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A century and a half ago, Richard Wagner was running out of cash as he was preparing to stage his four momentous nights of opera known as the “Ring Cycle” when he got a message from the Women’s Centennial Executive Committee in Philadelphia. It offered him a princely $5,000 (around $150,000 today) to write a triumphant 12-minute orchestral score to open the Centennial Exposition in Fairmont Park celebrating the 100^th anniversary of the Declaration of Independence.

On May 10, 1876, Theodore Thomas, perhaps America’s most famous conductor at the time (he would go on to head the New York Philharmonic and help found the Chicago Symphony), led the premiere of Wagner’s “Grosse Festmarsch” with a 150-member orchestra, its brass and percussion so impressive that the addition of cannon fire Wagner suggested was not needed. The crowd was said to number well over 100,000. President Ulysses S. Grant attended and invited Emperor Dom Pedro II of Brazil to join him along with members of Congress and Supreme Court justices for what remains a unique Declaration of Independence spectacle and debacle.

The “Centennial March,” as it came to be known, turned out to be dreck. Even Wagner, who carelessly tossed it off in a couple of weeks, said the best thing about the score was the fee, which he had demanded to be paid in gold. But what sounds like something AI might come up with if asked to write a pompous march in the style of Wagner began the American obsession with celebrating the Declaration of Independence, the words and deeds of our presidents, our very democracy with the assist of the symphony orchestra and opera.

One hundred years later, the country was awash with federal, state, city and philanthropic funding for a music-happy bicentennial of exceptional ambition. “With millions available in hand and more money to come,” Time Magazine wrote in 1975, “the Bicentennial is the biggest bonanza for the American composer since Hollywood discovered the musical.”

And so it was. The centerpiece was the National Endowment for the Arts Bicentennial Orchestra Commissioning Project. That funded America’s six top orchestras to each commission a major work that all six would play. In addition, the NEA offered further support to 34 American orchestras for dozens more new scores.

Everyone got into the act. The New York State Council of the Arts alone sponsored 68 commissions. Orchestras everywhere came up with striking projects. The Pittsburgh Symphony, for instance, premiered L.A. composer John LaMontaine’s opera/oratorio “Be Glad Then America” that featured the folk singer Odetta as the Muse of Liberty and enlisted ROTC students to reenact the Battle of Lexington overhead the orchestra.

The National Symphony commissioned symphonies from Roy Harris and William Schuman as well as Alan Hovhaness’ “Ode to Freedom,” a lovely short violin concerto written for Yehudi Menuhin. The list goes on.

We are obviously not seeing or hearing much like that in a semiquincentennial year when our government’s green gets the most attention for promoting algae. Even so, the NEA does indeed have an “America250” project (though it does little to publicize it, let alone fund it on the scale of 50 years ago) that is promoting more than 50 artworks. In music, they range from the Montgomery Symphony’s premiere in February of Nkeiru Okoye’s oratorio “A Time for Jubilee,” commemorating the 60^th anniversary of the 1965 Selma-to-Montgomery civil rights marches, to a New West Symphony premiere last weekend of Michael Christie’s “A Ronald Reagan Portrait” at the Ronald Reagan Presidential Library and Museum.

The major East Coast orchestras are paying some attention. The New York Philharmonic premiered David Lang’s luminous “the wealth of nations.” The National Symphony got the most attention in its attempt to commission Philip Glass’ “Lincoln” Symphony, which the composer pulled in opposition to an un-Lincoln-like presidential takeover of the Kennedy Center. Glass then gave the rights to the Boston Symphony for a July 5 first performance.

The National Symphony did pull off the premiere of Peter Boyer’s “American Mosaic,” and it was to the Altadena composer that Philadelphia, this time around, entrusted its Declaration of Independence commemoration. Boyer’s multimedia oratorio, “A Hundred Years On,” was given its premiere by the Philadelphia Orchestra last month at the orchestra’s outdoor summer home, the Mann Center.

Upcoming will be a few repeat performances. Next month, “the wealth of nations” lands at the Aspen Festival, as does the “Lincoln” Symphony at the Cabrillo festival (with an L.A. Phil performance next season). “American Mosaic,” of which the Pacific Symphony was a co-commissioner, had its West Coast premiere in Costa Mesa last month and was scheduled to be performed at the Hollywood Bowl by the National Symphony in August, but that has now been replaced by Dvorak’s commonplace “New World Symphony.”

None of this comes close to comparing with the attempted civic zest of 1976. The NEA made it a matter of admirable policy that commissioned new works get multiple performances. Yet despite several of these being substantial works by some of our most noted and venturesome composers, few bicentennial commissions have survived. Even odder is that many of the composers did not necessarily feel compelled to explore nationalist themes. For them, American liberty implied freedom to simply write the kind of music they cared about.

The six works for the six orchestras were David del Tredici’s irresistibly over-the-top “Final Alice” (Chicago Symphony), Elliott Carter’s arrestingly impenetrable-on-first-hearing “Symphony for Three Orchestras” (New York Philharmonic), John Cage’s irrepressibly come-what-may “Renga” (Boston Symphony), Morton Subotnick’s brilliant electronic-landscaped “Before the Butterfly” (Los Angeles Philharmonic), Leslie Bassett’s introspective “Echoes From an Invisible World” and Jacob Druckman’s abstract-modernist “Chiaroscuro” (Cleveland Orchestra).

No orchestra has brought back its commission over the last half century, and only Chicago and New York recorded their commissions. No recording at all exists of L.A.’s, although Subotnick’s inventive uses of electronic music with a standard symphony orchestra went on to have considerable influence. None of these works, it appears, are likely to be heard anywhere in America this year, with one sort-of exception.

An explanation for that may be that, while 1976 was a fraught time for America — the country was recovering from the Vietnam War, we had a president and vice president who were not elected, there was runaway inflation, etc. — the music of the time represented optimism. Many works around the country explored new electronic music technology. It was the year Glass wrote “Einstein on the Beach” and Steve Reich created “Music for 18 Musicians” — the composers’ first masterpieces — demonstrating that Minimalism mattered.

That sense of liberation is clearly behind Del Tredici’s “Final Alice,” an hourlong romp around the ending of “Alice in Wonderland” for superhuman soprano and orchestra. It is so obsessively and addictively wild that its tamest moments sound like Richard Strauss on LSD. It does have a cult following although performances are few and far between.

Cage’s score is an abstract work based on the Japanese form of collective poetry known as renga, in which each poet attempts to write a line that is as distant as possible in meaning from the preceding line. Cage translates that to an independence of instrumental parts. While “Renga” can be performed alone Cage further suggests it be played along with an actual bicentennial work he wrote separately, “Apartment House 1776.” That is what Boston and the other orchestras did.

Indeed, “Apartment House” got the lion’s share of bicentennial attention and ridicule. When Zubin Mehta conducted it at the Dorothy Chandler Pavilion, the L.A. Philharmonic did not take it seriously and many walked out on it.

The work features four vocal soloists who represent Native American, Sephardic, African American and Protestant religious traditions, along with instrumental music based on early American hymn tunes. Everything is cut up and put together through chance operations into what Cage called a Musicircus. Under the circumstances “Renga” was hardly noticed, although two decades later, “Renga” came into its own when Michael Tilson Thomas famously conducted it with the San Francisco Symphony and the surviving members of the Grateful Dead.

Still the idea that “Apartment House” need not stand alone, that our traditions and those of long-ago Japan belong together, represented for Cage a future for America. We need not act like a superpower, he noted, but merely be one nation, no more and no less, among many.

We are obviously not that nation. A half-century later, “Apartment House” tends to exist mainly in its own right. An excellent London new music ensemble calls itself Apartment House. Detroit Opera recently staged it with a 2026 need to give the singers the opportunity to select their own music rather than reflect on our heritage. If American music in 1976 represented a collective, inquisitive, inventive American spirit of discovery, the semiquincentennial in the age of social media has become more about the individual identity.

As a sign of how we think about ourselves, the Los Angeles Philharmonic begins its Hollywood Bowl season five days after the 4^th with a program of American music conducted by Thomas Wilkins that opens with Valery Coleman’s “Fanfare for Uncommon Times,” which was written five years ago.

But for now, the work that stands out is Lang’s “the wealth of nations.” It balances harsh thoughts of how the promise of capitalism has failed society and how racism remains with music of stunning beauty and glory, to gently but forcefully show us, in our age of American dissatisfaction, the direction in which we might go to make us proud again. It needs many performances.

South Korean stocks ended nearly 1 percent higher Tuesday, led by gains in technology shares, as investors watched for a possible resumption of U.S.-Iran talks in Qatar aimed at easing tensions in the Strait of Hormuz. The Korean won weakened against the U.S. dollar.

The benchmark Korea Composite Stock Price Index (KOSPI) gained 81.83 points, or 0.97 percent, to close at 8,476.47.

Investor sentiment improved after the United States and Iran were set to resume talks in Qatar aimed at easing tensions in the Strait of Hormuz, alleviating concerns over a prolonged disruption to global oil supplies.

Overnight, Wall Street rebounded sharply as investors returned to tech stocks.

The Dow Jones Industrial Average gained 0.59 percent to close at a record high, while the Nasdaq composite jumped 2.07 percent and the S&P 500 advanced 1.18 percent.

Crude prices rose modestly as investors monitored implementation of the U.S.-Iran peace framework.

Trade volume was moderate at 444.61 million shares worth 41.08 trillion won (US$26.51 billion), with losers outnumbering losers 621 to 261

Institutions and individuals bought a net 2.93 trillion won and 833.45 billion won worth of shares, respectively, while foreigners sold a net 3.79 trillion won.

“Investors scooped up semiconductor shares following recent losses, while IT infrastructure and electricity stocks rose on hopes for major investment in semiconductor infrastructure in the southwestern region announced by the government and chipmakers,” said Lee Kyoung-min, an analyst at Daishin Securities.

Tech shares lifted the overall market.

Market bellwether Samsung Electronics rose 3.41 percent to 334,000 won, and chip giant SK hynix gained 0.84 percent to 1.65 million won. SK Square, the parent of SK hynix, advanced 3.48 percent to 1.69 million won.

Chip components maker Samsung Electro-Mechanics jumped 7.16 percent to 1.18 million won after announcing a 454 billion-won supply deal for multilayer ceramic capacitors (MLCCs) for artificial intelligence servers to a U.S.-based customer.

Battery shares retreated on profit-taking after sharp gains the previous session.

LG Energy Solution plunged 9.61 percent to 362,000 won, and its smaller rival Samsung SDI sank 4.88 percent to 487,000 won.

The Korean won was quoted at 1,549.4 won per U.S. dollar as of 3:30 p.m., down 4.2 won from the previous session.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

THE upcoming Eden Project Morecambe has unveiled its biggest attraction yet – a £4.5million immersive experience.

Called ‘The Elder Tree’ it will guide visitors through a unique journey when it opens in 2028.

The £100million garden attraction set to be built on Morecambe Bay has revealed its centrepiece called ‘The Elder Tree’.

It has been described as “one of the most significant elements” of the attraction.

It’s being built at the cost of £4.5million, which was donated from a charity lottery.

The 65 foot tree will guide visitors on a journey from its roots to the trunk hollows in a one-of-a-kind immersive experience.

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It is set to show people how to “reconnect” with and “restore nature”.

The Eden Project in Morecambe will be the newest of its kind in 25 years with the only other attraction being in Cornwall.

Inside the new attraction will be two very different experiences called The Realm of the Sun and The Realm of the Moon.

The Realm of the Sun has been described as “a bright, lush landscape of the near future — a place where humanity has rediscovered how to repair and re-engage with the broken rhythms of the natural world”.

The Realm of the Moon is as an immersive but “darker” space with a hyper-real rockpool which will have sped-up cycles of tides.

Also inside the domes will be 1.5 acres of landscaped gardens, which will open earlier than the other exhibits in 2027.

Other details that have been previously mentioned include hanging plants, mini gardens, a multi-sensory area, a waterfall and a ‘Town Square’.

Between the two realms, there is expected to be an area called Metronome, where visitors will buy their entry tickets.

There will be a 750-capacity Tidal Theatre, a 300-capacity restaurant and a shop at the attraction as well.

Once open, Eden Project Morecambe is expected to bring in around £80million to the local area. 

Andy Jasper, Eden Project CEO, said: “The funding has specifically secured The Elder Tree – which will sit at the heart of the experience for visitors.

“More than a striking landmark, it will help tell the story of our changing relationship with the natural world and inspire people to imagine what an incredibly positive future could look like.”

WASHINGTON — The last time Washington, D.C., residents chose a new delegate to Congress and a new mayor in the same election, gas was $1.33 a gallon and George H.W. Bush was president.

This fall they will do it again — under starkly different circumstances.

As the city heads toward pivotal primaries this month to pick candidates for those roles, President Trump’s influence on the nation’s capital is shaping up as a major campaign issue. The fresh slate of candidates is weighing how best to approach Trump’s Republican administration and congressional control over the heavily Democratic city’s affairs.

“It’s going to be a big sea change in city politics, no matter how the elections shake out,” said Amanda Huron, a professor at the University of the District of Columbia who teaches courses on D.C. history and politics. But Washington’s lack of full autonomy brings “all sorts of peculiarities around the city’s governance.”

Since Trump returned to office last year, the National Guard is on an open-ended deployment as part of what he calls a crime-fighting mission. He is putting his personal imprint on the city’s storied landmarks. And major cuts to the federal workforce have compounded economic pressures on the capital, which has one of the country’s highest unemployment rates.

The city has long had a unique, if fraught, relationship with the federal government: While residents can vote for their local leaders, they are limited by Washington’s status as a federal district in how much influence they can actually have on the city’s affairs. That limited autonomy has been further squeezed under Trump and his federal law enforcement takeover, launched last year.

This fall, current council members Janeese Lewis George and Kenyan McDuffie are the frontrunners vying to replace Mayor Muriel Bowser, elected in 2014. The leading candidates in the race to succeed long-serving congressional Del. Eleanor Holmes Norton are Robert White Jr. and Brooke Pinto, also D.C. council members.

On June 16, primaries will be held for those roles, which in an overwhelmingly Democratic city usually dictate who will take the top spot come November.

Washington, and its elected officials, have limited autonomy

Washington, unlike other cities, does not control its fate.

What choices voters have is through a limited home rule agreement passed by Congress in 1973 that allowed residents to elect their local government leaders.

But Congress retains control over local affairs, including the approval of the budget and laws passed by the city council. Congressional members elected by voters from thousands of miles away routinely introduce measures to impact city affairs.

That has meant local leaders must balance pressures from their constituents with the demands of Congress and the administration — an act Bowser was forced to perform repeatedly.

During Trump’s first term, she ordered the painting and naming of Black Lives Matter Plaza, just north of the White House, in 2020. Just months after Trump’s inauguration to his second term, she agreed to remove it in response to pressure from congressional Republicans.

That act, the decimation of the federal workforce by the Department of Government Efficiency and the surge by federal law enforcement and the National Guard into the city have emerged as central themes in the election season. Right now, about 3,500 troops are in the city — a number authorities say will climb to 5,000 as the country’s 250th anniversary celebrations approach.

Trump has routinely said his intervention has made Washington “one of the safest” and most beautiful cities in the country, enjoying a historic drop in crime.

Candidates campaign on promise of resistance to Trump

George told The Associated Press that her top priority is addressing “the affordability crisis here in D.C., which the Trump administration has only made worse by unjustly firing federal employees en masse and militarizing our streets.”

McDuffie said his top priority is public safety as crime continues to be an issue. He has said he would add 1,000 police officers over four years, fully staff the 911 call center after years of chronic staffing shortages and take a public health approach to violence reduction.

“We cannot have an affordable city,” he said, “without public safety as its foundation.”

Both said they would bolster the city’s legal defenses against federal overreach and said Bowser should have been less cooperative with federal authorities as they targeted members of the city’s immigrant communities.

Alex Dodd, co-founder of Free DC, an activist group supporting city independence, said the organization endorsed George because of her willingness to be more aggressive in opposing Trump and congressional Republicans.

“When our leaders comply with this administration before being forced, they are giving this regime an enormous advantage,” he said.

Pat Wheeler, a native Washingtonian and communications consultant who served as a department head at Morgan State University, applauded Bowser for cooperating with the Trump administration on some aspects. She noted failure to do so could have sparked retribution and a loss of what little control city officials have.

“Trump can snap his finger and the whole Republican Congress will say, ‘Let’s put a federal control board over the mayor,’” she said.

Affordability and social issues also concerns

The D.C. delegate position is a nonvoting one, but it grants the nearly 700,000 people of the district, who have no other representation in Congress, a voice through speechmaking on the House floor and bill introduction.

But critics said the 88-year-old Norton was diminished during the second Trump administration and not visible enough in the fight against administration and congressional overreach on the city’s autonomy. She filed paperwork to end her campaign for reelection in January.

Norton, who has served 18 terms, has had a storied career. She and her predecessor, Walter Fauntroy Jr., both had national standing coming out of the civil rights era.

“Eleanor Holmes Norton is maybe one of the last major political figures who comes out of the civil rights movement,” said Matt Dallek, a political historian at The George Washington University. “It’s a real passing of the torch.”

The campaigns of candidates running to replace her have centered on local control, Trump and affordability. Frontrunners and council members Pinto and White have also engaged in personal skirmishes questioning the origins of campaign contributions and connections to Republicans.

Pinto told the AP her top priority for the city is self-governance, something that has “never been a true reality for the people of D.C.”

She said affordability for the middle-class and working families is another concern.

White’s campaign has said he’s “not willing to continue to see our tax dollars used to allow DC police to cooperate and conspire with federal agents to trample our constitutional rights and to terrorize our communities.”

Brenda Manley, a longtime resident of Ward 7, an area with a storied Black history across the Anacostia River, said the city was well managed despite the tensions with Trump. But she said she hoped all the candidates would spend more time on the campaign focusing on programs that are beneficial to all residents, like a tuition grant program championed by Norton or major strides made in education during Bowser’s tenure.

“Those type of programs matter,” Manley said.

Fields writes for the Associated Press.

ELLIE GOULDING has confirmed she’s about to drop her sixth album, five months after I told you she was gearing up to release it.

The pop powerhouse teased that the follow-up to 2023 No1 Higher Than Heaven will be out “soon”.

In an exclusive chat after her headline set at Radio 1’s Big Weekend in Sunderland, Ellie added: “I’ve spent the past few years working really closely with a brilliantly talented producer and multi-instrumentalist called Jack Rochon.

“I actually found him on TikTok when he was still relatively undiscovered, living in Canada.

“He’s since moved to LA and worked with Beyonce.

“I immediately connected with what he was doing creatively.

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“I have always loved discovering emerging talent and championing new voices, just like I did when I first started out and discovered Starsmith.

“We’ve recorded hundreds of songs together, and I loved the freedom of exploring different sounds, feelings, thoughts and experiences.

“It felt really organic and honest, like journaling through music.”

During her incredible set, where she was watched live for the first time by young son Arthur, Ellie debuted upcoming single Black Prada Dress.

Ellie said of the song: “There’s not one definitive experience that inspired it.

“It’s directed at that negative, critical voice bringing you down. And that voice could be your own, internal voice — that self-critical, destructive one.

“I feel like we all have one of those, just like we have different versions of ourselves.

“I love the honesty of it, the rawness, and I hope people can connect to it in their own way.”

Ellie lit up the crowd in Sunderland, kicking off with I Need You Love before hits including Still Falling For You, Love Me Like You Do and Lights.

The singer added with a grin: “It felt so, so good to be back performing at Radio 1 Big Weekend.

“The crowd was amazing, the sun was shining. Great vibes all round.

“I remember my first-ever Radio 1 Big Weekend performance back in 2010.

“My debut album had just gone to No1 and I was on cloud nine.

“It’s been four albums since then.

“So to come back to debut Black Prada Dress in the mix with some of my old favourites feels like a real full-circle moment.”

It was made all the more special for Ellie, who gave birth to her second child, Iris, in March.

She said: “It’s such a joy, my son is here today.

“I love playing music to them, especially classical music.”

With a potential record of classical music in the works, too, I wouldn’t be surprised if Ellie had already given the kids a taster.

Ra-ra Larsson

ZARA LARSSON delivered what could easily go down as her best Big Weekend performance.

The Swedish singer, wearing a light blue ra-ra skirt, pulled out all the stops during her fourth appearance at the festival on Saturday.

She opened with Midnight Sun before blasting through tracks including Can’t Tame Her, Ain’t My Fault, Lush Life and finishing with a cover of Clean Bandit’s Symphony, the No1 song she featured on in 2017.

But the standout moment came when Zara invited one lucky fan, Kayleigh, up to join her.

“This is my favourite part of the show but it’s also the hardest,” Zara said.

“Because I see so many of you are giving me the best energy ever.”

Welcoming Kayleigh on to the stage, Zara immediately recognised her from a previous show in America.

Zara then spray-painted a personalised T-shirt for Kayleigh in front of the crowds after she revealed she was flying over to LA in the coming weeks to watch her perform again.

Now that’s dedication.

EMMA’S GOT NOTHING BUT PRAISE FOR THIEVES

WEDNESDAY actress Emma Myers showed she is a Radio 1 superfan and was spotted hanging out backstage.

Presenter Greg James bought her out on stage to introduce Nothing But Thieves.

My mole told me: “Emma is a massive fan of the band and a close personal friend, so they asked her to come out on stage and introduce them. She is so down to earth and lovely. Everyone was obsessed with her.”

Emma said on stage: “I’m having so much fun, I’m seeing so many incredible artists, it’s so lovely to be here.”

Of Nothing But Thieves, she added: “They were my soundtrack when I was shooting season one of The Good Girl’s Guide To Murder, so I have them on repeat.”

NIALL LOVES A TEE PARTY

NIALL HORAN has revealed he only tours so he can play golf courses around the world.

And he ends up spending more time on makeshift greens than in the studio when writing albums.

The former One Direction singer was on stage at the Big Weekend yesterday in Herrington Country Park, right next to Wearside Golf Club.

Niall, who has a handicap of eight, said: “It’s Niall’s golf tour with music, especially in the States.

“Florida is great – there’s so much good golf in Florida, and we’ll hit random places in Ohio. If we do 30-something shows, I’ll try and get in ten rounds.”

And it doesn’t stop there.

Talking about a place he rented out with songwriter pals to work on his upcoming fourth solo album, Niall said: “When we stayed in this house in the countryside in the UK, we made up our own golf course.

“We put flowerpots in places and made our own courses and chipped balls around.

“We did this all over the world. We make up our own little golf courses in the backyard of wherever we’re playing and we do more of that than we do songwriting.

“On that trip, we wrote Dinner Party – but after a round of golf, of course.”

Now Niall’s eyeing up something entirely different.

When asked on the And The Writer Is podcast if he would pen a musical, he said: “I’d love to. I’ve often thought about that.

“That would be such a cool thing, to put some time aside to actually dig in for six months to try and write something. But I haven’t had the offer yet.”

VICKY: A FAT LOT OF GOOD

DJ VICKY HAWKESWORTH managed to catch some performances between her own sets at Big Weekend.

She said backstage: “Nothing But Thieves were amazing and Fatboy Slim was so good . . .  way better than I thought.

“Not that I thought he wouldn’t be good, but you know what I mean.

“Also, those visuals. If I was off my nut, I’d be, like, ‘I’m not well’.”

Luckily for Vicky, she was as sober as a judge.

MY one to watch from the festival is rising talent Alessi Rose.

The Skin singer smashed her set on the New Music stage and will play a run of shows at festivals this summer, as well as supporting Lewis Capaldi and Lorde at their concerts in July and August.

A STELLAR SMITH GOES EXTRA MYLES ON STAGE

★★★★★

MYLES SMITH had Sunderland belting out every word as he smashed his 30-minute set – complete with support from his Drive Safe collaborator Niall Horan.

Sprinting up and down the stage, the soulful singer powered through nine tracks yesterday, including a cover of iloveitiloveitiloveit by his friend Bella Kay.

Speaking about the US singer-songwriter, Myles told the crowd: “This is someone that I’ve been following for a little while now.

“They can’t be here this Big Weekend, but I’m sure they’re gonna be here for many more, so hopefully you can enjoy this song with me.”

His energy was off the charts as he worked his way through hits including Behind, Hold Me In The Dark and Nice To Meet You.

Myles jumped off the stage and into the pit to hug fans before singing Gold.

Out of puff as he climbed back up, he said with a laugh: “I need to go back to the gym.”

Myles finished off his belting show with the stellar Stargazing.

Fans are now counting down the days until he releases his new album My Mess, My Heart, My Life on June 19.

FREYA FRASER

FAMOUS FACES HAVE A DAY TO REMEMBER

THERE are celebrations popping off all over the place.

Not only is it looking like being a scorcher of a Bank Holiday, but famous names from television, music and sport are also coming together to take part in a national “Big Toast” tonight.

At 7pm, people across the country will raise a glass for Celebration Day in memory of people who shaped their lives.

Stephen Fry, Spencer Matthews, Prue Leith and Jake Humphrey are all taking part.

Five-time Paralympic swimming gold medallist Ellie Simmonds is also on board.

She said: “On this Celebration Day, I’m raising a cup of tea to my auntie Shirley and my grandma.

“I’ve got so many memories of them.

“When I was at my biggest events, they were always up there in the crowd, cheering me on, decked in their Team GB flags.”

President Donald Trump was able to purge his most vocal critics within the Republican Party, as Americans voted for the congressional candidates who will run in November’s midterm elections.

One of the most prominent politicians to be unseated was Representative Thomas Massie, who pushed for the release of the Epstein files.

The Democratic Party partially released a report about performance that noted “a persistent inability or unwillingness to listen to all voters”.

Host Steve Clemons asks former Trump aide Hogan Gidley, and Matt Duss – former adviser to Senator Bernie Sanders – about the challenges facing both parties.

HIGH SCHOOL SOFTBALL
CITY SECTION PLAYOFFS
THURSDAY’S RESULTS
Quarterfinals

OPEN DIVISION
#4 San Pedro 13, #5 El Camino Real 2
#3 Birmingham 6, #6 Wilmington Banning 5
#2 Carson at #7 Legacy

FRIDAY’S SCHEDULE
(Games at 3 p.m. unless noted)
Quarterfinals

OPEN DIVISION
#8 Granada Hills Kennedy at #1 Granada Hills

DIVISION I
#9 San Fernando at #1 Venice
#5 Chavez at #4 Chatsworth
#6 Eagle Rock at #3 Port of LA
#10 Verdugo Hills at #2 Marquez

DIVISION II
#9 Northridge Academy at #1 LA Marshall
#20 Cleveland at #5 Sylmar
#19 North Hollywood at #6 Arleta
#18 Taft at #10 Sun Valley Poly

DIVISION III
#16 Van Nuys at #9 Palisades
#5 South East at #4 Maywood Academy
#14 VAAS at #11 Westchester
#15 Reseda at #7 LACES

DIVISION IV
#16 Vaughn at #9 Smidt Tech
#12 Downtown Magnets at #4 Huntington Park
#14 Franklin at #11 Bernstein
#18 Diego Rivera at #7 CALS Early College

Note: Semifinals all divisions May 27 at higher seeds; Finals all divisions May 29-30 at TBD.

Summer holidays this year are set to look a bit unusual for Brits, with travellers looking to find ‘certainty’ and ‘safety’ before they book a trip amid ongoing global turmoil

Holidaymakers are facing some big changes this summer, with more and more Brits hesitant to book their getaways amid ongoing uncertainty.

New temporary rules have been brought in that allow airlines to merge or cancel flights in the face of potential fuel shortages over the next few months. The guidance means that an airlines which run multiple flights to the same destination in one day could merge these flights to save on fuel.

This would act as a kind of contingency in the face of the ongoing ripple effects from the Iran-US war, and the closure of the Strait of Hormuz – a narrow waterway through which one fifth of the world’s oil passes. These new proposals would ensure that airlines won’t be penalised for merging routes, to try and keep the number of cancellations to a minimum – and they will retain any landing or takeoff slots.

READ MORE: Families must ‘pay for plane seats’ or face being split as fuel crisis threatens holidays

But this is not the only recent signal that changes are en route in the travel industry. A major lawsuit issued successfully by a holidaymaker over a lack of sun loungers at his resort might on the surface not appear to be a landmark moment, but experts tell the Mirror that it indicates a crucial change in attitude from travellers, who are determined to ensure “certainty” when booking a trip, and demand value for money amid the backdrop of international tensions, reactive financial markets, and the cost of living continuing to bite.

The Mirror takes a look at all the ways in which Brit’s approach to holidays looks to be changing this summer, from new-found hesitancy to visit the US, all the way to a surge in staycations, amid fears of fuel uncertainty.

No more ‘dawn dash’ for sun loungers

A landmark lawsuit brought by a German holidaymaker against his tour operator after he and his family were unable to secure sun loungers during their trip to the Greek island of Kos marks a major change on the horizon. The man travelled to the Greek island with his wife and two kids, paying €7,186 (£6,211) for a package holiday – but other guests at the resort relentlessly ‘reserved’ sun loungers using towels, meaning he and his family were unable to find a space.

David Eggert, 48, from Dusseldorf, said “it was a big hotel, very fancy, with about 400 loungers. And all 400 loungers had towels on them. The people were not actually using the loungers, and the guests went into town or went back to bed and slept.”

He said he believes it is a “very, very important ruling” that the judges in Hanover found in his favour, saying that though the tour operator did not run the hotel itself, they had a duty to make sure there is a “reasonable” number of sun loungers in proportion to guests. “When the holiday season starts in June and July and people face the same problem, they will say: ‘Look, somebody sued a tour operator over this. I’ll do the same’,” he claimed, “If thousands of holidaymakers start suing travel companies, the costs will run into the millions”.

Hotels throughout Europe are reportedly cracking down on the practice of visitors claiming sunbeds with towels or other personal belongings. One holiday camp operator in France is said to have introduced an alarm system where a horn is used on two occasions throughout the day. Anyone who isn’t using their claimed lounger at that time loses it – with their items popped to lost property.

“The recent sun lounger lawsuit may sound minor, but it actually reflects a major change in traveler expectations,” travel expert Declan Somers, CEO of Mobal, tells us. “People now expect the operational reality of a holiday to match the experience being marketed online. After years of cancellations, delays, and travel instability, tolerance for avoidable friction has dropped sharply.”

He adds that the “travel companies that will win big in 2026 are those that focus on reducing uncertainty, managing expectations honestly, and making the travel experience feel controlled, from booking to return.”

Fellow travel expert, Alexandra Dubakova, CMO of Free Tour, echoes these sentiments. “The recent legal victory for the traveler who sued sun loungers is a turning point. It is something that some tourists considered funny and a slightly annoying part of the holiday experience. People had somehow accepted it as a cultural quirk of resort life, and the court ruling changed that. It categorized a lack of facilities as a contractual defect.

“The ruling sets a precedent for tour operators as they can no longer sell a vibe or sunny dream. They need to sell specific and functional inventory. If you advertise a 500-room resort with only 50 loungers, you are now legally liable for a ‘diminished experience’. As a result, we expect hotels to implement strict booking systems to avoid legal issues.”

Merged flights chaos

Dubakova explains that the new rules proposed to limit flight cancellations through mergers might be a necessary evil for airlines to save fuel, but it comes with some downsides for tourists.

“The decision by the government to allow airlines to merge flights and cancel them is, as they say, a double-edged sword. From the airline’s point of view, it is a necessary measure to save costs. Flying near-empty planes just to keep airport slots is a financial disaster and a waste, given the current fuel shortage.

“Unfortunately, for travellers, this means inconsistency. Air travel is about to become more like bus travel. You might book a 10:00 AM flight and get merged into a 2:00 PM one. On the brighter side, it will prevent the last-minute chaos since airlines consolidate two weeks out.”

Before the conflict, Europe as a whole had about 37 days’ supply of available. Now, this is likely to have dropped to 30 days, with the International Energy Agency (IEA) warning that 23 days is the critical point at which some airports would run out of fuel.

As airlines merge flights to conserve fuel, families who booked together may find themselves rebooked onto replacement aircraft where they are scattered across the cabin. Notably, there is no UK law that requires children to be seated with their parents on a plane. Airlines can legally separate even those under five from their parents, although this would be against Civil Aviation Authority (CAA) guidelines.

The CAA says: ‘Young children and infants who are accompanied by adults should ideally be seated in the same seat row as the adult. Where this is not possible, children should be separated by no more than one seat row from accompanying adults. This is because the speed of an emergency evacuation may be affected by adults trying to reach their children.” “

If airlines start consolidating flights, a family of four ‘may be rebooked onto the same replacement flight but not necessarily seated together,” Somers warned.

Brits swerving the US to avoid ‘friction’

Long a popular destination for British holidaymakers, data from the World Travel and Tourism Council suggests that tourists from the UK are avoid booking a holiday to the US amid political tensions – with the country the only one predicted to “see a decline in international visitor spending last year.”

Somers explains: “I’m seeing a noticeable shift in how people view long-haul travel to destinations like the U.S. The hesitation is less about one specific political issue and more about accumulated friction. Think of tougher border perceptions, social tension, unpredictable airport experiences, and the feeling that international travel currently requires more emotional energy than before. Travellers today want journeys that feel smooth and manageable, not just exciting.”

“Yes, tourists are avoiding the US,” Dubakova adds, “which was among the top three vacation spots for Brits. The political atmosphere is negatively impacting the experience of tourists, making them feel unsafe. We are getting twice as many inquiries about Japan and Scandinavia because their political situation is more stable. Unfortunately, it seems the US is losing its automatic status as a preferred summer holiday destination for Brits.”

Rise in ‘staycations’

Brits are choosing to book holidays within the UK because they fundamentally want to feel secure in their investment, Somers explains. “What I’m seeing this summer is not people abandoning travel; it’s travellers becoming far more focused on certainty and operational reliability. Rising fuel concerns and the possibility of airlines merging or cutting flights are pushing many Brits toward UK holidays, not because they suddenly prefer domestic travel, but because it feels logistically safer. Travellers are no longer choosing purely on destination appeal; they are increasingly evaluating how vulnerable a trip is to disruption, rerouting, or cancellation.”

Dubakova agrees, explaining that it’s a way of maintaining certainty and ‘control’. “With the current fear of fuel shortages, Brits have opted for staycations and holidays in the UK based on predictability. People are conducting a risk assessment before planning their holiday. If they book a vacation in the UK, there will be fewer factors that they cannot control. They won’t be worried about being stranded by a sudden surge in airfare- fuel surcharges, or a fuel-related flight cancellation.”