week

With the ongoing fracas over President Trump’s demolition of the White House’s East Wing, a number of other Trump administration-led attempts to remake the architectural landscape of Washington, D.C., have flown largely under the radar. This includes the sale and possible demolition of the Wilbur J. Cohen Building, which was completed in 1940 and was added to the National Register of Historic Places in 2007.

Part of what makes the building so beloved is a series of 1942 frescoes by Ben Shahn titled “The Meaning of Social Security,” commissioned as part of the Roosevelt administration’s robust New Deal art program. In a recent article in the New Republic, architectural historian Gray Brechin is quoted as calling the Cohen building, “a kind of Sistine Chapel of the New Deal.”

The structure, originally known as the Social Security Administration Building, has served as the headquarters for Voice of America since 1954. In March, Trump signed an executive order cutting funding for the agency that oversees VOA, and most of its staff was placed on administrative leave. In June, more than 600 VOA employees received layoff notices, and the service basically shut down.

At the beginning of this year, Congress agreed to sell the Cohen building, which had been suffering from major maintenance issues. The scope of the threat to the building became clear earlier this month when Bloomberg reported that “The White House is independently soliciting bids to recommend the demolition of the historic buildings [including the Cohen building], without the input of the General Services Administration, which maintains government buildings.”

A petition on Change.org now seeks to oppose the new “accelerated disposal” program.

“Federal properties can be sold quickly with limited public input. As powerful interests move in haste to sell this historic building, we call for the process to be paused and conducted with transparency, respect, and public participation,” the petition, which has garnered more than 4,700 signatures, states.

The Shahn frescoes aren’t the only precious New Deal artworks in danger. Other art housed in the Cohen building include murals by Seymour Fogel and Philip Guston.

I’m arts and culture writer Jessica Gelt wondering when enough is enough. Here’s your arts news for the week.

On our radar

Grant Gershon conducts the Los Angeles Master Chorale at Walt Disney Concert Hall.

(Jamie Phan / Los Angeles Master Chorale)

Disney Hall-e-lu-jah
It’s hard to imagine the holidays without music, and the Los Angeles Master Chorale has three days of caroling and chorusing that should lift anyone’s seasonal spirits. A new addition to the choir’s traditional offerings is the family-friendly “Carols for Kids” (11 a.m. Saturday. Walt Disney Concert Hall), featuring Youth Chorus LA and designed for even the squirmiest children, 6 and under. That will be followed by the “Festival of Carols” (2 p.m. Saturday. Disney Hall), a program of global holiday music. The group’s performance of “Handel’s Messiah” (7 p.m. Sunday. Disney Hall) is a worthy centerpiece of any celebration. If you’re ready to have your own voice be heard, “Carols on the Plaza” (6 p.m. Monday, across the street at the Music Center’s Jerry Moss Plaza), is your chance to join in on free outdoor caroling with family, friends and fellow Angelenos. Festivities conclude with the Master Chorale’s “Messiah Sing-Along” (7:30 p.m. Monday) back at Disney Hall where 2,000 voices will unite for the “Hallelujah Chorus.”
— Kevin Crust
Walt Disney Concert Hall, 111 S. Grand Ave.; Music Center, 135 N. Grand Ave., downtown L.A. lamasterchorale.org

The week ahead: A curated calendar

FRIDAY
The Fruit Cake Follies
In its 27th year, this madcap holiday variety show promises “music, mirth and merriment.”
8:30 p.m. Friday and Saturday, with dinner at 6:30 p.m.; 1 p.m Sunday, with brunch at 11 a.m. Catalina Jazz Club, 6725 Sunset Blvd. Hollywood. catalinajazzclub.com

Guadalupe Maravilla: A Performance
Expanding on his solo exhibition “Les soñadores,” the transdisciplinary artist creates a collective ritual combining sound, vibration and healers from around the world alongside L.A.-based artists.
8 p.m. REDCAT, 631 W. 2nd St., downtown L.A. redcat.org

Piotr Beczala
The Polish-born tenor, known for his work in opera and the classical vocal canon, performs, accompanied by conductor and pianist Kamal Khan.
7:30 p.m. Broad Stage, Santa Monica College Performing Arts Center, 1310 11th St., Santa Monica broadstage.org

“Wet” by Sahar Khoury at Parker Gallery, 2025

(Sahar Khoury / Parker Gallery)

Sahar Khoury
The interdependence of materials and their social and cultural environments inspired the sculptor’s newest solo exhibition, “Wet,” a series of pieces created from ceramic, steel, iron, brass and aluminum.
11 a.m.–6 p.m. Tuesday–Saturday, through Jan. 17. Parker Gallery, 6700 Melrose Ave. parkergallery.com

SATURDAY
Christmas Joy Concert
The free Third@First concert series continues with a program of carols, classic and new.
4 p.m. First United Methodist Church of Pasadena, 500. E. Colorado Blvd., Pasadena. thirdatfirst.org

Sanaa Lathan and Omar Epps in the romantic drama “Love & Basketball.”

(New Line Cinema)

Love & Basketball
Writer-director Gina Prince-Bythewood marks the 25th anniversary of her modern romance classic, starring Sanaa Lathan, Omar Epps, Alfre Woodard and Dennis Haysbert.
7 p.m. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

The cast of “Nutcracker! Magical Christmas Ballet.”

(Konstantin Viktorov / Nutcracker! Magical Christmas Ballet)

Nutcracker! Magical Christmas Ballet
This 80-plus city tour offers a distinct blend of classical ballet with avant-garde circus techniques and global influences, complete with 10-foot-tall animal puppets constructed by Roger Titley. For its 33rd year on the road, the production adds a new character: Sweets the Dog, created by Barry Gordemer of the award-winning puppeteer studio Handemonium.
— Ashley Lee
Noon, 4 and 8 p.m. Saturday. Wiltern Theatre, 3790 Wilshire Blvd., Los Angeles; and 1:30 and 6:30 p.m. Sunday. La Mirada Theatre for the Performing Arts, 14900 La Mirada Blvd. nutcracker.com

SUNDAY
Collecting Impressionism at LACMA
This new exhibition traces how the museum built its collection and its pursuit of legitimacy through early acquisitions of American and California Impressionism and donations of paintings by Edgar Degas and Camille Pissarro from major Hollywood collectors.
Through Jan. 3, 2027. Los Angeles County Museum of Art, Resnick Pavilion, 5905 Wilshire Blvd. lacma.org

Actor Taylor Nichols, left, and director Whit Stillman at a 20th anniversary screening of “Metropolitan” at the 2010 Sundance Film Festival.

(Jemal Countess / Getty Images)

Metropolitan
It’s hard to believe that it’s been 35 years since the young socialites of the “urban haute bourgeoisie” entered our consciousness via filmmaker Whit Stillman’s delightfully droll film and its banter-driven, Oscar-nominated screenplay. Stillman and actor Taylor Nichols will be on hand for a Q&A with the screening.
2 p.m. Aero Theatre, 1328 Montana Ave., Santa Monica. americancinematheque.com

WEDNESDAY

Aloe Blacc and Maya Jupiter host the 2025 L.A. County Holiday Celebration.

(Music Center)

L.A. County Holiday Celebration
The Music Center’s annual spectacular features more than 20 local music ensembles, choirs and dance companies. The free, ticketed event will also be broadcast on PBS SoCal. Aloe Blacc and Maya Jupiter are this year’s hosts.
3-6 p.m. Dec. 24. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. musiccenter.org

— Kevin Crust

Dispatch: A director with a human touch

Cameron Watson is the new artistic director of Skylight Theatre Company.

(David Zaugh)

Stage director Cameron Watson has one of the best batting averages in town.

His productions of “The Sound Inside” at Pasadena Playhouse, “On the Other Hand, We’re Happy” for Rogue Machine Theatre at the Matrix and “Top Girls” at Antaeus Theatre Company were morale-boosting for a critic in the trenches, offering proof that serious, humane, highly intelligent and happily unorthodox drama was alive and well in Los Angeles.

Watson’s appointment as artistic director of Los Feliz’s Skylight Theatre Company starting Jan. 1 is good news for the city’s theater ecology. Producing artistic director Gary Grossman, who led the company for 40 years with enormous integrity, built the small but ambitious Skylight into an incubator of new work that embraces diversity and the local community.

Developing new plays is fraught with risk. Watson has the both the artistic acumen and audience sensitivity needed to usher Skylight through this perilous moment in the American theater when so many companies seem to be holding on by a thread.

Watson, like Peter Brook before him, knows how to convert an empty space into a realm of magic and meaning. For Watson, the play’s the thing. But for the spark to happen, actors and audience members need a director as intuitively attuned to the uncertain human drama as Skylight Theatre Company’s new leader. (The director’s current production of “Heisenberg” at Skylight ends Sunday.)

— Charles McNulty

Culture news and the SoCal scene

Moving in stereo
The most Tony-nominated play in Broadway history, “Stereophonic,” is playing at the Hollywood Pantages Theatre through Jan. 2. Times theater critic Charles McNulty caught opening night and wrote that the first touring production fails to capture the high notes of the Broadway original. A few days later, I sat down for an interview at Amoeba Records with Will Butler, the former Arcade Fire multi-instrumentalist who wrote the music for the show. Our interview took place before Butler got onstage with the cast of the show for a short live in-store performance.

Live from L.A., it’s Ben Platt
McNulty also attended opening night of Ben Platt’s 10-day residency at Center Theatre Group’s Ahmanson Theatre, noting that Platt, “wears both his nervous diffidence and his blazing talent on his sleeve.”

Boiling in Brooklyn
Brooklyn was also on McNulty’s itinerary, where he saw Michelle Williams in the new revival of Eugene O’Neill’s “Anna Christie” at St. Ann’s Warehouse. “Michelle Williams seems to have unlimited emotional access. Her inner intensity expresses itself in a frenzy of volcanic feeling that can never be tamped down once it reaches its boiling point,” McNulty writes.

Zakir Hussain tribute
Times classical music critic Mark Swed headed to the Nimoy Theatre in Westwood to watch tabla player Salar Nader perform with the Third Coast Percussion ensemble. The show celebrated the group’s collaboration with the late Zakir Hussain’s “Murmurs in Time,” which was the tabla legend’s last work.

The name game
The Kennedy Center continued its Trump-era transformation Thursday after the board voted unanimously to rename the world-famous performing arts venue The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts. It remains unclear if the move is legal, or if the name change will need to be made official via an act of Congress.

Viva Las Vegas
I got a look at newly revealed architectural plans for the Las Vegas Museum of Art, which is expected to break ground in 2027. Pritzker Prize-winning architect Diébédo Francis Kéré is designing the city’s first freestanding museum and says his ideas were inspired by the red rocks and canyons of the desert surrounding Sin City.

LACMA United
Workers at Los Angeles County Museum of art voted to unionize Wednesday. The vote in favor was 96%, and came after LACMA rejected workers’ requests for voluntary recognition. Staffers have expressed disappointment in management over what they are calling its anti-union campaign.

La malchance
The Louvre is down on its luck. Maintenance issues have lately plagued the famous Paris museum, and then there was that infamous heist. Now workers have voted to strike over working conditions among other complaints.

— Jessica Gelt

And last but not least

Here’s a list that you will either love or hate (I love it): Here are the best tuna melt sandwiches in L.A. and Orange County.

ARLINGTON, Texas — The NFL regular season is turning down the stretch and the playoff picture is coming into focus, and that means not just the teams but the league’s scheduling crew is hard at work.

The Chargers, who play at Dallas on Sunday, can secure a postseason berth with a victory and some help from a team or two. Coupled with a win over the Cowboys, the Chargers need Las Vegas to win at Houston (unlikely) or San Francisco to win at Indianapolis (more likely) so they can rest easy knowing they’re at least in the playoffs for the second consecutive season under Jim Harbaugh.

Although the Rams have already qualified for the playoffs, they need to regain their balance after a spirit-snapping loss at Seattle on Thursday that likely cost them a chance at the NFC’s No. 1 seed.

Here’s a look at the upcoming schedule for the end of this season and beginning of next, along with decisions that need to be made:

— Why did the league schedule Houston at the Chargers for Saturday of Week 17?

The game was always a candidate for that 1:30 p.m. slot on NFL Network, and Seattle at Carolina was also under consideration.

The league liked Texans-Chargers on Saturday because both of those clubs likely will be playing in January — maybe against each other again — and if that game were moved to Sunday afternoon, it would be going head-to-head against Fox’s national game, Philadelphia at Buffalo, a potential Super Bowl preview.

So the NFL wanted to do the Texans and Chargers a solid and give them the national stage to themselves.

— Rams at Atlanta in Week 17 isn’t a fantastic Monday night game for Week 17, especially with the Falcons currently at 5-9. But with all the games spread throughout the week of Christmas, there weren’t a lot of great replacement options.

The league didn’t move Texans-Chargers into that slot for good reason. Because whoever plays in that “Monday Night Football” slot — it’s staying Rams-Falcons — won’t be a candidate for a Saturday game in the final weekend.

So by moving Texans-Chargers to Saturday, both those teams are in play for the two Saturday spots in Week 18. The Chargers finish at Denver, and the Texans play host to Indianapolis. Either or both of those games could wind up on ESPN for those finishing Saturday games.

— The NFL originally slated Cincinnati at Miami for this week’s Sunday night game but last week decided to move New England at Baltimore into that time slot. That’s notable because it’s the first flex of the season, which is an unusually low number. Typically, there have been three or four flexes to this point.

Why only one? There are multiple reasons. First, the league’s scheduling crew had a pretty clear crystal ball in May, a good idea for which teams would still be in the mix. Credit to those folks.

But the bar for flexing games is also a little higher than it used to be. The NFL is cautious about inconveniencing 75,000 fans for a relatively small bump in viewership. What’s more, with all the new windows and partners — Netflix, Amazon Prime, Peacock, Paramount+ — there are fewer games to go around. Even if the league wanted to flex, there are fewer options. The traditional Sunday inventory is a lot thinner than it used to be.

— It’s worth noting that the league’s philosophy on moving games around is it flexes out of a game that’s falling apart, it doesn’t flex into a better game because the network or streaming service doesn’t happen to like the game it has.

Cincinnati-Miami was a no-brainer flex candidate back in October when both teams were reeling. But then Joe Burrow came back for the Bengals, and the Dolphins started winning, and it got interesting for a while. But then Cincinnati got shut out last week by Baltimore, and Miami just benched its quarterback. Flex was back on.

So what to flex into? The thought was, yes, the NFL can move Patriots-Ravens into that Sunday window for NBC, and at least it can leave behind Kansas City-Tennessee for CBS. Everybody figured the Chiefs would be fighting for their postseason lives. That wasn’t the case. Kansas City was eliminated last week and lost Patrick Mahomes to a season-ending knee injury. Chiefs-Titans isn’t nearly as interesting as anticipated.

It could have been an ugly Sunday for CBS, but the network wound up with Pittsburgh-Detroit for its national game. That very easily could have been the far-less-tantalizing Buffalo at Cleveland.

— We’re heading into a postseason with no Kansas City, no Dallas, maybe no Baltimore or Pittsburgh — one of them is going to miss out — and with the rise of Chicago, possibly no Green Bay or Detroit.

A lot of those traditional anchor teams could be watching from their couches.

That means the NFL will have to make some new decisions about who to prioritize in postseason scheduling, perhaps looking with fresh eyes at clubs such as Seattle, Tampa Bay, Carolina, Jacksonville and others. Who are the ones with the most national appeal?

And that rolls into next season. How does the league dole out those big national windows. With Kansas City missing the playoffs, and Mahomes recovering from a major knee injury, do the Chiefs recede into the background after a decade of division titles and deep playoff runs?

Have the Bears broken through? They’re 10-4. At 12-2, Denver looks to be back and set up to keep it going. Heading into Thursday night’s game, the Rams were as hot as any team in the league, and the Chargers could finally get Justin Herbert that inaugural playoff victory.

The Steelers have won two in a row, and could wind up making a postseason run. If so, what does Aaron Rodgers do next season, and how will the club move forward?

The NFL leaned heavily into Washington after one outstanding season, giving them eight nationally televised games this season. That bet didn’t pay off; the Commanders are 4-10.

It’s the game behind the games, and those decisions are taking shape.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg giving you the latest on city and county government.

At her official campaign launch Dec. 13, Mayor Karen Bass told Angelenos that they face a simple decision.

After speaking about the Palisades fire, federal immigration raids and the homelessness and affordability crises, she turned to the primary election next June.

“This election will be a choice between working people and the billionaire class who treat public office as their next vanity project,” Bass told a crowd of a few hundred people at Los Angeles Trade Technical-College.

Attendees take their picture against a “photo booth” wall at Mayor Karen Bass’ reelection campaign kickoff rally.

(Myung J. Chun/Los Angeles Times)

In one sentence, without uttering a single name, the mayor appeared to be taking a shot at three different men. Was she talking about President Trump? Mayoral hopeful Austin Beutner? Her previous opponent, the billionaire developer Rick Caruso?

Or how about all of the above, suggested Bass’ campaign spokesperson, Doug Herman.

The billionaire class certainly includes Caruso, who self-funded his 2022 campaign to the tune of more than $100 million. It also includes Trump, who the New York Times estimated could be worth more than $10 billion. Though the mayor is not running against Trump, she likes to cast herself in opposition him. And Beutner, a former Los Angeles schools superintendent, was once an investment banker, Herman pointed out.

Beutner confirmed to The Times that he is not a billionaire. To the contrary, Beutner said, he drives a 10-year-old Volkswagen Golf.

Herman said Angelenos don’t care if Beutner has billions or just a lot of millions.

“Whether you’re a billionaire or multimillionaire is not really important to someone having trouble getting by and playing by the rules,” Herman told The Times.

“I’m trying to find the polite words,” Beutner said when asked about Bass’ comments. “Frankly, I think it’s an attempt to distract people from her record or lack thereof.”

Caruso declined to comment.

In a speech at Bass’ campaign launch, City Councilmember Hugo Soto-Martínez hammered the same point as the mayor.

City Councilmember Hugo Soto-Martínez shows his support during Mayor Karen Bass’ reelection campaign kickoff rally at Los Angeles Trade-Technical College.

(Myung J. Chun/Los Angeles Times)

“We’re always going to have rich old white men, the millionaires and billionaires — they think they can do it better,” he said. “They didn’t get it last time, and they’re not going to get it this time.”

Then, Soto-Martínez seemed to reference Beutner.

“Do you want a healthcare worker over a hedge fund manager?” he asked the crowd, to roaring applause (Bass used to work as a physician’s assistant, while Beutner founded the investment banking advisory group Evercore Partners).

With Bass’ reelection campaign underway, Beutner challenging her as a moderate and community organizer Rae Huang running to her left, Caruso could be the last major domino left to fall.

The Grove and Americana at Brand developer, who has been mulling a run for either governor or mayor (or neither), still has not revealed his plans for 2026.

Karen Bass supporters created signs for her reelection campaign kickoff rally.

(Myung J. Chun/Los Angeles Times)

Stuart Waldman, president of the Valley Industry & Commerce Assn., was among the diverse array of Bass supporters gathered on stage at Trade-Tech to voice their endorsements.

Waldman told The Times that he is supporting the mayor in his personal capacity, though VICA has not yet endorsed.

In 2022, Waldman and VICA supported Caruso, and Waldman spoke at some Caruso events.

He said he switched to Bass this time partly because of his unhappiness with the $30-minimum wage for airport and hotel workers passed by the City Council earlier this year. Businesses cannot move quickly enough to raise worker wages without laying off other workers, he said.

Waldman said that Bass arranged for him to meet with Council President Marqueece Harris-Dawson, who then introduced a motion that would phase in the minimum wage increase over a longer period. The current law brings the wage up to $30 by 2028, while Harris-Dawson wants the $30 minimum to start in 2030.

“Bass was instrumental in making that happen, and we appreciate that,” Waldman said.

Harris-Dawson, a Bass ally, was at the campaign kickoff but did not make a speech.

Some were not pleased with his minimum wage proposal. Yvonne Wheeler, who is president of the Los Angeles County Federal of Labor and was at the Bass event, called it “shameful.” Soto-Martínez, who co-sponsored the minimum wage ordinance, also opposes Harris-Dawson’s proposal.

Waldman said that Soto-Martínez refused to take a meeting with him during the minimum wage fight.

“Hugo and I come from two different worlds and see the world differently,” Waldman said. “Unfortunately, I am willing to talk to everybody, and he is not.”

But at the Bass campaign launch, the two men delivered speeches one right after the other. Waldman said the diversity of opinion among the mayor’s supporters is a good sign for her.

“It’s a broad coalition,” he said.

State of play

— AFTER THE FIRES: The Times posted a project called “After the Fires” online Wednesday, nearly a year after the Palisades and Eaton fires. The stories, which document mayoral missteps, changes at the LAFD, failed emergency alerts and more, will be published as a special section in Sunday’s print edition.

— VEGAS, BABY: Councilmember John Lee is facing a steep fine for his notorious 2017 trip to Las Vegas, with the city’s Ethics Commission saying he must pay $138,424 in a case involving pricey meals, casino chips and expensive nightclub “bottle service.” The commission doled out a punishment much harsher than that recommended by an administrative law judge. Lee vowed to keep fighting, calling the case “wasteful and political.”

— EX-MAYOR FOR GOVERNOR: Four Los Angeles City Council members — Harris-Dawson, Heather Hutt, Bob Blumenfield and Curren Price — threw their support behind former L.A. Mayor Antonio Villaraigosa to be the next California governor.

— POOLS OUT FOR WINTER: City swimming pools will be closed on Fridays “until further notice,” the Department of Recreation and Parks announced Monday. “These adjustments were necessary to continue operating within our available resources,” the department said on Instagram.

— HOT MIC: Bass was caught on a hot mic ripping into the city and county responses to the January wildfires. “Both sides botched it,” she said on “The Fifth Column” podcast, after she shook hands with the host and they continued chatting. The final minutes of the podcast were later deleted from YouTube, with Bass’ team confirming that her office had asked for the segment to be removed.

— HOMELESSNESS FUNDING: The Los Angeles County Affordable Housing Solutions Agency on Wednesday approved nearly $11.5 million in homeless prevention funds, the largest single allocation yet for the new agency.

— A YEAR OF JIM: After more than a year as the LAPD’s top cop, Chief Jim McDonnell is receiving mixed reviews. While violent crime is at historic lows, some say the LAPD is sliding back into its defiant culture of years past.

— “CALM AMIDST CHAOS”: LAFD spokesperson Erik Scott announced this week that he has written a “frontline memoir” about the January wildfires. The book is set to be released on the one-year anniversary of the Palisades fire.

— “THE GIRLS ARE FIGHTING”: Mayor Karen Bass and L.A. County Supervisor Lindsey Horvath got into a tiff on X over homelessness. After Bass published an op-ed in the Daily News saying that the county’s new Department of Homelessness is a bad idea, the supervisor shot back, calling the mayor’s track record on homelessness “indefensible.” Following the spat, City Councilmember Ysabel Jurado posted on X, “I fear the girls are fighting.” And Austin Beutner, who is running against Bass, responded with a nearly six-minute video criticizing the mayor’s record on homelessness.

— OVERSIGHT OVER?: Experts worry that effective civilian oversight of the L.A. County Sheriff’s Department could be in jeopardy following a recent leadership exodus. A succession of legal challenges and funding cuts, coupled with what some say is resistance from county officials, raised concerns that long-fought gains in transparency are slipping away.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program did not conduct any new operations this week. The team “returned to previous Inside Safe operation locations, building relationships with unhoused Angelenos in the area to offer resources when available,” the mayor’s office said.
• On the docket next week: Mayoral candidate Rae Huang will host a text bank and volunteer meetup at Lawless Brewing on Monday, Dec. 22. The City Council remains in recess until Jan. 7.

Stay in touch

That’s it for now! We’ll be dark next week for the holidays. Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

The shocking deaths this week of Rob Reiner and Michele Singer Reiner reached far beyond Hollywood. Their legacy will go far beyond show business thanks to their committed political activism for causes they believed in.

Mary McNamara pulled together the different strands of Rob Reiner’s life and career, noting, “As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

“Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.”

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(MGM / Library of Congress via AP)

Amy Nicholson took a deeper look at his film career, while Robert Llloyd surveyed his work on television.

Josh Rothkopf and I rolled out a list of his 10 best movies as a director, which includes his astonishing early run, titles like “This Is Spinal Tap,” “The Princess Bride,” “Misery,” “A Few Good Men” and “The American President.” All of those come in little over a decade.

Tribute screenings have already been announced around Los Angeles, including “When Harry Met Sally…” at the New Beverly on Dec. 30–Jan. 1 and then again on Jan. 3 at Vidiots, which will also be showing “A Few Good Men” on Jan. 6 and “The Princess Bride” on Jan. 18. More screenings are sure to follow.

‘Love & Basketball’ 25th anniversary

Sanaa Lathan and Omar Epps in the movie “Love & Basketball.”

(New Line Cinema)

On Saturday, the Academy Museum will host a 25th anniversary screening of “Love & Basketball” with writer-director Gina Prince-Bythewood in attendance. Starring Sanaa Lathan and Omar Epps, it is one of the great romantic films of recent decades, the story of two young athletes struggling to reconcile their feelings for each other with their individual careers and ambitions.

In his original review of the movie, Eric Harrison wrote, “The movie is smarter than it has to be, but it’s the sort of low-key smart that can be easily overlooked. Writer-director Gina Prince-Bythewood doesn’t care if you recognize how hard it is to juggle two distinctly different types of movies (make that three, since the romance and sports elements here don’t obscure the feminist fable that is the film’s heart). … This is Prince-Bythewood’s first feature film as both a writer and director, and she shows admirable command of her craft.”

In an interview from 1990, Prince-Bythewood talked about the difficulty of casting the two leads, worrying whether she should find basketball players who could learn to act or actors who could persuasively play basketball.

“There were a lot of sleepless nights,” Prince-Bythewood said. “Is this a love story or a basketball story? I finally realized it’s a love story first. It doesn’t matter how great the basketball is if you don’t care about the character or the love story.

In 2020, Sonaiya Kelley spoke to Prince-Bythewood, Lathan, Epps, producer Spike Lee, actors Gabrielle Union, Alfre Woodard, Tyra Banks and Regina Hall for a definitive oral history of the film.

“When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally…,’” said Prince-Bythewood. “I love that movie, but I wasn’t seeing myself in movies like that.”

‘Metropolitan’ 35th anniversary

The cast of Whit Stillman’s 1990 movie “Metropolitan.”

(Rialto Pictures)

On Sunday afternoon, the American Cinematheque at the Aero Theatre will have a 35th anniversary screening of “Metropolitan” with writer-director Whit Stillman and actor Taylor Nichols there for a Q&A. Set during the week between Christmas and New Year’s among a very specific social set of young New Yorkers — labeled in the film as the Urban Haute Bourgeoisie — the film is a delicately detailed comedy of manners. It would earn Stillman an Oscar nomination for original screenplay.

In her original review, Sheila Benson wrote, “Filmmaker Stillman is a pointillist, working in the tiniest, most meticulous degrees. If he seems at times as controlled and distanced as his own UHBs, his impulsive, romantic ending betrays him. Stillman understands caste, class and deportment as perfectly as Audrey’s idol, Jane Austen, and by the time he’s through, so do we.”

In a 1990 interview, Stillman spoke about making a movie about such a specific social set, one that many viewers of the film will not have been a part of. “I think people will enjoy the fact that the film has texture,” he said. “They will sense that there is a joke there, even if they don’t get it.”

Points of interest

Nancy Meyers with ‘Father of the Bride’

Kimberly Williams, left, Martin Short, Steve Martin and Diane Keaton in the 1991 version of “Father of the Bride.”

(Disney / Touchstone Pictures)

Director Nancy Meyers had to pull out of a recent Q&A scheduled for a screening of “Something’s Gotta Give,” which starred her frequent collaborator Diane Keaton. Meyers is now set to appear at the American Cinematheque at the Aero Theatre on Saturday for a Q&A after 1991’s remake of “Father of the Bride,” directed by Charles Shyer and co-written by Shyer and Meyers. As far as we can tell, this will be Meyers’ first public appearance since Keaton’s death in October.

The film stars Keaton alongside Steve Martin, as a couple who are arranging the wedding of their daughter, with Martin Short showing up as an overbearing wedding planner.

In his original review, Michael Wilmington wrote, “Midway through ‘Father of the Bride’ … Martin Short shows up, as the effete, snobbish wedding coordinator that Leo G. Carroll played in the original, and steals the movie from Martin, steals it from everybody. Short’s handling of this silly little role — an outrageous poseur named ‘Franck Eggelhoffer’ who insists on calling himself Frawwnk and acts like a post-disco Mischa Auer — has perfect pitch and real wigged-out comic genius.”

David Lowery and ‘The Green Knight’

Dev Patel in the 2021 movie “The Green Knight.”

(A24)

On Saturday, Vidiots will host a screening of 2021’s “The Green Knight” with writer-director David Lowery in person. Based on the 14th century poem “Sir Gawain and the Green Knight,” the film stars Dev Patel as Gawain, nephew of King Arthur, who, after winning a mystical challenge on Christmas, is told he has one year to complete another adventure.

In his review, Justin Chang wrote, “What does it mean to be a knight, or even just to be human? It isn’t an easy question, and ‘The Green Knight,’ in taking it seriously, isn’t always an easy film. But by the time Gawain reaches his journey’s end, in as moving and majestically sustained a passage of pure cinema as I’ve seen this year, the moral arc of his journey has snapped into undeniable focus. He plays the game; he accepts the challenge. His example is worth following.”

Oliver Stone’s ‘Nixon’

Joan Allen and Anthony Hopkins in the movie “Nixon.”

(Sidney Baldwin / Cinergi Pictures Entertainment)

On Sunday, the Laemmle Royal will have a 30th anniversary screening of Oliver Stone’s “Nixon” with the filmmaker in person for a Q&A to be moderated by Times contributing writer Tim Greiving.

Starring Anthony Hopkins as Richard Nixon and Joan Allen as his wife, Pat (both were nominated for Oscars for their performances), the film covers the political life of the politician who rose to being president only to leave the office in disgrace.

In his original review, Kenneth Turan wrote, “Mostly (though not completely) gone is the disturbing, lunatic Oliver Stone, the bad-boy writer-director who infuriated the political establishment with ‘JFK’ and outraged sensibilities nationwide with ‘Natural Born Killers.’ He’s been replaced by a filmmaker very much on his best behavior, a thorough researcher who consulted 80 books and published a heavily footnoted screenplay. If Quentin Tarantino made a film in the style of Sir Richard Attenborough, the surprise could not be greater. And ‘Nixon’ is in many ways an impressive, well-crafted piece of work.”

Welcome to Screen Gab, the newsletter for everyone who wants to spend some time revisiting Rob Reiner’s indelible mark on pop culture.

For many of us, it was already that time of year when we pop in our DVD of “When Harry Met Sally…” or figure out which streaming service has it in its library (or digitally rent it, if none do), and passively recite every quotable moment until Harry’s breathless declaration of love on New Year’s Eve necessitated our full performance. It was a comfort watch in the best sense because of how joyous and hopeful it left so many of us, even cynics, feeling. This year, as the tradition now becomes layered with sadness following the tragic deaths of Reiner and his wife, Michele Singer Reiner, there’s at least comfort in knowing all the Hollywood magic he brought to life (whether he was directing, or starring in a production) that was full of humanity, humor and heart, and accompanied us at different stages of our lives, can continue to do so. Members of our film team took a look at some of Reiner’s best films, many of which can be streamed. And TV critic Robert Lloyd reminded us of Reiner’s contributions to television, particularly through shows like “All in the Family” and “New Girl” (“Lettuce, tomato, lettuce, meat, meat, meat, cheese, lettuce” — iykyk).

But if it’s all too soon, we get it. Maybe our other streaming recommendations can provide an escape — one is a TV drama about a disillusioned Broadway director returning home to his amateur community theater, and the other is a mystery thriller with an unlikely duo teaming up to investigate the case of a missing girl.

Also in this week’s Screen Gab, “Emily in Paris” actor Samuel Arnold stops by Guest Spot to tell us about the behind-the-scenes adventures of the show’s Italian-set fifth season.

ICYMI

Must-read stories you might have missed

Julianne Hough near the Dolby Theatre at the 97th Academy Awards earlier this year. The Oscars are moving to YouTube, sending shock waves through Hollywood.

(Robert Gauthier / Los Angeles Times)

What the Oscars moving to YouTube means for broadcast TV: The Academy Awards will stream on YouTube beginning in 2029, ending a more than five-decade run on broadcast television and marking the show’s biggest distribution shift in its history.

How do Lifetime and Hallmark keep Christmas movies fresh? Pickleball and the NFL: For the two cable networks, tapping into niches, hobbies and sports teams allows them to invite new audiences in, while keeping loyal viewers satisfied with a break in formula.

Diversity and representation of women on streaming TV series in sharp decline, UCLA study shows: The latest edition of the Hollywood Diversity Report released Tuesday determined that the top shows in 2024 were less culturally diverse than the previous year.

Hollywood was built on movie stardom. AI is changing the rules: Synthetic performers are forcing Hollywood to rethink how fame works and who gets to claim it. Even as the technology races ahead, legal concerns are mounting.

Turn on

Recommendations from the film and TV experts at The Times

Harry McNaughton as Charlie Summers, a disillusioned Broadway director returning home to his amateur community theatre in “Happiness.”

(Andi Crown Photography / PBS)

“Happiness” (PBS app, pbs.org)

What could be better, at this festive time of year, or any other time, than a backstage musical comedy set in an amateur theatrical company in New Zealand’s fifth-largest city? Harry McNaughton plays Charlie Summers, whose Broadway dream dies when he’s fired as the director of a “Cats” revival and, losing his work visa, returns home to New Zealand for what he hopes will be only a couple of days. Naturally, it turns out otherwise, with Charlie drawn reluctantly into the production of a new musical, “The Trojan Horse,” at the Pizazz theater, run by his mother (Rebecca Gibney) and stocked with a original twists on classic characters: a dictatorial director, the always-cast leading lady, a talented ingénue, a buff electrician with a great voice and the shy high school music teacher who wrote it, making themselves and their desires quickly felt. (There’s a feminist thrust to the plot.) The songs are tuneful and witty, the performances fun, the atmosphere charged but charming. Presented in six 20-minute episodes as part of “Masterpiece Theater.” — Robert Lloyd

Emma Thompson as private investigator Zoë Boehm and Ruth Wilson as art conservationist Sarah Trafford in “Down Cemetery Road.”

(Matt Towers / Apple TV)

“Down Cemetery Road” (Apple TV)

Nothing says the holidays like a gripping crime drama where everyone’s a suspect! Apple TV’s smart and unvarnished British series follows Zoë Boehm (Emma Thompson), a private investigator who hasn’t the time or bandwidth for social niceties, shows of emotion or combing her hair. She’s thrown together with homemaker and art restorer Sarah Tucker (Ruth Wilson), a passive suburbanite who likes 4 Non Blondes.

Their sparring personalities create the undeniable chemistry that’s at the heart of this eight-part series, while the drama’s unexpected turn of events and fast pacing make it hard to hit pause. The two women are connected when a deadly residential explosion rocks Sarah’s neighborhood. A woman was killed, but her young daughter, who made it out alive, has mysteriously disappeared. The quest to find the girl pulls the odd-couple investigators into a complex and dangerous cover up by the Ministry of Defense, and they discover the explosion was in fact an orchestrated assassination.

Morwenna Banks’ adaptation of Mick Herron’s debut novel of the same name, “Down Cemetery Road” also features the PTSD-plagued Downey (Nathan Stewart-Jarrett), the villainous Amos (Fehinti Balogun), bumbling agent Hamza Malik (Adeel Akhtar) and his sociopathic boss, C (Darren Boyd). But it’s Thompson’s gruff character who gets the best lines, such as the one she says to a potential client: “I don’t drink Prosecco and I don’t bond emotionally.” The show has already been renewed for a second season. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Samuel Arnold as Julien in Season 5 of “Emily in Paris.”

(Netflix)

Every office needs a deliciously snarky employee who is too fabulous to work, but still manages to grace the room with their presence to boost the vibe. In “Emily in Paris,” that person is Julien. The quippy, sharply dressed and gossip-loving character, played by Samuel Arnold, has been a bright spot in the series over its run. Initially the guy who liked to remind Emily she was une ringarde American, he’s softened his stance on his fish-out-of-water colleague. But as the Agence Grateau luxury marketing team ventures to Italy this season, which is now streaming, his side eye shifts focus to a new co-worker. Over email, Arnold shared what it was like shooting outside their usual setting and the animated series he returns to over and over. — Yvonne Villarreal

The Grateau team spent time in Italy this season. Some filming took place in Rome and Venice. What’s a memory or experience that stands out from filming there? Did any place there become a go-to spot for you when you weren’t shooting?

Rome was incredible, both on and off screen. One moment that really stands out is when Ashley Park and her choreographer, Carlye Tamaren, taught us one of Ashley’s dance routines. Everyone did so well — and Bruno Gouery was absolutely hilarious. When we weren’t filming, one of our favorite meeting spots was the rooftop at the Minerva Hotel. It’s stunning. In Venice, we would all gather in Bruno Gouery’s room and play a pirate dice game that Lucien Laviscount introduced us to. The city itself felt like a dream.

The series revolves around Emily and her fish-out-of-water experience of building a new life in Paris. How would this series look if it were titled “Julien in Paris”? Five seasons in, what would a slice of his life look like if you could pitch it to Darren Star?

If the show were called “Julien in Paris,” it probably wouldn’t be very exciting — Julien is a Parisian. He has Paris on lock. I like to think he sees himself as the prince of the city. Now, Julien in New York City — opening his own marketing firm there — that’s a different story. I can already feel the drama.

Julien is very discerning and could spot the games Genevieve was playing. How do you think he handled her, and the position he was in, knowing this secret could damage Emily and Mindy’s friendship?

I think Julien handled it pretty well. It’s not a great position to be in. When one friend hurts another, the right thing to do is to encourage the person at fault to do the right thing. And when someone like Genevieve — played by the absolutely lovely Thalia Besson — tries to stir up trouble, Julien definitely knows how to deal with that in the best possible way.

With all the love triangles (and squares), who would you, Samuel, pick for Emily — Gabriel or Marcello? And for Mindy — Nicolas or Alfie?

I don’t think I should be picking men for those women. What I can say is that they should follow their hearts and embrace whatever comes with that. Honestly, we should all try to do the same.

What have you watched recently that you’re recommending to everyone you know?

I recently watched “Safe House” [Netflix], with Lucien Laviscount as a badass action hero. The casting is great, the ending really catches you off guard, and Lucien does his own stunts — which makes it even more impressive.

What’s your go-to comfort watch — the movie or TV show you always come back to?

“Rick and Morty” [Hulu]. It never gets old. It’s funny, packed with pop-culture references — which I love — and the voice acting is just incredible.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

Camp Shelby, Mississippi (February 3, 2023) Seabees, assigned to Naval Mobile Construction Battalion 133 (NMCB 133), go to bunkers during a simulated missile strike on Camp Shelby, Mississippi, February 3, 2023. NMCB 133 is at Camp Shelby, Mississippi conducting a field training exercise operating as part of Navy Expeditionary Combat Command conducting the advanced phase of the force readiness training plan (FRTP). (U.S. Navy photo by Mass Communication Specialist 2nd Class Andrew Waters/Released) 

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

In January 2018, conservative Fox News host Laura Ingraham was having dinner at Toscana, an Italian restaurant in Brentwood, when she spotted the renowned Hollywood director — and unabashed liberal — Rob Reiner.

She asked him to come on her show, “The Ingraham Angle.” He was on set the next day.

After introducing him as “a brilliant director,” who made her favorite movie, “This is Spinal Tap,” Ingraham said: “Last night, the first thing Reiner says is: ‘Are they gonna shut the government down?’’ I’m like, wow, I’m here in L.A.; I wanna talk about Hollywood stuff. But he wants to talk about politics.”

Al Gore and Rob Reiner attend the Tribeca Film Festival in New York in April 2007.

(Scott Gries / Getty Images)

Ingraham and Reiner vehemently disagreed — about alleged Russian influence on the 2016 presidential election, about whether President Trump is racist, about the treatment of conservatives in Hollywood.

But Reiner also called Ingraham “smart as hell.” And Ingraham said Reiner “should be lauded” for being willing to spar with her, unlike many politicians on both sides of the aisle.

It was the kind of blunt but ultimately respectful exchange that added to Reiner’s widespread appeal off-screen, both because of — and in spite of — his views.

Reiner and his wife, Michele, were killed at their Brentwood home last weekend, allegedly by their son, Nick, who has been charged with murder. The couple’s deaths have sent a thunderclap through Hollywood and beyond, partly because the Reiners had so many friends and connections in creative and political circles.

Rob Reiner — who, in the role of Michael “Meathead” Stivic in the groundbreaking sitcom “All in the Family,” played the liberal foil to his bigoted, conservative father-in-law, Archie Bunker — seemed to relish his real-life role as a progressive celebrity activist. That made him a hero to many in blue California but a villain to others, especially the reality-TV-show-star-turned-president, Donald Trump.

In a highly criticized social media post, Trump attributed the deaths to “the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME.”

But while Reiner, a blistering critic of the president, disagreed with many conservatives on policy, he also worked to build relationships with them — in media and entertainment circles, the California State Capitol, and beyond.

Ingraham this week called him “a legend.”

Actors Alec Baldwin and James Woods listen to director Rob Reiner in between scenes for the 1996 film “Ghosts Of Mississippi.”

(Columbia Pictures via Getty Images)

Actor James Woods, a longtime Trump supporter, said in a Fox News interview this week that Reiner saved his career by casting him in the 1996 film “Ghosts of Mississippi” over studio objections. He called Reiner “a great patriot” with whom he shared a mutual respect despite myriad political disagreements.

Andrew Kolvet, a spokesman for conservative powerhouse Turning Point USA, wrote on X that he “shared approximately zero in common with Rob Reiner politically, but I am so saddened by this news” and praying that “justice would be swift and without conspiracies [sic] theories.”

Kolvet said Reiner “responded with grace and compassion” to the September killing of TPUSA founder Charlie Kirk — a violent end that Reiner said nobody deserved, regardless of their views.

Hard-right Republican Rep. Marjorie Taylor Greene, of Georgia, called the deaths “a family tragedy, not about politics or political enemies.” And GOP Sen. Ted Cruz, of Texas, wrote on X that “The Princess Bride” was his favorite film and called Reiner “a comedic and story-telling master.”

Off screen, Reiner had a unique ability to connect with people of all persuasions, in various mediums, at the top of their careers or just starting. He was very much influenced by Norman Lear, the creator of “All in the Family,” who blended his Hollywood career with progressive activism.

Similar to Lear, Reiner didn’t just dabble in social causes and campaigns. He launched them, led them and brought people aboard. “He wasn’t building an operation the way Hollywood typically does, making donations, hosting fundraisers,” said Ben Austin, a former aide to Reiner who worked in the White House during the Clinton administration.

And all the time, he did it while making movies, some of them deeply personal, intertwined with his life as a parent.

Reiner was the driving force behind the successful 1998 California ballot measure, Proposition 10, a landmark policy that put a tax on tobacco products and pumped billions of dollars into preschools, teacher training, and support for struggling families. He enlisted help in that effort from such beloved figures as Steven Spielberg, Robin Williams and his own father, comedy legend Carl Reiner.

After the initiative passed, Gov. Gray Davis, a Democrat, appointed the younger Reiner chairman of the First 5 commission overseeing disbursement of the funds.

Rob Reiner co-founded the group that would help overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California.

(Los Angeles Times)

And in 2009, Reiner co-founded the American Foundation for Equal Rights, which led the successful legal fight to overturn Proposition 8, the 2008 ballot measure that banned same-sex marriage in California. The group hired legal luminaries from opposite sides of the political spectrum to overturn the ballot measure: the conservative former U.S. Solicitor General Theodore Olson and litigator David Boies, a liberal who squared off against Olson in the U.S. Supreme Court ruling that gave George W. Bush the presidency in 2000.

Former Los Angeles Mayor Eric Garcetti, a Democrat, said in an interview Wednesday that Reiner successfully rallied people to the cause because he was so adept at humanizing the stories of the plaintiffs and other same-sex couples — and emphasizing love.

“I don’t think you can overstate how influential he was at the national, state and local level and how well-liked he was,” Garcetti said. “Politics and movies share this in common: They both need good stories … and he was such a gifted storyteller.”

Garcetti said that while many celebrities lend money and faces to political causes, prettying up political mailers and email blasts, “Rob built those causes. He wasn’t like the frosting on the cake. He actually was the baker.”

Garcetti, then a Los Angeles City Council member, joined Reiner in stumping for 2004 Democratic presidential hopeful Howard Dean, for whom the director was an early backer. Garcetti crossed paths with him often, including during the push to overturn Proposition 8 — and at the Los Angeles City Hall wedding of Paul Katami and Jeff Zarrillo, two of the plaintiffs in the federal case that struck it down.

Katami wrote in an Instagram post this week that Reiner and his wife “stood with us in court for 4.5 years” and that he and his husband sat at the couple’s table in their home many times.

Rob Reiner chats in 2012 with Paul Katami and Jeff Zarrillo, plaintiffs in the case that struck down Proposition 8, which banned same-sex marriage in California.

(Brian van der Brug / Los Angeles Times)

“Because of them, they were able to sit at our table, at our wedding, on a day and in a moment that would not exist without their belief in who we are and how we love,” Katamami wrote.

He added: “They are brave. They are funny. They are generous. They are deeply human. And they make everyone around them feel seen, protected, and encouraged to be more fully themselves.”

Former L.A. Mayor Antonio Villaraigosa, a Democrat now running for California governor, officiated Katami and Zarrillo’s wedding. He said in an interview that Reiner personally bankrolled much of the legal fight because he genuinely believed it was the right thing to do.

In 2008, Villaraigosa kicked off his successful reelection campaign with a private reception at the Reiners’ home.

“You know, the one thing about Rob Reiner: There was no pretense,” Villaraigosa said. “If you go to his house … he’s a very wealthy man — he has been a director, an actor, co-founder of Castle Rock Entertainment — and yet his house was like a home. It wasn’t a mansion. It was like a ranch-style house, very homey.”

Rob Reiner hugs then-Mayor Antonio Villaraigosa in January 2015. The director had just introduced Villaraigosa at a school as the mayor kicked off his Leadership Tour highlighting his support for universal preschool.

(Al Seib / Los Angeles Times)

Villaraigosa and others said Reiner had a granular knowledge of the policies he supported, garnering the respect — if not always the affection — of those with whom he disagreed.

Gale Kaufman, a veteran Democratic strategist who was a longtime advisor to the influential California Teachers Assn., clashed with Reiner over education policy but admired his commitment to — and knowledge about — the issue.

Kaufman told The Times this week that she was amazed by “his attention to detail and his dogged determination that he was right.”

“This was not just someone giving you a pot of money and saying, ‘Go do this.’ This was a guy who was … in every piece of it.”

Cinematographer Reed Morano was one of several in Hollywood whose career soared because of Reiner.

In the late 2000s, Morano was known for filming low-budget projects — often in a gritty, hand-held style. Many of them premiered at the Sundance Film Festival, including the Oscar-nominated “Frozen River.”

In the early 2010s, Morano got a chance to pitch her talents to Reiner and producer Alan Greisman, who were assembling a team to shoot 2012’s “The Magic of Belle Isle,” starring Morgan Freeman and Virginia Madsen and directed by Reiner.

Barely 15 minutes after leaving the meeting, Morano got a call telling her she had the job.

“The thing that strikes me is he could have had anybody he wanted,” said Morano on a call Tuesday from New York City, noting that “Belle Isle” was the biggest budget project she had worked on up to that point. “It’s just he was so open-minded and so forward-thinking, and I think he could see potential that other people couldn’t see.”

Morano then handled cinematography for Reiner’s “And So It Goes,” starring Michael Douglas and Diane Keaton, released to 2014. Reiner, she said, also wanted her to work on “Being Charlie,” the 2015 addiction drama co-written by his son Nick, but she was unable to because of scheduling conflicts. Separately from Reiner, she would go on to win an Emmy in 2017 for directing on the series “The Handmaid’s Tale” and a prize at Sundance for her second film as director, 2018’s “I Think We’re Alone Now.”

A decade before Morano connected with Reiner, Michael Trujillo, now a veteran campaign consultant, went to work for him as a young communications and policy aide for First 5. He was in his early 20s and was stunned to learn he would be working steps from Reiner’s office in the Beverly Hills headquarters of his legendary Castle Rock Entertainment.

Rob Reiner speaks in 1998 to a child development policy group about Proposition 10, which added sales tax to tobacco products to fund early childhood education.

(Robert Durell / Los Angeles Times)

“I show up to Castle Rock Entertainment as a 22-year-old, in Beverly Hills, off Maple Drive. I’m just a Mexican kid from the northeast San Fernando Valley. My dad was a construction worker. My mom was a secretary … and I’m like, ‘What the f— am I doing here?” Trujillo said with a laugh.

Castle Rock, he said, was simultaneously a Hollywood hot spot and “a classroom in politics.” Trujillo said he once played office golf — blue cardboard for water hazards; brown paper for sand traps — with actors Christopher Guest and Eugene Levy while the movie “A Mighty Wind” was being edited. Politicians were always there, too.

Trujillo regularly joined Reiner on his once-a-month flights from Santa Monica to Sacramento for First Five commission meetings and tagged along to news conferences and school classrooms. He usually carried a Sharpie, knowing fans would show up with DVDs or VHS tapes of their favorite Reiner flicks to be signed.

“Rob was able to have conversations with anyone and everyone,” Trujillo said. “If you’re a Republican or Democratic legislator nationally, or even local or in the state, you were still a fanboy. You still wanted to meet his character from ‘All in the Family.’ You still wanted to shake the hand of the guy that made ‘Princess Bride.’ You still wanted to talk to the guy that made ‘A Few Good Men.’”

PHOENIX — Turning Point USA, the conservative youth organization that Charlie Kirk turned into a political juggernaut, will convene its flagship conference on Thursday for the first time since the assassination of its charismatic founder, testing the durability of a fractious movement that helped return President Donald Trump to the White House.

Kirk served as a unifying figure on the American right, marshaling college students, online influencers and Republican politicians. But now the party’s populist wing is skirmishing over the meaning of “America First” and the future of a decade-old movement defined more by the force of Trump’s personality than loyalty to a particular ideological project.

Thousands of people are expected to gather for the four-day meeting in Phoenix. Vice President JD Vance, media personalities and a handful of Trump administration officials are slated to appear, plus Christian rock bands and pastors. Attendees will have the chance to take selfies with popular figures and participate in discussions about political organizing, religion and conservative critiques of American culture.

Charlie Kirk’s widow, Erika Kirk, will have a prominent role as the organization’s new leader. The conference promises to be an extended tribute to her husband, who many on the right see as a martyr for conservatism and Christianity after he was slain at only 31 years old.

Tyler Robinson, the 22-year-old charged with shooting and killing Kirk while he spoke at Utah Valley University in September, appeared in court last week. Robinson has not entered a plea. Authorities say he told his romantic partner that he killed Kirk because he “had enough of his hatred.”

The last time Turning Point held its AmericaFest conference, weeks after Trump’s comeback victory one year ago, the MAGA movement was ebullient as Republicans prepared for a new era of total control in Washington.

Now the party faces challenging midterm elections, with Trump constitutionally prohibited from running again and his more ideologically motivated acolytes positioning to steer the movement after he leaves office. Meanwhile, conservatives have been roiled by conflicts over antisemitism in its ranks, which Trump has declined to mediate.

A lineup of MAGA influencers

Turning Point is known for highly produced events that feel more like rock concerts or megachurch services than political rallies, complete with pyrotechnics and floor-shaking bass.

The speaker lineup is a who’s who of conservative influencers and pastors, including some who have openly feuded with each other in recent weeks. It includes some of the biggest names in MAGA media, including Donald Trump Jr., Tucker Carlson, Megyn Kelly, Jesse Watters, Steve Bannon, Ben Shapiro and Jack Posobiec.

The jockeying for influence has accelerated since Kirk’s death, which left a void in the organization he founded and in the broader conservative movement.

“Charlie was the unifying figure for the movement,” conservative commentator Michael Knowles said at a Turning Point event just weeks after Kirk’s death.

“The biggest threat right now is that without that single figure that we were all friends with, who could really hold it together, things could spin off in different directions,” Knowles said. “We have to make sure that doesn’t happen.”

Among the fissures that has deepened since Kirk’s death is whether Republicans should continue its unflinching support for Israel and the war in Gaza. There are also concerns about whether the movement should accommodate people with anti-Jewish views.

The schism burst into the open when the head of the influential Heritage Foundation, Kevin Roberts, defended Carlson for conducting a friendly interview with podcaster Nick Fuentes, whose followers, known as “groypers,” see themselves as working to preserve a white, Christian identity in America. Roberts’ comments sparked outrage from some Heritage staffers, senators and conservative activists.

Fuentes had long feuded with Kirk, who worked to marginalize Fuentes within the conservative movement. Groypers enjoyed crashing Turning Point events to spar with Kirk.

Carlson and Shapiro, who has sharply criticized Fuentes and Carlson, are both scheduled to speak on Thursday, the first day of the conference.

Turning Point has also faced turmoil over conspiracy theories spread by Candace Owens, a former employee who hosts a top-rated podcast. Owens has alleged without evidence that Israeli spies were involved in Kirk’s death and that he was betrayed by people close to him. Authorities say Robinson acted alone.

Asked about Owens and others spreading conspiracy theories during a CBS News town hall, Erika Kirk responded with one word: “Stop.” She said Owens is making money off her family’s tragedy, adding that conspiracy peddlers risk tainting the jury pool and allowing her husband’s killer to get away with it.

Last weekend, with the Turning Point conference looming, Kirk and Owens agreed to a temporary detente until a private meeting. It didn’t last long.

After the meeting on Monday, Owens said on her show that she and Kirk spoke for 4 ½ hours but she still doubted that Robinson acted alone. Kirk wrote on X that they had “a very productive conversation” and it was “time to get back to work.”

While grieving her husband, Erika Kirk has slowly stepped up her public appearances. She spoke at the funeral, memorably forgiving her husband’s alleged killer, and at a Turning Point event in Mississippi in October.

An entrepreneur and podcaster, she often appeared with her husband at Turning Point events. The former 2012 Miss Arizona USA has also worked as a model, actress and casting director, and she founded a Christian clothing line, Proclaim, and a ministry that teaches about the Bible.

Before her husband’s death, she talked openly about prioritizing her family ahead of her career and described a marriage with traditional gender roles. Now she’s taking on the demanding job leading Turning Point, an organization that resonated in particular with young men.

At a memorial for her husband, Erika said “Charlie and I were united in purpose.”

“His passion was my passion, and now his mission is my mission,” she said. “Everything that Turning Point USA built through Charlie’s vision and hard work, we will make 10 times greater through the power of his memory.”

Cooper writes for the Associated Press.

Sunday, 10 a.m. TV: CBS, Paramount+.

Line: Bills by 10½. O/U: 41½.

After an amazing comeback against a really strong New England team last Sunday, the Bills are emboldened and Josh Allen is on an MVP pace. Cleveland relies on its stout defense, but that unit didn’t show up in Week 15 against Chicago, surrendering 31 points. Buffalo, which is 7-2 outside the division, wins this going away.

Pick: Bills 27, Browns 16

Through a near-perfect nonconference slate, no matter what was thrown USC’s way, whether injuries or other unforeseen circumstances, the Trojans had never lacked for life on the court. It was that endless energy that had helped power them to a 10-1 start.

But for a while Wednesday, that vigor was conspicuously absent against Texas San Antonio, a team that lost four of its last five. Maybe it was the setting, in a mostly empty and eerily quiet Galen Center. Maybe it was the “devastating” news from earlier in the day, as USC announced that point guard Rodney Rice would undergo shoulder surgery and miss the rest of the season.

Whatever it was, USC was eventually able to shake it off Wednesday night, turning a deficit late in the first half to a convincing, 97-70 victory over San Antonio in the second.

The blip, however brief, would beg questions of how a short-handed roster might handle the brutal Big Ten slate that awaits USC in two weeks’ time. The Trojans start that stretch with an especially savage span that includes three top-10 teams in No. 2 Michigan, No. 9 Michigan State and No. 6 Purdue. Whether they can weather that stretch without three players coaches expected to be top contributors should say a lot about where the Trojans are headed this season.

Chad Baker-Mazara reacts after scoring on an offensive rebound in the first half.

(Gina Ferazzi / Los Angeles Times)

“Without them, we’re going to have to grind and play so hard to win games,” coach Eric Musselman said. “We have a lot to clean up, and we have to exceed the opposition from a playing-hard standpoint. We’re undermanned. We don’t have Alijah Arenas. We don’t have Rodney Rice. And we don’t have Amarion Dickerson. That’s a lot.”

That grind was the focus of Musselman’s message to his team at halftime Wednesday, after USC had come out looking unusually lifeless. Through the game’s first 15 minutes, the Trojans were outhustled and outworked on the glass as the Roadrunners drew fouls, forced turnovers and racked up seven early offensive rebounds.

With 3:38 remaining in the first half, they were still trailing the 4-6 Roadrunners, who in their last two had lost to Alabama by 42 and Colorado by 24.

But when the Trojans finally turned it on, in the final minutes of the first half, there was no stopping the onslaught. Ryan Cornish hit a jumper. Ezra Ausar took a steal to the hoop. Chad Baker-Mazara dunked home a missed three. USC finished the first half on a 13-0 run and took control from there.

It did so in the same fashion it had in pretty much every game since Rice went down, by leaning on Baker-Mazara and Ausar, who are averaging a combined 38 points per game.

Both emerged like a shot of adrenaline after halftime. Mazara poured in 17 second-half points to give him 20 total for the game, while Ausar, the nation’s leader in free-throw attempts, continued bullying defenders in the paint.

Ausar finished with a game-high 22 points and added 10 rebounds, giving him his first double-double of the season.

“My energy is contagious, and humbly, once I’m going, everybody is going,” Ausar said. “If my energy ain’t right, my team’s energy ain’t right.”

He’ll be especially critical next month, with a series of bruising Big Ten frontcourts awaiting the Trojans.

“Ezra is going to keep getting better,” Musselman said. “His basketball future is so bright. He hasn’t even tipped what he’s going to be. … We’re gonna rely on Ezra to keep this group together and be a leader, and he’s done that.”

Arenas returns to practice in the coming days and will hopefully be ready to go by mid-January. Others will have to make the mark, until then, if USC hopes to survive that stretch short-handed.

Against San Antonio, it was Cornish who answered the call. The Dartmouth transfer had played more than 15 minutes in a game just once this season before Wednesday. But in his first start at point guard, Cornish came alive with 18 points, including four three-pointers.

“He was at the bottom of the roster almost, and he’s earned what he’s getting,” Musselman said. “We need people to step up, and we need to develop our roster the best that we possibly can, and Ryan’s a great example of someone stepping up.”

No, our Women in Film issue doesn’t exclusively feature women — Noah Baumbach and Brendan Fraser feature in our Dec. 16 edition as well — but it does shine a particular spotlight on their extraordinary contribution to the year in film.

As performers and production designers, writers, directors and more, the women included here helped fashion deeply felt stories of parenthood, friendship, grief and betrayal, and that’s just for starters. Read on for more highlights from this week’s Envelope.

The Envelope Actresses Roundtable

(Jason Armond / Los Angeles Times)

This year’s Oscar Actresses Roundtable was full of laughter, sparked by everything from Gwyneth Paltrow’s impression of mother Blythe Danner to Sydney Sweeney’s tales from inside the ring on “Christy.” But when it comes to self-determination, this year’s participants — who also included Emily Blunt, Elle Fanning, Jennifer Lopez and Tessa Thompson — are dead serious.

As performers, producers and businesswomen, the sextet told moderator Lorraine Ali, the boxes that Hollywood and the broader culture seek to put them in need not apply. And realizing that is its own liberation. As Lopez put it, “I don’t ever feel like there’s somebody who can say to me, ‘No, you can’t.’”

‘Hamnet’s’ last-minute miracle

(Evelyn Freja / For The Times))

Since the moment I first saw “Hamnet,” I’ve been raving to everyone I know about its climactic sequence, set inside the Globe Theatre during a performance of Shakespeare’s “Hamlet.” (Well, if you can call it “raving” when you preface your recommendation with the sentence, “I sobbed through the last 45 minutes.”) As it turns out, though, the process of making the film’s final act was as miraculous as the finished product.

“There were only four days left of shooting on ‘Hamnet’ when Chloé Zhao realized she didn’t have an ending,” Emily Zemler begins this week’s digital cover story, which features Zhao, actors Jessie Buckley, Paul Mescal and Joe Alwyn and production designer Fiona Crombie. What they created from that point, combining kismet, creative inspiration and grueling preparation, will buoy your belief in the power of art. “It was like a tsunami,” Buckley tells Zemler. “I’ll never forget it.”

A Is for Animal Wrangler

When I first read Helen Macdonald’s transporting “H Is for Hawk,” which combines memoir, nature writing and literary criticism, I can’t say I closed the book wondering when we’d get a film adaptation. Little did I know that director Philippa Lowthorpe, star Claire Foy and a pair of married bird handlers would provide such a thorough answer to my skepticism.

As Lisa Rosen writes in her story on the marriage of art and goshawk in “H Is For Hawk,” that meant shaping the production around the notoriously wary birds of prey, including its lead performance. “It wasn’t like having another actor who had another agenda or actions or a perspective that they wanted to get across in the scene,” Foy told Rosen of her extensive screen time alone with the five goshawks who stood in for Helen’s. “I was along for the ride with these animals.”

More stories from our Dec. 16 issue

Welcome back to the Times’ Lakers newsletter, where we’re all about finding beauty in the struggle that is a basketball season. In a game with 68 free throws, five technical fouls and one potential dagger three-pointer marred by an ejection, there was definitely a lot of struggle.

The thought still made JJ Redick smile.

“It’s about growth,” Redick said after the Lakers survived a slugfest against the Phoenix Suns on Sunday. “It’s not about perfection.”

Progress over perfection

The Lakers (18-7) are far from perfect. They got blitzed by the San Antonio Spurs last week and gave up a 20-point lead in seven minutes in an ugly game against Phoenix. But there is still promise.

“Consistently, when they have been challenged on a very specific thing, they have responded to those challenges,” Redick said of his players.

The latest challenge was shaping up on defense. The Lakers confronted their deficiencies in a meeting last week during which coaches presented film of the team’s mistakes and stats showing how far the Lakers had fallen. From giving up 113.7 points per possession during their first 14 games, the Lakers allowed 120.9 during the next 10 games.

Redick specifically asked his players for consistency and urgency on defense. For example, instead of being up to touch half of the time, he needed the bigs to be at the level of the screen every time. While allowing teams to shoot 41.3% on corner threes (the second-worst for any team on such shots), Redick noticed a mixture of improper pick-and-roll coverage, bad transition defense or lack of on-ball containment. He asked for simply more consistent execution of what the team had shown it could do.

Some defensive inconsistencies were forgiven during the seven-game winning streak against teams that have a combined .465 record as of Dec. 15. But a 3-3 record during a six-game stretch against .500 teams proved the Lakers can’t hide anymore.

Center Deandre Ayton called it “embarrassing” to see what other teams thought of their defense.

“JJ really got on us and basically showed us, ‘Y’all showing y’all ass right now,’” Ayton said. “‘And it’s time to tighten up a little bit.’”

Playing against a sometimes undersized Suns team Sunday, the Lakers answered by dominating the boards. Ayton grabbed 13 rebounds. The Lakers were without Austin Reaves because of a mild calf strain but leaned on Marcus Smart in the starting lineup for defense and toughness.

Smart missed the previous game against Phoenix with an injury when the Suns got hot during the first half and the Lakers simply had no answer for their opponents’ energy. When the Suns’ Royce O’Neale hit four of his first five three-point attempts and former Laker guard Jordan Goodwin forced turnover after turnover, the Lakers could have folded again.

Instead, they clapped back.

“Nothing’s ever gonna be perfect, especially in this league,” said Smart, who leads the Lakers in per-game plus-minus. “… We know the saying, ‘Pressure busts pipes and makes diamonds.’ We’re gonna see what you’re made of. And that’s the beauty about these games when it comes down to that: finding out who you are individually and as a team.”

Return of the Vandolorian

Lakers forward Jarred Vanderbilt waits for a rebound.

(Gina Ferazzi / Los Angeles Times)

He spent a month on the bench. Then Jarred Vanderbilt needed only 17 seconds to reintroduce himself.

Immediately after entering Sunday’s game to begin the second quarter, the 6-foot-8 forward snagged an offensive rebound and scored on a putback. Vanderbilt had been waiting for that kind of opportunity.

“I haven’t played in a month, so naturally it was built up,” said Vanderbilt, who scored seven points with seven rebounds in 15 minutes against Phoenix after playing only three minutes in the Lakers’ previous 10 games. “But I feel like I bring that every game I play regardless.”

Vanderbilt was the Lakers’ long-awaited X-factor in their nail-biting win over Phoenix, providing the exact defensive and energetic lift the team had needed during its recent slump. As the defense started slipping during the last 10 games, Redick emphasized that everyone needed to get back on defense and be disruptive within the system. Lamenting that his team struggled to do the little things that affected winning such as crashing the boards and forcing turnovers, Redick found the quick answer in Vanderbilt.

“He starred in his role tonight,” Redick said. “He was awesome.”

With Vanderbilt setting the tone for the energetic bench unit, including Gabe Vincent, Jake LaRavia and Jaxson Hayes, the Lakers had a season-high 54 rebounds against the Suns. They forced 20 turnovers.

Vanderbilt fell out of the rotation as soon as LeBron James returned from his 14-game sciatica absence. Although Vanderbilt, who was struggling with injuries in recent years, reinforced his potential as a strong defender during an impressive preseason, he was still sidelined because of his offensive limitations. Because teams don’t respect his shooting, it can create spacing issues for Luka Doncic or James.

He made up for it Sunday by relentlessly crashing the glass. Six of his seven rebounds were offensive.

Even before putting Vanderbilt back in the rotation, Redick praised the 26-year-old’s professionalism and work ethic during a difficult situation.

Smart noticed the same thing. That’s why when the guard saw Vanderbilt running behind him in transition in the fourth quarter against the Suns, Smart attempted to flip him the ball blindly over his head to help Vanderbilt get what could have been a highlight dunk.

It was a disaster. It sparked the Suns’ 20-point fourth-quarter comeback. Smart recognized that it nearly cost the Lakers the game. But Smart did connect with Vanderbilt on another big shot.

Smart assisted on Vanderbilt’s three-pointer with 6:41 remaining. It was Vanderbilt’s first made three since Nov. 14.

On tap

Records and stats updated entering Monday’s games

Thursday at Jazz (9-15), 6 p.m. PST

This game is a respite from the stretch against winning teams, but the Lakers shouldn’t overlook the Jazz. Guard Keyonte George has averaged 30.1 points in his two games against the Lakers this season.

Saturday at Clippers (6-19), 7:30 p.m.

Somehow things have gotten worse for the Clippers since the last time they played the Lakers. After losing 135-118 at Crypto.com Arena on Nov. 25, the Clippers lost five of their next six. They unceremoniously waived Chris Paul in the middle of the night. James Harden, one of the season’s only bright spots, landed on the injury report with a calf strain before Monday’s game in Memphis.

Status report

Austin Reaves: calf

The Lakers announced last Friday that the guard will be out for approximately one week with a mild left calf strain.

Maxi Kleber: back

The forward has missed two games with a lumbar muscle strain but remains day to day. Redick said Kleber felt the injury during practice on Dec. 9 and missed half of the session.

Favorite thing I ate this week

The Pilgrim from Cornish Pasty Co. in downtown Phoenix. The handpie is filled with roasted turkey, onions, sweet potatoes and house-made stuffing.

(Thuc Nhi Nguyen / Los Angeles Times)

I hung Christmas decorations in my house this week but I’m still not over Thanksgiving. So looking for any opportunity to eat more stuffing, I stopped by Cornish Pasty Co. in downtown Phoenix. The “Pilgrim” handpie was filled with roasted turkey, onions, sweet potatoes and made-in-house stuffing (my favorite Thanksgiving side) with a side of cranberry sauce. The pastry was perfectly flaky while not being so soft that everything fell apart. Sign me up for any version of a portable Thanksgiving meal.

In case you missed it

Lakers blow 20-point lead but survive when Dillon Brooks and Suns go supernova

Jarred Vanderbilt hoping for an opportunity to help Lakers on defense

Lakers’ Austin Reaves to miss at least a week because of calf strain

Lakers look to sharpen defensive focus for Suns; Austin Reaves sidelined by injury

Hernández: Austin Reaves’ quiet 15-point game magnifies Lakers’ bigger defensive struggles

Lakers takeaways: Marcus Smart a bright spot as Lakers eliminated from NBA Cup

LeBron James is just focused on the now as Lakers fall to Spurs in the NBA Cup

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

IT’S the final week before Christmas arrives, and with some schools now breaking up and people using up their annual leave, there are plenty of free events to enjoy across England.

Whether you’re looking for something free to do with the kids or want to enjoy a bit of festive cheer yourself, there is something for everyone.

Don’t celebrate Christmas? Not to worry, there are things for you too.

Winter Solstice at Stonehenge

This Sunday, December 21, the Winter Solstice will take place.

On the day, English Heritage provides free access to Stonehenge on the Salisbury Plain in Wiltshire, England to see the moment itself.

Parking must be pre-booked or there is a regular bus service from Salisbury city centre.

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Waterstones Christmas events

A number of Waterstones stores across the UK are hosting free Christmas events this week.

On December 17, head to Waterstones Newton Abbot in Devon or Newport on the Isle of Wight for some late night shopping with mulled wine and mince pies.

On December 18, a number of stores are running events including late night shopping at Waterstones Merry Hill, Middlesbrough, Huddersfield and Doncaster.

Also on December 18, you could head to Waterstones Exeter, Roman Gate, for a festive evening with appearances from Kate Lord Brown (author of The Golden Hour) and Alexandra Dawe (author The Stitchwort Curse), alongside the Global Harmony Choir.

Lowry 360, Manchester

Manchester has a new free immersive gallery experience, where visitors can immerse themselves in the sights and sounds of LS Lowry’s iconic painting, Going to the Match.

You do need to book tickets though, which also gives you access to Modern Life: The LS Lowry Collection and Quentin Blake and Me.

Tudor Christmas – the final Gresham College lecture

Gresham College lectures are free public talks in London, that have been running for over four centuries and cover a vast variety of topics.

The final lecture of the year will be all about how the Tudors celebrated 12 days of feasting, carols, gift giving and mischief under the Lord of Misrule.

If you cannot attend in person, there is also a livestream of the lecture.

It takes place on December 17, from 6pm to 7pm.

Carol Services

With it being the festive season, there are a number of free carol services across the UK.

For example, you could head to Toddler Carols at Bristol Cathedral, which is an informal carol service where “energy, noise, and movement that young children bring” is welcome.

The carol services take place on December 17 at 11am, 2pm and 3:30pm.

At Langham Place, in London, there will also be free All Souls Carols with Christmas punch and mince pies.

There’s no need to book, but it is recommended that if you want a seat, to turn up early.

The event will take place on December 18 at 5.30pm and 7.30pm, December 20 at 3.30pm, 5.30pm and 7.30pm and on December 21 at 9.30am, 5.30pm and 7.30pm.

If you are looking for a free carol service near you, look at local churches websites and Christmas markets as these places often host a festive sing-song session.

Cotehele: Wassail! in Saltash, Cornwall

At the National Trust‘s Cotehele, there will be an annual Wassail this week, which is supposed to scare away evil spirits from the orchard to ensure a good harvest next year.

The event includes singing songs alongside a band and fancy dress is encouraged.

It takes place on December 20, 11am to 12:30pm.

Birmingham Xmas Reindeer Trail

In Birmingham city centre you can currently discover a Reindeer Trail including Rudolph, Dasher, Dancer, Prancer, Vixen, Comet, Cupid, Donner and Blitzen.

Four of the reindeer have been given a refresh since last year, with new designs.

And there is even a Roy Wood I Wish It Could Be Christmas Every Day theme.

Visitors can find a trail map online, which can be downloaded and for kids there’s a game to find a hidden word.

On each reindeer there is a letter and when collected all together the letters spell out a word.

The free event runs until January 6, with reindeer spread across the city centre.

The Cosy Christmas Corner at Ikea Bristol

Ikea stores across the UK run a lot of events, most of which are free.

On Sunday, December 21, between 12pm and 4pm, head to Ikea Bristol and enjoy the Cosy Christmas Corner, where there will be storytelling.

You don’t need to book and when there, the Christmas Elf will share festive stories lasting 15 to 20 minutes a time.

The Austen Ball at the Bank of England

Head to the Bank of England in London on Thursday for The Austen Ball, which will be an evening inspired by the world of Jane Austen.

The event will transform the Stock Office into a grand ball, with a free historical dance workshop and silhouette portrait-making.

The event takes place on Thursday 18 December, from 5.15pm to 8pm.

Christmas in Comer Woods

Located at Dudmaston Estate, in Bridgnorth, Shropshire, there is a volunteer-led three mile walk through Sandilands.

Visitors can enjoy the coastal air as well as potentially see some local wildlife.

Volunteer-led walks will run from December 15 to 24, from 9am to 3pm each day.

Harland Miller at the Design Museum

There is a new display at the Design Museum in London showcasing paintings by the artist Harland Miller and it includes brand new work by the artist.

Visitors cam head to the museum between now and January 26 to see the canvases, which reflect on Miller’s time living in Los Angeles.

La Nativité at Bristol Cathedral

In Bristol, head to La Nativité on Monday, which will feature music, the smell of incense and be performed by candlelight.

And, for the first time in 18 months, the cathedral organ will be heard again following restoration.

Messiaen’s 1935 masterpiece will be played through the performance as well.

No charge or booking required and the show takes place on December 15, 7pm to 8:30pm.

For more inspiration on things to do with the kids over the festive period, a huge new waterpark has opened with 16 attractions and lazy river.

Plus, a huge movie and TV studios opening as top UK attraction next year – that lets you walk onto sets like EastEnders.

A look at The Times’ top 25 boys’ basketball rankings for the Southland after Week 4.

Rk. School (Rec.); Comment; ranking last week

1. SIERRA CANYON (7-1): Face Crean Lutheran on Saturday; 1

2. SANTA MARGARITA (11-1): Headed to Las Vegas for Tarkanian Classic; 2

3. ST. JOHN BOSCO (8-0): Champions of their own tournament behind Christian Collins; 3

4. HARVARD-WESTLAKE (9-1): Next up is a trip to Hawaii; 4

5. REDONDO UNION (6-2): Went 1-1 on East Coast trip; 5

6. SAN GABRIEL ACADEMY (1-3): Another team headed to Las Vegas; 6

7. SHERMAN OAKS NOTRE DAME (6-2): Face Riviera Prep from Miami on Friday; 7

8. CREAN LUTHERAN (9-2): Hunter Caplan has been making major contributions; 8

9. CORONA CENTENNIAL (10-1): Isaiah Rogers is MVP of San Juan Hills tourney;11

10 VILLAGE CHRISTIAN (7-3): Freshman Will Conroy leading team in scoring; 9

11. ETIWANDA (13-0): North Orange County tournament champions; 15

12. CORONA DEL MAR (11-0): 11 straight wins to start season is impressive; 16

13. CRESPI (6-4): Waiting for cavalry to arrive on Dec. 26 ; 10

14. DAMIEN (12-2): Went 2-1 on trip to Idaho; 14

15. FAIRMONT PREP (6-4): Suffering close losses to good teams; 12

16. JSERRA (6-4): Jaden Bailes continues to lead Lions; 13

17. LA MIRADA (4-4): Strong schedule will pay off; 18

18. CHAMINADE (11-0): Close win over El Camino Real keeps Eagles unbeaten; 19

19. ARCADIA (7-1): Good win over Pasadena in Pacific League opener; 20

20. PASADENA (3-2): Bulldogs waiting for players to become eligible; 21

21. CROSSROADS (7-1): Winning without Evan Willis (flu); 22

22. EASTVALE ROOSEVELT (5-3): Face Hesperia on Tuesday 23

23. BRENTWOOD (10-0): Headed to Hawaii; 24

24. RANCHO VERDE (9-2): Semaj Carter has been on scoring run; NR

25. ROLLING HILLS PREP (10-1): Suffered first loss to Los Alamitos; 17

The seventh Moscow Interior and Design Week has emerged as a major draw for entrepreneurs from the Middle East, underscoring shifting international interest in Russia’s design and creative industries.

Organizers and exhibitors said that while previous editions of the event were dominated by visitors from China and European countries, this year saw a notable increase in business delegations from the United Arab Emirates and Saudi Arabia. Attendees from the region praised the exhibition’s organization and the creative approach to showcasing design concepts.

“We had long heard that Moscow is becoming a global center for interior design, but the fact that this event is now in its seventh year convinced us to come as part of a large business mission,” said Mona Negm, chief executive officer of Masahat Interior & Architectural Design. Demand from clients for distinctive, one-of-a-kind interiors is growing, she said, adding that Moscow-based manufacturers demonstrated an ability to compete with leading international studios. Negm described the exhibition as “the most beautiful in the world.”

In addition to business visitors, the event also attracted a growing number of tourists from the Middle East, according to participants. Visitors frequently noted the distinctive aesthetic approach of Moscow designers, particularly in decorative elements.

Exhibitors said guests from the UAE showed strong interest in living room furniture, ceramics and floor lamps—items they view as versatile for both residential and office interiors. As a result, unique design pieces are finding buyers not only among professional procurement specialists but also individual tourists.

“In previous years, foreign visitors to our stand were mostly tourists from China and Western Europe,” said Semen Ivanov, founder of Burg&Glass. “This time, we were surprised by the strong interest from visitors from the Middle East. Many said they came to see Moscow ahead of the New Year holidays and decided to visit the city’s main furniture and décor exhibition as a priority.” Several visitors, he added, described the event as the most beautiful design week they had attended.

The seventh Moscow Interior and Design Week is being held from Dec. 11 to Dec. 14 in the Russian capital. Alongside the main exhibition, the event features an extensive business program with expert-led sessions. Speakers include Reem Bin Karam, chief executive officer of the UAE’s Irthi Contemporary Crafts Council, who is scheduled to speak on Dec. 13 about how professional designers combine styles, forms, textures and patterns to create cohesive interiors.

Proving yet again that nobody combines excitement and entertainment like these guys, this week the Dodgers made baseball’s most important winter deal.

They acquired Timmy Trumpet.

In real life he’s an Australian impresario who, surprise, plays the trumpet. But in the breathtaking world of ninth-inning baseball, he’s the game’s most popular soundtrack.

It is Timmy Trumpet who plays the chillingly inspiring solo from “Narco” that accompanies closer Edwin Díaz from the bullpen to the mound. For the seven seasons Díaz played for the New York Mets, it was the coolest entrance song in the big leagues, creating the most intimidating scene in any ballpark anywhere.

And now it’s coming to Dodger Stadium, as the Dodgers and Díaz agreed this week to a three-year, $69-million contract that will include Timmy Trumpet rattling the bejeezus out of visiting teams who must be asking, do the Dodgers really have to buy everything?

Was it not enough for them to sign the best reliever in baseball? Did they also have to bring in the best ninth-inning atmosphere in baseball?

Yes, they do, and yes, they did, and if you haven’t witnessed the Edwin Díaz/Timmy Trumpet duet, Google it once and you’ll be hooked.

Upon his signing, the social media of Dodgers fans was filled with trumpet emojis. Even the venerable Dieter Ruehle posted a video of him playing the trumpet solo on the keyboard.

In the pantheon of Dodgers entrance and walk-up songs, this immediately moves to the top of a playlist that has become ingrained in the hearts of fans who have come to associate the brief clips of music with the enduring heroics of their players.

From the late great organist Nancy Bea Hefley playing “Master of the House” for Orel Hershiser … to Kenley Jansen revving up the crowd with “California Love” … there is a rich history of Dodgers being identified by their accompanying music.

This team is no different, with several songs reaching iconic status simply based on the splendid feats that spring from their chords.

One man’s nine best songs, in order of impact.

1. ”Narco” for Edwin Díaz

It is already the best Dodgers song and he hasn’t even shown up yet. Trust me.

Díaz chose it in 2018 when he played for the Seattle Mariners. When that became his 57-save breakout season, his wife advised him to keep it. After being traded to the Mets, he became so loyal to the song, he even asked it to be played in an empty Citi Field during the 2020 pandemic season.

In ensuing seasons the scene went viral, highlighted by an actual performance by Timmy Trumpet last summer. Expect the Dodgers to invite Mr. Trumpet to Chavez Ravine, maybe even for the opening series. Like so many things they have staged during these consecutive championship seasons, it will be an event.

2. ”We Are Young” for Clayton Kershaw

The pitcher is retired, but the song still warrants celebration on an emeritus basis.

Quick question: Has any Dodgers entrance hymn endured as long as this one? Dodgers fans have adult children as old as this song.

Another quick question: When you heard this song for the last time in the final months of this past season, did you surprisingly feel tears?

The perfect anthem for the perfect pitcher.

3. ”Bailalo Rocky” for Roki Sasaki

It’s not really a song, it’s a chant, bailalorocky, bailalorocky, bailalorocky with the “Rocky” sounding like, “Roki.”

It was chosen for the famously unhip Sasaki by Miguel Rojas in spring training and, by the time the kid pitcher returned from the disabled list to save playoff games, the fans were chanting it and dancing to it like few celebration songs in Chavez Ravine history.

“You can see it in Dodger Stadium … it was amazing,” Rojas told reporters before the World Series. “So electric, dancing on the bleachers in left-center field … I’m hoping everybody starts dancing to that song when Roki comes to pitch.”

4. ”Feeling Good” for Shohei Ohtani

Thank you, Michael Bublé, for singing what everybody is thinking every time Ohtani comes to the plate.

And thank you, Mamiko Tanaka, for making it happen.

“The coach of the Dodgers was nice enough to introduce me to Shohei, and I said to him, ‘Why did you choose my song?’” Bublé explained in an interview on “The Today Show.” “And very quickly he just turned to his wife … and it was his wife that chose it.”

Bublé added, “I’ll take it!”

He and about 4 million others.

5. ”Baila Conmigo” for Freddie Freeman

It played before Freeman’s game-winning grand slam in Game 1 of the 2024 World Series.

It played before Freeman’s game-winning home run in the 18th inning of Game 3 of this year’s World Series.

The horn solo at the beginning of this catchy tune has come to represent two words to Dodgers fans who now bounce to its beat.

Greatness coming.

6. “La Leche Materna” for Kiké Hernandez

Just like Hernandez’s Dodgers contributions, this tune saves its best for last.

The final 30 seconds of the song sound like, “Kiké, Kiké, Kiké” over and over again.

It’s weird, but also as powerfully effective as, say, a double play fly ball to end a World Series game.

7. A rotation of songs for Mookie Betts

Betts has walked out to a varied playlist, but his selections are included here because he can boast of one walk-up tune unmatched in baseball history.

He steps to the plate accompanied by an unreleased song written by Snoop Dogg just for him.

8. ”Amen” for Max Muncy

The chorus of this country song that accompanies Muncy to the plate appropriately begins, “Somebody say a prayer for me … ”

Considering all of his injury issues during his eight-year Dodgers career, fans have heeded that call.

Considering he holds the Dodgers record with 16 career postseason homers, those prayers have been answered.

9. ”Squabble Up” for Will Smith

His current Kendrick Lamar song is cool, but Smith is on this list in honor of a previous walk-up song that endeared him to Dodgers fans as that rare player who can laugh at himself.

This Will Smith once walked up to the theme from “The Fresh Prince of Bel-Air.”

From the cleanup efforts in Sri Lanka in the wake of Cyclone Ditwah’s destruction to the devastating Myanmar military air attack on a hospital that killed 30 people, here is a look at the week in photos.

Renewed border clashes between Cambodia and Thailand entered a second week after Bangkok denied US President Donald Trump’s claim that a truce had been agreed to halt the deadly fighting.

The return of Philip Rivers is becoming a dadgum reality.

The Indianapolis Colts have added the 44-year-old quarterback to their active roster and plan to start him in Sunday’s game against the Seattle Seahawks, according to multiple reports.

Rivers, an eight-time Pro Bowl selection and Hall of Fame semifinalist, has not played since calling it a career after the 2020 season. The father of 10 — who is also a grandfather — had been coaching football at St. Michael Catholic High in Fairhope, Ala., where his son is a four-star quarterback recruit.

The Colts came calling after starter Daniel Jones suffered a season-ending torn Achilles tendon last Sunday and rookie backup Riley Leonard sustained an undisclosed knee injury. Leonard was a full participant in practice all week and did not have an injury designation Friday, indicating he will be available to play. But Rivers is set to start for a Colts team jockeying with the Rams for the top seed in the NFC.

In deciding to add Rivers to their active roster, the Colts will reset the quarterback’s Hall of Fame eligibility clock because the Chargers legend has to have been retired for at least five years to be considered. Rivers made it clear this week that that’s not a concern.

“It’s a real honor to be mentioned with those other 25 guys, certainly,” Rivers said of being named a semifinalist. “But I’m not holding my breath on that. I hadn’t been counting down the years. With all respect to the Hall, if one day I can be part of that group, it will be special, no question about it. But the extension of that timeline, if that comes to be, was not a factor in my thinking.”

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser, giving you the latest on city and county government.

With the 2028 Summer Olympics creeping closer, the Los Angeles City Council still has not come to an agreement with the private committee overseeing the Games over who will pay for the additional city services required to host athletes and spectators from around the world.

With hundreds of millions of taxpayer dollars at stake, the city has blown past its own Oct. 1 deadline for hammering out an “Enhanced City Resources Master Agreement” contract with LA28 and is now considering filing suit.

City officials indicated the potential for a lawsuit against LA28 Monday during a meeting of the council’s ad hoc Olympics committee. In closed session, the committee conferred “with its legal counsel relative to possible initiation of litigation,” according to the meeting agenda.

But after a lengthy closed-door meeting, the committee broke without moving any closer to suing LA28.

“There was no recommendation to move forward on litigation,” said Councilmember Bob Blumenfield, who sits on the Olympic committee, in a brief interview with The Times after the closed session.

Although it remains unclear exactly why the city might sue LA28, the stakes of the negotiations between the two parties are high.

The Olympics have repeatedly been billed as a “zero cost” event for Los Angeles, with the city’s costs reimbursed by LA28 and the federal government. But depending on how “enhanced services” are defined, the city, which is facing financial headwinds, could end up bearing significant costs for services, including security, trash removal, traffic control and paramedics, that will go well beyond what it provides on typical days.

One of the biggest expenses will be security, with the LAPD, as well as a host of other local, state and federal agencies, working to keep athletes and spectators safe during the 17-day Olympics and the two-week Paralympics.

During a presentation before the council committee on Monday, City Administrative Officer Matt Szabo used the Dodgers’ 2024 World Series victory parade as an example of a similar, albeit much smaller scale, situation.

The baseball team reimbursed the city nearly $2 million for police, fire department, transportation and other services to pull off the parade safely.

Monday’s developments provided a small glimpse into the secretive negotiations between the two sides. Coupled with the missed October deadline to finalize an agreement, it was apparent that the negotiations were not going completely smoothly.

A senior city official, who requested anonymity to discuss sensitive negotiations, said the city is not at an “irresolvable impasse” with LA28 but that litigation is very much on the table in an effort to make sure the city is fully reimbursed.

The city and LA28 are meeting daily to try to hash out an agreement, the source said, characterizing the negotiations as “intense and focused.”

“All parties are working actively at the table to finalize the [ECRMA] that will ensure reimbursement of the city’s costs required by the 2028 Games,” the city and LA28 said in a joint statement to The Times.

Szabo told the council committee that it’s more important to get a good deal than an on-time deal.

“This needs to be the right agreement for the city,” Szabo said.

The city also hopes to recoup some costs from the federal government. President Trump’s “Big Beautiful Bill” included $1 billion to reimburse state and local governments for security, planning and other Olympics-related costs. But exactly what the money can be used for won’t be known until next year, Szabo said.

But the unpredictability of the Trump administration has left the city and LA28 wary about whether all the security costs will be reimbursed, said Council President Marqueece Harris-Dawson.

“With this administration, you don’t know what the hell is going to happen, right?” Harris-Dawson said during the Los Angeles Current Affairs Forum Luncheon on Thursday. “So both of us [the city and LA28] are looking at a $1.5-billion bill, and we’re like, ‘Yeah, I’m not paying it. You’re gonna pay it.’”

So far, Harris-Dawson said, the federal government has been “good” about putting money aside for the Games. But that could change, Harris-Dawson said.

“I could show up here 10 days from now and the world could have turned on its head, because you just never know how the guy’s gonna wake up in the morning, or what he’s gonna see on TV to make him react,” he said of Trump. “So … it’s day to day, but on this particular issue, so far so good.”

Outside of security, LA28 should cover costs like staffing, expenses and equipment related to the Games, Szabo said.

Some don’t have high expectations that the costs will be completely footed by others. In a July letter to the city, retired civil rights attorney Connie Rice said she had heard from city employees worried that L.A. would be left with a massive bill.

What if LA28 dissolves after the Olympics — how would the city force it to provide reimbursement? Security and other city services typically extend beyond the Olympic venue itself — how large of a radius around the venue would be included in the reimbursement?

These are questions Rice feels the city has not yet answered.

“I have seen 10th-graders plan their prom better than the city is planning these Olympics,” Rice said in an interview.

State of play

— RECRUIT-GATE: Months of tension between Los Angeles Mayor Karen Bass and members of the City Council burst into public view Friday when the council rebuffed the mayor’s request to significantly increase police hiring. The council instead agreed to a more modest increase, which could ramp up if the city finds money for more police recruits.

— JUST A COUPLE HUNDRED MILLION OFF: L.A. County officials justified their $200-million purchase of the Gas Company Tower by claiming that seismic retrofits of their old 1960s headquarters would cost $700 million. But experts hoping to save the building now say the retrofits could cost under $150 million, using standard techniques applied to other historic L.A. buildings.

— STEP DOWN: The chief executive of Weingart Center, Kevin Murray, resigned from the L.A. County Affordable Housing Solutions Agency board amid a federal real estate investigation. Federal prosecutors say a Cheviot Hills property was purchased for $11.2 million, then flipped to Weingart for $27.3 million. Weingart used public money to finance the purchase and conversion of the site into homeless housing.

— ED1 FOREVER: The L.A. City Council approved an ordinance on Tuesday formalizing Mayor Karen Bass’ Executive Directive 1, which fast-tracks planning department approval of 100% affordable housing projects. That initiative, which began as an emergency order issued by Bass in 2022, will now be a permanent part of city law.

— CROSSWALK VIGILANTE: An activist with People’s Vision Zero was arrested and cited while painting a crosswalk at an intersection in Westwood on Sunday. The arrest marks the latest clash between the city of Los Angeles and traffic safety advocates who are frustrated by delays in marking pedestrian crossings and are taking it upon themselves to do the work they say can’t wait.

— END OF WATCH(DOG): L.A. County Inspector General Max Huntsman, who served as chief watchdog over the L.A. County Sheriff’s Department for 12 years, is retiring. In a farewell letter, he laid into county leaders, saying they ignored his office’s efforts at oversight.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to combat homelessness went to Downtown L.A., South L.A., Exposition Park, Hollywood, Silver Lake, North Hills, Pacoima, Woodland Hills, Shadow Hills and Van Nuys this week, bringing more than 70 people inside.
• On the docket next week: The city’s Ethics Commission will meet Wednesday. The City Council is on recess until Jan. 7.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Welcome to Bunker Talk. This is a weekend open discussion post for the best commenting crew on the net, in which we can chat about all the stuff that went on this week that we didn’t cover. We can also talk about the stuff we did or whatever else grabs your interest. In other words, it’s an off-topic thread.

This week’s second caption reads:

25 July 2022, Hamburg: In front of an entrance to the Steintor underground bunker, yellow and black pressure doors can be seen. The inscription “Stand back from the door” can be read on the doors. The 140-meter-long and 17-meter-wide facility near the main train station had been built from 1941 to 1943. During the Cold War, it had been converted into a nuclear bunker and would have provided shelter for 2700 people in an emergency. Since 2007, the Hamburg Underworlds association has organized guided tours and cultural events in the underground bunker so that the history of this place is not forgotten. Photo: Julian Weber/dpa (Photo by Julian Weber/picture alliance via Getty Images)

Also, a reminder:

Prime Directives!

• If you want to talk politics, do so respectfully and know that there’s always somebody that isn’t going to agree with you. 
• If you have political differences, hash it out respectfully, stick to the facts, and no childish name-calling or personal attacks of any kind. If you can’t handle yourself in that manner, then please, discuss virtually anything else.
• No drive-by garbage political memes. No conspiracy theory rants. Links to crackpot sites will be axed, too. Trolling and shitposting will not be tolerated. No obsessive behavior about other users. Just don’t interact with folks you don’t like. 
• Do not be a sucker and feed trolls! That’s as much on you as on them. Use the mute button if you don’t like what you see.  
• So unless you have something of quality to say, know how to treat people with respect, understand that everyone isn’t going to subscribe to your exact same worldview, and have come to terms with the reality that there is no perfect solution when it comes to moderation of a community like this, it’s probably best to just move on. 
• Finally, as always, report offenders, please. This doesn’t mean reporting people who don’t share your political views, but we really need your help in this regard.

At the start of the winter, the assumption was that top free-agent closer Edwin Díaz would fall out of the Dodgers’ preferred price range.

Knowing they needed bullpen help, however, the Dodgers decided to reach out with interest anyway.

What followed will go down as one of the most surprising outcomes of this MLB offseason. And, for the Dodgers, their latest in a string of big-name, star-player acquisitions.

Even though the Dodgers initially had doubts about their chances of landing Díaz — especially on the kind of relatively shorter-term deal they were seeking in their hunt for relief help — circumstances changed, Díaz’s market evolved, and they went from dark horse to front-runner.

On Friday, it all culminated in a Dodger Stadium news conference, the once-unexpected union between the two-time defending champions and three-time All-Star right-hander being made official as Díaz’s three-year, $69-million contract was finalized.

“It wasn’t easy,” Díaz said of his free agent process, which ended with him leaving the New York Mets after a decorated seven-year stint. “I spent seven years in New York. They treated me really good. They treated me great. But I chose the Dodgers because they are a winning organization. I’m looking to win, and I think they have everything to win. So picking the Dodgers was pretty easy.”

That didn’t mean it came as any less of a surprise.

Early on this winter, the Dodgers signaled a hesitancy to hand out another long-term contract to a reliever, after watching Tanner Scott struggle in the first season of the four-year, $72-million deal he signed last winter.

And though they gradually grew more open to the idea, giving serious consideration to Devin Williams before he signed a three-year, $51-million deal with the Mets two weeks ago, the thought of landing Díaz seemed far-fetched.

After all, the 31-year-old was widely expected to receive a four- or five-year deal, having already opted out of the remaining two seasons on his record-breaking five-year, $102-million contract with the Mets to become a free agent this winter. Also, since he had turned down a qualifying offer from the Mets at the start of the offseason, the Dodgers knew they’d lose two draft picks (their second- and fifth-highest selections) to sign him.

“We checked in from the get-go,” general manager Brandon Gomes said. But, he acknowledged, “the opportunity to add somebody of this caliber to what’s already a really talented bullpen was something that we weren’t sure was going to be able to actually come to fruition.”

Turned out, a few factors were working in the Dodgers’ favor.

First, the Mets weren’t willing to give Díaz a longer-term deal, either. Instead, in the wake of the Williams signing, they were reportedly offering only three years for a similar salary as the Dodgers. Not coincidentally, it was only entering last week’s winter meetings — mere days after Williams’ Dec. 3 agreement with the Mets — that Gomes said talks started to intensify.

“Having those conversations and making sure you’re in there and [letting him know], ‘Hey, we’re really valuing you, and if things make sense on your end, great, we’re here’ — that was the biggest thing,” Gomes said. “Making sure you’re exploring all avenues, because you don’t know how things are gonna play out.”

Another benefit for the Dodgers: They had advocates close to Díaz vouching for the organization.

The Dodgers’ new star closer, Edwin Díaz, speaks at his introductory news conference on Friday at Dodger Stadium.

(Allen J. Schaben / Los Angeles Times)

Díaz said he received rave reviews about the club from both his brother Alexis (who spent most of last year with the Dodgers, after they acquired him from Cincinnati following an early-season demotion to the minors) and his Team Puerto Rico teammate Kiké Hernández (a longtime Dodgers fan favorite who is currently a free agent).

“They treat every single player the same,” Díaz said of the message he received. “That’s really nice, [especially] knowing they have a lot of great players, future Hall of Fame players. … That’s really good. That’s how a winning clubhouse is.”

Ultimately, it all led up to a rather swift signing process on Tuesday morning, one in which the Dodgers gave Díaz the highest average annual salary for a reliever in MLB history ($23 million per year) but kept the terms to three years and were able to defer more than $13 million of the total guarantee.

“I think once Devin came off the board, it was like, ‘OK, let’s continue to explore the different options,’” Gomes said. “Obviously having no idea what conversations had gone on up to that point between Edwin and other clubs, it was more about: ‘Hey, we’re here if there’s something that makes sense. And we would love to have you join our group.’ And fortunately enough, everybody’s interests were aligned on that.

“That’s why you shouldn’t play the game of assumptions, and just do the due diligence on the front end,” Gomes added. “Sometimes things work out, sometimes they don’t. But having those conversations and making sure you’re doing the work that’s needed to really understand the situation is important, especially when you see situations like this play out.”

Now, the Dodgers will put their faith in Díaz to play a leading role in their quest for a World Series three-peat.

He will be the club’s designated closer — a role they have been hesitant to bestow upon any one reliever since the departure of Kenley Jansen (the only MLB reliever with more saves than Díaz since his debut in 2016).

“For us, we have a high bar. To name someone the closer, you have to be one of the best. You have to be elite and dominant at what you do,” president of baseball operations Andrew Friedman said.

The team’s expectation is that Díaz’s presence will elevate the rest of the bullpen, too, giving a more defined late-game structure to a relief corps that ranks just 21st in the majors in ERA last season.

“It allows Doc and our coaching staff to kind of put guys into spots leading up to that,” Gomes said, “knowing that it doesn’t really matter who’s in the ninth, that we’re gonna like the matchup.”

Perhaps the biggest news from Friday’s introduction: Díaz still plans to enter games to his iconic walk-out song, “Narco” by Timmy Trumpet — which Gomes described as “probably the most electric walkout song in the game.”

“I can’t wait, the first game of the season, coming in the ninth with Timmy Trumpet and getting the W for the Dodgers,” Díaz said.

A few weeks ago, that scene felt like an unlikely vision.

But now, anytime the sounds of trumpets echo around Chavez Ravine in the summers to come, they will serve as a reminder of the team’s latest free-agent coup — one more unexpected than almost all the rest.