show biz

ANT McPartlin has reportedly reached an agreement with his ex-wife Lisa Armstrong over the heartbreaking loss of their dog.

The former couple shared pup Hurley during their 11-year marriage, with Ant sharing that the beloved chocolate Labrador had passed away earlier this year.

In an emotional update, 50-year-old Ant, who is now married to Anne-Marie Corbett, confirmed last month that Hurley had died in his arms.

Now, it has been alleged that he and Lisa, who split in 2023, reached an agreement over Hurley.

“Ant and Lisa agreed to share Hurley’s ashes 50/50,” a source told MailOnline.

“It’s a decision they felt was fair and it means they’ll both be able to hold their own farewells.”

HEALTH BATTLE

Towie’s Jordan Brook reveals he has meningitis after being rushed to hospital

double take

Emma Willis stuns fans by revealing her age as they refuse to believe it

They continued to the publication: “Ant has already collected his ashes, while Lisa intends to do likewise when she returns from her trip.

“It’s likely the ashes will be buried in their own respective gardens so they’ll both be able to regularly pay their respects to Hurley.”

Ant was with make-up artist Lisa for over two decades, with the pair going through a divorce in 2018 which saw them reach a massive £31million deal.

Hurley became Britain’s best known celebrity dog during Ant and Lisa’s highly-publicised custody battle following their divorce.

They eventually agreed to share custody and Hurley spent his time between their homes.

The pair recently came together to say goodbye to Hurley, who they got in 2013.

The Sun revealed how they had to make the decision to put Hurley down at the vet due to him being too ill to recover.

And confirming the situation, Ant explained on his and Dec Donnelly’s podcast: “He passed away in my arms.

“We were at the vet’s and we were all there to see him, all the family, everyone that he loved was there, and it was a very sad, but it was a very lovely moment when we all got to say goodbye to him.”

The presenter, who has two other dogs, went on to share how the grief has been “awful” and has seen him often break down in tears.

Tom Junod has devoted his long and distinguished career to writing about other people. He won two National Magazine Awards as a star feature writer for Esquire, GQ and ESPN: The Magazine, covering everything from athletes and movie stars to the victims of 9/11 with his elegant prose style. However, it took Junod years before he could tackle the toughest subject of all: His father, Lou, a decorated World War II veteran who fashioned himself as a kind of suburban Sinatra.

He was a hard-drinking philanderer who carried with him a complicated legacy that Junod untangles in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.” I spoke with Junod about fathers and sons, and the difficulty of excavating his family’s fraught history.

✍️ Author Chat

You pondered this book for years. Was there a moment when you finally said, “Right, time to write this now”?

There was definitely a moment, when my brother Michael had lunch with a woman named Muntu Law, who was one of my father’s lovers. It was the late summer of 2015. She told him, “Of course, you know your Dad and I had an affair for 11 years.” And he didn’t know that. He called me immediately after and asked me if I knew about the affair and I said yes. He asked me why I hadn’t told him, and I responded that I both knew and didn’t know. I knew it the moment Muntu stood up at my father’s funeral.

You intuited it?

Yes. There was a split there that I needed to reconcile and explore. There was too much unresolved stuff.

Your father’s story is shot through with a lot of tragedy. What is the writing process like for you? Was it an unburdening, a catharsis or something else?

When you unburden yourself, what you wind up doing is taking up much heavier burdens, which is what the book was. But it’s very interesting, because now I’m talking about my father with people in my family, and some of these discussions are difficult, but at least I’m talking about him with them. It was mostly pain, writing the book. Exposing your secrets isn’t particularly a relief, but it allows you to carry on your life without the necessity of being silent.

Tom Junod untangles his father’s complicated legacy in his memoir “In the Days of My Youth I Was Told What It Means to Be a Man.”

(Lee Crum)

Your Dad is emblematic of this kind of postwar American male that served in the war and came home flush with triumph and a kind of male privilege. Would you agree?

To the absolute max. My dad was an extreme character, and I think what the war did for a lot of men was it allowed them to reinvent themselves and create themselves. I look at my dad as a completely self-created phenomenon.

He clearly carried himself like a star.

There’s a line in the book where I say that Dad was the only celebrity I’ve ever known.

What’s remarkable is that you broke the cycle. You write about your marriage to your wife, Janet, in the book, whom you met in college. You have been together for over 40 years.

I think a lot of people are surprised by that when they read the book. People just thought I had it, you know — that I was successful and I was able to handle difficult situations. Back in the summer, I gave a copy to my friend, Lisa Hanselman, who I worked with at Esquire and GQ for a long time. And she called me up one morning and just said, “I didn’t know.” And that meant a lot to me. In my mind, it’s one of those things that justifies the effort it took to write the book.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

In “AlphaPussy,” Gina Gershon’s real-life stories deal with “themes of manipulation, survival, and moving around and being able to stand on your own two feet.”

(Evelyn Freja / For The Times)

Mark Athitakis is agog over Lauren Groff’s new story collection “Brawler,” a book that “blends the depth of the long view and the drama of the pivotal moment.”

Acclaimed nonfiction writer Daniel Okrent has written “Stephen Sondheim: Art Isn’t Easy,” a short, sharp biography of Stephen Sondheim for Yale’s “Jewish Lives” series, and Julia M. Klein approves. “[Okrent] seeks to liberate Sondheim’s reputation from the encrustation of myth and to demystify his relationships, while offering a succinct analysis of his achievements,” she writes.

Actor Gina Gershon has written a freewheeling memoir called “AlphaPussy,” which looks back on her San Fernando Valley childhood as a proving ground for dealing with male toxicity as a woman in Hollywood. “I’m not that tough,” Gershon tells Cat Woods. “But I’d learned how to maneuver a lot just from growing up in the Valley, and it was a crazy time to be living there. So I thought about the stories that led me to be able to steer myself through toxicity.”

Finally, Yvonne Villarreal sat with Christina Applegate to discuss her new memoir, “You With the Sad Eyes.” “This book is not cathartic for me — let’s just go there,” Applegate says. “I just needed to dump this s— out somewhere.”

📖 Bookstore Faves

Casita Bookstore in Long Beach prioritizes stories from unrepresented and marginalized voices, says owner Antonette Franceschi-Chavez.

(Antonette Franceschi-Chavez)

An inviting literary haven in Long Beach, Casita Bookstore prioritizes stories from underrepresented and marginalized voices from the BIPOC, immigrant, LGBTQ+ communities and what store owner Antonette Franceschi‑Chavez calls “other historically silenced communities.” I spoke with Franceschi‑Chavez about what readers are excited about now.

What kind of clientele do you get in the store, typically?

Our clientele is wonderfully diverse, but they share a common desire for stories, knowledge and community that center voices often underrepresented in mainstream spaces. We see a strong mix of local community members, educators, families and young readers, along with writers, activists and creatives who are drawn to our focus on books by [underrepresented and marginalized writers].

What’s selling right now?

That’s a difficult question, because we get a wide range of reader personalities. I can say that one of the top-selling trends in adult reading right now is dystopian fiction. Some of the top sellers in our bookstore are “Parable of the Sower” by Octavia Butler, “Chicano Frankenstein” by Daniel Olivas and Agustina Bazterrica’s “Tender Is the Flesh.”

Is there still a place for bookstores as community builders?

Of course! Indie bookstores are vital community hubs. Even in the digital age, bookstores provide physical spaces for connection, conversation and shared experience. You can’t replicate that type of connection online. We’re also living in a time when voices are being silenced or punished for speaking out about social justice, oppressive actions and, overall, what’s right. Bookstores are here to lend their spaces, share those stories and bring attention to needed causes. I’ve seen many bookstores, including ours, function as fundraising and donation hubs, protest art spaces, open-mic venues to allow for communities to unite in shared social causes.

Casita Bookstore in Long Beach is located at 272 Redondo Ave.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

Nicholas Brendon, best known for portraying the loyal, wisecracking Xander Harris in “Buffy the Vampire Slayer,” died Friday from natural causes after dealing with a congenital heart defect and other health issues in recent years. He was 54.

His family shared news of his passing in a statement posted on the actor’s social media accounts. While it’s “no secret Nicholas had struggles in the past,” they said, he was on medication to manage his diagnosis and “optimistic about the future” at the time of his death.

His siblings and parents asked for privacy as they grieve the loss of “a man who lived with intensity, imagination, and heart.”

“He was passionate, sensitive, and endlessly driven to create,” the family stated. “Those who truly knew him understood that his art was one of the purest reflections of who he was.”

Brendon was born in Los Angeles in 1971 and began his acting career in the mid-’90s. He got his big break in 1997 when he was cast as Harris in “Buffy.” Over the show’s seven-season run, Brendon became a central figure, portraying the witty, insecure but dependable “everyman” in the gang’s battles against the forces of darkness.

He starred in his first feature film, “Psycho Beach Party,” in 2000, playing the love interest Starcat in the indie flick that’s now regarded as a cult classic.

After “Buffy” ended in 2003, Brendon continued working in television, making appearances on series such as “Without a Trace,” “Private Practice,” and “Kitchen Confidential.” He also played a recurring role as FBI technical analyst Kevin Lynch on “Criminal Minds.”

In 2022, his family shared that he had been rushed to the hospital because of tachycardia, a condition that makes the heart beat abnormally fast, and had been diagnosed with a congenital heart defect that is common in twins. Brendon has an identical twin brother named Kelly Donovan, who appeared as his stand-in and double in episodes of “Buffy.”

The “Criminal Minds” star also underwent multiple spinal surgeries to manage cauda equina syndrome, a rare condition in which nerve bundles in the lumbar or sacral spine are compressed or not functioning properly. His serious spinal injury was triggered by a fall in 2021, which required emergency surgery to prevent paralysis, his manager Theresa Fortier said in a statement at the time.

In recent years, he developed a love for painting and the arts and enjoyed sharing his emerging talent with family and friends, his family said.

Former Times staff writer Nardine Saad contributed to this report.

GIRLBANDS have long been as famous for their feuds as their roster of hits or attention-grabbing outfits.

And as the Pussycat Dolls capture the headlines again after announcing their latest reunion, Nicole Scherzinger and co were no stranger to beef within the band.

Nicole, Ashley Roberts and Kimberly Wyatt  announced last week they were bringing the iconic band back as a trio, but notably absent were the other original members Jessica Sutta, Melody Thornton and Carmit Bachar.

The Sun confirmed that both Carmit and Jessica were not invited back by the trio, who believed they would be better off as a threesome and Melody was said to have not taken part as per her own request.

Carmit has been open about feeling “betrayed” by the reunion and sparked a bitter feud between the former bandmates.

Let’s take a look back at some other epic girlband squabbles…

DOLL DRAMA

Pussycat Dolls star Jessica Sutta breaks silence amid bitter band feud

TOUGH TRIO

Pussycat Dolls trio put on a united front for first TV appearance

Atomic Kitten

The band that brought us songs such as Whole Again and The Tide Is High had a fair few rows, even ones that got physical.

In 2022 Kerry Katona revealed Heidi Range quit Atomic Kitten after she had a fight with bandmate Liz McClarnon, and she walked out of the band after “someone got slapped”.

Heidi, who went on to join the Sugababes, was picked for the original line-up in the 1990s after Kerry held auditions.

“Heidi and Liz didn’t get on,” she told The Jay Hutton Show. “I think one of them slapped the other one. And then she went solo.”

Kerry herself quit Atomic Kitten in 2001 after a series of rows with Liz.

“I remember some of the fights we had in Atomic Kitten back in the day. Once, Liz punched me from behind after we had a little row. I was furious and got my own back,” she said.

Danity Kane

Danity Kane was active sporadically from 2005 to 2020 and had been signed to P Diddy‘s [Sean Combs] record label after forming on MTV’s Making the Band.

The group was made up of Aubrey O’Day, Dawn Richard, Shannon Bex, Aundrea Fimbres, and D. Woods.

In 2008, Combs kicked Aubrey and D.Woods out of the group, which they claimed was retaliation for refusing his alleged sexual advances.

The group reformed as a trio in 2013 with Aubrey, Shannon and Dawn. They disbanded the following year after a physical altercation when Dawn allegedly punched Aubrey in the head during a studio session.

Dawn filed a lawsuit against Combs in 2024 for alleged sexual assault and inhumane treatment. She also testified against Combs in his New York criminal trial last year claiming she had witnessed him abusing his ex-girlfriend Cassie Ventura on multiple occasions.

Also last year, Aubrey revealed for the first time in the Netflix docuseries Sean Combs: The Reckoning that she was allegedly drugged and molested by Combs.

Sugababes

The superstar girl group became infamous for its never-ending lineup changes.

Eight years after Heidi joined the Sugababes in 2001, backstage rows led to Keisha Buchanan, the only original member left in the line-up, getting the boot.

Heidi revealed the atmosphere between her, Keisha and Amelle Berrabah had been bad for months and the band “couldn’t work together anymore”.

She was replaced by former Eurovision hopeful Jade Ewen, then 21.

Keisha hit out at her former bandmates saying she found it hard to harmonise with them after the departure of original members Mutya Buena and Siobhan Donaghey, and that the Sugababes had become about “being sexy” rather than creative.

The original trio reformed the group in 2023 and delivered an electric set on the legends stage at Glastonbury that year.

Girls Aloud

After releasing several smash hits, Girls Aloud took their first break back in 2009 and reformed in 2012 only to split again a year later.

Things then went sour when Nadine Coyle publicly distanced herself from the break-up when she wrote on Twitter at the time, “You should know by now I had no part in any of this split business. I couldn’t stop them. I had the best time and want to keep going.”

Cheryl quickly slammed her claims, saying Nadine was “full of s***” and had asked for a break in 2009 which led to the band’s demise.

The two women became close again following the tragic death of member Sarah Harding, who lost her fight against breast cancer in 2021.

They reunited in 2024 in memory of Sarah for a 30-show tour, which was the biggest UK arena tour of that year and earned them £850,000 each.

Spice Girls

The Spice Girls are probably one of the most famous girl groups of all time, but it wasn’t all smooth sailing for the Wannabe pop stars.

When Geri left the band in the lurch, at the height of their success in 1998, it was the beginning of the end.

The remaining four members called it quits two years later – and put the blame squarely on the shoulders of their former bandmate.

In a 2014 interview, Mel B claimed Geri gave them no warning before ditching them.

“When Geri left the group, it was so bad,” Mel said. “She left on my birthday and didn’t tell anybody. She just didn’t show up.”

As well as spats with Geri, Mel said the rest of the Spice Girls “fought like cats and dogs” and then made up.

TLC

The trio of Tionne “T-Boz” Watkins, Rozonda “Chilli” Thomas and Lisa “Left Eye” Lopes was the biggest-selling girlband of the Nineties, now second only to the Spice Girls in the UK.

The history of the band, whose biggest hits were Waterfalls, Creep, No Scrubs and Unpretty, includes bankruptcy, lawsuits, illness and death.

A three-piece group until the tragic death of Left Eye in 2002 in a car crash in Honduras, T-Boz and Chilli returned to touring after 15 years in 2015 as a duo and remain a group to this day.

But Chilli was never meant to be in the group originally but replaced founding member, Crystal Jones, who was booted from the group over contractual issues and their desire to replace her.

En Vogue

The R&B group shot to stardom in 1989 but made headlines last year when one of the former members revealed that they had been homeless for the past three years.

Dawn Robinson was one of the founding members of the group – and wasn’t present on tour with En Vogue when they reunited last year and played at Glastonbury.

She stayed with the band until En Vogue’s 1997 disbandment and in 2025 revealed that 28 years on she was homeless and living in a car.

But there was plenty of other drama for the band after they broke up.

In 2012, group members Cindy Herron and Terry Ellis sued former members Maxine Jones and Dawn Robinson for the En Vogue name.

Cindy and Terry also sued Maxine and Dawn for $1 million in damages after the group split, claiming that the two women continued to tour under the name En Vogue.

They won a judgement allowing only Cindy and Terry to use the band name, but failed to receive the damages they wanted to obtain.

After decades of legal woes, both sides agreed to settle out of court.

Fifth Harmony

Fifth Harmony rose to fame on the US version of The X Factor in 2012 and were on track to be one of the biggest girl groups of all time.

But things went off the rails when old social media posts by band member Camila Cabello surfaced and featured racist slurs and derogatory memes.

Even though she apologised for her posts, Normani, the only black member of the group, later addressed the racism she experienced from Camila’s fans, and how she didn’t feel supported by her bandmates.

In 2016, Fifth Harmony announced in a statement that Camila had informed them through her “representatives” that she’d left the group, which Camila disputed.

But the dispute led to a dramatic performance at the 2017 VMAs when Fifth Harmony hit the stage without Camila.

A fifth silhouette appeared beside them, but was then violently yanked away as a clear message they were moving on without her.

The beef continued after Fifth Harmony’s dissolution when in July 2021, when Camila chose the day that Normani released her hotly awaited single, Wild Side, to announce her own new track.

“What were they thinking?”

This is the question on everyone’s mind of “The Bachelorette’s” producers, ABC, Hulu and the Disney legal team.

On Thursday, ABC announced that the heavily promoted new season of “The Bachelorette,” scheduled to premiere Sunday, would not be moving forward “at this time.” Why not? Well, the Bachelorette in question, “The Secret Lives of Mormon Wives” star Taylor Frankie Paul, was the subject of a second domestic assault investigation as a damning video from her first, in which she pleaded guilty to aggravated assault, made the rounds courtesy of TMZ. Filming for Season 5 of “Mormon Wives,” which Paul executive produces, was also abruptly halted.

The disturbing video is hard to watch. Not so much because Paul puts on-again, off-again partner Dakota Mortensen into a headlock and then pelts him with metal bar stools — sadly, this is a scene that would not be out of place on many reality shows — but because a small child is in the room. After one of the stools bounces toward the camera, Paul’s then-5-year-old daughter Indy begins crying and Mortensen later says “help your child.” Even as the child cries “Mommy,” Paul continues on her rampage. When Mortensen belatedly attempts to help Indy, Paul screams at him to “get away from my child.”

And while “Bachelorette” producers and Disney lawyers may not have seen the video, which was introduced in the 2023 court case, the police report makes it clear that Indy was injured during the incident, noting a “goose egg” on the child’s head. Paul was charged with aggravated assault, child abuse and domestic violence in the presence of a child. Paul, who said she had been drinking before the incident, pleaded guilty to one count of aggravated assault, a third-degree felony. The other charges were dismissed and Paul, who was put on probation, submitted a plea of abeyance. In August 2026, a court will review the assault charge and, if Paul complies with the terms of her probation, could lessen it to a misdemeanor.

Should a new criminal charge be made after the current investigation, all bets are off.

So was it the emergence of the video or the possibility of a felony conviction that caused ABC to put this season of “The Bachelorette” on ice? Does the reason matter?

ABC knew that Paul had been charged in a domestic violence incident that led to the injury of her child and somehow thought she would make an excellent Bachelorette anyway.

What were they thinking?

“The Bachelorette” Season 22 billboard starring Taylor Frankie Paul is seen on Thursday — the day her season was axed.

(HIGHFIVE / Bauer-Griffin / GC Images via Getty Images)

They were thinking that audiences like messy “authenticity,” and it doesn’t get any more authentically messy than 31-year-old Paul, who climbed to social media fame by founding MomTok, a TikTok community of married Mormon women dancing, joking and pushing against the traditions and restrictions of their faith. Pretty and profane, funny and frank, Paul amassed a large following. After Paul discussed the “soft swinging” she and her husband engaged in with other Mormon couples, the group went viral and led to the creation of “The Secret Lives of Mormon Wives,” the first episode of which was titled “The First Book of Taylor.”

Chronicling the fallout from the “soft-swinging” scandal, the first season built on Paul’s frank discussions of her chaotic life; it was Hulu’s most-watched unscripted season premiere of 2024. The subsequent three seasons, in which the MomTokers deal with the pressures of fame, their romantic relationships and all manner of internal “Mean Girls” drama, have continued to grow the show’s audience even as ratings for “The Bachelor” franchise flagged.

To the algorithm, or a numbers cruncher, the hopes that Paul could bring some of the “Mormon Wives” magic to “The Bachelorette” might make sense.

Except Paul isn’t magic; she waves her red flags high and proud, and the good folks at ABC, Hulu and Disney charged at them with the oblivious desperation of so many trapped, maddened bulls. (It usually does not end well for the bulls either.)

The “soft swinging” led to her divorce from first husband, Tate Paul, with whom she has two children, including Indy. As chronicled on “Mormon Wives,” she began her turbulent relationship with Mortensen, with whom she shares a young son, Ever. Her 2023 arrest was a storyline — she called it one of the rock bottoms of her life, though in a recently resurfaced TikTok video, she brags about throwing things and being arrested — and in Season 4 she was found in bed with Mortensen, with whom she had allegedly broken up, on the morning she was supposed to fly to L.A. to film “The Bachelorette.” (She caught a later flight.) The season finale ended with the possibility that Paul might be pregnant.

Reality cross-pollination has become so increasingly popular — ABC’s “Dancing With the Stars” couldn’t live without it, and Peacock’s hit show “The Traitors” is built on it — that there seems to be little thought given to the apples-versus-oranges fact that not every reality show is the same. “Bachelorette” producers not only ignored the misgivings voiced by their own fans, many of whom did not think Paul would be approaching the show as a truly single woman searching for love, they reportedly extended her many freedoms denied other participants, including unmonitored use of her phone during filming.

They clearly wanted the ratings miracle that Paul’s unvarnished wildness had lent “Mormon Wives.”

Casting for maximum drama is a driving force in many reality shows. Even if one accepts that perfectly reasonable people are happy to live in a bubble with strangers for months in hopes of achieving love, fame or a cash prize, someone inevitably is cast to bring the crazy, er, conversation-sparking personality. And like all of television, reality is facing splintered and waning audiences so the decibel level of that conversation-sparking is often dialed way up.

Hence the ascendancy of Taylor Frankie Paul, queen of MomTok and “Mormon Wives,” a woman known for her lack of filter and habit of putting it all out there. For the purposes of our entertainment.

There is, of course, no point in mentioning the many past, and often show-derailing, scandals of the genre — the suicides, the racism, the sexual assault, homophobia, bullying, pedophilia, infidelity and just general ghastliness that has arisen from the popularity of people sharing their “real” lives. Audiences connect with these shows, the messier the better.

But, as it turns out, some messes are too big to leverage even for forgiving eyeballs of reality fans.

“The Bachelor” franchise should have known better. It’s been around for almost a quarter-century and has suffered its fair share of scandals during those years. But drafting a woman who was convicted of assault in an incident that harmed her own child, well, “The Bachelorette” knew it was playing with fire.

Clearly they hoped she would rekindle the dying embers of the show.

Instead, she burnt it down.

This Morning presenter Alison Hammond has confessed to an ‘awful’ moment on Strictly Come Dancing.

Alison Hammond has revealed a mortifying Strictly Come Dancing confession, admitting to an embarrassing incident during her time on the programme.

The This Morning host shot to prominence on Big Brother in 2002, and has subsequently featured on shows including Strictly, I’m A Celebrity… Get Me Out of Here!, and as presenter of The Great British Bake Off.

Alison graced the Strictly dance floor in 2014, paired with Aljaz Skorjanec, with the duo placing 10th overall. She has now owned up to “breaking wind” during the competition.

The 51-year-old recounted a particular incident from the show whilst appearing alongside Gavin and Stacey star Ruth Jones, Buffy the Vampire Slayer’s Sarah Michelle Gellar, comedian Richard Ayoade and Ready or Not 2’s Kathryn Newton on The Jonathan Ross Show, broadcasting tonight (Saturday).

She recalled performing to Robin Williams’ Friend Like Me during week seven of the competition, hoisting Aljaz off the ground at one stage, before confessing: “Oh, it was awful. At the time he couldn’t lift me so we thought don’t worry I’ll lift you, I can do it,” reports Birmingham Live.

“There is a moment where he does a cartwheel and I had to kind of pick him up and then help him over. He goes into this cartwheel and I pick him up and I break wind. I look at him and I go, ‘Let’s never talk about this again.’

“I didn’t realise that he’s quite a heavy guy – it literally took the wind out of me.” Alison has previously spoken about her experience on Strictly, and her bond with her former dance partner, Aljaz.

Amid several scandals Strictly has faced in recent years, including Graziano Di Prima and Giovanni Pernice being dropped from the professional line-up, Alison said: “I had Aljaz Skorjanec and he was absolutely incredible and as you know going back into Strictly.

“He was so amazing to me and gentle as well and kind. I’ve never experienced anything bad really.”

Elsewhere on The Jonathan Ross Show, Alison speaks about her new programme, Your Song.

She explains: “Your Song is exactly that. It’s your song that you feel emotionally attached to – it got you through a rough time at school or you know, it reminds you of someone who has passed on. A song that really means something to you.

“People come from around the country and perform it on a stage. People go on stage who have never sung before and they sing a song to a random audience. It’s just one of the most beautiful shows ever.”

The Jonathan Ross Show airs tonight from 10pm on ITV1 and ITVX.

Fans are already adding the ‘haunting’ series to their watchlists

Fans of true crime say that they are already ‘hooked’ on the idea of Netflix’s upcoming series as it unveils plans for an adaptation based on a ‘haunting’ bestseller.

The series, The God of the Woods will be based on the New York Times bestselling novel of the same name, written by Liz Moore. It is the same writer behind the book Long Bright River, which was also turned into a series that hit screens last year and starred Amanda Seyfried in the leading role.

Author Moore will also serve as a co-showrunner according to Deadline, alongside Liz Hannah who has previously worked on The Girl From Plainville and Mindhunter. This time around, it has been confirmed that Stranger Things star Maya Hawke has been cast in the starring role.

She will play Judy Luptack, a smart and quietly determined investigator assigned to unravel the disappearance of a young girl from a summer camp in upstate New York. While the show will be a work of fiction, those who are obsessed with true crime have already admitted they can’t wait for the show to release. Unfortunately, there’s currently no confirmed release date.

The official synopsis describes the show as “a multi-generational drama series set in the Adirondacks, exploring the Van Laar family’s dark secrets, class tensions, and the mysteries surrounding the disappearance of 13-year-old Barbara Van Laar from her family’s summer camp – in the wake of an earlier family tragedy that may be related.”

It continues: “As the past and present collide, the Van Laars’ wealth and influence unravel, revealing the damaging consequences of privilege and the abuse of power.”

While this looks set to be the Robin Buckley actress’ next major role for TV, fans will also be able to see her in romantic comedies Wishful Thinking and One Night Only as well as the Hunger Games prequel Sunrise on the Reaping. All of which are all currently scheduled for 2026 releases.

Fans are already highly anticipating the series and claiming this casting news as ‘perfect’. One responded to the news on social media saying: “That sounds like a perfect role for Maya Hawke. She really shines in those layered, introspective characters.

“A quiet but determined investigator in a mystery like this? Yeah, this could be something special. Definitely adding The God of the Woods to my watchlist already!”

Another added: “Read The God of the Woods last year and loved how layered and haunting it is. Maya Hawke feels like perfect casting for Judy Luptackquiet. Intensity is her specialty. Netflix, you’re cooking!”

Someone else replied: “The book-to-Netflix pipeline is undefeated right now. Liz Moore wrote one of the best thrillers in years, perfect choice for adaptation.”

While one person commented: “Maya Hawke in a thriller about a missing girl from summer camp?? This is literally made for my true crime obsessed brain, I’m already hooked.”

Stranger Things is streaming on Netflix now. The God of the Woods will be streaming on Netflix soon.

BUFFY the Vampire Slayer star Nicholas Brendon has died of “natural causes” aged 54.

The actor was known for playing Buffy’s much-loved companion Xander Harris on the hit 90s show and for later appearing in Criminal Minds.

His family released a heartbreaking tribute after his death on Friday.

They told The Hollywood Reporter: “We are heartbroken to share the passing of our brother and son, Nicholas Brendon.

“He passed in his sleep of natural causes. Most people know Nicky for his work as an actor and for the characters he brought to life over the years.”

They added: “While it’s no secret that Nicholas had struggles in the past, he was on medications and treatment to manage his diagnosis and he was optimistic about the future at the time of his passing.”

Nicholas played Xander for seven years and was in all but one of the show’s 144 episodes.

His character was beloved amongst Buffy fans and known for his sarcastic humour and fierce loyalty.

Following the success of Buffy the Vampire Slayer he had a recurring part as Kevin Lynch in Criminal Minds from 2007 – 2014.

He initially pursued a career in acting in order to help manage his stutter which made him fearful of meeting strangers.

Alongside acting he enjoyed painting and photography and sold his own original work.

Nicholas landed his break-out role as Xander at age 25 after he was fired from his job.

After the show finished he announced at a fan convention that he would be entering rehab for alcoholism in 2004.

He married actress Tressa DiFiglia in 2001 before they split in 2006.

Nicholas married Moonda Tee in 2014 one week after he proposed but the couple separated five months later.

The actor had multiple arrests and struggled with depression and alcoholism.

In 2015 the actor was arrested for strangling his girlfriend in Saratoga Springs, New York. Nicholas was charged with felony, third-degree robbery, criminal mischief and obstruction of breathing.

He pleaded guilty to the charges and agreed to start rehabilitation again but he was arrested again in 2017 and 2021.

James Martin has been vocal about his three stone weight loss and has even shared his favourite two-ingredient breakfast that he enjoys as part of his new diet

Celebrity chef James Martin has shared his go-to two-ingredient breakfast following his impressive 3st weight loss, describing the meal as “simple and very tasty”.

The presenter of James Martin’s Saturday Morning on ITV recently travelled to Spain, gathering his favourite regional recipes for a new cookbook called ‘James Martin’s Spanish Adventure’.

The 53-year-old’s remarkable three-stone transformation has reportedly seen fish makeup 80 per cent of his diet nowadays, though he hasn’t given up his beloved butter.

He explained that the recipes featured in his books have been “specifically created” using ingredients they found during their travels. However, his absolute favourite dish can be whipped up at home using just two simple ingredients.

James revealed to Hello!: “Grilled tomatoes on toast. It’s very simple and very tasty. And the barbecued leeks with lardons and hazelnuts.”.

During an appearance on the Spooning with Mark Wogan podcast, James disclosed that his passion for motor racing motivated his significant weight loss, as he would “struggle to get out of them”.

He explained: “It comes down to the fact that I race cars, or I still try and race a few cars and I actually struggle to get out of them now. Getting in them, you kind of fall in them, but then you’ve got to get out of them and it just doesn’t look very good.” Nevertheless, it appears that another of his passions, butter, continues to feature prominently in his diet. The chef’s devotion to the dairy staple is legendary, having written an extensive 517-page tome on the subject.

Named ‘Butter: Comforting, Delicious, Versatile – Over 130 Recipes Celebrating Butter’, James joked that whilst others were releasing books on nutritious eating approximately five years ago, he’d “brought out a book on butter”.

The Home Comforts presenter’s weight loss wasn’t achieved through gym sessions, though, instead attributing it to his “farmer’s kid” upbringing, explaining that he enjoys “simple food” and “great ingredients”.

Indeed, he was candid about avoiding the gym, stating, “I don’t go”, and revealing that his weight loss simply comes down to being able to “get my a**e in and out of a car.”

He explained: “I’m a farmer’s kid, I like pure food, I like simple food and just love great ingredients. I like simple cooking, but also bringing out the flavour of the ingredients is more important than anything else.”

James is back on our screens today for Saturday Morning on ITV1 at 9.25am.

BBC Radio 1 presenter Greg James completed his epic 1,000km tandem bike challenge for Comic Relief.

Following eight days of gruelling effort, BBC presenter Greg James completed his enormous cycling challenge for Comic Relief on Friday afternoon, having covered 1,000km on a tandem bicycle.

Setting off from Weymouth on Friday 13th, the 40-year-old journeyed across England, Wales and Scotland, concluding his expedition in Edinburgh.

Whilst celebrity companions including Jamie Laing and Prince William joined him en route, he tackled the final leg of his ride solo.

During Friday night’s live Comic Relief broadcast (March 20th), Greg appeared alongside Davina McCall on stage to discover his fundraising total. Davina announced he’d amassed an incredible £4,225,939 as the audience broke into thunderous applause.

He responded: “Wow! Thank you to everyone who donated, wow.” Standing momentarily lost for words, spectators began chanting his name in solidarity, reports Wales Online.

Though the BBC broadcaster protested: “I’m uncomfortable with this, please stop. I’m uncomfortable with this. I said, when I finished today, I said please I’ve had too much praise for this now.

“It was a daft idea to raise money and awareness of this amazing charity that Comic Relief supports.

“Can I say one thing? Treat people like you’re treating a minor celebrity that’s riding a tandem past you. There’s too much coming my way, put it somewhere else!”

Discussing his progress thus far, Greg revealed he’d begun cycling in the early hours of this morning. He said: “I’m overjoyed with how much money we’ve raised with this thing and how joyful we’ve managed to make the tandem adventure!”

Meanwhile during the BBC programme, Davina was reduced to tears upon hearing the devastating account of one mother who lost her infant to malaria.

Having chosen to work on the frontline and gain medical knowledge to assist women in the community, preventing the same anguish she’d experienced, Davina became visibly emotional.

As the pre-recorded clip concluded, she said: “Mothers, helping mothers. I love that.

“Community health workers are needed now more than ever. Comic Relief, with your donations, is supporting projects like LWALA and people like Susan, who are helping to save lives.

“She went through something so terrible, and she decided to help others save the lives of their children.

“All of us watching tonight, we’ve all got something in common. We all made it past our fifth birthday, but isn’t that something that every child deserves? Please pick up your phones right now.”

Comic Relief: Funny For Money is available to watch on BBC iPlayer.

Kountry Wayne likens the dream he’s currently living to an old sitcom that has made the world laugh for decades. “I feel like I’m the new version of ‘Beverly Hillbillies,’” he says. “I’m in Hollywood — I’m here, but I’m still not here, so I just think that’s the most country thing about me.” To his point, the comedian born DeWayne Colley has definitely hit the big time after getting his start in comedy in 2014 (trying his skills as a rapper before that) by working on his stage craft and cooking up Southern-fried viral skits inspired by his small-town Georgia roots. Fast-forward 12 years and his growing empire includes independent movies (including his upcoming film “That’s Her,” which he financed himself), a flood of both dramatic and comedy-driven short skits featuring a wide range of actors, a debut Netflix special (2023’s “A Woman’s Prayer”) and now his latest hour, “Nostalgia,” premiering Monday on Prime Video.

By spending a new hour looking back at a bygone period, specifically the ’90s, when Wayne grew up, the 38-year-old comedian is bringing a fresh approach to the Def Comedy Jam era that he hopes resonates with comedy fans of his generation and younger fans who found him through TikTok and had no idea he even did stand-up. As someone whose comedy career has skyrocketed over the last several years, Wayne’s sights continue to be set toward future opportunities to bring relatable humor to the masses who have that country cousin who walks, talks and jokes just like him.

This interview has been edited for length and clarity.

What does the word “Nostalgia” mean to you?

A good feeling. It means bringing people together through laughter like the good old shows back in the day — “Saved by the Bell,” “Family Matters.” It just is that feeling, whatever that feeling was that we couldn’t put in a jar, I wanted to bring that in my special to just make everybody laugh and forget about the stuff that’s always gonna be here — bills and drama and violence. Just take a break, have fun, and take the breaks we used to take when we used to watch those TV shows in the ’90s.

By the shows you mentioned, I know we’re about the same age. We grew up with the same TV sitcoms and yet still valued being outside, which feels like a foreign concept today.

Yeah, it’s that feeling of all those movies. Man, “Clueless,” when I see that movie, to this day, I still got crushes on all [those girls]. I always wanted to go to the high school in “Saved by the Bell.” So I just want to give that feeling that I felt, because a lot of the new generation didn’t get to experience those shows and those feelings. So even for the younger generation, I want them to be able to experience that through my special.

What was small–town life in Millen, Ga., like for you as a funny kid growing up?

I was so poor, it wasn’t nothing really funny. The town was so small — one [stop]light, the elementary school, high school, all in one school. You had to joke your way to make you think that you weren’t there. You kind of had to escape through jokes. So I just made people laugh wherever I was. No matter how serious the situation is, I can’t do anything about it. I might as well laugh. I remember the lights went off one time when we were eating cereal. I was like, “Mama, hey, come on. I can’t see — I can’t see the milk, the cereal, the bowl. And you’re telling me I need to do my work. I think you need to go to work.” In a small town, you had to laugh because there was nothing else, there was no opportunity.

“In a small town, you had to laugh because there was nothing else, there was no opportunity,” Kountry Wayne said about growing up in Millen, Ga.

(Christina House / Los Angeles Times)

You gravitated to music early in life, becoming a rapper before you did stand-up. What was it about performing that helped you forget about the troubles that were going on around you?

I always felt like I was onstage already, so by the time I actually got onstage, the lights never did nothing to me, or the fame and all of that. Because I’m just so thankful to be able to do stand-up and have people come and watch me do it. I never had time to really feel the fame and all of that. So I just think everything I went through in that small town helped me. Everything is a small town to me. Hollywood is still a small town to me, because whoever I know, that’s who I know; whoever I don’t know, I just don’t know ’em. Because in that small town, you were so far away from the big cities like Atlanta, New York, L.A. I was three hours from Atlanta [growing up], so I think that really helped me to get where I’m at today to do comedy the way I do it.

Just keep it “kountry.”

Yeah, keep it kountry. Man, oh, that’s the next [title of a new special].

What do you feel like is the most country aspect of you as someone who’s now a popular comedian?

My family — all my family around me. You come to my house. It’s an uncle, daddy, a sister, brother, kids everywhere. I feel like I’m the new version of “Beverly Hillbillies.” I’m in Hollywood, I’m here, but I’m still not here, so I just think that’s the most country thing about me. If you meet my family, you understand. They don’t say shrimp, we say “scrimps” or “o’er dere” [instead of] “over there.” With my accent, imagine it’s 10 times worse with my family. So I think I remind people that everybody in L.A., New York got a cousin somewhere in Mississippi, because a lot of us are from the South anyway. So I just think I remind people of simple, country people.

With the Southern flavor you bring to comedy, I kind of liken it to hip-hop, when it comes to the regional styles of different comics. How does that play into creating a special that brings the South to the world?

It’s crazy that you say that [you] think about hip-hop when I do that. I’m gonna be me so much that people who don’t know me are gonna be interested in me, because it’s different than everybody else. I feel like I’m a really country person with that Southern drawl or the way I talk. I talk like them uncles and all of that. So I just feel like it’s gonna make everybody feel at home. I didn’t try to switch it up. I’m gonna be me because I feel like, deep down, everybody knows [someone like] me somewhere. They’re gonna relate to me in some kind of way, and it feels safe because I’m being me. I’m not out there being fake, this how I talk. I’m a country boy. I’m not from the big city, and this is what I’m giving the world. And those who love it, I appreciate it. Those who don’t love it, I still love you.

“I think I remind people that everybody in L.A., New York got a cousin somewhere in Mississippi, because a lot of us are from the South anyway,” said Kountry Wayne.

(Christina House / Los Angeles Times)

Being a dad to 10 kids is something that’s been a part of your storyline in comedy and that people have gravitated to. How does your ability to survive and make it all work play into your comedy?

Child support would really make you very, very funny. It actually plays a lot into it, because if it wasn’t for those kids, I don’t think I’d stand out as much as I am. Because we’ve heard every joke, everybody’s been funny. Come on, man, we’ve seen Jim Carrey, we’ve seen Eddie Murphy, we’ve seen Dave Chappelle. Funny has already been done. So I think what helps me stand out is my story with my kids and my family. It’s funny, but it’s still OK. This is a different perspective than we see with all those kids, the mothers, you know, but he’s not with the mothers, but he’s there with the kids, and you take care of the mothers. It’s so much of a unique situation that I think that’s what makes it stand out.

Who’s your funniest kid?

[My daughter] Honest. Honest is the funniest person in my life. Her name’s Honest, but she lies — she makes up all these stories about what happened at school. [She’ll say,] “I got arrested today.” I’ll be like, “Honest, you did get arrested?” [She’ll say,] “Well, they was about to arrest me, but they didn’t.” She reminds me of me, but she is just a little bit more witty because she don’t got no trauma like I did. I come from poverty. She’s rich. She goes to this Christian school full of white people, and she thinks she’s a white baby now. The white girls have this clip they put on their hair. She bought her clip. Now her hair not floating like theirs. Her hair is definitely stiff. I’m like, “Honest, you don’t need that clip!” She’s in dancing. She don’t go to practice. When she goes to the dance recitals, it’s clear that she can’t dance and we always ask her, “Do you know the dance?” Every time she gets there, she says, “Yeah,” but she gets there and she’s always watching the other kids. She was the only one [who’s] off.

She is so funny. I put her in the skits. She says the wittiest things. She asked me one day — I got a lot of kids — and she said, “Daddy, which one of your kids you love the most?” She said, “Do you love all your kids?” I said, “Yeah, I love all of y’all.” She said, “Well, come here. Let me talk to you right quick.” She took me to a picture I had in my man cave, “She said, ‘Well, why all of us [not in the picture]?’”… She’s my comedian.

Speaking of the skit-producing pipeline/network you‘ve developed over the last several years, how has that been instrumental to your comedy career, and also your career as sort of a producer in developing content?

I think that content helped me more [with] being known as a producer and a filmmaker and an actor. So I think it helped my acting career, the first part of my life, and all the skits helped my comedy because it was just me being funny, but the skits I put out now help people look at me more as a businessman, an entrepreneur and an actor. And it’s crazy, some people now even know me from the skits. And when they come to the [stand-up] show, they’re going to be shocked. A lot of my fans who met me when I started writing the storylines, when they see this [“Nostalgia”] special they’re like, “He never showed us that!” Because that person I am onstage, I don’t be that on social media anymore, so you have to go watch me on stand-up to give that energy that I give. But my Day 1 fans met that guy. These fans I’ve made over the last four or five years were probably equivalent to my Day 1 fans. It’s a large fan base but they don’t even know that I could [do] stand-up like that.

Comedian Kountry Wayne holds up his gold neck chain with his mom’s face on it.

(Christina House / Los Angeles Times)

That’s nostalgic in a way. I’m thinking of a TV dad like Bob Saget, who was so different when you saw him do stand-up. You’re like, “Wow, Danny Tanner is filthy!” That’s great that you can kind of separate the two personas. What do you feel is next for you in comedy?

To bring that to the big screen, for sure. All my talents and gifts that I worked on, in a way, [have] gotten better. I put the work in, I’m ready to show it on the screen. I think it’s happening organically, like the special [on] Amazon, that’s organic. I had one on Netflix now they wanted me to do one at Amazon, and I just want to show the world what I’ve been working on, and the time, energy I put into a broader scale … So I’m just excited, and I feel like a kid again, because I got so many responsibilities and kids I take care of. It took a while for me to get back to this point where I could just be an artist. Because I wanted to be an artist, but then I had a lot of kids, so I had to be a provider. But now I’m in a position where all that is handled, so I feel like a kid again when it comes to the art.

California Atty. Gen. Rob Bonta is asking a judge to unravel Nexstar Media Group’s $6.2-billion acquisition of rival TV station owner Tegna — the latest in a flurry of merger twists.

Nexstar announced late Thursday that it had consummated the Tegna takeover — despite a lawsuit that Bonta and seven other Democratic state attorneys general had filed in federal court the previous day.

The state officials sued to block the union of the station groups, alleging the new colossus would violate antitrust rules and a federal law limiting broadcast station ownership.

The lawsuit was filed in U.S. District Court in Sacramento.

Hours after that filing, the Federal Communications Commission’s Media Bureau in Washington approved Nexstar’s deal — clearing the way for the nation’s largest TV station group owner to swallow the third-largest station group.

The purchase gives Nexstar, which owns KTLA-TV Channel 5 in Los Angeles, 265 television stations.

On Friday, Bonta and the other attorneys general asked a judge for a temporary restraining order to freeze the takeover until a hearing on the matter.

“Nexstar/Tegna is not a done deal,” Bonta said Friday in a statement. “I will not let these corporate behemoths merge without a fight.”

It was not immediately clear when a judge might rule on the request for a restraining order.

Bonta appeared at a lawmakers’ hearing in Burbank on Friday to explore the impacts of another huge merger: Paramount Skydance’s proposed $111-billion takeover of Warner Bros. Discovery. Bonta’s office has opened an investigation into the Paramount-Warner merger, but Bonta said Friday that no decision has been made on whether he or other attorneys general will seek to block it.

For now, he is focused on derailing the Nexstar-Tegna deal.

“We filed a suit before that deal closed,” Bonta told The Times. “We think our case is extremely strong. There is no way this should be approved.”

At issue is whether the FCC had the power to grant a waiver that would allow Nexstar to control TV stations that reach nearly 80% of U.S. households. In 2003, Congress set the station ownership cap at 39% of the country.

The Department of Justice also gave its blessing to close the deal.

The three FCC commissioners did not vote on the matter — despite pleas from the lone Democrat on the panel who advocated for an open process.

Approval of the merger was rapid after President Trump endorsed the consolidation on Feb. 7.

“We need more competition against THE ENEMY, the Fake News National TV Networks,” Trump wrote in his social media post.

“Letting Good Deals get done like Nexstar – Tegna will help knock out the Fake News because there will be more competition, and at a higher and more sophisticated level,” Trump wrote. “GET THAT DEAL DONE!”

In a statement Thursday, Nexstar founder and chief executive Perry Sook thanked Trump and FCC Chairman Brendan Carr, saying Nexstar was “grateful” they recognized the “dynamic forces shaping the media landscape” and allowed the transaction to move forward.

THIS is the moment Justin Timberlake is put in cuffs as the body cam footage of his arrest for drink driving is released.

The pop star, 45, was arrested in Sag Harbor, New York, in June 2024 after he failed to stop at a stop sign and could not stay in his lane.

Shortly after leaving The American Hotel following a night out with friends, the singer was pulled over while traveling southbound on Madison Street, a public highway in the Hamptons village.

Cops, often stationed nearby, noticed Justin swerving on the road and blowing through a stop sign.

They later smelled alcohol on his breath and noted that he was unsteady on his feet and also had slowed speech and glassy eyes.

The body cam footage of his arrest was released on Friday after the star’s legal team reportedly tried to previously prevent its release.

GOING DOWN SWINGING

How Chuck Norris used loss to cement fame as Karate-kicking screen hero

In the video, an officer can be seen shining a flashlight in Timberlake’s face at the roadside before the star performs poorly on sobriety tests.

He is asked to walk in a straight line but has difficulty with the instructions, appearing confused.

Timberlake tells them: “Guys, I’m just following my friends back to my house. I’m not doing anything.”

While attempting the sobriety test, he stumbles before apologising and saying ” I’m a little nervous”.

When asked to do the next test, the officers are forced to explain multiple times before Timberlake says “sorry, my heart is racing” while clutching his chest.

Looking unsteady on his feet, the singer is then heard saying: “By the way, these are like, really hard tests.”

After failing the roadside tests, an officer is then seen asking Timberlake “turn around for me please”.

Saying nothing and looking resigned, he slowly turns before he’s put in handcuffs.

A friend appears and is shocked when police tell her Justin is going with them, saying: “You’re arresting Justin Timberlake? Stop it. What?”

She pleads with the officers to speak with him and give him his phone before she takes his car home.

She begs: “Can you guys please do me a favour because you loved Bye Bye Bye or Sexy Back, do me one favour. This is insane.”

At the end of the footage, the 10-time Grammy winner can be seen in the back of a cop car behind bars.

He was taken into custody that night and arraigned in Sag Harbor Village Justice Court the following morning.

He was released without bail on his recognizance and was also charged with one count of DWI due to his refusal of the breathalyzer, according to Justin’s lawyer.

Timberlake’s lawyers previously sued the Village of Sag Harbor to prevent the release as it showed him “in an accutely vulnerable state”, reports CBS.

It was later agreed it would be released with redactions.

That September, Timberblake reached a plea deal to bring the case to an end.

The judge sentenced Justin to a $500 fine with a $260 surcharge, and 25 hours of community service at the nonprofit of his choosing.

After the sentencing, Justin said: “Even if you’ve had one drink, don’t get behind the wheel of a car.

“There are so many alternatives. You can call a friend [or] take an Uber.”

He added: “This is a mistake that I made, but I’m hoping that whoever is watching and listening right now can learn from this mistake. I know that I certainly have.”

During the proceedings the star remained standing throughout and gave a statement in which he expressed remorse for his actions.

BBC’s Comic Relief saw host Davina McCall issue an apology during the live show after Nick Mohammed used explicit language during a Rubik’s Cube challenge on Friday night

Presenter Davina McCall addressed viewers watching Comic Relief on Friday night (March 20) following Nick Mohammed’s strong language.

During the BBC programme, which featured Catherine Tate reprising her role as Nan, Celebrity Traitors star Nick was tasked with completing eight Rubik’s Cubes in one minute.

Supporting him on stage was his mate and former Celebrity Traitors co-star Joe Marler, who was dressed up in drag.

When the clock started, it was obvious the comedian was flustered as at one point he was heard saying: “F**k” before later adding “s**t”.

However, Nick didn’t manage to successfully complete any Rubik’s Cube at all before revealing he had been creating a pattern instead, reports Wales Online.

He said: “Ok, right. I was a little bit distracted. But, in all honesty, I was still feeling a little bit guilty for betraying Joe all those months ago.

“So, instead of actually solving the Rubik’s Cubes, I actually just had something that I did want to say to Joe.”

As he turned the items over, the red colours on the blocks spelled out the word ‘sorry’, which earned a huge round of applause from the audience, along with a hug from Joe.

However, Davina quickly addressed the explicit swear words Nick had uttered during his 60 seconds. She commented: “Before we go any further, we just want to apologise if anybody heard any bad language there. It was a very high-stress situation.”

Nick appeared oblivious to the fact he’d sworn on live television as he questioned whether the ‘bad language’ Davina mentioned was his doing. The BBC presenter added: “I’m not sure, let’s not go over it again!”

Throughout the fundraising evening, Davina was accompanied by several guests to assist with co-hosting duties. Initially, viewers were treated to Joel Dommett and Catherine Tate as Nan.

Nick subsequently joined her for the programme’s second segment before Katherine Ryan finally came aboard to conclude the event.

During the broadcast, Davina welcomed Greg James to announce the final sum he’d accumulated over eight gruelling days completing a mammoth cycling challenge.

She informed the radio presenter he’d raised an impressive £4,225,939 as the audience burst into applause.

He responded: “Wow! Thank you to everyone who donated, wow.” Left momentarily lost for words, the crowd began chanting his name in appreciation.

Comic Relief: Funny For Money is available to watch on BBC iPlayer.

The channel 4 hit show made a return to our TV screens for a brand new episode

Gogglebox’s Pete Sandiford couldn’t hide his emotions tonight as he broke down in tears during an emotional moment on Friday night’s show.

The television personality initially joined the Channel 4 hit programme back in 2017 during its tenth series alongside sister Sophie. Since then the duo, from Blackpool, quickly became fan favourites as viewers fell in love with their sharp wit, memorable quips and hilarious reactions to the week’s top TV shows and films.

However during Friday’s (March 20) episode of the hit show, things took an emotional turn for Peter as they tuned in to watch Netflix new film, I Swear.

But it was one scene that let Peter in tears as they watched the character John Davidson (played by Robert Aramayo) get interviewed for a job by a school caretaker named Tommy Trotter (played by Peter Mullan).

Throughout the interview, John struggled with her tics and verbal outbursts and he even spat in Tommy’s tea. Despite John’s symptoms being severe, Tommy made John feel accepted and he decided to give him the job.

The moment left the Gogglebox cast feeling emotional, especially Peter who burst into tears. Sister Sophie reached out and offered her support as she rubbed his arm. Pete tearfully said: “That’s got me that.”

I Swear follows the story of real-life Tourette’s activist John Davidson who fights for awareness and understanding about the condition which causes involuntary tics, which can include whistling, clicking, and expletives.

Following his diagnosis aged 15, the inspirational film directed by Kirk Jones follows John’s difficult teenage years in the 1980s when Tourette’s was barely recognised. It continues into the present day, where he is now one of the most prominent campaigners raising awareness for the condition.

The film has been a huge hit as it landed several BAFTA nominations, including for Outstanding British Film, with Aramayo taking home the trophy for Best Actor in a Leading Role. The Guardian called it an “absorbing, compassionate film”, while Mark Kermode said he “absolutely loved it”.

Audiences have also given the film rave reviews, with one IMDb user who saw I Swear at the Toronto Film Festival highlighting the “amazing performances”.

“The performances are so natural that you often forget you are watching a dramatic depiction,” they went on. “Tells the story with a minimum of gloss.

“It had a good chunk of the audience in tears at various points, both for the painful and joyful moments.”

Gogglebox airs Friday night’s from 9pm on Channel 4 and I Swear is available to stream on Netflix

In a week rife with drama involving “The Secret Lives of Mormon Wives” cast, two stars of the hit reality series appear to be going their separate ways officially.

Jessi Draper and Jordan Ngatikaura’s marriage is coming to an end after five years, with the latter filing for divorce in Utah, according to TMZ, which cited court documents. The estranged pair married in October 2020 and share two children. Ngatikaura is also the father to a teenage daughter from a previous relationship.

A representative for Draper did not immediately respond to a request for comment Friday. Ngatikaura, who also did not respond to The Times’ request for comment, issued a statement about his filing to TMZ and People.

He told the outlets his decision to divorce Draper “comes with a heavy heart” and said he is grateful for their time together. Ngatikaura plans to prioritize his children, “ensuring they feel loved, supported, and protected through this transition,” according to People. He said in his statement that he is seeking privacy for his family.

Before Ngatikaura’s divorce filing, the pair’s marital struggles had become public. In November, Draper broke her silence on allegations she had cheated on Ngatikaura and admitted to having an “emotional affair” with “Vanderpump Villa” star Marciano Brunette. At the time, Draper spoke to People about the “emotional abuse” she said she faced from her husband — he took “full accountability for the pain I caused Jessi” — and said, “We both made mistakes for sure.”

The spouses had agreed to a 90-day separation and to work things out together in therapy, People reported last year.

News of the “Secret Lives of Mormon Wives” divorce comes as the franchise reckons with star Taylor Frankie Paul, who faces new allegations of domestic abuse against her on-again, off-again partner Dakota Mortensen. Paul, who was arrested and charged in 2023 for a separate dispute involving Mortensen, was tapped to lead the latest season of “The Bachelorette” set to premiere Sunday, but that all came to a screeching halt earlier this week.

As Utah’s Draper City Police Department confirmed it was investigating alleged incidents of domestic violence involving Paul and Mortensen, TMZ published video Thursday of Paul kicking and throwing chairs at Mortensen in a 2023 dispute while one of her children was in the same room. ABC, home network of “The Bachelor” and “The Bachelorette,” acted swiftly and pulled the plug on Paul’s upcoming season.

“In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time, and our focus is on supporting the family,” Disney said in a statement Thursday.

“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” read a portion of a statement provided by a representative for Paul. The statement went on to say Paul had suffered “extensive mental and physical abuse as well as threats of retaliation.”

Amid the fresh allegations, Paul has seen brand deals fall to the wayside and production on “Mormon Wives” pause pending a decision on her status as a cast member, according to a person briefed on the situation.

Times staff writer Yvonne Villarreal contributed to this report.

HE may be a 63-year-old “normal” dad these days, but Shaun Ryder has not lost the ability to shock.

When the Happy Mondays frontman spoke to host Jack Whitehall at the Brit Awards last month, his tale of nearly being busted for drugs had to be edited out.

But, then again, putting the potty-mouthed and straight-talking singer on live telly is always a risk.

In an exclusive interview with The Sun, the Mancunian reveals that ITV did not appreciate his story of a drugs raid that happened when he was up for a Brit award in 1996.

Back then, Shaun’s other band, Black Grape, had been nominated for British Breakthrough Act.

Shaun says: “I told him I went to score and the gaff where I went to score got raided by the police as I’m scoring and the cops cottoned on who I was.

GOODBYE, TEXAS RANGER

Chuck Norris dead at 86 after suffering ‘medical emergency’ in Hawaii

POTTY MOUTH

Watch horrified Claudia Winkleman drop F-word in front of gleeful school kid

“And I’m saying, ‘Oh, I’m getting a Brit Award here’ and they let me go.

“They busted a heroin house and they let me go because I was up for a Brit Award.”

You might think that Shaun, who has already published two autobiographies, has no fresh stories.

But the singer, who has a new memoir out now and who is writing material for Happy Mondays’ first album in 20 years, always has plenty of tales to tell.

In his latest book, 24 Hour Party Person, he recalls facing down what he believes was a killer orangutan, escaping a gun battle and being held hostage by an armed robber.

There are also numerous car crashes from which he somehow escaped alive.

Shaun, who quit drugs aged 40 after 20 years of substance abuse, admits: “I have used up more than nine lives.”

It could all have ended shortly after Happy Mondays’ first album, Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), came out in 1987.

Shaun, who was not famous at that point, went to Amsterdam to live for a short while.

He remembers: “Some nutcase we knew from Manchester, who was doing armed robberies and was then in Amsterdam, hijacked a load of people, put them in the canal and shot them and then turned up at the gaff where we were staying and held us hostage for a day or two.”

Luckily, Shaun managed to talk the robber into letting them go.

But there was no way of having a nice discussion with a great ape that appeared in front of Shaun on a Barbados beach when he was recording Happy Mondays’ fourth album in 1992.

At the time there were stories in the local Press about a dangerous orangutan, nicknamed Jack the Ripper, on the loose.

Shaun claims: “This thing just dropped out of the trees right in front of me. It was a f***ing big orangutan.”

Telling himself “don’t show any fear”, the musician stood tall and shouted, “Grrr, arrrgh, f*** off, just f*** right off”, at the animal.

Remarkably, the orangutan did as it was told.

Orangutans are not native to the Caribbean, so there is a good chance it was indeed Jack the Ripper.

And Shaun, who was “smoking up to 50 rocks of crack cocaine a day” in Barbados, insists it was not a hallucination.

The album, Yes, Please!, failed to generate enough sales to justify the £150,000 spent making it and the following year the Happy Mondays broke up.

Shaun formed Black Grape in 1993 with his dancer mate Bez and rapper pal Paul “Kermit” Leveridge.

But it did not help keep him out of trouble.

During one trip to Jamaica, he and Kermit found themselves in the middle of a gun battle while trying to buy drugs.

He recalls: “I was going scoring and someone got shot, shot in the head. We just ran for it. If you’re a junkie going scoring, that’s the sort of s**t you come across.”

It was getting together with third wife Joanne which finally helped Shaun give up drugs and stop boozing.

They had dated briefly before Happy Mondays had hits, but he says: “She blew me out.”

Joanne, who now manages the TV part of his career — which has included two appearances on I’m A Celebrity . . . Get Me Out Of Here! — remained in the same circle as him.

The couple got together more than 20 years ago and married in 2010.

They have two daughters, Pearl, 17, and Lulu, 18.

Shaun, who also has four other children with previous partners, says: “She reeled me in and it’s a good job. “She didn’t let me get away with half of the stuff.

“If she hadn’t I’d have just carried on with crashing, but once I hit 40, I was determined to give up drugs anyway.”

His older children had to deal with his absences and spells in rehab.

But the youngest two have grown up in a more stable environment.

Shaun, who is also stepdad to Joanne’s son Oliver, explains: “I’ve still got two kids at home, so for the last 18 years, I’m just Dad.

“They’ve grown up coming and watching us at music festivals, and they’ve seen me in the jungle, but they’ve never seen that Shaun Ryder who’s off his nut.

“I pick them up from college and all that sort of thing, and drop them off. I’m the f***ing taxi service.

“In this house, you know, we don’t even have booze or anything, so, we’ve just been like a normal f***ing mad family for the past 18 years or whatever.”

Shaun says he did not see much of his older children and admits he was not a good dad to them.

But he says: “I’ve had really no trouble off my kids, I’ve been very lucky with the kids.”

This year is going to be an important one for Shaun.

Apart from the book and new album out next year, he is doing a Q&A tour and is on the road with Happy Mondays.

The return to the studio is due to former Creation Records label boss Alan McGee.

Shaun reveals: “I’m writing it now. Alan McGee wanted a new Mondays album, so Alan usually gets what he wants.”

When it comes out, it will be 40 years since the Manchester group’s first release in 1987.

These days various health problems, including a recent bout of pneumonia, means performing is harder than ever for Shaun.

One legal substance that has helped keep him on the road is the fat jab Ozempic.

Shaun says: “You just raid the medicine cabinet, don’t you, and get on with it, so the show must go on.

“I have an overactive thyroid, so even if I ate f***ing lettuce and tomatoes, I would be big.

“Since I started on the injections my thyroid started to get better.”

If Shaun has his way he will keep performing until the Grim Reaper finally catches up with him.

And the singer would settle for dying on stage, like the comedian Tommy Cooper.

He says: “In this game, you’re doing some Tommy Cooper style, you know what I mean?

“As long as you enjoy it, do what you do, f***ing do it and I still do.

“I’ll still make music and go play music out there until I f***ing drop dead on stage.

“It’s a good place to go, innit? To drop dead on stage, singing Kinky Afro.”

• Shaun’s new book 24 Hour Party Person is available from awaywithmedia.com.

Davina McCall and Joel Dommett hosted BBC Comic Relief’s Red Nose Day special, with the TV presenter forced to caution viewers

BBC Comic Relief’s Davina McCall found herself compelled to issue a warning to viewers just moments into the programme.

The charity fundraiser made its annual return to our telly screens on Friday (March 20) evening, as the Red Nose Day squad tackled the biggest night in comedy and entertainment.

TV favourite Davina took on presenting responsibilities, joined by co-host and close mate Joel Dommett for the entire evening’s entertainment.

They were joined by comedic luminaries such as Katherine Ryan, Nick Mohammed and Catherine Tate (reprising her role as Nan from The Catherine Tate Show).

This year’s live broadcast once again brought more energy and enthusiasm than ever before. The three-hour extravaganza kicked off with a special message from Sir Lenny Henry, who retired from his hosting duties back in 2024, and a musical number from Catherine Tate, reports Wales Online.

However, early into the proceedings, Davina found herself obliged to issue a warning to viewers when the cast of The Play that Goes Wrong provided a step-by-step guide on how to donate to Comic Relief during the show.

The programme switched to a clip of the cast performing a skit involving some perilous stunts. Following the clip, Davina began by saying: “Thank you so much to the cast of the Play that Goes Wrong. Smashing… literally.

“The actors used specially designed fake props and are all professionally trained in the art of tomfoolery.”

She cautioned: “Please do not try anything that you saw at home, especially taking a swig from the bottle marked with a warning and skull and cross bones label.” Joel chimed in: “Don’t do that.”

The charity event, held at Salford’s MediaCity, showcased sketches from Amandaland, the Bank Job featuring the dynamic This Morning pair Dermot O’Leary and Alison Hammond, and The Traitors: The Movie – The Sequel.

Communities, workplaces, schools and families have contributed to raising more than £1.6 billion over the past 41 years, benefiting over 100 million people, according to Comic Relief.

The charity has been instrumental in supporting communities by offering food, healthcare and shelter to those most in need. Meanwhile, Greg James participated in a colossal Comic Relief challenge, which saw him raise over £4million.

He embarked on his journey from Weymouth on Friday 13 March. The star endured eight gruelling days of pushing himself to the extreme, cycling through England and Wales before crossing the finish line in Edinburgh on Friday 20 March.

Comic Relief: Funny For Money is available to watch on BBC iPlayer.

Inara George looks back on it now as wistfully as someone remembering a love affair or a semester abroad.

“It was at this tiny theater on Pico near LaBrea, next to a barbecue place,” she says. “Our backstage was behind the theater, so we’d sit out there wearing these crazy corseted outfits while the guy next door was smoking brisket.”

A fixture of the Los Angeles music scene known for her solo records and as half of the Bird and the Bee, George is recalling the summer she spent working as a 20-something actor in “The Wandering Whore,” a musical set in 18th century London by composer Eliot Douglass and lyricist Philip Littell that played L.A.’s Playwrights’ Arena in August 1997.

“There was a scene where I die,” George adds, “and then I get reanimated by a ghost and someone pays — I don’t know if you need to put this in the article — someone pays to have relations with me.” She sighs.

“It was just such a rich time.”

Three decades later, George’s warm feelings for that era — and especially for the duo who soundtracked it — have led to an exquisite new album, “Songs of Douglass & Littell,” on which she sets aside her own songwriting to interpret nine tunes by these under-the-radar veterans of West Coast musical theater: searching, funny, vividly emotional songs like “Tired Butterfly,” about a busy insect in search of “a little nap,” and “The Extra Nipple,” which ponders a “harsh encounter with another heart.”

Think of the record as George’s take on one of Ella Fitzgerald’s classic “Song Book” LPs from the late ’50s and early ’60s, when the jazz star was systematically enshrining the work of Cole Porter, Irving Berlin and other authors of the Great American Songbook.

“These men deserve to have some attention,” George says of Douglass and Littell, the latter of whom she’s known since she was a little girl performing in plays at Topanga Canyon’s Theatricum Botanicum. “I want to give them their flowers.”

Yet if the album is rooted in the creative awakenings of George’s youth, it’s also the 51-year-old’s way of embracing middle age.

Inspired by singers like Helen Merrill and Chet Baker — “Elis & Tom,” a 1974 duo album by Brazil’s Elis Regina and Antônio Carlos Jobim, was another touchstone — George turns on “Songs” from the Bird and the Bee’s blippy electronica and the folky pop of her solo work to a jazzier sound that puts her cool, breathy vocals amid piano, strings and horns.

“This is a grown-up record,” says George, who shares three teenage children with her husband, the movie director Jake Kasdan. “I don’t want to be making music that makes me feel like I’m trying to be younger — I wanted to make something that makes me feel my age.”

Inara George at home this month.

(Christina House / Los Angeles Times)

The singer is at home near Griffith Park on a recent afternoon; with her kids at school and Kasdan away on a film shoot, the house is quiet, though signs of music are everywhere: a drum set, a grand piano, a guitar once owned by George’s late father, Lowell George, who founded the cult-fave L.A. rock band Little Feat and who died of a heart attack when Inara was only 4.

“As a woman, it’s a weird time in life — there’s something in-between about it,” she says. “Even the question of what do you wear. When you’re younger, you’re like, I’m gonna wear a dress — is it sexy, is it cute? Now, all of a sudden, all I want to do is wear suits.” She laughs.

Douglass, who plays piano on the new album, hears a “groundedness” in George’s singing all the more remarkable given that the arrangements represent “a new kind of school for her,” he says. “I was wondering how she would approach it, and she’s done it with such aplomb and wisdom.”

On Friday night, Douglass will accompany George — along with more than a dozen other players — in a record-release concert at Largo at the Coronet, with proceeds going to the nonprofit LA Voice, which seeks to organize voters on issues related to immigration and affordable housing.

George happily describes “Songs of Douglass & Littell” as a passion project. “I think you get to a certain point where selling a million records is not your intention,” she says. “Obviously, I wouldn’t make a record like this if I had that intention.” (Counterpoint: the arena-filling success of Laufey.)

“I’m just about the experience,” she adds, “and this has been an amazing experience.”

The experience began one night a few years ago when George hosted a wine-soaked reunion of performers who’d worked with Douglass and Littell back in the ’90s on shows like “The Wandering Whore” and “No Miracle: A Consolation,” the latter a song cycle rooted in the losses of the AIDS epidemic.

Philip Littell, from left, Eliot Douglass and Inara George.

(Thomas Heegard)

After her years of childhood dramatics at the Theatricum — Littell remembers meeting “this bird of a girl with these huge eyes” — George had gone to Boston’s Emerson College to study acting but dropped out and returned to L.A., where she eventually made her name as a musician. (In addition to the Bird and the Bee, her duo with the Grammy-winning producer Greg Kurstin, she’s also played with the Living Sisters and sung with Foo Fighters.)

Yet her postcollege stint in the experimental theater scene always stuck with her, she says. Reconnecting with Littell, whose other work includes the libretto for André Previn’s operatic adaptation of “A Streetcar Named Desire,” and Douglass, who played piano for years with Cirque du Soleil, got George thinking about how she might help preserve their music and bring it to a modern audience.

In 2024, she put together a trio for an intimate gig at Pasadena’s Healing Force of the Universe record store; her old friend Mike Andrews, who produced her solo albums, was there and told her they should record the material. Given the number of ballads she’d worked up, George asked Douglass and Littell to write a couple of new uptempo tunes; among the ones they came up with was the frisky “La Lune S’en Va.”

Does George speak French?

“Not at all,” she says, smiling. “But Philip does. It’s so fun — I was like, ‘Yeah, I’ll take it.’ I think the pronunciation’s OK.”

She and a small crew of musicians cut the album live in the studio over three days — in part an attempt to capture some energy, in part an acknowledgment of an economic reality.

“Is music just a hobby for me now? Yeah, it is,” says George, who’s putting “Songs” out through her own label, Release Me Records. “I mean, I’m spending money to do it.” She worries about the disappearance of music’s middle class even as she notes happily that “Again & Again” by the Bird and the Bee “recently had a little TikTok moment,” as she puts it. (With 86 million streams, it’s the duo’s most popular track on Spotify, followed by an ethereal cover of the Bee Gees’ “How Deep Is Your Love.”)

Yet all that seems less important to George than taking the opportunity to honor “these incredibly talented, very sensitive people” who she says shaped the artist she became.

“Their songs just mean so much to me,” she says of Douglass and Littell. “More than ever, this is the music I want to listen to.”

It’s been an eventful 12 months for Gogglebox’s Siddiqui family – from celebrating a big birthday to suffering a heartbreaking loss

The Siddiqui family are one of Gogglebox’s original stars – but the clan have had an up-and-down past 12 months away from the programme.

The beloved family joined the very first series of the Channel 4 show back in 2013, and consists of Baasit and his two brothers, Umar and Raza, as well as their father Sid. The mum, Nasreen, however, has not appeared on the show.

And it’s fair to say it didn’t take the Siddiqui family – who live in Derby – long to become firm favourites with fans.

However, the past 12 months have no doubt been a tough time for the family: from a sad death to member of the family being hospitalised.

The Siddiqui family suffers tragic death

In September 2025, the Siddiquis shared an emotional post on Instagram, revealing that their beloved cat Poppy had passed away. Alongside an image of a grey cat the caption read: “Sleep Tight Little One. Our little Diva Poppy – nearly 14 years and still didn’t feel long enough.

“A lifetime of memories we will all never forget. We hope you are reunited with your big brother Rufus and are both chasing rainbows together. Pets leave paw prints on our hearts, and memories in our souls. Sleep tight, little one.” The family received messages of sympathy from supporters following the tragic announcement.

Baasit and Mel’s anniversary

The Siddiquis had something to celebrate in October 2025 though, as Baasit and wife Mel hit a major wedding milestone. Posting on the Siddiqui family’s official Instagram account, Baasit wrote: “13 years married today, 16.5 years together – forever to go.

“Happy Anniversary to the absolute best, couldn’t do life without you. Love you xxx #weddinganniversary #anniversary #love.”

Baasit and Mel have been together for several years and are parents to a daughter named Amelia and a son named Theodore.

Raz’s horror fall

More recently, in February 2026, the family revealed that Raza had ended up in hospital and would be absent from the episode at the time. They upload a series of pictures of the TV star in hospital. In some images, he was hooked up to breathing machines.

And to explain his absence from the show, the post read: “For you eagle-eyed Goggleboxers, you may have noticed that Raza (@razathefaint) hasn’t joined us on the sofa so far this season. Sadly he had a bit of a fall, a few weeks back and cracked some ribs.”

The post said they fully expect him to return in a few weeks as he is recovering well. It went on: “He’s absolutely smashing his recovery, staying positive and keeping himself entertained with walks, telly, reading and nephew cuddles with Theodore.

“I know you guys reaching out and sending your well wishes will put a bigger smile on his face than morphine ever could. Can’t wait for all four Siddiquis to be back on team @c4gogglebox with the rest of the fab families.”

Sid’s 81st birthday

The Siddiquis celebrated a special day last month to mark dad Sid’s 81st birthday. They uploaded several family photos from over the years to Instagram, and captioned the post: “Happy Birthday Day aka Sid. Wishing you the most wonderful day! We love you xxx.”

Sid’s daughter-in-law Mel, who is married to Baasit, shared her well-wishes in the comments section, writing: “Happy birthday Sid AKA grandad. Have the best day!”

Supporters were also quick to express their affection, with one follower commenting: “Have a Wonderful Happy Birthday, may your day and year be filled with those you love, things that matter and above all joy.”

Gogglebox airs every Friday at 9pm on Channel 4