throws

She is concerned, however, that it will be difficult for voters to coalesce around any new candidate in just three months.

“The thing I’m the most worried about is we run somebody and he or she loses, and then we spend the next four years pointing fingers at whose fault that was,” she said.

In primary contests across the country this year, Democrats regularly opted for outsider congressional candidates offering a vivid vision for what the party should stand for and promising to fight for their beliefs in the face of Republican resistance.

Platner was one of the earliest and most prominent examples of this trend. With his gravelly voice, scruffy appearance and working-class back story, he gained a passionate following both in Maine and nationally.

He presented himself as a candidate who could advocate for liberal policies – like universal healthcare, wealth taxes, and low-cost housing – in a way that appealed to the kind of rural voters who have moved away from Democrats recently.

A win in November would have given Democratic progressives a chance to see blue-collar liberalism triumphing in battleground states like Maine.

And that, in turn, could have become a compelling argument for nominating a left-wing presidential candidate in 2028.

Now, that opportunity is likely dashed.

That Platner survived the series of scandals as long as he did was in part a testament to Democrats’ hunger for a different kind of candidate. It also, however, underlined the risks of opting for charismatic political neophytes who haven’t received close scrutiny before they run for higher office.

With Platner’s exit, a group of more traditional candidates are already expressing interest in stepping in – including a handful who unsuccessfully ran for governor and one of the state’s open House seats last month. They have recent campaign experience and some name recognition.

Troy Jackson, a former Maine Senate leader, campaigned side-by-side with Platner during his bid for governor, and came in third.

Nirav Shah, a state epidemiologist who gained prominence through regular public appearances during the Covid pandemic, finished a close second.

Shenna Bellows, the Maine secretary of state, is known for her lawsuit to block Trump administration attempts to gain access to state voter data. She was the party’s nominee in 2014 but was soundly beaten by Collins.

According to Melcher, many Platner supporters will be hit hard because of the connection they made with their unconventional candidate. He believes they will ultimately back his replacement, however, because of the high stakes in this race.

Many Maine Democrats supported Platner with some reluctance because of his past scandals, he added, and this latest twist might end up a blessing in disguise for the party.

“If they play their cards right, I think that they will be fine and, with some voters, even better than they would have been before,” he said, “as long as the party doesn’t handle this in a way they see as disrespectful or a cabal taking things over.”

The clock is ticking, however, and Collins awaits whoever emerges from whatever process Democrats ultimately follow. She has proven a formidable adversary for Democrats for 30 years, most recently defeating a better-funded opponent in 2020 despite polls showing her trailing right up to election day.

“It’s not as though it was going to be easy before, and now it’s hard,” said Melcher. “Beating Collins was always going to be hard.”

THE White House has shared its own Taylor Swift-inspired post ahead of the popstar’s lavish wedding to Travis Kelce.

The official White House Instagram account shared a photo of “America’s Eras Tour” in the same style as Taylor’s iconic Eras Tour poster.

The image showed President Donald Trump in the middle with his fist raised, surrounded by ten photos depicting moments in American history.

The post included two additional photos of Trump in addition to Presidents George Washington and Abraham Lincoln.

There were other images showing a hockey game, the moon landing, and a photo from the end of World War II showing a US Navy sailor kissing a woman in Times Square.

“It’s been a long time coming…” the caption read, a nod to Taylor’s lyrics.

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The timing of the post appeared to throw some shade toward Taylor, whose wedding extravaganza is taking place around the Fourth of July weekend and the celebration of America’s 250th anniversary.

Trump and Taylor have had a longtime feud, where the president blasted the singer as “no longer hot” in a Truth Social post from 2025.

“Has anyone noticed that, since I said ‘I hate Taylor Swift,’ she’s no longer ‘hot?’” he wrote.

He also called out Taylor in his speech congratulating the Philadelphia Eagles on their Super Bowl win in 2025, noting how she was booed on the jumbotron at the Caesars Superdome as she cheered on Travis at the big game.

“The only one that had a tougher night than the Kansas City Chiefs was Taylor Swift,” he wrote on Truth Social after making history as the first sitting president to attend the Super Bowl.

Despite the comments, after Trump learned the news that the pair were engaged, he told reporters, “I wish them a lot of luck.”

“He’s a great player and she’s a terrific person.”

The White House’s post on Thursday came as around 100 guests are expected to be attending Taylor and Travis’ rehearsal dinner.

Several A-List celebrities were spotted in New York City ahead of the couple’s big day, including Adam Sandler and his family, who arrived outside of Madison Square Garden on Thursday afternoon.

Jack Antonoff, who recently worked with Taylor on The Tortured Poets Department album, was also spotted in formal attire alongside his sister.

Supermodel Gigi Hadid and actor Bradley Cooper were seen heading to the rehearsal dinner in photos obtained by Page Six.

The rehearsal dinner reportedly began around 6:30pm with fresh lobster possibly on the menu.

In the latest twist in Canada’s long-running saga to field a new fighter, the country’s defense minister has said that Ottawa is “interested in learning more about” the Global Combat Air Program (GCAP) next-generation fighter. GCAP is currently a trinational effort, led by the United Kingdom and involving Italy and Japan. Its centerpiece is the Tempest crewed fighter. A demonstrator for this jet is currently taking shape with BAE Systems in the United Kingdom.

David McGuinty, the Minister of National Defense of Canada, made the remarks after a meeting in Tokyo with his Japanese counterpart, Shinjiro Koizumi. Breaking Defense reports that McGuinty confirmed he had spoken with Koizumi about the GCAP, which the Canadian official described as a “promising initiative.”

“We are interested in learning more about it. I’ll take it back to my team and see what it looks ‌like,” McGuinty told Reuters.

Until now, no senior Canadian official appears to have spoken publicly about interest in GCAP. However, the development comes as Ottawa weighs up the option of a split fighter buy, which would involve acquiring the U.S.-made F-35 and one other type. This thinking has been driven by a growing rift between Ottawa and Washington.

However, the possibility of Canada coming on board GCAP as an ‘observer’ had been raised in March of this year. According to The Asahi Shimbun, a Japanese daily newspaper, unnamed Japanese officials disclosed that, during a previous meeting, McGuinty and Koizumi discussed such an arrangement.

Canada’s joining GCAP with observer status would provide it access to information on the program and could be a stepping-stone to deeper involvement.

Earlier this week, Italian Defense Minister Guido Crosetto raised the possibility of other nations joining GCAP, noting that, were that to happen, “we would be completely willing, because the more there are, the greater the chances of creating something and bringing down costs.”

Crosetto then identified Canada as “the country most interested [in GCAP] at the moment.” He said he would be “fully open” to Canada joining as an observer.

For Canada, however, GCAP would require a rethink of Canada’s potential pursuit of a split-buy approach to its new fighter.

Until now, the Saab Gripen E had been identified as the most likely candidate to be bought alongside the F-35.

Sweden has made a strong push to sell Gripen to Ottawa, and Saab offered to build the jet in Canada, in an effort to secure support for its previous bid, which it lost to Lockheed Martin. Since then, Saab has also emerged as the preferred candidate to supply Canada with its future airborne early warning and control (AEW&C) via its GlobalEye.

In April of this year, McGuinty confirmed that Ottawa was still reviewing its earlier plan to buy 88 F-35s.

“The review of the purchase of the F-35s is continuing… We are taking the necessary time to study very, very closely the question of the fighter fleet,” McGuinty told the Senate’s defense committee.

The split-buy option emerged since Canada has already made a firm commitment to buy 16 F-35As to start replacing its aging CF-18 Hornets. Canada’s industry also has a significant degree of involvement in the Joint Strike Fighter program.

Canada currently has around 75 CF-18A/B+ jets and has also added 18 upgraded former Royal Australian Air Force (RAAF) F/A-18A/Bs, plus seven more as spares, to help bolster its fleet.

Of Canada’s first 16 F-35s, four have already been paid for in full, while parts for eight others have also been purchased. The first Canadian F-35s were expected to be delivered for training at Luke Air Force Base, Arizona, in 2026.

Back in 2023, Canada’s Liberal government announced plans to buy 88 F-35s, a decision that appeared to bring closure to what had already been a very protracted process. You can read about this here.

However, amid growing trade tensions and a war of words with the United States, Liberal Prime Minister Mark Carney launched a review of the F-35 program shortly after taking office in the spring of 2025.

There are other arguments for a split buy, too. Back in 2019, the cost of buying the planned 88 F-35s was put at $19 billion. Now it has rocketed to $27.7 billion, not including weapons and infrastructure.

Bill Blair, who was Canada’s defense minister when the review of the F-35 buy was launched last year, pointed to the advantages of a mixed fleet, saying it would give the RCAF more options to handle different types of threats.

“What happens if you have to persist in that space for months and months and years? The tool that you use, is it the right tool to do that job?” Blair said. “We need to have a whole wide range of capability sets to deal with all the eventualities that we could face.”

Were Canada to procure the Tempest, it would surely have to wait longer than 2035 — the prospect of GCAP’s fighter entering service at this date, as planned, is highly unlikely. Canada would be fourth in line behind the three core partners. Ottawa would need to buy more F-35s, perhaps around two thirds of its original intended number, or around 60 aircraft, and also keep the best of its CF-18s in service for longer, if that’s even possible. The Hornets are getting very old and disappearing from service abroad. Supporting them will become increasingly problematic. When the Tempest finally arrived, it would provide a flipped high-low fighter mix. This is essentially the same approach that the United Kingdom, Italy, and Japan — all current F-35 operators — are taking.

However, the Tempest does appear to be especially well-suited to Canada’s fighter requirement.

The design of the jet will stress extreme range and a large payload — roughly twice that of the F-35A. Senior GCAP officials have said the jet could potentially carry enough internal fuel to fly across the Atlantic without refueling.

While these attributes are optimized for a future conflict in the Indo-Pacific region, they are equally applicable to dealing with the ‘tyranny of distance’ and the increasing Russian threat posed around Canada’s enormous land mass, which extends far into the highly strategic Arctic region.

“Both China and Russia have fifth-generation fighter aircraft and fifth-generation missiles that are able to go at much greater speeds and with much more that are holding Western allies at risk at this moment in time,” the commander of the Royal Canadian Air Force (RCAF), Lt. Gen. Jamie Speiser-Blanchet, said in the past.

Plans to arm the Tempest with larger air-to-air missiles offering a longer range than those currently used by any of the three GCAP partner countries have also been revealed, as you can read about here.

If Canada decides it wants a sixth-generation combat aircraft to tackle current and emerging threats from China and Russia, the GCAP might be the only realistic choice. The rival pan-European Future Combat Air System (FCAS) has collapsed, and there is little chance of Canada getting its hand on the Boeing F-47.

But any kind of split buy “would duplicate a certain amount of infrastructure and training,” Speiser-Blanchet admitted.

In some cases, however, there could be cost-benefit arguments in having a mixed fighter fleet, as well as the important factor of not relying entirely upon one source of this type of combat equipment.

There is also the question of how feasible it would be for Canada to join GCAP at this point, at least in terms of industrial participation and steering requirements. The latter point seems next to impossible, with national requirements already set, and most of the workshare agreement has also been divided up between the three partners.

The same applies to India, which has also looked at joining GCAP in the past.

There has been talk of Saudi Arabia possibly joining GCAP in some capacity, and, more recently, Poland has been reported as being interested in buying the aircraft, too.

With that in mind, Canada’s best shot might be to buy the jet ‘off the shelf,’ rather than hope for industrial windfalls.

At the same time, Canada and the United Kingdom are partners on some other key military programs, including the Royal Canadian Navy’s future River class Canadian Surface Combatants, derived from BAE Systems’ Type 26 design for the U.K. Royal Navy. 

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Returning to the Tempest, the broader GCAP program still has to survive considerable challenges, both technical and political, that lie ahead.

As we have explained many times in the past, the process of creating an all-new fighter, especially one incorporating stealth technologies, brings very lengthy development times and high costs.

At this point, BAE Systems is in the process of building a demonstrator as part of the GCAP program, with a first flight planned by the end of 2027.

The latest rendering of that demonstrator appears at the top of the story. Notably, it retains the Typhoon’s EJ200 turbofan engines, with non-stealthy nozzles. The Tempest will have an all-new powerplant.

As we have argued in the past, the more time that passes, and the more deeply intertwined with the F-35 Canada becomes, the arguments in favor of a split fighter buy become harder to justify. Buying the Tempest would certainly not be the cheapest option, and would force a rethink of timelines, but it does underscore the fact that Canadian officials are casting their net wider, looking at very high-end capabilities, and seeking to build deeper strategic relationships outside of the United States.

Contact the author: thomas@thewarzone.com

For a long time, the lifestyles and foibles of the modest bourgeoisie were a mainstay of art-house cinema, with urbane, upscale audiences happy to turn out to see versions of their own lives depicted on the screen. But more recently, as ideas about what middle age looks like have shifted, along with the changing demographics of viewers, these films have largely disappeared. Which is what makes the seriocomic “The Invite” feel both fresh and something of a throwback — a movie for those who worry about losing their edge.

Directed by Olivia Wilde, “The Invite” was a clear standout when it premiered at the Sundance Film Festival in January and now arrives in theaters as one of the best dramas of the year so far. It feels daring for how it wants to actually examine the emotional costs of contemporary grown-up life, bringing wincing laughs of recognition.

The film begins with married couple Angela and Joe, played by Wilde and Seth Rogen, checking back in at their home in San Francisco at the end of the day. He has been at the teaching job he resents and she has been frantically preparing for the dinner party she may not have told him about. Their daughter is away at a sleepover for the evening and it seems they no longer fully know how to relate to each other. As they bicker and jab, their quiet dissatisfaction with their lives stops being so quiet.

Angela has invited over their neighbors from the apartment upstairs, who they do not know well and who often have loud sex. That couple, Piña and Hawk, played by Penélope Cruz and Edward Norton, seems more assured, self-possessed and adventurous, the kind of people you can absent-mindedly invent stories about, assuming their lives are much cooler than your own.

Things go in ways both expected and unexpected, the two couples warily feeling each other out as they wait to spring their own private agendas. Over the course of the evening, things will be alternately tense, flirty, vulnerable and revelatory as surprisingly little food is eaten. (Other substances get ingested instead.)

An adaptation of Cesc Gay’s 2020 Spanish film “Sentimental,” the screenplay is credited to Rashida Jones and Will McCormack. In an unusual step, the script was further workshopped and developed with the cast during rehearsals. Rogen came up with some of the biggest laugh lines and Norton wrote the deeply earnest monologue he delivers late in the film. (The popular Belgian psychotherapist Esther Perel is also credited as a consultant.)

This American version expands upon the characters more than Gay’s original film while consistently returning to the disappointment of Angela and Joe’s lives in terms both big and small. Neither of them are the people they once thought they might become. Whether two people who are each unhappy can make it as a couple becomes the overriding theme of the film.

This is Wilde’s third movie as a director and it is, by far, her most cohesive and accomplished, both contained and expansive. Her debut, 2019’s charming end-of-high-school tale “Booksmart,” had a throw-everything-at-the-wall quality, as if she wanted to get out every idea and try every trick in case she never got another chance to direct. Wilde’s follow-up, the 2022 psychodrama “Don’t Worry Darling,” became mired in behind-the-scenes gossip and tabloid speculation that overshadowed what was intended as a stylized portrait of female rage and discontent.

Her latest fulfills and exceeds the promise of those earlier movies. Shot on 35mm film by cinematographer Adam Newport-Berra, the action of “The Invite” is almost entirely confined to Angela and Joe’s apartment, which thanks to a recent renovation has plenty of rooms to explore. All four players are exceptional in their roles, playing smartly off their screen personas while exploring the nuances of the characters and their intersecting dynamics.

Wilde’s Angela is expressive and antic; Rogen’s Joe is sullen and snarky. Cruz is alluring and watchful, while Norton turns out to be the film’s secret weapon. He has a low-key comic energy and helps guide the story through a few of its trickier emotional turns. At one point he simply rises from behind a couch and it plays like a punchline.

Skip the next two paragraphs if you want to hold onto the film’s purest pleasures. Those noises from upstairs have been Piña and Hawk hosting group sex parties and they are now cruising Angela and Joe for some extramarital couples’ fun. Here, the movie pivots from passive-aggressive party conversation into farce, as Angela and Joe try to process the idea anyone else might find them desirable, as they have long since given up on seeing themselves in that way.

Wilde in particular lights up during this section, Angela’s mind racing at possibilities she never considered for herself while fumbling over the practicalities of protocols and just how this would work. Before pushing the film into its final forlorn section, the excitement that something sexy might happen charges the actors. It is very likely that streams of Sade’s seductive “By Your Side” will skyrocket.

But the focus stays very much on the struggles of married life. One of the biggest strengths of “The Invite” is the way it keeps evolving as the night progresses so it never feels claustrophobic or repetitive. There is a sense of visual invention and imagination to the film that continues all the way through, such as a moment when Wilde crouches down to check on a doomed soufflé in the oven and addresses the camera directly, looking up as if talking to Rogen. The viewer is frequently placed in an adjacent POV to the different characters, as if you are there in the room too.

The film has a propulsive rhythm to it, a relentlessness, even as Wilde and editors Yorgos Mavropsaridis and Anthony Boys know when to ease off the throttle and take it easy for a bit. The film breathes in a dynamic way, the last few beats taking a startling turn toward a somber wistfulness. The ending is just enigmatic enough to have audiences talking it through as they make their way out of the theater.

The end credits include a handwritten dedication, “For Diane,” a nod to Diane Keaton. The live-wire wit and idiosyncratic verve that she embodied in “Reds” and “Something’s Gotta Give” are very much on display here. Early in the story, Norton dryly notes, “We love a contentious environment.” Thanks to Wilde’s confident direction and the ensemble’s unpredictable performances, audiences will too.

SUMMER has officially arrived with a sea of fragrant flowers, as the UK’s largest lavender farm opens its gates this week.

Get ready to stroll through 110 acres of picture-perfect purple fields, with an array of summer activities on offer for all the family.

Castle Farm Lavender Fields are opening for the summer season this week, with the public now able to enjoy its purple blooms once again.

Nestled between Eynsford and Shoreham in Kent, this sprawling lavender paradise will welcome visitors from Friday, June 19, remaining open until the end of July.

Opening in 1998, Castle Farm’s enterprise has bloomed into the UK’s largest lavender field, receiving five consecutive gold medals at the RHS Chelsea Flower Show.

Visitors wanting to indulge in the delightful flowers can take part in a variety of different activities, including a one-hour stroll though its most famous field, Darenth Valley.

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A whole host of workshops and events are also on offer across the season, including lavender wreath-making and breathwork sessions, and lavender picnics.

Castle Farm also is home to an award-winning farm shop and dedicated Lavender Barn, where visitors can choose a fresh bunch of purple flowers as the ultimate souvenir from the day.

The farm shop also offers an array of Kent-based produce, including apples from the Castle Farm orchard and even lavender-flavoured gin.

This sprawling lavender field is only a short, one-hour drive from London, where citygoers can go relax and enjoy the beautiful countryside scenery.

Previous visitors have raved about their day trips, with one saying: “It’s so beautiful here, it’s well worth a visit”.

Others praised the “stunning views” and “beautiful scent” in the fields.

Tickets for the lavender field walks are priced at £7 for over 16s, and £4.50 for children, with infants under three able to visit for free.

Dogs are welcome for the one hour lavender walk and guided field tours, but not for lavender picnics, wreath workshops or breathwork classes.

Castle Farm is opening to the public again on June 19, with tickets for its various activities on sale now.

The Directors Guild of America’s national board on Friday unanimously recommended its membership vote in favor of a four-year contract with the major studios that would increase wages, boost contributions to its health plan and establish guardrails surrounding AI technology.

“We entered this negotiation with three main priorities: secure our Health Plan, protect jobs, and ensure that our members remain secure as AI continues to impact our industry,” DGA President Christopher Nolan said in a statement. “We succeeded in these areas and gained in many others.”

Under the proposed contract, major studios would increase their contributions to the DGA’s health plan by 24.4% over four years, the largest since the plan was founded. In return, the DGA would recommend changes to its plan’s trustees including “modest” increases to the eligibility threshold and annual premiums, the DGA said on Friday.

The contract also increases minimum salaries for most jobs by 2.5% in the first year and up 3% for each of the following years in the agreement. Directors of network non-prime time strip dramatic programs will see their minimum salaries increase 2.5% for each year under the agreement.

The union, which represents more than 19,500 directors and members of directorial teams in areas such as film, commercials and news, said the agreement helps the union’s push for a federal production incentive. Hollywood creatives believe such a benefit could prevent U.S. entertainment jobs from moving overseas where production costs can be significantly lower. The proposed agreement secures a commitment that most senior management at the major studios represented by the Alliance of Motion Picture and Television Producers “would engage in meaningful advocacy for a federal production incentive above and beyond the ongoing lobbying efforts of the Motion Picture Association,” according to the DGA.

The contract also adds more guardrails to AI technology, including treating footage created by artificial intelligence as the same as footage shot by a camera, meaning it will still be under the director’s control, according to the DGA. Major studios will also be required to notify the DGA if an employer decides to license a director’s work to train a generative AI system to create new work, the union said. The agreement also establishes an employer-funded program to enhance directors’ AI skills.

“With these gains, a four-year Agreement was both appropriate and necessary to provide stability and potential for growth at a moment when the industry has been experiencing contraction,” Nolan said in a note to members on Friday.

DGA and AMPTP reached the tentative contract earlier this week. At that time, AMPTP said “we appreciate the hard work and commitment of our guild partners in achieving a fair deal that helps advance a stable and successful entertainment industry.”

DGA members will have until June 25 at 5 p.m. to vote on the plan. If approved, the contract would go into effect July 1 and run through June 30, 2030.

Lachlan Clark, a senior backup pitcher for Sherman Oaks Notre Dame, wanted the ball so badly Friday against No. 1 Norco that he posted video from his Sherman Oaks Little League days, saying, “Bring it on.”

He more than lived up to the hype, throwing a four-hit shutout with seven strikeouts and zero walks in a 4-0 victory that advances the Knights to next Friday’s Southern Section Division 1 baseball quarterfinals. Notre Dame went 2-0 in Pool A. Norco must win Tuesday against Ayala to avoid elimination. The top two finishers in each pool advance.

Clark, who recently committed to Long Beach State, had been waiting for his turn in the spotlight. The last time he got a chance to shine was in the National Classic when he pitched 6⅔ innings against De La Salle and struck out 10. He thrives under pressure. An injury to Beckett Berg has made him the No. 2 pitcher for the rest of the season.

He was supported by Jacob Madrid, Notre Dame’s catcher who hit his 12th home run. After the game, 10 players went with co-coach Tom Dill to grad night at Magic Mountain.

St. John Bosco 4, Sierra Canyon 3: The Braves won their pool to advance to the Division 1 quarterfinals. A passed ball broke a 3-3 tie in the sixth inning. Noah Everly had two RBIs. Troy Sibolboro came through with 3⅔ innings of scoreless relief. Carl McMullan had two hits and two RBIs for Sierra Canyon, which will play in an elimination game Tuesday against Cypress.

La Mirada 9, Temecula Valley 2: Ian Aguayo hit a two-run home run during a six-run fourth inning for La Mirada, which next plays Huntington Beach.

Cypress 8, Oaks Christian 2: Noah Johnson had three hits to propel Cypress into an elimination game against Sierra Canyon on Tuesday. Tate Belfanti struck out eight in four innings.

Harvard-Westlake 6, Huntington Beach 5: Jake Chung escaped a bases loaded situation in the bottom of the sixth to help the Wolverines win Pool B at 2-0. James Tronstein went three for three, hitting his 10th home run. Jake Kim hit a key two-run home run.

Orange Lutheran 9, Corona 6: The Lancers won Pool D, rallying from a 5-2 deficit. Brady Murrietta hit three home runs and finished with six RBIs.

Ayala 7, Maranatha 6: A Jonah Boyd single in the seventh broke a 6-6 tie and kept Ayala alive in the Division 1 playoffs. Elijah Duarte had two hits and two RBIs.

Corona Santiago 8, Etiwanda 4: Troy Randall had two hits and two RBIs, Max Eldridge homered and Charlie Lemons finished with three hits for Santiago, which will play league rival Corona on Tuesday in an elimination game.

Arcadia 3, Simi Valley 2: Matt Manzo had a walk-off double in the bottom of the seventh for Arcadia in the Division 3 game. Simi Valley lost a home run after Arcadia protested over a lineup error.

St. Francis 4, Crescenta Valley 2: Danny Izaguirre hit a two-run home run, Jake Smith had three hits and two RBIs and Caysen Sullivan threw a complete game as another Mission League team advanced. All seven entrants have won at least one playoff game.

Palos Verdes 7, Pacifica Christian 1: Franco Correa had four RBIs and Kai Van Scoyoc struck out eight in six innings.

Edison 5, Damien 1: Noah Hunter struck out 11 and gave up two hits.

Agoura 4, Oakwood 0: Donovan Anthony struck out 15 with one walk and Tyler Starling and Colton Mellinger homered for Agoura.

Softball

Cypress 4, Fullerton 2: Chach Stamper threw a five-hitter to help the Centurions upset No. 3-seeded Fullerton in the Division 1 playoffs.

Norco 2, Marina 1: The No. 2-seeded Cougars survived on a walk-off single by Leighton Gray in the seventh. Marina offered its expected tough challenge with pitcher Mia Valbuena. Peyton May and Coral Williams combined for 11 strikeouts for Norco.

LAS VEGAS — “You know, I was thinking,” Gwen Stefani said, looking out at the crowd before her on Wednesday night at Sphere. The singer was maybe an hour and a half into the first show of No Doubt’s monthlong residency at the dome-shaped venue just off the Las Vegas Strip, and now the moment had come for the hit that changed everything for this once-scrappy ska-punk band from Orange County.

“I was thinking about this next song, and I was thinking about Anaheim,” she continued. “Do you know where Anaheim is?”

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The song, of course, was “Just a Girl,” which Stefani said she wrote “out of pure innocence in a time where I was just becoming aware of myself and my surroundings.” She added that she’d always assumed she’d outgrow the song — that someday it would feel disconnected from the life of a woman who went on to become a pop star with a clothing line and a gig on TV. Here she was, though, about to do “Just a Girl” for 20,000 or so fans eager to sing along.

“You tell me if you think it’s still relevant,” she said.

In a built-to-please town where old hits are welcome on any stage — not least Sphere’s, which these days also hosts the Eagles and the Backstreet Boys — the crowd’s verdict was no surprise. Yet this was a more committed look back than might have been expected, with a loose narrative arc tracing No Doubt’s ascent (rather than its peak) and a set list filled with deep cuts well beyond the catchy singles that once blanketed KROQ and MTV.

Beneath a massive wraparound screen that flickered with vintage camcorder-style footage from the early 1990s, the group played “Excuse Me Mr.” and “New” and “Total Hate ’95”; Stefani and her bandmates — guitarist Tom Dumont, bassist Tony Kanal and drummer Adrian Young — did “Trapped in a Box,” “End It on This” and “The Climb,” which No Doubt heads on the internet say they hadn’t performed live in nearly three decades.

Then again, for one of those decades, No Doubt wasn’t performing at all. The band made its ballyhooed comeback in 2024 at Coachella, where it delivered a punchy, compact set of hits and brought out Olivia Rodrigo for a guest spot that demonstrated Stefani’s influence — musical, attitudinal, sartorial — on the generation of female pop stars that came after her. (At Sphere, Stefani’s taste in plaids and animal prints was clearly still casting a spell among her admirers.)

No Doubt’s Sphere residency is scheduled to run through mid-June.

(John Shearer)

The takeaway from Coachella was that the band had worked itself back into fighting shape; Stefani, in particular, seemed eager to prove that her years doling out niceties on “The Voice” and dabbling in country music with her husband, Blake Shelton, hadn’t dulled her edge. Here, the band went further, using Sphere’s state-of-the-art environs to imagine itself back in a dingy club or student union.

There were big visual moments, including a simulated trip through a crumbling amusement park — the “Tragic Kingdom” of the group’s breakout 1995 LP — and a bit with a stories-tall cartoon Stefani towering over the room in her fishnets and combat boots. And even with all of the obscurities, it’s not as though No Doubt skipped its best-known songs: “Bathwater” and “Spiderwebs” were bouncy yet propulsive, while “Underneath It All” and “Hella Good” showcased the players’ nimble rhythmic interplay. Stefani’s voice was at its pleading best in “Don’t Speak,” one of the great pop ballads of the last 30 years, and “Simple Kind of Life,” which was accompanied by a video starring Stefani and Kanal acting out some episode from their ancient romance.

Before “Ex-Girlfriend,” which Stefani wrote amid her doomed marriage to Gavin Rossdale of Bush, the singer said, “It gives me — what is it? The PTSD. But because I absolutely adore you guys, I’m gonna suffer.”

Yet this was the chapter of No Doubt’s story — basically the apex of its popularity — that the band seemed least interested in exploring on Wednesday. The impression you got was that Stefani and her pals hadn’t come to Vegas to cruise or to gloat or even to soak up the easy adulation that’s always on offer here; weirdly, they’d come to remember the struggle.

SAN FRANCISCO — The Dodgers tout Yoshinobu Yamamoto as a Cy Young award contender, and every one of his starts has been a quality start, including the one he made here Tuesday.

The Dodgers talk up Shohei Ohtani as a Cy Young award contender, and Ohtani has given up one run all season. He pitched six shutout innings here Wednesday.

But the pitcher who delivered the best start of this series against the San Francisco Giants, and the one that stood tall between the Giants and what would have been a humiliating sweep, was Tyler Glasnow.

That was one storyline from an eventful afternoon at the ballpark and, for the Dodgers, a sorely needed 3-0 victory on a day they found themselves a new cleanup hitter, a new closer — and on a day a Giants player blasted a Dodgers player for making a “dirty” play.

Nothing like a little bad blood to breathe a little life into a languishing rivalry.

The cleanup hitter: Kyle Tucker, dropped from second to fourth in the lineup after his average had fallen to .233, ignited a two-run rally in the fourth inning with a double and delivered his first two-hit game in 17 days.

The closer: Tanner Scott, just as the Dodgers planned last year. After Glasnow pitched eight shutout innings and gave up one hit, Scott got the first save situation since the Dodgers lost closer Edwin Díaz to elbow surgery. Scott has a 0.84 ERA this season, including the perfect ninth inning he worked Thursday for the first of what might be quite a few saves this season.

The Dodgers (17-8), remember, signed him for $72 million as their closer last season, but he lost his job and did not pitch in the playoffs.

“It was terrible,” he said. “But I washed it away.”

The “dirty” play was the second of two acts in a sixth-inning drama.

On Tuesday, cameras caught Dodgers catcher Dalton Rushing muttering something after looking back at the Giants’ Jung Hoo Lee, who was in discomfort after an awkward slide at home plate. Rushing had tagged out Lee and was headed back to the dugout when he turned back to see Lee on the ground, then kept going.

Rushing did not play Wednesday. On Thursday, in his third plate appearance, Rushing was hit by a pitch from San Francisco starter Logan Webb.

Webb dodged a question about whether the pitch was a response to the thing that happened with Rushing and Lee.

“What thing with Jung Hoo?” Webb said. He simply described the pitch as “fastball, inside.”

Said Rushing: “I like getting on base. Whatever works. If it was intentional, I’ll take it. I’ll take what I deserve. I’ve cleared the air with all of that. I’ve made sure Jung Hoo is good and healthy.”

When the following batter, Hyeseong Kim, grounded to second baseman Luis Arraez, Rushing threw up his hands and slid away from the base to try and prevent shortstop Willy Adames from completing the double play.

The second-base umpire pointed at Rushing and awarded the Giants with the double play. The first-base umpire ruled the Giants had completed the double play anyway, since Adames’ throw beat Kim to first base.

“For me, that’s not good baseball,” Arraez said. “It’s dirty.”

Rushing said the slide was not his response to getting hit.

“I was taught that in college,” he said. “That’s kind of the way you go in, especially when you have a speedster like that with Hyeseong behind me. You’re not going four or five feet outside the bag. You stay within the body length and try to break up a double play. Nothing against any of those guys right there.”

Did Dodgers manager Dave Roberts believe Webb’s pitch was intentional?

“It probably was,” Roberts said. “For me, he [Rushing] said what he said. I don’t think he meant it too personally. But they see it, social media catches it, Webb is an old-school guy. He’s protecting his teammates. I’ve got no problem with it.”

Roberts said he saw nothing wrong with Rushing’s slide.

“I like that too,” Roberts said. “That’s baseball. They’re going to hit you. You know, Webb has got really good command. I get it. They’ll deny it. I like the way he went in hard. No problem. That’s nothing against Adames, but he went in hard and they turned a double play. That’s good baseball — good, hard-nosed baseball.”

And winning baseball, for a happy flight after a mediocre trip. The Dodgers concluded a 3-4 trip to Colorado and San Francisco, the teams projected to finish in the bottom two spots in the National League West. Up next: the Chicago Cubs, winners of nine consecutive games.

Glasnow faced one batter over the minimum over his eight innings. The one hit he allowed was a single. He struck out nine. His ERA is 2.45, with Yamamoto at 2.48.

Roberts said the combination of Glasnow’s evolving maturity — his ability to respond to setbacks and challenges — makes him a legitimate Cy Young candidate.

“Now, for me, he’s going to be in that conversation,” Roberts said. “And I think for me, that was the missing piece. You know you’re not going to feel great every outing. There’s going to be stress, there’s going to be things that you can’t control, and you got to be able to manage it. And I think now he’s equipped mentally to do that.”

There is one thing Glasnow has yet to accomplish. The Dodgers decided a season-high 105 pitches from an oft-injured pitcher was enough this early in the year.

However, this could have been his big chance: In 133 major league starts and 130 minor league starts, he never has pitched a complete game.

“That,” Glasnow said, “would be sick.”