show biz

Finding a revolutionary artist during cocktail hour at the opening gala of Los Angeles County Museum of Art’s new David Geffen Galleries was like shooting fish in a barrel.

Gaze over the rim of your glass to notice Jeff Koons and Ed Ruscha talking closely beside the DJ booth. Mark Bradford strides by with a beneficent smile — towering over everyone, including AI art maker Refik Anadol. Todd Gray, whose 27-foot-long photo sculpture “Octavia’s Gaze” graces the hallway near the building’s south entrance, chats with Wim Wenders, who is making a documentary about architect Peter Zumthor’s controversial new $724 million concrete behemoth. Zumthor is there too — in bright red sneakers — talking to LACMA director and chief executive Michael Govan before Govan turns to take a selfie with immersive installation artist Do Ho Suh.

Jeff Koons, left, talks with Ed Ruscha at the opening gala for LACMA’s new David Geffen Galleries on Thursday.

(Jessica Gelt / Los Angeles Times)

Lauren Halsey walks by in her distinctive white shirt, long shorts and ball cap, beset on all sides by friends and admirers.

“It’s beautiful, it’s fantastic,” she said of Zumthor’s creation.

It’s an artist’s world on this breezy evening, as the sun sets golden over the looming gray concrete of the building, and the lights that gird the structure’s underbelly flicker on and twinkle like stars overhead. In this milieu, Hollywood A-listers like Will Ferrell and Sharon Stone, who occupy separate cliques nearby, pale in comparison to the mingling artistic luminaries.

Architect Peter Zumthor, left, and Michael Govan attend LACMA’s opening gala for the David Geffen Galleries. Govan said he hopes the building lasts 500 years.

(Gina Ferazzi / Los Angeles Times)

“It’s ready for us,” Bradford said of the building. “It’s ready for artists. I walked in and I was overwhelmed with a space that was made for us, and I can’t wait for everything I can do.”

“Snazzy. Does the job,” said Ruscha, looking bemused and speaking in short bursts of headline-style phrases like one of his famous paintings.

Gray said he was glad to see his art during “magic hour,” noting how the setting sun shone warm through the building’s glass windows — diffused by textile designer Reiko Sudo’s chromium spattered curtains — to imbue his photo installation with a distinctive warmth.

“I’ve never seen it at dusk,” Gray said with a smile. “It was a totally different experience to see it at that time of day. And [the light was] actually yellow, so the piece changed … and the concrete warmed up because of that warmer light. It was a lovely chromatic experience, which is wonderful because then you’re aware that you’re experiencing something in a very particular space and time.”

James Goldstein, the owner of architect John Lautner’s famed Sheats-Goldstein Residence, which he promised as a gift to LACMA in 2016, agreed with Gray that the gloaming light was lovely.

“If it were up to me the curtains wouldn’t be closed,” Goldstein said, noting that the curtains in his home — which is also made of concrete and glass — are never closed, and that the views from the Geffen Galleries are extraordinary and worth leaning into.

Koons said the building, and the moment in time that defines its unveiling, has the potential to bring the world together.

“It’s an amazing evening for all these people that love and believe in the value of art and humanity to be together and to celebrate architecture,” said Koons, noting that he looks forward to showing his art inside the new galleries. “LACMA is a place that’s here for future generations and Peter’s building is amazing.”

Will Ferrell and Viveca Paulin were among the major Hollywood stars at the gala.

(Gina Ferazzi / Los Angeles Times)

Chatter about the building could be heard in every cluster of guests. One group talked about how striking it was to see ancient Greek sculptures juxtaposed against the rush of traffic along Wilshire Boulevard; another discussed their hope for more landscaping, noting that the concrete ground and concrete building begged for some lush greenery.

Govan basked in the limelight nearby, shaking hands and doling out hugs and back pats. His vision for the building has been 20 years in the making, and he’s faced an enormous amount of pushback, but the structure is here and his enthusiasm for it has not waned.

“I’ve just always imagined people in the building — it’s for people,” Govan said. “And I want it to last 500 years, I want those little drill marks to accumulate, I want change. I want this to be something that generations will care for.”

Zumthor also seemed deeply pleased with the moment, saying, “I’ve always been happy,” and emphasized that working in L.A. taught him to embrace a certain frontier-like lack of refinement.

LACMA’s staff was elated, especially those who have been watching the project develop for decades and absorbing the large amounts of criticism that have accompanied its manifestation.

Stephanie Barron, LACMA’s senior curator and modern art department head, said, “This is the first night with our art world colleagues and donors, and it’s thrilling to see how they are responding, and how they are a little confused, at first, about where to go. Then they realize, that’s the point of this — and they are just going with the flow and they are smiling and happy and looking at the art. It’s a game changer.”

“I’ve been here nearly 20 years and seeing this going from concept to reality has been the greatest thing,” said Tiffany August, associate vice president of LACMA’s people and culture department, which oversees human resources. “So much soul and heart and effort went into this.”

Arun Mathai, budget officer and head of finance, has also been with the museum for 20 years and said it’s exciting to finally be on the other side of the project. “To see it happen in such a beautiful way is very gratifying. The notion of no hierarchy, of wandering around and seeing art from all over the world, from all time periods beautifully juxtaposed, it’s just so enlightening,” Mathai said.

Michael Govan, left, Peter Zumthor, Holly J. Mitchell and Mayor Karen Bass attend the opening gala.

(Gina Ferazzi / Los Angeles Times)

Later, during a four-course meal of broiled oysters, tuna tostadas, braised Wagyu short ribs and berry meringue, various LACMA supporters, including board co-chair Tony Ressler; life trustee and major donor Lynda Resnick; and L.A. County Supervisor Holly J. Mitchell, whose district houses LACMA, took to the stage in a tent set up west of the new building to sing the praises of the Geffen Galleries — and to note that the evening’s dinner raised a record-setting $11.5 million. (The Geffen Galleries’ ongoing fundraising campaign now stands at $869 million.)

“This is a great, great example of what can be achieved when government and philanthropy work hand in hand for the public good,” Ressler said before thanking Govan for “taking bold risks.” “Your legacy is now permanently etched in the stunning galleries that will open to the public very soon.”

Mitchell was full of praise for Govan and Zumthor.

“The Geffen Galleries didn’t come to fruition overnight. And frankly, nothing that changes the status quo ever does,” Mitchell said. “To Michael, Peter, David [Geffen] and our dear Elaine [Wynn], thank you for your patience, because visionaries like yourselves often have to wait for the rest of the world to catch up with you.”

Resnick got a big laugh when she described her first meeting with Govan and his wife 21 years ago.

“An exquisite couple walked into [vice chair of the board] Bobby Kotick’s house. There was Michael Govan, a true intellectual, Zen thinker, movie star handsome, and under consideration to run LACMA. By the end of the evening, I was sitting on his lap feeding him peeled grapes.”

She concluded on a more serious note, calling the Geffen Galleries a “masterpiece of public art.” “Only one person in the world could have done all this with the signature elegance and his provocative style,” she said of Govan. “Generations will cross that bridge and watch the cars stream below, and feel the power of being embraced by art above all the gorgeous chaos of our city.”

After a standing ovation, Govan introduced musicians Sean Watkins, Gabe Witcher and T Bone Burnett, who sang — quite fittingly — “The Times They Are A-Changin.’”

Natalie Portman is going to have another baby.

The actor is pregnant with her third child, the first with partner Tanguy Destable. The Oscar winner told Harper’s Bazaar that she and Destable, a French music producer who goes by the stage name Tepr, are “very excited.”

“I’m just very grateful,” she told the outlet. “I know it’s such a privilege and a miracle.”

Portman, 44, said that she grew up hearing about how difficult it can be to become pregnant. As the child of a fertility doctor, the actor said she has many loved ones who’ve struggled in their journey and she wants to be considerate and respectful. “I know how lucky it is,” she continued. “I’m very aware, and I’m very grateful. I have deep appreciation and gratitude.”

The “Black Swan” actor has two children from her marriage to ex-husband Benjamin Millepied — a son Aleph, 14, and daughter Amalia, 9 — and told Harper’s that knowing this is “probably the last time,” she is cherishing every moment.

The actor also said she’s been enjoying the spring weather in Paris, where she has lived on and off for years. One other perk of being pregnant in Paris? “In France, they consider full term to be 41 weeks rather than 40, so I guess I get an extra week to be pregnant this time around.”

Portman split from Millepied in 2024 after more than a decade of marriage. The two met on the set of Darren Aronofsky’s 2010 film “Black Swan.” Millepied — a former principal dancer with the New York City Ballet — served as a choreographer on the movie. In 2023, French outlet Voici claimed Millepied had an extramarital affair with a climate activist. Shortly after, Portman quietly filed for divorce in Paris, where the two lived.

Last year, she told Jimmy Fallon during an appearance on “The Tonight Show” that an unexpected encounter with Rihanna at Paris Fashion Week in 2024 helped get her through the split.

“I think every woman going through a divorce should get to have Rihanna say to her that she’s a bad b—,” she joked to Fallon. “It was exactly what I needed.”

Fallon played a clip of the actor’s exchange with the “Diamonds” hitmaker in which Rihanna hugs Portman and says, “You are one of the hottest b— in Hollywood forever.”

Portman replies, “Excuse me? I’m going to faint.”

Portman has been romantically linked to Destable since March 2025.

Earlier this year, tickets to see SZA perform at the Crypto Arena in Los Angeles were selling for $600 the day before they officially went on sale at $35 a piece.

In San Francisco, tickets to see Sam Smith at the newly renovated Castro Theater went on sale for $120, only to be quickly snatched up by scalpers and resold for upwards of $600.

Those are some of the stories that California lawmakers are citing as they advance two plans to change the ticketing landscape. One caps the extent to which resellers can mark up the original ticket price while the other prohibits resellers from selling tickets they don’t yet own.

Democratic Assemblymembers Issac Bryan of Culver City and Matt Haney of San Francisco are each carrying bills that they say would protect consumers from fraudulent and deceptive ticket sales.

Both measures are backed by the ticket market’s dominant seller, Beverly Hills-based Live Nation, which owns Ticketmaster. Its support has some worried that the bills will help the company crush its competitors and jack up prices.

A federal jury in New York this week found that the company illegally acted as a monopoly in a victory for, among others, California Attorney General Rob Bonta, who with colleagues in other states sued the company two years ago and kept going after federal prosecutors settled. Live Nation is now awaiting penalties.

Despite these headwinds, the ticket bills are sailing through the Legislature.

Supporters say the legislation has nothing to do with the antitrust case against Live Nation and helps consumers. Opponents disagree.

“The state Legislature should really be standing up for consumers instead of advancing bills that are there to help a monopoly that has been caught on record calling its fans stupid and has bragged about robbing them blind,” said Jose Barrera, national vice president for the far west region at the League of United Latin American Citizens, a civil rights advocacy group.

Ticketmaster’s competitors in the online resale market are lobbying against the measures, a sign that they view the proposals as a threat to their business.

Jack Sterne, StubHub’s head of policy communications, wrote to CalMatters, stating, “Passing laws that hand the Ticketmaster monopoly more power and don’t actually make tickets more affordable is the last thing California’s leaders should do.”

But Stephen Parker, executive director of the National Independent Venue Association, which is co-sponsoring the bills, argues that they will regulate the marketplace to better protect fans by limiting price gouging and encouraging the face value — or below face value — exchange of tickets.

“Ultimately, that is what these bills will do, in addition to making sure that the tickets are actually real,” he said. “That is a good thing for California consumers. It’s a good thing for artists and it’s a good thing for these small businesses and nonprofits that make up the independent stages across the state.”

A Live Nation spokesperson said in a statement to CalMatters, “The resale lobby constantly tries to change the subject by pointing fingers at Ticketmaster, even though it has less than 25% of the resale market. This has nothing to do with anyone’s monopoly, but rather is about protecting fans from scalpers and the resale sites that cater to them.”

The company has spent roughly $165,000 on lobbying efforts this legislative session, including to support Bryan’s bill.

‘Unlikely allies’

Bryan’s Assembly Bill 1349 would ban the sale of speculative tickets — or tickets that are not in the possession or ownership of the people who list them online. In an April hearing, Bryan said the bill protects consumers from predatory mark ups.

“This bill is so important that, after our introduction, it brought unlikely allies together,” Bryan said, according to the CalMatters Digital Democracy database. “In fact, this bill brought the Giants and the Dodgers together, brought the National Independent Venue Association and Live Nation together. It brought Kendrick Lamar and Kid Rock together. It brought Isaac Bryan and Donald Trump together.”

Several secondary ticket sellers are fighting the measure, including StubHub, SeatGeek and Vivid Seats. The three companies have spent roughly $1.1 million dollars on lobbying efforts this legislative session, which included opposition to Bryan’s bill.

People watch fireworks during Bad Bunny’s halftime show from a parking garage outside Super Bowl LX at Levi’s Stadium in Santa Clara on Feb. 8, 2026. Photo by Jungho Kim for CalMatters

Opponents including Robert Herrell, executive director for the Consumer Federation of California, argue that the bill strengthens Live Nation Ticketmaster’s grip on the ticketing and live entertainment industry. According to them, the measure would give Live Nation complete control over the ticket even after it has been purchased — meaning, for example, that consumers could lose the ability to sell it or give it away.

“There’s no consumer choice in the matter,” said Herrell. “They can keep people out of shows if they want to. There have been situations where, if you bought a ticket on the secondary market, you’ve been denied entry into a show.”
Proponents say Herrell and other opponents are mistaken. They say they are not trying to prevent transferability but rather, they want to protect fans from speculative costs.

“We want those rooms full,” said Ron Gubitz, executive director of Music Artists Coalition, which is co-sponsoring both bills. “So you have to be able to transfer a ticket. We just want it to be in a way that’s safe, trustworthy and not creating this run on the market that exists now.”

Gubitz pointed to a recent Bruno Mars concert, where tickets were on StubHub for $400 to $2,000 before they were on sale through Ticketmaster.

“That’s crazy,” he said. “That’s a speculative ticket that Bryan’s bill is trying to stop. That shouldn’t happen. It’s not fair to anybody, except for the secondary (market). It seems great for them.”

Price caps in a free market

Haney’s Assembly Bill 1720, also known as the California Fans First Act, would put a 10% cap on resale event ticket markups, inclusive of the ticket fees. In other words, a reseller could not charge more than 10% higher than the original ticket price.

In an interview with CalMatters, Haney said artists, independent venues and downtowns are currently being “screwed over and exploited” by scalpers and brokers.

“We can’t allow the status quo to continue if we want to ensure Californians have access to affordable tickets to see their favorite artists or if we want independent venues or the broader landscape of musicians and artists to thrive in our state,” he said.

Haney rejected the idea that his bill would strengthen the Live Nation Ticketmaster monopoly, saying that the company is one of the biggest operators and profiteers of the secondary ticket market and would therefore be subject to the same restrictions as any other platform or broker.

“I don’t think it’s a free market to allow folks to come in and buy up all these tickets and then create scarcity and then you’re now required to buy your ticket at a much higher price from someone who had nothing to do with the event,” he said. “This is not something we would ever allow for airplane tickets or even dinner reservations.”

The bill has been criticized by opponents like Diana Moss, vice president and director of competition policy at Progressive Policy Institute, who said price caps notoriously distort the market, describing them as “anti-consumer, anti-competitive and anti-artist.”

“If you shut down the resale market with price caps then guess what? Ticket buyers have no place to go but right back to Ticketmaster,” said Moss. “If (Live Nation) succeed(s) in decimating the resale market, then they steer millions and millions of fans back to their own ticketing platform where they charge monopoly ticket fees and where fans are hostage to their glitchy online platform and all of their data, privacy and security concerns that we always hear about in the news.”

Those concerns didn’t stop the bill from passing out of the Assembly Committee on Arts, Entertainment, Sports and Tourism last week with a 6-1 vote. The bill also passed out of the Assembly Committee on Privacy & Consumer Protection on Thursday with a 9-4 vote.

Mihalovich is a California Local News fellow for CalMatters.

Coronation Street couple David and Shona Platt could be about to split up after some worrying scenes aired during Friday night’s episode of the world’s longest-running TV soap

Coronation Street’s David and Shona Platt could be about to split up after worrying scenes aired on Friday night. The couple have been together since 2016 and met after it emerged that Shona was the mother of Clayton Hibbs, who murdered David’s first wife Kylie in broad daylight.

David (Jack P Shepherd) and Shona (Julia Goulding) tied the knot in 2019 and whilst the marriage has so far survived numerous ups and downs but their troubles really seem to have started since the mysterious and calculating Jodie Ramsey (Olivia Frances Brown) turned up earlier this year.

Having arrived in the soap’s crossover with Emmerdale, Shona immediately recognised Jodie as her long-lost sister, whom she had never mentioned before, and after moving into number eight, Jodie has insisted on meddling in their lives whilst posing as some sort of saint who takes care of household duties. This suited David and Shona nicely they went back and forth to the hospital to see their daughter Harper, who is currently in the neonatal intensive care unit after being born prematurely.

READ MORE: Suranne Jones dumbfounded as fan asks if she ‘quit acting’ after Coronation Street

OPINION

Over the last few months, Jodie has made a habit out of stealing various items that belong to other Weatherfield residents, and, earlier this week, she stole a tablet from a little girl by claiming she was a police officer. On Friday’s instalment of the world’s longest-running TV soap, Jodie decided to hand the stolen tablet over to her niece Lily and pass it off as a gift, much to Shona’s dismay.

Shona told her stepdaughter that she was not to accept the tablet, and the schoolgirl stormed off upstairs in the huff. Later that day, the conflict was clearly not resolved as David reasoned: “Look, I don’t want the hassle, babe. Can we not just let her keep it?”

Shona shot back: “We agreed not before her birthday. And if we decided not to get her one, no-one should be giving her one.” A row broke out as David said: “Can we not just let her keep the thing and save the headache?”

Shona raged: “Oh, a headache, am I?” as she stormed off. All this time, Jodie had pretended to be flicking through a magazine as she sat on the sofa in the living room but was listening in and rolling her eyes every time her long-lost sister spoke.

When Jodie apologised to David, he said: “To be honest, I don’t… I don’t care any more. I mean, when you’ve been at the hospital all day, there’s bigger things to be worrying about than flipping tablets. It’s not your fault. It’s just Shona. She’s only ever happy if everyone else is miserable.”

Jodie said: “Hey, come on, that’s a bit harsh, isn’t it?” But, with a concerning reply, David said: “Harsh? Just you wait. You’ll see.” Fans have previously suggested that the storyline could follow a similar path Single White Female, the 1992 thriller that starred Jennifer Jason Leigh and Bridget Fonda and followed a woman whose roommate decides to steal her identity.

One said: “I am getting some single white female vibes, I won’t lie,” and another said: “Shona and Jodie. Remember the movie ‘Single White Female’? Jodie has copied Shonas hair.”

Another said: “I’m convinced Jodie is gonna try and steal Shona’s life, first her clothes, then her kids, then her fella!” There is definitely some mystery surrounding Jodie, as she was previously seen suffering from a panic attack after being harassed by an intrusive caller.

Coronation Street airs Monday to Friday at 8:30pm on ITV1 and is available to stream from 7am on ITV X.

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Adam Thomas has been battling a health condition, brought on by an autoimmune disease, which means he struggles to walk and was enduring ‘pretty unbearable’ pain

Adam Thomas has been battling a health condition, brought on by an autoimmune disease, for years. During a conversation on I’m A Celebrity tonight, boxer David Haye will be seen trying to get Adam to take taking part in the Termite Terror, unable to accept that the former soap actor just isn’t feeling up to it.

Trying to sleep, Adam admits it would be hard to get through it today because he is feeling dehydrated, but David is seen raging: “Dehydrated?! We’ve all got the same amount of water! Adam is doing it and that’s it!”

David’s co-stars continually try to remind him that their campmate isn’t feeling well enough to get through it, but he becomes hellbent on trying to force Adam into it. He continues: “When is your top form gonna come? Why aren’t we forcing this dude to go and do it? Coincidentally, every time there’s something to do, he’s not feeling well!”

It is at that point that Scarlett, clearly in despair at the situation developing, says: “Stop it David, he’s not well!” Adam previously said he had been in pain every day since his diagnosis – but he had finally found something that would help.

“I’ve been struggling with this autoimmune disease now for about two and a half years. It’s been tough. I’m not overexaggerating when I say this but literally within two and a half years, every day I’ve been in pain,” he explained.

“It’s difficult but now I feel like I’ve found – because I’ve been on so many different meds and trying so many different things, back and forth from doctor’s and hospitals.” Back in 2024, Adam explained that he could “barely walk” and was enduring “pretty unbearable” pain due to his arthritis. Adam took to Instagram and told his followers: “The pain is pretty unbearable at the moment, it’s as if my whole body is seizing up!! The pain was bad before, but it’s a lot worse now… how why???

“Now I wish I never came off the methotrexate because I would take that pain to this every day of the week! I’ve just started my new medication today which takes 12 weeks to take effect and even then it might not work so am not too sure what I can do to ease the pain until then?? I’ve had my steroid injections and it literally lasted a week …

“Going to check in at the hospital tomorrow to see what pain relief I can get, because I can’t carry on like this!” Arthritis is a common ailment causing pain and inflammation in the joints, according to the NHS. Main treatments include lifestyle changes, physiotherapy, medication, and in severe cases, surgery. However, there’s no known cure.

An orthopaedic surgeon said that arthritis can be “very debilitating” and may appear in unexpected areas. He explained that while people often think of hips and knees being affected, they don’t usually consider the hands.

Talking about the pain which is often overlooked, Dr Tom Naylor said that “when you’ve got arthritis pain in the thumb right there (video below) it affects so much of what you do on a daily basis. And it really is debilitating for people who have this”.

Speaking on BBC Morning Live, he explained arthritis as a term that causes pain, stiffness and inflammation in the joints. He said: “It literally means inflammation of a joint.”

Talking about CMCJ, which stands for Carpometacarpal joint, he said that it was all to do with the “joint down at the bottom of the thumb and what happens is the joint starts to wear away and the cartilage starts to get more and more worn.

“Even a deformity can start to form and it impacts everything that you do with your hands.” Speaking about treatments for this type of arthritis, the doctor said: “With all types of arthritis, we tend to follow was called a stepwise approach to treatment.”

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Claudia Winkleman explains it was a very emotional moment when she left Strictly Come Dancing with Tess Daly last year

They will be watching the new series of Strictly Come Dancing together. But Claudia Winkleman says she and Tess Daly decided to bow out from the BBC show because they worried about becoming complacent in their roles.

No one ever doubted the pair loved BBC’s ballroom series. But speaking in-depth about their decision to leave, Claudia says she started to see signs that they needed to go ahead with their pact to quit at the same time.

“You want to leave on a high,” says Claudia. “And you want to leave when you are loving it. We were tiny cogs in this huge sparkly, glittery thing. We were tiny as we had props guys holding Eiffel Towers, the amazing band, the dancers, the costume and hair and make-up and everything else and the lighting.

“We thought it was time to leave. Years earlier they said Gloria Estefan was playing in Blackpool and we were like ‘I cant believe it’. I phoned my husband and said ‘I have to practice the Conga’.”

By then end of their run though, even big names and learning new dances were commonplace. She explains: “We thought it was time to leave. You know, not that I was not excited at the end, but both of us were a bit like ‘Oh yeah…cool. Alright, so then I do that…(routine)’.

“It deserves ‘new’ (change). But what shocked me was, we did the last live show. All week was like ‘We are fine’ but I could not stop crying as it has been my entire life. You know sometimes when you decide something like ‘Let’s move house’. Then you pick up the final box. Not that you have done something wrong but it just feels big.”

For Strictly’s launch in 2026, it will be all change in terms of hosts but also with some things still be the same. Claudia and Tess will be together, but snuggled up away from the cameras.

“Tess and I have already planned. We are having jacket potatoes and I am having the salmon. She is coming to ours, her and Vern(husband Vernon Kay). I am not joking. I am going to set her up with a nightie and we are going to watch and support and love it.”

For many years now, pretty much every TV show Claudia Winkleman has touched turned to gold.

Her Strictly Come Dancing stint on the main show for 15 years, hosting The Traitors and now huge spin off hit Celebrity Traitors too, as well as smaller shows like The Piano which won critical acclaim for Channel 4.

For her other major project The Traitors, Claudia says it requires very different skills compared to fronting Strictly, where she says a lot of the credit should go to Tess.

“Tess did all the heavy lifting on Strictly and I am grateful for it. But on Traitors I had to be strict. I was worried about that. I am in life a cheerleader like if my kids fill the dishwasher I am like ‘Lets film it’. So I am a cheerleader and I am able do that on Traitors when they do the missions. I want to feed them chocolate as I am on their side.

“But I have to get a bit strict like when my kids have not done their homework. I love the game so much so that is how I have to be. The producers did tell me to push it.”

Whilst she will continue to front the series, she admits it has made her more thoughtful about lying and deceit in real life.

“Traitors makes me cry. I am not that harsh. I want the traitors to win and the faithful to get them in equal measure. Also it is a lot of money if it is for charity or for them individually.

I have learned a lot of things that I wish I had not. It has made me realise there is no such thing as gut instinct. It is all about what you tell yourself afterwards. And I have learnt you can know the truth but you can persuade people to follow you and that makes me heartbroken. Will I do a children’s version? No.”

After referencing her kids, Claudia, at a charity Q&A event, is asked more about her own family.

She has been married to film producer Kris Thykier since 2000, and they have three children: Jake, Matilda, and Arthur. But there appears to be no risk of nepo babies in the Winkleman household.

With a grin Claudia says: “I told them to nepo up. One wants to work in hospitality, one wants to be a doctor and one wants to be a chemist. I said ‘I can navigate you work experience’ and they were like ‘No thanks mum.’ They are not interested in film (husband’s work) like they say ‘Not unless it comes in a test tube’. So no. That is not what they have asked for.”

Claudia was giving a rare interview to TV director Ben Winston at St John’s Wood Synagogue in London in aid of Lira Winston Fellowships, which focus on identifying and nurturing Jewish school educators

Asked about her thoughts on rising anti semitism, she said: “How do I navigate the industry? The industry itself does not feel anti-Semitic to me. That is my experience. But the growing anti-Semitism and the growing Islamophobia and racism that we see everywhere is really, really terrifying I suppose.

“I don’t want to say terrifying in front of my kids, but it is worrying. And that is why it is so important that we have got to look after each other and people from other communities.”

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A LOVE Island star has been forced to address backlash from fans, who slammed his business’s “shocking customer service.”

Sean Stone shot to fame after appearing on series 11 of the summer dating show before he most recently made a comeback on All Stars in January.

The 26-year-old, dubbed the “Candyman,” has owned sweet business, Sweet Delivery since 2019.

His business journey started in the back of his VW Polo, where he sold pick and mix out of pizza boxes in his local area, Hertford.

But now, it seems the TV star has faced a slew of backlash from fans who are simply not happy with the business’s customer service.

Taking to TikTok Sean was forced to apologise for his business’s mishaps.

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He said: “Our customer service has been shocking. I sincerely apologise for this. Recently we’ve had a large amount of orders come through the door, where to be honest we had a system in place for our customer service but there was not enough time and effort put into that.

“However, I have got some exciting news we now have a dedicated staff member that will be working Monday to Friday on all your customer queries.”

Despite the addition of a new staff member, fans are still waiting to hear back on their orders.

Sean continued: “Now I know there’s some of you still waiting to hear back from us; I do kindly ask as annoyed as you may be please send us another email.”

The Islander then confessed: “If I’m being honest it’s been an eye-opener for myself to see how important customer service is. I do apologise to anyone being upset and frustrated that they haven’t received their order yet.

“I’m making a change and it’s going to be an amazing change moving forward.”

Fans in the comments of his apology video were very divided.

One fan penned: “Honestly this kind of accountability is really refreshing to see, and it’s clear you’ve taken the feedback seriously and put steps in place to fix things…”

Another fan wrote: “Are you for real! How can you not realise customer service is important it’s what makes and breaks a business.”

A third person said: “Well said Sean, holding your hands up is always the best way.”

Meanwhile, a fourth fan added: “I think you just blew up faster than you thought you would.”

Sean returned from the Love Island villa back in February and after a short break in Paris with his new girlfriend Lucinda Strafford, who he met on the show, he has been back to business.

Lucinda, 26, and Sean coupled up on day 18 of the show and after backlash from their co-stars they managed to finish in fourth place.

The loved up couple have gone from strength to strength despite Sean living in Hertford and Lucinda living in Brighton.

Subscribers to the recently new service have a new title to check out but it is not for everyone

Fans are going to love this new dark romantic comedy-drama film.

The movie Pillion only hit cinemas last year, but it has already been released on at least two platforms. Not only is it available to those with a standalone subscription to the latest service, HBO Max, but it can also be accessed by those with Sky Cinema or a Movies Pass on the NOW platform.

According to its synopsis, the film follows Colin, a timid man who meets Ray, an enigmatic, impossibly handsome biker who sweeps him off his feet. He soon initiates him into a submissive relationship.

This challenges Colin’s mundane existence and prompts personal growth through their unconventional dynamic. Harry Melling, best known for playing Dudley Dursley in the original Harry Potter films, takes on the role of Colin, while True Blood, Succession, and Murderbot actor Alexander Skarsgård plays Ray.

Upon its initial release, the film was a big hit with critics, earning a near-perfect 99% on Rotten Tomatoes. One review claimed: “Pillion is a bold, bawdy film told through small looks and big feelings. It broke my heart and put it back together again.”

Although another warned, “Pillion isn’t a film for everyone. But those who know what it means to grovel for their beloved…will find in a subject for analysis in Pillion’s erratic relationship and outlandish romance.”

Another agreed but also highlighted how it handles its subject matter. The reviewer penned: “While the cringe is strong (and deliberate) in many scenes of Pillion, Lighton makes it clear that kink isn’t an embarrassing detour for Colin — it’s how he comes to know himself. For him, in a very real sense, submission becomes empowering.”

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Fans who have already seen the film have been left just as impressed. One person shared their views online, saying: “Unforgettable film in so many ways. Yes, it’s explicit, but that isn’t the lasting footprint of this film. I left the cinema having been enlightened, embarrassed, happy, and so very sad.

“It’s a masterclass in the subtlety of truly great acting where so few words are needed to elicit such emotion from an audience. There won’t be Oscar nominations as it’s a small, independent film with a small budget, but there really, really should be.”

While someone else commented, “A beautiful, unflinching look at queer BDSM life. While it might not be for some (the faint-hearted), it is soulful enough to warrant consideration of anyone capable of empathetic, non-discriminatory understanding of joy in all relationships, and ultimately how fleeting and precious it is.”

One person added their verdict and posted: “It is a rare film, dealing with a theme seldom explored in cinema and, above all, very raw. I have seen some opinions suggesting that the ending was unpleasant. For me, the ending was one of the best parts.”

Pillion is streaming on HBO Max, Sky Cinema and NOW for those with a movies pass.

There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”

Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.

“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”

The overheard in L.A. moment inspired the eight-episode season,

Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”

(Netflix)

The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.

“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”

Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.

Why did you want to set this season in Montecito?

Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud. (Netflix)

That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.

We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?

It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.

Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.

I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.

There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?

I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.

Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”

(Netflix)

You directed this season. Is there a moment that stands out with this cast?

A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.

How did you want race and identity to figure into this season, particularly through Austin?

Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.

Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”

(Netflix)

There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?

Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”

The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?

The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.

We didn’t see where Eunice (Seoyeon Jang) ends up.

I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.

Charles Melton as Austin Davis in “Beef.”

(Netflix)

We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.

The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]

Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?

I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.

Also, can we take a moment for Burberry’s acting?

Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.

JACK Fincham was spotted leaving casting for a new reality TV show just days after opening up about his rebab and homelessness.

The former Love Island star, 34, flashed a big smile as he emerged from a studio in Soho wearing a retro tracksuit.

Jack looked pleased with himself after he met with producers for a big project for a Channel 5 show.

He sported a retro look in an 1980s Sergio Tacchini tracksuit which caught the attention of a few passer by who stopped to take selfies with Jack.

Jack added a pair of aviator sunglasses to his look and black trainers.

He looked in a high spirits after spending the afternoon with bosses for a secret new telly appearance, which is yet to be announced.

READ MORE ON JACK FINCHAM

HOME HELL

Jack Fincham leaves hotel to walk ‘life-saving’ dog after revealing he’s homeless

STAR IN DOCK

Jack Fincham in court for failing to carry out unpaid work after rehab battle

Jack has had a rough time lately and credited his pet dog Elvis for helping him get through his darkest times.

The reality star confessed he’s struggling with life after rehab as he told fans he’s homeless and living in a hotel with his dog.

Earlier this year, Jack relapsed into drinking and drugs and had just £20 to his name.

He then spent two months receiving £32,000 of treatment at Rainford Hall, Merseyside.

Jack opened up on life post rehab as he took to Instagram.

He admitted that he’s currently homeless and is not sure where to go moving forward as there’s nothing “much left” for him in England.

He said: “In case anyone is wondering where I am, I’m staying a hotel with the dog. I’m just gonna reset and work out what to do and where I wanna live.

“Got my beautiful dog Elvis, without him I probably wouldn’t even be here to be honest.”

Jack has owned his black Cane Corso dog, named Elvis, since at least September 2022, when the dog was involved in a biting incident.

Despite legal trouble regarding the dog being “dangerously out of control” in 2022 and June 2024, Jack has expressed his attachment to the pet.

The second incident that occurred in June 2024 led to a suspended sentence for Jack in 2025.

Meanwhile, Jack’s relationship with his family hasn’t been the same since he returned home.

Jack added: “One thing they told me in rehab and it’s true, you’re not gonna walk out of rehab to a red carpet rolled out for you because it’s stuff you should have been doing anyway.”

He also thanked the staff from his rehab, saying “that level of kindness I wasn’t used to for a while, I found it quite alien.”

Jack remains optimistic and hopes to get back into TV, saying: “I’m gonna do my acting and get back into TV work, I’m gonna do all the things I said I was gonna do.”

Jack previously did a stint in rehab back in 2021, but relapsed before Christmas last year.

He spoke of the spiral back in January, he explained: “Since then I have done drugs, I have done laughing gas.

“I have been so drunk that I’ve kissed a woman over Christmas and don’t even remember doing it. I’m embarrassed, mortified. I feel like an idiot.

“I am a 33-year-old man. I should be settled down, married. Instead I need help.”

Jack first shot to fame on Love Island, where he won over the nation with his charm and went on to win the series.

He won the show alongside Dani Dyer in 2018.

They were paired together on day one and chose to split the £50,000 prize.

But their relationship didn’t last long once they left the villa.

Gogglebox legend and former jungle queen Scarlett Moffatt will beg David Haye to “stop it” on tonight’s I’m A Celeb as the boxer causes tensions in the camp to rise even further

Scarlett Moffatt is seen begging David Haye to “stop it” as a huge row breaks out on tonight’s episode of I’m A Celebrity…South Africa. The TV star, 35, who became Queen of the Jungle on the regular edition of Ant and Dec’s reality survival show just two years after she found fame on Gogglebox in 2014, is back on the All Stars version of the programme and can be seen trying to keep the peace during tense scenes set to air on Friday night.

Already at the centre of controversy thanks to sexist comments he made earlier this week, boxer David will be seen trying to bully Emmerdale star Adam Thomas into taking part in the Termite Terror, unable to accept that the former soap actor just isn’t feeling up to it.

Trying to sleep, Adam admits it would be hard to get through it today because he is feeling dehydrated, but David is seen raging: “Dehydrated?! We’ve all got the same amount of water! Adam is doing it and that’s it!”

READ MORE: I’m A Celebrity’s David Haye under fire for nasty comments to Adam ThomasREAD MORE: I’m A Celebrity fans fume at ‘ungrateful’ David Haye after Adam Thomas’ risky move

Adam has arthritis, which he has been open about. Explaining how it affects him, he said previously: “It is an autoimmune disease. Basically means my immune system is attacking my own body. It causes a s**t-load of pain.”

Some days he will need help doing simple day-to-day tasks and his mental health has been affected, but ultimately, it’s made him stronger. He can experience pain in his fingers and knees on some days, but others, he can be in pain all over his body

David’s co-stars continually try to remind him that their campmate isn’t feeling well enough to get through it, but he becomes hellbent on trying to force Adam into it. He continues: “When is your top form gonna come? Why aren’t we forcing this dude to go and do it? Coincidentally, every time there’s something to do, he’s not feeling well!”

It is at that point that Scarlett, clearly in despair at the situation developing, says: “Stop it David, he’s not well!” David has already caused a major stir during his All Stars stint, when early on in the series, he made comments about his girlfriend Sian. When talking about his partner cooking for them all, he then added: “She’s like tall, blue eyes. She’s lovely. She’s got the personality of a proper ugly bird.”

Despite Scarlett’s suggestion he should stop there, he continued his tirade as he added: “She has. Most ugly girls realise they don’t they’re not pretty enough to… they gotta have a personality to banter and to tell jokes and s**t, so people overlook the fact that they’re not aesthetically amazing, straight away.

“Which is what’s called Ugly Duckling syndrome, where girls are ugly, when they start off, and then they and then they kind of they, they get pretty as they get older. But they still got the personality of when they’re ugly. Does that make sense?”

In the rant, which left angry viewers fuming, he added: “You get a girl who’s pretty from day one, you get a girl who’s different day one. Everyone goes ‘You’re so beautiful. You’re amazing’. She grows up thinking, I’m amazing. Everyone loves me. I can open any door. I can go anywhere I want.

“They don’t have to have a personality, because most super pretty girls are just idiots. But then their ugly friend, they’ve got work a bit harder, be more personable. They got to be nicer to everyone. Gonna get you a drink.”

It was recently claimed that David made those comments because he could not rely on AI to tell him that they were “safe” to say out loud. The source insisted there was “no malice” but added he would use AI to “check he’s not offending someone before he comments”.

“His focus inside camp has always been the game, survival decisions and camp dynamics rather than trying to offend anyone. Those who know him best understand there was no malice behind the remark,” a source told The Sun.

“When AI started he started using it all the time to check he’s not offending someone before he comments. It’s a bit of a comfort blanket for him – but he didn’t have that in the jungle.”

* I’m A Celebrity…South Africa airs weekdays at 9pm on ITV and ITVX.

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I’m A Celebrity… South Africa star Ashley Roberts is marking her birthday with her new campmates

Viewers of I’m A Celebrity… South Africa will see one of the campmates celebrate their birthday in a unique way during the latest episode.

Pussycat Dolls star Ashley Roberts can be seen volunteering for a trial during the episode to be aired on Friday, April 17 – despite it being her birthday. But her co-stars feel she should put her feet up on her special day.

Instead it’s Mo Farah taking on Termite Terror where Ant McPartlin instructs: “You need to make your way into the termite mound and down into the nest below. Once you’re down there, your mission is simple: you must dig, crawl and scramble through the tunnels, collecting stars as you go.”

Meanwhile, birthday girl Ashley has another announcement as she tells everyone they need to leave camp immediately for the day’s challenge – Balance of Power.

She tells them: “Celebrities, in front of you are two pits and eleven balance paddles. You must each take hold of a paddle and keep it steady to prevent your ball from falling into the pit. When you drop your ball, you are eliminated. The last person standing wins.”

The celebrities position themselves behind their paddles and the challenge begins. While some adopt peculiar techniques, they quickly realise it’s an endurance challenge rather than one of skill.

As night falls, most celebrities are still standing, balancing balls on their paddles with focus as the eliminated campmates try to distract them from the sidelines.

The group makes a unanimous decision to throw the game by dropping their paddles and letting one person win. But will Ashley be given that chance as the birthday gift?

How old is Ashley Roberts?

Ashley Roberts is 44 years old. While the I’m a Celebrity episode featuring her birthday airs on April 17, her actual birthday is on September 14.

Episodes of the original series of I’m a Celebrity, which airs in November and December, are broadcast live from Australia but the current all stars series was pre-recorded in South Africa and the latest scenes were filmed seven months ago.

However, the series finale will be broadcast live from London in two parts on Friday 24 April. It will run on ITV1 and ITVX from 7.30pm until 9pm. The winner’s announcement will then air at 10pm.

The entire celebrity cast will gather and the public will get the chance to vote for this year’s I’m a Celebrity legend.

I’m A Celebrity… South Africa is on ITV1 and ITVX

Film buffs understand that nearly every movie is, at heart, a travelogue — even if it occurs in your neighboring town — and that most travelogues can come across like love stories, whether anyone ends up together or not. That’s the whimsical, charged appeal of the Charli XCX-starring “Erupcja,” a mélange of romance, escape and disruptive coincidence in modern Warsaw from American micro-auteur Pete Ohs.

If you put footage of a smoke-spewing volcano under that Polish title, you’ll gather what the word means, which is exactly what Ohs does at the beginning, color-tinting his boxy frame ’60s-arthouse-style and adding a vintage Mancini-esque track from a Polish chanteuse. All the better to seed the belief that we’re about to experience something dreamy and convulsive.

That said, a volcano isn’t why British couple Bethany (Charli XCX) and Rob (Will Madden) have arrived in Warsaw. That rumbling you hear could also just be suitcases rolled over ancient streets. Besotted Rob’s surprise plan was to propose to Bethany in Paris — as revealed to us in omnipotent voice-over (by Jacek Zubiel) that fills in the feelings and backstories of our protagonists.

Bethany chose Warsaw, however, because she has a rekindling in mind, in the form of her longtime friend Nel (Lena Góra), a florist for whom Bethany’s unprompted arrival under her balcony one night — stealing away from her Airbnb with Rob — is complicated and exciting. With the news breaking that Italy’s Mount Etna has just erupted, grounding planes across Europe, a mighty passion they forged as teenagers, fueled by drugs, clubbing, heart-to-hearts and poetry, has once more been unleashed. It’s just their thing: Whenever Bethany and Nel connect, a volcano announces itself somewhere in the world. Woe be to the moony boyfriend or, in Nel’s case, exasperated girlfriend (Agata Trzebuchowska), left behind to dust off the ash.

“Erupcja,” which Ohs also photographed and edited with impressionistic verve, unfolds as if Jacques Rivette’s playful air of mystery and Roberto Rossellini’s earthy melancholia had somehow come together to form a zillennial with a restless heart. Ohs makes movies with the in-the-moment creative participation of his cast — he, Charli, Madden, Góra and playwright Jeremy O. Harris, who portrays a friendly American artist, are the credited writers and the whole enterprise goes down like a cocktail of ruminations and swerves invented on the spot, but not haphazardly.

You get the buzz (music by Charlie Watson and Isabella Summers plays a big part), the hangover, but also an aura of remedy and renewal. It’s all very human, evident in the pop star’s subtly frisky portrait of someone drawn to abandon (Charli should definitely continue acting), but also in Madden’s unshowy, mature hurt and in how Góra suggests the more grounded half of a self-mythologizing duo. Ohs works in evocative details: inserted frames of color, like mood flashes, or a shot of a lonely phone ringing, never getting picked up.

He leaves it up to you to wonder if Bethany and Nel have ever been more than friends — “It’s not Romeo and Juliet,” Nel coolly declaims from her balcony upon glimpsing Bethany waiting below — but what’s fun is how that’s ultimately beside the point. The edgy appeal of “Erupcja” is in the way it maps humans as molecules and electrons, fizzed by location, inspired by connection, driven to hover, fuse and release. The characters may get bounced around a bit and some will feel stranded, but you’ll know you’ve been taken somewhere new by this charming indie.

Back when late-night TV sets were still the primary route for a comedian to reach a mainstream audience, Ari Shaffir found a different way to make his mark. It started with creating a show where comics could tell completely uncensored, unhinged real-life stories. What started as a live show grew into “This Is Not Happening” on Comedy Central, and later, into “Ari Shaffir’s Renamed Storytelling Show,” building a loyal fan base along the way, with clips still making the rounds 15 years later.

Supporting shows leads to new opportunities, and while Shaffir’s latest chapter may close the book on his storytelling run, his final offering is certainly a strong one. Aptly titled “The End,” and taped live at the Box NYC, this seven-part series will be released and available for purchase through YMH Studios on Thursday , and it’s jam-packed with comedians that quite literally might kill you. Especially one.

The lineup is too stacked to leave anyone out, so buckle up for wild, unforgettable stories from Shaffir, Tom Segura, Ali Siddiq, Nate Bargatze, Tony Hinchcliffe, Ms. Pat, Shane Gillis, Sam Tallent, Steph Tolev, Jim Breuer, Robert Kelly, Chris Distefano, Big Jay Oakerson, Jordan Jensen, Joe List, Steve Simeone, Mark Normand, Duncan Trussell, Roy Wood Jr., Jessa Reed, Sarah Tollemache, Dan Soder and Colum Tyrrell.

Dan Soder, left, and Shane Gillis appear in Chapter 6.

(Troy Conrad)

Everyone’s stories are so next–level, and I almost choke-laughed and died during Ms. Pat’s. It also looks incredible, tell me everything about the room.

Ari Shaffir: The room is called the Box, and it’s this burlesque place. Or maybe you call it modern burlesque because it’s not just those feathers. I really don’t know, but I feel like burlesque has evolved and that’s what this place is. It’s kinda crazy, and it’s definitely a night out. Dave Chappelle used to have these “comedian balls,” which were so cool because he would just invite comics. Like, all of the comics. He’d invite everyone out and pretty much without saying it was like, talk to each other and trade ideas about the industry. It was just so cool in there, and we scouted a bunch of places, but the look of this place, it was just right.

It makes so much sense that the room is called the Box now, visually.

What you saw wasn’t even color-corrected, so I appreciate it. I went to test the sound because we put the stage in a different place. It moves around and we just thought it looked better with all the red, but I wanted to hear what the sound was like when they were not on the stage too. They were like, oh the emcee will have a cordless as they move around, and I watched it, and it was great. But man, I was so f— up on molly that I was grinding my teeth so hard that I cracked a molar, so yeah, that place rules!

Ali Siddiq appears in Chapter 7.

(Troy Conrad)

Well, the room took my breath away, kinda like the lord took your solid tooth away. It’ll make sense to fans of your podcast You Be Trippin’ that ‘The End’ is produced by YMH Studios, but how did this series even end up happening?

Tom [Segura] and I have a relationship, we were openers for Rogan together, and we were kinda broke together, so we just talk about things. He’s so funny and prolific and I like talking things out with him. I talked to him about doing my special “Jew” too, but they were busy with the show, and you know back then, people weren’t jumping on getting into YouTube specials. So I had a chance to think about doing this show over the pandemic and finally was like, alright, let’s start working on this, and they said, “Come talk to us about it because we can help you now.” They have a great infrastructure there, and a streaming service too, so it’s like they already have everything built in, and Tom was like, “Dude, this show meant a lot to me, and we should make it again.” It’s not going to be a huge moneymaker for Tom, you know, it’s like pro bono work for lawyers, so it’s really cool of them. Another cool thing about this is the way the staff kicked in too. They’re all super talented, and kind of wasting their time on podcasts because they’re more talented than that, but it’s cool to work with a family and I liked the way they really took ownership of the work they did.

They’re a well-oiled machine of fun over there! With so many wild stories in the mix, is there anyone you are especially excited for people to see?

I’m excited to show some people new people. Even with the live shows, it’s always like, let me show you two headliners you know, a mid-level guy you’ll know and let me show you two people that you just don’t know. That’s what stand-up is in New York, L.A. and even Austin. There are some killers no one has ever heard of, and they’re destroyers. So I’m excited to show people Colum Tyrrell because he rules, he’s so funny, and his story is great. Tony Hinchcliffe’s story was really good, he’s just a monster storyteller in every sense of the word now. I just rewatched all of these a few times in a row for sound, and Roy Wood Jr. is so smooth it makes me feel like I’m needy and insecure on the stage. He’s just so calm and so good you’re like, “Damn, I’ve never been this smooth.” Sam Tallent is going to be one people talk about, Jim Breuer is so great, Steph Tolev crushed it with something fun and interesting and wow, this is really tough. Every time I’m doing a promo for this show it’s like, but what about this person, and this one?

It was also nice to see past killers on, definitely love to see the classics doing something new.

Yeah, having Big Jay [Oakerson] back was a key because he’s on the Mount Rushmore of this show, and we have three of those on “The End.” Jay, Ms. Pat and Ali Siddiq. We couldn’t get Sean Patton out because he was shooting something, and Bert [Kreischer] had a movie or something with his daughter moving or maybe it was a graduation…

Ms. Pat, from left, Ari Shaffir, Dan Soder, Duncan Trussell, Shane Gillis and Colum Tyrrell.

(Troy Conrad)

What a funny world, though, if Bert Kreischer paid to have a graduation moved so he could do your show.

Yes! Just pay the school to move the graduation for a week! Don’t you make like $50 million a year? It’s so funny how it used to be crazy to think of someone making $100 million and now there are like 10 comics who make at least half of that. And without doing press! It is really cool, though, I haven’t paid for lunch in so long. And Ali Siddiq has become so huge, he’s like the success story of this storytelling show in its entirety. Everyone got helped a little bit, but Ali kind of broke off of these stories and to see him so successful and still so smooth, it’s really cool. You can’t be “niche” doing arenas, and there’s this independent boom that’s not going to wait for anybody. So it’s another big win for us, it’s our turn in the whole story of this.

So then is this really “The End” or could it be a new start?

There is a very, very small percentage of a chance that it comes back. The plan is that this is it, and that’s why we called it that. I’m just glad you liked the show. I’m glad you liked the look and the intimacy, and that you picked up on all of that. It feels so long ago that you forget, but that’s so awesome to hear because it was a lot of fun. I think comedy fans that knew about the show before will want to see more of it because it’s just this funny televised storytelling, and they missed it. And everything turns over every five years anyway, so new people can now be like, actual stories being told like this in front of an audience? What is this cool new thing?

“The Real Housewives of Miami” star Lisa Hochstein has been charged with a felony for allegedly spying on her ex-husband.

Hochstein, 43, and her former partner Jody Glidden, 52, were booked on felony charges of unlawfully intercepting oral statements from the Miami housewife’s ex-husband Leonard “Lenny” Hochstein.

Hochstein turned herself in at Miami-Dade’s Turner Guilford Knight Correctional Center on Wednesday morning, according to NBC Miami. The embattled star’s bond was initially set for $5,000, but she was released on her own recognizance later the same day. NBC spoke with Hochstein as she left the Miami-Dade jail and asked, “How was it in there?”

Hochstein’s attorney, Jayne Weintraub, walked alongside the reality star and intercepted questions, answering, “Five stars!”

Hochstein repeated, “Yes, five stars.”

Glidden, who also appeared on “Real Housewives,” was arrested April 12. He has since been released. Hochstein and Glidden have pleaded not guilty. Her arraignment is scheduled for April 20.

According to a March 17 arrest warrant obtained by People, Hochstein and Glidden allegedly placed a recording device in Leonard Hochstein’s Mercedes-Benz following an acrimonious split back in March 2023.

The outlet reported that Leonard Hochstein loaned his car to the “Real Housewives” star after she said she wanted to take it for a test drive because she was thinking of getting one for herself. When the car was returned, Leonard Hochstein allegedly found a suspicious device in the driver‘s side floorboard, covered with tape and hidden from view. The South Florida plastic surgeon contacted his lawyer, who then brought in experts who were able to pull recordings from the device.

A total of 98 recordings were recovered, according to the affidavit, and “one of the last recordings from before the vehicle was returned to the victim depicts Lisa Hochstein and Glidden holding a discussion and the distinct sound of a device such as the hidden recorder being wrestled into place.”

Hochstein can allegedly be heard saying “done.” The warrant also states that Glidden ordered two recording devices of the exact same make and model on Amazon three months prior.

The Hochsteins’ divorce played out on Season 5 of the Bravo reality series after Leonard Hochstein admitted he was in a relationship with another woman and planned to divorce Hochstein during a hot-mic moment that shocked audiences and Hochstein alike.

After the divorce was finalized last year, Hochstein told Entertainment Tonight, “I am very happy right now. It took a long time to get here, a lot of ups and downs, highs and lows, but I’m finally on the other side, and it feels so good.”

BACK in the 80s and early 90s, this movie star was known for huge blockbuster films, and was one of the biggest names in Hollywood.

Sadly, in 1991, the actor’s beloved wife died and he started to take a step back from the limelight and eventually quit fame – but now the 72-year-old star is making his big comeback.

Rick Moranis, famed for 80s films like Ghostbusters, thrilled fans when he made a rare appearance at CinemaCon 2026.

The much-loved actor was spotted at the big event with the cast of the Spaceballs sequel as he prepares for his return to the big screen.

It was announced last year that the Canadian actor would be reprising his role as Dark Helmet.

The original movie, which is a spoof of Star Wars, came out in 1987 and starred many notable names, including Mel Brooks, Daphne Zuniga, Bill Pullman, the late John Candy, and Joan Rivers, among others.

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Many of Rick’s former co-stars have returned for the sequel, such as Mel, Daphne, Bill, and George Wyner.

There are also several new faces among the cast, including Josh Gad and Keke Palmer.

The cast joined Rick at a panel event to promote the movie at CinemaCon.

Despite the star rarely being seen in the last three decades, the actor hasn’t changed much in appearance.

The Flintstones star wore his trademark round-framed glasses, which he was famed for in his iconic movies.

Other than Spaceballs, Rick starred in many successful films in the 1980s and 1990s, including Honey, I Shrunk the Kids and its sequels, and playing Barney in The Flintstones.

Sadly, Rick started to take a step back from Hollywood when his wife, Anne Belsky, passed away from breast cancer in 1991.

During the 90s, he slowly started to quit fame to focus on parenting his two children.

Although Rick hasn’t been seen on screen, he hasn’t entirely distanced himself from acting.

He lent his voice to several animated projects over the years, including Disney‘s Brother Bear in 2003, and its sequel, Brother Bear 2, in 2006.

Rick’s voice also appeared in a 2018 episode of The Goldbergs and a 2020 episode of the Disney+ docuseries Prop Culture.

However, he hasn’t appeared in a live-action film since Disney’s Honey, I Shrunk Ourselves, which was released directly to video in 1997.

But Rick is now set to be back on the big screen, with production for Spaceballs 2 underway.

The hotly-anticipated sequel is set to hit cinemas in 2027.

Reese Witherspoon is hyping A.I. again, and American authors have a few thoughts.

The Oscar-winning actor and producer, known for spotlighting women’s voices through her famed book club, television and screen projects, may have been barking up the wrong tree when she told her social media followers that it was time to learn A.I. on Wednesday.

“Well…I’ve decided it’s TIME,” she wrote in the caption of an Instagram reel on Wednesday. “The AI revolution has begun, and I need to learn as much as I possibly can about AI and share it with all of you. Also, FYI: the jobs women hold are 3x more likely to be automated by AI, yet women are using AI at a rate 25% lower than men on average. We don’t want to be left behind. So…do you want to learn with me?”

In the video, which the star shared across social media platforms, Witherspoon said she was with 10 women at a book club this week. “I said to the 10 of them, ‘How many of you guys use AI?’ And only three of them used AI. And then I said, ‘How many of the three of you feel like you really know what you’re doing or using it the right way?’ And there was only one person,” she said.

“So, if three out of 10 women are the only ones using AI, that means 70% of that group is not keeping up. The thing I’ve learned about technology is if you don’t get a little bit of understanding from the very beginning, it just speeds past you. So you have to have little bits of learning just to keep up.”

The “Big Little Lies” star then seemingly put out a feeler for an A.I. learning course saying, “I think we should learn the basics together and learn some really good tools that are going to make our everyday lives easier and better. Do you want me to share what I’m learning with you?”

While there were plenty of comments from fans and stars hyping up Witherspoon’s sentiment — Former co-stars Ali Larter said “Yes yes yes!” and Kerry Washington said “THIS” — many of the replies called the actor out, citing environmental, economic, social, educational and intellectual concerns, among others.

One group that was especially vocal in their opposition to A.I., was the literary community, and writers and authors across the country didn’t hold back when sharing their two cents.

Bestselling “Bad Feminist” author Roxane Gay chimed in on Threads, writing, “Oh Reese. Absolutely not.”

“This is obviously a scripted ad and it’s genuinely infuriating. Notice how AI’s biggest defenders are the ones cashing checks from it,” wrote screenwriter and director Charlene Bagcal on Threads. “AI isn’t inevitable. Technology follows society. If people stop using it, it dies. We still have agency.”

“Jagged Little Pill” author and literary agent Eric Smith weighed in, “As someone who champions authors and books the way you do, this is so disappointing.”

“AI plagiarized all my books. It seems unlikely that I’ll be ‘left behind’ if I don’t use it, given that it’s trained on work I did years ago,” wrote “Get Well Soon” author Jennifer Wright.

Writer and actor Rati Gupta said, “How am *I* the one being “left behind” by not using AI when *my* cognitive function will remain fully intact and uncompromised?”

And Sophia Benoit posted, “There’s something particularly insidious about seeing that women— the group you have built your brand on— have not adopted something and instead of assuming it’s out of wisdom, infantalizing them with ‘we’re falling behind.’”

In 2021, Witherspoon’s company, Hello Sunshine, partnered with World of Women (WoW), an NFT collective, and the actor similarly caught flak from followers for tweeting “In the (near) future, every person will have a parallel digital identity. Avatars, crypto wallets, digital goods will be the norm. Are you planning for this?”

Representatives for Witherspoon have not responded to the Times request for comment.

AFTER the whirlwind success of No1 hit Stick Season, Noah Kahan didn’t rush back into the studio.

In fact, he stopped completely. Facing writer’s block and still processing everything that had happened, he stepped away for six months, forced to rethink not just the music, but what success meant.

His 2022 album Stick Season — rooted in Vermont and exploring mental health, identity and small-town life — transformed the singer from a cult folk artist into a global name.

Topping the charts in the UK, the record was also certified multi-platinum in the US, where it sold over four million copies and had billions of global streams.

Kahan was nominated for a Grammy for Best New Artist and the emotionally raw, nostalgic and deeply personal record was widely seen as one of the defining albums of the decade.

“I just couldn’t write for a while,” he confesses. “When I first got off the road, I didn’t make any music in a long time.

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“I spent months not doing anything and it was painful because I like to be busy.

“It took so much strength for me to push that feeling away.

“I’m aware of how rare the moment was, how big the moment was and how lucky and fortunate I was, but my whole life I was trying to prove to people that I had a place here. So when the huge moment was happening, instead of being like, ‘Yeah, I made it’, I was like, ‘Oh my god, how am I going to stay here?’.”

That pressure quickly took its toll. Kahan said: “Writer’s block is such a lonely feeling — it makes you feel like your value’s been taken away. I felt completely unable to open up about it, but I ended up reaching out to friends.

“Marcus Mumford really helped. He understood what it’s like to be under a lot of pressure and afraid of failing and gave me great advice.”

Kahan also had to redefine success. It was not chasing numbers — just being able to make music was enough.

He says: “I learned the hard way about burnout. Success is a double-edged sword. I’ve always said if I had any, or if my tour sells out, I’d be happy. But the second it sells out, you’re looking at the next thing to achieve.

“Starting off this new album was really scary. I had to realise I didn’t need to be the biggest artist in the world or where Stick Season took me. I didn’t need to be successful to be loved.”

Kahan is in London for a few days to promote The Great Divide, his fourth studio album, which is out next Friday.

Taking time off to reset both mentally and emotionally was essential to writing again.

“I’ve struggled with my mental health,” he says candidly.

“But I was struggling more than anybody knew. I’ve struggled with anxiety, depression and body dysmorphia, but it was the OCD that I hadn’t figured out.

“I was diagnosed with OCD last year. It’s not about washing my hands a thousand times — it’s obsessive thinking. I was struggling with a lot of self-esteem and confidence issues, but I’d never dealt with anything so acutely like OCD. I’m supposed to be the singer who’s open about his mental health, but I felt so much shame.

“I needed medical intervention and therapy, and I didn’t want to be open about that because I was afraid. It was frightening as I’d been stripped of

this thing I loved.

“I couldn’t express myself through music any more, and so I didn’t tell anybody and it came to a breaking point.”
Through help and time, Kahan started to recognise his disorder in ways he hadn’t before.

“Now I wake up knowing my day is not going to be decided by what I see on my phone,” he says when discussing how therapy has helped him.

“Before, I’d have 700 brilliant words of praise, but it would be the one negative word that would shatter me. For a long time, I thought I was crazy.”

In August 2025, Kahan married his longtime partner Brenna Nolan, bringing a new sense of stability to his life.

The singer has also made a Netflix documentary — Noah Kahan: Out Of Body. It captures this difficult period, which he sees as part of his healing.

He says: “Making the film was a strange but amazing process. Having people follow you around took time to get used to, but they captured a really honest moment for me. Watching it back with my family was emotional. It showed how we really are.

“It was hard seeing how unhappy I was then, but in the end, it told a beautiful story.”

He adds: “My family are on the new record. I love the song American Cars. It’s about my sister.

“Whenever things were tough at home, she’d drive up from New York in a rental car, sunglasses on, just a total badass.

“She’s a surgeon, she just gets things done. She’d come back and help us through it, and the song came from that. Like, you need to come home and help fix this.”

The Great Divide is an album about friendship, miscommunication, regret and personal growth, and the title track became the guiding, emotional “north star” of the record.

He says: “Yeah, The Great Divide is really about a friendship that didn’t work out — one where I wasn’t able to express myself.

“And then there’s a song, Dan, which is about the opposite — being open, telling each other how much you care, facing hard truths. It ends in a way that really encapsulates the whole record. It’s probably my favourite song we made.

“There are a lot of stories,” he adds.

“It’s very emblematic of my childhood and a lot of people’s, young men in particular. Talking about feelings or asking difficult questions can feel like more discomfort than it’s worth, but the consequence is you don’t really know someone as well as you think you do.”

It’s an expansive album with 17 tracks, including the gorgeous We Go Way Back, Willing And Able, Haircut and Porch Light.

He adds: “I can’t wait to see crowds singing back Willing And Able, and Haircut started from that idea of someone coming back to town changed — like they’ve outgrown it. I felt like I’d become that person, only going home for inspiration instead of really being there.

“The song is almost someone singing to me, saying, I’m glad you’ve figured things out, but at least I’m still here and still real. You’ll leave again, and we’ll still be here. That’s what it’s about.

“Then, Porch Light is really about my biggest fear — how I’ve changed.

“I worry about going home and feeling like people see me differently, like I’ve become this ‘Hollywood’ version of myself, too big for where I’m from. That my relationship with Vermont has been changed by success and leaving Vermont for Nashville.

“But my family has always kept me grounded. They’re so happy for me. I wanted to write about that fear you have in your head before you even pick up the phone.

“You’re always anticipating what people might think. But there’s a silver lining in Porch Light. It’s about people saying, ‘We still care about you, we’ll still be here — but you need to figure things out first’.”

And that sense of place runs throughout the album.

“Yeah, the first and last songs really frame the album — I wanted them to feel like an intro and an outro,” Kahan says.

“The first track, End Of August, is this big, building track about that time of year in Vermont . . . It’s that moment when the tourists leave and the people who live there can finally come out of hibernation — like, ‘They’re gone’.”

He’s been working with Stick Season collaborator Gabe Simon, The National’s Aaron Dessner — best known for his work with Taylor Swift, Bon Iver and, more recently, Gracie Abrams — plus Ed Sheeran and Mumford & Sons.

Kahan says: “Gabe and I are really close — we went through a lot making Stick Season, so on this album we leaned on each other. He’s like a brother and the perfect person to go through this with.”

Aaron Dessner brought calm, structure and creative balance to the process.

“Aaron came in early on, but I was intimidated at first,” admits Kahan. “I looked him up on Wikipedia and was terrified of his success. This guy’s a legend.

“This was where Taylor Swift writes and Justin Vernon (Bon Iver), who works with Aaron, is my hero. Aaron has a magic to his music — a real understanding of what an artist is trying to say. But he’s a sweet, calm man who lives a very humble life in upstate New York on a farm.

“I needed him to stabilise me creatively. He is regimented in how he makes music and I need a routine. He is an amazing producer and this album sounds so f*****g cool because of what Aaron did.”

The sound on the new album is more expansive than Kahan’s earlier music and includes horns, guitar and richer production.

He says: “Honing on a sound and a theme started the process. Aaron’s place had dirt bikes, fishing rods and skeet shooting — all the things that I grew up doing.

“We couldn’t make the music in Vermont this time and the setting was really important, feeling connected to nature and beauty.

“It’s hard for me to make music in a city. Whenever I’m in a city, all I write is, ‘Get me out of the city’ songs.”

He adds: “We were also still in the middle of touring and I was over the Stick Season songs.

“There’s a lot of electric guitar on the new record, and bouzouki and mandocello, instruments we haven’t really used before. It’s a new confidence, but having spent three years on the road, I just want to make music that’s exciting to play live.”

It’s the connection with his audience that remains key.

He says: “I love it when I see fans singing back my songs as it means they’re feeling it.

“I’m always honoured when someone says my music has helped them to reach out for help. Though it can be overwhelming when people tell me they’re struggling with difficult thoughts.

“I don’t always feel equipped to handle that and I worry I’m not helping in the way they need. It’s hard when you feel you’re letting someone down.”

Now, his attention is focused on bringing the album to the stage.

He says: “I’m looking forward to playing these new songs. This record tells a story, so we’re working on the stage design, setlist and lighting to tell that story. We’re playing stadiums now, but I want fans to still have an intimate experience.”

Kahan returns to historic Boston baseball stadium Fenway Park, the home of the Boston Red Sox, for four nights this July.

He will also be back in the UK, including three nights at London’s O2 in November.

He says: “I’m excited about those dates, but my dream is to play Stamford Bridge.

“It’s my favourite sport and I love Chelsea FC. But I was told you can’t play there. I’ve achieved so much already, but that is my ultimate dream.”

• The Great Divide album is out next Friday, April 24.

NOAH KAHAN – The Great Divide

★★★★★

VICTORIA Beckham has kicked off her early birthday celebrations with a lavish “girls” dinner in Miami after finally breaking her silence on her bitter feud with Brooklyn.

After her eldest son launched a scathing attack on the family with a bombshell Instagram statement back in January, the singer recently addressed the fallout for the first time.

Since speaking out on the “rift” between her family the fashion designer has been spotted letting loose at her early birthday celebrations.

Stunning Victoria took to her Instagram to show fans the incredible navy blue dress she decided to wear to the dinner.

Posing in the mirror of a huge dressing room, Victoria explained her dress of choice.

She said: “So I’m here in Miami and tonight I’m going out with my girlfriends for my birthday and I’ve got this amazing navy blue jersey dress which I love.

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“I love the waist detail here, which really brings the waist in making it look super super toned. It’s got a slit up the side as well… It is the perfect party dress for a night out with my girlfriends.”

Victoria, who turns 52 today, looked sizzling in the tight fitting dress as she showed off her toned physique.

The Spice Girls star had her hair styled in natural waves and her makeup was flawless, complete with a very subtle smoky eye.

She accessorised the chic outfit with some blue open toed stilettos, chunky diamond bracelets and an emerald ring.

Victoria and her closet gal pals sat down for a very bougie meal at Italian restaurant Casadonna.

For starters they had focaccia bread, followed by a choice of grilled octopus or a baby gem lettuce caesar salad.

And for their third and final course the girls had the option to pick between filet mignon, branzino or beef ragu bolognase.

Victoria’s daughter Harper, 14, was also present at the girls dinner as she was seen giving her mum a big hug.

The singer-turned-fashion-designer captioned the snap: “I love you so much @harperbeckham.”

Victoria appeared over the moon as Harper surprised her with a huge birthday cake, which was complete with regal white icing and a singular gold candle.

Earlier this week Victoria broke her silence on her long-running feud with her son, amateur chef Brooklyn, 26.

Speaking to The Wall Street Journal magazine, Victoria did not refer to Brooklyn by name when asked about the rift but discussed how she had only ever tried to “protect and love our children”.

The Spice Girls star said: “I think that we’ve always—we love our children so much.

“We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children.

“And you know, that’s all I really want to say about it.”

Corrie star Craig Charles took on the Retching Ball challenge with fellow campmate David Haye in a bid to earn food for camp in the latest bushtucker trial

The latest bushtucker trial left I’m A Celeb star Craig Charles throwing up a mouthful of maggots.

The 61-year-old Corrie star took on the Retching Ball challenge with fellow campmate David Haye in a bid to earn food for camp. The duo were strapped into a revolving ball while having to answer questions directed at them by Ant and Dec.

But of course in true I’m A Celeb style they were not alone in the ball cage, as creepy crawlies were dumped on them to add to their distress. Following a dumping of maggots on the duo, David Haye cried out ‘I’ve got maggots in my mouth’ and it wasn’t long before co-star Craig began throwing up.

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David and Craig carried on for another round but the momentum seemed to catch up with Craig. As he threw up Ant quipped “Oh I think we’ve had a vomit. Now Craig you’ve just worked out why it’s called the wretching ball,” he added.

Despite his sickness, he kept going but he ended up being sick again in the final round where they were asked to name Adele songs. Craig looked delighted when time was up and he and David were removed from the retching ball to learn they had secured seven out of a possible 11 stars in total.

In a sneak peek at tomorrow evening’s episode Gemma Collins appears to quit again. She told the cameras: “I’m A Celebrity get me out of here. I am done.”

She looked to be in tears again as a stunned Scarlett watched on. It left fans pondering if she had actually walked again, or if it was another low moment for the reality TV star.

On X, formerly known as Twitter, one user said: “Hope Gemma doesn’t go from that clip! I need misery guts David gone before anyone else in camp!”

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Coronation Street actor Gareth Pierce has been playing Todd Grimshaw since 2020, but fans were shocked to discover his real accent

Coronation Street’s Gareth Pierce is well known for his portrayal of Todd Grimshaw, yet in real life, he sounds remarkably different.

Gareth, 45, rose to prominence when he joined the Corrie cast in 2020 as Todd Grimshaw, stepping into the role previously held by Bruno Langley, who departed the show in 2017.

Over the past six years on the long-running soap, Todd has been at the centre of some heartbreaking storylines, including the deaths of his closest friends Billy Mayhew (Daniel Brocklebank) and Paul Foreman (Peter Ash).

Last year, Todd embarked on a relationship with dashing scaffolder Theo Silverton (James Cartwright), who was already married with two children.

Theo, who had kept his sexuality a secret, found himself ostracised by his family when his wife Danielle (Natalie Anderson) uncovered his affair with Todd, reports the Daily Star.

Despite initially pulling away from Todd to concentrate on his family, the pair quickly rekindled their romance, though the road has been far from smooth.

Matters took a darker turn when James Bailey (Jason Callender) drunkenly attempted to kiss Todd at number eleven, prompting Theo to deliver a stark warning. He has since continued to tighten his grip on every aspect of his boyfriend’s life.

For months, Theo has been subjecting Todd to both mental and physical abuse in a deeply disturbing domestic violence storyline. Most recently, Theo launched a brutal attack on Todd, leaving him bloodied and battered in deeply distressing scenes.

The funeral director has been quietly struggling for months, with Todd’s nearest and dearest beginning to notice that something isn’t quite right. Regrettably, their concern about his wellbeing has driven the scheming Theo to resort to increasingly extreme measures.

Theo manipulated Todd into walking down the aisle with him, but his sinister plans didn’t stop there. The conniving villain subsequently schemed to spirit his new husband away to Belfast, far from his loved ones and support network.

Todd informed Theo that he wasn’t prepared to relocate, prompting the villain to confiscate his phone and hold him captive. As a Weatherfield resident is set to meet a grisly end in an upcoming whodunnit, could Theo be next in line?

Away from the Manchester-based soap, Gareth has left fans stunned after revealing his real-life accent. Last year, he took to Instagram to wish the Welsh women’s football team well as they competed in the Euros.

Sporting a Welsh football shirt, Gareth, who hails from Gwynedd in Wales, said: “Massive week ahead in the Women’s Euros. Wales and England both playing today, but also playing each other on Sunday. Big showdown. Obviously, I’m shouting for Wales.”

Speaking in Welsh, he added: “Good luck, Wales. Let’s go. Come on, Wales!”

Soap devotees were left gobsmacked after watching the clip, as Todd’s Mancunian accent on Coronation Street is worlds apart from Gareth’s natural Welsh lilt.

Flocking to the comments, one viewer wrote: “You learn something new every day. Did not know he was Welsh”, while another added: “Love the slight Welsh accent.

“Didn’t know you were Welsh”, a third chimed in as another exclaimed: “Didn’t know he was welsh c’mon Cymru.”

“Are you Welsh, mate?” asked one fan while another stated: “Mind blown!”

Coronation Street airs weekdays on ITV and ITVX

Dr Xand van Tulleken told viewers ‘it can be like a heart attack for your legs’

A BBC doctor has given a worrying update for anyone who has woken up in the morning with a pain in the leg. Appearing on BBC Morning Live, Dr Xand van Tulleken told viewers they should ‘never’ just write symptoms off as what happens due to ageing.

Many people get aches and pains, but specific discomfort in the legs should be investigated, he said. Host Helen Skelton said: “We’re looking at protecting our health now, though. And if you started this morning with a pain in your leg, you’re not alone.

“It’s thought that one in five people over the age of 60 is living with a blood vessel disorder.“ Dr Xand said “It’s really important that no one should ever regard any symptoms they have as just part of getting older. If you have a symptom and you don’t know why you have it, you need to get an explanation.

“Whether it’s shortness of breath or pain in your legs. There are lots of different causes for pain in your legs, but this morning we’re talking about peripheral arterial disease, which is a sort of intimidating medical term, but really we mean just peripheral, meaning it’s at the outside of your body. It’s in your legs rather than being in your heart or your brain.”

Arterial disease might be the cause – and that’s a condition which can mean there are serious health issues at stake beyond just aching legs. Dr Xand said “Arterial disease is the same problems that gives us heart attacks and strokes. Your blood vessels narrow over time. They can calcify, they harden, they clog up with cholesterol, and you are left with a narrower space for blood to flow through and that means that you’re not getting a sufficient blood supply to your legs and that can give you leg pain.

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“And you can think of it a little bit like in the same way that some people get angina, they get heart pain when they exercise, when they move around. This is a bit like angina for your legs. And sometimes if those blood vessels completely clog off, it can be like a heart attack for your legs.”

The NHS says many people with PAD have no symptoms. However, some develop a painful ache in their legs when they walk, which usually disappears after a few minutes’ rest. The medical term for this is “intermittent claudication”.

The pain can affect 1 or both legs, range from mild to severe, and usually goes away after a few minutes when the person rests their legs.

Other symptoms of PAD can include:

• hair loss on your legs and feet
• numbness or weakness in the legs
• brittle, slow-growing toenails
• ulcers (open sores) on your feet and legs, which do not heal
• changing skin colour on your legs, such as turning paler than usual or blue – this may be harder to see on brown and black skin
• shiny skin
• in men, erectile dysfunction
• the muscles in your legs shrinking (wasting)

The NHS adds: “The symptoms of PAD often develop slowly, over time. If your symptoms develop quickly, or get suddenly worse, it could be a sign of a serious problem requiring immediate treatment.”

Dr Xand added: “The quality of the pain is quite specific. I mean, the way that people describe it and it typically wouldn’t be a pain that you’d get when you’re just sitting still, much like angina. It’s the pain that comes from not getting enough oxygen to your muscles. Those blood vessels aren’t working. And so, people tend to describe a kind of deep, heavy ache, like they’re just not, and you can almost feel that thing of just not getting enough.

“It’s a bit like if you’re lifting weights at the gym, if you go beyond your limits, you know, your muscles really start to hurt. It’s a similar thing. The pain is called claudication, but it’s that kind of pain. And typically, if you rest, it’ll go away again. So, that’s the that’s the kind of pain, but there are other changes that you can look for as well.”

He said people might see changes in their legs which could indicate the problem. Dr Xand said: “If you do look at your legs, you may see some changes if you don’t have a good enough blood supply. So, things like loss of hair on your legs would be an examples. The hair the hair can’t grow anymore because you’re not getting enough nutrients to your leg.

“Cold feet, the warm blood from the middle of your body is no longer reaching your feet. Ulcers or cuts are not healing because your immune system carried in your bloodstream is not reaching those and so you’re getting skin breakdown. You’re not getting antibodies and white blood cells and things like that. Changes in skin tone. So, your skin may look kind of mottled and gray as if it’s not getting enough blood. And then your toenails, you may think, I haven’t cut my toenails in a while. Well, are they just simply growing because they’re not getting the nutrients from the bloodstream that they need. So, those are things that might be a clue.”

Tackling the problem

A main cause is smoking, Dr Xand said, and also making sure people get cholesterol, blood pressure measured and check if you have diabetes. He said exercise is a good way of trying to improve the situation: “This may sound a bit a bit paradoxical, may sound like it’s hard to exercise, you’re getting pain when you exercise, but doing some exercise can stimulate the growth of new blood vessels. It can help those blood vessels open up.

“It will lower your cholesterol. It will lower your blood pressure. It will lower your stress. It will improve your blood sugar. You get so many wins from doing a bit of exercise.”

More information from the NHS here.