show biz

Hip Hop International, which turns 25 this year, brought some of the world’s best dance crews and choreographers to mainstream attention. Groups including Jabbawockeez and Quest Crew, and choreographers such as Parris Goebel (Lady Gaga, Rihanna, Justin Bieber) and Sienna Lalau (BTS, Blackpink, Ciara) all got their start through the group’s annual dance competition, which connected dance cultures in a pre-YouTube era through global shared artistry when breaking was a mostly underground activity.

This year’s weeklong contest concludes Saturday in Phoenix, when a new world champion will be crowned. Involving 3,000 dancers from 55 countries, the competition has grown to be among the largest in the world due to the efforts of founders Howard and Karen Schwartz, whose globetrotting history led to HHI’s current prominence in the dance world.

In the late 1980s, the Schwartzes were known as “the mother and father of aerobics.” The duo were pioneers of the aerobics craze that gripped the nation and helped create the National Aerobic Championship. ESPN followed the Schwartzes’ competitions, as did the Soviet Union, which was in the midst of the massive social, economic and cultural upheaval that culminated with the fall of the Berlin Wall in 1989.

B-Boy Vico from France was the winner of Hip Hop International’s World Battles in 2023.

(Steven Lam)

Soon after, the Soviet Union asked the Schwartzes to bring their aerobic champions to teach fitness and aerobics there, Karen said. So they did.

“We grew that,” Howard said, adding that the aerobics championship became “almost as big as what HHI is now. We were all over the world with it.”

The pair later transitioned out of aerobics but still had the desire to create communal experiences. While traveling, the Schwartzes went to Paris and saw kids breaking on the street. The seed of an idea was planted. It blossomed later on a trip to Tokyo, as they emerged from a subway.

“We were walking and we saw a group of dancers that were practicing in the streets, but utilizing a storefront window reflection where it became a mirror,” said Karen, who was struck by the creativity of the art form.

When the Schwartzes first began to establish HHI, they reached out to people who would lend credibility, including Don Campbell, creator of the street dance style Locking; Ken Swift, a longtime b-boy and member of the Rock Steady Crew; and Toni Basil, a member of the 1970s dance crew the Lockers (with Campbell) and singer of the ’80s hit “Mickey.”

Basil has since received HHI’s Icon Award and is often a judge during championship weeks and worldwide competitions. She is a stalwart ambassador of dance worldwide. The Lockers were the first group of dancers to travel outside of the “Soul Train” sphere to be seen on television as a singular act. They appeared on “The Tonight Show” and “The Carol Burnett Show,” and were among the first crews to legitimize the art form by making a living from it.

“I don’t know how Karen and Howard organize it,” Basil said of the HHI competitions, noting that so many “kids get to come to America. It’s a big deal. It’s their life. It’s incredible. And to be dancing morning, noon and night, that’s a serotonin-raising life. I mean, everybody’s high on dance.”

Basil touts the international expansion of hip-hop dance and says that “there’s no more important crew battles in the world than HHI. Period.” She also said that HHI’s penchant for group choreography in the U.S. has translated worldwide. Dancers like Goebel and Lalau have graduated from the HHI community to stand on global stages as choreographers and artistic directors with music’s biggest artists.

Goebel operates out of Auckland, New Zealand, in a dance studio she created called the Palace. Her large dance crew, the Royal Family, helped establish the mold of choreographer-dancer-musician after unprecedented success at the HHI competition.

“Definitely the Royal Family competing at HHI and winning three gold medals in a row gave us international recognition for the dance crew and in turn made the Palace well known as I had many crews coming of out my studio,” Goebel wrote in an email.

Lalau‘s classes during the competition week at the HHI championships are coveted events, and she has led numerous classes and groups for the Lab, a Los Angeles-based hip-hop dance crew and studio.

“As my career evolved, I realized HHI is about so much more than competition,” Lalau wrote in an email. “It’s a place where culture, community, and creativity come together. That mindset has stayed with me throughout my career. Whether I’m creating for an artist, building a cast, or teaching a class, I always come back to the idea that the strongest work comes from collaboration.”

In 2008 the Schwartzes’ success led to them serve as producers for the Emmy Award-winning “America’s Best Dance Crew,” an MTV dance competition series that ran for eight seasons. Success stories from the show include crews such as the Jabbawockeez, which has been a fixture in Las Vegas since its first-season win, Quest Crew, Snoop Dogg and Far East Movement.

“ABDC” shone a spotlight on background performers and treated its participants with respect. JC Chasez, a member of N*Sync who also served as a judge on the show and was a talent competition participant himself, wrote in an email that he was excited to be in the mix.

“I know a lot of shows are about the judges, but I thought ‘ABDC’ did a really good job at making sure the audience at home knew that the stars of the show were the dancers,” Chasez wrote.

Chasez, now a producer on the Broadway musical “Titanique,” also noted that “ABDC” alumni are everywhere.

“I’ve really been enjoying seeing crew members succeed … on different projects,” he said. “I was in New York for the Tonys, and some of the people in ‘Jellicle Ball,’ … had competed on ‘Dance Crew.’”

Now that it’s hit the 25-year mark, supporters believe HHI will continue to evolve along with hip-hop dance itself. Always looking forward while reaching back to keep the past alive.

Reinvention is necessary, Chasez said, because hip-hop music today no longer sounds like it did in the ’80s.

“And so as the sonics change and as the rhythms evolve, I think that’s where interpretations will continue to evolve as well because they are visualizing the rhythms that you’re hearing and telling a story in a unique way.”

Lalau said she expects the next 25 years will bring even more authentic creativity, but that she hopes “that we still prioritize the human side of dance [over tech advancements]. Hip-hop has always been rooted in community, connection and self-expression.”

“We really are so proud of a number of the things that we have been able to accomplish, because it’s made a difference,” Karen Schwartz said of herself and her husband, adding that it’s hard to stop and think about those things because they’re so busy thinking about the future.

“That’s the problem, actually,” Howard said. “We’re constantly, ‘What can we do next? What can make the experience better for everyone?’

“Our ultimate goal is of course to bring ‘ABDC’ back,” he said, “and we haven’t stopped trying.”

Until then, a new world champion will be crowned Saturday night, continuing a tradition that has become much more than a trend.

The crime series, which dropped on Netflix today, is perfect for fans of gripping police dramas like Line of Duty and The Wire.

Netflix fans are urged to tune into ‘the best cop drama’ ever which is leaving viewers ‘glued until the end’.

The ‘excellent’ series, which comes from legendary Law & Order creator Dick Wolf, quietly arrived on Netflix today.

The police show is perfect for fans of Line of Duty and Blue Lights, while it has already been called ‘as good as’ US procedurals like The Shield and The Wire.

The popular drama is also a part of a larger franchise created by Wolf, which follows the fire fighters, police officers and medical staff working in the busy heart of Chicago, USA.

Named Chicago P.D., the 2014 show is the second installment of Wolf’s Chicago franchise after Chicago Fire (2012) and has since been followed up by Chicago Med (2015).

Chicago P.D. holds an impressive 8.1/10 score on IMDb and is set to return for a 14th season later this year.

The cast is led by the charismatic Jason Beghe, who plays fan favourite character sergeant Hank Voight.

The synopsis explains that the show “follows the lives of the personnel of the fictional 21st District, which houses both uniformed officers and the department’s elite Intelligence Unit as they fight every day to keep the city of Chicago, Illinois safe”.

Other cast members include Jon Seda as Senior Detective Antonio Dawson, Sophia Bush as Detective Erin Lindsay, Jesse Lee Soffer as Senior Detective Jay Halstead, Patrick John Flueger as Officer Adam Ruzek and Marina Squerciati as Detective Kim Burgess.

Taking to the reviews section of IMDb, fans shared their thoughts on Chicago P.D.

One person wrote: “Easily the best cop drama I’ve ever seen. I love this show because it’s so smartly written. There are none of those yelling at your TV moments when the cop goes in without backup or lets his guard down at the worst moment or tries to be a hero all by himself. In this show the characters act like a real cop should.”

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Another agreed: “Of all the police shows, Chicago PD is the best show I’ve ever seen. Chicago PD captures your attention from the start and keeps you glued to the show until the end.”

A third echoed: “Excellent!! Best ever crime drama. Writing and acting are exceptional. Thank you NBC. I am totally involved…”

Another fan compared the show to other highly-rated police procedurals, commenting: “I put PD in the same category as Streets of San Francisco, Hill Street Blues, The Shield and The Wire to name a few. That is the best TV available.”

However, not everyone is a fan, with one person calling it “cheap entertainment” and another complaining: “It started off brilliant, but last few years it’s gone down hill.”

Meanwhile, some viewers took the time to praise Beghe’s performance, with one enthusing: “The best show on television to me. Jason Beghe who plays Sgt. Hank Voight is like no other. He brings the whole show together.”

Another concurred: “Best show on TV! There are many good cop shows on tv but this one never fails. It has amazing actors and always entertaining plots. Beghe is my favorite!”

Chicago P.D. is available to stream on Netflix now.

A HUGE US influencer has revealed her husband’s face “caught on fire” during a BBQ, and has left him with “second-degree burns”.

Rebecca Zamolo, 41, left her followers concerned after she shared the horror accident that left Matthew Yoakum, 46, badly injured.

The social media star shared a slew of photos which included how her husband’s face looked after it had been burned.

Posting the pics on Instagram, the mum-of-two penned: “For those who don’t know, Matt’s face caught on fire at our BBQ and it gave him ‘2nd degree superficial burns’.

“It was hours before our flight to Hawaii to celebrate his birthday so he has been healing here. (He still wanted to go).

“It was a scary incident for all of us, and a reminder how precious life is.

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“Thank you to everyone that has reached out and friends that are in the medical field and put him on a good path to heal.

“He’s extremely lucky as it could have been a lot worse, but we are taking it day by day. We love you Matt.”

Rebecca’s followers immediately rushed to share their concern, with one writing: “Omg. That is horrible. So happy he’s okay.”

While another added: “Sending love & prayers.”

A third worried fan wrote: “This is awful! Get well soon Matt!”

Rebecca is a huge influencer, with 3.3million followers on Instagram and over 30million on YouTube.

The star is known for her family orientated content, which often includes Matt and their two kids, Zadie and Xander.

Matt Tebbutt has shared his honest reaction to Ricky Gervais’ raunchy new Netflix comedy series, Alley Cats.

Saturday Kitchen star Matt Tebbutt didn’t mince his words as he called Ricky Gervais’ new Netflix show “filth”.

Matt was back for another instalment of his much-loved cooking show on Saturday (August 1) and was joined by chefs Sam Evans, Shauna Guinn and Justin Tsang, while Olly Smith shared his expertise on drinks. Actress and comedian Kerry Godliman was also in the studio kitchen, discussing her previous work and upcoming projects.

Kerry, who has worked alongside actor Ricky Gervais in shows such as Afterlife and Derek, will now be lending her voice for the brand new series of Alley Cats. Showcasing a clip of the show to those in the kitchen and fans at home, Matt was clearly impressed.

But he quickly added that, although the Netflix show is a cartoon, it is not suitable for younger audiences. Matt said bluntly: “And that is the only clip we can show, because it’s filth!”

Kerry agreed and replied: “Oh yeah, there is a lot of filth. But that is a sweet clip.”

Matt added: “Yeah, it’s not family viewing. Unless you have teenagers.”

According to The Guardian, Alley Cats centres on a group of stray cats who spend much of their time lounging on a sofa inside a run-down house, passing the time by watching television. Leading the gang is Gus, an overweight ginger tom voiced by Ricky Gervais, whose loud, cynical outbursts and dismissive views usually dominate every conversation.

Also among the feline cast is Ponce, played by Tom Basden, a well-groomed pedigree cat with a more sensible outlook. Despite often being the voice of reason, he’s frequently mocked for being neutered.

Completing the trio is Puke, voiced by David Earl, an unkempt and crude character known for his outrageous remarks and bizarre stories, including one particularly shocking anecdote involving a hedgehog.

According to reports, the show, which is set to land on Netflix, August 7th, is filled to the brim with sweary banter, which has lead creator Ricky to beg viewers to not be offended.

As reported by the Mirror, Ricky said: “It would take a very special kind of person to complain about what a fictional cartoon cat thought of something, but it will happen.

“Please don’t be offended by anything these characters say or do. They can’t help it. They’re cats. So sometimes, they’re ****s.”

Saturday Kitchen airs Saturdays from 10am on BBC One.

KELLY Osbourne’s ex-fiancé Sid Wilson has been “permanently kicked out of Slipknot”.

It comes just four months after Sid, 49, and Kelly, 41, broke up in March after he popped the question in July last year, shortly before her beloved father Ozzy died.

Today, it’s being reported that the keyboardist has been faced with more bad news, and that he is no longer a member of Slipknot according to TMZ.

A source close to the heavy metal band, who are known for performing in grotesque masks, told the outlet: “Sid was notified late Friday afternoon that he’s been permanently kicked out of the band.”

Sid shot to fame in 1999 as one of Slipknot’s nine original members.

The musician joins other OGs from the group who have also left the band in recent years including Craig Jones, 54, and Chris Fehn, 53.

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Slipknot has also been plagued by tragedy, with Joey Jordison passing away in his sleep in 2021, while Paul Gray died from a drug overdose in 2010.

Meanwhile, Sid and Kelly, who share three-year-old son Sidney, ended their romance in March.

It came not long after Kelly’s dad Ozzy sadly passed away, leaving her grief stricken.

“Kelly and Sid have decided to call off their engagement,” a source told the Mail at the time.

“Kelly has been struggling following the loss of her father.

“The grieving process has been incredibly difficult, and she’s been doing everything she can to cope.

“In truth, she and Sid have been facing challenges in their relationship for some time, and things were not as they appeared.

“They tried to make it work, particularly for the sake of their child, but ultimately decided that separating is the best path forward.”

Just seven months before their split, Kelly was left emotional as she agreed to marry Sid following a sweet proposal, at her dad’s last ever gig.

Kelly and Sid first met in 1999 at Ozzfest, a music festival founded by her parents.

They were friends for over two decades before their relationship turned romantic at the end of 2021.

Need to know

Netflix’s The Idaho Murders: College Nightmare is a true crime documentary exploring the 2022 murders of four University of Idaho students.

Everything you need to know about Bryan Kohberger and The Idaho Murders

1. Netflix viewers have branded the streaming giant’s latest true crime documentary ‘a hard watch’ as it explores the horrifying Idaho student murders.
2. The Idaho Murders: College Nightmare investigates the brutal stabbing deaths of four University of Idaho students in November 2022. Kaylee Goncalves, Madison Mogen, Xana Kernodle and her boyfriend Ethan Chapin were killed in an off-campus house in Moscow, Idaho.
3. Two roommates survived the attack by hiding in a bedroom after one heard screams and saw a man dressed in black. As one viewer commented on Reddit: ‘This show does a really good job of looking at the victims as people. It’s really heartbreaking.’
4. Bryan Christopher Kohberger, a PhD criminology student, was arrested and sentenced to four consecutive life sentences without parole in July 2025. However, he later filed a petition seeking to withdraw his guilty pleas and proceed to trial.
5. The motive behind the killings has never been disclosed and there appears to be no connection between the victims and Kohberger prior to the attack other than that he was studying at the nearby Washington State University.
6. Documentary director Skye Borgman said families wanted to show the victims as ‘alive, bright, happy, amazing people’ rather than just victims. The series focuses on remembering what was lost rather than glorifying the killer. Survivors continue to struggle with guilt, with a friend revealing: “They’re going to be dealing with this for the rest of their lives.”

READ THE FULL STORY: Idaho Murders victims, arrest and timeline as ‘heartbreaking’ Netflix doc lands

Following the news of her surprise exit, BBC Breakfast star Naga Munchetty was missing from her usual presenting slot on Saturday morning.

BBC Breakfast presenter Naga Munchetty was noticeably absent during the latest episode of the popular news show.

The 51-year-old normally co-hosts the morning programme alongside Charlie Stayt from Thursday to Saturday and appeared on the show on Friday (July 31st). But on August 1st, BBC Breakfast underwent a presenter shake-up as Naga was replaced by journalist Emma Vardy.

The BBC did not provide any updates or comments regarding Naga’s absence from the famous red sofa. But her leave comes after it was announced that Naga is set to step down from BBC Breakfast after 17 years to take on a new role as co-presenter of BBC Radio 5 Live’s breakfast programme.

Her move follows the announcement by current hosts Rachel Burden and Rick Edwards, who revealed during Tuesday’s broadcast that they will leave the breakfast show in December.

Munchetty, who has hosted Radio 5 Live’s weekday mid-morning programme since 2021, will join the station’s flagship breakfast slot alongside a new co-host, who is yet to be appointed, the BBC confirmed.

Earlier this week, Naga shared the news on her Instagram, reposting the statement from the official BBC 5 Live account and the clip of Rachel and Rick announcing their departure.

The caption read: “5 Live Breakfast hosts, Rachel Burden and Rick Edwards, announced this morning that they will step down in December.

“Naga Munchetty will become the new co-presenter of 5 Live Breakfast, taking the helm of the station’s flagship morning programme five days a week from January 2027.

“As part of the changes, Rachel Burden will move to present the weekday mid-morning programme, Monday to Wednesday 11-2pm, following 15 years on the station’s Breakfast show.”

Opening up on her new role, Naga said in a statement: “I’m thrilled to be joining 5 Live Breakfast in January. Live news, great conversations and connecting with audiences are what I love most about broadcasting, and 5 Live does all of that brilliantly.

“It has been a privilege to be part of the BBC Breakfast TV team for the past 17 years, working alongside an incredibly talented and hard-working group of journalists who are not only outstanding colleagues but also great friends.

“Presenting a flagship programme on 5 Live is an opportunity that was simply too good to pass up. It will take a huge amount of work and require 100% of my focus and energy, and I’m really looking forward to throwing myself into the role.”

The star also mentioned that she will continue to present both BBC Breakfast and Radio 5 Live from now until January.

BBC Breakfast airs Mondays-Sundays from 6am on BBC One.

The Odyssey actor said he loved the ‘creamy shredded chicken dish’ for its taste and ‘sentimental reasons’

Tom Holland’s been doing the rounds promoting Spider-Man and The Odyssey this month, and during an appearance on the podcast Dish, he shared a classic 60s dinner that holds a special place in his heart – and it could boast a number of health benefits.

Holland, who plays Telemachus in Christopher Nolan’s film, recorded the episode with hosts Nick Grimshaw and Angela Hartnett the day after England played against Mexico in the World Cup. Starring alongside his wife in the film, Zendaya, who plays Athena, he raved about a dish called Chicken Véronique.

And according to WebMD, one of its ingredients, chicken, could help with weight management and, as a result, reduce the risk of heart disease and high blood pressure. The health experts explain: “Research suggests that 25-30 grams of protein per meal can help us feel more full.

“Protein-rich meals can make us feel fuller despite us eating less, which helps to promote better weight management. Healthier weight leads to improvements in risk factors for heart problems, such as high triglyceride levels and high blood pressure.

“A food rich in protein, chicken can help with weight management and reduce the risk of heart disease.”

The health experts also note that chicken is a lean protein that provides the amino acids our bodies need to build and maintain muscle, which becomes more important as we age. A higher-protein diet can also help support bone density.

Because of this, eating chicken can help keep muscles strong and bones healthier. This can lower the risk of injuries and conditions like osteoporosis.

So the chicken in Tom Holland’s dish could actually provide some benefits to our health. But as with everything, always make sure you are having a healthy and balanced diet, as while a dish may include a healthy ingredient or two, it doesn’t always make the dish itself healthy.

‘

During the podcast, Holland’s younger brother, Sam, who is a chef, shared a pre-recorded video, explaining that their mum and Granny Tess “cooked Chicken Véronique and an apple crumble on a beach in Thailand for the cast and crew of Impossible”.

Now, 15 years later, and it’s “our favourite family meal” especially after Tom has a “long stint away” filming, Sam said, calling it a dish he loves for many “sentimental reasons.”

Tom shared the same memories, re-calling: “We were making a movie in Thailand. It was my first ever film. It was a real family.

“The crew were such lovely people, and we would always go down to this beach called Memories Beach. Cast and crew would be down there every weekend – all weekend.

“We started cooking down there, we became friends with the people that ran the beach bar, and they would let us cook. The English guys would cook one week, and then the Italians would cook the next week.

“Naomi Watts was the star of that movie. So, my granny roasted two chickens in her oven at her house in Thailand. She then drove it through the jungle to this beach, because you had to kind of go down this dirt road for about 25 minutes.

“She made Chicken Véronique. It’s like a kind of creamy shredded chicken dish, but then you peel and roast the grapes. And then you shred the potatoes. It’s absolutely delicious.

“So now if I’ve ever been away and I come home to the family house for dinner, that’s always what we always have.”

Host and chef Angela Hartness replied: “Now you’ve mentioned it’s a really old, classic French dish. And one that you’d have had in the ’60s.”

While they did not cook the classic dish during the podcast, they did cook a dish Tom called a “treat” – spicy pork and pineapple skewers with Greek salad.

Spicy pork & pineapple skewers – full recipe

Ingredients

• 500g pack British diced pork shoulder
• ½ supersweet medium pineapple
• Vegetable oil, for griddling
• 1 satsuma, halved
• 2 salad onions, thinly sliced

For the marinade

• 1 satsuma, juice
• 2 clove/s garlic, crushed
• 1 tbsp Cooks’ Ingredients Turkish Pepper Flakes
• 1 tsp cayenne pepper
• 1 tsp smoked paprika
• 2 tsp ground coriander
• ½ tsp ground cumin
• 1 tbsp light soy sauce
• 1 tbsp olive oil

Method

1. Soak 8 wooden skewers in cold water for at least 30 minutes to prevent them burning. In a mixing bowl, combine the marinade ingredients and add a few cracks of black pepper. Add the pork (halve any large pieces) and stir to coat. Cover and marinate in the fridge for at least 30 minutes, or preferably overnight.
2. Peel, core, then cut the pineapple half into 24 chunks. Thread 3-4 pieces of pork and 3 pieces of pineapple alternately onto each skewer and discard any remaining marinade.
3. Heat a griddle pan over a medium-high heat, brush the pan lightly with oil, then cook half the skewers for 12-15 minutes, turning twice, until the pork is cooked through with no pink meat, juices that run clear, and is charred in places. Keep hot, while you cook the second batch.
4. Char the satsuma, cut-side down, on the hot pan. Serve the skewers scattered with the salad onions and the warm satsuma juice, squeezed over at the table. Perfect with a leafy salad on the side, if liked

Angela Hartnett serves this recipe with a village Greek salad. You can find check out the recipe for that and handy cooking tips and tricks on the Waitrose website here.

This adaptation fans are calling ‘absurd’ is incomparable to any other period drama, as a peculiar version of real life events in the medieval times – packed with dark humour and explicit content

Fans of period dramas are not quite prepared for this mini series take on the genre, turning it on its head completely.

What many viewers are unaware of, however, is that its entertaining storyline is drawn from a collection of 100 tales penned by an Italian author, dating back to that very same period.

Instead, Netflix subscribers can see back and watch pieces of the story play out on screen in this dark comedy series set in 14th-century Italy.

The Decameron is a show inspired by the classic work of the same name, unfolding against the backdrop of the devastating Black Death pandemic. It follows a wealthy family as they desperately attempt to survive the outbreak, all played out with an abundance of humour.

The Decameron pulls no punches when it comes to sexual content, strong language, violence, and grisly details within its darkly comedic narrative. It is precisely these elements that set it apart from the rest and see it racking up a string of five-star reviews.

One viewer wrote on Rotten Tomatoes: “I was entertained throughout the entire series. Definitely worth watching! I was cheering for all the characters as they were developing throughout the season.”

Another shared their feelings towards the show, writing: “It’s completely silly yet the characters inexplicably grow on you and become like a bunch of very stupid but very dear friends. Never seen something like this.”

Audiences are transported on an adventure, commencing in 1348 in a fictionalised retelling of events, as the Black Death grips Florence. In reaction, a collection of aristocrats and their servants take refuge in a rural villa in Tuscany, weathering further outbreaks surrounded by their riches and extravagant way of life.

Before long, the pestilence reaches the peaceful hillsides and they find themselves with little alternative but to battle for their very existence. While the setting is of course based on a real life health crisis, its events are entirely fictionalised.

Playing these characters are Tanya Reynolds from Sex Education, together with Zosia Mamet, recognised for her part in Girls. Also appearing alongside them on screen are Lou Gala, Leila Farzard, Jessica Plummer and Amar Chadha-Patel.

The cast have garnered considerable praise with one reviewing saying that they delivered “enjoyable performances”.

Others said it was “well acted”, while one viewer said the script and actors had them “laughing out loud” throughout.

One review reads: “While not really an adaptation of The Decameron (more like “inspired by”), this tv show manages to be horny, dumb, deep, nihilist and sweet at the same time.

“It has great moments, great lines, really dumb jokes, some smart ones, some good and profound takes and overall an awesome cast and soundtrack.”

The period drama packs a great deal into its compact eight episodes and was sadly never commissioned for a second series following its 2024 release, making it perfect for a binge-watch.

To experience a period drama like never before, The Decameron is available now to stream on Netflix.

EXCLUSIVE Emmerdale’s Joe Tate actor Ned Porteous has told The Mirror all about whether his character is capable of trying to kill someone after Billy Fletcher’s attack

Who attacked Billy in Emmerdale might have been revealed, or at least someone may have been ruled out.

Amid theories from viewers about who was to blame, Billy’s fate remains unknown. He’s in a coma, fighting for his life after being brutally attacked and left with a serious head injury.

Billy sustained a bleed on the brain, after Kerry Wyatt found her colleague lifeless on the floor of the depot where they work. He was lying with his head in a pool of blood, with his loved ones warned he’s in a bad way.

Kerry and boss Caleb Miligan were quick to point out to the police that Joe Tate may have attacked Billy. After all he had threatened Billy to Caleb, after Caleb told Joe about Billy and Dawn’s apparent kiss.

Of course it’s not the first time Joe has caused someone to be injured or killed, while it’s not like him to get his hands dirty. But has he taken a brutal revenge on Billy, or is he being framed?

Fans have mixed ideas on the truth, and now speaking exclusively to the Mirror, Joe actor Ned Porteous has had his say. He addressed whether Joe is capable of hurting Billy in this way, while he also teased whether his character is the real attacker.

With some fans saying it’s too obvious to be Joe, Ned discussed this and pointed out Joe did have it in him to commit the crime. That said, something he told us could hint that Joe is not to blame.

Asked if Joe could be at fault, he replied: “I think Joe has it in him to do a whole bunch of things. Yeah. I think the beauty of this character, and the fun I’ve been having with the character, is the duality between his capabilities for great good and great evil.

“I think as a thematic tool, Joe, and characters like Joe, are extremely useful for the screenwriters, because we can see that he is a good dude, but he has no practice at it. He’s volatile, he has a complete lack of control of his emotions.

“So, if you were to get to him, he’ll get you back sevenfold.” We then questioned whether if Joe was innocent, will he struggle to prove that innocence given Joe’s dark ways in the past.

He told us: “Absolutely. I think everything that Joe does in this village is guilty until proven innocent, because why on earth wouldn’t it be? We’ve only ever seen Joe do bad things to people, apart from the one or two people that he’s let close to himself and his heart that know that he’s not completely evil.”

So does this comment about not being completely evil and being “guilty until proven innocent” suggest Joe isn’t the one to blame? After all, some fans are suspecting Joe’s nemesis Caleb Miligan may have attacked Billy, not Joe.

Emmerdale airs weeknights at 8pm on ITV1 and ITVX. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Cassie Plummer could be about to face a “really dark” exit from Coronation Street after worrying scenes aired on Friday night’s episode of the long-running soap

Cassie Plummer could be about to face a “really dark” exit from Coronation Street. The former drug addict, played by Claire Sweeney, was introduced when bosses of the long-running soap decided to completely rewrite history and install her as the long-lost biological mum of Tyrone Dobbs, and initially came to blows with Tracy Barlow when she set about poisoning Ken for financial gain.

With all that seemingly swept under the carpet, now Tracy has sparked a romance with Ross, who is Tyrone’s long-lost biological dad. Cassie was underage when Tyrone was conceived, and it emerged earlier this week that Ross had paid her for the sex they had all those years ago.

When it looked as though Ross was sticking around having got a job at the local prison, Cassie tried to get him out of their lives once and for all by crushing painkillers up into his flask that he was about to take to his new place of employment, hoping that he would fail the drugs test and then clear off out of Weatherfield. It backfired when Ross figured out what Cassie had done so, in a cruel twist, he poisoned Tracy with the drink and now she is in hospital. But because Cassie has got form, Tracy has now got completely the wrong end of the stick.

Sitting up in her hospital bed on Friday night’s episode of the ITV soap, she raged: “If I have been spiked, I know who I’m pointing my finger at. How else have I got this much codeine in my system if it’s not from the local poisoner, who also happens to hate my guts?”

Steve told his ex-wife to calm down, but she shot back: “Well, I’m trying to do that, Steve, but it’s quite difficult when your girlfriend tried to kill me. She’s jealous of me because I’ve got Ross and she’s stuck with a useless lump like you!”

The taxi driver, who has been played by Simon Gregson since 1989, was convinced that Tracy (Kate Ford) was wrong, but then decided to do some investigating, and found the painkillers in Cassie’s cardigan pocket.

When he confronted her, she explained: “It wasn’t meant for Tracy. It was meant for Ross. And it was just a couple of tablets so he’d fail his pee test at his prison job and he wouldn’t be hanging around here any more.” Tyrone then knocked at the door, having been informed of the situation by Steve, and Cassie tried once again to explain but they were having none of it.

Steve said: ” I don’t get it. First of all Ken, now Tracy. I mean, are you not gonna be happy till you’ve killed the lot of us?” Tyrone then yelled that it was “a lot more” than the couple of tablets Cassie claimed she had tried to spike Ross with as Cassie cried: ” I put it in his travel cup, which I got out of his bag, so how did Tracy end up with it, eh?

“Ty, I know it was a stupid idea, but I was desperate. You’ve no idea what he’s like!” Ross then turned up at the house, having been playing the dutiful long-lost granddad and took Ruby and Hope for a game of football. Cassie warned them that he was taking them all for a fool but no one would listen and Tyrone told her to get out of the house.

Tracy headed across the road to number one, where Steve answered the door and told her as he struggled to hold back the tears: ” Believe me. If you only knew how much I wanted this to work after all the disappointment I’ve had over the last few years.”

Cassie tried to plead with Steve, but he decided to split up with her there and then. He shut the door in Cassie’s face, and she burst into tears as she wept: “But Steve, I love you!”

Reacting to the emotional scenes, one viewer wrote on X: “Tyrone shut the f**k up you mug, Cassie is better than Ross. Honestly hope Tyrone finds out the hard way his dad is a creep,” whilst another said: “Cassie shouldn’t have done it, I get why she did though. The reality was, Ross knew and deliberately spiked Tracey to frame her, just another form of manipulation.”

A third wrote: “I don’t know how Cassie is gonna get out of this one,” and a fourth simply said: “Oh, Cassie!” and added a face-palm emoji. Another wrote: “Cassie thinks she is smart, however, Ross seems to always be one step ahead. This storyline is going to get really dark #Corrie.”

In real life, actress Claire Sweeney, who found fame when she starred on Brookside, chose to leave so she could take on the role of Miss Hannigan in the current UK tour of the musical Annie, and replaced former Strictly Come Dancing star La Voix in the show in early July.

Claire has starred previously starred in other musicals like 9 to 5, Tell Me On A Sunday and Chicago. But she recently recently explained that she loved her time at Corrie but always wanted to take on the part of the villainous orphanage proprietress, who has previously been played on stage by the likes of her soap co-star Jodie Prenger, as well as Hi-de-Hi icon Su Pollard, the late Paul O’Grady and British acting legend Sheila Hancock.

She told The Mirror: “You’re part of a family at Coronation Street, you feel safe and protected and leaving is like stepping out into the big, wide world again. It feels like I’ve broken up with a boyfriend I’m still in love with. I’ve loved Corrie and leaving bears no reflection on the job, the people and the work.

“It was just that my phone pinged and it was the producer of Annie saying ‘right, do you want to do Miss Hannigan.’ I’d been hounding him for years for this part and I just thought – ‘if I don’t do it now, it might never come again.’ But I think it’s the hardest job I’ve ever had to leave and my exit is very sad; I had a little weep over my leaving scenes. I got quite emotional.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

JOHANNESBURG — Oprah Winfrey says she will close the school for underprivileged girls she set up in South Africa two decades ago at the end of next year.

Winfrey opened the Oprah Winfrey Leadership Academy for Girls in 2007 after being inspired by conversations with former South African President Nelson Mandela about the transformative power of educating girls. He was among the guests at the school’s opening ceremony.

Winfrey’s charitable foundation ran and funded the school, but it was always part of the agreement that the academy campus near Johannesburg be ultimately handed over to the provincial education department, the academy said.

“The dream was never simply to build a school,” Winfrey said in a statement issued by the academy on Wednesday. “It was to invest in the limitless potential of young women. That mission doesn’t end with one campus. It continues in every girl whose future can be transformed through education.”

The academy said Winfrey’s commitment to educating South African girls would continue through an expanded national scholarship program supporting academically talented girls at leading schools across the country.

More than 500 girls have graduated from the academy and some have attended top universities in South Africa, the United States and Europe, according to the Oprah Winfrey Charitable Foundation.

The Gauteng provincial government will take over the 52-acre academy campus, which has 21 classrooms, six science and computer laboratories, a 10,000-volume library and a 600-seat theater. It did not immediately say what the plans for the property were.

Gauteng Provincial Minister for Education Lebogang Maile said those currently enrolled in the school will be able to complete their education with uninterrupted financial support.

The academy drew international attention shortly after opening in 2007 when several students accused a dormitory matron of physically and sexually abusing them.

Winfrey traveled to South Africa to meet with students and parents, publicly apologized, and commissioned an independent investigation.

The matron was acquitted of criminal charges in 2010.

Gumede writes for the Associated Press.

The new series of ITV’s Long Lost Family begins with an emotional story of a search for a family.

A remarkable new series of Long Lost Family on ITV uses DNA technology and painstaking detective work to reunite two foundlings with family members they lost contact with or never met.

In December 1960, David Stevenson was discovered inside a locked apartment block in North-West London. He was found in the corridor up on the second floor, outside one of the flats. He was several days old and cold, but well fed. For Long Lost Family: Born Without Trace, 65-year-old David returns to the flats more than six decades on still with burning questions about why he was left in such a specific place and whether this provides any clues as to who his birth parents are.

David says: “This place is part of me and part of my identity, no question. This is where my story starts here, so coming back here is emotional. Babies are often left at a police station or a hospital. Whoever put me here…this is a locked private block. Were some of the other residents somehow involved? The WPC arrived and discovered me on the floor with people milling round.”

Although some residents were investigated by the police, enquiries failed to help identify David’s birth parents or link them to him. David was adopted by the Stevenson family and had a happy childhood in nearby Edgware. He grew up knowing about his start in life, but for a long time he wasn’t curious to know more.

“I did know that I was a foundling but as far as I was concerned I had a mum and dad and it wasn’t a problem for me.”

He now has three sons of his own. They reflect on the risks involved with searching – the answers could be upsetting. David is also conscious of the experience of his birth mother.

“If I find my birth mother and she didn’t tell anyone and she wasn’t keen on that secret turning up that would be hard because it would be rejection all over again. The consensus from the police doctor was that I was a result of an unattended birth. and that must be a traumatic experience for any woman,” he says.

With his sons now grown up, David remarried and now lives with his second wife Julie. In 2009 they launched a national appeal for information. Ultimately it did not provide answers, but it did mark the start of a decade of their own extensive investigative work.

Using the apartment building as their primary clue, they developed several hypotheses about the residents. More recently David has turned to searching through DNA, which revealed that he has both Dutch and French heritage. While this is a significant development, the search has stalled, leaving him still not knowing who his birth parents are. Thankfully the LLF team get a breakthrough on David’s search.

There is a strong connection to a particular Dutch family. Two family members, including a woman called Marianne agree to take DNA tests. The pair of them testing enables LLF expert Ariel Bruce to – with certainty – identify David’s birth mother. Her name is Petra and she sadly died in 2010. Upon seeing a photo of David, the family immediately see a likeness to Petra.

Show host Nicky Campbell travels to the Netherlands to meet with Marianne – David’s aunt and his first cousins Saskia and Bart. He wants to see how they are dealing with the news and to learn more about Petra. It transpires that nobody in the family ever knew that she was pregnant and gave up a baby in London. They are left with mixed feelings. They are desperately sad that Petra had to endure this alone but delighted to be able to meet their new cousin and welcome him into the family.

After finishing school, Petra moved to Paris to work as an Au Pair and was living there when David was conceived. This tallies with David’s French DNA and the thinking that his birth father is French. She then moved to London and subsequently parted with David.

She grew up in a strict Catholic household where news of her pregnancy would not have been tolerated. Marianne says: “It was parents after Second World War. They would be angry.”

Bart adds: “They were Catholic and they would also have been very concerned with what society would think of having a child born out of wedlock.”

The sad news that Petra has died is shared with David away from the cameras. French privacy laws mean that DNA testing is very uncommon in France and so Ariel and the team are not able to identify his birth father. Referring to the death of Petra, David tells host Davina McCall: “It’s a shame because it closed an avenue that might have been open to me.”

Davina explains that the nature of Petra’s relationship with David’s birth father is unknown, along with any possible connections to the building where David was found. She describes Petra’s strict upbringing in The Netherlands and explains that she never confided in her family about giving birth at 20. David is quite affected by learning that after returning to the Netherlands, she did not have any more children.

David says: “Oh wow. I find that surprising. And quite sad actually, you know, not having a family, having given up the one child that she did have.”

Davina then reveals that Petra has family members in Rotterdam who were all too willing to take DNA tests. She passes on a letter that they have written him, where they explain that they would love to meet and share as much information about Petra as they can. David is moved by this gesture.

He says: “To meet people close to Petra would be very nice. To put a name to my mother and a picture, it’s a profound feeling. That is amazing.

“I’ve often said I’m not looking for another family, you know. All I want to know is where did I come from? But seeing these[photos] and reading the letter, you know, I want to meet these people. Yeah, that’s as big as it can be.”

After travelling to Rotterdam and has an emotional first meeting with Marianne, Bart, Saskia and another first cousin Jan. They share details about Petra, her personality and interests. David concludes: “One of the most rewarding things…is to hear them talk about her, and, and it’s helped me form an idea of her character. I’m very excited abut the future. There was nothing but love from them.”

Petra’s sister Marianne tells him: “She would love you and you would love her.”

The other search on next week’s programme sees Sarah Gray search for her birth mother.

She was found inside a Leicester telephone box in June 1983. Just a newborn baby, she was discovered by a woman going to make a phone call. Now a mother herself of 3-year-old twins, she often reflects on her own beginnings. She had a very happy and fulfilling adoption but her start in life was never openly discussed.

“I think you know in your family the conversations that can come up freely, and I think there’s a time and a place for certain things and I didn’t push it.”

Returning to the telephone box she sees that it’s on a busy road where there would have been lots of passers-by.

Sarah, 43, said: “Whoever it was has left me in a public phone box right next to a bus stop, next to a community centre… they definitely wanted me to be found.”

The search team make incredible strides with Sarah’s case and identify her birth mother. Davina is able to finally bring Sarah some answers about who she is and where she comes from, Sarah’s mother – who is alive – wants contact and a meeting to be done off camera.

* Long Lost Family: Born Without Trace Series 8 begins on Monday night at 9pm on ITV and ITVX.

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GEMMA Collins has opened up about her journey with grief after heartbreakingly losing her mum.

The former Towie star announced earlier this week that her beloved mum Joan had passed away after several years of health issues.

Now, Gemma says her grief is ‘coming in waves’ and detailed how she is healing during the difficult time.

In a new Instagram post, the star shared a picture of a memorial area set up for her mum – containing a framed picture of them together, flowers, and candles.

She captioned the snap: “Grief is the price we pay for love. ❤️

“Thank you from the bottom of my heart for every message, every prayer, every kind word. I’m reading them all and getting back to everyone slowly. Please bear with me. Some moments I feel okay, and then it comes in waves.

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“One beautiful thing keeps happening. A butterfly has been with me constantly, appearing wherever I go.

“It brings me a sense of peace, and in my heart I truly feel it’s my mum letting me know she’s close, watching over me, and reminding me that love never really leaves us.”

Gemma continued to say that her fans and friends were ‘holding me up’ – after a wave of tributes piled in for Joan.

She ended the post: “Thank you all for holding me up with your kindness. It means more than you’ll ever know. 🦋🤍

“She loved @paulmccartney and the @thebeatles I’m finding lots of healing listening to the music 🦋🐦‍⬛”.

Gemma announced her mum’s death online earlier this week, sharing how she had passed ‘peacefully’ and was finally ‘out of pain’.

Just last month, Joan was rushed to hospital after being struck down with pneumonia for the second time in the space of six months.

When her mum was admitted to hospital, Gemma told fans she “couldn’t sleep with worry”.

Just six months before her hospital visit at the start of June, Joan was hospitalised with pneumonia again.

She spent five weeks under medical care before Christmas, with Gemma describing the time as the ‘toughest of her life’.

Joan had spent time in medical care several times in recent years.

In March 2020 , she was first taken to hospital with pneumonia and it was reported that she suffers from rheumatoid arthritis.

The condition left her with a heavily compromised immune system and vulnerable to infections.

Four years later in 2024, Gemma was left heartbroken as she told how her mum was in intensive care following a breast cancer diagnosis.

At the time, Joan, who found a cancerous lump between her breast and armpit, was rushed to hospital after she stopped breathing.

In a book nerd battle that’s become so epic, even The Onion has satirized the saga, acclaimed author Susan Orlean has grabbed the mic, and Emily Wilson is admitting she has one regret in her review of “The Odyssey.”

Earlier this week, Joyce Carol Oates panned Wilson’s critique of Christopher Nolan’s big-screen adaptation, and now acclaimed author and journalist Susan Orlean has entered the chat.

“I loved The Odyssey (saw it twice) and love any piece of art that gets people talking and reading and thinking,” she posted on Threads on Thursday. “Emily Wilson is being a bit of a jerk.”

Choice words from Orlean, but she knows a thing or two about film adaptations: her 1998 book “The Orchid Thief” inspired Spike Jonze’s 2002 film “Adaptation” starring Nicolas Cage and Meryl Streep (who played Orlean), and her 1998 article “Life’s Swell” was brought to screen as “Blue Crush,” also in 2002.

“Why can’t things be the things they are and if they’re different from their source material that’s their new form and their own thing and I SAY THIS FROM EXPERIENCE,” she added in a separate post.

The ire stems from a biting 4,200-word takedown of “The Odyssey” penned by classicist Wilson, who translated Homer’s poem in 2017.

In early interviews discussing the film, Nolan referenced Wilson’s translation, which subsequently skyrocketed in sales. A representative for Audible told The Times on Wednesday that, year over year, purchases of Wilson’s “Odyssey” translation were up by more than 600% across Audible’s U.S., U.K. and Canadian marketplaces.

Wilson’s review, published in the London Review of Books, essentially dubbed Nolan’s film a dud for academics with taste and a blockbuster hit for virgins who like special effects that go “Boom!”

“Nolan’s Odyssey lacks many of the elements that make the poem great. It has nothing convincing to say about time, memory, history, war, or about the relationship between one warrior’s glorious return and the lives of his family, adversaries, comrades, friends and neighbours,” she wrote. “It lacks psychological, emotional, political and ethical depth. Its narrative structure is gimmicky. The writing is abysmal. None of the characters has convincing motivation for their actions or words. There are no sex scenes, and all the food looks horrible.”

Pulitzer Prize finalist Oates, like Orlean, is also team Nolan. “Her tone of dismissal & haughty superiority strike a sour note,” Oates said of Wilson’s review in a post on X. Oates added that rather than Wilson disagreeing with “interpretations of Homer in a collegial manner,” she benefited from Nolan’s film and then attacked it.

Wilson’s review went so viral it crashed the London Review of Books website for a few hours on Monday. On the heels of the missive’s publication, Wilson posted on Bluesky that an earlier draft of the essay was actually more cutting than the version that went live.

“Was I too mean? Or not mean enough? I went through my first draft and tried to take out the snark,” she wrote. “To quote the great poet: ‘Though much is taken, much remains… That which we are, we are.’”

She added in the same thread: “The oddest thing about the response to this essay is people who say it’s ‘personal’. You can disagree about some or all of it! I may well be wrong! But it’s not ‘personal’ to analyze a film or other work of art, even negatively. Criticism is more than ‘Hurray!’ or ‘Hiss!’”

One criticism Wilson admits she regrets in retrospect is her take on Nolan’s race-neutral casting. In the review she wrote that while the casting launched a culture war, it wasn’t actually progressive. She likened the characters portrayed by Zendaya, Lupita Nyong’o, Himesh Patel, Corey Antonio Hawkins and Travis Scott to “versions of the Black best friend, whose only role in the drama is to provide aid to the white protagonist.”

On Bluesky, she wrote, “In this piece, I regret the paragraph about the uses of the POC actors – who are all great, but IMO under-utilized (and why couldn‘t Himesh Patel be Odysseus instead?) I still think the film largely wastes its strong cast, but I framed it badly.”

Ambitious Harper Beckham is aiming for world dominance with her fledgling make-up brand, we can reveal.

The Sun told earlier this month how the teenage daughter of David and Victoria planned to name the new line Harlo by Harper.

Now we can also reveal that 15-year-old Harper’s team has lodged papers with the US Patent and Trademark Office asking to be granted sole rights to use the name across the Atlantic.

Her representatives have filed documents with the UK’s Intellectual Property Office to trademark the brand.

It comes after The Sun told how the youngest Beckham child plans to start rolling out the brand next year.

A source said: “Harper has been working on a name with the team working on the brand for a while and came up with Harlo By Harper.

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“The trademark applications are signed and sealed.

“Although there is no set date for a launch yet, the aim is to officially start the roll out at some point next year.

“Victoria has been guiding and supporting Harper every step of the way in this venture.

“Both Victoria and David couldn’t be more proud of Harper.”

The Sun first revealed how Harper was working on her own beauty empire last year.

She is following in the footsteps of fashion designer Victoria, whose own beauty range has proved hugely lucrative since she launched it in 2019.

The Hairdresser Mysteries aired its latest episode on Friday, where viewers instantly recognised one guest star

The Hairdresser Mysteries fans were left doing a double take as they instantly recognised a guest star on Friday’s episode.

Jim Cartwright’s six-part cosy detective series launched earlier this month with all episodes available to watch on BBC iPlayer and weekly instalments on Fridays at 2pm.

The new series sees Sally Phillips plays main character, Lily Petal, who is forced to turn from hairdresser to amateur detective when crimes keep happening in the sleepy village.

She is helped in her investigations by brilliant analytical hair salon assistant Clary Coombs, played by Charlotte Jordan, and eager PC Adam Watson, played by Ben Castle-Gibb.

A synopsis for Friday’s episode, which was series one, episode three, read: “As the village prepares for a celebratory concert at the theatre, Lily and Clary realise the sudden death of one of the acts is not what it seems. Singer Heather Small guest-stars.”

Viewers were left open-mouthed during the episode as they instantly recognised one of the episode’s guest stars. In the instalment, Gabrielle Glaister played Mrs Rind.

Gabrielle, 65, is best known for playing Patricia Farnham in Brookside from 1990 to 1996. Other roles include Trish Wallace in Family Affairs, Cora Blyth in Death in Paradise and she also played Bob/Kate/Bobbie Parkhurst in several episodes of Blackadder. Soap watchers will also recall she played Hilary Benshaw in Emmerdale in 2019.

Taking to Twitter, now X, one person said: “#thehairdressermysteries Anyone else recognise Gabrielle Glaister from Brookside and Blackadder ? (Mrs Rind).”

A different account put: “I’m surprised at the calibre of actors that #TheHairdresserMysteries have attracted.”

Another show watcher commented: “Watching the first episode of #TheHairdresserMysteries and I absolutely love it! So many talented actors I recognise, such a cosy atmosphere too. And it’s filmed in the beautiful West Midlands! More plans!”

Gabrielle isn’t the only recognisable guest star as just last week Coronation Street legend Wendi Peters appeared as Gloria Crudd in the series.

Wendi, 58, is best known for playing Cilla Battersby-Brown in Coronation Street from 2003 to 2007, she returned to the cobbles once again in 2014.

The Hairdresser Mysteries airs on Fridays at 2pm and all episodes are available to watch now on BBC iPlayer.

After a year and half of research and interviews, the BBC on Wednesday aired an explosive new documentary in which multiple women accused Oscar winner Jared Leto of sexual assault.

Directed by Alice McShane, “Jared Leto: Hollywood’s Dark Secret,” which debuted Wednesday in the U.K., revealed new claims of criminal sexual conduct by the 54-year-old actor and musician from four women, including a possible instance of statutory rape in California. In the film, a total of 10 women recount allegations of sexual assault, along with inappropriate text messages, phone calls and behavior that occurred from 2002 to 2016. Leto has denied the allegations.

To ensure the integrity of the documentary, the hour-long program was not announced ahead of time.

“Everything came out at once,” says producer Jessica Sartenaer, speaking from London over Zoom alongside McShane on Friday morning. “That was all very much part of the strategy because we didn’t want to leak anything before the investigation came out.”

McShane began working on the film after Los Angeles-based DJ Allie Teilz reshared in April 2025 her Facebook post from 2012 in which she accused Leto of trying to “force himself” onto her backstage at a concert. Teilz described the actor as “Hollywood’s most persistent predator.” About 40 women contacted Teilz with their own allegations, according to Sartenaer. In June 2025, weekly newsletter Air Mail published accusations of impropriety against Leto by nine women, which he denied.

“I began ringing around trying to find the women who’d written into Allie,” McShane says. “When I was speaking to women, I realized there were other journalists on the trail. So I did think there was going to be something published relatively quickly, which we can’t compete with because we have a whole different set of considerations. It takes a lot longer to make.”

Social media was the main resource for finding people willing to speak on the record. The filmmakers say they discovered more than 120 separate allegations online.

“But that doesn’t necessarily mean these are all women who want to speak about their experiences,” McShane says. “They’ve posted anonymously for a reason. It was a lot of hours spent digging through hundreds of people from across Leto’s life and career — people who had worked with the band, people in his acting life, his fashion life. We had an enormous spreadsheet. It was a really in-depth process.”

Ultimately, 10 women agreed to be interviewed on camera. The filmmakers offered each various options of anonymity depending on their level of comfort. None are completely anonymous, although only three used their real names. All of their real voices are heard, which McShane says is unusual.

Sartenaer adds, “The courage it takes to come forward and come up against a powerful man like Leto is immeasurable. It’s absolutely incredible what these women have done, and the anonymity decision is a very personal one. Right away, [the women had] this gut instinct about the level of anonymity that they would like.”

McShane drew on her past experiences, including making the 2023 Channel 4 documentary “Russell Brand: In Plain Sight,” which investigated comedian Russell Brand’s treatment of women, to guide the interview process.

“You really learn from a duty-of-care perspective how to best look after the women,” she says. “There’s always this balance of wanting to investigate the story, but also understanding these are people who have gone through incredibly painful experiences and they’re sharing very personal things with you. You never want to push. They are in control. You can never make these things happen. It has to come from the women.”

The initial investigation began in London and the filmmakers visited Los Angeles twice in the months that followed. The first interview was with a woman named Alex last fall. In the documentary, the former model recalls being invited to a 30 Seconds to Mars concert at London’s O2 in 2013 (Leto is the band’s frontman). She says his female assistant then brought her to an afterparty at the members’ club Shoreditch House. Although she was 19 at the time, she told Leto she was 17 to protect herself. She says the musician, then 41, replied, “Age is just a number, and, anyway, we’re in Europe.”

Alex was sent by Leto’s assistant to another afterparty at a nearby hotel, but Leto was the only one there, she says. Alex asked for a phone charger and cash for a taxi home, but was denied. When she asked if she could crash on the sofa in the hotel room, she says Leto threatened to rape her.

“Right from when we started investigating and started hearing from these women, [we were] noticing these patterns of behavior,” McShane says. “[Alex] is an extraordinary communicator. The women we were speaking to, all of them, are amazing storytellers, and resolute about telling their stories. Each time we spoke to somebody it reinforced the importance of getting it out.”

An explosive new documentary revealed new claims of criminal sexual conduct by actor and musician Jared Leto.

(Pascal Le Segretain / Getty Images)

Sartenaer says Leto’s seeming fixation with women of a young age was something “we were interested in investigating right off because of the pattern we noticed in the reposts from Allie Teilz.”

“Many of them did mention that they were teenagers at the time of the alleged offenses,” she says. “We knew that was a thread to follow right from the beginning.”

One woman, named Clara in the documentary, spoke about having sex with Leto for the first time when she was 17 and he was 34. The encounter took place at his home in California. In the film, she describes having a conversation with Leto about the age of consent in the state. “He just kind of shrugged it off, like it wasn’t a huge concern for him,” she says.

As the documentary points out, the age of consent in California is 18. An adult having sex with someone underage can constitute statutory rape. The filmmakers can’t comment on the law or whether there will be any legal repercussions for Leto. However, Mike Radford, executive producer at BBC Current Affairs, says what distinguishes “Jared Leto: Hollywood’s Dark Secret” from prior investigations is that the film showcases alleged criminal conduct.

“That’s a different level of potential wrongdoing,” Radford says, speaking on the phone from London. “From that point of view, it becomes a more serious story, and it goes beyond misunderstanding to something more worrying.”

The filmmakers sent a “lengthy right of reply” letter to Leto and gave him two weeks to respond. They followed up several times with his team to no avail. It wasn’t until after the documentary aired that Leto denied the allegations in a statement, which was shared Wednesday with The Times.

“I have never sexually assaulted anyone in my entire life,” he said. “These claims are absolutely and categorically false.”

The documentary combines the interviews with reenactments and archival footage. Sartenaer says they had a “wealth of material” to pull from.

“There is so much content about him,” McShane adds. “And he’s so overtly sexual on the public stage. We’ve got examples in the film of him, like when he’s in the press room at the Oscars. Everything is packed with innuendo. There are examples where he’s being very inappropriate with young women on the stage. All of that placed next to these interviews can be so chilling and there were countless examples of that available to us.”

The filmmakers worked with a limited budget and a small team of three: McShane, Sartenaer and cinematographer Theo Tennant. In total, they spent a year and half working full time on “Jared Leto: Hollywood’s Dark Secret.”

Alice McShane, left, and Jessica Sartenaer interview entertainment journalist Maureen Ryan for “Jared Leto: Hollywood’s Dark Secret.”

(Theo Tennant / BBC)

The biggest challenge was the fact that “Hollywood is an impenetrable world,” Sartenaer says. The documentary features interviews with two people who worked with Leto speaking completely anonymously, but they were difficult to find and get on the record.

“It really took a very, very long time to have a breakthrough on the insider front [and] to actually get people to start talking with us,” Sartenaer says. “Hollywood is such a precarious place and it’s difficult to get into Hollywood, and I think once people are in, it’s probably a terrifying prospect. One foot stepped wrong could see them catapulted out of it again. We saw that nervousness in trying to speak with people. There’s a real culture of secrecy.”

Despite that, there are hopes that “Jared Leto: Hollywood’s Dark Secret” will encourage other potential victims to speak out.

“The investigation is ongoing,” Sartenaer says. “What these women have done by coming forward [is commendable]. We think their courage will encourage other women to speak their truth, whoever it is about.”

Radford says the BBC is continuing its investigation into the allegations surrounding Leto.

“We would hope that should our investigation continue we would have enough material to make a subsequent documentary,” he says. “We’re not working on a documentary now because I’m not commissioned to do so. But it is our intention.”

At present, the BBC doesn’t have plans to air “Jared Leto: Hollywood’s Dark Secret” in the U.S. It was offered to the U.S. market while in production, according to Radford, but not picked up for distribution.

“There was no legal reason it isn’t airing there,” Radford says. “In fact, the legal threat is much greater in the U.K. because the libel laws are tougher in the U.K. So there was no fear around putting it out in the U.S.”

McShane and Sartenaer have been heartened by the immediate response to the documentary. But they also hope the momentum will continue.

“I hope we keep seeing the reverberations and I hope the conversation doesn’t die,” McShane says. “Ten years ago at the height of #MeToo this would have really punched through. The general outrage has cooled a little bit when stories of this nature are published. But we hope the conversations stay strong because it’s really important people keep talking about this.”

The creator of “New Girl” has a dark, twisty new show about a … female serial killer?

Since the end of her breakout sitcom, Liz Meriwether has imbued her sharp and charming brand of funny in network comedies like “Single Parents” and “Bless This Mess.” But she’s steadily embraced darker tones in her work — first, with the Emmy-winning Elizabeth Holmes biodrama “The Dropout,” then with last year’s FX miniseries “Dying for Sex,” a delicate dance between laughter and sorrow in its exploration of a woman’s commitment to live her best sexual life following a terminal cancer diagnosis. “Furious,” though, may be her darkest project yet.

Loosely inspired by the 1987 neo-noir “Black Widow,” which starred Theresa Russell as a serial killer who marries and poisons wealthy men for their inheritances, and Debra Winger as the investigator obsessed with tracking her down, the Hulu crime drama deepens the cat-and-mouse dynamic. It follows an FBI rookie and her search for a female serial killer seeking vengeance against the men who abused her as a teenager. And still, it manages to find moments of levity. The first three episodes are currently streaming, with new episodes released every Monday until the finale Aug. 31.

“I’ve just been loving trying different things with my writing,” Meriwether told me during a recent video call. “When this came up, I was like, ‘Oh, wow, a crime thriller, a serial killer show.’ It was so different than what I’d done before. It’s like the shows that I love, so I was excited to try to write one, somewhat naively. It’s funny because I would always roll my eyes a little bit when drama writers thought they could write comedy and then I found myself in the flip side of that being like, ‘Oh, this is so hard.’”

Check out more of my conversation with Meriwether in Guest Spot. And yes, as a devoted “New Girl” re-watcher forever trying to retain my Youths! status, I asked about about the reboot discourse that’s become its own comedy.

Also in this week’s Screen Gab, our writers recommend the return of a detective comedy that has its schoolteacher-turned-self-taught P.I. on another wild adventure and a Spanish-language limited series that takes place during the 1986 World Cup. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Diarra Kilpatrick as Diarra Brickland and Shannon Wallace as Chris in Season2 of “Diarra From Detroit.”

(BET / Paramount+)

“Diarra from Detroit” (Paramount+)

Diarra Kilpatrick (“Perry Mason”) created and stars in this smart, sparky mystery as a middle school teacher, also named Diarra, who turns self-described Black Nancy Drew when a man she was dating (Shannon Wallace as Chris) disappears. The new season, which sees the series folded into Paramount+ along with other BET+ series, finds them together again (retrospective spoiler alert: she rescues him at the end of Season 1), with issues — he’s got trauma to navigate, she’s sorting out her identity and desires — and mysteries still to solve, including the identity of the Chief, the city’s Mr. Big. The new season, which feels even more self-assured, picks up old themes of friends and family, as the search for a missing antique desk leads Diarra and friends and accomplices Aja (DomiNque Perry) and Tea (Bryan Terrell Clark) into fanciful new territory, including encounters with Black Freemasons and bikers, the history of Prohibition and a treasure hunt. Local food culture (Superman ice cream, coney dogs, Faygo) gets its due. The mix of suspense, romance and comedy is deft; small details keep the characters surprising and lifelike.— Robert Lloyd

Rafaella Lopez as Barbara, Ian Andrade as Salvador, Aldo Emiliano Navarro as Miguel, Damian Vergara as Tono and Regina Arroyo as Maria in “I’m Not Afraid.”

(Julieta Horak / Netflix)

“I’m Not Afraid” (No Tengo Miedo) (Netflix)

The dilapidated La Esmeralda coffee estate in Mexico’s Veracruz mountains is a lush, beautiful and spooky place — the perfect setting for a kidnap mystery. But in “I’m Not Afraid,” it’s also the wonderfully imperfect backdrop for a compelling tale about friendship and family bonds as seen through the eyes of a child. Set in 1986 during FIFA World Cup fever and a blight that’s ruined the region’s coffee crops, 10-year-old Miguel (played with depth and authenticity by Aldo Emiliano Navarro) first discovers boy captive Felipe (Yago Andreu) hidden and chained in and overgrown area that’s said to be haunted. He’s sure it’s the work of a witch spoken about in local folklore until it’s revealed his beloved parents may have something to do with the abduction. Poverty has driven them and the other families on the estate to make desperate choices. Adapted from Niccolò Ammaniti’s acclaimed novel by Ernesto Contreras (“The Secret of the River”), this six-episode series explores what happens when adults do desperate things in the hope of securing a better future for their children, but it’s the kids who end up saving the day. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Emmy Rossum as FBI agent Alice Black in “Furious.”

(Sarah Shatz / Disney)

“Furious” feels like a crime story for the Epstein age. The eight-episode psychological thriller stars Emmy Rossum as Alice Black, a troubled rookie FBI agent who left her job as an NYPD detective to escape a violent and traumatic relationship with a fellow cop. She gets enlisted to help track down a female serial killer, played by Lola Petticrew, whose targets are the wealthy men who exploited and trafficked her for sex. But the series isn’t as concerned with its ripped-from-the-headlines relevance. Over video call, creator Liz Meriwether discussed what she was interested in unpacking in TV’s latest addition to the crime drama genre and contributing to the red flag roles played by Jake Lacy. —Y.V.

The series is loosely based on the “Black Widow” film. But how much did current events, specifically stories surrounding Jeffrey Epstein and the powerful men in his orbit, inform what or how you wanted to explore here?

It really did start as a “Black Widow” adaptation. This female serial killer and this female FBI agent in this cat-and-mouse game that has this very weird third act, where they just end up hanging out together on a beach, being friends. I loved that part of it. In the midst of this very exciting female killer-female FBI agent crime movie, there was this story about two women connecting who don’t have anybody else really in their lives to connect with. I dug into that and quickly saw that if the serial killer was just a black widow like she is in the movie, that it wasn’t going to give me enough story for eight episodes. I did a lot of research about real-life female serial killers, which are pretty rare. Female serial killers are almost all victims of horrible violence at different times in their lives. That really got me going, OK, what does it mean if you’re a victim of violence and you start being perpetrator of violence? What are the things that we can forgive and understand, and what are the things that we can’t?

And yes, when I looked out into the wider world and current events and what I was thinking and feeling, I definitely scooped up a lot of a lot of stories that are out there. But it’s not the story of a specific predator. There’s a lot to choose from right now. It should feel relevant. It should have echoes of what’s going on out there. But I wanted the focus to be on these characters, not the men that did these acts.

The parallels between Alice and Catherine — what they each have survived and the different ways they deal with it — come into focus. What were you interested in exploring about the traumatic and lingering effects of abuse through these two women?

Initially, when we were casting Catherine, the question of age came up because all of my writer instincts were like, “Oh well, we need to have Catherine be very young and closer to when she was actually a victim of this predator.” But as I started thinking about it, I was like, I don’t think we’ve seen as many stories about the long-term effects of this violence. There’s no flashbacks in the show. I’m not interested in showing what was done to either one of them [Catherine and Alice]. I really was interested in the aftereffects.

I spoke to a social worker, a psychologist and a trafficking victim, which was one of the hardest conversations I’ve ever had, and also a beautiful conversation. Her name is Jay Benke, and she has an organization that helps people that have been trafficked. She made a really interesting point that stuck with me, which is that when these FBI agents and law enforcement officials build cases, they’re looking at putting the traffickers in jail; they’re not looking at what the people who have been trafficked need for their lives to heal. There’s also an amazing website that a lawyer pointed me to called thelifestory.org, which is videos from different people who’ve been trafficked telling their story — from their childhood, all the way through having been trafficked and then coming out — and it’s in the shape of a circle. Those two resources for me were incredible. On the Alice side of things, we tend to think of the experience of being a [domestic violence] victim as being much more cut and dry than it is for a lot of people. The victim’s relationship with violence and love is very complicated and violence and intimacy can become linked in their brain. It was something that I started to learn about in my research for “Dying for Sex” and continued on with “Furious.”

Lola Petticrew as Catherine in “Furious.”

(Sarah Shatz / Disney)

We see these very girly things, stickers and gemstones, that Catherine holds onto. It reminds us of her emotional or mental stasis.

I don’t know what Lola would say about this, but my thought about the character of Catherine was she was a bit trapped. The choice to go on the path of vengeance feels like a very active choice, but in some ways it’s really limited. It makes your whole life about what happened to you. I feel like Catherine’s story is about breaking out of that trap a little bit, almost trying to give her character a chance to to grow up in some ways. That was definitely a struggle for me going into this because I was like, how am I going to give a serial killer an emotional arc? Catherine is trapped and needs to put the pieces of her memory and her life together in order to move forward.

The thing I love in Episode 3 is the bag that Catherine puts on the bed. That was a big breakthrough for me for Catherine’s character in that her history is something that she’s had to piece together and hold on to, and there’s big gaps in her memory, so she holds on to these material objects in order to just feel like she’s a person. Then in looking at Alice’s character, we felt like she was the opposite in a lot of ways. She had run out of her life with Marshall and [did] not really bring that much. Her whole life is her job; her apartment is really bare.

I don’t mean to sound glib in regard to the subject matter, but you mentioned Marshall, played by Jake Lacy. Why has Jake cornered the market on playing toxic dudes who seem like nice guys?

I haven’t seen “All Her Fault” yet — it’s something that I really need to see. He’s extraordinary in the show [“Furious”], and I had a long conversation with him before he signed on. It’s a very tricky part to play. It was very important to me throughout the process that none of the characters were easily put into bad or good categories — hopefully, we’re constantly making the audience question their feelings and their judgments about people. There’s an incredible documentary called “A Better Man” that is impossible to find. I had to pay like $50 to rent it. It’s this couple that dated when they were in high school, and he was abusive toward her. She got out of the situation, and they’re coming back in their 30s, meeting again and talking about what happened. It’s an unbelievable documentary. I had Jake watch it because I really wanted him to think about Marshall as a human. He really contributed to that, and you can see it in his performance. He’s [Jake’s] a very nice guy.

You know I can’t let you go without mentioning this “New Girl” reboot — or at least the talk of it. It’s become a bit at this point — Lamorne Morris and Jake Johnson pointing fingers at each other. You posted a video on Instagram confessing to sending explicit messages that have caused some tension.

In some ways, I feel like the videos and the interviews and stuff is maybe better than a reboot. If we can see that as the reboot, maybe that would be good for everybody. [The video] came from me getting this question from journalists during the [“Furious”] junket, It was like Hour Eight of the junket, and my brain just disappeared, and I started talking like a stream of consciousness — like I don’t have any more stories to tell or something. And then I went home that night and texted the cast and I was like, “I really messed up the question.” It had been this running joke on our text threads about how they just constantly blame each other, but a lot of the times they blame me like I’m the one that’s like holding up the reboot. I find it so annoying, but then I like answered this question in a horrible way, and then I was like, “Oh, I am going to be the one who has to answer to this.”

If it does happen, it’s going to be a really dark “New Girl” reboot, given the tone of recent projects.

[Laughs] I don’t even know if fans would want what would come out of me at this point.

Last question: What have you’ve watched recently that you’re recommending to everyone?

I love “Taskmaster” [YouTube, Pluto TV]. It’s the thing that brings me joy when I need it and so I always recommend that to everybody — but with the caveat that you have to love British humor. If you love joy and British humor, I highly recommend “Taskmaster.” And Kumail [Nanjiani] was on this last season, which was like really fun.

I’m very behind. “Widow’s Bay” [Apple TV] is No. 1 on my list. I need to watch it. I love Katie [Dippold, the show’s creator] so much.

ICYMI

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Under a new licensing agreement, Netflix will be streaming “The Walking Dead” franchise globally.

Netflix and AMC Global Media, the network that originally aired the zombie series, inked a new five-year co-streaming deal, according to a press release on Thursday. Both companies will be able to show the original “The Walking Dead” series and its six spinoffs on Netflix and AMC+. The deal is valued at $500 million, AMC Global Media said in its second-quarter earnings report.

“This deal creates a global destination for this universe — all shows, all episodes — making the franchise more accessible than ever to fans around the world. In addition, the co-exclusive agreement allows us to bring the original series to AMC+ for the first time early next year,” Kristin Dolan, the company’s chief executive, said in a statement. “This agreement is a fantastic result for our companies, for the fans and for this timeless IP.”

AMC Global Media is renting the franchise, not selling it. The five-year licenses run separately for each show, with start dates that vary based on territory and the expiration of existing streaming deals. The rights to “The Walking Dead” revert to AMC Global Media when the term ends.

The company also keeps global rights to run the “Walking Dead” universe on its own services throughout. Dolan told investors the agreement would supply what she called “a meaningful source of cash flow for years to come,” framing it as evidence that the company’s library still commands premium prices even as its cable business shrinks.

The agreement will extend the franchise’s reach on Netflix in places like the U.K., Italy, Australia and New Zealand — making episodes available beginning in 2027.

“The Walking Dead” premiered on the AMC network in 2010, introducing audiences to the high-stakes world of a zombie apocalypse. In 2011, the series began streaming exclusively on Netflix in the U.S. The show aired for 11 seasons and became one of AMC’s most influential shows. Other popular programs from the network include “Mad Men” and “Breaking Bad.”

“Audiences have discovered and loved ‘The Walking Dead’ on Netflix for nearly 15 years and the show continues to attract new fans,” Lori Conkling, Netflix’s vice president of licensing, said in a statement.

The deal landed alongside a rough quarter. AMC Global Media reported second-quarter revenue of $547 million, down 9% from a year earlier, and a loss of 51 cents a share, compared with 91 cents in profit in the same period last year. Operating income fell to about $16 million from $64 million.

Netflix’s second-quarter earnings showed mixed results. The company‘s revenue rose 13% to $12.6 billion; its net income was $3.4 billion, up 9% from a year ago; and its advertising business is on track to reach $3 billion in revenue this year, double the amount in 2025.

The same filing offered some details on Netflix’s acquisition of InterPositive, the AI post-production startup founded by Ben Affleck, for $587 million in cash in March.

But Netflix’s stock price has continued to waver due in part to investor concerns about the streamer’s future growth.

The manager for British singer Boy George has pulled him from the West End revival of “Jesus Christ Superstar” days after the singer released a pro-Israel reggae song online.

Last weekend, the pop star posted on X a reggae song that includes the lyrics, “You say genocide, I say war / When you’re attacked that’s what the army’s for” and “Musicians holding flags, mouthing like sheep / Propaganda fuelled by the Internet feels so weak.” The post was met with swift blowback.

On Thursday, the artist’s manager announced on Instagram that he was pulling Boy George from the West End revival, suggesting the pro-Isreal song might take “the focus” away from the production. He had been slated to play King Herod in a London Palladium production from Aug. 3-15.

“After careful consideration, I have decided, in my capacity as Boy George’s manager, that he will no longer be appearing in Jesus Christ Superstar at the London Palladium,” wrote Paul Kemsley. “The decision has been made with the utmost respect for the producers, the creative team and the entire company. We are grateful for the professionalism and understanding they have shown throughout and sincerely wish everyone involved every success with the production.”

On Friday, the singer posted on X that he was receiving calls with the advice to “pipe down,” but he said, “It’s not an option.”

Since the October 2023 attack on Israel by Hamas and the military response by Israeli forces, several celebrities have spoken out on the bloodshed in Gaza, including musicians Billie Eilish and her brother, Finneas, and the Weekend along with actors Pedro Pascal, Susan Sarandon and Mark Ruffalo, among others.

Kemsley continued that he has “always respected” Boy George for standing by his “personal convictions” but that, as his manager, he feels the responsibility to make decisions “that are in the best interests of my artist while also showing respect to others.”

“In this instance, I felt it was right to step aside, allowing the production to remain the focus, while ensuring everyone involved can move forward with mutual respect and goodwill.”

A representative for the producers of “Jesus Christ Superstar” did not immediately respond to The Times’ request for comment.

POPSTAR Boy George has broken his silence after pulling out of the West End musical production of Jesus Christ Superstar just days before he was due on stage.

He was pulled from the show by his manager amid fears a backlash from his song We Will Dance Again would overshadow the performance.

The track voices support for Israel’s military action in Palestine in response to Hamas’ October 7 attack at the Nova Music Festival, which saw more than 1,200 innocent men, women, and children killed.

The Culture Club legend, 65, insists he was simply trying to call for peace.

George said: “Sometimes, I realise that being an air sign I expect the world to understand me without having to explain myself.

“The suggestion that I feel no compassion for Palestinian’s is both untrue and absurd.

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Boy George ‘pulls out’ of Jesus Christ Superstar amid Israel song controversy

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“I am devastated for the loss of the innocent lives on both sides of this war and I call for peace.

“I have read members of the press calling me a ‘genocide denier’ yet those who deny the suffering of Israelis are given a free pass.”

In a long statement, the former The Voice mentor said: “My song is pro peace and about the emotions I felt after visiting the Nova Exhibition and talking to Michael and Lisa Marlowe who had their son Jake taken from them. Murdered trying help others.

“I also spent time talking to May Hayat who survived while her best friend was murdered. We took a picture standing in front all the people who were killed that day.

Everyone knows what happened to innocent women, kids, babies, sons and fathers on that day, innocent people who were at a festival celebrating life.

“The Nova Festival is a mirror of my world as a DJ and I have played many such festivals, including in Israel so it resonated with me and I felt compelled to write something. I could have been there and we know that there were people from more than 40 countries who were. I felt these deep emotions and is wrote this song for them.

“My personal opinion is that this is sadly a war , but not an attempt to wipe out Palestine. But I respect that everyone has their own opinions and believe we should all be allowed to have that right.

“Look around and tell me one musician speaking out for the Jewish community, but you can absolutely guarantee they have made their living from working with a Jewish team member.

“I understand that is uncomfortable to defend your friends when a war like this is raging but the woman who sells me bagels is not to blame, neither is my doctor or publicist, manager, ex boyfriend or my thousands of Jewish friends. This song is for them.

“I come from a place of peace. I am a jew loving, trans hugging queer hippy and my mother would be proud of me.”

George was set to take on the role of King Herod in the London theatre show, beginning August 3rd, but in a statement on Thursday night, his manager announced he will ‘no longer appear’.

Taking to social media, George’s manager Paul Kemsley wrote: “After careful consideration, I have decided, in my capacity as Boy George’s manager, that he will no longer be appearing in Jesus Christ Superstar at the London Palladium.

“The decision has been made with the utmost respect for the producers, the creative team and the entire company. We are grateful for the professionalism and understanding they have shown throughout and sincerely wish everyone involved every success with the production.”

George’s PR apologised to fans who purchased tickets in the hopes of seeing George perform, admitting the decision would be a “disappointment” for some.

He added: “George has never been afraid to stand by his personal convictions, and I have always respected him for that. Equally, I believe it is my responsibility to make decisions that are in the best interests of my artist while also showing respect to others.

“In this instance, I felt it was right to step aside, allowing the production to remain the focus, while ensuring everyone involved can move forward with mutual respect and goodwill.”