant as in recent years. And Denver lost to the Chargers on the road and still looks to be finding its way.
Colts linebacker Zaire Franklin breaks up a pass intended for Chargers wide receiver Ladd McConkey in the end zone during the fourth quarter Sunday.
(Eric Thayer / Los Angeles Times)
Against the Colts, the troubles began early for the Chargers. After the home team’s first snap, Chargers left tackle Austin Deculus lay face down on the turf. He was the team’s fourth player to line up as Herbert’s blindside protector.
It was an ankle injury that felled Deculus — he wound up returning in the second quarter with a bulky brace — and the Chargers turned to the lightly experienced Foster Sarell, who suddenly held one of the most important positions on the field.
Just more offensive line insanity for the Chargers, who have cycled through six tackles so far. Their line was once considered an area of strength.
A first taste of L.A.’s new Maydan Market. Plus, eating in this town for $50 or less, a cookbook of gravestone recipes, allegations of racial discrimination at a popular L.A. cafe … and how Diane Keaton liked to drink her favorite wine. I’m Laurie Ochoa, general manager of L.A. Times Food, with this week’s Tasting Notes.
Market of dreams
Chefs Rosio Sanchez, left, and Laura Flores Correa of Copenhagen’s Sanchez and Hija de Sanchez, sample mole-sauced turkey legs from Lugya’h at Maydan Market.
(Laurie Ochoa / Los Angeles Times)
Many of us have favorite places to take out-of-town guests — restaurants, hiking trails and idiosyncratic spots like the recently reopened Museum of Jurassic Technology that show our friends and family why we love L.A.
For years, I’ve brought friends to Mercado la Paloma, the food hall and cultural center that is home to Gilberto Cetina‘s Holbox, the seafood counter that was our L.A. Times Restaurant of the Year in 2023 and last year was awarded a Michelin star. These days, there’s always a line for Cetina’s exquisite seafood plates, including his octopus taco with squid-ink-stained sofrito. While one person in your group waits to order at Holbox, you can find many other things to bring to your table at the mercado — unbeatable cochinita pibil and more Yucatecan dishes (try the papadzules or a refreshing agua de chaya) from Chichén Itzá, founded by Cetina’s father Gilberto Sr.; Oaxacan nieves or ice cream flavored with mamey, tuna (cactus fruit) or especially leche quemada (burnt milk) from OaxaCalifornia; and Fátima Juárez‘s gorgeous quesadilla de flor, with orange squash blossom petals spilling out of the blue corn tortilla like sunshine at her masa-focused restaurant Komal (one of Bill Addison’s picks on his 101 Best California Restaurants list).
This week, however, I tried a new place when Rosio Sanchez, the Copenhagen-based chef I wrote about in this newsletter a few months ago, said she was coming to L.A. for the Chef Assembly conference and two collaborations, one that took place Wednesday with Jordan Kahn at Meteora and another that is happening all day Sunday at Enrique Olvera and chef Chuy Cervantes’downtown taco spot Ditroit with Yia Vang of Minneapolis’ Hmong restaurant Vinai. Sanchez wanted to meet someplace for lunch, but had just tried Komal at the Mercado la Paloma and had even been to Thai Taco Tuesday at Anajak Thai, one of my other dependable suggestions for wowing visitors. I had to change my usual game plan.
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Chef-founder Rose Previte details the bevy of vendors and dishes at West Adams’ cross-cultural new food hall.
Fortunately, our intrepid woman about town Stephanie Breijo had been telling me all about Maydan Market in anticipation of its recent opening in L.A.’s West Adams neighborhood, across the street from a branch of chef Kat Turner‘s Highly Likely. In addition, Breijo made a hunger-inducing video showing off the live-fire-based restaurants at the heart of the market founded by Rose Previte, whose Maydan in Washington, D.C., is devoted to the cuisines of the Middle East and was among the Top 40 restaurants chosen in 2024 by the Washington Post’s recently unmasked criticTom Sietsema.
Here in Los Angeles, Previte wanted to open a food hall centered on hearth cooking from different cultures. That not only means new branches of her Maydan restaurant and Compass Rose cafe, but Afro-Mexican Guerrerense cooking at Maléna from Tamales Elena founder Maria Elena Lorenzo; Yhing Yhang BBQ from Holy Basil chef Wedchayan “Deau” Arpapornnopparat, serving charcoal-grilled Thai chicken, seafood and duck, and a space for emerging chefs that is currently featuring Melnificent Wingz from Melissa “Chef Mel” Cottingham.
Most of the places so far don’t open until 5 p.m. — I spotted Arpapornnopparat prepping some fantastic-looking chile sauces for his dinnertime barbecue that I am eager to try. But lunch operations are slowly getting underway and on Thursday afternoon we were lucky to find Alfonso Martinez of Poncho’s Tlayudas fame at Lugya’h, his new post in the market. In addition to tlyaudas — which Addison, in his 2022 review of Poncho’s called one of his “this is the Los Angeles I love” dishes — Martinez is serving dishes from Oaxaca’s Sierra Norte at Lugya’h.
Mole-covered turkey leg with a black bean tamal from Alfonso Martinez’s Lugya’h at Maydan Market.
(Laurie Ochoa / Los Angeles Times)
With Sanchez and her chef Laura Flores Correa, best known as Laurita, I was able to try a turkey leg sauced in a dark, rich “mole de bejed” with a black bean tamal on the side. The meat was incredibly moist, perfect with the tamal. We also got bowls of foamy Mexican cacao-flavored atole, which came with brioche-like Oaxacan pan de yema.
A slice of tlayuda with chorizo, grilled tasajo and the blood sausage moronga from Lugya’h at L.A.’s Maydan Market.
(Laurie Ochoa / Los Angeles Times)
And even though the current plan is to serve tlyaudas only during dinner, we were able to try one with three meats: chorizo, beautifully charred on the edges from the fire; a slice of grilled tasajo, and a link of moronga, one of the best blood sausages I’ve ever eaten, from a recipe, as Addison writes, handed down as a wedding gift from the father of Martinez’s wife Odilia Romero. She was helping out at the market this week, though is anxious to get back to her work advocating for Indigenous migrants in L.A. That might not be easy once word spreads about the deliciousness of Lugya’h’s food.
Alfonso Martinez, right, and Odilia Romero, who have expanded their Poncho’s Tlayudas operation to Maydan Market under the name Lugya’h.
(Laurie Ochoa / Los Angeles Times)
Indeed, each of the places Previte has curated is certain to draw a crowd. I’m looking forward to bringing more friends and trying them all.
If you think $50 a person sounds like a lot for dinner …
(Juliana Yamada / Los Angeles Times)
“It’s crazy that $50 per person is now considered a cheap sit-down meal.”
“The fact that LAT is suggesting $50 a person is somehow a ‘win’ is pretty crazy.”
Those are two reader comments on our 50 under $50 guide to restaurants where it’s possible to eat for $50 or less a person — including tax and tip. Which actually means finding items on the menu that cost $38 a person to account for an approximate 10% sales tax and 20% tip. We thought it was important for you to not get hit with charges that traditionally are not reflected on most restaurant menus.
To those readers who say $50 a person is too much to spend for a nice sit-down dinner, we agree. But all over the city — and in so many parts of the country — it’s increasingly difficult to get dinner at a non-fast-food or fast-casual restaurant for less than $50. Indeed, some of our finest restaurants charge $500 and even more than $1000 a person once you figure in wine or sake pairings.
This kind of pricing, which accounts for luxury ingredients and livable salaries for members of the kitchen and dining room staff that provide world-class service, puts many of our most acclaimed restaurants out of reach for the majority of Angelenos. That’s why we thought it was important in these tough economic times to come up with a guide to more affordable restaurant choices. We weren’t only going for “cheap eats.” Our entire Food team searched the city for a range of places that, as senior Food editor Danielle Dorsey wrote, “must be open until 9 p.m.” (so a true dinner spot), “doesn’t have to offer table service, but must [have] seating available to enjoy your food on-site” and where “you must be able to order at least two menu items, whether that’s a starter and a main, an entree and a dessert, or a large plate and a cocktail.”
The restaurants we chose ranged from the casual but highly acclaimed Sonoratown, which has what our critic Bill Addison says is “the Los Angeles food item I have consumed more than any other” (the $12.50 Burrito 2.0) to strategic ordering suggestions at star chef spots such as Dave Beran‘s Pasjoli and Bestia from husband-and-wife chefs Ori Menashe and Genevieve Gergis. In between are affordable date-night places, including Cody Ma and Misha Sesar‘s Persian spot Azizam, the buzzy Cal-Italian Beethoven Market and Propaganda Wine Bar in the Arts District. We’re always looking for more suggestions. If you have a favorite affordable place, tell us about it in the story’s comment section.
Also …
Stephanie Breijo spoke with archivist and social media personality Rosie Grant about her new cookbook “To Die For: A Cookbook of Gravestone Recipes,” which as the title implies, is a collection of recipes that decedents or their loved ones treasured so much they had them etched on their tombstones.
Breijo also broke down the allegations of racial discrimination at the L.A. restaurant Great White and Gran Blanco “after intensifying social media videos claim that Great White segregates customers based on ethnicity and race, which its owners and some employees deny.”
And finally … ‘slug it down’
Diane Keaton in 2023.
(Raymond Hall/GC Images via Getty Images)
In memory of the great Diane Keaton, let’s raise a toast to her unforgettable movie roles and personal style with what she called “the only wine that I love.”
“It’s called Lillet,” she said in an Instagram video she made back in 2022 with a similar unconventional approach to ice that Stanley Tucci demonstrated his viral negroni video from 2020. After adding many ice cubes to a large yet elegant tumbler, she fills the glass with Lillet and adds a wedge of lemon, instructing her followers to “slug it down” without the addition of the usual tonic or sparkling water. Apparently, Keaton was not a spritz kind of gal. “And if you don’t like it,” she said to her viewers, “that’s fine with me. I’ll just drink all this myself.” Sounds like she knew how to live.
The Rams’ ended an extended road trip and welcomed some time off with a 35-7 victory over the Jacksonville Jaguars on Sunday at Wembley Stadium.
Matthew Stafford passed for five touchdowns — three to Davante Adams and one each to rookies Konata Mumpfield and Terrance Ferguson — and edge rushers Jared Verse and Byron Young led a mostly suffocating defense as the Rams improved their record to 5-2 heading into an off week.
In a light rain, and without injured star receiver Puka Nacua, coach Sean McVay and Stafford poured into 10 different receivers during a victory that made the nine-day road trip worth it.
The Rams were coming off a 17-3 road victory over the Ravens. They remained in Baltimore last week and practiced at Oriole Park at Camden Yards before departing for London on Friday.
They arrived Saturday and played on Sunday.
And they showed no signs of jet lag.
Rams rookie Josaiah Stewart sacks Jacksonville Jaguars quarterback Trevor Lawrence during the second half Sunday.
(Ian Walton / Associated Press)
Verse sacked Trevor Lawrence on the first play, the Rams jumped to a 21-0 halftime lead and cruised as McVay remained unbeaten in London games.
Young, rookie outside linebacker Josaiah Stewart, linebacker Nate Landman, lineman Larrell Murchison and safety Quentin Lake contributed to seven sacks on Lawrence. Lake, who also forced a fumble, and lineman Kobie Turner batted down passes in the backfield.
In 2017, McVay’s first season, the Rams routed the Arizona Cardinals at Twickenham Stadium. Two years later, they defeated the Cincinnati Bengals at Wembley Stadium.
Though Sunday’s game was played thousands of miles from Southern California, it had something of a Rams family feel.
Jaguars coach Liam Coen was an assistant under McVay, and Jaguars first-year general manager James Gladstone worked for nine years under Rams general manager Les Snead.
The week off should benefit Nacua, who did not play because of an ankle injury sustained against the Ravens. The Rams thought it best to rest the third-year pro and let him heal during the off week before they play the New Orleans Saints on Nov. 2 at SoFi Stadium.
Rams wide receiver Davante Adams leaps above Jacksonville Jaguars cornerback Montaric Brown to catch his third touchdown pass of the game in the fourth quarter Sunday.
(Ian Walton / Associated Press)
That opened the door for Adams and others.
By the end of the first quarter, Stafford had completed passes to seven of eight different receivers targeted, including touchdowns to Mumpfield and two to Adams.
Stafford connected with Ferguson and Adams for touchdowns in the fourth quarter.
Adams and Stafford had said in Baltimore that they were still working to find their timing together.
They found it Sunday: Adams caught five passes for 35 yards, and all of his short touchdown receptions were on the kinds of red-zone plays the Rams envisioned when they signed the three-time All-Pro.
Stafford completed 21 of 33 passes for only 182 yards, but he made them count.
So for the first time since 2021, the Rams will go into their off week with a winning record.
In 2023, the Rams were 3-6 at the bye and then won seven of eight games to finish 10-7 and make the playoffs.
Last season, they were 1-4 at the bye and then won nine of 12 games to finish 10-7 and make the playoffs.
But Sunday’s victory trends closer to 2017, when the Rams shut out the Cardinals, 33-0, at Twickenham Stadium to improve to 5-2 going into the bye. The Rams went on to win the NFC West and make the playoffs for the first time since 2004.
After taking trips to Tennessee, Philadelphia, Baltimore and London, the Rams will leave the West Coast only twice for a Nov. 30 game at Carolina and a Dec. 29 game at Atlanta.
They had to feel good about that as they prepared for their long flight home.
