show biz

EastEnders fans have been left furious after a online release of a new episode was delayed ahead of a major twist on the long-running BBC soap opera following a dramatic storyline

EastEnders fans have been left furious after a online release of a new episode was delayed. Fans of the BBC soap are normally able to catch all the latest Walford action from 6am when it is released on iPlayer, but several complained that their morning routine had been severely disrupted when the latest instalment did not appear.

Warning, this article contains spoilers from Tuesday night’s episode now available on BBC iPlayer.

One fan wrote: “Someone’s messing up my morning routine by forgetting to flip the switch on the 6am iPlayer release of today’s Eastenders,” and a second said: “It’s 9 minutes PAST six where is #eastenders!”

A third raged: “where the f*** is my eastenders?? this is throwing off my morning routine ffs,” whilst a fourth pointed out that more than two hours later, the episode still hadn’t dropped.

They wrote: “Hello @BBCiPlayer, it’s 8.10am you haven’t released today’s episode of Eastenders. What do I pay tv licence for?” Another said: “They didn’t fire everyone at the @BBC did they? Where’s #EastEnders,” and another angry viewer wrote: “No iPlayer release of #EastEnders this morning. Damn it BBC I could have had an extra half an hour in bed this morning.”

Some speculated that the content of the episode could be the reason behind the delay. One said: “I need commissioners to upload Eastenders to iPlayer on time. If not because of sensitive content, please let us know. Some of us start our day at 6am and look forwards to this!”

Another wrote: “I guess something big is happening as no early release, but if it’s the death spoiler that’s already been confirmed then what the point.”

The episode did eventually become available though, and fans were impressed with it despite the delay. One fan wrote: “Best episode in quite a while that one today,” and another said: “Okay I thought tonight’s episode was the first good one in ages!” As the episode progressed, Harry, having left the house to buy drugs, received a message and went to check on friend Koji, who was being held at knife point by Okie.

Harry Mitchell got involved in a violent tussle, and was knocked unconscious but when he came around, he realised that he had accidentally stabbed Okie. He panicked and tried to help Okie but it was too late as he was already dead, and when Harry’s dad Teddy rushed onto the scene, he decided to take the blame for his son.

Just before the credits rolled, Teddy was arrested and was seen being driven off in a police car. The dramatic scenes were part of a conclusion of a cuckooing storyline, which has seen Okie take part in the criminal practice of taking over the home of a vulnerable person with the intent to deal drugs.

Speaking about the storyline, executive producer Ben Wadey said: “At EastEnders, we’re proud to tell stories that reflect the real challenges people face, and Kojo’s cuckooing storyline is one that feels especially important. Cuckooing is a form of exploitation that too often goes unseen and hasn’t featured on EastEnders before.

“Through Kojo’s experience we hope to have shined a light on how easily vulnerable people can be manipulated and isolated – something that can happen in any community, but feels particularly resonant in a city like London, where people live side by side and yet can still slip through the cracks.

“Working closely with experts and charities, our aim has been to tell this story with care and authenticity, and to raise awareness as to how to identify the signs of exploitation and the importance of reaching out for help.”

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer.

* Follow Mirror Celebs and TV on TikTok , Snapchat ,Instagram ,Twitter ,Facebook ,YouTube and Threads

GOLDEN Globe winner Sally Kirkland has died at the age of 84.

The actress was in hospice care and had been battling dementia.

Kirkland starred in hit movies such as Bruce Almighty, The Haunted and The Sting.

Michael Greene, her representative, revealed she took her final breath at 1:50pm PT this morning, as per TMZ.

Kirkland died days after entering hospice care and had battled ill health in recent years.

This year, she fractured bones in her neck, right wrist, and left hip.

glam girl

Kim Kardashian looks incredible in sparkly dress for Kris Jenner’s 70th birthday

And, she had battled two separate life-threatening infections.

Kirkland was left bruised and injured following a fall while she was in the shower unattended, according to a GoFundMe post from October.

Her acting career spanned more than 60 years.

She won the Best Actress Golden Globe Award and Best Actress Independent Spirit Award in 1988 for her role in Anna.

Kirkland was nominated for the Best Actress in a Leading Role gong in the 1988 Oscars.

She starred as Anita in the movie Bruce Almighty, which was released in 2003.

Kirkland, from New York City, also played Crystal in The Sting – a movie which also featured Paul Newman, Robert Redford, and Robert Shaw.

The actress also made cameo appearances in shows such as Kojak, Starsky and Hutch, and Charlie’s Angels during the 1970s and 1980s.

She appeared in one episode of General Hospital in 1982.

Alongside her role in Anna, she appeared in movies such as Cold Feet, Talking Walls, White Hot, and High Stakes.

Kirkland played Helen Lawson in Valley of the Dolls in 1994, appearing in 65 episodes.

And, she appeared in a 1995 episode of Murder, She Wrote.

Kirkland starred as Tracey Simpson in 31 episodes of the series Days of Our Lives in 1999.

One of her final roles was in the movie Sallywood, where she played herself.

She won a best acting gong at the 2024 Santa Clarita International Film Festival.

moving fast

MAFS couple PREGNANT days after they get married as strangers on show

WEDDING RIFT

Adam Peaty’s family feud escalates as he BANS mum from wedding to Holly Ramsay

Away from the big screen, Kirkland was named one of Andy Warhol’s 13 Most Beautiful Women in 1964.

She made history in 1968 by becoming the first woman to appear fully naked in the off-Broadway production, Sweet Eros.

Destin Conrad didn’t expect to release a jazz project so early in his career — let alone just a few months after dropping his debut album, “Love on Digital.”

The 25-year-old singer-songwriter, who first made millions of people laugh on Vine when he was a preteen, entered the music industry as a fresh-faced R&B artist, following in the footsteps of the artists he grew up listening to such as Brandy, Musiq Soulchild and Usher. His first official EP “Colorway” (2021) and the slew of bite-size projects that followed were melodic and honest meditations on love, lust, queer identity and simply having a good time.

But during the summer, Conrad found himself gravitating to jazz, the genre he was introduced to in high school when he was enrolled in jazz choir. He was inspired by all of the greats and contemporary work by artists like Vanisha Gould, and decided that it was time for a slight departure in his own sound.

“I feel like it’s always kind of been in me,” Conrad says over Zoom during an off day from his second headlining tour in support of “Love on Digital.” “It’s always been a tool that I never really got to exercise that I knew I really wanted to.”

After a two-week whirlwind in L.A. filled with studio sessions with some of his bucket list collaborators like Gould, trumpeter Keyon Harrold and beloved L.A. saxophonist Terrace Martin, Conrad unveiled “Whimsy,” an 11-track alternative jazz detour. Rich with songwriting tinged with sensual winks, live instrumentation (piano, horn section and drums) and a spoken word interlude by Bay Davis (that is reminiscent of Meshell Ndegeocello), “Whimsy” is a masterclass in following your own intuition and creating freely — a testament to his Cancer sun.

“I think it’s some of my best work actually,” Conrad says, adding that it was the most fun to make, which is evident on tracks like “Whip,” a cheeky double entendre about trading places in the bedroom and “A Lonely Detective,” which explores the life of a man living a double life. “Things that I’ve spent more time on, I don’t feel as connected to, but I really love “Whimsy.”

Conrad, who performs at the Wiltern on Nov. 14, phoned in the day before Grammy nominations were announced to talk about why he was nervous to release “Whimsy,” why he thinks jazz deserves more attention and what he’s still learning about being an artist in the digital age. Little did he know that by the next morning, he’d receive his first solo Grammy nod for progressive R&B album.

Now that your debut album, “Love on Digital,” has been in the world for a few months and you’ve experienced fans singing it back to you at shows, how does it feel to look back on the journey of releasing it?

It’s been amazing. I think it’s made me look forward to putting more music out. I feel like this tour taught me a lot. While making this album, I had touring in the back of my mind, so I’m really excited that it’s being received well. Also, it’s kind of wild that I put out another project a [few] months later but I’m glad I have such cool fans that receive me in a good way.

Speaking of that, you turned around and released “Whimsy” in August. Can you talk about how that all came together and how your single “Wash U Away” inspired it?

I made the majority of it in a two-week span. “Wash U Away” and “Whip” I had, but they weren’t jazz songs. So I had “Wash U Away” in the tuck for years — I think I made it in like 2021 — but we had it replayed by actual musicians because before, it was just a very bare beat. Then the rest of it I made within those two weeks. I also had “The W” with James Fauntleroy and Joyce Wrice already, but same thing — it wasn’t a jazz song. I knew I wanted to make a jazz album. I didn’t know I was going to do it so soon after my debut album, but I was kind of on a wild one and was like “Why not?” But I’m really glad I did it because I feel like my fans really like that album and I really like that album as well. I think it’s some of my best work actually. Things that I spent more time on, I don’t feel as connected to but it’s something that I’m really proud of.

Take me back to those two weeks in L.A. when you starting working on this project. Was it summer time?

It was summertime, yeah. I live in Brooklyn now, so I was like “I’m going to fly to L.A. and stay there for two weeks to knock this project out.” I told my managers, “Get me in with everybody. Here’s my list of people I want to work with. Let’s figure it out.” We flew out Vanisha Gould, who’s one of my favorite jazz musicians. I was so ecstatic that she was down. She’s such a jazz head. She was kind of like “What the f— am I doing? Are they going to kidnap me? I’m just flying out here to work with this random ass R&B singer.” But I’m so glad she came and we low-key became besties. Same with Terrace Martin. I’ve been a fan forever. He’s the G.O.A.T. James [Fauntleroy]. All these people who I was very adamant about working with. And eventually I want to do another jazz [project]. Maybe a “Whimsy 2” and just keep that world alive because I feel like jazz is such a special genre that gets overlooked and it’s something that I really feel passionate about. Especially because I was in jazz choir in high school and it kind of taught me more about soul music and the origins and how there’s so many synchronicities within other genres like gospel, and how R&B and all of them just tie into each other. I think it’s just really cool.

What was going on in your world when you started making “Whimsy?” Were you listening to a lot of jazz at the time?

Yeah, I was listening to a lot of jazz music. I was listening to a lot of Vanisha Gould and I was like, “I need to do this jazz album.” I thought I was just going to start it and be like “I’m not done.” But I was like “No, I’m done. This is it. This is what I have to say.” But yeah, I always listen to jazz. As I said, I was in jazz choir in high school. My jazz instructor Mr. O put me onto hella jazz. He showed me Frank Sinatra and all these jazz standards. I have videos that I’ll eventually show the world of me performing at my jazz Christmas show. I feel like it’s always been within me. It’s always been a tool that I never really got to exercise but I knew I really wanted to. But like I said, I didn’t know I’d make it in two weeks and that it’d be such a quick thing. It was so fun to make. It’s probably one of the most fun projects I’ve made.

You can definitely hear how much fun you were having on tracks like “Boredom” and “Lonely Detective.” I feel like jazz was once viewed as a genre that older people listened to, but that’s been changing within the last few years. It feels like it’s becoming more popular with younger audiences. What do you think about this?

Personally, I don’t think it’s becoming more popular. I would love to be part of some sort of push of making it more of a thing and I feel like a lot of my fans are younger. I’d like to say in my head that I’m helping push the genre forward.

It’s just not super prominent. There’s not a lot of new jazz artists. If you look at the jazz charts, a lot of what’s still charting is like Frank Sinatra [and] Miles Davis. Laufey is one of the newer faces of jazz that I feel like is pushing it aside from like Robert Glasper. But I don’t know. I feel like a lot of the jazz even that I listen to is the older stuff. There’s a very select few of newer jazz artists that I’m like “Yes.” Like Vanisha Gould, a perfect example. I’m obsessed with her. I think she’s one of the most talented musicians that I know, period.

How did you feel about dropping “Whimsy”? Were you nervous about how people would receive it?

Umm I thought about it [but] what I really thought about were the jazz heads. I thought the real, super crazy into jazz people were gonna be like, “This s— ain’t f— jazz” because I do consider it an alternative jazz album. I remember talking to Terrace [Martin] about that because he’s a jazz head and he’s also older than me and he’s been in it for longer. I was telling him [that] I feel like people are going to have s— to say about it because it’s not traditional and I’m not a trained musician. I don’t know how to read music. I just go with my [gut], and he was like, “That’s why it’s so fire. That’s what makes people feel it.” He was like, “I can tell that you’re young and when I listen to this, I hear a 25-year-old,” and I’m like, “Tight.”

You’ve essentially grown up online and in the public eye. How has that evolution shaped the way you see yourself as an artist, and what have you learned about navigating visibility over the years?”

I feel like it’s an advantage. I always talk about that especially with my artist homies. I was an internet baby so I kind of have just a slight advantage because I knew really early how it worked. I feel like I’m still learning how to promote my music because I know how to get on the internet and be an idiot all day. I can do that literally in my sleep, but being an idiot who knows how to promote his music is different. [laughs] So yeah, I’m still learning that. I used to think it harmed me because I was so scared that people wouldn’t take my music seriously. But no, I use it to my advantage for sure.

We’re at a time in music where it’s common for artists to be open and proud about their identity and sexuality without feeling like they need to use coded language. I think of artists like Frank Ocean, Steve Lacy and Durand Bernarr. Can you talk about why talking about your queerness is important to you?

I feel like I’m a pretty honest person in general. I try not to lie and I feel like all I can do really is just keep it a bean. Most of the time, I try to write about my personal experiences and I deal with men, so that’s just my truth [laughs]. I do also write from other perspectives like things that my friends or my homegirls tell me. I don’t always write from my point of view, but when I do, it’s about a man and that’s all I can really do.

Sean Combs, the disgraced music mogul convicted of prostitution-related offences, has been accepted into a drug abuse rehabilitation program that could reduce his sentence by up to a year

Disgraced hip hop mogul Sean ‘Diddy’ Combs has entered into rehab behind bars – a move that could cut up to a year from his sentence.

The I’ll Be Missing You hitmaker is currently being held at the Federal Correctional Institution in Fort Dix, New Jersey, a low-security prison after he was convicted on two counts of transportation to engage in prostitution. He was sentenced on October 3 to 50 months in prison and received 14 months’ credit for time already served.

Now, his spokesman, Juda Engelmayer, has confirmed the Bad Boy Entertainment founder had entered the programme and is “committed to sobriety, healing and trying to set an example for others”. He added: “Mr Combs is an active participant in the Residential Drug Abuse Program (RDAP) and has taken his rehabilitation process seriously from the start.”

Engelmayer said the rapper has been accepted into the programme and is working in the prison’s church library.

“He works in the chapel library, where he describes the environment as warm, respectful, and rewarding,” he said. According to the federal inmate locator, Combs is scheduled for release in May 2028.

Successful completion of RDAP could reduce that date, though he would still be subject to five years’ supervision after release, alongside drug testing and mental health treatment conditions. He is currently appealing his sentence.

Prosecutors had sought more than 11 years, citing what they described as a sustained pattern of coercion, manipulation and violent sexual abuse.

During the trial, former girlfriend Cassie Ventura testified that Combs used violence to force her participation in so-called “freak-offs” – drug-fuelled sex sessions involving sex workers he hired. She told the court she felt “disgusted” and “humiliated” afterwards.

At sentencing, US District Judge Arun Subramanian told Combs he “abused the power and control with women you professed to love” and said: “You abused them physically, emotionally and psychologically.” Combs apologised to Ventura and another former girlfriend, calling his conduct “disgusting, shameful and sick.”

Combs’ legal team reached out to President Donald Trump for a pardon after the conviction, according to a source close to the defence.

In an interview with Newsmax on August 1, Trump said he had once been “very friendly” with Diddy, but claimed Combs “was very hostile” during his presidential campaign.

Asked whether he would pardon the artist, Trump replied, “I would say so.”

Combs is living in a nine-person room inside a larger 200-bed unit.

Engelmayer said he has restarted “Free Game with Diddy,” a class designed to help inmates build confidence, learn entrepreneurial skills, and plan for employment after release.

He previously ran the programme while held at the Metropolitan Detention Centre in Brooklyn.

ADAM Peaty’s aunt has hit out at his wife-to-be Holly Ramsay in a furious Instagram rant.

The social media outburst came after Adam’s mum, Caroline, was banned from Holly’s hen do and the couple’s upcoming wedding at Bath Abbey – despite her once close relationship with her son and nurturing his record-breaking swimming career.

While Caroline was absent from Holly’s celebrations at Soho Farmhouse, Oxfordshire at the weekend, the bride’s mum Tana and close family friend Victoria Beckham were in attendance, while father-of-the-bride Gordon Ramsay was invited to Adam’s stag do.

Louise Williams wrote on Instagram: “@hollyramsayy I’m so glad that you had a great hen do. As a bride, you deserve that. However, as a person you were divisive and hurtful towards a woman, who I have loved and continue to love deeply.

“A woman who opened her home and heart to you. You decided, for whatever reason, not to invite her, your prospective mother-in-law to your hen night yet Adam invited his father-in-law, your dad, to his stag night.”

She continued: “You invited your mum (quite rightly) and even your mum’s assistant, your sisters, your friends, my niece, but not my sister, your future mother-in-law.

WEDDING RIFT

Adam Peaty’s family feud escalates as he BANS mum from wedding to Holly Ramsay

double take

Holly Ramsay is the double of mum Tana as she poses in white at hen do

“I have also seen messages passing between her and Adam about this and other matters and, quite frankly, I expected better of you and definitely of Adam. You have inflicted a hurt on my sister that will take a very long time to heal if ever.”

According to the Mail, the post is said to have deeply upset Holly, 25, and infuriated Adam, 30, who now wants to cut ties with his family.

Caroline, 59, made her feelings known by sharing an Instagram post that read: “Crying is a way your eyes speak when your mouth can’t explain how broken your heart is.”

While the hen was in full swing, Caroline was at home in Staffordshire looking after Adam’s son George, five.

An insider said: “Caroline is devastated by the rift and doesn’t know what she has done wrong.”

Another insider told the Mail that Adam’s relationship with his working class parents began to change after he became part of the Ramsay fold and more enamored with the celebrity lifestyle.

Guests at the couple’s wedding in Bath next month are expected to include Holly’s chef dad Gordon, as well as recently knighted Sir David and Lady Victoria Beckham.

Adam’s sister Bethany, who was also at Holly’s hen party, is said to be the only member of his family attending the wedding.

A family pal told The Sun: “Adam’s relationship with Caroline and his dad Mark are at an all-time low — it’s heartbreaking.

“It’s at a point now where Caroline has been told she should not come to the wedding.

“There is a feud rumbling on and it’s been absolutely devastating for everyone involved.”

In a shock twist, a source close to Adam and Holly said there were “jealous people desperate to ruin their happy day”.

They added: “There are wider problems in the Peaty family, with horrible threats of violence against both Holly and Adam from one individual. It’s gone too far and with real concern for the couple’s safety the police are now involved.”

Tech scion David Ellison marked his 96th day running Paramount by disclosing an upbeat financial outlook for next year and a plan to reduce an additional 1,600 workers.

Monday’s conference call with analysts was the first time Ellison, Paramount’s chairman and chief executive, directly addressed Wall Street after merging his production company, Skydance Media, with Paramount in August — an $8-billion deal that ushered the Redstone family from the entertainment stage.

One of Ellison’s top priorities will be to reverse decades of under-investment in programming. Paramount plans to increase content spending by $1.5 billion next year, including nearly doubling the number of movies that it releases. The Melrose Avenue studio intends to boost output from eight releases to 15 that are planned for next year.

Investing in technology is another priority, which Ellison referred to as one of its “north stars.” Executives want to build streaming service Paramount+ as the economics crumble for Paramount’s once profitable cable television division, which includes Nickelodeon, MTV and Comedy Central. Paramount also owns CBS stations and the CBS broadcast network.

Paramount announced it will be hiking streaming subscription fees — Paramount+ plans now are offered at $7.99 a month and $12.99 a month — although executives declined to say how much. The goal is to turn its streaming operations profitable this year.

Paramount said the workforce reduction of 1,600 people stemmed from the company’s divestiture late last month of television stations in Chile and Argentina. This comes on top of 1,000 job cuts last month, primarily in the U.S. The company said one of its goals was to operate more efficiently.

More than 800 people — or about 3.5% of the company’s workforce — were laid off in June, prior to the Ellison family takeover.

Ellison and his team have been looking to reduce the company’s workforce by 15%.

On Monday, Paramount executives said they should be able to realize about $3 billion in cost cuts — $1 billion more than initially advertised. The company’s goal is to complete its cost reductions within two years.

The earnings report comes as Paramount has been pursuing Warner Bros. Discovery, a proposed merger that would unite two of Hollywood’s original film studios and bulk up Paramount by adding the HBO Max streaming service, a larger portfolio of cable channels, pioneering cable news service CNN and the historic Warner Bros. studio lot in Burbank.

Paramount executives declined to discuss its dealings for Warner Bros. Discovery, which has rejected three offers, including a $58-billion bid for the entire company. Ellison’s father, billionaire Larry Ellison, has agreed to back Paramount’s bid.

However, his son spoke broadly about its motivations for any acquisition during the conference call.

“First and foremost, we’re focused on what we’re building at Paramount and transforming the company,” David Ellison said. “There’s no must-haves for us. …. It’s always going to be, how do we accelerate and improve our north-star principles?”

Total revenue for Paramount’s third quarter was $6.7 billion, flat compared with the year-earlier period. Paramount reported a net loss of $257 million for the quarter.

Paramount+ and other streaming services grew by 1.4 million subscribers to 79 million, although 1.2 million of those consumers benefit from free trials. Quarterly Revenue for the streaming operations, including Pluto TV, was up 17%.

The cost-cutting comes as Ellison, 42, has accelerated spending in other areas, including agreeing to pay $7.7 billion for the rights to UFC fights and $1.25 billion over five years to Matt Stone and Trey Parker to continue creating their “South Park” cartoon.

His team, including former Netflix programming chief Cindy Holland, also lured Matt and Ross Duffer, the duo behind “Stranger Things,” away from Netflix. Paramount also paid $150 million to buy the Free Press and bring its co-founder, Bari Weiss, to the company as CBS News editor in chief.

The company also signed a 10-year lease on a film and television production facility under construction in New Jersey, a move that will give the entertainment company access to that state’s tax incentive program.

In a blow, however, Taylor Sheridan, the prolific creator behind the “Yellowstone” franchise, will be packing his bags. Sheridan, who is under contract with Paramount through 2028, made a deal to develop movies and future shows for NBCUniversal after executives he worked with at Paramount departed the company when Ellison took over.

For 2026, the company expects to generate total revenue of $30 billion and adjusted operating income before depreciation and amortization of $3.5 billion.

Shares closed at $15.25, up 1%, before the earnings were announced.

BBC Breakfast hosts Jon Kay and Sarah Campbell shared heartbreaking news on Tuesday

A BBC Breakfast star shared a devastating update after the tragic death of a “trailblazer” on Tuesday (November 11).

During today’s edition of the popular morning show, presenters Jon Kay and Sarah Campbell brought viewers the latest developments from across the UK and beyond.

They were accompanied in the studio by Emma Vardy, who delivered employment and salary updates, whilst Carol Kirkwood provided regular weather bulletins throughout the programme.

Later in the show, Jon and Sarah honoured Dorothy Lawrence, a journalist who masqueraded as a male soldier to reach the frontline during World War I.

“More than a century later, she’s finally received a headstone at her grave in North London,” Jon disclosed, before a moving segment was broadcast, reports the Express.

“Dorothy Lawrence wasn’t just forgotten about. A journalist determined to report from the trenches during the First World War, she was arrested, silenced and committed to an asylum for almost 40 years,” correspondent Tim Muffett revealed.

“During the First World War, women were not allowed to report from the frontline.”

Nevertheless, Dorothy was determined to alter that situation. She purchased a bicycle and travelled across the Channel, befriending British troops during her journey.

The journalist concluded that the only method she’d successfully reach the Western Front was to disguise herself as a man. After a gruelling ten-day stint in the trenches, Dorothy fell “very ill” and was forced to reveal her true identity.

She was promptly arrested, shipped back to Britain and instructed to keep quiet about her experiences until after the war.

“She was gagged until the end of the Armistice, and in 1925, she was put in an asylum, deemed mad, and died there in 1964. That’s not right. I think that’s terrible,” said army veteran Steve Davies.

Dorothy was laid to rest in an unmarked pauper’s grave in what is now New Southgate Cemetery & Crematorium in North London, one of over 40 owned and operated by Westerleigh Group.

Since then, Dorothy’s grave has been restored, with a special ceremony held to pay tribute to the journalist and officially unveil her headstone. As part of this project, Dorothy’s relatives were traced.

“She’s a trailblazer, isn’t she? Frontline female journalist, brave. 40 years confined to a lunatic asylum and died there unrecognised and unknown, no visitors. Very sad and this will make up for it, I hope,” expressed Dorothy’s great niece, Gill Barber.

Former Royal Engineer Angus Donaldson chimed in: “Amazing. She went to extremes to do what she did. We are eternally grateful for her service,” while Cliff Belsey concluded: “[She was] a very brave lady. Great respect… Very emotional and extraordinary.”

BBC Breakfast airs daily on BBC One at 6am

FORGET the Oscars, the Met Gala or a Royal wedding.

This weekend saw the VIP event to rule them all, in the form of Kris Jenner’s 70th star-studded black-tie birthday party.

Make no mistake, every celebrity worth their diamonds can gather a gaggle of A-listers, but this event was something different.

The 007-themed bash collected some of the world’s biggest names in business and tech, movies and music for a night of total luxury and couture-costumed backslapping.

Hosted by Amazon boss Jeff Bezos at his and new wife Lauren Sanchez’s Hollywood megamansion, it was proof to the guests — and millions of fans now lapping up every detail they can via Instagram — that Kris Jenner is the unrivalled queen bee.

She is bigger in power and influence than any other fellow guest in attendance, including talk show legend Oprah Winfrey, tech pioneer Bill Gates, multi-platinum singer Mariah Carey, Facebook boss Mark Zuckerberg and Kris’s own daughter, Kim Kardashian.

DJ IN DOCK

Tim Westwood ‘carried out sex attacks at BBC studios and raped woman at hotel’

RECONNECTED

Pierce Brosnan reunites with estranged son TWENTY years after cutting him off

And getting on her guestlist is the equivalent of getting a glowing write-up in the Who’s Who of modern-day heavyweights.

Essentially, Kris can make or break you — but if she likes you, you’re really winning.

It’s a truth that was etched proudly across Meghan Markle’s face as she smiled her way into Kris’s exclusive birthday bash.

Flanked by her less enthusiastic husband Prince Harry, Meghan looked like the cat who had got the cream — which, for her, has been a long time coming.

Meghan may have rejected royal life before hightailing it to the US in 2020, but Buckingham Palace is a long way from Beverly Hills — and across the pond, Kris has more influence, cachet and showbiz know-how than any British monarch.

Since stepping down as senior royals, Meghan and Harry have done their best to ingratiate themselves in the up­per echelons of LA, mingling with the likes of Gwyneth Paltrow, Cameron Diaz, Beyonce and actress Kerry Washington.

But they have fallen out with the likes of power couples Victoria and David Beckham and George and Amal Clooney — both of whom have cut them from A-list social functions.

Grandiose pitches

Meanhwile, Meghan apparently pursued her own goal: An actual friendship with Kris, who, as well as holding influence, knows better than most about the art of rebranding.

Let’s remember, her family were once jokingly labelled “the Kartrashians”, known for flogging slimming teas on Instagram and attending the opening of an envelope.

But the joke’s now firmly on all their critics, since they turned themselves into the one of the most lucrative family brands the world has ever seen — one to rival a royal fold.

And it’s Kris who has masterminded the whole thing — a fact immortalised the day she was filmed cooing at Kim, “You’re doing amazing, sweetie!” while her daughter posed nude for a Playboy magazine shoot in 2007.

Back then, she had already launched the entire family on network TV with their own reality series, Keeping Up With The Kardashians, building on the infamy of Kim’s sex tape.

And though the family’s fame in the early days was easily mocked, they’ve since each cemented themselves as aspirational power players in their own right.

Kim and her sister Kylie Jenner are billionaire business moguls with their respective fashion and beauty lines SKIMS and Kylie Cosmetics, while Kendall Jenner is one of the biggest fashion models in the world.

As for Kourtney and Khloe, everything they touch also turns to gold.

Momager Kris still takes ten per cent of her family’s earnings and is well worth the levy, because having a steer and a nod from her is worth its weight in Hollywood opportunities.

Meghan’s long known this, but her efforts so far have mostly been met with muted interest.

Last year, she sent a batch of her home-made jam to Kris, and before that she and her own mum Doria Ragland previously rubbed shoulders with Kris and Kim at various charity dos.

But getting an invite to THE party of the year is the ultimate seal of approval for Meghan, and a sign that her and Harry’s luck might now be changing after all.

So far, they have been slammed by insiders for not following through on lucrative brand deals and mocked for constantly going back on grandiose pitches and promises.

In 2023, Spotify pulled the plug on their $20million audio deal after Meghan produced just 12 episodes of content for her podcast Archetypes, with one exec at the audio streamer labelling them “f***ing grifters”.

And even though Netflix has now produced two series of the universally mocked cookery and lifestyle series With Love, Meghan, it’s been reported that she and Harry are no longer the streaming giant’s golden couple.

Their $100million deal with the streamer has now been downgraded to a “first-look deal” with a reportedly massive pay cut.

In the past week, we revealed how Meghan is returning to acting with a role in the upcoming movie comedy Close Personal Friends.

Having shunned the showier side of showbiz post-royal life, it’s clear she now needs Hollywood’s endorsement more than ever — so getting through the door of Kris’s VIP-packed party is a pretty momentous achievement.

Devotedly loyal

Jeff Bezos’s role as host attests to Kris’ social standing. Not content with putting on their lavish three-day wedding in Venice which was attended by the Kardashian clan, the Amazon boss and his wife Lauren proved there’s nothing they wouldn’t do for their dear friend Kris.

So it only stands to reason that Jeff would be all-ears to any film or TV ideas Meghan might have for his Prime streaming service — provided she has Kris’s seal of approval.

Other heavyweights who donned their gladrags for Kris included Facebook CEO Mark Zuckerberg and Microsoft founder Bill Gates, who arrived carrying a perfectly wrapped, rectangular gift (prompting the internet to wonder just what a billionaire brings as a birthday present).

Bill has a lot to thank Kris for, as she recently invested in Phia, an AI shopping start-up co-launched by his daughter Phoebe.

Kris knows what The Godfather taught us long ago: Make sure people owe you enough to remain committed and devotedly loyal.

But the night wasn’t all about business deals, and it’s safe to say that every star who attended the function — many of them dressed in red — had a night to remember.

Maintaining the party’s James Bond theme, Kris brandished a tiny pistol — stressing the point that she’s the one who wields the power.

Dressed in a frilled, hot-red ballgown and dramatic black gloves, the mum-of-six proudly displayed her most expensive purchase — a new facelift, which reportedly cost between $150,000 and $230,000.

She unveiled the results earlier this year, saying, “This is ageing gracefully, my version.”

And she certainly looked delighted with herself on the night, as did her younger actor boyfriend, Corey Gamble, 45, who lovingly followed 70-year-old Kris around all night.

Among the other VIPs attending were Motown legend Stevie Wonder, Oscar nominee Naomi Watts, socialite Paris Hilton, rapper Snoop Dogg, singer Adele and fashion designer Tommy Hilfiger — while hitmaker Bruno Mars performed live.

The night was so eventful that police were called to the premises several times after neighbours complained about loud music.

Cameras were strictly forbidden, but the birthday girl did later post a carousel of photos on Instagram which showed red roses, sweeping scarlet drapery, flowing champagne, 007-themed lighters and poker chips.

It was all accounted for, and Kris was royally venerated like the modern-day monarch she has risen to be.

The rise itself is pretty spectacular, considering her modest beginnings.

Born in San Diego in 1955 to an aircraft manager dad and children’s clothing store owner mum, Kris briefly worked as an air hostess for American Airlines.

Her only “proper” job, she said it made her “see what hard work and great service looked like”.

While married to Hollywood lawyer Robert Kardashian, who represented OJ Simpson during his 1995 murder trial, she became the standard LA wife who knows all the right people and places, but still stands behind her more successful husband.

But after she divorced Robert and married Bruce Jenner, now Caitlyn, she became the former athlete’s manager and turned his faded Olympic career into lucrative brand deals.

Yet it wasn’t until she pitched her family to E! for reality TV glory that she really proved her mettle.

Coining the term momager, she has now leveraged a C-list family to Hollywood royalty.

The Kardashians now run some of the most exclusive rooms in the world — and for Meghan Markle, getting access to them is crucial.

Attending Kris’s party might just be the start of a beautiful friendship.

‘MY TRUTH’

TikTok star Brittany Miller breaks silence in tearful video after faking cancer

STREET SMART

The high street job which pays £120k a year – with £1.5k worth of discounts

And if Meghan really plays her cards right, she’ll finally hear those four words that mean so much: “You’re doing amazing, sweetie.”

In the meantime, Meghan — and the rest of Hollywood — know the drill: Curtsey, kiss the ring, and never say no to a Kris Jenner invitation.

The official cause of death for Ace Frehley, the guitarist who was a founding member of hard-rock band Kiss, has been released, confirming details his family shared in October.

The medical examiner for New Jersey’s Morris County said in a report, published by TMZ, that Frehley died of “blunt trauma injuries” to his head suffered during a fall. His death was ruled an accident. The report listed injuries including a brain bleed and fractures to his skull.

Frehley’s death on Oct. 16 was announced by his family, which said he had recently suffered a fall. “In his last moments, we were fortunate enough to have been able to surround him with loving, caring, peaceful words, thoughts, prayers and intentions as he left this earth,” the family said in a statement at the time. Frehley was 74.

“We cherish all of his finest memories, his laughter, and celebrate his strengths and kindness that he bestowed upon others,” the statement continued. “The magnitude of his passing is of epic proportions, and beyond comprehension.”

Frehley, known also for his Spaceman alter ego, died less than two weeks after canceling the remainder of his 2025 live performances due to undisclosed “onging medical issues.” He was also hospitalized in late September after suffering a “minor fall” in his studio, his tour manager John Ostrosky announced. Though the rocker was “fine,” doctors urged him to take time from the road to recover, prompting him to cancel his appearance at the Antelope Valley Fair.

The musician was among the original members of Kiss, playing with the band for about a decade, from 1973 — when he formed the group in New York with Paul Stanley, Gene Simmons and Peter Criss — until 1982, when he quit not long after Criss left.

The band, which had its final show in 2023, was known for flamboyant performances, and costumes and heavy makeup. Despite his relatively short tenure, Frehley proved instrumental in creating the band’s stomping and glittery sound, as heard in songs like “Detroit Rock City,” “Rock and Roll All Nite,” “Strutter” and “I Was Made for Lovin’ You.” He was part of a reunion tour with the band from 1996 to 2002.

“He was an essential and irreplaceable rock soldier during some of the most formative foundational chapters of the band and its history,” the band said of Frehley following news of his death. “He is and will always be a part of KISS’s legacy. Our thoughts are with Jeanette, Monique and all those who loved him, including our fans around the world.”

The 2014 Rock and Roll Hall of Fame inductee is survived by his wife, Jeanette; his daughter, Monique; his brother, Charles; his sister, Nancy; and several nieces and nephews.

Times pop music critic Mikael Wood contributed to this report.

Emmerdale villain Celia Daniels won’t be around forever, with actress Jaye Griffiths teasing she was told her role on the ITV soap would be limited due to her dark storyline

Despite playing the latest villain on Emmerdale, actress Jaye Griffiths has shared her joy playing the ITV soap role – but warned an exit looms.

The star said there’s something “freeing” about her villainous character Celia Daniels, who fans were introduced to back in June, before her dark crimes and link to fellow villain and ‘son’ Ray Walters were unearthed last month. Jaye, 62, admits feeling challenged by the role, but says Celia’s lack of a conscience is great fun.

Speaking to The Mirror, she said: “It’s joyful. The reason Celia works is because she has no little voice in her head. You know that little voice that tells women, particularly, that you’re not enough, you’re too tall, you’re too short, you’re too fat, you’re too thin, you’re too old, you’re too young.

“That self-critical, nasty voice that stops us doing many things. Celia doesn’t have one of those. That is very freeing. If there are no consequences internally, if there’s no conscience, you can do anything you want.”

READ MORE: Emmerdale star’s horror after reading gruesome Dingle shooting twist in scriptREAD MORE: Emmerdale stars confirm crucial Kev and Robert scene ahead of ‘very dramatic’ ending

Recently we’ve seen Celia and Ray drag teens April Windsor and Dylan Penders into their dodgy drug deals, while also trying to force poor April into sexual exploitation. It’s certainly a different type of role to what Jaye is used to, having played respectable characters in shows including Casualty, Silent Witness and Doctors.

“I usually get the upstanding, morally robust people,” she told us. “Celia, her compass is buried. She doesn’t need one, she just needs to make money.” While it’s all fun and games, the dark nature of Jaye’s latest plot has been draining to film.

She shared: “When you have to shut down all feelings, shut down any regard you have for the people you’re with, it’s exhausting. When we do rehearsals, particularly if I’m going to be violent, and you hear the crew go, ‘ooh’ and then you have to go, ‘oh, I’m nice, really, I’m not really a sociopath’, it’s very freeing, but very tiring. Empathy for your fellow humans is what makes life, life. So to not have that, I get very lonely sometimes.”

More could be revealed about Celia’s past too, as Jaye said she wasn’t always so evil. She told us: “Something very, very bad has happened to her. Not to excuse her, but it would explain everything. She didn’t come out of the womb like this.”

While Jaye is having the time of her life with the show, she confirmed an exit would happen at some point. “I knew it was finite from the start, which I am very sad about,” she confesses. “I would like to stay forever, but it’s such a strong arc.”

As the soap tackles modern slavery in its latest hard-hitting plot, missing character Bear Wolf’s link to the storyline being revealed is just the start. Jaye said of the topic: “It’s just utterly depressing that we treat our fellow humans like this.”

Jaye hopes viewers will recognise that Celia is a character, and not remotely similar to who she is away from the soap. “I want to remind people that it’s just pretend and I am really nice and I’m not a sociopath,” she said.

As for Celia’s magnificent wardrobe, Jaye explained a secret, gory detail about her character’s famous cravats worn in most scenes, while also confessing the farmer persona is just an act.

Jaye tells us: “I love my scarves. I love my hat. I love it more than anything that she just walks around with this stick. It is glorious. I think she went through a catalogue going, ‘what do farmers wear? Oh, great, I’ll buy that!’ She doesn’t do farm work, I don’t think she’s been in a field in her life. Do you know why she wears a cravat?

“Someone tried to cut her head off. So it’s very subtle, and it’s only halfway across, because obviously they didn’t succeed. I asked our execs if they would not tell scripts, because I don’t want it ever mentioned. It’s just a hint of a former life elsewhere where bad things happened to her.”

Celia’s meddling in the village is set to continue, as she comes between son Ray and his new love interest Laurel Thomas. “Laurel goes to kiss him, and he won’t kiss her. That breaks Celia’s heart, because that means she’s not a floozy, she’s not a one-off.

“He’s so serious about her, he won’t even kiss her. He likes her that much, and that is too real for Celia. So now the possibility is he might leave her, and I think that would come close to breaking Celia.”

Emmerdale airs weeknights at 7:30pm on ITV1 and ITVX, with an hour-long episode on Thursdays. * Follow Mirror Celebs and TV on TikTok, Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

POP icon has posted a massive apology to fans after being forced to pull out of a show at the last minute.

The New Zealand singer, 29, shared a statement on Instagram on Sunday, explaining she had to cancel her scheduled appearance at Luxembourg’s Rockhal after falling sick.

She explained: “Luxembourg, I am so sorry to have to tell you that I came down with ruthless food poisoning last night, and I’m still too sick to play for you today.

“I’ve been resting all day, hoping I’d be well enough, but I can hardly stand up, and you deserve more.”

“My sincerest apologies to anyone inconvenienced or upset by this,” the singer continued. “I can’t tell you how much I was looking forward to it. Our first ever Lux show, first night at Ultrasound EU, our one show with OK Lou, it’s beyond gutting.”

“Please know that if there was any way I could pull it off, I’d be out there. We are actively working with the promoter on rescheduling, so hold on to your tickets for now.

HOLS HOME

Music superstar secretly buys TWO homes in posh seaside village

‘APPY CHRISTMAS!

Six easy changes to make to your TV bills to save £100s by Christmas

“Refunds will be offered if the new date’s no good for you. Thank you for your grace tonight. Love, from a very weak girl.”

The tour cancellation comes as Lorde – real name Ella Yelich-O’Connor – kicks off the European leg of her Ultrasound World Tour.

She is scheduled to appear in Paris, France, tonight as scheduled, before making her way over to the UK and Ireland.

The upsetting cancellation comes after Lorde made her triumphant return to music this year by dropping her fourth album, Virgin, back in July.

It was her first release since 2021’s critically acclaimed Solar Power.

Her new release, led by single What Was That?, was so highly anticipated that a surprise set at Glastonbury caused an entire area of Worthy Farm to be shut down as fans dashed to see her at the Woodsies tent.

The album later shot to the top of the album charts, with What Was That peaking at number 11.

She’s also since noted she doesn’t intend to take such a big break again from making music.

The star, who first shot to fame with smash hit Royals at the age of 16, told Variety: “I’m definitely feeling very active and not needing a break from being creative. I’m feeling kind of insatiable, to be honest.

“So I don’t know, but I’ve thrown the gauntlet down that it’s not going to be four years [again], so I’ve gotta keep to that.”

Allison Mack is addressing “the bad things she’s done” as a high-profile member of the “sex cult” NXIVM in a new podcast.

Released Monday, “Allison After NXIVM” is a seven-episode series that features the former “Smallville” star detailing her time as a young actor and how she became involved in the purported self-improvement group, as well as her role in manipulating women into becoming sex slaves for NXIVM leader Keith Raniere and the eventual criminal fallout.

“I don’t see myself as innocent,” Mack says in an early episode as she acknowledges using her success as an actor as “a power tool … to get people to do what I wanted” and that she was “very effective in moving Keith’s vision forward.”

In a later episode, she accepts claims that she was a “harsh monster” during her time at NXIVM.

“I was not kind and I was aggressive and I was abusive,” Mack says. “I was harsh and I was callous and I was aggressive and forceful in ways that were painful for people. [I] did make people feel like they had no choice and was incredibly abusive to people, traumatic for people.”

In 2019, Mack pleaded guilty to racketeering charges related to her role in NXIVM and its subgroup DOS, a so-called “secret society” of women who were branded with Raniere’s initials and forced to have sex with him. Mack was among one of the “masters” in the group, a lieutenant tasked by Raniere with recruiting and coercing other women. She was sentenced to three years in federal prison in 2021 and was released in 2023. (Raniere is currently serving a 120-year sentence after being convicted of sex-trafficking and other charges.)

But while she acknowledges that “100% all those allegations are true,” she also contends that she is “someone who cares deeply and wanted very much to grow and wanted very much for everybody that I was involved with to grow. … [B]oth of those things are true about me.

“I definitely recognize and admit that I was abusing my power,” Mack says. “But I also can’t negate the fact that there was a part of me that was altruistic and was desperate to help people. [I] wanted to be better, and I was willing to do anything to be better in myself and to help other people be better.”

The podcast series also touches on what Mack has been up to since being released from prison. She is pursuing a master’s in social work and looking into PhD programs in expressive arts therapy. She is also working at a nonprofit to help bring creative arts such as music, theater and poetry to prisons.

Over the summer, Mack got married to Frank Meeink, a prominent former neo-Nazi who now speaks out in support of racial diversity and acceptance. The couple met in a dog park not long after Mack’s release from prison in 2023. According to the podcast’s host, Natalie Robehmed, Mack now goes by Allison Meeink.

Robehmed also mentions that “Allison After NXIVM,” which is the latest installment of the true crime podcast “Uncover,” came to be after Mack reached out to journalist Vanessa Grigoriadis following her release from prison, hoping to tell her own story for the first time. Grigoriadis, who serves as an executive producer on the series, had interviewed Mack before her arrest.

NXIVM also has been the subject of the 2020 documentary series “The Vow” and “Seduced: Inside the NXIVM Cult.”

Apple has removed two popular gay dating apps in China in response to the government’s continued policing of LGBTQIA+ related online content.

According to a recent report from Wired, Blued and Finka disappeared from the company’s App Store in China after the country’s internet regulator issued an order.

“We follow the laws in the countries where we operate. Based on an order from the Cyberspace Administration of China, we have removed these two apps from the China storefront only,” an Apple spokesperson told the news outlet in an email statement.

The spokesperson went on to say that the two apps, owned by parent company BlueCity, had already dialled back availability before being completely removed.

“Earlier this year, the developer of Finka elected to remove the app from storefronts outside of China, and Blued was available only in China,” they added.

While Finka and Blued can no longer be downloaded from the App Store, users who already have the app can still access them.

Over the last few years, the LGBTQIA+ community in China has faced relentless censorship by the government.

In 2020, the country’s annual Pride celebration, Shanghai Pride, was unceremoniously shut down.

The following year, dozens of queer-related accounts on the popular messaging app WeChat were removed, and all their content was deleted.

In 2022, Grindr disappeared from China’s App Store a few days after the Cyberspace Administration of China (CAC) launched a month-long campaign to remove content it deemed problematic.

The Chinese government has also censored LGBTQIA+ content within other sectors of the entertainment sphere.

In 2021, CAC introduced a new policy banning any “effeminate” male characters, established queer relationships and characters with “no clear gender” in video games.

Films like Alien: Covenant, Bohemian Rhapsody and Together also faced censorship in China, with their LGBTQIA+ content either getting chopped or altered to fit a heterosexual narrative.

In 2018, Chinese broadcaster Mango TV cut Ireland’s performance from the Eurovision semi-finals due to the inclusion of two same-sex dancers.

Three years later, the country’s top three streaming platforms – iQiyi, Tencent Video and Alibaba’s Youku – took out a segment from the Friends reunion that celebrated the show’s LGBTQIA+ fans.

Lastly, in 2024, eagle-eyed viewers of Netflix’s hit series Arcane noticed that scenes depicting Vi and Caitlyn’s romance were either heavily censored or cut altogether.

Alan Carr has been spotted charging down the street in his Celebrity Traitors cloak whilst brandishing a lantern on a night out in London following his victory on the BBC show

Alan Carr has been spotted charging down the street in his Celebrity Traitors cloak whilst brandishing a lantern. The comedian, 49, was chosen as a Traitor by Claudia Winkleman and then emerged victorious as the winner of the recent BBC series after weeks of lying to his co-stars, managing to walk off with the grand prize, all in the name of charity.

Just days after his final scenes in the Scottish castle aired, the Changing Ends star was seen in a TikTok video wearing his famous costume from the series on a night out in London and yelled to his fans: “F*****g Faithfuls!”

Once the video was posted onto social media, he received approval from big name brands like Sky, Next, Specsavers and Asda in the comments section, before fans of the former Chatty Man host all piled in with their reactions. One said: “How is he not Sir Alan Carr yet?”

READ MORE: BBC Celebrity Traitors star admits he lied to wife after filmingREAD MORE: Alan Carr lined up for two major TV roles after Celebrity Traitors win

Another wrote: “A true icon,” whilst a third added: “It’s Alan’s world we’re just living in it!” It all comes just days after nearly 12 million viewers watched the funnyman con Nick Mohammed and David Olusoga into believing he was a Faithful in the programme’s hotly-anticipated finale.

The finale was filled with shocks, first with Traitor Cat Burns being voted off thanks to a change of heart from Joe Marler, and then Joe also being shown the door after Nick Mohammed got cold feet about him at the last minute.

Viewers saw Alan burst into tears as he won the prize, telling them: “I’m so sorry, it’s been tearing me apart.” Speaking afterwards the comic, 49, said he couldn’t help the outpouring of emotion at the very end as he was revealed as a traitor to losing faithful Nick and David Olusoga.

“I think all the deceit, the lying, the murdering of Paloma and Celia had all taken its toll and then I think it dawned on me that I had won such a huge amount for my charity, Neuroblastoma UK,” he explained. “Hopefully when people see how upset I was they won’t feel so bad that I killed all those national treasures.”

He said that when he told the charity the good news about his £87,500 win they were overwhelmed. “I told one person at the charity and they started crying, so that gives you some idea of how important this money will be to them. Neuroblastoma is such a cruel disease, and this money will literally save lives. It’s a charity and disease that no one has really heard of so with the viewing figures being what they are it’s going to be so good for the charity.”

He said that his non-stop comedy was behind his win. “Humour was my secret weapon in the castle,” he declared. “I would often deflect scrutiny and make a gag about something which would then throw everyone off the scent. My sense of humour was probably more useful to me than a shield.”

And Alan admitted that he couldn’t believe he got away with two murders in plain sight – first Paloma Faith and then Celia Imrie. “Spouting Shakespeare at the dinner party was so not me that I thought it would’ve been a red flag to the faithful – but at breakfast no one mentioned it,” he laughed. Alan said he’d also loved the reaction of the audience since the show began last month. “The memes have been so funny, I’ve loved them all. Someone did a song which included all my Traitors quotes – it’s quite catchy actually and I think it should be entered for Eurovision.”

In terms of advice for future players, Alan confessed he had no idea what his game strategy had been. “Although I won, I don’t know if I was a really good Traitor or if the Faithfuls were just useless.”

Singer and TikTok star Cat, 25, claimed her downfall came about because she was the last woman standing – and the others believed there would be a female among the traitors. “In hindsight, I think if we didn’t banish Kate (Garraway) before, I probably would have had a chance as there would have been two women left,” she told BBC Breakfast.

Alan spent eight years interviewing A-Listers like Britney Spears, Kylie Minogue and Lindsay Lohan amongst a whole host of others on his Channel 4 show Chatty Man, which ended in 2016. At the time he said this was due to the difficulty of securing three guests an episode across a 30-week run, while competing with ITV’s Jonathan Ross and BBC1’s Graham Norton. He also said that Channel 4’s decision to shift it from Friday to Thursday had sounded the death knell.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

ACTOR Orlando Bloom isn’t scared to have a pop at his ex-fiancée Katy Perry. 

The Lord of the Rings star was at a Halloween bash in a skeleton outfit with a pal who was dressed as the singer. 

US actress Rachel Lynn Matthews, 32, wore a black wig and blue jumpsuit — just as Katy did for her space trip this year. 

Rachel was even pictured kissing the ground, recreating Katy’s actions on her return to Earth in April from the all-female Blue Origin flight. 

Earlier this month The Sun revealed how Pirates of the Caribbean actor Orlando had been using posh cocktail bar The Rex Rooms, on the King’s Road in Chelsea for a series of dates. 

Orlando, 48, and Katy, 41, announced their split in June. 

DJ IN DOCK

Tim Westwood ‘carried out sex attacks at BBC studios and raped woman at hotel’

NEW CHAPTER

Peter Andre & wife Emily pull OUT of filming second series of Princess’s show

Katy, dating former Canadian PM Justin Trudeau, 53, details the relationship breakdown in her new single Bandaids. 

Taking to Instagram, Katy said: “To be honest I struggled for months with the idea of putting this song out… even after all these years it can be scary to be vulnerable… but hopefully the lyrics of this song resonate with someone going through what I have been through and maybe they won’t feel so alone and will find the strength to keep going like I have.” 

On the track Katy sings: “Hand to God, I promised, I tried… It’s not what you did, it’s what you didn’t.

“You were there, but you weren’t.” 

A source said: “Orlando and Katy split really amicably and only want the best for each other.

“He has been keeping things low-key but is dating again.

“He’s been on a string of dates in Chelsea and it looks pretty chill, but he’s having fun.

“Right now, he’s keeping it casual.”

It seems Kris Jenner cranked the volume up too much on her lavish Beverly Hills birthday celebration over the weekend.

The “Keeping Up With the Kardashians” matriarch and businesswoman rung in her 70s on Saturday with an opulent and high-profile bash at Amazon billionaire Jeff Bezos’ mansion, drawing ire from neighbors over its noise level. Police responded Saturday evening to the famed Warner estate — purchased by Bezos in 2020 for $165 million — after the Beverly Hills Police Department received radio calls about loud music, Lt. Kevin Orth confirmed Monday.

Neighboring residents complained of “loud music and disturbances echoing through the hills” and police spoke with the event security and issued a warning, according to TMZ. The outlet, which published photos of law enforcement outside the mansion, reported that attendees got particularly raucous when Bruno Mars delivered a private performance. Police also reportedly took issue with “large fake hedges” — apparently put up without a permit — that blocked the street beyond Bezos’ property.

A representative for Jenner did immediately respond to a request for comment.

Jenner enjoyed a James Bond-themed bash (coincidence?) that counted daughters Kim, Kourtney, Khloé, Kylie and Kendall among attendees. Backgrid published photos of Prince Harry and Meghan Markle, Oprah, Gayle King, Tina Knowles, Mariah Carey, Mark Zuckerberg and wife Priscilla Chan, Sarah Paulson and Naomi Watts, among many others arriving at the grandiose event.

Jenner also posted photos from the Saturday soirée on Instagram, sharing snaps of herself with her “beautiful family and friends,” including Bezos and wife Lauren Sánchez Bezos, Stevie Wonder, Alicia Keys and Tommy Hilfiger. The famed “mom-ager” shared additional photos from the event Monday.

Hours before Jenner’s birthday bash, second-eldest daughter and shapewear mogul Kim Kardashian announced a bump on her years-long journey to become an attorney. The Skims mogul and “All’s Fair” actor, 45, revealed she failed California’s bar exam on her first attempt.

“Six years into this law journey, and I’m still all in until I pass the bar,” she said in an Instagram story. “No shortcuts, no giving up — just more studying and even more determination.”

She added: “Falling short isn’t failure — it’s fuel. I was so close to passing the exam and that only motivates me even more.”

Stranger Things star Caleb McLaughlin appeared on BBC The One Show and opened up about the final season of the show

Stranger Things fans are bracing themselves to bid farewell to the beloved programme that has captivated audiences since 2016, as the final instalment of the science fiction drama draws to a close.

Caleb McLaughlin, who portrays Lucas Sinclair in the Netflix series created by Matt and Ross Duffer, has reflected on wrapping up filming, describing it as the “best day”.

The star joined fellow cast members Finn Wolfhard, Noah Schnapp and Gaten Matarazzo on BBC’s The One Show on Monday (November 10) evening, where he discussed the upcoming final season with presenters Alex Jones and Angelica Bell, reports the Manchester Evening News.

Alex immediately remarked: “You’ve been together for ages, you’ve grown up together and the chemistry between you is so brilliant.”

The presenter then enquired: “What was it like to film that last moment before they shouted ‘that’s a wrap?'”

Caleb confessed: “It was really emotional honestly. I reference a 90s anime flashback, I felt like I was reminiscing on my future, my present and the past.”

He continued: “I’ve been on the show almost half my life, I mean all of us have. It’s been 10 years, it’s wild. It’s something so deep that I can’t truly understand yet because my frontal lode is still closing but it was an emotional day but one of my best days.”

When questioned about whether he’d managed to take any mementoes from the set, the actor disclosed: “With permission, my bandanna, a wright locket and some clothes from each season.”

After the explosive finale of series four, Netflix unveiled the trailer for series five last month, showing our beloved Hawkins youngsters gearing up for a final showdown with Vecna.

The clip reveals where Vecna (Jamie Campbell Bower) has been lurking, as it begins with the arch-villain stepping out from the shadows in the Upside Down’s version of Hawkins’ town hall, declaring: “We can begin.”

It then switches to the residents of Hawkins, who find themselves “stuck” in their town due to military intervention as authorities attempt to contain the chaos Vecna unleashed at the close of series four.

The tension escalates as Finn Wolfhard’s Mike Wheeler and his mates devise one final assault against Vecna to “end this once and for all”.

The trailer also features Eleven (Millie Bobby Brown) using her abilities to soar through the sky, whilst Max (Sadie Sink) is shown being carried from the hospital by Lucas (Caleb McLaughlin), who then finds himself chased by a demodog.

In the trailer’s closing moments, an epic confrontation is hinted at, as Vecna lifts Will into the air towards him, saying: “You are going to help me…one…last…time.”

The One Show airs weekdays from 7pm on BBC One and iPlayer

CYNTHIA Erivo and Ariana Grande looked incredible as the joined forces to lead the stars of Wicked: For Good’s European premiere.

The duo – who star as warring leading ladies Elphaba and Glinda in the second and final part of the beloved musical movie – held hands as they posed on the carpet together.

In a stark change to Glinda’s typical pink and pastel colour palette, Ariana donned a stunning bejeweled black gown for the event, with her newly brunette hair slicked back.

British star Cynthia stole the show in a navy blue and black dress, which was accentuated with a black leather belt and PVC arms.

Her signature long nails were a stunning blue and pink, with the star wearing a giant pink diamond ring on her finger.

Leicester Square was transformed into the Wonderful World of Oz for the event – complete with a yellow brick carpet in place of the classic red.

GRANDE STAY

Ariana Grande hires six £5k a night suites ahead of £100K Wicked after-party

GLAM AFFAIR

Ariana Grande stuns in floral dress in Paris ahead of Wicked sequel release

Jonathan Bailey, who plays love interest Fiyero, looked comparatively casual as he posed for pics, with the Brit star – recently named Sexiest Man Alive by People Magazine – wrapping up against the London chill in a great suit and a black coat.

Donning sunglasses as he smiled for the cameras, Jonathan kept his hands in his pockets and showed off a growing beard as he posed.

Notably, Ariana’s partner Ethan Slater – who plays Boq in the films – posed alone, smiling for cameras in a grey and black suit, completing the look with a remembrance poppy on his lapel.

His appearance comes amid rumours the couple have called time on their romance, which is believed to have started while they were filming the two movies back-to-back in England between 2019 and 2021.

Jeff Goldblum, who plays the conniving fraud Wizard, kept in character by wearing a signature emerald green waistcoast, shirt and tie, completing the look with a brown trench coat.

He beamed as he joined his wife, Emilie Livingston, keeping a protective arm around her on the carpet.

Michelle Yeoh looked elegant and stunning in a black gown, draped with pearls and diamonds.

Beaming as she waved to the fans who were waiting outside to catch a glimpse of the cast, the friendly star looked miles away from the cruel and calculated Madam Morrible she plays on screen.

As one of the most anticipated premieres of the year, Wicked: For Good also attracted a host of UK favourites who went all out for the movie, many choosing to wear outfits inspired by the iconic characters.

Myleene Klass gave a little nod to the legendary Dorothy Gale from the Wizard of Oz with glistening ruby slippers, matched with a tiny neon green mini-dress that showed off her legs.

Heart Radio star Ashley Roberts – famed for her daring looks – opted to take inspo from the Tin Man with a silver dress that clung to her body and exposed part of her torso and chest.

Scarlett Moffatt embraced her inner Glinda The Good Witch in a baby pink dress adorned with flowers.

Meanwhile Hannah Lowther, a West End star and TikTok sensation, also showed her allegiance to Glinda with a stunning hot pink tulle mini dress.

Amanda Holden was on typically fine form, also supporting Team Glinda in a pale pink dress with a thigh high slit that showed off her iconic legs.

Despite being Ariana Grande’s half-brother, West End star Frankie Grande proved to be totally team Elphaba in black leather trousers and matching jacket, exposing his entire chest as he happily posed for pictures.

Tasha Ghouri, whose blonde hair was in a slicked back bob, wore a daring black dress with a bodice comprised of flowers.

Taking time off from her gruelling Strictly schedule, Amber Davies joined her boyfriend on the carpet, looking stunning in a pale lemon mini dress with puffy sleeves.

Wicked: For Good is one of the most anticipated movies of the year – and wraps up the tragic story between the warring witches.

The film follows act two of the theatre production – picking up years after the first movie, which saw Elphaba shunned from Oz society and branded a Wicked Witch after discovering the beloved Wizard was a fraud.

With the Wizard and Madame Morrible turning her entire world against her, Elphaba has been living in exile, while her former best friend Glinda became known as a beacon of good for those who live in Oz.

But she’s soon forced out of hiding to end the treachery once and for all – as Glinda and those she loves, including Fiyero, Boq and Nessarose, decide where their loyalties and priorities lie.

The film also interconnects Wicked’s story with that of the Wizard of Oz, with the two tales running in tandem with each other before colliding in an all out finale.

On top of the songs made famous by the musical, Wicked: For Good will also feature two new songs created just for the film – and are already receiving Oscar Buzz.

‘MY TRUTH’

TikTok star Brittany Miller breaks silence in tearful video after faking cancer

STREET SMART

The high street job which pays £120k a year – with £1.5k worth of discounts

The Girl In The Bubble will be sung by Ariana, while No Place Like Home will be performed by Cynthia – and both reflect on what their lives have become and what they are separately fighting for.

Wicked: For Good is available in cinemas from November 21st.

Director Kacho López Mari’s critically and culturally acclaimed portfolio includes over 40 music videos and short films that, if played at a YouTube watch party, could leave you and your primos feeling as if you just flip-booked through modern Latin music history.

Some of the music videos have captured the trophies of genres, like Tego Calderón’s “Abayarde” and Daddy Yankee’s “Gasolina,” both essentials on any reggaetón playlist. Other visuals were works of activism — like Bad Bunny’s “El Apagón — Aquí Vive Gente,” the 22-minute music video and investigative short that shed light on the economic crisis that Puerto Ricans continued to face after Hurricane Maria.

A music video has the power to capture today’s culture, tomorrow’s stars, and yesterday’s immediacy. And thanks to López Mari’s legendary lens, we’re able to behold many iconic Latin music moments. Here are 15 of his must-see videos.

These interviews have been edited and condensed for clarity.

Tego Calderón, “Abayarde / Gracias” (2003)

Filmed in Manatí, Puerto Rico

Before producing and directing music videos, López Mari produced “underground” parties in Puerto Rico — and commercials at Paradiso Films.

That changed when López Mari’s superior, Sigfredo “Freddy” Bellaflores, heard his young son, Sigfredo Jr. — who would go on to produce videos for Bad Bunny — listening to Tego Calderón’s music in the shower. The next day, Freddy came into the office and threw the Calderón CD at López Mari.

“ ‘If you can reach that guy, we’ll do a video for him for free,’ ” López Mari recalled Freddy telling him. “ And I’m like, OK, I’ll get that guy.”

A few days later, López Mari used his party-producing connections to set up a meeting with Calderón’s team, which told López Mari he could pick the song off Calderón’s debut album, since Paradiso Films was financing the video; the team then asked him to meld another song, “Gracias,” into the visual.

“ That’s why the video is a six-minute piece,” said López Mari. “Back in the day, the reggaetón videos would be two or three songs in each video.”

The young director scouted the location, created the storyline to connect the two songs and presented the treatment to Calderón. Soon afterward, López Mari shot his first music video.

“It was a big phenomenon,” he said. “When that came out, Tego was like a rocket going up to the moon.”

Ricky Martin, “Tal Vez” (2003)

Filmed in Buenos Aires

López Mari co-directed this video with Carlos Pérez, his childhood friend who would later direct the video for Luis Fonsi’s “Despacito.” Both 20-somethings at the time, López Mari and Pérez, recruited a “dream team” to execute it — including Andrzej Sekula, cinematographer for “Pulp Fiction” and “Reservoir Dogs,” as well as Brigitte Broch, Oscar-winning production designer and art director for “Amores Perros” and “Romeo + Juliet.” The editor was Jeff Selis, the most nominated editor in the history of the MTV Video Music Awards.

Ricky Martin needed ample star power for what would be his first Spanish release since “Livin’ La Vida Loca.” Martin liked López Mari’s treatment so much that he would commission the same crew to make the video for 2003’s “Jaleo.”

Daddy Yankee, “Gasolina” (2005)

Filmed in Santo Domingo, Dominican Republic

Released pre-YouTube, the original video for “Gasolina,” the lead single off Daddy Yankee’s 2004 album “Barrio Fino,” maximized MTV’s four-minute allotment by mixing in two additional songs into the same visual: “No Me Dejes Solo” (which featured Wisin y Yandel) and “King Daddy.”

Yet when the song blew up, Daddy Yankee needed a longer video — and fast. However creatively edited, the visual actually loops the minute-and-a-half of material originally shot, making it a controversial piece for the co-directors.

In a phone interview, Pérez said that he values the song’s cultural and historical impact, but the video “never felt reflective of our work.” López Mari agreed it wasn’t his finest piece, but it did introduce the world to reggaetón and helped establish an aesthetic for the genre.

Calle 13, “Adentro” (2014)

Filmed in Arizona and Puerto Rico (Barriada Morales in Caguas and Cantera Roca Dura in Manatí)

From Calle 13’s final album, the video for “Adentro” earned López Mari a Latin Grammy nomination for best short form music video. In it, frontman René Pérez Joglar, or Residente, raps regretfully about buying a Maserati as baseball legend Willie Mays hands him a bat, which he then uses to smash the car. It’s later pushed off a cliff.

“For me, it’s a work of art,” said López Mari. “It’s basically a piece to destroy a half-million-dollar car — that [Residente] bought as an anti-capitalist statement.”

Calle 13, “Multi_Viral” featuring Julian Assange, Kamilya Jubran, Tom Morello (2014)

Filmed in the West Bank

Art is a weapon for López Mari and Calle 13, who sympathized with the Palestinian struggle. López Mari told me he considered the “Multi_Viral” video, which was filmed in the West Bank in 2013, was “one of the most important projects” he’s ever worked on.

The video follows Palestinian children as they build a guitar from parts of a gun. Rage Against the Machine guitarist Tom Morello, who’s featured on the song, joined them onset in the West Bank. López Mari’s brother, Santiago “Chago” Benet Mari, who served as deputy photographer, told me how filmmaking has taken him and his family places he would have likely never otherwise visited.

“Film is a universal language,” said Benet Mari.

Calle 13, “Ojos Color Sol” featuring Silvio Rodríguez (2014)

Filmed in Buenos Aires

“Ojos Color Sol” was filmed the same day as the memorable 2014 World Cup semifinal match in which Germany thrashed Brazil, 7-1, so concentration levels onset were “fragile” among die-hard soccer fans that day, López Mari recalled.

Still, López Mari’s video would go on to win him his first Latin Grammy for best short form music video, alongside Tristana Robles, López Mari’s life partner, as well as the producer and co-founder of Filmes Zapatero. The song featured Cuban musical legend Silvio Rodríguez, and the video starred Golden Globe Award-winning Mexican actor Gael García Bernal and Spanish actress María Valverde, who share a powerful kiss.

Juanes, “Loco de Amor (La Historia)” (2014)

Filmed in Puerto Rico (San Juan, Río Piedras, Bayamón)

The 16th annual Latin Grammy Awards were historic. After “Ojos de Sol” won best short form music video, “Loco de Amor (La Historia)” won best long form music video — a 16-minute project visualizing four of Colombian superstar Juanes’ songs. This made López Mari the winner of both categories in the same night — a feat never accomplished before or repeated since.

“I like the aesthetics of [López Mari]’s work and his way of working,” Juanes told the San Diego Union-Tribune in 2014.

Calle 13, “La Vida (Respira el Momento)” (2015)

Filmed in Salinas, Puerto Rico

“La Vida (Respira el Momento)” was the final video López Mari released with Calle 13 before they disbanded. It featured López Mari’s daughter and nephew, Residente’s nephew, as well as pro boxer Miguel Cotto and MLB player Ángel Pagán. But there’s an even buzzier person who makes an appearance in this video — filmmaker, actor and poet Jacobo Morales, the director behind the 1989 film “Lo Que le Pasó a Santiago,” the only Puerto Rican film to earn an Oscar nomination to date.

Morales sits down in the middle of a road to look through a handful of photos, reflecting on his life’s most precious moments — inadvertently foreshadowing his later role in videos from Bad Bunny’s 2025 album, “Debí Tirar Más Fotos,” such as “Baile Inolvidable,” which were also directed by López Mari.

Juanes, “Mis Planes Son Amarte” (2017)

Filmed in Mexico (Veracruz, Mexico City and its outskirts) and Medellín, Colombia

“Mis Planes Son Amarte” directly translates to “My Plans Are to Love You.” A play on words in Spanish, it could also be heard as “My Plans Are to Mars.” Using that double meaning, Juanes and López Mari innovated what’s considered to be Latin music’s first major visual album (every song has a video): a one-hour film of 12 songs that follows Juanes’ character as an archaeologist and astronaut, exploring the dimensions of life and love.

Chayanne, “Di Qué Sientes Tú” (2018)

Filmed in Mexico City

In 2018, López Mari added the actor and pop balladeer Chayanne to his roster of Puerto Rican icons he’s collaborated with. For the making of Chayanne’s music video for “Di Que Sientes Tú” (Say What You Feel), López Mari took the crew to Mexico City.

“It came at a time when I was falling in love with books again,” said López Mari. “I was surrounded by literature [by Gabriel García Márquez], [Jorge Luis] Borges, Luis Rafael Sánchez — and that literary energy made its way into the set. It all came together in a way that was beautiful and poetic.”

Bad Bunny, “Callaíta” (2019)

Filmed in Puerto Rico (Arecibo, Hato Rey neighborhood of San Juan, Guaynabo)

In the first of many collaborations between Bad Bunny and López Mari, they created a “dream-like atmosphere” of summertime in Puerto Rico. In a 2023 video interview with Vanity Fair, Bad Bunny said it successfully conveyed the feeling of a “hug.” Bad Bunny also said he knew the actress, Natalia L. Garcia, was the right woman for the project as soon as he saw her.

López Mari discovered Garcia on Instagram. “I [loved] her look,” he said. “She reminded me of Uma Thurman in ‘Pulp Fiction’ because of the haircut.”

López Mari’s brother Benet Mari, served as the director of photography — and happened to have the resources to get a carousel on the beach. “Everything was perfect,” said López Mari, calling it a “beautifully executed video” that hit all the notes and goals of marrying image and song.

Don Omar, Residente, “Flow HP” (2021)

Filmed in San Juan, Puerto Rico, and Los Angeles

In the video for their first-time collaboration, “Flow HP,” Don Omar and Residente, both Puerto Rican industry veterans, amplify their pride for the motherland by rapping in front of the island’s flag, resulting in an unforgettably powerful visual. López Mari and Residente actually directed the video together.

Bad Bunny, “El Apagón — Aquí Vive Gente” (2022)

Filmed in Puerto Rico (San Juan, Güajataca, Rincón)

“[Taylor Swift] fills it [her videos] with Easter eggs,” said López Mari. “So, what does Benito do? He fills it with Puerto Rican history.”

In nearly six months, López Mari and his team worked to produce what began as a Bad Bunny video and expanded into a hard-hitting documentary. In collaboration with Puerto Rican investigative journalist Bianca Graulau, the short film shed light on the recurring blackouts in Puerto Rico after 2017’s Hurricane Maria and how the government’s lackluster recovery efforts exacerbated the greater infrastructural crisis — all of which they strongly consider to be byproducts of U.S. colonialism.

(Fun fact: This video also featured clips from López Mari’s directorial debut with Calderón.)

Juanes, “Canción Desaparecida” featuring Mabiland (official video) (2023)

Filmed in Medellín, Colombia, and rural outskirts

In this video, Juanes and singer-MC Mabiland call to mind more than 121,000 people forcibly disappeared between 1985 and 2016 in their native Colombia. After long shying away from political and social content that colored his first album, Juanes knew he wanted to make an impactful video with López Mari, who felt connected to the story because of his own political inheritance.

Bad Bunny, “Baile Inolvidable” (2025)

FILMING LOCATION: San Juan, Puerto Rico

Normally, López Mari listens to a song several times before he writes a treatment for the direction of a music video. Yet for “Baile Inolvidable,” he only got to listen to it once. He happened to be in the room when Bad Bunny presented the album “Debí Tirar Más Fotos” to Apple Music executives and his crew for the first time.

López Mari says he met with Bad Bunny weeks later, in the Río Piedras music studio where the artist had recorded the song. There, López Mari presented his storyboard drawings and location ideas for the video and listened to the song “like 20 times,” he said.

López Mari shot the dance class portion at the Arthur Murray Dance Studios, a famous school for classic salsa in San Juan. The live performance portion of the video was filmed at the University of Puerto Rico’s auditorium, where Robles and López Mari had recently creative directed a Concert for Energy Independence for Casa Pueblo.

“As every artist evolves, the same happens to us directors,” said López Mari. “We keep learning… [And] hopefully, more videos will be made that are more relevant, [that] contribute more to the cultural exchange, [and] that aren’t just a bunch of flashy visuals and bells and whistles.”

Donald Trump has branded the BBC ‘100% fake news’ but Keir Starmer has backed the Corporation for being ‘internationally renowned’ and rejected the accusation that it’s journalists were ‘corrupt’

Donald Trump has threatened to sue the BBC over its editing of his Capitol Hill speech from 2021, as the government yesterday defended the corporation in the wake of the resignations of two top bosses. Amid the fallout from the exits of director general Tim Davie and BBC News boss Deborah Turness, the BBC yesterday confirmed it had received the letter threatening legal action from the US President and would respond in due course.

And Trump’s claim that the BBC has “corrupt journalists” was rejected by Keir Starmer as Downing Street threw its weight behind the BBC, describing it as an “internationally renowned” institution.

The developments came as BBC Chair Samir Shah finally apologised over the BBC Panorama in which two bits of a speech from Trump were edited together in a way which made him appear to support the rioters. This move has allowed Trump’s press secretary to accuse the BBC of being “100% fake news” and brand it a “propoganda machine”.

READ MORE: Strictly Come Dancing in huge show first with Britain’s Got Talent link-upREAD MORE: Alan Carr lined up for two major TV roles after Celebrity Traitors win

Shah’s apology, contained in a letter to culture, media and sport select committee chair Caroline Dinenage, said the BBC regretted its “error of judgement” that resulted in a misleading edit of a Donald Trump speech.

It came after a week of silence from the BBC, which claimed it did not comment on leaked documents. This seemingly prevented it from either defending its journalism or apologising for any mistake made, leaving many supporters baffled.

The row erupted a week ago with the publication of a leaked memo from Michael Prescott, a former political journalist who spent three years as an external adviser to the BBC, in which he made many complaints about issues that he claimed were not being sufficiently dealt with, notably on its coverage of the Gaza conflict and around trans issues.

But in his letter yesterday, Shah insisted that it was “simply not true” to say the BBC had done nothing to tackle the problems raised and he also defended the BBC against claims of systemic bias.

The chairman said the edit had initially been cleared to “convey the message of the speech” made by Trump, so that Panorama viewers would “better understand” how it was received by the president’s supporters, and what was happening on the ground at that time.

The edit, which drew no complaints at the time of broadcast, had been discussed by the BBC’s Editorial Guidelines and Standards Committee (EGSC) in both January and May this year. He said that while it was discussed as part of a wider review of the US election coverage, hindsight had shown “it would have been better to take more formal action”.

He said that reports suggesting Prescott had “uncovered” a list of stories and issues that the BBC have sought to “bury” were “simply not true,” explaining: “The issues raised by Mr Prescott are precisely the issues that have been considered by the EGSC and the Board.”

The chairman said it was also misleading to suggest that the BBC has done nothing to tackle these problems.”That is also simply not true,” he wrote. “Over the three years Mr Prescott was an advisor to the EGSC, the BBC has: published corrections where we have got things wrong; changed editorial guidance to make the BBC’s position on issues clearer; made changes to leadership where the problems point to underlying issues; and carried out formal disciplinary measures.”

He said it was important to remember the thousands of hours of “outstanding journalism” produced by the BBC on TV, radio and digitally, calling for “a sense of perspective” to be maintained.

Speaking to reporters yesterday, the Prime Minister’s official spokesman said: “On the question of is the BBC corrupt? No. The BBC has a vital role in an age of disinformation… where there’s a clear argument for a robust, impartial British news service to deliver, and that case is stronger than ever.”

Asked if Mr Starmer believed the BBC was institutionally biased, the spokesman replied: “No, but it is important that the BBC acts to maintain trust and correct mistakes quickly when they occur, because as I say, for any public service broadcaster, accountability is vital to maintain trust.”

Elsewhere, ex-PM Gordon Brown told Sky News an “immediate” apology from the BBC over the Trump speech could have swerved the need for resignations. “I think the problem that the BBC has had is that this happened a year ago,” he said. “An apology should have been made instantly. If a mistake has been made, you’ve got to apologise instantly.”

As many media commentators and BBC alumni rushed to either defend or denigrate the BBC, there were also claims of a “coup” from within the BBC board.

David Yelland, a former editor of The Sun who now presents a podcast for the BBC, said: “It was a coup and, worse than that, it was an inside job. There were people inside the BBC – very close to the board, on the board – who have systematically undermined Tim Davie and his senior team. This has been going on for a long time. What happened yesterday didn’t happen in isolation.”

He added: “There is a reason that the BBC is the most trusted news organisation in the world – look at who is celebrating this morning, including the president of the United States. This is not a good day and I do think there was a failure of governance.”

Radio 4 presenter Nick Robinson, a former political editor for BBC News, declared that forces were at work to try and bring down the BBC. “It’s clear that there is a genuine concern about editorial standards and mistakes,” he said on Today. “There is also a political campaign by people who want to destroy the organisation. Both things are happening at the same time.”

He said the BBC had appeared “paralysed” for the past week – “unable to agree what to say not just about the editing of Donald Trump’s speech by Panorama but also wider claims of institutional bias”.

Former 5 Live Breakfast Show host Shelagh Fogarty now works in commercial radio but says the BBC needs defending. “We need the BBC as part of a broader economy in news media. I worked there for 25 years and can see its rigour has been eroded. The practice of impartiality is its highest aim. Fix that and state facts.”

But Nigel Farage seized on the crisis, claiming the BBC “has been institutionally biased for decades” as he appeared at a press conference in central London. The Reform leader said: “I actually spoke to the president on Friday. He just said to me: ‘Is this how you treat your best ally?’ It’s quite a powerful comment.”

Former Radio 4 presenter Libby Purves said that she was “glad” to see Turness had been “binned” from her job at the helm of BBC News and claimed the Trump edit should never have happened. “The trans bias is irritating and the Arabic service a problem, but what viscerally distressed us ancient BBC newsfolk was the Trump edit,” she posted on social media. “As a reporter, spent years editing tape and being vv careful NOT to risk traducing even horrible people.”

And Charles Moore, chair of The Spectator, argued that the BBC’s views were “always from a metropolitan left position”. He added: “That means it’s not serving a very large percentage of the licence fee payers. I’m not, of course, saying it should be right wing either, I’m saying it should take impartiality seriously.”

Former Radio 4 controller Mark Damazer said he felt “sad” that Davie had resigned as a result of the latest controversy, describing him as an “outstanding” director general. “I don’t agree that the BBC is systemically biased and that it is basted in a culture which means that its journalism can’t be trusted. I think that’s absolutely wrong,” he said. “The overwhelming majority is excellent and it doesn’t happen by accident. I am here to say that the BBC is an outstanding and excellent exponent of impartial journalism and it needs to be defended.”

Emily Thornberry, chairwoman of the Foreign Affairs Committee, agreed: “Across the world, the BBC is recognised as the best source of impartial news reporting. “It’s not perfect, because nothing made by people ever is. However, in these days of deliberate lies, manipulation & populism, it’s a beacon of truth. Britain should be proud of it.”

Caroline Dinenage said that Davie’s decision to quit came down to “editorial failure”, listing other recent mistakes including Bob Vylan at Glastonbury, misconduct by Gregg Wallace on MasterChef, and editorial failings in the doc Gaza: How To Survive a War Zone.

“There seems to be a muscle memory at the BBC as to how to badly respond to any kind of editorial crisis or scandal,” she complained. “The BBC seems to have dropped the ball at every opportunity. That is not a board-level problem, that is an institutional problem.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.