There are plenty of ways to celebrate Black History Month here in Los Angeles, whether you’re looking to honor jazz innovators like Miles Davis or recognize those who are making history now, including a Black woman-founded grocery store that provides organic vegan produce to South L.A. neighborhoods.
This year marks the centennial celebration of Black history across the United States — though that time frame spans only a fragment of how long African Americans have been contributing to this country.
In 1926, historian Carter G. Woodson and the Assn. for the Study of Negro Life and History spearheaded the first celebration of Negro History Week during the second week of February, overlapping with Frederick Douglass’ birthday on Feb. 14 — to encourage the study of African American history. President Gerald Ford officially designated February as Black History Month in 1976, during the U.S. Bicentennial.
As is always the case, the Grammys this year will be dominated by pop, rap, country and rock. But the best races often lie in the less mainstream genres. Take best jazz vocal album, where Samara Joy, Dee Dee Bridgewater and Bill Charlap, Michael Mayo, Terri Lyne Carrington and Christie Dashiell and Nicole Zuraitis are competing for the honor.
The highly impressive group reflects the current state of jazz, where both young guns and veterans are combining to bring the music to a new swell of fans. To talk about the present state of jazz, The Times brought together 26-year-old Joy and 75-year-old Bridgewater. What followed is an incredible conversation on politics, race, equality and mutual fandom.
You both have had Grammy success. But is it still just as thrilling to be nominated?
Dee Dee Bridgewater: I can speak on that because I haven’t been nominated in years. And yeah, it’s a thrill when you’re nominated and you haven’t been and you’ve done something that your peers think is Grammy worthy. I don’t know about Samara, but for me, I don’t do any of my recorded projects with the intention of getting a Grammy nomination, which seems to be the goal of a lot of younger artists. So that me doing something that I just was trying to chronicle and because of this work that Bill and I have been doing off and on for the last few years, it’s like the icing on the cake. It’s wonderful.
Samara Joy: Agreed, when I say I’m just grateful to be here, like in this space, being able to talk about this in this way, I mean it. It wasn’t the intention behind making the music that I love to make with the people I love to make it with. And when kids come up to me and they say, “Because of you, now my goal is to be a Grammy winner.” I’m like, “You’ve already strayed way off course. We need to come back.” And realize that the accolades and the awards and the acknowledgment is beautiful because it’s coming from your peers and we’re celebrating each other. It’s amazing, it’s exciting, it’s wonderful. I’m grateful for it. But at the same time, the other 364 days of the year, we’re working and we’re touring and we’re performing because we love it. And it’s with the intention of seeing what else we can learn and express and finding new ways to do that. I’m grateful to be in the conversation, but also I’m using it even more as an opportunity to thank the people who support us and who listen to the music and who come to the concerts to say that that’s what I love. So, the fact that people have connected with it enough to acknowledge it on such a high level is amazing, but the love of it never goes away.
Bridgewater: Yes, I agree with that, Samara. When I do my work, because I like to call myself an artist who flies under the radar, I’m basically out there trying to bring joy to people. With the music that I do, I try to change up the projects depending on what is going on in the world or depending on what I’m thinking about and feeling about society and just trying to make a connection with people and be a conduit for the people and speak through the songs, things that I think will bring them joy or get them to think about some things that they are not wanting to say out loud. So, that’s what I’m doing right now. Then with my music, what I’m trying to do is bring more attention to women in jazz. For the last few years, aside from my occasional concerts with Bill [Charlap], I have been working with women. I have created a band. I call it We Exist! We are doing socially conscious music, some protest songs, and that is what I’m taking around the world. Generally, people come up to me and say, “Thank you so much for saying these things for us. We need to hear this.” My concern at my older age, now that I’m in my golden years, is the state of society and the world and this political crisis that we are in. So, I’m trying to speak about this in a way that people can hear it without getting on some kind of political bandstand and speaking in that way. I think that the world is in danger politically and I think our democracy is in danger. That’s my concern and that’s what I’m trying to do through my music. Also, I want people to see more women in the jazz space, and I think as an elder it’s almost an obligation of mine to lead that front and present this and present this image. I get many women that come up and say, “Thank you so much for doing this for women.” So, that’s where my head is right now.
Dee Dee Bridgewater
(Hernan Rodriguez)
How exciting is it to see that, of the jazz vocal nominees, four of the five are women?
Bridgewater: Yeah, and isn’t that wonderful? But I can say this, for vocal jazz, it usually is women. This has been the place where we have been allowed to shine as vocalists. It’s been for many, many years, the only place where we’re allowed to shine. So, when you get female instrumentalists besides Terri Lyne [Carrington] because Terri Lyne broke through in a period of when there were not a lot of jazz drummers, so that she worked with Herbie [Hancock] and she worked with Wayne [Shorter]. They gave her a platform that most women are not granted. Of course, also, one has to be extremely talented. And Terri Lyne can stand beside any man and hold her own and outdo many men. That’s not the point. The point is that she had that opportunity. They gave her that opportunity and then she’s been able to pay it forward. But to see instrumentalists like Lakecia Benjamin who has really come to the forefront as an alto saxophonist and to see her get Grammy nominations, that’s something that, for me, is huge.
Samara, talk about what you’re seeing in the scene today in terms of gender disparity and overall vibe.
Joy: I’ve had the opportunity to play with some amazing ones. I went to the Vanguard a few weeks ago and sat in with [Christian] McBride and Savannah Harris was on drums. I played with Alexandra Ridout, who is an incredible trumpet player as well. Although I understand the disparity in the current time and throughout history, I also understand that I might be living through a privileged time where I just kind of see women around me everywhere. So, I don’t understand what it’s like to be without it on the scene. I can read about the fact that maybe at a time saxophone was taking precedence over jazz vocals or with each era, there’s a new focus. But I guess on the scene now I’m proud to be able to see all of these wonderful women composers and instrumentalists stepping to the forefront.
Both of you have made music that is very uplifting as well. In these difficult times, music is something that can lift the spirits and bring people together. For each of you talk about making music that uplifts because there are so many great jazz standards that have the point of lifting up the world.
Bridgewater: I’m here in town at Birdland with Bill Charlap and we are doing songs from the American Songbook primarily and Duke Ellington. It has nothing to do with anything that’s going on today, politically speaking. Last night was our first show and the audience just loved it. So, there is that side that one can take. And I’ve been very apolitical. It’s just since the two Trump administrations and the Gaza war that happened and some other things that I’ve seen going on outside of the United States that have really incensed me that I felt the need to speak out in the way that I am, you know. But it is wonderful to go to a show and have people come to see a show and be able to completely lose themselves and be outside of what is going on for that span of time that they are with the artists. For the other side, when I do these socially conscious songs, people come and say, “Oh my God, thank you. I needed to hear that. I needed to hear someone.” Because my point at the end of my show is I say, “We the people have the power, we can’t forget that. We are the people that can motivate the change and protect our democracy because we see democracy being chipped away around the world.” I grew up in an era where there was a distinct difference between Black and white and I was not able to be served when I would go to sit at a lunch counter as a little Black girl. So, I’ve experienced both sides. My awareness is different than Samara’s and I feel the alarms. The alarm bells are just ringing for me. But when I come back and I do a show with Bill, sometimes it’s difficult for me to get into these sweet, innocent songs because they don’t have the gravitas that I’m experiencing doing a Nina Simone song like “Mississippi Goddam.” For me, artistically speaking, it’s been interesting to find a balance. Samara, you do these beautiful songs with that stunning voice of yours. Your take is totally different. And you’ve grown up in another era.
Joy: This is the first time in my life that I have not only been aware of what’s happening in the world but also feel compelled. Like, I have a responsibility to do something about it because I’ve never been so aware of what is happening around me as I am right now. I don’t know if that’s a good thing or bad thing but I just feel like, ”OK, I’m an adult and this is the world that I live in and I have a responsibility as one of the people living in this world to not only do something about it right now but do something for the next generation of people who are going to have to live in the world that results in what we do right now.” It’s scary. I don’t know how people do it, especially because it’s not as difficult right now. It’s not as difficult for me to say something that might have been for an Abbey Lincoln or Nina Simone or whoever. I’m also living in a sort of luxury in that way that I don’t have to speak out and be the only one who is doing so and then be proven right later. In that way, I’m like, “I have to because of all these women who have gone before me, who made that difference and who stood and didn’t get appreciated or thanked for it in the moment, have made it so that the world that I live in now, as crazy as it is, I’m able to have a platform in the first place and be able to lead some sort of charge — or at least spread some sort of message so that the world that we’re building for the ones who come later. It’s not just about me right now, it’s all interconnected.” It feels a little heavy, a little scary. I’m still trying to figure out where my voice fits.
Bridgewater: You know what, honey, I get that. When I was your age, I honestly was not at all concerned about politics and what was going on. I was concerned about my Blackness because I’ve experienced our people being named four different times. When I was a little girl, I was colored, then I was Negro, and when they said Black, I was incensed because your hair is black. Our skin is brown. But I understand where you’re coming from because you are coming up in a different time. And you are just beginning to navigate all of the politics, so you’re going to probably go through a similar kind of thing that I went through when I was young, and I concentrated on just writing my music and things that spoke to me. You’re fine where you are and you’re going to learn to navigate all of this in time and what I would hope for you is that you don’t feel a weight. We’re all going to feel this heaviness because of the situation that we’re in but as an artist, I want you to feel free to discover and do the things that you feel in your spirit and not feel led to do something because it’s what’s going on around you. You’ve got to continue to stay true to yourself, which you’ve been doing, which is wonderful. I’m at a different stage in my life. I’m in the last quarter of my life. I’m 75 and I’ve been through all of this stuff. I feel like I’m at a place where if I want to say something instead of not like I’ve done in the past, I’m going to speak my mind. I want to say this to Samara and I’ve said this to her before. But I am so proud of you and what you are doing. And you have a voice that the gods have blessed you with, Samara. At my age to be in the same space with you for the Grammys, I am so tickled. I love you so dearly. I truly do, and you know that. The times that we’ve been on stage together, it’s been wonderful for me. I want you to know that there are people who are your elders who, besides loving you like we do, we depend on you, Samara. You have been able to enter the space and bring jazz to the world in a way that we were not.
Joy: I love you too. I’m sitting here thinking about one of the first times I got the chance to see you perform at Blue Note. I was there with my professor at the time. I was so nervous, but I’m so honored to know you. I’m so honored to have loved you from afar and now get the chance to love you up close and honor you and appreciate you and shower you just as you have showered me.
If you were going to do one song together at the Grammys, what would you want to do?
Joy: “I Wish I Knew How it Would Feel to be Free,” [Nina Simone].
Bridgewater: That’s in my repertoire. I do that. That would be a great one, Samara. I’m on board. We would tear it up.
I didn’t mean to ruin anyone’s new year cheer, but I also didn’t expect so many people around me to be on news cleanses in 2026.
I was visiting a friend in a mental health facility in early January when he told me news I didn’t believe: that the U.S. had captured the Venezuelan president. I asked him how he knew. A staffer had told him. I did not believe him. Sounds like AI-generated misinformation, I thought to myself.
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After leaving, I called my friend, Patrick, who listens to so many podcasts, I’ve wondered if he plays them as he sleeps just to stay informed. “Can you believe the news?” I said without saying hello. He didn’t know what I was talking about.
“I’ve been taking a news cleanse with the new year,” he said. “What’s going on?”
I proceeded to tell three more people about the raid on Nicolás Maduro’s compound, including a friend on a camping trip who was probably much happier before she read my text.
And that was just Day 3 of 2026. Over the past month, Americans have faced overwhelming, heartbreaking and frightening news. I cannot be the only one who sometimes closes my eyes when I open a news app, doing a quick countdown before I read the headlines.
It’s even more important in these challenging times to take moments in the day for quiet reflection. Meditation, which can include prayer, has a tremendous number of health benefits, including lowering stress and anxiety and helping us be less reactive or quick to anger.
Below you’ll find three hikes with places along their paths where you can easily sit or lie down. If meditation isn’t your thing, consider practicing mindfulness. You could take a moment to play what I call the “color game,” where you try to spot something from each color of the rainbow (including indigo and violet, if you’re feeling lucky). I’m always amazed at how much color I can spot even just on a walk in my neighborhood.
I hope you find a moment, at least, of peace as you explore these trails.
The Verdugo and San Gabriel mountains, as seen from a trail to 5-Points in Griffith Park.
(Jaclyn Cosgrove / Los Angeles Times)
1. 5-Points/Beacon Hill Loop (Griffith Park Explorer Segment 11)
Distance: 6 miles Elevation gained: About 1,200 feet Difficulty: Moderate Dogs allowed? Yes Accessible alternative: Los Angeles River Bike Path from North Atwater Park
The 5-Points/Beacon Hill Loop is a six-mile excursion through the southeast corner of Griffith Park that offers epic views of L.A. and its neighboring cities.
To start your hike, you’ll park near the Griffith Park Merry-Go-Round and head south to the trailhead. You’ll take the Lower Beacon Trail east and head uphill and soon be able to spot the L.A. River and the cable-stayed, 325-foot North Atwater Bridge.
You will follow the trail as it curves and runs parallel to Griffith Park Road before meeting up with the Coolidge Trail just over a mile in. The Coolidge Trail will take you west and then north toward 5-Points at 2.3 miles into your hike. (Note: The Griffith Park Explorer version of this route includes short in-and-back jaunts that I’m not including here, so my mile markers will be different.)
The 5-Points trail is aptly named, as it’s a location where five trails converge. I’d recommend taking the 1/5-of-a-mile Upper Beacon Trail, which takes you northeast up to Beacon Hill. It’s briefly steep but is worth it for the great views of downtown L.A. and the surrounding area. And it is a great spot for you to take a moment for meditation or mindfulness.
From Beacon Hill, you can head back to 5-Points and continue southwest to the Vista Viewpoint, a lookout point that’s usually more crowded but still stunning. Or take the Fern Canyon Trail to loop back to where you parked. Or both!
As an extra treat: This weekend is the full moon. On Sunday, you can take this hike to 5-Points, a great spot to watch the moon rise. I once crested a hill at 5-Points only to witness the Strawberry Moon, June’s full moon, rise over the Elysian Valley. My friends and I cheered over our luck.
The moon is expected to rise at 5:24 p.m. Sunday. I hope you catch it from this epic lookout spot. (And yes, it’s another place to pause in quiet reflection, taking in the beauty of our Earth.)
The Musch Trail, or Backbone Trail, takes hikers through lush meadows.
(Jaclyn Cosgrove / Los Angeles Times)
2. Backbone Trail to Musch Trail Camp
Distance: 2 miles out and back (with option to extend) Elevation gained: About 200 feet Difficulty: Easier end of moderate Dogs allowed? No Accessible alternative:Sycamore Canyon Road
This two-mile, out-and-back jaunt through Topanga State Park takes you through lush meadows and chaparral where you’ll likely spot wildflowers and wildlife.
To begin your hike, you’ll park at Trippet Ranch and pay to park before heading out. The Musch Trail is in the northeast corner of the lot. You’ll take the paved path just 1/10 of a mile before turning on the dirt path, the Backbone Trail.
The Musch Trail Camp in the Santa Monica Mountains.
(Jaclyn Cosgrove / Los Angeles Times)
The ranch was originally called Rancho Las Lomas Celestiales by its owner Cora Larimore Trippet, which translates to “Ranch of Heavenly Hills.” You’ll find, as you hike through those hills covered in oak trees, black sage, ceanothus and more, that the name still rings true today.
A mile in, you’ll arrive at Musch Trail Camp, a small campground with picnic tables and log benches. As you pause, listen to the songs of the birds. California quail, Anna’s hummingbird and yellow-rumped warbler are commonly spotted. Stay quiet enough, and you might just spot a mule deer, desert cottontail or gray fox.
From the trail camp, you can either turn around or continue northeast to Eagle Rock, which will provide panoramic views of the park. From Eagle Rock, many hikers take Eagle Springs Fire Road to turn this trek into a loop. Regardless of which path you take, please make sure to download a map beforehand.
Boulders at Mt. Hillyer in the San Gabriel Mountains.
This six-mile jaunt along the Silver Moccasin Trail, which is just over 50 miles when fully open, takes you through high desert and pine trees.
Shaped like a lollipop, the trailhead sits about half a mile northwest of the Chilao Visitor Center, which is typically open on the weekend. You will head north for a mile before turning left off the Silver Moccasin Trail.
You will follow Horse Flats Road to Rosenita Saddle, where you’ll take the trail southwest to Mt. Hillyer.
Keep an eye out for Jeffrey pines, which will have deeply furrowed bark and round prickly cones. Their bark smells like butterscotch or vanilla, which I always love pausing to sniff.
A hiker takes the path to Mount Hillyer in Angeles National Forest.
(Jaclyn Cosgrove / Los Angeles Times)
The trail also features Coulter pines that produce massive cones nicknamed widowmakers because of their size. The Coulter pine cones can weigh up to 11 pounds. If you’re in the area when it’s windy, please watch your head.
To reach Mt. Hillyer, you’ll follow a short spur trail about half a mile southwest from the Rosenita Saddle. Mt. Hillyer features several large boulders, perfect for stopping to meditate. It’ll also offer you sweeping views of the San Gabriel Mountains.
You can make the trail a loop by continuing south until it jags back east, meeting back up the paved road you previously took.
Outside of rock climbers, this trail isn’t terribly popular, so you’ll likely have opportunities along the way to pause.
Deep breaths. We’ll get through this together!
3 things to do
Participants prepare for the Griffith Park Run during a previous year’s event.
(Los Angeles Parks Foundation)
1. Hit the hills in L.A. There’s still time to register for the Griffith Park Run, a half marathon and 5K through L.A.’s iconic park on Sunday. Participants will start the half marathon at 7:30 a.m. and the 5K at 10 a.m. This is the first year dogs are allowed to run alongside their owners in the 5K. Proceeds benefit the Los Angeles Parks Foundation. Register by 11:59 p.m. Saturday at rungpr.com.
2. Learn to ride a bike in El Monte ActiveSGV, a climate justice nonprofit in San Gabriel Valley, will host a free class from 9:30 to 11:30 a.m. Sunday about how to ride a bicycle. Students will be taught about balancing atop a bike, along with tips on starting, stopping and controlling the bike. The class is open to all ages, including adults. Preregistration is required. Register at eventbrite.com.
3. Welcome the upcoming full moon near Chinatown Clockshop, an arts and culture nonprofit, will host “Listening by Moonrise,” from 3 to 5 p.m. Sunday at Los Angeles State Historic Park. A seasonal series held around the eve of a full moon, the event will feature performances and immersive sound experiences. Learn more at clockshop.org.
The must-read
Last summer, nature enthusiasts hiked a steep trail to see California poppies growing near the community of Elizabeth Lake.
(Raul Roa / Los Angeles Times)
Outside of Friday’s lottery numbers, few things draw more speculation than whether Southern California will experience a superbloom. Recent hot weather in January threatened our chances, Times plant queen Jeanette Marantos wrote, but that doesn’t mean all hope is lost. Wildflower expert Naomi Fraga told Marantos that more rain and lower temps would help, but even still, superblooms remain tricky to predict. That said, there will undoubtedly be flowers this spring! “We had lots of rain, so no matter what, I’m excited for the spring, because it’s a great time to enjoy the outdoors and see an incredible display by nature,” Fraga said.
Happy adventuring,
P.S.
Officials at Angeles National Forest are seeking public feedback on what, if any, changes they should make in how they manage the Mt. Baldy area of the forest. In light of recent deaths and rescues in the area, there has been increased pressure from local officials to implement a permitting process to hike in the area. You have until Feb. 28 to submit comments.
For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.
Marc Anthony and Nadia Ferreira have plans to grow their family, announcing on Wednesday that a little one is on the way.
The couple revealed in a joint Instagram post that their son “Marquito is going to be a big brother.” They posted a photo of their hands, along with their son’s hand, cradling Ferreira‘s baby bump. The pair also wrote in their caption in Spanish that their anniversary is a gift and God is great.
Grammy-winning “Vivir mi Vida” singer Anthony, 57, married model and former Miss Universe Paraguay and 2021 Miss Universe runner-up Ferreira, 26,in January 2023 in a star-studded ceremony in Miami. David Beckham served as best man and Salma Hayek, Lin-Manuel Miranda and Luis Fonsi were on the guest list.
The child will be Anthony’s eighth. The musician (real name Marco Antonio Muñiz) shares two adult children with ex-girlfriend Debbie Rosado, and two grown children from his marriage to former Miss Universe Dayanara Torres. He also shares twin teenagers with ex-wife Jennifer Lopez.
As Ferreira revealed news of her pregnancy, Anthony teased an upcoming collaboration with singer Nathy Peluso. The pair of Grammy winners posted a clip of themselves singing and dancing in a studio and urged followers to pre-save their latest song “Como En El Idilio.”
Anthony teased additional music on Tuesday. He posted a black-and-white video of himself and musicians performing in a studio. The clip ended simply with white text reading: “Feb 06.”
What seems to be Anthony’s newest music foray will drop a week before he launches his residency at the Fontainebleau Las Vegas. His Vegas My Way circuit of 10 live performances begins Feb. 13. Additional dates and information can be found on the residency’s website.
