terrifying

RUSSELL Brand, they say, was a man hiding in plain sight.

Let me tell you now: no, he was not. This was a vile predator openly peacocking about precisely how depraved and sick he has always been.

“What kind of man was I?”’ he wrote in his own book. “Treating women in this way.

“If this is what I’m telling you, can you imagine what’s being left out?”

Now, in part, we know.

Quite why it took so long for the world to wake-up, and act on the clues he was liberally throwing around – as narcissists tend to do – are questions that shall follow in due course.

We must commend the brave, courageous women – his victims – for speaking out in a judicial system which traditionally views are as notoriously hard to prosecute.

It must also be stated: were it not for hard-working, incredibly diligent journalists at The Sunday Times and Channel 4’s Dispatches – ones Brand and his lawyers tried to shut down – this man would still be free today.

In fact, after getting wind of the investigation into Brand, I introduced my contact to the Dispatches team. He willingly shared his testimony which, I believe, proved helpful for background.

I also wish to add, I have deep sympathy with the other victims of this fall-out: his loyal family, members of whom appeared this week in court. This will be unbearably hard for his three children too, and they must have our compassion.

Three years ago, in a column for this newspaper, I wrote about my own torrid encounter with the erstwhile toast of Hollywood.

To rewind, on August 18 2010, I had written a story revealing Brand was having relationship counselling with his then-fiancée, American singer Katy Perry.

The star procured my number and wanted to know who’d given me the story: A name. He pushed, and pushed, and pushed.

For the next ten days or so, I would receive daily texts and calls, begging me to betray my sources.

If I did so, he promised a joint interview with him and Katy, or the exclusive news if the couple should become pregnant. He was an arch manipulator.

After fobbing him off, or so I thought, one horrifying afternoon, I received a tearful phone call from my contact.

His elderly mother had received an unannounced visit from one of his terrifying and burly flunkies, threatening in the most terrifying of ways.

She was home alone in North London, and the minder called my source – after demanding his number – and said: “Don’t forget where I am. I’m stood here with your mum.”

He went on to tell her that her son was “in a lot of trouble”.

Afterwards, the two entirely blameless pensioner was, understandably, left reeling.

I was later told Brand had “blagged” the number from my former newspaper’s unsuspecting accounts’ department.

It was but a flavour of the man, and so deeply unnerving. For years, I have hated myself for being so flattered, initially, by his attentions.

After the initial investigation into Brand, colloquially I have heard from so many people about things he is alleged to have said and done. All pretty awful.

One colleague recalled how Brand, sitting in his dressing room, would get his penis out to a young make-up girl. In her early twenties, she felt deeply uncomfortable but also too powerless, too afraid, to raise the red flag.

Certainly, such a narrative – the abuse of power – appears to be a long-running theme in this harrowing case: his influence and popularity acting as the ultimate enabler, a bullet-proof shield.

Naturally, as a showbiz reporter in the noughties, our paths crossed on numerous occasions.

Perhaps it should be noted that at no point did Brand try it on with me. In fact, I’d go as far to say we found one another mutually repellant.

He was mercurial. He could be wildly charismatic. Charming.

A long-time member of AA, he was never drunk or obnoxious, but his moods could swing enormously.

I interviewed him in Los Angeles one year, at a time when Hollywood couldn’t get enough of this louche, skinny jean-wearing, open-shirted man.

He was charm personified, and spoke elegantly and idiosyncratically, as always.

Indeed, if Brand was hiding behind anything, it was his florid vocabulary: big words used to obfuscate.

My former colleague and friend had a very different experience.

Speaking to him a London hotel room, mid-interview he stood up, went to the toilet with the door still open, and p***ed, telling her: “You can keep asking me questions”.

She felt wildly awkward.

At parties, women flocked towards Brand; he was rarely shy of female attention, and clearly he basked in it, like a flower gravitating towards the sunlight.

Sex – we now know, some of it, heinously, non-consenting, was his drug of choice.

Today, we know he is a rapist.

In the intervening years, of course, Brand famously reinvented himself as born-again Christian.

He has repented, he insisted, often clutching a Bible. He was very, very sorry. Nothing to see here, M’Lord.

Except there is, and there was.

Guilty of one count of rape and three counts of sexual assault following his trial at Southwark Crown Court, we are assured he faces a “lengthy” sentence.

Thank God, as Brand himself might, in this rare instance, probably not say.

WHEN two brothers open a Mississippi blues bar in horror film Sinners, it starts out like a great party.

That is, until someone welcomes in a very troublesome vampire — and all hell breaks loose.

Which is much like my visit to the Sinners haunted house at Universal Orlando’s Halloween Horror Nights.

As I walk arm-in-arm with my best mate, we laugh, scream and cling to each other for dear life as the same terrifying story plays out in front of our eyes.

The Halloween event in Florida has been running for 35 years and film fans can’t get enough of its fully immersive horror houses.

Each year, ten elaborate sound stages are erected to shock, frighten and entertain.

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Horror is now the fastest-growing film genre, so it’s easy to see why the Halloween Horror Nights have grown to the scale they are at today.

What started in 1991 as a single haunted house, open to visitors for just three days, is now a two-month Spooktacular that is virtually sold out every night.

Whether you are a big movie buff or not, it’s a unique experience that isn’t for the faint-hearted.

Some of the biggest movies are played out in such intricate detail that, once inside the dark passageways, it’s all too easy to believe you are part of the movie itself.

As well as 2025 box office hit Sinners, Universal has teamed up with other killer movie thrillers.

They include Evil Dead Burn and Hellraiser — a franchise that Lora Sauls, the theme park’s assistant director of creative development, says has taken a decade to secure the rights to.

And the wait was worth it, as Hellraiser delivered the most jump-scares of the night.

The films’ Cenobites and other ghouls burst out of every dark corner, mysterious curtain and doorway, accompanied by strobe lights, wild screaming and flumes of fog.

Other houses this year include Netflix’s Stranger Things 5 — which also has an energetic light and water show inspired by it on the lagoon — while a very cool Ozzy Osbourne: Prince Of Darkness house features music and gothic moments from the late rocker’s back catalogue.

One original theme house is Jack & Oddfellow: Chaos & Control, which stars the much-loved characters who have dominated the event over the last three decades and have sealed their place in Halloween Horror Nights lore.

The remaining five houses cover aliens, cannibals, classic Universal monsters and futuristic cyber baddies, all offering plenty of scares as well as a few giggles.

The Halloween Horror Nights event is on a separate ticket to the regular theme park 14-day passes — and the fear continues outside the haunted houses, too.

Universal Studios Florida gets a complete and creepy makeover as the sun goes down.

Those who re-enter for the night get to enjoy a huge Halloween street party, stretching the length and breadth of the park.

There are dedicated bars and food pop-ups, with drinks and bites themed for the attractions, such as the Meat Grinder Red Velvet Cake and Hellraiser Spicy Meatballs.

Navigating the event is no walk in the park, with five scare zones set up to keep the jumps jumpin’.

One of them, the neon playground based on video game Fortnite, is a fresh and unique take on the event’s street scares.

During the night, you will also pass through Club Horror and The Sideshow Of Decay, which is swarming with zombies.

And the Infernal Carnival Of Nightmares has creepy fairground games and a manic cast of characters.

Perhaps the most terrifying can be found at Downtown Clowntown, which is pretty self-explanatory.

If jesters give you the jitters, I recommend a different route.

Halloween Horror Nights are recommended for guests over 11 — but by day, more wholesome and family-friendly movies take centre stage.

DreamWorks Land at Universal Studios celebrates movies including Trolls, Shrek and Kung Fu Panda.

While over at Epic Universe, you can enjoy rides and attractions based on How To Train Your Dragon, Super Nintendo and the wizarding world of Harry Potter.

Universal’s Islands Of Adventure has you hopping between Hogwarts, Jurassic Park and Worlds Of Marvel, with high-speed coasters such as Hagrid’s Magical Creatures Motorbike Adventure and VelociCoaster providing the thrills.

The Universal All-Parks Ticket gets you in to all the theme parks, as well as Universal’s water park, Volcano Bay.

That guarantees plenty of excitement and not a clown in sight.

For anyone visiting Florida next September and October, Halloween Horror Nights are a fun way to shake up your holiday.

The event I went to carried on until 2am, so there was still time after midnight to go back through the Sinners house, much to my friend’s despair.

But with entertainment on such a grand scale, a soothing blues soundtrack and the opportunity to laugh at her screaming round every corner, how could I resist?

A Jet2 passenger plane was filmed veering off the runway onto the grass at Birmingham Airport on Sunday, as Storm Boelo winds whipped across the Midlands travel hub

The terrifying moment a Jet2 passenger plane veered off the runway in strong Storm Boelo winds has been captured on video

In the clip, the passenger jet is seen approaching the runway. As it touches down on the tarmac, the plane bucks up a little, causing the aircraft to move around on its axis in the air. When the plane next touches down, its nose is directed off the runway.

The plane’s speed causes it to run off the tarmac and onto the grass, with dust and mud from the wheels billowing into the air. The plane’s pilots managed to correct its course, veering it back onto the tarmac and straightening it up.

No one was injured in the landing.

Were you on the flight? Email webtravel@reachplc.com

A spokesperson for Jet2 told the Mirror: “Flight LS1310 from Venice to Birmingham temporarily moved off the runway after landing at Birmingham Airport, due to exceptional weather conditions caused by Storm Boelo. The aircraft immediately returned to the runway and taxied to the stand. We can confirm that everyone disembarked as normal.”

The landing was one of the dicier moments on a weekend in which gusts reached 80 miles per hour in parts of the country, causing dozens of cancellations and lengthy delays. There were also fatalities caused by the storm.

A 60-year-old man died after being struck by a falling tree in Dumfries and Galloway during Storm Boelo. Police Scotland said the man was on a road at Mid Kelton, near Castle Douglas, when the tree fell on him at around 10.30am on Sunday.

A spokesperson said: “We were made aware of a 60-year-old man having been struck by a falling tree on a minor road at Mid Kelton near Castle Douglas around 10.30am on Sunday October 25 2026. The man was pronounced dead at the scene. There are no suspicious circumstances and a report will be submitted to the procurator fiscal in due course.”

The Met Office has warned of possible injuries and danger to life from flying debris, alongside the risk of damage to buildings, power cuts and travel disruption. An amber wind warning came into force at 9pm on Saturday and remained in place until 9pm on Sunday. Only Orkney remained under a yellow warning.

Network Rail said most train services were expected to return to normal on Monday, but advised passengers to check their journeys online before travelling. On Sunday, nine of the rail operators suffered from severe disruptions, with Scotrail forced to suspend journeys on entire sections of its network.

Teams have cleared fallen trees and debris from tracks and carried out repairs to overhead lines and flooding-related damage that disrupted the network.

Gary Hopkirk, route director at Network Rail Scotland, said: “It’s been a really challenging weekend for Scotland’s railway and particularly for the teams who’ve been out in some very difficult conditions responding to whatever the weather has thrown at us. Our focus throughout has been on keeping people safe and trains moving wherever possible.

“Now the worst of the weather has passed, our attention is on getting the railway back to normal. We’ll be working as quickly as we can, but we won’t compromise on safety. We know disruption is frustrating and we really appreciate the patience people have shown this weekend while our teams do everything they can to get everyone moving again.”

Several roads and bridges across Scotland and Northern Ireland have been forced to close in the weather, while many of the ferry services between the Scottish mainland and the islands, as well as the island of Ireland and Britain, were cancelled.

Of CalMac’s 30 ferry services scheduled for Sunday, 27 were cancelled, with some suspensions expected to continue until Monday.

WITH Halloween fast approaching, our Spotlight on column focuses on Londonderry, Northern Ireland.

The city is home to Europe’s biggest Halloween festival – now in its 40th year.

To celebrate, the city is launching a year-round Derry Samhain Experience and a permanent Halloween mural.

Here are some other top tips from us, including where to stay and some hidden gems.

MUST SEE/DO

From October 28 to November 1, The Awakening The Walled City Trail fills the city centre with light installations, street theatre, fire performers and live music, while the Little Horrors programme keeps younger children busy.

On Halloween night the Carnival Parade sets off at 7pm, followed by fireworks over the River Foyle.

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Beachfront city with 300 sunshine days, wild sea lions & champagne vending machines

Pack a costume, as locals take dressing up seriously.

The trail, parade and fireworks are all free, but if you plan to visit make sure you book a bed as soon as possible.

BEST VIEW

Derry‘s 17th-century walls, built between 1613 and 1618 to protect English and Scottish settlers, are the only fully preserved city walls in Ireland.

They have never been breached, not even during the 105-day siege of 1689.

The mile-long loop takes you past seven gates and 24 restored cannons, including Roaring Meg, stamped “Fishmongers, London, 1642” after the livery company that paid for it.

From the ramparts you can look down over the Bogside, where murals and Free Derry Corner tell the story of the Troubles.

HIDDEN GEM

The Dickensian-style Derry Craft Village in the heart of the city is a reconstruction of an 18th-century street and 19th-century square, home to more than 70 local makers.

It was built by the Inner City Trust, a charity set up in 1976 to rebuild the city centre during the Troubles. Its cafes are good for a coffee or a bite.

Derry Girls fans should then pop next door to the Tower Museum, home of the Derry Girls Experience.

RATED RESTAURANT

Browns Bonds Hill, on the east bank of the River Foyle, serves modern dishes made with local, seasonal produce.

Opened in 2009 by chef patron Ian Orr, Michelin‘s inspectors single it out for its good value.

For something more casual, sister restaurant Browns in Town is across the river on Strand Road and serves classic burgers, steak sandwiches and pasta.

BEST BAR

Peadar O’Donnell’s on Waterloo Street has live traditional Irish music every night, in a pub done up like an old-fashioned grocer’s and hung with flags.

It’s a top spot to pull up a stool and sink a pint of Guinness. If it’s too busy, try the Gweedore Bar, under the same roof with an equally buzzy atmosphere.

HOTEL PICK

The Walled City Hotel opened last autumn with 40 rooms in a 1920s former Bank of Ireland building on Strand Road, a two-minute walk from the Guildhall.

Its vaulted ceilings now look down on a bar and restaurant. Rooms cost from £102 per night. See walledcityhotel.com.

Flight BA295 had reached a cruising altitude of 37,000ft on its way from London to Chicago before the mid-air emergency

A passenger aboard a London to Chicago British Airways flight says the cabin was “silent” as they dropped 27,000ft in minutes. A “technical issue” caused the aircraft to drop and declare an emergency, and return to London on October 5.

Scott Tanner, 39, was a passenger on the plane when it began descending “noticeably” and they were told to put on oxygen masks. Flight BA295 had reached a cruising altitude of 37,000ft after taking off from Heathrow before the mid-air emergency.

Flight tracking data showed the aircraft dropped sharply down to 9,000ft. Scott said their was “silence” for 10 minutes before they were told they could remove their masks, and retuned to London after five hours in the air.

Scott, from Torbay, Devon, told Talk to the Press: “About an hour into the flight I was listening to an audiobook when, completely without warning, the oxygen masks suddenly dropped throughout the cabin.

“An automated announcement instructed everyone to put on their masks immediately. For around 10 minutes afterwards there was no further information from the flight deck.

“There was simply silence apart from the automated announcement repeating on a loop, which was probably the most disconcerting part. Despite this, everyone remained remarkably calm. I did not hear a single scream.

“We could feel the aircraft descending quite noticeably, although it felt controlled rather than like a plunge. The captain then told us that we were below 10,000 feet and could remove our masks.

“He later explained that we would be returning to Heathrow, but because the aircraft was carrying fuel for the transatlantic journey we would need to circle for several hours to burn it off. We eventually landed safely after about five hours in the air.”

Scott says British Airways provided passengers with hotel accommodation, but further arrangements were “frustrating”. He said: “I was initially rebooked via Charlotte despite direct flights being available, and I had to negotiate to have this changed.

“When I asked whether BA might offer some gesture in recognition of what had happened, I was repeatedly sent between different desks and eventually told that any compensation would have to be dealt with online.”

The plane left London Heathrow’s Terminal 5 at 11:50am, with an expected flight time of eight hours and 40 minutes before landing at Chicago O’Hare International Airport. The flight crew issued a squawk 7700 code – the international aviation signal for a general emergency – shortly after beginning the steep descent.

Passenger Tom Nicholls told the Mirror there was a “sudden bit of turbulence” during the emergency. Mr Nicholls explained: “The plane adjusted but it didn’t feel like it was descending rapidly. I’d say the pilots did a very good job.

“The oxygen masks popped out soon after and there was a bit of uncertainty onboard. The couple in front couldn’t get to theirs but by the time they’d found a spare seat with a mask, the captain announced we were below 10,000ft so they were not needed.”

A spokesperson from British Airways said: “The safety of our customers and crew is always our top priority, and the aircraft landed safely after our highly-trained pilots returned to Heathrow following a technical issue.

“Customers disembarked the aircraft normally and our teams are working to get their travel plans back on track as quickly as possible.”