steps

Published on
25/06/2026 – 11:59 GMT+2

Ferrari has announced that Enrico Galliera, its chief marketing and commercial officer of more than 16 years, will step down, handing one of the most sensitive jobs in the luxury car world to an outsider.

ADVERTISEMENT

ADVERTISEMENT

His successor, Massimiliano Di Silvestre, the former head of BMW’s Italian business, takes over on 1 July and will report directly to CEO Benedetto Vigna.

Galliera’s exit comes barely a month after Ferrari pulled the covers off the Luce, its first fully electric model, which received a reception few at the company were happy about.

The car, whose edgeless styling was developed with LoveFrom, the design studio founded by former Apple design chief Jony Ive, broke sharply from Ferrari’s traditional look and drew swift ridicule from enthusiasts and investors alike.

The backlash was unusually public for a brand accustomed to adoration.

Ferrari’s shares fell more than 8% in a single session after the reveal, a sharp market verdict on one of the industry’s most valuable names.

Critics lined up to attack the design, among them the company’s own former chairman, Luca Cordero di Montezemolo, who warned that the brand was risking the destruction of a legend and went so far as to suggest the famous badge be removed from the car.

Italy’s deputy prime minister, Matteo Salvini, joined in, questioning the four-door model’s price, which starts at €550,000.

However, Ferrari has firmly rejected any link between the criticism and Galliera’s departure.

According to the company, he had decided to move on some time ago and agreed to remain in place through the Luce launch before pursuing what it described as a new chapter in his career.

Vigna praised his contribution and framed the change as part of the brand’s evolution rather than a reaction to it.

An outsider for an uncertain road

Whatever the motivation, the choice of replacement is telling.

Di Silvestre brings more than two decades of experience in the premium car market, having steered BMW Italy since 2019, and represents a rare move by Ferrari to recruit its commercial chief from a rival rather than promote from within.

He inherits the task of selling an electric Ferrari to a clientele that pays a heavy premium for exclusivity, at a moment when demand for high-performance EVs has cooled.

Ferrari maintains that interest in the Luce remains strong, though investors will not get a clearer picture until the company reports its second-quarter results on 30 July.

REALITY TV star Kim Kardashian showcases a dazzling new look — striking platinum hair.

She has covered her flowing black tresses with an edgier bob wig.

Kim, 45, was wearing huge sunglasses and a floor-length coat on a night out in Beverly Hills, California, as she debuted the blonde revamp.

It was a marked change from the US star’s last public outing — cheering on Brit boyfriend Sir Lewis Hamilton, 41, at the Monaco Grand Prix two weeks ago.

Kim has been hilariously mocked by F1 ace Kimi Antonelli after stealing his towel at the Monaco Grand Prix.

Whilst supporting her boyfriend Lewis Hamilton, who lost out to winner Kimi, at the race, the reality star picked up and used a towel reserved for the Mercedes driver following the race.

‘PEOPLE ARE WORRIED’

Inside Britney’s ‘lonely’ life as pals reveal fears for ‘lost’ star

happy for you

Dua Lipa shares stunning snaps from her and Callum Turner’s Sicily wedding

This sparked fury online, with Kim seemingly unaware that the towel was for the driver as she used it to wipe her sunglasses while walking through the paddock.

But now, 19-year-old Kimi has made light of the misunderstanding in a hilarious TikTok video, which was shared to the official Mercedes page.

In the clip, Kimi is seen asking around for his towel, before washing his hands and having nowhere to dry them.

“Hey, have you seen my towel?” the sportsman asks the camera.

Fans in the comment section of the video couldn’t hold back their laughter, with one writing: “hmm I wonder if kim k knows anything?”

“She thought it said KIM not KIMI,” said another.

A third joked: “Keeping up with Kimi’s towel”.

Towel or not, Kimi bagged his fifth-consecutive race win at the coveted Grand Prix last week, beating out Kim’s Ferrari driver boyfriend, who was close behind in second.

Critical infrastructure, such as water utilities, energy grids, healthcare systems, manufacturing plants, education platforms, and transport networks, have become primary targets of ransomware groups. In late April and early May 2026, for instance, Shinyhunters, a hacking group, breached Instructure, an education platform used by K-12 schools and universities across the US, and claimed for ransom. In the report published on CNN, the hacker group said it had breached 275 million personal data and had access to billions of private messages, an action that has affected thousands of schools, causing learning disruptions. Cybercriminals target critical infrastructure because downtime means communities don’t get access to essential services. So, operators or service providers have no option but to pay ransom to restore services quickly. Security gaps also influence the growth of these attacks. Too often, organizations focus on recovery efforts and ransomware encryption instead of prevention. This post highlights ways to prevent ransomware at its early stages, including the use of zero trust architecture and AI.

Promote Cybersecurity Awareness

Ransomware incidents start with malicious malware being injected into tech infrastructure. It then encrypts data and systems, restricting organizations any access to their operations until a ransom is paid. For these attacks to be successful, however, threat actors rely on social engineering attacks like spoofing and phishing, which target employees. An attacker will send a phishing email, impersonating an executive or trusted source like a bank to trick the victim into sharing credentials. Today’s spam emails, especially those generated by AI, are flawless, meaning staff can easily open and click on malware links without suspecting any threat. So, it’s crucial that employees receive adequate training on how to spot and respond to phishing texts or emails and malicious links.

Workers should also know how to generate hard-to-hack passwords. Weak passwords or using the same password for multiple accounts creates an entry point for ransomware. Encourage the use of password phrases, which are a string of unrelated, random words, symbols and numbers. For example, a password like purplegiraffesingstomorrow@17 prevents brute-force logins because a hacker will have a hard time guessing. Alongside passphrases, emphasize the importance of multi-factor authentication, where staff use two or multiple authentication methods to gain permission to accounts. 

Enhance Threat Detection and Monitoring Systems

Detecting ransomware at its early stages helps prevent full encryption of sensitive data and infrastructure. And it entails identifying subtle behaviors of the threat, such as lateral movement across networks and devices, data exfiltration, and privilege escalation. Look out for unusual login or data access, increases in CPU usage, and abnormal network traffic to command-control servers. Modern attacks powered by AI and machine learning bypass legacy security systems by using legit utilities like PowerShell scripts and MimiKatz. So, check if there are attempts by script-based systems like PowerShell to inject suspicious code into running processes. Also, inspect if endpoints and firewalls are still running. Attackers often switch them off or configure settings without authorization to create a weak point for malware injection. 

Note: lateral movement and zero-day variants aren’t always easy to spot. You need to integrate multiple security tools to detect and mitigate attacks. Use endpoint detection and response tools to catch harmful scripts and abnormal file access before all your data is encrypted. Take advantage of AI-assisted behavioral analytics to learn data access patterns, set a baseline for normal user behavior, and send alerts when there’s unusual or irregular file access patterns to protect against infostealers. Since infostealers act as the initial access for attack vectors, stopping them eliminates the entire kill chain. You can also reinforce your security measures by working with a 24/7 AI-centric SOC. These security experts don’t just distinguish legitimate logins from malware injections. They isolate the host to stop further compromise.

Network Segmentation and Zero Trust Framework

The goal of these two security measures is to limit a hacker’s ability to infect an entire network. Segmenting your networks entails dividing your networks into smaller, isolated sub-networks that make it difficult for cybercriminals to navigate critical network infrastructure. In a situation where a device is compromised, segmentation locks the attack within the specific zone, ensuring it doesn’t access databases or other sub-networks. What does zero trust entail and how does it mitigate ransomware? This tactic works on one strict principle: ‘never trust, always verify’. It doesn’t matter if you’re an authorized user or the devices you’re using are inside the organization. With zero trust in place, every access request is authenticated continuously. Also, users are granted permission to data and tools based on their roles to minimize privilege. Even if an attacker stole credentials, they would be limited to access systems. When combined, zero trust architecture and network segmentation strengthen an organization’s cyber safety strategies.

Hackers know that when they infect essential infrastructure with ransomware, victims will act fast to settle the ransom required to get encryption keys. But service providers shouldn’t wait until an attack has occurred to secure infrastructures. Prevention is the most effective strategy, and it revolves around simple hacks like educating workers about common threats and using strong pass phrases alongside MFA. By detecting threats, implementing zero trust, and network segmentation, organizations can minimize ransomware-related risks.

SIA has been spotted looking totally different after she ditched her signature wig and stepped out makeup-free at an LA farmer’s market.

In photos obtained by The U.S. Sun, Sia was seen out and about with her two-year-old, Somersault Wonder.

The Elastic Heart singer wore a pink baseball cap and an oversized trench coat as she strolled through the market picking out produce on Sunday, June 7.

The singer and songwriter is known for wearing elaborate wigs, which would obscure most of her face, for a large part of her career.

The 50-year-old has been intensely private, so when she filed for divorce from her husband, Daniel Bernard, last year, fans were surprised to learn she had also quietly welcomed her son, Somersault.

The couple tied the knot in December 2023 in Italy and ended the marriage just 26 months later.

NICE TO SIA

Pop singer Sia, 49, holds hands with Netflix star, 28, after cosy dinner date

The documents cite “irreconcilable differences” as the reason for the split.

The exes have been caught in a nasty custody battle, with Daniel requesting full custody of Somersault.

According to documents reported by Page Six, Daniel, whose an oncologist, claimed he was the “only safe and reliable parent.”

He also called Sia a “serious and immediate danger” to their child.

“Sia is an unfit and unreliable parent struggling with substance abuse and addiction, rendering her incapable of providing safe or stable care for Summi,” he claimed in the papers.

The judge denied Daniel’s request for full custody and ordered the pair to continue with their previous custody agreement.

Sia has two other sons whom she adopted in 2019 as they were about to age out of the foster care system.

A month away from its closure, onetime gambling oasis Primm, Nev., located along the state border with Southern California, has a new lease on life.

The Primm family, owners of the land that includes three casino resorts and other businesses along the 15 Freeway, announced Tuesday a partnership intended to save the struggling state-line strip and hundreds of jobs.

The deal allows Las Vegas-based Terrible’s, owned by the Herbst family and perhaps most famous for a string of gas stations and convenience stores, to operate the properties.

“What we saw with them is the same energy that we had in rebuilding Primm,” said Cory Clemetson, describing the new deal with Terrible’s in an interview with The Times. Clemetson is president of Primm South Real Estate Co. and a grandson of Primm founder Ernie Primm, who made a name for himself in Southern California in the 1930s and ’40s with his Gardena card rooms.

In the summer of 2025, signage blocks an entrance at Primm Mall, a once-popular site along with the trio of casinos at the California-Nevada state line.

(Bridget Bennett / For The Times)

“Primm has long been one of Nevada’s most recognizable destinations,” said Tim Herbst, president of Terrible’s, in a statement. “This partnership reflects our commitment to preserving that legacy while creating new opportunities for growth, investment, and tourism for decades to come.”

Terrible’s takes over for Affinity Gaming, owned by private equity company Z Capital Partners, in the full-circle world of southern Nevada gaming. In 2010, Herbst Gaming declared bankruptcy and saw Primm taken over by Z Capital Partners.

An email to representatives for Affinity Gaming was not immediately returned.

The process for the return of Terrible’s to Primm kick-started May 5, when Affinity confirmed the closure of Primm Valley Casino Resorts.

Affinity’s subsidiary, Primadonna Co. LLC, sent termination notices to more than 300 employees effective July 4.

The closure was devastating, Clemetson said.

“It felt like a gut punch,” he said. “I mean, you’ve got to be kidding me that they would announce something like that for the Fourth of July. Laying off in excess of 300 Nevadans who are mostly paycheck to paycheck with nowhere to go didn’t sit well with my family.”

Primm Valley was the last of three resorts built between 1977 and 1994 at the site that remained in full operation.

Buffalo Bill’s, the largest of the three resorts, closed 24-7 operations in July 2025, after Whiskey Pete’s, the original casino, shuttered in December 2024.

Affinity Gaming declined multiple requests from The Times to speak about Primm’s struggles.

In a letter presented at a Clark County Board of Commissioners meeting, Erin Barnett, Affinity’s vice president and general counsel, wrote in October 2024 that “traffic at the state line has proved to be heavily weighted towards weekend activity and is insufficient to support three full-time casino properties.”

Scott Butera, Affinity’s chief executive and president, offered a few comments about the closure at the May 21 Nevada Gaming Commission meeting.

“As a tenant with a difficult lease and an expensive property and increased competition every day in California … it just became a very difficult thing,” he said, “and we’ve been losing money for years there.”

Clemetson said that Affinity asked for help over the years, such as potential rent reductions, but that the Primm family was unaware of Affinity’s finances.

As for the future, Clemetson said Terrible’s was in the process of reacquiring a gaming license for Primm, which he hoped would happen in the next three weeks.

He also said it was the goal of the Herbst and Primm families to try to keep all workers who received a termination notice employed.

Clemetson said he was excited about Primm’s future under Terrible’s and chalked up its bankruptcy in 2010 to the Great Recession.

“They suffered a similar fate of many big brands like MGM and Caesar’s,” Clemetson said.

“They’re very well thought of in Nevada and they’re a very successful family who’s done well,” he added.

Speaking of Primm’s chances of regaining its former glory, Clemetson reached back into his own past as a young sports agent for players on the L.A. Galaxy soccer team.

“I can’t tell you how many people told me I was dumb to get involved representing soccer players because soccer would never make it here,” he said. “Now, Major League Soccer has a few franchises over a billion dollars.”

As for Tim Herbst and his family, “we believe Primm’s best days are still ahead.”

The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.

“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”

The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.

“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”

Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.

The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.

But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.

“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”

(Bella Newman)

Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”

When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”

As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.

“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”

Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.

Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”

By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”

One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.

(Bella Newman)

From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”

It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”

During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”

Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”

ATLANTA — Treasury Secretary Scott Bessent said Thursday that his department has prepared the design for a $250 bill featuring President Trump, anticipating the passage of stalled legislation in Congress to put the president on a new denomination of legal tender.

Bessent said at the White House that authorizing the currency will be up to lawmakers on Capitol Hill, but that “we’ve created the bill” because “we have to be prepared.”

The secretary downplayed the idea that the administration is pushing the matter, despite Trump’s penchant for infusing his name and likeness across the nation’s capital and into the observances of the 250th anniversary of the Declaration of Independence. Bessent also insisted there is nothing inappropriate about Trump’s visage being part of the seminal national celebration.

“The president doesn’t do it; the House and the Senate have to do it,” Bessent said at the White House, referring to legislation, introduced by Rep. Joe Wilson (R-S.C.), that would direct the Treasury Department’s Bureau of Engraving and Printing to put Trump’s face on the new bill to mark the 250th anniversary of the nation’s founding.

A Treasury Department spokeswoman said the agency carried out “appropriate planning and due diligence” to implement a potential congressional mandate “to produce a $250 commemorative note which will appropriately recognize the 250th Anniversary of our great nation.” The spokeswoman did not mention Trump.

If passed and signed into law by Trump, Wilson’s bill would mark an extraordinary recognition for a sitting U.S. leader and comes as Trump has sought to place himself at the center of Independence Day commemorations. The Department’s preparation for the languishing legislation suggests some enthusiasm for the idea on the part of the Trump administration.

Report: Trump ally has pushed to expedite new currency

The agency’s explanation follows a Washington Post report stating that U.S. Treasurer Brandon Beach, a Trump appointee, has been pushing the Bureau of Engraving and Printing to expedite the process for a new currency note. The paper also reported that the former BEP chief, Patricia Solimene, was reassigned after pushing back.

The Treasury spokesperson declined to comment on Solimene’s status but confirmed that Michael Brown, a top Beach aide, became acting director of engraving and printing May 18.

Beach did not respond to an Associated Press request for comment.

Wilson’s legislation, which so far has languished in Congress, is intended to create an exception to existing law that bars any living person from appearing on U.S. currency; the bill would allow current and former presidents to be featured.

Bessent confirmed the measure is designed for one person.

“Donald J. Trump,” he said emphatically, repeating the full name that the president himself often uses in the third person.

According to the Post report, Beach last fall provided the Bureau of Engraving and Printing with the design for the new bill. It featured Trump’s portrait — the same one that adorns banners hanging on some federal buildings in Washington — and a 250th anniversary logo. Trump’s signature also was included, a design element that would differ from other paper money.

British artist Iain Alexander told the Post he designed the bill and said he’d discussed it with the president. Alexander did not respond to an AP request for comment.

The newspaper also reported that Solimene resisted pressure from Beach and Brown and stressed to them the lengthy legal and procedural process required to issue new currency. Solimene was reassigned against her will, the Post reported, paving the way for Brown to oversee the bureau.

Trump has aggressively spread his name and likeness

A new currency note would be the latest example of Trump expanding his personal brand in his official capacity since returning to the White House last year.

Beach and Bessent already streamlined approval of a commemorative 250th anniversary coin featuring Trump. The Treasury Department has asserted that those special coins fall outside the prohibition on living presidents appearing on money. In 1926, the nation’s 150th anniversary, then-President Calvin Coolidge appeared on a commemorative half-dollar coin that was official legal tender.

The Trump administration has had banners featuring his portrait hung on the Department of Justice and other federal buildings. And his slate of appointees to the Kennedy Center governing board added his name to the national performing arts facility that Congress originally designated as a memorial to assassinated President John F. Kennedy. That renaming is being challenged in court because of the federal law establishing the center as the official memorial to the 35th president.

Bessent noted that unless Wilson’s exception passes, current law sets just two conditions for him to consider on currency: that “In God We Trust” is printed somewhere on it, and that only deceased individuals be depicted, with their names described below their portraits.

“It’s all up to Capitol Hill,” Bessent said. “We will stick to the law.”

Barrow writes for the Associated Press.

Joy Behar is trading her usual spot at “The View’s” roundtable for the spotlight in one of London’s West End theaters.

The comedian, who is one of the talk show’s longest-running hosts, is taking a temporary leave from the daytime program to take her play, “My First Ex-Husband,” overseas for the first time. The 83-year-old TV personality announced her break on Tuesday, on the podcast, “Behind the Table,” a companion program of “The View.”

“I fly to Paris this week, and then I go take the Chunnel to London after a week, and I’ll be in London a second week doing my play, ‘My First Ex-Husband,’ at the Boulevard Theatre in the West End,” Behar said on the podcast.

Behar confirmed she has already pre-taped several installments of “The Weekend View,” ahead of her absence. She will miss the next two weeks of tapings. Her last appearance on the weekday edition of the show is Thursday.

In Behar’s absence, several “View” regulars will step in. Brian Teta, the show’s producer, said on the podcast that Sheryl Underwood, Kara Swisher and Ana Navarro will make appearances in the coming weeks. Whoopi Goldberg, another one of the talk show’s staple personalities, will also be coming in on Fridays, which is her usual day off.

“I don’t think she knows yet, but I’ll let her know that she’s going to be here,” Teta joked of Goldberg’s new responsibility.

Behar’s play, “My First Ex-Husband,” first debuted off-Broadway in New York in 2025. The comedian wrote the show over the span of 12 years. The story follows a rotating cast who tell chaotic stories about past relationships. The play is set to debut in the coming weeks, according to Behar. She and Jackie Hoffman will be two American narrators for the show, while two British actresses perform the scenes.

For Russell, this cannot be an easy moment in his career. A Mercedes protege himself, he has waited eight years for this moment – the best car, with Mercedes.

Last year, he was comfortably the better driver of the two; only rarely did Antonelli get the better of him. So he earned his status as pre-season championship favourite.

The Briton, 28, lived up to that when he won the first race of the season in Australia from pole position, but since then things have gone against him.

A technical problem almost certainly robbed him of pole in China and handed it to Antonelli, who converted it into a maiden win. A safety car intervened to hand the victory in Japan to Antonelli, when without it most likely either McLaren’s Oscar Piastri or Russell would have won.

But there was no doubt about the Miami win. Antonelli put it on pole. Russell was fifth on the grid, behind upgraded cars from the Red Bull, McLaren and Ferrari teams.

Antonelli made a sixth bad start in a row and lost ground. But he stayed calm, fought back, and grabbed the win from McLaren’s Lando Norris over the pit stop period.

Norris initially thought that was all about McLaren making a mistake by letting Mercedes pit first, not wanting to go too early with rain threatening.

But McLaren team principal Andrea Stella said the team still had the margin to stay ahead of Antonelli when they did stop three laps after him, but that a series of events conspired against them.

First, there was the time gained by what Stella called a “huge” first lap out of the pits by Antonelli after his stop. That risked overheating his tyres, which he would have to deal with later, but ensured he was still within striking range of the McLaren.

Then Norris made a couple of errors on his in-lap and had a slow stop. Combine all that, and it was enough to put Antonelli right on Norris’ tail when the McLaren came out of the pits. The Mercedes quickly swept past, and Antonelli held Norris off for the rest of the race.

Russell is keeping things in perspective, recognising there are still 18 races to go, and a lot can happen.

“Clearly he’s in a very good place at the moment and momentum is with him,” Russell said. “But, having got enough experience myself in championships I’ve won and how momentum swings throughout the year, and looking at the championship last year, to be honest, I’m not even considering it.

“It’s just that I want to get back on to the top step of the podium. The first three races, I had the performance to do that, but this weekend I absolutely did not have the performance to do that.

“So, I could be standing here now with three very different results in previous races, with this one being a bit of a one-off, but obviously things worked out differently in Japan and China, but that’s Formula 1 sometimes.”

Russell admitted that the “pace was really, really poor on my side”, and that he has never gelled with the Miami circuit and its low-grip surface and slow corners.

But Hill said: “You can’t have that, you can’t have a track that you don’t gel with. You’ve got to be good across everything. George now has to regroup, has to look at where he is at and what the new paradigm is.”

Everyone wants to be “The Devil Wears Prada 2,” as the 20-year sequel strutted to an estimated $77 million in the U.S. and Canada in its opening weekend, highlighting the spending power of women moviegoers at the box office.

The film, which returned stars Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci, nudged out Lionsgate’s “Michael” for the domestic top spot at theaters this weekend. In its second outing, the Michael Jackson biopic brought in $54 million, upping its overall North American total to $183.8 million and its cumulative global haul to $423.9 million.

Worldwide, Walt Disney Co.-owned 20th Century Studios’ “The Devil Wears Prada 2” brought in $233.6 million, according to studio estimates. The theatrical revenue, both domestic and worldwide, edged studio expectations. Already, the film has brought in 72% of the total revenue that the original movie made ($326 million).

The 2006 original has become a cult classic, with lines like Streep’s infamous “that’s all” and Tucci’s “gird your loins” now millennial catchphrases. The popularity of that film has continued over time with repeat viewings on cable television and the Disney+ streaming service.

“Nostalgia is a big driving factor for movies like this,” Andrew Cripps, head of theatrical distribution for Walt Disney Studios, said. “It’s just one of those movies that got into the zeitgeist.”

The fashion-forward sequel had a production budget of about $100 million. The film notched a 77% approval rating on aggregator Rotten Tomatoes.

Women comprised the majority of the audience for “The Devil Wears Prada 2” this weekend, representing 71% of moviegoers, according to data from EntTelligence.

The strong showing for “The Devil Wears Prada 2” highlights the spending potential of female moviegoers, who have had few big movies aimed at them in the last few years.

Despite the billion-dollar blockbuster that was “Barbie” in 2023, Hollywood has largely failed to consistently deliver big films targeted to women. That’s led multiple box office analysts and studio executives to note that the industry is leaving money on the table.

In the past, comparable titles to “The Devil Wears Prada 2” would have been 2008’s “Mamma Mia” or the “Sex in the City” film, but those kinds of movies are now few and far between.

More recent female-focused fare includes last year’s “Wicked: For Good” and Taylor Swift’s “The Official Release Party of a Showgirl,” though “Wicked” has the benefit of also having a longtime Broadway fanbase.

“There haven’t been enough movies for females,” Cripps said. “When you can give them a good movie, as long as the movie plays well and I think this one plays brilliantly, there’s a big audience out there.”

Universal Pictures, Nintendo and Illumination’s “The Super Mario Galaxy Movie” continued its run with a third place finish of $12.1 million at the box office this weekend, followed by Amazon MGM Studios’ “Project Hail Mary” in fourth and Neon’s horror flick “Hokum” in fifth, according to Comscore data.

On their impressive European run, Palace have shown they are not just about individuals, but a team stepping up when it matters.

Japan midfielder Kamada had not scored since October 2024 before his composed finish on Thursday restored Palace’s lead just as Shakhtar looked to be taking control following their equaliser at 1-1.

Palace fans were in great spirits before the match in Krakow, and there’s a feeling that all connected with the club are pulling in the same direction.

There could be an air of sadness for the remainder of the campaign with boss Glasner, who led Palace to a fairytale FA Cup victory last season, just two games away from European glory before he departs this summer.

But spirits instead seem high as the club work together to achieve the goal of winning more silverware.

“It’s an amazing group of people, of men, of characters,” said Glasner, who won the Europa League with Eintracht Frankfurt in 2022.

“There is such a big spirit and great togetherness and we always believe in ourselves.

“There is no button we can press to switch it on. It is something we have created over months and years – that we know we can always come back and score a goal.”

TURN back the clock 12 months, and Wynne Evans’ life was falling apart.

Being axed by the BBC from his radio show last May appeared to be the final nail in the Welsh tenor’s career coffin after he was sacked from the Strictly Live Tour over accusations of an inappropriate sexual comment.

Devastated, Wynne, 54, told this newspaper of his anguish and despair at being made a “scapegoat” for yet another BBC scandal – confirming what was pushed as a “vile sexual remark” was actually a joke amongst his one-time friend Jamie Borthwick.

The apology issued at the time for the comment was, Wynne explained, written by the BBC and ultimately ended up being the metaphorical sword he would die on.

Friends furiously rushed to defend Wynne to The Sun, and today still pour scorn on soap actor Jamie for failing to defend Wynne when he knew the truth behind the comment.

Jamie, 31, was later sacked by EastEnders four months after Wynne was given the boot.

“It felt like karma,” one friend tells The Sun.

“Wynne was hung out to dry, and Jamie, who was at the centre of it all, said absolutely nothing. They both ended up losing everything.”

Suicidal, Wynne was kept afloat by his long-time fiancée, Liz Cooke, his two grown-up daughters, and a legion of friends – including Gavin And Stacey star Joanna Page and Strictly’s Aljaz Škorjanec and Janette Manrara – who kept tabs on him at his home in Carmarthen.

Broken but not beaten, friends explain Wynne has quietly rebuilt his life – and is slowly carving out a life away from the constrictions of his old BBC paymasters.

His property business, Wildvine Properties, friends say, is starting to take off – allowing Wynne to return to what he loves: performing.

“Wynne is made for radio, and his daily show, broadcast from a studio he built in his home, is doing really well.

“He started working on Radio Dragon last month, too, and his Sunday morning show has been really successful.

“His devoted following, who loved his BBC Radio Wales show, have all followed him there, and the audience research has shown Wynne is beyond loved.

“Last month, he was invited to sing at Wrexham FC too, and the reception was so warm, it was a massive boost for him.

“Quietly, Wynne has built up a property business, which includes a three-bed house in Llansteffan, which is hugely popular on Airbnb.

Wynne could have allowed the BBC to cancel him, but he refused to be cowed.

Insider

“It’s given him a quiet income so he can focus on rebuilding and moving on with his life.

“Wynne was virtually destroyed by the BBC and hung out to dry. But he is proof that once the chips are down, you can turn things around.”

In a heart-wrenching interview with this newspaper in May last year, Wynne admitted that his jokes on Strictly, made between people he believed at the time were friends, were clumsy.

But there is no question that his actions were nothing more than ill-judged.

Wynne said: I realise now you cannot make jokes like that in the workplace – it’s deeply unprofessional.

“I’d be happy to go on any language and behavioural course that the BBC wants to send me on. I’d be thrilled to go on a course that could save me from situations like this.

“Society’s changing so quickly, and I’d be the first to say perhaps I’ve got it wrong on occasion. Unfortunately, I wasn’t offered a course like that.

“All I want now is to focus on performing and get back to my radio show – I can’t quite believe I’ve ended up here, and I just hope everyone can read this and know I’m not a bad guy.”

‘Wynne is a good man’

As he started to move forward with his life, friends explained that the support from his loyal fans, affectionately known as “Wynners”, is the people Wynne feels most grateful for.

“Wynne is a good man who has been through hell,” a pal says.

“The fans who have always supported him stood by him, and that means the world to him.”

Wynne’s personal company finances certainly show things are not as dark as they were this time last year.

The latest report for the firm shows Wynne is sitting on reserves of just over £670,000.

He has taken his time and slowly rebuilt his life. He was totally broken this time last year.His whole world had imploded, and at times he felt like he had nothing to live for.

Insider

And pals explain Wynne is keen to continue carving out a new position for himself in the public domain – starting next with a series of four live shows.

The performances are billed as a mix of stand-up comedy and opera, and Wynne is looking forward to taking another step back into the limelight.

“Wynne could have allowed the BBC to cancel him, but he refused to be cowed,” a friend explains.

“He has taken his time and slowly rebuilt his life. He was totally broken this time last year.

“His whole world had imploded, and at times he felt like he had nothing to live for.

“Wynne took baby steps and got himself back on his feet. Now things are really moving in a positive direction, and the future is looking bright again.

“What happened last year is something that Wynne will never be able to forget, and really, he is still processing that.

“But he wants to show people that no matter how bad things get, no matter how many times your name is dragged through the mud, no matter how many people you thought were friends turn on you, with the love of your family and your friends, you can make it through.

“Wynne’s story is one of salvation, and he will be telling it with brutal honesty and humour.”

SUPERSTAR Rihanna looks as keen as mustard to promote her beauty brand.

The Barbadian singer, 38, wore a flowing yellow top and ankle-length leather skirt.

She also wore gems from local designer Manish Malhotra, at the Indian launch in Mumbai of Fenty Beauty

The mum of three’s earnings from her Fenty cosmetics and fashion lines have given her a net worth of £1 billion.

Fenty Beauty is a makeup brand that in late 2020 branched out into skincare, and Savage X Fenty is a luxury underwear brand for women and men.

She recently posed for revealing photographs in red satin lingerie, sprawled sexily across a sofa.

BOOM & BUSTS

Top earning celeb lingerie lines revealed as stars could boost market by $50BN

BIG HEART

Love Islander becomes first to land gig with Rhianna’s Savage – for a good cause

Rihanna has also revealed that she is actively working on brand new music for the first time in years.

She has largely stayed out of the music industry since her acclaimed 2016 release Anti and has focused on business endeavours instead.

Her only solo lead song since 2016 was in 2022 with the track, Lift Me Up, to accompany the film, Black Panther: Wakanda Forever.

Last year she gave birth to her third child with partner A$AP Rocky.

Ballot delivery delays and other missteps on election day have contributed to frustration with electoral authorities.

The head of Peru’s election authority has resigned from his role amid widespread anger over the country’s chaotic general election earlier this month, with vote counting still under way.

Piero Corvetto said in a social media post on Tuesday that he was stepping down as head of the National Office of Electoral Processes (ONPE), a government body tasked with organising elections in Peru.

In a letter to the National Board of Justice (JNJ), Corvetto denied that irregularities had taken place, as some politicians have alleged.

But he explained that he was leaving in a bid to increase public confidence, ahead of an anticipated second round of voting in the presidential race on June 7.

The first round of the election, held on April 12, was marred by logistical issues that led to the extension of voting hours around the capital Lima and elsewhere.

Election observers have acknowledged missteps with the electoral process but cautioned that there is no firm evidence of fraud.

Peru’s National Jury of Elections (JNE) said the voting results will be finalised no later than May 15, with the top two presidential candidates advancing to the final round.

Right-wing candidate Keiko Fujimori leads with about 17 percent of the vote and is likely to advance to the run-off.

But who will face her remains a mystery. Left-wing Congressman Roberto Sanchez and Lima’s former far-right mayor Rafael Lopez Aliaga remain virtually tied, with 12 percent and 11.9 percent respectively.

The hectic first round of voting could deepen dissatisfaction with the country’s political system at a time of protracted instability and sloping trust in government institutions.

Even before the April election, about 68 percent of Peruvians said that they had little to no trust in the country’s election authorities, according to a poll conducted by the Institute for Peruvian Studies (IEP) and the Institute Bartolome de las Casas (IBC).

Some presidential candidates, including Lopez Aliaga, have pushed unconfirmed claims of fraud and have called for the first round of voting to be nullified.

Election authorities have begun to review thousands of contested ballots that were challenged due to inconsistencies, missing details or tally sheet errors.