Weather

England head coach Thomas Tuchel said the delay to their World Cup warm-up game with Costa Rica gave them a “little taste of what can happen” – but will that prove to be an understatement?

The match was due to start at 21:00 BST in Orlando, Florida, but heavy rain and thunderstorms pushed it back an hour to 22:00 BST.

Weather delays have been a major talking point in the build-up to this year’s World Cup, with several matches in last year’s Fifa Club World Cup in the United States impacted by thunderstorms.

This was not the first tournament warm-up game to suffer delays caused by storms either – and many fans are concerned it could become a theme throughout the World Cup.

“We were aware of that before – now we experience it,” Tuchel told ITV before the game. “It’s no problem.

“It should not be an excuse to lose our mood or patience or to lose our hunger to play the game.

“No problem at all. We realised it when we were still at the hotel so it was easy. We just said half an hour later in the bus and let’s go.”

Fans who had already arrived at Inter&Co Stadium were told to evacuate from the stands and retreat to a safe position on the concourses to avoid lightning strikes.

Thunderstorms in the US are not uncommon, but when it comes to them impacting matches, Fifa has no power to make its own rules and must adhere to the advice of local authorities.

Recommendations of the National Oceanic and Atmospheric Administration (NOAA) are used and they say if any lightning strike is detected within eight miles of a stadium, the game has to be stopped.

A mandatory 30-minute countdown begins and each time there is a lightning strike inside the distance, the countdown clock resets to 30 minutes.

If a full 30 minutes has elapsed, the supporters can go back to their seats and players will have a short warm-up.

Sweaty, shirtless football players lying on the pitch have seldom raised eyebrows as they did last week when photographs of European players struggling to train in the heat sparked concerns over sweltering US summer temperatures at the World Cup.

Scientists have long cautioned that extreme heat could disrupt sporting events. Last month, climate experts warned that one in four World Cup games could be played in very hot conditions, affecting fans and players alike.

Those warnings materialised last week; social media was abuzz with sunburnt players — mostly from European teams used to cooler climates — dousing themselves with water to cool off. Norway’s team even opted to wear ice collars around their necks during the friendly against Morocco.

But England captain Harry Kane quickly dismissed speculation over how much the heat would affect players, saying it “won’t be a factor”, thanks to his team’s World Cup training regimen.

So, how much will higher temperatures actually affect players at the World Cup? Al Jazeera takes a look.

What have experts said about heat during World Cup matches?

Th 2026 World Cup could be the hottest on record since the tournament began in 1930 due to a sharp rise in global temperatures, explained Al Jazeera weather presenter Everton Fox.

“Around half a dozen of the venues are prone to extreme heat; places like Dallas, Houston, Miami and the Mexican venues are all likely to swelter,” Fox said.

Daytime temperatures there are expected to average 28C, though the stadiums in Dallas, Houston and Atlanta have air conditioning.

Approximately 26 of the 104 matches could reach at least 26C in the Wet Bulb Globe Temperature (WBGT) index — which measures how effectively the body can cool itself — while five games are expected to be played in conditions of 28C WB or higher, according to World Weather Attribution (WWA), a network of climate scientists.

Of those 26 matches, 17 will be played in stadiums with cooling systems, reducing risks for players and fans.

But more than a third of the games with a one in 10 chance of exceeding 26C will be in venues without air conditioning.

How do hotter temperatures impact athletes’ performance?

Heat stress due to increased humidity, exposure to solar radiation and the effects of wind speed will impact players running around in direct sunlight, Fox said.

“All this makes it harder for the body to cool down as it becomes harder for sweat to evaporate as quickly,” said Fox, a senior meteorologist with more than 30 years of experience.

Physical performance coach Raiyan Abbasi explained that, although the body sweats to achieve thermoregulation – a process that allows the body to maintain its core internal temperature – excessive sweating due to heat could lead to dehydration, cramps and increased fatigue.

Are athletes used to such high temperatures?

“Yes, the majority of athletes will know how to deal with this kind of heat since they’re elite players training and competing in various conditions,” said Abbasi, who has worked as a physical performance coach for British clubs Swansea and West Ham, as well as the Pakistan national side.

Teams will have a performance coach and medical staff to make sure players are ready for the tournament, including through acclimatisation, Abbasi explained – echoing what Kane said over the weekend after his side beat New Zealand 1-0 in Tampa, Florida, where temperatures soared beyond 30C.

Do athletes from hotter nations have an advantage?

World Cup nations whose players train in hotter climates may have a slight advantage when it comes to adjusting to high temperatures in the US.

“But essentially, countries that prepare and perform well can minimise that difference,” Abbasi said, adding that heat can be used positively too.

“Heat is a significant factor in creating good athletes; one way to improve athletic capabilities is to train in the heat.

“It can make big adaptations in your body to improve body temperature.”

Could the World Cup have been held before or after summer in the US?

Fox noted that international tournaments are traditionally in the European domestic off season, which is when the 2026 World Cup is being held.

“Ideally, US weather is most conducive in the spring and autumn, but you’d then be looking at the tornado season in spring and hurricane late summer through autumn before you even begin to think about their domestic sports which locals have more interest in,” Fox said.

What measures has FIFA taken for players and fans?

FIFA said it has carried out heat-risk planning, with measures including three-minute hydration breaks in each half of games, cooling infrastructure for fans and players, adapted work-rest cycles, and enhanced medical readiness that scale according to real-time conditions.

“The hydration breaks probably need to be longer to gain full benefit, but then you risk turning it into a game of four quarters,” Fox said jokingly, although he argued that FIFA could have confined games to northern parts of the US and Canada.

FIFA has also delayed kickoff times for some matches to start outside the hottest afternoon hours.

Hundreds of Bolivian residents are braving near-freezing temperatures to queue for affordable chicken in La Paz, due to more than a month of food shortages.

Spiked prices and protester blockades have affected access to food and medical supplies in the capital.

If you’re dreaming of sitting on a Spanish terrace with a beer in your hand, then you might want to check the weather, as new laws could see outdoor terraces closed to holidaymakers

For many British holidaymakers jetting off to sunnier destinations like Spain, few pleasures compare to dining outdoors for lunch or dinner, basking in the sunshine while enjoying a chilled beer and tapas.

But for Brits heading off to Spain in the next couple of months, new restrictions could put a dampener on plans for al fresco dining, and mean you have to enjoy your paella indoors.

A weather phenomenon known as El Niño, which delivers prolonged warm temperatures across the Pacific Ocean every two to seven years, is predicted to drive up temperatures and could lead to red weather warnings throughout Spain. Currently, forecasts are still being reviewed, but the World Meteorological Organization (WMO) has indicated it could be a ‘strong event’ this year, meaning particularly scorching temperatures in the next couple of months.

This weather news comes shortly after an amendment was made to the National Labour Agreement for the Hospitality Sector (ALEH), which safeguards workers including waiting staff, meaning that during periods of extreme weather bars and restaurants will be required to shut their terrace areas on health and safety grounds.

According to Majorca Daily News, when Spain issues orange or red weather warnings due to soaring temperatures, establishments with outdoor terraces will be compelled to either scale back or stop outdoor service altogether. They can, however, continue serving customers indoors. Businesses must also ensure adequate cooling systems are installed inside, or adjust staff shifts to lessen the impact of the heat.

Businesses that fail to comply with the new regulations – for instance by compelling waiting staff to work outdoors during a red alert – could face fines exceeding €50,000 (around £43,000) imposed by the country’s Labour and Social Security Inspectorate.

Parts of Northern Spain are currently under an orange weather alert after a 40C heatwave was followed by rain and thunderstorms. Earlier this week, a yellow warning was issued in parts of Andalucía as afternoon temperatures hit the 40s, and the weather is likely to become more intense as the busy summer season reaches its peak, which could force diners indoors.

A reduction in al fresco dining isn’t the only change Brits will encounter this summer. Holidaymakers touching down at Spanish and other EU airports will now be required to use the EU Entry/Exit System (EES), which has reportedly triggered lengthy queues at some of the busiest airports.

More Spanish cities, including the port of Vigo, are also introducing tourist taxes in an effort to manage the effects of overtourism, while Barcelona is redirecting cruise ships to a port further from the city centre to tackle overcrowding.

Spain also has a number of existing rules that Brits must abide by, including a crackdown on vaping and smoking in public spaces, restrictions on the type of footwear permitted while driving, and even a ban on going shirtless in certain well-known beach resorts.

Have a story you want to share? Email us at webtravel@reachplc.com

Wales’ preparations for Friday’s Women’s World Cup qualifier in Montenegro have been badly disrupted after the team flight was forced to divert to Italy due to bad weather.

Rhian Wilkinson’s squad took off from Cardiff at 16:30 BST on Wednesday and had been due to arrive in Montenegro around three hours later.

However, they were unable to land in Podgorica due to electrical storms around the Montenegrin capital and eventually diverted to the Italian port city of Brindisi.

After more than three hours on the tarmac in southern Italy, during which Wales had hoped weather conditions would ease, the decision was taken to stay in Brindisi on Wednesday night.

That left Football Association of Wales (FAW) officials scrambling to secure hotel rooms for the travelling party, as well as trying to arrange travel plans for Thursday.

“Due to storms in Podgorica, the Cymru women’s national team flight was diverted this evening, landing safely in Brindisi airport in south Italy,” the FAW said on social media.

“The team will stay overnight in Italy and will arrange alternative travel to Montenegro ahead of Friday evening’s match.”

Wales take on Montenegro in Podgorica in their penultimate Group B1 fixture at 17:00 BST on Friday.

They then host Czech Republic, their rivals to finish top of the group, in their final fixture in Cardiff on Tuesday.

Rescuers face heavy rains, equipment failures in search for two people trapped in central Laos cave by flash floods.

Heavy rains have threatened to delay the search for two people who remain missing in a flooded cave in Laos, after five others were rescued after being trapped underground for more than a week.

Finnish diver Mikko Paasi, one of the first international rescuers to arrive at the site, told The Associated Press news agency that rains on Sunday had filled the cave up to the second chamber, preventing divers from entering until pumps can lower the water level.

A drainage pump also broke, making the situation even more difficult, said fellow diver Yoshitaka Isaji of Japan.

Rescue teams from Laos and neighbouring Thailand have been working together over the past week to rescue the trapped villagers, alongside divers from countries including Finland, Malaysia, Japan, Indonesia, France and Australia.

Seven people entered the cave in a remote mountainous area of central Xaysomboun province last week to look for valuable minerals such as gold, before being trapped by a flash flood that blocked their way out, according to local media reports.

One other person escaped and alerted the authorities.

A Laotian rescue group said on Sunday it had received “substantial” information on the cave system from the five men who were rescued earlier this week. “The hope is that today’s mission will locate both remaining victims,” the group wrote on social media.

The rescued men were being treated at a local hospital and were doing well, Malaysian diver Lee Kian Lie, who is taking part in the operation, told AP.

“We interviewed them about how the deeper part of the cave looks like. We will continue to search based on the information we have, and perhaps we will be able to get to the other two,” he said.

Rescuers said they navigated more than 200m (650 feet) into the cave and discovered five chambers in the system. The five people rescued so far were found in the fifth chamber.

Paasi, the Finnish diver, told AP that the survivors reported a narrow crack in the fifth chamber that could be a passage leading to a deeper part of the cave system.

“This was the only place that we haven’t checked in the mine, where the two lost miners could still be,” he said in a video interview.

The five men who were rescued – identified by their first names as Khamla, Mued, Ee, Ing and Laen – were first found last Wednesday.

The first man was safely extracted on Friday, guided through a narrow flooded passage by an expert diver. The remaining four left the cave on Saturday, after the water receded enough for them to walk out on their own, rescuers said.

Videos posted online on Saturday showed emotional moments as the men emerged one by one from the cave. Some collapsed on the ground at the cave’s entrance, and were hugged by a group of workers who cried with joy.

Later moments showed them lying on stretchers, wrapped in foil blankets and fitted with oxygen masks before being transported out.

“Pressure,” the new World War II movie from director Anthony Maras and writer David Haig, is a hyperfocused look at the days leading up to D-day with a special focus on the weather. It’s a one-setting thriller that unspools in the pressure-cooker environment of General Dwight D. Eisenhower’s war room at an English country estate. The movie works backward from a famous 1961 Eisenhower quip to JFK that attributed his success in Normandy, France, to the Allies having “better meteorologists than the Germans.”

If you’re skeptical about how exciting a movie about the weather on D-day might be, “Pressure” takes that as a creative challenge, an argumentative stance from which to start. For the next hour and 40 minutes, Maras and co-writer Haig, who also wrote the 2014 play from which the film is adapted, explain to us exactly how important the meteorologists of D-day were, beginning with the disastrous D-day rehearsal Exercise Tiger.

With the weather app at our fingertips these days, it can be hard to imagine just how difficult it was to forecast the weather in the 1940s, especially in Northern Europe. That was the predicament facing Eisenhower (Brendan Fraser) just 72 hours before the planned D-day launch of June 5, 1944. But we know that D-day happened on June 6, so the arrival at that date is part of the film’s narrative intrigue.

After a devastating glimpse of Exercise Tiger, red blood mixing with blue ocean waves and white sandy beaches, we’re quickly introduced to our protagonist, Group Capt. Chief Meteorologist James Stagg (Andrew Scott), in his cozy home with his pregnant wife before he’s swept into critical war planning.

He’s stern, terse and no-nonsense. Stagg is the kind of person who wants to be correct more than he wants to be liked and he insists on a careful collection of live data, using weather balloons, phone calls and mathematical charting. His foil is Col. Irving Krick (Chris Messina), a charming American meteorologist and Eisenhower’s chosen weather guru, a yes man who relies on selective historical data and a persuasive speaker whose approach rankles the fastidious Stagg. Eisenhower instructs the two men to come to an agreement and “Pressure” follows the ups and downs of their working relationship over the course of several days.

The movie becomes a two-hander between Scott’s Stagg and Fraser’s Eisenhower, the former convinced that a storm on June 5 will make conditions less than ideal, the latter raging at the uncertainty while simultaneously attempting to placate a phalanx of military personnel. The troops are requisitioned, the destroyers in place, the full moon just right, the secrecy of the invasion delicate. Fraser’s explosive performance underlines the immensity of the stakes, balancing every precarious element of this enormous mission.

Maras, who is known for another terrific one-setting thriller based on a true story, 2018’s “Hotel Mumbai,” both directs and edits and his films are put together like precision clockwork: propulsive and relentless, the pace italicized by Volker Bertelmann’s scores. “Pressure” is skillfully directed, sweeping us into this world with a kind of addictive immediacy, and is also beautifully lensed by cinematographer Jamie Ramsay. Maras and Ramsay make the wise choice to shoot the film with richly saturated color instead of the usual grayish, desaturated look often assigned to period pieces set in this era. It’s not gritty and harsh, but rather stunning and lovely — an eerie contrast to the terror and bloodshed of the day itself.

While Fraser delivers an external performance as the tough American general, Scott offers a restrained, mostly tamped-down depiction of the repressed and methodical Stagg. But when he finally bursts with a cathartic eleventh-hour speech about the inaccuracy of Krick’s historical forecast, Eisenhower listens. Scott, as seen in “All of Us Strangers” and “Blue Moon,” is so good at this kind of acting, processing every emotion internally but allowing just enough to show to let the audience into his character’s emotional state. It’s wildly compelling to watch.

In a quiet conversation with Eisenhower’s close confidant and aide, Kay Summersby (Kerry Condon), she jokes that weathermen are boring. Stagg reminds her that the weather itself isn’t. Weather feeds us, it can destroy us — it rules our existence, he says. “People ask, ‘When will the wind stop blowing?’ No one ever asks, ‘Why does the wind blow? What is the wind?,’ ” revealing himself as a sort of philosophical poet of the weather. His forecast was the crucial edge in D-day and the volatility of the weather is increasingly relevant in our lives, especially with our changing climate.

Boring? Never. Thrilling and history-making? Indeed.

Katie Walsh is a Tribune News Service film critic.

The success of D-day, a pivotal moment in World War II, partially hinged on the weather forecast. The Allied invasion of Normandy, France, on June 6, 1944, was planned for months as the American and British forces held practice operations in England.

Enormous efforts were made to mislead the Germans about what was coming. The operation was originally scheduled for June 5 but the day before, James Stagg, a meteorologist and group captain in the Royal Air Force, advised the American commander, Dwight D. Eisenhower, to wait for better conditions.

This lesser-known decision is the premise of “Pressure,” a new movie from filmmaker Anthony Maras. It’s an adaptation of David Haig’s play of the same name, in which the playwright himself portrayed Stagg. Haig, who co-wrote the “Pressure” screenplay with Maras, compares it to “The Imitation Game.”

“Some of these heroes who affect history from the sidelines just stay in the sidelines until somebody does research, discovers them lurking and finds they are so quietly heroic that it’s irresistible as a story,” Haig says, speaking via Zoom from London.

Haig began writing a version of the script shortly after the play debuted at the Royal Lyceum Theatre in Edinburgh in May 2014. It moved to the West End in 2018, and opened in North America at Toronto’s Royal Alexandra Theatre in 2023. Maras came onboard after making his 2018 film “Hotel Mumbai,” also based on a true story.

“When I first read the play and the script, I was bowled over by how, with this one decision, so many lives were changed,” Maras says, on a video call from Los Angeles. “Not just the lives of the men on the beach but throughout the Allied world. When you think of a war story, you think of men and now women on the field, but there is so much more to it behind the scenes.”

The film expands Haig’s play and includes additional characters and sequences, including the actual D-day invasion. It stars Andrew Scott as Stagg, Brendan Fraser as Eisenhower, Kerry Condon as Eisenhower’s secretary Kay Summersby, Chris Messina as U.S. Air Force meteorologist Irving P. Krick and Damian Lewis as senior British army officer Bernard Montgomery.

Both Haig and Maras strove to be as historically accurate as possible, even including archival footage from the war. “It is inevitably heightened, as any stage play or film is,” Haig says. “But it is very true.”

“It is absolutely as true as we could get it within the confines of a two-hour runtime,” Maras adds. “We took great lengths to try and be as accurate to the history but also to the deeper story as possible.”

Here’s what is true and what is dramatized in “Pressure.”

The importance of the weather

Brendan Fraser, left, and Andrew Scott in the movie “Pressure.”

(Alex Bailey / Focus Features / StudioCanal)

D-day, secretly known as Operation Overlord, was timed based on several factors, including the weather, the tides and the moonlight. Because the assault was multipronged, with Allied forces coming by sea, land and air, they required good visibility at night and a high tide to ensure less distances between the boats and the defending Germans.

“There were hundreds of meters between low tide and high tide,” Maras says. “So depending on where the boats landed, you either had 50 meters until you made it to the dunes and then the bunkers, or you had to make it 300 meters if it was low tide.”

A clear forecast with low winds and no rain was essential.

“The landing craft were antiquated and flat-bottomed,” Haig says, “and if they had gone on May 5 with the storms that Stagg anticipated coming in with the jet stream, those landing craft would have capsized. The war wouldn’t have been lost, although we do posit that it might have been in the film. In reality, failure would have elongated [the war] and caused countless extra deaths.”

To shoot “Pressure,” the filmmakers used real charts and meteorological instruments. The production design team re-created the famous D-day map from the Allied headquarters in Southwark House. The real one was made in two pieces by separate manufacturers to ensure secrecy.

“When you see that map, it’s a little bit mismatched and our team re-created that,” Maras says. “We got the paper they used to draw the maps from the same mill they used for those maps 80 years ago. A lot of effort was put into the minutiae that adds to the accuracy.”

Exercise Tiger

The film opens with a depiction of an Allied training operation called Exercise Tiger, which took place over several months on England’s Slapton Sands. Because many of the soldiers were young and untested, the Allied leaders wanted to prepare them for the sights and sounds of battle.

“They did a whole series of exercises to try and get together a full-scale dress rehearsal of what D-day would be,” Maras says.

These rehearsals, still widely unknown and spanning from late 1943 through April 1944, involved dangerous friendly fire and suffered from serious coordination errors, resulting in the real-life deaths of at least 700 American and British soldiers.

“That was an absolute disaster and yet we remember D-day as one of the great military triumphs in history,” Haig says.

Maras wanted the film to begin with this moment to emphasize the headspace of the Allied leaders.

“How do you establish what the true consequences of failure are for a story like this?” Maras says. “When we’re in the war room with all of those commanders and officers, they know what the implications of their words mean because they’ve seen it. They’ve lived it. The image of the blood in the water and the young men in that water was to tattoo in the audience’s brain that if these commanders mess up, this could happen again.”

Eisenhower, in particular, felt the magnitude of D-day. “He wrote two letters on the eve of D-day: what happens in success and what happens in failure,” Maras says. “He was sleeping two hours a night. He was a nervous wreck.”

Stagg vs. Krick

In the film, Scott’s Stagg arrives at Southwark House from Dunstable four days before D-day is planned. He is confronted by the American meteorologist Krick, who disagrees with him about the potentially disastrous forecast. Krick believes sun and calm seas are on the horizon thanks to historical analogue charts, but Stagg, using more comprehensive prediction methods, thinks a major storm is coming.

“In actuality, Stagg came onboard in about November 1943 and got to Southwark House a few months earlier,” Maras says. “His transfer came a few months earlier, not a few days earlier. The contours of the relationships between Stagg and Krick and the others are accurate, but they took place in a more compressed timeline.”

Both Stagg and Krick have recounted their version of events in various books, both claiming they were right about the weather. Although Haig and Maras imagine their dialogue and how these conflicts may have played out, the conflicts were real.

“They both adhered to their own meteorological vision,” Haig says, explaining the differences in prediction models from continent to continent. “In the United States, Krick’s system of weather forecasting was viable. If you come to the U.K., you can’t rely on the weather for more than five minutes, so that method doesn’t apply.”

Adds Maras, “They thought, ‘The weather is going to be good. We should hold our nerve and go.’ There was a rhetorically violent disagreement between him and the others.”

In the film, Krick claims that he has never inaccurately predicted the weather ahead of a battle, using his successes in North Africa as evidence. This was technically true.

“He was very good at his job within the context of certain geographical landscapes,” Haig says. “He didn’t make a mistake in North Africa. When Eisenhower challenges Stagg, he says, ‘This man never got it wrong.’ And he didn’t. In the whole of the North African campaign, Krick was spot on.”

After Stagg convinces the leaders to postpone D-day, he is vindicated by a deluge of rain that arrives while everyone is attending church at Southwark House on June 5. There was a church on site, although this moment in the film was dramatized.

“Whether it began raining precisely at that moment I have my doubts,” Haig says. “But it has the framework of truth.”

Ike and Kay

Andrew Scott and Kerry Condon in the movie “Pressure.”

(Alex Bailey / Focus Features / StudioCanal)

Kay Summersby had been an ambulance driver during the Blitz. The film hints at a less-than-professional relationship between Eisenhower and his personal secretary. She was certainly with Eisenhower at Southwark House, although there is less evidence that she had any kind of association with Stagg.

“The biggest fictional thing I did with both the play and the film was to join the third point of the triangle so you’ve got Stagg, Eisenhower and Kay,” Haig says. “The link between Stagg and Kay historically would be tenuous.”

There are differing opinions about Eisenhower and Kay’s relationship. “We know that they were extremely close and they shared a trustful bond,” Maras says. “There are many photos of them together. She was definitely a big force in Ike’s life at that time, and we wanted to pay respect to that.”

“Whatever one’s interpretation of the relationships that she inhabits within the story, her influence was substantial,” Haig adds.

After seeing Peter Jackson’s 2018 World War I documentary “They Shall Not Grow Old,” Maras had the idea to use colorized archival footage in “Pressure.”

“In the D-day sequence at the end, there are various real-life shots of the soldiers landing on the beaches,” Maras says. “We were able to cut between the archival [material] and our footage to increase the scope. And it wasn’t just to get the scale. Yes, we have shots of massive flotillas and ships and trucks, but sometimes it was just for a glance of a soldier where you can see death in his eyes.”

The team ultimately acquired more than 50 hours of archival footage. They hired research editors to go through it and, after a few days, Maras asked if any of the editors could recommend additional crew to help.

Then a man named James Stagg showed up to work. “Stagg’s grandson, 80 years later, walked into our offices and helped edit the archival movie footage that we put in his grandfather’s film,” Maras says.

Stagg’s wife

Andrew Scott in the movie “Pressure.”

(Alex Bailey / Focus Features / StudioCanal)

The play doesn’t include scenes with Stagg’s wife, Elizabeth, but Haig purposefully bookends the film with the couple together. “When he arrives at Southwark House as a terse, brusque, tricky man, you’ve already experienced his level of affection with his wife and that’s really important contextually,” Haig says. “You’re waiting for the end when he goes back to see her and the baby.”

At the time when Stagg went to Southwark House, his wife was pregnant. Stagg was not allowed to make phone calls to her because of the secrecy surrounding D-day. In reality, the hospital where she gave birth was not bombed, as it is in the movie.

“The bombing of the hospital was more reflective of the times that Stagg and his wife had gone through in the lead up to D-day,” Maras says. “That element is to encapsulate that Stagg was fearing for his wife. As he walks down this corridor, he is faced with: Is she alive? Is she dead?”

Truth to power

Ultimately, Stagg tells a room full of military leaders that they have to pause on D-day because of the weather — a truthful inclusion. It was important to Maras to emphasize how he stood up to power.

“Here’s a protagonist who’s not afraid to speak his mind and has the courage to get up in front of a room full of the most powerful military on Earth at that point and tell them something they don’t want to hear,” Maras says.

“When Eisenhower was passing on the baton of leadership at the inauguration for JFK, JFK asked, ‘What gave you the edge on D-day?’ Eisenhower said, ‘We had better meteorologists than the Germans.’ He had the wisdom to trust in the experts. It’s worth heeding that lesson from history.”