show biz

80’S ICON Sinitta has shared rare pictures of her two children on social media to celebrate her son Zac’s 20th birthday.

The 62-year-old, who is currently on screens in I’m A Celebrity… South Africa, shared a sweet photo montage on Instagram of her eldest to mark the milestone.

Looking all grown-up, the proud mum uploaded snaps of Zac attending a variety of fancy black-tie evenings, red-carpets, and luxury dinners over the years.

Alongside it, the singer wrote; “Happy Birthday My Beautiful Boy @zac_willner. 20 years old does not seem real. You are the gentle giant, affectionate, kind, smart and funny and so so big now!!!”

‘I Love being your Mom, you are everything I wanted and I love you so much I want you to have everything good that this world has to offer and that you want”

Sinitta married Andy Wilner in 2002, and in 2007, the couple adopted two children – Zac and Magdalena Wilner.

sin-waita

I’m A Celeb’s Sinitta breaks silence on Simon Cowell ’40 year on and off romance’

DIVA DISS

Watch tense moment Gemma Collins is left FURIOUS as Sinitta brands her ‘a joke’

The couple decided to adopt following several miscarriages and failed IVF attempts during their marriage. 

Her post comes after she recently opened up on her struggle with mental health and how her adopted children gave her ‘a reason to live’ through some of the darkest moments she’s ever had. 

Talking to The Mirror, Sinitta explained how she “wanted to curl up in a ball and shut the world out”.

She recalled the day she took her two children home as ‘surreal’ and ‘scary’. 

Sinitta and Andy Wilner later divorced in 2010 after eight years of marriage/

The singer has since opened up on their early relationship together – calling it a ‘revenge move’ at her previous romance with TV personality Simon Cowell. 

In a recent I’m A Celeb episode, Sinitta revealed that she met Simon in a London nightclub when she was a teenager, and their on-off romance continued to last for 40 years. 

When speaking to fellow campmates, Sinitta explained that Simon “wasn’t a faithful boyfriend” but that she believed they would get married one day. 

Simon isn’t the only high-profile romance the star has enjoyed with Sinitta also dishing in the camp about her relationship with actor and producer Brad Pitt.

The singer, 62, dated A-lister Brad, also 62, back in the late 80s for around two years, long before he went on to marry Jennifer Aniston and, later, Angelina Jolie.

Talking about Brad, Scarlett asked Sinitta during the episode: “You were with Brad Pitt, weren’t you?”

“Yeah, years ago. Before he was actually famous,” replies Sinitta.

Scarlett continued: “That’s unbelievable that. Did you, like, kiss and tha?” with Sinitta confirming: “Yeah, everything”.

In a solo piece to camera in the Bush Telegraph, Sinitta confessed: “Even I do think, wow, it was nice while it lasted.”

The pop star originally burst on to the music scene back in 1986, with her hit single So Macho reaching number two in the UK charts and spending several weeks in the top 10.

After a series of successful songs for Simon Cowell’s record label, she appeared as a judge on The X Factor alongside him for it’s 2004 season during the Judges’ Houses stage.

History textbooks often include the story of the Underground Railroad, an organized network of secret routes, places and people that guided enslaved populations from the South to abolitionist Northern states.

However, less is known about the underground railroad that ran southbound to Mexico. But one live-looped musical is unearthing that hidden history, one beat at a time.

Co-created and performed by Brian Quijada and Nygel D. Robinson, “Mexodus” tells the fictional story of Henry, who evades his capture by fleeing Texas across the Rio Grande. After a near fatality, he is saved by Carlos, a farmer and former combat medic battling his own trauma from the Mexican-American War. Together they form solidarity, despite social, racial and political strains plaguing both sides of the border.

Following its off-Broadway run at the Daryl Roth Theatre in New York City, the hip-hop and bolero-infused musical directed by David Mendizábal will open at the Pasadena Playhouse stage July 8 and run until Aug. 2. But for history buffs and musical enthusiasts alike, a sonically richer version filled with sound effects of the musical airs exclusively on Audible today, April 16.

The idea for “Mexodus” first came to Brian Quijada — playwright, actor and composer behind “Where Did We Sit on the Bus?,” “Kid Prince and Pablo” and “Somewhere Over the Border” — when reading a 2018 article on History.com about the estimated 5,000 to 10,000 enslaved individuals that escaped the American South for freedom in Mexico, though some researchers estimate that number to be higher.

“My parents crossed the border undocumented in the late 1970s, so I think I’ve always been fascinated with writing immigration stories,” Quijada said. “The reason that this story attracted me was because it’s like a reverse border story, but I also knew that it wasn’t my story to tell so I sat on it for a long time.”

Quijada bookmarked the article until he met Robinson — a performer at Berkeley Rep, Baltimore Center Stage, Shakespeare Theater Company, Mosaic Theater and writer and composer of “Santa Claus Is Comin’: A Motown Christmas Revue” and “R&J: Fire on the Bayou” — at an actor-musician conference weeks before the start of the COVID-19 pandemic. They were the only actors-musicians of color in the room, listening in on conversations about how one should audition for musicals like “Once,” “Million Dollar Quartet,” which typically center white storylines.

“We kind of looked at each other and we’re like, ‘we don’t really belong here,’” said Quijada, who invited Robinson to take part in “Mexodus” during the pandemic shutdown. The first iteration of the project was as a mixtape.

The musical edge of “Mexodus” hinges on live looping, a recording and playback technique where a sound is repeated and then layered (think Justin Bieber’s solo performance of “Yukon” at the 2026 Grammy Awards). Physically, both Quijada and Robinson’s characters have to pick up a guitar, record it, then play the drum set and run to the bass. “ It’s pretty labor-intensive,” Quijada said.

“I think Brian and I are artists in this way, like various people of color, where it’s like, no one else is gonna do it for me, so I can do it all by myself,” Robinson said.

There’s also a more dramaturgical, meta reason for the loop, which follows a four chord structure throughout the piece, set in both 1851 and present day.

“The looping shows you that there’s not much difference between 1851 and 2026,” Robinson said. “We just keep finding ourselves in a loop and like maybe a sound is in that wasn’t there before. Maybe another sound is added, but it’s still the same four chord structure that has been happening in this country for all existence.”

In 2010, the U.S. National Park Service outlined a possible runaway route stretching on the Camino Real de la Tejas between Natchitoches, La., to Monclova, Mexico. Still, it is unclear how organized the underground railroad heading to Mexico truly was, the Associated Press reported in 2020, with archives destroyed in a fire and sites along the path abandoned.

In 2024 the Jackson Ranch Church and Martin Jackson Cemetery in San Juan, Texas — which are part of a ranch owned by interracial couple Nathaniel Jackson and Matilda Hicks — were recognized by the U.S. National Park Service for serving as a gateway to freedom in Mexico.

Other Texas couples alongside the border— including interracial abolitionist couple Ferdinand Webber and Silvia Hector — aided enslaved people in their pursuits to reach Mexico, which had abolished slavery in 1829, while Texas was still part of the country.

Fears surrounding the Mexican government’s attempts to abolish slavery led to the formation of the Republic of Texas in 1836 and its eventual annexation to the United States by 1845; records also show that American slave owners would head down to Mexico to kidnap formerly enslaved individuals, according to USC historian Alice Baumgartner, who wrote about it in her 2020 book “South to Freedom: Runaway Slaves to Mexico and the Road to the Civil War.”

A database by the Texas Runaway Slave Project, which found listings for 2,500 runaways across various Texas newspapers from the 1840s through the 1860s, also documents the frequented journey to Mexico.

Slavery in the U.S. wouldn’t be officially abolished until 1865 with the ratification of the 13th Amendment to the Constitution.

“I was also really intimidated by the amount of research that I would have to do to write this piece because at the time back [between 2017 and 2020], [researchers] were just beginning to uncover a lot of this,” Quijada said.

Themes of racism — including anti-Blackness in the Latino community — oppression and resistance are woven throughout “Mexodus,” which since its debut in 2023 at the Baltimore Center Stage/Mosaic Theater Company in Washington, D.C., has been making viewers aware of the little-known history.

Robinson recalled how one Black woman came up to him after the show to let him know she believed in Trump’s border wall.

“I got nervous, but she was like, ‘after seeing this, I’m realizing that there’s something trying to convince me of that.’ And I’m like, yes!” said Robinson. “I’m like, this is good. This is good. We started you somewhere. Wow.”

The pair hope that amid all the dark news circulating around the world — and the traumatic, historical themes interlaced in “Mexodus” — the existence of this piece of art can be a glimmer of hope and joy for the future of both Black and brown communities.

“ I need you all to see the truth, but we’re gonna try and dance anyway,” Robinson said.

Victoria Beckham is speaking out about her rift with son Brooklyn Peltz Beckham.

In an interview with WSJ Magazine, the former Spice Girl shared insight into her relationship with her son, although she did not refer to him by name.

“I think that we’ve always — we love our children so much,” Beckham said. “We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children. And you know, that’s all I really want to say about it.”

The response comes after Peltz Beckham took to his Instagram Story in January to accuse his parents of “endlessly trying to run” his relationship with his wife, Nicola Peltz Beckham. The 27-year-old claimed his parents “repeatedly pressured and attempted to bribe” him into signing away the rights to his name, that his mother “hijacked” the first dance during his wedding and that his family “values public promotion and endorsements above all else.”

“My wife has been consistently disrespected by my family, no matter how hard we’ve tried to come together as one,” Peltz Beckham wrote. “Family ‘love’ is decided by how much you post on social media, or how quickly you drop everything to show up and pose for a family photo opp, even if it’s at the expense of our professional obligations.”

Peltz Beckham ended the post writing, “I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

After the Instagram bombshell, fans believe David Beckham broke his silence while speaking about the power of social media during an interview in January on CNBC’s “Squawk Box.”

“They make mistakes, but children are allowed to make mistakes. That is how they learn. That is what I try to teach my kids,” David Beckham said. “You sometimes have to let them make those mistakes as well.”

During Peltz Beckham’s birthday in March, his parents wished him happy birthday and shared that they love him on their Instagram Stories.

SHE was 35 and in her prime when Smash Hits magazine published images of her parading the stage in a skimpy bra – and scoffed: “Calm down, grandma!”

But the cutting headline, which accompanied a review of her Girlie Show tour in 1993, did nothing to deter the uniquely stylish Madonna.

In a career spanning more than 40 years, she became the hottest female singer in the world, selling over 400million records.

But through it all, the Queen of Pop faced intense backlash over her appearance.

Critics have judged everything from her cone bra in 1990 to her Met Gala “bondage”-style outfit in 2016, when she was 57.

But now, as Madge prepares to return to the spotlight with her 15th studio album, she has done what many thought would never be possible.

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Aged 67, she is finally cool again.

The Vogue singer confirmed this week that she will release her first record in seven years this July — a sequel to her 2005 smash Confessions On A Dance Floor.

The original, inspired by disco and Eighties electropop, shifted more than 10million copies.

It featured No1 singles Hung Up and Sorry, and ushered in a new era of dance music.

Now, Confessions On A Dance Floor: Part II is promising to be a continuation of the project.

And Madonna is still not letting her age define her fashion, posing in a blue leotard, fishnets, a silver jacket and shades in a defiant photo to promote the record.

A music insider said: “Madonna has locked in for this project and it’s not at all what you’d expect from any other woman who is nearly 70.

“It has roots in New York house music and rave culture and her record label believes it will usher in a whole new generation of fans.

“Confessions 1 showed Madonna at her coolest and, after straying into other genres on her last few albums, this feels wonderfully authentic.”

Madge is yet to release the album’s first single, but she has been steadily building a Gen Z fanbase, who have been discovering her back catalogue.

Last month, her 1985 chart-topper Into The Groove returned to the Top 20 after going viral on TikTok.

Cruz Beckham, KSI, Aitch and Sam Thompson were among those who shared videos of themselves dancing to the song 41 years after it was a No1 hit.

And she is heavily tipped to make a live return tonight at the buzziest festival of the year alongside one of the world’s hottest young pop stars, Sabrina Carpenter, 26.

The Espresso singer will headline the second weekend of Coachella in California and has extended her set by ten minutes, further fuelling industry whispers that Madge may join her on stage.

It would be the veteran pop star’s first performance there in 20 years. She delivered a memorable set in 2006 following the release of her first Confessions album.

Sabrina idolises Madonna as a blueprint for pop music — and there are suggestions they may have collaborated on a song.

In 2024, she paid tribute to Madge by attending the MTV VMAs in a vintage strapless gown previously worn to the Oscars by her musical hero in 1991.

Sabrina said of Madonna last year: “She’s so lovely and so exactly how you expect her to be — just, like, so magnetic.”

Many of the current crop of pop starlets have named Madonna as their top inspiration.

Dua Lipa has said her 2020 No1 album Future Nostalgia was heavily influenced by Madge, and she worked with her on a remix of her song Levitating.

Jade Thirlwall said last year: “She is one of the best pop stars we will ever get.”

In fact, Madge has such pulling power, supermodel Kate Moss, plus film stars Benedict Cumberbatch and Gwendoline Christie, are set to have cameos in her comeback music video.

It is a sea-change from previous generations who used Madge as a verbal punching bag.

When asked to name the most overrated person in pop, Lily Allen once said: “Madonna. She might have meant something once, but I don’t know many people my age who care.”

And Lady Gaga insisted she could not be compared to the megastar, explaining: “I play a lot of instruments. I write all my own music . . .  I’m a producer. I’m a writer. What I do is different.”

On Wednesday, Madonna released a snippet of upcoming track I Feel So Free, which heavily samples the 1989 house tune French Kiss by Lil Louis.

The original features more than two minutes of sex noises — something which seems fitting for pop’s most notorious provocateur.

For Confessions II, Madonna has teamed up again with British producer Stuart Price, who was musical director on her 81-date Celebration Tour in 2023 and 2024.

Meanwhile, her boyfriend, former footballer Akeem Morris, 29, is regularly seen dancing and larking around with her in videos on TikTok, where her clips have been liked over 45million times.

Last month, Madonna was in Venice shooting for the second series of the Apple TV show The Studio, in which she will appear opposite Julia Garner.

But now it is full steam ahead with her music, after re-signing with Warner Records — her label for the first 24 years of her career.

Madonna said of her new album: “When Stuart Price and I first started working on this record, this was our manifesto: We must dance, celebrate and pray with our bodies . . .  To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people.”

Gen Z will not know what has hit them . . . 

Paramount Skydance Chief Executive David Ellison made his case directly to theater owners Thursday, pledging to release a minimum of 30 films a year from the combined Paramount and Warner Bros. Discovery company during a speech at the CinemaCon trade convention in Las Vegas.

“I wanted to look every single one of you in the eye and give you my word,” Ellison said in a brief on-stage speech, adding that Paramount has already nearly doubled its film lineup for this year with 15 planned releases, up from 8 in 2025.

He also said all films will remain in theaters exclusively for 45 days, starting Thursday. Films will then go to streaming platforms in 90 days. The amount of time that films stay in theaters — known as windowing — has been a controversial topic for theater owners, as some studios reduced that period during the pandemic. Theater operators have said the shortened window has trained audiences to wait to watch films at home and cuts into theater revenues.

“I have dedicated the last 20 years of my life to elevating and preserving film,” said Ellison, clad in a dark jacket and shirt with blue jeans. “And at Paramount, we want to tell even more great stories on the big screen — stories that make people think, laugh, dream, wonder and feel — and we want to share them with as broad an audience as possible.”

Ellison’s CinemaCon appearance comes as more than 1,000 Hollywood actors and creatives have signed a letter opposing Paramount’s proposed acquisition of Warner. Supporters of the letter have said the deal would reduce competition in the industry and “further consolidate an already concentrated media landscape.”

Some theater operators have also questioned whether the combined company could achieve its goal of releasing 30 films a year, particularly after the cost cuts that are expected after the merger closes.

“People can speculate all they want — but I am standing here today telling you personally that you can count on our complete commitment,” Ellison said. “And we’ll show you we mean it.”

The speech came after a star-studded video directed by “Wicked: For Good” director Jon M. Chu that was shot on the Paramount lot on Melrose Avenue and showcased directors and actors including Issa Rae, Will Smith, Chris Pratt, James Cameron and Timothée Chalamet that are working with the company.

The video closed with “Top Gun” actor Tom Cruise perched atop the Paramount water tower.

“As you saw, the Paramount lot is alive again,” Ellison said after the video. “And we could not be more excited.”

It turns out the “Spaceballs” sequel won’t be called “Spaceballs 2: The Search for More Money” after all.

Mel Brooks beamed into Amazon MGM Studios’ CinemaCon presentation to set the record straight via a pre-taped video Wednesday. The follow-up to his 1987 film set in a galaxy very, very, very, very far away is actually titled “Spaceballs: The New One.”

“After all these years, I found the money,” the comedy icon explains as he waves toward a duffel bag overflowing with “Spaceballs” money. “But everywhere I go people say, ‘Mel, Mel, where’s the new “Spaceballs”? When are you going to make the new “Spaceballs”? When are you going to make the new one?’”

“Well, we did it, and the title is ‘Spaceballs: The New One,’” Brooks continues. “It’s just like the old one, but it’s newer.”

While details about “The New One’s” story remain under wraps, the studio did offer attendees a glimpse of the film with a new trailer that pokes fun at the current state of the industry. A voice-over declares Hollywood studios are “merging willy-nilly” as images of the Paramount and Warner Bros. signs appeared on screen — before noting that the merger between Amazon and MGM Studios is what led to “Spaceballs 2.”

Dark Helmet’s look appears to be updated for the times, as his mask resembles that worn by the “Star Wars” sequel trilogy’s Dark Side warrior Kylo Ren. The trailer also included footage of lightsaber (or Schwartz ring) fights as well a nod to the “Avatar” franchise, with Dark Helmet crossing paths with a Na’vi in the restroom.

“Spaceballs: The New One” is slated to hit theaters April 23, 2027. Here’s everything we know about the sequel so far.

What is “Spaceballs: The New One” about?

According to Amazon MGM’s press release, the film’s story details “are being kept under lock, key and an industrial-strength Schwartz shield.”

Who is in the movie?

Original “Spaceballs” cast members Rick Moranis (Lord Dark Helmet), George Wyner (Colonel Sandurz), Daphne Zuniga (formerly Princess, now Queen Vespa), Bill Pullman (Lone Starr) and Mel Brooks (Yogurt) are confirmed to return for “The New One.” This marks Moranis’ first onscreen film role since taking a hiatus in 1997.

Newcomers include Josh Gad, Keke Palmer, Lewis Pullman and Anthony Carrigan playing new characters who’ve yet to be revealed.

Who are the filmmakers?

“The New One” is directed by Josh Greenbaum (“Barb and Star Go to Vista Del Mar,” “Will & Harper”) from a script written by Josh Gad, Dan Hernandez and Benji Samit (based on characters created by Brooks, Thomas Meehan and Ronny Graham).

Brooks is among the producers of “The New One,” which also includes Brian Grazer and Jeb Brody as well as Gad, Greenbaum and Kevin Salter. Executive producers include Adam Merims, Samit and Hernandez.

Time staff writer Samantha Masunaga contributed to this report.

In the weeks before Justin Bieber’s headlining performance at this month’s Coachella festival — the 32-year-old teen-pop survivor’s first major concert after a lengthy stretch in the celebrity wilderness — speculation began to mount that he planned to play only songs from his recent “Swag” and “Swag II” albums.

And indeed, for 45 minutes or so last Saturday, it seemed like that was what he’d come to do as he sang new song after new song on Coachella’s giant main stage. But then he pulled out a laptop, fired up YouTube and started singing along with some of his old hits — a thrilling subversion of our expectations for a big festival set and a poignant act of self-examination by an artist who’s lived more than half of his life on our screens.

For the singer, Bieberchella was clearly a trip down memory lane. But it also offered the audience a chance to look back on a career that’s encompassed virtually every major shift in pop music over the last two decades.

Ahead of Coachella’s second weekend, then, here’s a list, ranked from worst to best, of every hit that Bieber has put inside the Top 10 of Billboard’s flagship singles chart, the Hot 100. Pop, of course, is an art as much as a science, meaning statistics get you only so far: Some important Bieber songs aren’t here, not least among them “Lonely,” which may be his finest vocal performance but stalled out at No. 12 on the chart. Other throwaways made it on the list thanks to Bieber’s gamesmanship or Billboard’s methodological quirks.

Yet these 27 songs tell a fascinating story about a boy, about a man, about a talent possibly more vital today than ever before.

27. ‘Never Say Never’ (peaked at No. 8 in March 2011)

Co-written and co-produced by the guy who would later top the Hot 100 with “Rude” by the band Magic, this booming kiddie-rap track was introduced as the theme song for Jaden Smith’s 2010 remake of “The Karate Kid” before Bieber used it in a 2011 concert film of the same title. The voice is high; the beat is blah.

26. ‘Monster’ (peaked at No. 8 in Dec. 2020)

Just a month after he dropped “Lonely,” Bieber returned to his teen-idol woes — far less movingly, alas — in this dreary duet with Shawn Mendes.

25. ‘Stuck With U’ (peaked at No. 1 in May 2020)

The nicest thing you can say about the doo-woppy “Stuck With U” is that Bieber and Ariana Grande donated the song’s proceeds to first responders navigating the early months of the COVID pandemic. Do not rewatch the video unless you want to be reminded of the smiley horrors of Zoom life.

24. ‘No Brainer’ (peaked at No. 5 in Aug. 2018)

We’ll get to Bieber’s convivial 2017 hook-up with DJ Khaled and friends. As for this shameless sequel, Khaled’s “another one” tag has never been less necessary.

23. ‘Cold Water’ (peaked at No. 2 in Aug. 2016)

Sleek. Pretty. Forgettable.

22. ‘As Long as You Love Me’ (peaked at No. 6 in Sept. 2012)

How high was Bieber riding as he prepared to release 2012’s “Believe” LP? High enough to swipe the title of the Backstreet Boys’ classic teen-pop ballad for this junior-dubstep jam. Stick around (or don’t) for Big Sean’s guest verse about needing “you” to spell both “us” and “trust.”

21. ‘Holy’ (peaked at No. 3 in Oct. 2020)

In which Bieber and Chance the Rapper preach about marriage like two horny youth pastors.

20. ‘Anyone’ (peaked at No. 6 in Jan. 2021)

What if Phil Collins had recorded “In Your Eyes” instead of Peter Gabriel?

19. ‘10,000 Hours’ (peaked at No. 4 in Oct. 2019)

Timed to commemorate his and Hailey Baldwin’s wedding among the salt marshes of South Carolina, Bieber’s crack at high-gloss country music was warmly welcomed by the Nashville establishment; it even spent two weeks atop Billboard’s Country Airplay chart. No surprise, really: To listen to earlier stuff by Dan + Shay, Bieber’s collaborators on “10,000 Hours,” is to hear how extensively white-soul singing had reshaped country by the early 2010s.

18. ‘I Don’t Care’ (peaked at No. 2 in May 2019)

Has any would-be song of the summer ever song-of-the-summered harder? Bieber and Ed Sheeran’s breezy dancehall bro-down was clearly modeled on the sound — and the success — of Sheeran’s “Shape of You.” (Call it “Shape of II.”) Yet the duo’s chemistry feels real enough to believe that all of these hooks — hey, they just happened.

17. ‘I’m the One’ (peaked at No. 1 in May 2017)

Bieber’s first Khaled collab has a merry bounce that softens the braggadocio from him, Quavo, Chance the Rapper and Lil Wayne, whose verse opens pricelessly like so: “Looking for the one?/ Well, b—, you looking at the one.” Fun chart fact per Billboard: The week after “I’m the One” bowed atop the Hot 100, Bieber became the first artist ever to score new No. 1s back to back when his remix of “Despacito” replaced “I’m the One.”

16. ‘Boyfriend’ (peaked at No. 2 in April 2012)

A decade after Justin Timberlake stepped out from NSYNC, JB blatantly ripped JT’s “Like I Love You” for this heavy-breathing flirtation. “Baby, take a chance or you’ll never, ever know/ I got money in my hands that I’d really like to blow,” Bieber pants over a spacey, Neptunes-style beat. (Later, he suggests fondue.) In an ironic twist, given the song’s all-grown-up-at-18 energy, “Boyfriend” was blocked from No. 1 by “We Are Young” from Jack Antonoff’s old band, Fun.

15. ‘Ghost’ (peaked at No. 5 in April 2022)

A hurtling lost-love lament that doubles as a farewell to a departed grandparent (as in the song’s music video, which stars the late Diane Keaton).

14. ‘Let Me Love You’ (peaked at No. 4 in Oct. 2016)

In the final Top 10 hit of Bieber’s EDM era, a pleading tenderness in the singer’s vocals cuts appealingly against DJ Snake’s strobing Sahara Tent beat.

13. ‘Baby’ (peaked at No. 5 in Feb. 2010)

New puppy, old love.

12. ‘Yummy’ (peaked at No. 2 in Jan. 2020)

“Hop in the Lambo, I’m on my way/ Drew House slippers on with a smile on my face,” Bieber sings — not the last time he’d plug one of his or his wife’s brands in a lyric. A country remix with Florida Georgia Line adds shout-outs to Waffle House and Chick-fil-A.

11. ‘What Do You Mean?’ (peaked at No. 1 in Sept. 2015)

The path to Bieber’s first No. 1 on the Hot 100 was cleared by a better, more interesting song that reframed him as a dreamboat experimentalist. (More on that one in a minute.) But if “What Do You Mean?” deploys a more conventional tropical-house production, it’s still built around one of the singer’s loveliest vocals. And the fake pan flute still hits.

10. ‘Despacito’ (peaked at No. 1 in May 2017)

Luis Fonsi and Daddy Yankee’s pop-reggaeton seduction had already found an enormous audience among Latin music fans when Bieber jumped on a remix after hearing the song in a Colombian nightclub. Yet the star’s presence — in a Spanish-language chorus whose lyrics Bieber learned phonetically over the course of a four-hour recording session — turned “Despacito” into a global juggernaut. In the U.S., the song became the first Spanish-language chart-topper since “Macarena” two decades earlier; it also became something of a protest tune amid the anti-immigrant rhetoric of President Trump’s first term in office. Said Scooter Braun, Bieber’s then-manager, in a 2017 interview with The Times: “A song in Spanish is all over pop radio in an America where young Latino Americans should feel proud of themselves and their families’ native tongue.”

9. ‘Essence’ (peaked at No. 9 in Oct. 2021)

Like “Despacito,” this slinky Afrobeats track was a hit before Bieber got involved. (Among its fans: President Obama, who put it on his best of 2020 list.) What distinguishes the version with Bieber is how gently he slides between the Nigerian singers Wizkid and Tems, who both joined him for a rendition of “Essence” at Coachella.

8. ‘Stay’ (peaked at No. 1 in August 2021)

At a mere 2 minutes and 22 seconds, this breakneck electro-pop duet with Australia’s the Kid Laroi (who also put in a cameo at Coachella) is the shortest of Bieber’s 27 Top 10 singles. Yet with 63 weeks on the Hot 100, it’s also his longest-lived chart hit — and his most-streamed song on Spotify.

7. ‘Intentions’ (peaked at No. 5 in June 2020)

“Stay in the kitchen cooking up, got your own bread/ Heart full of equity, you’re an asset.”

6. ‘Beauty and a Beat’ (peaked at No. 5 in Jan. 2013)

The most fondly remembered of Bieber’s teen-idol hits anticipates the EDM makeover to come even as it stays rooted in his squeaky-clean persona: “We’re gonna party like it’s 3012 tonight” is truly something only a kid would say. Seven months after “Beauty and a Beat” peaked on the Hot 100, Bieber was infamously caught on video urinating in a mop bucket in a New York City restaurant kitchen; this song would be his last Top 10 single for more than two years.

5. ‘Peaches’ (peaked at No. 1 in April 2021)

A sumptuous R&B jam about procuring one’s peaches from Georgia and one’s weed from California, this three-way joint with Daniel Caesar and Giveon was nominated for record and song of the year at the 2022 Grammys. (It lost both prizes to another sumptuous R&B jam in Silk Sonic’s “Leave the Door Open.”) Extra props here for the vivid contrast among the singers’ voices and for the Kool & the Gang-ish synth solo at the end.

4. ‘Love Yourself’ (peaked at No. 1 in Feb. 2016)

A sick burn delivered oh so sweetly.

3. ‘Where Are Ü Now’ (peaked at No. 8 in July 2015)

Behold the dreamboat experimentalist. In search of a fresh sound after Bucketgate, Bieber found it with Skrillex and Diplo, veteran dance-music producers who took a morose piano ballad that Bieber and his frequent accomplice Poo Bear had demoed and turned it into a glimmering boudoir-rave fantasia. “I was like, ‘Diplo, Skrillex — I don’t really know if that’s, like, where I wanna go,’” Bieber later told the New York Times. “They did it, I was like, ‘Oh my gosh, this is blowing my mind.’”

2. ‘Daisies’ (peaked at No. 2 in July 2025)

Is putting a nine-month-old song at No. 2 on this list an act of recency bias? Maybe. But what a song! Against a bracingly lo-fi guitar lick played by his pal Mk.gee, Bieber sings with beautifully understated soul about coming into an emotional maturity he admits he avoided for too long.

1. ‘Sorry’ (peaked at No. 1 in Jan. 2016)

A plea, a flex, a come-on — this delirious pop masterpiece contains multitudes. “Is it too late now to say sorry?” Bieber asks, and the trick of a song born from a branding problem is that it summons the sensation of endless ascent.

Jeremy Clarkson’s choir has reportedly landed a starring role on his new series after wowing with their Britain’s Got Talent audition that sent them straight to the semi-finals

Jeremy Clarkson’s choir has landed a starring role on his new series after wowing with their Britain’s Got Talent audition. The former Top Gear presenter, 66, has documented the ups and downs of Diddly Squat in the Cotswolds on his Amazon Prime series Clarkson’s Farm since 2021, with a fifth batch of episodes expected to be released later this year.

Just weeks ago, Hawkstone Farmers’ Choir auditioned for the ITV reality competition and managed to win Amanda Holden’s Golden Buzzer, sending them straight through to the semi-finals after wowing with a rendition of Elbow classic One Day Like This. Just prior to belting out the famous track, member Katrina explained to the judges that Jeremy himself had set the choir up, having been sponsored by the Hawkstone Brewery that the TV star co-owns in the Cotswolds.

With the live semi-finals of Britain’s Got Talent just weeks away, insiders have revealed that the group of more than 30 farmers, will also enjoy another television stint with a role on the next series of Clarkson’s Farm.

READ MORE: Jeremy Clarkson’s Diddly Squat Farm teams up with iconic British homeware brand for a second timeREAD MORE: Jeremy Clarkson shows off birthday cake given to him by David Beckham

A source said: “Filming for series five is well and truly under way and the finished show is likely to air next year. Fans will, however, be able to see series four in a matter of weeks, though according to Jeremy it’s a rather darker season than we’ve been used to.”

Speaking to The Sun, the source added: “Hawkstone Farmers’ ChoirBut the appearance of the Hawkstone Farmers’ Choir in the following outing is going to make it more uplifting. They’re going to have to get used to being even more famous though.”

Just after their success on BGT was aired in March, Jeremy took to social media to congratulate them. He said: “I watched Britain’s Got Talent tonight for the first time because the Hawkstone Choir were on and they were just fantastic.

“These guys are all farmers and they work incredibly hard for really incredibly small rewards, and to see them all on that stage with all that love in the room made my heart sing – I actually welled up.”

While visibly holding back tears he went on to thank Amanda Holden for pressing the Golden Buzzer. He added: “It shows that people quite like farmers. They were very very good, well done all of you. I’m a very happy man tonight.”

The short video attracted comments from fellow BGT viewers, one wrote: “I was crying like a baby, the sentiment, the emotion, they’re sensational. They Will Win.” Another wrote: “Truly awesome really heartfelt.”

Speaking about getting the Golden Buzzer, Katryna Shell from Northumberland said: “The choir has turned into something so much more than singing…

“We have come together as a community, something I didn’t even anticipate. The choir is filled with all sorts of people with varying ages, singing experience, parts of the country, but we all have farming linking us together – it’s like nothing I’ve ever experienced before.”

Hugh Thomas, from Pembrokeshire said: “I had to pinch myself – this was really happening to an old boy from Pembrokeshire! Performing on National TV wasn’t something I ever envisaged… More importantly it will shine a light on agriculture, farming and the rural economy.”

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Commenters who never have been — and never will go — complain about the cost, the influencers, the hype. Purists wax poetic about the days when they disappeared into three days of music and the field wasn’t overtaken by brands like Barbie and e.l.f. cosmetics. Defenders claim they can camp their way to an affordable weekend, and others spend the whole time posting. A select few even talk about great performances they saw — it’s still a music festival.

But one thing everybody can agree on: Coachella has changed. I should know. I’ve been covering it as a journalist since 2007.

Rapid advancements in technology and mass adoption of social media have brought out the best and worst of the festival — not just on screens thousands of miles away, but to those of us trying not to trip over the makeshift photoshoot you might have seen on Instagram.

Coachella pre-2010 was a purist’s paradise

Some of Coachella’s most iconic moments happened before smartphones: The Flaming Lips in a human hamster ball in 2004; Daft Punk’s 2006 pyramid set; Rage Against the Machine reuniting and calling for the George W. Bush administration to be tried for war crimes in 2007. If you even had a cellphone when Coachella started in 1999 it was probably a Nokia brick or a flip phone with an antenna that had limited talk and text options.

In the early years, there were no brand activations on the field; nobody knew what an influencer was and the only corporate sign you saw was for Heineken in the beer gardens. (There was no Heineken House with its own stage, just signs advertising the beer.)

The grounds were also considerably smaller, making it easier to explore the different stages and discover new music. You didn’t have fancy food options, but a slice of Spicy Pie was less than $10. (Coachella upgraded its food options from festival staples to weekend outposts of L.A. restaurants in 2014.)

The music was the draw. The festival’s track record includes artists like the Killers, the Black Keys, Childish Gambino and Kendrick Lamar climbing up from small type to headliner on the lineup poster.

Livestreams and influencers made Coachella’s reach global

The vibes started to shift in 2010 as smartphones grew in popularity, although the service on the field was spotty. It was the first year Coachella offered a livestream — available via Facebook and MySpace. The next year, the stream moved to YouTube, where it remains and draws millions of viewers.

As Coachella expanded to twin weekends due to popular demand on the ground in 2012, it also had the first viral moment fans could enjoy from thousands of miles away: Dr. Dre and Snoop Dogg brought 2Pac back to life via a hologram.

Celebrities were always at Coachella (I spotted Ryan Seacrest, Corbin Bernsen, David Hasselhoff and Danny DeVito in my early years), but the rise of social media made celebrity culture a key part of the event. By 2011, TMZ was posting about stars like Lindsay Lohan. Clips from Coachella went viral and ended up on shows like “Tosh.0” and referenced in “Community.”

The art, which was always part of the festival, became bigger and more iconic. On the growing photo app Instagram, larger-than-life sculptures of astronauts started appearing in selfies.

Brands saw an opportunity. American Express, H&M and Samsung launched activations on-site in 2015. The party scene outside the festival, with non-affiliated events that were timed because everyone was in town for Coachella, became marketing vehicles. Brands are still cashing in more than a decade later.

The next watershed moment was Beyoncé in 2018. Today, most headlining sets at the fest feel as if they are designed for the viewing experience on the livestream rather than the fans on the field (ahem, Justin Bieber and his laptop). But Beyoncé’s spectacle was just as mind-blowing on-site as it was at home. A year later, the “Homecoming” special debuted on Netflix, widening the reach.

Coachella became a key part of the pop culture landscape, and then it became a cornerstone of the influencer economy.

Behind all the hype, there’s still a music festival hiding

I inadvertently photobombed approximately 500 people just trying to go to and from the press tent last weekend and my inbox is overflowing with requests for coverage of off-site events with brands, celebs and TikTok influencers, including social media clips.

But at the end of the day, Coachella is still a music festival, and a really good one at that. The Strokes, David Byrne, Jack White, Iggy Pop, Turnstile, Wet Leg, Fujii Kaze and even Less Than Jake in the Heineken House were some of the best performances I had seen in years.

Coachella is what you make of it. And besides, everyone knows there are fewer influencers on Weekend 2.

Today’s top stories

A health worker administers a measles test on Fernando Tarin, of Seagraves, Texas, at a mobile testing site outside Seminole Hospital District on Feb. 21, 2025.

(Julio Cortez / Associated Press)

Increasing measles cases in California

• California in 2026 has already seen its highest number of annual measles cases in seven years amid an ongoing resurgence of a disease once considered effectively eradicated in the U.S.
• The re-emergence comes as vaccination rates have tumbled nationwide in recent years.

Testing LAX’s long-awaited train

• LAX’s 2.25-mile electric train system will begin running without passengers next week as testing advances following a series of delays.
• The Automated People Mover system began construction in 2019 and was initially slated to open to the public in 2023.

Nationwide recall of a popular anxiety drug

• Specific bottles of Xanax, one of the most widely prescribed medications to treat anxiety and panic disorders, has been recalled due to its failure to dissolve at a standard rate.
• FDA officials are not warning against consuming the product at this time.

What else is going on

Commentary and opinions

This morning’s must-read

Another must-read

For your downtime

Reporter Deborah Vankin gets a massage by an “Aescape” robot at Pause Wellness Studio.

(Christina House / Los Angeles Times)

Going out

Staying in

A question for you: Are you planning on leaving California for another state? If so, tell us why.

Laura says, “I left California during the pandemic. Part of the push factor for me was politics, but not blue politics. I had been living in OC since 2018 and was surprised it was so Conservative (and conservative). That became a bigger source of discomfort for me as the vaccine question demonstrated how our neighbors’ decisions can impact us directly. Rather than moving elsewhere in California, which would have sorted out the political discomfort nicely, I moved to a much more affordable state where I had family.”

Email us at essentialcalifornia@latimes.com, and your response might appear in the newsletter this week.

And finally … from our archives

Kendrick Lamar performs at Coachella Music & Arts Festival at the Empire Polo Club on April 16, 2017.

(Amy Harris / Invision / AP)

On April 16, 2018, Compton’s own Kendrick Lamar became the first hip-hop artist to win the Pulitzer Prize for music.

He won for his album “Damn.,” which the Times’ Mikael Wood heralded as Lamar’s graduation to pop superstardom.

Have a great day, from the Essential California team

Jim Rainey, staff reporter
Hugo Martín, assistant editor, fast break desk
Kevinisha Walker, multiplatform editor
Andrew Campa, weekend writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to essentialcalifornia@latimes.com. Check our top stories, topics and the latest articles on latimes.com.

Avid Technology, the editing software company, is the latest entertainment industry player to introduce AI into its toolbox.

The company behind industry-standard platforms Pro Tools and Media Composer said it is entering a multiyear partnership with Google Cloud.

The goal is to implement both generative and agentic AI so that users can turn the “mostly manual process into an intelligent, AI-assisted experience,” Avid said in a statement Thursday morning.

“The primary bottleneck in Hollywood is manual labor [in editing] and managing thousands of hours of high-risk footage,” Avid Chief Executive Wellford Dillard told The Times. “This isn’t us just adding a new tool. It’s going from static files sitting on hard drives, to living data that understands its context.”

Google’s Gemini models and Vertex AI will be embedded directly into Avid’s processes, offering customers a chance to accelerate their editing time. Avid’s Media Composer, the editing system used on most professional film and TV productions, will now include a Gemini extension that could enhance metadata and generate B-Roll.

The company said that, overall, using AI on its platforms enables systems to understand the context of every file — allowing users to describe what they need based on visual movements, on-screen dialogue and emotional cues.

Dillard said that when someone uses Media Composer for editing, it can often be frustrating to click in and out of the application in search of the right shot buried within hours of footage. Now, he said, clients can describe the shot to AI, which could find it faster.

Anil Jain, global managing director at Google Cloud, said that these tools can do both simple functions like tweaking a scene’s background, or achieve more complex tasks, like creating promotional material.

“Most storytellers don’t get excited about putting together a promo, but if they could leverage AI to help do it a lot faster, then it becomes more interesting, gets it done and opens up the possibility of more creative time,” Jain said.

Avid, founded in 1987, is based in Burlington, Mass., and has since established itself as a pioneer in digital audio and video editing software. The company said its software was used to edit 87% of this year’s Oscar-winning productions, including the movies “K-Pop Demon Hunters” and “One Battle After Another.”

Avid is one of the many media companies that has recently incorporated AI into its services. In March, Netflix acquired Ben Affleck’s AI filmmaking company, Interpositive. Disney invested $1 billion into OpenAI’s now shuttered Sora platform. Even in the music industry, the “Big Three” labels have inked individual deals with AI startups like Udio, Klay and Suno — after suing a few of the same companies for copyright infringement.

Ramesh Srinivasan, a professor of information studies at UCLA, said these kinds of deals are the “new normal” and that “almost every single industry is being sort of eaten up by the Pac-Man of AI.”

But he said he’s not sure that this kind of AI will only be used for mechanical tasks.

“Editing is a task that involves creativity and human artisanship. An editor is not just someone who mechanically reproduces a number of steps. They have a sense of storytelling in mind,” said Srinivasan. “In terms of AI-created content, the initial research is showing that it is flattening creativity. It’s putting out the dominant patterns that it can copy, rather than reflect, the specific diverse and creative ways we can write, or edit.”

To Dillard, Avid’s CEO, incorporating AI is a way to ensure that creators can make enough content to keep up with audiences’ increasing demands.

“The demand for content is almost insatiable, and dollars are limited. This work can help compress those production timelines [and make] more content,” Dillard said. “Our hope is that we’re actually enabling the world, within the same budget constraints that the studios have today. You’re producing more content, and you are also opening the doors for smaller production houses to be able to produce more content competitively.”

Netflix fans have been raving about a lesser-known comedy crime show starring, as they beg for a second series of the ‘cosy’ White House murder mystery to be made

Netflix fans have praised one lesser-known comedy crime programme available on the streaming service, left desperate for more as they plead for a second series to be commissioned.

With an enormous number of TV programmes and films accessible on streaming platforms, it can be overwhelming to settle on what to watch. As a result, many people frequently turn to recommendations from friends, family, or even strangers online to determine their next viewing choice. This was precisely the situation for one Reddit user, who headed to the Netflix forum seeking a suggestion for their next watch, but stipulated it had to be a bingeable programme with only one series.

“Best Series on Netflix (Only One Season) Like a Must Watch Binging Series,” they wrote in the headline of the post.

They continued: “Please drop the best one season series down below. I mean like I’d want to watch it all in one sitting because of how good it is. Like suspenseful, action, cliff-hangers. Maybe a really sad part where I get very attached to the characters! Anything!!”

Fellow Netflix enthusiasts promptly descended on the comments section to share their top picks across a variety of genres. However, one programme stood out from the crowd, as fans lauded its characters and overall storyline.

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“Really liked the comedy The Residence,” one person shared. To this, someone else added: “So pi**ed they aren’t doing more. It was gold!

“Such a fun show,” another person said, while another wrote: “I freaking LOVED this one. So much. Great rec.”

The Residence is an American mystery comedy drama TV series exclusive to Netflix. The debut and only series launched in 2025, and centres on an eccentric detective named Cordelia Cupp as she attempts to solve a murder that took place in the White House during a state dinner for the Australian Prime Minister.

As the investigation unfolds, interpersonal tensions amongst the residence’s staff come to light, with both personnel and dinner guests emerging as potential suspects.

The programme has earned an impressive 84% score on Rotten Tomatoes, alongside a rating of 7.7 out of 10 on IMDb. Viewers frequently rave about the endearing central character and the captivating storyline.

“A fantastic “cosy”-style mystery: light, wickedly clever, and keeps you guessing to the very hand,” one viewer wrote in their IMDb review.

They went on to say: “Uzo Aduba as Cordelia Cup is a great lead. The supporting cast has additional strong characters as well, though some of these portrayals are less even. As much as I enjoyed the first season and wish for more, I find it hard to imagine how a second season could live-up to the first: further developing the Cup character (so that she is not just a repetition of the Cup we already know) will be hard.”

Another viewer remarked: “For those who find this series too long consider this, the plot, the mystery and all the plot twists are not nearly as important as the comedy and the wonderful performances in this fun story. It was smart without being pedantic, funny without being crude or silly, and engaging without pandering.”

KATIE Price’s husband Lee Andrews has claimed he’ll move to the UK in May AND revealed details of a second wedding.

Katie, 47, married Lee, 43, in February following a whirlwind romance, and has since revealed she won’t be moving out to Dubai to be with him.

The former glamour girl, who last week was banned from driving for the seventh time, is settling into life with husband number 4, who is based in the UAE.

Lee popped the question to the star on January 23, and the couple tied the knot in Dubai just 48 hours later.

However, Katie later revealed they actually officially wed in February.

Today Lee is promising ANOTHER wedding.

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Posting on his Instagram Stories he shared an image of him with Katie, which read: “LEE ANDREWS CONFIRMS RETURN TO UK.

“With his gorgeous wife Katie to support her family and career commitments.

“The couple are stronger than ever and will make the commitment to live together this coming May.

“Ahead of their Winter Wedding this Year.”

Lee also posted a video of himself, where he gave fans an update on his relationship with Katie, and said: ” Life is good with us at the moment.

“We’ve got a lot going on and, uh, yes, we are making a good go of it in England.

“And then we’re also going to be sort of 50 50 in Dubai, which is our problem.

“It’s not really a problem.”

Lee’s revelation about coming to the UK comes after it was previously alleged that he is unable to leave Dubai after allegedly forging his ex-girlfriend Dina Taji’s signature to secure a £200,000 loan. He vehemently denies this.

The self-proclaimed businessman’s latest reveal also comes a week after Katie revealed she has no plans to move out to Dubai.

“I don’t know why people think I’m moving to Dubai,” Katie said in her recent YouTube vlog, which has since been removed but seen by The Sun.

“My family’s here. The husband is there, but the husband can come here and I can go to Dubai when I can.”

She added: “It’s a lot of hoo-ha.”

Also last week, Katie revealed she also had no current plans to go back out to Dubai anytime soon.

The TV star recently returned back to Britain, after an extended break out in Dubai to spend time with Lee.

Speaking in her YouTube vlog, Katie said: “I love that I’m back [in the UK].

“I’m not going to go to Dubai now for a bit. I’ve done my bit in Dubai and with everything going on there, it’s all quiet and I‘ve got things to do back here as well.

“I still want to sort the house out, work, even though I can work there, I just like being home, everything is here.

“Where I’ve been in Dubai, it hasn’t even been sunny, it’s been raining.”

Revealing her husband’s plans to visit her over here, she said: “But hopefully Lee will be flying to the UK soon.

“When he can, he’ll come over and just do normal stuff here.”

Meanwhile, Lee also told The Sun last month that he bought a £36million mansion for him and Katie, saying he paid in cash for their marital home.

Katie Price’s relationship history

We take a look back at the highs and lows of Katie Price’s relationship history.

1996-1998: Katie got engaged to Gladiators star Warren Furman – aka Ace – with a £3,000 ring. But their relationship didn’t make it as far as ‘I do’.

1998-2000: Katie described Dane Bowers as ‘the love of her life’ but she broke up with the singer after he allegedly cheated on her.

2001: Footballer Dwight Yorke is the father of Katie’s eldest child Harvey. He has had very little to do with his son throughout his life.

2002: Rebounding from Dwight, Katie famously had one night of passion with Pop Idol star Gareth Gates, allegedly taking his virginity.

2002-2004: Katie was dating Scott Sullivan when she entered the jungle for I’m A Celebrity…Get Me Out Of Here!. He threatened to “punch Peter’s lights out” when chemistry blossomed between her and Peter Andre.

2004-2009: The jungle romance resulted in Katie marrying Aussie pop star Peter. They had two kids, Junior and Princess, before their bitter split in 2009.

2010-2011: Fresh from her break-up with Peter, Katie enjoyed a whirlwind relationship and marriage with cage fighter Alex Reid. They split 20 months after their Las Vegas wedding.

2011: Katie briefly dated model Danny Cipriani… but it ended as quickly as it begun.

2011-2012: They didn’t speak the same language, but Katie got engaged to Argentinian model Leandro Penna in 2011. He later fled home to South America.

2012-2018: Wedding bells rang once more after Katie met Kieran Hayler in 2013. They eventually called it quits after a rocky marriage.

2018-2019: Katie moved on quickly with Kris Boyson. They had an on-off romance for one year and even got engaged. They split for good in 2019.

2019: Katie was linked to Charles Drury during her on-off relationship with Kris. Charles, who also dated Lauren Goodger, has always denied being in “official relationship” with her.

2020-2023: Car salesman Carl Woods took a shine to Katie in 2020. Their relationship was up and down for three years. They broke up for a final time last year.

2024-2026: After weeks of rumours, Katie confirmed her relationship with Married At First Sight star JJ Slater in February 2024. The pair split in January 2026 after two years together.

2026: Katie shocked fans when she revealed she had married Dubai-based businessman Lee Andrews after a 48-hour engagement and only knowing him a week.

JODIE Marsh has been charged with assault after allegedly confronting her neighbour in a row over her animals.

The ex-glamour model, 47, said she “lost it” and “put her hands on his neck” after he carried out what she called a “campaign of harassment”.

Marsh claims the neighbour filmed her animals and doctored clips to make them look “skeletal” after trespassing on her land.

Describing the clash, she said: “I put my hand on his neck because I leaned in to whisper to him.

“I can’t even remember what I said because I was so upset. It lasted around 30 seconds.

“I’m scared to sleep in my own house. I’m scared to go out.”

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The former lads’ mag star turned her back on fame to run Fripps Farm rescue centre in Lindsell, Essex.

Marsh is due to appear at Chelmsford Magistrates’ Court tomorrow.

She is charged with common assault, specifically the use of “threatening / abusive / insulting words / behaviour with intent to cause fear or provoke unlawful violence”.

Common assault carries a maximum sentence of six months in prison.

But speaking to The Sun, Jodie insisted she did not hurt her neighbour, adding: “I didn’t actually injure him in any way.”

An Essex Police spokesman said: “At around 12.40pm on Friday 16 January officers were called to an address in Lindsell to reports of a woman behaving aggressively towards a man and assaulting him.

“It was further reported that verbal threats were made.

“As a result of further enquiries, charges of common assault and using threatening / abusive / insulting words or behaviour have since been authorised against Jodie Marsh, 47, of Lindsell.

“She is due to appear at Chelmsford Magistrates’ Court on Friday 17 April.”

Fripps Farm is currently home to over 250 animals including alpacas, emus and reptiles, many of which have been saved from slaughter.

The reality star’s website reads: “Jodie gives a loving home to animals that are either unwanted or in danger of being put to sleep or slaughtered.”

It comes after a fire on her farm killed two of her beloved marmosets.

Fripps Farm hasn’t been without its controversies amid neighbour rows and court battles.

Marsh was left in tears of joy after winning a court battle to keep lemurs at the sanctuary.

She had appealed against a council’s decision to refuse her application for a wild animal licence.

Concerns had been raised about her taking a meerkat to the pub.

She said trolls were behind much of the criticism.

At a previous hearing, clips of screeching zoo lemurs were played to Chelmsford Magistrates’ Court.

But Judge Christopher Williams dismissed the council’s argument about the animals’ noise.

SHAKIRA has been slammed by fans for her ice cold reaction after one of her cameramen fell over in front of her during a live performance.

A video of the awkward moment is currently circulating on X, with the Colombian pop star, 49, seen stepping around the fallen production member on the ground.

In the clip, the cameraman is filming Shakira as she makes her way through a walkway between the crowd, but trips over equipment during the moment.

Shakira side steps around the cameraman, who is on the floor, to continue her journey to the stage and move on with her performance.

Sharing the clip to X, one user wrote: “The camera operator filming Shakira falls, and she doesn’t make the slightest attempt to help him.”

Another said: “Lack of empathy, period. Bet if it were her who trips, they’d pause the show for a few minutes, right? …

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“Anyway, it’s the world we live in today, nothing to be done.”

While some branded the move cold, others defended Shakira, noting that the show follows strict timings, and others were there to help him.

One fan said: “The show timings are timed, if she stopped to help the cameraman she probably would have ruined part of the choreography.”

Another agreed: “There are more people there who can help him. She runs off because if she wasn’t on stage on time, it delays the show.

“It’s a live show.”

The circulating moment comes just a few months after Shakira suffered a nasty fall herself on stage.

During a performance in San Salvador in February, Shakira was singing her hit song Si Te Vas when her right ankle suddenly twisted.

She then completely toppled to her side, falling onto her elbow as she brought her microphone stand down with her.

During the moment, Shakira stopped singing as gasps could be heard amongst the audience.

But ever the professional, she quickly got herself back up and managed to continue the song – with the star’s band continuing as her guitarist cheered her on.

The star is currently on her massive Las Mujeres Ya No Lloran World Tour, which translates to “Women No Longer Cry”.

Her next performance will take place on May 2, when Shakira will perform in Rio De Janeiro, before she heads to the USA.

BBC Sort Your Life Out fans were left heartbroken this week when one beloved show came to an end for another series.

Sort Your Life Out’s latest series came to an end this week but now one of the stars has issued a show update.

BBC fans have been watching Stacey Solomon and her team of experts helping families across the country declutter their homes since 2021.

Putting all of their belongings into a warehouse, Stacey and organising expert Dilly Carter then assist the families in deciding whether they want to keep, sell or donate each item that was once in their home.

Over the years, there’s been tears, laughter and heartwarming stories as each family has a touching tale on why they need the team’s help.

This week (April 14), fans tuned in for the sixth episode of the BBC show with the Mann-Monro family.

However, the instalment marked the last episode in the series, with Dilly Carter issuing an update on Sort Your Life Out’s future. Taking to Instagram, she shared a photo of the team together, writing: “AND THAT’S A WRAP. Series 6 of @sortyourlifeout is over and out.

“A hugely emotional last episode going out with a bang. This series has been unbelievable and we are so grateful to every family who has taken part and opened up their homes to us and let us in.

“This show relies on YOU. And we are so beyond grateful we get to help transform such amazing families’ lives forever.”

She then went on to praise the team on the show behind the scenes who work ‘tirelessly’ to ensure everything runs smoothly.

Wrapping up her caption, Dilly confirmed Sort Your Life Out will be back once again in the future. She continued: “But for now, it’s time to start getting ready for the next series. Will we be coming to your road? Keep an eye out.

“Thank you all from the bottom of our hearts, and to my gang, my TV family, I love you all and can’t wait to see you in 2 weeks.”

It wasn’t long before people commented on the post, with many praising the series so far. One person said: “Great show, can’t wait for the next series.”

Another added: “Miss you all until next time.” Someone else commented: “So sad it’s finished, best telly ever xxx”

One fan wrote: “Love the programme and love the team!! Please come back soon.” As another shared: “What an amazing series, absolutely loved it – emotional but so uplifting.”

Sort Your Life Out is available to watch on BBC iPlayer.

NEW YORK — Beverly Hills-based Live Nation and its Ticketmaster subsidiary faced a bruising courtroom loss Wednesday after a federal jury found that the company operated a monopoly over concert venues.

The verdict by a Manhattan, N.Y., jury came after a five-week trial and caps a closely watched case that could have far reaching effects across the music industry, potentially leading to the breakup of the companies.

Ticketmaster is the world’s largest ticket seller for live events, while Live Nation is a dominant force in the concert business.

The civil case began when the federal government alleged that Live Nation used its clout to engage in a variety of anticompetitive practices, including preventing venues from using multiple ticket sellers.

“It is time to hold them accountable,” Jeffrey Kessler, an attorney for the states, said in a closing argument. He called Live Nation a “monopolistic bully” that drove up prices for ticket buyers.

Jurors agreed. They found that Ticketmaster had overcharged consumers by $1.72 for each ticket. The judge will assess damages later.

Live Nation, which owns and operates hundreds of venues, countered that it did not violate U.S. antitrust laws, arguing that artists, sports teams and venues decide prices and ticketing practices.

“Success is not against the antitrust laws in the United States,” Live Nation attorney David Marriott said in his summation.

Live Nation said in a statement that the “jury’s verdict is not the last word on this matter,” noting the court had yet to rule on a motion it had filed to challenge its liability in the case.

The trial revealed some embarrassing internal communications, including emails from a Live Nation executive who called customers “so stupid” and said the company was “robbing them blind, baby.” The executive, Benjamin Baker, testified that the messages were “very immature and unacceptable.”

The original lawsuit, led by a cadre of interested parties including the federal government, 39 states and the District of Columbia, dates to 2024. It alleged that Live Nation and Ticketmaster monopolized various aspects of the live music industry, such as concert promotion, venue operations, artist management and ticketing services.

Live Nation manages more than 400 artists and controls more than 265 venues in North America, while Ticketmaster simultaneously controls around 80% of the primary ticket marketplace and also is increasing its involvement in the resale market, according to the lawsuit.

Last month, Live Nation secured an unexpected tentative settlement with the Department of Justice in which the company agreed to several structural changes to its business, including adjustments to ticketing deals with venues, capping service fees and paying a $280-million fine.

However, more than 30 states, including California, decided to proceed with the trial. California Atty. Gen. Rob Bonta praised these state-led efforts to protect consumers, even amid dwindling antitrust enforcement from the Trump administration, he said in a statement.

“This is a historic and resounding victory for artists, fans, and the venues that support them,” Bonta said. “We are incredibly proud of today’s outcome … this verdict shows just how far states can go to protect our residents from big corporations that are using their power to illegally raise prices and rip-off Americans.”

Though a verdict has been reached, remedies for how Live Nation will be held accountable for its actions are still being decided by the judge.

One possibility is that the companies could be split up, an outcome favored by critics.

National Independent Venue Assn. Executive Director Stephen Parker said Ticketmaster and Live Nation need to be separate for the industry to see change.

“Live Nation and Ticketmaster must be broken up now. Ticketmaster should not be permitted to participate in the ticket resale market. Live Nation should not be able to promote more than 50% of artists’ tours,” Parker said in a statement. “And the damages paid to the states should be remitted to the independent venues, promoters, festivals, and fans that have suffered under Live Nation’s monopolistic reign over the last 15 years.”

Serona Elton, attorney and interim vice dean at the University of Miami’s Frost School of Music, said that the separation of Live Nation and Ticket master seems to be “on the table,” but she said it’s too early to assess the verdict’s fallout on the music industry.

Elton said fans might notice small changes in pricing, but there are factors other than Live Nation that are contributing to high ticket prices, such as the secondary ticket market as well as supply and demand challenges.

The verdict, Elton said, “sends a message of support to music companies and professionals working in the live space who have felt like they have suffered financial consequences because of Live Nation’s behavior.”

The ruling is a small but necessary step toward achieving a balanced and competitive ticketing industry, said Hal Singer, a managing director of economic consulting firm Econ One, who specializes in antitrust and consumer protection issues.

Forcing a Ticketmaster sale probably is the only remedy that will bring real change, Singer said.

“We’re not out of the woods quite yet,” Singer said. “We’ve kind of tilted the probability.… It could change the competitive balance. But that requires that a meaningful remedy follows the liability. You need both.”

Fans and some artists have long groused about Ticketmaster, which was founded in 1976 and merged with Live Nation in 2010.

Dustin Brighton, director of government relations for the Coalition for Ticket Fairness, agreed that although the verdict is a landmark moment for fans, “it’s not the end of the road.”

“As the court considers remedies, the focus must be on restoring competition, increasing transparency, and ensuring fans have real choice,” Brighton said in a statement.

Times staff writer August Brown and the Associated Press contributed to this report.

AFTER becoming the first Love Island star to make Forbes’ 30 Under 30 list, savvy Molly-Mae Hague has a nifty plan to ‘Fury-proof’ her finances.

With a staggering £22million in the bank and a second baby with boxer fiancé Tommy on the way, there are whispers that a watertight pre-nup featuring a “loyalty clause” is in the works.

Molly, 26, took the shamed boxer back a year ago after cheating allegations against him led to their shock split in 2024.

And while her £600,000 engagement ring is back on and she is pregnant with a sibling for three-year-old Bambi, there is no sign of a wedding on the horizon.

Now sources close to the business-minded beauty say she is determined to make sure Tommy, 26, is 100 per cent dedicated to her before tying the knot.

An insider explained: “Molly has more than proved she knows a thing or two about making money and she knows full well what marriage could mean for her wealth.

“There’s been talk that she would want him to sign a contract before they commit any further, which would have a cheating clause and allow her the access to her money she feels she might need to move on.”

Molly was already a popular influencer when she appeared on Love Island in 2019 and met Tommy but her rise to super stardom and extreme wealth after the show is unprecedented.

‘Old home is back up’

She did not just land a fast fashion deal like other Islanders. She became Pretty Little Thing’s creative director, earning a reported £400,000 per month.

She also secured deals with huge companies such as L’Oreal and Fairy.

And recently she is said to have been paid more than £2million to collaborate with Adidas.

Molly would not be the first woman to demand a cheating clause.

Catherine Zeta Jones is said to have included a similar one in the pre-nup prior to her 2000 wedding to fellow actor Michael Douglas.

It was reported that if he ever cheated he would have to pay ­Catherine £1million for every year they were married.

Justin Timberlake and Jessica Biel also allegedly have a clause in their prenup that would entitle Jess to £400,000 if he cheated.

It was late in the summer of 2024 that Molly dumped Tommy, telling her followers: “Never in a million years did I think I’d ever have to write this.

“After five years of being together I never imagined our story would end, especially not this way.”

The couple had been planning to move into a £5million mansion but after Tommy was accused of kissing a blonde beauty on a lads’ holiday to Macedonia, Molly stayed put in her £4million Cheshire home and booted Tommy out.

There’s been talk that she would want him to sign a contract before they commit any further, which would have a cheating clause

Insider

But the couple were seen sharing a kiss at a New Year’s Eve party and officially reunited in May 2025.

And while they now live in their new family home, we can reveal Molly has kept hold of her first mansion, which is solely in her use.

Our insider said: “Molly has been very reluctant to sell the Cheshire home and knows it’s probably wise to keep hold of it as a back up.”

At the start of the year fans were shocked when Molly quietly announced she was expecting another baby with Tommy, and was already six months pregnant.

Pals say the star opted to have another child with Tommy because she was keen that her children all have the same father.

Another source adds: “Molly is very traditional in lots of ways and Tommy is, of course, also very old school, so they wanted to have more children together.”

A blended family was not an option for Molly, the source said.

Molly’s dream

“She wants her kids to have ­consistency like she had growing up. It’s one of the main reasons she got back with him.”

Casting doubt over their relationship, Tommy’s dad John Fury said in the family’s Netflix show, At Home With The Furys: “Molly is a lovely person, but she can’t help the life she’s been brought up in, it’s contrasting to ours.

“But she’s put up with some s*** hasn’t she, so fair play to her – she’s not a bad girl.

“I’m also going to be there to support them. Let’s see what happens.”

Tommy’s half brother and former world heavyweight boxing champion Tyson has also been critical of Molly’s career.

She wants her kids to have consistency like she had growing up. It’s one of the main reasons she got back with him.

Source

In the new series of his show he appears mocking of influencers, warning his daughter Venezuela: “If you are an influencer your private life is non-existent. Look at Tommy and Molly. If you want to make money out of doing nothing, ­basically privacy doesn’t exist.

“I’ve done a million-thousand achievements. I can write a table full of them. We’re just in an era where you can get famous for what? Getting our tits out on telly.”

But Molly, a dropout from the London College of Fashion, has come a long way since Love Island.

Forbes might have put Tyson at No3 in its ranking of the highest-paid athletes in the world, with his earnings being estimated at £120 million, but Molly is hot on his heels (wearing her sold-out Adidas shoe collection).

BRIDGERTON star Simone Ashley has stunned in a tiny Burberry bikini poolside as she revealed she’s back in the dating game after splitting from her lawyer ex.

The actress began dating high-powered entrepreneur Tim Sykes in the summer last year after they were spotted locking lips at the US Open in New York.

Just a few months later, in December it was revealed they had parted ways reportedly “wanting different things.”

Simone then unfollowed CEO Tim on Instagram.

The gorgeous star has now stripped down into a selection of very skimpy bikinis for the latest Burberry advert.

Simone, who is also a model, put on a sizzling display as she posed on a diving board, soaking up the sun.

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The 31-year-old surely set pulses raising in the incredible black ensemble, which was trimmed with the iconic Burberry check.

She looked flawless, with her black hair styled in natural waves and a subtle makeup look.

Simone’s eyes were dusted with a dark brown shadow and a simple black eyeliner.

In another snap, the star flaunted her toned physique as she gave the camera a sultry pout.

She was wearing the famous Burberry print triangle bikini as she laid at the edge of the pool.

Simone sizzled as she was spotted with water droplets rolling off her body.

Elsewhere, Netflix star Simone put on a very leggy display as she posed on a bench wearing a black bikini cover-up.

She was also seen oiled up donning a pink bikini paired with a little gingham sarong.

Following her sad split Tino, Simone picked up her life and moved to New York.

Speaking on The Louis Theroux podcast, Simone said: “I moved to New York last year. I’m having the time of my life. I love it. It’s changed my life.”

But, it seems that is not all that has changed in the stars life as she made a candid admission.

She added: “At the moment, I’m dating. The plan is always to find love and have another great year in New York.

“I feel very ready for a relationship but I think it’s about finding the right person. I don’t get into situationships because it’s just a way to keep things vague. It’s not my style and I haven’t got time for that.”

Before her brief romance with Tim, Simone dated lawyer Constantin “Tino” Klein in the summer of 2022.

They called it quits back in January 2025.

Actor Ruby Rose’s public allegations of sexual assault against pop star Katy Perry have made their way to Australian officials, days after the former raised her claims on social media.

A spokesperson for the Victoria Police in Australia confirmed in a statement to The Times on Wednesday that its Melbourne Sexual Offences and Child Abuse Investigation Team launched an investigation into a “historical sexual assault that occurred in Melbourne in 2010” but did not confirm the identities of the involved parties. The spokesperson said police were informed that the alleged assault occurred “at a licensed premises” in Melbourne’s central business district, a metropolitan hub that hosts a number of nightclubs among other cultural establishments.

“As the investigation remains ongoing, it would be inappropriate to comment further at this stage,” the spokesperson said.

Representatives for Rose and for Perry did not immediately respond Wednesday to requests for comment.

Rose, the 40-year-old Australian actor known for “Orange Is the New Black” and the CW series “Batwoman,” accused Perry, 41, of sexual assault in a series of Threads posts over the weekend. In the comments section of a Complex Music post about Perry’s reaction to Justin Bieber’s Coachella set, Rose wrote “Katy Perry sexual assaulted me at spice market nightclub in Melbourne.” In other replies, Rose said the incident occurred when she was in “my early 20s” and alleged the “Teenage Dream” and “I Kissed a Girl” singer “bent down, pulled her underwear to the side and rubbed her disgusting” genitals on the actor’s face “until my eyes snapped open and I projectile vomitted on her.”

Perry — via a representative — denied the allegations in a Monday statement shared with The Times. “The allegations being circulated on social media by Ruby Rose about Katy Perry are not only categorically false, they are dangerous reckless lies,” Perry’s rep said.

“Ms. Rose has a well-documented history of making serious public allegations on social media against various individuals, claims that have repeatedly been denied by those named,” the statement said.

Rose, amid her departure from “Batwoman” in 2021, was accused by Warner Bros. Television of spreading “revisionist history.” When she publicly raised allegations of toxic working conditions against the series’ production team, the studio responded by noting it had parted ways with the actor after “multiple complaints” involving her workplace behavior.

Perry previously faced allegations of sexual assault in 2019 when an actor who starred in her “Teenage Dream” music video accused her of verbally bullying him during the video’s production and exposing his genitals to others without his consent during a party held separately from the shoot. Shortly after those allegations surfaced, a TV host in Georgia also reportedly accused the singer of harassing her that same year at an industry party.

During the weekend, Rose posted on Threads that she went to the police station to file a report about the alleged assault, despite expressing in an earlier post she had no interest bringing her allegations to officials. In another post shared Tuesday, Rose said she had “finalized all of my reports.”

“This means I am no longer able to comment, repost, or talk publicly about any of those cases, or the individuals involved,” she wrote, adding that she “can start the healing process now.”

The acclaimed crime drama starring David Tennant and Olivia Colman won three BAFTAs and has a 94% approval rating on Rotten Tomatoes, with viewers comparing it to ‘Shakespeare writes a detective story’

One of Britain’s most beloved drama series of all time has just landed on Netflix. This gripping crime show scooped three Baftas and has been celebrated as one of the finest productions ever to grace our television screens. The iconic 2013 series Broadchurch has finally made its way to the streaming giant.

The show is a police drama which opens with the murder of 11 year old Danny Latimer, whose body is discovered at the foot of the cliffs.

The tragedy tears apart the tight-knit Dorset community, forcing DS Ellie Miller ( Olivia Colman ) to join forces with newcomer Alec Hardy ( David Tennant ) – despite him having stolen the DI role that was rightfully hers – as they attempt to crack the heartbreaking case.

What follows is a twisting tale of betrayal, suspicion and the dark underbelly of a small coastal town. Unlike conventional cop dramas, this isn’t about high-speed car chases and gun-wielding heroes sprinting through tower blocks.

Rather, it delves into the profound flaws we all harbour, the quiet moments of anguish that accompany unimaginable grief, and the perils of public opinion.

It features one of the most stunning plot twists I’ve ever encountered – and I watch an enormous amount of television. The series is truly an extraordinary experience, with performances that are nothing short of outstanding, reports the Express.

There isn’t a single weak link in the entire cast, and despite being over a decade old, it remains as compelling as ever.

And I’m far from alone in my admiration. Broadchurch boasts a remarkable 94% Rotten Tomatoes approval rating alongside an 8.3 out of 10 on IMDB.

One viewer posted on IMDB: “This is ‘Shakespeare writes a detective story’. It was beautifully done. In no way has he [writer Chris Chibnall] broken the cardinal rule of show, don’t tell.

“Nor has he made the horrible mistake of creating any perfect character. All of them, from youngest to oldest, are wonderfully imperfect human beings.”

A second remarked: “The locations are gorgeous and so atmospheric, and the series is beautifully photographed, fluid and brooding. The music is both haunting and tragic.”

A third added: “Standing out also is the writing. It’s rare to find on television recently to have a series so intelligently written and be so layered and meaty.

“While the pacing is deliberate in places, a lot happens to keep one gripped and ensure that the tension and mystery never slips.”

Spotify wants to give historic venues such as the Troubadour and the Paramount — and the independent musicians who play there — a boost.

The steaming giant on Wednesday said it is partnering with the National Independent Venue Assn. (NIVA) to promote local music nationwide, including at dozens of clubs in L.A.

In the yearlong partnership, the company said it aims to boost visibility for independent music venues through its live events feed that will feature links to music from local artists and their performances at clubs in the Los Angeles area.

As part of the initiative, NIVA will choose someone who books the acts for these indie venues to work with Spotify’s editorial team and create a playlist featuring artists.

Spotify is launching the playlist this summer to celebrate and highlight the people shaping independent live music from behind the scenes.

The Regent Theater, Gold Diggers, the Teragram Ballroom and the United Theater on Broadway will be included in the program, Spotify said in its statement.

“Independent venues are the heartbeat of live music,” said Rene Volker, Spotify’s senior director of live music. “They’re where artists take risks, build devoted communities, and where fans discover what they’ll love for the rest of their lives.”

Spotify’s history in the music industry is complex, and it has previously faced some criticism over how it compensates artists whose songs stream on its platform.

Bill Werde, the director of Syracuse’s recording and entertainment industries program, said Spotify’s support for indie musicians could help them during a difficult time.

“It costs money to market, to collect good data and to do most of the things required to break through in today’s attention economy,” Werde said in a statement. “This creates a disadvantage for smaller music companies and smaller artists, who may not have the resources of larger acts and larger venues.”