show biz

CENTRAL Cee has shared a cryptic response after buying Love Island’s Yasmin Hadlow a £7k Chanel handbag.

It was revealed on Tuesday that he splashed the cash on the designer purchase as he continues to woo her.

The Sun’s Bizarre revealed the news of Cench’s date with Yasmin at 77 London on Friday night and then told of a Harrods trip before.

Now the 28-year-old has taken to his Instagram stories to share a mysterious picture.

In the snap, his pals Ruby Lyn and Lily Chee are seen covering their faces with designer handbags as they sit in a luxury store.

The two girls are pictured surrounded by the different coloured bags as Cench played up to the rumours about him and Yasmin, 23.

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The pair enjoyed a cosy date on Friday night at 77 London.

Before their evening out, the musician treated the reality star to the Chanel bag as well as some designer heels.

A source said that the Doja htimaker – real name Oakley Caesar-Su, told Yasmin to “buy whatever she wanted”.

Central Cee first revealed his crush on Yasmin last month during an interview.

While speaking on 60 Seconds with Missy, he expressed: “I do have one, I’ve got one I’m sure. Yasmin from Love Island.”

When asked about Cee at the National Television Awards, Yasmin replied coyly: “No comment… Watch this space.” 

Fans were recently left confused about his equation with Yasmin after he was previously rumoured to be dating Ruby.

She even posted a video of him on her social media of him walking Burberry’s catwalk on Monday night.

However, those rumours have been debunked.

A source said: “Cench and Ruby are just friends. No one knows where this comes from. He’s very much single and free to date Yasmin.”

She split from Tommy Stagg just weeks after coming out of the villa.

The pair were at the centre of plenty of speculation after they weren’t spotted together and didn’t post each other on social media.

A guest on The Repair Shop opened up about how the precious item meant so much to her family.

A guest on The Repair Shop broke down in tears as she opened up about her son’s health.

The BBC programme returned to screens on Wednesday, September 23, with spin-off Beyond the Barn. The series follows experts restoring precious items from guests across the country, while also discovering what happened after the special items were restored.

Wednesday’s programme saw a treasured trophy revived, as well as a coronation scrapbook brought back to life. At the start of the show, Ruth Dalton from Rochester arrived with a gardening tool.

She sought The Repair Shop team’s help, including expert Jonathan Reid, in reviving her grandfather’s gardening tool, a pair of secateurs, so her son could use them.

She explained: “I have my late grandfather’s gardening scissors. He used them all the time, and I kind of wanted to keep them as a reminder of him and his gardening.”

She continued: “His name was Stan. He was a real, real green-fingered guy. He had a massive garden. I used to love spending time with my grandad. As children, we were always up there, helping him in the garden.

“There were little steps that went up to a big lawn and different archways. He used to tell us what plants you could touch and what they did. You know, ‘Don’t touch the roses, you might get pricked by the roses,’ and that sort of thing.

“He was very encouraging and did teach us a lot, gardening was his life.” Ruth went on to reveal that she herself loved gardening, though her own garden wasn’t “at its best”.

Ruth explained how she wanted the secateurs fixed so she could tend to her own garden, which was built for her son. She said: “His name is Samuel, he’s got a condition called Bainbridge-Ropers syndrome.

“He was only the 12th person in the UK to be diagnosed, and there’s about 300 worldwide. He’s coming up to 26 years old. He can’t walk, he can’t talk, he doesn’t really understand much but he loves being outside. His demeanour changes completely when he’s out in the fresh air.”

She added: “He can’t do things on his own but he really loves doing things like when we’re weeding and stuff. If he can reach them, he’ll pull the weeds out himself. So I thought these would be perfect because they’re just about the right size for Samuel to hold.”

She went on to point out some “dreadful” issues with the scissors, including how rusty they were and how stiff they were to use, as well as the old paintwork that was flaking off.

When asked how it would feel for her son to be able to use the same pruners that her grandfather once used, Ruth broke down in tears. She said: “My grandad’s always there, and his guiding hand on Samuel’s… I do things hand-on-hand with him, I almost feel that if he could use those, it would be my grandad’s hand helping him and to get him out there doing something purposeful gives him that little bit of independence. It would be special, he’s a special boy, he deserves it.”

The Repair Shop: Beyond the Barn is available to watch on BBC iPlayer

After more than two decades of planning and years of building, the Lucas Museum of Narrative Art opened to the general public Tuesday, and a vast campus that had been nearly empty for weeks of press previews filled to capacity with eager fans, including some who traveled across oceans to see what all the hype is about.

Actor D’Arcy Carden stopped by early, beating the cadre of guests crowding the main plaza beneath the now-famous oculus of the 300,000-square-foot Ma Yansong-designed building. A Stormtrooper drove by on a flatbed truck, shortly before R2-D2 greeted visitors in the courtyard, wearing an official staff badge. (The line for a selfie with the droll droid stretched as far as the eye could see.) Museum leaders have long said that “Star Wars” artifacts account for about 7% of the 100,000 square feet of gallery space, but one worker quipped 90% of opening-day attendees likely had a vested interest in the franchise.

This proved true, for the most part: Many visitors clearly knew and loved “Star Wars,” and Princess Leia buns and Yoda ears abounded. (Two Padmé Amidalas ran into each other, and according to a restaurant worker, one brave soul showed up in “Star Trek” gear.)

David Perez, 27, (right) donned his “Back to the Future” gear, hoping to see art from the movie. But he and his brother Carlos Perez, 28, (left) were quite pleased with the “Star Wars” artifacts in the Cinema section.

(Carlin Stiehl / For The Times)

Still, the museum, as its famous co-founder George Lucas has repeatedly said, is about more than just one story, however beloved. That sentiment cropped up repeatedly in interviews, too: Early guests seemed to believe the museum’s brochure, which notes that the galleries are about the “narrative art” of illustrating stories.

Co-founders Lucas and businesswoman Mellody Hobson (also Lucas’ wife) gave remarks early Tuesday to the first 100 visitors, consisting of students from USC, Los Angeles Technology Center, Otis College of Art and Design and Los Angeles City College, who were all handed free tickets.

A yellow Naboo N-1 Starfighter hangs above the education lobby, across from the main plaza, guarding the research library.

(Carlin Stiehl / For The Times)

“I’ve spent more than 50 years collecting the work of artists who don’t always get their due — illustrators, cartoonists, muralists, painters — because I believe their images are as vital as any other art form,” Lucas said. “They deserve to be in a museum.”

“This is a museum of the ‘people’s art’ — the images are illustrations of the beliefs we live with every day,” said Hobson, “and for that reason, this art belongs to everyone.”

Later that day, The Times asked visitors to share their impressions of a museum that, until now, has lived largely in the imaginations of fans and in abundant social media posts online. The museum has drawn loads of applause but also plenty of criticism, mostly for its lack of context via wall text, and for displaying art that not everyone agrees should be elevated.

Do the people love the “people’s art”?

Responses have been edited for length and clarity.

Alden Chang and his wife flew 6,800 miles from Taiwan to thank George Lucas for creating the “Star Wars” films and franchise. Chang told The Times that he also wrote an academic paper examining “Star Wars” fan culture in Taiwan.

(Carlin Stiehl / For The Times)

Alden Chang, 32, green product engineer from Taiwan

You flew all the way from Taiwan, just for this?

Chang: Yeah, halfway across the world to meet George Lucas and Miss [Mellody] Hobson.

Did you get to meet them?

Chang: Yeah, I just shook hands with them this morning. It’s like a dream come true.

How long ago did you and your wife get here, and how long are you staying?

Chang: For eight days. We came here on Sept. 18.

Is this the highlight of the trip?

Chang: Sure. [Laughs.] It’s my main mission and my main goal.

(Later, in an email, Chang told The Times that he also wrote an academic paper examining “Star Wars” fan culture in Taiwan.)

Friends Robert Meier, left, and Marc Downing used to work as ushers at the Music Center together. Growing up, Marc rode his bike where the Lucas Museum now stands.

(Carlin Stiehl / For The Times)

Marc Downing, 71, retired, from Exposition Park and Robert Meier, 70, educator, from Highland Park

Downing: I go to all the museums. This was the newest museum, so I had to come and see this.

How does this compare to the other L.A. museums?

Downing: This is ultra modern, ultra space-future. I’m glad the museum is here; highly recommend it. And I’m proud that it’s in my city, and I’m glad that it’s in the neighborhood that I grew up with.

What made you want to be a member of the museum, Robert?

Meier: It’s giving to the neighborhood. I’ve admired George Lucas — I used to have a relative in Marin County, and growing up, we’d go to lunch, and I’d see George Lucas and his family. We’d be at the same restaurant together.

Downing: Well, speaking of this neighborhood: This used to be a parking lot. I remember it very well. And I used to come here and ride my bike in this neighborhood as a kid.

C.S. Lee sits on a bench at the south viewpoint of the museum, gazing out onto the sculpture garden below. “This is why you live in Southern California. This is why you live in L.A.: for days like these.”

(Carlin Stiehl / For The Times)

C.S. Lee, 54, actor, from Koreatown

Lee: “Star Wars” was the very first movie I ever saw in my life as a 4-year-old when I immigrated here from Korea. We landed in Hawaii, in Waikiki Beach. Our family friends took us to a drive-in movie cinema place, and they said, “You want to come see a movie?” And it was “Star Wars” and “King Kong,” double billing. And my mom said when I saw the screen, my eyes popped out of my head because I’d never seen a movie before.

How do you think “Star Wars” impacted how you saw narrative and story?

Lee: I think I carried that all through my life: the story of “Star Wars.” I was like, “Oh, the good guys won!” And it was such an uplifting thing for me to hold on [to] all these years.

What did you think about the rest of the museum?

Lee: It’s so beautifully done: all the curves, all the light. You got the wind coming through the trees that they planted. I mean, honestly, I was just looking out, thinking to myself, “Wow, this is why you live in Southern California. This is why you live in L.A.: for days like these.”

The view of the sculpture garden and grounds beyond that C.S. Lee was contemplating from the south viewpoint.

(Carlin Stiehl / For The Times)

What about the building itself?

Lee: We rarely get to see architecture like this. But I think it’s good for people to see the artistry and the imagination of what people can build.

Janet Jacobs, 62, architect and Hanjin Jacobs, 25, audio equipment manufacturer technician, mother and son on a family trip from Portland (pictured at the top of the story)

I see you’re wearing a “Star Wars” T-shirt.

Janet: Yes, I am — actually from 1977.

Wow, really?

Janet: Yeah, I’ve had it for that long [laughs].

What was your overall takeaway from the museum?

Janet: I know George Lucas wanted to create this museum in a different way, like he didn’t have a sequence of events or a roadmap, he just wanted people to experience it the way they wanted to, so that’s all great. We do wish some of the things were explained a little more. Like, I know who Ralph McQuarrie is; [my kids] do not. So that would’ve been nice. Like in a typical museum, you do have a little blurb.

[My son] brought up a really good point: how ironic it is that it’s about storytelling, but yet there seems to be no storyline.

Andrew Liu, left, and Matthew Haak hang loose in front of a KAWS sculpture. They actually didn’t know it was opening day, but were happy to be there anyway.

(Carlin Stiehl / For The Times)

Matthew Haak, 26, architectural designer, and Andrew Liu, 26, behavioral therapy assistant, both from University Park

Haak: We are not “Star Wars” fans. I haven’t watched a single “Star Wars” movie. I’ve somehow evaded them my entire life.

So, if not for “Star Wars,” why did you come out today?

Haak: I’ve been watching this building being constructed for the past two years. I’m just geeking out over the organic curvilinear forms. Not a single hallway has been straight. And they even have real expensive details, like light coves on the base [of the wall]. All of these things really stand out to me. Also, curved walls like this are so expensive; architects never get a budget to do stuff like that.

I was just surprised: It’s not just “Star Wars” stuff. There’s so much art; it’s so cool.

Nicole Garcia — dressed as Padmé Amidala in her lakeside gown — poses in front of a statue of Princess Leia.

(Carlin Stiehl / For The Times)

Nicole Garcia, 24, cosplayer/costumer from Corona and Veronica Antonucci, 40, administrative assistant from Orange County

So, this might be an obvious question [given their fun outfits], but what brought you guys out today?

Antonucci: This little thing called “Star Wars”!

Garcia: Growing up with “Star Wars,” I always loved all the pieces, knowing that, for example, there’s miniature pieces that look just huge on-screen, and seeing them in-person is just, like, I want to shrink myself down and just be there.

Antonucci: It’s also amazing that it’s not just “Star Wars,” and it’s also so much more that everyone should come out and see.

Is there anything else you were particularly excited to see?

Garcia: I was shocked to see “Fritz the Cat.”

Antonucci: I was really excited to see the Frida [Kahlo]. I didn’t know she was gonna be here, so I think when I saw her, I gasped.

Is there anything else you’d like to add?

Garcia: I just hope the future generations of kids come back to see this, growing up with museums more often, and just learning how to make art — like, physically make art — and be inspired.

Antonucci: Actually, we talked about feeling jealous of all the kids who are going to be here on their school field trips, because we didn’t get to experience this.

Nikki Foster, left, loves a good field trip. She texted her group chat to visit the museum, and her bestie, Shalonda Dean, responded, so they both cleared their calendars for the visit.

(Carlin Stiehl/For The Times)

Shalonda Dean, 47, consulting business founder and president, and Nikki Foster, 45, live event production executive, both from Beverly Hills

You both gravitated toward Norman Rockwell’s “The Problem We All Live With” — why did it stand out to you?

Dean: Being a Black woman, I can identify with this little Black girl. Even in 2026, I think this painting depicts a lot of what Black women are going through today, whether it be in the workplace, navigating motherhood, navigating life. And I think this is an example of the barriers that we’re constantly breaking through every day, even today.

Foster: I’ve never seen it in person until now. So when we saw it, we were like, “It’s here, it’s here!” Just to be able to lay our eyes on it, and not have to go to another country, another state — here in Los Angeles. This is divine. It’s a divine day.

“I love meeting people,” Vincent Zabierowski said. “People are my main inspiration. I’m very lucky I get to be in a place where people want to be, and people want to soak up all that creative energy and just experience art.”

(Carlin Stiehl / For The Times)

Vincent Zabierowski, 23, host at the Skywalker Grill and freelance illustrator, lives near Downtown L.A.

As an artist yourself, what are your favorite pieces in the museum?

Zabierowski: I love a lot of the things that are in the graphic novel collection, like the Jack Kirby, the Garfields. My favorite is the Art Nouveau artist Alphonse Mucha. The Diego Rivera mural, that one was really amazing — and just the history here, having it be in L.A.

How does your work as an illustrator inform how you see these pieces?

Zabierowski: When I was going through it with some of my co-workers, I would [ask] “Do you know why they use a blue pencil?” And it’s because, when you take a photograph or a scan, that blue pencil disappears. So it was just really cool to see the behind-the-scenes and understand.

So seeing those blue pencil marks tells you that a piece is real?

Zabierowski: A person made it! I feel like a lot of people see artwork in textbooks, or they see artwork on their phones, or they see artworks on posters, and it takes a lot of skill and intelligence and training to be able to do those pieces of artwork.

EXCLUSIVE: Emmerdale’s Katie Hill – who plays Sarah Sugden on the ITV soap – warns there’s a ‘rocky road’ ahead as she details devastating consequences for Charity

Sarah Sugden star Katie Hill has revealed some tragic twists on Emmerdale in the coming weeks.

Fans will know Charity Dingle is currently under investigation for the death of Dr Todd but it was Sarah who killed her. In a shocking turn of events, Charity confessed to Sarah that the baby she thought was hers and Jacob’s was actually Charity’s and Ross’.

Now, actress Katie has warned there’s more trouble ahead for Sarah and Charity in the coming weeks in an exclusive chat with The Mirror at the Inside Soap Awards.

“When the producer told me, I was so shocked. I had no idea it was going to be Sarah that was the one to kill her. It was a massive shock. She didn’t do it on purpose. It’s not in her nature to kill someone,” she said.

“She’s just now found herself in this really sticky situation. And then obviously with the baby thing on top, finding out about that, she’s just acted on impulse. She’s so angry, and she’s thought, ‘This is what I need to do to get my peace,’ type thing.”

However, Katie warned that despite her confessions, Sarah will continue to struggle.

“I think she’s still struggling with the idea that she’s killed someone. We’ll see her go through a bit of a rocky journey with like parenting, sleepless nights,” she told us.

“I think she’s just revisiting what she’s doing over and over again. And the guilt obviously did set in with Charity and reporting her but she’s gone and taken all that back. It’s a rocky road ahead for Sarah.”

Just a few weeks ago, Sarah found out that Charity had lied about the baby’s parentage.

Speaking about the impact of the storyline, Katie revealed: “In Sarah’s eyes, this is the end. I don’t think she believes she will ever be able to forgive her. The dynamic between the two characters has shifted completely. Sarah is taking charge now, and while it’s obviously devastating for Charity, Sarah just can’t see a way past this.

“From this moment on, as awful as it sounds, Charity is essentially dead to her. She doesn’t want Charity to have anything to do with her or Leyla. Sarah is setting very strict boundaries, she’s nothing to her now.”

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Presenter Sara Pascoe has claimed she was ousted from her role on Great British Sewing Bee and said the BBC chose to replace her with a younger woman.

Sara Pascoe has claimed she did not leave her job on the BBC‘s Great British Sewing Bee role saying she was “replaced me with a younger woman”.

The comedian, 45, had presented the BBC contest in 2022 and 2023 before taking a year off after welcoming her second child. But shortly after returning, it was announced that Sophie Willan, 38, was to take over the year’s Christmas special and series that followed.

She’s now made it very clear it wasn’t a decision she was part of. She was asked on Harry Hill’s podcast: “There’s The Great British Sewing Bee, do you still do that?”

Bluntly, she responded: “No. They replaced me with a younger woman. Showbusiness is harsh.”

Harry went on to ask: You gave it up, right?” But she hit back: “No I didn’t, absolutely not. I’m, I’m very lucky for the work I’ve had, I’m very gracious, I have bought a house, I send love and light to everyone.”

When Sophie was announced, the BBC said: “Sara has been a brilliant, witty and much-loved presence in the sewing room and both the BBC and the Bee team thank her for three wonderful series.”

Commissioning editor Cal Turner added: “We are delighted to welcome Sophie Willan to The Great British Sewing Bee. With her boundless enthusiasm and energy, Sophie will bring her own unique spark to the sewing room alongside Patrick and Esme.

“We’d also like to thank Sara Pascoe for three brilliant series – her humour and charm have been a joy for viewers and stitchers alike.”

And Tom Davies, Executive Producer Love Productions said: “We are so excited to have Sophie join the Sewing Bee team and we cannot wait to see what she brings to the Sewing Room.”

Earlier this month it was confirmed the new series was already being filmed. Judge Patrick Young praised Sophie for her hosting skills and said the show is kept ‘fresh’ by bringing in new presenters.

“Sophie is amazing,” Patrick said. “I was a massive Alma’s Not Normal fan. Quite often, we get told who is going to be coming on, and I had to pinch myself. I was like, ‘Oh my god, I loved Alma’s Not Normal’. She’s brilliant, she’s so fun.

“Esme loves her. She just helps create the most amazing atmosphere on set. We’ve been making the show for a long time. A lot of the crew and everybody behind the scenes are the same, but it’s lovely having somebody come in and give it a little zhuzh.”

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A three-part series following investigative reporters and police investigators who were instrumental in holding Gary Glitter accountable for his sex abuse crimes has been paused

Netflix has paused the release of an investigative docuseries into disgraced Gary Glitter’s history of sexually abusing minors.

The streaming giant has issued a statement confirming that the three-part series will no longer be released on October 14 as they originally announced.

A spokesperson for Netflix said: “We have made the decision to pause the release of Hunting Gary Glitter originally due to launch on October 14.

“This follows new legal information we recently became aware of. We’re not able to share further detail at this time, but we’ll provide an update as soon as we’re in a position to do so.”

The synopsis for the series states: “A string of dogged journalists chases fugitive pop star Gary Glitter across the globe — from Cuba to Cambodia to Vietnam — determined to expose the child sexual abuse he concealed behind decades of chart-topping fame.

“This documentary follows their pursuit alongside the survivors who speak out, charting Glitter’s 1997 conviction, through to his years on the run, and eventual incarceration.”

The rocker, real name Paul Gadd, was a popular British glam rocker in the 1970s and sang numerous hits like Do You Wanna Touch Me and I Love You Love Me Love.

In 1999, his popularity was derailed by numerous allegations of child sexual abuse and subsequent conviction for possession of child pornography.

Later, in 2006, he was jailed in Vietnam for the sexual abuse of two girls. In 2015, he was convicted of sexually abusing three additional young girls.

In 2023, Gadd was released for a short time on probation before being reincarcerated. Police did not publicly say how he violated the terms of his release.

Featured in the trailer of Hunting Gary Glitter, the docuseries uses first-person interviews to detail Gladd’s original convictions and years hopping from country to country, including Vietnam, Cuba, and Cambodia to avoid prosecution and jail time.

The advert was released alongside the initial announcement but has now been pulled as has all the other assets from Netflix’s media website.

Hunting Gary Glitter was due to be released on Netflix on October 14 but has been paused

THIS nepo-baby made their catwalk debut as they showed off their striking resemblance to their famous dad.

The 18-year-old was seen strutting down the runway Vogue World: Milan on Tuesday night. 

He wore a grey tweed Prada double-breasted blazer suit with a long sleeve beige top underneath and a pair of black loafers.

But have you worked out who this dapper star is?

It’s none other than Levi McConaughey.

He is the son of Hollywood actor Matthew McConaughey, 56, and his mum is Brazilian model Camila Alves, 43.

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The event was hosted at Italy’s oldest shopping arcade, Galleria Vittorio Emanuele II.

Levi looked dapper in a the two-piece suit and wore his brown curly hair parted to one side.

The event was attended by a number of A-listers including Gigi Hadid, Jennifer Lopez, Heidi Klum and Pamela Anderson.

Levi has been making more public appearances, including his attendance in June 2025 he attended the Dior show at Paris Fashion Week and also joined his family at the premiere of his dad’s Apple TV series Brothers this month.

Levi is the eldest child of Matthew and Camila, who also have a 17-year-old daughter named Vida, and a 15-year-old son, named Livingston.

The teenager appears to be following in his famous parents footsteps.

Last year, he was spotted picking up tips from his dad as the cameras rolled in San Diego in November.

Levi was filming for drama Way Of The Warrior Kid and was seen shooting scenes at Mission Beach.

Yet he had his Interstellar star dad on-hand for support.

The How To Lose A Guy In 10 Days star was seen keeping tabs on Levi before offering some sage advice before a take.

He was shooting scenes for the movie adaptation of the 2017 Jocko Willink children’s book of the same name.

It tells the story of 11-year-old Marc, played by Jude Hill, who finds his inner warrior strength during the summer holidays with the help of his Navy SEAL Uncle Jake.

Matthew and Camila’s first and oldest son was born on July 7, 2008.

Levi means “united,” “joined,” or “joined in harmony,” and is an anagram for “live,” beginning a theme for the McConaughey kids.

Loose Women star Coleen Nolan has spoken out about a family feud

Coleen Nolan has opened up about a sad family rift in which some members of her family have ‘never spoken to her again’.

The beloved presenter returned to screens on Wednesday (September 23) for Loose Women. Along with Coleen, the panel consisted of Kaye Adams, Janet Street Porter and Jane Moore.

While on the show, the conversation turned to the topic of Earl Spencer’s book – which has made plenty of headlines. “I think that’s the thing when you’re writing your memoir. You can only do it from your perspective and your truth,” Coleen said.

She then shared that she waited until her mum and dad passed away before writing and releasing her own autobiography. Coleen said: “My mom and dad weren’t alive because I knew it would really hurt my mom to hear some of the things that I was going to say my truth about my dad.

“He was a brilliant dad. But had his moments where he wasn’t, and that would have upset my mom.” Coleen then shared that, due to her memoir, a family rift erupted.

She said: “Now, because I wrote those things, I had my dad’s side of the family, a couple of his sisters who never spoke to me again because of that, because they never saw him like that, and he was their golden boy, he was the only boy in the family. They absolutely idolised him.

“Even though I said he was a great dad, he drank too much for me and I didn’t like him when he was drunk and those kinds of things. I had to accept that. I lost those relationships.”

Jane Moore then asked Coleen: “Do you think that’s because you did it publicly? If you’d have that conversation with them privately, would you have carried on speaking to them?”

Coleen replied: “No, they were never, ever, ever gonna believe that. They just didn’t see anything bad at all. And, that’s okay.”

The TV star has been open about the relationship with her father – who died in the 90s – over the years. In 2024, she explained on Loose Women how she would be “scared” whenever her dad Tommy would return home from the pub at weekends.

“My dad was quite a big drinker and I think he’s the reason I became almost phobic about, well not about drink but about drunk people,” Coleen said. She added: “And even now I love when people get tipsy and have a good time but as soon as they cross that line to where their personality changes I have to leave.

“I can’t stand it because I don’t know whether it’s gonna go aggressive, you can see it in their face can’t you? That’s where I’ve gotta leave, and that stems from, as a kid, watching my dad.

“He was a brilliant dad but at weekends he’d come home and he was the quiet drunk and that scared me more because I knew he was in that mood. So that sent me the other way.”

Loose Women airs Monday to Friday at 12:30pm on ITV1.

Did Justin Bieber perform at problem-plagued MacArthur Park? Never say never.

An impersonator may have tricked a Las Vegas nightclub last year, but those at the park Tuesday appeared convinced of their brush with Bieber. L.A. County’s district attorney was too.

According to social media posts, the singer and a few band members set up on a grass lawn near a Central American fried chicken shop on 6th Street. He reportedly performed several songs, including the 2025 hit “Yukon.”

L.A. County Dist. Atty. Nathan Hochman on Tuesday night pointed to the “Yukon” clip as proof that park conditions were improving.

L.A. D.A. Nathan Hochman, center left, walks with First Assistant U.S. Atty. Bill Essayli on June 4 as L.A. police and federal agents conduct an operation targeting narcotics use at MacArthur Park.

(Allen J. Schaben/Los Angeles Times)

Bieber’s performance, he said in a post on X, was a “testament to the progress we are achieving to take back the park from drug dealers and enliven it for families.”

“[He’s] definitely on the invite list for next year’s Labor Day weekend picnic!” Hochman said.

The Times reached out to Bieber’s representatives to confirm the pop singer’s appearance but did not immediately hear back.

The pop star has been leaning in to more intimate performances, notably appearing on the Grammys for a stripped-down rendition of “Yukon” (while wearing boxers and black socks).

In April, he made his Coachella headlining debut, playing a nearly 90-minute set. For a large portion of the set, he took Beliebers — as his fans are known — down memory lane, sitting behind a laptop and singing along to his old music videos.

The shadow of Bill Cosby hangs over the “The Peterson Show,” a new play by Janine Nabers about the fallout of a disgraced TV dad on the grown-up cast members who played his children on the show.

Echo Theater Company, which is presenting the world premiere of this play in a production directed by Michelle Bossy, has reconfigured its Atwater Village Theatre space for the occasion. The refresh — in terms of the position of the stage and the audience and in the level of the design elements, including video monitors showing clips of Black sitcoms — promises a vital evening of theater.

Unfortunately, the production is hamstrung by fundamental problems in the writing, directing and acting, all pointing to a failure of control. Control of the story, control of the tone and control of the cast.

In my fall preview item for this show, I wrote that the “production is all but guaranteed to be more enlivening than an evening spent surfing Netflix.” Well, it’s certainly lively, but in a boisterous way that made me regret I had left my couch.

Not even Netflix would give “The Peterson Show” the greenlight. The story centers on the adult lives of the sitcom’s five child stars who are thrust once again into the spotlight after a reunion rumor goes viral and their TV mom, Valerie, kills herself.

Deanna Reed-Foster, left, and Tamberla Perry in “The Peterson Show” at the Echo Theater Company.

(Cooper Bates)

Ronika (Tamerla Perry), the troublemaker of the group, careens through life with faulty brakes. Zoe (Kristen Ariza), who has traded TV stardom for an academic career and motherhood, wants the normalcy that her former fame keeps threatening.

Dwight (Devere Rogers) is messy and loud as well as addicted to fame and other substances. Blair (Kelly McCreary), who pulled herself out of a miserable childhood, has made a successful career as an award-winning actor and isn’t going to let her flimsy talent or her TV siblings stand in her way. Elliot (John Clarence Stewart), who seems the best adjusted of this crew, left the business to become a lawyer and hasn’t looked back.

Haywood Peterson, the patriarch of the TV show who’s serving jail time for rape, doesn’t appear in “The Peterson Show.” But his voice tyrannically resounds with sadistic orders and conservative cultural commentary during the second-act flashback scene, in which a fateful day on the set of the show changes the lives of Ronika and Blair.

The unsettled first act, full of false starts, feels like an early draft of the play. Nabers, an Emmy-nominated TV writer and author of the play “Serial Black Face” (winner of the Yale Drama Series Prize), can’t figure out how to center the work.

Ronika is the protagonist, but her introduction is off-putting — not only to Zoe, whose home she has invaded, but to the audience, who isn’t given much reason to care about this abrasive, screechy and just-plain-annoying personality.

The cast members perform at a fever pitch of amateur sitcom acting. Ronika evolves as the scene shifts to Blair’s home (which confusingly has the same layout as Zoe’s house in Michael Kramer’s eye-catching scenic design) for the home funeral of their TV mom. But more thought is spent in reworking Ronika’s hairstyle and outfit than in developing her story.

Kristen Ariza, left, Devere Rogers, Kelly McCreary, John Clarence Stewart and Tamberla Perry in “The Peterson Show” at the Echo Theater Company.

(Cooper Bates)

Ronika’s resentment toward Blair, who has avoided condemning Haywood in public, seethes monotonously until her own backstory is finally unearthed. Ronika’s trauma plot, however, has to compete with Valerie’s related breakdown story, and neither is given its dramatic due.

In the meantime, there’s a lot of unwieldy comic commotion involving a missing corpse, a tweaking, naked Dwight and enough insipid TV sibling bickering to clog the airwaves for a decade.

“The Peterson Show” is exhausting. The play isn’t ready for prime time. Bossy’s direction raises the clamorous volume instead of sorting out the disordered structure or digging into the unexamined silences.

The actors are led completely astray. Echo has built its reputation on quirky plays idiosyncratically performed. The theatrical marching orders here seem to involve throwing spaghetti against the wall and laughing uproariously as it slides to the floor.

OASIS fans who are eager to grab tickets for their 2027 tour must keep an eye on their emails over the next few days.

This is because those who have been selected from the ballot will be given a unique code in order to access the site to buy tickets. Here’s what you need to look out for.

When are Oasis codes released?

Codes for tickets will be released between Thursday 24th and Sunday 27th September 2026.

As published on oasisnet.com, if you have been selected to buy an Oasis Live ’27 ticket, a unique code and full details of how to buy tickets will be sent to the email address and name fans registered with.

There will be no general sale for the tour, but there is also no set time on when fans will receive their codes.

This means that fans who are invited to buy a ticket on Sunday 27th September may receive their code later.

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Fans have been warned to check their junk folders over this period just in case the email with the code attached drops in there.

When do tickets go on sale?

General sale for tickets will be across three dates, but you’ll only be able to access the sale on your allocated day.

Registration closed on Thursday 17th September at 4pm, with fans now having to wait to see if they are lucky enough to have been selected.

The three days the general sale will be on are:

• Friday September 25
• Saturday September 26
• Sunday September 27

Ticket prices are fixed and will range between £71.50 to £266.60. Ticket prices will vary depending on the location of the concert and where you are stood or sat.

What are the confirmed tour dates?

Oasis are returning to Knebworth house in 2027, for the first time since their iconic 1996 gigs which saw 250,000 people attend over two days.

They have 11 nights booked at the Etihad stadium, home of the Gallagher brothers beloved Manchester City, having last played there in 2005.

The icons will also return to France for the first time since their acrimonious split at Rock en Seine festival in Paris in 2009.

The pop star duo have revealed exactly what happened during the tense row

Jedward have broken their silence on the heated Big Brother row that left them “traumatised”.

The pop star duo, whose real names are John and Edward Grimes, joined the reality show on Sunday and had already sparked chaos by Monday night. It all started when they offered 21-year-old Rhianna some friendly advice while relaxing in the garden hot tub.

Rhianna approached the pair and asked for their unfiltered opinions about her, and they didn’t hold back. They criticized her relationships in the house and encouraged her to get out of her comfort zone, telling her “you’re not in Love Island“.

The conversation spiralled out of control when Rhianna reported it back to her close friend Chelsey, revealing she was really upset. Fellow housemate Lynx then realised the young woman was sad and decided to confront Jedward.

When Lynx approached the twins, the discussion became even more heated and ended with John splashing Lynx with water from the hot tub.

John has now explained exactly what happened in that heated moment, arguing that the water splashing was “innocent”. Speaking on Big Brother’s companion show, The Group Chat, he said: “I had given the girl [Rhianna] a bit of advice.

“She left, I literally thought she was calling it a night. Suddenly Chelsey is back and I’m like ‘Ok that must be it then’. And he [Lynx] was about to – I don’t know if he was about to get into the tub – but the water was just there.”

He went on to add: “It could have got way worse. I think the splashing was just innocent. It was just an innocent moment.” Other housemates were forced to step in after the splashing incident as Lynx was left furious with the twins.

Edward revealed his own perspective on the argument, adding: “I’m traumatised, I’m gonna have to check into a therapist. I will never get into a hot tub and not think of this.”

The musicians were at the heart of drama throughout their Big Brother journey but they have insisted they didn’t set out to “make trouble”. They had actually hoped to form some connections and enjoy a few days in the famous house.

However, Jedward’s time on the show came to end in Tuesday’s (September 22) episode. They returned to social media before their final scenes had even aired and shared unfiltered posts about the remaining housemates.

Writing on X, formerly Twitter, one post said: “The truth hurts I guess I think we deserve a medal for the honesty and impact we brought to the house authentic vibes always. They acting too pretentious and predictable and raging we clocked.”

While another added: “Don’t ask for an opinion if you can’t handle the truth I was calm, collected, fair and straight with them #bbuk.”

Big Brother’s The Group Chat is streaming now on ITVX

HEIDI Klum has showcased her curves in a stunning see-through black gown at Milan Fashion Week.

The supermodel turned heads with her breathtaking appearance in Italy on Tuesday.

Photos obtained by The U.S. Sun captured Heidi, 53, smiling and waving to onlookers during a Womenswear Spring/Summer 2027 event.

The German beauty wore a completely sheer ankle-length, long-sleeved dress that left little to the imagination.

She strutted down the sidewalk in the racy outfit that exposed her bare butt through the thin fabric.

Heidi’s long legs were also on display with the gown’s super high slit at the bottom.

OKTOBER-BREAST

Heidi Klum can’t contain her boobs as she buttons up corset at Oktoberfest

The former America’s Got Talent judge completed the look with black high heels, black sunglasses, and her long blonde hair in loose waves.

She also shared several videos of herself walking through the city in the daring outfit on Instagram.

Heidi returned to her old spot on the AGT panel earlier this month to fill in for her ex-co-star Simon Cowell.

She served as a guest judge for the last Golden Buzzer episode of the season while Simon undergoes back surgery.

The TV star previously served as a main judge on the talent competition series from Season 8 to Season 13.

She returned in 2020 for Season 15 and continued through Season 19 in 2024.

Since leaving the show, Heidi has been focusing on her many other endeavors, including hosting and judging the Project Runway reboot.

The mom of two is also preparing to host her infamous Halloween bash next month, which is always a star-studded affair.

Before her schedule picked up, she took some time off to enjoy multiple lavish getaways.

The runway model attended an Oktoberfest event earlier this week, sporting a skintight pink corset that could barely contain her breasts.

Before that, Heidi shared numerous photos on Instagram from her trip to St. Barts, where she wore an array of super skimpy swimsuits.

The reality star went completely topless while soaking up the sun on the island with her husband, Tokio Hotel guitarist Tom Kaulitz, 37, and friends.

She made the same move earlier this summer, ditching her bikini top while swimming in the ocean with her dog.

Heidi also freed her bare breasts while sunbathing on a swanky hotel balcony during a vacation to Cannes in May.

AUSTRALIAN rock legend Gary ‘Angry’ Anderson has died at 79.

The rocker was known for as the frontman of the band Rose Tattoo.

His bandmates and family released an emotional tribute to the star.

An emotional statement described the musician as a “devoted father, and much-loved bandmate”.

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us on TikTok @TheSun.

Dolly Parton’s estate has reportedly accused the late singer’s nephew of extortion and threats against staff.

On Tuesday, Parton’s estate, She’s Alive, LLC, requested a restraining order against Parton’s nephew Bryan Seaver, court records show. The request came after he was fired from his job as head of security, as TMZ reported.

She’s Alive is run by Parton’s former manager Danny Nozell.

The New York Times reviewed court records containing allegations that Seaver began making demands shortly before Parton died. The demands grew into more serious threats, according to the records the news outlet cited, which the plaintiffs saw as an attempt to obtain money from the Parton estate.

Here’s what to know.

Who is Bryan Seaver?

Parton’s nephew, Bryan Seaver, shared the news of his aunt’s death in a video posted to her Instagram account on Aug. 25.

In the video, Seaver, standing in front of a black background, introduces himself as the the son of Dolly’s sister Cassie Parton and says he is representing the Parton and Owens family in announcing his aunt’s death. The Owens are the maternal side of the country star’s family.

“This video announcement is something Dolly asked of me years ago, before I fully absorbed it as a future reality,” he says in the video.

Seaver adds that he followed in his father Larry’s footsteps in becoming Parton’s head of security, a post he held for more than 20 years.

Seaver and his company, Squadron Augmented Protection Services, LLC, are the defendants in the lawsuit. They were reportedly terminated about three weeks after the country icon’s death.

Seaver did not immediately respond to The Times’ request for comment.

According to the New York Times’ reporting on the court records, the restraining order request, filed in Davidson County Chancery Court in Nashville, sought to keep Seaver away from Parton’s properties and staff.

Who is Danny Nozell?

Nozell was Parton’s longtime manager. He has claimed credit for helping revive Parton’s international touring career.

He told The Times last month that Parton “worked up until the day she died” on multiple projects.

“She loved seeing her dreams come to life, and loved knowing her work brought people joy,” Nozell said in the statement. “Ever the planner, Dolly worked with the team that she handpicked, for the past several years to build a project roadmap that will guide us for decades to come.”

Nozell’s website described his work with Parton as “arguably his most notable achievements.”

What are the allegations?

The court records, according to the New York Times, include allegations that Seaver sent a profane threat to a Dollywood business partner, and that, separately, he referred to himself as a “killer” and “not an entertainment person” while corresponding with one of Parton’s longtime lawyers.

According to TMZ, Seaver and his team said in a statement that they were “dismayed by the … unexplained actions” following Parton’s death and “[w]e remain unshakably resolved to fulfill her final directive to protect her family, and we refuse to be intimidated by those whose actions we believe are being taken in bad faith and with the intent to profit from the life of someone who willingly gave so much.”

In a new magazine interview Lacey revealed her hopes and fears for the BBC comptition which kicks off at the weekend

Lacey Turner has admitted she has jumped out of her comfort zone to take part in Strictly Come Dancing. The EastEnders star, who is best known for her long-running role as Stacey Slater on the BBC soap, has now been paired with Vito Coppola on the series.

Speaking about the decision to take part, she told Prima: “I’ve been asked to do Strictly Come Dancing before. I’ve seen co-stars like Jake Wood and Kellie Bright work at the same time as doing the show, and I don’t know how they did it.

“Now I’m not on EastEnders , it felt right. I’m nearly 40 and I want to start doing things I’m scared of. I want to go out of my comfort zone and push myself to see what I’m capable of. Maybe it’s a midlife crisis, but I want to show my children that they can do anything they put their mind to.”

As well as being well known in Albert Square, the Edgware-born actress, 38, has also appeared on TV shows including True Love and Call The Midwife, and starred as Molly Dawes in the military drama Our Girl. She was the first contestant to be announced as taking part in Strictly this year.

Asked what scares her about taking part, she added: “I’m nervous for people to see more of Lacey. I’m opening myself up to people criticising me, not just my character. I’m quite terrified of the whole thing, and while I tap-danced when I was younger, this is very different. I am a bit scared of letting people in, but you can’t live your life in fear.”

Lacey revealed at one point in order to juggle motherhood and being on EastEnders she “smuggled” her newborn daughter onto the set. She explained: “I don’t think I was allowed, but I wanted to get stuck back in, so she was partly raised by cast members, assistant directors and makeup artists. It was lovely to be able to go back to work and have her by my side, which is rare. The world is not set up for mothers to be able to do that.”

Thankfully ahead of Strictly there was slightly less pressure on her In terms of work and she has been making the most of family time away from the small screen in the run up to the intensive training she will now undergo. She married husband Matt Kay in 2017 and the pair have three children.

She said: “For the first time in my life, I’ve had a long-time off work, and it’s been lovely to be with my kids, potter around in my allotment and do things just for me. I genuinely love EastEnders and working, so I thought I would get bored during this break, but it’s been so lovely.

“Will I come back to EastEnders ? It will always have my heart and will be a big part of me. I love the show. I miss Stacey, so one day, I hope to go back – but when that is, I’m not sure. I just hope they don’t kill her off!”

* The full interview can be read now in the November issue of Prima, on sale today(Wednesday 23 September).

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Sept. 22, 2026 2:31 PM PT

Podcaster and mental health activist Jennifer Eckhart, who sued ex-Fox News anchor Ed Henry for sexual assault in 2020, died by suicide on Saturday, according to authorities.

Eckhart was found in her Florida home on Saturday morning, according to an incident report issued by Martin County Sheriff’s Office, People reported. Her mother discovered her body inside a bathtub with a knife nearby, according to TMZ.

“This death has been ruled a suicide,” Christine Christofek, a spokesperson for the sheriff’s office, said in a statement to People.

Eckhart worked as an associate producer on Fox News Media’s Fox Business Network from 2013 to 2020. She sued Henry for sexual assault in 2020, and Fox News was named in the suit, accused of failing to take action against Henry for harassing women. The news division was later removed from the suit in March 2025.

“Fox News can … be held liable for Henry’s actions only if its management or supervisors knew or should have known about that purported misconduct yet failed to prevent Henry from harming Eckhart,” Judge Ronnie Abrams said in her March 2025 ruling. “On this record, the Court agrees that no reasonable jury could make that finding.”

Eckhart revealed that her lawyers were appealing Abrams’ decision in an October 2025 Instagram post.

“This case was never just about me,” she wrote. “It has always been about accountability and forcing corporations to answer for the cultures of abuse they protect, enable, and excuse behind power, money, and silence. For more than five years, my former employer Fox News has spent millions resisting accountability in my [rape] lawsuit. But what’s at stake is far bigger than me, one woman, one man or one company.”

The appellate court upheld Abrams’ decision, Eckhart’s lawyer Michael J. Willemin, a partner at Wigdor law firm, said.

“We were deeply saddened to learn of Ms. Eckhart’s passing, and our thoughts are with her family at this time,” Willemin told The Times.

Eckhart filed the harassment complaint against Henry after Fox News fired her in 2020. Following a subsequent sexual misconduct investigation, Fox News fired Henry that same year. The anchor, who now works at Newsmax, had previously taken time off in 2016 after a woman who claimed they had been having an affair while he was married released embarrassing correspondence between them, per People.

Born in Miami, Eckhart graduated from the University of Florida with a bachelor of science degree in telecommunications-news, according to her biography. She previously served as an ESPN Radio correspondent and an anchor for Gainesville, Fla., PBS affiliate WUFT-TV. In addition to her news and podcast experience, Eckhart also founded the Reinvented Project, which provided “support for trauma survivors through animal-assisted healing.”

Despite adversity, Eckhart was determined in her October 2025 post.

“I know the risks of speaking when silence would have been the safer, easier option. But I also know this: regardless of the outcome, history will not remember me as a woman who kept her mouth shut,” she wrote. “And I am completely at peace with that.”

California Atty. Gen. Rob Bonta’s deal to allow the $111-billion Paramount-Warner Bros. merger to proceed was struck amid political pressure from state leaders and concern from some Democratic attorneys general that concessions from the studio fell short, according to multiple sources familiar with the negotiations.

As recently as this weekend, New York Atty. Gen. Letitia James and Connecticut Atty. Gen. William Tong — who had signed on to the lawsuit — had said they needed more concessions, according to three knowledgeable sources close to the negotiations.

In an interview with The Times on Tuesday, Tong said Bonta was “doing his very best in very difficult circumstances” to steer the coalition to a favorable outcome, but amid “a lot of political pressure” from others in California that “did not help.”

“I’m not going to sugarcoat it. This is ultimately not what I wanted,” Tong said.

Tong said one of his chief concerns — shared by others in the 12-member coalition of states — was with the merger’s consolidation of CNN and CBS News under Paramount Skydance Chief Executive David Ellison, the billionaire media mogul close to President Trump and son of Oracle co-founder and Republican mega-donor Larry Ellison.

Tong raised similar concerns after the announcement of the deal, when he said publicly that his state had “led the fight to the bitter end to protect the editorial independence of CNN and CBS News,” and that he was “deeply disappointed that we could not do more.”

Paramount declined to comment.

With its economy and global reputation heavily intertwined with Hollywood’s allure and ability to survive, California had more at stake in the negotiations.

In exchange for the states lifting their antitrust challenge, Bonta said Monday that the studio had agreed to either produce 30 or more films annually for the first five years of the combined company or divest the Miramax film studio; separately negotiate basic channel agreements for Paramount and Warner Bros. or divest from major cable channels; spend $300 million more each year on film production in the U.S.; maintain its Melrose Avenue and Burbank lots; and establish a board to ensure editorial independence at CNN and CBS News, which also fall under the merger.

Bonta said the deal has “real teeth,” and that he “will hold Paramount accountable” moving forward.

Since then, however, other Democrats have voiced less confidence, and some in the coalition believed they could have held out for better terms as the midterm elections approached.

Some also questioned whether Bonta and other California leaders were swayed by Ellison’s threat to move Paramount out of the state.

Gov. Gavin Newsom, Los Angeles Mayor Karen Bass and Xavier Becerra — the front-runner in the race to succeed Newsom as governor — had all urged Bonta to settle the case. In his initial statement on the deal, Ellison thanked the Democratic attorneys general for working through their differences, but also thanked Newsom for “his support throughout this process.”

Sen. Cory Booker (D-N.J.), the ranking Democrat on the Senate Judiciary Subcommittee on Antitrust, Competition Policy and Consumer Rights, said Bonta and the other state attorneys general “took on one of the most powerful media companies in the world, a company backed by the full weight of the White House,” and that Paramount had answered “with what amounted to extortion” by threatening to withdraw from California if the deal was blocked.

Booker claimed the merger remains illegal and questioned the independence of any editorial board picked by and reporting to Ellison — saying it would not stop him from making “sweeping changes at CNN” to please Trump.

“This is what happens when federal enforcers abandon their posts. States are left to carry the fight alone, and even the strongest state enforcers cannot outlast a company willing to say anything and spend anything,” Booker said. “That is not justice. That is a price tag.”

Dissent before the deal

The pace of the negotiations, which had been on-again, off-again for weeks, quickened last week, and Bonta’s office had reached a deal with Paramount by Friday, sources said.

But there was a last-minute hiccup: Some members of the coalition felt the deal fell considerably short of what they had been seeking.

Among other things, James was dismayed that the Writers Guild of America — which had separately sued to block the deal — hadn’t been brought into the negotiations. She pushed to include the WGA and to bolster Paramount’s commitment to the WGA’s health and pension fund.

Over the weekend, Paramount agreed to increase its health fund commitment from $10 million to $17.5 million. Still, the WGA had largely been shut out of the process, and said Monday that it continued to “believe the merger will cause damage to writers and the industry at large.”

One source familiar with the negotiations said the states had four separate votes against settling on Sunday, but the resistance eventually crumbled with word that the WGA was backing out of the fight. Two sources familiar with the matter said some in the coalition were caught off guard by the speed with which Bonta’s “tone” changed and the deal was reached. Some had felt Paramount may be more inclined to grant concessions once it had to start increasing its payout to Warner Bros. investors starting Oct. 1.

On Tuesday, Bonta told The Times that he would not comment on “what specifics led up to” the deal, except to note that all 12 state attorneys general in the coalition signed on to it.

“It was unanimous, and I’ll leave it at that,” he said.

Bonta said there was certainly “a lot of interest” in the case from other elected officials, some of whom made their positions clear, but that “none of it had any influence” on him.

“I need to look at the law and the facts,” he said. “If we’re able to get a solution to our antitrust concerns, we take it.”

Bonta said he could not comment on what effect Ellison’s threats to move Paramount out of California might have had on his decision and that his “focus was on the antitrust concerns” — which he believes the deal substantially addresses.

A source close to the governor’s office said Newsom communicated frequently with Bonta and Ellison, acted as an unofficial mediator and urged them to reach a resolution, but did not try to control the terms of the deal and respects Bonta’s role as the state’s independently elected law enforcement leader. Newsom appointed Bonta as California’s attorney general in 2021 after Becerra, who was serving in that post, accepted a position in President Biden’s cabinet. California voters elected Bonta as attorney general in 2022.

The source said Newsom wanted the two sides to settle the case because he was concerned that the state could face protracted litigation, ultimately lose in court and end up with nothing. Paramount leaving California for Nashville — a destination floated by Ellison — also would have been an economic blow to the state.

Newsom has tried to keep businesses headquartered in the state due to the economic and budgetary impacts of losing companies and their wealthy chief executives to other places, and recently signed legislation to create a new post-production tax credit for studios. Last year, he doubled the state’s existing film and television tax credit in an effort to support the industry.

Mixed reaction

Newsom and many of Bonta’s fellow attorneys general echoed his claims of victory.

James said the deal “will allow the film and television industry to continue to thrive with more movies produced in America and $1.5 billion of new investment in film production.” Oregon Atty. Gen. Dan Rayfield said it “keeps real competition in place, ensures that productions will continue, and ensures journalistic independence.” Arizona Atty. Gen. Kris Mayes said it would protect businesses, including local movie theaters. Colorado Atty. Gen. Phil Weiser said it would protect “moviegoers and producers.”

In a statement, Newsom thanked Bonta for his work to reach the deal, which he called “a practical path forward” that “protects California jobs while putting a safeguard in place to help preserve editorial independence for two of America’s most important news organizations.”

Still, it was clear that others viewed the deal as a partial win at best.

New Mexico Atty. Gen. Raúl Torrez called it a “great first step.” Massachusetts Atty. Gen. Andrea Joy Campbell said the states were “unable to secure every protection we fought for,” and that she “would have liked to see more.” Minnesota Atty. Gen. Keith Ellison stressed that the deal should not be seen as an endorsement of the merger.

“I believe mergers like this are never done with the best interests of consumers, workers and small businesses in mind and are instead designed to help a select few get richer,” he said.

Some outsiders were even more forthright with their skepticism. Rich Greenfield, a longtime media analyst, called the deal a “slam dunk win” for Paramount because it didn’t require the company to sell off any assets. Norm Eisen, co-founder of the Democracy Defenders Action group, said the “so-called independence board” to oversee CNN and CBS News “appears to be sorely lacking in independence.”

Bonta said the deal does set out structural divestment remedies if Paramount does not follow its other terms — including by requiring it to sell off Miramax if it doesn’t produce enough films, and to sell off BET, VH1, Comedy Central and other channels if it doesn’t negotiate cable agreements for Paramount and Warner Bros. separately.

He said that if the state had held out and gone to trial on its antitrust arguments, it would not have been able to negotiate any journalistic oversight for CNN and CBS, whereas the “creativity and flexibility of settlement” allowed them to establish the oversight panel.

“Does that transform our information ecosystem broadly, to make sure that there’s no more misinformation or disinformation? No. Does it make sure that all broadcast news and cable channel news organizations are only telling fair, fact-based, independent, objective news? No. Does it even ensure that happens every single time at CBS News or CNN? No,” Bonta said. “Does it improve the likelihood, vastly, significantly, that that outcome will occur? It does.”

“Children of Blood and Bone” director Gina Prince-Bythewood’s son Cassius Bythewood was honored by Miami Police department last week for saving a woman from a near-fatal attack.

Cassius accepted the hero award from the city of Miami Police Department at a ceremony recognizing his bravery on Wednesday.

“It’s surreal to be able to be this proud of my child,” Gina told reporters at the event. “I’ve always been proud of him, but this is such an incredible thing that he did.”

In May, Cassius heard the nearby screams of Miami woman Caitlin Dydzuhn, who was walking her dog near her downtown condominium when she was brutally attacked by a man wielding a homemade shank. Cassius, 25, ran toward the screams and jumped in to stop the assault by kicking and shoving the alleged assailant Raydean Johnson, 49, who was arrested at the scene of the incident shortly after the attack.

Dydzuhn was punched and stabbed, and suffered severe cuts and damage to one of her eyes, according to NBC Miami. Doctors told her she would likely never regain her vision in the wounded eye, but she has since recovered.

Cassius told the outlet that he was raised not to panic in intense situations and to help those in need. He also said his lifelong training in martial arts helped equip him to step in.

“Fight or flight,” he said, per 7 News. “I’m glad that fight kicked in.”

“He saved my life,” Dydzuhn told reporters at the ceremony. “My last memory was screaming for my life, kind of blocking punches, blocking stab wounds, and feeling that no one was coming to save me.”

Dydzuhn continued that Cassius guided her to safety and spoke calmly, telling her, “There’s a man here with a weapon. I need to get you out of here.”

Gina Prince-Bythewood, also known for “The Woman King” and “Love & Basketball,” posted coverage of the ceremony on social media, writing, “Firstborn@CassiusMandela living the incredible example set by his pops,” adding a thank-you to her husband, Reggie Rock Bythewood, for “all that you instilled in our sons.”

Reggie added his own accolades for his son in the comments, writing, “My son. So grateful you’re safe. Grateful Caitlin is recovering well. I’m grateful that Mom was able to be with you. I admire how you were calm and empathetic under extreme pressure. Now you know why I call you CHAMP.”

Shonda Rhimes, Viola Davis and Gabrielle Union all applauded Cassius in the comments, calling him an incredible young man.

Dydzuhn also weighed in, writing that she’s only alive because of the values of courage and integrity instilled in Cassius, calling him her hero.

Bake Off has been shaken up for the new Channel 4 series with Nigella Lawson replacing Prue Leith alongside Paul Hollywood

Nigella Lawson spent her breaks filming the Great British Bake Off lying on a chaise longue reading books – with the show hosts in awe and only entering her room when summoned. The TV cook, 66, has replaced Dame Prue Leith on the series, who herself replaced Berry in 2017.

Speaking about working with her, host Alison Hammond said: “Unbelievable. Yeah, she is so beautiful. When she walked in, I was like that, everyone just stops in their tracks- and looks, and you’re like. How is she that beautiful? She’s so lovely as well. Really nice.”

Co-host Noel Fielding added: “We have these little sort of shepherd’s huts that we all sort of have, and they face each other, and you can just see Nigella in her shepherd’s hut currently reading.

“She’s got a stack of books- and she sort of lies like- Cleopatra would lie. On a chaise longue. And sometimes as you’re walking by, she summons you in, and you sort of kneel down at her feet- because she lies across the whole thing- so there’s nowhere to sit. Like a child in assembly. She’s amazing.”

The pair also said Nigella’s fellow judge Paul Hollywood sometimes strips down to a vest and cook pizzas during his breaks from filming – with Alison being particularly impressed.

Speaking on the Dish podcast, Alison revealed: “He’s got a pizza oven, obviously. An inbuilt pizza oven- doesn’t he? Anywhere he goes, he wheels a pizza oven. I think when we were filming Bake Off in the bubble during the pandemic, he brought his pizza oven.

“So, he would do a pizza night- and he’d get out that big shovel, you know. And he’d always have sort of some vest top on, so his muscles would be out. He’d be getting bronzed by the fire- like an advert. Diet Coke advert. And he’d be up there with like, you know, tea towel tucked in. That got me excited.”

Hollywood has described his new Bake Off co-judge Nigella Lawson as being “warmer” to the contestants than Mary Berry.

Speaking to the Radio Times about his on-screen chemistry with his new co-star, baker Paul described her as a “very warm person, especially to the bakers”.

He said: “There’s a very nurturing nature to Nigella, which was quite strong this year.”

Comparing Nigella to the previous judges, he continued: “Mary was different to Prue, Prue was different to Nigella and Nigella is different to Mary.

“They each bring their own character to it, and Nigella is a very warm person, especially to the bakers. More so than Mary was and I think more akin to Prue.

“There’s a very nurturing nature to Nigella, which was quite strong this year. Whereas me, I suppose I’m the constant. So I remain in my position of being constructively critical.”

* The full interview with Alison and Noel is on the Dish from Waitrose podcast, out now.

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