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Early in “The Drama,” things are still good between Emma (Zendaya) and Charlie (Robert Pattinson). The young happy couple, about a week away from getting married, have enjoyed a whirlwind romance. As this dark comedy’s opening credits roll, they’re blissfully practicing their first dance, laughing and stumbling as they try to get their twirls and steps right.

But the scene’s highlight is the song that plays in the background, airy, gentle and simple. Spare guitar chords give way to a female voice that sounds unpolished but beautiful: “I want to lay with you/ In an open field/ Where yellow flowers are suns of Earth.”

For many viewers, this will be the first time they’ve ever heard “I Want to Lay With You,” one of the most gorgeous love songs of the 1970s. It’s also likely they’ll have no idea who the singer is. Her name is Shira Small, and in 1974, she recorded an incredible album, “The Line of Time and the Plane of Now,” when she was 17. She never recorded another — at least, not yet. Now nearly 70, Small may finally be getting her moment in the spotlight.

“I’m cracking up,” says Small over Zoom from her Cooperstown, N.Y., home, “because I had no idea whatsoever that that movie was coming out until my dear sister informed me via you.” Flashing a relaxed smile and sporting long gray hair, Small knows little about the controversial “The Drama,” an A24 film with a heavily guarded twist.

Robert Pattinson and Zendaya in the movie “The Drama.”

(A24)

But it’s becoming a delightfully frequent occurrence that Small learns after the fact that her music is featured prominently in a movie or television show. “The record company does what they do and then they send me royalties and I get it in a statement,” she explains. “I had a song that HBO bought for ‘Pause With Sam Jay.’ They sent me an email that was not even to me — it was this interdepartmental thing. At the bottom, it said, ‘Oh, by the way, it airs tonight.’”

Jemma Burns, music supervisor for “The Drama,” had been a fan of Small’s album, thinking “I Want to Lay With You” would be perfect for this idyllic scene, right before Emma and Charlie’s relationship implodes over a disturbing revelation that turns their dream wedding into a nightmare.

“He was trying to set up the rom-com tone,” says Burns of the movie’s writer-director Kristoffer Borgli, “one that would contrast with the modernity of the setting and where the film goes. He wanted something that was from a bygone era, but also something that felt disarmingly charming. The two lead characters are very switched-on, fashionable, arty. So it felt like something they would’ve had in their record collection.”

The youngest of five siblings, Small always loved singing. But even as an adolescent growing up in Harlem, she felt like an old soul, her thoughts running deeper than the average kid’s.

“My focus was on not understanding war and hatred and bigotry,” she says. “I was seriously into trying to make love happen everywhere.”

Against the backdrop of the war in Vietnam and the Black Power movement, Small was well on her way to becoming a hippie, a transformation amplified by her enrollment in a private Quaker boarding academy, George School, in Newtown, Penn., on a full scholarship. When she arrived at George School, Small recalls, laughing, it was “very rich and very white. But I’ve always been a flotation device. I can walk around like I don’t have a clue about things.”

Shira Small, photographed in 1971 at George School in Newtown, Penn.

(Courtesy of Shira Small)

At George School, Small sported an Afro and smoked weed. She was drawn to theater and music, impressing music teacher and classical pianist Lars Clutterham, who saw she had talent. They worked on songs together, with Small coming up with the lyrics and vocal melodies. Every student had to complete a senior project, so Small proposed that hers be an album. Not long after, she and Clutterham drove to a Philadelphia studio for a one-day session.

The 10 songs on “The Line of Time and the Plane of Now” — each recorded in only one take — mix folk, soul and jazz, radiating innocence. The arrangements, awash in old-school analog warmth, are straightforward: guitar or piano supplemented with drums, leaving plenty of space for Small’s lilting voice, which contains both idealism and, even as a teen, traces of real-life sorrow.

Her mother died while she was at George School, inspiring “My Life’s All Right,” a ballad about surviving tough times, which later appeared on the Sam Jay show. “Eternal Life” sprang out of her in one burst, celebrating the power of love to transcend life’s harsh realities. As for the movie’s “I Want to Lay With You,” it was about a boy Small liked. She just can’t remember who anymore.

“It was somebody who was just as much a friend as a person that I had a crush on,” she recalls. “I honestly felt that we could have a life together.”

Small laughs at her adolescent self. “Like I knew what it would be like to have a freaking life together! To be able to wake up with somebody and have a beautiful day and always make them smile.”

According to Small, George School’s parents and students raised money to pay for the album and 300 copies were produced. “It was a joyous time,” she recalls. “I was on my way — to somewhere!” After graduation, though, she struggled to find her footing, eventually graduating summa cum laude from the City University of New York with a theater degree. But then she chose pre-med, becoming a physician assistant.

“When I became pre-med, it was so hard for me that I was just tunnel-visioned,” explains Small about why she said goodbye to music. “I had to devote my whole self to it. It was so all-encompassing that I could think of nothing else.”

But there was another reason she walked away from music. From an early age, Small suffered debilitating stage fright. “It was so bad that it would twist my stomach into a knot,” she recalls. She gutted it out to do plays at George School and, later, record her album. After a while, though, “It just got to be too much.”

Still, didn’t she miss singing? “Constantly,” replies Small, who retired about five years ago from the medical profession. “I sang unconsciously a lot. My patients always picked up on it — they’d be like, ‘Every time you come in, you’re singing.’”

But although Small abandoned music, “The Line of Time and the Plane of Now” never went away. In 2006, the Numero Group, an archival record label, put together a compilation, “Wayfaring Strangers: Ladies From the Canyon,” devoted to under-the-radar female singers from the 1970s. Numero Group co-founder Ken Shipley made sure “Eternal Life” was included.

“I was the first person to ever reach out to Shira,” he says proudly in a separate phone interview. Shipley heard “Eternal Life” on a burned CD of femme-folk artists that was making the industry rounds at the turn of the millennium while he was putting together his “Wayfaring Strangers” lineup. “Shira was a top want for me.”

The Numero Group put “Eternal Life” on Spotify in 2013. But when the label released the full album digitally in 2022, “I don’t know that anybody really cared,” Shipley says. Undeterred, he reissued it on vinyl the following year. Maybe listeners just needed time.

“Music finds a way,” Shipley says. “Music’s like water. It’s going to get down the creek into the river into the ocean. It’s going to find its audience.”

Sure enough, strange serendipitous moments started happening for Small. A future bandmate’s ex had one of her songs on a playlist, having no idea it was Small. She recently started working part-time at a local opera house and one of the opera singers adored “Eternal Life,” unaware that Small was an employee.

And now, royalty checks arrive for the usage of her songs in films like “The Drama.” It still feels unreal to Small that her album generates revenue. “It was never for commercial purposes,” she says. “I can’t believe that I am collecting any royalties on that music and that it just keeps going and going.”

Small’s husband died in 2019 after 34 years of marriage. It sent her spiraling, but then something remarkable happened. “The day I came out of it, the music was gushing out of me so fast that I couldn’t keep up with it,” she says. “I had to walk around with a voice memo. I hadn’t spoken to Lars in more than a decade. I sent him all of these voice memos and he sent me a note: ‘Shira, you still got it.’”

In 2024, she released her first song in 50 years, “Why,” which lays out her fears for the world. Her voice is different, deeper, possessing a lifetime of experience that her teenage self couldn’t have possibly imagined. Small is now plotting out an album and has some shows lined up. Even better, she’s worked through her stage fright.

Eventually, she’ll perform her old songs, but she’s figuring out how to hit that higher register from her youth. “I’ve gone through decades of hormones and cigarettes and all the other things that I did that I’m happy I lived through,” she says, wryly.

“I still have a thing about yellow flowers in open fields,” she admits. “We have these huge sunflower fields here. The whole idea of being in such a beautiful place with yellow flowers that light up a great day is what popped into my head when I wrote that lyric.”

I ask her what she makes of that young woman she hears on “The Line of Time and the Plane of Now” today.

“I know her so well,” replies Small. “You know why? Because she’s still here. I am, at this point, everybody I’ve ever been ever, leading up to this moment.

“I still feel the same way about many things,” she continues. “I’m probably angrier now than I was when I was a child, but I still have this underlying thing about looking at a bigger picture to help me keep my lid on. When I think back on ‘Eternal Life’ and ‘My Life’s All Right,’ that music was born from my core. And my core does not have an age.”

Bo Lueders, guitarist and co-founder of the Chicago-based hardcore metal band Harm’s Way, has died, his bandmates announced “with heavy, broken hearts” Thursday on social media. He was 38.

Lueders “will be remembered for his unwavering empathy and compassion for his friends & family and his magnetic, inimitable presence on & off the stage,” Harm’s Way wrote on Instagram, asking for “grace and privacy” during a difficult time.

No cause of death was provided, but the band offered up the 988 suicide and crisis lifeline to anyone “struggling with depression or urges to self-harm.”

Born Bohan Daniel Lueders in November 1987, the musician co-founded Harm’s Way in 2006 as a side project of the punk band Few and the Proud. It turned into a full-time band that has released five studio albums and five EPs in the years since, with songs including “Human Carrying Capacity,” “Become a Machine” and “Call My Name.”

In a bio posted by the band on Spotify, Lueders took a shot at describing the music on Harm’s Way’s 2018 album, “Posthuman,” which was followed by its fifth album, “Common Suffering,” in 2023.

“To a Harm’s Way fan, I would describe ‘Posthuman’ as a blend of ‘Isolation’ (2011) and ‘Rust’ (2015), but it’s sonically way more insane,” he said. “To anyone else, I would simply say it’s like full on aggression.”

Lueders began the “HardLore” podcast in 2022 with Twitching Tongues frontman Colin Young to chronicle life on the road in the hardcore/punk/metal scene. A new episode — the second part of a two-part interview with Madball singer Freddie Crician — was posted Wednesday.

But on March 19, before that two-parter was done, Young and Lueders posted a “HardLore” episode that broke from format, instead answering listener questions for an hour and a half. One listener asked the hosts what piece of music they wanted to hear last before they died. Young picked “My Way” by Frank Sinatra. His buddy chose another track that was distinctly non-metal and non-punk.

“Mine would be some Björk song, probably. Either ‘Unravel’ or ‘Aurora.’ I just wanna drift and go peacefully,” Lueders said, rubbing both eyes before making a drifting gesture with both hands.

“I think ‘Unravel’ is one of the most beautiful songs ever written.”

A GoFundMe campaign was launched Friday by Young on behalf of Lueders’ “mother Wendy and girlfriend Taylor to help cover the costs of both afterlife & memorial services in Chicago.” The campaign had reached nearly $140,000 by midday.

After a major national debacle on live TV when she was only 20 years old, Ashlee Simpson Ross finally found a way to win back a small-screen audience’s love: She put a galaxy mask over her head and let the vocals rip.

Forget that 2004 incident where she got caught singing over a backing track in an appearance on “Saturday Night Live.” Sure, she did a weird little dance, then fled the set. Sure, her dad made excuses. But that’s in the past.

The winner of “The Masked Singer,” who is married to Evan Ross, Diana Ross’ singer-actor son, was bubbly as she celebrated her victory in a post-finale interview published Wednesday night. On the season finale, she had sung Olivia Rodrigo’s tune “Good 4 U.”

“I feel like I became Galaxy Girl and I had the best team ever,” Simpson told People. “So I mean, it felt great to do it. It felt great to perform, not being able to see where I’m going. You can hardly see where you’re going. I think just becoming that character of Galaxy Girl and people not knowing who I was, it was just a different way of performing that. I enjoyed that. It was definitely a moment of discovery.”

Back in fall 2004, Simpson, who’s now 41, was about to do her second song as the musical guest on “SNL.” Following in her famous sister’s footsteps as Jessica Simpson’s newlyweds reality show with then-husband Nick Lachey was hitting its stride, she had just released what would become the year’s top-selling album by a female singer.

Then the band started up — and the wrong lyrics started playing out of the ether. Simpson was not singing them. So she did an uncomfortable sort of jig before walking off the set and leaving the band stranded. Cut to commercial.

Lorne Michaels would confirm later that it had been a first for the sketch show.

“What can I say? Live TV,” host Jude Law told the audience during the show’s goodbye sequence that night. Simpson, standing at his side, jumped in with a rapid-fire explanation of what had just happened, throwing her band under the bus and not making much sense at all.

“I feel so bad. My band started playing the wrong song and I didn’t know what to do, so I thought I’d do a hoedown. I’m sorry!” she said.

This was a year after her sister had asked, with cameras rolling, whether a can of Chicken of the Sea contained tuna or chicken, and whether Buffalo wings were made out of buffalo. So what stuck in people’s minds were those lyrics playing out of the ether. Ashlee Simpson, it was clear, intended to lip sync, which sort of implied to casual observers that she couldn’t sing. She became, to many, a laughingstock.

Her dad said afterward that acid reflux had made her vocal cords swell, necessitating the last-minute switch from live to Memorex. He called it a learning experience and said she would prove herself in future shows.

“Unfortunately, that happened to us on Saturday, so just like every other artist in America she has backing tracks … so you don’t have to hear her croaking through a song on national television,” Joe Simpson told Ryan Seacrest in a radio interview.

“She never used them before,” he said of the vocal tracks, but “you have to do what you have to do.”

A few months later, she was booed on national TV when she did the halftime show at the 2005 Orange Bowl. Folks joked that it was worse than what happened on “SNL.”

So, yes, her career continued, but it hasn’t been 100% smooth. After a couple more albums, she took a role in a Broadway musical and eventually she returned to acting. She said over and over that she was going to get back into music, but life kept getting in the way.

Then in 2025, after celebrating the 20-year anniversary of her breakout album release with a short gig at a WeHo nightclub the year prior, she announced a residency at the Venetian in Las Vegas. The gig proved popular enough that it was extended into 2026.

And over the course of “The Masked Singer” season, Simpson finally proved to those casual observers that she has a voice and knows how to use it. She even bested her husband, who competed this season as Stingray and was cast out in Episode 10.

“Performing is my happy place, and to be doing that again just feels so nice,” she told People. “I’m inspired to keep playing shows and creating new music. And moments like ‘Masked Singer’ and Vegas, and I’m looking forward to Pride and Stagecoach — those moments just make me realize, ‘Oh, this is what I love to do.’

“I’m happy to be doing it again.”

Good for you, Galaxy Girl.

I went to the Santa Monica Mountains on the hunt for wildflowers.

I was nervous. What if I found absolutely nothing? I’d used data collected by plant lovers during previous blooms and checked on iNaturalist, a citizen science app, about where wildflowers had recently been noticed to discern where I’d be most likely to find blooms.

But, even then, I knew the unusual spring heat wave that prompted some wildflowers to bloom early could have also killed them. I knew the heat had already zapped the bright orange beauties at the Antelope Valley California Poppy Reserve. What if I’d already missed this annual springtime magic?

It was with this level of eagerness and anxiety I recently entered the Santa Monica Mountains. I feel more than lucky to have discovered a resplendent rainbow of native plant blooms.

I hope you also witness this abundance on the three trails below. L.A. is forecast to have more springtime rain, and you know what they say about April showers!

If not, though, I want to underscore that regardless of their foliage, each hike offers its own unique adventure, one I’d take in any season.

Chaparral bird’s-foot trefoil blooms in thick patches throughout the Saddle Peak Trail.

(Jaclyn Cosgrove / Los Angeles Times)

1. Saddle Peak via Backbone Trail

Distance: 3.3 miles out and back
Elevation gained: About 860 feet
Difficulty: Moderate
Dogs allowed? No
Accessible alternative: Inspiration Loop Loop ADA Trail at Will Rogers State Historic Park

This 3.3-mile route to Saddle Peak takes hikers up a lush hillside with sweeping views of the nearby Calabasas Peak, the San Fernando Valley and, toward the top, the Pacific Ocean. Visitors will observe a landscape that features not only a diversity of wildflower species but also ancient sandstone formations.

You’ll start your hike by parking on the side of Stunt Road, a winding paved street with sharp turns popular among cyclists and drivers of very fast sports cars. There is limited parking here, so it’s good to either arrive early or hike this trail on a weekday. Additionally, the parking area on the side opposite the trailhead is near a steep drop-off so take good care if parking there.

The Saddle Peak Trail features multiple stretches where wildflowers grow close to the trail.

(Jaclyn Cosgrove / Los Angeles Times)

The trailhead sits just south of the road and is well-marked with large signs, including one that warns you that smoking, bicycles and dogs are prohibited on the trail. (Apologies to your cigar-loving circus canine.)

You will first take the short Stunt Road connector trail about 0.2 miles before bearing left, or east, onto the Backbone Trail to Saddle Peak. You’ll immediately start noticing wildflowers.

Chaparral bird’s-foot trefoil, clockwise, mini lupine, purple nightshade, showy penstemon, golden yarrow and large-flowered phacelia.

(Jaclyn Cosgrove / Los Angeles Times)

I have dubbed myself a “lupine freak” because of my obsession with this genus of plants — not because I enjoy howling at the moon once a month — and I paused just a third of a mile into this trail. “You look like a tiny little lupine,” I said to the short plant with purplish blue petals near my right foot. Turns out it was indeed a miniature lupine!

This would be the first of many delights. Within a half mile on the trail, I’d already spotted golden yarrow, bush poppy, purple nightshade and black sage abundant with purple blooms. And canyon sunflower covers substantial portions of this trail. This suggests the trail burned in recent years, as canyon sunflower is a fire follower.

There’s also a fair amount of California sagebrush, which you can run your fingers along and smell its delicious aroma (which I think smells like spicy Italian salad dressing).

The view from a bench at a lookout point near the Saddle Peak Trail in the Santa Monica Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

As I hiked onward, I started to feel like Julie Andrews in “The Sound of Music” because the hills really were alive! I squinted at one plant I had no memory of seeing, a pink and green plant with bright pink and lemon chiffon-colored petals. Had I finally stumbled upon one of California’s rare, threatened or endangered plants?

I was so eager to Google this floral mystery. Later, I learned it’s a not-so-rare (but oh-so-beautiful) chaparral birdsfoot trefoil. It grew thick throughout the second leg of this trail, a real visual feast!

I briefly hiked through a lull where the trail was beautiful but not bursting with colors outside green and brown. Then, I came around another corner to find more trefoil, large-leaf phacelia and showy penstemon, which would be a great native plants-inspired drag performer name.

A massive sandstone rock wall along the Saddle Peak trail.

(Jaclyn Cosgrove / Los Angeles Times)

Very suddenly, after staring at plants for more than an hour, I looked up and realized I’d reached the massive ancient boulders. I watched as white-throated swifts dived in and out of the rock’s pockets where it might be considered tafoni (maybe!). Fun fact: These birds use “their saliva to glue a little cup of twigs and moss to the vertical wall” to build their nests, according to Cornell Lab of Ornithology.

You’ll take a few well-maintained sets of rock steps up, also navigating some rocky and, at times, somewhat washed-out portions of the trail. Take good care to look before you reach toward a rock for leverage so you don’t end up grabbing a danger noodle (read: snake).

About 1.3 miles in, you will crest a hill and be greeted with gorgeous views of the deep-blue ocean. From here, you can continue up to Saddle Peak, which features more massive rock formations.

I hiked over to a bench at an overlook point just past a few (invasive but pretty) Spanish broom plants. Here, I took stock of the day, savoring both the burrito I packed and the good day I’d had. I don’t know whether anyone would label it “super,” but I found myself chuckling over simply calling it a superb bloom.

The Musch Trail in Topanga State Park.

(Jaclyn Cosgrove / Los Angeles Times)

2. Backbone Trail to Musch Trail Camp

Distance: 2 miles out and back (with option to extend via a loop back)
Elevation gained: About 200 feet
Difficulty: Easier end of moderate
Dogs allowed? No
Accessible alternative: Musch Trail road, a 0.6-mile out-and-back trek on a paved path from the parking lot

This two-mile, out-and-back jaunt through Topanga State Park takes you through lush meadows and chaparral where you’ll be near destined to spot wildflowers and wildlife.

To begin your hike, you’ll park at Trippet Ranch and pay to park before heading out. The Musch Trail starts in the northeast corner of the lot. You’ll take the paved path just 1/10 of a mile before turning east onto the dirt path, the Backbone Trail.

Caterpillar scorpionweed with southern bush monkeyflower nearby, clockwise, purple owl’s clover, canyon sunflower, dodder over black sage, California poppy and western blue-eyed grass.

(Jaclyn Cosgrove / Los Angeles Times)

The ranch was originally called Rancho Las Lomas Celestiales by its owner Cora Larimore Trippet, which translates to “Ranch of Heavenly Hills.” You’ll find, as you hike through those hills covered in oak trees, black sage, ceanothus and more, that the name still rings true today.

I also spied significant blooms of orange-yellow southern bush monkeyflower, canyon sunflower, golden yarrow, a species of Clarkia, light purple caterpillar scorpionweed and exactly one blooming California poppy plant (just past the pond).

A mile in, you’ll arrive at Musch Trail Camp, a small campground with picnic tables and log benches. As you pause, listen to the songs of the birds. California quail, Anna’s hummingbird and yellow-rumped warbler are commonly spotted. Stay quiet enough, and you might just spot a mule deer, desert cottontail or gray fox. On a recent visit, I went to refill my water bottle at a spigot next to the camp, only to discover a Southern alligator lizard lounging in the path.

From the trail camp, you can either turn around or continue northeast to Eagle Rock, which will provide panoramic views of the park. From Eagle Rock, many hikers take Eagle Springs Fire Road to turn this trek into a loop. Regardless of which path you take, please make sure to download a map beforehand.

As the sun sets, golden light blankets the hillsides in Leo Carrillo State Park.

(Jaclyn Cosgrove / Los Angeles Times)

3. The Willow Creek and Nicholas Flats Trails

Distance: 1.9 miles with an option to extend
Elevation gained: About 630 feet (excluding extension)
Difficulty: Moderate
Dogs allowed? No
Accessible alternative: Sycamore Canyon Road

This 1.9-mile loop is a mostly moderate jaunt connecting two popular routes in Leo Carrillo State Park. As a bonus, you can head over to the beach after your hike, either to cool down, explore the tide pools or both!

To begin, you’ll park at Leo Carrillo State Park. An all-day pass is $12, payable to the ranger at the gate or via the machine in the parking lot. Once parked, you’ll head northeast to the trailhead. You’ll quickly come to a crossroads. Take the Willow Creek Trail east to officially start your hike.

You’ll gain about 575 feet in a mile as you traverse the Willow Creek Trail. I took breaks along the way to gaze at the ocean, watching surfers bobbing on their boards and a kite surfer trying to gain traction. You might spot coast paintbrush and California brittlebush, a flowering shrub that features yellow daisy-like flowers, on the path, along with several lizards.

California poppies growing amid invasive weeds, left, Coulter’s lupine and longleaf bush lupine observed in Leo Carrillo State Park last May.

(Jaclyn Cosgrove / Los Angeles Times)

A mile in, you’ll come to a junction in the trail where you have three-ish options. You can continue west to a branch of the Nicholas Flat Trail that will take you a mile back down to the parking lot. You can head south onto an ocean vista lookout point (which, though steep, I highly recommend). Or you can turn north onto another branch of the Nicholas Flat Trail.

I did a combination, hiking 235 feet up the lookout path, where I had one of those “Wow, I get to live here” moments. The ocean was varying shades of blue, from turquoise to cerulean to cobalt. I could clearly see in all directions, including about eight miles to the east to Point Dume. I was, once again, amazed to be alone in a beautiful place in a county of 10 million people.

Once I finished at this awe-inspiring point, I headed north onto the Nicholas Flat Trail, taking it about 2.3 miles — and about 1,100 feet up 🥵 — through laurel sumac and other coast sage scrub vegetation into the Nicholas Flat Natural Preserve. Along the way, keep an eye out for deerweed covered in its orange and yellow flowers along with scarlet bugler (which hummingbirds love). Other common sights here include Coulter’s lupine and small patches of California poppies.

If you start this hike early enough in the day, you can simply trek back to your car and change into your swimsuit for an afternoon at the beach. And if the tide is out, you might also be able to walk around the tide pools. You could hang out in the same day with both lizards and starfish, and even spy an endangered bumblebee on the trail and an octopus at the beach.

Please, go have yourself a remarkable Southern California day!

3 things to do

A person takes in the sunset on the beach in Venice.

(Michael Blackshire / Los Angeles Times)

1. Watch the sunset with new friends in Venice
Sunset Club L.A. will host a free community gathering at 6:15 p.m. Thursday at Venice Beach. Guests will meet in front of Fig Tree (431 Ocean Front Walk #2402) before setting up camp on the nearby beach to watch the sunset together. Learn more at the club’s Instagram page.

2. Take a peaceful jaunt in L.A.
L.A. for the Culture Hiking Club will host an adventure at 10:30 a.m. Saturday through Griffith Park. The group will take a 2.6-mile hike that includes the Ferndell Nature Trail. Afterward, guests will hang out at the Trails Cafe near the trailhead. Register at eventbrite.com.

3. Find a new kind of ‘dume’ scrolling in Malibu
California State Parks needs volunteers to help remove invasive plants from 9 a.m. to noon Saturday at Point Dume. Park workers will guide participants on removing weeds while cultural resource staff will teach volunteers about the ecological and cultural importance of the site. Register at eventbrite.com.

The must-read

The Griffith Park Pool has remained fenced in and closed for six years, but there are plans now to renovate and reopen the pool.

(Gina Ferazzi / Los Angeles Times)

Who is ready to take a dip at the Griffith Park historic swimming pool? That might become a reality by July 2029. Times staff writer Christopher Reynolds wrote that city officials aim to give the facility at Riverside Drive and Los Feliz Boulevard, which dates to 1927, a three-year, $40-million facelift. The new design will feature two new pools and rehabilitate the site’s pool house. Officials closed the pool in early 2020 amid COVID-19 shutdowns and later discovered when they tried to refill it that the pool wouldn’t hold water.

I cannot wait to take a hike and then a swim at the same public park!

Happy adventuring,

P.S.

Are you ready to transition from hiking around native wildflowers to planting them? Come meet experts from the Theodore Payne Foundation and the California Native Plant Society at the L.A. Times Plants Booth during The Times’ Festival of Books at USC on April 18 and 19. If you sign up for the L.A. Times Plants newsletter, you’ll receive Jeanette’s Mix, a special packet of sunflower and California poppy seeds named for our beloved L.A. Times plants writer Jeanette Marantos, who died in February. I am volunteering at the booth on April 18 and would love to meet you!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

COLUMBIA, S.C. — Mark Sanford, the former South Carolina congressman and governor whose political ascendancy was stalled by a 2009 affair, wants to return to Congress — again.

Just hours ahead of the deadline to do so, Sanford filed candidacy paperwork with state officials to run in the June 9 GOP primary for South Carolina’s 1st District seat, which he has held twice before.

Sanford’s first political office was in the 1st District. An outsider with almost no name recognition, he navigated a primary for the open seat, finishing second before winning the runoff. He served for six years before his outside run at governor, again pushing his way through a crowded primary, then knocking off the last Democrat to hold the office.

But his eight years were overshadowed by the Appalachian Trail, which became shorthand for Sanford’s disappearance to go to Argentina to see his lover. Sanford’s wife, family and his staff didn’t know where he was.

Beating back both an ethics inquiry and calls to resign, Sanford held fast, leaving office on his own terms.

In 2013, Sanford won back his old seat, beating 15 other candidates in a primary and runoff. He won two more full terms before falling to a GOP challenger in 2018 who had President Trump’s backing.

The seat would go on to flip to Democratic hands that fall for the first time in decades, won back by GOP Rep. Nancy Mace in 2020. Mace is running for governor this year.

Sanford, 65, also briefly ran for president in 2020, challenging Trump for the nomination in what he characterized as a “long shot” effort around warnings about the national debt. Some, including Sanford’s former gubernatorial staffers, initially questioned whether the effort was a serious one, positing that it might be an effort to stay relevant after the 2018 defeat.

Sanford dropped out of the contest just ahead of the New Hampshire primary. Sanford’s home state would ultimately opt not to hold a 2020 GOP presidential primary, clearing the way for Trump’s nomination in South Carolina.

Sanford did not immediately return a message seeking comment on Monday. True to the themes that have dominated his political thinking, an email release on Sanford’s candidacy focused on the national debt, with the candidate saying he felt 1st District voters wanted a representative “who is an advocate for financial sanity that has been lost in Washington for all too long.“

Since leaving the U.S. House, Sanford has hung onto more than $1.3 million in a federal campaign account, funds that he can now use in a primary already crowded with multiple Republican and Democratic candidates.

Kinnard and Collins write for the Associated Press.

The two Taylor Lautners are expecting a baby.

“What’s better than two Taylor Lautners?”

That’s what the couple — call him Taylor and her Tay — wrote Thursday in a social media post announcing that a newborn was in their future.

The couple included four photos: The first showed the “Twilight” franchise star, 34, kissing the belly of his 29-year-old wife as she stands in a field holding sonogram images. The others showed them having fun in that same field as they celebrated the news.

That last one was in black and white and a little blurry, but it showed her sitting in a low chair, hands on her belly, cracking up as he sat low by her side with a big smile on his face. The sonogram made its way through all of the baby-on-board photos.

The couple offered no further details about the baby, including the due date.

Taylor Lautner met the former Taylor Dome in December 2017, and the two went public with their couplehood the next October and got married in November 2022 after a yearlong engagement. She was a registered nurse when they met; he was a few years off playing werewolf Jacob Black in the blockbuster franchise that brought a sparkly vampire-human love story to life.

While co-stars Kristen Stewart and Robert Pattinson, who played Bella Swan and Edward Cullen, have charted distinctive acting careers since 2012, when “The Twilight Saga: Breaking Dawn — Part 2” debuted, Taylor has hung back a bit. He met Tay after his sister set them up with invites to the same game night.

Tay, by the way, was Team Edward, crushing on Pattinson more than Lautner when she experienced the “Twilight” franchise. “I was too young for Jacob’s abs,” Tay told Cosmopolitan in a 2025 profile of the Lautners.

“Yeah, when I was walking around in my little booty jean shorts and ripping my shirt off and my abs were on big screens, she’s 11 years old, throwing a ‘Twilight’ birthday party,” he told the magazine. Tay was “a breath of fresh air” for him after years of dating women who worked in the spotlight.

That list famously included Taylor Swift, his co-star in “Valentine’s Day,” with whom he coupled up for several months before that 2010 movie came out.

“Now I have my priorities straight,” Taylor Lautner told Cosmo. “If I do a project and it doesn’t go as planned, I’ll still be coming home to my family that’s always going to be there.”

And soon that family will be more than two.

An uprising typically has a long parentage and, if effective enough, can leave behind many like-minded descendants. Such is the bracing air that Palestinian filmmaker Annemarie Jacir breathes into her historical drama “Palestine ’36” as she dramatizes the 1936-1939 Arab Revolt against occupying Britain’s increasingly punitive, underhanded rule, offering up a multifaceted rebellion tale with plenty of contemporary resonance.

That being said, Jacir’s fourth feature — packed as it is with storylines — could stand a bit more context and fewer of the expositional traps that big-cast sagas easily fall into. But the key element that grounds Jacir’s version of an old-fashioned epic (and helps it withstand its faults) is that we’re seeing a place rarely depicted with such sweep, detail and scope outside of biblical epics. It’s as if a long-disused history book’s pages have finally been opened, dust giving way to color and purpose.

Some of that breadth is seen at the beginning in some astonishing newsreel footage from the era, which segues into Jacir’s establishing story threads. We meet village-born Yusuf (newcomer Karim Daoud Anaya), an ambitious young man who moves restlessly between bustling Jerusalem, where he works for a wealthy, British-friendly Palestinian businessman (Dhafer L’Abidine) and his journalist wife (Yasmine Al Massri), and his rural home where villagers are routinely targeted by British authorities. If it isn’t vicious Capt. Wingate (Robert Aramayo) violently rooting out rebels and putting locals in pens, it’s outwardly friendly officials like the secretary who oversees new policies kinder to the increasing numbers of Jewish settlers than to those who have been farming the hills for ages.

The split widens when a labor strike becomes an armed revolt, with Jacir gamely tracking the hardening or shifting loyalties of both her peasant and well-to-do characters. The British, represented at the top by the casually imperious High Commissioner Wauchope (a perfectly cast Jeremy Irons), are decidedly the villains here as a colonial force quick to brutalize Palestinians for speaking up for themselves. Still, by forgoing any Jewish characters when there was already a burgeoning transplanted minority — all we see is a kibbutz being erected in the far distance — seems like too careful an avoidance of contextual reality.

As “Palestine ’36” eventually sacrifices focus on the many characters it has, one wishes Jacir had had the luxury of a classic epic’s standard third hour to build that complexity into a vivid resistance narrative. Wanting more from this material, though, feels better than not getting the opportunity to see it at all. As overdue tales of history go, “Palestine ‘36” (currently one of the last films with access to its real-world locations) is certainly more of a blunt instrument than a novelistic endeavor. But its broad strokes and rooted passions easily earn their place, and deserve to inspire more such stories.

In a quiet moment before the pomp and circumstance of opening day, Dodgers second baseman Miguel Rojas learned he’d be starting in the final season opener of his long career.

He was on the bench for the Freeway Series finale at Dodger Stadium earlier this week, when manager Dave Roberts came over to check in and give Rojas the news.

“I didn’t know if, ‘Thank you’ was the right thing to say because it’s something I earned,” Rojas recounted before the Dodgers’ 8-2 win Thursday against the Diamondbacks. “It’s not something that I asked for as a favor. So I was just kind of speechless.”

Rojas embraced Roberts.

“It was a gift to myself because of all the hard work and the preparation I put in throughout my whole career,” Rojas said. “This way is the best way possible because I got up to the big leagues as a utility defensive replacement who can play shortstop but couldn’t really hit much.”

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Rojas, who intends to retire after this year, wrapped up his final opening day as a starter.

Opening day is a celebration across baseball. But the Dodgers made it a full production. The pregame program Thursday included roster-introduction pyrotechnics, along with a stage and blue carpet set up in center field.

It was also a time to commemorate the 2025 World Series, raising the banner and revealing the new sign marking the organization’s ninth title.

Rojas rode onto the field perched atop a metallic blue convertible, hoisting the 2025 World Series trophy over his head. To his left sat Freddie Freeman, holding the 2024 trophy. Will Ferrell sat in the driver’s seat.

“It’s here,” Rojas said Thursday afternoon. “This is my last chance to play baseball with an amazing group of guys.”

A spot in the starting lineup hadn’t been guaranteed for the 2025 World Series hero. The Diamondbacks started right-hander Zac Gallen. And throughout the year, Rojas will generally play second base against left-handers, platooning with Alex Freeland to begin the year and eventually Tommy Edman when he returns from the 10-day injured list.

“This means a lot to him, his family and to the Dodger fans,” Roberts said. “And also, most importantly, I think he’s a great option for today. All in, it was the right decision.”

Rojas’ final opening day — he’s lined up to transition into a player development role with the Dodgers next year — was a well-rounded game for the Dodgers.

A marquee pitching matchup between Yoshinobu Yamamoto and Gallen produced a scoreless first three innings. The Diamondbacks broke through first, with Geraldo Perdomo roping a two-run homer off Yamamoto in the fourth inning.

The Dodgers hadn’t recorded a hit since Shohei Ohtani’s leadoff single. But in the fifth, they finally got to Gallen, and batted through the order.

Max Muncy and Teoscar Hernández kicked off the rally with back-to-back groundball singles. Then Andy Pages launched a go-ahead home run into the left-field seats.

Rojas, dropping a single into shallow center field, and Ohtani, drawing a walk, held on the pressure. And the Diamondbacks pulled Gallen for right-hander Juan Morillo.

How the Dodgers celebrated their World Series title ahead of season opener.

The Dodgers tacked on one more run, as Rojas raced home on Will Smith’s single up the first-base line, before Morillo finally escaped a bases-loaded jam.

The next inning, Yamamoto slammed the door shut against the top of the order with a pair of groundouts to Rojas and a strikeout, Yamamoto’s sixth. He retired nine straight batters after Perdomo’s homer.

That would end Yamamoto’s night at six innings.

The Dodgers continued piling on against the Diamondbacks’ bullpen. A four-run rally in the seventh inning featured Kyle Tucker’s first hit as a Dodger, an RBI double and a two-run shot from Smith. The Dodgers’ bullpen held the D-backs scoreless the rest of the way.

After reliever Tanner Scott forced a fly out to shortstop Mookie Betts to end the game, Rojas pointed two fingers to the sky and then joined his teammates in the handshake line.

Rojas held his emotions at bay through spring training, immersing himself in the daily work. But opening day made it more real.

“Baseball is what I remember me doing my whole life,” Rojas said. “I don’t remember myself doing anything else. I know I was a good son, a good brother, a good student. I know that. But I don’t remember myself doing that. I remember myself playing baseball, preparing for a baseball game, working out to be a professional baseball player. Then when I was in the minors I remember myself working really hard to get to the big leagues and then working really hard to be an every-day player. It goes on and on.”

Until it doesn’t.

Future Hall of famer Clayton Kershaw knows what that’s like. Venturing into retirement a year ahead of Rojas, Kershaw was on NBC’s broadcast Thursday, sporting a suit on the field before the game.

He commented on Rojas’ tan, and Rojas told Kershaw he’d stolen his look and had been going sleeveless.

“My wife and my kids call him Uncle Kersh because of the joy he had throughout the year,” Rojas said. “He was really happy all year. He wasn’t really caught up in numbers or stats. He was just enjoying his time. I really wish I can do a little bit of what he did last year. I hope I can enjoy it as much as he did last year.

“So I’m going to be Uncle Miggy this year.”

Once upon a time in California, I went to the Orange County fairgrounds to watch Arnold Schwarzenegger give the signal for a wrecking ball to drop onto a vehicle.

The audience went wild, and Schwarzenegger went on to become governor and deliver on his promise to roll back a car tax increase, thereby blowing a $4-billion hole in the state budget.

I think it’s fair to say that in the current gubernatorial campaign season, the excitement level is several decibels below what we experienced in 2003. But once again, it’s fair to say we’ve not seen anything quite like this year’s derby.

“There’s no historical precedent in modern California history for a governor’s race with such a large field or such an amorphous field of candidates,” said longtime political observer Dan Schnur. “Unless you’re paying very close attention, it feels like a big multi-headed political blob.”

To break that down, eight Democrats and two Republicans are running in the primary, and here’s the craziest thing about that:

The two Republicans could be the top two vote-getters because the Democrats have arranged themselves into a circular firing squad. While the Dems scramble for votes in the June 2 primary, the two Republicans lead in the polls because they’re splitting the GOP vote, and under the rules of the top-two primary, they could face off in the November election.

That means that California, which is one of the bluest states in the country and has nearly twice as many registered Democrats as Republicans, could end up with a Republican governor, which would be like having a Dodgers manager who wears a Yankees jersey in the dugout.

And by the way, if it happens, the Republican would be able to shuffle regulatory boards, attempt to squeeze budgets and create a bit of chaos, but still not get much accomplished because of Democratic super-majorities in the Senate and Assembly.

And he would be targeted for recall even before he takes office. (More on that in a minute.)

There is a way for the Democrats to avoid this humiliation, but they can’t seem to agree on anything at the moment. Party leaders have all but asked the candidates at the bottom of the polls to bow out, but understandably the response has been, “Why me? I’m no worse than the others.”

USC decided to host a debate night, a simple enough proposition, but then flubbed the deal by leaving four candidates off the invitation list — four candidates of color. A kerfuffle followed, and the debate was dumped, and an attempt to let everyone into the party fell apart.

So now what?

It’s possible the Dems will huddle around one or two candidates who then move up in the polls and remove the threat of the unthinkable — two Republicans head-to-head. That would be Riverside County Sheriff Chad Bianco going against former Fox TV host Steve Hilton.

It’s also possible the Dems will play dirty and either spend money to promote one of the two Republican candidates or torpedo one of them. All they want, at the moment, is for a Democrat to make it past the primary, because that would all but ensure victory in November, given voter registration advantages.

And then, if that doesn’t work, there’s the recall scenario.

“You could shut it down probably within five or six months,” said Mike Madrid, a longtime California GOP political consultant.

“It would surely happen,” said Rob Stutzman, a GOP strategist who helped Schwarzenegger knock Gov. Gray Davis out of office, and take his job, in the 2003 recall.

A wealthy Democratic donor could bankroll the recall campaign, Stutzman said. Or public employee unions might put up the money, given that a Republican winner is likely to create a state version of Elon Musk’s ham-handed attempt to fire nearly everyone on the federal payroll.

“The pitch,” Stutzman said of the recall strategy in an email, would be that “Trump still looms and CA must resist, and a GOP gov is a fluke of weird election law. Difficult to imagine it wouldn’t succeed.”

I thought of one more approach the Democrats could use to make sure at least one of them is on the ballot in November. Tom Steyer, a leader for many years on one of the most critical issues in California and the world, climate change, has already spent tens of millions of dollars on TV ads that run about every two minutes, promoting him as the best candidate for governor.

They’re so repetitious, you can’t help but tune them out.

But everyone would pay close attention if Steyer instead ran ads offering incentives for either Bianco or Hilton to leave the state. Steyer could offer $10 million cash for Bianco to move to Hawaii, and maybe throw in a beach house. He could buy a private jet for Hilton to take him back to his native Britain. Every day, there could be new ads upping the ante until one of them leaves the Golden State.

Wouldn’t that be a better use of Steyer’s money? It might even get him elected.

To be honest, having some honest pushback against Democratic authority in California wouldn’t be a terrible thing. It’s not as if Gov. Gavin Newsom and other Democrats are winning the battle against homelessness, housing shortages, affordability and other big challenges, and voters understandably want more — way more — for their tax dollars.

An experienced, no-nonsense, sensible, fiscally conservative GOP candidate would do the state good.

The problem is that the two Republicans in the running, Bianco and Hilton, are Trump toadies.

In an embarrassingly amateurish political stunt, Bianco blew the president a kiss and all but begged for an endorsement by seizing 650,000 ballots from last November’s election to determine whether they were fraudulently counted.

Hilton recently said in an interview with ABC’s Eyewitness News 7 that he believes “everybody supports” Trump’s immigration policies.

Hilton might have missed the news that U.S.-born residents are carrying their passports in case they’re targeted by skin color. That Californians by the thousands have joined the resistance. That despite claims, most deportees don’t have criminal records. And that even some of the state’s GOP lawmakers have begged Trump to stop raiding industries that rely on immigrant help (and are often owned by Republicans).

And by the way, is this a smart time for a GOP candidate in California to be doing his best Trump impression?

The president’s popularity is down, consumer prices are up, he’s shamelessly pardoned drug lords and Jan. 6 barbarians, he thinks the presidency is a game of Battleship after promising to keep us out of wars, gas prices are sky high, he just said he was glad that Vietnam War hero and former FBI Director Robert Mueller had died, and he’s playing golf all day as if everything’s hunky dory.

Like I said, there’s not a big-name character like Schwarzenegger in the race, but that doesn’t mean there aren’t good options. If you like Bianco or Hilton, so be it. Otherwise I suggest you read up on the other eight:

Steyer, Supt. of Public Instruction Tony Thurmond, former L.A. Mayor and legislative leader Antonio Villaraigosa, former Rep. Katie Porter, former state attorney general and U.S. Health and Human Services Secretary Xavier Becerra, former State Controller Betty Yee, San José Mayor Matt Mahan, and U.S. Rep. Eric Swalwell.

And you better act fast.

The primary is less than 10 weeks away.

steve.lopez@latimes.com

I heard the ribbit of a Pacific chorus frog and couldn’t stop my feet as they veered me off the official trail and onto a foot path leading down to Wiley Creek.

I grew up with a pond in the pasture behind my house where I could listen to the riotous sound of amphibians any evening I wanted. The soundscape of freshwater habitats is such a comfort to me.

I sat down on a boulder near the water, trying to remain still. The frog had quieted after spotting me, and I hoped it would restart its song, understanding I was not a threat but instead just a big fan.

This was the first of many beautiful moments I experienced on my recent hike through Ed Davis Park in Towsley Canyon in Newhall. It features shady canyons with blooming wildflowers and wildlife that appear to be thriving. I would later learn that a walk through Towsley Canyon is also a journey through the history of environmental activism in the Santa Clarita Valley. This area was once slated to become a landfill.

Today, hikers can explore the area by visiting Ed Davis Park in Towsley Canyon, one of four recreation areas that make up the 4,000-acre Santa Clarita Woodlands Park. (The other three are East and Rice canyons, Pico Canyon and Mentryville, each of which are also worth exploring.)

And because I got confused by this, I will point out: The Rivendale Park and Open Space is also nearby, at the mouth of Towsley Canyon near the northeast corner of Ed Davis Park. So you could find yourself hiking along one of its trails as well.

Ed Davis Park offers access to multiple trails, including:

Clockwise, southern bush monkeyflower, blue dicks, phacelia, California poppy, a flower and purple nightshade that appears to be a collinsia heterophylla.

(Jaclyn Cosgrove / Los Angeles Times)

I arrived at Ed Davis Park just after 9 a.m. last week with a plan to take a short hike, given the high temperatures forecast that day. I parked near the entrance in the large dirt free lot. Note: There were no restrooms or portable toilets that this outdoors reporter could find anywhere nearby, so plan accordingly.

From the parking lot, I headed west, quickly turning south onto Wiley Canyon Trail. I was immediately greeted by a lesser goldfinch, perched on a strand of wild rye like a feathered park ranger.

The trail was initially a bit rutted but quickly smoothed out. As I headed into Wiley Canyon, I found myself in a crisp cool landscape shaded by large oak and California black walnut trees. I quickly heard running water. When I checked the thermometer hanging on my backpack, it read 69 degrees.

Clockwise, lesser goldfinch, western whiptail, convergent lady beetle and a lizard.

(Jaclyn Cosgrove / Los Angeles Times)

Although I could hear nearby traffic and a Southwest plane passing overhead, it didn’t block out the dynamic soundtrack of the canyon’s avian residents: the oak titmouse, northern mockingbird, blue-gray gnatcatcher and Hutton’s vireo, which, according to my birding app, were all above and around me.

As you travel along the canyon, you’ll find purple sage bursting out of the ground, and blue dicks starting to bloom. I passed by several ceanothus with white and blue-violet blooms. I really took my time taking in the native plant landscape and was lucky to spot a convergent lady beetle sipping on dew on a blade of grass.

After my short visit to the creek to find frogs, I was looking up to observe a turkey vulture and red-tail hawk circling overhead, seemingly competing for airspace, when I noticed the California dodder nourishing itself atop several plants on the hillside. Although it is a parasitic vine, this orange otherworldly being does indeed serve an important ecological purpose.

California dodder in the Towsley Canyon area around Newhall.

(Jaclyn Cosgrove / Los Angeles Times)

“Dodder will flower during the hot summer months, providing native insects with a valuable meal and drink during the months when many other California native plants are dormant,” Jorge Ochoa, an associate professor of horticulture at Long Beach City College, wrote for the Friends of Griffith Park regarding the plant’s purpose.

I continued south, passing a spotted towhee digging in the dirt for its breakfast. Then, just under half a mile in, I turned northwest onto the Don Mullally Trail. The trail is named after a naturalist who, according to park signage, “traversed every canyon, led countless hikes to unforgettable destinations, and shared the Woodlands’ unparalleled native tree associations and ecological majesty.” May we all be so lucky!

A shady portion of a trail in the Towsley Canyon area around Newhall.

(Jaclyn Cosgrove / Los Angeles Times)

This is where you’ll start to gain some elevation — and sun exposure. But it’s also where you will find the most blooming wildflowers! I quickly spotted phacelia with bright purple blooms, and as I headed west, an increasing number of California poppies and southern bush monkeyflower.

Towsley Peak near Towsley Canyon in Newhall.

(Jaclyn Cosgrove / Los Angeles Times)

Ed Davis Park is home to a robust butterfly population. I found a kaleidoscope of pollinators among the wildflowers and weeds, including a checkered white butterfly who was eagerly drinking from invasive mustard. I chuckled to myself. It didn’t seem to mind feasting on one of the most hated plants in Southern California.

The trail does turn into a narrow single track with thick vegetation, so please take good care as you’re hiking. I was very aware of the likelihood that I would encounter a rattlesnake, and I made sure to stomp my feet and pause from gaping at the flowers to make sure I wasn’t about to step on anyone. Additionally, watch out for poison oak, which I found growing among California black walnut.

Purple sage grows thick along the trails in Towsley and Wiley canyons. You might also spot an outdoors journalist who doesn’t realize their shadow is in the photograph until they get home.

(Jaclyn Cosgrove / Los Angeles Times)

Just over a mile in, I paused to take in the view. Several peaks in the Sierra Pelona Mountains, including Liebre Mountain, Burnt Peak and Jupiter Mountain, were easy to see from the trail, even though they’re about 20 to 25 miles away. I didn’t spend too long there, though, as my thermometer informed me it was 93 degrees in the direct sun. Where did spring go?

I took the Don Mullally Trail down and then the paved Towsley Canyon Road back to where I parked. You’ll notice as you head back that there are at least two paid lots should the free lot be full. You’ll need $7 in cash or a check, which you can deposit in the iron ranger.

The Sierra Pelona Mountains are visible from Towsley Canyon.

(Jaclyn Cosgrove / Los Angeles Times)

A turkey vulture flies low in Towsley Canyon.

(Jaclyn Cosgrove / Los Angeles Times)

Given its astounding beauty, it’s hard to comprehend how this parkland almost became a dump. But around 1989, an intense battle broke out between the Los Angeles County Sanitation Districts, which, at the time, managed wastewater and trash for 78 cities in L.A. County, and the Santa Monica Mountains Conservancy.

In early 1991, the Santa Monica Mountains Conservancy acquired 453 acres of Towsley Canyon, strategically buying a 180-acre parcel at the eastern entrance of the canyon and a 273-acre piece in the heart of it, according to The Times’ archive.

County officials mulled over whether they could still build a smaller dump in Towsley Canyon, but there was a major hiccup. The conservancy’s land was directly across the only two roads into the area, meaning the agency could hinder garbage trucks from using the roads.

“For all practical purposes, the coffin has been nailed on the proposal to turn Towsley Canyon into a landfill,” Joseph T. Edmiston, the conservancy’s executive director, said in a 1991 news article.

At the time, county officials were also considering building a dump at Elsmere Canyon — an effort also successfully fought off by local advocates.

Reflecting on my visit to Towsley and Wiley canyons, I thought about how our trash does indeed end up in someone’s neighborhood, whether that be a canyon wren, a jellyfish or your neighbor in another neighborhood (if we think about humanity and neighbors in a global sense). It’s a further incentive to practice the five Rs: refuse, reduce, reuse, recycle and rot.

I hope your journey through these canyons brings you a similar experience of joy, wonder and deep reflection!

3 things to do

An Egyptian goose in the Sepulveda Basin Wildlife Refuge.

(Amanda Thompson)

1. Better your birding in Pasadena
The Sierra Club Angeles Chapter’s Pasadena group will host “Photographing the Sepulveda Basin Wildlife Reserve” from 7 to 9:30 p.m. Wednesday at Pacific Oaks College. Guests will hear from photographer and storyteller Amanda Thompson and visual communicator Joe Doherty about how to better navigate the Sepulveda Basin to observe the flora and fauna that lives there. RSVP at act.sierraclub.org.

2. Cycle on over to Cudahy
Nature for All, an L.A. climate justice nonprofit, will host an 8-mile bike ride from 9:30 a.m. to 1 p.m. Saturday starting at Hollydale Regional Park in South Gate. Riders will peddle along the L.A. River before arriving at Cudahy River Park. Participants can reserve a bike by emailing Priscila Papias at priscila@lanatureforall.com. Register at cosechasoftware.com.

3. Frolic under a full moon in L.A.
We Explore Earth will host a free full-moon gathering from 5:30 to 8:30 p.m. Wednesday at Elysian Park. Participants will come together for a guided group hike cleanup followed by a sound bath and live music, all under the rising full moon. Register at eventbrite.com.

The must-read

Manatees rest at Blue Spring State Park in Orange City, Fla.

(Explore.org)

As I glided my kayak along the aptly named Crystal River in late March 2019, I couldn’t believe just how close the 1,000-pound manatees came to me and my friends. Nearby, my best friend Jenny squealed as a massive sea cow poked its whiskered snout out of the water next to her kayak. Whenever I’m stuck working indoors, I often turn on the live feed of the manatees at Explore.org. Apparently I’m very much not alone! Times staff writer Lila Seidman wrote that the number of nature-themed 24/7 livestreams created per year swelled by about 3,000% between 2019 and 2025. This genre of entertainment has been dubbed “Slow TV,” as it’s unedited and can be quite calming (although there are grisly moments that remind us of nature’s brutality too).

Regardless, during this heat wave, I’d highly recommend checking out some Slow TV, including local livestreams such as Big Bear’s celebrity eagle couple Jackie and Shadow.

Happy adventuring,

P.S.

For Wild readers who’ve felt like there’s been a real lack of turtle news featured as of late, this one’s for you: During a recent trip, a visitor at Joshua Tree National Park reported to rangers about multiple Mojave Desert tortoises stuck inside a historic dig site in the northern part of the park. Rangers and the visitor ventured into the park and located three trapped male tortoises. “It’s unknown how long the tortoises were stuck in the hole, so biologists immediately began assessing and rehydrating them,” a staffer wrote on Joshua Tree National Park’s Instagram page. As a quick aside, is anyone else rethinking their life’s choices and wondering why they didn’t consider rehydrating tortoises as a profession? Does it include carrying a tiny water bottle? I digress. The park workers built a ramp out of natural materials to ensure any tortoise who scrambled by the dig site didn’t find themselves stuck inside. After the tortoises experienced the world’s cutest rehydration experience, the biologists discerned they were healthy and strong enough to keep trundling along. Shout out to this thoughtful visitor and our hardworking and earnest park workers for being great stewards to our natural world!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

Before becoming a global phenomenon in the 2000s thanks to artists like Aventura, Monchy y Alexandra and Prince Royce, and before being declared an “intangible cultural heritage of humanity” by UNESCO in 2019, bachata was — and continues to be — the soundtrack of the Dominican Republic.

The importance of the genre to the people of the Caribbean nation is at the heart of “Agridulce,” a music documentary that had its world premiere at this month’s South by Southwest Film Festival in Austin, Texas. Filmed over the course of five years, the feature follows four young students at Academia de Bachata, a music conservatory in the beachside resort town of Cabarete. It’s the only school of its kind in the world.

Academia de Bachata was founded in 2013 by music producer Benjamin De Menil. After traveling to the Dominican Republic to record for nearly three decades, De Menil says he wanted to create something that would ensure that the next generation continues the traditions of bachata.

“One of the things I loved about the bachata musicians I was working with early on is that they were such natural musicians. There was never any sheet music, so whenever we were going to record I would say, ‘Let’s do this song and it goes like this,’ and they would listen to it for a little bit before they figured it out and they were playing it,” he said. “I thought that we could somehow harness that energy in a more organized and educational format and make a school where we’re helping young children become professional musicians within this genre that has a lot of opportunity.”

De Menil partnered with DREAM Project, a nonprofit organization that did work in Cabarete, and launched Academia de Bachata in 2013. Since then, the school has provided hundreds of children with a free musical education.

“There were a lot of things we were trying to figure out along the way about what the best way to teach this music was because this wasn’t your typical conservatory. We were focusing on the traditions passed on rather than some style of music that there are already textbooks for.”

To make “Agridulce,” De Menil, who produced the film, reached out to Frank Pavich, director of the 2013 “Jodorowsky’s Dune,” the cult classic documentary about avant-garde filmmaker Alejandro Jodorowsky’s quixotic and failed attempt to adapt Frank Herbert’s 1965 sci-fi novel “Dune.” It didn’t take much to bring him on onboard.

“Ben contacted me and told me about the project. I responded with what’s Bachata?,” the Croatian American director said. “I had never even heard of the musical genre. And then he sent me some music. He sent me footage that he had shot of [Cabarete] and of the school. And it was unlike anything I’d ever seen. It was so colorful and so incredible that I just wanted to jump on right away. I was like, ‘Great, when can we go down there and start shooting? It was really that fast.”

Pavich says now he hears bachata everywhere.

“I live between Switzerland and Croatia and now that I know how to pick it up, I hear it in cars passing by a cafe in Geneva and in Croatia,” he said. “It’s everywhere, it’s infiltrated everything in the best way possible.”

“Agridulce” is an ethnomusicological documentary — it captures the music of a specific place and people and shows how the tradition is kept alive — that also doubles as a coming of age story. The film follows students of varying ages — Edickson, Frandy, Orianny and Yerian — out of the classroom, showing us moments of intimacy with their families and friends while also giving us a slice of quotidian life in Cabarete.

As such, “Agridulce” doesn’t shy away from the political tensions of the beachside resort. Much like in the U.S., immigration is a contentious topic in the Dominican Republic — the country shares the island of Hispaniola with Haiti, which has seen an exodus of its people over the decade.

De Menil and Pavich said that nearly a third of Academia de Bachata’s student body is of Haitian descent, and that they would have had to go out of their way to not include one of them in the film.

This tension plays out in the storyline of Frendy, a magnetic student of Haitian descent who uses bachata to fit in.

“Many young people are in that position of being made to feel they don’t belong at that time in life when a person most wants to find their place,” De Menil said. “We see that music can help kids, particularly immigrant kids, find belonging.”

“The film ultimately speaks to the way that culture and shared history contribute to the development of authentic, lived creativity,” said South by Southwest consulting programmer Jim Kolmar. “It’s something innate and inevitable, and ‘Agridulce’ really explores that beautifully. Obviously it’s full of incredible music, but the deeper cultural context is essential, and seeing it through the perspective of the students at Academia de Bachata helps us connect the dots.”

Dodgers fans generally hiss at the mention of Frank McCourt — the former owner took the team into bankruptcy, after all — but today is about tipping our cap to him.

Without him, fans would have no option to take public transit directly to Dodger Stadium. On his watch, the Dodgers helped secure government funding for the shuttle buses that provide free rides between Union Station and Dodger Stadium.

Sixteen years later, beyond the addition of a sister shuttle from the South Bay, that’s it.

The Dodgers boast the best team in the world. Shohei Ohtani is a tourist attraction. So is their historic ballpark. The Dodgers sold a record 4 million tickets last year.

In 1990, the last year Fernando Valenzuela pitched for the Dodgers, Los Angeles County unveiled a report that suggested ways to improve access to Dodger Stadium “for those who cannot or do not wish to drive.”

The options: a monorail, people mover, or light rail extension from the Chinatown Metro station; the shuttle buses that McCourt and Metro launched 20 years later; the gondola that McCourt first pitched in 2018 and continues to pursue; and a walking path.

A passenger exits the Chinatown Metro station in January.

(Etienne Laurent/For The Times)

L.A. is all about the car. You will most likely drive to Dodger Stadium, and so will your children.

For decades, the Dodgers have promised to ease traffic by adding amenities that encourage fans to come early and stick around after the game. That has not materialized, and notorious congestion within and around the stadium is as much a tradition as Dodger Dogs.

What if you could walk, for real? What if you could head into the stadium along a beautifully landscaped and wide Dodgers-themed path, a blue ribbon of fans coalescing into a community, with decorations and food carts, shade and lighting, and chants of “Let’s Go Dodgers!” along the way?

You can walk now, sort of. It’s about a mile.

There’s a map at the Chinatown Metro station displaying the pedestrian path toward Dodger Stadium.

(Etienne Laurent/For The Times)

At one end of the Chinatown station, there is a map with a pedestrian route, in a glass case that faces away from Dodger Stadium. If you walk out of the station at the other end, or if you just start heading in the direction of Dodger Stadium, good luck finding the map.

There are Metro signs leading you back to the station from Dodger Stadium, but none leading you along the route there.

The Dodgers actually would prefer you did not take that route, or at least the last part of it. I walked it with Alissa Walker, whose Torched newsletter is the go-to place to learn how major sporting events impact the everyday lives of Angelenos.

We entered the Dodger Stadium property at an intersection with no crosswalks, where cars enter and exit the 110 freeway. We stood atop a dirt patch next to a crumbling curb.

“To go a very short distance safely with a feeling that you’re not going to die,” Walker said, “is very difficult.”

With Game 3 of the World Series underway at Dodger Stadium last October, a few folks scurried across a pedestrian bridge with LED lights and blue glow sticks.

The bridge connects Chinatown with Dodger Stadium, traversing the 110. Without this bridge, there is no walking path to Dodger Stadium.

At night, the bridge offers magnificent views of downtown lights. But it had no lights of its own, so the volunteers used the LED lights and glow sticks to attach homemade Dodgers-themed signage to the fence that encloses the bridge.

“Our goal was, just by adding some lights, to make the really dark path at the top of the bridge at night a little bit brighter, so that it felt a little less scary,” transit advocate Jeremy Stutes said, “and to add a little bit of fun and whimsy.”

Glow sticks forming the “LA” logo of the Dodgers were placed on a pedestrian bridge over the 110 Freeway connecting Chinatown to the area where Dodger Stadium is located during the World Series and for several months after. As of last week, the glow sticks were no longer there.

(Etienne Laurent/For The Times)

From the Chinatown Metro station, the bridge is three blocks up College Street and one block down Yale Street. It’s an easy walk, and for now you pass an elementary school, a church, a row of Chinese restaurants, a dirt lot where a hospital once stood, parking lots, and an auto repair facility with a Dodgers flag hung on a wall.

When I did the walk last week, the trash at the foot of the bridge included a plastic cup, socks, a piece of rotting fruit, a half-full bottle of tequila, and half of a turkey sandwich, peeking out from torn plastic wrapping that indicated the sandwich had gone bad three days earlier. On the bridge: shopping bags, a pair of flip-flops, stray clothes scattered at one end, and graffiti everywhere.

A sign painted on the sidewalk indicates the direction toward the Chinatown Metro station.

(Etienne Laurent/For The Times)

That was the point those volunteers made last October: Clean up the bridge and light up the bridge — as they did for three days — and fans will walk there.

“It’s not that it’s not used,” Stutes said. “It’s not designed to be a safe space to use as an alternative to driving.”

When you cross the bridge, you can turn right or left along Stadium Way to get to a stadium entrance.

Turn right, as the map tells you to do, and you’ll encounter decaying sidewalks, with cracked and buckled concrete that turns a modest uphill walk into an obstacle course. Once you get onto the stadium grounds, the paint is fading along the pedestrian path, which offers you no protection from passing cars.

Turn left, and you’ll have to walk part of the way in the street, on an unprotected bike lane. You also could walk along the road behind the Fire Department training center, a path with no sidewalks and passing fire trucks. Either route takes longer than the one on the map, but you would enter Dodger Stadium through a pair of protected and brightly painted pedestrian paths. (That entrance, along Vin Scully Avenue, is a quarter-mile from Sunset Boulevard, where two Metro bus routes stop.)

If the primary choices for getting out of Dodger Stadium after a game are car congestion or Dodger Stadium Express shuttle bus congestion, a downhill walk to Chinatown Metro station — 12 minutes, Metro says — would be a nice option. That’s why those folks lit up the bridge over the freeway during the World Series.

“The lights were just a fun way,” transit advocate Kevin Dedicatoria said, “to show, ‘Hey, here’s a bridge so you don’t have to play, ‘Dude, where’s my car?’ or have to worry about waiting for the bus.’”

McCourt hails from Boston, where the local subway drops Red Sox fans a few short blocks from Fenway Park. When McCourt owned the Dodgers, I asked him if he could envision a subway or light rail extension to Dodger Stadium.

He’d love it, he said then, but the Dodgers were a private business, and government should pay for public transit.

Homes line a street in Eylsian Park, where Dodger Stadium is located.

(ETIENNE LAURENT/For The Times)

It was a fair point. The Dodgers pay taxes. In an era where teams regularly demand stadium and arena deals that exempt them from property tax, the Dodgers have paid $12.8 million in property taxes over the past three years, according to Los Angeles County tax collection records.

Would demand for public transit amid a car culture justify the investment? The Dodger Stadium Express indicates it could: Ridership has just about quadrupled since its inaugural season, from 122,273 in 2010 to 463,147 last year, according to Metro.

Even along the poorly maintained, poorly lit and poorly advertised pedestrian path, Metro said more than 700 riders returned to the Chinatown station on each of the three nights of World Series home games last year.

“As seen in social media videos during the 2025 postseason, the walking path continues to explode in popularity,” Metro spokesman Jose Ubaldo said.

Next steps?

“It’s astonishing to me that the Dodgers have not taken it upon themselves, as this great community partner, to fix this problem,” Walker said. “It is the city’s responsibility, but the Dodgers should be doing this, as part of what they want to represent to this community.”

The walking path includes segments along city streets, a Caltrans bridge, and Dodger Stadium property. Just who is the responsible party?

A Caltrans spokesman said the city is responsible for maintaining the bridge. A spokesman for the city’s department of street services did not provide an answer. A spokesman for the Dodgers declined to comment.

You could almost hear the sigh from city councilwoman Eunisses Hernandez, whose district includes Dodger Stadium.

“That’s what my job is: to bring people and agencies and organizations together to accomplish a goal,” Hernandez said. “We’re already in conversation with all these entities.

“We’re looking at some of the things we can enhance to make this a more walkable and accessible option for people.”

City Council member Eunisses Hernandez, center, talks with Circle outreach workers in Los Angeles.

(Allen J. Schaben/Los Angeles Times)

How much might those enhancements cost?

Without a look at a city-commissioned Dodger Stadium traffic mitigation study, expected to be completed this fall, Hernandez said she could not put a price tag on it.

“What I can tell you,” she said, “is that it will be less than half a billion dollars, for sure.”

By year’s end, the Los Angeles City Council is expected to vote on McCourt’s gondola project, estimated to cost $500 million and proposed as privately financed. Last November, the council voted 12-1 to urge Metro to kill the project.

Metro granted its approval, but with conditions that included a requirement to explore supplementing the gondola with other Dodger Stadium transit options, including more buses along Sunset Boulevard and a designated walkway from there to the stadium.

The walking path proposed in that 1990 study would have avoided Sunset Boulevard and the current Stadium Way routes — the ones with crumbling sidewalks, or no sidewalks at all — by using escalators and walkways to get fans up and down the hill between Lookout Drive, just off Stadium Way, and Dodger Stadium.

“Pedestrians could be directed through Chinatown,” the study read, “where numerous restaurants, shops and pedestrian amenities are provided.”

It’s hard to sell Chinatown businesses on the benefits of the gondola when fans would ride between Union Station and Dodger Stadium, soaring over Chinatown. It would be easier if a walking path led at least some of those fans through Chinatown, even if only on the way back from the game.

Even if the gondola system really can accomplish what its proponents say it can — loading 35 people into a cabin every 23 seconds — thousands of riders leaving when the game ends could mean a long line to board.

One of the entrances to Dodger Stadium on Stadium Way, the easiest access when walking from Chinatown Metro station.

(Etienne Laurent/For The Times)

“Also,” the 1990 study said, “passenger waiting following a game is psychologically perceived as being three to four times longer than actual waiting time.”

From this perspective, McCourt might win a few council votes by funding a first-class walking path. The cost, I’m told, would depend on what the enhancements include: signs, lights, trees, shade canopies, sidewalk repairs, escalators, and so on. For something close to $5 million — one one-hundredth of the projected cost of gondola construction — McCourt likely could do an exceptional job.

Is there any sign of progress here? Happily, yes.

In an internal report last December, Metro said Zero Emissions Transit (ZET) — the nonprofit organization now shepherding the gondola project — is pursuing ways to link pedestrians and bicyclists to the transit system and to Dodger Stadium. Those potential improvements include sidewalk repairs and a revitalized pedestrian pathway from the Chinatown Metro station to the bridge across the 110 and then across Stadium Way, to Lookout Drive and the hill above.

“Dodger Walk is envisioned as a series of switchbacks,” the report said, “inspired by the original walking path up Lookout Mountain that existed prior to the construction of Dodger Stadium.”

Whether such switchbacks would make the walk to the stadium longer or shorter than the current path remains to be determined.

In a statement, ZET said: “We embrace and include active transit solutions to increase pedestrian and bike access throughout the project area.” In particular, ZET said, it was “supportive” of a walking path to Dodger Stadium.

The Metro report cautioned the concepts “are in the early planning stage,” so L.A. might get an extravagant walking path, a utilitarian one, or none at all.

Here’s hoping McCourt gives us a path of some kind — whether the city approves the gondola or not — because a pretty walk generations can enjoy would be a prettier civic legacy than driving a team into bankruptcy.

Absolutely, this is the best team in UCLA women’s basketball history.

Not the best team in the country this year, but truly a testament to teamwork and hard work and talent retention.

Whether UCLA wins it all this season or not, the Bruins are the envy of teams everywhere, including Oklahoma State, whose season they ended with an 87-68 second-round victory Monday. Afterward, UCLA’s six seniors joined their teammates in one last victory lap around the court, waving to fans, soaking in the adoration, on their way to the Sweet 16 for the fourth consecutive season.

“Seeing a team who gets to host, a team who has stayed together, for the most part, they get to experience all the things that all of us want, and that is so incredibly rare and hard and special,” Oklahoma State coach Jacie Hoyt said.

But how much further those things will take these Bruins in the NCAA tournament after they fought off Oklahoma State?

Maybe all the way, but maybe not.

The road ahead is treacherous. And the Bruins aren’t barreling toward it with the same momentum as the teams they’re likely to face. This deep UCLA team will need to dig even deeper.

They will have Lauren Betts, though, and no one else will. UCLA’s great 6-foot-7 center and cheat code saved the day Monday, scoring 21 of her career-high 35 points in the second half, when the Bruins got tight and the Cowgirls got closer.

Not close, but closer. Much closer than UCLA’s fellow top seeds’ opponents did.

UConn beat ninth-seeded Syracuse 98-45 in a second-round game that featured a killer 31-0 run by the defending champion Huskies.

South Carolina dismissed ninth-seeded USC, 101-61.

Texas blew out eighth-seeded Oregon like a candle, 100-58, on Sunday.

Even the second-seeded Louisiana State Tigers — likely UCLA’s Elite Eight date if both teams win their way to a third consecutive NCAA tournament meeting — got in on the demolition derby Sunday. They routed seventh-seeded Texas Tech 101-47 while setting an NCAA record by scoring 100 points in their 16th game this season.

But this is not a tournament that takes into account point differential. So no harm and no foul when it comes to the scores of the Bruins’ first two wins — and the first round against California Baptist turned into a rout, 96-43, after the Bruins woke up and outscored their guests 52-9 in the second half.

What might matter is that while UConn and South Carolina, Texas and LSU delivered their best spirit- and soul- and confidence-crushing blowouts, the Lancers and the Cowgirls left Pauley Pavilion feeling good about themselves.

The 16th-seeded Lancers can tout that they trailed a top seed by just 10 at halftime. The eighth-seeded Cowgirls (24-10) can crow about outscoring the Bruins 42-41 in the second half.

“UCLA has lost one game all season, right? The majority of those wins were blowouts, like, real blowouts, and it would have been really easy for us to fold after that first quarter,” said Hoyt, referencing the fact that UCLA beat teams by an average of 28.9 points per game this season, fourth-best in the nation.

“But we never did. They were tough and had a resilience and a grit to them that I was really proud to coach.”

That the Bruins (33-1) couldn’t put more significant distance between themselves and a physical Cowgirls team posed some questions about why adjustments didn’t come quick enough, UCLA coach Cori Close said, taking accountability for her part of that. She also saw her players start to let calls and miscommunications frustrate them: “I didn’t think our next-play speed was as good as it has been, and it affects you,” she said.

UCLA coach Cori Close waves to the crowd after Monday’s win over Oklahoma State in the second round of the NCAA tournament.

(Ronaldo Bolanos / Los Angeles Times)

That doesn’t inspire additional confidence in the Bruins’ path forward. It’s a thorny gauntlet created by seeding rules that bar conference opponents from playing in the Elite Eight — and that could require UCLA, as the No. 2 overall seed, to beat three of the top-five seeded teams if it’s going to win a national championship for the first time since the Bruins won the AIAW title in 1978.

Close hasn’t quibbled with her team’s seeding despite its impressive 31-1 regular-season record against a loaded schedule. But she said Monday she doesn’t like the route that’s been drawn up for her team.

In Sacramento on Friday, the Bruins will play Minnesota, a familiar foe from the Big Ten — one of a dozen conference teams that earned NCAA tournament bids — whom they defeated 76-58 on Jan. 14.

But after that, to reach the championship game the No. 2 team in the nation could meet LSU (the fifth overall seed in the tournament), followed possibly by Texas (No. 3 overall). And then, of course, they’d likely meet No. 1, undefeated UConn in the final, where the Huskies would be trying to win a second consecutive title.

An unenviable assignment, even for a team that seems to have it all.

“You know what does bother me?” Close said. “That the No. 1 and No. 2 overall seeds are not being rewarded because of a guideline that you can’t play a person in your conference in the regional finals. That is an antiquated, poor rule that advantages the wrong teams and the people who haven’t done the work.”

But on Monday, while saying a victorious goodbye to Pauley Pavilion, the Bruins were still mostly unbothered.

“I told ‘em in the locker room,” Close said, “we can talk about your wins and losses all day, but that will always pale in comparison to the way that you’ve affected this community, the way that you’ve touched people’s hearts, the way that you’ve grown as young women.”

COLUMBIA, S.C. — When you look at the USC Trojans, one might think they’re setting the table for next year.

Buying time until JuJu Watkins returns. Keeping the ship afloat until the talented recruiting class that includes Saniyah Hall makes its way to campus.

But the Trojans showed Saturday that’s not the case. They’re making a plate and eating now.

The No. 9 seed Trojans gutted out a 71-67 overtime win over No. 8 seed Clemson in what USC coach Lindsay Gottlieb described as “a culture win.”

That game featured many tests for a young team in March and the Trojans responded well to the challenges. They are advancing on the back of freshman Jazzy Davidson’s 31 points and senior Kara Dunn’s 22.

Davidson, who appeared to be on the verge of tears as the referees reviewed the final play of regulation to determine whether she had committed a foul that would have set Clemson up for game-winning free throws, said on Sunday there’s a standard that this year’s Trojans feel they are responsible for meeting.

“I think our expectations, you know nobody wanted to lose JuJu, we all love her, but we have to keep going as you said and just holding that same expectation that they had last season. Just the program standard,” Davidson said. “And just resiliency and making sure that we’re doing our best every game.”

Dunn said the deck has been stacked against the Trojans all season and it’s forced them to grow stronger as a unit.

USC guard Kara Dunn drives to the basket in front of Clemson guard Taylor Johnson-Matthews during the first round of the NCAA tournament on Saturday in Columbia, S.C.

(Nell Redmond / Associated Press)

“I think this year has just been about focusing on going against all odds,” Dunn said. “A lot of people didn’t expect much from this team and they might have turned away at certain times when we had lower moments this season and I think that it built our own culture for this season specifically. I feel like we had to come together, we had to support each other when it didn’t feel like we had much support and I think that that’s been really important.”

She added that moving through the season with just the support of each other and their die-hard fans works in their favor as they prepare to take on powerhouse South Carolina on the Gamecocks’ formidable home floor.

“We have everything to gain, nothing to lose going into this game, so I feel like this has really helped us,” Dunn said.

The NCAA tournament game against the No. 1 seed on the Trojans’ side of the bracket will be a rematch of the unofficial “Battle of the Real USC” in November. The Gamecocks claimed a 69-52 win during that meeting.

USC guard Jazzy Davidson drives under pressure from Clemson guard Rachael Rose Saturday in Columbia, S.C.

(Nell Redmond / Associated Press)

Gottlieb said Sunday she scheduled that game to prepare her team for moments like Monday’s tough matchup.

“Maybe if we hadn’t played Notre Dame, UConn and South Carolina, maybe our record would be a little better coming in, but it doesn’t make you a better program,” she said. “Our goals remain the same; which is to win a national championship. So if you’re skipping those people in nonconference hoping to manipulate it, it doesn’t work that way. You have to see the best. You have to elevate your program to be the best, then ultimately, you have to beat the best to get to where you want to be.”

South Carolina is trying to avenge last season’s championship loss to UConn and secure its fourth national championship in program history and the third in five years. USC, meanwhile, is trying to match the Cheryl Miller era when she led the Trojans to back-to-back national titles in 1983 and 1984.

Trojan culture will be tested more than ever, but Dunn feels good about where the team is heading.

“Obviously that was the beginning of the season, now it’s towards the end and we’re two very different teams,” she said of the previous loss to South Carolina. “We’ve grown in a lot of ways, but we’re using that scout just to see what we did well and what we could’ve done better. We just want to make sure that we control those things first and then adjust.”

Davidson will have the chance to play in another legacy defining game during her second NCAA tournament appearance.

“I feel like I have nerves a little bit before every game, [Monday] especially because it’s a big game,” she said. “My teammates are always just making sure I’m calm and in the moment. The confidence that they instill in me every day really helps.”

They’re so darn cute together, these two. Neal Allen, father of four, newspaper reporter turned corporate executive turned spiritual coach turned author of two spiritual guidebooks, stands a full head of hair taller than his dread-headed wife, who calls him her “current husband.” He calls her his “remarkable and beautiful partner” and himself “Mr. Anne Lamott.”

And no wonder. Author Anne Lamott has published 21 books, with worldwide sales in the millions. “Bird by Bird,” her 1994 writing handbook, which has sold more than 1 million copies and continues to sell approximately 40,000 copies each year, became a meme before there were memes. Thirty-two years later, the titular phrase has made appearances everywhere from “Ted Lasso” (Coach Beard: “I hate losing.” Coach Lasso: “Bird by bird, Coach.”) to a Gloria Steinem interview in Cosmopolitan (“Every writer, truth-seeker, parent, and activist I know is in love with one or more books by Anne Lamott”).

Ask a famous writer how they do what they do, and “Bird by Bird” will likely get honorable mention. Harlan Coben, whose 35 novels have sold roughly 90 million copies, calls “Bird by Bird” his “favorite writing manual.” “I use it like a coach’s halftime speech to get me fired up to write.”

In a 2007 interview, “Eat Pray Love” author Elizabeth Gilbert called herself Lamott’s “literary offspring.” Paula McLain, who wrote the 2011 blockbuster “The Paris Wife,” told me: “I return to ‘Bird by Bird’ again and again because Anne Lamott tells the truth about how hard this work is — and then somehow makes you laugh about it.”

I reached out to best-selling memoirist and novelist Dani Shapiro to ask if she had her own experience with the book. “A writer is always a beginner,” she said. “And there is no better companion than ‘Bird by Bird.’”

Lamott and Allen partnered to write “Good Writing.”

(Christie Hemm Klok / For The Times)

Lamott, 71, and Allen, 69, met in 2016 on the 50-plus dating site OurTime.com. Nine months later, they bought a woodsy Marin County home with room for Lamott’s son and grandson. Sam, when he was 1 year old, was the subject of his mom’s first bestseller, the 1993 memoir “Operating Instructions.” His son Jax was the subject, at age 1, of his grandmother’s 2012 memoir, “Some Assembly Required.”

“We were watching U.S. Open tennis one night and Neal said, ‘Can I ask you something?’” Lamott told me via email. “I barely looked away from the TV, and he asked me to marry him. I said, ‘Yes, if we can get a cat.’”

After a decade of marriage, Lamott and Allen have undertaken a professional collaboration whose outcome, like their union, is greater than the sum of its parts. “Good Writing: 36 Ways to Improve Your Sentences” is as sharply specific as “Bird by Bird” is wanderingly wonderful: as winning a companion piece as two winning companions could create. The table of contents is itself a mini-manual of writerly tips: “Use Strong Verbs.” “Sound Natural.” “Keep it Active.” “Stick with Said.” “Don’t Show Off.”

Lamott and Allen.

(Christie Hemm Klok / For The Times)

I spoke to the late-life lovebirds about their process of marital manuscript-making: the good, the not so good and the blackmailing.

Meredith Maran: How did writing “Bird by Bird” compare to co-authoring “Good Writing”?

Anne Lamott: “Bird by Bird” was literally everything I knew about writing, everything I had been teaching my students for years. It was definitely my book. “Good Writing” was definitely Neal’s book. I just foisted my attention on him and threatened to undermine the marriage if he did not let me contribute.

MM: Neal, what on earth convinced you that you could add something to one of the world’s most popular writing books —written by your wife, no less?

Neal Allen: Oh, I’m not adding anything to “Bird by Bird,” which is a complete classic. It’s everything you need to know about becoming a writer. “Good Writing” is about what comes next: a second draft. And while it’s not fair to call “Bird by Bird” a craft book — it’s much more — it’s fine to define “Good Writing” that way.

“Helping each other with our work is one of the richest aspects of our life as a married couple,” Lamott said.

(Christie Hemm Klok / For The Times)

MM: In producing this joint project, how did you two negotiate the differences between your writing styles and personalities?

AL: We didn’t need to negotiate. Neal somehow manages to be both elegant and welcoming, whereas I think I am more like the class den mother, with a plate of cupcakes, exhorting people not to give up, trying to convince them that they can only share their truth in their own voice, that their voice is plenty good, and that when they get stuck, as we all do, I know some tricks that will help them get back to work.

NA: I once asked AI to describe the difference between my writing and Annie’s. AI answered that I explain things to readers; Annie helps readers reach catharsis. I think that’s absolutely right.

MM: How did you come up with the book’s fab format, whereby each of you writes your own introduction, and then each chapter starts with Neal’s thoughts about one of the 36 rules and ends with Annie’s?

NA: Annie first asked if she could annotate what I had written. That scared the bejesus out of me. When she started writing her own essays in her own voice, I was quite relieved. One of the format’s surprising strengths is that Annie always gets the last word. I explain the rule; then she helps the reader find their way and resolve their issues with the rule. There’s a downside: I don’t get to respond when she tells the reader to ignore me.

“I’m not adding anything to ‘Bird by Bird,’” Allen said. “It’s everything you need to know about becoming a writer. ‘Good Writing’ is about what comes next: a second draft.”

(Christie Hemm Klok / For The Times)

MM: In your intro, Anne, you recall Neal telling you he was working on a writing book. “Well. Hmmmph,” you replied. “I had written a book on writing once …” How did professional jealousy, competitiveness, possessiveness, or, on the brighter side, tenderness, collaborative spirit and generosity play out as you wrote a writing book together?

AL: We have no competitiveness or jealousy when it comes to each other’s writing. We just want the other person to write the most beautiful work they can. We are each other’s first reader, and editor, and while of course I feel attacked if Neal suggests even the tiniest change to my deathless prose, I have come to understand that his suggested cuts and additions save me from myself. Helping each other with our work is one of the richest aspects of our life as a married couple.

NA: There’s no way around “Bird by Bird,” and I just have to deal with that. My worry was whether Annie really wanted to be associated with my little book. I’m envious of Annie’s brilliance, of course, but we speak the same writing language and we love it equally.

MM: What are each of you proudest of, “Good Writing”-wise?

AL: We just recorded the audio version, and I was surprised by how much practical help the book offers. Also, I love the tone, which is so conversational and sometimes, I hope, pretty funny.

NA: I had the opposite reaction to recording the audio version. I saw all the opportunities for readers to mock me. In the 18 months between writing a final draft and the book showing up in stores, we’ve both flipped from believing it reflects well on us to thinking it’s a disaster. Luckily, both of us haven’t ever thought it sucks at the same time.

MM: That is fortunate. Also, Neal, I’m not sure you answered my question.

NA: What am I proudest of? That the book exists. I carried around these rules for improving sentences for years. I think a lot of writers do a book because they notice it’s not out there, and why isn’t it? And then they shrug, ‘Well, I guess it’s up to me.’ That’s how I came into all three of my books.

AL: May I just add that I’m proud to introduce my seriously charming and breathtakingly wise husband to a wider audience.

SACRAMENTO — Every two years, elite athletes compete in the Olympics, biennial plants — like carrots and onions — produce seeds and people across America look on with consternation and mounting impatience as California counts its election ballots.

The prolonged tally has become as much a part of electioneering in the Golden State as wall-to-wall advertising, high-flown promises and overstuffed mailboxes groaning beneath the weight of endless campaign fliers.

The tabulation — which can last weeks past election day — is the product, in large part, of a commendable objective: Encouraging as many people as possible to vote.

California, which mails a ballot to every eligible voter, ranks near the top of states in the ease of its elections. That’s something to be celebrated. Voting is a way to help steer the direction of our state and nation and invest, as an active participant, in its future.

Yay, participatory democracy!

Unfortunately, the lag time between election day and the final results has led to all sorts of wild, unfounded claims, peddled mainly by Republicans seeking to curry favor with the sore-losing President Trump by parroting his conspiratorial gabbling.

“They hold the elections open for weeks after election day,” House Speaker Mike Johnson said recently, falsely suggesting that chicanery cost the GOP three House seats in California in 2024. “It looks on its face to be fraudulent.”

That’s a lot of, um, hooey.

There is no rampant cheating or election fraud in California. Period. Full stop.

Still, those sorts of phony statements have deeply diminished faith in our elections and our increasingly rickety democracy.

So — what if it were possible to preserve California’s friendly voting system while, at the same time, speeding up the tabulation of its many millions of ballots?

Kim Alexander believes it’s possible to do both.

“We need to stop explaining why it’s taking so long and start figuring out how to [produce election results] in a more satisfying way,” she said. “There are a lot of things that we could do better and do differently. It just takes some creative thinking and some will.”

Simply put, “The longer it takes to count ballots, the more voter confidence erodes.”

Alexander, head of the nonpartisan California Voter Foundation, has spent more than three decades working to make the state’s elections more efficient, more transparent and more accountable.

Her interest in politics and election mechanics came about while growing up in Culver City, where her father served as a councilman and mayor.

As a 7-year-old, stationed in the garage, it was Alexander’s job to track the returns in her dad’s first campaign, toting up the numbers at an election night party while her mom, posted in the kitchen, called the city clerk for updates. Even at that young age, Alexander learned the importance of a fair and efficient tabulation process.

Over the years, she watched as her father’s political career was stymied by a Democratic gerrymander, which blocked any hopes he had of being elected to Congress or the Legislature as a moderate Republican. She saw firsthand the influence of money in politics. (Her father told her of turning away donations that came with strings attached.) That helped turn her into a political reformer.

After working as a legislative staffer and serving a stint at Common Cause, the good-government lobbying group, Alexander took over the California Voter Foundation in 1994.

As a political noncombatant, Alexander won’t say how it feels, and whether these days she’s more or less optimistic, watching as reckless attacks on our elections come from inside the White House. “I like to describe myself as a realist with high goals,” is all she’d allow.

There are good reasons why it takes California so long to count its ballots.

First off, there are a lot of them; more than 16 million residents voted in the last presidential election, more than the population of all but 10 states. Voting by mail has exploded in popularity and it takes longer to count those ballots, as many don’t arrive until after election day. Also, there are a number of safeguards to prevent fraud and ensure an accurate count. “We’re checking all the signatures,” Alexander said. “We’re making sure nobody votes twice.”

Simply explaining those facts can help build trust, she said. However, that won’t speed up the state’s vote counting. Here, Alexander suggested, are some things that can:

— Increase funding for California’s 58 counties to expand equipment, staff and the space needed to process ballots. In recent years, the state has been asking local election officials to do more and more without reimbursing their costs.

— Educate voters and encourage them to turn their ballots in earlier. Along those lines, a system called “sign, scan and go” allows voters to return their mail ballots in person at a designated polling place. A pilot program in Placer County found that that shaved three to four days off processing time. The system could be implemented statewide.

— Better manage California’s voter database, doing so from the top down in Sacramento, rather than having counties oversee their data and feed it into the system. That bottom-up approach creates delays and a lag time in processing ballots.

— Create “ballot swap” days to speed delivery of out-of-county ballots where they belong, also saving time. (Under California law, voters can return their ballot anywhere in the state, but it must be routed to their home county to be tabulated. That process can now take more than a week.)

The problem, apart from perennial budget pressures, is that interest in election mechanics — a technical and arcane subject if ever there was one — is episodic and fleeting. It’s like worrying about a leaky roof when the temperature is 95 degrees outside and the sun is blazing.

But even without voters clamoring to address California’s slow-poke vote count, lawmakers should act.

Gov. Gavin Newsom recently rose to defend the state’s “safe and secure elections” against one of Trump’s many unwarranted attacks. If he wants to burnish his credentials for a 2028 presidential run — which Newsom very much does — one way would be to speed up delivery of its election results.

That way the rest of the country won’t be asking again in November: What the heck’s with California?

On a night when my family watched Austin Reaves pull off the miraculous intentional missed free throw put-back basket on the way to a thrilling Laker overtime win against the Denver Nuggets, we talked more about the newest Lakers super fan on the way home. Kudos to Bill Plaschke for recognizing and capturing the power of 6-year-old Jackson Tuyay’s passionate cheering that helped ignite the laid-back crowd and inspire the Lakers to a huge comeback win. As a lifelong Laker fan since the same age as Jackson it was so awesome to see such innocent and authentic passion for the Lakers. In an arena full of stars in the stands and on the court it was the voice of a 6-year-old that reminded us how awesome it is to be a Lakers fan for life!

Paul Stapleton
Los Angeles

To quote Jackson Tuyay, “Yeaaaaah!” It looks like the Lakers can play some defense and beat the better teams after all.

Vaughn Hardenberg
Westwood

The Los Angeles Times welcomes expressions of all views. Letters should be brief and become the property of The Times. They may be edited and republished in any format. Each must include a valid mailing address and telephone number. Pseudonyms will not be used.

Email: sports@latimes.com

California Atty. Gen. Rob Bonta is asking a judge to unravel Nexstar Media Group’s $6.2-billion acquisition of rival TV station owner Tegna — the latest in a flurry of merger twists.

Nexstar announced late Thursday that it had consummated the Tegna takeover — despite a lawsuit that Bonta and seven other Democratic state attorneys general had filed in federal court the previous day.

The state officials sued to block the union of the station groups, alleging the new colossus would violate antitrust rules and a federal law limiting broadcast station ownership.

The lawsuit was filed in U.S. District Court in Sacramento.

Hours after that filing, the Federal Communications Commission’s Media Bureau in Washington approved Nexstar’s deal — clearing the way for the nation’s largest TV station group owner to swallow the third-largest station group.

The purchase gives Nexstar, which owns KTLA-TV Channel 5 in Los Angeles, 265 television stations.

On Friday, Bonta and the other attorneys general asked a judge for a temporary restraining order to freeze the takeover until a hearing on the matter.

“Nexstar/Tegna is not a done deal,” Bonta said Friday in a statement. “I will not let these corporate behemoths merge without a fight.”

It was not immediately clear when a judge might rule on the request for a restraining order.

Bonta appeared at a lawmakers’ hearing in Burbank on Friday to explore the impacts of another huge merger: Paramount Skydance’s proposed $111-billion takeover of Warner Bros. Discovery. Bonta’s office has opened an investigation into the Paramount-Warner merger, but Bonta said Friday that no decision has been made on whether he or other attorneys general will seek to block it.

For now, he is focused on derailing the Nexstar-Tegna deal.

“We filed a suit before that deal closed,” Bonta told The Times. “We think our case is extremely strong. There is no way this should be approved.”

At issue is whether the FCC had the power to grant a waiver that would allow Nexstar to control TV stations that reach nearly 80% of U.S. households. In 2003, Congress set the station ownership cap at 39% of the country.

The Department of Justice also gave its blessing to close the deal.

The three FCC commissioners did not vote on the matter — despite pleas from the lone Democrat on the panel who advocated for an open process.

Approval of the merger was rapid after President Trump endorsed the consolidation on Feb. 7.

“We need more competition against THE ENEMY, the Fake News National TV Networks,” Trump wrote in his social media post.

“Letting Good Deals get done like Nexstar – Tegna will help knock out the Fake News because there will be more competition, and at a higher and more sophisticated level,” Trump wrote. “GET THAT DEAL DONE!”

In a statement Thursday, Nexstar founder and chief executive Perry Sook thanked Trump and FCC Chairman Brendan Carr, saying Nexstar was “grateful” they recognized the “dynamic forces shaping the media landscape” and allowed the transaction to move forward.

The WNBA will likely get an injection of UCLA talent. One of the players most equipped to make an impact right away, it turns out, might be Kiki Rice.

Some mock drafts have the senior guard as high as being picked No. 5 overall after concerns she might fall out of the first round entirely before this season.

After a career-best season, though, Rice is one of the top prospects in a loaded class. That wasn’t a given after taking a step back in all statistics other than shooting last season.

The No. 1 seed Bruins are hoping to ride that to a national title, with the next step coming Saturday against No. 16 seed California Baptist in the first round of the NCAA tournament. Tipoff is at 7 p.m. at Pauley Pavilion.

UCLA guard Kiki Rice shoots over Ohio State guard Jaloni Cambridge during the semifinals of the Big Ten tournament on March 7 in Indianapolis.

(Michael Conroy / Associated Press)

WNBA scouts are hoping Rice proves she can be one of the best early first-round investments in the league.

“The work she did on her mentality, film study, with leadership, using her voice, working on her handles, I just think it’s her commitment to the details,” UCLA coach Cori Close said. “I’m not surprised that she’s playing this way because of the intentional work that she puts in.”

A Big Ten All-Defensive Team and unanimous All-Big Ten First Team selection this season, Rice is averaging career highs in points (15.3), rebounds (6.0) and shooting percentage (50.4%). Her assist numbers have dropped since the addition of Charlisse Leger-Walker, but that’s allowed Rice to create her own offense.

“I think one of the things that Kiki’s been able to do is have different kinds of scoring catches this year because of Charlisse’s presence on our team,” Close said. “But I do think the biggest thing has probably been her passing, her facilitation, as well as her ability to shoot.”

WNBA scouts have taken notice, too. One evaluator said her ability to play with a “group of weapons” has set herself up to be taken seriously for a larger role even as a rookie. For a long time, among those scouting in the league, she was viewed as a potential backup point guard, but her shooting ability and defensive consistency has made her a more complete prospect.

Her 2.2 defensive win shares are third in the Big Ten and her 83.0 defensive rating is seventh.

“I worked a ton of [defense] in the offseason and really stepped up to the challenge of guarding the other team’s best perimeter player,” Rice said. “I think me being challenged in that way, it’s been a really great area of growth, and that’s probably the area that I’m most proud of.”

Rice’s improvement from the three-point line is a big one for WNBA scouts. She improved her deep shot from 21.7% to 38.1% across four seasons.

UCLA guard Kiki Rice steals the ball from Washington guard Chloe Briggs at Pauley Pavilion on Feb. 19.

(Gina Ferazzi/Los Angeles Times)

That, plus her defensive prowess and ability to play point guard and more of a loose guard role, have helped her WNBA stock rise tremendously.

“Defensively has been probably the most impactful growth thing that she’s had,” Close said. “But Kiki — people don’t realize she was out for six months. She had surgery on April 15th last year and was out for six months.”

Rice was injured at the start of last season and then underwent right shoulder surgery right after the Final Four. Despite the injury, she played in 34 games last season, averaging 12.8 points and 5.0 assists per game.

Rice won the Big Ten tournament’s most outstanding player award after UCLA thrashed Iowa by 51 points in the championship. She averaged 16.6 points and 5.3 assists during three Big Ten tournament games.

Her numbers might be even better if she were the team’s top offensive option, like Hannah Hidalgo with Notre Dame. Instead, she is sharing time with other top WNBA prospects such as Lauren Betts, Gianna Kneepkens and Leger-Walker.

“What I love most is she’s one of the most selfless people I’ve ever played with,” Betts said of Rice. “She really could [not] care less about all of the attention. She just wants to win games. She’s always there for her teammates. I’m so grateful I get to be her teammate and her friend. She’s amazing.”

In addition to her three-point shot improvement, around 60% of her points still come in the paint from driving to the basket, making her a threat all over the floor.

“There were lots of times in previous years where Kiki could get downhill, but we didn’t have the court spacing because we didn’t have the quality of shooting that allowed those driving lanes to take place,” Close said.

UCLA guard Kiki Rice shoots over USC guard Malia Samuels at Pauley Pavilion on Jan. 3.

(Eric Thayer/Los Angeles Times)

The biggest question with Rice is whether her three-point shooting can scale to a higher volume in the WNBA, where guards are more likely to shoot from deep than be relied on in the post. She has never taken more than 2.7 attempts per game.

Part of that is because there are so many options from three-point range that Rice doesn’t have to be the primary shooter. Kneepkens is making 44.2% of her three-pointers and Gabriela Jaquez has hit 41.1% while Leger-Walker is shooting 36.4% from range.

That hasn’t affected Rice’s efficiency, though.

“I think this year the way that we moved the ball and everyone gets touches is so important for everyone and allows me to be successful,” Rice said.

UCLA guard Kiki Rice celebrates with teammates as she’s handed the Big Ten tournament most outstanding player trophy on March 8 in Indianapolis.

(Michael Conroy / Associated Press)

With the way the draft order falls, Rice is likely to end up with either an expansion team or a team that struggled last season, such as Washington or Chicago. That might mean she’ll need to step in and produce in her first season as a pro.

That is why her stock has risen so much this season — she’s shown she has the versatility to do what is needed.

“Kiki has been playing the best basketball of her career,” Close said. “I think she has put in the work. She knows what she’s earned, and she’s sort of ‘that girl’ for us.”

There is no such thing as a day of rest for artist Kenny Scharf, not even Sunday. “I wake up super early. It’s still dark outside,” the Los Angeles native says.

Rising before the sun anchors his active day. “I always have to keep moving,” Scharf says. “Otherwise, I’ll get very depressed.”

An avid hiker and swimmer, Scharf, 67, also maintains a disciplined yoga practice and cycles daily from his Culver City home to his Inglewood studio. There almost everything serves as a canvas, including painted trash doubling as decor and the silkscreened couch on which he’s seated.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“I don’t like to waste good paint and silkscreen ink. Why wash it? We apply it everywhere until we use it up,” Scharf says.

Scharf, who grew up in the Valley before making his way to New York City, first gained acclaim in the ‘80s East Village art scene alongside his friends and contemporaries Jean-Michel Basquiat and Keith Haring, his former roommate. The trio also befriended Andy Warhol, who predicted Scharf’s fame.

Renowned for his self-coined “pop surrealism,” Scharf often populates his bold, colorful work with grinning cartoon faces, elastic blobs, and sci-fi creatures floating through cosmic landscapes. Anxieties about overconsumption and environmental degradation lie beneath the playfulness.

Like their creator, Scharf’s works are always on the move, either rolling down the street on the cars he’s painted — featured in his recently published book “Karbombz!” — or traveling to forthcoming exhibitions in Wuhan, Tokyo and Paris.

This interview has been lightly edited and condensed for length and clarity.

5:30 a.m.: Wake up and feed the cats.

My cats, Cutie and Socks — one’s a tabby and the other is a tuxedo cat — wake me up by mewing and walking on me. They’re like, “Hey, I’m hungry.” So I get up and crack open the cans. They like that disgusting, smelly canned food. And then they go out into the yard.

I got the cats because I went to New York for a show. I was gone for five days and I live next to a park, so there are a lot of animals. I came back and my entire house was overrun by mice. I was like, “What the hell am I gonna do? I need cats.” The mice are gone and now I have these cats. They’re so cute and so much fun. They take over my life.

6 a.m.: Detox

I make lemon and hot water. It’s a good way to start the day and clear out the toxins. Right now, I have a lot of citrus because Ed Ruscha’s studio is across the street from my house, and in the back of the studio he has a citrus farm. I go there, especially during this time of year, and get bags of citrus. It’s like a farm community in the middle of L.A. I love L.A. because you can surround yourself with trees and gardens and kind of pretend that you’re not living in a giant metropolitan area.

8:30 a.m.: Iyengar yoga

An Iyengar yoga instructor comes to my house. I find Iyengar is great for aging. You use ropes and gravity to hang and do different things, using your body weight so you can relax into the positions. I also have a swing to go upside down on. When people walk into my living room, they go, “What’s going on here?” because of the ropes on the wall.

In the summer, I’ll go to the beach in Venice and swim in the ocean. It’s wonderful when I’m out in the water. It’s cathartic and cleansing, and sometimes I see dolphins. I’ll go early in the morning before the crowds come.

11:30 a.m.: Mar Vista Farmers’ Market

It’s fun to go there with my daughter Zena, who’s a chef, and my grandkids. We stroll around and get food. All the food stands are delicious. I grew up here in L.A., so I’m into Mexican food. I don’t really want to eat American food. I’m not into hamburgers. I want all the stuff with the culture. I like hot and spicy.

I also buy apples and berries, whatever I can’t grow, because I grow my own food at home.

And I buy stuff from an Indian man who sells Chyawanprash, which is kind of a jam. It’s really concentrated and like an elixir. He also sells Shilajit, which almost looks like tar. You put a little bit under your tongue and it dissolves, and it’s got like every single mineral in it.

2 p.m.: Painting at the studio

I’m painting seven days a week, but I really love coming here on Sundays because nobody’s here and the phone doesn’t ring. Sometimes, my granddaughter, Lua, will come. She paints. Upstairs at the studio I have a little painting area with easels for my grandkids, but my grandson, Jet, isn’t that into painting. I do my work, and Lua’s up there keeping herself busy painting, and it’s great.

Kenny Scharf in his paint-splattered studio he bikes to every day.

(Myung J. Chun / Los Angeles Times)

5 p.m.: Hike

The easiest one is right behind my house. It goes up to the top of the Baldwin Hills Scenic Overlook where the [Culver City] Stairs go. It’s one of the best views in all of L.A. You can see from the airport to the ocean, downtown, Mount Baldy. You can see almost all the way to Palm Springs, Mount San Gorgonio. The view is amazing.

We also hike a lot in Kenneth Hahn [State Recreation Area].

My grandkids often like to go on a waterfall hike, so there are a couple in Malibu. There are also a couple over in the San Gabriel [Mountains]. We’ll get into the car and drive an hour and hike.

6:30 p.m.: Dinner at a restaurant

Zena, Lua and Jet live close to me, so we have dinner together at least three or four times a week. Because Zena’s a chef, we don’t go out to eat that often, but sometimes we go to a restaurant called Madre that I love. It’s on National [Boulevard]. The food is so good. They often have squash blossoms. They fry them and put a little cheese in them.

I also love Gjelina in Venice. Sometimes I take people from Europe there because it is quintessential California. All the food they make is from the farmers market, so you get a tomato salad with incredible tomatoes.

8 p.m.: Read

I just finished Patti Smith’s latest book, “Bread of Angels.” It’s beautiful. I love her. I saw her perform at Disney Hall recently, and she was selling this book. I actually saw her perform at the Santa Monica Civic [Auditorium] when I was 19. I’d been wanting to move to New York for a lot of reasons, but when I saw her performance, it was, “I’m moving there.” There was so much energy in her.

9 p.m.: Bedtime

Usually I’m in bed by 9 and asleep by 10. When I was young, I was very involved in nightlife. I was working in nightclubs, all of my friends were in nightclubs, so I lived that big time. But now I’m jaded. I don’t want to sound above it all, but I don’t see anything going on that I’m getting excited about the way it was. And I’m not a nostalgic person, so I choose not to go out. I’m happier getting a good night’s sleep.

Most people think you can’t walk without an Achilles tendon. Jo Giese begs to differ, especially since she hikes without one.

The L.A. hiker, journalist and community activist shares her journey of recovery in her new 240-page book, “You’ll Never Walk Alone: A Hiker’s Memoir of Adventure, Tragedy, and Defying the Odds” (Amplify Publishing). Giese outlines how one fall down the stairs led to eight surgeries and a relentless search for answers for how she could return to the trails she loved.

“The reason I wrote the book is to inspire others,” Giese said, “that if you’re given a grim diagnosis — and it certainly doesn’t have to be your left Achilles — you do not have to accept it.”

Like many of us, Giese’s love of the outdoors started early. At age 5, she regularly took walks alone from her family’s home on Lake Washington Boulevard in Seattle. Wearing a frilly pinafore dress and Mary Jane shoes, she’d walk a few blocks to Seward Park, pausing at the playground, where she’d persuade someone to push her on the swing. That wasn’t the main goal of the trip, though.

“There is a path that leads up into the middle of the peninsula in this old growth forest. The canopies of the trees are two and three stories high. You’re just walking in this green wonderland,” Giese said. “And then after I finished walking all the way up as far as I wanted to go, I’d come back, and I’d walk back along [the route] and go home.”

The cover of “You’ll Never Walk Alone”; and a photo of author Jo Giese.

(Amplify Publishing; Dan Fineman)

Giese has been a walker and hiker ever since, falling in love with waterfall hikes in particular. Giese and her husband, Ed, split time between their house near L.A. and a home in Bozeman, Mont. They hike in the Santa Monica Mountains when they are home in Southern California, but Giese isn’t picky.

“I mainly hike anywhere I am,” Giese said.

That includes an epic vacation “jumping out of helicopters in New Zealand … in my late 60s,” she said. But neither that adventure nor any other is how Giese got injured.

It was a rainy night in late November in L.A. Giese was upstairs when her friend Lana arrived, and not wanting her friend to get drenched, Giese raced down the stairs to open the front door.

“I miss the bottom two steps, and I literally go flying horizontally,” Giese said. “My husband heard the crash. He came running, and I said, ‘Go let in Lana. She’s getting wet!’”

The trio immediately rushed to a nearby urgent care, where an X-ray showed a complete rupture of Giese’s left Achilles tendon, a thick band of tissue that attaches a person’s calf muscle to their heel bone.

Giese quickly called an orthopedist whom she’d seen for a simple knee procedure. He told her to come to his office the following day at 8 a.m. At the appointment, the doctor said, “‘I can do this. I did [an]

Hikers dressed in Dodger Blue gather for a group photo midway through a hike at Griffith Park on March 24, 2024.

(Brian van der Brug / Los Angeles Times)

Achilles repair 20 or 30 years ago. I can do this,’” Giese recalled.

Giese at Point Dume.

(Jo Giese)

In hindsight, it’s clear she should have found someone who’d done an Achilles repair “20 or 30 minutes ago,” she said. But the relief of not having to wait for surgery mixed with the shock of the moment made Giese and her husband impulsive.

“We were so frightened then — I’m in a wheelchair, and I’m all black and blue and bruised. I cannot walk. And there is someone in front of me who says he can do this,” Giese said. “And that should be a lesson to anybody.”

After the surgery to reattach her Achilles, her doctor left for a two-week vacation while Giese was at home recuperating, studiously following the doctor’s after-care guidelines. At her follow-up appointment, the nurse was unwrapping the bandage when the doctor observed, “That’s necrotic.” At the time, Giese didn’t know that word essentially meant “dead.”

The doctor immediately blamed her, saying it was from an ice burn. Both she and her husband knew that wasn’t true. Another doctor would later suggest that the surgeon introduced the infection during that first surgery.

“I don’t think I’d been so scared since my encounter with a bear,” Giese wrote in her book.

Exactly 49 days from her accident, Giese was scheduled for another surgery (with a different doctor) to debride the wound and reattach her Achilles. It was supposed to take several hours. But less than an hour into surgery, her physician told Ed that Giese’s Achilles had died. Soon, he asked Giese if she wanted to see what was left of the largest and strongest tendon in the body.

It looked like “a nasty little caterpillar that had turned fetal, curled in on itself, and died in a sea of black-and-green muck,” Giese wrote.

Next, Giese needed a skin graft to cover the wound from the previous surgeries. After that, she returned to her doctor’s office — 114 days after her accident — where her doctor removed the bandages from that third surgery and suggested something revelatory: that Giese should put her left foot down, putting her whole weight on it.

“My naked left foot — heel and five toes — made intimate contact with a floor, a cold linoleum floor, for the first time since this medical journey had begun four months earlier,” Giese wrote. From here, she walked her first 20 steps.

But recovery would come in fits and spurts. About a month later, Giese wanted to attend a festival while in Austin, Texas, only to find the 10 blocks of booths and vendors too daunting. She went back to the hotel and screamed, “I cannot walk!”

From here, she demanded better care. Giese was tired of hearing medical professionals say they’d never encountered someone without an Achilles. She wanted to find someone who was experienced with complex muscle injuries.

Her search ended 274 days after her accident when she learned about the Center for Restorative Exercise in Northridge. Giese felt dubious about another physical therapist, though. She’d already been to three physical therapy clinics, and “those had been a waste of time, energy and hope,” she wrote. But here, she was met with science and intentionality.

Taylor-Kevin Isaacs, the clinic’s co-founder, told Giese that she had other muscles still intact that could help her walk again, and she luckily hadn’t suffered any nerve damage, Giese wrote in the book. She spent the next 2½ years working with the center’s staff, which included receiving acupuncture, shockwave therapy and scar tissue massage, which was so painful “you could have heard me screaming from where you are,” Giese said.

After she completed care at the center, Isaacs nominated Giese for an award she won — an Oboz Footwear “Local Hero” award in 2024.

On the photo shoot for the award, Giese hiked with a photographer along a trail to Ousel Falls, a 50-foot waterfall in Big Sky, Mont.

It had been five years since her accident, and Giese thought back to a medical appointment in Montana the first summer after her fall. A physical therapist that Giese had been working with for about a month asked her to walk about 50 feet across the room.

“I hate to be a Debbie Downer,” the therapist said, “but you’re going to be compromised for the rest of your life.”

At that point, Giese told me, all she had was hope — that she’d get better, that she’d walk again.

Here at the waterfall, Giese told the photographer they should take the steps down to the splashdown area for a better shot. She was ready, navigating black ice like she’d done many times before the accident.

“My thought was, ‘If only that person could see me now,’” she said. “This person who said, ‘You’re going to be compromised the rest of your life, and you have to accept it.’ I thought, ‘No, I don’t.’”

3 things to do

Hikers dressed in Dodger Blue gather for a group photo midway through a hike through Griffith Park on March 24, 2024.

(Brian van der Brug / Los Angeles Times)

1. Have a home run of a hike in L.A.
The Dodgers Blue Hiking Crew will host an intermediate hike at 6:30 a.m. Sunday at Griffith Park. Participants are required to wear hiking or trail shoes or boots. The group’s hikes are usually six miles and last about three hours. Register at facebook.com.

2. Clear the trail near Ojai
Los Padres Forest Assn. will host a workday from 8 a.m. to 3 p.m. Saturday along the Potrero John Trail. Volunteers will meet at the Cozy Dell Trailhead before carpooling to the work site. The trail features jagged rock formations, a perennial creek and bigcone Douglas fir. Register at lpforest.salsalabs.org.

3. Wander through nature’s wonders in Whittier
The California Native Plants Society San Gabriel Mountains chapter will host an easy hike from 9 to 11 a.m. Sunday through Sycamore Canyon in the Puente Hills. Cris Sarabia, conservation director for the Palos Verdes Peninsula Land Conservancy, will educate hikers on plants along the trail, both native and nonnative species. Participants should wear long pants to protect against poison oak. Register at eventbrite.com.

The must-read

Sturtevant Falls, a 55-foot waterfall, in Big Santa Anita Canyon in the San Gabriel Mountains.

(Jaclyn Cosgrove / Los Angeles Times)

Perhaps you’re reading this from a dark room, blinds drawn, fan blowing, praying for a return to spring. That’s definitely the scene where I’m writing to you! Whenever L.A. experiences an intense heat wave, I feel a little trapped. That’s why this week I updated our list of the best hikes around L.A. that will offer you shade and, in most cases, streams and rivers where you can cool down.

Please take good care, though. Hike before 11 a.m., stay hydrated and only cross creeks when you feel safe doing so.

Happy adventuring,

P.S.

Our recent weather pattern — heavy rains followed by intense heat waves — has meant wildflower season came earlier than expected in several regions of Southern California. Times contributor Jessie Schiewe outlines in this guide the hiking areas where you’ll most likely find recent blooms. For example, Towsley Canyon in Newhall, an area I have yet to visit, is likely a spot where you’ll find bright orange poppies. Want to learn a quick hack that I use to better ensure I will see blooms? Search iNaturalist, a citizen science app, for the flower you’d like to see, using the filter option to only view posts from the last two weeks. If users have recently posted, for example, about spotting poppies, your chances are higher that you will too. Keep on reading The Wild, and I promise I will keep giving you my secrets of outdoors reporting!

For the Record: Last week’s edition of The Wild said decentralized seed banks would be built by procuring seeds from L.A. County nature centers. A decentralized seed bank will be developed to procure seeds for and by L.A. County nature centers.

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

PHOENIX — It’s only fitting that the pitcher who recorded the Dodgers’ final eight outs of the World Series will take the mound on opening day, as the club tries to pick up where it left off in 2025 and chase a third straight championship in 2026.

Dodgers manager Dave Roberts said Monday that World Series MVP Yoshinobu Yamamoto will toe the rubber for the March 26 opener at Dodger Stadium against the Arizona Diamondbacks — the second straight year he’s had the honor and the first time at home, after pitching last season’s opener in Tokyo against the Chicago Cubs.

Roberts added Yamamoto is expected to return to Camelback Ranch soon, after participating in the World Baseball Classic with Team Japan. The Samurai Warriors, seeking a second straight WBC title, were eliminated by Team Venezuela Saturday night in the quarterfinals.

Yamamoto is expected to make one more start in the Cactus League before opening day, although the date has yet to be scheduled, according to Roberts.

Shohei Ohtani returned to Dodgers camp Monday morning, and Roberts plans to have a conversation with him soon about configuring his throwing plan leading up to regular season play. Per Roberts, Ohtani threw four innings in a simulated game while with Team Japan last Thursday.

“He’s going to get here and throw a bullpen,” Roberts said, adding: “I’m trying to figure out when we can get him into a game, but it should be here in the next day or two, to take some at bats. But as far as his progression, there’s going to be a bullpen soon, and [we’re] trying to figure out what day he’s going to pitch this week. It should be this week, but I’m not sure which day yet.”

Ohtani has not pitched in a Cactus League game and did not pitch in the WBC. Roberts does not expect the four-time MVP to be fully stretched out by the start of the regular season. Still, as Roberts notes, he’s further along than he was at this time a year ago, when he was working his way back from Tommy John surgery.

“I think this year we’re certainly north of that, I don’t see how we won’t be able to get to three or four innings in a major league game, so that’s certainly a better jumping-off point than last year, so we’ll see how it goes,” Roberts said.

Beyond Yamamoto, Ohtani and trusty veteran Tyler Glasnow, the Dodgers’ back end of the rotation is still taking shape. Though Roberts had considered a six-man rotation to begin regular season play, he indicated Monday that he expects the club to use a five-man rotation, noting that things are still “fluid.”

Last week, Roberts said he “didn’t see a world in which Roki Sasaki doesn’t break [camp] as a starter.” That would leave one rotation spot up for the taking, with 25-year-old Justin Wrobleski, 26-year-old Emmet Sheehan and 27-year-old River Ryan among those in the running.