show biz

MADONNA has paid an emotional tribute to William Orbit following his death aged 69.

The Grammy award-winning music producer – who died on July 23 but whose death was only announced on Friday – worked with the singer on her album Ray Of Light in 1998 – known as one of her most beloved musical projects.

Featuring hits such as Frozen and Nothing Really Matters, the record marked a change in style for the Queen of Pop, moving her into an electronica sound following previous albums of dance-pop and disco.

Taking to Instagram, Madonna shared a video of her winning a Grammy for the album, which she accepted with William next to her on the stage.

In the clip she admitted the record wouldn’t have been possible without him.

A montage then showed that era in her career, working with the producer, with the title track Ray Of Light accompanying it.

‘PROFOUND SADNESS’

Grammy-winning producer who worked with Madonna, Blur & U2 dies aged 69

GIFT OF THE SAB

Sabrina Carpenter to make history with huge Wembley Stadium gig next summer

She captioned the post: “Goodbye William Orbit – I had an epiphany when I met you and started working with you.

“I realized that music did not have to fit into categories or genres – so we created our own.

“You pressed a magic button inside of me and I fell into a galaxy of unrealized dreams.

“Your music gave me a magic carpet to fly on and I visited many places: Sad and Joyful, I sang in ways I’d never sung before – I used words without caring if they made sense or not.

“In many ways you were my Ray of Light -as was my daughter Lola who was born around this time – I was starting a new chapter, I was choosing another road to walk down – and you were right by my side with your crooked teeth and your genius way of hearing music.”

She went on: “The studio was often church like and I would sit in silence, waiting for your ideas to explode out of your keyboard or your guitar and then I would run with them… I miss those days.

“Only you could inspire me to write a song like Drowned World or Swim – you were so otherworldly, so singular.

“The years passed and I moved on to make music with other people, but I have never forgotten you or the magical time we spent together.

“Goodbye Billy Bubbles – I was so lucky to have known you and fallen down the rabbit hole with you.”

William’s resume featured a plethora of musical icons – including Britney Spears, Pink, All Saints and Blur.

But Madonna was often considered the pinnacle, garnering him the most fame.

Having initially worked with her on singles Erotica and Justify My Love, Ray Of Light then followed, with the pair also collaborating on 1999 track Beautiful Stranger for the Austin Powers franchise.

Speaking previously about working with William, Madonna hailed him as a “complete madman genius”.

She told The Guardian: “I’d come to him with an idea of where I wanted to go musically, hum melodies or read lyrics, and then leave him alone in the laboratory.

“Sometimes he’d go in the direction I wanted and sometimes he’d swerve off somewhere else entirely.

“We’d end up with trance tracks that were eight minutes long and then keep adding and subtracting until we had real verses and choruses.”

The pop producer was hailed for his “friendship and kindness” in a touching statement on his social media.

It read: “It is with profound sadness that the family and friends of William Obit announce that he passed away at home on July 23. We are deeply saddened by his passing. He will be greatly missed by us and by so many whose lives he touched through his music.”

AS she returns to the UK stage for the first time in years, we reveal how heartache has left its mark on Ariana Grande.

She is the quintessential pop princess.

But away from the bright lights of fame, Ariana Grande has had to overcome more serious challenges than any of her contemporaries.

And while it is Taylor Swift who is known for her defining “eras”, Ariana has done some major reinvention of her own.

As she arrives at London’s O2 Arena on Saturday for a 10-night stint of her The Eternal Sunshine Tour – her first in seven years – it will be a very different woman to the one who last performed in the capital.

An insider reveals: “Her tour might be called Eternal Sunshine, but there’s no doubt she’s battled some really dark days and dealt with more tragedy than most her age. Perhaps most impressively, she keeps going, whether it’s movies, music or her search for true love.”

Fresh from her gruelling two-movie Wicked filming schedule and press tour, which took over her life for the best part of three years, Ariana, 33, is back doing what her fans love most – being a pop star.

Her tour sold out in 15 minutes, with more than 2 million people trying to buy tickets when they were released in September.

Her big UK comeback coincides with a time of emotional turmoil for the star, though.

In June, following weeks of speculation, it was confirmed she had split from Wicked co-star Ethan Slater, who played munchkin Boq alongside her “good” witch Glinda, after three years together.

While it was claimed they are still friends, those who know the singer have said there is “deep sadness” for Ariana surrounding the split.

The pair’s relationship had caused huge controversy after Ethan left his wife, childhood sweetheart Lilly Jay, for Ariana in 2023, shortly after the birth of the couple’s son.

He had fallen for her during filming, and the outcry threatened to overshadow promo for the first Wicked film.

“The whole thing was a major strain,” the source says. “Ariana has been desperate to put all of it behind her.”

The split was the latest blow for the star, who pursued fame from a young age.

Born in Florida in 1993 to parents Joan Grande and Edward Butera, she landed her first role in a Broadway show aged just 15.

Her major break came a year later, when she was cast as the bubbly Cat Valentine in Nickelodeon hit series Victorious, turning her into a household name.

But it was her extraordinary four-octave vocal range that truly set her apart from her contemporaries, and by her early 20s Ariana had made the leap from TV favourite to global superstar, topping charts around the world with singles such as Right There and The Way.

Meanwhile, her love life was rarely out of the headlines.

She enjoyed romances with rappers Big Sean and Mac Miller, not to mention her infamous engagement to comedian Pete Davidson (Ariana broke the internet when she commented that Pete had “big d**k energy”), as well as a short-lived marriage to luxury real-estate agent Dalton Gomez, which ended months before news emerged of her relationship with Ethan.

It was Mac Miller who supported her through one of the most difficult times of her life.

In May 2017, 22 people were killed and more than 1,000 injured when a terrorist attack took place at her Manchester Arena concert.

The bombing was the deadliest terrorist attack in the UK since the 2005 London bombings, and it deeply affected everyone who survived it – as well as those close to the victims.

Ariana developed PTSD in the aftermath, and then-boyfriend Mac dropped everything to help her through it.

A year later, however, further tragedy struck when the rapper, who by then had split from Ariana, died after an accidental drug overdose.

After so much grief in such a short space of time, the star revealed it was her music that helped her to cope.

“I was doing so much therapy, and I was dealing with PTSD and all different kinds of grief and depression and anxiety,” she told The Hollywood Reporter’s podcast, Awards Chatter.

“I was, of course, treating it very seriously, but having music be a part of that remedy was absolutely contributing to saving my life.”

While Ariana’s fans are delighted that she’s made a return to touring – and there are a lot, with 363 million followers on Instagram alone – her tour dates have not resulted in the celebration she may have hoped for.

Concerns have been raised about her dramatic weight loss in recent years, exacerbated by her return to the stage.

One commenter wrote: “Objectively speaking, Ariana Grande is dangerously underweight.” Another added: “She needs help.”

It’s undeniable that Ariana is much smaller than she once was.

The singer was forced to comment about her size when speculation reached fever pitch during Wicked promotional interviews.

Both she and co-star Cynthia Erivo were subjected to relentless chatter about their thinness.

During an interview to promote the first film, Ariana was asked how she copes with exacting beauty standards for women and the “overwhelming” pressure they feel to always look perfect.

It was a question that elicited an emotional response. Holding back tears, Ariana replied: ”Good question,” before describing the pressures of growing up famous.

“I’ve been doing this in front of the public and kind of been a specimen in a petri dish, really, since I was 16 or 17 years old, so I have heard it all. I’ve heard every version of it, of what’s wrong with me. And then you fix it, and then it’s wrong for different reasons.”

She then went on to condemn the narrative, adding: “I think in today’s society, there is a comfortability that we shouldn’t have at all [with] commenting on others’ looks, appearance, what they think is going on behind the scenes or health or how they present themselves.

“There’s a comfortability that people have commenting on that, that I think is really dangerous – and I think it’s dangerous for all parties involved.”

Those who know Ariana best are understandably protective of the singer, who is repeatedly described as “sensitive” and “vulnerable” behind the scenes, but also praised for her incredible professional commitment.

She is said to be “laser-focused” when it comes to work. The various trials and tribulations life has thrown at her, they say, have left her “damaged, but determined to grow and make a difference with her music and performances”.

It was bagging the role of Glinda, says one insider, that changed the course of Ariana’s life forever.

“This is a role she had wanted to play since she was a child, and Ariana gave it everything. It pushed her on, and she’s never looked back – it definitely raised the bar when it came to her career. It took everything out of the cast, though, as they cared so much.”

Friends and co-stars of Ariana all say the same – that she is uniquely kind and loving.

The Sun’s Associate Bizarre Editor Howell Davies recalls meeting her in the aftermath of the Manchester bombings, and her One Love Manchester concert to honour those who’d lost their lives.

He says: “I had been a massive fan of Ariana for years and was meant to go to the Dangerous Woman Tour in London in 2017, which was cancelled after the Manchester bombing.

“A year later, she made a surprise performance at Coachella festival in Palm Springs. When I spotted her backstage with Mac, I told her how courageous I thought she had been. She was sweet and composed. It really felt like she had time for her fans and wanted to speak to me.”

It would be understandable if Ariana never wanted to sing again, but her return to pop has been important to her.

She told The New York Times: “There was something broken about my relationship to pop music that was healed recently through the time away.”

Now, she’s entering a new chapter – one she will certainly be hoping is less turbulent.

With the release of new album Petal, fans are enjoying her return to the pop princess we know and love – and with this latest tour, she’s giving everything to reconnect with them in person.

Music aside, Ariana is also taking on other exciting projects. She signed up for a comedy role in the latest Meet The Parents sequel Focker-In-Law, starring Robert De Niro (who sang her praises) and Ben Stiller, which is due for release in November.

And it looks like she’s already moving on from her break-up, after she was seen getting cosy with her ex-boyfriend, dancer Ricky Álvarez.

The pair, who dated for a year from 2015, were spotted having dinner in Texas together in June this year, and spent the Fourth of July together in Florida.

He also attended her New York concert date, and the insider says: “They are enjoying downtime together between shows.”

Ariana appeared to confirm the rekindling last month, while performing Thank U, Next in Brooklyn, after changing the lyrics to: “Wrote some songs about Ricky, we always find our way back,” and at another gig in Austin she sang: “He has still got her back”.

An insider says: “This is something of a ‘comfort rebound’ for Ariana, who is feeling vulnerable post her split from Ethan. Ricky definitely makes her feel safe. And more than anything, Ariana wants to be happy again. Settling down is what she has always been keen to do.”

There was, of course, set to be another string added to her bow, with her West End stage debut in London. Ariana and her Wicked co-star Jonathan Bailey were announced as the leads of Sunday In The Park With George, a musical by Pulitzer-Prize-winning Stephen Sondheim.

This was one of the most hotly anticipated theatre events of 2027 – but earlier this month Ariana pulled out, with the role now set to be recast.

In a statement, her team said: “Ariana will be taking a step back from visibility after she completes the Eternal Sunshine Tour.”

“She looks forward to finishing the tour and ending it on a high note, both healthily and happily, and then taking a much-deserved break from public-facing work and appearances, which has led to endless, ongoing public scrutiny.

“This tour has been a beautiful experience for her.

“She loves her fans and has loved every minute of this tour so much.”

From the little girl in Florida who was musical-theatre-obsessed to the 33-year-old woman who has weathered storms with grace while working her behind off, Ariana has proven that she is a rare thing: a star who cares what people think of her.

AMANDA Holden has proven once again that glamour runs in the family as she posed with her daughters in a new holiday snap.

Amanda, 55, is on vacation in Greece with her husband and their two daughters, and shared a photo with her girls next to a picture taken a decade earlier.

And the radio and TV star defied age in the side-by-side snaps, showcasing an unchanged appearance 11 years on.

Amanda flashed her taut waist in a plunging orange sun dress as she posed with Lexi, 20, and Hollie, 14.

The intricate garment featured ruffled trim detailing, sinched in at the waist with a buckle.

Amanda showcased her tan, her blonde locks falling in bouyant curls around her features.

model material

Amanda Holden’s lookalike daughter Lexi, 20, strips off to bikini in Corfu

golden holden

Amanda Holden, 55, sizzles in tiny bikini poolside in Corfu

Lexi was the spitting image of her Britain’s Got Talent judge mum, in a beige strap top and a flowing golden skirt with floral detailing.

Hollie kept things slick in a black floor-length dress for her evening out with her mum and sister.

Meanwhile, the 11-year-old photo showed the trio all dressed in white dresses, all holding hands and beaming.

“Eleven years ago today,” Amanda captioned it.

Longtime fans of visiting Greece, Amanda and Lexi received their boat licences on their current trip.

Lexi has followed her mother’s footsteps into a career in front of the camera.

Last month Amanda defended her daughter’s modelling career and hit back at ‘nepo-baby’ accusations.

Having been signed to Storm Models Management at 18, Lexi has already taken to the stage at London Fashion Week.

Amanda, however, doesn’t believe there’s any harm in helping her kids out if she’s able to.

“Being someone’s kid is not going to secure work, make a living for you and longevity in whatever career,” Amanda told the Daily Mail. “It may get a foot in the door, but then you’re on your own!”

She also revealed that her younger daughter Hollie asks her mum to drop her at school at the end of the road, because she “hates” having a famous mother.

Of Lexi, Amanda believes she’s “unfazed” and “has her head screwed on”, so doesn’t fret about her foray into the world of modelling.

Spectrum owner Charter Communications is nearing the finish line in its long-awaited $34.5-billion purchase of Cox Enterprises to form the nation’s largest internet and cable television company.

California’s Public Utilities Commission is scheduled to vote next week to approve the merger that would bolster Southern California’s dominant provider with more than 5 million customers. Securing the approval of California regulators — the deal’s final hurdle — has been a slog as federal officials gave Charter their consent months ago.

Customers of privately held Cox, the Atlanta-based company that serves Rancho Palos Verdes, Rolling Hills Estates, Las Vegas and large parts of Orange and San Diego counties, would be switched to Spectrum service. Charter is the industry leader, providing Spectrum internet, phone and cable TV packages for Los Angeles, Riverside, San Bernardino and Ventura counties.

It’s been more than a year since the companies unveiled their proposed union, and they hope to combine operations this month. But flaps have flared up in the last lap.

Public interest groups have argued that the PUC’s proposed settlement with Charter doesn’t go far enough to ensure long-term affordable internet for low-income residents or accommodations for customers reeling from natural disasters such as last year’s Eaton and Palisades fires.

In addition, advocates have asked utilities commissioners to demand that Charter commit to fostering workplace diversity, equity and inclusion among its proposed 9,000-member workforce in California. Such programs have been under siege since President Trump returned to the White House.

“State regulators like the CPUC have an important role to play — they have a voice and leverage if they choose to use it,” said Jason Solomon, director of the National Institute for Workers’ Rights, a Bay Area group that is lobbying for Charter to renew its commitment to a diverse workplace.

“It’s important that California stand up for its own laws, policies and values,” Solomon said.

A Spectrum truck in New York City.

(Star Max/IPx)

The five-member commission is set to vote on the Charter-Cox merger Thursday. The panel will consider two competing proposals; both would allow the merger to go through with various conditions.

Charter years ago pledged to create a diverse workplace but scaled back its public statements amid Trump’s vocal demands that companies dump DEI programs. Trump’s Federal Communications Commission chairman, Brendan Carr, also has championed eliminating diversity programs, saying they are discriminatory.

The FCC in February approved Charter’s proposed purchase of Cox’s residential cable, commercial fiber, cloud and information technology businesses. To win Carr’s approval, Charter agreed to “new safeguards to protect against DEI discrimination,” according to the FCC.

Charter is in a bind. It disavowed diversity efforts to win the FCC’s blessing but now is facing calls in California to embrace such commitments.

“In a state as diverse as California we should protect diversity in the workplace,” said Jessica J. González, co-chief executive of advocacy group Free Press. “We have a responsibility to stand up to what’s been going on in the federal government, and in the Trump administration, to force companies to roll back their policies.”

In its public filings, Charters said it would reach out to diverse suppliers and work with business groups, including the Women’s Business Development Council, the California LGBTQ Chamber of Commerce, the African American Chamber, the California Hispanic Chamber and the Cal Asian Chamber.

“This transaction will be good for consumers, community leaders, and businesses across California as it will provide them with lower prices, greater value, better service, and support from Spectrum’s 100% U.S.-based employees,” the Stamford, Conn. company said in a statement.

Concerns heightened among activists after one of the two proposed settlements, hashed out between Charter and Commissioner Matthew Baker, the commission’s Public Advocates Office and the California Emerging Technology Fund, failed to include diversity efforts.

Advocates viewed Baker’s proposal as weaker on broadband access provisions too, including commitments to provide low-cost internet for disadvantaged residents and communities that lack service.

“For us, it’s really about making sure everyone in Cox’s and Charter’s service territory benefits from this transaction,” said Paul Goodman, counsel for the Berkeley-based Center for Accessible Technology.

“We want to make sure that communities that have been historically overlooked get the same benefits from the transaction as everyone else,” Goodman said.

For example, a coalition of advocacy groups is seeking to prevent Spectrum from tacking on equipment charges for customers on low-income plans.

Commissioners will be asked to select from Baker’s draft decision or last month’s proposal from the agency’s administrative law judge, Jamie Ormond. Advocates are urging the panel to adopt Ormond’s version because it contains more compliance conditions, including mechanisms to foster an inclusive workplace.

Commissioners have “a statutory duty” under the state’s utilities code “to deny the transaction outright rather than approve a weaker deal,” the advocates argued in a recent filing.

Solomon’s group is pushing for an “organizational infrastructure for equal opportunity compliance,” including reporting compensation and promotion data for Charter’s California workforce and pay equity audits.

The state has required diversity measures before — despite such initiatives being out of favor in Washington. In January, the commission approved Verizon Communications’ purchase of Frontier Communications.

In that proceeding, Verizon pledged to “further California’s public policy goals of diverse supply chains and workforces, including a $10 million partnership with the California State University system,” the PUC said.

Under both Ormond’s and Baker’s proposals, Charter would be required to offer affordable broadband to low-income residents, including California LifeLine service tiers. It would have to sell stand-alone broadband plans for five years, although advocates would like to see that extended to 10 years.

The company has agreed to spend at least $275 million to upgrade its California network and complete its 1-gigabit service capability across its legacy service areas within three years.

Charter also agreed to invest at least $30 million in customer outreach initiatives, such as digital literacy training and device access for low-income communities. The company also is being asked to provide free broadband and Wi-Fi service for about 50 eligible institutions, including schools, libraries and community centers for several years.

Charter was criticized after the January 2025 fires for charging fees for equipment that burned, said Natalie Gonzalez, director of Digital Equity Los Angeles, one of the advocacy groups that is asking for Charter to “improve disaster response and customer service standards … during life’s most challenging moments.”

Charter pushed back on that contention, saying it helped residents in the burn areas.

“We opened all our wifi hot spots to anyone (non Spectrum customers) and were deeply involved in the restoration efforts,” the company said in its documents.

The advocates, including Digital Equity LA and the California Alliance for Digital Equity, compiled evidence to help commissioners determine whether the merger was in the public interest.

Should the deal go through, Cox subscribers will soon see changes. Charter plans to roll out its Spectrum products and fees to Cox customers next month.

Subscribers can opt for their existing pricing or switch to a Spectrum bundle that includes such apps as Disney+, Hulu, ESPN and Paramount+.

Charter has also said it would offer Cox subscribers a year of free service when they switch their cellphone carrier to Spectrum.

The Charter name will be dropped in one year and the combined company will become Cox, although consumer products will keep the Spectrum brand.

The switch is because the Cox family — descendants of an Ohio press baron who bought his first newspaper in 1898, began acquiring cable systems in 1962 — will become the firm’s largest shareholder group, with about 23% of the stock.

In a recent earnings call, Charter Chief Executive Chris Winfrey told investors the combined company would have nearly 37 million customers nationwide.

It expects to generate $67 billion a year in revenue and about $28 billion in earnings before interest, taxes, depreciation and amortization.

TINIE Tempah has announced his first album in 10 years as he dropped his new single.

The singer’s last album Youth was released in 2027, and included songs Girls Like featuring Zara Larsson and Not Letting Go with Jess Glynne.

A decade on and Tinie, 37, has shared the exciting news that he’s releasing his fourth studio album.

The musician shared a photo of the album’s front cover, which is titled The Night’s Not Dead.

Looking back on how much has changed over the last 10 years, Tinie wrote: “Last time I announced an album, lockdown wasn’t a thing.

“The UK was still in the EU, Supreme was selling bricks, memes were taking over the world, and 1 Bitcoin was worth £500.

READ MORE ON TINIE TEMPAH

SHUTTERS DOWN

Restaurant loved by celebs including Tinie Tempah closes immediately

NOT LETTING GO

Tinie Tempah wins gold medal in same competition Tom Hardy won

“So much has happened in the world since then.

“It’s crazy to be announcing my 4th studio album, ‘The Night’s Not Dead,’ coming 16th October 2026.”

He added: “The journey of a night out starts today with Heaven Or Hell ft. Reggie. The track to start your night with. Let’s go!”

Reggie commented: “The King! Inspired me when I was a kid and still inspiring the next generation. an absolute pleasure brother.”

This fan posted: “Oooh this is gonna go crazy,” while another wrote: “Living legend.”

Just last month, The Sun revealed that Tinie was set to release a brand new album.

He exclusively told us: “I’ve not released new music in a while, but I’m back on the grind and it feels good.

“I’ve started putting new music in my sets, but the album is coming in October.”

Tinie’s debut tune, Pass Out, hit the top spot in 2010 and he’s collaborated with massive stars including Rita Ora, Zara Larsson and Ellie Goulding.

But it was way back in 2017 that he released his last album, Youth.

In this revival, Tinie is keen to turn attention to grassroots music venues, where he started out.

Last month, he took to the stage at intimate Southampton venue The Brook alongside Rizzle Kicks to shine a light on the cause.

He said: “One of the reasons I came back was the next generation of artists who may miss out with the way things are going and things are closing. It put me down a bit to think, ‘Wow, this might be an era thing’.

“Behavioural habits have changed — clubs closing, small venues closing — it’s just concerning.

“I feel, as Brits, every ten years we have come to the forefront with a new genre, with garage or grime or dubstep, and I feel like it’s partially because of these spaces that incubate the talent.

“That was one of the motivations for coming back and I feel like it’s a really exciting space to occupy.”

Peter Katsis, a music manager who helped shepherd the careers of Smashing Pumpkins, Jane’s Addiction, Morrissey and Backstreet Boys, has died. He was 69.

Representatives for Katsis confirmed his death on Thursday in Los Angeles, from complications of congestive heart failure, in a statement to the Hollywood Reporter and Billboard. “To the music world, Peter was one of the most influential managers of his generation. His vision, instincts and fierce belief in his artists helped shape some of the most important careers in music for more than four decades. He saw possibilities others didn’t, inspired those around him to dream bigger, and fought relentlessly for the people and artists he believed in,” his family said.

“Peter was simply larger than life. He loved fiercely, laughed loudly and lived with extraordinary courage and conviction. Above everything else, he loved his family. He was our strength, our fiercest advocate, and the person we could always count on to believe anything was possible. The void he leaves in our lives and our hearts is immeasurable.”

Katsis’ career began in Chicago, where he managed the groundbreaking industrial rock group Ministry. He also worked with emerging regional house music acts, helming A&R for the essential label Trax Records and booked acts like Marshall Jefferson and Adonis at globally prominent nightclubs.

After moving to Los Angeles in the early ’90s, he worked with the Cramps and other experimental rock acts before joining Jeff Kwatinetz at the Firm. There he managed hard rock acts including Korn and Limp Bizkit, helping make them superstars of the “TRL” era. He also worked with 30 Seconds to Mars, rapper Snoop Dogg, and played a major role in building Audioslave, the supergroup of Soundgarden’s Chris Cornell and members of Rage Against the Machine.

Katsis took on diverse pop acts like Enrique Iglesias as well, and helped turn the Backstreet Boys into a stadium act, breaking Ticketmaster records for its 1999 Into the Millennium tour.

In 2008, Katsis co-founded a new management firm, Prospect Park, with Kwatinetz and Rich Frank, building a roster that included Smashing Pumpkins, Jane’s Addiction and Morrissey. Katsis also repped Liz Phair, 311, Bush, Fever 333, and pop groups Pentatonix, One Republic and 5 Seconds of Summer.

Smashing Pumpkins’ Billy Corgan wrote on Instagram that he was “Heartbroken that Pete is gone. He meant a lot to Chloe and I as a dear friend and extended member of our family. He will be missed and I’ll always cherish his intense candor and deep love of great music; which was infectious. And he deserves immense credit for helping to usher in the alternative revolution of the ’80s and ’90s and beyond. He was truly one of a kind. One of a us. And Chicago royalty through and through.”

Katsis is survived by his sister Anastasia and his son Ian.

A SINGER once branded as the ‘new Justin Bieber’ looked unrecognisable while recreating a hit dance – 13 years on.

The now 30-year-old star, who hails from Texas, rose to fame during the 2010s.

Austin Mahone was touted as the next Justin Bieber, with both having been discovered on YouTube.

In 2013, he entered the prestigious Billboard Top 100 with his single What About Love.

And now 13 years on, Austin recreated the song’s signature dance in a new video.

The dance saw Austin show off impressive footwork, while rolling back his shoulders.

YOU’RE SO LAME

Reason pop music has become more miserable over the past 50yrs revealed

NOT HAPPY

Brit pop star reveals plans to quit music saying she’s ‘miserable’

One person commented: “This is who they tried to pit against Justin Bieber.”

Another added: “This song went triple platinum in my house.”

While a third shared: “He still has the red microphone after all these years.”

In a 2013 interview with extratv, Austin addressed being compared to Justin Bieber.

He said: “It’s very flattering, he’s, you know, very successful and I hope to be as successful as him someday.

“I’d just love people to give me a chance and see me as my own artist, as Austin. That’s all I ask.”

His early successes include singles Say Somethin’ and Say You’re Just A Friend, the latter featuring Flo Rida.

In recent years, Austin has continued to release music across different genres.

However, he has yet to reach the heights of Canadian superstar Justin, now aged 32.

He signed with Pitbull’s Mr. 305 Inc in 2015 and released single Dirty Work earlier in that year.

With the song having entered Japan‘s Billboard Top 100, his debut studio album was released exclusively in the country.

His second album, A Lone Star Story – released in 2023 – marked a foray into country music.

In Austin’s personal life, his previous romances include fellow singers Camila Cabello and Becky G.

THE identity of Safiyya Vorajee’s boyfriend has been unmasked.

The ex of Ashley Cain revealed she was in a new relationship earlier today on Instagram but did not give away the identity of the mystery man.

But now, he has been uncovered to be a popular Dutch social media influencer..

Virgil Sint Jago appears to have won the heart of Safiyya who has publicly remained single since her split from Ashley and the tragic passing of their daughter, Azaliya.

Safiyya is understood to have met Virgil in Bali on holiday and is now in the throes of a new romance with him.

As well as being an influencer and online creator, Virgil is also a personal trainer and specialises in helping older women lose weight.

holiday romance

Ashley Cain’s ex hard launches new man 5 years after daughter’s death

‘DITCH HIM’

Why Safiyya Vorajee’s pals are BEGGING her to leave shamed Ashley Cain for good

His social media is littered with plenty of shirtless pics as well as being packed full of his impressive fitness content.

Glam Safiyya first began to hint at the romance a few weeks ago before sharing a cosy selfie with Virgil earlier today.

The 38-year-old took to social media to share a sweet tribute to her new romance alongside a snap of them together. 

Safiyya wrote: “Happy the universe changed my direction from Thailand to Bali.

“In a world that’s so big we met exactly where we were meant to feel so happy.

“God always gets the timing right. Trust in him always. The most magical connection when you feel it in your soul.”

Safiyya also opened up about her trip to Bali and told followers she’s entering a new chapter of her life.

She said: “There’s something so magical here that has healed parts of my soul I didn’t even realise were still hurting.

“I’ve grown so much. My nervous system has finally experienced what real calm feels like. I’ve let my guard down, allowed myself to be vulnerable, and in doing that, I’ve found friendships and connections that have changed me forever.”

Safiyya and ex-boyfriend Ashley Cain were left devastated in 2021 when Azaylia died at eight-months-old following a battle with leukaemia.

It comes weeks after Ashley, who is also dad so sons Alyias, two, and Atlas, one, from different relationships, was dropped by the BBC over historic social media posts which allegedly showed him making degrading comments about women.

The Ex on the Beach star’s Twitter posts made in 2011 and 2013 are said to have referenced extreme sex acts and appeared to make light of consent.

He reportedly used offensive, sexualised and aggressive language about women.

Heated Rivalry will be retuning to Sky next year for UK audiences with two new leads

Smash hit romance series Heated Rivalry will be returning to screens and there is one face that will be surprisingly familiar.

Having first been aired on Canadian streaming service Crave back in November 2025, it was then picked up by HBO Max in the US and was renewed for a second series just a month after it became a huge hit around the world.

Based on the bestselling book by Rachel Reid, it follows two elite professional hockey players who have a secret love affair. According to Sky: “The first season told the story of rival hockey players Shane Hollander (Williams) and Ilya Rozanov (Storrie).

“Bound by ambition, rivalry and a magnetic pull neither of them fully understood, what began as a secret fling between two fresh-faced rookies evolved into a years-long journey of love, denial, and self-discovery.”

Confirmed to return to Sky and NOW in Spring 2027 in the UK, it was today announced (August 7) that Justice Smith and Charlie Gillespie have also been confirmed as new cast additions playing Harris Drover and Troy Barrett.

Justice Smith may already appear familiar to some fans, but who is the star and where have you seen him before?

Who is Justice Smith?

Justice Smith is an American actor well known for his role in Jurassic World: Fallen Kingdom as well as I Saw the TV Glow and Pokemon Detective Pikachu.

Aged 30, Justin made his on-screen acting debut back in 2012 with thriller Trigger Finger and some television programmes before his first major role as Radar in Paper Towns in 2015.

Fans may also recognise the star from his appearance in Every Day (2018) as well as Sharper in 2023 and more recently, Now You See Me: Now You Don’t.

Writer, director, and executive producer Jacob Tierney and executive producer Brendan Brady said about the cast announcement: “Rachel Reid has given us two beautifully layered characters in Harris and Troy who you can’t help but root for.

“From the start of the casting process, we knew we were looking for actors who could create something truly special together and bring that same depth and heart to the screen.

“Justice and Charlie do exactly that. They immediately connected with the vulnerability and resilience at the core of these characters, bringing an instinctive understanding of who Harris and Troy are.”

Heated Rivalry season 2 will be coming to Sky and streaming service NOW in Spring 2027.

Minnie Driver’s Paris adventures went awry this week when she was involved in a car accident that she’s describing as a frightening close call.

On Thursday, the actor — who has posted a series of “Paris Update” videos for her fans over the last two months while filming the sixth season of “Emily in Paris” — updated fans with a video posted to Instagram in which she appeared in a neck brace and recounted a harrowing close call. “Paris update is that I am actually back in London,” the video began.

“I got into a really bad car accident a few days ago with my friend Ben, and we somehow walked out of it,” she said. “Well, we didn’t walk out of it. We crawled out of it, but we did get out of it alive.”

Driver said the accident wasn’t their fault, and that they were cruising down a country road in the middle of France when another vehicle failed to stop at an intersection.

“We just T-boned it,” she said. “I’m fine. I’ve got a sprained neck, and I’m really in shock and sort of cry all the time, but I’m going to heal.”

According to Deadline, production on “Emily in Paris” will continue as planned aside from one scene involving Driver that had to be rescheduled. She plans to return to her role as Princess Jane when she recovers.

“The reason that I’m not dead, honestly, is the car that we were driving,” she continued in her update, adding that 360-degree airbags in the “tiny Kia” she was riding in saved their lives. “The fact that the entire car didn’t just concertina and crush us is down to the design of that car, which is frankly astonishing.”

Driver assured her followers that the video wasn’t a car ad — “Can you imagine if that’s what I was doing?” — but the actor appeared grateful and wanted to give due credit, all with her sense of humor still intact.

“I’m a mini driver, pun intended. I need to celebrate the car that saved us, because we’ve got families and people who love us, and I am so grateful to be alive,” she said. “So, Kia, you are a baller car company.”

Just a day before the Head in the Clouds Music & Arts Festival takes over the Rose Bowl in Pasadena, a member of the headlining pop group Katseye has announced she is taking a hiatus from performing.

Sophia Laforteza announced on Instagram on Friday that she’ll be stepping away to take care of her mental health.

“It truly breaks my heart to have to miss out on a lot,” she wrote in an Instagram story. “You know how much I love being on stage, performing, and sharing these moments with you. Making this decision wasn’t easy, but I’m learning that health has to come first. I’m realizing that if I don’t take care of my mind and body now, I won’t be able to keep doing what I love the most for so long.”

Laforteza thanked her fans for being “patient, understanding, and always showing me so much love,” and said she’d be joining Katseye fans, aka “eyekons,” in cheering on the group in the meantime.

“I promise I’m going to work as hard as I can to get through this, heal properly, and come back stronger,” she wrote.

A post on the group’s official Instagram account said Laforteza “will be temporarily unable to participate in upcoming promotional activities.”

“We understand how much EYEKONS were looking forward to seeing Sophia on stage, but it is imperative that her mental health and wellness are prioritized,” the post stated.

According to the statement, the pop star has been working with medical professionals who advised that she take “dedicated time for extended rest and ongoing care to ensure a full recovery.”

While Laforteza is eager to get back to work with her fellow Katseye members, the post said her “health, safety, and long-term well-being” will always be top priority.

Laforteza’s progress will be monitored and she’ll be reassessed in September — just as the group is slated to kick off their world tour. Fans can expect an update around that time, according to the post.

Earlier this year, Katseye member Manon Bannerman also hit pause on performing with the pop group, meaning Saturday’s headlining performance in Pasadena will feature four of the group’s original six members. Daniela Avanzini, Lara Raj, Megan Skiendiel and Yoonchae Jeung are still set to take the stage.

Laforteza’s announcement followers similar decisions from actor-musician Ariana Grande, who told fans earlier this week that she would be stepping away from the public eye and that “human beings can need a break sometimes.”

Country music star Jelly Roll also announced a hiatus this month, saying he needed “to heal” following news that he finalized his divorce from Bunnie XO after nearly 10 years of marriage.

Ann Droid made a comeback tonight with another twist in Sue and Linda’s story.

BBC fans rushed to say the same thing about Diane Morgan and Sue Johnston’s new sitcom Ann Droid tonight.

The fourth episode of Ann Droid aired this evening, Friday, August 7, at 9.30pm, on BBC One, with Sue (played by Sue Johnston) welcoming her son Michael (Paul Ready) and his wife Renee (Andrea Valls) for what was meant to be a happy family dinner.

Of course, this didn’t go quite according to plan as they announced they were trying to get pregnant, much to Sue’s frustration, before asking her to give them money for a new house.

But as the episode continued to play out with carer droid Linda (Diane Morgan) not sure when it is appropriate to celebrate their news, fans soon had their say.

Many viewers flocked to X share the same praise with some labelling Ann Droid as “absolutely brilliant”.

The same fan continued: “lots of real laugh out loud moments both Sue and Diane are fantastic!” A second wrote: “Love Ann Droid, so funny”, with another writing: “So funny!

“I absolutely love this series! I wish robots were really so advanced – I’d definitely buy one!”

A fellow viewer said: “Time for the best part of the week” at the start of the episode with someone else remarking: “It’s a terrible idea – but somehow it does work.”

Meanwhile, a user who had already binge-watched the entire six episodes, commented: “Just finished Ann Droid and my sides are splitting. That was f*****g hilarious.”

By the end of this evening’s episode, Phyllis (Margot Leicester) visited Sue in tears, sharing that no one turned up to her birthday party.

After sharing a few glasses of wine with Diane playing party music in the background, the pair shared stories of their “terrible families”.

But realising that she didn’t want to miss out on being a potential grandmother, Sue left her son Michael a voicemail saying she would downsize to free up money for him and Renee.

A tipsy Sue and Phyllis continued to dance and celebrate as Linda tried to tell her that it would lead to “financial ruin” but is she right?

Ann Droid continues every Friday on BBC One and BBC iPlayer.

The BBC drama’s season three finale delivered a gut-wrenching twist this evening (August 7)

A mother’s love drove one of television’s most heartbreaking twists of the year as Granite Harbour season three drew to a close on Friday, August 7, with Shelley confessing to three murders to shield her family — only for the truth to tear everything apart.

The BBC Scottish drama had gripped viewers since its third season opener last month, which began with the shocking murders of teenagers Lisa Stirling (played by Jess Douglas-Welsh) and Matty Grough (Bailey Newsome). The discovery of Richard Loughty’s (Alastair Mackenzie) body at the Loughty Estate followed shortly after, with the victim having publicly campaigned to sell the land that would prevent the travelling community from returning.

With Mac (Dawn Steele) and her team closing in, it was traveller liaison officer Alex (Thoren Ferguson) who unwittingly set the finale in motion by handing over Matty’s bag to police after finding it in Shelley’s (Emma Hartley-Miller) caravan. Brought in for questioning, Shelley took the extraordinary step of confessing to all three killings.

What happened in the Granite Harbour finale?

Her account painted a picture of a chain of tragic accidents. On the night of Rose’s party, she claimed to have followed Lisa into the woods to confront her about bullying her son Noah (Aaron MacGregor), only for the argument to turn fatal when the teenager was pushed and struck her head.

When Matty witnessed the incident and captured it on his phone, Shelley said she had stabbed him with a dagger taken from Rose’s to silence him. She further claimed that Loughty had later stumbled upon the phone, threatened to go to the authorities, and died accidentally during a struggle.

But the confession quickly unravelled. Officers discovered Shelley had terminal cancer with only weeks left to live, and forensic evidence proved she could not physically have moved Matty’s body. The real story was far more devastating.

When police returned to the travellers’ site, Alex’s shirt was torn open during a confrontation, revealing a lion tattoo — the very image Lisa had sketched in her journal alongside the name of her secret boyfriend, Leo. Alex was Leo.

The truth then came flooding out. Shelley revealed that Alex was also Noah’s biological father, a secret both had kept hidden knowing he would not have been accepted by the community as a non-traveller by blood. On the night of the party, Alex had followed Lisa into the woods to end their relationship, unaware that Noah was secretly listening nearby. Lisa had persuaded Matty to film the exchange, intending to use it to destroy Alex’s life. Noah, unwilling to let his bully ruin his father, shoved her in a moment of rage — fatally.

It was Alex, not Shelley, who had found the dagger. When he realised Matty had filmed the whole incident, he chased him down and stabbed him to bury the evidence and protect his son. Loughty, meanwhile, had discovered Alex’s affair with Lisa and attempted to use it as blackmail, sparking yet another confrontation that ended in his accidental death.

Shelley had carried the weight of all three confessions to shield the two people she loved most. In the end, both Alex and Noah came forward, faced charges, and left Shelley — a terminally ill woman who had sacrificed everything — utterly devastated.

Granite Harbour is available to watch on BBC iPlayer.

It seems time does have the power to heal all wounds — even between famously volatile exes.

Former Fleetwood Mac guitarist Lindsey Buckingham has opened up about how he and Stevie Nicks were able to move past their longtime feud while working together on an upcoming documentary for the iconic band.

“Stevie and I are talking all the time now,” the musician told E! News at Variety’s Power of Young Hollywood event Thursday. While he remained mum on whether this reconciliation could lead to future tours or collaborations, he did tell the outlet that 2027 — which will mark the 50th anniversary of Fleetwood Mac’s acclaimed “Rumours” album — “should be a pretty interesting year … because I think quite a few things will reveal themselves.”

Buckingham believes making the forthcoming Apple TV documentary has not only helped mend the rift between he and Nicks, but also any remaining tensions with other Fleetwood Mac members.

“I think the process of making that has been a very circular healing process for all of us,” Buckingham said. “Because we had left things in 2019, maybe as far as I was concerned, not in a very good place for all the wrong reasons … No one was happy about it, and all of that has been healed and worked out.”

Buckingham first joined Fleetwood Mac with then-girlfriend and bandmate Nicks toward the end of 1974. He left the band to pursue his solo career in 1987 and rejoined years later. But in early 2018, ahead of a planned tour, Buckingham was fired from Fleetwood Mac after Nicks allegedly issued the band an ultimatum threatening to leave if he wasn’t cut. The singer-guitarist then sued the band for lost wages before settling the lawsuit later that year. Despite admitting that he’d like to be asked back to the band, bad blood lingered.

A Fleetwood Mac reunion has long seemed unlikely, especially following the death of singer-keyboardist Christine McVie in 2022. But perhaps Buckingham’s latest comments, along with last year’s reissue of he and Nicks’ pre-Fleetwood Mac album “Buckingham Nicks,” are signs that not all hope is lost.

This month’s LA Jazz Festival was slated to be one of the largest concerts in Los Angeles history.

With dozens of performances spread throughout every City Council district, organizers hoped the shows would draw 250,000 attendees and inaugurate the city as a home for jazz events on par with New Orleans and Montreal.

Those hopes will have to wait, as organizers announced the cancellation and postponement of the festival on Friday, including its main show Aug. 22-23 on Dockweiler Beach.

“Due to significant, unanticipated last-minute public safety and municipal costs associated with the final permitting of the On The Beach Festival, we have reached the decision to unfortunately postpone this year’s inaugural LA Jazz Festival,” organizer Martin Ludlow said in a statement to the Times. “Although this decision was an extremely difficult one to reach, our commitment to the audiences and artists participating in the festival is to have a first-class experience worthy of the great legacy of Jazz and our great city. We were encouraged by the enthusiastic support of the artists on the bill, the fans and our sponsors for this inaugural event, and we look forward to presenting all of the components of this incredible cultural opportunity for Los Angeles and the world in 2027 and beyond.”

John Legend, Janelle Monáe, Charlie Wilson, Parliament Funkadelic and Raphael Saadiq were booked to headline the main show.

“We are so grateful to all the artists–from our headliners to our musicians in the parks, many of whom went above and beyond to make this affordable to the community,” Ludlow added. “All current ticket holders for LA Jazz Festival events will be refunded in full within 30 days. We apologize deeply for this situation and vow to make this right over time.”

LA Jazz Festival was a major project for Ludlow, a former Los Angeles City Council member turned music promoter and community activist after pleading guilty to misappropriating funds in 2006.

Ludlow announced the show in a splashy speech on the steps of City Hall in February, flanked by Mayor Karen Bass and other civic leaders. “During this journey, you can only imagine there’s a lot of highs and a lot of lows,” Ludlow said then. “When you have those lows, you want a friend that really can lift you up.”

Back in February, Ludlow described the mission of LA Jazz Festival with a civil rights-inspired fervor, saying that “This festival is intended to lift up our ancestors that came to this country in bondage, terrorized, brutalized. It’s also about celebrating the end to those last bastions of Jim Crow racism, the days we were denied access to public drinking fountains, public swimming pools and public beaches. From the beginning of this journey, we’ve been very intentional about telling the narrative of that human rights struggle called Jazz.”

OLA and James Jordan described marriage as a “constant job” and opened up about sex life struggles years before their shock split. 

The former Strictly Come Dancing professionals confirmed they’d gone their separate ways after 23 years of marriage this week. 

Ola, 43, and James, 48, share daughter Ella, six, and previously spoke out about what it takes to make a relationship work. 

Speaking to HELLO!, he  said: “We’ve got a beautiful daughter and as my dad always used to say, and it’s true, ‘Marriage can be like a job sometimes, you’ve got to work at it’. 

“I feel sometimes people are quick to give up on something and think the grass is always greener on the other side.”

James also joked that “marriage and wives” are some of the most stressful things to deal with in life. 

RING THE ALARM

All the signs Strictly’s Ola & James had split up after after 23 years

IT’S ALL OLA

Strictly stars Ola & James Jordan split after 22 years of marriage

And Ola confessed that when they’re working together on dance routines they “argue the most”. 

She said: “James has his idea and I’ve got another idea and we clash more than we do any other time.” 

In recent years Ola and James lost a combined seven stone and admitted that when they were bigger their sex life suffered.

Speaking to The Sun in 2022 ahead of their weight loss journeys, Ola said: “The sex life is definitely different, if not worse, because we are so fat and don’t want to move after a bag of crisps and a Chinese.

“The bellies get in the way of us when it comes to sex. And I’m a bit heavy now. It’s not as exciting.”

James added: “Sex is definitely not better with the mum and dad bods. I can’t throw her about any more like I am used to doing.

“So we realise we need to switch up our eating habits to get back in shape.”

Documentary fans are in for a treat watching any of these hidden gems

There’s nothing more satisfying than discovering a documentary that packs in the twists, turns and mic-drop moments.

While streaming giant Netflix has become synonymous with shock factor documentary films and series, there are plenty that exist beyond its library.

One Redditor recently asked people for their suggestions on little-known documentaries that “blew your socks off” which brought in over 2,000 responses. The resulting recommendations spanned nature, crime and the weird and wonderful, exposing a multitude of stories that may have otherwise flown under the radar.

My Octopus Teacher

One of the most-suggested titles was My Octopus Teacher. Released back in 2020, the feature-length documentary film follows diver Craig Foster and the surprising bond he formed with an octopus over the course of a year.

Fans of the film described it as “not your typical nature doc”, while another said they “don’t eat octopus because of this movie.” As per its official synopsis: “A filmmaker forges an unusual friendship with an octopus living in a South African kelp forest, learning as the animal shares the mysteries of her world.”

The title actually won the Academy Award for Best Documentary Feature back in 2021, so you know it’s going to be good. You can currently stream it on Netflix.

The Wild and Wonderful Whites of West Virginia

Jackass star Johnny Knoxville is among the producers credited on this 2009 documentary about an infamous outlaw family living in West Virginia. The film’s director Julien Nitzberg spent an entire year with five generations of the White family in rural Appalachia.

The New York Times called it “compelling and complicated”, while one viewer dubbed it “one of the craziest docs to ever exist.” Another claimed: “Had a friend who grew up near that family. She said it is 100% accurate.”

While it isn’t readily available for streaming, the 10th Anniversary Edition can be rented or purchased via Prime Video. Alternatively, eager documentary fans can buy a physical copy.

Three Identical Strangers

A stranger-than-fiction tale, Three Identical Strangers, released in 2018, tells the incredible true story of how a set of triplets separated at birth somehow found each other again.

Bobby Shafran, Eddy Galland and David Kellman’s unique story sees them catapulted to celebrity status on a global scale, but a horrifying discovery about their beginnings casts a dark shadow over their lives.

The BAFTA-nominated film has a run time of just over an hour and a half and is currently available to purchase via YouTube, Apple TV and Prime Video. Sadly it is not included in any streaming service subscriptions at the moment.

Class Action Park

Another 2020 release is Class Action Park, which chronicles an amusement park in New Jersey and the high number of injuries that occurred there. In total there were six recorded deaths at the attraction before it closed down in 1996.

Available to watch on HBO Max, the documentary features newly-unearthed recordings and documents, as well as interviews with people who visited it for themselves and lived to tell the tale.

Its synopsis reads: “To some, New Jersey’s infamous Action Park was the most spectacularly fun amusement park on Earth: A place where unruly 1980s teenagers were given free rein to go gonzo on strange contraptions that seemed to violate the laws of common sense (and perhaps physics). To others, it was an ill-conceived death trap. One thing is sure: It’s the type of place that will never exist again.”

Jiro Dreams of Sushi

Currently available for free streaming via Plex, 2011 film Jiro Dreams of Sushi centres on 85-year-old Jiro Ono as he attempts to realise his life-long quest of making the most perfect piece of sushi.

He was the first sushi chef to earn three Michelin stars and considered the world’s best at what he does, but he is still not content that he has achieved perfection. Filmed at his world-famous Tokyo restaurant, Sukiyabashi Jiro, the documentary also follows his son, Yoshikazu, as he struggles with the pressure of trying to follow in his father’s footsteps.

The documentary has an impressive Rotten Tomatoes rating of 99 per cent from critics and an equally solid 91 per cent from audiences. One viewer shared: “It’s about a sushi restaurant, but is really about one man’s absolute, laser focus on absolute 100.0000% perfection. Odd title, odd theme, but an incredible documentary.”

For San Francisco fans of Lionel Richie and Earth, Wind & Fire, the party at Chase Center ended before it even started.

Earth, Wind & Fire abruptly called off its concert at the NorCal venue on Thursday, notifying fans in a social media statement that the cancellation was “due to a medical emergency involving a member of our band.” A spokesperson for the San Francisco Fire Department confirmed to The Times that personnel were dispatched at 5:30 p.m. to respond to a medical emergency at Chase Center. One person was transported to a hospital via private ambulance, but the individual’s identity was not disclosed. TMZ reported that the Fire Department responded to a “cardiac incident.”

A representative for Earth, Wind & Fire did not provide additional details. The band said in its post that it has rescheduled Thursday’s show for a later date to be announced soon and that tickets will be valid for the new date. “We sincerely apologize for the unexpected change and appreciate everyone’s understanding,” the band said.

Live Nation announced Richie and Earth, Wind & Fire’s joint Sing a Song All Night Long tour in January. The tour kicked off in June but quickly hit a snag when Richie also suffered an unspecified health issue while on the road. Richie, 77, postponed a stop at Chicago’s United Center and another show at the Schottenstein Center in Columbus, Ohio, after he brought his first tour stop to an abrupt end.

The Grammy-winning hitmaker of “Hello” and “Say You, Say Me” unexpectedly stopped the concert at the Grand Casino Arena in St. Paul, Minn., after taking a seat on stage multiple times during his performance of “Dancing on the Ceiling” and telling his audience he felt “dizzy,” according to videos shared on social media.

“When you are feeling dizzy, sit your a— down,” he joked, according to video a fan posted to TikTok. “When you are feeling strange about yourself, sit your a— down.”

TMZ reported at the time that the singer-songwriter was hospitalized after the health scare. Paramedics reportedly met the artist backstage and transported him to a nearby hospital out of precaution. In a statement following the incident, Richie thanked fans for their support and informed them, “I’m doing well, and I’m grateful for all of you.”

The Sing a Song All Night Long tour is slated to continue Saturday at Acrisure Arena in Palm Desert. Richie and Earth, Wind & Fire are scheduled to play the Intuit Dome in Inglewood on Sunday. The tour ends Aug. 14 at the Moody Center in Austin, Texas.

As the country fixates on the sad saga of the ruined Lincoln Memorial Reflecting Pool in Washington, D.C., the Trump administration’s plans to build a 250-foot arch at the western terminus of Memorial Bridge have marched forward.

The project received final design approval in late May from the Trump-appointed U.S. Commission of Fine Arts. The problem with that, critics quickly pointed out, was that this approval occurred before a key part of the National Historic Preservation Act — Section 106 — was initiated.

For background: President Lyndon B. Johnson signed NHPA into law in 1966 during an era of rampant unregulated building in order to protect the country’s shared cultural heritage. Section 106, which the Trump administration has been trying to gut, allows for a period of public comment about proposed projects in advance of their approval. This gives time for reasonable concerns to be raised and for pivots in design and siting to take place accordingly.

In a letter submitted to the National Park Service on Thursday by the nonprofit Cultural Landscape Foundation (TCLF) as part of the federal-level reviews of the Triumphal Arch under Section 106, the group’s founding president and chief executive, Charles Birnbaum, called the chain of events leading to the arch’s approval a “radical departure from a well-established series of processes that have made the Monumental Core a global paragon of civic art, landscape architecture, architecture, and planning.”

Birnbaum, who served as coordinator of the Historic Landscape Initiative at the NPS from 1992 to 2007, also noted, “The process for the selection and siting of the Triumphal Arch has been horrifically flawed from the outset. Remarkably, there was no design competition, which is a dangerous and radical decision for what would be the second largest monument in the Monumental Core after the Washington Monument.”

The letter was sent several days after the NPS released a preliminary assessment that found the arch could have significant adverse effects on the historic structures around it. Birnbaum and TCLF, however, worry — based on linguistic hedging in NPS correspondence — that a final “adverse effect determination” will not be made, thus depriving concerned parties of the ability to continue to advocate against the project.

“Given the extensive documentation of adverse effects in the preliminary finding, the suggestion that any uncertainty exists about the final determination is both confounding and alarming,” Birnbaum wrote.

During his tenure at NPS, Birnbaum was the lead author of “The Guidelines for the Treatment of Cultural Landscapes,” which includes a section on “Spatial Organization and Land Patterns,” which, he writes in the letter, “is clear about what is and is not recommended.”

“Identifying, retaining and preserving the existing spatial organization and land patterns of the landscape as they have over time,” is recommended, for example, while, “Allowing spatial organization and land patterns to be altered through incompatible development or neglect,” is not.

“A 250-foot-tall arch in Memorial Circle sited between the Lincoln Memorial and Arlington National Cemetery and Arlington House and in the Monumental Core is undeniably incompatible development,” Birnbaum wrote, noting that any new development is stipulated to be in agreement with the cultural landscape guidelines. “The Arch as proposed will not be consistent with the Guidelines and any certification otherwise would not only be factually baseless (in short, a lie), but declaring so would be unprofessional, fraudulent, and, perhaps, illegal.”

Strong words that may very well fall on closed ears, if recent history is any guide. Nonetheless, the resistance forges ahead.

I’m arts editor Jessica Gelt, building an arch to future goodness. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Judy Collins performs at the Ryman Auditorium in Nashville in 2025.

(Jason Kempin / Getty Images)

Judy Collins: Sweet Judy Blue Eyes Farewell Tour
The singer-songwriter-musician with the lilting voice and eclectic catalog is joined by Bruce Cockburn for an evening of folk-infused heartfelt songs.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

Versa-Style Street Dance Company
The troupe marks its 20th anniversary with “Box of Hope” (2nd Edition), a multidisciplinary program featuring West Coast Hip Hop and Street Dance Styles.
8 p.m. Friday and Saturday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SATURDAY

Betty Boop’s Birthday Bash for a Cause
Kate Micucci hosts an evening of live music — headlined by indie-pop group Dressy Bessy and Allison Wolfe of Bratmobile — animation, comedy, pop-culture nostalgia and the Bob Baker Marionettes to benefit the nonprofits organizations the Birthday Party Project and Saturday Morning Cartoons United.
6:30 p.m. Alex Theatre, 216 N. Brand Blvd., Glendale. thealex.evnsong.com

The Improvised Shakespeare Company
The troupe takes a single audience suggestion and spontaneously turns it into a full-blown Elizabethan-style comedy that could (possibly) make the Bard himself wish he had written it.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

The Complete History of American Musical Theater: The 1950s
An evening of theatrical history, storytelling and live performances revisits the Golden Age of the American musical, featuring such classics as “Guys and Dolls,” “The King and I,” “My Fair Lady,” “West Side Story” and “The Music Man.” With Eileen Barnett, Camryn Hamm, Scott Harlan, Hayden Kharrazi, Tony nominee Mary Gordon Murray and Tony nominee Rory O’Malley. Narrated by Dan Fishbach and Mark D. Kaufmann. Produced by the Odyssey Theatre and the Los Angeles Musical Theatre Studio.
8 p.m. Odyssey Ensemble Theatre, 2055 South Sepulveda Blvd. odysseytheatre.com

James Morris, from left, Christopher Reiling and Jasmine Kimiko in the play “Slava Ukraini! (or Waiting for Elon).”

(Deverill Weeks)

Slava Ukraini! (or Waiting for Elon)
A Few Thoughts Theatre Company presents a new play by Keith Szarabajka about three soldiers — two Ukrainian and one Russian — trapped together during the siege of Mariupol. Directed by Tony Pasqualini.
8 p.m. Fridays, Saturdays and Mondays; 3 p.m. Sundays through Aug. 31. (no performances Aug. 16, 17) . Atwater Village, 3269 Casitas Ave., Theater #3, Los Angeles afewthoughtstheatercompany.org

SUNDAY

Jazz keyboardist Carey Frank.

(Courtesy of the artist)

Carey Frank Organ Trio
Joined by guitarist Nadav Peled and drummer Jake Reed, the jazz keyboardist powers a contemporary take on jazz, swing, blues and soul.
8 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Summertime! with Bob Baker Marionettes and Kate Micucci
The marionettes and Micucci have a busy weekend, going from Betty Boop at the Alex to celebrating all things sunny and funny at the Ford.
The Ford, 2580 Cahuenga Blvd. East. theford.com

TUESDAY

Mozart Under the Stars
A pair of celebrated Canadians, conductor Nicolas Ellis and pianist Angela Hewitt, join the Los Angeles Chamber Orchestra for their Mozartian summer tradition.
8 p.m. Hollywood Bowl, 2301 N Highland Ave., Hollywood. hollywoodbowl.com

WEDNESDAY

Giselle, the chandelier set piece that travels with the North American tour of “Phantom of the Opera,” photographed the Hollywood Pantages Theatre in July.

(Ariana Drehsler / For The Times)

Phantom of the Opera
The new North American touring production of Andrew Lloyd Webber’s hit musical, featuring Maria Björnson’s original design — including a really big chandelier — and based on the direction of Harold Prince, with musical staging and choreography by Gillian Lynne, shifts to Orange County.
Through Aug. 30. Segerstrom Hall, Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org/events

Stanley Jordan Trio
The virtuoso jazz guitarist is joined by drummer Chris Wabich and bassist Ahmet Turkmenoglu.
7 and 9:30 p.m. Blue Note Los Angeles, 6372 Sunset Blvd. bluenotejazz.com

THURSDAY

Michael Douglas and Glenn Close in “Fatal Attraction” directed by Adrian Lyne in 1987.

(Sunset Boulevard / Corbis via Getty Images)

A Weekend With Adrian Lyne
The director known for his sleek, erotic thrillers will be on hand for screenings of “Fatal Attraction” (1987) and “Unfaithful” (2002) at the Academy Museum and the theatrical premiere of “Deep Water” (2022), starring Ana de Armas and Ben Affleck, at Brain Dead Studios.
7:30 p.m. Thursday (“Fatal Attraction”) and Friday (“Unfaithful”). Academy Museum, 6067 Wilshire Blvd. academymuseum.org 7:30 p.m. Saturday (“Deep Water”). Brain Dead Studios, 611 N. Fairfax Ave. studios.wearebraindead.com

Helado Tropical
The night will be full of Latin beats, rhythms and experimental sounds as Helado Negro and Reyna Tropical team up following the recent release of their nine-song collaborative album.
8 p.m. The Ford, 2580 Cahuenga Blvd. East. theford.com

— Kevin Crust

Retrospective

L.A. Times arts coverage from the past …

Ballet dancers Rochelle Chang, Emily Parker and Raffaella Stroik rehearse a new work by choreographer Lincoln Jones, background, in 2016.

(Mel Melcon / Los Angeles Times)

How a new dance gets made: Behind the scenes at American Contemporary Ballet
Aug. 7, 2016

Emily Parker stood still on pointe. Arms spread like wings, she fixed her gaze somewhere in the distance. Dancers spun around her like ribbons in a breeze. A bend, a twist, a slide of foot, a flutter of light. On and on, with no music, only the tap, tap, tap of toe shoes and the sound of texting from those stretching and waiting in the wings.

Parker relaxed her pose. The other dancers flitted toward windows. Choreographer Lincoln Jones walked among them, hand to chin, thinking, and at times twirling alone as if chasing whispers. The afternoon pressed in. He called a break and headed for a laptop. Dancers from American Contemporary Ballet, which on Aug. 11 [2016] will perform an original work by Jones, dispersed in the studio heat.

A ballet troupe is a small army of fine lines and grace. Some dancers have been with the company for years, others like Parker are new, finding their places amid mats, bags, tape, calluses, balm, egos, sore backs, battered toes and torn tights. They are led by Jones, a dark-haired man who between smiles and asides moves with quiet intensity. His new production for the company’s “Music + Dance: LA II” series was inspired by 19th century French composer Adolphe Adam and set amid a countryside, a lake and a wedding. READ MORE

— Jeffrey Fleishman

Culture news and the SoCal scene

The Boyle Heights side of 6th Street PARC underneath the 6th Street Viaduct.

(Carlin Stiehl / For The Times)

As the once heralded, now neglected 6th Street Bridge continues its precipitous decline, a new park is being built beneath it that supporters hope could uplift the neighboring community of Boyle Heights and help renew the bridge in the process. Called Sixth Street PARC and scheduled to open later this year, the 12-acre green space is meant to serve as a vital community hub connecting downtown’s Arts District with the Eastside neighborhood. It will take more than good intentions to make that plan work, Sam Lubell writes in a detailed story about the project.

Times classical music critic Mark Swed is currently in Austria, taking in the many wonders of the annual Salzburg Festival. Among them: Gustavo Dudamel leading Mahler’s “Resurrection” symphony with the Vienna Philharmonic. “In Salzburg, Dudamel indulged the Vienna Philharmonic’s incomparable lushness, those plush strings, glowing winds, golden brass, voluminous timpani. The symphony received mixed reviews, with critics complaining of a lack of transparency, argument and depth. Had they been in Disney Hall, they would have had it all,” Swed writes.

The D.C.-based anonymous arts activist group Secret Handshake is taking its satirical work on tour. The group recently started an Instagram page to chart the journey of a 10-foot golden cup dedicated to Trump, “The Iran War Participation Trophy.” The trophy went to New York City after appearing late last month on the National Mall. This week it popped up on the lawn of the Capitol Building in St. Paul, Minn. Other cities will follow, Secret Handshake promises.

Dorothy Wolpert, board chair of the Fountain Theatre for 12 has died. She was 91.

(Fountain Theatre)

The Fountain Theatre is mourning the death of Dorothy Wolpert, who served as the theater’s board chair for 12 years. She was 91. Wolpert was deeply involved in the life of the city through her love and support of the arts as well as in her professional life. As the co-founder of Bird Marella, a Century City law firm, Wolpert was involved in cases that advanced equity and social justice, including the landmark school desegregation case Crawford v. Los Angeles Board of Education. She also used her legal expertise in the fight against human trafficking.

Wolpert received UCLA Law’s Trailblazers Lifetime Achievement Award and the ACLU Humanitarian Award, and in 2022 UCLA Law established the Dorothy and Stanley Wolpert Public Interest Fellowship in her honor.

Wolpert became the Fountain’s board chair in 2013, and served until 2025. In an email, the Fountain’s co-founder Stephen Sachs wrote that Wolpert was “instrumental in expanding [the Fountain’s] board, strengthening its leadership, and raising its national profile. She was also a generous supporter of numerous LA arts organizations and a devoted patron of LA Opera.”

“On a personal level, Dorothy was my trusted mentor and confidant. Whenever I faced a difficult decision, she was the person I turned to first. She had a remarkable gift for asking exactly the right question. Her wisdom shaped not only the Fountain, but many of us fortunate enough to know her,” Sachs wrote.

— Jessica Gelt

And last but not least

Here are 18 things you should do if you can afford to go to Carmel-by-the-Sea.

William Orbit, the English musician and producer best known for his work with Madonna on her beloved 1998 album “Ray of Light,” died on July 23. He was 69.

His family announced his death Friday in an Instagram post that said he died at home but didn’t specify a cause. “He will be greatly missed by us and by so many whose lives he touched through his music, friendship and kindness,” the post reads.

Born William Wainwright in London in 1956, Orbit had already established himself in the worlds of dance music and movie soundtracks — he composed the score for the 1986 hockey movie “Youngblood,” with Rob Lowe and Patrick Swayze — when he linked up with Madonna at a moment of deep personal change for the pop superstar, who’d given birth to her first child and immersed herself in a variety of spiritual practices. Together the two developed a lush yet energetic sound that combined guitars, synths and throbbing club beats.

“Ray of Light,” which sold more than 4 million copies in the United States alone, spun off hit singles including “Frozen,” “The Power of Good-Bye” and the exuberant title track; the LP was nominated for album of the year at the Grammy Awards — Madonna’s only nod for that prestigious prize — and won the award for pop vocal album. Orbit won three Grammys in all over the course of his career.

In 2021, Orbit took pains in an interview with the Guardian to share credit for “Ray of Light” with the singer herself. Madonna, he said, is “a fabulous producer. When it says ‘produced by Madonna and William Orbit,’ people don’t always give her the credit for that. But she’s as responsible as me.”

Orbit and Madonna collaborated again for “Beautiful Stranger,” a Grammy-winning single from the soundtrack of 1999’s “Austin Powers: The Spy Who Shagged Me,” and for an electro-pop cover of Don McLean’s “American Pie” that featured in the 2000 movie “The Next Best Thing,” in which Madonna starred.

He also worked with Blur, U2, Beth Orton, Pink and All Saints, and he made music under his own name, including a 2000 LP, “Pieces in a Modern Style,” with high-tech interpretations of classical pieces by the likes of Samuel Barber and Erik Satie.

TWO years on from the terrifying ordeal which saw Holly Willoughby fearing for her life, the former This Morning presenter has said she’ll ‘never be the same’ in a teary admission.

Stalker Gavin Plumb was sentenced in July 2024 for soliciting Holly’s murder, kidnap, and the commission of rape in a horror plot.

The Security Guard was caught by an undercover police officer in a chatroom, who believed there was ‘immediate threat’ to Holly – who, thankfully, was never harmed.

In a candid new interview, Holly admits the situation has left her scarred.

“Things have changed, I’ve changed – certain things will never be the same,” she told The Times, admitting: “You can’t not change with something like that.

“And in some ways, I am stronger. And in some ways, I’m not.”

YACHT LIFE

Romeo Beckham’s girlfriend Kim gives rare look inside family’s £16m superyacht

so strong

Jesy Nelson shares first pics of baby twins after ‘terrifying’ operation

Holly then broke down into tears as she discussed the situation, stumbling on her words as she began: “I still find it hard to…”

“I can’t… I’m sorry…” she admitted.

Holly continued: “I just don’t really have the words for it. It’s hard to explain…”

She added that the horror plot made her feel “vulnerable in a way that you haven’t ever imagined feeling vulnerable. And I don’t think you’re meant to test that, that vulnerability.”

In 2024, Plumb was jailed after being convicted of soliciting murder, incitement to kidnap and incitement to rape.

He was handed three concurrent life sentences – one for each of the offences – with a minimum term of 15 years.

It was found that he hatched a sinister plan to ambush his so-called “fantasy” Holly at her home and “stupefy” her using chloroform.

The 35st security guard then wanted to tie the star up and take her to a “dungeon” where her screams would not be heard “for miles”.

His twisted plans were only foiled when he divulged all the chilling details to an undercover cop on a site called Abduct Lovers.

Holly, who worked at the helm of This Morning for 14 years, stepped down from her role on the ITV show shortly after the chilling plot was uncovered.

It came after a tumultuous few years for her, with the exit of her longtime co-host Phillip Schofield and the shocking news of his affair with a young male staffer on the show.

She has now returned to work with a brand new show, Together, which airs on YouTube.

Josie Gibson failed to hold back on her line of questioning during the latest instalment of This Morning as she asked Ricky Gervais about his relationship

ITV’s This Morning made for hilarious viewing on Friday (August 7) as Ricky Gervais was interviewed on the famous blue sofa.

The 65-year-old appeared on the daytime programme to discuss his new Netflix show, Alley Cats, with presenters Paddy McGuinness and Josie Gibson. But after briefly talking about the new animated series, Josie questioned Ricky on other matters.

Talking about his character Gus in Alley Cats, Ricky mentioned that he is similar to the animated feline because he dislikes people. Stating that he prefers to stay indoors instead of socialising outside, Ricky said: “It’s my favourite thing!

“It’s couch, me, girlfriend, cat, wine, Netflix.” He added: “Honestly, just to get up and go on tour, I’ve already been paid so I’ve got to do it.”

Josie then probed: “Have you not married Jane then. Is she still your girlfriend?”

To which Ricky awkwardly replied: “Yeah. Yeah – we do everything. We are married, really. But just not in the eyes of God.”

With Josie responding: “Right, okay!”

Ricky and his long-term partner, Jane Fallon, have been together for more than four decades, having started their relationship in 1982 after meeting while studying at University College London.

Over the years, the couple have built successful careers of their own. While Ricky became one of Britain’s most recognisable comedians, actors and writers through projects including The Office, his partner Jane has established herself as a bestselling novelist.

Reflecting on their early years together, Ricky has spoken about the modest flat they shared in London’s King’s Cross, recalling that it was all they could afford at the time. Despite their humble beginnings, the couple have remained by each other’s side as their careers continue to flourish.

Ricky has often praised his partner for inspiring his work, and their relationship has remained strong throughout his rise to international fame. Although they have been together for over 40 years, the pair have repeatedly said they have no plans to marry or have children.

Speaking to The Daily Mail in February 2018, Jane told the publication: “We’re not married because neither of [us] are fussed. I think if one of us really cared then we would probably do it but it’s not really been anything that either of us have ever really needed.”

This Morning airs weekdays from 10am on ITV1.