show biz

Eating dirt is usually not a good thing, but in the new Amazon Prime series “Cometierra,” it’s a superpower.

The supernatural crime thriller, which premieres on Halloween, is based on the 2019 Dolores Reyes novel of the same name. The book follows the story of a young woman who has the ability to communicate through visions with the dead and missing people of Argentina by eating the physical land they trod.

“Cometierra” stars Lilith Curiel with supporting roles from Oscar nominee Yalitza Aparicio and Gerardo Taracena. It follows the same outline of the book but is set in contemporary Mexico to address the themes of state violence, femicide and the missing persons epidemic.

The source material and its new twist were what drew Mexican singer-songwriter Natalia Lafourcade to perform the series’s title song, “La Cometierra.”

“We have this reality in Mexico, there’s violence against many women and there’s the disappeared. It’s a very sad situation that we have, but it’s a fact,” the singer said. “It’s inspiring the way the series develops and how this girl, alongside her neighbors, creates a [positive] tribal strength out of her situation.”

Lafourcade especially liked that the series provides an organic avenue for debate and serves as a call to action to recognize that these are all problems in Mexico, while also showing that there is a deep well of beauty within the country.

“We all have a talent that we can always put forward as a service for our family, our country, just for other people,” she said.

The 41-year-old artist’s recently released single channels the energy of the series and its themes by conjuring a spoken word cadence that culminates in a nursery rhyme chant about the powers of the Cometierra.

“I wanted to make a sound that would be very strong and that would present a reality and that the lyrics wouldn’t be smooth,” Lafourcade said. “But at the same time, it would have hope and light and this feeling of joy for the next generations. So I wanted to have this mix of girls singing in a very naive tone, but also mix in a straight voice telling hard truths.”

The song, while geared toward a Mexican experience, now has a striking relevance in the United States as Immigration and Customs Enforcement raids — largely targeting Latinos — continue to take place across the country and as hundreds of detained people have been unaccounted for.

“I hope that music has this capacity to make us wake up and be conscious of situations,” Lafourcade said. “I have realized there are many themes that you can take through music, but sometimes music can become something that you hear truths that probably are not so pretty.”

Regarding some of the ugly truths of the U.S. at the moment, the “Nunca Es Suficiente” artist said that it’s not right that people should feel shame of where they come from and that communities need to show up for themselves at this point in time.

“Nobody should take our pride for our roots, our culture, our people,” she said. “The young lady [in the show] reaches a point where she’s confused about if she should use her power and give it to her people or not. She feels very afraid and insecure and she’s going through all that. But I love how she becomes a hero of her own power and I think that’s the fate of many of us, the way we can make a twist in the story we’re living every day.”

Celia Imrie, who was in Thursday Murder Club, shared suspicions Jonathan Ross could be a villain in the BBC’s Celebrity Traitors, during which Welsh singer Charlotte Church was “murdered” yesterday

Veteran actress Celia Imrie told Jonathan Ross she has “a bit of a crush” on him during last night’s Celebrity Traitors.

The performer, who was in Thursday Murder Club this year, made the admission as she considered Ross, 64, could be a traitor. Imrie, 73, voted to boot him out following the roundtable discussion on Wednesday’s drama-packed episode.

Imrie, who has been in popular dramas and films for the past five decades, said: “This is a bit tricky because I’ve got a bit of a crush on you right now, but I put you Jonathan because I think you have the chutzpah and brilliance to be a traitor.”

After two rounds of voting that ended with Scottish actor Mark Bonnar and historian David Olusoga receiving an equal amount of votes, presenter Claudia Winkleman announced the banishment would be left to chance.

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The episode ended before the result of the banishment, which takes place following a roundtable discussion that sees contestants debate the identity of the secret traitors who meet at night to plot their next “murder”, in a bid to take the charity prize pot from the faithfuls.

A number of scenes with Imrie have gone viral, including when she audibly passed wind during a stressful mission in a cabin, prompting gales of laughter from her fellow cast members, as well as viewers around the country.

Another clip of Imrie, which showed her howling down a well while mimicking the sound of a banshee for a challenge, was turned into a meme.

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She prompted further laughs when, before the challenge, comedian Lucy Beaumont said “you know what you do in a well, don’t you?”, to which she replied: “Put the pussy in.”

Until Imrie’s confession, none of the Traitors – Ross, Alan Carr, and Cat Burns – had really even been suspected – but is their time running out and are the Faithfuls finally onto them?

Earlier in the episode, Welsh singer Charlotte Church became the latest contestant to be “murdered” by the traitors – comedian Alan Carr, TV presenter Jonathan Ross and singer Cat Burns – who had plotted their next move during last Thursday’s episode.

Reacting to her murder, Church, 39, said: “I thought I was going to be murdered. I’m outspoken at the round table, and I’m outspoken with my opinions, not that I was successful in being much of a threat to the traitors. But as the game progressed, I hope that I would’ve been. I hope that that’s why they’ve gotten rid of me. Well played traitors.”

WHEN you date one ­Beckham, you date the whole brood.

So make no mistake, news that middle son Romeo has reunited with Kim Turnbull after a five-month break is a ­significant development for everyone concerned.

After all, his former flame was blamed earlier this year for igniting the feud between the Beckhams and their eldest lad, Brooklyn.

It came as rumours swirled that she dated their first-born long before coupling up with his younger brother.

Reports suggested at the time that Brooklyn’s wife, Nicola Peltz-Beckham, felt “uncomfortable” around Kim and didn’t want her in the fold.

And although Kim vehemently denied that she and Brooklyn were ever an item, the pressure no doubt contributed to her decision to step away from the family circus in May.

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At the time, insiders argued that Kim and Romeo’s break was amicable and undramatic, and had nothing to do with soaring tensions with his now estranged brother.

But there is no denying that all the scrutiny had an impact, as Kim herself lashed out at the “harassment” and “lies” levelled against her.

Cut to this week and Romeo, 23, posted a cosy snap of himself with 24-year-old Kim, a model and DJ — seemingly confirming whispers they had reunited after he liked several of her Instagram snaps in recent weeks.

Once again, the implications for the family are huge.

Let’s remember, we are fast approaching a year since Brooklyn and Nicola were last pictured with the Beckhams, in December 2024.

Respectful silence

In the interim, their silent estrangement has been deafening, as they failed to publicly acknowledge David’s 50th birthday in May or his long-hoped-for knighthood the following month.

Likewise, they did not blink as Victoria won plaudits for her Paris Fashion Week show and launched her self-titled Netflix documentary series earlier this month.

Likewise, they did not blink as Victoria won plaudits for her Paris Fashion Week show and launched her self-titled Netflix documentary series earlier this month.

What Brooklyn and Nicola did do was loudly declare their devotion to one another.

But now that David and Victoria have implicitly co-signed on Romeo’s reunion with Kim, insiders say there really is “no going back”.

If Brooklyn and Nicola were testing his parents’ loyalty, Kim’s proud return to the family fold says a lot.

Consider again the tenets of the Beckham clan. As we know, the family comes as a package deal and — like the monarchy — it is built on hierarchy, bloodlines and loyalty.

If Brooklyn and Nicola were testing his parents’ loyalty, Kim’s proud return to the family fold says a lot

Try to overstep your status or stage a coup and you will be cast out quicker than you can say, “Bend it like Beckham”.

But align yourself with the status quo — and the brand — and the pay-off can be huge.

Just look at Jackie Apostel, the girlfriend of their youngest son Cruz, who has been flying the flag for the next gen Beckham Wags in recent months.

Earlier this week, Victoria and David, who are also parents to Harper, 14, wished Jackie a happy 30th birthday on Instagram — with Victoria declaring, “We all love you” and David calling her “a very special person inside and out”.

This follows Jackie’s dutiful dedication to her would-be in-laws over the past year.

She cheered Victoria on in Paris, and also walked the red carpet with the brood at the premiere of Vic’s Netflix series.

Over the summer, she was a mainstay on their £16million yacht in St Tropez and the Amalfi Coast.

And, of course, she was dressed to the nines in a Victoria Beckham number at David’s black-tie 50th bash.

Notably, Kim was also in attendance at that star-studded event — also dressed in Victoria Beckham threads.

But it proved to be her last public outing with the clan as, just weeks later, reports emerged that she and Romeo had split after some seven months together.

At the time, scrutiny was at an all-time high over Brooklyn and Nicola’s shocking snub of David’s big birthday events. Meanwhile, reports swirled from Nicola’s camp that she was fuming over Kim’s omnipresence.

And Brooklyn has since made it clear countless times that his wife comes first. He doubled down on that message in May, calling Nicola his “whole world” and writing in a gushing tribute: “I always choose you baby.”

Most recently, he said in an interview at the Ryder Cup celebrity golf match: “There’s always going to be people saying negative things, but I have a very supportive wife.

“Me and her — we just do our thing, we just keep our heads down and work. And we’re happy.”

There’s always going to be people saying negative things, but I have a very supportive wife

Brooklyn

While it was widely reported that Brooklyn and Kim had dated when she was 17 and he was 16, those rumours were dispelled.

Cruz was first to rubbish the claims on Instagram. When one fan commented under a photo of Romeo and Kim, “It’s appropriate to date your brother’s ex too? Cool”, Cruz bluntly responded: “Brooklyn and Kim never dated.”

Then, in the immediate aftermath of her break-up from Romeo, Kim took the matter into her own hands. She wrote on Instagram in June: “I’ve avoided speaking on this topic to prevent adding fuel to the fire, however it’s come to a point where I feel the need to address it.

“I will not continue to receive harassment or be embarrassed on the basis of lies, to fit a certain narrative.

“I have never been romantically involved in ANY capacity at ANY point with the person in question.”

She then took a step away from the famous family.

But, crucially, she has maintained a respectful silence since.

And that has undoubtedly made her return to the fold all the more seamless.

Meanwhile, in August, Brooklyn and Nicola went for the jugular, holding an elaborate vow renewal ceremony that demonstrably erased the Beckhams from the narrative. Nicola’s billionaire father Nelson Peltz presided over proceedings, while the “bride” wore her mother Claudia’s wedding dress.

She and Brooklyn then spent the summer holidaying with her family on their £85million yacht in Europe — casting a large shadow over the Beckhams’ relatively smaller vessel.

The message was clear: Nicola does not plan to walk in Victoria’s shadow; instead, she is ready to leave her in-laws in the shade.

All this has, of course, been devastating for Victoria.

But her one saving grace has been the people she has supporting her.

Perhaps, surprisingly, it is singer Jackie who has devotedly cemented herself in recent months as the de facto daughter-in-law.

As a pay-off, she is now living the gilded life that only those in the Beckhams’ inner circle enjoy.

She has become one of Victoria’s most valued brand ambassadors, and recently had the honour of promoting her beauty brand online.

What’s more, she has landed lucrative ads for brands including Dior Sauvage, Sol De Janeiro and Jimmy Choo, and signed deals with the likes of Burberry and Summer Fridays.

Playing by the rules

Experts say she can now earn £10,000 per sponsored post.

As well as finding love, Jackie, who grew up in Brazil, has been granted access to an exclusive world and is playing by the rules.

Now, provided that Kim treads the same path, there is no reason why she should not also be fully welcomed back into the fold — and get to enjoy certain perks along the way.

She herself is no stranger to the gilded life of a well-heeled clan.

Raised in North London, she is part of the bohemian Turnbull dynasty and — as a teenager — socialised with the likes of Brooklyn and fellow nepo baby, Madonna’s son Rocco Ritchie.

Following Kim and Romeo’s tacit soft launch as a reunited couple this week, Kim has kept sensibly quiet on Instagram

Her grandfather was the renowned post-war sculptor and painter William Turnbull, whose work has been exhibited at galleries including London’s Tate.

Meanwhile, her dad Alex founded influential hip-hop label Ronin Records and is a longtime member of the post-punk band, 23 Skidoo.

As a DJ and influencer, Kim already has some high-profile events under her belt.

But being closely associated, for the right reasons, with one of showbiz’s most famous families will only help her career.

Following Kim and Romeo’s tacit soft launch as a reunited couple this week, Kim has kept sensibly quiet on Instagram.

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But it is only a matter of time before we see her hit the red carpet, dressed once more in Victoria Beckham fineries.

It’s a case of date one, date them all. But always play by the rules.

“For more than 150 years, every President has dreamt about having a Ballroom at the White House,” wrote no one ever until Donald J. Trump posted the proclamation on his Truth Social platform Monday.

The president’s plans to build the kind of venue that most Americans associate with Disney princesses, Von Trapp family soirees and let-them-eat-cake dynasties became a reality this week as construction crews began tearing down the White House East Wing to build Trump’s 90,000-square-foot, $300-million ballroom (up $100 million from estimates it cited earlier in the week). When completed, the venue will dwarf the main White House, boasting nearly twice the square footage of the executive residence.

The first photos and footage of heavy machinery knocking down parts of the East Wing on Monday triggered strong reactions from historians, preservationists, politicians and regular folk — all of whom took umbrage with the administration’s unilateral decision to alter the 224-year-old official residence of presidents dating back to John Adams.

Demolition was underway on the East Wing of the White House before construction of a ballroom.

(Evan Vucci / Associated Press)

The nonprofit National Trust for Historic Preservation has asked the administration to delay further demolition until plans for the ballroom undergo a public review process, arguing the massive addition “will overwhelm the White House itself.” Late-night host Stephen Colbert used the opportunity to call out another instance of institutional destruction: “We’re just nine months into Trump’s term, and he’s already going ‘Hulk Smash!’ on the White House. Last time, it took at least four years to bring a demo crew to the Capitol,” he said, referring to the Jan. 6 insurrection.

In an official statement posted on its website, the White House blamed the outcry over Trump’s East Wing demolition on a Democratic overreaction. “In the latest instance of manufactured outrage, unhinged leftists and their Fake News allies are clutching their pearls over President Donald J. Trump’s visionary addition of a grand, privately funded ballroom to the White House — a bold, necessary addition that echoes the storied history of improvements and additions from commanders-in-chief to keep the executive residence as a beacon of American excellence.”

As if anyone but the Trumps — or the billionaires donating to his project — can afford pearls at this point. Trump says his ballroom is being privately funded by “many generous Patriots, Great American Companies, and, yours truly,” and that the burden of constructing his opulent project won’t fall on taxpayers. Good thing, because the bottom 90% is pretty tapped out.

Americans are struggling to keep up financially. Wage growth has slowed as prices for essentials continue to climb despite Trump’s 2024 campaign promises to beat back inflation. The U.S. Bureau of Labor Statistics reports that, from August 2024 to August 2025, the price of meat, poultry, fish and eggs rose 5.6%, nonalcoholic beverages increased 4.6%, and prices for fruits and vegetables increased 1.9%. Though gasoline prices dropped, the cost of electricity increased 6.2%, and the price of natural gas rose 13.8%. Other notable price increases include medical care (3.4%) and auto insurance (4.7%). But who needs lighting, heat or their health when there are ballrooms to build?

Renderings of the site released by the White House look suspiciously like the gilded ballroom at Mar-a-Lago, Trump’s private home and club in Palm Beach, Fla., with its gilded ceilings, imposing columns and ornate chandeliers.

The Oval Office and Cabinet Room have already been remade in Trump’s image, with the addition of numerous portraits, busts and gleaming gold flourishes. The bathroom off the Lincoln Bedroom has also reportedly been redone, but how does one top the now-infamous Mar-a-Lago restroom, with its crystal lighting fixtures, marble floors and stacks of classified-document boxes?

Addressing Republican Party senators at the White House on Tuesday, Trump said, “You probably hear the beautiful sound of construction in the back. … When I hear that sound, it reminds me of money.” At least he was honest.

The White House declined to give details on just who is funding the ballroom, and the opaque response raised concerns that the project may serve as a pay-to-play opportunity for those who wish to curry favor with the administration. The only known donor to date was revealed in court documents. YouTube is slated to pay $22 million toward the project as part of a settlement with Trump over his account being suspended following the Jan. 6 insurrection at the U.S. Capitol.

Trump expects the ballroom to be completed before his term is up, he says. But will he leave a glass slipper behind?

Manchester Pride officials have shared an update regarding their financial difficulties.

Earlier this month, the LGBTQIA+ festival made headlines after various performers revealed that they hadn’t been paid for this year’s event, including Drag Race UK star Saki Yew.

“It’s gone too far. As performers, we’re used to waiting for money, but there’s no communication and no answer. A lot of performers are starting to give up hope of being paid,” Saki told BBC Newsbeat in October.

“We put in the hard work with weeks and weeks of rehearsals. We put in the time, so give us an answer.”

Drag Race UK star Zahirah Zapanta and Adam Ali echoed similar sentiments, with the latter publishing a letter on behalf of other acts who were awaiting payment.

Following immense backlash, Manchester Pride’s Board of Trustees released a statement on 16 October, revealing that they were in “the process of determining the best way forward” with their legal and financial advisers.

“We know that moments like this can raise questions and emotions. We want to ensure that our staff, interns, artists, contractors and suppliers, who are all a part of our community, are heard and considered,” they wrote.

After an additional week of silence and growing speculation, the event’s board of trustees confirmed that Manchester Pride had started the “legal process of voluntary liquidation.”

“A combination of rising costs, which are affecting the entire events and hospitality industries, declining ticket sales and an ambitious refresh of the format aimed to challenge these issues, along with an unsuccessful bid to host Euro Pride, has led to the organisation no longer being financially viable,” they wrote in a statement released on 22 October.

“We regret the delays in communicating the current situation; however, we were keen not to jeopardise financial opportunities while our discussions were ongoing. We were proactive and determined to identify solutions to the financial issues.

“We’ve been actively working with several partners, including legal and financial advisors, to do everything we could to find a positive solution. We had hoped to be able to find a way to continue, and, most importantly, to support our artists, contractors and partners. Despite our best efforts, sadly, this has not proved to be possible. We are sincerely sorry for those who will now lose out financially from the current situation.”

The board also revealed that the organisation’s staff team will be made redundant, adding that they were “very distressed at the position” they found themselves in.

“The Manchester Pride team have now handed over the details of suppliers and artists who are owed money to the liquidators who will be handling the affairs of the Charity and contacting everyone,” the board concluded.

In a separate statement to Sky News, Equity’s North West official, Karen Lockney, confirmed that they are “collecting contractual information to pursue all options to recoup money owed, and will begin these processes immediately.”

As for the future of Manchester Pride, the Manchester City Council confirmed that “a new chapter” for the festival will take place in August 2026.

“The council will play a full and active role in bringing together the LGBTQ community to help shape how the city moves forward to ensure a bright and thriving future for Manchester Pride,” the council added.

Neighbours star Stefan Dennis was forced to pull out of Strictly Come Dancing this week after he ‘tore his calf so significantly’

Strictly Come Dancing star Stefan Dennis has confirmed his future on the dance competition after he was forced to quit due to an injury. On Monday, the Neighbours star announced his departure in a lengthy post shared on social media, explaining he ‘tore his calf so significantly that he was forced to withdraw from the show’.

“I owe both the Strictly Family and Dianne [Buswell] a massive debt of gratitude for giving me the opportunity to fulfil my dream of being able to dance with my wife. (When my leg is better),” he said. Stefan – whose soap character Paul Robinson lost a leg in a cliff fall – added he was “gutted” about leaving.

Despite the blow, fans will still be able to see him on Strictly before the programme ends.

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“It’s a bit of a s****er, but I’ll be back at the end of the year, for the final,” he explained to The Sun.

However, it is not known whether he’ll be joining in on the group performance or if he will even be able to perform with his injury.

Meanwhile, Stefan recently confessed he felt like ‘he let people down’ because of the injury and subsequent exit from the beloved competition.

“I just feel like I’ve let everyone down,” he said to The Mirror during the Pride Of Britain Awards. “They all say I haven’t, of course, and the pros know all about injuries, but it feels like a shame to go out in this way.

“It was all going so well. When you go out, you want it to be because the viewers have spoken, because it’s your time, not like this.”

The news was a particularly upsetting blow for Stefan as the news came after viewers saw Chris Robshaw and his partner Nadiya Bychkova get voted out.

Stefan then revealed he begged producers to let Chris return to the show in his place. “I said they should keep Chris in now that I’m going but they said they couldn’t do that – once you’ve gone, you’ve gone.”

Two exits in two days could lead to just three pairings in the live final in December – provided no one else gets injured along the way. “That’s what has happened before I believe,” says Stefan.

Speaking about the severity of the injury, he added: “I thought I’d be able to carry on but they said absolutely not,” Stefan admitted. “The muscle needs complete rest. So that’s me done unfortunately.”

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DEMI Moore poses in a cage-style dress — but says she feels freer than ever.

The screen star, 62, was in celebratory mood after being named one of Glamour Magazine’s Women of the Year.

It comes after she won a Best Actress Golden Globe for her role in horror flick The Substance.

Demi was interviewed by Substance co-star Margaret Qualley for the mag.

She said: “With everything I’ve been through, which has been a lot, I wouldn’t trade where I am today.”

She added a difference with her younger self is the “freedom to know I don’t have to have the answer, and life is not going to be completely stolen from me if I somehow don’t know”.

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During Demi Moore’s emotional Golden Globes acceptance speech, she spoke of having been at a “low point” and not thinking she was “enough”.

The actress has battled countless traumas and rejections during her life – including her biological dad leaving before she was born, saving her drug addicted mum from suicide, two spells in rehab and being raped aged 15. 

The star of Ghost, Indecent Proposal and A Few Good Men’s return to form in the satirical horror movie The Substance is one of the greatest Hollywood comebacks of all time.

Having struggled to land a hit movie over the past couple of decades, Demi thought “this was it.”

And when you learn of what the mother-of-three has been through, you’ll know why her best actress win at the Globes on Sunday meant so much.

In her speech, which has gone viral, Demi said: “In those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or are basically just not enough, I had a woman say to me, ‘Just know you will never be enough but you can know the value of your worth if you just put down the measuring stick.’”

Four years after the “Rust” movie shooting, New Mexico officials have moved Alec Baldwin’s lawsuit alleging malicious prosecution to federal court.

This week’s filing is the latest twist in the long legal saga after the October 2021 on-set death of cinematographer Halyna Hutchins.

Baldwin, the 67-year-old star and a producer of the western film, had been facing a felony involuntary manslaughter charge for his role in Hutchins’ accidental shooting. But the judge overseeing Baldwin’s case abruptly dismissed the charge against him during his July 2024 trial after concluding that prosecutors withheld evidence that may have been helpful to his legal team.

Six months later, Baldwin sued New Mexico’s district attorney and special prosecutors, asserting malicious prosecution. The actor claimed he had been made a celebrity scapegoat because of the intense media pressure on local authorities to solve the high-profile case.

His lawsuit targeted New Mexico special prosecutor Kari T. Morrissey, 1st Judicial Dist. Atty. Mary Carmack-Altwies and Santa Fe County sheriff’s deputies, who led the investigation into Hutchins’ death.

The defendants have denied Baldwin’s allegations.

Baldwin’s wrongful prosecution suit was first filed in New Mexico court in Santa Fe.

On Tuesday, the defendants, including Morrissey, exercised their legal right to shift the case to federal court. The decision was made, in part, because “Mr. Baldwin brought federal civil rights claims in his lawsuit,” said Albuquerque attorney Luis Robles, who represents the defendants.

In addition, Baldwin does not live in New Mexico, where the case was filed.

Baldwin could object to the move and petition for it to be brought back to state court. On Wednesday, his team was not immediately available for comment.

A New Mexico judge had dismissed Baldwin’s malicious prosecution claims in July, citing 90 days of inactivity in the case. Baldwin’s legal team petitioned to get the case reinstated and the judge agreed to the request.

That prompted the defendants’ move to shift the case to the higher court.

During his Santa Fe trial last year, Baldwin’s lawyers had sought to turn the focus away from whether Baldwin pulled his gun’s trigger in the accidental shooting to where the lethal bullet came from.

Baldwin’s attorneys repeatedly accused law enforcement officers and prosecutors of bungling the case, including by allegedly hiding potential evidence — a batch of bullets that they said may have been related to the one that killed Hutchins.

Hollyoaks fans were left floored at a cameo in the soap’s Brookside crossover episode

Hollyoaks delivered a spectacular crossover episode with Brookside, leaving viewers spotting a truly remarkable cameo appearance.

E4 broadcast a special one-off Brookside episode on October 22, marking the legendary soap’s return to television after a 22-year absence to commemorate Hollyoaks‘ milestone 30th anniversary.

Soap enthusiasts were delighted with a nostalgic journey as iconic characters made their comeback to Brookside Close, featuring Ricky Tomlinson, Sue Johnston, Paul Usher, Philip Olivier, Suzanne Collins, Michael Starke, Louis Emerick and John McArdle.

Both cherished Channel 4 series were the brainchild of Grange Hill genius Sir Philip Redmond, with Brookside later serving as inspiration for the Chester-based Hollyoaks.

In a masterstroke, Sir Philip himself appeared in the Channel 4 drama on Wednesday, reports the Manchester Evening News.

The scene unfolded when Mick Johnson (Louis Emerick) made his return to Brookside Close following a lift from Chester courtesy of Thomas Sweeney, better known as Sinbad, portrayed by Michael Starke.

Whilst taxi driver Sinbad reconnected with former neighbours Nikki Shadwick (Suzanne Collins) and Tinhead (Philip Olivier), an enigmatic figure strolled down the street.

Nikki questioned Sinbad: “Is that your fare?”, to which he swiftly replied: “I think so, yeah.”

Sir Philip then enquired: “You going to Chester, mate?”, prompting Sinbad to ask: “You’re not from around here, are you?”.

In a touching tribute to bygone days, Sir Philip responded: “Used to be, but you know. Do you know the Dog In The Pond pub?”. “There’s been a big to-do there today”, Sinbad chimed in as Sir Philip, cheekily replied: “Story of my life, mate. From one drama to another.”

Fans of Hollyoaks and Brookside were quick to express their delight at seeing the soap’s creator, Sir Philip, make an appearance on screen.

One fan took to X to share their thoughts, writing: “Had to watch the #Hollyoaks #Brookside mashup. Phil Redmond’s cameo is genius especially the “… one drama to another” line. I join the call to bring back #Brookie!”.

Another viewer exclaimed: “Phil Redmond cameo! #Brookside #Hollyoaks #Hollyoaks30.”

A third added: “Omg Phil Redmond making a cameo too, omg, i cannot cope! So proud to be scouse right now #hollyoaks #brookside.

“This is just too good. Mick, Sinbad, Sheila, Tinhead, Nikki, Bobby, actual Phil Redmond! #Hollyoaks #Brookside”, one fan gushed.

“Phil Redmond saying “from one drama to another”.. see what he did there! Brilliant! ! #Hollyoaks #Brookside”, another fan pointed out.

The Hollyoaks and Brookside Crossover is available to stream on Channel 4.com

KEANU Reeves’ security team slammed a fan to the ground after she attempted to get into the actor’s car.

A woman could be heard screaming for the star’s attention before attempting to get inside his vehicle.

The shock footage came just seconds after the actor graciously waved and smiled at waiting fans and photographers outside of his hotel.

At one point, the lady in question could be heard insisting she was his “divine wife” during the altercation.

Having waved to the crowds, Keanu can be seen calmly getting into his car.

Just seconds later, the woman appears to shove past his security details as she heads for his car door.

With the bodyguards attempting to hold her back, the woman screeches: “Let go of me.”

She then shouts at the window: “Keanu, it’s your divine wife!”

After repeatedly saying the star’s name, she runs around the vehicle to the other side before shouting: “Don’t let them hurt me.”

As the car attempts to drive away, the woman manages to reach the car door handle.

The bodyguards then manage to get to the woman and forcibly pull her away from the car.

Latching onto her, two men appear to pull at her before she stumbles and falls onto her back on the road.

She can be heard branding the men “a*****es” before managing to get back up.

One of the men shouts: “Get her out of here. Get her out of here.”

Someone else can be heard shouting: “You guys need a restraining order on this one.”

Keanu is currently appearing on-stage in a Broadway play.

The 61-year-old star has been performing in Jamie Lloyd’s adaptation of Samuel Beckett’s play Waiting For Godot.

The production has been entertaining guests at the Hudson Theater. 

“What a horrible story! What a hideous play!” a theater critic for the Daily Telegraph lamented after the London premiere of “Hedda Gabler” in 1891. Victorian audiences were repelled by Henrik Ibsen’s fatally attractive newlywed who appears to have it all — the fancy house, the doting husband — only to be violently bored.

But writer-director Nia DaCosta (“Candyman,” “The Marvels”) and her star Tessa Thompson understand Hedda down to the pretty poison in her molecules. Their rollicking redo, set from dusk to hangover at a drunken bacchanal, is vibrant and viciously alive. With apologies to Ibsen’s ghost, DaCosta’s tweaks have sharpened its rage. I don’t think that long-dead critic would like this “Hedda” any better. I think it’s divine.

Thompson’s Hedda is a clever, status-conscious snot raised to believe that her sole purpose is to be a rich man’s wife. With no hobbies or career and no interest in motherhood, her only creative outlets are squandering money and machinating the success of her milquetoast husband, middlebrow academic George (Tom Bateman), who has such a flimsy hold on his bride that his last name might as well be attached to hers with Scotch tape. (It’s Tesman and it’s pointedly rarely used.) Hedda doesn’t love George. In fact, she seems to think he’s a whiny little worm. But she’s dead-set on securing him a promotion to afford her expensive tastes.

If Hedda had been born a man, she’d be leading armies into battle like her late father, General Gabler, who spawned her out of wedlock. Instead, she takes out her aggression on civilians. Using her charm offensive, Hedda goads naive spouses to cheat, recovering alcoholics to drink and depressives to wander off into the darkness with a revolver. Some of her havoc is calculated, most of it is out of pique that others are living braver, more fulfilling lives. All of it feels like a cat tipping over water glasses just to see them shatter. Like the nasty seductress of “Dangerous Liaisons,” she’s a warning that frustrated women aren’t merely a hazard to themselves — they’re a menace to the society that made them.

Inspired by her antihero, DaCosta manipulates Ibsen to suit her own goals. She’s updated the play’s setting to 1950s England, a similar-in-spirit era in which well-bred women were kept domesticated. (I can’t wait for someone to do a version among the tradwives of Utah.) From there, DaCosta has smartly tightened the narrative, which used to have a key scene at an off-stage bachelor party to which Hedda was pointedly not invited. “What a pity the fair lady can’t be there, invisible,” Ibsen’s Hedda grumbled at being left home while the men got to carouse.

In DaCosta’s version, the whole drama unfolds during a martini and cocaine-fueled rager at Hedda’s mansion, a party she’s throwing to impress George’s potential new boss, Professor Greenwood (Finbar Lynch), who she hears has a bohemian streak. At her own happening on her own turf, Hedda couldn’t be more visibly in command. She rallies the guests to hurl her former classmate, Thea (Imogen Poots), a wretchedly earnest drip, into a nearby lake and gets the whole room grooving to a dance band’s cover of “It’s Oh So Quiet,” the swinging hit that the Icelandic pop singer Björk would popularize a half-century later. It’s a great song pick with manic crescendos — You blow a fuse, zing boom! The devil cuts loose, zing boom! — that capture Hedda’s feverish mood shifts.

We know this evening will go wrong from the film’s opening shot of Hedda facing down two policemen who keep interrupting her explanation of the last 24 hours. “Where should I start?” she says with smothered exasperation. As we cut back to watch the night unfold, a shot of Hedda surveying the crowd from an upstairs landing feels like she’s looking at a game board — Clue, perhaps? — with a weapon stashed in every room. Which threat is most pressing? The pistols she keeps in a leather box, the precarious crystal chandelier or the lake’s deep waters outside?

Thompson is marvelous in the role. Even the way she chomps a cherry off a cocktail toothpick has menace. I first saw her as the lead in “Romeo and Juliet” at a 99-seat theater in Pasadena when she was barely 20 years old (there’s so much talent in our small stage scene), so it’s a nice reminder that the funny and soulful actor of the “Thor” and “Creed” franchises is also a hell of a good classical performer and a worthy star on her own.

She wears Hedda’s lovely mask with confidence — red lips, lush cheekbones, cool demeanor — and periodically allows it to slip. Editor Jacob Schulsinger often allows Hedda a tiny hesitation before she charges ahead ruining people’s lives, long enough to know that she’s considering the consequences. “Sometimes I can’t help myself, I just do things all of a sudden on a whim,” she admits to the nosy Judge Brack (Nicholas Pinnock), revealing a sliver of weakness. She’s almost (nearly) asking for help. Yet, the judge just wants to maneuver her into bed. How tedious.

DaCosta boldly layers race and sexuality on top of Ibsen’s tale. She’s gender-swapped Hedda’s ex-lover, Eilert, into a lesbian named Eileen (a swaggering Nina Hoss), a brilliant, openly norm-defying author who is George’s job-seeking competition (and the only person Hedda enjoys kissing). If earlier incarnations of Hedda didn’t dare defy social rules when she was white and straight, being Black and queer adds so much additional peril that the script barely needs to say out loud. The new tension is there in just a few whispers, as when Hedda overhears a guest murmur that their hostess is “duskier than I thought she would be.” Hedda doesn’t acknowledge the slight. That would mean admitting vulnerability. She simply starts destroying the speaker in the very next scene.

What’s wiser? Eileen’s determination to face down the boys and be accepted for her full self or Hedda sneaking around and steering everyone’s fates behind the scenes? They can’t team up — they’re doomed to tear each other to shreds. And as much glee as we get watching Hedda’s rampage, it aches to see these two formidable women reduce each other to hysterics (to use the medical diagnosis of the day).

From our 21st century perspective, they both have a right to be mad and they both might be mentally ill. DaCosta doesn’t offer a verdict, but she plunges us so deeply into Hedda’s headspace that we can hear how certain things set her off. Insults hit her with a knife-like hiss of air; fresh schemes get her charging around to Hildur Guðnadóttir’s tumultuous, percussive score.

Costume designer Lindsay Pugh has done incredible work outfitting the film’s central female roles. Hedda wears bullet-like strands of pearls that choke her neck and a jade-colored gown that seems to molder into a festering, jealous shade of green. When her rival, Poot’s Thea, arrives underdressed, Hedda forces her into a hideous frock with fussy bows and an ungainly skirt. Poots, her nose raw and red, her character kicked when she’s down, gamely looks a fright, trusting that moral fiber will expose Hedda’s ugly insecurities.

But Pugh’s stroke of genius is putting Eileen not in some sort of mannish suit but in a bombshell dress that highlights her curves like a primal goddess. It’s pure feminine power — just like the film itself — and when Eileen struts into a room of her all-male colleagues, that dress exposes how fast the tenor can shift from awe to jeers and how little wiggle room she or any woman has for error.

Tonight millions of viewers will be able to celebrate those honoured at The Daily Mirror’s Pride of Britain Awards with P&O Cruises as it airs on ITV. But what were Carol Vorderman and Ashley Banjo’s best bits?

Millions of people across the UK will be tuning in tonight to the most uplifting show in the TV calendar, as The Daily Mirror’s Pride of Britain Awards with P&O Cruises unfolds in a two hour extravaganza.

Seldom is an event this packed with A list celebrities. But, despite the dazzling outfits and wall-to-wall glamour, it is the ordinary people with the extraordinary stories who take centre stage for this truly incredible occasion.

Co-hosts Carol Vorderman and Ashley Banjo host the event brilliantly – totally engaging with the amazing winners, who win everyone’s hearts … including our Prime Minister, Keir Starmer, who describes them as “the very best of our country.”

Here, Carol and Ashley each share their five most magical moments from the unforgettable night..

Carol’s Moments – Maja surprising Sally Becker

Known as The Angel of Mostar, humanitarian aid hero, Sally Becker, who received the Lifetime Achievement award – after evacuating hundreds of children from war zones all across the globe over a 30 year career – was joined on stage by one of the children she had saved.

Carol said: “Sally had referenced Maja when I asked about when she first went into Bosnia, this girl who had lost her leg and was in critical pain and how she brought her out. We got Maja to send a fake message from Florida to thank her, and then, of course, the big surprise was that Maja came out with her award. Sally is one of the most loving people you could ever possibly wish to meet. She’s so brave. I don’t think she realises just how brave she is. She’s quite extraordinary. That really made me cry, to be honest.”

The Rock Surprising Luke

Luke Mortimer, 12, who had all four of his limbs amputated after contracting meningitis and septicemia, was shown being surprised by movie star Dwayne ‘The Rock’ Johnson, who told him he would be receiving the Child of Courage award.

The young fundraiser was stunned into virtual silence when the star of Jumanjii and The Smashing Machine walked into his hotel room with his room service order. Johnson, who stands at a remarkable 6ft 5in, commended Luke on the incredible physical challenges he has completed to raise money for other children with amputations. Carol said: “All of us were going to Luke, ‘How big is The Rock? Is he as big as we think he is?’ That was really funny.”

Margot Robbie surprising Georgie

Georgie Hyslop, 17, received the Good Morning Britain Young Fundraiser award for her incredible efforts to brighten-up the lives of others, despite being treated for an extremely rare form of bone cancer herself. The brave youngster, who has raised over £55,000 for charity through a series of balls and events, was surprised by Margot Robbie, who played Barbie in the movie, and who revealed that she had won a Pride of Britain.

The Hollywood star of blockbusters like Wolf of Wallstreet and I, Tonya, also invited Georgie – an aspiring actor – and her family to attend the premiere of her latest film, A Big Bold Beautiful Journey. Carol said: “We’d lied to Georgie, obviously. We said we were filming a documentary and that we were going to take the family out for dinner, so they should bring some nice clothes. But actually, of course, they were bringing clothes to go to Margot Robbie’s premiere which was quite remarkable. It was just lovely, absolutely lovely.”

Ruth Jones as Nessa with Joanne Harris

Joanne Harris was handed the ITV Fundraiser award for her mission to provide knitted breast prosthetics for women who have had mastectomies due to breast cancer. Inspired by her own friend’s struggle with the disease, which made her aware of the uncomfortable silicon prosthetics provided by the NHS, Joanne set up Knitted Knockers Northern Ireland which now provides 5,000 soft, breathable knitted breast prosthetics to cancer patients free of charge every year.

On stage, Gavin and Stacey stars Ruth Jones and Joanna Page, presented her award, paying tribute to her tireless charity work. Carol said: “Ruth, never ever does the Nessa impression, you know? But she did it all as Nessa from Gavin and Stacey and it was just wonderful. It was like Nessa was on stage!”

Prime Minister Keir Starmer and Mary Earps surprising Asha

Asha Rage was recognised for starting the Dream Chasers, a football club turned youth centre to help support local children in Birmingham and keep them away from antisocial behaviour. Presented with the Special Recognition award, Asha was surprised on stage by Prime Minister Keir Starmer and former England’s Lionesses’ goal keeper Mary Earps. The PM commended Asha for her tireless work supporting the young people of her community.

Carol said: “I could get over the fact that here is a Muslim woman who doesn’t know anything about football and then decides that she’s going to set up a football club for teenagers. She trained herself and now she’s got three and a half thousand members of the club. It’s quite extraordinary.”

Ashley’s Moments – Westlife on stage with Ups & Downs

The Ups & Downs group, a theatre club for children and young people with Down’s syndrome and their siblings, was awarded the This Morning’s Local Heroes award. The group, formed in 1995 by three music teachers who worked at an additional needs school, provides a safe space for people of all ages with Down’s Syndrome to be themselves and share the joy of theatre.

Thirty of its members took to the Pride of Britain stage to receive the award and at the end of the ceremony, joined the legendary Westlife to celebrate the wonderful evening. Ashley said: “It was such a joy to see the Ups & Downs group so excited to receive their Pride of Britain award – they brought such an unmatched energy to the room and put a smile on everyone’s faces. Seeing them dance with Westlife and the other incredible winners was just the best ending to the ceremony.”

Al Murray helping Marcus inhis fundraising efforts and revealing the total donated

Marcus Skeet, 17, better known as the Hull Boy by his hundreds of thousands of followers on social media, was given the Special Recognition award for his incredible fundraising efforts and tireless advocating for mental health awareness. The campaigner, who earlier this year became the youngest person ever to run the length of the country between Land’s end and John O’Groats, took to running after struggling with his mental health.

Ashley said: “You don’t meet many people like Marcus who are able to bring themselves out of such a dark place in the way he has. But not only that, to go on to help others through their own dark times as well, it’s just incredible and so inspiring. One of my highlights was seeing the room come together to help him reach his fundraising goal to start Marcus Movers clubs all over the country – lead of course by the legendary Al Murray who made the whole thing hilarious.”

Hainault police officers

The three police officers who were the first responders at the scene of the brutal Hainault attack last year, which saw 14-year old Daniel Anjorin murdered by psychotic killer Marcus Arduini-Monzo, received the Outstanding Bravery Award. Despite suffering injuries and having no weapons to hand, their decisive actions helped bring the situation under control and ensured the safety of the community.

Ashley said: “This was one of the most hard hitting moments of the evening. As a father, it just amazes me that there are people out there like these police officers who are willing to put themselves in such danger to protect others. Any of us could be in that position one day but with people like that around to step in, we are all that bit safer. It made me really emotional, yeah, but I am so glad they got the recognition they deserved.”

Javeno receiving his award

For more than two decades, Javeno McClean has used his skills as an exercise and health specialist to improve the lives of the elderly and people with disabilities. Setting up his own free gym in his hometown of Manchester, he has created a friendly environment for everyone to work on their physical and mental health and welcomes people of all abilities through his doors.

He was awarded the brand new P&O Cruises Inspiration award for his tireless work and was joined on stage by boxing champion David Haye. Ashley said: “Javeno is one of the coolest and most positive guys I have ever met. His muscles really put us all to shame but the way he is so dedicated to helping the most vulnerable members of our community is so inspiring.”

Ronnie Wood surprising Harry Byrne

Harry Byrne was awarded the King’s Trust Young Achiever award after overcoming loss, addiction and homelessness to become an inspirational mentor and coach helping to give other young people a brighter future. The 24-year-old was presented his award by Rolling Stones legend Ronnie Wood.

Ashley said: “Ronnie Wood is a god of rock and roll, isn’t he? The moment he was on stage with Harry was amazing and such a great representation of what the awards are all about. I mean, Harry has completely transformed his life after a pretty rough start and is now helping other young people to do the same. The way the King’s Trust has helped him and others is remarkable and Harry deserved all the glory – and the praise that Ronnie gave him – for his hard work.”

Watch Pride of Britain on Thursday 23rd October, ITV at 8PM.

KYLIE Jenner’s dog Norman has died at 12 as the heartbroken star paid tribute to her pet with a touching post.

Kylie, 28, revealed on Wednesday, October 22 that her beloved dog Norman has died.

She captioned a series of sweet photos, “In Loving Memory of My Sweet Norman.

“I still remember the day I brought you home. I had never loved anything so much. I always wanted an Italian Greyhound growing up, but my mommy never let me have one. Then, right after I turned 17, I got you for Christmas, and it was the best gift I could have ever received.”

Kylie added that her pooch has “filled” her live with “pure joy.”

She continued to pen, “Almost 13 years old, and yet I know I’ll remember you far longer than the time we got to share. I wish I wasn’t writing this post. I knew you were getting older, and I tried to prepare myself, but it’s hard losing you norm. It makes me happy knowing my kids got to meet you and love you.”

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Kylie is mom to daughter Stormi, 7, and son Aire, 3.

Kylie ended the caption, “My sweet Normyyyy. My heart aches for you. Rest in peace, my precious Normandle. I love you forever.”

In the photo collage, Kylie shared photos of her dog Norman through the years.

In one snap, Norman had his paw on Kylie in bed, as wrote on the picture, “Me and Norman forever.”

In another snap, Norman was dressed up for Christmas with her other pooch.

Kylie also shared a photo of her daughter Stormi petting Norman and her son Aire playing with him as well.

LOVED ONES’ SUPPORT

The last photo was of three flower arrangements, likely from loved ones sending their condolences.

Loved ones also flooded the comments, as her cousin Natalie wrote, “I’m so so sorry Ky. May Norman rest in peace in doggy heaven.”

Friend Amelia Gray wrote, “NORMYYYYYYYY we love you so much.”

Another pal wrote, “Love u forever normi bear.”

PET LOVER

Kylie has posted Norman often throughout the years on her social media.

She owns around seven dogs, including Italian Greyhounds and Dachshunds.

She also has a bunny and chicken.

Another one of Kylie’s familiar pooches is her Greyhound Bambi.

In February 2021, Kylie debuted her new dog Kevin to her social media followers.

Kylie has kept busy recently, as she launched a pop music career with her debut single Fourth Strike.

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This comes after the new teaser trailer for the upcoming season of The Kardashians dropped.

The new season will premiere on Thursday on Hulu.

VATICAN CITY — The Vatican is expected to soon announce that it will return a few dozen artifacts to Indigenous communities in Canada as part of its reckoning with the Catholic Church’s troubled role in helping suppress Indigenous culture in the Americas, officials said Wednesday.

The items, including an Inuit kayak, are part of the Vatican Museum’s ethnographic collection, known as the Anima Mundi museum. The collection has been a source of controversy for the Vatican amid the broader museum debate over the restitution of cultural goods taken from Indigenous peoples during colonial periods.

Negotiations on returning the Vatican items accelerated after Pope Francis in 2022 met with Indigenous leaders who had traveled to the Vatican to receive his apology for the church’s role in running Canada’s disastrous residential schools. During their visit, they were shown some objects in the collection, including wampum belts, war clubs and masks, and asked for them to be returned.

Francis later said he was in favor of returning the items and others in the Vatican collection on a case-by-case basis, saying: “In the case where you can return things, where it’s necessary to make a gesture, better to do it.”

The Canadian Conference of Catholic Bishops said Wednesday it has been working with Indigenous groups on returning the items to their “originating communities.” It said it expected the Holy See to announce the return. Vatican and Canadian officials said they expected an announcement in the coming weeks, and that the items could arrive on Canadian soil before the end of the year.

The Globe and Mail newspaper first reported on the progress in the restitution negotiations.

Doubt cast on whether the items were freely given

Most of the items in the Vatican collection were sent to Rome by Catholic missionaries for a 1925 exhibition in the Vatican gardens that was a highlight of that year’s Holy Year.

The Vatican insists the items were “gifts” to Pope Pius XI, who wanted to celebrate the church’s global reach, its missionaries and the lives of the Indigenous peoples they evangelized.

But historians, Indigenous groups and experts have long questioned whether the items could really have been offered freely, given the power imbalances at play in Catholic missions at the time. In those years, Catholic religious orders were helping to enforce the Canadian government’s forced assimilation policy of eliminating Indigenous traditions, which Canada’s Truth and Reconciliation Commission has called “cultural genocide.”

Part of that policy included confiscating items used in Indigenous spiritual and traditional rituals, such as the 1885 potlatch ban that prohibited the integral First Nations ceremony. Those confiscated items ended up in museums in Canada, the U.S. and Europe, as well as private collections.

The return of the items in the Vatican collection will follow the “church-to-church” model the Holy See used in 2023, when it gave its Parthenon Marbles to the Orthodox Christian Church in Greece. The three fragments were described by the Vatican as a “donation” to the Orthodox church, not a state-to-state repatriation to the Greek government.

In this case, the Vatican is expected to hand over the items to the Canadian bishops conference, with the explicit understanding that the ultimate keepers will be the Indigenous communities, a Canadian official said Wednesday, speaking on condition of anonymity because the negotiations are not concluded.

What happens after the items are returned

The items, accompanied by whatever provenance information the Vatican has, will be taken first to the Canadian Museum of History in Gatineau, Quebec. There, experts and Indigenous groups will try to identify where the items originated, down to the specific community, and what should be done with them, the official said.

The official declined to say how many items were under negotiation or who decided what would be returned, but said the total numbered “a few dozen.” The aim is to get the items back this year, the official said, noting the 2025 Jubilee which celebrates hope but is also a time for repentance.

This year’s Jubilee comes on the centenary of the 1925 Holy Year and missionary exhibit, which is now so controversial that its 100th anniversary has been virtually ignored by the Vatican, which celebrates a lot of anniversaries.

The Assembly of First Nations said some logistical issues need to be finalized before the objects can be returned, including establishing protocols.

“For First Nations, these items are not artifacts. They are living, sacred pieces of our cultures and ceremonies and must be treated as the invaluable objects that they are,” National Chief Cindy Woodhouse Nepinak told Canadian Press.

Gloria Bell, associate professor of art history at McGill University who has conducted extensive research on the 1925 exhibit, said the items were acquired during an era of “Catholic Imperialism” by a pope who “praised missionaries and their genocidal labors in Indigenous communities as ‘heroes of the faith.’”

“This planned return marks a significant shift in the recognition of Indigenous sovereignty and perhaps the beginning of healing,” said Bell, who is of Metis ancestry and wrote about the 1925 exhibit in “Eternal Sovereigns: Indigenous Artists, Activists, and Travelers Reframing Rome.”

Winfield writes for the Associated Press.

Brookside icon Tinhead is returning to the famous close for a one-off episode twinned with Hollyoaks, and actor Philip Olivier has opened up about the character’s nickname.

Brookside legend Tinhead is making a comeback to the renowned close for a special one-off episode alongside Hollyoaks.

Both beloved Channel 4 dramas were created by Grange Hill mastermind Sir Philip Redmond, with Brookside subsequently inspiring the development of Chester-set Hollyoaks.

To celebrate Hollyoaks’ 30th anniversary, the shows are joining forces for a landmark crossover episode, with Philip Olivier returning to his memorable role as Tinhead.

Tim “Tinhead” O’Leary made his debut in 1996 as the offspring of Carmel and Tommy O’Leary, portraying a wayward pupil at Brookside Comprehensive High School.

Throughout his storyline, Tinhead formed an intricate relationship with beloved character Sinbad, portrayed by Michael Starke, who served as a mentor figure for the rebellious youngster, reports the Manchester Evening News.

However, Tinhead was compelled to transform his ways following a devastating incident that nearly claimed his sister Melanie’s life.

His future seemed promising when romance blossomed with Emily, portrayed by Jennifer Ellison, and the couple wed in 2001.

Yet marital happiness wasn’t destined for the pair.

Following further involvement in unlawful activities, Emily perished during a burglary in 2002, leaving Tinhead bereaved at a young age.

Philip Olivier, 45, last appeared as Tinhead in November 2003 when Brookside broadcast its concluding episode.

However, over two decades later, he’s reprising his role as Timothy O’Leary, alongside Suzanne Collins as Nikki Shadwick, for a special Hollyoaks and Brookside episode.

How did Tinhead earn his nickname?

Despite the character’s actual name being Timothy, soap fans will recognise him by his unusual moniker.

Ahead of the rebooted episode, Olivier shed light on how his character acquired the nickname, revealing it was purely coincidental.

The actor shared: “There was a pretty rough school in my area with a really hard kid who everyone knew as Tinhead. This was before I got the part. The name was spray-painted on the side of a building near the school.

“I know a lot of Brookside writers used to live round that area so they must’ve drove past and remembered the name. People thought I’d suggested it but it was a coincidence.”

Olivier also disclosed that he had initially auditioned for a different role in the show before landing the part of the teenage troublemaker.

He elaborated: “Originally, I went up to play the character of Danny Simpson, then ended up playing the kid that bullied him at school.

“I auditioned for Danny then got a call a month later about this character called ‘Tinhead’.”

The Brookside and Hollyoaks crossover episode airs on Wednesday (October 22) at 7pm on E4.

TWO stars of The Inbetweeners have reunited ahead of the show’s reboot – sending fans wild.

Last week, The Sun exclusively revealed that the iconic E4 show would be making a return – with its four main stars all keen to reunite.

Now, Martin Trenaman and Robin Weaver, who memorably played Simon’s parents in the show, have sparked a fan frenzy after posing for a selfie hot off the heels of the news.

On X, Martin posted a snap of the pair and wrote; “I give you Mr and Mrs Cooper. #Inbetweeners“.

The post, which seemingly confirms their return, was met with excitement by fans, receiving thousands of likes.

One fan jokingly responded: “Your sex life together will always be the gold standard.”

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Another chimed: “Good for you Matin. Hope you’re keeping well.”

While Robin also received some love: “Mrs Cooper aged like fine wine“, one user replied.

Both Martin and Robin continued pursuing other acting projects following their time on The Inbetweeners.

Martin went on to appear on E4’s Phoneshop and picked up writing credits on Channel 4 comedy panel show 8 Out of Ten Cats Does Countdown, along with appearances on CBBC titles.

MeanWhile Robin went on to make an appearance on Channel 4 and Netflix sci-fi hit Black Mirror.

It comes after The Sun revealed the iconic show would be making a comeback 15 years after the final TV episode aired.

The show’s creators Iain Morris and Damon Beesley said: “It’s incredibly exciting to be plotting more adventures for our four favourite friends (ooh, friends)”.

The pair have struck a deal with production giant Banijay UK.

Its chief exec, Patrick Holland, said he was “delighted to pick up the conversation about the future of The Inbetweeners with them”.

He added: “They have an infectious creative vision for the brand which will resonate with audiences old and new.”

The company said the deal “unlocks the rights and potential to bring The Inbetweeners back for new audiences across a range of platforms including film, tv and stage”.

Actor Joe Thomas, 41, who played Simon said last year that the four main stars would all be keen to reboot the show.

Asked if conversations for a comeback had started, he said: “Yes, it’s happened in various forms.

“All of us feel it would be nice to do.”

He said all were still good mates and told a podcast: “We’re all still around.

“We’re all still in each other’s lives. We all still like each other.

“And if it was something that came up, I think we would want to do it.”

The coming-of-age show had three TV series on E4 from 2008 to 2010, plus films in 2011 and 2014.

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It starred Joe, Simon Bird as Will, James Buckley as Jay and Blake Harrison as Neil.

Emily Atack, 35, was also a regular, playing Charlotte, one year above the high school lads, who briefly dated Will.

A few months ago, my younger daughter, Darby, and I were settling into our seats at the local AMC. As the previews rolled, she gasped. “I know that voice,” she said. “That’s Aidan. Mom, that’s Aidan.”

I looked up just in time to see a familiar shock of brown curls. It was indeed Aidan Delbis, former member of the Falcon Players at Crescenta Valley High School in La Crescenta, a kid I had seen perform alongside my daughter in countless student plays.

Only now he was seated at a kitchen table with Jesse Plemons and Emma Stone as the words “Bugonia” and then “directed by Yorgos Lanthimos” flashed across the screen.

“Did you not know?” I asked my daughter. CV is a fine public school with a good theater program, but it isn’t exactly an incubator for nepo babies and aspiring stars. That one of their own had stepped off last year’s graduation stage and into a major film production should have been very big news long before a trailer hit theaters.

“No,” she said, furiously messaging various friends. “But now they will.”

Now they will indeed. When he joined the cast of “Bugonia,” Delbis didn’t just become a part of Lanthimos’ highly anticipated remake of Jang Joon-hwan’s 2003 black comedy “Save the Green Planet!” He also entered the mythology of which Hollywood dreams are made: A 17-year old sends in his first-ever open-call submission and lands a major role in a very big movie.

With a script by Will Tracy and obvious Oscar potential, “Bugonia” had its world premiere in August at this year’s Venice Film Festival before launching onto the festival circuit, including screenings in Toronto and New York, in preparation for its release this Friday. A slightly absurdist, darkly funny thriller with political undertones, it revolves around the kidnapping of a pharmaceutical company’s CEO, Michelle (Stone), by wild-eyed conspiracy theorist Teddy (Plemons) and his loyal cousin Don (Delbis).

From left, Emma Stone, Aidan Delbis and Jesse Plemons in the movie “Bugonia.”

(Atsushi Nishijima / Focus Features)

Teddy believes Michelle is an alien sent to destroy Earth. Don believes in Teddy. Though he falls in with Teddy’s plans, he often questions them, serving as a continual reminder that even within Teddy’s paranoid view of the universe, there is such a thing as going too far. Don is, in many ways, the heart of the film.

He is also, like the actor who plays him, autistic.

Delbis — who chooses to self-describe as autistic rather than neurodivergent — is not someone who has long nursed dreams of stardom. He took drama classes all through high school, but it wasn’t until his junior year, Delbis says, “that I started to get more into the process. I found the general process of acting, of understanding and investing in different personalities, to be fun and sometimes scary.”

Still, he says, “I wasn’t really sure that I wanted it to be my main career. But it so happened that this happened while I was in high school, and here we are.”

Here is the Four Seasons on a very rainy October afternoon where Delbis, now 19, has just finished his first solo photo shoot and is sitting, fortified by Goldfish crackers (his go-to-snack), for his first long one-on-one interview. He went to some of the film festivals and just returned from “Bugonia’s” London premiere, where he signed autographs on the red carpet and enjoyed flying first class. His parents, Katy and David Delbis, are seated nearby, as is his access and creative coach, Elaine Hall.

Delbis is a tall, good-natured young man who speaks with a distinctive cadence and in an unwaveringly calm tone. Aside from a habit of repeating himself as he searches for what he wants to say next, he seems more comfortable discussing his experience with filmmaking than many of the dozens of more experienced actors I have interviewed in this very hotel over the years.

“We should try to be more empathetic to people with different worldviews because you never really know what those people are going through,” Delbis says. “The movie feels very relevant to that theme.”

(Christina House / Los Angeles Times)

“It all started,” he says, “when my mom was friends with this agent, April, and one day she sent Mom an audition that seemed pretty promising, so I submitted for that. And they really liked it and called me back.”

It actually started a bit further back than that. With Plemons and Stone already cast, Lanthimos had decided that he wanted a nonprofessional actor to play Don.

“We went really wide in trying to find someone really special,” the Greek-born director of “The Favourite” and “Poor Things” says in a phone interview. “With these two experienced actors, I wanted to bring in a different dynamic. As we looked at people, I felt that the character would be more interesting if he was neurodivergent.”

Casting director Jennifer Venditti put out an open call, which April Smallwood of Spotlight Development saw and sent to Delbis’ mother, Katy.

“A happy-go-lucky young man, neurodivergent — it practically described Aidan,” Katy says in a later interview. La Crescenta may not be an industry hub, but, like many in L.A., the Delbis family has a Hollywood connection. Aidan’s older brother, Tristan (who is also neurodivergent), works at a movie theater; father David is about to retire after years at the Writers Guild Health Fund; and Katy, a self-described “creative,” has done some acting herself. But no one saw film-acting as a potential career for Aidan, who was set to take a gap year after high school. And, Katy says, she had no idea what sort of movie it was for. “It said for a ‘big film,’ but they always say that.”

She thought of it a bit like the time Delbis, a member of the high school track team, decided he also wanted to try out for basketball. “As I drove him to the school,” Katy said, “I told him that he might not get on since there were a lot of kids who had been playing basketball for years, which he had not. He said, ‘Mom, I just want to see what it’s like.’”

Now Delbis wanted to see what it would be like to audition for a “big film.”

Aidan Delbis in the movie “Bugonia.”

(Atsushi Nishijima / Focus Features)

He had recently performed the Vincent Price monologue from “Thriller” for the school talent show, which Katy filmed on her phone, so Smallwood submitted that. Venditti called Smallwood the next day and met with Delbis over Zoom. Thus began a monthslong process of meetings, rehearsals and auditions.

“We focused on him right away,” Venditti says. “He seemed to have it all. And he was very committed.”

“I was really unaware of how big a project it was,” Delbis said. “I had never seen a film by Yorgos.”

In March, Lanthimos, Stone and Plemons were in L.A. for the Oscars, so they all met with Delbis and came away impressed.

Lanthimos thought of casting a neurodivergent actor in a part because it would bring a natural clarity and unfiltered unpredictability to the role. He didn’t consider it any more challenging than working with any other actor. And when he met Delbis, Lanthimos says, “I just thought: That’s him.”

“Just from watching that first tape, you could see there was something so magnetic about him,” said Stone during a recent phone interview. (She is also a producer on the film.) “Don is the audience’s window, the one who can see through the charade.”

Still, there were many more steps to take.

“It’s a big leap for any nonprofessional,” Stone says. “It’s a big part in what is essentially a three-hander.”

From left, director Yorgos Lanthimos, Emma Stone, Aidan Delbis and Jesse Plemons at the Venice Film Festival, where “Bugonia” had its world premiere in August.

(Alessandra Tarantino / Invision / AP)

For an autistic actor, it’s an even bigger leap. As talented as Delbis might be, he also had to be able to handle the pressures, boredom and chaos of a film set. Venditti reached out to Hall. The founder of the Miracle Project and mother to a now-adult neurodivergent son, Hall is an acting coach who has worked for more than 20 years to increase the presence and understanding of neurodivergent and disabled people. She is often asked to gauge the ability of actors to take on a certain role — their ease with the material, their physical stamina, their level of independence and their emotional accessibility.

Delbis, she says, ticked all the boxes. He loves horror films, he was on the track team and he was, at the time, about to travel without his parents on a school trip to Sweden.

He is, as he says himself, “a low-key guy,” so Hall gave him some exercises to help him portray more extreme emotions and prepare him for when other cast members might do the same. (One subsequent rehearsal involved a scene in which one of the actors screamed repeatedly.)

Often, Hall says, perfecting these exercises can take weeks; Delbis, working with his mother, did it in a weekend. She also helped him prepare for his meeting with and then chemistry read with Plemons.

Delbis says he was “a bit nervous, though I don’t know why.” He did not recognize Plemons’ name or his face. “I had watched ‘Breaking Bad,’ but I didn’t realize Jesse played Todd. Halfway through [the read], I told him he looked like Todd and he said, ‘That’s because I played him.’ I’ve seen him in other things since then,” Delbis adds. “He’s a very solid actor.”

More important, he says, “Jesse seemed to me to be a very cool guy.”

That feeling is mutual. “When we brought Aidan in, I was excited and a little nervous,” Plemons says during a phone call from London. They started with one of the more extreme scenes from the film. “I was finding my feet too. When it became apparent that he was going to be fine with the darker scenes, I said, ‘This is him; this is Don.’”

While all this was happening, Delbis was finishing his senior year, which included a starring role in a production of “Almost Maine.” “It was not overly hard,” he says, but sometimes it was a lot. “I did one read and then I had to go to rehearsal for the play.”

Venditti remembers that day very well. “Here we were being so careful, treating him like he was fragile and not wanting to overload him,” she says laughing, “and he’s just calmly multitasking.”

When Delbis got the role in May, he and his family signed a nondisclosure agreement, which is why none of his friends knew his news after graduation, and Delbis and his family flew to the U.K. to begin filming. It was a tough secret for his parents to keep. But “any time it looked like I might slip,” Katy says, “Aidan shut me down.” He celebrated his 18th birthday near the set outside of Windsor, where production ran for three months before moving for two weeks in Atlanta.

Hall was hired to be Delbis’ on-set access and creative coach, a job she believes she has invented, meant to make the experience for neurodivergent and disabled actors easier. She suggested that Lanthimos and Tracy simplify Delbis’ script pages, stripping down the description of action “so he wouldn’t get stuck thinking he had to do exactly what was on the page,” she says, which they were happy to do.

“We didn’t want to put any limits on him,” Lanthimos says.

Delbis chose most of his costumes (except a beekeeping suit, motivated by the plot, which he says “was very hot”), which mirrored his own wardrobe preferences down to the horror film t-shirts and mismatched socks. Even the food Teddy and Don eat during the film reflects Delbis’ taste: mac ’n’ cheese, taquitos, spaghetti.

Hall ensured Delbis had extra time before filming, during which she could help him prepare with rehearsal and centering exercises. She visited the set before he arrived so she could tell him exactly what to expect and worked with the production team to ensure that he had his own space between takes. “They built us a little house, with horror posters on the wall and stuffed animals that looked like his cats,” she says. As there were no Goldfish available in the U.K., the production had them flown in.

“Having Elaine there was amazing,” Venditti says. “The idea of having someone to act as eyes and ears of what people are actually experiencing on set, I think it’s groundbreaking. I don’t know why we haven’t done it before.”

Delbis spent a fair amount of time with Plemons, who Hall said occasionally stepped in to help if she had to be away from set.

“We did a decent amount of goofing around,” Delbis says. “The bond that developed between us occurred quite naturally. I consider Jesse a friend.”

For his part, Plemons enjoyed being around someone who spoke his mind.

“I so appreciated Aidan’s inability to tell a lie,” Plemons says. “On a set, you spend so much time waiting around, and he would say, ‘What are we doing? What is taking so long?’ Which was exactly what I was thinking. He’s a very smart, sensitive, self-assured guy, and if you’re unclear in what you’re saying, he will let you know.”

“Aidan is just so funny,” says his “Bugonia” co-star Emma Stone. “We spent a lot of time together in a basement and Aidan had so many jokes about that.”

(Christina House / Los Angeles Times)

Stone says that while she and Delbis had a friendly rapport, she hung back a little when they weren’t shooting. “I didn’t want to form the same kind of bond Aidan had with Jesse because [in the film] it’s them against me and I didn’t want to do too much to mess with that.”

But, the two-time Oscar winner says, “Aidan is just so funny. He was on a jag during the kidnapping scene. We spent a lot of time together in a basement and Aidan had so many jokes about that.”

“I went through all of ‘Bugonia’ thinking I had never seen Emma in anything,” Delbis says. “Then I realized my parents had shown me a clip of a woman getting very involved in a birthday card — ‘Pocketful of Sunshine’ — and that was from ‘Easy A.’”

When he was filming, Delbis was all business. Several of the takes which he ad-libbed made it into the film and Delbis is proud of that.

“Despite being in more extreme situations than I’ve been in, there’s something of Don’s emotion and struggles that did feel very familiar to me,” he says. “Feelings of great distress and helplessness and conflictedness and confusion. I have felt that in classes in high school.”

“Aidan has great instincts,” Lanthimos says. “In a scene toward the end [of the film], he was so moving, it was the first time I have ever teared up on set.

There were difficult days — one moment with Plemons, Delbis says, took many takes. “It was hot AF and involved me getting more worked up that I am used to getting,” he remembers. But he appreciated Lanthimos’ willingness to let him try things. “In one scene, Jesse throws a chair and I thought that seemed pretty cool. So at the end of the day, they let me throw a chair. I hope that makes it into the outtakes reel.”

He was also very pleased when the crew threw him a s’mores party at the end of filming. “There was a fire pit on set that looked perfect for s’mores,” he says. “And I told them that, so it was my idea to have a s’mores party.”

Delbis is happy with how the film turned out, including his performance. “I think I looked pretty baller in that suit,” he says of one scene. Though he doesn’t have an opinion on the authenticity debate — whether autistic actors should always be the ones to play autistic characters — he thinks it’s “cool that writers and directors are starting to be more conscientious and give more realistic and respectful depictions of neurodivergent people and characters.”

He is more concerned that audiences understand what he thinks is the most important message of the movie.

“We should try to be more empathetic to people with different worldviews because you never really know what those people are going through,” he says. “The movie feels very relevant to that theme. God knows, people aren’t always willing to be tolerant.”

The Australian LGBTQIA+ nightclub that faced backlash for aiming for “90% plus” male customers despite its Chappell Roan-inspired namesake has announced a rebrand. 

Last week, Kevin Du-Val, the owner of Sydney’s Palms On Oxford, and its manager, Michael Lewis, announced they would be opening a new bar in early December called PINK PONY, which they describe as “unashamedly inspired by its namesake song that resonates so profoundly within our community.”

However, they said the club was created “specifically for 18-35 (state of mind) gay men who love to dance and get sweaty to high-powered dance music in a safe space.”

In an interview with Gay Sydney News, Lewis reiterated the demographic they are targeting, adding: “Of course, the girls will be welcome. But it would certainly be our desire that it is predominantly gay boys, and when I say predominantly, I’m sort of talking 90 percent plus.”

“Obviously, we’ve got legal hurdles,” he continued, “in terms of how much we can vet the crowd while still complying with the law.”

Shortly after the news was announced, Lewis and Du-Val faced massive backlash on social media, with many slamming the pair for being dismissive of queer women – especially since its namesake is inspired by a song written and performed by one of the biggest lesbian pop artists.

Following widespread condemnation, the owners issued a lengthy apology, with Lewis also telling The Guardian Australia that the venue’s name would be changed.

On 21 October, the club’s Instagram account announced that the venue’s new name would be TRIBE @ 231 Nightclub. 

“A bold new chapter in Sydney’s nightlife is about to begin. TRIBE @ 231 a nightclub created by members of the LGBTQI+ community for the LGBTQI+ community, is officially opening its doors in the heart of Darlinghurst — and it’s ready to electrify,” the statement revealed.

“Oxford Street has always been a cultural beacon for the LGBTQI+ community. TRIBE @ 231 is our love letter to that legacy — a place to dance, connect, and celebrate queer joy in all its forms… TRIBE @ 231 aims to energise the soul of Sydney’s queer nightlife and be loud, proud and without limits. Find Your TRIBE @ 231.” 

Shortly after announcing the news, one Instagram user inquired if it will be “welcoming to all members of the LGBTQIA+ community? Or just Gs between the ages of 18-35?”

In response, the venue affirmed that TRIBE @ 231 will welcome all members of the LGBTQIA+ community, adding that “at the end of the day, vibe of venue, the music and those it resonates with will dictate the crowd.”

As of this writing, the venue has yet to share the official date for its grand opening. However, they confirmed that it will be open for business sometime in December.

Celia Imrie is one of several famous faces appearing on the BBC’s Celebrity Traitors, and in the past, the beloved actress, who’s appeared in Bridget Jones, has shared glimpses of her life

Celia Imrie had no wishes to marry – or date, but after wanting a child took a slightly unconventional route to motherhood. The actress is one of the famous faces starring in BBC hit Celebrity Traitors.

She’s joined in the castle by the likes of Alan Carr, Charlotte Church, Kate Garraway, Lucy Beaumont, Jonathan Ross, Clare Balding, Cat Burns and Stephen Fry. Celia believes being an actor gives her “quite an advantage” to the game, but has shared a number of personal revelations in the series so far.

Celia has spoken of her special arrangement with the late actor, Benjamin Whitrow. Celia has made it no secret that she had no intentions of getting married, but had always wanted to be a mum. She and Benjamin welcomed son Angus, also an actor, who has appeared in Station Jim, The Crown and Flea Bag.

Now, 73, when she was in her 40s, Celia asked Whitrow for a child but revealed she didn’t expect him to contribute towards their son’s life. Instead, she made the decision that she would raise their child completley alone. Speaking about her deal with Whitrow, she told the Telegraph: “Angus was devoted to his father and, though I’ve never really said it properly, Ben and I did have a romance.

“I wanted to have his baby before it was too late, and he [Whitrow] was very, very honest with him [Angus], and he accepted that and was a wonderful father.” Whitrow, known for playing Mr Bennett in Pride and Prejudice, died in September 2017, aged 80.

She said it was “very tough” and that she had lost “a very darling friend”. Prior to his death, Celia had insisted that they were just friends. She and Whitrow, who was divorced with two adult children, met in the 1990s, and it was during a walk on the beach when she asked him to father her son.

Reflecting on this, she said in her memoir, Happy Hoofer: “We gradually got to know each other and grew very fond. He thought perhaps in time…but because Ben had a grown-up family I was very anxious not to upset them.

“Ben and I walked on the beach one day as I laid out my terms. As long as he understood I would not ask for anything, I wouldn’t want to live with him, or marry him, would never ask for money for the child and I would be responsible for choosing and paying for the child’s education, accommodation, clothing – everything.

“I was trying to be clear and true. Some people might say calculated, but I would say I was being honest. If Ben could take all that on board, I said, then his offer to fulfil my wish for a child would be wonderful. He has proved to be a marvellous father to Angus. And his whole family has been very welcoming.”

Celia has been very clear that she prefers friendship to sex and has no desire to marry. Speaking to the Telegraph in 2013, she said: “I have a horror of boring someone or, worse still, of someone boring me. I said to my mother when I was seven, ‘But, Mums, if it was only my husband and me in the house together, what would we talk about?’ I’ve never wanted to answer my own question, and doubt I’ll bother now.”

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MYLEENE Klass stunned in a daring low cut top as she stepped out for a star-studded event.

The TV personality, 47, cut a glamorous figure in the all-black ensemble as she attended Global’s Audio & Entertainment Upfronts party on Tuesday evening in London.

The Calm Classics radio host was joined by a flurry of her Global colleagues, including Sian Welby, Jordan North, Emily Maitlis and Chris Stark for the starry event.

Myleene showed a hint of cleavage in the braless number, which she simply paired with black heels and a gold-detailed watch.

Her honey blonde wavy locks were styled with a simple middle parting as she beamed a smile for cameras.

It comes as the star put her stalker hell behind her after a crazed fan sent her an “accumulation” of concerning items.

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Peter Windsor, 61, was convicted of stalking Myleene and her Classic FM colleague Katie Breathwick after bombarding them with creepy letters and gifts.

The 61-year-old allegedly sent Myleene items with “sexual overtones” – including a Catwoman outfit and set of handcuffs.

He also called her a “naughty vixen” and sent a police uniform to the Classic FM studio, Birmingham Crown Court heard.

Giving evidence, Myleene said she was informed in an email in August last year that an “accumulation” of items had been sent to her.

She became upset when she was asked about being told how Royal Mail had “intercepted” an air pistol addressed to her.

She said “it just felt extreme on every front” after she was shown a list of items and photographs of letters Windsor allegedly sent.

The ITV star added: “It was very clear very quickly that it was a highly volatile selection of items.

“It was a huge shock, especially the extent to which it had escalated.

“It was pretty overwhelming when you have the accumulation of a bundle of this information. It’s pretty terrifying.”

It also emerged that Windsor was arrested but not prosecuted after sending a letter in October 2020 to Ms Sturgeon when she was Scottish First Minister.

Following his conviction earlier this month, Myleene said: “After a horrific year, my family and I finally have peace.”

Posting to her 500,000 fans on social media, she added: “Thank you for your love and support.”