Rams coach Sean McVay worked with Ben Kotwica for three NFL seasons in Washington when McVay was the team’s offensive coordinator and Kotwica was the special teams coordinator.
“I know his capacity, I know the accountability, I know the core belief that he has,” McVay said of Kotwica, who has been a Rams assistant this season after working as the Denver Broncos defensive coordinator the previous two. “This late in the year, you’re not naive to, you’re going to keep a lot of the foundational things.
“But I think there’s some things that we want to have reflected in our style of play, and the way we go about our overall approach that I think will be improved.”
Ben Kotwica will oversee special teams for the Rams moving forward, coach Sean McVay said.
(Associated Press)
Matt Harper, the San Francisco 49ers’ assistant special teams coach from 2021 to 2024, will join the staff to assist Kotwica, McVay said.
Kotwica assumes a leadership role as the Rams (11-4) prepare to play the Atlanta Falcons (6-9) on Monday night at Mercedes-Benz Stadium in Atlanta.
Blackburn’s departure marked the first time in McVay’s nine seasons with the Rams that he fired a coach during the season.
McVay said he informed Blackburn of his decision Friday morning, the day after Rashid Shaheed of the Seahawks returned a fourth-quarter punt for a touchdown that sparked a comeback from a 16-point deficit and helped send the Rams to defeat.
It was the latest in a series of costly special teams miscues that included several blocked field-goal and extra-point attempts early in the season, which resulted in losses to the Philadelphia Eagles and the San Francisco 49ers.
In early November, the Rams signed kicker Harrison Mevis to replace Joshua Karty, who is on the Rams’ practice squad, and signed veteran snapper Jake McQuaide to replace Alex Ward. Mevis made his first eight field-goal attempts — including three against the Seahawks — before missing from 48 yards in Seattle.
McVay said that as head coach he was ultimately responsible for the special teams’ performance. But he made the move to change leadership for that unit.
“There’s been some things that we need to be better at in critical moments,” McVay said. “It was just what we thought was best for the collective. … As simple as it gets.”
After the Rams play the Falcons, they will conclude the regular season at home against the Arizona Cardinals.
“I do think this is an opportunity that gives us a chance to be able to use the last couple of weeks, and then leading into the playoffs, to be able to establish some of the things that we want,” McVay said of special teams.
Etc.
It would be “hard” for offensive lineman Kevin Dotson, who left the game against the Seahawks because of an ankle injury, to be ready for Monday night’s game, McVay said. Receiver Davante Adams (hamstring), who sat out against the Seahawks, is making progress toward returning but he will be monitored this week before determining his status for the game against the Falcons, McVay said. … Tight end Tyler Higbee and offensive lineman Rob Havenstein will remain on injured reserve this week, McVay said. “They’re not quite ready yet,” he said.
Jordan Eberle scored the tiebreaking goal midway through the third period and added an empty-netter in the final minute, and the Seattle Kraken beat the Ducks 3-1 on Monday night.
Frederick Gaudreau also scored and Kaapo Kakko had two assists for the Kraken. Philipp Grubauer stopped 39 shots.
Matty Beniers set up the go-ahead goal when he slid the puck past defender Radko Gudas and onto the stick of a wide-open Eberle, who snapped a shot from the left circle into the upper-right corner of the net for a 2-1 Kraken lead with 9:56 left.
Eberle then sealed the win with an empty-netter with 36 seconds remaining.
Grubauer had 16 saves in the second period and 15 in the third.
Seattle took a 1-0 lead 4:49 into the second when Gaudreau gathered the rebound of Shane Wright’s shot and flipped the puck into a near-open net for a power-play goal.
The Ducks tied it with 4:20 left in the second when Granlund battled Vince Dunn for position in the slot and redirected Jacob Trouba’s shot from above the right circle past Grubauer for his fourth goal in four games.
Granlund, who has missed 18 games because of injuries, has seven goals and four assists in his last 13 games.
The Ducks played without leading scorer Leo Carlsson, who missed his first game of the season because of a lower-body injury. Seattle played without top defenseman Brandon Montour, who underwent hand surgery Monday and will be out for four weeks. Montour was injured in last week’s fight against Colorado.
Linesman Ryan Gibbons departed with 53 seconds left in the first after tripping in front of the Seattle bench and hitting the back of his head on the ice. He did not return.
Up next for the Ducks: vs. Kings at Crypto.com Arena on Saturday.
Reece James (Chelsea): We have had Reece in the team a few times and, ahead of the World Cup, he looks the real deal. We have never questioned his ability, but he falls into the ‘if he is fit’ category. At the moment he has not had an injury for a year and touch wood that continues. His free-kick in the draw at Newcastle was a pearler.
Piero Hincapie (Arsenal): Slightly going under the radar for Arsenal. They brought him in late, when other people were looking at him, and he has been excellent. A solid performance against Everton.
Joachim Andersen (Fulham): For years he has come with class for Fulham. He hits that lovely raking diagonal pass and his organisational skills also help. He organises and marshalls that defence, and did so again against Forest. He is very astute.
Antonee Robinson (Fulham): It is good to see him back. A big season with a World Cup coming up and he is vital for the United States. He had some tough times with injuries but is starting to show he is getting back to his best.
The Chargers will be without starting linebacker Denzel Perryman for the remainder of the regular season.
The NFL on Monday suspended Perryman without pay for two games for repeated violations of playing rules designed to protect player health and safety, including an incident during Sunday’s game against the Dallas Cowboys.
In the second quarter, Perryman was penalized for unnecessary roughness after delivering a forcible blow to the helmet of Ryan Flournoy while the Dallas Cowboys’ receiver was on the ground following a catch. The play violated an NFL rule prohibiting the use of any part of the helmet or facemask to initiate forcible contact to an opponent’s head or neck area.
Perryman will be eligible to return to the Chargers’ active roster on Monday, Jan. 5, following the team’s Week 17 game against the Houston Texans and Week 18 game against the Denver Broncos.
Under the collective bargaining agreement, Perryman may appeal the suspension. Any appeal would be heard and decided by one of three jointly appointed and compensated hearing officers: Derrick Brooks, Ramon Foster or Jordy Nelson.
Barry Manilow has been diagnosed with lung cancer and will be postponing his January concerts.
“I’m very sorry that you have to change your plans,” the “Mandy” singer wrote in a statement posted to Instagram on Monday revealing his diagnosis. According to Manilow, his doctors had discovered “a cancerous spot” on his left lung that he will have surgically removed.
“As many of you know I recently went through six weeks of bronchitis followed by a relapse of another five weeks,” Manilow wrote in the statement. “Even though I was over the bronchitis and back on stage at the Westgate Las Vegas, my wonderful doctor ordered an MRI just to make sure that everything was OK.”
The “Copacabana (At the Copa)” singer said it was “pure luck” that the cancer was found early and that his doctors “do not believe it has spread.” He added that he is taking additional tests to confirm that diagnosis.
“[N]ow that the Christmas A Gift of Love concerts are over I’m going into surgery to have the spot removed,” Manilow continued in his statement. “So that’s it. No chemo. No radiation. Just chicken soup and I Love Lucy reruns.”
The January arena concerts have been rescheduled because recovery from the surgery will take a month, said the 82-year-old singer, whose hits also include “Could It Be Magic,” “I Write the Songs” and “Weekend in New England.” The new dates, starting in late February and continuing through April, were included in the Instagram post. Ticketholders for the canceled shows will be able to reschedule to the new dates.
Manilow also noted his next scheduled performances will be over Valentine’s Day weekend back at the Westgate Las Vegas, where he has a lifetime residency.
“Something tells me that February weekend is going to be one big party,” Manilow wrote, before wishing his fans “a wonderful Christmas and New Year.” “And remember, if you even have the slightest symptom… get tested!”
It’s difficult to overshadow a game in which two touchdowns were negated by the officials in the last 30 seconds, enabling the Pittsburgh Steelers to hang on for a 29-24 victory over the Detroit Lions on Sunday in a Week 16 game with significant playoff implications.
Offensive interference penalties erased both Lions scores, including one of the wildest plays ever seen as time expired. What possibly could steal a headline from that?
How about Steelers star wide receiver DK Metcalf reaching into the stands and swinging at a fan with seemingly more force than the contact by Lions receivers that prompted the offensive interference flags?
Multiple videos captured Metcalf approach a fan wearing a blue wig at the first row of seats behind the Steelers’ bench at Ford Field. The fan leaned over the rail to say something and Metcalf reached up, grabbed him by the shirt or wig with his right hand before turning and walking away.
What would prompt Metcalf, one of the NFL’s top receivers in each of his seven seasons, to lose his temper and allegedly engage with a fan in a way strictly forbidden by the league?
Well, the fan, who identified himself as Ryan Kennedy from Pinckney, Mich., to the Detroit Free Press, said he called Metcalf by his full given name — DeKaylin Zecharius Metcalf — and that apparently touched a nerve.
“He doesn’t like his government name. I called him that and then he grabbed me and ripped my shirt,” Kennedy said. “I’m a little shocked. Like everyone’s talking to me. I’m a little rattled, but I just want the Lions to win, baby.”
Kennedy didn’t get his wish thanks to Lions receivers getting too pushy themselves, albeit on the field of play.
The play that will be replayed countless times came as time expired. Lions star wideout Amon-Ra St. Brown was stopped after catching a pass at the one-yard line, but before the whistle St. Brown underhanded the ball back to quarterback Jared Goff, who barreled into the end zone for what appeared to be a miraculous game-winning touchdown.
However, St. Brown had given Steelers cornerback Jalen Ramsey a shove before breaking free to make the catch and a flag had been thrown before Goff crossed the goal line. The officials announced after a lengthy huddle that St. Brown had committed offensive pass interference and that the game was over.
The applicable NFL rule reads: “If there is a foul by the offense, there shall be no extension of the period. If the foul occurs on the last play of the half, a score by the offense is not counted.”
Fewer than 30 seconds earlier, Lions rookie wide receiver Isaac TeSlaa set an illegal pick that enabled St. Brown — a former USC and Mater Dei High star — to break free in the end zone and make a nine-yard scoring catch.
The Steelers sideline erupted in joy after the second call resulted in a victory that put them in control of their destiny for the AFC North title. They need one win or a Baltimore Ravens loss in the last two weeks of the regular season to clinch it and secure a home playoff game.
The Lions, meanwhile, had their playoff chances reduced to 6% after the loss.
DeKaylin Zecharius Metcalf, it can be presumed, has a near 100% chance of being fined and suspended by the NFL for taking the swing at Kennedy.
Nothing but dirt and dry, brown chaparral rolled beneath skis and snowboards dangling from a chairlift at Big Bear Mountain Resort on Friday, as forlorn adventure seekers joked they should rename the place “Big Bare.”
Unseasonably high temperatures even left the impressive array of high-tech artificial-snow makers below mostly useless, their fans spinning idly in the warm breeze.
“The word I’ve been using is “abysmal,” said Cameron Miniutti, 29, who was riding the lift in a light cotton shirt, with the hot sun glinting off his ski goggles. “This is, for sure, the toughest start [to a season] I’ve seen.”
Similarly bleak panoramas can be found at ski areas across the American West so far this year, but especially in California, where a wet November gave way to one of the driest Decembers in recent memory.
People visit Big Bear Village on Sunday, with no snow in sight.
As of Friday, the state had only 12% of the snow that’s normal for this time of year, and only 3% of what water managers hope for in an average year, according to the California Department of Water Resources.
Which is why water managers — and skiers — are hoping for a Christmas miracle as an enormous atmospheric river takes aim at California this week. The soaking rains may threaten coastal cities with flash floods and nightmarish traffic, but they promise sweet relief for snow-starved thrill seekers from Lake Tahoe to the San Bernardino Mountains in Southern California.
Mammoth Mountain, the tallest commercial ski resort in California, could get up to 7 feet of snow this week, according to On the Snow, a website that tracks conditions at ski areas.
Resorts on the north end of Lake Tahoe could see up to 5 feet, and even Big Bear could get 3 feet, assuming the temperature stays below freezing, according to the website.
That’s important to everyone, even nonskiers, because roughly a third of the water California relies on each year for drinking, farming and fighting wildfires accumulates as snow in the mountains during the winter and then gradually melts through the spring and summer, when the state can otherwise be bone dry.
Many California ski areas were forced to delay opening this year, and even those that got the lifts spinning have had to confine skiers to only a handful of runs, often on man-made snow.
That has been this case at Big Bear, where a thin strip of artificial snow snakes from the 8,440 top of the Bear Mountain Express chairlift to the base at just over 7,000 feet. While crews worked diligently to rake the fake snow over exposed rocks and patches of bare dirt on Friday, skiers and boarders scraped by like traffic on the 405 Freeway.
“It’s crazy,” Miniutti said, “I mean, I can’t even imagine what this is like on a weekend.”
And the range of abilities of people crammed onto the same run creates its own, unique kind of “obstacle course,” Miniutti said.
You have to concentrate on not crashing into people in front of you — many of whom are absolute beginners, tumbling to the snow for no apparent reason — while praying the very good skiers and snowboarders you can hear racing up behind you will somehow avoid mowing you down.
People ski and snowboard at Big Bear Mountain Resort on man-made snow on Sunday.
“There’s, like, the best snowboarders in the world and people on their first day right next to each other,” Miniutti said.
But under the circumstances, Miniutti had nothing but admiration for the mountain staff for keeping the run open despite the seemingly impossible weather.
“I’m still having a blast,” he said, “it’s absolutely worth coming up.”
Devon James, 24, from Pasadena, felt the same way. He was warm in long sleeves, which he took to wearing after wiping out in short sleeves a week ago and “getting cut up.”
One day lift tickets at Big Bear cost more than $150 this season. At fancier resorts, like Mammoth Mountain, they can easily climb to more than $200 per day. So most serious skiers buy season passes for just under $1,000 that are good at many mountains across the country and around the world.
But that means they feel compelled to get their days in, no matter the conditions.
“I mean, that’s kind of the whole game, right,” James laughed. “I’ve got to get at least eight or nine days to get back to even.”
Skiers and snowboarders navigate bare areas at Big Bear Mountain Resort.
Miniutti, who is originally from Massachusetts, and learned to snowboard on the freezing, icy hills of New England, still prefers the alpine experience on the West Coast.
Even when there are legitimate winter conditions at Big Bear, he loves hopping in his car at the end of the day and driving home to Los Angeles, where it’s seemingly always 70 degrees and sunny.
“I can’t really beat that,” he said, “I’m not complaining.”
WITH Christmas this week, you more than likely already have a few things in the diary – but for those odd days around the big day itself, here’s some inspiration for when you need to get the kids out the house.
Whilst a lot of places are closed on the big day itself and Boxing Day, many attractions, destinations and events are still open the rest of the week.
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Despite it being Christmas this week, there are still a number of things you can do for free across the UKCredit: GettyIn Mayfair in London, you can see a sculpture of a Triceratops skullCredit: Unknown
And some even on Christmas Eve.
So here’s a round up of some of the best free things to do across the UK between December 22 and 28.
Britain’s Bayeux Tapestry, Reading Museum
Located at Reading Museum, just two minutes from Reading train station, visitors can see Britain’s Bayeux Tapestry – a full-size replica of Normandy’s Bayeux Tapestry.
This is ideal to see ahead of the Norman Bayeux Tapestry coming to the British Museum in autumnnext year – though, this will be a paid-for experience.
Britain’s Bayeux Tapestry is a full-size replica of the Norman one and is permanently located at Reading Museum, which is free to visit.
The tapestry measures 70 metres long and depicts the Norman conquest of England.
In the late 19th century, Britain decided it should have its own tapestry and so a group of Victorian embroiderers recreated the tapestry in full.
There are two main differences between the British tapestry and the Norman one – the Victorian embroidered underwear on the naked people in the British one and the ladies who embroidered the British one added their names to the end of the tapestry.
Head to the museum between December 22 and 24 to catch a glimpse of the tapestry before the museum closes for Christmas.
Paul Vanstone x David Aaron – Carrara Triceratops Skull
From now until December 31, you can see a marble life-sized skull of a Triceratops in Mayfair, London.
Created by British artist Paul Vanstone, the sculpture has been created in collaboration with the David Aaron gallery.
The sculpture can be found in Berkeley Square, Mayfair.
Wallace & Gromit in A Case at the Museum Exhibition, Preston
At The Harris in Preston, visitors can explore a hands-on exhibition of Aardman’s Wallace and Gromit.
Named A Case at the Museum, the exhibition marks the reopening of The Harris and showcases 35 years of Wallace and Gromit.
The exhibition explores the life of the creator of Wallace and Gromit – Nick Park – from growing up in Lancashire to the influence the region had on his characters and films.
Through the exhibition, visitors get to see original sets and models, storyboards, concept art, early sketches and even strike a pose in Wallace’s living room.
The museum and exhibition are both free to visit, with the museum only closed on Christmas Day, Boxing Day and New Year’s Day.
Though on Christmas Eve, The Harris is only open until midday.
There is a Wallace and Gromit exhibition at The Harris in Preston with original modelsCredit: Alamy
Christmas Bauble Trail, St Albans
Until December 28, families can venture on a Christmas bauble trail around St Albans.
There are 12 baubles in total to spot, and you could even win a prize.
Boxing Day Swims, Various
A number of locations across the country host a Boxing Day Swim each year, where brave souls run into the chilly water for a dip.
A lot you have to either pay for or pre-book, but there are still a number that are free to participate in.
Though, most swims are for charity so donations are encouraged.
For example, you could head to Ventnor Bay on the Isle of Wight, where swimmers often wear pyjamas before running into the water.
The swim takes place on Boxing Day at 12pm.
Or head to North Norfolk Beach for the Runners’ Boxing Day Dip, where there is both a run starting at 11:30am and a splash in the sea at 12:30pm.
To find out if there is a Boxing Day Swim near you, just search your location and ‘Boxing Day Swim’.
Many people head on a Boxing Day Swim, with many destinations offering the experience for freeCredit: Getty
Christmas Lights, Various
Before they disappear for another year, make sure to check out the Christmas lights near you.
Whether that be Regent Street‘s iconic angels or the houses decked out in your nearby village, spotting Christmas lights makes the ideal festive walk.
Snoopy in the City, London
Until January 16, if you live in London you can still explore the Snoopy in the City sculpture trail.
Dotted around London’s Fleet Street Quarter, there are 12 Snoopy sculptures, all decorated by different artists, to find.
The trail celebrates 75 years of the Peanuts comic strip, created by Charles M Schulz.
Those trying to follow the trail can download a map on Wild in Art’s website.
Snoopy in the City sculpture trail is stilling running in the capitalCredit: PA
Ikea events, various
In the lead up to Christmas, Ikea is still running its events including free ‘present hunts’ at IkeaCardiffuntil December 23.
Or at Ikea Lakeside, visitors can make Christmas cards with the last session taking place on December 23.
Also tomorrow, from 10am to 11am, head to Ikea Southampton to have breakfast with Santa.
Justin Carter’s Liquid Light at the BottleWorks, Newcastle
Artist Justin Carter, who has showcased his work in Europe, Japan, China, Australia and America, has an exhibition at the BottleWorks in Newcastle.
The exhibition ‘Liquid Light’ showcases how important location can be to Justin and features a number of watercolour artworks.
You can visit on December 23 from 10am.
Ice skating, Blackpool
Ice skating at Christmas usually costs you an arm and a leg for just one person.
And then by the time you calculate how much it will cost for a family of four, you are nearing the £100 mark.
Up until January 4, you can head to the outdoor skating rink inBlackpoolat the Christmas by the Sea village.
It sits below the iconic Blackpool Tower and is free to visit, with free skate hire as well.
The ice rink measures 20 metres in total and is open each day between 12pm and 9pm (apart from Christmas Day).
You don’t need to book, just turn up.
There is a free ice rink near Blackpool TowerCredit: Getty
Christmas Rave, London
On Christmas Eve in the capital you can head to a free rave.
Located at Club Makossa in East London, ravers can head underground for some techno before the big day.
Whilst entry is free, there is a £1 donation to New Horizons Youth Centre in King’s Cross.
You can also enter a raffle at the rave and could win numerous prices from a £30 bar tab to event tickets.
The rave starts at 5pm and ends at midnight.
For more inspiration on what to do during the Twixmas period, here are 50 things to do between Christmas and New Year across the UK – including free activities and immersive experiences.
Former Australian Prime Minister John Howard attends the National Day of Reflection vigil and commemoration for the victims and survivors of the Bondi Massacre at Bondi Beach in Sydney, Australia, 21 December 2025. Photo by Dean Lewins/EPA
Dec. 21 (UPI) — Seven days after a mass shooting devastated Bondi Beach, Australians gathered on Sunday for a national day of reflection.
The commemorations come as Prime Minister Anthony Albanese faces intense public scrutiny and has ordered an urgent investigation into the nation’s intelligence and police frameworks.
The tragedy, which claimed 15 lives during a Hanukkah seaside event, is the deadliest mass shooting Australia has seen in nearly three decades.
Authorities have officially classified the massacre — which killed a 10-year-old girl, a British rabbi and a Holocaust survivor, among others — as a terrorist act aimed at the Jewish community.
As the clock struck 6:47 p.m., marking the exact moment the first shots rang out the previous Sunday, a minute of silence was observed. Mourners at Bondi Beach and across the country stood in unison to honor the fallen, according to the BBC.
The atmosphere in Sydney was one of high alert, NBC News reported, with a massive security detail involving rooftop snipers and water patrols.
The Sydney Opera House also paid tribute, illuminating its iconic sails with candle projections to mark the day of mourning.
Despite the somber occasion, Albanese met a hostile reception, NBC News reported. Sections of the crowd booed the prime minister upon his arrival, a sign of the growing friction between the government and the grieving Jewish community.
The BBC also reported that one protester shouted, “Blood on your hands,” while security personnel had to intercept an individual attempting to approach the prime minister.
In an acknowledgment of the criticism, Albanese said during the observation that he accepts his share of responsibility as the nation’s leader.
Addressing the crowd, David Ossip, president of the New South Wales Jewish Board of Deputies, delivered a eulogy.
“Like the grass here at Bondi was stained with blood, so, too, has our nation been stained,” Ossip said, per NBC News. “We have landed up in a dark place.”
Ossip also shared a message of resilience from Ahmed al-Ahmed, a Syrian-Australian shop owner who was injured while heroically disarming one of the gunmen.
From his hospital bed, al-Ahmed’s message to the mourners was, “The Lord is close to the broken-hearted. Today I stand with you, my brothers and sisters.”
Unlike Albanese, New South Wales Premier Chris Minns was met with applause, the BBC reported.
Minns offered a blunt apology for the state’s inability to prevent the shooting, stating, “The government’s highest duty is to protect its citizens. And we did not do that one week ago.”
He further warned that the tragedy exposed a “deep vein of antisemitic hate” that the country must now confront.
After the ceremony, the federal government pivoted toward legislative action.
Albanese announced a comprehensive review of federal intelligence and law enforcement to determine if current powers are sufficient for the modern security landscape. He characterized the “ISIS-inspired” attack as proof of a shifting threat environment.
Additionally, the government has committed to a massive national gun buyback initiative, the scale of which has not been seen since the 1996 Port Arthur massacre.
From a Russian air strike in Zaporizhzhia in Ukraine to demonstrations calling for the removal of US Immigration and Customs Enforcement from Minnesota, here is a look at the week in photos.
Just a little over a year after an all-time performance as “Saturday Night Live” host (one of the best of that season, truth be told), Ariana Grande returned again to show off some of her talents: mimicry and comic timing, dance moves, and, of course, a spectacular singing voice.
But she also showed a lot of grace by ceding the spotlight to her “Wicked” co-star Bowen Yang, who confirmed before this week’s episode that he is exiting “SNL” midway through his eighth season. At several turns of this week’s show, particularly in a closing sketch about a retiring Delta Sky Club employee that served as Yang’s emotional goodbye, it was clear that Grande understood the assignment: this was Yang’s night, not hers.
Which isn’t to say Grande wasn’t great. She started strong with an “All I Want For Christmas” takeoff in her monologue, played an Elf on the Shelf who’s been cut in half in a support group sketch, exchanged a costume soul patch with Marcello Hernández as one of two dramatic dance instructors, and perhaps most memorably in this outing, played Macaulay Culkin‘s character Kevin in an extremely bloody parody of “Home Alone.”
But in his last show as a cast member, Yang got to appear in nearly every sketch as well, from a brief appearance in the “Home Alone” sketch to playing Yoko Ono in the Peacock special skit to reprising his Trend Forecaster character on “Weekend Update” with former cast member Aidy Bryant.
If Grande wasn’t as locked in as last time (she broke character laughing a few times), it didn’t matter much because she was as funny, energetic and eerily accurate in all her impressions. It felt very much like Grande was there less to promote the new “Wicked” movie than to help a friend say goodbye.
Not surprisingly, President Trump (James Austin Johnson) had a lot to say in a holiday address to the nation while also hugging a Christmas tree (“Remember when I did this with flag? I’m hugging tree now.”) and reading his stage directions out loud, an interesting new wrinkle to Johnson’s masterful impression. Trump reminded the country that “Arctic immigrants are coming in through our chimneys and stealing our milk and cookies” and discussed the recently voted on name change to the Kennedy Center, now “The Trump-Kennedy Center for the Performing Arts No Homo,” saying it is just the beginning. His name will be on the Trump Washington Monument, the Trump Lincoln Memorial and “Big Elphaba,” his name for the Statue of Liberty. Why so many names on things? “We had to take it off so many files,” he said, a reference to the much-redacted, newly released Epstein Files. Johnson’s impression is getting slurrier and even more meta, but continues to deliver on random pop culture references, which this week included the Indigo Girls, “The Hunger Games” and the videogame “Metal Gear Solid.”
Grande’s monologue briefly touched on the idea of bringing back old sketches such as “Domingo” from her last appearance before declaring cheekily, “When something is perfect, it doesn’t need a sequel.” She talked about how hard it is to find gifts for people she doesn’t know well, like her cousin’s boyfriend, Steve, which led to a whole music number to the tune of “All I Want for Christmas,” including Yang and other cast members giving suggestions on gifts like back massage coupons or a box of raw oysters. The lyrics weren’t all easy to understand unless you had captions enabled, but Grande sang the heck out of the Mariah Carey song.
Best sketch of the night: Take a bow, Bowen
Was it the funniest sketch of the night? No, that would probably be the Elf on the Shelf support group or the “Love is Blind” reunion. But Yang’s last sketch, about an elderly Delta Sky Club worker passing out eggnog and working his last shift, was heartfelt and sweet. Even a casual fan of Yang and “SNL” would be hard pressed not to get choked up by Yang talking about his time on the show to his wife (Grande), who replied, “All the egg nog you’ve made over the years. Some of it was great. Some of it was rotten.” “And a lot of it got cut,” he replied. Bowen broke down a few times while expressing his love for the people who work on “SNL” and sang through tears a version of “Please Come Home for Christmas” with Grande. “Egg nog is kind of like me — it’s not for everyone, but the people who like it are my kind of people,” he said to riotous applause. When he said he wanted to go out on top, she responded, “Oh, everyone knows you’re a bottom.” The capper to the sketch: Cher appearing as his Delta boss to tell him, “Everyone thought you were a little too gay. But, you know what? You’re perfect for me.”
Also good: The holiday duets you didn’t know you needed
When you’ve got Grande on board, it’s hard to resist falling back on lots of celebrity impressions, especially if they involve singing. For this piece, random performers are paired up for duets to try to replicate the magic of David Bowie and Bing Crosby’s “Little Drummer Boy” to varying degrees of success. Grande and Johnson were paired up twice: as Katy Perry and Bob Dylan and then again to close the sketch as Andrea Bocelli and Celine Dion. It’s impossible to overstate how good Grande is at mimicking other singing voices, but the surprise here is how well Johnson keeps with her as Bocelli. Other standouts: Hernández as Bad Bunny, a backflipping Benson Boone (it was likely a stunt person and not a cast member, we never see his face) and Veronika Slowikowska as Bjork.
‘Weekend Update’ winner: Mistletoe, you are on watch!
Kam Patterson did well as Michael Che’s 12-year-old nephew Tyson, who goes back and forth between being a sweet kid and threatening Santa Claus for not bringing him a bike for Christmas last year. And this year’s holiday joke swap was weirdly one-sided with only Michael Che writing heretofore-unseen jokes for “Update” co-host Colin Jost to read. But Bryant returning to reunite with Yang for their arch Trend Forecasters bit won the week. They targeted mistletoe, musical intros that go “1, 2, 3, 4!” and in Chinese Trends, orange chicken. The duo repeated their catchphrase, “Go to bed, b—!” to each of these outgoing trends before declaring that waving pride flags, Marge Simpson hair and Michael Che are out. Of course, a stunned Michael Che was shown with a big blue wig and little pride flags in his hands.
The Rams have lost four games this season, three resulting in part from special teams breakdowns.
In the aftermath of their defeat by the Seattle Seahawks, coach Sean McVay made a significant move.
Chase Blackburn, the Rams’ special teams coordinator for the last three seasons, has been fired, a team official said Saturday.
Assistant Ben Kotwica remains on the staff.
Earlier this month, Blackburn said, “The job of a special teams coach is to be able to adapt and overcome on all things.”
That proved a challenge for a team that features a high-powered offense, and an at-times dominating defense.
On Thursday night in Seattle, the Rams led by 16 points in the fourth quarter when they allowed Rashid Shaheed to return a punt 58 yards for a touchdown. The play sparked the Seahawks’ comeback that sent the Rams to a 38-37 overtime defeat.
The loss dropped the Rams’ record to 11-4, and knocked them out of the No. 1 seed in the NFC and first place in the NFC West.
The breakdown was the latest in a series of special teams issues that have plagued the Rams.
In September at Philadelphia, the Eagles blocked two field-goal attempts by Joshua Karty, returning the second for a winning touchdown on the final play of regulation.
Two weeks later, in a 26-23 overtime defeat by the San Francisco 49ers, Karty missed a long field-goal attempt and had an extra-point attempt blocked. Karty’s kickoff in overtime did not reach the landing zone, giving the 49ers the ball at the 40-yard line.
Before their Week 10 game against the 49ers, the Rams signed kicker Harrison Mevis to replace Karty and signed veteran snapper Jake McQuaide to replace Alex Ward.
The kicking game solidified. Mevis made all eight of his field-goal attempts, including three against the Seahawks, before he missed a 48-yard attempt with just over two minutes left in regulation.
The Rams, who clinched a playoff spot, play the Atlanta Falcons on Nov. 29 in Atlanta and then conclude the regular season at home against the Arizona Cardinals.
With the ongoing fracas over President Trump’s demolition of the White House’s East Wing, a number of other Trump administration-led attempts to remake the architectural landscape of Washington, D.C., have flown largely under the radar. This includes the sale and possible demolition of the Wilbur J. Cohen Building, which was completed in 1940 and was added to the National Register of Historic Places in 2007.
Part of what makes the building so beloved is a series of 1942 frescoes by Ben Shahn titled “The Meaning of Social Security,” commissioned as part of the Roosevelt administration’s robust New Deal art program. In a recent article in the New Republic, architectural historian Gray Brechin is quoted as calling the Cohen building, “a kind of Sistine Chapel of the New Deal.”
The structure, originally known as the Social Security Administration Building, has served as the headquarters for Voice of America since 1954. In March, Trump signed an executive order cutting funding for the agency that oversees VOA, and most of its staff was placed on administrative leave. In June, more than 600 VOA employees received layoff notices, and the service basically shut down.
At the beginning of this year, Congress agreed to sell the Cohen building, which had been suffering from major maintenance issues. The scope of the threat to the building became clear earlier this month when Bloomberg reported that “The White House is independently soliciting bids to recommend the demolition of the historic buildings [including the Cohen building], without the input of the General Services Administration, which maintains government buildings.”
“Federal properties can be sold quickly with limited public input. As powerful interests move in haste to sell this historic building, we call for the process to be paused and conducted with transparency, respect, and public participation,” the petition, which has garnered more than 4,700 signatures, states.
The Shahn frescoes aren’t the only precious New Deal artworks in danger. Other art housed in the Cohen building include murals by Seymour Fogel and Philip Guston.
I’m arts and culture writer Jessica Gelt wondering when enough is enough. Here’s your arts news for the week.
On our radar
Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Concert Hall.
(Jamie Phan / Los Angeles Master Chorale)
Disney Hall-e-lu-jah It’s hard to imagine the holidays without music, and the Los Angeles Master Chorale has three days of caroling and chorusing that should lift anyone’s seasonal spirits. A new addition to the choir’s traditional offerings is the family-friendly “Carols for Kids” (11 a.m. Saturday. Walt Disney Concert Hall), featuring Youth Chorus LA and designed for even the squirmiest children, 6 and under. That will be followed by the “Festival of Carols” (2 p.m. Saturday. Disney Hall), a program of global holiday music. The group’s performance of “Handel’s Messiah” (7 p.m. Sunday. Disney Hall) is a worthy centerpiece of any celebration. If you’re ready to have your own voice be heard, “Carols on the Plaza” (6 p.m. Monday, across the street at the Music Center’s Jerry Moss Plaza), is your chance to join in on free outdoor caroling with family, friends and fellow Angelenos. Festivities conclude with the Master Chorale’s “Messiah Sing-Along” (7:30 p.m. Monday) back at Disney Hall where 2,000 voices will unite for the “Hallelujah Chorus.” — Kevin Crust Walt Disney Concert Hall, 111 S. Grand Ave.; Music Center, 135 N. Grand Ave., downtown L.A. lamasterchorale.org
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The week ahead: A curated calendar
FRIDAY The Fruit Cake Follies In its 27th year, this madcap holiday variety show promises “music, mirth and merriment.” 8:30 p.m. Friday and Saturday, with dinner at 6:30 p.m.; 1 p.m Sunday, with brunch at 11 a.m. Catalina Jazz Club, 6725 Sunset Blvd. Hollywood. catalinajazzclub.com
Guadalupe Maravilla: A Performance Expanding on his solo exhibition “Les soñadores,” the transdisciplinary artist creates a collective ritual combining sound, vibration and healers from around the world alongside L.A.-based artists. 8 p.m. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org
Piotr Beczala The Polish-born tenor, known for his work in opera and the classical vocal canon, performs, accompanied by conductor and pianist Kamal Khan. 7:30 p.m. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St., Santa Monica broadstage.org
“Wet” by Sahar Khoury at Parker Gallery, 2025
(Sahar Khoury / Parker Gallery)
Sahar Khoury The interdependence of materials and their social and cultural environments inspired the sculptor’s newest solo exhibition, “Wet,” a series of pieces created from ceramic, steel, iron, brass and aluminum. 11 a.m.–6 p.m. Tuesday–Saturday, through Jan. 17. Parker Gallery, 6700 Melrose Ave. parkergallery.com
SATURDAY Christmas Joy Concert The free Third@First concert series continues with a program of carols, classic and new. 4 p.m. First United Methodist Church of Pasadena, 500. E. Colorado Blvd., Pasadena. thirdatfirst.org
Sanaa Lathan and Omar Epps in the romantic drama “Love & Basketball.”
(New Line Cinema)
Love & Basketball Writer-director Gina Prince-Bythewood marks the 25th anniversary of her modern romance classic, starring Sanaa Lathan, Omar Epps, Alfre Woodard and Dennis Haysbert. 7 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org
The cast of “Nutcracker! Magical Christmas Ballet.”
Nutcracker! Magical Christmas Ballet This 80-plus city tour offers a distinct blend of classical ballet with avant-garde circus techniques and global influences, complete with 10-foot-tall animal puppets constructed by Roger Titley. For its 33rd year on the road, the production adds a new character: Sweets the Dog, created by Barry Gordemer of the award-winning puppeteer studio Handemonium. — Ashley Lee Noon, 4 and 8 p.m. Saturday. Wiltern Theatre, 3790 Wilshire Blvd., Los Angeles; and 1:30 and 6:30 p.m. Sunday. La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. nutcracker.com
SUNDAY Collecting Impressionism at LACMA This new exhibition traces how the museum built its collection and its pursuit of legitimacy through early acquisitions of American and California Impressionism and donations of paintings by Edgar Degas and Camille Pissarro from major Hollywood collectors. Through Jan. 3, 2027. Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org
Actor Taylor Nichols, left, and director Whit Stillman at a 20th anniversary screening of “Metropolitan” at the 2010 Sundance Film Festival.
(Jemal Countess / Getty Images)
Metropolitan It’s hard to believe that it’s been 35 years since the young socialites of the “urban haute bourgeoisie” entered our consciousness via filmmaker Whit Stillman’s delightfully droll film and its banter-driven, Oscar-nominated screenplay. Stillman and actor Taylor Nichols will be on hand for a Q&A with the screening. 2 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com
WEDNESDAY
Aloe Blacc and Maya Jupiter host the 2025 L.A. County Holiday Celebration.
(Music Center)
L.A. County Holiday Celebration The Music Center’s annual spectacular features more than 20 local music ensembles, choirs and dance companies. The free, ticketed event will also be broadcast on PBS SoCal. Aloe Blacc and Maya Jupiter are this year’s hosts. 3-6 p.m. Dec. 24. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. musiccenter.org
— Kevin Crust
Dispatch: A director with a human touch
Cameron Watson is the new artistic director of Skylight Theatre Company.
(David Zaugh)
Stage director Cameron Watson has one of the best batting averages in town.
His productions of “The Sound Inside” at Pasadena Playhouse, “On the Other Hand, We’re Happy” for Rogue Machine Theatre at the Matrix and “Top Girls” at Antaeus Theatre Company were morale-boosting for a critic in the trenches, offering proof that serious, humane, highly intelligent and happily unorthodox drama was alive and well in Los Angeles.
Watson’s appointment as artistic director of Los Feliz’s Skylight Theatre Company starting Jan. 1 is good news for the city’s theater ecology. Producing artistic director Gary Grossman, who led the company for 40 years with enormous integrity, built the small but ambitious Skylight into an incubator of new work that embraces diversity and the local community.
Developing new plays is fraught with risk. Watson has the both the artistic acumen and audience sensitivity needed to usher Skylight through this perilous moment in the American theater when so many companies seem to be holding on by a thread.
Watson, like Peter Brook before him, knows how to convert an empty space into a realm of magic and meaning. For Watson, the play’s the thing. But for the spark to happen, actors and audience members need a director as intuitively attuned to the uncertain human drama as Skylight Theatre Company’s new leader. (The director’s current production of “Heisenberg” at Skylight ends Sunday.)
— Charles McNulty
Culture news and the SoCal scene
Moving in stereo The most Tony-nominated play in Broadway history, “Stereophonic,” is playing at the Hollywood Pantages Theatre through Jan. 2. Times theater critic Charles McNulty caught opening night and wrote that the first touring production fails to capture the high notes of the Broadway original. A few days later, I sat down for an interview at Amoeba Records with Will Butler, the former Arcade Fire multi-instrumentalist who wrote the music for the show. Our interview took place before Butler got onstage with the cast of the show for a short live in-store performance.
Boiling in Brooklyn Brooklyn was also on McNulty’s itinerary, where he saw Michelle Williams in the new revival of Eugene O’Neill’s “Anna Christie” at St. Ann’s Warehouse. “Michelle Williams seems to have unlimited emotional access. Her inner intensity expresses itself in a frenzy of volcanic feeling that can never be tamped down once it reaches its boiling point,” McNulty writes.
The name game The Kennedy Center continued its Trump-era transformation Thursday after the board voted unanimously to rename the world-famous performing arts venue The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts. It remains unclear if the move is legal, or if the name change will need to be made official via an act of Congress.
Viva Las Vegas I got a look at newly revealed architectural plans for the Las Vegas Museum of Art, which is expected to break ground in 2027. Pritzker Prize-winning architect Diébédo Francis Kéré is designing the city’s first freestanding museum and says his ideas were inspired by the red rocks and canyons of the desert surrounding Sin City.
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LACMA United Workers at Los Angeles County Museum of art voted to unionize Wednesday. The vote in favor was 96%, and came after LACMA rejected workers’ requests for voluntary recognition. Staffers have expressed disappointment in management over what they are calling its anti-union campaign.
La malchance The Louvre is down on its luck. Maintenance issues have lately plagued the famous Paris museum, and then there was that infamous heist. Now workers have voted to strike over working conditions among other complaints.
ARLINGTON, Texas — The NFL regular season is turning down the stretch and the playoff picture is coming into focus, and that means not just the teams but the league’s scheduling crew is hard at work.
The Chargers, who play at Dallas on Sunday, can secure a postseason berth with a victory and some help from a team or two. Coupled with a win over the Cowboys, the Chargers need Las Vegas to win at Houston (unlikely) or San Francisco to win at Indianapolis (more likely) so they can rest easy knowing they’re at least in the playoffs for the second consecutive season under Jim Harbaugh.
Although the Rams have already qualified for the playoffs, they need to regain their balance after a spirit-snapping loss at Seattle on Thursday that likely cost them a chance at the NFC’s No. 1 seed.
Here’s a look at the upcoming schedule for the end of this season and beginning of next, along with decisions that need to be made:
— Why did the league schedule Houston at the Chargers for Saturday of Week 17?
The game was always a candidate for that 1:30 p.m. slot on NFL Network, and Seattle at Carolina was also under consideration.
The league liked Texans-Chargers on Saturday because both of those clubs likely will be playing in January — maybe against each other again — and if that game were moved to Sunday afternoon, it would be going head-to-head against Fox’s national game, Philadelphia at Buffalo, a potential Super Bowl preview.
So the NFL wanted to do the Texans and Chargers a solid and give them the national stage to themselves.
— Rams at Atlanta in Week 17 isn’t a fantastic Monday night game for Week 17, especially with the Falcons currently at 5-9. But with all the games spread throughout the week of Christmas, there weren’t a lot of great replacement options.
The league didn’t move Texans-Chargers into that slot for good reason. Because whoever plays in that “Monday Night Football” slot — it’s staying Rams-Falcons — won’t be a candidate for a Saturday game in the final weekend.
So by moving Texans-Chargers to Saturday, both those teams are in play for the two Saturday spots in Week 18. The Chargers finish at Denver, and the Texans play host to Indianapolis. Either or both of those games could wind up on ESPN for those finishing Saturday games.
— The NFL originally slated Cincinnati at Miami for this week’s Sunday night game but last week decided to move New England at Baltimore into that time slot. That’s notable because it’s the first flex of the season, which is an unusually low number. Typically, there have been three or four flexes to this point.
Why only one? There are multiple reasons. First, the league’s scheduling crew had a pretty clear crystal ball in May, a good idea for which teams would still be in the mix. Credit to those folks.
But the bar for flexing games is also a little higher than it used to be. The NFL is cautious about inconveniencing 75,000 fans for a relatively small bump in viewership. What’s more, with all the new windows and partners — Netflix, Amazon Prime, Peacock, Paramount+ — there are fewer games to go around. Even if the league wanted to flex, there are fewer options. The traditional Sunday inventory is a lot thinner than it used to be.
— It’s worth noting that the league’s philosophy on moving games around is it flexes out of a game that’s falling apart, it doesn’t flex into a better game because the network or streaming service doesn’t happen to like the game it has.
Cincinnati-Miami was a no-brainer flex candidate back in October when both teams were reeling. But then Joe Burrow came back for the Bengals, and the Dolphins started winning, and it got interesting for a while. But then Cincinnati got shut out last week by Baltimore, and Miami just benched its quarterback. Flex was back on.
So what to flex into? The thought was, yes, the NFL can move Patriots-Ravens into that Sunday window for NBC, and at least it can leave behind Kansas City-Tennessee for CBS. Everybody figured the Chiefs would be fighting for their postseason lives. That wasn’t the case. Kansas City was eliminated last week and lost Patrick Mahomes to a season-ending knee injury. Chiefs-Titans isn’t nearly as interesting as anticipated.
It could have been an ugly Sunday for CBS, but the network wound up with Pittsburgh-Detroit for its national game. That very easily could have been the far-less-tantalizing Buffalo at Cleveland.
— We’re heading into a postseason with no Kansas City, no Dallas, maybe no Baltimore or Pittsburgh — one of them is going to miss out — and with the rise of Chicago, possibly no Green Bay or Detroit.
A lot of those traditional anchor teams could be watching from their couches.
That means the NFL will have to make some new decisions about who to prioritize in postseason scheduling, perhaps looking with fresh eyes at clubs such as Seattle, Tampa Bay, Carolina, Jacksonville and others. Who are the ones with the most national appeal?
And that rolls into next season. How does the league dole out those big national windows. With Kansas City missing the playoffs, and Mahomes recovering from a major knee injury, do the Chiefs recede into the background after a decade of division titles and deep playoff runs?
Have the Bears broken through? They’re 10-4. At 12-2, Denver looks to be back and set up to keep it going. Heading into Thursday night’s game, the Rams were as hot as any team in the league, and the Chargers could finally get Justin Herbert that inaugural playoff victory.
The Steelers have won two in a row, and could wind up making a postseason run. If so, what does Aaron Rodgers do next season, and how will the club move forward?
The NFL leaned heavily into Washington after one outstanding season, giving them eight nationally televised games this season. That bet didn’t pay off; the Commanders are 4-10.
It’s the game behind the games, and those decisions are taking shape.
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg giving you the latest on city and county government.
At her official campaign launch Dec. 13, Mayor Karen Bass told Angelenos that they face a simple decision.
After speaking about the Palisades fire, federal immigration raids and the homelessness and affordability crises, she turned to the primary election next June.
“This election will be a choice between working people and the billionaire class who treat public office as their next vanity project,” Bass told a crowd of a few hundred people at Los Angeles Trade Technical-College.
Attendees take their picture against a “photo booth” wall at Mayor Karen Bass’ reelection campaign kickoff rally.
(Myung J. Chun/Los Angeles Times)
In one sentence, without uttering a single name, the mayor appeared to be taking a shot at three different men. Was she talking about President Trump? Mayoral hopeful Austin Beutner? Her previous opponent, the billionaire developer Rick Caruso?
Or how about all of the above, suggested Bass’ campaign spokesperson, Doug Herman.
The billionaire class certainly includes Caruso, who self-funded his 2022 campaign to the tune of more than $100 million. It also includes Trump, who the New York Times estimated could be worth more than $10 billion. Though the mayor is not running against Trump, she likes to cast herself in opposition him. And Beutner, a former Los Angeles schools superintendent, was once an investment banker, Herman pointed out.
Beutner confirmed to The Times that he is not a billionaire. To the contrary, Beutner said, he drives a 10-year-old Volkswagen Golf.
Herman said Angelenos don’t care if Beutner has billions or just a lot of millions.
“Whether you’re a billionaire or multimillionaire is not really important to someone having trouble getting by and playing by the rules,” Herman told The Times.
“I’m trying to find the polite words,” Beutner said when asked about Bass’ comments. “Frankly, I think it’s an attempt to distract people from her record or lack thereof.”
Caruso declined to comment.
In a speech at Bass’ campaign launch, City Councilmember Hugo Soto-Martínez hammered the same point as the mayor.
City Councilmember Hugo Soto-Martínez shows his support during Mayor Karen Bass’ reelection campaign kickoff rally at Los Angeles Trade-Technical College.
(Myung J. Chun/Los Angeles Times)
“We’re always going to have rich old white men, the millionaires and billionaires — they think they can do it better,” he said. “They didn’t get it last time, and they’re not going to get it this time.”
Then, Soto-Martínez seemed to reference Beutner.
“Do you want a healthcare worker over a hedge fund manager?” he asked the crowd, to roaring applause (Bass used to work as a physician’s assistant, while Beutner founded the investment banking advisory group Evercore Partners).
With Bass’ reelection campaign underway, Beutner challenging her as a moderate and community organizer Rae Huangrunning to her left, Caruso could be the last major domino left to fall.
The Grove and Americana at Brand developer, who has been mulling a run for either governor or mayor (or neither), still has not revealed his plans for 2026.
Karen Bass supporters created signs for her reelection campaign kickoff rally.
(Myung J. Chun/Los Angeles Times)
Stuart Waldman, president of the Valley Industry & Commerce Assn., was among the diverse array of Bass supporters gathered on stage at Trade-Tech to voice their endorsements.
Waldman told The Times that he is supporting the mayor in his personal capacity, though VICA has not yet endorsed.
In 2022, Waldman and VICA supported Caruso, and Waldman spoke at some Caruso events.
He said he switched to Bass this time partly because of his unhappiness with the $30-minimum wage for airport and hotel workers passed by the City Council earlier this year. Businesses cannot move quickly enough to raise worker wages without laying off other workers, he said.
Waldman said that Bass arranged for him to meet with Council President Marqueece Harris-Dawson, who then introduced a motion that would phase in the minimum wage increase over a longer period. The current law brings the wage up to $30 by 2028, while Harris-Dawson wants the $30 minimum to start in 2030.
“Bass was instrumental in making that happen, and we appreciate that,” Waldman said.
Harris-Dawson, a Bass ally, was at the campaign kickoff but did not make a speech.
Some were not pleased with his minimum wage proposal. Yvonne Wheeler, who is president of the Los Angeles County Federal of Labor and was at the Bass event, called it “shameful.” Soto-Martínez, who co-sponsored the minimum wage ordinance, also opposes Harris-Dawson’s proposal.
Waldman said that Soto-Martínez refused to take a meeting with him during the minimum wage fight.
“Hugo and I come from two different worlds and see the world differently,” Waldman said. “Unfortunately, I am willing to talk to everybody, and he is not.”
But at the Bass campaign launch, the two men delivered speeches one right after the other. Waldman said the diversity of opinion among the mayor’s supporters is a good sign for her.
“It’s a broad coalition,” he said.
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State of play
— AFTER THE FIRES: The Times posted a project called “After the Fires” online Wednesday, nearly a year after the Palisades and Eaton fires. The stories, which document mayoral missteps, changes at the LAFD, failed emergency alerts and more, will be published as a special section in Sunday’s print edition.
— VEGAS, BABY: Councilmember John Lee is facing a steep fine for his notorious 2017 trip to Las Vegas, with the city’s Ethics Commission saying he must pay $138,424 in a case involving pricey meals, casino chips and expensive nightclub “bottle service.” The commission doled out a punishment much harsher than that recommended by an administrative law judge. Lee vowed to keep fighting, calling the case “wasteful and political.”
— EX-MAYOR FOR GOVERNOR: Four Los Angeles City Council members — Harris-Dawson, Heather Hutt, Bob Blumenfield and Curren Price — threw their support behind former L.A. Mayor Antonio Villaraigosa to be the next California governor.
— POOLS OUT FOR WINTER: City swimming pools will be closed on Fridays “until further notice,” the Department of Recreation and Parks announced Monday. “These adjustments were necessary to continue operating within our available resources,” the department said on Instagram.
— HOT MIC: Bass was caught on a hot mic ripping into the city and county responses to the January wildfires. “Both sides botched it,” she said on “The Fifth Column” podcast, after she shook hands with the host and they continued chatting. The final minutes of the podcast were later deleted from YouTube, with Bass’ team confirming that her office had asked for the segment to be removed.
— HOMELESSNESS FUNDING: The Los Angeles County Affordable Housing Solutions Agency on Wednesday approved nearly $11.5 million in homeless prevention funds, the largest single allocation yet for the new agency.
— A YEAR OF JIM: After more than a year as the LAPD’s top cop, Chief Jim McDonnell is receiving mixed reviews. While violent crime is at historic lows, some say the LAPD is sliding back into its defiant culture of years past.
— “CALM AMIDST CHAOS”: LAFD spokesperson Erik Scottannounced this week that he has written a “frontline memoir” about the January wildfires. The book is set to be released on the one-year anniversary of the Palisades fire.
— “THE GIRLS ARE FIGHTING”: Mayor Karen Bass and L.A. County Supervisor Lindsey Horvath got into a tiff on X over homelessness. After Bass published an op-ed in the Daily News saying that the county’s new Department of Homelessness is a bad idea, the supervisor shot back, calling the mayor’s track record on homelessness “indefensible.” Following the spat, City Councilmember Ysabel Jurado posted on X, “I fear the girls are fighting.” And Austin Beutner, who is running against Bass, responded with a nearly six-minute video criticizing the mayor’s record on homelessness.
— OVERSIGHT OVER?: Experts worry that effective civilian oversight of the L.A. County Sheriff’s Department could be in jeopardy following a recent leadership exodus. A succession of legal challenges and funding cuts, coupled with what some say is resistance from county officials, raised concerns that long-fought gains in transparency are slipping away.
QUICK HITS
Where is Inside Safe? The mayor’s signature program did not conduct any new operations this week. The team “returned to previous Inside Safe operation locations, building relationships with unhoused Angelenos in the area to offer resources when available,” the mayor’s office said.
On the docket next week: Mayoral candidate Rae Huang will host a text bank and volunteer meetup at Lawless Brewing on Monday, Dec. 22. The City Council remains in recess until Jan. 7.
Stay in touch
That’s it for now! We’ll be dark next week for the holidays. Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
The shocking deaths this week of Rob Reiner and Michele Singer Reiner reached far beyond Hollywood. Their legacy will go far beyond show business thanks to their committed political activism for causes they believed in.
Mary McNamara pulled together the different strands of Rob Reiner’s life and career, noting, “As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.
“Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.”
Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”
Josh Rothkopf and I rolled out a list of his 10 best movies as a director, which includes his astonishing early run, titles like “This Is Spinal Tap,” “The Princess Bride,” “Misery,” “A Few Good Men” and “The American President.” All of those come in little over a decade.
Tribute screenings have already been announced around Los Angeles, including “When Harry Met Sally…” at the New Beverly on Dec. 30–Jan. 1 and then again on Jan. 3 at Vidiots, which will also be showing “A Few Good Men” on Jan. 6 and “The Princess Bride” on Jan. 18. More screenings are sure to follow.
‘Love & Basketball’ 25th anniversary
Sanaa Lathan and Omar Epps in the movie “Love & Basketball.”
(New Line Cinema)
On Saturday, the Academy Museum will host a 25th anniversary screening of “Love & Basketball” with writer-director Gina Prince-Bythewood in attendance. Starring Sanaa Lathan and Omar Epps, it is one of the great romantic films of recent decades, the story of two young athletes struggling to reconcile their feelings for each other with their individual careers and ambitions.
In his original review of the movie, Eric Harrison wrote, “The movie is smarter than it has to be, but it’s the sort of low-key smart that can be easily overlooked. Writer-director Gina Prince-Bythewood doesn’t care if you recognize how hard it is to juggle two distinctly different types of movies (make that three, since the romance and sports elements here don’t obscure the feminist fable that is the film’s heart). … This is Prince-Bythewood’s first feature film as both a writer and director, and she shows admirable command of her craft.”
In an interview from 1990, Prince-Bythewood talked about the difficulty of casting the two leads, worrying whether she should find basketball players who could learn to act or actors who could persuasively play basketball.
“There were a lot of sleepless nights,” Prince-Bythewood said. “Is this a love story or a basketball story? I finally realized it’s a love story first. It doesn’t matter how great the basketball is if you don’t care about the character or the love story.
In 2020, Sonaiya Kelley spoke to Prince-Bythewood, Lathan, Epps, producer Spike Lee, actors Gabrielle Union, Alfre Woodard, Tyra Banks and Regina Hall for a definitive oral history of the film.
“When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally…,’” said Prince-Bythewood. “I love that movie, but I wasn’t seeing myself in movies like that.”
‘Metropolitan’ 35th anniversary
The cast of Whit Stillman’s 1990 movie “Metropolitan.”
(Rialto Pictures)
On Sunday afternoon, the American Cinematheque at the Aero Theatre will have a 35th anniversary screening of “Metropolitan” with writer-director Whit Stillman and actor Taylor Nichols there for a Q&A. Set during the week between Christmas and New Year’s among a very specific social set of young New Yorkers — labeled in the film as the Urban Haute Bourgeoisie — the film is a delicately detailed comedy of manners. It would earn Stillman an Oscar nomination for original screenplay.
In her original review, Sheila Benson wrote, “Filmmaker Stillman is a pointillist, working in the tiniest, most meticulous degrees. If he seems at times as controlled and distanced as his own UHBs, his impulsive, romantic ending betrays him. Stillman understands caste, class and deportment as perfectly as Audrey’s idol, Jane Austen, and by the time he’s through, so do we.”
In a 1990 interview, Stillman spoke about making a movie about such a specific social set, one that many viewers of the film will not have been a part of. “I think people will enjoy the fact that the film has texture,” he said. “They will sense that there is a joke there, even if they don’t get it.”
Points of interest
Nancy Meyers with ‘Father of the Bride’
Kimberly Williams, left, Martin Short, Steve Martin and Diane Keaton in the 1991 version of “Father of the Bride.”
(Disney / Touchstone Pictures)
Director Nancy Meyers had to pull out of a recent Q&A scheduled for a screening of “Something’s Gotta Give,” which starred her frequent collaborator Diane Keaton. Meyers is now set to appear at the American Cinematheque at the Aero Theatre on Saturday for a Q&A after 1991’s remake of “Father of the Bride,” directed by Charles Shyer and co-written by Shyer and Meyers. As far as we can tell, this will be Meyers’ first public appearance since Keaton’s death in October.
The film stars Keaton alongside Steve Martin, as a couple who are arranging the wedding of their daughter, with Martin Short showing up as an overbearing wedding planner.
In his original review, Michael Wilmington wrote, “Midway through ‘Father of the Bride’ … Martin Short shows up, as the effete, snobbish wedding coordinator that Leo G. Carroll played in the original, and steals the movie from Martin, steals it from everybody. Short’s handling of this silly little role — an outrageous poseur named ‘Franck Eggelhoffer’ who insists on calling himself Frawwnk and acts like a post-disco Mischa Auer — has perfect pitch and real wigged-out comic genius.”
David Lowery and ‘The Green Knight’
Dev Patel in the 2021 movie “The Green Knight.”
(A24)
On Saturday, Vidiots will host a screening of 2021’s “The Green Knight” with writer-director David Lowery in person. Based on the 14th century poem “Sir Gawain and the Green Knight,” the film stars Dev Patel as Gawain, nephew of King Arthur, who, after winning a mystical challenge on Christmas, is told he has one year to complete another adventure.
In his review, Justin Chang wrote, “What does it mean to be a knight, or even just to be human? It isn’t an easy question, and ‘The Green Knight,’ in taking it seriously, isn’t always an easy film. But by the time Gawain reaches his journey’s end, in as moving and majestically sustained a passage of pure cinema as I’ve seen this year, the moral arc of his journey has snapped into undeniable focus. He plays the game; he accepts the challenge. His example is worth following.”
Oliver Stone’s ‘Nixon’
Joan Allen and Anthony Hopkins in the movie “Nixon.”
(Sidney Baldwin / Cinergi Pictures Entertainment)
On Sunday, the Laemmle Royal will have a 30th anniversary screening of Oliver Stone’s “Nixon” with the filmmaker in person for a Q&A to be moderated by Times contributing writer Tim Greiving.
Starring Anthony Hopkins as Richard Nixon and Joan Allen as his wife, Pat (both were nominated for Oscars for their performances), the film covers the political life of the politician who rose to being president only to leave the office in disgrace.
In his original review, Kenneth Turan wrote, “Mostly (though not completely) gone is the disturbing, lunatic Oliver Stone, the bad-boy writer-director who infuriated the political establishment with ‘JFK’ and outraged sensibilities nationwide with ‘Natural Born Killers.’ He’s been replaced by a filmmaker very much on his best behavior, a thorough researcher who consulted 80 books and published a heavily footnoted screenplay. If Quentin Tarantino made a film in the style of Sir Richard Attenborough, the surprise could not be greater. And ‘Nixon’ is in many ways an impressive, well-crafted piece of work.”
Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.
For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).
But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.
Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.
ICYMI
Must-read stories you might have missed
Julianne Hough near the Dolby Theatre at the 97th Academy Awards earlier this year. The Oscars are moving to YouTube, sending shock waves through Hollywood.
(Robert Gauthier / Los Angeles Times)
What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.
Recommendations from the film and TV experts at The Times
Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”
(Andi Crown Photography / PBS)
“Happiness” (PBS app, pbs.org)
What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd
Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”
(Matt Towers / Apple TV)
“Down Cemetery Road” (Apple TV)
Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.
Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.
Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Samuel Arnold as Julien in Season 5 of “Emily in Paris.”
(Netflix)
Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal
The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?
Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.
The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?
If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.
Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?
I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.
With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?
I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.
What have you watched recently that you’re recommending to everyone you know?
I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.
What’s your go-to comfort watch — the movie or TV show you always come back to?
“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.
Weekly insights and analysis on the latest developments in military technology, strategy, and foreign policy.
Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.
This week’s second caption reads:
Camp Shelby, Mississippi (February 3, 2023) Seabees, assigned to Naval Mobile Construction Battalion 133 (NMCB 133), go to bunkers during a simulated missile strike on Camp Shelby, Mississippi, February 3, 2023. NMCB 133 is at Camp Shelby, Mississippi conducting a field training exercise operating as part of Navy Expeditionary Combat Command conducting the advanced phase of the force readiness training plan (FRTP). (U.S. Navy photo by Mass Communication Specialist 2nd Class Andrew Waters/Released)
Also, a reminder:
Prime Directives!
If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you.
If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like.
Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.
So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on.
Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.
In January 2018, conservative Fox News host Laura Ingraham was having dinner at Toscana, an Italian restaurant in Brentwood, when she spotted the renowned Hollywood director — and unabashed liberal — Rob Reiner.
She asked him to come on her show, “The Ingraham Angle.” He was on set the next day.
After introducing him as “a brilliant director,” who made her favorite movie, “This is Spinal Tap,” Ingraham said: “Last night, the first thing Reiner says is: ‘Are they gonna shut the government down?’’ I’m like, wow, I’m here in L.A.; I wanna talk about Hollywood stuff. But he wants to talk about politics.”
Al Gore and Rob Reiner attend the Tribeca Film Festival in New York in April 2007.
(Scott Gries / Getty Images)
Ingraham and Reiner vehemently disagreed — about alleged Russian influence on the 2016 presidential election, about whether President Trump is racist, about the treatment of conservatives in Hollywood.
But Reiner also called Ingraham “smart as hell.” And Ingraham said Reiner “should be lauded” for being willing to spar with her, unlike many politicians on both sides of the aisle.
It was the kind of blunt but ultimately respectful exchange that added to Reiner’s widespread appeal off-screen, both because of — and in spite of — his views.
Reiner and his wife, Michele, were killed at their Brentwood home last weekend, allegedly by their son, Nick, who has been charged with murder. The couple’s deaths have sent a thunderclap through Hollywood and beyond, partly because the Reiners had so many friends and connections in creative and political circles.
Rob Reiner — who, in the role of Michael “Meathead” Stivic in the groundbreaking sitcom “All in the Family,” played the liberal foil to his bigoted, conservative father-in-law, Archie Bunker — seemed to relish his real-life role as a progressive celebrity activist. That made him a hero to many in blue California but a villain to others, especially the reality-TV-show-star-turned-president, Donald Trump.
In a highly criticized social media post, Trump attributed the deaths to “the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”
But while Reiner, a blistering critic of the president, disagreed with many conservatives on policy, he also worked to build relationships with them — in media and entertainment circles, the California State Capitol, and beyond.
Actors Alec Baldwin and James Woods listen to director Rob Reiner in between scenes for the 1996 film “Ghosts Of Mississippi.”
(Columbia Pictures via Getty Images)
Actor James Woods, a longtime Trump supporter, said in a Fox News interview this week that Reiner saved his career by casting him in the 1996 film “Ghosts of Mississippi” over studio objections. He called Reiner “a great patriot” with whom he shared a mutual respect despite myriad political disagreements.
Andrew Kolvet, a spokesman for conservative powerhouse Turning Point USA, wrote on X that he “shared approximately zero in common with Rob Reiner politically, but I am so saddened by this news” and praying that “justice would be swift and without conspiracies [sic] theories.”
Kolvet said Reiner “responded with grace and compassion” to the September killing of TPUSA founder Charlie Kirk — a violent end that Reiner said nobody deserved, regardless of their views.
Hard-right Republican Rep. Marjorie Taylor Greene, of Georgia, called the deaths “a family tragedy, not about politics or political enemies.” And GOP Sen. Ted Cruz, of Texas, wrote on X that “The Princess Bride” was his favorite film and called Reiner “a comedic and story-telling master.”
Off screen, Reiner had a unique ability to connect with people of all persuasions, in various mediums, at the top of their careers or just starting. He was very much influenced by Norman Lear, the creator of “All in the Family,” who blended his Hollywood career with progressive activism.
Similar to Lear, Reiner didn’t just dabble in social causes and campaigns. He launched them, led them and brought people aboard. “He wasn’t building an operation the way Hollywood typically does, making donations, hosting fundraisers,” said Ben Austin, a former aide to Reiner who worked in the White House during the Clinton administration.
And all the time, he did it while making movies, some of them deeply personal, intertwined with his life as a parent.
Reiner was the driving force behind the successful 1998 California ballot measure, Proposition 10, a landmark policy that put a tax on tobacco products and pumped billions of dollars into preschools, teacher training, and support for struggling families. He enlisted help in that effort from such beloved figures as Steven Spielberg, Robin Williams and his own father, comedy legend Carl Reiner.
After the initiative passed, Gov. Gray Davis, a Democrat, appointed the younger Reiner chairman of the First 5 commission overseeing disbursement of the funds.
Rob Reiner co-founded the group that would help overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California.
(Los Angeles Times)
And in 2009, Reiner co-founded the American Foundation for Equal Rights, which led the successful legal fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California. The group hired legal luminaries from opposite sides of the political spectrum to overturn the ballot measure: the conservative former U.S. Solicitor General Theodore Olson and litigator David Boies, a liberal who squared off against Olson in the U.S. Supreme Court ruling that gave George W. Bush the presidency in 2000.
Former Los Angeles Mayor Eric Garcetti, a Democrat, said in an interview Wednesday that Reiner successfully rallied people to the cause because he was so adept at humanizing the stories of the plaintiffs and other same-sex couples — and emphasizing love.
“I don’t think you can overstate how influential he was at the national, state and local level and how well-liked he was,” Garcetti said. “Politics and movies share this in common: They both need good stories … and he was such a gifted storyteller.”
Garcetti said that while many celebrities lend money and faces to political causes, prettying up political mailers and email blasts, “Rob built those causes. He wasn’t like the frosting on the cake. He actually was the baker.”
Garcetti, then a Los Angeles City Council member, joined Reiner in stumping for 2004 Democratic presidential hopeful Howard Dean, for whom the director was an early backer. Garcetti crossed paths with him often, including during the push to overturn Proposition 8 — and at the Los Angeles City Hall wedding of Paul Katami and Jeff Zarrillo, two of the plaintiffs in the federal case that struck it down.
Katami wrote in an Instagram post this week that Reiner and his wife “stood with us in court for 4.5 years” and that he and his husband sat at the couple’s table in their home many times.
Rob Reiner chats in 2012 with Paul Katami and Jeff Zarrillo, plaintiffs in the case that struck down Proposition 8, which banned same-sex marriage in California.
(Brian van der Brug / Los Angeles Times)
“Because of them, they were able to sit at our table, at our wedding, on a day and in a moment that would not exist without their belief in who we are and how we love,” Katamami wrote.
He added: “They are brave. They are funny. They are generous. They are deeply human. And they make everyone around them feel seen, protected, and encouraged to be more fully themselves.”
Former L.A. Mayor Antonio Villaraigosa, a Democrat now running for California governor, officiated Katami and Zarrillo’s wedding. He said in an interview that Reiner personally bankrolled much of the legal fight because he genuinely believed it was the right thing to do.
In 2008, Villaraigosa kicked off his successful reelection campaign with a private reception at the Reiners’ home.
“You know, the one thing about Rob Reiner: There was no pretense,” Villaraigosa said. “If you go to his house … he’s a very wealthy man — he has been a director, an actor, co-founder of Castle Rock Entertainment — and yet his house was like a home. It wasn’t a mansion. It was like a ranch-style house, very homey.”
Rob Reiner hugs then-Mayor Antonio Villaraigosa in January 2015. The director had just introduced Villaraigosa at a school as the mayor kicked off his Leadership Tour highlighting his support for universal preschool.
(Al Seib / Los Angeles Times)
Villaraigosa and others said Reiner had a granular knowledge of the policies he supported, garnering the respect — if not always the affection — of those with whom he disagreed.
Gale Kaufman, a veteran Democratic strategist who was a longtime advisor to the influential California Teachers Assn., clashed with Reiner over education policy but admired his commitment to — and knowledge about — the issue.
Kaufman told The Times this week that she was amazed by “his attention to detail and his dogged determination that he was right.”
“This was not just someone giving you a pot of money and saying, ‘Go do this.’ This was a guy who was … in every piece of it.”
Cinematographer Reed Morano was one of several in Hollywood whose career soared because of Reiner.
In the late 2000s, Morano was known for filming low-budget projects — often in a gritty, hand-held style. Many of them premiered at the Sundance Film Festival, including the Oscar-nominated “Frozen River.”
In the early 2010s, Morano got a chance to pitch her talents to Reiner and producer Alan Greisman, who were assembling a team to shoot 2012’s “The Magic of Belle Isle,” starring Morgan Freeman and Virginia Madsen and directed by Reiner.
Barely 15 minutes after leaving the meeting, Morano got a call telling her she had the job.
“The thing that strikes me is he could have had anybody he wanted,” said Morano on a call Tuesday from New York City, noting that “Belle Isle” was the biggest budget project she had worked on up to that point. “It’s just he was so open-minded and so forward-thinking, and I think he could see potential that other people couldn’t see.”
Morano then handled cinematography for Reiner’s “And So It Goes,” starring Michael Douglas and Diane Keaton, released to 2014. Reiner, she said, also wanted her to work on “Being Charlie,” the 2015 addiction drama co-written by his son Nick, but she was unable to because of scheduling conflicts. Separately from Reiner, she would go on to win an Emmy in 2017 for directing on the series “The Handmaid’s Tale” and a prize at Sundance for her second film as director, 2018’s “I Think We’re Alone Now.”
A decade before Morano connected with Reiner, Michael Trujillo, now a veteran campaign consultant, went to work for him as a young communications and policy aide for First 5. He was in his early 20s and was stunned to learn he would be working steps from Reiner’s office in the Beverly Hills headquarters of his legendary Castle Rock Entertainment.
Rob Reiner speaks in 1998 to a child development policy group about Proposition 10, which added sales tax to tobacco products to fund early childhood education.
(Robert Durell / Los Angeles Times)
“I show up to Castle Rock Entertainment as a 22-year-old, in Beverly Hills, off Maple Drive. I’m just a Mexican kid from the northeast San Fernando Valley. My dad was a construction worker. My mom was a secretary … and I’m like, ‘What the f— am I doing here?” Trujillo said with a laugh.
Castle Rock, he said, was simultaneously a Hollywood hot spot and “a classroom in politics.” Trujillo said he once played office golf — blue cardboard for water hazards; brown paper for sand traps — with actors Christopher Guest and Eugene Levy while the movie “A Mighty Wind” was being edited. Politicians were always there, too.
Trujillo regularly joined Reiner on his once-a-month flights from Santa Monica to Sacramento for First Five commission meetings and tagged along to news conferences and school classrooms. He usually carried a Sharpie, knowing fans would show up with DVDs or VHS tapes of their favorite Reiner flicks to be signed.
“Rob was able to have conversations with anyone and everyone,” Trujillo said. “If you’re a Republican or Democratic legislator nationally, or even local or in the state, you were still a fanboy. You still wanted to meet his character from ‘All in the Family.’ You still wanted to shake the hand of the guy that made ‘Princess Bride.’ You still wanted to talk to the guy that made ‘A Few Good Men.’”
PHOENIX — Turning Point USA, the conservative youth organization that Charlie Kirk turned into a political juggernaut, will convene its flagship conference on Thursday for the first time since the assassination of its charismatic founder, testing the durability of a fractious movement that helped return President Donald Trump to the White House.
Kirk served as a unifying figure on the American right, marshaling college students, online influencers and Republican politicians. But now the party’s populist wing is skirmishing over the meaning of “America First” and the future of a decade-old movement defined more by the force of Trump’s personality than loyalty to a particular ideological project.
Thousands of people are expected to gather for the four-day meeting in Phoenix. Vice President JD Vance, media personalities and a handful of Trump administration officials are slated to appear, plus Christian rock bands and pastors. Attendees will have the chance to take selfies with popular figures and participate in discussions about political organizing, religion and conservative critiques of American culture.
Charlie Kirk’s widow, Erika Kirk, will have a prominent role as the organization’s new leader. The conference promises to be an extended tribute to her husband, who many on the right see as a martyr for conservatism and Christianity after he was slain at only 31 years old.
Tyler Robinson, the 22-year-old charged with shooting and killing Kirk while he spoke at Utah Valley University in September, appeared in court last week. Robinson has not entered a plea. Authorities say he told his romantic partner that he killed Kirk because he “had enough of his hatred.”
The last time Turning Point held its AmericaFest conference, weeks after Trump’s comeback victory one year ago, the MAGA movement was ebullient as Republicans prepared for a new era of total control in Washington.
Now the party faces challenging midterm elections, with Trump constitutionally prohibited from running again and his more ideologically motivated acolytes positioning to steer the movement after he leaves office. Meanwhile, conservatives have been roiled by conflicts over antisemitism in its ranks, which Trump has declined to mediate.
A lineup of MAGA influencers
Turning Point is known for highly produced events that feel more like rock concerts or megachurch services than political rallies, complete with pyrotechnics and floor-shaking bass.
The speaker lineup is a who’s who of conservative influencers and pastors, including some who have openly feuded with each other in recent weeks. It includes some of the biggest names in MAGA media, including Donald Trump Jr., Tucker Carlson, Megyn Kelly, Jesse Watters, Steve Bannon, Ben Shapiro and Jack Posobiec.
The jockeying for influence has accelerated since Kirk’s death, which left a void in the organization he founded and in the broader conservative movement.
“Charlie was the unifying figure for the movement,” conservative commentator Michael Knowles said at a Turning Point event just weeks after Kirk’s death.
“The biggest threat right now is that without that single figure that we were all friends with, who could really hold it together, things could spin off in different directions,” Knowles said. “We have to make sure that doesn’t happen.”
Among the fissures that has deepened since Kirk’s death is whether Republicans should continue its unflinching support for Israel and the war in Gaza. There are also concerns about whether the movement should accommodate people with anti-Jewish views.
The schism burst into the open when the head of the influential Heritage Foundation, Kevin Roberts, defended Carlson for conducting a friendly interview with podcaster Nick Fuentes, whose followers, known as “groypers,” see themselves as working to preserve a white, Christian identity in America. Roberts’ comments sparked outrage from some Heritage staffers, senators and conservative activists.
Fuentes had long feuded with Kirk, who worked to marginalize Fuentes within the conservative movement. Groypers enjoyed crashing Turning Point events to spar with Kirk.
Carlson and Shapiro, who has sharply criticized Fuentes and Carlson, are both scheduled to speak on Thursday, the first day of the conference.
Turning Point has also faced turmoil over conspiracy theories spread by Candace Owens, a former employee who hosts a top-rated podcast. Owens has alleged without evidence that Israeli spies were involved in Kirk’s death and that he was betrayed by people close to him. Authorities say Robinson acted alone.
Asked about Owens and others spreading conspiracy theories during a CBS News town hall, Erika Kirk responded with one word: “Stop.” She said Owens is making money off her family’s tragedy, adding that conspiracy peddlers risk tainting the jury pool and allowing her husband’s killer to get away with it.
Last weekend, with the Turning Point conference looming, Kirk and Owens agreed to a temporary detente until a private meeting. It didn’t last long.
After the meeting on Monday, Owens said on her show that she and Kirk spoke for 4 ½ hours but she still doubted that Robinson acted alone. Kirk wrote on X that they had “a very productive conversation” and it was “time to get back to work.”
While grieving her husband, Erika Kirk has slowly stepped up her public appearances. She spoke at the funeral, memorably forgiving her husband’s alleged killer, and at a Turning Point event in Mississippi in October.
An entrepreneur and podcaster, she often appeared with her husband at Turning Point events. The former 2012 Miss Arizona USA has also worked as a model, actress and casting director, and she founded a Christian clothing line, Proclaim, and a ministry that teaches about the Bible.
Before her husband’s death, she talked openly about prioritizing her family ahead of her career and described a marriage with traditional gender roles. Now she’s taking on the demanding job leading Turning Point, an organization that resonated in particular with young men.
At a memorial for her husband, Erika said “Charlie and I were united in purpose.”
“His passion was my passion, and now his mission is my mission,” she said. “Everything that Turning Point USA built through Charlie’s vision and hard work, we will make 10 times greater through the power of his memory.”
