week

ONE year after its announcement, Paultons Park is finally set to open its new Viking-themed land in a matter of days.

Called Valgard – Realm of the Vikings, the £12million land will have its very first inverting rollercoaster, a swing ride and Middle Age themed ‘feast’ dining.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

Paultons Park, which was voted ‘Theme Park of the Year,’ is opening its new land on May 16.

Upon its opening, Valgard: Realm of the Vikings will three new rides including theme park’s first inverting rollercoaster.

The ride called Drakon, has been dubbed the ‘crown jewel of Valgard’, and is expected to be a thrilling addition to the park.

GO GREEK

Five cheapest Greek hols islands as country lets Brits SKIP huge EU airport queues

DEAL ME IN

Last-minute UK family holidays for May half term, with seaside breaks from £43pp

Riders will climb a huge vertical hill before they twist and fly through the air upside down.

There will also be the swinging ride called Vild Swing, which is suitable for families.

It’s a first-of-its-kind attraction in the UK that launches riders 12metres into the air and allows them to experience a feeling of weightlessness.

Paultons Park’s Cobra coaster is being reinvented as Raven.

The ride has been called ‘a high-speed bobsleigh style coaster’ and takes riders for a very swift tour journey through the Viking world.

The Orchard Playground is a Viking-inspired area for children between three and 10 – it has a lookout tower, slides, and treehouses to climb.

At the Feasting Hall restaurant, visitors can refuel on flame-grilled chicken, tenders, burgers and salad bowls.

Children can tuck into toasties, meatball subs and chicken burgers.

For afters, there are pancakes with plenty of toppings, sundaes, milkshakes and ice cream.

In 2027, a new water experience is scheduled to open in Valgard – but little information has been released about this planned attraction.

Paultons Park is well-known for having the UK’s first Peppa Pig World and its most recent attraction Ghostly Manor opened this time last year.

Paultons Park won 10 awards at the UK Theme Park Awards – including Theme Park of the Year.

The Sun’s Head of Travel (Digital) Caroline McGuire recently raved about the park.

She said: “On the kids’ favourite rides, such as the Velociraptor and Cat-O-Pillar coasters, we were able to fit in about three rounds in 15 minutes.

“Ghostly Manor even won Best New Attraction at last year’s UK Theme Park awards, one of ten gongs Paultons bagged that I’ve have to agree with thanks to a number of key factors.

“These include the short queues, incredible customer service (employees all cheerful), the cleanliness (bathrooms spotless) and the attention to detail and the fact that they don’t charge for parking, unlike several other big theme parks.

“We spent the entire weekend outside, grinning from ear to ear. And we were blown away, in the good sense.”

A day ticket to Paultons Park is £46.75pp which includes park entry, free parking as well as entry to see the gardens, animals and character meets.

OKLAHOMA CITY — Austin Reaves has officially entered the Lakers’ postseason chat. It might still be too little, too late.

The Lakers guard responded to his worst playoff performance with his best, recording a playoff career-high 31 points Thursday in the Lakers’ 125-107 loss to the Oklahoma City Thunder at Paycom Center.

But against the powerful Thunder, Reaves didn’t get a chance to punctuate his comeback night with any emphatic celebration. He instead ended the game in a heated conversation with officials, surrounded by almost all of his teammates as the Lakers felt they were battling the referees and the Thunder in equal measure.

Reaves’ game-high scoring effort wasn’t enough to fend off the relentless defending champions that had six players score in double figures, including three with 20 or more points. Shai Gilgeous-Alexander and Chet Holmgren each had 22 points for the Thunder, who take a 2-0 lead as the best-of-seven series turns to Los Angeles for Game 3 on Saturday.

With Luka Doncic sidelined because of a hamstring injury that is expected to keep him out for three more weeks, the Lakers are still outmanned in the Western Conference semifinals despite Reaves’ recent return. He rushed back from a Grade 2 left oblique strain in time to play in the Lakers’ first-round series but has struggled to find his rhythm after a month-long absence.

He shot a dreadful three for 16 from the field in Game 1 against the Thunder, finished with only eight points and missed all five of his three-point shots. Including his two first-round games, Reaves had missed 14 consecutive three-pointers entering Game 2.

Criticism of Reaves dominated social media after Game 1. The 27-year-old guard is due for a new contract this summer that would solidify his status as one of the sport’s star players. A slow start to these playoffs and last year’s postseason struggles made Reaves an online punching bag for fan frustrations.

But the low-key Reaves is “one of the least chronically online NBA players there is,” Lakers coach JJ Redick said before the game. The extent of Reaves’ social media usage is his long-time friend Trent Swaim posting golfing videos on the duo’s “Hillbilly Bogey” accounts and Reaves asking his representatives to post sponsored content for his endorsement deals.

He doesn’t need to troll internet comments to fuel his game. Reaves can do that on his own.

Lakers guard Austin Reaves, center right, talks with referee John Goble, center left, after the team’s loss in Game 2 on Thursday night in Oklahoma City.

(Nate Billings / Associated Press)

“He’s got a great sense of self-accountability to where he’s his own worst critic,” Redick said before the game, “and he’s going to hold himself to a standard of how he wants to play.”

Reaves drove aggressively into the paint early Thursday, tying the score 16-16 in the first quarter on a three-point play after the Lakers erased an early seven-point deficit. He had 13 points in the first half as the Lakers took a one-point lead into the locker room. He scored or assisted on the Lakers’ first 11 points of the third quarter as the team built a five-point lead with 8:35 to go in the third.

“That’s what we need Austin to be,” guard Luke Kennard said. “Even though he missed some shots last game, he was aggressive and he just got back into it. … I know a lot of people can think it’s easy to just come back and play a basketball game but at this level, what he’s done last series and now, it’s impressive. We need him to continue to be aggressive. He’s such a good teammate, easy to play with. It’s good to see him have a really good game and, hopefully gives him confidence going into the next one.”

The Lakers need to play near-perfect basketball to have a chance to knock off the defending champions. The Thunder took a 2-0 series lead against the Lakers despite relatively quiet performances from Gilgeous-Alexander. The reigning most valuable player had 18 points in Game 1 and was limited to less than 28 minutes Thursday because of foul trouble.

When Gilgeous-Alexander picked up his fourth foul with 10:34 remaining in the third quarter Thursday, the Thunder trailed 66-61. They didn’t need their star to rip off a 27-19 run to finish the quarter and take a commanding 13-point lead into the fourth.

The Lakers had seven turnovers during the decisive stretch. Reaves had five of the Lakers’ 21 total giveaways and the miscues turned into 26 points for the Thunder, who led the league in points off turnovers during the regular season.

“It starts with the turnovers,” Reaves said. “I think you’re not going to be perfect; you’re going to have turnovers. Just trying to eliminate the live-ball turnovers where they get easy fast-break layups or threes or dunks.”

OKLAHOMA CITY — The effort was being provided by all the Lakers at a high level and it was being led by LeBron James and Austin Reaves.

But the Lakers are facing the defending NBA champion Oklahoma City Thunder in the Western Conference semifinals and it is a chore that remains too heavy for Los Angeles.

Even with Reaves recovering to score 31 points on 10-for-16 shooting and handing out six assists and James collecting 23 points and six assists, the Lakers still lost Game 2 of the best-of-seven series, 125-107, Thursday night at Paycom Center.

The Lakers trail the series 2-0, with Game 3 back in Los Angeles at Crypto.com Arena on Saturday night.

The odds have now increased against the Lakers winning this series. In NBA history, only 34 teams have recovered from a 2-0 hole to win a best-of-seven series, while 431 teams have gone on to win the series.

The Lakers even did a very good job again on Shai Gilgeous-Alexander, throwing double teams at him to hold the All-Star guard to 22 points.

Lakers forward LeBron James. left, tries to drive past Thunder guard Luguentz Dort during the first half of Game 2 on Tuesday night in Oklahoma City.

(Nate Billings / Associated Press)

Chet Holmgren had another strong game with 22 points, nine rebounds, four steals and two blocks and Ajay Mitchell had 20 points for the Thunder.

The Lakers, who had a one-point lead at halftime, went down 13 points at the end of the third quarter, but a James three-pointer pulled them to within 95-89, forcing the Thunder to call a timeout with 8:57 left.

The Lakers even got to within five points in the fourth quarter, but a 10-2 run by the Thunder put L.A. in a 13-point hole with 5:53 left, this time forcing Lakers coach JJ Redick to call a timeout so his players could collect themselves.

The Lakers could not.

A big play was when Reaves took a charge against Gilgeous-Alexander with 10:34 left in the third quarter, which was his fourth foul. Gilgeous-Alexander was called for a flagrant foul on the play and Alex Caruso was called for a technical foul.

Reaves shot three free throws, making them all for a 66-61 Lakers lead.

Gilgeous-Alexander then took a seat on the bench.

Yet the Lakers were unable to maintain their quality of play against a Thunder team that just kept charging ahead even with Gilgeous-Alexander on the bench.

The Thunder finished the third on an 18-8 run to open a 93-80 lead.

One of the many keys for the Lakers was getting a productive Reaves. It was just his fourth game back after being out a month because of a Grade 2 left hamstring strain, and it showed. Reaves missed 13 of his 16 shots in Game 1 and all five of his three-pointers, and scored just eight points.

Reaves didn’t make any excuses for his poor play.

“He’s got a great sense of self-accountability to where, you know, he’s his own worst critic and he’s going to hold himself to a standard of how he wants to play,” Lakers coach JJ Redick said. “Had a great conversation with him yesterday and today. He’ll be good to go.”

Lakers forward Rui Hachimura, center, pulls up for a shot over Thunder center Chet Holmgren, left, during the first half of Game 2 on Thurday night.

(Nate Billings / Associated Press)

Reaves scored 13 points in the first half while distributing the ball.

He missed his first two shots, but finished the first half five-for-nine shooting.

Along with James scoring 10 points and handing out five assists, Rui Hachimura scoring 11 and Marcus Smart adding eight while doing his part to slow down Gilgeous-Alexander, the Lakers opened a 58-57 lead at the half.

The Lakers sent defenders at Gilgeous-Alexander often, double-teaming the league most valuable player and forcing the other Thunder players to shoot the basketball in the first half.

Gilgeous-Alexander only took nine shots in the first half and made four.

The Thunder shot just 25% from three-point range in the first 24 minutes.

Note: Lakers forward Jarred Vanderbilt was downgraded out for Game 2 because of a dislocated right pinky finger.

There will be no Triple Crown winner in horse racing this year. There won’t even be an attempt.

Trainer Cherie DeVaux on Wednesday announced Golden Tempo, the horse that made her the first female trainer to win the Kentucky Derby, would skip the Preakness Stakes next week at its temporary home, Laurel Park in Laurel, Md.

Just hours after Golden Tempo returned to the racetrack at Keeneland for the first time since his victory Saturday at Churchill Downs, DeVaux posted a statement on X.

“After much thoughtful discussion as a team, we have decided that Golden Tempo will bypass the Preakness Stakes,” the statement read.

“We are incredibly appreciative of the excitement and support surrounding the possibility of a Triple Crown run. The enthusiasm from racing fans, our owners, and our entire team has meant more to us than we can properly express. Golden gave us the race of a lifetime in the Kentucky Derby, and we believe the best decision for him moving forward is to give him a little more time following such a tremendous effort. His health, happiness, and long-term future will always remain our top priority.”

The Preakness, set for May 16, is the second leg of the Triple Crown, followed June 6 by the Belmont Stakes, which for the third straight year will be contested in Saratoga, N.Y. Since 1978, the only horses to sweep all three races are American Pharoah in 2015 and Justify in 2018.

Golden Tempo is the second straight horse and third in the last five years not to run in the Preakness. Sovereignty, who did not participate last year, won the Belmont and later the Travers and was voted Horse of the Year.

Unlike in the past, trainers almost never run horses with just two or even three weeks’ rest. That has prompted talk that the Preakness — which has been run 14 days after the Derby since 1950 — and Belmont could be moved back to allow horses more time between races. Sports Business Journal reported last month that the Preakness was “set to make a historic shift to one week later,” though many trainers have said that won’t make a difference.

DeVaux was asked the day after the Derby if having the Preakness four weeks after the Derby would make her decision easier.

“I mean, it would make anyone’s decision easier, but that’s not the Triple Crown,” she said. “So, the Triple Crown is hard to win for a reason. And I appreciate the history of it.

“You know, the horses are definitely different. They’re not built the same. They’re not trained the same as back then, but current times have shown that it can be done with the right horse.”

There is no shortage of horses aiming for the Preakness, which is limited to 14 starters. One of those — and the likely favorite if he runs — is Crude Velocity, who won the Pat Day Mile on Saturday at Churchill Downs in just his third career start. But trainer Bob Baffert, who has won the Preakness a record eight times, has yet to decide whether he wants to run the horse in two weeks.

“I’m still on fence,” Baffert said Wednesday via text. “Tempted but I’m not leaning yet.”

The Daily Racing Form reported Ocelli, the maiden who finished third in the Derby, is now expected to run in the Preakness. Trainer Whit Beckman told the Form he had Ocelli jog Wednesday and “he looked better than great.”

Added Beckman: “You wouldn’t know this horse ran Saturday. He’s made of something different. Every indication he’s given me is to point to this race. … We’re having fun, the horse is having fun. If everybody’s having fun, why stop the fun?”

According to a news release from the Preakness, other horses under consideration who didn’t run in the Derby are Chip Honcho, Corona de Oro, Crupper, Express Kid, Great White, Iron Honor, Napoleon Solo, Pretty Boy Miah, Silent Tactic, Taj Mahal, Talkin, Talk to Me Jimmy and The Hell We Did.

The Racing Form reported jockey Jose Ortiz, who rode Golden Tempo to his Derby win, will ride Chip Honcho in the Preakness.

OKLAHOMA CITY — Lakers coach JJ Redick was succinct about what it was like for his group to face the defending NBA champions Oklahoma City Thunder during the regular season.

“We sucked against this team,” he said pregame.

The Lakers lost all four regular-season games against the Thunder by double figures, making L.A.’s 108-90 defeat to Oklahoma City in Game 1 of the second round of the playoffs just another big loss to the talented Thunder.

LeBron James led the Lakers with 27 points and six assists while Rui Hachimura had 18 points, but Austin Reaves had only eight points, shooting three for 16 from the field.

The Lakers doubled teamed Shai Gilgeous-Alexander frequently, limiting him to 18 points and forcing him into seven turnovers.

But the Thunder just turned to Chet Holmgren, who had a double-double with 24 points and 12 rebounds.

Thunder guard Shai Gilgeous-Alexander, driving to the basket against Lakers guard Austin Reaves, finished with 18 points on eight-of-12 shooting from the field and six assists in Game 1.

(Kyle Phillips / Associated Press)

Game 2 is here Thursday night.

The Lakers didn’t help themselves at the beginning of the fourth quarter, turning the ball over on two of their first three possessions. When Marcus Smart turned the ball over and Alex Caruso waltzed in for a layup, the Lakers went down by 15 points and had to call a timeout with 10 minutes and 41 seconds left to regroup.

The Lakers never did.

They fell into a 19-point hole in the final 12 minutes of play and never fully recovered.

The Lakers lost by almost 30 points per game in their four-game series against the Thunder during the regular season, and one of the games was a 43-point shallacking.

But the Lakers found their groove in the first round against the Houston Rockets and that has fueled their belief in this series against the Thunder.

“We’ve been able to execute, even just going back to the last three games of the regular season,” Redick said. “Again, we kind of had to reset with not a lot of time and build something a little bit new on the fly. I think our guys were able to find their way and find their way from an execution standpoint, and for the most part, did a good job of that on both ends in the Houston series.

Lakers guard Austin Reaves makes one of his three baskets on a layup against Thunder center Chet Holmgren, but Reaves finished with only eight points on three-of-16 shooting from the field in Game 1.

(Kyle Phillips / Associated Press)

“This is a different team and the best team, and it’s going to require more. I think every round that you advance in the playoffs, you need to elevate all of the stuff even more. …That’s our attention to detail, that’s our belief, that’s our poise. We got to be great in all those areas.”

The Lakers talked every practice about the runs the Thunder go on and how they had to limit them.

Well, it happened at the end of the first quarter, when Oklahoma City scored the last five points of the frame, and it happened at the outset of the second quarter, when the Thunder scored the first five points of the frame to open a 10-point lead.

Redick leaped off the bench to call a timeout with 10:36 left in the second to get things back in order for the Lakers.

The Lakers recovered, but they then went down 56-43 in the second quarter and had to recover again.

They did, pulling to within 61-53 at the half.

Note: Lakers reserve forward Jarred Vanderbilt injured his right finger in the second quarter and didn’t return. Vanderbilt tried to block a dunk by Chet Helmgren, but instead hit hand on the backboard and went down in pain.

Welcome back to the Lakers newsletter, where, against all odds, we’re still kicking.

The Lakers defied expectations by winning their first-round series against the Houston Rockets. Most didn’t give them any chance. It felt dicey after a deflating Game 5 loss at home. But the Lakers pulled it off with a headlining performance from their 22-time All-Star and award-worthy supporting performances from the ensemble cast.

Against the league-leading Oklahoma City Thunder, even fewer people are giving the Lakers a chance for an encore performance. But as Kevin Garnett once said: “Anything is possible!”

Set the tone

Marcus Smart rotated over to the baseline. He came face to face with Houston’s Tari Eason as the 6-foot-8 Rockets forward leapt toward the basket. The 6-3 guard jumped right along with him.

Smart is used to taking on big challenges.

The Lakers brought Smart in for this moment. It’s not just the defensive tenacity to block a forward five inches taller and eight years younger than him, but when the postseason inevitably challenged the Lakers in unforeseen ways, they needed Smart’s leadership. He proves it every time he steps up to take a charge, gets a deflection or just pulls a teammate aside for a quick word.

“Marcus is a true leader,” center Deandre Ayton said. “Besides [Le]Bron [James], Luka [Doncic] and AR [Austin Reaves], Marcus is the other guy with the grit where [if you feel] discombobulated, he tries to be that guy that puts his arm around you and some of the younger guys. Whether it’s coming down to his competitiveness, keeping that same, consistent edge, Marcus tries to keep that level of intensity pretty high and it’s contagious, too.”

With Doncic (hamstring) still sidelined to begin the Western Conference semifinals against the top-seeded Thunder, the Lakers are counting on their supporting players for major performances. Smart’s role will be one of the most taxing; he’ll be the top defender for a team trying to slow down the NBA’s reigning most valuable player.

On his long list of elite matchups, Smart ranked Shai Gilgeous-Alexander at the top.

“I think we all know that, right?” the former defensive player of the year said. “He does a really good job of getting to the free-throw line. He’s mastered it. … It’s tough, but it can be done, it’s just going to take a lot of effort from everybody and we gotta stay together.”

Gilgeous-Alexander is a front-runner for his second consecutive most valuable player and led the Thunder to a sweep over the Phoenix Suns in the first round. The Thunder easily carved up Phoenix’s ninth-ranked defense, scoring 126.9 points per 100 possessions. Their offensive efficiency was five points better than the next best team in the first round.

The Lakers are coming off their own defensive masterpiece against Houston, holding the Rockets to less than 100 points in four of the six first-round games. Their 78 points allowed in the series-clinching Game 6 were the fewest in a playoff game by a Lakers opponent since May 16, 2012.

The anchors of the defensive performance are two major offseason additions acquired to help the Lakers bounce back from their disappointing first-round series loss to Minnesota last year. Smart and Ayton are quietly starring this postseason.

Ayton’s 11 points per game didn’t accurately reflect the influence he made against the Rockets. His 10.8 rebounds per game, including four games in which he had 10 or more rebounds despite being ejected in the third quarter of Game 4, were even more impressive against a team that dominated the rebounding battle at a historic rate.

A strong performance from Ayton lifts the ceiling on the team more than anyone else, Lakers coach JJ Redick said. An underrated and unexpected part of Smart’s value is his ability to unlock the team’s most important piece.

“I’m just somebody who he respects,” Smart said. “He sees [me] go out there and not only preaching, I’m actually doing what I’m preaching.”

Smart and Ayton barely knew each other before this season. But their paths are parallel: Former postseason mainstays who, in Ayton’s words, “disappeared.” The center who helped Phoenix to the NBA Finals trudged through Portland for two seasons; Smart, the former Boston Celtics stalwart, bounced between Memphis and Washington.

They’re now soaking up the spotlight in L.A.

“We’re both here, we’re both trying to get our names back into the good graces of the basketball gods,” Smart said, “and just show what we still can do.”

Priority No. 1

The Lakers had two keys for their first-round series against the Rockets: boxing out and taking care of the ball.

Now against what Redick estimated was “one of the greatest teams ever in NBA history,” that list has narrowed to one big thing.

Turnovers.

The Lakers, who got swept in the four-game regular-season series by an average of 29.3 points per game, averaged 17.5 turnovers per game against the Thunder during the regular season, three more than their regular-season average. Turnovers nearly undid the Lakers’ first-round series: they averaged 17.7 against the Rockets and gave up 19 points off turnovers per game.

The Thunder are an especially dangerous matchup for a team that can’t take care of the ball; Oklahoma City led the league in points off turnovers with 22 per game during the regular season.

“Whatever moments we felt Houston pressuring, like the maximum amount of pressure they put on us, that’s OKC’s baseline,” Redick said.

The Thunder, even playing without star two-way wing Jalen Williams for much of the season, were the NBA’s most disruptive defense. They’re league-leading defensive rating came with the third-most steals (9.7), sixth-most blocks (5.5) and the second-most turnovers forced (16.7) per game.

“They somehow do all of that without fouling,” Redick said with a hint of sarcasm in his voice, “which is one of the most remarkable things, I think, in NBA history.”

The Lakers, who attempted the second-most free throws in the league behind Doncic’s top-ranked 10.1 attempts, committed fewer fouls than the Thunder this season: 18.5 fouls per game compared to Oklahoma City’s 19.

On tap

Tuesday at Oklahoma City, 5:30 p.m. PDT (Game 1)

Two of the Lakers’ worst losses of the year were in Oklahoma City. If November’s 29-point loss wasn’t painful enough, the injury-plagued disaster on April 2 could be enough for the Lakers to want to sage the whole arena.

Thursday at Oklahoma City, 6:30 p.m. PDT (Game 2)

The Thunder have had the league’s best home record for each of the last two seasons, including a 34-7 mark this season, but still had two home playoff losses last year. Oklahoma City dropped Game 1 of the Western Conference semifinals and the NBA Finals last year, needing to win both series in seven games en route to the championship.

Saturday vs. Oklahoma City, 5:30 p.m. (Game 3)

The Thunder lost Game 3 in three of their four playoff series last year. The only exception was their first-round sweep over Memphis.

Monday vs. Oklahoma City, 7:30 p.m. (Game 4)

Could this be the final Lakers game of the year?

Status report

Luka Doncic (left hamstring)

After missing the first round, the Lakers’ superstar guard is still sidelined with a Grade 2 hamstring strain. He is not expected to return for the start of the series and has yet to progress to live on-court workouts.

Jalen Williams (left hamstring)

The Thunder’s All-NBA wing will miss at least Game 1 after he suffered a Grade 1 left hamstring strain on April 22, which kept him out of the Thunder’s last two games. After last year’s breakout season, Williams was plagued by injuries to his wrist and right hamstring that limited him to just 33 regular-season games.

(Second) favorite thing I ate this week

Because I did not take a picture of it, the only evidence I have from my No. 1 meal from Houston is a lingering sweet and spicy tang on my tongue from Rodeo Goat’s Billy F Gibbons burger. It was delicious: candied bacon, caramelized onions, gouda, mango pico, cream cheese and habanero sauce.

Street taco plate from Luchi & Joey’s in Houston.

(Thuc Nhi Nguyen / Los Angeles Times)

A close second was the street taco plate from Luchi & Joey’s, a food stall in downtown Houston’s underground tunnels. The five-taco spread hit the spot while I was hiding from the heavy storm moving through Houston on the day of Game 6. The six-mile tunnel system is lined with restaurants and shops that came in handy during torrential rain. I was safe from the elements while I hunted for lunch then only had to make a one-block scramble through the rain back to my hotel.

In case you missed it

‘Changes our ceiling’: Why Deandre Ayton is key to Lakers upset vs. Thunder

‘You can’t fear them’: Upset-minded Lakers refuse to be intimidated by Thunder

How the Lakers and Thunder match up entering their playoff series

‘There’s no quit.’ Lakers’ leadership, resilience shines through in series-clinching win

Ex-Lakers assistant admits role in gambling schemes, could face years in prison

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Kobbie Mainoo (Manchester United): When you look at the back end of the season compared to the start of the season it has been night and day. It just shows what a bit of love and care can do to somebody. I’m not willing to say Mainoo is the man yet – I think we have to see more of a body of work – but I would say the win against Liverpool was the best performance I’ve seen him have in a United shirt. Dominated the game, made some big tackles, passing forward, breaking up the play but also coming with the goal. The most complete performance from him, I thought he was excellent.

Dominik Szoboszlai (Liverpool): Goal and assist for him at Old Trafford. Liverpool have been terrible all season but he comes out with his head high as one of the best around. His stock has grown in a poor season for them. He keeps coming up with big performances.

Conor Gallagher (Tottenham): I was going to put James Garner in there, but Gallagher gets it for me because the game was even more important for Spurs. Big goal. He has had a tough time there but with Roberto de Zerbi and the philosophy of pressing and running hard, I think that makes Gallagher an unbelievable buy for Spurs. He will not only be good this year but for the coming years.

Mathys Tel (Tottenham): I thought Tel was arguably the most overrated player that Spurs bought, but since the turn of the year he has had a light switch in head that says ‘hold on, I was at Bayern Munich and now I could be playing in the Championship’. He stepped up. He has played big minutes in terms of carrying the ball forward, being an outlet and now is adding assists to it. That cross for Richarlison was a striker’s dream.

Jeremy Doku (Manchester City): He wasn’t going to be in it until the last kick of the game. Two unbelievable strikes in the same match and one with either foot. He’s the most frustrating player to watch because you think ‘you are faster than everyone else – kick and run’, but he likes his tricks. When he puts his two goals in the corner, he has kept Manchester City’s season alive because it was dead. I still think Arsenal will win it, but he has made it interesting.

It’s officially May, which means summer vacation season is upon us. If you’re planning a trip to the beach, just make sure it’s got cell service (don’t say we didn’t warn you).

This week, Apple TV released the first two episodes of “Widow’s Bay,” a horror comedy that takes a closer look at those cozy seaside vacation towns and what might be beneath the surface. Katie Dippold, the creator of the series, which stars Matthew Rhys, Stephen Root and Kate O’Flynn (Jeff Hiller, one of my faves, also has a nice supporting role), stopped by Guest Spot to talk more about the genesis of the show and why it bends genres — more on that below.

Also in this week’s Screen Gab, we recommend a documentary film (and an animated short) that looks at the musical legacy of the King of Pop, and a recent docuseries about the FLDS community. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Quincy Jones, left, Michael Jackson and Lionel Richie in Netflix’s “The Greatest Night in Pop.”

(Netflix/Courtesy of Netflix)

‘The Greatest Night in Pop,’ ‘Sing: Thriller’ (Netflix)

I don’t know whether the release of “Michael,” the Michael Jackson biopic, had anything to do with “I Want You Back,” the greatest single of all time, playing in my dentist’s office today, but MJ is definitely in the air, posthumously pelleting us with his fantastic music and permanently controversial self. Somewhat in that spirit, I offer Bao Minh Nguyen‘s 2024 documentary “The Greatest Night in Pop,” about the recording of the 1985 super-duper star charity single “We Are the World,” co-written by Jackson and Lionel Richie and featuring the oddest assortment of singers ever to be gathered into a single studio — a congregation including Tina Turner, Bob Dylan, Steve Perry, Huey Lewis, Stevie Wonder, Willie Nelson, Dionne Warwick, Cyndi Lauper, Ray Charles, Bruce Springsteen and Harry Belafonte, among others. (Richie, Springsteen, Lauper, Lewis and Sheila E. sit for new interviews.) Jackson fans will get a glimpse of him at work like a normal musician, albeit one dressed as the General of Neverland. Dylan watchers will see a fish far out of water. Local historians will enjoy footage of L.A. in the ‘80s. On another, quite delightful note, “Sing: Thriller,” also from 2024, is a 10-minute cartoon take on Jackson’s video of the same name, starring the cast of the “Sing” movies, zombified and, naturally, dancing. — Robert Lloyd

Christine Marie in Netflix’s “Trust Me: The False Prophet.”

(Netflix)

‘Trust Me: The False Prophet’ (Netflix)

Mormonism has been under the spotlight lately, with reality series and documentaries taking a closer look at the religious group. But one particular sect, the Fundamentalist Church of Jesus Christ of Latter-day Saints, has long come under scrutiny for its practices and allegations of cult-like behavior, child marriage and child sexual abuse. This four-part series from director Rachel Dretzin is a continuation of her work documenting the FLDS community (she previously directed 2022’s “Keep Sweet: Pray and Obey,” also for Netflix). It follows cult expert Christine Marie and her husband Tolga Katas, who moved to Short Creek, Utah, where the community previously led by Warren Jeffs, the former FLDS leader and convicted felon, is based. Marie befriends the women in the community, gaining their trust, only to find out that another man, Samuel Bateman, is claiming to be a prophet. What she uncovers is a web of abuse and crimes. The series is riveting and disturbing, culminating with Bateman’s arrest and eventual conviction. — M.G.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Matthew Rhys and Stephen Root in Apple TV’s “Widow’s Bay,” now streaming.

(Apple)

Have you ever taken a vacation to a nice place but then see or experience something that just feels off? Apple TV’s new series, “Widow’s Bay,” tries to capture some of that feeling, where a seemingly quaint town hides dark secrets.

Matthew Rhys plays Tom Loftis, the mayor of Widow’s Bay, an island 40 miles off the New England coast. He’s attempting to save the region from economic slump — there’s no WiFi, cell phone service is spotty, the streets need repaving — by trying to make it a tourist destination. He manages to get a New York Times travel writer to visit, who writes a story that seems to turn the town’s fortunes. But much to Tom’s chagrin, the locals — particularly Wyck, played by Stephen Root — say the island is cursed and it has been awakened to unleash a “haunt.”

Creator and showrunner Katie Dippold’s fascination with such places began at an early age, growing up in New Jersey, where her family would take trips to the shore. She began writing the series more than 10 years ago, and it’s evolved over the years. “Believe it or not, this was originally a ‘Parks and Recreation’ sample for me when I got that writing job,” says Dippold, whose writing credits also include “The Heat” and “Ghostbusters.” “But it was very different, it was more comedic.”

While the show incorporates some comedic elements, it very much has moments of horror and dread that might make you gasp when something unexpected happens. Some of that feeling is thanks to director Hiro Murai (“Atlanta,” “Mr. & Mrs. Smith”), who directed the first three episodes and the final two. “Sometimes it’s like a ‘blink and you miss it’ kind of moment, which I love for this show,” Dippold says, even if it meant losing some of the humor they’d written in the scripts.

The creator spoke over a video call to dissect the characters and series, and explained whether or not we would see Willy the clown from Episode 2 again. This conversation has been edited for length and clarity. — M.G.

You’ve worked on a number of comedic projects, and this show has comedy elements. But horror is definitely a part of this show. Have you always been into horror, and why mash up these genres?

I’m a comedy writer, first and foremost, but I’m also the biggest horror fan. I like watching horror more than I like watching comedy. I just wanted to try to create a world where you could play with both of those things. But I should say that I actually don’t like most horror comedies. The ones that do it well are some of my favorite movies, like “American Werewolf in London,” “Cabin in the Woods” or “Shaun of the Dead,” and even the three of those are very, very different.

Especially in a TV show, I didn’t want it to feel like constant horror and dread. I like having those moments with a surprise laugh … or just something completely absurd. But, to that point, it was also a constant tonal tightrope walk from beginning to end because … I never wanted to undercut the tension. As a horror fan, I wanted to take it very seriously, and so that was a challenge from the scripts to production to casting to the edit to the score, just every step of the way.

The show is set in a small island town that’s trying to become the new “it” destination — comparable places like Bar Harbor, Maine, and Cape Cod are mentioned — except the townsfolk say it’s cursed. What about these communities intrigues you and why set the story in that location?

I grew up in New Jersey, and I always loved going to the Jersey Shore, and I always talk about this haunted house on the boardwalk that I used to always go to, and I just love that seaside haunted house vibe. I think I always romanticized it … that atmosphere is my dream. A couple years ago, I went to a diner in Marblehead, Mass., and it’s called the Driftwood, and it was just so perfect … in the sense that it was so cozy and lived in. You could see the ocean outside. It was a gray, cloudy day and there was a cemetery that was not that far away. There’s something about it that I found so special, and I never wanted to leave that place. And so I just wanted to get that feeling and get it on the screen.

Unique places have unique people like Wyck, who is trying to warn Tom about the fog that’s rolled in. Wyck is an oddball — every town seems to have one. Was that rooted in anyone or anything?

I was just trying to think of who would be the best thorn in Loftis’ side, and Stephen Root is so great at everything he does, and he’s so funny, but then so heartbreaking the next. When I was young, my dad had his drinking buddies, and Wyck doesn’t seem that far off from that kind of person, so I kind of relate to that. He represents the voice of the people of the islands, the real islanders, the real locals that take it all very seriously, and so he’s just the constant menace to Loftis.

And poor Tom is so practical. He’s worried about keeping the town afloat and literally keeping the lights on. But he also kind of believes the stories. How does this character and his contrasts help illustrate the story?

I think Loftis, in the beginning of the story, is at a place of determination and optimism. He cannot accept that this is his life and he cannot accept that this is the life of his teenage son [Evan, played by Kingston Rumi Southwick]. So he’s really trying to bring what he can to the island through tourism and what that would do for the town. But there’s some stuff that he needs to reckon with — he will throughout the season. I think I can be very optimistic, and so when you learn the hard truths of life, I always take that very hard myself.

Is this related to his wife being dead?

I think that’s a huge part of it. There’s a lot of what happened with his wife that he hasn’t fully reconciled. There’s stuff he needs to come to terms with … if he keeps repressing it, it’s just going to destroy him.

You set some ground rules or parameters of the world we’re in: First the quake, the fog and so forth. How did you come up with it?

In the writer’s room, we spent so much time thinking of the history of this town and different eras of leadership. …Because the more that we fleshed out this world since 1681, the funnier it was to us when something would pop out that’s ridiculous, you know what I mean? Like, then the ludicrous is more fun, if everything else feels real. It’s so important that you buy everything that’s happening, because it’s very easy to go off the rails. Once you start not buying it, it’s very hard to get back to ever feeling the tension.

The other thing I would say about the mythology, the rules … Loftis could dismiss it. Like the examples the [New York Times] reporter gives at the restaurant [of islanders going to the mainland and dying], those are weird. It’s weird that those things happen to people, but it’s also not like they all went on a boat and blew up. It’s just weird enough that I know I would take it seriously but still murky enough to give a little bit of room for Loftis to dismiss it and not be a complete lunatic.

They’re plausible enough to have happened.

But deep down, I think it scares him very much and that’s why he’s putting in all the effort.

In Episode 2, we see Willy, a creepy, fast-moving clown. Will we see him again?

Oh, possibly. Because I think for some things on the island, if you’ve heard about it before, it’s existed before and it’s come back, so it’s probably not completely gone.

Hiro Murai directed the first three episodes and he has a couple more at the end of the season. I feel like we see his stamp on the show. Was he someone you wanted to work with? How did he help bring your vision to life?

He was my dream director for it because I love “Atlanta” so much. I think Hiro is so fantastic at creating a very grounded world, a grounded scene and then still surprising the hell out of you with some absurd moment.

“Atlanta” was very inspiring to me. I had written this long before, and I was rewriting throughout the 10 years or so. But TV changed in the process, from the time I wrote the pilot to now, and that was very helpful. I think he’s so good with specifics and little nuances, and we have a very similar sense of humor. … I just knew this show would never be corny if [Hiro] was directing it.

Last thing, what are you watching right now that you’d recommend to others?

I’m rewatching “Game of Thrones” [HBO Max]. Me and my boyfriend … make breakfast every Saturday morning and rewatch an episode from the series. And it’s such a fun rewatch because the first time, I had not read the books. It’s so fascinating to rewatch again, now that you understand what the hell is happening.

I’m also watching “Hacks’” [HBO Max] final season, which I always love. In terms of movies … we were in production and then I was in post, so I didn’t get to see a ton of new stuff, but I loved “Weapons” [HBO Max]. I know it’s now a year old … but that’s my honest answer.

ICYMI

Must-read stories you might have missed

Whew. Sigh. LeBron!

History eluded. Embarrassment avoided. Belief restored.

The most secure legacy played with the most desperation. The most creaky veteran played with the most aggression. The winningest superstar played like he had everything to lose.

Wow. Gasp. LeBron!

So it went at Houston’s Toyota Center on Friday night when the Lakers, just two losses from becoming the first team in NBA history to blow a three-games-to-none lead, blew away the Rockets 98-78 to win their first-round series four games to two.

It was a night that prevented possibly the greatest meltdown in NBA history. It was a night that celebrated possibly the greatest player in NBA history.

“Started with LeBron,” Marcus Smart said. “The OG came out.”

When the shorthanded Lakers needed him most, their ageless 41-year wonder indeed showed up huge, James fighting down the lane, throwing in from deep, finding teammates like the sizzling Rui Hachimura and the surging Austin Reaves, leading with his entire massive being.

James wasn’t going to be on the wrong side of history. He wasn’t going to further stain his sterling 42-13 close-out record. He wasn’t going to let his final season end so early.

Wait a minute, this is not his final season? Not a chance. Bury any lingering doubt. After watching him dominate the youngest starting five in these playoffs Friday, it is impossible to imagine he’s going to call it quits.

He scored a game-high 28 points while enduring a team-high 37 minutes. He had eight assists, seven rebounds and only three turnovers. He even played defense, as the Lakers were a game-best plus-26 when he was on the court.

His night ended with him appropriately surrounded in the locker room by teammates who were bleating like goats. Because he’s the, well, you know.

Lakers forward LeBron James shoots over Rockets forward Jabari Smith Jr. during the first half of Game 6.

(Ashley Landis / Associated Press)

“It speaks to his greatness,” Lakers coach JJ Redick said, and, yeah, somebody must be great if they can induce grown men to imitate farm animals. “To me he’s had the greatest career of any NBA player … for him to do it again and answer the bell again, it’s … baffling in some ways.”

From the frying pan to the fire, the Lakers now travel to Oklahoma City to face the defending champion Thunder in the Western Conference semifinals beginning Tuesday.

This could get real ugly, real quick.

The Lakers won’t have injured leading scorer Luka Doncic for the foreseeable future. They will be playing a Thunder team that drubbed them in the regular season, including a 43-point stomping just last month.

The Lakers don’t stand a chance. They’ll be lucky to avoid a sweep. They should quit while they’re ahead.

Which is exactly what everyone said about them before this Rockets series, before they took advantage of a Kevin Durant injury and Reaves’ return from injury, before they revealed a sense of focus and connection completely unexpected from this disjointed group.

Before James decided he wouldn’t let them lose.

“We had some obstacles obviously and I know they were without guys as well, but I thought we answered the call,” James said. “I thought we answered the challenge, and for them to allow me to lead them, that means a lot to me.”

Truly, lost in all the criticism over the last two Lakers losses was the truth that they never should have been in this position in the first place.

Consider this near miss one of James’ greatest postseason achievements. Consider his first playoff series win a huge endorsement for Redick as coach. Consider any positivity that comes from the Oklahoma City series as pure gravy.

Lakers forward LeBron James scores on an uncontested layup after blowing past the Rockets defense during the first half of Game 6.

(Ashley Landis / Associated Press)

“For us to be written off a few weeks ago and to win a playoff series is a big deal,” Redick said. “And it speaks to the character of our team and the leaders of our team that they didn’t let go of the rope.”

James led the Lakers to a five-point lead in the first quarter, then absolutely dominated with a 14-point second quarter in which he outscored the entire Rockets team and gave the Lakers an 18-point halftime lead that never was challenged.

See if you can follow along …

James hits a fallaway. Jake LaRavia races down for a layup. Smart draws a charge. James hits a three. James hits a spinning layup. LaRavia connects on a fastbreak jam. James sinks another layup.

For those breathlessly keeping score, the Lakers began that second quarter with a 9-0 run that, dating to the first quarter, was an incredible 21-2 smackdown. At one point the Rockets missed a dozen straight shots. At another point they were 0 for 15 in the quarter.

The Rockets momentarily stopped the bleeding with six consecutive points late in the half, but on James’ last-minute trey, the Lakers finished the quarter on a 7-0 run to take a 49-31 halftime lead.

”He just has this ability to set the tone for the entire group,” Redick said. “He did that again tonight and the guys responded.”

James scored on a jump shot just seconds into the third quarter and the rout continued. Houston, which made only six baskets in the quarter, mounted a bit of a surge late in it, but Smart ended any momentum by drawing his third charge of the night.

“I love charges,” Smart said. “They’re demoralizing.”

Redick angrily called a timeout with 6:28 remaining in the game after a defensive lapse with the Lakers leading by 19. James fittingly scored on a layup immediately after the timeout, and the game was formally finished.

The Lakers’ defense was astounding, holding the Rockets to 13 points below their season low. The Lakers’ rebounding was astonishing, nearly doubling the offensive rebounds of the NBA’s best offensive rebounding team.

The Lakers offensive collective also was cool, Hachimura hitting five of seven treys, Reaves scoring 15 points with three blocked shots, and Deandre Ayton finishing a fine series with 16 rebounds.

But this was about the OG, who noted that he is finally comfortable celebrating small victories and said, “I think we should be proud of the way we handled this.”

The way he handled this.

Bleat … bleat … bleat.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

TIRANA, ALBANIA – SEPTEMBER 16: View inside the Bunk’Art Museum, a vast underground bunker built for the former Albanian dictator and high-ranking dignitaries, featuring five floors, 106 rooms, and a cinema hall for government meetings, covering an impressive area of 2,685 m2, seen on September 16, 2024, in Tirana, Albania. (Photo by Artur Widak/NurPhoto via Getty Images)

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

HOUSTON — Marcus Smart’s block. LeBron James’ dominant second quarter. Deandre Ayton’s relentless rebounding.

The individual performances in the Lakers’ ugly, but decisive, 98-78 series-clinching win over the Houston Rockets on Friday were almost too numerous for coach JJ Redick to focus on each one.

That collective spirit is also what makes him so confident heading into the Lakers’ first Western Conference semifinal appearance since 2023.

“For us to be written off a few weeks ago and to win a playoff series is a big deal,” Redick said after the Lakers polished off their first-round playoff series in six games. “And it just speaks to the character of our team and the leaders of our team. They didn’t let go of the rope.”

After winning a series in which they were underdogs for every game they won, the Lakers return to the scene of their lowest moment to face the Oklahoma City Thunder in the Western Conference semifinals beginning Tuesday.

The last time they were in Oklahoma City, the Lakers lost by 43 points. Their two best players sustained regular-season ending injuries, with news of Luka Doncic’s hamstring injury and Austin Reaves’ oblique strain coming on consecutive days after the loss. Still dazed from the emotional hangover, the Lakers lost their next two games.

“There was a lot of question marks,” Reaves said. “And just the way that we responded as a group, I think it just tells you a lot about the people that we have in our room. There’s no quit.”

The Lakers finished the regular season with three consecutive wins. They leapt out to a 3-0 series lead against Houston before letting doubt creep in again. After the Lakers squandered two chances to end the series, including a disappointing home loss Wednesday when Reaves returned from injury, critics wondered if the Lakers would really be the first team in NBA history to blow a 3-0 playoff lead.

James wouldn’t allow it.

The superstar forward dominated with 28 points on 10-of-25 shooting, seven rebounds and eight assists. He outscored the Rockets by himself in the second quarter 14-13 as the Lakers went on a 27-3 run to open a 19-point lead.

“We understand that he’s the guy that brings energy, but also we have to help him,” forward Rui Hachimura said, “especially you know, he’s old now.”

Hachimura didn’t try to suppress a smile.

Lakers forward Rui Hachimura blocks a shot by Rockets forward Jabari Smith Jr. during the first half of Game 6.

(Ashley Landis / Associated Press)

The Japanese forward did his part with 21 points, including five three-pointers. Smart leapt for a jaw-dropping block against 6-foot-8 Tari Eason and drew three charges. Ayton had 16 rebounds, helping the Lakers outrebound the best rebounding team of a generation 54-45.

Ayton, often maligned for his inconsistent effort, has been a force in the postseason, averaging 11.8 points and 10.8 rebounds while often guarding Rockets All-Star Alperen Sengun one-on-one.

“He’s been saying it all year: ‘Wait till I get to the playoffs,’” Smart said of Ayton. “It’s a different side of him that fans haven’t seen, that we expect, that we know he can give. He knows it and he’s ready.”

In his second game back from injury, Reaves had 15 points on seven-of-14 shooting with three blocks. He missed all four of his three-point attempts, still searching for his shooting rhythm after a long layoff. But the way Reaves attacked his treatment and returned before the typical four- to six-week timeline was his own form of leadership, Redick said.

Reaves sometimes left his house at 7:30 a.m. and didn’t return until more than 12 hours later. He drove all over L.A. looking for different treatment options. He did everything short of following Doncic to Europe, Reaves joked.

Doncic’s status is still unknown for the beginning of the conference semifinals. He has yet to progress to live play on the court, although he recently started incorporating movement into his on-court drills instead of just stationary shooting. He is still out indefinitely.

Without the star point guard, the Lakers could confidently turn to James to steer them through choppy waters. He averaged 22.8 points, 7.2 rebounds and 8.3 assists in the first-round series. At one point during Friday’s game, Reaves approached him to just tell him his performance was “insane.”

“I don’t think you can say in words how special he was,” Reaves said, “not just tonight but this series, this year.”

In the locker room after the game when the Lakers prepared to break their last huddle, the lights suddenly clicked off. Players started bleating, serenading James with sounds deserving of the G.O.A.T. — greatest of all time.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, giving you the latest on city and county government.

We’ve got a month left before the June 2 primary election, with mail-in ballots already heading to voters’ mailboxes.

As if on cue, the big campaign money is pouring in from an array of well-funded interests: business groups, labor unions, hotels, taxicab companies and even one candidate’s mother.

To get around the city’s strict fundraising limits, those donors are putting much larger sums into “independent expenditure” campaigns that operate separately from their favored candidates.

Let’s take a look at some of the outsized spending to emerge in recent weeks.

Police union targets Raman

Things had been pretty sleepy in the L.A. mayor’s race, even with Mayor Karen Bass facing challenges from Councilmember Nithya Raman, reality TV personality Spencer Pratt and 11 other opponents.

That all changed after the Los Angeles Police Protective League, the union representing rank-and-file officers, dropped more than $400,000 on ads targeting Raman, who was elected to the council twice with support from Democratic Socialists of America, which isn’t endorsing in the mayoral primary.

Bass has been aligned with the union on a number of issues, supporting the hiring of more cops, signing off on higher police salaries and vetoing a ballot proposal to let Police Chief Jim McDonnell fire officers.

Raman, on the other hand, has been campaigning on her opposition to a package of police pay increases, saying the decision by Bass and the council to approve them was “politically motivated.”

Bass and others said the increases were needed to keep police from leaving a department that has lost 14% of its officers since 2020.

The league tried and failed to unseat Raman two years ago. This time around, the union is texting voters a campaign video highlighting her opposition to a city law barring homeless people from setting up encampments within 500 feet of a school.

The ad, which appears on YouTube, Hulu and other platforms, cites Raman’s recent vote against a new “no-camping” zone in Venice, in an area plagued by assaults and other crimes.

“Raman has voted over 75 times to allow homeless camps next to schools, daycares, parks and other sensitive locations, undermining public safety,” the ad’s narrator says.

Raman responded with her own campaign video saying Bass gave the union “more money than the city could even afford,” forcing city leaders to cut other services “to the bone.”

“This is what happens when a city governs for powerful interests rather than working people,” she said.

The league is planning to spend more than $1 million opposing Raman, and it’s already gotten some help. For example, office building owner Kilroy Realty Group has given $100,000 to the anti-Raman campaign.

A mother of a campaign

Real estate executive Zach Sokoloff has a not-so-secret weapon as he seeks to unseat City Controller Kenneth Mejia: his mom.

Sheryl Sokoloff is the spouse of Jonathan Sokoloff, managing partner of the Los Angeles-based private equity investment firm Leonard Green & Partners. She recently dropped $2.5 million into a committee promoting her son, which has produced digital ads accusing Mejia of performing too few audits.

“Zach Sokoloff will actually do the job as controller,” the ad’s narrator says in one 30-second spot.

Mejia, in an email, called the attacks “baseless” and accused Sokoloff’s family of “using their extraordinary wealth to try to buy the Controller’s position.”

“Unlike my opponent, I do not have any millionaire family members who can bankroll my campaign,” he said. “Just like last time we ran, we’re relying on small dollar donations from LA residents who are inspired by our record of providing unprecedented transparency and accountability on their tax dollars.”

Spending surge in the 11th

We already knew the race for the 11th District, which covers L.A.’s coastal neighborhoods, had gotten outrageously expensive.

Last week, Councilmember Traci Park reported raising nearly $1.3 million. Human rights attorney Faizah Malik, Park’s lone challenger, took in her own impressive haul of $454,000.

Turns out the independent expenditure campaigns in the race are nearly as costly.

Two city employee unions — the Police Protective League and United Firefighters of Los Angeles City Local 112 — have spent nearly $900,000 on efforts to get Park reelected. And they’re getting help.

The firefighters, a Park ally since her 2022 campaign, collected $150,000 for their pro-Park effort from Western States Regional Council of Carpenters, a construction trade union. The police union picked up $150,000 from restaurateur Jerry Greenberg and $200,000 from real estate company Douglas Emmett Properties, which gained notoriety for its push to evict tenants from West L.A.’s Barrington Plaza.

Malik, backed by Democratic Socialists of America, accused Park of doing the bidding of her donors at the expense of “everyday working Angelenos,” by supporting police raises and fighting stronger renter protections.

Hotel workers take aim at Park

Meanwhile, a different union is doing its own sizable spend.

Unite Here Local 11, which represents hotel workers, has put nearly $340,000 so far on efforts to promote Malik and tear down Park. The union’s leadership has been furious with Park, who voted against a hike in the minimum wage for tourism workers to $30 per hour.

Park said the wage hike would harm the city’s hospitality industry, costing hotel workers their jobs.

Like the police and the firefighters, Unite Here is not going it alone. The union picked up $50,000 from United Teachers Los Angeles and another $50,000 from Smart Justice California, a group focused on less punitive public safety strategies.

Unite Here has attempted to portray Park, a Democrat, as a Trump sympathizer, highlighting remarks she made to the president when he visited Pacific Palisades in the wake of the Palisades fire. The union also pointed out that she voted against making L.A. a sanctuary city for undocumented immigrants.

Park told news radio station KNX in 2024 that the state already has a sanctuary law, and that she considered the ordinance to be an act of “symbolic resistance” — one that would jeopardize federal funding.

On Thursday, Park accused Unite Here of using a picture of her with personnel from the Army Corps of Engineers to falsely imply that she was standing alongside ICE. The Army Corps removed debris from thousands of burned-out properties in the Palisades.

Park, in a statement, called the mail pieces “dishonest and disgusting.”

Unite Here didn’t directly address Park’s allegation, but told The Times that “Local 11 believes that our local elected officials should not collaborate with the Trump administration in any way.”

Speaking of the hotel wage

Unite Here isn’t the only player in the hotel wage fight to leap into this year’s council races.

Two L.A.-based hotels, working with the California Hotel and Lodging Assn., have put a combined $300,000 into a political action committee supporting Maria Lou Calanche, who is seeking to unseat Councilmember Eunisses Hernandez; political aide Jose Ugarte, who is running to replace Councilmember Curren Price; and Park in the 11th.

The group, which goes by the name Fix Los Angles PAC, doesn’t seem to be sweating all the details. Its phone script to voters, which was filed recently with the Ethics Commission, got Calanche’s name wrong, referring to her as Mary instead of Maria.

State of play

— EXPANDING THE VOTE: L.A. voters could be asked in November to take the first step toward giving noncitizens the right to vote in city and school board elections. City Councilmember Hugo Soto-Martínez, now running for reelection, wants voters to give the council the authority to let noncitizens vote in elections for mayor, council and other city offices, as well as the school board.

— HOME SHARING HOLDOUTS: Bass is looking to relax the city’s rules on home-sharing, by letting residents rent their second homes on a short-term basis through Airbnb and other platforms. Some council members were cool to the idea, saying this week that they fear such a move would shrink the city’s housing supply.

— EYE IN THE SKY: The LAPD deployed drones more than 3,000 times last year, using them mostly for emergency calls or officers’ requests for help, according to a report submitted to the Police Commission. The 3-foot-wide surveillance devices are being used by a department already known for its sizable fleet of helicopters.

— SEIZING CONTROL: Bass and Councilmembers Tim McOsker and Ysabel Jurado want the city of L.A. to obtain majority control over the embattled Los Angeles Homeless Services Authority, a city-county agency that delivers services to the region’s unhoused population. That proposal comes a year after the county’s Board of Supervisors voted to pull more than $300 million out of LAHSA.

— A GLOOMY OUTLOOK: L.A. voters lack confidence in the ability of city, county and state officials to make housing more affordable, according to a survey conducted by the Los Angeles Business Council.

— READY FOR OUR CLOSE-UP: L.A. plans to install 125 speed cameras by the end of July, in the hope of catching misbehaving drivers. But there are already some takeaways from San Francisco, where the technology is being credited with getting drivers to slow down.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness returned to South Los Angeles, sending outreach workers to areas around 23rd and Broadway, Adams Boulevard at Main Street, and Washington Boulevard at Main Street.
• On the docket next week: The major candidates for mayor are set to square off Wednesday at a forum sponsored by NBC4 and Telemundo 52, in partnership with Loyola Marymount University and the Skirball Cultural Center.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

WASHINGTON — More than 60 days into his war with Iran, well past public deadlines he had set for its end, President Trump sat through a briefing from U.S. Central Command outlining yet another set of options for a fresh round of strikes.

On offer Thursday were unpalatable choices for a president eager to move on from the conflict he started. Renewed U.S. attacks risk inflaming the war beyond Trump’s control, undermining a fragile ceasefire for which American allies fought hard. But the very need for such a briefing underscored how difficult a position the president has found himself in.

A legal deadline for congressional authorization arrived Friday that threatens to increase pressure on the administration — and underscore lagging support for the most unpopular U.S. war in modern times. Global oil prices remain above $100 a barrel entering the midterm election season. And a diplomatic breakthrough with Tehran appears nowhere in sight.

Signs pointed to another U.S. military buildup in the region this week that could portend a fresh round of fighting. A U.S. Defense official familiar with the matter said the U.S. military has used the weeks-long pause to replenish its munitions. So, too, have the Iranians, who have reportedly increased their efforts to dig out stockpiles of missiles and drones buried by U.S. and Israeli strikes.

“Amateurs look at strategy; pros look at logistics,” said Robert Pape, a professor of international relations at the University of Chicago. “I have seen more buildup of force — actual firepower, with the addition of a third aircraft carrier, and logistics — than we’ve seen since the beginning of the war in February. So there’s been a notable change in the past week.”

The logistical surge appears to be a stream of Boeing C-17 military transport aircraft making their way to the region, alongside the addition of a third aircraft carrier. Only two carriers were in place when Trump first launched the war Feb. 28.

“That’s a pretty good sign that they’re mobilizing,” Pape added. “These are strategic and operational indicators. I would imagine they’re looking for a sharp knock.”

More than 10,000 Marines from expeditionary units are now in theater, giving Trump the option to launch limited ground operations, such as seizing a small stretch of coastline or initiating an assault on Kharg Island, the hub of Iran’s oil industry.

Occupying Iranian territory could provide the Trump administration with leverage in negotiations with Tehran. But it would also carry significant domestic political risks. A clear majority of Americans — including many Republicans — oppose a ground war.

More troops would be necessary to hold ground for any substantial period of time, experts said.

“I do have the impression, from some of the briefings that I have received as well as other sources, that an imminent military strike is very much on the table,” Sen. Richard Blumenthal, a Democrat from Connecticut, told CNN.

Departing Washington for the weekend, Trump told reporters that a “very disjointed” Iranian government, torn internally over whether to agree to a nuclear deal with the Americans, had put his administration “in a bad position,” uncertain whom to negotiate with or whether any agreement it might strike would be enforced.

“Right now we have negotiations going on. They’re not getting there,” Trump said. “They want to make a deal, but I’m not satisfied with it. So we’ll see what happens.”

And yet, the longer talks continue, the more pain Americans can expect to feel as global energy and fertilizer prices continue to skyrocket over disrupted commercial shipping traffic through the Strait of Hormuz, affecting the costs of pocketbook items ranging from food and fuel to airfare.

Trump hopes a brief new round of powerful strikes, potentially targeting Iranian infrastructure, will force Iran’s hard-liners to support a negotiated settlement — a gambit that could backfire, after an inaugural volley of strikes in the war killed off the government’s moderate voices, empowering the militant leadership of the Islamic Revolutionary Guard Corps.

“Do we want to go and just blast the hell out of them and finish them forever, or do we want to try and make a deal?” Trump asked, speaking with reporters on the South Lawn. “I mean, those are the options.”

In a letter addressed to Congress, Trump dismissed a 60-day deadline for congressional authorization for the war set forth in the War Powers Act, claiming the ceasefire with Iran had effectively stopped the clock on the administration’s legal responsibilities. Democrats argue that an ongoing U.S. blockade of Iranian ports constitutes an act of war that, absent a formal diplomatic agreement, requires congressional approval.

Speaking with reporters, Trump offered a less nuanced explanation.

“It’s never been used, it’s never been adhered to,” Trump said of the act. “Every other president considered it totally unconstitutional, and we agree with that.”

The internal debate over resuming the war comes after Pentagon officials informed Congress this week that the conflict, dubbed Operation Epic Fury, had cost taxpayers $25 billion thus far.

Pete Hegseth, the president’s secretary of Defense, defended the effort at a congressional hearing Wednesday, telling lawmakers that the United States was “absolutely” winning the war.

“Militarily,” Hegseth said, “on the battlefield, it’s been an astounding military success.”

He declined to say whether he had advised the president to launch the war in the first place.

Zayn Malik, the former One Direction star turned solo artist, canceled all U.S. dates for his upcoming tour. The hitmaker was recently hospitalized for an undisclosed illness.

“To my fans: Thank you so much for all the support and love you’ve shown me on the album release and more importantly your love, prayers, and well wishes for my health,” Malik wrote Friday in an Instagram story. “I’ve felt it, and it’s meant the world. I’ve been at home recovering and I’m doing well and will be better and stronger than before.

“I’ve had to take another look at my schedule for the months ahead and have to reduce the number of shows on the KONNAKOL Tour,” he continued. “I want to make sure I still get out and see as many of you as I possibly can. I’m really looking forward to playing these shows for you, and I hope to see the rest of you around the world very soon. Big Love, Z”

While the “Side Effects” singer still has forthcoming shows in the United Kingdom and Mexico later this month, he nixed the U.S. leg of the tour, which was slated to kick off this July in Philadelphia. Other major stops included Pittsburgh, Milwaukee, Chicago, Indianapolis, Nashville, Phoenix, San Diego, Inglewood, Anaheim, San Francisco and Seattle, with the tour concluding in Miami on Nov. 20.

The announcement comes weeks after Malik, 33, revealed he was hospitalized. The singer didn’t disclose what condition he was suffering from, but on April 17 — the day his latest album “Konnakol” dropped — he shared a since-expired Instagram story that included selfies of the singer in a hospital bed hooked up to an IV.

“To my fans – Thank you to all of you for your love & support now & always – been a long week and am still unexpectedly recovering,” he wrote alongside the photo. “Heartbroken that I can’t see you all this week, I wouldn’t be in the place I am today without you guys and am so thankful for your understanding.”

The “Prayers” singer also thanked “all the incredible hospital staff of [doctors], nurses, cardiologist, management, admin and everyone who had helped along the way and continue to”.

Earlier this year, Malik performed his first ever seven-night residency in Las Vegas at Dolby Live at Park MGM.

WASHINGTON — House Speaker Mike Johnson has lamented he would like to preside over a “normal Congress,” but the chamber the Republican is leading is anything but.

All-night sessions. Hours of dead zones with no action on the floor. Legislation being written on the fly, behind closed doors. Sudden votes scheduled. Spectacular failures. And, as happened this week, stunning turnarounds in which the House actually passes bills.

“Sometimes it’s an ugly process, sometimes it’s a long process,” Johnson said after House passage of a bipartisan bill to fund much of the Department of Homeland Security, ending the longest agency shutdown in history. “But we got it done.”

Republicans, who face an uphill climb this election year to keep hold of their paper-thin House majority, appear at times as if they are still learning on the job, years after having returned to power in 2022, while they are also about to ask voters in November to rehire them for another term.

This week’s starts and stops — for example, five hours of delay as Johnson huddled behind closed doors to salvage his agenda, then a sudden vote tally near 11 p.m. — would typically have been the kind of situation that shocked the political and procedural senses. Now, it’s just another Wednesday.

Or two weeks ago, when a routine House Rules Committee hearing ended up becoming a midnight forum to debut a just-produced 14-page bill to revise a surveillance bill, known as the Foreign Intelligence Surveillance Act, or FISA, before it was rushed to the floor for a 2 a.m. vote. It failed.

“House Republicans have shown again that they can’t govern,” said Rep. Ted Lieu of California, part of Democratic leadership.

“They routinely pass bills to the Senate that are way too extreme, then it ends up that we have all these floor session days where we’re just doing nothing,” he said.

House GOP’s slim majority makes leader’s job challenging

Johnson, who took over for the ousted Kevin McCarthy more than two years ago, is presiding over one of the slimmest House majorities in modern times, leaving him no room to spare if he’s trying to pass legislation on party-line votes, without Democrats.

The speaker is juggling not only President Trump’s priorities but also those of the various factions that make up his majority, from the conservative House Freedom Caucus to what remains of the GOP’s more pragmatic conservatives.

And Johnson’s own future is always in question, after Republicans chased other speakers, including McCarthy, John Boehner and Newt Gingrich, to early exits.

Last year Johnson, of Louisiana, led passage of the party’s signature achievement, a big bill of tax breaks and safety net cuts, which Trump signed into law. At the time, he quipped about the difficulty of getting it over the finish line.

“I do so deeply desire to have just a normal Congress,” the speaker said in July.

“But it doesn’t happen anymore,” he said. “Our way is to plow through and get it done.”

What’s ahead as House GOP tries to stay in power

Ahead of the fall elections, Johnson and other Republican lawmakers have discussed an agenda that includes the promise of another GOP-only budget package like the tax cuts bill that they could push through the House and the Senate, without Democratic votes.

Budget Chairman Jodey Arrington (R-Texas) said Thursday that he expects “the centerpiece” of that package “will be supporting our troops” with more than $100 billion in funding for the war against Iran as well as money to replenish defense munitions and other Pentagon-related needs.

Despite the turbulent week in the House, Arrington said what they’re calling “Budget reconciliation 3.0” should be the “next order of business.”

Yet GOP lawmakers may decide it’s better to skip the hard work of legislating, and the dramatic upheavals that tend to come with it, and hit the campaign trail to win over voters instead.

Rep. Richard Hudson (R-N.C.), the chairman of the House GOP’s campaign arm, the National Republican Congressional Committee, acknowledged that trying to pass legislation with such a tight majority “can be rough. It’s ugly.”

“I’d be fine with letting us go home and campaign,” Hudson said. “But we’ve got a lot of important work still to do.”

Some of Johnson’s most ardent sparring partners, those most conservative Republican lawmakers, turned their blame for the messy process not on Johnson’s leadership but on their own GOP allies across the Capitol in the Senate, who often dismiss the House’s work.

“Yeah, sometimes, it gets a little tense,” said Republican Rep. Chip Roy of Texas. “But we’re still getting stuff done. We’re sending it over to the Senate. So we look forward to them doing their job.”

Mascaro writes for the Associated Press.

The 61st Venice Biennale — the world’s most celebrated international exhibition of contemporary art — made headlines Thursday when its awards jury resigned amid a growing controversy over its April 23 decision to exclude countries charged with crimes against humanity by the International Criminal Court.

In the current moment, this specifically meant Israel and Russia, and an uproar ensued — particularly with regard to Israel. The Israel Foreign Ministry blasted the decision on social media, writing in an April 26 post that the boycott “is a contamination of the art world. The political jury has transformed the Biennale from an open artistic space of free, boundless ideas into a spectacle of false, anti-Israeli political indoctrination.”

The jury posted its brief statement of resignation online four days later “in acknowledgment” of its original decree, in which it wrote, “At this edition of the Biennale, we wish to set out our intention — to express our commitment to the defense of human rights,” before explaining it would not consider certain countries for awards.

The Biennale moved swiftly to reverse course after the jury’s resignation, issuing a news release that noted, “All National Participations included in the 61st Exhibition … are eligible … following the principle of inclusion and equal treatment among all participants. This is consistent with the founding spirit of La Biennale, based on openness, dialogue, and the rejection of any form of closure or censorship. La Biennale seeks to be — and must remain — a place of truce in the name of art, culture, and artistic freedom.”

To that end, the awards ceremony originally scheduled to take place on May 9 has been pushed to November 22 — the last day the exhibition is open to the public. There is precedent for “exceptional circumstances” delays, and the last one took place in 2021 as a result of the COVID-19 pandemic.

Without precedent, however, are the newly established awards, created to replace the coveted Golden Lion awards that the jury traditionally hands out to two winners each year. This year, instead of the Golden Lion for best national participation at the Biennale; and the Golden Lion for best participant in the Biennale’s central exhibition, the Biennale has established two Visitors’ Lions to be awarded in the same categories.

Instead of a jury deciding the winners this year, the honor will be left — as the new award name specifies — to the exhibition visitors.

“Visitors eligible to vote for the Visitors’ Lions are ticket holders who have visited both Exhibition venues,” the release reads.

“Visits to both venues will be verified through the ticketing system’s tracking. Each ticket holder may cast one vote for each of the two awards, in one single session.”

Whether Visitors’ Lions will become a Biennale mainstay remains to be seen — but I can imagine the democratic idea might keep its place when the Golden Lions make their return next year.

I’m Arts editor Jessica Gelt doing my best to tread water in difficult times. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Quentin Lee and Justin Lin on the set of their debut feature, “Shopping for Fangs.”

(Margin Films)

Celebrating 30 Years of Margin Films
Award-winning filmmaker Quentin Lee and his production company mark three decades in the business with a weeklong screening series. Lee’s breakout 1997 debut “Shopping for Fangs,” co-directed by Justin Lin, is the opening film. Also screening: “Ethan Mao,” Saturday; “The People I’ve Slept With,” Sunday; “The Unbidden,” Monday; “Rez Comedy,” Tuesday; “Last Summer of Nathan Lee,” Wednesday; and a sneak peak of three episodes of the Canadian TV series “Comedy InvAsian III,” Thursday. Selected screening includes a Q&A. Lee is also releasing a book, “Cinemasianamerica,” commemorating the occasion.
Each film screens one day, 1:30, 4:30 and 7:30 p.m., through Thursday. Laemmle Royal, 11523 Santa Monica Blvd., West L.A. laemmle.com

Dvořák and Korngold
Conductor Andrés Orozco-Estrada and the Los Angeles Philharmonic pay tribute to Michael Tilson Thomas, who died April 22, with his composition “Agnegram,” and perform Korngold’s “Concerto in D major for Violin and Orchestra” with violinist María Dueñas. The evening concludes with “Symphony No. 7 in D minor” by Dvořák.
8 p.m. Friday and Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Anna Van Valin, from left, Elias Scoufaras and Bruce Nozick in “Warsaw” at International City Theatre.

(Jordan Gohara)

Warsaw
The world premiere of British playwright and “Selma” screenwriter Paul Webb’s drama about the fate of a woman whose life links two monumental historic moments, World War II and Sept. 11.
7:30 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 17. International City Theatre, 330 E. Seaside Way, Long Beach. ictlongbeach.org

SATURDAY

• • The Kronos Quartet, from left: Gabriela Díaz, David Harrington, Ayane Kozasa and Paul Wiancko.

(Danica Taylor)

Kronos Quartet
The West Coast premiere of the group’s latest large-scale multimedia project, “Three Bones,” which combines live performance, video, visual art, recordings and environmental sound to explore the histories of Indigenous, Gullah Geechee and Chinese American communities in the United States.
6 p.m. UC Santa Barbara campus, Campbell Hall. artsandlectures.ucsb.edu

Michael Caine, from left, Scarlett Johansson and Hugh Jackman in the “The Prestige,” screening Saturday at the Aero.

(Francois Duhamel / Touchstone & Warner Bros. Pictures)

The Prestige
Hugh Jackman and Christian Bale square off as rival magicians in a 20th anniversary 35mm screening of Christopher Nolan’s sci-fi thriller.
7:30 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

The cast of “Carlota: Alhajero de Secretos,” opening Saturday at LATC.

(Teatro Alebrijes)

Carlota: Alhajero de Secretos
Writer-directors Rodrigo García and Ugho Badú reimagine Federico García Lorca’s tragedy “The House of Bernarda Alba.” The co-production between San José-based LGBTQ+ ensemble Teatro Alebrijes and L.A.’s Latino Theater Company is in Spanish with English supertitles.
8 p.m. Thursdays, Fridays and Saturdays; 2 p.m. Sundays, through May 24. Los Angeles Theatre Center, 514 S. Spring Street, downtown L.A. latinotheaterco.org

SUNDAY

Henri Lubatti in “Exit the King” at A Noise Within.

(Daniel Reichert)

Exit the King
Eugène Ionesco’s classic absurdist comedy about a desperate monarch who refuses to admit his time has come, translated by Donald Watson and directed by Michael Michetti.
Previews, 2 p.m. Sunday; 7:30 p.m. Wednesday, Thursday and May 8; opening night, 7:30 p.m. May 9; runs through May 31. A Noise Within, 3352 E. Foothill Blvd., Pasadena. anoisewithin.org

Organist Anna Lapwood performs at Walt Disney Concert Hall on Sunday.

(Gerald Matzka / Getty Images)

Anna Lapwood
The popular organist performs work from “The Da Vinci Code,” “The Hunchback of Notre Dame,” “The Lord of the Rings,” “Star Wars Episode I – The Phantom Menace,” “Flight” and “Pirates of the Caribbean,” as well as Olivia Belli’s organ solo “Limina Luminis,” in this recital.
7:30 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

TUESDAY

Willie Birch, “Uptown Memories (A Day in the Life of the Magnolia Project),” 1995. Painted papier-mâché and mixed media, 82 × 62 × 60 in. New Orleans Museum of Art.

(Roman Alokhin)

Willie Birch: Stories to Tell
This career retrospective details Birch’s exploration of the Black American experience since the 1960s, posing difficult questions along the way in his work as an artist, community organizer and “cultural provocateur.”
10 a.m. to 5 p.m. Tuesdays to Saturdays; 11 a.m. to 5 p.m. Sundays, through Oct. 21. California African American Museum, 600 State Drive, Exposition Park. caamuseum.org

Lucía performs Tuesday at the Carpenter Center in Long Beach.

(Shervin Lainez)

Jazz in Long Beach
Two jazz-influenced acts come to the Carpenter Center next week. Lucía brings her signature mix of traditional American jazz and Latin folk in a Spotlight Sessions concert on the Cabaret Stage. She’ll also be performing songs from her forthcoming album. “The Magic of Manhattan Starring Benny Benack III” is a tribute to the Big Apple and the songs and singers most associated with it, including Blossom Dearie, Frank Sinatra and Billy Joel.
Lucía, 8 p.m. Tuesday; Benny Benack III, 7 p.m. Wednesday and Thursday. Carpenter Center, 6200 E. Atherton St., Long Beach. carpenterarts.org

Smith, Cabezas & Childs
Molly Turner conducts the LA Phil New Music Group, with multi-instrumentalist and vocalist Gabriella Smith, cellist Gabriel Cabezas and jazz pianist Billy Childs in a program of eco-friendly music curated by Smith, including compositions by Smith, Childs, Michael Gordon, John Cage and Esa-Pekka Salonen.
8 p.m. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

WEDNESDAY
Andrés Jaramillo: A Journey of Immigrants, Part II
The Colombian American pianist follows up on his January 2025 program with a celebration of the global cultural exchange created by immigrants, placing Latin American composers within the Romantic tradition. Featuring works by Chopin, Calvo, Mejía, Barber, Lecuona, Friedhoff-Calvo and Pinzón-Arroyo. Presented by Piano Spheres.
8 p.m. Wednesday. Thayer Hall at Colburn School, 200 S. Grand Ave., downtown L.A. pianospheres.org

Morgan Freeman, left, and Brad Pitt star in David Fincher’s 1995 film “Seven.”

(Robert Isenberg / New Line Cinema)

Seven
A 4k screening of David Fincher’s 1995 thriller about two cops on the trail of a serial killer. Appearances by production designer Arthur Max and set decorator Clay Griffith.
7:30 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

THURSDAY

“Dancing with Bob: Rauschenberg, Brown & Cunningham Onstage” at the Wallis, May 7 to 9.

(The Wallis Annenberg Center for the Performing Arts)

Dancing With Bob: Rauschenberg, Brown & Cunningham Onstage
This kinetic retrospective captures the cross-disciplinary collaborations between vanguard artist Robert Rauschenberg and choreographers Trisha Brown (“Set and Reset,” with an electronic score by Laurie Anderson) and Merce Cunningham (“Travelogue,” created with John Cage).
7:30 p.m. Thursday and May 8; 2 p.m. May 9. The Wallis, 9390 N. Santa Monica Blvd., Beverly Hills. thewallis.org

The Physicists
Albert Einstein and Isaac Newton are residents of an insane asylum beset by murder, mayhem, espionage and questions about the morality and ethics of science in this 1962 German satire by Friedrich Dürrenmatt. Directed by Brent Hinkley.
8 p.m. Thursdays and Saturdays; 2 p.m. Sundays, through June 20. The Actors’ Gang Theater, 9070 Venice Blvd., Culver City. theactorsgang.com

Arts anywhere

New and recent releases of arts-related media.

The Adding Machine
Currently running at the Theater at St. Clement’s in Hell’s Kitchen, New York City, through May 17, this New Group production with a revised script by Thomas Bradshaw receives a one-time livestream next week. “[Elmer] Rice’s expressionist drama is known for being a tale of man vs. machine in an age of merciless efficiency, but inhumanity in a broader sense is its true core subject,” wrote Laura Collins-Hughes in a recent New York Times review. “The happy news about Scott Elliott’s handsome yet under-realized revival … is what a delight Daphne Rubin-Vega is to watch as Mr. Zero.” The cast also features Sarita Choudhury, Michael Cyril Creighton and Jennifer Tilly. The League of Live Stream Theater: 4 p.m. Tuesday. $40, includes 24-hour replay.

Art Work
Photographer and writer Sally Mann weighs in on the creative process with stories, advice and life lessons, all illustrated with photos, journal entries and letters, making for a compelling, often surprising journey. Abrams Books: 272 pages, $35

“Insomnia & Seven Steps to Grace” by Joy Harjo.

(Smithsonian Folkways Recordings)

Insomnia and Seven Steps to Grace
The new album by Joy Harjo, the first Native American to be named United States Poet Laureate, serving from 2019 to 2022, combines jazz, funk, rock and Native music sounds with her signature “vibration of love” as she boldly confronts injustice and draws inspiration from ancestral memory and the political turmoil of the moment. The double LP’s packaging features original art by Harjo and the poet’s extensive liner notes. Five-time Grammy winner Esperanza Spalding produced as well as contributed vocals and played bass on the project. Smithsonian Folkways: Double vinyl LP ($33), CD ($17), hi-res digital download ($13), digital download ($10).

— Kevin Crust

Culture news and the SoCal scene

Michael Tilson Thomas in 2018.

(Paul Marotta/Getty Images)

Times classical music critic Mark Swed wrote a lovely appreciation of conductor Michael Tilson Thomas, who died last week at the age of 81. Tilson Thomas, Swed wrote, “made music matter by making hope matter. He was, moreover, one of us. He achieved greatness though an epic amplification of a uniquely L.A. positivity in which grumpy became wistful.”

LA Opera music director James Conlon is preparing to step down after a record 20 seasons with the company, and in a recent story, Swed cataloged his impressive numbers: “More than 500 performances of 70 different operas at the Dorothy Chandler Pavilion and occasional neighboring venues, such as the Cathedral of Our Lady of the Angels.” Swed attended a recent farewell gala and noted some highlights, including excerpts from “The Marriage of Figaro.”

Times theater critic Charles McNulty spent a recent trip to New York almost entirely in various Broadway theaters, catching up on what he says is a “strange season by all accounts.” McNulty notes that Broadway is still the place acting powerhouses like Adrien Brody, John Lithgow and Laurie Metcalf go in search of the kind of depthy material increasingly unavailable onscreen. He looks at four such shows — and their epic leading actors — including “Death of a Salesman,” “Giant,” “The Fear of 13” and “Dog Day Afternoon.”

David Henry Hwang (book adapter, “Flower Drum Song”) and Alexandra Silber (book adapter, “Brigadoon”) at the James Irvine Japanese Garden in Little Tokyo.

(Jason Armond/Los Angeles Times)

Malia Mendez wrote a great piece about a trio of classic musicals running concurrently in L.A. She takes a closer look at “Flower Drum Song,” adapted for East West Players by David Henry Hwang; “Brigadoon,” adapted for Pasadena Playhouse by Alexandra Silber; and “The Sound of Music” at the Hollywood Pantages. All three were originally written by two of the 20th century’s most dynamic and celebrated writing duos: Rodgers and Hammerstein (“Flower Drum Song” and “The Sound of Music”) and Lerner and Loewe (“Brigadoon”). And all still resonate in modern times.

Mendez also wrote about a special event taking place this weekend called Night at the Library — held as part of the downtown Central Library’s centennial celebration. “The four-hour extravaganza Saturday will feature more than 200 artists and 25 to 30 activations peppered throughout the library campus, plus DJ sets and local food truck fare. Highlighted performers include Bob Baker Marionette Theater and Los Angeles Master Chorale,” Mendez writes.

Doug Chiang, Podrace Crash, production art for “Star Wars: Episode I – The Phantom Menace,” 1995-99.

(Lucas Museum of Narrative Art)

The Lucas Museum of Narrative Art unveiled its inaugural exhibitions this week — noting that all 20 were curated by George Lucas himself. The $1-billion museum will open to the public on the first day of fall and the exhibits will be shown in more than 30 galleries spread over 100,000 square feet of exhibition space. And, yes, “Star Wars” memorabilia will be part of the “cinema” exhibit with large-scale vehicle installations, production designs, props and costumes.

Lincoln Clauss, center, as the Emcee in Asolo Repertory Theatre’s “Cabaret,” at the Old Globe.

(Courtesy of Cliff Roles)

The board of directors of San Diego’s Old Globe named Trish Santini as the theater’s new managing director. Santini joins Artistic Director Barry Edelstein as a co-chief executive, and enters her new role on July 1. Among other arts leadership posts, Santini was the inaugural executive director of Little Island in New York City, and led the launch of the $250-million public park and performance venue.

— Jessica Gelt

And last but not least

The Times Food section calls to me yet again with this headline: “L.A.’s best rotisserie chicken may be at this former gas station in Pasadena.”

Tennessee told Nico Iamaleava to go fly a kite, so UCLA said come fly it here.

That alleviated some homesickness, but it didn’t get Iamaleava’s career up off the ground. Of course, the conditions in Westwood last season weren’t ideal for takeoff.

But now they are.

Here comes Bob Chesney’s rebuild. And Iamaleava’s redemption. An exceptional head coach and an exciting quarterback, with the wind at their backs, racing toward a relatively breezy schedule?

USC defensive tackle Carlon Jones grabs UCLA quarterback Nico Iamaleava during a game on Nov. 29.

(Kyusung Gong / Associated Press)

Sky’s the limit, man.

Watch them dip and dance and make defenders miss all the way to New York. Watch the cautionary tale about the perils of the transfer portal turn into a fairy-tale comeback.

No, that’s not me building castles in the sky.

Consider the unprecedented heights to which Chesney took tiny James Madison, and think of the places he can go with a junior QB whose trajectory had him headed toward Heisman Trophy hopefuldom before turbulence hit.

Iamaleava arrived in Knoxville, Tenn., with more hype than any quarterback since Peyton Manning. The 6-foot-6 Long Beach native, with an outside hitter’s rocket arm and the gazelle-like gait, was considered the nation’s No. 2 overall recruit out of Warren High in Downey. As a redshirt freshman in 2024, he won 10 games and led the Volunteers to the College Football Playoff.

Heisman buzz was building. Until it wasn’t, deadened last spring by the contract dispute that was debated ‘round the college football world. There was disagreement between Iamaleava’s camp and Tennessee — which was reportedly paying him more than $2 million per season, less than the going rate for some comparable quarterbacks and more than the Bruins reportedly offered.

UCLA — 3-9 last season and with only two bowl appearances in eight years — isn’t anyone’s idea of a shortcut back to glory. But there is this: The Bruins seem really to have Ted Lasso’d a certain energy these days. A can-do frequency. Joy and positivity are in.

The women’s basketball team danced its way through the Big Dance and emerged as national champs.

UCLA coach Bob Chesney leads the Bruins through their first spring football practice at Spaulding Field on April 2.

(Robert Gauthier/Los Angeles Times)

Alysa Liu, the figure-skating psychology-student Olympic champion? She said there’s a new golden rule: Am I having a good time?

And mercy, the No. 6-ranked softball team — whose silly postgame interviews have gone viral — is having a record-smashing season.

Now we also have Chesney extra-cheesing out here, showing up with free pizzas at fraternities, outreach to get the bros out to the Bruins’ spring game Saturday at the Rose Bowl.

But how does Iamaleava fit into this bright motif?

Perfectly, actually. When I asked him last year what he was telling his teammates after head coach DeShaun Foster was fired three weeks into the season, sky falling, wheels falling off, Iamaleava smiled his easy smile: “Man, just keep the belief.”

If that reads like a cliché, imagine the coolest guy in school saying it, and meaning it.

Iamaleava has a Long Beach lean, laid back and comfortable in his skin. He’s super-tight with his seven siblings, and super-proud of their Samoan heritage. And even though he and his younger brother Madden, a backup UCLA quarterback, were always “the toughest dudes on the field,” former Warren coach Kevin Pearson said, “they are the nicest, sweetest off of it.”

But wasn’t Nico the villain? The bad guy? That disloyal, greedy kid at the center of college football’s first apparent holdout?

The criticism was so loud — and so wrong, Pearson said — it had the man stressing. “It made my stomach hurt,” he said, “what people were saying about Nico.”

Pan out and Nico is a face in a crowd. For example, of the top 600 football prospects in the class of 2021, more than 60% of them transferred at least once, and 42 of the top 50 quarterbacks changed schools, according to the Athletic.

And he was about the only thing that was good about last season’s Bruins.

UCLA quarterback Nico Iamaleava passes the ball during an upset of Penn State at the Rose Bowl on Oct. 4.

(Gina Ferazzi/Los Angeles Times)

He was their leading passer and rusher. Of UCLA’s 24 touchdowns, he accounted for 17, including five in the Bruins’ 42-37 victory over No. 7 Penn State, which earned him a slew of national weekly honors, including Big Ten Offensive Player of the Week.

But the Bruins won only three games. The whole season was a hot mess, though you wouldn’t have known it, talking to Nico.

He seemed to get it. Not like he understood the assignment of rehabilitating his image, but with the sincerity of someone who appreciates what’s actually hard.

You might remember, his mom, Leinna, was diagnosed with breast cancer when he was 14.

“She definitely opened my eyes, just as a young kid growing up,” said Iamaleava, noting that she is OK now, busy traveling all over the country with his younger volleyball-playing sisters.

“She got diagnosed my freshman year and it was just kind of time to grow up and take care of the little ones. That changed my mindset and my perspective on life. Life’s short, you know? And we’re very blessed to be here and wake up every day.”

Nico could have been defensive in the face of criticism and failure, but he never was. Could have disappeared after defeats as some quarterbacks have, but he didn’t.

His mantra: “That’s on me, man.” Even when it wasn’t.

Despite everything, he was overly accountable, gracious under pressure, upbeat.

“Think about what he had to go through last year,” Chesney said. “He got the preseason, had a couple weeks with the guys, then he got into season, had a couple weeks with the guys, and then all hell broke loose, right?

UCLA offensive linemen Garrett Digiorgio, left, and Sam Yoon, right, help quarterback Nico Iamaleava up after he ran for extra yards against Penn State at the Rose Bowl on Oct. 4.

(Gina Ferazzi/Los Angeles Times)

“To be able to stick with it and stay through that, you’re just probably trying to keep your head above water. And a lot of our conversations are about that, ‘Hey, this is different this time around.’”

Way different. Chesney has revamped UCLA’s roster with 40-plus transfers, including several key contributors from the JMU team that made the College Football Playoff.

And then there’s Nico, looking like everybody’s big brother at spring practices, smack-talking and celebrating the guys, as engaged as Chesney but easier to spot because his golden helmet glistens above everyone else’s.

“We did a leadership vote,” Chesney said, “and it was undeniable, [Nico] was the No. 1 vote on this entire team to be the leader. And I wanted to just share that with him and make sure he didn’t have to wonder, ‘Do these guys respect me?’ They do. And not only by the position you play, but by the way you play it. By the way you handle it off the field.”

By smiling through it all, even in the immediate aftermath of the Bruins’ loss to New Mexico, their third loss in as many weeks, when it looked like UCLA might not win all season.

“This is a game that as a little kid you loved to play,” Nico said that night. “A lot of [us] are treating this like a job. We gotta get back to having fun.”

And now that Nico and the new-look Bruins have that kite in the air, watch them run with it.

Trevor Brown needs to beat his alma mater, Hart High, to win the Foothill League baseball title.

Brown, a first-year head coach at West Ranch, has his team at 8-3, which is tied for first place with Castaic going into Friday’s regular-season finale against Hart at West Ranch.

West Ranch defeated Hart 6-5 earlier this week.

Brown was a standout catcher for Hart, then went on to star at UCLA and played briefly with the San Francisco Giants.

They say catchers make the best managers, and Brown is another example of using his catcher’s experience to help with coaching.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com

In a hearing about competing protective order filings from reality TV star Taylor Frankie Paul and her ex-boyfriend Dakota Mortensen, a Utah judge granted Thursday that both orders go into effect, though he delayed making a decision on a custody arrangement.

The orders, which were issued by third district court commissioner Russell Minas, are in place for three years and require Paul and Mortensen to stay at least 100 feet away from each other. He also warned that they both could be subjected to criminal charges if there’s a violation of the orders.

“I do think it’s important that there be mutual orders,” Minas said. “I am just concerned that if I don’t order both of them to stay away from each other, there’s going to be some additional problems.”

Addressing Paul and Mortensen, Minas said: “I’m hoping that you’re not people who just thrive on the drama and the conflict … I do want to work with both of you to try to restore some sense of normalcy. I just think right now, you two need to stay away from each other and there needs to be orders that will result in consequences if you attempt to try to engage each other because I still think you have this attraction to each other, physical or otherwise.”

“The Secret Lives of Mormon Wives” star, 31, and Mortensen, 33, both appeared in Utah court for the hearing, which was livestreamed, the first time they’ve been seen in the same room together since news broke last month that they were involved in domestic violence investigations involving multiple allegations.

In the weeks leading up to the ruling, the judge had granted Mortensen custody of their son, with up to eight hours per week of supervised visitation for Paul, known as one of the stars of Hulu’s “The Secret Lives of Mormon Wives.” That arrangement will stay in place until the judge offers his recommendation on parent time on or before May 11.

Dakota Mortensen in the courtroom on Thursday.

(Bethany Baker / Associated Press)

A review hearing is set for June, once mental health and domestic violence assessments of Paul and Mortensen ordered as part of the safety plan by child protective services have been completed and processed.

Paul’s attorney, Eric M. Swinyard, described the hearing as a “significant step forward.”

“Taylor was incredibly candid with the Court that she is not perfect and owned her faults,” read part of his statement. “She looks forward to continuing to cooperate with the Court to make progress in the custody case.”

The Times also reached out to Mortensen for comment.

Paul and Mortensen had been under investigation by both the Draper City Police Department and West Jordan Police Department regarding a series of allegations each made that the other had acted violently during altercations in February, as well as an incident that took place in 2024. After the February allegations made headlines, a video of Paul in 2023 that led to her arrest was leaked; it showed the reality star throwing bar stools at Mortensen while her daughter was present. (Paul pleaded guilty in abeyance to aggravated assault following that incident and her probation in that case will be up in August.) Amid the investigation, Mortensen and Paul filed competing protective orders against each other.

The Salt Lake County district attorney’s office and the Draper City prosecutor both declined to file charges against Paul in April, citing insufficient evidence to prove allegations beyond a reasonable doubt.

The situation between the embattled exes also resulted in the pausing of filming of “Mormon Wives” Season 5. The show has documented the pair’s tumultuous relationship since it’s launch in 2024. It also led to the shelving of Season 22 of ABC’s “The Bachelorette,” which featured Paul as its heroine.

But Thursday’s ruling on the orders comes a week after reports surfaced that “Mormon Wives” has resumed production on its fifth season, without Paul and Mortensen’s involvement — though, Paul reportedly has the option to return. The fate of the unaired season of “The Bachelorette” remains unclear.

Alexandra Del Rosario contributed reporting.

So that Game 3 overtime win Friday in Houston was fun, huh?

The Lakers needed it, of course. The Lakers wanted it.

The Lakers are paying for it.

Because LeBron James hasn’t looked superhuman since playing those 45 minutes, including all five gutsy minutes of ovetime.

He hasn’t looked great.

Not even particularly good, not by his lofty standards.

And the Lakers need their not-quite-ageless wonder to be at least great to beat these Houston Rockets one more time. They need James’ best can-you-believe-he’s-41? act if they hope to close out this challenging best-of-seven first-round series without Luka Doncic.

The Lakers went up 3-0 largely thanks to James’ contributions.

After weeks of willingly playing third-wheel behind Doncic and Austin Reaves, James made it look like playing the alpha was like riding a bike in Game 1’s 107-98 victory: He got right on it and gave the Lakers 19 points, 13 assists and eight rebounds.

Then James had 28 points in the 101-94 victory in Game 2. And there was his monster effort in Game 3, when he had 29 points and 13 assists and, in overtime, a key steal and block in the Lakers’ 112-108 victory.

But James has been much more mortal in the two games since, and the Lakers have lost both.

With a chance to finish off the Rockets in Game 4 on Sunday at the Toyota Center, James had almost as many turnovers as points: eight and 10, respectively.

With a second chance to finish off the Rockets in Game 5 at Crypto.com Arena on Wednesday, despite a second day of rest, James had a jagged performance that looked like a lot of work in the Lakers’ 99-93 loss.

He had a game-high 25 points on nine-of-20 shooting, but he missed all six of his three-point attempts. He smoked layups. And missed three of his 10 free-throws, short on those attempts like he was on many of his misses Wednesday.

And while he had only two turnovers, they were the type to turn a tide, the type we’re not accustomed to witnessing from James. That type the Lakers can’t afford for him to make.

If he were a quarterback, he could have been called for intentional grounding, he overthrew Rui Hachimura by so much in the second quarter, when the Lakers were trying — and failing — to hang onto their early lead.

And then James got rhe ball ripped away from him by Reed Sheppard, the Rockets’ 21-year-old, allegedly 6-foot-2 guard, who raced up the court for a fast break dunk with 2:22 to play. That made it 92-85 and effectively doused the Lakers’ comeback.

“Just bang-bang plays,” James said at his locker, with a shrug. “Try to flush this one … we got to be better on Friday.”

The Lakers will have just two more shots at winning a series they weren’t supposed to before it started.

Their third attempt at closing out the Rockets comes quickly, when they play Game 6 on Friday at Houston. The Lakers will need something resembling the best version of James if they’re going to win and avoid the spectacle of a Game 7 showdown Sunday.

That would bring the Lakers to the brink of becoming the first team in NBA history to blow a 3-0 series lead. It would be an unavoidable blotch at the bottom of James’ 23-season resume that otherwise is highlighted by a 3-1 comeback against the Golden State Warriors in the 2016 NBA Finals.

But James and the Lakers aren’t thinking about that now — or about whatever chatter is coming out of the Rockets’ now-confident camp (on Tuesday, Jabari Smith Jr. told reporters “We’re obviously the better team.”)

“Ask one of them young guys that question,” James said, unmoved. “I’m too old for that.”

But not too old — the Lakers hope — to carry them to one more victory and save them from infamy.

Two weeks ago, LIV Golf did its best to conceal the fact that the Saudi Public Investment Fund would cease to bankroll the league after the current season, only to have LIV CEO Scott O’Neill let the truth slip during a television interview.

This week, the intentions of PIF and consequences to LIV are known by all.

LIV Golf announced Thursday that it has established a new independent board that will attempt to keep the league afloat utilizing a “diversified, multi-partner investment model.” In other words, a model that doesn’t include PIF.

PIF Governor Yasir Al-Rumayyan no longer will serve as LIV Golf chairman, another unmistakable signal that the Saudi sovereign wealth fund worth an estimated $1 trillion is cutting ties with financially troubled LIV.

LIV Golf was supposed to be a key component in Saudi Crown Prince Mohammed bin Salman’s “Vision 2030” plan to diversify the kingdom’s economy away from oil. PIV lured megastar golfers Phil Mickelson, Jon Rahm, Bryson DeChambeau, Dustin Johnson and others away from the PGA Tour by shoveling hundreds of millions of dollars into their bank accounts.

Al-Rumayyan, Prince bin Salman’s trusted technocrat, was charged with implementing the plan, but LIV Golf has failed to attract significant viewership or commercial sponsors despite innovations such as a 54-hole format and a team model.

When LIV and the PGA Tour came to a short-lived, tentative agreement to end pending litigation and potentially join forces in 2023, Al-Rumayyan was a key figure in the negotiations.

A last-ditch effort to broker a merger between the rival leagues took place in the White House in February 2025 when President Trump hosted Al-Rumayyan, PGA Tour commissioner Jay Monahan and Tiger Woods. No agreement was reached.

Now, apparently, PIF will attempt to turn its attention to initiatives that don’t bleed billions. The fund has invested more than $5 billion into LIV Golf since it was launched in 2022 and is reportedly spending $100 million per month this year.

The wealthy but suddenly unmoored LIV golfers have been left to scramble like a weekend hacker trying to salvage a bogey after chipping into a sand trap.

LIV Golf Louisiana announced that the tournament scheduled for June 25-28 in New Orleans has been postponed. A new date hasn’t been set. However, an official told ESPN on Thursday that next week’s tournament at Trump National Golf Club outside Washington, D.C., will take place as planned.

Six other tournaments remain on the schedule that concludes with LIV team championships on Aug. 27-30 at The Cardinal at Saint John’s in Michigan. Tournaments outside the United States are scheduled for South Korea, Spain and Great Britain.

Hired Thursday to come up with a financial model to keep LIV afloat sans PIF are Gene Davis and Jon Zinman, described in a LIV statement as “seasoned experts with proven track records of navigating complex situations and unlocking value for global organizations.”
 
LIV Golf’s contorted spin on acknowledging that PIF will no longer subsidize the league was a statement saying it will focus on ”securing long-term financial partners to support its transition from a foundational launch phase to a diversified, multi-partner investment model.”

Davis, the newly appointed chairman of the LIV Independent Directors Committee, sees opportunity in the face of a PIF-less future.

“LIV Golf has built something truly differentiated — a global league with passionate fans, world-class talent, and demonstrated commercial momentum,” he said in a statement. “The executive leadership team, along with Jon and I, see a clear opportunity to help the league formalize its structure, attract and secure long-term capital, and position the business for growth while continuing to promote the game across the world.

“ We look forward to positioning LIV Golf for future success.”