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Before starting a cosmopolitan life as an artist in Mexico City, queer filmmaker Efraín Mojica came of age between Riverside and the rural town of Penjamillo, Michoacán: home to an annual jaripeo, or a Mexican rodeo competition that takes place every Christmas.

Every year, cowboys convene to test-drive their masculinity, namely by swigging handles of tequila and precariously mounting the backs of bucking bulls. These heroic shows of manhood long fascinated Mojica, who frequented jaripeos with family — and quietly forged a community with other locals who diverged from Mexican gender norms.

That community would become the cast of “Jaripeo,” the debut documentary feature film by Mojica and co-director Rebecca Zweig, which premiered at this year’s Sundance Film Festival in Park City, Utah. Shot in the style of cinéma vérité, Mojica appears as both a narrator and protagonist. Zweig, who first encountered Mojica in Seattle’s punk scene, follows them behind the lens as they interview members of the LGBTQ community in and around Penjamillo.

“[Mojica] invited me to Michoacán in 2018 to spend Christmas with their family,” Zweig tells The Times, the day after the film’s Jan. 25 premiere. “As soon as I was at the rodeo with them, I became obsessed with the performance of masculinity.”

“[Zweig] was like, ‘How do you feel about making a documentary [about] the rodeos?’” Mojica tells The Times. “I said, ‘Yeah, but it’s got to be gay.’”

Produced by Sarah Strunin, the documentary begins with a pastoral scene from Mojica’s pickup truck as they overlook the grasslands of Michoacán. Pink party lights and techno music are woven into scenes of bandas and revelers in tejana hats, who kick up dust as they dance inside the rodeo ring. The crew flashes strobe lights in the cornfields, lighting up the figures of sexy cowboys sifting through the crops to find one another — drawing parallels to queer nightlife in the cities.

“On New Year’s there’s a rodeo in Acuitzeramo, with like 10,000 people and big speakers with heavy bass,” said Mojica. “What’s the big difference between a city rave and a rancho jaripeo, you know? They’re doing the exact same thing.”

“I wanted to blur all the lines and make these abstract sequences,” says Zweig. “And I thought, how much is that gonna be allowed in a formal [film] institution? I want to shout out public media, [because] when we got the Open Call Fund from ITVS, they took a chance on us as first-time filmmakers. [Marlon Riggs’ documentary] ‘Tongues Untied’ was also funded by ITVS — the legacy of queer cinema and documentaries in the U.S. has been supported by public media.”

“We have to deal with these issues in our towns, and [people] are still not open to receiving that kind of help,” says Noé Margarito Zaragoza, center, who stars in the new film “Jaripeo.”

(Cat Cardenas / De Los)

Each interview adds more color and dimension to Mojica’s memories of the village they left long ago, no longer suspended in the past. Mojica visits Arturo Calderón, a local rodeo clown known as “La Pirinola,” who performs in drag; Calderón lets the camera roll as he paints his eyelids electric blue.

They later stop by the local church and the disco with Joseph Cerda Bañales, a bearded makeup artist who brandishes long stiletto nails to the rodeos. Despite efforts from the festival organizers, and even a letter from Sen. John Curtis (R-Utah), Cerda was unfortunately not granted entry into the U.S. for the Sundance premiere.

“Joseph is the mayor of his town,” says Mojica. “He’s the president of the church. He runs the folkloric ballet. He does everything. It’s not that there’s no more traditional culture… People just want to keep the community together. [It means] holding a bunch of truths [and] contradictions at the same time.”

Mojica even shares flirtatious moments onscreen while interviewing Noé Margarito Zaragoza, a dashing and stoic ranchero who lives discreetly as a gay man.

“It’s exciting, but at the same time I’m a little nervous,” says Margarito of coming out in the film. “Part of my family doesn’t know what’s going on with my life, so I don’t know how they’re going to take it. But my main family members — my siblings, my dad — well, they feel content and happy [for me], so I’m going forward and giving it my all.”

“We never talked about my queer identity,” says Mojica of their own family, some of whom flew in for the premiere of “Jaripeo” at the Yarrow Theatre in Park City. Mojica planned a belated coming out talk at dinner the night before; the discussion never happened.

“I choked up,” says Mojica. “I thought, ‘OK, I’m just going to give them a little heads up of what the film’s actually about.’ But I could not vocalize a single word. My eyes started tearing up. So I was like, ‘See you tomorrow!’”

It was after the screening, during an open Q&A, when Mojica’s mother quelled the artist’s fears in one fell swoop.

“What was the reception from your family after seeing the film?” an audience member asked Mojica in Spanish — unaware that their family had just watched it for the first time with everyone else in the theater.

To that, Mrs. Mojica Rubio rose from her seat and introduced herself “as a very proud mamá” who loves her child “unconditionally.”

After a beat, she exclaimed: “It’s the 21st century!”

Mrs. Mojica Rubio’s show of support was promptly met with resounding cheers from the audience. “My mom also approached [Margarito] and said, ‘I’m going to give you a mother’s hug, because you deserve it,’” says Mojica, who appears misty-eyed as they recount the scene.

In a time of increasing hostility against LGBTQ people and immigrants in the United States, to behold the strength of a mother’s love — and the solidarity across communities — affirms the purpose of such a film, with a power that transcends states, governments and institutions.

“People in different countries [have] this antiquated idea that Mexico is this little ranchita that’s hateful, that they’re gonna beat you if you’re queer. But we really care for each other,” Mojica says.

“We have to deal with these issues in our towns, and [people] are still not open to receiving that kind of help,” added Margarito. “So let’s hope [the movie is] a success.”

The poster for “Send Help” advertises the film as from the director of “The Evil Dead” and “Drag Me to Hell” — and notably not Sam Raimi’s bigger hit “Spider-Man” (or its two sequels). No, the kind of Raimi movie you’re getting here is irreverent, silly and very bloody: a character study that also features incredibly goofy scares. Written by Damian Shannon and Mark Swift, “Send Help” is a gonzo survivalist riff that works as well as it does because it features two incredibly game actors that surf the wave of Raimi’s tonal madness with a blend of absolute glee and carefully honed skill.

And if that poster were to present the star of “Send Help” in the same way as Raimi, the tagline would read “from the star of ‘Red Eye’ and ‘Mean Girls,’” because Rachel McAdams is fully in her horror-comedy mode here. It’s an excellent reminder of her range. Co-star Dylan O’Brien also proves himself once again to be one of the best actors of his generation: a former teen heartthrob who now operates more like a chameleonic character actor. Both McAdams and O’Brien move beyond expectations to deliver highly expressive, almost clownish performances — in the best way.

McAdams is astonishingly dowdy as beleaguered corporate workhorse Linda Liddle, a “Survivor”-obsessed loser who is passed over for a promotion by her slick new boss, Bradley Preston (O’Brien), a nepo baby. In an attempt to play the good ol’ boys game, she boards a private flight to Bangkok with the team, on which she bangs out memos while they laugh at her “Survivor” audition tape. One plane crash later, the tables are turned, with the injured Bradley now at the mercy of Linda and her survival skills on a tropical island.

The swap in the power dynamic thrills Linda, calling to mind Ruben Östlund’s “Triangle of Sadness,” specifically the relationship between Dolly de Leon and Harris Dickinson. But “Send Help” is more of a psychological exploration than overt class satire, though it does explore the ridiculous notion of what it would be like to be stranded on an island with your boss.

McAdams and O’Brien deliver almost silent-film era acting with their faces (there’s one bravura long shot of O’Brien eating a bug that’s absolutely virtuosic) and Raimi’s camera playfully pushes the audience around, offering exaggerated tilts and close-ups, screaming: Look at this. There’s no subtlety, but would you expect that from the director of the “Evil Dead” movies? You’re just waiting for the ghouls and blood geysers to pop out. We don’t come to a Raimi film for its natural realism.

If there’s any flaw to “Send Help,” it’s that it generates such nuance and empathy for both Linda and Bradley, even within such outlandish circumstances and style, that it feels impossible to root for just one of them to come out on top. The film paints itself into such a corner when it comes to their conflict that any ending would feel too clean, too pat. As it stands, the ending is just that. But it’s to Raimi and the actors’ credit that they manage to make such an odious character as Bradley actually sympathetic — and so clear a heroine as Linda complex and thorny. Nothing’s perfect but “Send Help” is a blast nevertheless.

MICHELLE KEEGAN has shared snaps from her second glam trip of the year despite being blasted by Essex mums over her gifted holiday.

The mum-of-one, 38, jetted off to Abu Dhabi a couple of weeks ago with husband Mark Wright and Palma but fans weren’t happy when they realised it was a paid for all-expenses trip.

Now the former Coronation Street star has jetted off to Los Angeles as she shared a series of pictures in America on her Instagram stories.

She posted snaps of a brightly coloured barista art coffee as well as a neon sign that read, ‘The Beverly Hills Hotel’.

A collage of photos showed the actress wearing a multi coloured buttoned up top with a pair of jeans and some brown boots.

As she smiled for the camera, she opted for a straightened hair look for her brunette locks and went for a subtle make up look complete with a nude lip, mascara and a bit of blush.

READ MORE ON MICHELLE KEEGAN

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It’s unclear whether Michelle is in the US for work or play, but it was previously reported that the Netflix star was in talks to star in Reese Witherspoon’s big-budget movie adaptation of her new novel.

Oscar-winner Reese, 49, wrote crime thriller Gone Before Goodbye with American author Harlan Coben, who was behind Michelle’s Netflix hit show Fool Me Once.

Harlan introduced the women to each other at the launch of the book at the ­London Literature Festival, held at the capital’s Festival Hall last weekend.

A source said: “Harlan has been singing Michelle’s praises to Reese and she was keen to meet her. They got on really well and it was clear Reese was really taken with Michelle.

“The plan is to turn the book into a film and Michelle is their first choice to take on the role of the lead character, Maggie McCabe.

“She is a combat surgeon and Michelle previously played an Army medic in Our Girl on the BBC, so it’s a role they know she could take on with style.

“It’s early days but Harlan and Reese think Michelle is tailor-made for this role and would love her to come on board when the time is right.”

Michelle’s trip comes just week after her freebie trip to the UAE in which she was slammed by Essex mums.

Michellle and Mark stayed at the lavish Rixos Premium in Saadiyat Island, but they didn’t pay a penny for the stay.

It got locals back in Britain, who have got to know Michelle since she moved into her £3.5m mansion in Essex, talking – and not in a good way. 

A source explained: “Local mums are incredibly jealous of the trip and the fact she got it for free.

“They feel like she is really out of touch and showing off something rotten by plastering it all over social media. They are used to it from Mark, but not her.”

And her outraged Instagram followers rushed to express their upset, with one person questioning: “Lovely, could you not have gifted it to a family who could never afford the experience??”

But insiders told us that Michelle has “had enough of the constant whispering and bitching from these so-called Essex wives and the trolls”.

They added: “These women are obsessed with her because they want to be her –  they’re jealous, plain and simple.

“They watch everything she does because they wish they could be as beautiful and famous as her, then sit around slagging her off just because Michelle is too busy to be their friend.

Yellowstone’s Jefferson White has officially joined the cast of the upcoming Rambo prequel led by an iconic Netflix star

Yellowstone actor Jefferson White has officially been cast in the forthcoming Rambo prequel, John Rambo.

With Noah Centineo taking on the legendary veteran role originally made famous by Sylvester Stallone, the new picture from director Jalmari Helander (Sisu) will be positioned several years prior to the 1982 action masterpiece, First Blood.

White, known for playing Jimmy Hurdstrom in the popular Western series, becomes part of an ensemble that features Yao (Sinners), Jason Tobin (A Thousand Blows), Quincy Isaiah (Winning Time: The Rise Of The Lakers Dynasty), and Tayme Thapthimthong (The White Lotus).

Specifics regarding White and his fellow cast members’ characters remain under wraps. The prequel is being described as a labour of love for Helander and will likely delve into Rambo’s wartime service in Vietnam.

Production is presently taking place across Bangkok, Krabi, Phang Nga, and Kanchanaburi in Thailand, reports the Express.

A stark initial poster showing Rambo’s grip on military identification tags has been unveiled.

Speaking about the project, Helander revealed: “When I was 11, I saw First Blood for the first time, and it changed my life.

“Rambo wasn’t just a film to me – it stayed with me growing up and was a defining influence on why I wanted to become a filmmaker.

“As we begin production on the origin of John Rambo, we’re going back to the beginning.

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“This is Rambo stripped down, raw, and real – a survival story about endurance, persistence, and lost innocence. It’s an honor to shape this next chapter with deep respect for the character and the legacy, and to bring audiences the start of John Rambo’s journey.”

Erin Westerman, president of Lionsgate Motion Picture Group, said: “We’re thrilled to start production on John Rambo, which will allow both new audiences and existing fans to explore John Rambo’s roots, his principles, and most importantly, some incredible action, courtesy of Jalmari’s singular vision.

“And we’re so excited for Noah’s committed and powerful performance to show what forged this character into legend.”

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

Leading man Centineo rose to fame playing Peter Kavinsky in Netflix’s beloved To All the Boys I’ve Loved Before rom-com trilogy opposite Lana Condor.

His credits also include 2022’s superhero blockbuster Black Adam alongside Dwayne Johnson, whilst he’s set to take on the role of Ken Masters in the forthcoming Street Fighter adaptation arriving in cinemas later this year.

John Rambo does not yet have a release date. Yellowstone is available to stream on Paramount+

CARDI B loves bad boy Stefon Diggs, but one wrong move and she’s out, two sources have told The U.S. Sun.

The controversial NFL star is gearing up for next weekend’s Super Bowl, with the chance to lead the New England Patriots to glory in San Francisco. 

As The U.S. Sun exclusively revealed, the Patriots star has six baby mamas dotted across the United States, with the most recent addition to his ever-growing brood arriving late last year. 

Diggs, 32, and Cardi welcomed their son on November 4.

Incredibly, most of Diggs’ children were born within a few months of each other in 2025, fueling intense speculation and online debate. 

Amid paternity battles and feverish social media chatter, Cardi has quietly backed her man behind the scenes.

Read more on Stefon Diggs

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An insider told The U.S. Sun that she was fully aware of Diggs’ reputation from the start — and believes he has changed.

“Cardi has known since day one that Stefon had a reputation as a womanizer and had seen multiple women in the past, but her love for him is above all of that,” the source said. 

“She knows he has been faithful since they made things official and that he’s been transparent about his previous relationships, only seeing her since they committed to each other.”

The insider added that while Cardi “hates all the drama,” she admires Diggs’ role as a father.

“She loves that he’s not a deadbeat dad,” the source said. “She believes he’s a present, loving, and supportive father.”

Diggs’ first child, daughter Nova, was born in 2016, but his family has expanded rapidly in recent years. 

In late 2024, Instagram model Aileen Lopera filed a paternity suit claiming Diggs was the father of her unborn child. Their daughter, Charliee Harper Diggs-Lopera, was born in April 2025.

Diggs initially requested DNA testing, and by late 2025, The U.S. Sun exclusively revealed he was the biological father. 

The lawsuit was quietly dismissed in January 2026, suggesting the matter was resolved privately.

NO MESSING

Around the same time, Diggs also welcomed children with other women, including K’yanna Barber, who has previously been linked to Drake.

Rather than viewing Diggs’ children as competition or conflict, Cardi, who starting dating the Patriots star in October 2024 after divorcing rapper husband Offset, reportedly sees them as part of an extended family.

“She sees his children as an extension of the family and enjoys when they’re all together, spending time as one big extended family,” the source said.

“She doesn’t harbor hate toward Stefon’s exes or the mothers of his children. She doesn’t judge — she just wants everyone, especially the kids, to be happy and grow up in a stable, healthy environment.”

Still, Cardi has drawn a firm line.

The source said the New York rapper has been blunt with Diggs, warning him there will be no forgiveness if he crosses it.

“She’s been very clear with Stefon: if he messes up, if another woman comes forward with a baby after they became official and started a family together, she’s done,” the insider said.

“She told him plainly that if he cheats or has a child behind her back, it’s over.”

STEFON DIGGS’ KIDS

Nova Diggs

Born on October 14, 2016, Nova is Stefon’s eldest child and the most recognizable to NFL fans. She has been a fixture at his games since his time in Buffalo, often seen celebrating on the field or “negotiating” his contracts in viral social media clips. Her mother is Tyler-Marie, a singer from the Buffalo area. While the two are no longer a couple, they have maintained a visible co-parenting relationship for nearly a decade.

Shiloh Diggs

Shiloh was born in 2023 and is Stefon’s second-oldest child. She is the daughter of Kennedy Moore, a model from Diggs’ home state of Maryland. While Diggs kept her arrival relatively private compared to Nova’s, he shared photos of them together during the 2025 holiday season, confirming her place in his growing family tree.

Charliee Harper Diggs-Lopera

Born on April 2, 2025, Charliee was at the center of a high-profile legal battle. Her mother, Los Angeles-based model Aileen Lopera (known online as Lord Gisselle), filed a paternity suit in late 2024. In November 2025, DNA testing legally confirmed Stefon as the father. The case was officially resolved in January 2026 after Aileen dismissed her lawsuit, with both parties reportedly agreeing to a private co-parenting arrangement.

[Daughter – Name Not Public]

In April 2025—the same month Charliee was born—Stefon reportedly welcomed another daughter with New York City-based Instagram model Cayy Benji. While this child is rarely mentioned in formal interviews, Diggs was seen spending time with her during his 2025 Christmas break, solidifying reports of her paternity within the “wave” of children he fathered that year.

“Baby Brim” / “Touchdown”

Stefon’s most famous addition is his son with superstar rapper Cardi B, born on November 4, 2025. This is Cardi’s fourth child and Stefon’s first confirmed son. While the public and the parents themselves use the nicknames “Baby Brim” and “Touchdown,” Cardi B explicitly denied rumors in late January 2026 that his legal name is “Grayson,” stating that they are not yet ready to reveal his official name to the world.

[Son – Name Not Public]

The sixth and final child reported as of early 2026 is a son with Miami-based influencer K’yanna Barber. Barber is famously known as the “Kiki” referenced in Drake’s hit “In My Feelings.” Reports of her pregnancy surfaced in late 2024, and she is believed to have given birth in late 2025. Like several of his other 2025 additions, Diggs was pictured holding the infant during the 2025 holidays.

While fiercely loyal, Cardi reportedly struggles when Diggs is publicly criticized.

“She does get upset when people talk badly about him, seeing it as disrespect,” the second source said.

“She’s had arguments over how some people address or treat him in public — but she’s learning how to handle it better.”

Behind the scenes, Cardi has played an active role in helping Diggs navigate co-parenting and blended-family dynamics.

“When she loves, she fights for her man. Period,” the source said. “She talks to him often about how to best navigate situations involving multiple baby mamas and co-parenting. She gives him advice on being the best father he can be, and he appreciates the constant support she shows him.”

It promises to be another whirlwind few weeks for Diggs. 

Fresh from taking part in his first Super Bowl, he is set to head to court to contest felony strangulation and misdemeanor assault and battery charges stemming from an alleged incident in a Boston suburb on December 2.

The woman, who has not been publicly identified and was employed by Diggs as a personal chef, filed a police report on December 16 — several weeks after the alleged incident. 

According to Dedham police, she appeared “emotional and hesitant” to identify the suspect, citing his fame and public profile in New England.

Court documents allege Diggs entered her unlocked bedroom and confronted her over a text-message dispute regarding money he allegedly owed her. 

As the argument escalated, Diggs allegedly struck her across the face. When she attempted to push him away, he then tried to choke her, according to the report.

“The male then tried to choke her using the crook of his elbow around her neck,” the police report stated.

Another issue for Diggs, who is on a whopping $70 million, three-year deal with the Patriots, could be him shelling out an estimated $2 million alone on child support, according to an expert who spoke to The U.S. Sun.

Despite the mounting pressure, Cardi is standing by her man.

“She believes he’s telling the truth,” the source said. “She knows how frustrating these situations can be, but she’s there for him 100 percent, fighting alongside him.

“She sees herself as a lioness standing beside her lion — defending him, wanting him to be respected and loved, while also holding him accountable for his actions.

“To her, love means going to war for your partner when needed — being their strongest support in any circumstance.”

The U.S. Sun reached out to Cardi B’s reps, but is yet to hear back.

OLIVIA Attwood has broken her silence on her split from husband Bradley Dack.

Last weekend, The Sun exclusively revealed how Olivia, 34, had split from her footballer spouse after a ‘breach of trust’ on his part.

The TV star took to Instagram on Saturday to share her first post about her marriage breakdown.

Alongside a picture of boxes in her new apartment, she wrote: “I keep opening Instagram to post but I don’t know what to say or do? lol.

“Vulnerability is not my bag!!!! Especially on social media, it feels very much like bleeding in shark infested waters.

“I cry myself to sleep then business as normal when the alarm goes off at 5am and it has been like that for a long time.

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“But also so much change in such a short amount of time (you know I hate that) (Taurus).

“I never expected to be moving into this apartment alone. And I’m in over my depth for sure.”

But despite her pain, Olivia showed she still had a lot of love for Bradley, 32.

She continued: “I want to be happy. I want Brad to be happy. Just one day at a time. For both of us & anyone else who needs to read this.”

Olivia then concluded: “Normal programming and chatting will resume asap. PS. Thank you, I feel your love immensely.”

Earlier this week, The Sun revealed how Olivia had left the marital home she shared with Bradley to move into her new apartment.

The star the showed fans around the huge space on her social media accounts but failed to mention the split at the time.

Olivia and Bradley first dated before her stint on Love Island in 2017, which she has confessed she joined as revenge for his cheating on her.

But they reunited and filmed a reality series for ITV2, Olivia Meets Her Match. 

Their lavish wedding in 2023 is said to have cost £200,000 — with £30,000 on her dress.

Their split comes just months after the couple weathered a “really bad summer”.

ANGIE Best has given her fans the latest update from her hospital bed as she fights colon cancer.

Posting from her hospital bed in Switzerland, Angie revealed she would be starting her second round of chemotherapy in the coming days.

Angie, who was the first wife of footballer George Best and is mum to TV personality Calum Best, seemed upbeat in her Instagram video despite telling her followers, “I can’t function.”

She captioned the video: “All together now, 🎼 just one cornetto…yes they want me to eat sugar ffs 🤦‍♀️ I have to start second round of chemo on Tuesday 😬.”

In the video she showed her nurse waving to the camera and then spoke directly to her fans.

“So I’m back at my favourite place with my favourite nurse, isn’t she just a darling – and she speaks English but she’s Swiss,” Angie explained.

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“I’ve got to gain weight so they’ve got me drinking these awful things [Angie held up a calorie shake]. I can’t find a jelly baby bloody anywhere and the only ice cream in Switzerland is a Cornetto for heaven’s sake.”

Angie then pleaded for help: “Advice needed: I know a lot of you have been through this, but I can’t function, I can’t lift my head up, I can’t brush my teeth, I can’t eat. It’s terrible.”

She coughed as she concluded: “Any advice there, homies?”

Angie also wrote under the clip: “Apparently feeling like this is normal. Nothing normal about it ffs. If you’re suffering right now, we’re here for each other.”

Many rushed to wish her warm wishes, including her son Calum.

“I’m so sorry you’re feeling this way and going through this, it will pass and we come out even better I love you,” he wrote.

Another person added: “You are doing just great Angie , keep up the good work.”

And a third commented: “Well I think you look beautiful as always, have the cornetto, keep fighting and stay strong, sending you lots of love.”

Angie’s EastEnders niece Sam Womack, who herself battled breast cancer in 2022, also shared words of encouragement.

“YES AUNTIE!!!!! Eat eat eat and you always look beautiful,” Sam wrote.

Earlier this month, Calum, 44, took to Instagram to plead for support from his mum who is struggling to afford her treatment, and to tell her fans that her cancer has spread to her liver.

“It doesn’t care where you’re from, how you live, or how healthy you try to be. And now, it’s here – and it’s with my mum,” he said.

Calum said he has set up a GoFundMe page for financial support.

Angie met George Best at a dinner party in LA in 1975 when he was signing to play for the Los Angeles Aztecs, and it was “love at first sight”.

They moved to London in 1976.

When she returned to Los Angeles, George followed her and persuaded her to marry him.

They wed on 24 January 1976 and went on to have son Calum in 1981.

The couple separated the following year and divorced in 1986, following George’s problems with alcohol abuse and domestic violence.

FROM playing a seductive robot in 2024 thriller Subservience to taking part in an on-screen lesbian romp in 2009 flick Jennifer’s Body, Megan Fox has acted her fair share of steamy scenes.

The actress, 39, was spotted on a rare outing last week with her children, after it was reported she and ex-fiancé Machine Gun Kelly are completely “done” with one another romantically.

Megan and the rapper, real name Colson Baker, began their relationship in 2020 and first split in 2024, before an on/off relationship up until last year.

The former couple are now focusing on co-parenting their daughter, Saga, who turns one in March.

While her real-life romance may be cooling off, Megan’s had plenty of steamy scenes on-screen.

First rising to fame in Transformers, the actress has appeared in several blockbusters in the near-two-decades since.

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Here, we take a look at her steamiest scenes…

Subservience – 2024

Appearing in 2024 thriller Subservience, Megan portrayed a robot who was bought to help a dad – who is solo parenting while his wife is sick in hospital – with house chores.

However, her AI-built character Alice ends up slightly too lifelike as she develops intense feelings for her owner Nick, portrayed by 365 Days hunk Michele Morrone.

Not stopping until she gets what she wants, Alice intensely pursues Nick and the pair end up in a very steamy bathroom sex scene.

Stripping down to her underwear, Megan is seen seducing her co-star before blindfolding him and mounting him in intense scenes.

Jennifer’s body – 2007

It’s not just later in her career that Megan has had some hot-and-heavy scenes, with her 2007 film Jennifer’s body featuring a very steamy scene with Amanda Seyfried.

The horror flick sees Megan’s teenage character Jennifer become possessed to be a succubus.

Jennifer seduces a number of her male classmates and has a lesbian romp with Amanda’s character Anita.

Previously, Megan said of the scenes: “I feel much safer with girls, so I felt more comfortable kissing [Seyfried] than kissing any of the other people that I had to kiss.”

Passion Play – 2010

While drama flick Passion Play may not have done wonders in the box office, it did see Megan star alongside Mickey Rourke in one of her most sultry movie roles.

She plays the character of Lily Luster, who has large wings throughout the film and is known as a “bird woman”.

Megan and Mickey’s character, Nate, have several intimate scenes throughout the film – with one showing the former completely naked other than a pair of underwear.

Expend4bles – 2023

Starring as CIA agent Gina in the fourth instalment of the Expendables, Megan acts across from action star Jason Statham, who portrays Lee Christmas.

In the flick, Lee and Gina have romantic history which is clear to see in several scenes throughout the movie – including in a steamy bedroom moment.

Big Gold Brick – 2022

2022’s dark comedy Big Gold Brick had some talented actors to it’s name, but wasn’t a hit amongst fans.

In the film, Megan plays Jacqueline Devereaux, the wife of Floyd Devereaux – who enlists a man to pen his biography.

Throughout the storyline, Megan is seen donning racy underwear and stripping down to lingerie.

However, some critics slammed these scenes as they claimed Megan and co-star Lucy Hale were solely seen as “sex objects” during the film.

How To Lose Friends & Alienate people – 2008

Megan got many viewers hot under the collar during her 2008 appearance in comedy How to Lose Friends & Alienate People.

Portraying starlet Sophie Maes, Megan is seen stripping down to lingerie in several scenes.

While one iconic moment sees the star in a plunging figure-hugging dress as she walks through a swimming pool, before dropping the dress at the end of the pool.

She stars across from Simon Pegg, who plays main character Sidney Young – a celebrity journalist taken by Sophie.

The Dictator – 2012

Portraying herself in a cameo during comedy/drama The Dictator, Megan is seen as a celebrity companion for lead character Aladeen, portrayed by Sacha Baron Cohen.

During the scene, Aladeen is seen shouting the actress’s name while they are in bed together, before telling her: “Megan, you were worth every penny.”

He then presents her with a bag of gold, to which Megan – who is putting her clothes back on- replies: “Katy Perry said she got a diamond Rolex.”

Megan later said she “loved” the cameo appearance in the comedy, which was a change of pace from her previous roles.

This Is 40 – 2012

While Megan didn’t have a leading part in the ensemble cast of This Is 40, she did make her mark on the flick.

Portraying a young shop worker at main character Debbie’s (Leslie Mann) clothing boutique, Megan’s character has her middle-aged counterparts feeling jealous as she portrays the “hot new employee”.

Megan is even seen stripping to her underwear inside the shop, leaving Debbie seething.

MGK’S Good Mourning – 2022

When Machine Gun Kelly decided to make his own comedy film, he enlisted his then-partner Megan to star in the flick.

Good Mourning – which has since been branded “unwatchable” – follows the musician portraying actor character London Clash, who’s convinced he’s about to land a career-changing role.

Megan plays Kennedy in the short film, and while she and MGK are a couple in real life, there aren’t a wave of sultry scenes between the two.

Instead, Megan’s character brings her own sex appeal and has London Clash drooling.

Jonah Hex – 2010

Action film Jonah Hex sees Megan portray a prostitute who falls for leading man Josh Brolin.

In the film, his character is seen spending the night in a brothel with Megan, who steamily kisses him before rubbing against him in bed.

Megan’s burlesque-style outfits in the film also left fans in awe, as she donned a corset with matching stockings and fingerless gloves.

Transformers – 2007

Megan’s breakout role as Mikaela Banes in the Transformers franchise didn’t incorporate X-rated scenes, but did catapult her to fame as a global leading lady.

The movie franchise portrayed Megan as a sex symbol, something she later shared her frustrations over.

“Really my only job is to look attractive,” she told GQ back in 2009. “I was so angry about that,” added the star.

She later got axed from the third Transformers movie for making controversial comments about director Michael Bay – comparing him to Hitler and dubbing him a “d***”.

FOLLOWING the tragic news of actress Catherine O’Hara’s passing at the age of 71 following a short illness, her Home Alone co-star Macaulay Culkin paid a touching tribute to his “mama”.

The two starred in the iconic film together back in 1990, where he played the mischievous Kevin McCallister  while she portrayed the role of Kate, his long-suffering mum.

They reunited two years later for the sequel, Home Alone 2: Lost in New York and have continued to share a mother and son bond over the years.

The pair showed just how close they are when she honoured him at his Hollywood Walk of Fame ceremony in 2023.

As the world mourns the legendary actress, let’s take a look at her relationship with Macaulay and their extremely close bond…

Heartfelt Tribute

Macaulay was one of the first to pay tribute to the Schitt’s Creek star as he posted two pictures from Home Alone and the Hollywood Walk of Fame Ceremony on his Instagram.

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He penned: “Mama, I thought we had time.

“I wanted more. I wanted to sit in a chair next to you. I heard you. But I had so much more to say.

“I love you. I’ll see you later,” the 45-year-old signed off.

Heartbroken Home Alone fans flocked to the comments section as one said: “Oh my god, I can’t believe it. Rest in peace Catherine. Thank you for taking care of Kevin.”

Another social media user penned: “A part of our childhood has been shattered today. Heartbroken.”

Hollywood Walk of Fame reunion

She attended his Hollywood Walk of Fame ceremony in December 2023 and honoured him as he received his star.

Catherine gushed in her speech: “Home Alone was, is and always will be a beloved global sensation… the reason families all over the world can’t let a year go by without watching and loving Home Alone together is because of Macaulay Culkin.”

She went on to praise his professionalism and passion for acting, as well as bringing his “sweet and twisted yet totally relatable humour” to every project.

“Macaulay, congratulations. You so deserve your star on the Hollywood Walk of Fame.

“And thank you for including me, your fake mom who left you home alone not once but twice, to share in this happy occasion. I’m so proud of you,” she joked.

Mother and son bond

Despite it being more than three and a half decades since Home Alone released, the co-stars have continued to share a deep bond with one another.

During an appearance on Watch What Happens Live! In 2015, she revealed the two had a sweet reunion at an art opening.

“He was coming out and he went, ‘Mommy!’ and I said, ‘Baby’,” Catherine told host Andy Cohen.

He also confirmed that he called her “mom” each time her saw her, proving their bond was unmatched.

Macaulay told New York Times in 2024: “She opens up her arms – she goes, ‘Son’.”

On-screen reunion

The much-loved duo delighted fans back in 2024 when they reunited on-screen for a Christmas ad for Freedom Unlimited alongside Kevin Hart.

Catherine was seen walking into a shopping mall before shouting out her iconic “KEVIN!” dialogue.

The co-stars shared a warm embrace, with Kevin joining in on the hug with the two.

Excited fans couldn’t believe their eyes as one gushed: “This is hysterical. I love these nostalgic commercials.”

Somebody else added: “So beautiful, a home alone reunion.”

Co-star chemistry

Macaulay and Catherine’s on-screen camaraderie translated off-screen, with many Home Alone fans believing they were actually mother and son in real life.

She recalled to Today in 2024: “A child came up to me, like, a little 8-year-old, in a mall. ‘Are you Kevin’s mom?’

“I said, ‘Well, yeah, I played Kevin’s mom in a movie, yes’.

‘Why did you leave him?’ ‘Sorry. It was in the script!’,” she remembered.

Speaking to PEOPLE back in 1990, when the film first released, Catherine described then 9-year-old Macaulay as ”a darling little guy who has been acting since he was 4, so he’s very professional.”

“He comes in knowing all his lines, knowing where to hit his marks — he even knows all the other actors’ lines.

“I expect he should become the head of the studio by the time he is 12,” she joked.

CHILLING dispatch audio has revealed screen legend Catherine O’Hara was “struggling to breathe” before she died early on Friday morning.

O’Hara, 71, best known for her roles in Home Alone, Beetlejuice, and Schitt’s Creek, was reportedly rushed to a Los Angeles hospital in a serious condition.

The Los Angeles Fire Department responded to reports of a medical emergency after a 911 call was placed from her Brentwood home at 4.48am.

Dispatch audio obtained by PageSix revealed the actress was having difficulty breathing in her final moments.

Tragically, she passed away hours later in hospital.

A cause of death has not yet been confirmed, though her talent agency CAA said she suffered from a “brief illness” just before her death.

SHOCKED CAST

Catherine O’Hara forced to miss start of The Studio filming days before death

‘ONE & ONLY’

Heartbroken Macaulay Culkin leads tributes for Catherine O’Hara as stars mourn

O’Hara is survived by her husband of 33 years, Bo Welch, and their two sons, Matthew, 31, and Luke, 29.

Tributes to the comedy icon have begun to pour in from across Hollywood after her untimely death.

Macaulay Culkin, who starred as the actress’s son in the Home Alone films, remembered O’Hara as “mama” in a heartbreaking post on Instagram.

“Mama. I thought we had time. I wanted more. I wanted to sit in a chair next to you. I heard you, but I had so much more to say,” Culkin wrote.

“I love you. I’ll see you later.”

O’Hara played Kate McCallister, the mother of Culkin’s character, Kevin, in the first two Home Alone movies.

Catherine O’Hara dead at 71

Iconic Home Alone actress Catherine O’Hara died on January 30, 2026. O’Hara was 71.

Biography:

• Catherine O’Hara, who was born in Toronto, Canada, began her acting career in comedy in 1974 after joining the cast of The Second City, which was televised in both Canada and the United States.
• O’Hara expanded her career in television in the mid-1970s, appearing in small roles on the CBC series Wayne and Shuster, the film The Rimshots, and the children’s series Coming up Rosie.
• She gained prominence in Hollywood in the 1980s, after she was cast in the classic horror-comedy film Beetlejuice.
• Starring alongside Michael Keaton, Alec Baldwin, and Winona Ryder, O’Hara portrayed Delia Deetz.
• In 1990, O’Hara starred alongside child actor Macaulay Culkin in the holiday blockbuster Home Alone.
• She reprised her role as Kate McCallister, the mother of the young troublemaker Kevin McCallister, portrayed by Culkin, in the film’s 1992 sequel, Home Alone 2: Lost in New York.
• Both installments of Home Alone were massive hits at the box office, and to this date, remain among the most successful Christmas movies of all time.
• After the success of Home Alone, O’Hara continued to appear in several films throughout the 1990s, including the comedy-drama The Paper, Waiting for Guffman, and the Western film Wyatt Earp.
• O’Hara also had several voice artist appearances, including The Nightmare Before Christmas, Chicken Little, and Monster House, among others.
• She had a career resurgence in 2015 when she appeared as Moira Rose in the Canadian sitcom Schitt’s Creek.
• In 2025, O’Hara had a main role in the Apple TV+ comedy series The Studio.
• Throughout her career, O’Hara received various awards, including two PrimeTime Emmy Awards, a Golden Globe Award, and two Screen Actors Guild Awards.
• She had two children with her husband, Bo Welch, whom she met on the set of Beetlejuice.

AWAY FROM THE SPOTLIGHT

O’Hara skipped the Golden Globes on January 11, despite receiving a nomination for Best Supporting Performance by a Female Actor for her role in the Apple+ TV series The Studio.

It was not clear why she did not attend the ceremony.

She made her last public appearance on September 14, 2025, posing on the red carpet with Welch at Apple TV’s Emmys party in West Hollywood.

Days earlier, she was all smiles at a Toronto Film Festival party.

As The U.S. Sun exclusively reported on Friday, she was expected to film Season 2 of The Studio in mid-January, but did not appear on set.

O’Hara’s plans were changed at the last minute due to “personal matters,” a source claimed.

“She was scheduled to film, but they reworked the schedule to focus on scenes without her character,” the source said.

“It was not widely known she was dealing with any health or major issues.

“I don’t believe she ever filmed anything for season two,” the production insider claimed.

Catherine’s unexpected passing has sent shockwaves through the cast and crew of the Apple+ TV series, who were completely blindsided by the tragic news.

LONG, STORIED CAREER

O’Hara was born in Toronto, Canada, before moving to the United States.

Her career spanned more than 50 years, stretching across TV, movies, and sketch comedy.

She started out in sketch series Second City Television in the mid-1970s.

O’Hara won an Emmy as part of the show.

But she shot to superstardom in the beloved 1990 Christmas movie Home Alone, in which she played Kevin McCallister’s mother.

She remained close with onscreen son Macaulay Culkin, and supported the actor in 2023 at his Hollywood Walk of Fame ceremony.

Later in her career, she had a pop culture resurgence with smash hit comedy Schitt’s Creek, opposite her longtime friend Eugene Levy.

The show aired from 2015 until 2020, and earned O’Hara two Emmys for her role as eccentric former soap star Moira Rose.

She was featured in a documentary about late Home Alone co-star and close friend John Candy, which premiered in 2025.

O’Hara also stole scenes as heartbroken therapist Gail on The Last Of Us’ second season opposite Pedro Pascal.

Catherine O’Hara Tributes

Iconic actress Catherine O’Hara, who is best known for her role as Kate McCallister in the Christmas classic Home Alone, died on January 30, 2026. She was 71.

Tributes:

• Home Alone co-star Macaulay Culkin: Mama. I thought we had time. I wanted more. I wanted to sit in a chair next to you. I heard you but I had so much more to say. I love you. I’ll see you later.”
• Home Alone co-star Devin Ratray: “One of the greatest people I ever met. It just doesn’t register. Bewildered and numb.”
• The Last of Us actor Pedro Pascal: “Oh, genius to be near you. Eternally grateful. There is less light in my world, this lucky world that had you, will keep you, always. Always. The one and ONLY #CatherineOHara.”
• Bravo host Andy Cohen: “Fell in love at first sight on SCTV and it only got stronger. Rest in Peace, Angel Catherine O’Hara.”
• Beetlejuice co-star Justin Theroux: “Catherine. You will be so so missed.”
• Comedian Tom Green: “I’m so sorry to hear the news that Canadian comedy legend Catherine O’Hara has passed away at 71. She’s kept me and millions of others entertained throughout my lifetime – from her brilliant work on SCTV, to Home Alone, Beetlejuice, Best in Show, Schitt’s Creek, and so many other films and television classics. Her characters brought so much joy and laughter to the world. It’s with a heavy heart that I share this today. Rest in peace, Catherine O’Hara — one of the greatest Canadian comedy icons of all time.”

Despite being over 30 years old, this epic historical war drama film directed and produced by Mel Gibson about Sir William Wallace is still hailed as a “masterpiece” by fans.

A classic period drama movie starring Mel Gibson has won over fans who praised it as “literally the best film ever made”, and it’s on Film4 tonight.

Braveheart is a 1995 epic historical war drama film directed and produced by Mel Gibson, who portrays Scottish warrior Sir William Wallace as the lead role. The film depicts Wallace as the medieval Scottish patriot who is spurred into revolt against the English when the love of his life is slaughtered.

Leading his army into battles that become a war, his advance into England threatens King Edward I’s throne before he is captured and executed, but not before becoming a symbol for a free Scotland.

Despite being over 30 years old, the film is still hailed as a “masterpiece” by fans and the film has an impressive score of 76 percent on Rotten Tomatoes, with countless five-star reviews from film fans.

One review posted: “One of the saddest and most epic things I’ve ever seen since the Planet of the Apes trilogy and Titanic; this movie shows the true meaning of love, passion and faith – that is how you make a masterpiece!”

Another added: “Quite literally the best film ever made. Holds up still, even 30 years later. Quality sweeping scenic views, amazing James Horner soundtrack, action, adventure, and a roaring rollercoaster of emotions that hits every vibe from its tales of love, tragedy of loss, moments of anger and vengeance, triumph, vindication, desperation, heart break… it’s all there.

“Many complain about the violence and gore, but it sets the stakes and makes clear the cold, dark and gritty nature of the world. Do yourself a favour and watch this masterpiece!”

A third said: “An epic and inspiring story full of heart put to film! One of the most iconic soundtracks of all time (Outlawed Tunes on Outlawed Pipes). The historical inaccuracies are there, [but] they don’t make this masterpiece a tad less spectacular.”

Another said: “Top three movies of all time. This movie is long but worth a watch. I’ve probably seen this movie more than 20 times. Great movie. Classic.”

Another wrote: “Beautiful cinematography, compelling characters, and intense, gory, and violent battle scenes, Braveheart is a thrilling and heartfelt experience after 30 years and has a great performance and direction from Mel Gibson.”

One more review praised the film by stating: “Braveheart is my favourite movie of all time. The story, action, characters and everything is perfect. The action in this movie is great.

“It’s a masterpiece. I love every second of this movie and it delivers one of the most iconic lines. This movie is a masterpiece and I’m not taking that back.”

Somebody else noted: “Astonishing movie. If you enjoy action-packed sequences of angry Scots, harrowing tales of love and impressive acting, then this movie is for you.”

Braveheart airs on Saturday January 31 on Film4 HD at 9pm.

This time 36 years ago, Fabrice Morvan was preparing for his first Grammy Awards. It had been a wild few years for the 23-year-old Parisian and his best friend Robert Pilatus from Germany. The duo known as Milli Vanilli had rocketed to fame, going from obscure dancers in Munich to dominate the pop music scene. Not only were they nominated for best new artist, but they were expected to perform live. Underneath it all, the pair were quickly reaching their breaking point.

Don Henley’s “The End of the Innocence” was nominated for both song and record of the year. Indeed, for the tens of millions of Milli Vanilli fans who bought their records, the 1990 Grammy ceremony marked an end of innocence of sorts. To this day, Milli Vanilli are the only artists in the history of the Grammys to have their award revoked.

L-R: The pop duo Milli Vanilli comprised of Fab Morvan and Rob Pilatus, the subject of the Paramount+ documentary Milli Vanilli, streaming on Paramount+ beginning October 24, 2023.

(Ingrid Segeith/Ingrid Segeith/Paramount+)

“Rob and Fab,” as they were known, never sang — live or in studio — on any of the smash hit singles from their 6x platinum debut North American album, “Girl You Know It’s True.” Their Grammy performance was them lip-synching to a playback.

The real singing was done by paid session vocalists John Davis, Brad Howell and Charles Shaw while Rob and Fab captivated with their charisma, athletic dance moves and eye for style. In the wake of the fallout, Milli Vanilli remained steadfast that what they did was wrong. There was, in fact, plenty of blame to go around even if Rob and Fab suffered the brunt of it.

“They removed the platinum records from the wall at Arista,” says Morvan, now 59. He is perched on the edge of a poolside lounge chair from a boutique hotel in the heart of Hollywood. It’s a sunny December day, but he’s dressed all in black with glasses to match, slim fingers adorned with a custom silver skull ring. He loves the sunshine, but offers for my sake to move somewhere in the shade. Able to pass for decades younger, he now basks in life on the other side of infamy.

“They say the truth will set you free. The truth takes the stairs while the lies take the elevators. And that is true,” Morvan said. “So finally, after 35 years, my truth comes to the surface.”

(Stephen Shadrach)

Now, in a redemption as astounding as his rise, Morvan is back in the running for the 2026 Grammys as the only person in Recording Academy history nominated after a prior revocation.

This time, the voice is unmistakably his. Nominated in the audio book, narration, and storytelling recording category for his memoir “You Know It’s True: The Real Story of Milli Vanilli,” Morvan’s lilting French dialect and soft tone are hypnotizing and he has a natural knack for storytelling. The recording was performed alone in his home studio.

“They say the truth will set you free. The truth takes the stairs while the lies take the elevators. And that is true. So finally, after 35 years, my truth comes to the surface,” he contends. “And people, they get it, they understand that.”

Sadly, Rob Pilatus isn’t here to see it. Unable to handle the fallout and struggling in addiction, he died in 1998. In one of the more moving parts of his memoir, Morvan speaks to his former partner, laying bare for the first time some of the more unhealthy aspects of their relationship but in a way that makes clear his love for Pilatus runs deep.

After Pilatus’ death, Morvan tried his best to move on. He taught French at a Berlitz school for a while when not performing at small venues. “I’m not even looking at becoming big,” he told Times journalist Carla Rivera in a 1997 profile. He even had a stint on radio hosting “Fabrice’s Fabulous Flashbacks” for KIIS-FM. But he always returned to making music.

“Music was always there with me,” he says, his excitement building. So when it came to moving forward in life, and, I said, ‘OK, what am I going to do?’ Music kind of popped up and said, ‘Hey, show me how much you love me.’ And then I worked on that, and I learned how to play guitar, and I learned how to produce, and I learned how to write … it allowed me to take the pain away, to remove it.”

But after 20 years in Los Angeles, Morvan felt it was time to leave “Hotel California,” as he calls it, for opportunities in Europe. In a follow-up Zoom call from his home in Amsterdam, he confides that he almost felt like giving up, but figured maybe a change of scenery was what he needed.

“I was very disillusioned,” he says, headphones crowning his dreadlocked updo. “I found a producer that I could work with and build something with, but due to certain circumstances, it didn’t come together. So I met some Dutch people that wanted to launch a fashion line. And I heard that Holland was a place where dance music was evolving.”

Becoming a DJ, he played festivals and kept Milli Vanilli’s legacy alive, performing with a live band.

Morvan with his wife Tessa van der steen and their four children

While preparing for a project about 15 years ago, Morvan met his current partner, Tessa van der Steen, who is Dutch and works as a health and fitness coach and alternative medicine practitioner. Together, they have four children: a 12-year-old boy, 9-year-old girl, and a set of 4-year-old twin boys.

During Milli Vanilli’s heyday, powerful male (mostly white) figures held the cards, but in this phase of his life it’s women who play big roles. Not mentioned in his book is Kim Marlowe, who Morvan says, in the 1997 Times article was his manager and best friend. They at one point married; Marlowe quietly filed for divorce in L.A. in 2024.

Van der Steen, however, is the love of his life. She had no idea who he was when they first met, he was simply “Fabrice.” And according to Morvan, she is fiercely protective. “Fab is the most loving partner and father I could ever imagine,” Van der Steen writes over email. “We are soulmates. We have been together for more than 15 years. We understand each other, and it happens often that we are thinking of the same things, without saying a word.” She champions his efforts to release original music and continue performing.

In recent years, changes in culture, technology and the music industry have opened up conversations casting Rob and Fab in a more sympathetic light. Morvan himself took part in the well-received 2023 Paramount+ documentary “Milli Vanilli.” That same year, “Girl You Know It’s True,” a well-made biopic directed by Simon Verhoeven, came out.

And Morvan was caught off guard when Ryan Murphy featured Milli Vanilli prominently in his 2024 series on the Menendez brothers, a move introducing the group to new generations unfamiliar with the story. Motivated by the renewed interest, he recorded a stripped down, acoustic version of the Diane Warren-penned hit “Blame It on the Rain.”

As recently as November, Milli Vanilli came up in the zeitgeist, sparked by a comment on X by veteran producer Jermaine Dupri commenting on AI “artists” charting on Billboard.

Of course there are still detractors, but in an era in which public cancellations abound and apologies are scrutinized for any whiff of inauthenticity, Milli Vanilli’s wrongdoings can now seem quaint.

Benjamin Matheson, assistant professor at the University of Bern’s Institute on Philosophy, studies collective shame and writes on celebrity apology. He offers the startling thought that certain fans might be more willing to forgive a moral wrong, even an egregious one like unlawful intercourse with a minor in the example of director Roman Polanski, as opposed to artistic deception because it can be seen as more authentic.

“I think that perhaps,” Matheson writes over email, “Milli Vanilli suffered because they were an early ‘created’ pop band, and the public hadn’t been acclimatized to this kind of music. Whereas now I think people are much more comfortable with autotuning, AI music, and so on — though I’d love it if there was a bit more push back on this kind of thing.”

Morvan has plenty of thoughts on the state of the music industry past and present. He welcomes the change in perspective, and while he doesn’t live in regret, looking back, he would give his younger self a little advice.

“Keep working on your craft now. No matter what, and don’t ever start drugs. And don’t let your buddy Rob start with that. With those two, things would have been different.”

The pop duo Milli Vanilli comprised of Rob Pilatus(left) and Fab Morvan are the subject of the Paramount+ documentary Milli Vanilli, streaming on Paramount+ beginning October 24, 2023.

(Paul Cox/Paramount+/Paul Cox/Paramount+)

When the Los Angeles Tribune editorial staff selected “Girl You Know It’s True” as its movie of the year, Morvan met Parisa Rose, his co-writer and executive producer for the recording of the memoir. Rose, a first-time author and mother of two, first met Morvan when she interviewed him for the quirky paper — now in its fourth revival. She is now chief operating officer of the Tribune, which has expanded to include a publishing house.

Rose, who grew up in Pasadena, helped Morvan reckon with parts of his background he had long buried. One of the most compelling parts of the memoir is when he breaks the fourth wall, narrating letters to individuals from his past.

“You need to say everything you have never said before to them that you’ve always wanted to say,” she says of the exercise they conducted for the interludes. “You need to know that this is the last conversation you will ever have with them. And you need to imagine they are sitting across from you now.” Reached over the phone, Rose said she also helped with research, uncovering details on the seaside sanatorium in France where Morvan spent much of his early childhood.

A great part of Morvan’s motivation for the memoir was to leave a legacy for his kids. His oldest son is getting into music and recently found an old Milli Vanilli vinyl and plays it along with Daft Punk and Michael Jackson. Remaining “zen” about the idea of winning, he’s enjoying the moment. And the big dreams never die. He plans to tour in the next year and come back to perform in America. And who knows? Maybe one day he can play Coachella.

He’s particularly thrilled over his Grammy outfit, a collaboration with Spanish designer Helen López, whom he previously worked with on a Milli Vanilli-inspired line. “When you’ll see what I’m wearing … you’ll see that I don’t play,” he says with a twinkle in his eye. “No matter what the outcome in life, you have to just be, be in the moment. Enjoy the moment. Whatever happens will lead you to something else. I have no expectations.”

Come Dine with Me has been a staple on telly screens for years but who is the narrator of the beloved Channel 4 series?

The Come Dine With Me narrator has a secret soap past that will leave fans floored.

The long-running Channel 4 show premiered way back in 2005, and sees contestants cook three-course meals in an attempt to impress their guests and secure a cash prize.

And since its debut all those years ago, Come Dine With Me has become a hit with viewers. But there is one person in particular who is likely to be integral to its success: the show’s long-running narrator.

The voice adding comedy gold to Come Dine With Me is none other than Dave Lamb. The actor and presenter often leaves fans in tears of laughter thanks to his witty yet scathing commentary.

As well as Come Dine With Me, Dave has also lent his hilarious tones to shows like Dangermouse and the Come Dine With Me spin-offs set in South Africa and Ireland. Horrible History fans will also recognise him from the sketches on the children’s history comedy show and he’s also been in Horrible Histories – The Movie: Rotten Romans.

What’s more, Come Dine With Me Fame, Dave starred in EastEnders. He played a bouncer in two episodes, airing on June 1 and June 3, in 2004.

Meanwhile, last year, Dave opened up his time on Come Dine With Me and shared some insider information about the show. Appearing on the podcast Off Air with Jane and Fi, Dave was asked if he’s ever ‘crossed the line’ with his iconic narration. He responded: “I really hope not. A lot of the time everything I say is scripted, because of the way it’s filmed.

“Obviously, they’re condensing five full days and nights of filming into five half-hour episodes. So they have to craft a very tight story, with a proper narrative arc. So they have to be very precise about what gets said.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

“I’m reading from a script, which I’m allowed to ad-lib around. If anything, I will try and tone it down rather than making it more cutting.

“I think what this show does really well is bring everyone with it. I don’t think there’s a nastiness to it, at least I hope there isn’t. It’s not about shooting fish in a barrel or trying to get one over on people. It’s about trying to have fun.

Come Dine With Me airs everyday on Channel 4.

Eva Longoria, John Leguizamo and Xochitl Gomez are among the 100-plus Latino actors, artists and creatives who have signed an open letter calling for accountability in Hollywood — citing longtime discrimination in casting and storytelling.

The public statement follows the controversy surrounding Odessa A’zion, who dropped her role as a Latina character in Sean Durkin’s “Deep Cuts,” following online backlash over the actor herself not being Latina.

“Recent casting decisions around the character Zoe Gutierrez in A24’s ‘Deep Cuts’ have exposed a troubling pattern,” the letter states. “We acknowledge and commend Odessa A’zion for listening, reflecting and deciding to exit the project and become an ally. Yet how did this happen?”

Earlier this week, the Wrap revealed that the “I Love L.A.” and “Marty Supreme” breakout star was cast as Zoe Gutierrez in the A24 film adaptation of Holly Brickley’s music-filled coming-of-age novel. The character’s identity plays an important role in the book, as she is written as a half-Mexican and half-Jewish lesbian.

Though the 25-year-old announced Wednesday night that she had dropped the role — admitting through her Instagram stories that she had not yet read the book, nor learned of all the character’s traits — the incident has unearthed questions about Latino representation in Hollywood.

“This isn’t about Odessa,” said Xochitl Gomez to The Times on Friday. “It’s about the executives, the producers and the whole system at the top. They thought it was OK to not even audition Latinas for the role in the first place. Latinas were pitched, including me, but we were told that there was an actress with an exclusive offer. This role never showed up on the casting grid because it was already gone.”

Xochitl Gomez attends “REBBECA” LA Premiere on November 30, 2025 in Los Angeles, California. (Photo by JC Olivera/Getty Images for State of the Art)

(JC Olivera / Getty Images for State of the Art)

According to UCLA’s 2025 Hollywood Diversity Report, Latinos were cast in only 1% of the leading roles in the top 104 English-language films released theatrically in 2024, despite constituting roughly 20% of the total U.S. population.

In TV, representation is just as stark. Latinos are cast in only 6% of all roles across the top U.S. broadcast series, as per a recent study by ¡Pa’lante! — a Latino representation initiative from the USC Norman Lear Center — which also found that 1 in 4 Latino characters are depicted as career criminals.

“The absence of Latina audition opportunities, and the choice to replace a clearly Latina character with a non-Latina actress, signals a broader, ongoing erasure of our community from the stories that define our culture,” the letter continues. “This is not about any one actor or project. It is about a system that repeatedly overlooks qualified Latino talent even as our identities, histories, and experiences fuel the most enduring stories.”

The signatories request that Latino actors be hired for a diverse range of roles, including non-stereotypical leads. There is also a demand for more Latino executives to be involved in green-lighting projects and the inclusion of Latino consultants, writers and producers from the earliest stages of development. Finally, there is a call on Hollywood to create mentorship, scholarships and opportunities that expand access on all levels of the ecosystem.

This plea by marginalized creatives is not the first pushback — nor likely the last — against a stagnant Hollywood machine.

As early as the 1920s, the portrayal of Latinos was so negative that the Mexican government, and even Woodrow Wilson reportedly told Hollywood producers to “please be a little kinder to the Mexicans.”

In 1999, the National Hispanic Media Coalition (NHMC) and the National Assn. for the Advancement of Colored People (NAACP) called for the boycott of broadcast networks’ 26 new fall series because they did not feature a non-white lead, sparking dialogue over the diversity of Hollywood at the time.

Comedian Chris Rock blasted the industry in a 2014 essay for its omission of Mexicans in Los Angeles, where nearly half of the population is Latino: “You’re in L.A., you’ve got to try not to hire Mexicans.”

Rep. Joaquin Castro (D-Texas) — who in recent years has nominated several Latino-focused films to the Library of Congress National Film Registry — also penned a 2020 column in Variety, underscoring the dearth representation of Latinos in entertainment and the consequences of omission. “Prejudice has existed in the United States for generations, but the image of our community created by film and television has done little to counter bigoted views, and too often has amplified them.”

Another letter published in October 2020 with over 270 showrunners, creators, television and film writers signatures — including Lin-Manuel Miranda and “One Day at a Time” co-creator Gloria Calderón Kellett — called for systemic change in the industry. “We are tired,” they wrote.

The pushback continued in 2022, when actor Leguizamo penned an open letter in The Times about the history of Latino representation and the co-option of Latino stories — including that of Mexican revolutionary Emiliano Zapata, who was portrayed by a brownface Marlon Brando in the 1952 film “Viva Zapata!,” and Al Pacino, who played the fictional Cuban character Tony Montana in the 1983 film “Scarface.”

Wrote Leguizamo, “There’s a fix for this: Cast more Latinos!”

Read the full open letter below.

Dear Casting Directors, Creative Executives, Writers, Producers, and Hollywood Leaders,

We write to you with urgency, because storytelling is humanity’s compass and Hollywood wields all the power. The stories you choose to tell, and how you tell them, shape public perception, cultural understanding, and who gets to see themselves reflected on screen. In these challenging moments that power comes with real responsibility.

Recent casting decisions around the character Zoe Gutierrez in A 24’s Deep Cuts have exposed a troubling pattern. We acknowledge and commend Odessa A’zion for listening, reflecting and deciding to exit the project and become an ally. Yet how did this happen? The absence of Latina audition opportunities, and the choice to replace a clearly Latina character with a non-Latina actress, signals a broader, ongoing erasure of our community from the stories that define our culture. This is not about any one actor or project. It is about a system that repeatedly overlooks qualified Latino talent even as our identities, histories, and experiences fuel the most enduring stories.

Latino communities are already underrepresented and misrepresented in ways that distort reality and harm real people. Casting decisions carry real weight: they influence who is seen as worthy of authentic storytelling and who gets to tell those stories with care, nuance, and authority.

We are calling for accountability, intentionality, and equity in casting and storytelling. Authentic representation means more than casting a performer who looks like the character; it means involving the communities being portrayed not just in front of the camera, but in the decisions that shape these stories from their inception. Our stories deserve to be shaped with the input, guidance, and leadership of Latino creators, consultants, writers, and performers at every stage.

We implore you to join us in concrete action:

• Audition and hire more Latino actors for a diverse range of roles, including non-stereotypical leads
• Hire Latino executives in your greenlighting rooms
• Include Latino voices as consultants, writers, and producers from the earliest stages of development
• Create and support pipelines: mentoring, scholarships, and opportunities that expand access all levels of the ecosystem

The world is watching.

Aaron Dominguez

Aitch Alberto

Alex Lora

Alma Martinez

Amanda Diaz

Ana Navarro Cardenas

Andrea Chignoli

Angel Manuel Soto

Angelique Cabral

Anna Terrazas

Annie Gonzalez

Antonio Negret

Becky G

Benjamin Odell

Brandon Guzman

Brandon Perea

Bricia Lopez

Camila Baquero

Carla Gutierrez

Carla Hool

Carlo Siliotto

Carlos Eric Lopez

Carlos Gutierrez

Carlos Lopez Estrada

Chrissie Fit

Christian Serratos

Cierra Ramirez

Cristina Rodlo

Cyria Fiallo

Daniella Pineda

Danny Ramirez

David Castenada

Desi Perkins

Diego Boneta

Edgar Ramirez

Edher Campos

Eiza Gonzalez

Elisa Capai

Elsa Collins

Emilie Lesclaux

Ennio Torresan

Enrique Melendez

Eva Longoria

Fabrizio Guido

Felipe Vargas

Fernando Garcia

Flavia Amon

Flavia De Sousa

Francia Raisa

Gabriela Maire

Gina Rodriguez

Gloria Calderon Kellett

Gregory Diaz IV

Ilda Santiago

Isabella Gomez

Isabela Merced

Isabella Ferria

Isis Mussenden

Ismael Cruz Cordova

Ivette Rodriguez

Jacob Scipio

Javier Munoz

Jazmin Aguilar

Jesse Garcia

Jessica Alba

Jesus Pimental-Melo

Jillian Mercado

John Leguizamo

Jose Velazquez

Juan Pa Zurita

Julio Macias

Justina Machado

Karrie Martin Lachney

Kate Del Castillo

Klaudia Reynicke

Kylie Cantrall

Leo Gonzalez

Lisette Olivera

Lorenza Munoz

Luca Castellani

Lucila Moctezuma

Lucy Barreto

Lynette Coll

Maia Reficco

Marcel Ruiz

Maria Legarda

Mariana Oliva

Mariem Perez Riera

Marvin Lemus

Mauro Mueller

Mayan Lopez

Melissa Barrera

Melissa Fumero

Melissa Martinez

Michael Cimino

Michael Pena

Miguel Mora

Mishel Prada

Monica Villarreal

Natalia Boneta

Natalie Chaidez

Natalie Morales

Nava Mau

Naz Perez

Nezza (Vanessa Hernandez)

Neysa Bove

Nicolas Celis

Nicole Betancur

Orlando Pineda

Patricia Cardosa

Patricia Riggen

Patty Rodriguez

Paulina Garcia

Petra Costa

Rafael Agustin

Rafael Cebrian

Ramon Rodriguez

Rene G. Boscio

Robin De Jesus

Rodrigo Teixeira

Rudy Mancuso

Ruy Garcia

Sierra Ornellas

Stephanie Beatriz

Tonatiuh Elizarrarz

Tony Revolori

Victoria Alonso

Xochitl Gomez

Xolo Mariduena

Yareli Arizmendri

It is painful to have to write about Catherine O’Hara, so alive and lively a presence, in the past tense. O’Hara has lived inside my head — is it too corny to say my heart? — from “SCTV” to “Schitt’s Creek” to “The Studio,” on whose second season she was scheduled to start work, when she died, Friday at 71.

Any appearance constituted a recommendation for — a benediction upon — whatever she was appearing in; you felt she would only say yes to things that used her well, that sounded fun or interesting, and that her casting reflected well on the project and people who cast her. I think of her not as a careerist, but a Canadian. Of joining “Schitt’s Creek,” she said when I interviewed her in 2015, “it took me a few moments to commit, [but] I already trusted [co-creator, co-star] Eugene [Levy] as a writer and an actor, and as a good man who I could stand to spend time with.”

This is how it began for her, in Toronto, where her brother Marcus was dating Gilda Radner, who was in “Godspell” with Levy and Martin Short. “And it was really watching Gilda when I realized, ‘cause I’d always liked acting in school, that it was actually a local possibility. And then she got into Second City theater, and I was a waitress there — it’s like I stalked her — and then she did the show for a while and then took on a job for the National Lampoon. So I got to understudy or take her place — I got to join the cast, and Eugene was in it. It was really just the luck of having a professional actor suddenly in my life.”

As an “SCTV” early adopter, O’Hara was first attractive to me because she was funny, but she was also beautiful — a beauty she could subvert by a subtle or broad rearrangement of her features. Though fundamentally a comic actress, her characters could feel pained or tragic beneath the surface — even Lola Heatherton, one of her signature “SCTV” characters, an over-exuberant spangled entertainer (“I love you! I want to have your babies!” was a catch phrase) is built on desperation. Among many, many other parts, she played a teenaged Brooke Shields singing Devo’s “Whip It!,” Katherine Hepburn, a depressed Ingmar Bergman character, and, most memorably, chirpy teenage quiz show contestant Margaret Meehan, buzzing in with answers before the questions are asked, and growing tearfully undone as the host (Levy) becomes increasingly angry.

Elsewhere, she played a forgetful suburban mom in “Home Alone,” the work for which she’s arguably best known, given its ongoing mainstream popularity; an ice cream truck driver messing with Griffin Dunne in Martin Scorsese’s “After Hours”; and a tasteless art snob and indifferent mother in “Beetlejuice,” where she met her future husband, production designer Bo Welch. She shone in three Christopher Guest movies, paired with Fred Willard in “Waiting for Guffman” as community stars; opposite Levy in “Best in Show,” as a dog handler with a lot of ex-boyfriends; with Levy again in “A Mighty Wind,” as a reuniting ‘60s folk duo; and in “For Your Consideration” as an aging actress dreaming of an Oscar. In the great Netflix miniseries “A Series of Unfortunate Events” (also designed by Welch), she played an evil optometrist, the sometime girlfriend of Neil Patrick Harris’ Count Olaf, dark, cold, sexy. Last year, she picked up a supporting actress Emmy nomination as a dethroned but not knocked down executive in “The Studio”; she’s fierce and funny. And, though she was fundamentally a comic actress, she could play straight, as in the second season of “The Last of Us,” penetrating opposite Pedro Pascal as his therapist, and the widow of a man he killed.

Lived in across six, ever-richer seasons of “Schitt’s Creek,” Moira Rose is certainly her crowning achievement, a completely original, Emmy-winning creation whose quirks and complexities were embraced by a wide audience; going forth, she’ll be a reference to describe other characters — a “Moira Rose type” — with no explanation needed. With her original, breathy way of speaking, stressing odd syllables and stretching random vowels to the breaking point, her mad fashions and family of wigs, Moira is a sketch character with depth. Of all the Roses, she’s the one most resistant to adapting to their motel world, to coming down off the mountain, but she is as needy as she is condescending, and underlying her fantastic, tightly structured carapace is a fear that’s terribly moving when it shows through the cracks.

Eugene Levy and Catherine O’Hara in scene from “Schitt’s Creek.” The actors worked together frequently over the years.

(PopTV)

“I like to think she’s really threatened by this small-town life — because she’s been there, you know?” O’Hara said back when the series began. “That just makes it more threatening in my mind. And I like to think of her as more vulnerable than just snobby or superior. I think it’s way more insecure.”

Her tentative acceptance of her circumstance, as well as the show’s overarching arc, finds expression in the series finale, where, all white and gold, in flowing robes with long blonde locks cascading from beneath a bishop’s hat, she tearfully conducts the marriage of her son, David (co-creator Dan Levy). Speaking of a sort of wind of fate, she says, “All we can wish for our families, for those we love, is that that wind will eventually place us on solid ground. and I believe it’s done just that for my family in this little town, in the middle of nowhere.” You might cry, too.

I had the luck to speak with O’Hara several times over the run of the series. The last was in Canada, a day or two before the last day of filming. We sat on the apron of the Rosebud Motel, looking across the muddy parking lot to where fans were gathered on the road above.

“They’re there as much for each other as for us. It’s almost that we don’t have to be there, but we brought them together somehow.” That’s what actors and the stories they tell, give us — the joy, and sometimes the pain: A world of strangers, united in this awful moment, out of love for Catherine O’Hara.

Even the Harry Potter star in the cast failed to save this 1990s film from ridicule

A forgotten period drama based that was slated by viewers has just been made available for free streaming.

Emily Bronte’s classic and controversial novel Wuthering Heights has inspired countless film and TV adaptations, with the most recent starring Margot Robbie and Jacob Elordi hitting cinema screens in a matter of days.

However, years before Emerald Fennell adapted the page-turner for the big-screen in 2026, there was another that released back in the nineties. It starred Ralph Fiennes as the brooding Heathcliff opposite Juliette Binoche as Catherine Earnshaw, while Peter Kosminsky sat in the director’s chair.

Despite the starry cast, the 1992 release struggled to win over critics in particular with one calling it a “failed” adaptation. Meanwhile another described Fiennes’ take on Heathcliff as “demonic”.

“Peter Kosminsky’s Wuthering Heights is a drone, depressing, and exhaustively revolting excuse for entertainment,” another peeved critic penned.

At time of writing, it has a measly 33 per cent critics’ score on review site Rotten Tomatoes, while audiences gave it a more optimistic 66 per cent.

One fan described it as a “masterpiece”, adding: “Very well put together and the chemistry between the actor was awesome!” while another said it was their “favourite adaptation.”

Meanwhile a third shared: “Not a single adaption has ever truly done it justice – but this is my favourite of the adaptions for two reasons. 1) Ralph Fiennes manages to capture the essence of Heathcliff better than any other actor ever has and 2) Ryuichi Sakamoto’s soaring score together with the authentic filming locations really do bring the book’s atmosphere to life.”

A fourth, not convinced by the film, said: “Absolutely unwatchable. Could not make it 20 minutes in, terrible acting, strange casting. Don’t waste your time.”

Fans wanting to give it a go can now do so entirely for free, as the film has just been added to Pluto TV. The streaming service has also added three extra adaptations of the story to its library if the nineties flick doesn’t hit the spot.

Wuthering Heights (1970) starring Timothy Dalton and Anna Calder-Marshall; Wuthering Heights (1998) starring Robert Cavanah, Orla Brady, and Sarah Smart; and Wuthering Heights (2011) starring James Howson and Kaya Scodelario are all available to watch now.

Wuthering Heights (1992) is now streaming for free on Pluto TV. For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

She portrayed a spoiled socialite turned impoverished rural motel manager in “Schitt’s Creek.” She played a self-centered stepmom who, when possessed by an evil entity, channeled Harry Belafonte’s voice singing “Day-O (The Banana Boat Song)” in 1988’s “Beetlejuice.” She was the harried, forgetful mom who left her son behind in “Home Alone,” a goofy ‘90s comedy that would become a Christmas classic.

Catherine O’Hara, who died Friday at the age of 71, brought to life dozens of characters over her 50-year career across film and television, and no two of her performances were alike. She might play an eccentric artist one moment, an insufferable snob the next, then a deceptively “normal” housewife, animating each with their own personality, quirks and ticks.

Though a comedic performer at heart, O’Hara, as they say, had range. From her recurring role as a grieving therapist in Season 2 of HBO’s dystopian drama “The Last of Us” to voicing and acting a plethora of bizarre characters in Tim Burton‘s films, O’Hara made her mark. Here are 10 of her most memorable roles.

I was just getting settled in my seat for the first showing of “Melania” at the Grove cineplex when Melania Trump walked in.

OK, it wasn’t the Melania Trump, as in the first lady. But it was a reasonable facsimile.

The impersonator, followed by a man filming with his phone, strode in like a model, flinging her hair back and smiling as she addressed the six people — many of them critics from various press outlets — in the auditorium who were among the first in Los Angeles to see “Melania,” the controversial documentary that features the first lady as star and producer.

“Hi, everybody. I want to welcome you all to my movie,” the impersonator said in a Slovenian accent. She wore a stylish dark pantsuit and high heels, a frequent motif in the film which chronicles the real Melania Trump in the 20 days leading up to the second presidential inauguration of her husband, Donald Trump.

After a few more words of greeting, the impostor Melania flashed another smile as she exited.

I was stunned and extremely frustrated that I didn’t have time to capture the moment. It’s rare to find yourself in the presence of a first lady —even a fake one.

During the film, my fellow viewers were mostly silent, although there were a few murmurs of laughter as Melania Trump outlined the burdens of coordinating the correct outfit and decor for her re-entry to the White House.

“My creative vision is always clear, and it’s my responsibility to share my ideas with my team so they can bring it to life,” she says at one point.

Later in the film, when Donald Trump was formally introduced at the inauguration as the 47th president, one older woman sitting near the front of the theater applauded. And I could see her smiling as, onscreen, the first couple made their way through the White House following the ceremony.

“Being hand in hand with my husband at this moment is very emotional,” she says. “Nobody has endured what he has over the past few years. People tried to murder him, incarcerate him, slander him. But here he is. I’m so very proud.”

I hoped that Melania would be around in the lobby as we left the theater to ask us how we liked the film. But I was disappointed. Melania had left the building.

WHEN Katie Price got married to Lee Andrews at breakneck speed, just days after they began dating, her loyal fans were left bewildered. 

For her family, the reaction has been even more stark. Here, insiders tell us how Pricey’s son Junior responded to the Dubai nuptials – and why her closest ally, sister Sophie, has been left reeling as concern for the mother- of-five reaches an all-time high. 

Hours after revealing her extravagant engagement, The Sun told how Katie and Lee had in fact got hitched with none of her family there. Her fourth marriage took place less than a week after she had met Lee. 

It was an unusually quiet ceremony for the former glamour model . An officiator was seen in front of the pair reading from a script as Katie, who wore a £12 dress from Shein, said her vows.

She gushed about how happy she was, telling fans: “All I can say is ‘fatale’, and this was a wedding at First Sight.”

Yet celebratory messages from her nearest and dearest have not been forthcoming, despite Price, 47, returning to the UK earlier this week without Lee, 43, who has since been accused of being a ‘swindler’.

There’s only so much Katie’s kids can take. It is really not fair.

Insider

One source said: “It’s just another day on Planet Katie, and everyone has to deal with the consequences.

“She will always have a close bond with her children, but there’s only so much they can take. It is really not fair.” 

Her son Junior, 20, has refrained from posting to his half a million Instagram followers in the days following the whirlwind wedding – which is not legally binding. 

And it is not only Junior’s fans who have got the silent treatment from the singer.

Rather tellingly, we have been told that the rapper, who is “very close” to dad Peter and stepmum Dr Emily, has not contacted his mother to offer his congratulations on her marriage to Andrews. 

A source said: “Junior is used to Katie’s increasingly erratic behaviour, but even this took him by surprise.

“He is so fed up with his mum’s constant dramas. He wants no part in it. He’s hardly going to send a congratulations message about a bloke he hasn’t even met.”

But while Junior is more resilient, sister Princess, 18, has given clues to her hurt feelings, taking to TikTok in the days following her mum’s wedding ceremony to post two emotional videos on the social media platform, including one featuring a tearful girl.

Sophie is understandably horrified by it all. It’s been incredibly draining for her. The sisters are incredibly close so it was very hard for Sophie not to know what was going on. 

Insider

The writing on top of the clip reads: “I feel everything very deeply” with an accompanying voiceover on top of the clip that says: “I’m such an incredibly, stupidly, sensitive person that everything that happens to me I feel everything really intensely.”

Another featured a teen girl getting into bed and wiping tears from her eyes as she lets out a sigh.

The writing on top reads: “When the smallest thing upsets me, and now I have to be non-verbal and easily irritated for hours until I can let it go”.

Insiders say that despite the cryptic posts it is unlikely that Princess, who remains close to her mother, will publicly condemn her. But a pal of the star confided: “It is so selfish to create all this drama just before Princess is about to launch series two of The Princess Diaries. This should be her turn in the spotlight. Not her mums.”

In recent years as Katie’s fame has dwindled, she has become increasingly reliant on her younger half-sister Sophie, 36, who has devoted a large part of her life to looking after her.

Despite managing the wayward reality star, organising much of her chaotic life, and co-hosting a podcast together, Sophie was not invited to Katie’s wedding.

An insider said: “Sophie is understandably horrified by it all. It’s been incredibly draining for her. The sisters are incredibly close so it was very hard for Sophie not to know what was going on. 

“They were due to record a podcast like normal this week, but at the last minute, they decided not to go ahead.

Their mum is utterly beside herself with worry.

“Sophie felt the need to say sorry to her fans, while Katie kept silent. It is quite typical of their relationship that Sophie is the one picking up the slack, and she’s honestly struggling with it at the moment. It has caused tension between the siblings, with Sophie just desperate for Katie to be ok. 

“Their mum is utterly beside herself with worry – they have all been through so much with Katie, but thought the worst was over in recent years.

“They don’t believe Lee is the man he said he was and are just waiting for Katie to click. It was a huge relief when he did a U-turn on coming to the UK. Sophie was not ready to meet him and deal with all that.”

Sophie made her feelings very clear on the situation today as she shared a picture of the countryside and wrote: “This and never stepping foot in Dubai.”

Last night, Sophie took to social media to explain what was happening to the podcast.

Looking exhausted, she said: “Hi guys, how are you all? I know you’ve all been chomping at the bit to find out what has been going on. All our DMs have been going off,” she began in her video address.

“Let’s just say, it’s been one hell of a week. We have done over a 100 episodes of the podcast, which sounds absolutely nuts when it’s just me and Kate doing our b*s chat.

“We will be back next week as normal, and we will be able to update you guys on what’s been going on. It will be business as usual.”

Such was the emotion on display that one commentator posted: “’You are a good sister. Hope you’re ok, Sophie, you look like you’re holding back tears”

Sophie has always been outspoken about Katie’s relationships, while trying to be as supportive as possible.

Just a couple of weeks ago, she expressed her horror when Katie announced she was looking for a Richard Gere type.

She retorted: “Absolutely not, you need a break, you need time to yourself’.”

Katie completely ignored her, and when she announced her engagement, she gushed about finding her ‘real life Richard Gere’. The film is, of course, about a wealthy gentleman who sweeps a prostitute off her feet. 

The sisters –  who have an 11-year age gap- have talked in the past about being “like chalk and cheese”.

Sophie was just six years old when her big sister found fame, meaning that she doesn’t remember a time when Katie wasn’t in the spotlight.

However, Katie’s fame made her a target at school – and she was bullied by cruel classmates.

She recalled: “It was just girls saying nasty things, when you’re a teenager… You know what girls can be like.”

Yet a beautiful relationship blossomed, with the sisters becoming firm friends and podcast favourites.

But after the latest cruel snub, it might be a while before fans get a new episode of the podcast.

VICTORIA and Nicola clashed again this week – but for once it wasn’t with each other. 

The pair released brand new modelling shoots on exactly the same day as they made a bid to put Brooklyn’s statement behind them. 

Nicola has been signed up as the face of Italian fashion brand Genny to front their new Spring/Summer 2026 collection. 

As well as a pink trouser suit, Nicola wore a number of elaborate, colourful gowns for the brand.

Victoria meanwhile launched her debut eyewear range on the same day. 

She posed up in a pair of her own frames and said: “I wanted strong, instantly recognisable silhouettes that felt effortless to wear, so the focus for this collection was really on refining shape and proportion.” 

BURGLARY HELL

Maya Jama & Ruben Dias ‘devastated’ after burglars ransack £4million mansion

NOT LEE-VING

Katie Price’s husband in shock U-turn he WON’T fly to UK to see her

It came just one day after David signed a huge 20-year deal for creating fragrances. 

He entered a new agreement with Interparfums, Inc to make scents under his brand. 

David said: “Together with their world-leading team, we will create products that are distinctive and timeless. I can’t wait to get started.” 

The family feud exploded after Brooklyn accused mum Victoria of ruining his wedding by dancing “inappropriately on me in front of everyone”.

Brooklyn, who wed actress Nicola Peltz in April 2022, said: “I’ve never felt more uncomfortable or humiliated in my entire life.”

The aspiring chef, 26, shared a furious tirade on Instagram in a move to defend his wife Nicola, and himself, amid the bitter family feud.

In six blistering posts on his Instagram stories, he claimed dad David and Victoria have been trying to “endlessly ruin my relationship” with Nicola.

FORMER glamour model Katie Price’s new husband has challenged her cage fighter ex to a mixed martial arts match for criticising her whirlwind wedding. 

Lee Andrews, 41, wants to take on Alex Reid, 50, in a one-on-one because he called her latest marriage irresponsible. 

The businessman goaded Reid as he told The Sun he wanted to fight him “anytime, anywhere” in Britain, Dubai or Abu Dhabi. 

He also said he had spoken with Katie about the challenge only briefly, but insisted: “We do support each other.” 

Lee — dubbed a “Walter Mitty” over his long list of outlandish or untrue claims including that he is Director of Philanthropy at The Prince’s Trust — confidently claimed he had his own experience in sparring, partial boxing and “elite fitness”. 

He said he wanted it to be on an Ultimate Fighting Championship five-round match setting and said proceeds would go towards supporting mum-of-five Katie and charity. 

RACY DEAL

Katie Price offered to sell NAKED photos hours after tying knot – risking arrest

NOT LEE-VING

Katie Price’s husband in shock U-turn he WON’T fly to UK to see her

It comes after Reid, who was Katie’s second husband, made his feelings plain over her fourth wedding.

He said: “It’s irresponsible on your family and the children to marry someone you don’t know.” Reid added: “I genuinely wish the man good luck marrying her. 

“I hope the marriage lasts longer than the court-ordered debts that she still owes me and to many others, demonstrating accountability and responsibility. 

“It’s not really her strong point. Maybe, he could be the best thing in the world to happen to her. 

“He could help her pay her debts and be accountable with money.”  

Former cross-dresser Reid, who divorced Katie in 2012 after a two-year marriage, was a professional in mixed martial arts from 2000. 

Lee and Katie, 47, got married in Dubai at the weekend in a whirlwind wedding just days after meeting each other. 

Death in Paradise is back for series 15 and new recruit Sergeant Mattie Fletcher will be joining the team in Saint Marie – here’s everything you need to know about the character

Death in Paradise is gearing up for its 15th season, welcoming back familiar faces and introducing some fresh ones. Don Gilet will be reprising his role as DI Mervin Wilson, while Commissioner Selwyn Patterson, portrayed by Don Warrington, makes a comeback to Saint Marie after a hiatus.

Elizabeth Bourgine’s Catherine Bordey, Shantol Jackson’s Sergeant Naomi Thomas, and Shaquille Ali-Yebuah’s Officer Sebastian Rose are all set to return for the 15th season. However, viewers will also meet a new face, Sergeant Mattie Fletcher.

Described as having a “rebellious” streak, Mattie is a fantastic addition to the Saint Marie squad. She’s brought to life by actress Catherine Garton, who steps into the cast following Ginny Holder’s departure from her role as Darlene Curtis. But what can BBC viewers anticipate from newcomer Mattie, and who is the actress behind her?

Here’s everything you need to know ahead of Death in Paradise series 15, reports the Express.

Who is Sergeant Mattie Fletcher?

Sergeant Mattie Fletcher is the latest addition to the Saint Marie team. She’ll make her debut in season 15, episode 1, with Detective Sergeant Naomi Thomas (Shantol Jackson) and Officer Sebastian Rose (Shaquille Ali-Yebuah) helping Mattie find her feet.

However, settling in might prove more challenging than expected as secrets from her past start to surface.

Discussing what audiences can anticipate from Sergeant Mattie, Don Gilet, who portrays DI Mervin Wilson, explained: “There’s definitely something of a rebel in Mattie. We haven’t had that rebellious element, really. She’s a bit younger, probably a similar age, give or take, to Officer Seb Rose, but she’s seen a lot more.

“She’s a sergeant and she’s more experienced and is always on the front foot, whereas Seb is going through his rookie stripes. It’s great seeing how the two of them connect – there’s a nurturing side as well as a rebellious side. She’s a great addition to the team.”

Who is Catherine Garton?

Catherine Garton, who portrays Mattie, described her character as “tenacious,” adding: “She’s really fun to play. She’s sassy, but she’s like your big sister who will tell you what’s what, but you can also come to her if you need to. You can have a laugh with her. She’s very passionate about things, about her work and about the people that she grows to love, especially in the team. She’s also very determined, almost too determined sometimes..”

She went on: “Audiences can expect some action. Someone who’s lovable and who’s trying their best, but almost to a fault. She has something to prove to herself and to others and sometimes she can do that to her detriment, but it comes from a place of passion. They will see ups, downs and lots of sass!”.

Catherine Garton takes on the role of new recruit Mattie, having previously appeared in The Gray House as Talulah and Ibiza Narcos as Kelly. Catherine recently graced our screens in Russell T Davies’ Doctor Who spin-off, The War Between the Land and the Sea.

This festive BBC series featured Catherine as Corporal Jane Hart throughout all four episodes.

The filming for the spin-off concluded in 2024, and it was only after wrapping up that Catherine learned she had secured the role of Sergeant Mattie Fletcher, a new regular on Death in Paradise. She amusingly revealed that she was shopping in TK Maxx when her agent broke the news.

She recalled: “I was in the shoe section, one shoe off, sliding another one on and my agent called me and told me. It was a moment!”.

Speaking about her experience filming in Guadeloupe, where the fictional town of Saint Marie is located, Catherine enthused: “I loved it – everyone was really welcoming. Before going to Guadeloupe, I didn’t quite know what to anticipate, then it exceeded any expectations I could have had. I love the island. Guadeloupe is like a postcard. It’s quite unreal. Every time I walked out I was like ‘this exists, wow!’. It’s absolutely stunning. Everyone’s nice. I love the culture. The food’s great. Everyone I work with is great. I don’t have any complaints!”.

When asked about meeting the rest of the cast and crew, Catherine admitted: “It was intimidating at first, because this is the biggest kind of role I’ve ever had, but everyone was just so nice and so welcoming. I remember the first time I saw Shantol and the biggest smile ever. I feel like I have family there now.”

Death in Paradise season 15 kicks off on BBC One and BBC iPlayer at 9pm on Friday, 30 January.