It’s a testament to the coaching of Jim Harbaugh that the Chargers have been decidedly un-Charger-like this season, continuing to win games despite a slew of pivotal injuries. They’re coming off back-to-back victories over the two teams in last season’s Super Bowl, Philadelphia and Kansas City.
Their challenge Sunday is beating the Cowboys, who went 3-1 in November but began this month with consecutive losses.
The Cowboys lead the league in offense, rolling up nearly 400 yards per game, but they’re 29th in total defense and last against the pass. Facing Justin Herbert is not a favorable matchup for them.
Dallas was eliminated from postseason contention with a Week 15 loss to Minnesota.
The Chargers can clinch a playoff berth with a win and a loss or tie by Indianapolis (versus San Francisco) or Houston (vs. Las Vegas).
How the Chargers can win: If Herbert has time, he should be able to dissect a suspect Cowboys secondary and relies heavily on zone coverage. That has led to a bunch of explosive plays. The Cowboys are vulnerable to the run, as well, and a balanced attack by the Chargers will take them a long way. Get another strong performance from the defense.
How the Cowboys can win: Be aggressive and play to win, not to protect leads. That means outscoring the Chargers, not settling for field goals because Brandon Aubrey is such a weapon. It would help the Cowboys to take some risks and go for it on fourth down more frequently. They can put points on the board, but more often they move the ball well between the 20s. Even a small improvement on defense would help.
Once again, Bill Plaschke has literally jinxed another Southern California sports team with his proclamation questions regarding the Rams:
Who’s going to beat them?
Who’s going to stop the unstoppable offense?
Who’s going to score on the persistent defense?
Who’s going to outwit the coaching genius?
I have the answers, and it’s not just Seattle. It’s their special teams, their defensive backs and it’s coach Sean McVay’s play-calling. Well, maybe the referees … but that’s for another day.
Thanks again for the poison-pen article, Bill.
Gary Grayson Ventura
Just four days after Bill Plaschke promised that the Rams would win the Super Bowl, the team blew a big lead and lost in a stinker to the Seahawks. Like my mother told me when I was a kid: Be honest, respect others, and bet against Plaschke — you’ll win every time!
Jack Wolf Westwood
Can we quit the Rams praise now? They can’t tackle anyone that gets past the line of scrimmage. Coach Sean McKay and defensive coordinator Chris Shula went into a shell as the Rams lost the game to the Seahawks and any chance of a long playoff run.
Russell Hosaka Torrance
How many more times do we need to see Emmanuel Forbes chasing a receiver because of a blown coverage or missing an assignment and giving up a big play. The secondary is the weak link in the Rams defense and he’s absolutely a broken link. Chris Shula, please put someone else back there. The mascot Rampage would be a better choice than Forbes.
Bill Plaschke’s Rams encomium is puzzling. During the course of the game I watched, Detroit moved through the Rams defense like Sherman through Georgia. This was, at best, park football. The first team that exploits the Rams defense as the Lions did and consistently moves the ball on offense will defeat the Rams.
Skip Nevell Eugene, Ore.
Just when the Rams thought that they solved their kicking situation, they lost another game because of a missed field goal. After the game, they must have been kicking themselves.
Jeff Hershow Woodland Hills
It looks like the Bills are going to win the Super Bowl, because Plaschke wrote, “The Bills? Not ever.”
I visited Disneyland last weekend expecting huge crowds, busy restaurants and monster ride wait times. But the day was quite enjoyable thanks in part to Disneyland’s Lightning Lane Pass.
I commented to some employees throughout the day, “I thought this would be worse.”
Almost unanimously, each had the same answer: The real rush was yet to come.
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That’s when the cost of a single-day adult park-hopper pass, which allows a patron to visit Disneyland and adjacent California Adventure Park, soars to $314 (buy a week later, prices will drop by $50.)
Many Disney experts and influencers advise you to avoid the resort during this time.
But what if you’ve already bought tickets? What if out-of-town family is desperate to visit? What if this is the only free time to take the kids?
Traver explained to me that preparing for the holiday rush is not all too dissimilar from spring break.
One essential tip is to arrive at Disneyland before the park’s opening at 8 a.m.
Security checks begin as early as 7 a.m. and the gate, which opens around 7:20 to 7:30, allowing patrons to line up for the rope drop.
“For people interested in getting on the most popular rides, this is how you cut down on wait times,” Traver said.
He noted rope drop, the insider term for the moment a literal rope around attractions, restaurants and shops drops when the park opens at 8 a.m. is the best time to head to the “Star Wars”-themed “Rise of the Resistance,” which can easily draw two-hour lines later in the day.
Traver added this tidbit: Disney hotel guests receive early entry on Tuesdays, Thursdays and Saturdays, so the other days are best for early arrivers.
Consider eating at the bigger restaurants
He said patrons looking to maximize time and find a seat should search for larger capacity places.
Those include Rancho del Zocalo in Frontierland, the Red Rose Taverne in Fantasyland, the Hungry Bear Barbecue Jamboree in Bayou Country, Galactic Grill and Alien Pizza Planet in Tomorrowland.
“The larger the crowd, the bigger the fight for seats,” Traver said. “Go to places with more seats.”
Next week, there might be one more consideration: Forecasters predict rain on Tuesday and Thursday.
Traver said restaurants like Alien Pizza Planet, which is 90% covered, or the Golden Horseshoe Restaurant in Frontierland, which is completely indoors, will be in high demand.
Take advantage of single rider
Both Disneyland and California Adventure offer a handful of single-rider lines.
If family members don’t mind riding alone, they can cut long waits at Tiana’s Bayou Adventure, the Matterhorn Bobsleds, Space Mountain and Millennium Falcon: Smugglers Run in Disneyland, the lone single-rider attractions at the park.
Traver’s favorite single rider attraction is California Adventure’s Radiator Springs Racer, where wait times are notorious.
“It will cut the wait time by a third,” Traver said.
Be realistic, but bring a good attitude
Maybe the biggest secret: Set proper expectations, Traver said.
“If you expect things to go smoothly and they don’t, now you’re disappointed,” he said. “But, if you arrive with lower expectations and an understanding that lines are going to be long and you’re just going to have to wait, you may be pleasantly surprised.”
The week’s biggest stories
(Jim Cooke / Los Angeles Times; Photos via Getty Images)
A chance for justice. A strain on today’s classrooms
Starting in 2020, Assembly Bill 218 offered survivors of childhood sex abuse in California a three-year window to sue over past molestation and sexual assault.
The wave of litigation has caused financial strain across the state’s schools and programs.
Tyler Skaggs’ family reaches settlement with Angels
Friday’s settlement in the wrongful death case brings an end to several days of juror deliberations and a four year legal battle.
Terms of the agreement, which follows previous unsuccessful settlement efforts from the former Angels pitcher’s family, were not immediately available.
Reiner slayings
After the fires…
What else is going on
Must reads
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Nearly a year after the L.A. fires, the television drama “Fire Country” drew inspiration from those who fought it.
Six directors on “wasting” (and saving) money, the future of movie theaters and more.
For your downtime
Lively video projections behind a 1965 Ford Mustang make guests feel like they’re on a ride through Southern California at “American Icon: A Mustang Immersive Experience.”
(Ronaldo Bolanos/Los Angeles Times)
Going out
Staying in
L.A. Timeless
A selection of the very best reads from The Times’ 143-year archive.
Have a great day, from the Essential California team
Jim Rainey, staff reporter Hugo Martín, assistant editor, Fast Break desk Kevinisha Walker, multiplatform editor Andrew J. Campa, weekend writer June Hsu, editorial fellow Karim Doumar, head of newsletters
After Friday afternoon’s practice, USC football coach Lincoln Riley said he had no update on D’Anton Lynn, who has been the target of Penn State’s defensive coordinator search.
Penn State showed interest in Lynn last year before he received a contract extension from USC. Lynn was hired by the Trojans after a successful season as the defensive coordinator at UCLA.
“This is what happens this time of year, especially when you have a really good staff and are doing a lot of positive things,” Riley said. “We’re excited about having the opportunity to keep continuity but if there is turnover, not just with that position but any position, these are coveted jobs. It’s just part of the world we live in.
“Obviously, D’Anton has done a really good job here and we’ll see how it turns out.”
Being prepared for change is a must in the current college football climate, Riley said.
“Contingency plans for coaches, players, staff, everyone because so much can and does change,” Riley said. “Our job is to be prepared and have flexibility. You can’t always predict everything that’s going to happen but you have to be ready to adjust. Yeah, every team goes through it on some level and you try to handle it as well as you can.”
Riley has liked what he has seen in practice as USC (9-3) prepares for its Alamo Bowl matchup against Texas Christian on Dec. 30.
“We’ve done a really good job the last couple of years of going to work and we’re not thinking about what players or coaches are here or aren’t here,” Riley said. “It’s all about trying to maximize this time and build for the future.”
USC announced Tuesday that redshirt junior quarterback Jayden Maiava had re-signed for the upcoming season and is not joining Makai Lemon and Ja’Kobi Lane — USC’s two best receivers — in declaring for the 2026 NFL draft.
“It’s great. Anytime you can get a returning guy like that who has played a good amount of football, it’s important,” Riley said of Maiava. “He’s also become a good leader in this program and I’d expect that to continue to improve. The majority of this team has already re-signed, we know those guys are going to be here and it’s cool for those guys to show how much they believe in this place and what we’re doing.
“The exciting thing is you look ahead and you start to imagine pairing what we have coming back with what’s going to be walking through the door here in three weeks or so, but it starts with your veterans who have been through the fire and we have a lot of them back.”
Maiava, one of the last players to leave the practice field Friday, made it clear why he chose to stay.
“Coach Riley,” Maiava said. “Of course, the staff too and my brothers. I’m super grateful to be back out here. I’m focused on a day at a time, staying level-headed, making the right decisions and just taking care of the ball.”
Maiava is happy for Lemon, who won the Biletnikoff Award as college football’s top receiver after catching 79 passes for 1,156 yards and 11 touchdowns as a junior this season.
“It was awesome, everybody was there in the lobby when we found out … it’s well-deserved,” Maiava said. “He and Ja’Kobi set the standard for everyone. He won the award, so I’d say we had pretty good chemistry even off the field going out to eat and places. I had to do my job, but he did his job, too, as best he could.”
Defensive end Braylan Shelby also is grateful to be back with the Trojans for another season.
“I always knew I wanted to be here, he said. “Bowl games mean a lot and it’s a time for the team to put it all together and play together one last time.”
Regarding the new NFL model for announcing re-signings, Shelby said: “Some people love it, some hate it. … USC is a step ahead of the game and I think it’s the right step. In this NIL era, it helps fans know who’s returning.”
Having re-signed, junior safety Christian Pierce is excited about being a potential starter next fall.
“The bowl game is a huge start going into next season in terms of building the culture,” Pierce said. “My focus is on trying to understand the defense even more and the skills and techniques I’ll need to get better at. The talk after re-signing was more on the coaching staff and the program.”
Riley praised offensive lineman Tobias Raymond on his willingness and ability to play multiple positions on the front line.
“He was one of the most important players on the entire team,” Riley said. “His toughness was off the charts, his versatility with all the different lineups we played, being able to physically and mentally handle that. He was just a steadying presence. He’ll be a huge key coming back as a captain, a leader and a player. As many of those guys as you can have in a locker room — you’ll be a lot closer to winning.”
Much to his coach’s liking, Raymond has embraced his leadership role.
“I’ve just tried to be more vocal, set an example and hold other people to the standard our coaches have put out for us,” said the 6–foot-6, 315-pound redshirt sophomore out of Ventura. “Pick people up when things are low and when things are high making sure we’re keeping level-headed.”
Regarding the transfer portal, Riley said he plans to be less reliant on it than in previous years.
“The number we’re talking about is so much less than before, so moving forward we’ll be able to zero in on what we’re going to go after. So the picture is starting to become clearer on what we’ll be targeting.”
My name is Jon Halperin. I booked and managed Chain Reaction from 2000 to 2006. It started by accident while I was running a one-person record label. I went to the club to see the band Melee perform and the prior talent buyer for the club had just quit that day. I told owner Tim Hill I’d do it (having only booked three shows ever at a coffee shop). We slept on it, and I was hired the next day.
I joined Ron Martinez (of Final Conflict). He was booking the punk and hardcore shows. I booked the indie, ska, emo, screamo and pop punk stuff. We made a great team. Best work-wife ever.
Story time. My friend Ikey Owens (RIP) hit me up and told me that he and the guys from At the Drive In were going to be starting a new band. I’d booked Defacto (their dub project) before, and we agreed to throw them on a show and just bill it as “Defacto.” There were maybe 200 people there to see the first show for a band that would soon be known as the Mars Volta.
That wasn’t out of the ordinary. Chain Reaction had many artists grace that stage that went on to bigger things: Death Cab for Cutie, Avenged Sevenfold, Maroon 5, Fall Out Boy, Panic at the Disco, Taking Back Sunday, Pierce the Veil, My Morning Jacket. The list goes on and on.
Jon Halperin, who booked Chain Reaction from 2000 to 2006, stands in front of the club during its heyday.
(From Jon Halperin)
I used to make a deal with the kids. Buy a ticket to “X” show, and if you didn’t like the band, I’d refund you. I never had to. I knew my audience and they trusted my curation of the room. … It was by the kids, for the kids, except I was 30 at the time. I had to think like a teenager. My friend Brian once called me “Peter Pan.”
Halfway through my reign, social media became a thing. There was Friendster and a bit later MySpace. YouTube stated just a few years after. But those first few years of me at the venue, it was word of mouth. It was paper fliers dropped off at coffee shops and record stores. It was the flier in the venue window. It was Mean Street Magazine and Skratch Magazine.
I’d tease the press when they wanted to review a show. If you don’t show up with a pen and paper, you aren’t getting in (sorry, Kelli).
Most music industry went to the Los Angeles show, but smart industry came to us. Countless acts got signed following their shows. You’d often see the band meeting with a label in the parking lot near their tour van.
It was a dry room when I was there. No booze or weed whatsoever. We made only one exception to the weed rule. An artist in a band with Crohn’s disease who traveled with a nurse. Not saying bands didn’t drink backstage, on stage, in their vans (we rarely had buses), but what we didn’t see didn’t happen.
Touche Amoré performing at Chain Reaction in 2010.
(Joe Calixto)
We were often referred to as the “CBGB’s of the West,” and for a lot of bands, locals and touring acts alike, we were just that. We were the epicenter. There were other venues of course, but for some reason, we were the venue to play. Showcase Theater in Corona was edging toward its demise. Koo’s Cafe in Santa Ana was done. Back Alley in Fullerton wasn’t active. Galaxy Theater [in Santa Ana] was still, well, the Galaxy. There was no House of Blues Anaheim. Bands would drive a thousand miles to play one show at Chain Reaction. We were where the local bands started as first of four on a bill and would be headlining us within a year. We were their jumping-off point. We were where the kids came out. The real fans, many of whom started bands themselves.
Thankfully, there are other smaller venues out there today fostering the all-ages scene: Programme Skate in Fullerton, the Locker Room at Garden AMP [in Garden Grove], Toxic Toast in Long Beach, the Haven Pomona, but it’s just not the same. It was a moment in time. A time that will be forgotten in a few decades, but for today, my social media is being inundated with memories of a room that was a second home for thousands of kids.
Zero regrets. It was the best and worst times of my life. Working a day gig and then heading to the venue nearly every day of the week was rough. Relationships and friendships were hard, being that I couldn’t go out at night. I couldn’t get a pet. I was constantly tired. But I wouldn’t trade those six years for the world.
Keiko Agena likes to create moments of coziness — not just on Sundays, but whenever she possibly can.
“Oh, there’s my rice cooker,” she says when she hears the sound in her Arts District home. “We’re making steel-cut oatmeal in the rice cooker, which by the way, is a game changer. I used to have to baby it and watch it, but now I can just put it in there and forget it.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
The 52-year-old actor, who played music-loving bestie Lane Kim in the beloved series “Gilmore Girls,” delights in specific comforts like a bowl of warm oats, talking about Enneagram numbers and watching cooking competitions with her husband, Shin Kawasaki.
“It sounds so simple, but I look forward so much to spending time on the couch,” Agena says with a laugh.
It is time that she’s intentional about protecting, especially amid her kaleidoscope of projects. Over the last couple of years, Agena starred in Lloyd Suh’s moving play “The Chinese Lady” in Atlanta, acted in Netflix’s “The Residence,” showcased her artwork in her first feature exhibit, “Hep Tones” (some of her ink and pencil drawings are still for sale), and performed regularly on that L.A. improv circuit. And her work endures with “Gilmore Girls,” which turns 25 this year. Agena narrated the audiobook for “Meet Me at Luke’s,” a guide that draws life lessons from the series, and is featured in the upcoming “Gilmore Girls” documentary “Drink Coffee, Talk Fast.”
She shares with us her perfect Sunday in L.A., which begins before sunrise.
5 a.m.: Morning solitude
I like to be up early-early, like 5 a.m. I like that feeling of everything being quiet. I’ll go into the other room and do Duolingo on my phone. I am a little addicted to social media, so the Duolingo is not just to learn Japanese, but also to keep me from scrolling. Like, if I’m going to do something on my phone, this is better for me. I think my streak is 146. Shin is Japanese, from Oyama. So I’ve been meaning to learn Japanese for a while. For him and his mom.
Then I’ll do [the writing practice] Morning Pages. I don’t know when I learned about Julia Cameron’s book [“The Artist’s Way”] — probably around 2000. I know a lot of people do it handwritten, but I’m a little paranoid about people, like, finding it after I die. So if I have it on my computer and it’s password protected, I can be really honest.
Then a lot of times, I’ll go back to bed. Shin, as a musician, works at night, and so he wakes up a lot later. So I’ll fall back asleep and wake up with him.
9 a.m.: Gimme that bread
I don’t do coffee anymore because it’s a little too tough for my system, but I’ll walk with Shin to Eightfold Coffee in the Arts District. It’s tiny but very chill. Then we’re going to Bliss Bakery inside the Little Tokyo Market Place. We get these tapioca bread balls. If you make any kind of sandwich that you would normally make, but use that bread instead, it ups the game. It’s life-changing. The Little Tokyo Market Place is not fancy or anything, but it has everything that you would want. There’s Korean food. They have a little sushi place in there. You can get premade Korean banchan and hot food in their hot food section. They also have a really good nuts section. It’s just one big table with all these nuts, just piles and piles.
10 a.m.: Nature without leaving the city
We’ll go to Los Angeles State Historic Park near Chinatown. I like that place just because it’s very accessible. Like, they have accessible bathrooms and I’m always checking out whether a place has good bathrooms. We call it Flat Park because it’s a great walk. Like, you’re not really out in nature, but there’s a lot of greenery. You can take your shoes off and at least touch grass for a second.
11:30 a.m.: Lunch and TV cooking shows
One of my favorite salad-sandwich combos is at Cafe Dulce in Little Tokyo. A Korean cheesesteak and a kale salad. That’s always like a — bang, bang — good combo. So we might go there or Aloha Cafe, though it’s not fully open on Sundays. But I love it because I grew up in Hawaii. They have this great Chinese chicken salad and spam musubi and other Hawaiian food that is so good.
We’ll bring home food and watch something. Cooking competition shows are my cream of the crop. My favorite right now is “Tournament of Champions” because it’s blind tasting. To me, that’s the best way to do it. “The Great British Bake Off” is Shin’s favorite. He loves the nature and the accents as much as the actual cooking. He just loves the vibe, the slow pace of the whole thing.
I’m such a TV girl. I love spending time on the couch and eating a meal and watching something that’s appetizing with my favorite person in the world. I’m lucky because I get to do that a lot.
2 p.m.: Browse the aisles
I’ll go to this bookstore called Hennessey + Ingalls. I love art and architecture and design, but you can’t always buy these massive books. But you can go into this bookstore and look at them and it’s always chill.
If I have time, I’ll walk around art supply stores. Artist & Craftsman Supply is a good one. I’ll look at pens, pencils, stickers, tape, washi tape, different kinds of paper, charcoals. In my art, I try to find things that aren’t meant for that particular purpose, like little things in a hardware store that I’ll use it in a different way.
5 p.m.: Downtown L.A. in its glory
We really love to walk the Sixth Street Bridge. It’s architecturally beautiful and they’re building a huge park over there, so we’ll walk around and check it out, like, ‘Which trees are they planting? Can you see?’ We sort of dream about how it’s coming together. But the other beautiful thing about that walk is that if you go at sunset and you walk back toward downtown, it’s just gorgeous. Los Angeles doesn’t have the most majestic skyline, but it’s so picturesque in that moment.
6:30 p.m.: Cornbread and Enneagrams
I’ll head to the Park’s Finest in Echo Park. It’s Filipino barbecue. It’s just so savory and rich and a special hang. Their cornbread is really good. Oh, and the coconut beef, but I’m trying to eat less beef. They have a hot link medley. Oh my gosh, just looking at this menu right now, my mouth is watering. OK, I’ll stop.
One of my favorite things to do is ask friends about their Enneagram number. So the idea of sitting with friends over a good meal and asking them a bunch of personal questions about their childhood and what motivates them and what their parents were like and what their greatest fear is and then figure out what their Enneagram number is? That is top-tier activity for me.
9 p.m.: Rally for improv
Because I get up so early, if 9 o’clock, I’m ready to go to sleep. But I am obsessed with improv, so on my ideal day, there’d be a show to do. There’s this place called World’s Greatest Improv School in Los Feliz. It’s tiny and they just opened a few years ago, but the vibe there is spectacular.
Then there’s another place where my heart is so invested in now called Outside in Theatre in Highland Park. Tamlyn Tomita and Daniel Blinkoff created it together and not only is the space gorgeous — I mean, they built it from scratch — they have interesting programming there all the time. They’re so supportive of communities that are not seen in mainstream art spaces. It’s my favorite place. Sometimes I’ll find myself in their lobby till 12 o’clock at night. The kind of people I like to hang around are the people that hang out in that space.
11 p.m.: Turn on the ASMR and shut down
I am firmly an ASMR girl and I have been for years. I have to find something to watch that will slow my brain down. Then it’s pretty consistent. I don’t last very long once I turn something on. My eyelids get heavy and it chills me out.
DETROIT — In the frantic final firefight of the 1992 presidential campaign, this battered industrial city may have been ground zero.
In the last days before today’s vote, President Bush and Bill Clinton crossed paths over and over again through a narrow band of critical Rust Belt and Great Lakes states–from New Jersey and Pennsylvania to Ohio and Wisconsin. But no state occupied more of their attention than Michigan.
Into this battlefield, the two major contenders have fired television and radio ads, mailings, surrogate speakers and repeated visits of their own–to the point where even veteran local observers have been overwhelmed. Their efforts–reinforced by Ross Perot’s national television barrage–have put the campaign on everyone’s lips.
“There’s a lot of strong feelings on it this year,” said LeAnn Kirrmann, a Republican activist from Grand Ledge, as she waited for Bush to arrive at a rally near here Sunday.
That appears to be the case across the nation, as voters render their verdict on this stormy, vituperative and often path-breaking campaign. Polls show the percentage of voters paying close attention to the campaign has soared this fall, and most experts expect a large turnout–a dramatic conclusion to a campaign that has regularly produced moments of high drama.
“It’s a mortal lock that turnout is going up,” said GOP pollster Bill McInturff.
After tightening significantly last week, national polls show Clinton again holding a comfortable lead over Bush, with Perot lagging behind. Few observers are entirely certain that a campaign that has been consistently unpredictable doesn’t hold one or two more surprises. But a Bush comeback at this stage would rank as the most dramatic reversal of fortune in the final hours of a presidential race.
In their final maneuvering, both Bush and Clinton targeted this state for contrasting reasons that underscore the length of the odds facing the President.
The widespread economic uneasiness in Michigan–symbolized by the continuing turmoil of General Motors Corp., which led to a management shake-up Monday–has always made the state an uphill climb for Bush despite its Republican leanings in recent presidential campaigns.
It remains a daunting challenge for the President now: The latest statewide tracking poll for a Detroit TV station, released Monday night, showed Clinton leading with 46%, Bush with 30% and Ross Perot at 16%.
Facing such numbers, Bush might have written off Michigan in a different year to spend his last campaign hours elsewhere. But the President has been forced to pound relentlessly at the state because there appears to be no way he can win the necessary 270 electoral votes without Michigan’s 18.
That reality defines Clinton’s stake in the state. Although Clinton–with his strong base on both coasts–can probably win today without carrying Michigan, he has invested so heavily here precisely because he knows Bush cannot.
“That’s Clinton’s great advantage,” said Democratic strategist Tad Devine. “He can focus on trying to take just one link out of Bush’s chain.”
Clinton’s intense focus on Michigan represents the reversal of a traditional Republican tactic. Because the GOP base in the South and West left Democrats so little room to maneuver in past presidential campaigns, Republicans have typically been able to dictate the battlefield in the election’s final hours.
In past years, the Republicans devoted enormous resources to a single conservative-leaning state–usually Ohio–confident that if they won there, the Democrats could not reach an Electoral College majority.
This year, though, it is Clinton who has the lead and the flexibility to choose where to fight. He has selected Michigan as his version of Ohio.
“That is a pretty fair analogy,” said David Wilhelm, Clinton’s campaign manager. “Michigan is a linchpin to our Electoral College strategy; it is a state that if we win, it destroys almost any chance that Bush will be reelected.”
With the state playing such a central role in the strategies of both candidates, their efforts here have been enormous. “Some of us,” said Don Tucker, the Democratic chairman in populous Oakland County, “have started to think Clinton and Bush are running for President of Michigan.”
When Clinton arrived in Detroit on Monday for a lunchtime airport rally, it marked his third visit to the area in five days and his sixth trip to the state in two weeks.
On Sunday, Bush roused the faithful with a scathing attack on Clinton at a rally in Auburn Hills, just north of here–his third run at the state in eight days.
Last Thursday, voters from around the state were able to ask Bush questions in a televised town meeting from Grand Rapids. The next night Clinton flew to the Detroit suburbs to hold his own televised town meeting.
When Clinton forces made their final buy of television time last week, they estimated they were placing enough commercials on the air so that each Michigan resident would see them 14 times through Election Day.
Bush, both sides figure, is on the air even more heavily–especially with a foreboding spot about Clinton’s record as governor that might be titled “Apocalypse Arkansas.” From both sides, acerbic radio advertisements blare incessantly.
As for Perot, local observers say his ad assault has been less visible than in some other states. But his promises to shake up Washington have won him a strong following.
At one point early last week, Republican polls showed Perot surging over 20% in this state. With most of Perot’s gains coming from Clinton, that tightened the Michigan race considerably.
But, as has happened throughout the country, Perot’s support has slipped here since he accused the White House last week of engineering dirty tricks that forced his withdrawal from the race in July. Initially, the voters deserting Perot disproportionately moved to Bush, but now Clinton is winning his share of those voters and consolidating his lead.
“The President is unlikely to close the gap in Michigan on Election Day,” said GOP pollster Steve Lombardo.
Even with Clinton’s lead in the polls, Democrats here remain edgy. Almost without exception, they are haunted by the memory of 1990, when then-Gov. James J. Blanchard led Republican John Engler by 10 percentage points in the final polls–and then was swept from office by a strong Republican effort to get out their vote, coupled with a poor turnout in Detroit.
Democrats are insistent that won’t happen again. Registration is up in Detroit, and Mayor Coleman A. Young has put his shoulder into the Clinton effort. One local official estimated this weekend that 65% of registered Detroit voters could come to the polls today, compared to just 54% four years ago.
Unions are pushing hard too: The UAW has been distributing to members copies of a Flint newspaper article reporting that Ross Perot owns a Mercedes-Benz and other foreign cars. In Michigan, that’s not much different than burning a flag.
Republican efforts to turn out the vote are just as intense. In Oakland County alone, GOP volunteers made more than 150,000 calls last weekend, said Jim Alexander, the county GOP chairman.
Local observers say religious conservatives and anti-abortion activists are mounting powerful drives; thousands of copies of the Christian Coalition’s voter guide on the presidential candidates were distributed at Bush’s rally in Auburn Hills on Sunday.
Beyond its impact on the Electoral College, voting in Michigan should help answer some of the key questions on which the results will pivot around the nation. Among them:
* Can Clinton reclaim the so-called Reagan Democrats–the blue-collar ethnics who deserted the party during the 1970s and 1980s over taxes, the economy and the perception that Democrats favored minorities?
Stressing such issues as welfare reform and his support for the death penalty, Clinton has aggressively courted voters in Macomb County, a Detroit suburb renowned as the breeding ground of Reagan Democrats.
Republicans have fired back with targeted mailers hitting Clinton on trust and taxes. And Perot could be a formidable competitor in Macomb County and similar neighborhoods for the votes of working-class residents disgusted with Bush and the gridlock in Washington.
* Can Bush hold suburban Republicans and independents who favor abortion rights? Four years ago, he carried the generally affluent Detroit suburb of Oakland County by 109,000 votes. But the hard-right line on social issues at the Republican Convention did not play well there, and Democrats are optimistic that Clinton’s centrist message will allow him to make significant inroads, not only in Oakland County but in similar places in New Jersey, Illinois and Pennsylvania.
* Can Clinton get the high turnout he needs from blacks after a campaign so heavily focused on wooing white swing voters in the suburbs? The answer will affect the result not only here but in other industrial states, such as Ohio and Pennsylvania, as well as Southern battlegrounds like Georgia and Louisiana.
* Will young voters show up today? One reason Clinton’s margin diminished in some national surveys last week is those polls included very few young people among their likely voters–and Clinton, the first baby boomer to top a national ticket, has been running very well with the young.
In 1988, just 36% of eligible voters age 18 to 24 actually turned out. Mike Dolan, field director for Rock the Vote, a nonpartisan national effort to register and turn out young voters, predicts as many as half of them may vote this year.
Such a spike in turnout would be a huge boost for Clinton; in this state, for example, he has courted students at rallies at both the University of Michigan and Michigan State University.
One cloud on the Democratic horizon is the possibility of rain today in Michigan and much of the Midwest. Conventional wisdom holds that rain could dampen turnout in Detroit and other urban centers and pinch Clinton’s vote.
But many on both sides believe that interest in this campaign is so high that even rain won’t cool it off. “With all of the attention to the race this year,” Alexander said, “I don’t know if even rain is going to matter.”
It is often said that film directors are siloed off from one another, that they don’t get to watch how others work. So when you put a group of them together, as with the six participants in The Envelope’s 2025 Oscar Directors Roundtable, they are quick to share all sorts of ideas. Like where they prefer to sit in a movie theater — centered in a row or on an aisle? How far back is the best for sound, or so the screen runs up to the edges of your peripheral vision? Should you even take the worst seats in the house, since somebody will eventually be asked to pay money to sit there?
Guillermo del Toro, there with his adaptation of Mary Shelley’s classic novel “Frankenstein,” likes the top of the first quarter of the theater. Rian Johnson, who finds new twists for Benoit Blanc in his third “Knives Out” detective story, “Wake Up Dead Man,” says, “I look for wherever Guillermo’s sitting.” Nia DaCosta, who made the bold, adventurous Ibsen adaptation “Hedda,” likes the top of the first third. Mona Fastvold, who explores the life of the founder of the religious movement known as the Shakers in “The Testament of Ann Lee,” likes the center a little farther back. Jon M. Chu, who made the second part of a musical adaptation with “Wicked: For Good,” sits dead center — and has been known to talk to the theater manager if the sound isn’t loud enough. And Benny Safdie, who explores the rise and fall of mixed martial arts fighter Mark Kerr in “The Smashing Machine,” tries to find a spot where he can fidget in his seat and not bother anyone.
Read on for more excerpts of their conversation about the art of adaptation, navigating budget constraints at any scale and much more.
Jon, I’ve heard you say that with “Wicked: For Good,” you wanted the film to be deeper but not darker. And it doesn’t pull any punches as far as dealing with themes of antiauthoritarianism. What was it like to have those very serious ideas and yet still have this be a buoyant, crowd-pleasing musical?
Chu: The reason we made it was because it had that meat to it, and it was always a two-movie, yearlong experience that set up the fairy tale first. And Movie 2 is kind of where we all are, this moment of this fairy tale shattered in front of us.
I have five children now, so I’m thinking about how to present stories to my kids. Do I still believe in the possibility of dreams and the American Dream? “For Good” really gets to delve into that stuff. And because it was shorter than the first half, we get more room to do it. We added new songs to explore that idea. So it all felt really fitting. Movie 1 could be an answer. Movie 2 is much more of a challenge: Who are we gonna be now that we know the truth?
All of your films in their own way are speaking to right now. Rian, “Wake Up Dead Man” is specifically set in the year 2025 and all the “Knives Out” pictures have been dealing with our contemporary reality. What makes you want to do that?
Johnson: That kind of started for me with the first movie. This is a genre, the murder mystery genre, that I love and that I’m just seeing so much of growing up. But it’s also a genre where most of what I had seen throughout my whole life, murder mysteries are period pieces set usually in a cozy little bubble of a little “Queensfordshire” place in England.
And I guess my realization was, that’s not what Agatha Christie did. She was not writing period pieces. She wasn’t an incredibly political writer, but she was always writing to her time. It’s not trying to do anything radical in terms of making it new or updating it, but let’s set it very much unapologetically in the modern moment. … You have a group of suspects that have a hierarchy of power amongst them and the person at the top they all wanna bump off — it’s such a potent vehicle for building a little microcosm of society.
Benny, one of my favorite things in “The Smashing Machine” is that it’s funny to realize setting a story at the turn of millennium is a period piece now. What was it like crafting this very specific, recent time period?
Safdie: It’s a time period that I think everybody thinks is just yesterday. But when you actually get into the nitty-gritty, it’s a long time ago. And things were very different and everybody knows exactly what those things are too. Because it was heavily documented, there was so much footage of it, it’s so top of mind. And I think a large amount of people also want to go back there a little bit, to this time where the internet was just kind of happening. People want to go back to this simpler moment. But trying to re-create what that feels like is what I was really going after — just thinking about how you would live in that time, and then represent that in the movie. Because I did want it to kind of feel like time travel.
Guillermo, you’ve spoken so much about how “Frankenstein” has been a lifelong dream project for you. Now that it’s done, where does that leave you?
Del Toro: There’s a massive postpartum depression, No. 1, and it’s real. And it affected me more than I thought it would, to be candid. But fortunately, I’ve been very interested in two new themes that are going to be sure to produce blockbusters, which is memory and regret. The dynamic duo of past 60. And I always thought about that in the abstract, but now I try to make the movies not only about the moment I’m in, but about me.
And I’m seriously trying to express what makes me uneasy, what makes me believe in the possibilities of grace even in the most horrible circumstances. And I’m not talking only social, but personal or philosophical. Something happens when the six clicks in on the counter. And all you can do is [ask], “Do I feel I have something to say, genuinely?” And then you go to that. Cronenberg, I had dinner with him when he was turning 74, and he said you have to scare yourself into being young again.
Nia, “Hedda” is such a bold adaptation of the play “Hedda Gabler.” You switched the gender of one of the main characters. You aren’t afraid to inject issues of race and class and sexual identity into the story. Were you ever concerned that you were asking too much of this classic text?
DaCosta: I wrote it on spec, so I wasn’t thinking about anything besides letting my freak flag fly, basically. I just thought, “This character makes more sense as a woman.” OK, what does that mean now? How does that affect the rest of the story? And then I just go from there. And then it ended up being really bountiful and generative.
And then when I met Tessa [Thompson] three years later, I thought, “Oh, when I write this, eventually Tessa will play Hedda.” So now she’s Black. OK, what does that mean? And Tessa’s also mixed-race. So then you get that element of it as well. And then I chose the 1950s, and then I chose England and the country house. You just treat these things as truths, and the story has to go in a certain direction. So I never worry about those things. Maybe because I’m a Black woman, so my presence or my identity for some people will complicate the story. But for me, it just is life.
Guillermo, in adapting “Frankenstein,” did you feel like you were dealing with the Mary Shelley text and also all the Frankenstein movies that we know?
Del Toro: I put all the cinematic stuff on the side. I didn’t want to make an erudite cinematic movie or a referential movie. I have lived with the three iterations of the text for my entire life. And there’s a lot of the interstitial stuff that I took from her biography, fusing with my biography, because even if you sing a song everybody knows, you’re doing it with your lungs. And your passion and your pain and your throat. … It’s the difference between seeing a living animal and taxidermy. If you just want the text, then buy the text. You cannot be more faithful to that text than reading the text. But if you want to see how we interact and resuscitate something into being emotional again, then that’s what we try to do.
Mona, “The Testament of Ann Lee” is a story told with music, but is it a musical? Is that a question you asked yourself as you were making it?
Fastvold: I consider it a musical. I do. But it’s just a different kind of musical. No one’s singing dialogue. It’s not magic when they start to sing. I think, as I was writing the script with Brady [Corbet], we realized early on it had to be a musical because the Shakers worship through ecstatic song and dance. They would be moved by the divine spirit and then receive a song or a piece of movement, and then they would start to sing and dance. Their life was a musical, so that’s what it had to be. And that was exciting to me, to create the whole structure of that.
But it couldn’t be, “OK, here’s a story and then here’s an amazing musical number.” It had to come from this place of worship. So all the musical bits and pieces of the film, our moments of feeling moved by the spirit and having this sort of religious experience, it had to be grounded in that and it had to be really organic-sounding and -looking. So we had to ground it in live recordings and create the soundscape and the music in dialogue with my choreographers. Every body slap and stomp is part of the rhythm and the music of it, because it couldn’t just be where diegetic audio fades out and then there’s this great, wonderful piece.
Chu: In a weird way, we all make musicals. All the movies, everybody has a take on how music integrates with it.
Del Toro: I was aiming for opera.
Guillermo, Jon, both of your films have a sense of scale to them. What kind of challenges does that present? Is it wrangling all the extras? Is it having the sets built on time? Jon, just the number of florists credited at the end of “Wicked: For Good” is wild.
Chu: It’s like building Disneyland, essentially. We had the warehouses going — there’s first a recording studio, so we’re recording music while their dance rehearsals are going on. You have hundreds and hundreds of people. Then you go to the costumes department and then you have the hair, just the wigs alone. People are getting there at 2:30 in the morning. And that’s before you even start the day.
We were planning two movies at the same time. So we had 20-something musical numbers rehearsed and worked with our cinematographer and our team to understand everything and build sets around these pieces. And then you get there on the day and how do I say, “Hey, all that stuff we did, this is actually happening over here. Let’s move everything over here”? I felt the hardest thing was being OK with wasting money if it was the right thing to do at that moment. I needed to feel free and had everybody aware that if I’m moving all of a sudden, we’ve got to go and we’ve got to figure it out. And I think that’s where the magic is.
Del Toro: To me, it’s three things. The first one is tonal, meaning everything that you do, you’re not doing eye candy, you’re doing eye protein. You’re telling a story. So it’s not about looking good or looking big. It’s about, does the gesture happen at the right moment? Because you can make gestures on the wrong moment of the film, and they don’t have a dramatic impact. I say we designed the movie for the Creature to feel real, of a piece with the world. So that’s the first one.
The second one: Is it expressing something different every time we go to a bigger thing? It’s not about the scale. And the final one to me is, does it feel real in the world? So the way I go at it is, there’s no typeface, no paint, no photograph, nothing, that cannot be investigated and designed to within an inch of its life. Even great movies, I’m very fidgety. I go, “That’s not a painting from the 1930s. Somebody painted it much later.” Or a typeface or a carnival banner or something like that. So at the end of the day, if you do your job right, you have a world and people just get into it almost like a vibe. Nobody should notice, but if you do it right, they want to experience it over and over again.
Rian, you make a really bold decision in “Wake Up Dead Man,” where the signature character of the series, Daniel Craig’s Benoit Blanc, is offscreen for much of the first 45 minutes or so of the movie. Did you have to convince people that’s the way things should go?
Johnson: Not really. For this one, first of all, it is a little closer to actually a traditional detective structure. That’s kind of how most Agatha Christie books work, is you meet the suspects in the first act. You get a very good idea of who’s gonna get bumped off. And then, end of the first act, the murder happens, and then the detective shows up and starts to solve it. So there was a precedent for it. But the real reason I had done backflips in the previous two movies to get around that was so we could get Blanc in there earlier. The reason it made sense for this [is] because Father Jud, who’s played by Josh O’Connor, [is] kind of the protagonist of it because of the themes of religion, and so the whole lay of the land was more complicated and delicate in this one to set up. I felt like the audience would be best served by having that runway and getting the time before this powerhouse that is Daniel playing Benoit Blanc comes in and brings this whole new energy to it.
The other thing that I’ve landed on with them is you have to constantly resist the candy of the mystery. You have to always remind yourself [that] the mystery elements are not a load-bearing wall, that those are never going to keep an audience entertained or engaged. You need to do the same thing you do in any movie where you have an emotional, bold line going that’s thrown at the beginning, that lands at the end. And the mystery then has to support that.
Mona, with “Ann Lee,” but also with “The Brutalist,” it seems like the movies that you and Brady Corbet are collaborating on together, you’re doing so much with relatively limited resources. What is it that the two of you are doing in these films that you’re able to make them seem so grand?
Fastvold: I mean, there’s no trick. I had to prep for almost a year for this one, because I knew that no one was going to give me a lot of money to make a musical about the founders of the Shakers. It was not gonna be this sexy pitch. It was a hard pitch. So I knew that it was going to be a limited budget. But at the same time, I just desperately wanted “Ann Lee” to have a really grand story. And I wanted there to be a believable, lush world. And I wanted to tell a story about her whole life, not just a day in her life.
So I had to make it work somehow. It was so much about saying, “OK, I’m working with my [director of photography], my production designer, my costume designer every weekend and night for months and months before we started official prep. And same with my choreographer and composer and with all of the cast as well, just rehearsing. Amanda [Seyfried] was rehearsing at night while she was shooting something else. She would go and have dance rehearsals at night, on the weekends, so we could keep on adjusting.
So the only way that I could, to quote David Lynch, get dreamy on set, which was something I really wanted, was by having so much prep time, and then just really knowing what my Plan A and B was, and to sort of experiment in advance more. And because I knew there’s no way that you can try and build a world and then have the same flexibility on this budget, it’s all about knowing every line item in my budget, what everything costs in Hungary, what everything costs in Sweden. “OK, this is how much a cherry picker in Hungary costs, and therefore I’m gonna take out two shots and only build half the roof.”
The 2025 Envelope Directors Roundtable. Top row, left to right: Rian Johnson, Benny Safdie, and Mona Fastvold. Bottom row, left to right: Nia DaCosta, Jon M. Chu and Guillermo del Toro.
Chu: I think that’s one of the biggest lessons I learned being a director. You don’t have a right to make your movie, because it costs so much and you need so much help. You do have to earn the right to make your movie. That is a part of our job.
Nia, you come to “Hedda” having just made a Marvel movie. You’ve just also finished a sequel to “28 Years Later.” Is there a secret through line for you that connects all these projects?
DaCosta: Being a nerd, Marvel, horror, comic books, for me, those things that I’ve done that I haven’t written are worlds that I loved as a kid. So “Candyman” was hugely important to me when I was younger. I used to love Marvel comics as a kid. “28 Days Later” is one of my formative films that I watched. And so when the opportunities came up to be a part of those worlds, it was really exciting for me. And then “Hedda,” I’m a theater nerd too, so I just really go by my passion, and I’m really compelled by just interesting characters.
“Hedda” and “28 Years Later” are very different films, but for me, they were so similar because I learned from my experience jumping into the studio system after making a sub-million-dollar movie [“Little Woods”] what works for me and what doesn’t work for me. And what works for me is really being given authorship. And so I’m setting the tone early. We’re not here to battle. We’re here to make the vision that I have. And if you’re into it, cool and great, let’s work together. If you’re not into it, then it doesn’t have to exist or I’ll find another way for it to exist.
Del Toro: The ambition should always be beyond the budget. If they give you $130 [million], you want to make a movie that is $260 [million]. But the way to that I found by doing “Devil’s Backbone,” which is $3 million, or “Shape of Water,” which is $19.3. “Shape of Water” opened with all the different sets in the first 15 minutes. And then it’s two sets. Lab, apartment, lab, apartment, lab, apartment. I always tell the departments, let’s choose meatballs and gravy. Where do we put the real resources? You reach a plateau no matter what the budget. Never spend money on a plateau. It always needs to mean something.
Safdie: You pick and choose the moments when you’re gonna get big. We were doing the hospital scene and then we built the plane in the hallway of the hospital. Because that was the most affordable. But there was a column in the middle of the plane, and I would always joke that we should go through the column. I find those limitations exciting. Because you really have to figure it out.
Rian, “Glass Onion” had a more robust theatrical release than “Dead Man” has gotten. Do you feel like as filmmakers that all of you are being put in this position of fighting for the future of theaters and moviegoing?
Johnson: I actually feel incredibly optimistic at this moment about the future of moviemaking. I don’t feel that way because we’re all picking up signs and marching down the street and preaching to people that they need to keep this sacred. I feel optimistic about it because I go to movie theaters and I see them packed with young people who want to go to movie theaters and have that experience.
And I see them coming out for new movies. I see them at revival cinemas. I see theaters at 2 p.m. on a Tuesday showing a Melville film that are just full of young people who are excited. And then you see it with movies that have come out this year. You see it with something like Ryan [Coogler]’s movie, “Sinners,” or with so many films that have struck chords with audiences and created cultural events. You can’t wag your finger at people and say, “You should be going to the theater and having this theatrical experience,” but you feel it rising right now. And so for me, it’s less that I want to advocate for it. It’s more that I want to ride that wave of it coming up.
SEATTLE — In a matter of minutes, the home of the Seattle Seahawks went from a painfully quiet Lumen “Library” to a rollicking madhouse that sent seismologists scrambling for their ground-motion sensors.
Call it the Sheesh-Quake Game.
In a historic comeback, the Seahawks dug their way out of a 16-point, fourth-quarter ditch to beat the Rams in overtime, 38-37.
Oh, the visitors will agonize over some of the bizarre calls, some deserving of further explanation from the NFL. An ineligible-man-downfield call that wiped out a Rams touchdown when they were a yard away from the end zone? That had people scratching their heads. Then there was that do-or-die two-point conversion that seemingly fell incomplete… but later was reversed. More on that in a moment.
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Gary Klein breaks down what went wrong for the Rams in their 38-37 loss to the Seattle Seahawks at Lumen Field on Thursday night.
When the Rams wincingly rewind the video of the collapse, they’ll be peering through the cracks in their fingers.
You’ve heard of a no-look pass? This was a no-look finish.
As soothing wins go, this was a warm bubble bath for the Seahawks, who secured a playoff berth and assumed the driver’s seat in the race for the NFC’s No. 1 seed.
“You hear people late in the year have losses, and you hear people come up here and say, like, ‘Man, this is going to be a good thing for us,’” said Seahawks receiver Cooper Kupp, a onetime Rams hero. “It’s much better to be up here right now saying this is going to be a good thing for us.”
Kupp atoned for his first-half fumble with a successful two-point conversion in the fourth quarter — the first of three in a row for the Seahawks — and a 21-yard reception on the winning drive in overtime.
“If you find a way to get a win when you do turn the ball over three times, you do end up down 16 points, or whatever it was, in the fourth quarter, just finding ways to win games when the odds are against you and things aren’t going right — finding a way to fight back — it’s going to be a good thing for us,” Kupp said. “A good thing for us to draw on.”
The Rams are sifting through the debris of a different lesson. It was a reminder that this charmed season, with Matthew Stafford in line to win his first Most Valuable Player honor, can come crashing down at any moment. There’s no more smooth glide path to Santa Clara for the Super Bowl.
As good as it was for most of the game, picking off Sam Darnold twice and sacking him four times, the Rams defense failed to hold up when it counted most. Shades of the three-point loss at Carolina.
Darnold will have a story to tell. He exorcised a lot of demons. The Rams sacked him nine times in the playoffs last season when Darnold was playing for Minnesota, and intercepted six of his passes in two games this season.
“It’s not great when you have interceptions and turnovers, you want to limit that,” said Darnold, the former USC star. “But all you can do is fight back. For us, I was just going to continue to plug away.”
Darnold came through when it counted, completing five passes on the winning drive, then finding the obscure tight end Eric Saubert — his fourth option — wide open in the end zone on the triumphant conversion.
Seattle Seahawks quarterback Sam Darnold looks to pass against the Rams in the first half Thursday.
(Lindsey Wasson / Associated Press)
The second of the three conversions was the game’s most controversial moment. The Seahawks needed it to forge a 30-30 tie with a little more than six minutes remaining in regulation.
Darnold fired a quick screen pass to his left, trying to get the ball to Zach Charbonnet. Rams defender Jared Verse jumped the route and knocked down the pass. Everyone thought the play was dead, including Charbonnet, who casually jogged across the goal line and picked up the ball as it lay in the end zone.
That proved critical because officials — after what seemed like an eternity — ruled that Darnold had thrown a backward pass and the ball was live when Charbonnet picked it up. Therefore, a fumble recovery and successful conversion, tying the game.
Asked later if it felt like a backward pass, Darnold had a half-smile and said, “Um, yeah. It felt like I threw it kind of right on the side. I’m glad Charbs picked it up, and that turned out to be a game-changing play.”
Was that designed to be a backward pass?
“It just happened to be backwards,” he said. “It wasn’t necessarily talked about. We were just trying to get it in down there on the goal line.”
The Seahawks were lined up to kick off when officials announced that, upon review, the previous play was successful. Suddenly, the most improbable of come-from-victories was within reach.
Earlier in the fourth quarter, when the home team was trailing, 30-14, the Amazon Prime crew had to do some vamping to keep viewers engaged. Al Michaels and Kirk Herbstreit told some Kurt Warner stories from the “Greatest Show on Turf” days. Hey, it had to be more interesting than this game.
Michaels delivered an obscure stat: When leading by 15 points or more in the fourth quarter, the Rams were 323-1.
Informed of that, Seahawks running back Cam Akers — once shown the door by the Rams — had a wry response.
“Now, they’ve lost two,” he said.
Celebration in one locker room. Silence in another.
STATESVILLE, N.C. — A business jet crashed Thursday while trying to return to a North Carolina airport shortly after takeoff, killing all seven people aboard, including retired NASCAR driver Greg Biffle and his family, authorities said.
The Cessna C550 erupted into a large fire when it hit the ground. It had departed Statesville Regional Airport, about 45 miles north of Charlotte, but soon crashed while trying to return and land, the North Carolina State Highway Patrol said.
Flight records show the plane was registered to a company run by Biffle. The cause of the crash wasn’t immediately known, nor was the reason for the plane’s return to the airport in drizzle and cloudy conditions.
Biffle was on the plane with his wife, Cristina, and children Ryder, 5, and Emma, 14, according to the highway patrol and a family statement. Others on the plane were identified as Dennis Dutton, his son Jack, and Craig Wadsworth.
“Each of them meant everything to us, and their absence leaves an immeasurable void in our lives,” the joint family statement said.
Biffle, 55, won more than 50 races across NASCAR’s three circuits, including 19 at the Cup Series level. He also won the Trucks Series championship in 2000 and the Xfinity Series title in 2002.
NASCAR said it was devastated by the news.
“Greg was more than a champion driver; he was a beloved member of the NASCAR community, a fierce competitor, and a friend to so many,” NASCAR said. “His passion for racing, his integrity, and his commitment to fans and fellow competitors alike made a lasting impact on the sport.”
The plane, bound for Florida, took off from the Statesville airport shortly after 10 a.m., according to tracking data posted by FlightAware.com.
Golfers playing next to the airport were shocked as they witnessed the disaster, even dropping to the ground at the Lakewood Golf Club while the plane was overhead. The ninth hole was covered with debris.
“We were like, ‘Oh my gosh! That’s way too low,’” said Joshua Green of Mooresville. “It was scary.”
The National Transportation Safety Board and the Federal Aviation Administration were investigating.
The Cessna plane, built in 1981, is a popular mid-sized business jet with an excellent reputation, aviation safety expert Jeff Guzzetti said. It has two engines and typically seats six to eight passengers.
In 2024, Biffle was honored for his humanitarian efforts after Hurricane Helene struck the U.S., even using his personal helicopter to deliver aid to flooded, remote western North Carolina.
“The last time I spoke with Cristina, just a couple of weeks ago, she reached out to ask how she could help with relief efforts in Jamaica. That’s who the Biffles were,” U.S. Rep. Richard Hudson, a Republican from North Carolina, said.
Wadsworth was Biffle’s friend and helped him with odd jobs, including delivering supplies to places hit by Hurricane Helene, roommate Benito Howell said.
“He didn’t know how to say no,” Howell said of Wadsworth, who had worked for several NASCAR teams. “He loved everybody. He always tried to help everybody.”
The joint family statement also spoke about Dutton and his son Jack, saying they were “deeply loved as well, and their loss is felt by all who knew them.”
With 2025 almost over, there have been 1,331 U.S. crashes this year investigated by the NTSB, from two-seat planes to commercial aircraft, compared to a total of 1,482 in 2024.
Major air disasters around the world in 2025 include the plane-helicopter collision that killed 67 in Washington, the Air India crash that killed 260 in India, and a crash in Russia’s Far East that claimed 48 lives. Fourteen people, including 11 on the ground, died in a UPS cargo plane crash in Kentucky.
Who: Tottenham Hotspur vs Liverpool What: English Premier League Where: Tottenham Hotspur Stadium in London, United Kingdom When: Saturday December 20, at 5:30pm (17:30 GMT) How to follow: We’ll have all the build-up on Al Jazeera Sport from 17:00 GMT in advance of our text commentary stream. Click here to follow our live coverage.
Defending champions Liverpool will seek back-to-back Premier League wins for the first time since September when they visit Tottenham on Saturday, but the Reds’ woes are far from a distant memory.
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The pressure building on manager Arne Slot, who last year won the title in his first season in charge, was mounting after a run of nine defeats in 12.
The public fallout between the Anfield club and their star forward, Mohamed Salah, has overshadowed the Slot situation – but it has not gone away. Spurs similarly had a sticky run of six defeats in 10 games during October and November and it has hardly improved since.
Al Jazeera Sport takes a look at a game that sees both managers concerned for their immediate futures.
What is the latest on Mohamed Salah’s Liverpool future?
Salah has now departed for Egypt duty at the 2025 Africa Cup of Nations, but it has not changed his situation at Anfield.
Ever since the 33-year-old claimed he had been “thrown under the bus” by the Reds for their woeful season – after he was dropped to the bench for three consecutive games – rumours had been rife that his time on Merseyside was coming to an end.
The forward did return to the bench for the visit of Brighton in the Premier League last week but his time away at AFCON is likely to be surrounded by speculation that the January transfer window will see a switch to Saudi Arabia.
What happened in Tottenham’s last game?
Tottenham were soundly beaten 3-0 at Nottingham Forest last Sunday, in a game that saw rumours of Thomas Frank’s demise as Spurs manager increase.
Callum Hudson-Odoi scored the first two goals for the home side before Ibrahim Sangare ended any hopes of a Spurs comeback in the 79th minute.
What happened in Liverpool’s last game?
Liverpool put aside the Salah saga and the speculation about Slot’s future with a 2-0 win against Brighton at Anfield last Saturday.
Hugo Ekitike scored both goals, the opener in the first minute of the match, while Salah was an early first-half substitute and assisted for the second from a corner kick.
Whether that was Salah’s last game as a Red remains to be seen.
How have Tottenham fared in the Premier League this season?
Tottenham began their Premier League campaign, Frank’s first in charge, with a run of only one defeat in their opening seven games. The North Londoners have since lost five of their last nine in the league.
The run of six defeats in 10, in all competitions, has been followed by two wins, and the defeat by Forest, in their last four in all competitions. It is just one win in seven, however, in the league – a run that has seen Spurs slip into the bottom half of the table.
How have Liverpool fared in the Premier League this season?
Liverpool won their opening seven games of the season in all competitions, excluding the preseason Community Shield defeat on penalties against Crystal Palace.
Four straight defeats followed, which began the run of nine defeats in 12. In Premier League terms, the Reds have only won three of 11 games – losing six. On the back of winning their first five league games of the season, the Anfield club have been able to hold onto a top-half position in the league, and they start the latest round of matches in seventh position – 10 points of leaders Arsenal, who travel to Everton Saturday evening.
How much pressure is on Tottenham manager Thomas Frank?
Tottenham lifted the UEFA Europa League last season, but that was not enough to stop Ange Postecoglou from being axed at the end of the campaign. The recent run of matches has resulted in huge pressure being placed on Frank.
The biggest rumour to mount has been that former Spain and Barcelona midfielder, Xavi, is being lined up to replace Frank.
Spurs have been renowned for being a sacking club, with Frank being the fifth permanent manager since Mauricio Pochettino was sacked in 2019.
Should Frank be shown the door, his would not be the shortest tenure of a Spurs manager in recent times – Nuno Espirito Santo lasted only four months and two days during his 2021 stint in charge.
What happened the last time Tottenham played Liverpool?
Liverpool thumped Tottenham 5-1 in the Premier League at Anfield in April when the sides last met.
Dominic Solanke gave Spurs a 12th-minute lead before Luis Diaz, Alexis Mac Allister and Cody Gakpo responded for the Reds by the break.
Mohamed Salah and a Destiny Udogie own goal completed the rout in the second period.
What happened in the corresponding fixture between Tottenham and Liverpool last year?
It was a Premier League double for Liverpool last season as they won the first meeting of the last campaign with a nine-goal thriller at Tottenham on December 22.
The 6-3 win for the Reds saw Diaz and Salah both hit braces in a game where the away side led 3-1 at the break, and 5-1 by the 61st minute.
When did Tottenham last beat Liverpool?
Tottenham did actually manage to beat Liverpool last season in the first leg of their League Cup semifinal. The 1-0 home win wasn’t enough for Spurs, however, as the Reds had the last laugh, winning 4-0 in the return fixture at Anfield.
Lucas Bergvall scored the only goal in London, while the aggregate score was level at the break in the second leg after Gakpo’s first-half strike. Salah, Dominik Szoboszlai and Virgil van Dijk settled matters in the second period.
When did Tottenham last beat Liverpool in the Premier League?
Tottenham’s last league win against Liverpool came in September 2023, courtesy of a 2-1 home.
Curtis Jones saw red in the 26nd minute with Son Hueng-min netting Spurs’ first 10 minutes later.
Gakpo levelled for the Reds on the stroke of half-time but the second half went from bad to worse as Diogo Jota was given his marching orders in 69th minute before Joel Matip put through his own net in the final minute of the game.
Head-to-head
This is the 186th meeting between the sides, with Liverpool winning 90 times and Tottenham emerging victorious on 50 occasions.
The first match was in November 1909 on the old Division One (now the Premier League) with Spurs winning 1-0 in London. Liverpool won the return match that season 2-0 in March 1910.
Tottenham team news
James Maddison, Destiny Udogie, Dominic Solanke and Dejan Kulusevski are all injured, while Kota Takai and Radu Dragusin are still deemed short of match fitness as they make their returns from knocks.
Yves Bissouma and Pape Matar Sarr are both at the Africa Cup of Nations, meaning Frank is set to be without eight players for Liverpool’s visit.
Liverpool team news
Salah is the number one absentee for Liverpool, although the Egyptian did start the last four league games on the bench.
Cody Gakpo, Giovanni Leoni and Wataru Endo are all injured while Conor Bradley is suspended.
Dominik Szoboszlai and Joe Gomez both picked up knocks in the Brighton game and are a doubt, but Jeremie Frimpong is close to a return following a hamstring injury.
Predicted Tottenham starting lineup
Vicario; Porro, Romero, Van de Ven, Spence; Palhinha, Bergvall; Kudus, Simons, Kolo Muani; Richarlison
Predicted Liverpool starting lineup
Alisson; Bradley, Konate, Van Dijk, Kerkez; Mac Allister, Gravenberch; Chiesa, Jones, Wirtz; Ekitike
Following tense negotiations among the 27 member states, Commission President Ursula von der Leyen on Thursday pushed the signature of the contentious Mercosur agreement to January to the frustration of backers Germany and Spain.
The trade deal dominated the EU summit, with France and Italy pressing for a delay to secure stronger farmer protections, while von der Leyen had hoped to travel to Latin America for a signing ceremony on 20 December after securing member-state support.
Without approval, the ceremony can no longer go ahead. There is not set date.
“The Commission proposed that it postpones to early January the signature to further discuss with the countries who still need a bit more time,” an EU official told reporters.
After a phone call with Brazilian President Luiz Inácio Lula da Silva, Prime Minister Giorgia Meloni said she supported the deal, but added that Rome still needs stronger assurances for Italian farmers. Lula said in separate comments that Meloni assured him the trade deal would be approved in the next 10 days to a month.
The Mercosur agreement would create a free-trade area between the EU and Argentina, Brazil, Paraguay and Uruguay. But European farmers fear it would expose them to unfair competition from Latin American imports on pricing and practices.
Meloni’s decision was pivotal to delay
“The Italian government is ready to sign the agreement as soon as the necessary answers are provided to farmers. This would depend on the decisions of the European Commission and can be defined within a short timeframe,” Meloni said after speaking with Lula, who had threatened to walk away from the deal unless an agreement was found this month. He sounded more conciliatory after speaking to Meloni.
Talks among EU leaders were fraught, as backers of the deal – concluded in 2024 after 25 years of negotiations – argued the Mercosur is an imperative as the bloc needs new markets at a time in which the US, its biggest trading partner, pursues an aggressive tariff policy. Duties on European exports to the US have tripled under Donald Trump.
“This is one of the most difficult EU summits since the last negotiation of the long-term budget two years ago,” an EU diplomat said.
France began pushing last Sunday for a delay in the vote amid farmers’ anger.
Paris has long opposed the deal, demanding robust safeguards for farmers and reciprocity on environmental and health production standards with Mercosur countries.
The agreement requires a qualified majority for approval. France, Poland and Hungary oppose the signature, while Austria and Belgium planned to abstain if a vote were held this week. Ireland has also raised concerns over farmer protections.
Italy’s stance was pivotal.
However, supporters of the agreement now fear prolonged hesitation could prompt Mercosur countries to walk away after decades of negotiations for good.
After speaking with Meloni, Lula said he would pass Italy’s request on to Mercosur so that it can “decide what to do.”
An EU official said contacts with Mercosur were “ongoing,” adding: “We need to make sure that everything is accepted by them.”
Wiegman replaced Phil Neville as England manager in September 2021, guiding the Lionesses to their first piece of major silverware at Euro 2022 when they beat Germany 2-1 in the final at Wembley.
England then reached the World Cup final in Australia in 2023, only to lose 1-0 to Spain.
At this year’s Euros, England showed incredible battling qualities to remain in the tournament and became the only country in the competition’s history to have three different matches go to extra time.
By reaching the final Wiegman became the first women’s or men’s manager to reach five consecutive major international finals after leading the Netherlands to the Euro 2017 title and 2019 World Cup final.
The Lionesses beat Spain 3-1 on penalties in July after the final finished 1-1 after extra time in Switzerland, with Chelsea goalkeeper Hannah Hampton saving two of Spain’s efforts in the shootout.
The victory meant Wiegman became just the second manager after Germany’s Christina Theune to win three successive European Championships.
Trevor Painter and Jenny Meadows shared the BBC Sports Personality Coach of the Year award in 2024 after guiding Keely Hodgkinson to 800m Olympic gold at the Paris Games.
Sir Alex Ferguson won the inaugural Coach of the Year award in 1999, the year Manchester United won the Treble.
Previous winners include Sir Clive Woodward, Colin Montgomerie and Claudio Ranieri.
Wiegman joins Arsene Wenger, Sir Dave Brailsford and Sir Gareth Southgate in winning the award more than once.
The once-celebrated star fell out of favour with Tinseltown after he was hit with multiple accusations of sexual assault. After being off screens since leaving Netflix in 2017, he is now set to in a 10-part comedy series.
Eve Wagstaff Social Newsdesk Reporter
20:00, 18 Dec 2025Updated 20:01, 18 Dec 2025
Kevin Spacey will star as himself in the new show(Image: RAI)
Hollywood actor Kevin Spacey has shared that he is returning to television screens after he was acquitted of sexual assault in 2023.
The Oscar winner, who was fired from Netflix in 2017 following multiple accusations of sexual assault, has landed a role in an Italian comedy series playing himself. It marks his first television performance since his removal from House of Cards.
The comedy show is called Minimarket and follows shop worker Manlio Viganò who dreams of becoming an actor. Starring Filippo Laganà as the lead, Kevin appears as his imaginary friend, offering guidance and advice.
According to Variety, Spacey is Viganò’s “artistic conscience and unpredictable mentor,” and the comedy comes from their relationship of “bickering, misunderstandings and mutual teasing.” The 10-episode series will be available to watch on RAI’s RaiPlay on 26th December.
In the lead-up to the show airing, Laganà has been sharing multiple posts featuring Kevin. Next to a black and white snap of the two actors, the 31-year-old wrote: “Thank you, Mr Spacey, it’s been a true honor.”
In another post, Laganà capitalised on Kevin’s recent comments about having nowhere to live, joking: “He’s not homeless. He’s living in MiniMarket! Minimarket is coming.”
In November, Kevin said in an interview with The Telegraph that he was homeless after being frozen out of Hollywood in the wake of sexual assault allegations first made against him seven years ago.
The 66-year-old actor, once one of the most powerful figures in the film industry, said he has been forced to give up his house and place all of his belongings in storage as a result of what he described as “astronomical” legal bills. He said the financial strain of defending himself in multiple cases dating back to 2017 has wiped out his savings and ended his ability to maintain a permanent home.
Instead, the actor explained that his work requires him to move around constantly, saying he stays in hotels and Airbnbs and travels wherever jobs take him. He said he doesn’t currently have a permanent base, but later addressed the comments in a video shared on Instagram to clarify that he was not homeless in the traditional sense.
He stressed that he was not comparing himself to people experiencing genuine housing or financial hardship, including those forced to live on the streets or in their vehicles.
Spacey, who was found not guilty on nine sexual assault charges at London’s Southwark Crown Court, won Academy Awards for American Beauty and The Usual Suspects and was widely regarded as one of the finest actors of his generation.
His career imploded after he was accused in 2017 of sexually assaulting a 14-year-old boy in 1986. He denied the allegation and fought the case in civil court in New York, where he was cleared in 2022.
Following his interview, it was revealed by the BBC that the 66-year-old has been hit with three more claims of sexual assault that will go to court next year. According to the broadcaster, Spacey has denied all allegations of wrongdoing and has formally denied two of the claims and is yet to file a defence with the court in the third.
A PRETTY UK seaside town will be getting trains from London for the first time.
The operator Grand Central has launched the first-ever direct trains between Seaham and London.
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The seaside town of Seaham now has four daily services to LondonCredit: AlamyThe journey will cut 30 minutes off previous journey timesCredit: Alamy
There are now four direct services between Seaham and London King’s Cross in each direction, every day.
Before the service was launched, passengers travelling from Seaham would have to change trains to travel into London, taking the total journey time to four hours.
The new direct service sheds 30 minutes off of that journey time, taking around three and a half hours in total.
One-way tickets cost from £30.50 per person, when booked in advance.
Chris Brandon, director at Grand Central, said: “For the first time in history, residents here have a direct, reliable connection to London — a connection that reflects the town’s growing ambition and needs.
“This launch reflects our mission to continue investing in the North East: through our £300million order of new trains, and through seeking increased track access rights, which will allow us to provide more services in the region for years to come.”
Grahame Morris, Member of Parliament for Easington, said: “The East Durham Coastline has been underused for decades, and I’m delighted that Grand Central has recognised the enormous potential of this route and worked hard to make it a reality.”
Seaham is located around a 17-minute drive from Sunderland in County Durham.
And the town is even home to a famous beach that stretches a mile-long and often features lots of sea glass, ideal for collecting.
Sea glass is man-made glass that at some point or another has ended up in the sea.
And when it does, it is ground down over the years and eventually washes up on the shore.
This is because during the Victorian era there was a bottle factory nearby that used to put waste directly into the sea.
There is even a beach called Glass Beach, located at the front of the town.
One recent visitor said: “If you’re looking for a place to find treasure then this is the one!
“There’s loads to see here from beautiful glass and fossils to a friendly little robin that comes and sits with you while you hunt for treasure.”
But if you want to explore a sandy spot, then head to The Slope Beach which looks out at Seaham Lighthouse.
A recent visitor said: “A hidden Seaham gem, with a gently sloping sandy beach leading down to a protected sea, with great views of the lighthouse at the far end of the pier.
In Seaham you can explore a beach, known for sea glassCredit: Alamy
“Great parking, a freshwater tap at the top of the beach, and all the facilities of the marina right next door, including toilets and a fantastic array of cafes.
“A great trip out for the kids, or a peaceful few hours to one’s self when they’re in school. Lovely!”
The town itself then also features a number of places to grab a bite to eat, including a Wetherspoons pub.
Or just up from Seaham Beach you can head to the Crows Nest pub, where you can order mac and cheese or Hunter’s chicken for £11.79.
If you fancy fresh seafood, head to The Lamp Room with options including a surf and turf salad for £16.95 or a seafood linguine for £15.95.
One diner commented: “The food was amazing, fresh, and very tasty.
“We had fresh mussels with fries, and the sauce was delicious.”
After an amazing comeback against a really strong New England team last Sunday, the Bills are emboldened and Josh Allen is on an MVP pace. Cleveland relies on its stout defense, but that unit didn’t show up in Week 15 against Chicago, surrendering 31 points. Buffalo, which is 7-2 outside the division, wins this going away.
Leon Thomas recently dyed the tips of his signature locs dark green. His new hair color — a stark contrast from the vibrant red he’d been rocking for the last four years — is the first thing that stands out about him when he strolls into the Los Angeles Times building on an unusually rainy day in October.
When asked about his hair, which peeks out from underneath a black beret-style hat, a wide grin stretches across his face.
“I had a vision,” the 32-year-old singer says, leaning in. “In [this] vision, I had more tats, a six pack and I had green dreads. And I was like, ‘You know what, let’s work on it.’” He’s been working out more consistently and he has his eyes set on a couple of tattoo artists in L.A. and Europe, but the new hair kicked everything off.
“That’s how the rest of my life has worked: I’ve seen something in my head, I’ve seen a version of myself that’s not there yet and then you work hard to get there.”
This instinct has carried Thomas throughout his 20-plus-year career in the entertainment industry, and has cleared a path for him to emerge as a leading force in modern R&B music. After years of dedicating his skill to acting, writing and producing chart-topping bangers for artists like Drake, Ariana Grande and SZA (he won his first Grammy for her record “Snooze”), for the first time Thomas is up for six Grammy nominations including album of the year and best new artist for his own work.
“I feel like this is a byproduct of me finally having a machine that works,” Thomas says about his team. He signed to EZMNY, a record label co-founded by Grammy-nominated artist Ty Dolla $ign and A&R executive Shawn Barron, in 2021. He takes an audible breath before continuing, “Not to sound cocky or anything, but I just always felt in my heart of hearts that once people could finally hear what I had to offer, it would be a different story. I’m glad that God gave me the foresight to see that.”
He has good reason to be feeling himself these days. “Mutt,” his breakout 2024 single, quietly simmered for months before it was pushed into ubiquity. The track’s metaphorical meaning — comparing his own flawed behavior in relationships to a “mutt” or a dog with good intentions — along with a sensual bassline and knocking drums eventually became a sleeper hit. It also became a favorite for Tems, SZA, Keke Palmer and Issa Rae, who shouted out the song in interviews.
“That’s how the rest of my life has worked: I’ve seen something in my head, I’ve seen a version of myself that’s not there yet and then you work hard to get there,” said Leon Thomas.
(Jason Armond/Los Angeles Times)
By early this year, the song, which is the title track from his sophomore album, had cracked the Hot 100 Billboard charts, recently climbing to No. 1 on Billboard’s radio songs chart, earning double platinum status.
The success of the album and the deluxe edition that followed launched Thomas into a whirlwind of promo: radio and podcast stops, interviews galore and after-party appearances. Meanwhile, he’s still made time to make records with other artists like Wale, Disclosure, Odeal and Sasha Keable. He kicked off his “Mutts Don’t Heel” tour in October, and this year alone, he’s had more than 70 performances, including the Hollywood Bowl with Inglewood-born singer SiR, “Jimmy Kimmel Live” and the BET Awards (where he won best new artist). Earlier this year, Thomas stopped by NPR’s Tiny Desk, a live set that has more than 4 million views and has since been turned into an EP. (His Tiny Desk performance also received a Grammy nod for best R&B performance.)
“It’s been nonstop like something great happening every single week,” says Barron, co-founder of EZMNY.
Long before fans were belting out the lyrics “I’m a doggggg / I’m a mutt,” Thomas was getting his first taste of what it takes to be a musician from his family. Thomas’ late grandfather, John Anthony, was an opera singer who starred in the 1976 Broadway production of “Porgy & Bess.” His mother — a singer — and his stepfather — who played guitar for B.B. King — were part of New York’s Black Rock Coalition and “didn’t believe in babysitters,” says the Brooklyn native who now resides in L.A. He has fond memories of doing his homework while his parents were performing and hopping on stage at times to hit a dance move for a packed crowd.
At just 10 years old, Thomas booked the role of Young Simba on Broadway after a family friend encouraged him to audition. He went on to star in more productions, including “Caroline, or Change” and “The Color Purple,” before booking his first film, “August Rush” (starring late actor Robin Williams), which required him to learn to play the guitar. As a result, he began writing his own songs, one of which impressed his parents so much that they booked studio time and a session bass player to help him to lay down the track. “It definitely influenced my perspective on if I could actually make professional music or not,” recalls Thomas, who plays five instruments, including drums (his first love), guitar, bass, piano and saxophone.
“Not to sound cocky or anything, but I just always felt in my heart of hearts that once people could finally hear what I had to offer, it would be a different story. I’m glad that God gave me the foresight to see that,” said Leon Thomas.
(Jason Armond/Los Angeles Times)
By age 13, Thomas had signed a development deal with Nickelodeon that came with a Columbia Records recording contract. After appearing in various shows like “The Backyardigans” and “iCarly,” he snagged the role of André Harris, a high-school-age singer and multi-instrumentalist, on the tween sitcom “Victorious” alongside star-in-the-making Grande.
When the show ended in 2013, Thomas began working with one of modern music’s most decorated architects, Babyface, who introduced him to producer and songwriter Khris Riddick-Tynes. Together, Thomas and Riddick-Tynes formed the Rascals and began producing records like Rick Ross’ “Gold Roses” featuring Drake (which received a Grammy nomination), “I’d Rather Be Broke” by Toni Braxton and SZA’s “Snooze,” which won best R&B song at the Grammys in 2024.
Still, pivoting from wholesome Nickelodeon star to a grown R&B artist didn’t happen overnight. “The biggest thing for me was just taking time away from the artistry in order to really allow people to celebrate the brand that I had built, but give me room to build something else,” he says. “Space and time can be a tough thing because you’re gonna have to reintroduce yourself even though you did a lot of work in the beginning to build what you had before, but I think it’s beautiful to kind of build a brand from scratch.”
That’s one of the reasons why the cover of his reintroduction project, “Genesis,” features a distorted forest instead of his face. “I didn’t want them to connect with what I was saying, what I was talking about, the feelings [and] the sounds,” he says. With every release, he’s slowly revealed more of himself.
Onstage, Thomas channels the intensity of some of his musical heroes — James Brown, Prince, Jimi Hendrix and D’Angelo. His music may sit comfortably under the R&B umbrella, but he bends and flips genres with ease, especially rock and funk. In TikTok recaps from his current tour, he can be seen ripping on the bass and guitar, whipping his body into turns and effortlessly hitting vocal runs, which fans have attempted to imitate. With him, you never have to question if the mic is on.
“Sometimes I go see R&B artists live and it’s very chill,” he says, but “the school I come from is competitive.” He recalls stories that his stepfather has told him about performing at the Village Underground in New York when he was coming up. “They used to do something called cutting heads, so the first guy would go do his solo, then the guy who came out on the second set had to go even further. He’s playing with his teeth, he’s spinning, he’s on the floor, he’s wildin’,” Thomas says excitedly.
“So I’m in that school of thinking when I hit a stage and for this tour where I get to curate things and really put it together like I want to, there’s gotta be that energy of cutting heads,” he adds.
Just days before launching his 27-city tour, Thomas released a cinematic trailer featuring Rae — who played his neighbor and hookup buddy on “Insecure” — to introduce his latest project, “Pholks.” The seven-track release, created in collaboration with musicians Rob “Freaky Rob” Gueringer and David Phelps, a.k.a. “D. Phelps” (who also worked on “Mutt”), is an homage to the funk, rock and soul artists who’ve inspired him. Led by the singles “Just How You Are” and “My Muse,” which could trigger a “Soul Train” line at any moment, the project feels warm and nostalgic, yet anchored in forward-thinking production and playful storytelling that helps push it into the future.
In April, Ty Dolla $ign brought Thomas out to perform during his headlining set at Coachella, a moment that was a no-brainer for Ty, who recently called Thomas “the new king” of R&B.
“I just can’t even believe that I was the one to be able to do this,” Ty says about working with the singer.
“Sometimes I go see R&B artists live and it’s very chill,” Leon Thomas said, but “the school I come from is competitive.”
(Jason Armond/Los Angeles Times)
In the midst of this busy season, Thomas has been more intentional about maintaining his mental health. “I’m doing a lot of grounding meditations,” he says, noting that family and his tight circle of friends have been an essential support system. “I’ve been picking up the Bible a little bit more.”
He also finds steadiness in revisiting wisdom passed down from his late grandfather, who passed away last year, and reflecting on his “why:” bringing a classic, musician-centered energy back to R&B and encouraging young artists to pick up an instrument.
“When a little kid sees me playing guitar on the Grammy stage or if they see me performing on Instagram playing drums, I want them to ask their mom for a guitar or some drum lessons,” he says. With the rise of AI, he says that live musicianship may become less common. “I hope that we can inspire a revolution of intelligence, people who are intelligently making music and coming from a standpoint of history.”
Thomas will close out his whirlwind year with two shows at the Wiltern on Dec. 22 and 23 before embarking on the European leg of his tour in March and heading to Australia in June. In the meantime, he’s trying to avoid thinking about the Grammys in February — though everyone, including myself, is making it impossible for him not to.
Whether he walks away with a golden gramophone or not, Thomas has already created a body of work that has reinvigorated not only R&B but also music in general, and he plans to continue pushing himself creatively. He’s known all along what he’s capable of and the career he’s destined to have because he’s envisioned it. It’s the world that’s had to catch up.
Steph Sarah recalls a time in Venice Beach’s mythical skateboarding history — long before the sandy expanse on Ocean Front Walk became the world-famous skate park, a concrete playground where pro skaters are born.
“It was all boys,” says Sarah, a 36-year-old Venice Beach native who learned to skate at age 12. “If you did come across another girl skating, they were your competition, because there wasn’t even enough room for one girl to skate, let alone multiple girls.”
The group welcomes all skill levels and jokes that they’re the “world’s okay-est skaters.” (Gabriella Angotti-Jones / For The Times)
On this Thursday night, that is distant history. As fog rolls in over the Venice Pier, Sarah skates alongside dozens of women on the coastal path. They belt out the lyrics to “Hey Jude” as singer Chloe Kat serenades them with a guitar in hand. Curious fishermen eye them, their fishing lines cast into the black ocean. But they pay no attention. Twirling under the moonlight, the women resemble a witch’s coven — their spells are good vibes, California weather and the boards beneath their feet.
Since its inception in 2018, GrlSwirl has been a leading force in creating a more inclusive skateboarding culture in Venice Beach — and across the world. The Venice Beach-based organization fosters community among female skateboarders. Twice a month, the group hosts nighttime “group skates” for women and community members. The event has exploded on social media, often attracting over 100 participants on warm summer nights.
“You get to witness what it’s like for people to break all the rules and show up fully as themselves,” Lucy Osinski, one of the co-founders of GrlSwirl, says of the group skates. “The weirder, the sillier, the more authentic, the better.”
Participants dodge a parking barrier gate during a nighttime group skate.
(Gabriella Angotti-Jones / For The Times)
Growing up in the world of professional ballet with its restrictive body standards and intense discipline, Osinski found newfound freedom in skateboarding. “I went from feeling so fragile and weak to so powerful,” she says. “It made me feel like I belonged and liberated in a way I had never experienced before.”
But when she moved to Venice Beach in 2017, skateboarding as a woman invited hostile attention. “Every time I would skate, people would catcall us or yell at us to do a kickflip,” she says. (“Do a kickflip” is considered a skateboarding taunt.) “I started chasing down any girl I saw on a skateboard. I made a text chain. I called it GrlSwirl.”
Osinski began posting about group skates on Instagram, where GrlSwirl gained traction. “The next week, 20 girls showed up just from word of mouth, and then the next week 40, and then the next 60, and then we had over 100 girls.” Soon, the group’s reputation attracted brand sponsorships and inquiries about starting chapters in new cities.
Today, the organization also doubles as a nonprofit that teaches underprivileged communities to skate worldwide, including surf-skate retreats that empower women and girls. Osinski explains that GrlSwirl has hosted skateboarding clinics from refugee camps in Tijuana to the first-ever women’s skate jam in the Navajo Nation. GrlSwirl has an international following with chapters in more than seven cities and an online community spanning 80 countries.
Lindsey Klucik, left, dances with friends to Christmas songs at the Venice Pier during a GrlSwirl group skate.
(Gabriella Angotti-Jones / For The Times)
Lucy Osinski rolls in with a skateboarding move.
(Gabriella Angotti-Jones / For The Times)
“Everything we’ve done from Day 1 is to make spaces and find ways to build community through skateboarding,” says Osinski. “People want to be in a village, but they don’t know how to be a villager. GrlSwirl is the village.”
The popularity of the bimonthly group skates has even attracted out-of-towners curious about the event. Osinski says the event has drawn tourists from Japan, Russia and more. Traveling from Salzburg, Austria, Karoline Bauer joined the skate with her partner while on vacation after following them on Instagram. “We were just looking for some community. We don’t have that back home,” Bauer says.
The group skate welcomes skateboarders of all skill levels. As a motto, the group jokes that they’re the “world’s okay-est skaters.” “We’re not looking for people to be shredding like crazy,” says Naomi Fulta, a team rider for GrlSwirl. “We have people who come here who literally have never stepped on a skateboard, to people who’ve been skating their whole lives.”
Yuka Okamura has been attending GrlSwirl’s group skates with her 10-year-old daughter for over five years. To her surprise, Okamura began learning to skateboard when her daughter started taking lessons. “I had no idea that I would start something new after I had a child. It’s amazing to share the joy and the experience with her,” she explains.
Yaya Ogun, a GrlSwirl team rider, poses with the group.
(Gabriella Angotti-Jones / For The Times)
For Yaya Ogun, one of the team riders, group skates are an opportunity to build community and make friends. Skateboarding naturally lends itself to community, she explains. Ogun attended her first GrlSwirl event alone and now rides as a sponsored skater. “You have to go someplace physical, you’re gonna meet people, you’re gonna make friends,” she says.
Ogun is a self-proclaimed pandemic skater. “There’s a huge wave of us who started either during or after the pandemic,” she says. “I grew up wanting to skate, but I just never had the time. And then all of a sudden, I had a lot of time,” she says with a laugh.
As a transplant from Texas, Ogun was drawn to GrlSwirl because the organization is anchored in the local community, which has experienced rent hikes and the closure of local institutions in recent years. “This is a special place, and it’s changing a lot,” laments Ogun. “We want to respect it and raise it up and not change anything.”
Osinski credits GrlSwirl’s success to its birthplace, Venice Beach, a place that celebrates uniqueness and community. Venice is a mecca for skateboarding, home to the Z-boys who revolutionized the sport in the 1970s and the subject of the documentary “Dogtown and Z-Boys.”
GrlSwirl aims to inspire people to “come together through the simple act of trying something new.”
(Gabriella Angotti-Jones/For The Times)
“Venice is a place of creation. You don’t have to look like a Venice skater to be a Venice skater. It’s about growing up and giving back,” Osinski says.
The girls skate into the evening, the sunset casting an orange light onto their smiling faces. Ogun declares her contempt for longboards — not to mention penny skateboards, which she says are a death trap. In the distance, waves carry surfers to the shore after their last surf of the day. As darkness falls on Venice Beach, the promise of something new swells.
This gorgeous market town has Tudor buildings, and royal polo heritage.
10:47, 18 Dec 2025Updated 10:56, 18 Dec 2025
Midhurst is a charming market town nestled in West Sussex(Image: Getty)
If you’re dreaming of a getaway to a quintessentially British market town, complete with cobbled streets and Tudor architecture, then Midhurst in West Sussex is the place for you. Often hailed as a gem in West Sussex’s crown, it’s no wonder Midhurst has been voted one of the best places to live in the UK.
This charming, friendly town centres around a market square and boasts an abundance of historic architecture, giving it a traditional feel. It’s a magnet for the rich, famous, and even royalty, thanks to its status as the home of British polo – making it the perfect spot to try your hand at a new skill.
Notable figures such as King Charles, Prince Harry, and Prince William have all competed here, with Lady Diana Spencer making an appearance in July 1981, just days before her wedding to the then Prince of Wales.
Just a mile away from the town centre is the world-famous Cowdray Park Polo Club, host of the Gold Cup, considered one of the most significant events on the British social calendar, reports the Express.
Situated within the South Downs National Park, life in Midhurst unfolds against a backdrop of stunning landscapes, offering a tranquil atmosphere.
No visit would be complete without exploring the national park, which boasts beautiful walking trails, making it the ideal base to take in more of Midhurst’s picturesque surroundings.
Located on the River Rother, Midhurst is 20 miles inland from the English Channel and 12 miles north of Chichester.
Why not pop into The Spread Eagle? It’s one of England’s oldest coaching inns, dating back to 1430, and it’s brimming with character and charm at every turn.
A “wealth” of independent shops awaits you on West Street, Red Lion Street, Church Hill, Knockhundred Row and North Street.
Midhurst truly embodies the enchantment of Christmas, as the town is transformed into a festive wonderland adorned with twinkling lights.
Each year, the season begins with a Christmas street party, where the town’s tree and stunning lights are ceremoniously switched on. To celebrate the occasion, its numerous boutiques extend their opening hours, offering the perfect opportunity to find unique gifts.
Gil Gerard, the actor who became a childhood hero to many for his lead performances in the 1979 movie “Buck Rogers in the 25th Century” and its subsequent TV incarnation, died early Tuesday, his wife announced on social media. He was 82.
“Early this morning Gil — my soulmate — lost his fight with a rare and viciously aggressive form of cancer,” Janet Gerard wrote Tuesday evening on Facebook. “From the moment when we knew something was wrong to his death this morning was only days.”
She was by Gerard’s side when he died in hospice care, she added as she placed another post — a pre-written message from the actor to his family, friends and fans — on her husband’s Facebook page.
“If you are reading this, then Janet has posted it as I asked her to,” the actor wrote. “My life has been an amazing journey. The opportunities I’ve had, the people I’ve met and the love I have given and received have made my 82 years on the planet deeply satisfying.”
The post was followed by myriad comments in which fans spontaneously recalled Gerard’s work as Buck Rogers and shared the influence he had on their lives.
“Your time as Buck Rogers was way too short but it has stayed with me in my childhood memories for 45+ years,” one man wrote. “Your hero was brave, macho, but also kind, compassionate, and fair. I feel as if that was representative of the man you truly were. Thank you for being the kind of ‘make believe’ hero that we should all want to be in real life.”
Another fan replied, “[H]aving met him, I can say he was all that. On and off the screen.”
Wrote another, “Like many here, I grew up watching Gil as Buck Rogers. He was cool… and he was funny… and he was nice. I was happy to find him here after all these years… still cool… still funny… still nice. It was a highlight when he ‘liked’ one of my comments. We’ll keep an eye out for you… 500 years into the future!”
“With our show, the reason people liked it was the humor and the fact that it was colorful and upbeat and it had heroes in it,” he said, chatting at a comic convention in Anaheim. “It was family entertainment. I think it’s great to deal with more serious issues, but you can do it with humor — look at what ‘All in the Family’ dealt with. You can be serious without being relentlessly dark and heavy.”
He also had wishes for the future direction of sci-fi projects, which at the time he observed were “very dark, almost hopeless.” And, he said, “wet.”
“Have you noticed how much rain they get in the future now? Everything is rainy and muddy. I don’t understand, either, how come everybody is so dirty when there’s so much water around everywhere,” Gerard observed with what seemed to be a healthy sense of humor. “Look at ‘Waterworld’ — they live in a place with no land and everyone’s covered in dirt. I don’t get it. You think they’d fall overboard and get clean once in a while.”
Gilbert Cyril Gerard was born Jan. 23, 1943, in Little Rock, Ark., and trekked to New York City in 1969 to give acting a shot, studying at the American Musical and Dramatic Academy.
He drove a taxi to pay the bills and, according to his website, one day a fare told him to show up on the set of the movie “Love Story.” Ten weeks of work on the film followed and his career took off. At first Gerard appeared primarily in commercials, representing companies including Ford, Coca-Cola and Proctor & Gamble until he landed the role of former POW Dr. Alan Stewart on NBC’s “The Doctors.” He put on the white coat and stethoscope for more than 300 episodes of that daytime drama from 1973 to 1976.
Then an agent lured him to the West Coast, where auditions got him noticed by NBC. NBC’s interest led to his casting in the title role in Universal Pictures’ “Buck Rogers in the 25th Century,” starring alongside Erin Gray as Col. Wilma Deering and Pamela Hensley as Princess Ardala.
As William “Buck” Rogers, Gerard played a 20th century astronaut who had come out of suspended animation 500 years in the future, only to discover a planet in ruins. In 1979 dollars, the film earned more than $21 million worldwide, or about $100 million when adjusted for inflation.
His career outside of “Buck Rogers” included appearances on mainstream shows abundant in that era — “Baretta,” “Hawaii 5-0,” “CHiPs” and “Little House on the Prairie” among them — as well as more obscure TV movies with delightful titles: “Reptisaurus,” “Nuclear Hurricane” and “Bone Eater.” “Sidekicks” in the mid-1980s, a couple of years after the release of the Oscar-nominated 1984 movie “The Karate Kid,” saw him playing a cop who becomes the guardian of a pre-teen martial-arts expert. A stint on the short-lived 1990 series “E.A.R.T.H Force” earned him some light snark from The Times’ then-critic Howard Rosenberg.
But Gerard also appeared in successful mainstream films including “The Nice Guys” starring Russell Crowe and Ryan Gosling and “The Big Easy” with Dennis Quaid and Ellen Barkin.
Gerard was married and divorced four times before exchanging vows with Janet Gerard in the 2010s. Among his wives was model and actor Connie Sellecca, whom he was married to from 1979 until their divorce was finalized in 1987. They had one child, a son.
In addition to addictions to alcohol and drugs, the actor battled his weight starting in the 1980s, with the once-trim leading man eventually seeing his health suffer as he topped 300 pounds, according to a 1990 interview with People. He later chronicled his 2005 mini gastric-bypass surgery in the 2007 Discovery Health special “Action Hero Makeover.”
“Gil likely saved my life. I was badly in need of weightloss surgery. I was resistant…then i saw a documentary on Gils weight loss journey. It was the impetus I needed as Gil was a hero of mine growing up,” a fan wrote Tuesday on Gerard’s posthumous Facebook post. “I thanked him via email several years ago and he was gracious and kind. I will miss him.”
Gerard appeared to be quite grateful and gracious at the end of his life.
“It’s been a great ride, but inevitably one that comes to a close as mine has,” he wrote in that final prepared post. “Don’t waste your time on anything that doesn’t thrill you or bring you love. See you out somewhere in the cosmos.”
“No matter how many years I got to spend with him it would have never been enough,” Janet Gerard said in closing in her own message on Facebook. “Hold the ones you have tightly and love them fiercely.”
In addition to his wife, Gerard is survived by actor Gilbert Vincent “Gib” Gerard, 44, his son with Sellecca.
The Chargers quarterback had passed for 139 yards and ran for 66 more in a 22-19 win just a week after undergoing surgery to stabilize a fracture in his non-throwing hand. Now, after one of the biggest wins of the season, he was hoping to receive good news about his injury despite being sacked a career-worst seven times.
The scans showed his hand was swollen, but it had improved since surgery, Herbert said. The results provided him with a sense of optimism heading into the Chargers’ AFC West showdown against the Kansas City Chiefs on Sunday at Arrowhead Stadium.
“I think compared to the days after surgery, I think it’s a lot better now,” Herbert said. “I think it was just sore. I think having played on it, using it, and kind of falling on it too, I think that kind of helped, and was some of the reason why it was sore.”
Chargers coach Jim Harbaugh described Herbert’s performance against the Eagles as “the most competitive thing” he ever saw. Herbert, however, gave a negative self-assessment — he threw an interception and lost the ball once on two fumbles. For Herbert, it wasn’t good enough for a Chargers team vying to reach the Super Bowl for the first time in more than three decades.
Offensive coordinator Greg Roman, who praised Herbert’s grit after the win over the Eagles, was proud to hear Herbert taking responsibility for his mistakes.
“First of all, I love that,” Roman said. “That tells me everything I need to know about that individual. … A great leader, setting a great example there. But on the flip side, he did what he had to do to win that game. He’s smart enough to recognize that that’s not how he wants to win every game, and he will adjust accordingly.”
Chargers center Bradley Bozeman, who has snapped the ball to Lamar Jackson, Baker Mayfield, Sam Darnold and Bryce Young over his nine-year NFL career, said Herbert is one of one.
“He’s the best quarterback — no shot to any quarterback ever played with — but he’s the best quarterback ever,” said Bozeman, who joined the Chargers before the start of the 2024 season. “He’s committed to what he does. He’s tough as a damn nail.”
That toughness could prove to be too much for the Chiefs. A Chargers (9-4) win on Sunday (in combination with several other factors) could potentially eliminate Kansas City (6-7) from postseason contention for the first time since 2014.
Although the Chargers are trying to sweep the Chiefs for the first time since 2013, safety Derwin James Jr. knows they can’t underestimate a Kansas City team that has won the last nine division crowns. James, second on the Chargers in tackles (70), is expecting all the challenges that come with facing Patrick Mahomes at Arrowhead Stadium in 20-degree weather.
“Every time you go out there, everybody’s gonna play desperate to win, because they just want to win,” James said. “We’re desperate, they’re desperate — so let’s go out there and play.”
The El Marco/La Codosera bridge is a short wooden bridge that crosses the Abrilongo River, connecting two countries in different time zones.
Visitors will change countries in seconds and an hour on their watch.(Image: Getty)
The El Marco/La Codosera bridge is a tiny wooden structure spanning the Abrilongo River, linking two nations in different time zones: Spain (CET) and Portugal (WET/WEST).
Those who venture across what’s been dubbed the world’s smallest international bridge will hop between countries in mere seconds whilst their watch changes by an entire hour.
The modest crossing, measuring just 3.2 metres in length, joins the Spanish village of La Codosera in the south to Portugal’s El Marco, reports the Express.
According to Fascinating Spain, the tiny crossing was constructed by local residents centuries ago.
Originally, it was nothing more than basic wooden planks to traverse the narrow waterway.
They explained: “Although with the passing of time, elements were incorporated that have given stability to the bridge (and security to the neighbours who cross it), it was not until 2008 that it was completely remodelled.
“The smallest international bridge in the world was then created, from where, in a matter of seconds, you go from one country to another.”
“The bridge currently has a footbridge and reinforcements that prevent it from being swept away if the river Abrilongo rises.
“Other details were also added to emphasise the peculiarity of this being a border bridge: on each side of the bridge, a stone was placed with the E for Spain and the P for Portugal, so that it indicates which country you are in when you cross it.”
Among other remarkable bridges worldwide is a £3.4billion crossing between two nations that charges travellers £50 to use.
