show biz

Robert Vargas is in a bit of a time crunch.

The Los Angeles-based artist has embarked on one of his most ambitious murals. Titled “Samurai of the Diamond,” it features the Dodgers’ trio of Japanese stars — two-way player Shohei Ohtani and pitchers Roki Sasaki and Yoshinobu Yamamoto — in larger-than-life fashion on a 12-story wall of the DoubleTree Hotel in Torrance.

Artist Robert Vargas takes a break from painting Saturday to show his progress on his newest mural.

(Genaro Molina / Los Angeles Times)

As of early Saturday afternoon, Vargas still had a lot of painting to do in order to have the mural finished by the official unveiling at 10 a.m. Tuesday. Anyone familiar with Vargas and how he works, however, knows he will get it done.

“It may be finished at 9:59, but at 10 o’clock we will unveil this,” Vargas said

Koreatown resident Diego Guerrero is one of those who knows Vargas’ style. After witnessing the artist working on his massive Fernando Valenzuela mural in Boyle Heights during the fall of 2024, Guerrero said he had “full faith” Vargas would meet his deadline this time around.

“I know he’s got this,” Guerrero said while visiting the DoubleTree site Saturday. “Last time he was doing this, it was raining and even that time he pulled it off. So I have no doubt he’ll finish it.”

Vargas said the new piece was conceived as a follow-up to the massive mural of Ohtani he painted on the side of the Miyako Hotel in Little Tokyo soon after the former Angels pitcher signed with the Dodgers prior to the 2024 season. In two seasons with L.A., Ohtani has won two National League MVP awards and helped the Dodgers win two World Series championships.

The Dodgers signed Yamamoto during the same offseason and Sasaki a year later. Both pitchers played key roles in the team’s 2025 postseason run. Yamamoto went 7-1 with two complete games and pitched for the final out in Game 7 of the World Series against the Toronto Blue Jays. Sasaki moved to the bullpen for the playoffs and recorded three saves and two holds.

“If [the Ohtani] mural was about ushering in a new era and a new face here in Los Angeles, this mural is about building a cultural bridge from Los Angeles to Japan and really emphasizing the greatness that these foreign-born Japanese players are contributing not only to the team, but to this community’s identity,” Vargas said. “And also inspiring to kids who can look up and see heroes that look like them from this community.”

Robert Vargas paints an image of Shohei Ohtani as part of the local artist’s ‘Samurai of the Diamond’ mural Saturday at the DoubleTree Hotel in Torrance.

(Genaro Molina / Los Angeles Times)

Known for its large Japanese American population and concentration of Japanese businesses, Torrance signed friendship city agreements with Bizen (Yamamoto’s hometown) in August 2024 and Oshu (Ohtani’s hometown) in October 2024.

Vargas, who has a home in Japan because of the frequent mural work he does there, came up with the idea of a Torrance mural honoring the Dodgers’ Japanese stars around that time.

“I feel that they are examples of how to do things right on and off the field,” Vargas said of the three players. “Their work ethic is really reflected in the culture. That’s why Ohtani is so respected out there on the field, not just for what he’s doing with the bat or with the baseball but just how he conducts himself. It’s refreshing.”

His idea received support from local leaders, such as Mayor George Chen and city council member Jon Kaji.

“Ever since the Dodgers signed Shohei Ohtani in December, 2023, the community has rallied around Ohtani, Yoshinobu Yamamoto and Roki Sasaki giving us all a sense of pride,” Kaji said in an email to The Times. “…’Samurai of the Diamond’ exemplifies the unifying power of sports that transcends borders and nationalities.”

Chen wrote in a separate email: “There are many Dodgers fans in the City of Torrance and the greatness of these 3 players have been great role models to young and old. They are performing at the highest levels in MLB, yet they have shown us that even great athletes and celebrities can maintain a certain level of maturity, respectful to others, picking up trash, not retaliating when attacked, and always showing great sportsmanship.”

The wall will include an interactive feature: When visitors scan a QR code, they will see each player come to life and throw a strike, with animation provided by the AR Firm. Also, lights are being installed in the parking lot to illuminate the mural at night.

“It’s going to be a destination,” Vargas said.

DoubleTree general manager Linda Amato, who is also the executive chairperson of the Discover Torrance visitors bureau, said the hotel plans to create “opportunities for guests to gather outdoors, enjoying [Dodgers] games under the stars alongside the interactive mural.”

“The response from the community has been incredible,” Amato said in an email. “There’s a real sense of excitement — people are stopping by daily to watch the progress and engage with the project. It’s brought a new energy to the city. Robert Vargas has been amazing throughout the process, often speaking with visitors about his vision and techniques, which adds to the overall experience.”

Vargas hand-picked the DoubleTree Hotel in Torrance as the location for his latest mural, despite the wall’s deep ridges, which make it difficult to paint.

(Genaro Molina / Los Angeles Times)

Vargas hand-picked the DoubleTree as the site, even though he said the hotel’s exterior “presents the most difficult surface challenge” he has faced. The wall is lined with thick, vertical grooves, described by Vargas as “almost like a lattice surface because the corrugation is so deep.”

Because of that, Vargas — who always works freehand and does not use spray paints — has to carefully paint each section with a brush, as even a roller will not work on that surface. He calls the process “very exciting.”

Actor Edward James Olmos, who was visiting Vargas at the site Thursday morning, thinks his longtime friend is nuts.

“That’s the worst f— texture I’ve seen in my life,” the 79-year-old “Stand and Deliver” actor said of the wall’s surface. “Not one artist I’ve ever known would even want to try to do this. He chose it. I told him he’s off his a—. Have you ever seen that texture before? Never.”

Vargas he said he’s not thinking about that or any other challenges when he’s several stories in the air working on a project he knows will mean a lot to many people.

“When I’m up there and I think about the community that’s down here and how excited they are to see an image like this — not only because of what the content is, but that it’s happening here in Torrance and not just in Little Tokyo — they feel very, very proud,” Vargas said. “So the wind conditions, the heat conditions, the scaling, all of that becomes secondary when you think about why you’re creating it.”

On Saturday afternoon, East Los Angeles resident Edgar Reyes came out to see the super-sized artwork being created in real time.

“It’s just amazing to be able to witness it and see how people are coming together,” said Reyes, who described himself as a “big Robert Vargas fan.” “I think for Torrance this is a good thing because you see a lot of murals in the east side of L.A. because there’s a lot of graffiti artists and all that, compared to over here. So it’s something really huge for Torrance, I believe.”

Koreatown resident Diego Guerrero, who also visited the site on Saturday, said it is “mesmerizing” to watch Vargas work and called the mural “mind-blowing.”

“It’s so huge,” Guerrero said. “You could see it from miles away. And it’s like, hey, I know them — they’re part of the Dodgers. But not just that. They’re part of the minority. They’re Japanese players, we’re Hispanics, but we’re the same. We want to feel like we’re represented and we’re here. The world will see us, you know?”

Robert Vargas plans to finish his ‘Samurai of the Diamond’ mural in time for its official unveiling Tuesday at 10 a.m.

(Genaro Molina / Los Angeles Times)

Around midday Saturday, Vargas faced another delay when high winds caused him to temporarily come down from the wall. He had already made arrangements to be able to work through the night on Saturday and said he was prepared to work nonstop, if necessary, to be finished in time for the unveiling two days before the Dodgers’ season opener Thursday against the Arizona Diamondbacks.

“I’m going to get it done,” he said.

“My time frames are pretty ambitious, but I also know what I’m capable of when it comes to my speed,” Vargas added. “And also I think that my process is really charged by my intention of why I’m creating these pieces, and that is what fuels me to completion.”

A popular sitcom hailed as ‘comedy gold’ has apparently been renewed for another series

A BBC series dubbed “cracking” and “comedy gold” by viewers is reportedly returning for a third series.

The sitcom about about a PE teacher from the 1970s getting a second chance at life started in 2024 and made a splash with viewers. According to The Sun, it is now set to return for a third run, with filming due to start in June.

Starring Mike Bubbins as Tony Mammoth and Car Share star Sian Gibson as his daughter, the series followed the teacher when his body was discovered frozen in time, after he was thought to have died in an avalanche during a school trip in 1979.

After being revived, he has to adapt to a world that has completely changed.

A previous BBC synopsis said: “In the Seventies he was a carefree Cardiff bachelor, teaching PE and generally living la vida loca. In 2024, he thought the world would still be his oyster, but Mammoth never really liked oysters, he was more of a pint and a packet of crisps sort of bloke. All he wanted was his old life back; the same job, the same clothes, the same car and the same soundtrack.”

Mammoth – set and filmed in Cardiff – started in 2024, and returned for its second series last year.

It was a hit with viewers, with one writing on Imdb.com that it was “a cracking comedy” that “feels remarkably relevant”, adding: “It is inoffensive yet sharp, poking fun at 1970s attitudes while highlighting the absurdities of modern life.”

“There were many genuine laugh out loud moments and some wonderful hillarious situations created by the writers,” said someone else.

Another viewer remarked: “Bubbins is wonderfully understated as the titular star and delivers the punch lines with little fanfare but lots of laughs. The supporting cast is brilliant, but this is very much Bubbins show and plays it to perfection.”

“Love it, a much needed slice of comedy gold and well done to the BBC for backing it,” said another impressed viewer.

“The writing is so strong, when you sit down you just know you’re in for some happy, silly, uncomplicated good fun and it’s been great to watch the series develop.”

The BBC has been contacted for comment.

Mammoth aired on the BBC.

LONDON — Years before the rise of Instagram, Banksy figured out that the key to real influence lay in not being famous, exactly, but in being anonymous.

The mystery of his identity has long been part of the value of his art, which for decades and across continents defied authority from public walls and self-shredded on the auction block. Now, Banksy’s apparent unmasking by the Reuters news agency has generated talk about whether the works themselves retain their cultural and financial value.

It also raises the question: Why pop the balloon of his mystique in the first place? Many Banksy fans mourned the loss of the mystery and lashed out at the news outlet. One said it was like being told without warning that Santa Claus doesn’t exist.

“I feel like they are telling me how a magic trick is done,” said Thomas Evans, a Denver-based artist on Instagram. “Sometimes I just want to enjoy the magic trick.”

But some art experts say the murals and the message will survive Banksy’s naming because his appeal wasn’t driven solely by his anonymity. He and his works — dark and mischievous — stand as witnesses to injustice, oppression and inequality around the world, from the artist’s native England to walled-off Bethlehem in the occupied West Bank and war-ravaged Ukraine. Subtract his anonymity, they say, and the work still inspires reflection and discussion.

“People buy his works because they absolutely love it,” said Acoris Andipa, director of the Andipa gallery in London. “The main feedback that I get is that they really, frankly, don’t care if they know who he is.”

Naming the ghost — and the backlash — is engagement, too

Banksy, long thought to have been born Robin Gunningham around 1972, grew out of a tradition of street artists who viewed the undercover act of posting their art in public as a subversive form of expression. The postindustrial landscape of his native Bristol was his canvas and gallery. The walls of London, New York and elsewhere gave him a global stage just before the rise of social media.

Banksy’s apparent identity has been an open secret among protective fellow artists, and long been easy to find online for those who wanted to know. The Daily Mail reported in 2008 “compelling evidence suggesting” that was the artist’s birth name. It has been published by other news outlets, including the Associated Press in 2016, as part of their coverage of the detective work.

Reuters reported recently that after the Daily Mail’s story, Banksy changed his legal name to David Jones — the second most-popular name in Britain. It’s also the given name of the late David Bowie, whose Ziggy Stardust rock ‘n’ roll avatar inspired a 2012 Banksy painting of Queen Elizabeth II.

Bansky’s lawyer didn’t respond to a request for comment, and the artist’s spokeswoman declined to participate in this story.

Reuters pieced together that a David Jones traveled to Ukraine with a well-known associate of Banksy’s in late 2022 — just before the artist’s work began appearing on buildings that had been bombed by Russia. Banksy later confirmed that he’d created seven murals in the war zone, including one of a child flipping over a grown man who is wearing a black belt. Russian President Vladimir Putin practices judo.

There’s evidence that even some in the establishment he was protesting have accepted Banksy. They didn’t arrest him, for example, after the Royal Courts of Justice removed a Banksy stencil depicting a judge in a traditional wig and gown beating an unarmed protester with a gavel. Some street artists groused that they might be arrested for creating such graffiti — but when it’s a Banksy, it’s art.

The artist wasn’t always so elusive

On Sept. 17, 2000, a Robin Gunningham was arrested for defacing a Marc Jacobs billboard atop a building on Hudson Street in New York.

In a handwritten signed confession, he described the work on the night in question: “I had been out drinking at a nightclub with friends when I decided to make a humorous adjustment to a billboard on top of the property,” he wrote in court records unearthed by Reuters and confirmed by the AP. “I painted eyeshadow a new mouth and a speach bubble” on the photo of a male model. He was charged with a misdemeanor.

The artist doesn’t need an alleged naming to make news. He created multiple works in London in 2025, and grabbed headlines elsewhere for having his art sold or auctioned for millions. But Banksy has courted a public image centered around morality, justice and guerrilla tactics — he’s often likened to Robin Hood or Batman.

“Banksy woz ere,” he wrote with his animal murals at the London Zoo, which were removed in 2024.

Still, along with the sadness, there’s ample speculation in the art world and on social media that the artist himself orchestrated this round of naming. He didn’t deny the Reuters story.

That “would be very much in line with his practice of stunts and satire,” observed Madeleine White, the senior sales and acquisitions consultant at London’s Hang-Up Gallery. “As they say, ‘All publicity is good publicity.’”

She noted, however, that the backlash is directed at the media — not the artist, or the potency of his work. Reuters says it opted to publish some, but not all, of the information its reporters uncovered about Banksy’s identity, because he is a public figure, whatever his name — and he’s had an outsize influence on public events and discourse. What’s more, much of his work has been done on other people’s property.

Connected to world events

Named or not, Banksy’s stardom lives, art experts say.

It endures in the wonder of his ability to erect new art under the noses of authorities well into the age of social media and ubiquitous surveillance cameras. It appeals because his spectacle and wit draw people in and the settings — the hulk of bombed buildings, for example, or Israel’s towering wall at the border of the West Bank — invite them to reflect. Now, fans are on the lookout for how and whether he’ll respond to the news of Robin Gunningham and David Jones.

Joe Syer, a Banksy expert and founder of MyArtBroker, said that the artist has always responded to world events. “And that’s where the real relevance, and value, sits,” he said.

“If anything, Banksy’s anonymity has functioned less as a celebrity device and more as a way to keep the work universally accessible, detached from personality, ego, or biography,” Syer said in an email. “It allows the work to sit in public space, politically and culturally, without being anchored to an individual in the way the mainstream press often frames it.”

Christopher Banks, founder of the New York-based Objects of Affection Collection, reads Banksy’s naming “not as a biographical event, but as a structural stress test” of the artist’s system of managing his absence.

“Banksy’s best works carry their meaning without the author. He was there,” Banks wrote, citing the artist’s murals in Ukraine and his solidarity with the war’s victims.

“The name matters less than the presence. The presence was always what the work was about.”

Kellman writes for the Associated Press. AP writer Michael Sisak in New York contributed to this report.

KELLY Osbourne has “split” from her Slipknot star fiance – just seven months after his romantic proposal as she continues to battle her grief.

The daughter of Sharon and late rock legend Ozzy Osbourne got engaged at her dad’s father’s final ever Black Sabbath gig back in July.

Slipknot rocker Sid Wilson, 48, got down on one knee and popped the question backstage in an intimate moment watched by her famous parents.

But it has now been reported that Kelly, who shares three-year-old son Sidney with the musician, has ended her romance.

“Kelly and Sid have decided to call off their engagement,” a source told the Mail.

“Kelly has been struggling following the loss of her father.

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“The grieving process has been incredibly difficult, and she’s been doing everything she can to cope.

“In truth, she and Sid have been facing challenges in their relationship for some time, and things were not as they appeared.

“They tried to make it work, particularly for the sake of their child, but ultimately decided that separating is the best path forward.”

They added that Kelly is remained focused on herself and being the best parent she can be to her young son.

The Sun has reached out to Kelly’s reps for comment.

Just seven months ago, Kelly was left emotional as she agreed to marry Sid following a sweet proposal.

Stood in front of Sharon and Ozzy, they appeared to have an idea of what was to come as the former X Factor judge could be heard saying to everyone in the room: “You’ve got to be quiet!”

Sid then took the hand of Kelly, who was dressed down in some comfy leopard print trousers and a simple black hoodie.

He said to the TV personality: “Kelly, you know I love you more than anything in the world!”

Ozzy then appeared to give the game away as he jokingly quipped with his signature potty mouth: “F*** off, you are not marrying my daughter!”

The group laughed before Sid continued as he said: “I want to spend the rest of my life with you – and ask in front of all of our family and friends, Kelly, will you marry me?”

Kelly turned her head as she looked on open-mouthed before Sid began to stand up and place the ring onto her finger.

Sharon and Ozzy could be seen beaming as the onlookers clapped and cheered for the happy moment.

Uploading the video to her Instagram page, Kelly added the caption: “Oh and this happened yesterday!”

Sid proposed to Kelly with a bespoke custom-designed ring from Los Angeles based jewellers, Mouawad.

He designed the ring with the team through various one-on-one meetings in order to ensure it was right for Kelly.

Sid chose to curate a dazzling 18K yellow gold ring adorned with both white and yellow diamonds, as well as citrine accents.

The centerpiece is a stunning 2.5 carat round brilliant-cut diamond with the ring being nicknamed the Honeybee – Kelly’s personal nickname.

The engagement came backstage as Ozzy played his final ever show with Black Sabbath at Villa Park.

Kelly and Sid first met in 1999 at Ozzfest, a music festival founded by her parents.

They were friends for over two decades before their relationship turned romantic at the end of 2021.

Earlier this month, Kelly was forced to her to hit back at those who criticised her body during the “hardest time of her life”.

JESY Nelson has revealed her “heart is super heavy” as she shared an SMA screening battle update to social media.

The doting parent, 34, has been relentlessly campaigning for SMA1 screenings in England after her twins were diagnosed with the rare muscle wasting disease.

Jesy took to Instagram and said “Today my heart feels super heavy. It’s a very bitter sweet moment today knowing that Scotland has become the first UK nation to screen babies for SMA.

“We’re so close yet so far.

“I will never be able to understand why we are still not testing for it in England.

“To know that my girls lives and so many other children in England could look so different if this had of been there for them.

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“But never the less I will keep fighting and pushing for change because nobody should ever have to go through this heartache.”

Earlier, Jesy also shared a beautiful video clip of her daughter Ocean sitting up, as she said: “She’s proving everyone else wrong,” and that they are “going to get there.”

Jesy recently became successful in gaining over 100K signatures on her petition to fund SMA1 screenings.

The good news meant it will now be debated by MPs in the House of Commons.

Jesy has been campaigning for change and demanding the heel prick test be included in newborn health plans to help catch the condition early.

The tots have the most severe form of a rare muscle wasting disease and may never be able to walk.

The former X Factor star gave birth to her little girls prematurely at 31 weeks in May last year.

Jesy first revealed her children’s’ devastating diagnosis in an emotional video.

She has emotionally spoken out about how she could have saved her twins’ legs before their diagnosis.

It comes after the second series of her show Jesy Nelson: Life After Little Mix has already been confirmed and will be coming to the small screen later this year.

The popstar confirmed she’ll be fronting the follow-up programme on Amazon Prime Video focussing on her little girls’ health battle.

The singer, 34, rose to fame in the band after they were created on talent show The X Factor, but left the group in 2020 – with the girls continuing on as a three-piece following her departure.

The singer recently opened about a secret suicide attempt days before quitting the group.

Her abrupt exit from the girl band had been shrouded in mystery and she claimed her cry for help was ignored by bandmates Leigh-Anne Pinnock, Perrie Edwards and Jade Thirlwall.

It was the second time Jesy had tried to take her own life following an overdose in 2013, which she ­previously opened up about in her NTA-winning BBC documentary Jesy Nelson: Odd One Out.

The last time Eric Idle’s “Monty Python and the Holy Grail” spoof musical “Spamalot” landed at a major L.A. venue a decade ago, he played the show’s tweedy historian, who sets the scene for the Arthurian legend with a seriousness entirely unfit for the absurdist romp to follow.

It was a perfect role for the “Monty Python’s Flying Circus” alum, to whom dry humor comes as naturally as breathing.

But when “Spamalot” makes its long-awaited return to L.A. Tuesday at the Hollywood Pantages, Idle will take the stage only briefly, and not as a cast member. His job is to pop on and “say something funny or rude, which sadly, comes quite easy to me,” he said in a recent interview at Written Hand cocktail lounge, located just north of the theater.

Over a margarita and a few chef’s olives, Idle recounted his earliest forays into comedy, his legendary run and subsequent break with his former “Monty Python” castmates, and why “Spamalot” arrives in L.A. at the perfect time.

Explaining his scaled-back involvement in this iteration of his meta-musical, Idle said that at the golden age of 82, “I can’t do anything eight times a week” — though his agenda that day begged to differ.

He’d woken up around 6 a.m. for his daily writing session, powered through a meeting with his book publisher and capped off the sunlight hours with some “Spamalot” promos and a photoshoot, all before sitting down to dinner.

Though his admin tasks may tire him, Idle said comedy never does. Recently, he ran into the actor who plays King Arthur in the Pantages production at their hotel bar and asked him for notes on the script.

“He said, ‘There’s one speech.’ I said, ‘I know exactly which one it is,’” Idle recalled. “Every time I hear it I go, I must rewrite that.”

So Idle workshopped it — did the algebra, as he described it — and wound up with a new, zingier joke he preferred. Reciting it at the dinner table, Idle snapped his fingers in time with the punchline.

“I’ve done it 62 years. It still fascinates me,” he said.

Idle’s lifelong fixation on comic craft began in his teenage years, when he saw “Beyond the Fringe,” the seminal British comedy stage revue that acted as a precursor to both “Monty Python” and “Saturday Night Live.”

“I didn’t know you could laugh at the monarchy, at religion, at the army, at the war,” Idle said, adding that he immediately purchased the sketch group’s record and learned all their bits.

From that moment, he said, “I wanted desperately to do comedy.”

“I love musical theater. I miss it,” Eric Idle said.

(Jason Armond/Los Angeles Times)

First with the Cambridge Footlights and later with the Pythons, Idle honed a linguistically-focused style that bridged highbrow absurdity and accessible, pop culture-driven humor. Then in the ’80s, he unlocked an affinity for musical theater while playing Ko-Ko in Jonathan Miller’s “The Mikado.”

Over the years, it became an established tradition that Ko-Ko rewrite his patter song, “I’ve Got a Little List,” to keep the operetta’s satire topical.

When Idle penned his own rewrite, he recalled thinking, “Woof, I like this.”

“It made me realize that I could write funny songs quite quickly,” he said. That epiphany in turn led him to meet with John Du Prez, who became the composer for “Spamalot.”

Idle and DuPrez wrote some 40 songs for the musical, many of them at a small studio in the Valley which they dubbed Killer Rabbit Studios. The idea was to compose a show that even those who weren’t “Monty Python” fans would enjoy, with hints of romance and sincerity absent from the source material.

Famed stage and screen director Mike Nichols made judicious cuts, Idle said, though occasionally changed his mind.

In an April 23, 2004, journal entry published in Idle’s 2024 book “The Spamalot Diaries,” the comic writes: “Mike also confesses to a dislike for the Knights of Ni, but when we act it out together, i.e. I say ‘Ni!’ and he pretends to be scared, it gets us both laughing uncontrollably and he is now convinced that it works.”

“I learned so much,” Idle said as he reminisced about those early years engineering the musical, which has appeared twice on Broadway and won three Tony awards during its inaugural run, including for best musical and direction. “I think it was the best fun of my life.”

The current “Spamalot” tour coming to the Pantages on Tuesday through April 12 remains a farce “lovingly ripped off” from “Monty Python” and featuring all the classic bits — flying cows, killer rabbits and the Lady of the Lake — but revamping its stage production with updated scenic and projection design by Paul Tate dePoo III. With Josh Rhodes directing, the new show brings a fresh take on the 2023 Broadway revival.

Idle said he’s especially excited to host a Saturday matinee attended by students from the Fernando Pullum Community Arts Center, which provides performing arts education to South-Central L.A. youth.

Each “Spamalot” production at the Pantages has been great, Idle added, but with all the upgrades, this one is “smashing.”

And it comes to L.A. at a critical time when joy is hard-fought, he said.

The Broadway revival of “Spamalot” opened in 2023 at New York’s St. James Theater.

(CJ Rivera / Invision / Associated Press)

“People really love this show because it makes you happy,” Idle said. “And these are the times when we need it really badly, because somehow, we’re being oppressed all the time.”

Despite his English roots, Idle after living in the U.S. for several decades is firmly entrenched in the country’s politics. As he’s watched the Kennedy Center drama unfold and arts infrastructure unravel, he said sitting among laughing audiences has been a balm — for himself and many others.

“It always goes well in a Republican war,” Idle observed about his show. “We opened during Bush and Cheney, when all these people were going off to war, and [‘Spamalot’] is about going off to war, really, rounding up the knights.”

It helps that the play’s script allows its actors to break the fourth wall and improvise dialogue that more closely speaks to the audience’s present moment.

As Idle talked about his show, he swelled with the same pride he said he has when he looks back on his time with the Monty Python troupe: “it makes me feel so warm towards them.”

“But those aren’t the same people we are now,” he said.

Preexisting tensions among the Pythons boiled over in recent years because of financial disputes, including a 2013 lawsuit over “Spamalot” royalties. Idle has for more than a decade been largely estranged from his former collaborators, but said he prefers not to linger on that fact.

“I think we were good, I really do,” he said, and that made for a great life. “But it doesn’t make you brothers.”

“Monty Python’s Flying Circus” original cast members John Cleese, from left, Terry Gilliam, Terry Jones, Graham Chapman, Michael Palin and Eric Idle pose on a beach.

(PBS / Associated Press)

Even while Idle was still with the troupe, being its only unpartnered writer made him feel distant from them, he said. It’s what he and Beatles lead guitarist George Harrison bonded over when they met.

“He was between two powerful people, and I was between two powerful groups,” Idle said. “So we played not dissimilar roles.”

The pair remained close until Harrison’s death in 2001.

“The worst thing about getting old is you lose all your friends,” Idle said somberly.

He wasn’t ready for Catherine O’Hara to go, nor Rob Reiner, who bade Idle a poignant farewell at a recent L.A. party.

The last thing the beloved director said to Idle was, “Goodnight, I’ll see you next year,” he recalled.

After dinner, Idle slung his Holy Grail-shaped bag — made by his daughter and lined with Spam-printed fabric — over his shoulder and left a voicemail for a friend he regularly jams with in L.A.

“Hey, Alex, I’m just finished what I was doing. I’m down by the Pantages. If you fancy a ding dong, give me a call. Otherwise, I’ll just head home.”

AN ICONIC noughties star looked unrecognisable to many as he took to the stage during this weekend’s Estero Picnic Festival in Columbia.

Over two decades since his initial rise to fame, the now 52-year-old musician looks a far cry from the twenty-something many fans remember.

Do you recognise him?

The singer in question in Travis frontman Fran Healy!

Known for hits such as Why Does It Always Rain On Me? and Sing, Travis dominated the music scene in the late nineties and early noughties.

Lead singer Fran has swapped the bright red hair he rocked a few years ago for a bleached look, donning a sky blue jumper as he joined numerous stars in fronting the Columbian festival this weekend.

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ALAN OUT

Alan Cumming replaced as BAFTAs host after racial slur row as Brit comic steps in

Alongside his Travis bandmates, Dougie Payne, Andy Dunlop and Neil Primrose, Fran took to the festival’s Smirnoff stage to perform to the waiting crowds on Sunday.

The three-day festival also saw Sabrina Carpenter, Tyler The Creator, Swedish House Mafia and The Killers perform.

Alongside their own set on Sunday, Travis joined The Killers on stage to perform with them on Saturday.

Born in Stafford, Fran was raised in Glasgow and formed Travis back in 1991 while studying at the Glasgow School of Art.

Still going strong, the band are performing across Chile this month and next, with gigs in Viña del Mar, Frutillar and Santiago.

While the band have taken breaks throughout their lengthy career, they are famous for having never split up.

Their tenth studio album, L.A Times, was released in 2024.

Fran was in a relationship with German photographer Nora Kryst for 23 years before splitting back in 2019.

They share a 20-year-old son named Clay.

Last year, during one of Travis’ US gigs, Fran was rushed off stage and to the hospital after twisting his ankle on stage.

At the time, Fran took to Instagram to explain that he was wheeled out on a gurney and put into an ambulance.

Admitting that he thought he’d broken his ankle, the musician confirmed it was simply a “gnarly sprain”.

Emmerdale’s Aaron Dingle actor Danny Miller has candidly opened up about his father in an emotional update on Good Morning Britain

Emmerdale’s Danny Miller has spoken out about his father amid his dementia battle, revealing he misses him “so much”.

The Aaron Dingle actor has been incredibly open in recent months about his father Vince, who is living with dementia. Vince is a well-known star in the showbiz world as a singer, compere and comedian.

And on Monday (March 23) Danny appeared on Good Morning Britain where he spoke about Vince in an emotional update. He said: “It’s sad, and, you know, me and my dad were thick as thieves at one point, and, you know, losing him over and over again is awful.”

Admitting he misses the man his dad was, Danny added: “I live a couple of hours drive from my dad now, which breaks my heart, but I have my own family.”

He continued: “I’ve got a job up in Yorkshire, on Emmerdale, and being around in Manchester isn’t easy anymore, so I moved my family up there, and it was kind of a really tough thing to do, because I’m not there for my dad as much as I’d like to be. I miss him terribly.

“But you know, the days where I do see him again, I often get, you know, a good visit, and I usually find if I play Matt Monroe – my dad was a comedian, but he’s a singer as well – and Matt Monroe was a friend of his.”

Danny went on: “I played it one day, and he just kind of pointed at it, and he said, 10th of December, 1970, whatever, and I Googled it, and he was right. I think it was either his birthday or when the single was released, and from then on I kind of thought, I’m gonna do that, so I do it as a normal thing. Now I’ll put it on the side and just play and just talk to him normally. I tend to get a better visit.“

Danny then spoke about his Emmerdale co-star Charley Webb, whose mum Helen passed away last week following a 12-year battle with Alzheimer’s. He said: “Charley Webb is a good friend of mine. She was on here [GMB] with you guys not long ago, talking about her mum’s Alzheimer’s, and unfortunately, she passed, and it’s so sad.”

Danny continued: “Charley was a massive inspiration for me to why I spoke out about it. It made me want to talk out, it made me want to be vulnerable, and allow myself to sort of put out an unfiltered video.”

He added: “I wanted to just try and allow people to see me to be someone completely different and be vulnerable and talk about these things in hope that it will sort of resonate with somebody somewhere and they can relate to it and go, actually, I’m going to go out and get a memory test.

“That is the beginning of how to sort of get that diagnosis for dementia and it’s something that, you know, I want to fly the flag for because I don’t want dementia to destroy the families as it’s destroyed ours.”

The GMB host then pointed out how Danny’s father had a very successful career as a compere comedian and “knew lots of influential and important people”.

Danny then went on to reveal what it is like now having a conversation with his father. He shared: “There’s good days and bad days. There was a time last week where I didn’t know if I’d be sat here, because, you know, he’s up and down with his general health anyway, but dementia does always make it feel somewhat worse, and there’s all water infections that, so, your urine infections that suddenly make them more confusing. And then his health declined. He looked, he looked ill.”

When asked if his father is sometimes unaware of who Danny is, the actor replied: “No, that will break my heart. I’m not there yet. We’re not there yet, luckily, but it will break my heart.” Admitting he misses his father “so much”, Danny said: “He used to call me a lot and just ranted and then put the phone down without even saying, how are you? And I’d give anything back to have those conversations.”

Known as the ‘king of comperes’, Danny’s father Vince worked as the VIP host at Manchester United for almost 30 years. He also worked at Old Trafford for 29 years and often interviewed football legend, Sir Alex Ferguson.

No stranger to rubbing shoulders with famous faces throughout his 65-year career, Vince has also worked with Johnny Mathis and Shirley Bassey and even spoke at comedian Bernard Manning’s funeral.

When Vince was 82, he announced that he would be officially retiring from the showbiz and entertainment world. He told Manchester Evening News: “I’ve no upset about it, the time is now to get out while you’re on top, you don’t want people saying ‘not him again’!”

To celebrate his retirement, Danny put together a charity bash in which he paid tribute to his dad, dubbing him the “best in the business”. On stage, Vince said: “I’ve had a great career, I’ve done it all as a presenter, comedian, singer, I’ve been very fortunate. As Edith Piaf said, Je Ne Regrette Rien, no regrets!”

Emmerdale airs Monday to Friday at 7:30pm on ITV and ITVX

BRADLEY Dack has finally removed his wedding ring three months after splitting up from wife Olivia Attwood.

The couple married in 2023 but split in January this year, with the footballer continuing to wear his ring until this weekend – as Olivia’s romance with Pete Wicks was confirmed.

Gillingham footballer Bradley was seen on Sunday without his wedding band.

Dressed in black, the sportsman appeared downcast as he headed from his car to catch a train.

It came just hours after Olivia’s new romance with Pete Wicks was confirmed, as The Sun shared a snap of them kissing during a night out on Friday.

A source confirmed to us that friendship had turned to romance for the longtime pals, but assured there was no crossover with Olivia and Bradley’s marriage.

Read more on Olivia Attwood

Dack’s it

‘Furious’ Bradley Dack unfollows ex Olivia Attwood hours after Wicks kiss pic

OUT IN OPEN

Olivia Attwood and Pete Wicks seen for first time since public snog

Nonetheless, Bradley has made his feeling’s on his estranged wife’s new romance clear.

The footballer unfollowed Olivia on Instagram following the news, alongside taking off his ring.

In January, it was revealed that Olivia split from Bradley following a “breach of trust” on his side.

Now, a source has told The Sun on Sunday that this romance has also dashed Bradley’s hopes of a reconciliation with Olivia.

“Bradley is livid, he’s not surprised at all but is completely embarrassed and upset,” they said.

The source continued: “He can’t believe Olivia has moved on so publicly and they’ve not even signed the divorce papers.

“Bradley was hopeful for a reunion with Olivia but after this, he’s just livid and will take her to the cleaners.

“He’s suspected things for the past year but she’s always denied it.”

Before their kiss, and her split from Bradley, Pete and Olivia’s close friendship has raised eyebrows since they were pictured cosying up on a yacht in Ibiza last summer.

But confirming the timelines, a source told us over the weekend that the romance has come around naturally over recent weeks.

“They have been spending a lot of time together and an unexpected romance has blossomed from friendship,” they said.

A BELOVED actress has been remembered as a “powerhouse of vitality and goodwill” after tragically dying following a battle with breast cancer.

Carrie Anne Fleming, 51, passed away in Sidney, British Columbia, and was best known for her role in the fantasy drama Supernatural.

She is survived by her daughter Madalyn Rose.

Fleming was confirmed dead by her co-star and friend Jim Beaver in a statement to Variety.

The star died on February 26, from complications after battling the deadly illness.

Later, in a lengthy heartfelt tribute posted to Facebook, 75-year-old Beaver called Fleming his “soulmate”.

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“To find a soul mate once in life is something of a miracle. To find one twice is almost unimaginable,” he said.

“To love and be loved is a pearl above price, but such pearls do come more than once or twice to the lucky.”

Beaver said loving her had been devastating, after losing Cecily – the mother of his child – to the same disease.

“I lost Cecily to cancer in 2004,” he said.

“Thursday, I lost Carrie to the same disease. I never thought my heart could break so badly more than once.

“But it has. But, oh, the two torches I carry – what bright, bright light they shed.”

He continued, recounting the first time they met on the set of the popular television series.

“Carrie Anne Fleming was cast as my wife on Supernatural in my fifth season on the show,” he said.

Beaver revealed he had “fallen for her hard” just seconds after meeting her for the first time.

He said he had been “shocked” to find she felt the same way.

“To find oneself paired with someone who not only loves and is loved, but who seems by magic or the grace of the gods to understand you, to want what you are, to want you to be what you are, who GETS you and never feels the need to have you defend who you are, and about whom you feel the same – how many of us can say that spark of divinity has alighted on us once, much less twice? I can,” he said in the heartbreaking tribute.

The pair bonded over both having daughters named Madeline Rose, with Beaver saying the discovery had been “the beginning of a beautiful friendship”.

“We ran lines of dialogue together in my trailer and talked for hours that first day, and the electricity between us was practically visible,” he wrote.

Beaver said the actress had “an amazingly good nature … a rapturous laugh and an utterly adorable personality that didn’t seem to have an off switch”.

“I was so in love I think my eyes turned silver,” he said.

“She seemed to think I was worth hanging around with, too.”

Fleming also starred in other popular shows including iZombie, Smallville, Good Luck Chuck, The L Word, Married Life and Supergirl. 

Born on August 16, 1974, in Digby, Nova Scotia, Fleming studied at Mount Douglas Senior Secondary in Victoria, British Columbia, and later attended the Kaleidoscope Theatre as well as the Kidco Theatre Dance Company for drama. 

She broke into the industry through an uncredited appearance in Adam Sandler’s Happy Gilmore, and later in a role in Viper.

In 2005 she was cast in Dario Argento’s show Masters of Horror, starring as a disfigured woman with cannibalistic urges.

She went on to appear and star in other horror shows, including Bloodsuckers and The Tooth Fairy.

More recently Fleming played Candy Baker on five seasons of the CW’s iZombie.

She also appeared in the 2015 TV film The Unauthorized Full House Story, exploring the behind-the-scenes making of the hit sitcom.

Fleming played the mother of Full House star Candace Cameron Bure, who portrayed D.J. Tanner on the show.

Fleming also performed in a number of British Columbia stage productions, including Steel Magnolias, Noises Off, and Romeo and Juliet. 

Monty Don has gone under the knife and admits he will need to do it again in 2027 as he opens up about his future with Gardeners’ World and retirement plans

Monty Don has spoken of his “painful” recovery from a knee replacement in October that briefly slowed the Gardeners’ World host. The broadcaster and horticulturist went under the knife shortly after he turned 70 last Summer.

Looking back he says: “I was finding by the end of a day’s filming I could barely walk upstairs and I certainly couldn’t take the dogs for a walk. It was severely limiting what I was doing. I did it so I could keep on working because it was getting to the point where filming was cutting round me limping.

“However you do it, a knee replacement is horribly painful. But three months on I’m gardening again and haven’t walked with a stick for a month. Sarah says I’ve been doing far too much stuff, but it’s fine and going to plan – though it can be inexplicably painful one day and then not at all another. At some point, I’m going to have to do the other one – but only when I can fit it in, probably late 2027.”

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As well as planning his next new knee, the good news for his fans is Monty is also in discussions to continue hosting on screen Gardeners’ World until at least 2028.

Although speaking to Saga Magazine, he admits he may be closer to the end of his run than the beginning now, having been on the show since 2003, with a break between 2008 and 2011.

“I hope I’m continuing, but as I come up to the end of every contract, I seriously consider how it fits the rest of my life.” He ponders. “And each time, it’s come down fairly and squarely that I’d like to continue. But there will come a time when either they’ll say, ‘No, thanks’ or I’ll say, ‘It’s time for a change’. But neither of us, as far as I know, has reached that point yet.”

Almost all of his TV filming is done at his Herefordshire home Longmeadow, which the father-of-three shares with his wife Sarah and their two dogs; golden retriever Ned and Yorkshire terrier Patti.

“Longmeadow has a dual personality,’ admits Monty. “The compatibility between a private domestic garden for all the family and one that works for television is at best a fine line and at worst an impossible line to tread. Everything we do is heavily influenced by filming. I’m often working on the programme seven days a week and when we’re filming, it’s a place of work at every level.”

So whilst that level of work maybe ok for now, it seems there will come a time when he wants to do a bit less. Retirement completely is not on the cards though.

“I genuinely don’t know what retirement would look like. I don’t play golf or tennis, and I can’t see myself doing the crossword all day. Whenever I say to Sarah, ‘Well, thank God, I have no addictions’, she rolls her eyes and says, ‘You are completely addicted to work!’.”

Monty is also well known for being a dog lover with his faithful hounds on screen. He has lost three of his dogs in recent years – Nigel then Nellie who died in 2020 and 2023 – then Peggy who died on 24 January but thinks he is ‘good for one more at least’.

He said: “She[Peggy] was 16, very old, so while it was sad, somehow it was the right thing. She was completely deaf, 90% blind, and walking round and round in circles. So we’re down to just two dogs, Ned and Patti, the lowest number for a long time. Although I’m sure it will go up again, as there’s talk of more. I think I’m good for one more dog, at least.

“I’ve always said the deal with dogs is one of you is going to die, and with ageing it’s more likely to be you. But of course, the dog won’t care particularly, I think we completely romanticise that. They’re absolutely callous.”

* The full interview with Monty Don is in April’s Saga Magazine.

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Space isn’t a forgiving place to be stuck. There’s no air, no pulling over for directions and no margin for error. When something goes wrong, you’re left with whatever you have on hand for however long you can make it last.

That fear drives the new sci-fi epic “Project Hail Mary,” opening in theaters Friday, with Ryan Gosling as Ryland Grace, a middle school science teacher who wakes up alone on a spacecraft light-years from Earth with no memory of how he got there. Gradually he realizes he’s been sent on a mission to figure out why the sun is dimming and how to stop it. What begins in isolation turns into something closer to a buddy movie, as Grace ends up working with an alien he names Rocky, another traveler trying to solve the same problem.

The film, directed by Phil Lord and Christopher Miller, comes from sci-fi author Andy Weir, whose earlier, similarly survival-themed breakthrough novel “The Martian” was adapted by director Ridley Scott in 2015. That movie put Matt Damon alone on Mars and made the act of thinking through one life-or-death problem after another the engine of the story. The result was a critical and commercial hit that earned seven Oscar nominations, including best picture.

Put someone out in space long enough and the story can go in many directions. Sometimes it’s about survival. Sometimes it turns inward. Sometimes it gets more horrific or even darkly comic. Here are eight of our favorite movies about people lost or stranded in space. Watch them somewhere with plenty of oxygen.

They’re so darn cute together, these two. Neal Allen, father of four, newspaper reporter turned corporate executive turned spiritual coach turned author of two spiritual guidebooks, stands a full head of hair taller than his dread-headed wife, who calls him her “current husband.” He calls her his “remarkable and beautiful partner” and himself “Mr. Anne Lamott.”

And no wonder. Author Anne Lamott has published 21 books, with worldwide sales in the millions. “Bird by Bird,” her 1994 writing handbook, which has sold more than 1 million copies and continues to sell approximately 40,000 copies each year, became a meme before there were memes. Thirty-two years later, the titular phrase has made appearances everywhere from “Ted Lasso” (Coach Beard: “I hate losing.” Coach Lasso: “Bird by bird, Coach.”) to a Gloria Steinem interview in Cosmopolitan (“Every writer, truth-seeker, parent, and activist I know is in love with one or more books by Anne Lamott”).

Ask a famous writer how they do what they do, and “Bird by Bird” will likely get honorable mention. Harlan Coben, whose 35 novels have sold roughly 90 million copies, calls “Bird by Bird” his “favorite writing manual.” “I use it like a coach’s halftime speech to get me fired up to write.”

In a 2007 interview, “Eat Pray Love” author Elizabeth Gilbert called herself Lamott’s “literary offspring.” Paula McLain, who wrote the 2011 blockbuster “The Paris Wife,” told me: “I return to ‘Bird by Bird’ again and again because Anne Lamott tells the truth about how hard this work is — and then somehow makes you laugh about it.”

I reached out to best-selling memoirist and novelist Dani Shapiro to ask if she had her own experience with the book. “A writer is always a beginner,” she said. “And there is no better companion than ‘Bird by Bird.’”

Lamott and Allen partnered to write “Good Writing.”

(Christie Hemm Klok / For The Times)

Lamott, 71, and Allen, 69, met in 2016 on the 50-plus dating site OurTime.com. Nine months later, they bought a woodsy Marin County home with room for Lamott’s son and grandson. Sam, when he was 1 year old, was the subject of his mom’s first bestseller, the 1993 memoir “Operating Instructions.” His son Jax was the subject, at age 1, of his grandmother’s 2012 memoir, “Some Assembly Required.”

“We were watching U.S. Open tennis one night and Neal said, ‘Can I ask you something?’” Lamott told me via email. “I barely looked away from the TV, and he asked me to marry him. I said, ‘Yes, if we can get a cat.’”

After a decade of marriage, Lamott and Allen have undertaken a professional collaboration whose outcome, like their union, is greater than the sum of its parts. “Good Writing: 36 Ways to Improve Your Sentences” is as sharply specific as “Bird by Bird” is wanderingly wonderful: as winning a companion piece as two winning companions could create. The table of contents is itself a mini-manual of writerly tips: “Use Strong Verbs.” “Sound Natural.” “Keep it Active.” “Stick with Said.” “Don’t Show Off.”

Lamott and Allen.

(Christie Hemm Klok / For The Times)

I spoke to the late-life lovebirds about their process of marital manuscript-making: the good, the not so good and the blackmailing.

Meredith Maran: How did writing “Bird by Bird” compare to co-authoring “Good Writing”?

Anne Lamott: “Bird by Bird” was literally everything I knew about writing, everything I had been teaching my students for years. It was definitely my book. “Good Writing” was definitely Neal’s book. I just foisted my attention on him and threatened to undermine the marriage if he did not let me contribute.

MM: Neal, what on earth convinced you that you could add something to one of the world’s most popular writing books —written by your wife, no less?

Neal Allen: Oh, I’m not adding anything to “Bird by Bird,” which is a complete classic. It’s everything you need to know about becoming a writer. “Good Writing” is about what comes next: a second draft. And while it’s not fair to call “Bird by Bird” a craft book — it’s much more — it’s fine to define “Good Writing” that way.

“Helping each other with our work is one of the richest aspects of our life as a married couple,” Lamott said.

(Christie Hemm Klok / For The Times)

MM: In producing this joint project, how did you two negotiate the differences between your writing styles and personalities?

AL: We didn’t need to negotiate. Neal somehow manages to be both elegant and welcoming, whereas I think I am more like the class den mother, with a plate of cupcakes, exhorting people not to give up, trying to convince them that they can only share their truth in their own voice, that their voice is plenty good, and that when they get stuck, as we all do, I know some tricks that will help them get back to work.

NA: I once asked AI to describe the difference between my writing and Annie’s. AI answered that I explain things to readers; Annie helps readers reach catharsis. I think that’s absolutely right.

MM: How did you come up with the book’s fab format, whereby each of you writes your own introduction, and then each chapter starts with Neal’s thoughts about one of the 36 rules and ends with Annie’s?

NA: Annie first asked if she could annotate what I had written. That scared the bejesus out of me. When she started writing her own essays in her own voice, I was quite relieved. One of the format’s surprising strengths is that Annie always gets the last word. I explain the rule; then she helps the reader find their way and resolve their issues with the rule. There’s a downside: I don’t get to respond when she tells the reader to ignore me.

“I’m not adding anything to ‘Bird by Bird,’” Allen said. “It’s everything you need to know about becoming a writer. ‘Good Writing’ is about what comes next: a second draft.”

(Christie Hemm Klok / For The Times)

MM: In your intro, Anne, you recall Neal telling you he was working on a writing book. “Well. Hmmmph,” you replied. “I had written a book on writing once …” How did professional jealousy, competitiveness, possessiveness, or, on the brighter side, tenderness, collaborative spirit and generosity play out as you wrote a writing book together?

AL: We have no competitiveness or jealousy when it comes to each other’s writing. We just want the other person to write the most beautiful work they can. We are each other’s first reader, and editor, and while of course I feel attacked if Neal suggests even the tiniest change to my deathless prose, I have come to understand that his suggested cuts and additions save me from myself. Helping each other with our work is one of the richest aspects of our life as a married couple.

NA: There’s no way around “Bird by Bird,” and I just have to deal with that. My worry was whether Annie really wanted to be associated with my little book. I’m envious of Annie’s brilliance, of course, but we speak the same writing language and we love it equally.

MM: What are each of you proudest of, “Good Writing”-wise?

AL: We just recorded the audio version, and I was surprised by how much practical help the book offers. Also, I love the tone, which is so conversational and sometimes, I hope, pretty funny.

NA: I had the opposite reaction to recording the audio version. I saw all the opportunities for readers to mock me. In the 18 months between writing a final draft and the book showing up in stores, we’ve both flipped from believing it reflects well on us to thinking it’s a disaster. Luckily, both of us haven’t ever thought it sucks at the same time.

MM: That is fortunate. Also, Neal, I’m not sure you answered my question.

NA: What am I proudest of? That the book exists. I carried around these rules for improving sentences for years. I think a lot of writers do a book because they notice it’s not out there, and why isn’t it? And then they shrug, ‘Well, I guess it’s up to me.’ That’s how I came into all three of my books.

AL: May I just add that I’m proud to introduce my seriously charming and breathtakingly wise husband to a wider audience.

A soccer star has accused a pop star of making the daughter of a movie star cry.

Chappell Roan — who, in recent years, called out fans’ “creepy behavior” and said she “pumped the brakes” on fame to protect her own privacy — was accused over the weekend by soccer star Jorginho of rough treatment of his family.

Roan (letting up on the brakes?) headlined Lollapalooza Brazil over the weekend, and Jorginho was in attendance along with his wife and child. While there, as outlined by People, the footballer said the 11-year-old was thrilled to see the singer while they were dining at their São Paulo hotel. The girl walked by the 28-year-old “Pink Pony Club” singer’s table “to confirm it was her, smiled, and went back to sit with her mum. She didn’t say anything, didn’t ask for anything,” he wrote.

Although he didn’t name the girl, his wife, Catherine Harding, shares an 11-year-old with Jude Law. Harding, aka Cat Cavelli, is a singer-songwriter and native of Ireland.

Jorginho of Brazil’s Flamengo celebrates after scoring his side’s second goal, from the penalty spot, during the Recopa Sudamericana second leg final soccer match against Argentina’s Lanus in Rio de Janeiro, Thursday, Feb. 26, 2026.

(Bruna Prado/AP)

Jorginho alleged that, after the girl sat down, a “large security guard” came over and interrupted their breakfast to generally make their lives miserable. The guard allegedly told the girl’s mother “she shouldn’t allow [her] daughter to ‘disrespect’ or ‘harass’ other people.”

The girl was “extremely shaken and cried a lot,” said Jorginho, a player for the Brazilian club Flamengo whose legal name is Jorge Luiz Frello Filho.

Jorginho knows what it’s like to be famous and have fans. (Jude Law also has a little experience in that department.)

Jorginho told his nearly 5 million Instagram followers that he knew what it was like when fans didn’t respect boundaries, and “[w]hat happened there was not that.”

On Sunday, Roan responded on Instagram. She said the guard was not her personal security and that no one — including a starry-eyed 11-year-old girl — had bothered her.

“I did not ask the security guard to go up and talk to this mother and child. … They did not come up to me. They weren’t doing anything.”

“I do not hate people who are fans of my music. I do not hate children.”

She expressed her regrets to the girl and her mom. A representative for the artist did not immediately respond to The Times’ request for further comment.

Roan has shown that she’s not afraid to speak out when she does feel a fan has overstepped. This incident comes after an episode this month in Paris when the singer filmed herself in selfie mode as a swarm of people shouted behind her.

“I’m just trying to go to dinner,” she tells the camera in a video captured by an onlooker, “and I’ve asked these people several times to get away from me.”

Even as she calmly reprimands them, one man continues to ask for her autograph.

Helen Flanagan says ‘there are three exes I would be dreading to see’ as she is set to return to television screens soon as part of the Celebrity Ex On The Beach lineup

Helen Flanagan has opened up about her fears after joining Celebrity Ex On The Beach, revealing she would love to avoid seeing ‘three’ of her exes as she prepares to star on a reality series.

Celebrity Ex On The Beach is set to return to television screens soon, with the full line-up now revealed, featuring the former Coronation Street favourite. Helen, 35, who is renowned for her portrayal of Rosie Webster on the ITV soap opera, has joined the cast of the Paramount+ reality series, alongside TOWIE’s Dani Imbert, one-half of pop duo Jedward, and Love Island’s Toby Aromolaran.

In a new sneak peek ahead of the show, Helen reveals why she signed up and what she is looking for in a man. She said: “My perfect partner would be fit, kind and funny.” She continued: “I think I’m single because I feel like I’m on my own kind of journey, I’m pretty free spirited [and] I’ve got quite a strong character.”

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READ MORE: Coronation Street’s Webster sister stars Helen Flanagan and Brooke Vincent reunitedREAD MORE: Kate Middleton marks International Women’s Day with powerful social media post

Helen said she was “hoping to find a connection on the beach”, before discussing her past relationships. She said: “I was in a 13-year relationship with the father of my children. And then I recently split up with a boyfriend that I was with for a year,” she said.

Helen then revealed: “There are… three exes I would be dreading to see”. Helen and Scott first began dating in 2009, getting engaged in 2018 when the footballer proposed during a trip to Disneyland Paris. They had a lengthy engagement, with Helen confirming in 2022 that they had set a date for their wedding, but split shortly afterwards.

Speaking about the difficult time she faced after the end of her relationship, Helen previously told The Mirror that she suffered a breakdown.

The I’m A Celebrity star was diagnosed with obsessive compulsive disorder (OCD), attention deficit hyperactivity disorder (ADHD and premenstrual dysphoric disorder (PMDD).

On the explosive dating show, filmed in Tenerife, Helen will come face-to-face with her former flames, including her ex-fiancé Scott Sinclair and boxer David Haye. The forthcoming series will also feature Married At First Sight UK’s Amy Kenyon, 28, and Love Is Blind participant Freddie Powell, 32.

Rounding out the line-up are Too Hot To Handle’s Izzy Fairthorne, 26, who is seeking her first-ever boyfriend, and fellow contestant Chase DeMoor, 29, who’s back for a second shot at finding love.

Meanwhile, former X Factor star John Grimes, who previously appeared on the ITV talent show alongside his twin brother, has described himself as a ‘total catch’ and says he’s looking for a ‘curvy, self-assured woman’ who can match his energy.

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Ben Keaton, who is best known for playing Father Austin Purcell in the iconic Channel 4 sitcom, has died at the age of 70 – tributes have poured in for the ‘wonderful actor’

Father Ted actor Ben Keaton has passed away aged 70. Keaton, who portrayed Father Austin Purcell in the beloved comedy series, alongside appearances in Casualty and Doctors, died at Lincoln County Hospital on Friday, it has been announced.

His death notice reads: “Ben will be forever greatly missed, loved and fondly remembered by his ex-wife Polly, son Waldo and daughter Daisy, brothers Des and Thom, sister Jeanette.”

In tribute, the Nottingham Playhouse said: “We are so sorry to hear of the death of Ben Keaton, a wonderful actor who is fondly remembered in our 2008 production of Vertigo. Sending our deepest sympathies to his family and friends.”

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Meanwhile, a Father Ted fan X account shared: “Saddened to hear of the passing of actor Ben Keaton. We knew him as Father Austin Purcell (one of my favourite one-off characters). He was a regular at ComicCon events, so I imagine many got to meet him over the years. My thoughts are with his family, friends, and many fans.”, reports the Daily Star.

Outside his television work, the Irishman was a distinguished stage performer. He dedicated much of his professional life to The Royal Exchange Theatre in Manchester, appearing in an eclectic array of productions from American Buffalo to Hay Fever.

A versatile artist, he co-established the improv group South Of The River and served in a senior position at the Creative Academy. His awards collection showcased his range, including the 1986 Perrier Comedy Award and two Best Actor accolades from the Manchester Evening News, culminating in a nomination for the esteemed Laurence Olivier Awards.

Honouring him in a message on X (formerly Twitter), one admirer wrote: “RIP Ben Keaton. A great actor and comedian – there can be little praise higher (if at all) in that he stole the scene every time he appeared in Father Ted. Off to the great parochial house in the sky.”

In 2022, Keaton witnessed an unexpected surge in digital popularity after being surrounded by fans seeking autographs at the CovCon event in Coventry. The frenzy intensified when he joined forces with fellow Father Ted cast members Joe Rooney (Father Damo), Michael Redmond (Father Stone), and Patrick McDonnell (Eoin McLove) to film an impromptu TikTok video.

Looking back on the viral sensation, Keaton told The Irish Sun: “The video went from 500 views to 50,000 and up and up. Joe now says we are up at half a million views on TikTok. It’s incredible.” He confessed he was frequently astonished by the lasting impact of his fleeting, scene-stealing turn as the world’s most tedious priest.

Drawing comparisons to his other roles, Keaton remarked: “I appeared in Casualty for three years, nobody cares. I did three minutes on Father Ted and it’s all people want to talk about and something which just sails through time.”

For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

THE secret son of late Bee Gees star Maurice Gibb has refuted singer Lulu’s claims that he was conceived during the time she was married to him.

Sixties icon Lulu told Louis Theroux on his latest podcast that she only recently learned Maurice had another son and that he might have been the product of a one-night stand during their marriage.

But Nick Endacott-Gibb, 57, insists he was conceived around two years before Lulu and Maurice’s romance began.

He told the Mirror: “I was born in April 1968, conceived in August 1967. Lulu and Maurice weren’t married until 1969, after what has been described for decades as a ‘whirlwind’ romance.

“Were you together with him, Lulu? Two years does not a whirlwind make. I’m as curious as she is about whether Maurice was with her at the time I was conceived. It was the summer of love, after all!”

Hove-based Nick was adopted from a children’s home at 18 months old by secretary Peggy and her chartered quantity surveyor husband David.

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Nick’s biological mum is former music studio manager Patti Nolder, who he met for the first time in 2003 after uploading his details onto the Missing You database — a long-running message board style online community that helps reunite families.

Initially, she told him his dad was Chris Andrews, guitarist and vocalist of 60s psych-pop band The Fleur de Lys, but a DNA test confirmed this was not the case.

It was Patti’s sister who threw Maurice’s name into the mix and, after uploading his DNA to an ancestry website, he matched 100 per cent with Maurice’s other son Adam, who had uploaded his own DNA.

Further matches with cousins of the Gibb brothers followed and Nick struck up a close relationship with their older sister Lesley and her daughter Debbie, who live in New South Wales, Australia.

Nick never got the chance to meet Maurice before his death from a heart attack in 2003, but he said: “I’m sad he died before I got the chance to meet him, but his memory lives on in the songs.”

Lulu was married to Maurice for six years, with their relationship officially ending in 1975. They never had children together.

She admitted the news of Nick’s existence came as a complete surprise decades after their relationship ended.

Louis said: “You know, we’re not always our best selves and that Maurice, I think it’s openly acknowledged now, had a fling with Barbara Windsor while he was with you.”

Lulu admitted: “I think he’s got a son. It might have happened when we were married.”

She continued: “I just found out someone showed me something with a guy, and I can’t remember the year he impregnated this girl after a one-night stand, and she has a son who has had his genes taken.

“It’s proven he’s 100 per cent Maurice.”

A shocked Louis asked: “While he was with you?”

Lulu answered: “I didn’t do the math because it wasn’t that important.”

Louis replied: “Why isn’t it important?”

Lulu responded: “Today, c’est la vie.”

The Bee Gees are one of the most successful bands of all time, dominating the charts with a string of global hits.

From disco anthems like Stayin’ Alive and Night Fever to timeless ballads, the group sold over 200 million records worldwide and helped define an entire era of music.

He had two children — daughter Samantha and son Adam — with his second wife, Yvonne Spenceley.

Following her divorce, Lulu went on to date celebrity stylist John Frieda but the romance was rocked by a short-lived affair with David Bowie.

She continues to perform live, with shows lined up in the UK, including a major concert at London’s Royal Albert Hall in 2026.

As well as music, she’s been opening up about her life in recent years, releasing her memoir, If Only You Knew, and speaking candidly about her past struggles, including her battle with alcoholism and journey to sobriety.

The Ryan Gosling-led “Project Hail Mary” rocketed to the top of the box office this weekend, marking a big win for Amazon MGM Studios.

The film — which stars Gosling as a science teacher who embarks on a space mission to save humanity — hauled in $80.5 million in the U.S. and Canada, making it the biggest domestic debut of the year so far. Globally, “Project Hail Mary” brought in $140.9 million.

The movie is an adaptation of a novel by Andy Weir, author of “The Martian” — another successful book-to-screen adventure. The big opening weekend for “Project Hail Mary” is a boost for Amazon MGM Studios, which had heavily promoted the film as an example of the big blockbusters it could produce.

“We believe deeply in the Hail Mary, and it’s clear audiences do as well,” Kevin Wilson, head of domestic theatrical distribution for Amazon MGM Studios, said in a statement. “What we’re seeing in theaters —the energy, the exit scores, the word of mouth — is everything we believed this film would deliver.”

Walt Disney Co. and Pixar’s “Hoppers” came in second at the box office this weekend with a domestic total of $18 million. The original animated film has now garnered $120.4 million in the U.S. and Canada since it debuted in theaters earlier this month.

Indian action film “Dhurandhar The Revenge” came in third with $10 million, followed by Disney-owned Searchlight Pictures’ horror film “Ready or Not 2: Here I Come” and Universal Pictures’ romance “Reminders of Him” rounding out the top five.

Rather than chasing sequels and reboots, Netflix is betting its 2026 film strategy on a massive investment in original storytelling and a renewed focus on the theatrical comedy.

The streaming giant’s need for original content is one of the main reasons Netflix fought fiercely to acquire Warner Bros. But even after losing the bid to Paramount earlier this month, the priority remains.

“We’re zigging where legacy studios are zagging,” Dan Lin, Netflix’s film chairman, said Wednesday at Netflix’s slate event in Hollywood.

Last year, 18 of the top 20 theatrical films were based on already established intellectual property, like with sequels and remakes. The only two original ideas to break through were Ryan Coogler’s “Sinners” and Zach Cregger’s “Weapons.” Both of these films were received well by audiences and earned golden statues at this year’s Oscars.

Lin said that at Netflix, 2025’s slate was the “exact opposite,” where half of the films it released last year were based on original storytelling.

“We have a very healthy content budget. So if there’s a great movie out there, we’ll go out and either build it or acquire it,” Lin said.

Bela Bajaria, the company’s chief content officer, said the company isn’t too concerned with the theatrical element that other studios can offer when hunting for these original stories, as Netflix is a streaming-first company.

“We’ve always had competition. This isn’t really any different,” said Bajaria. “It’s to understand what the competition is, not head in the sand at all. [We have] to understand what the market is and continue to look ahead.”

It’s not just original ideas that Netflix is scouting; the streamer’s also looking to fill gaps in genres. In recent years, comedies have fallen out of favor with major studios — leaving room for streamers like Netflix to expand. This year, Netflix is looking to break through with upcoming comedy productions like Kevin Hart’s bachelor party-driven “72 Hours,” John Cena and Eric André’s buddy comedy “Little Brother” and Eva Longoria’s “Fifth Wheel,” which Lin describes as “our version of ‘Bridesmaids.’”

“We’re taking the chance, and we’re making the movies,” Lin said. “It’s what we’re delivering, I hope, [it’s] what audiences want and what they’re craving. There are a lot of genres that you just can’t find in theaters anymore. So, we’re making those kinds of movies.”

In addition to emphasizing comedies, there’s a lot of opportunity to develop young adult films, Lin said. Netflix has upcoming titles such as “Voicemails for Isabelle,” starring Zoey Deutch and Nick Robinson, and “Roommates,” with Sadie Sandler, to draw in younger movie watchers.

One genre in which Netflix doesn’t see much success is live musical adaptations, so it’s “not an area that I’m leaning into,” Lin said. He first joined the company in 2024 and has since green-lighted 88 films.

Netflix subscribers watch about seven movies a month, according to the streamer’s data. So, with the push for original stories, the streamer is hoping to meet its consumers’ demands.

The current strategy is to release up to four “event films” a year. For 2026, Netflix is looking at Greta Gerwig’s “Narnia” adaptation and David Fincher’s follow-up to “Once Upon a Time … in Hollywood” as its big hitters.

“It’s all very under wraps right now, but it’s something that I’m just so thrilled about because it was the book of my childhood. It was the book series that I loved, and I lived through, and I spent so much time imagining myself inside of Narnia,” Gerwig said in a video message during the Netflix event. “It’s been a joy and an honor to be the person who gets to imagine this universe.”

Gerwig’s “Narnia” is set to hit Imax this Thanksgiving and start streaming on Netflix come Christmas.

TUCSON — Savannah Guthrie is renewing pleas to neighbors, friends and residents of Tucson to jog their memories in hopes of sparking new leads in the disappearance of her mother, Nancy.

The “Today” show co-host posted a new family statement on her personal Instagram account Sunday morning, hours after the show’s Instagram account shared it.

After expressing gratitude to the community, the family said in its statement that it believes someone in Tucson or in southern Arizona may “hold the key to finding the resolution in this case.”

“Someone knows something. It’s possible a member of this community has information that they do not even realize is significant.”

The family urged people to go over their memories of Jan. 31 — when Nancy Guthrie was last seen — and Feb. 1 as well as the evening of Jan. 11.

“Please consult camera footage, journal notes, text messages, observations, or conversations that in retrospect may hold significance,” the statement said. “No detail is too small.”

They also acknowledged in the statement that their family’s matriarch may no longer be alive.

“We cannot grieve; we can only ache and wonder.”

Nancy Guthrie was reported missing Feb. 1. Authorities believe the 84-year-old was abducted or otherwise taken against her will. The FBI released surveillance videos of a masked man who was outside Guthrie’s front door on the night she vanished.

The Guthrie family has offered a $1-million reward for information leading to the recovery of their mother.

On March 5, Savannah Guthrie visited the NBC “Today” show studio in New York City for the first time since her mother’s disappearance. The show said she plans to return to the air at some point but “remains focused right now supporting her family and working to help bring Nancy home.”

Tucson is a little more than 100 miles south of Phoenix and 70 miles north of the Mexico border. The Catalina Foothills, the neighborhood where Nancy Guthrie lives, is known as an affluent area with popular hiking trails.

Savannah Guthrie has been a co-anchor of the longtime NBC morning show since 2012. One of her former colleagues, Hoda Kotb, has returned to “Today” to fill in during Guthrie’s absence.

A loving husband and wife desperately want to start a family but struggle with infertility. A mother bears the weight of twin sons who are destined to be at severe odds with one another. Two sisters fall in love with the same man.

These stories may sound like soapy twists in a Taylor Sheridan drama or cable TV movie, but they actually come straight from one of the bestselling books of all time — the Bible.

The sacred text is jam-packed with compelling and highly relatable stories, but Fox’s “The Faithful: Women of the Bible,” a three-part event series, aims the spotlight on the primary matriarchs of the Book of Genesis — Sarah, Hagar, Rebekah, Leah and Rachel. The first installment consists of two episodes airing Sunday, with subsequent double episodes airing over the next two weeks, and begins with the story of Sarah (Minnie Driver), who is regarded as the first matriarch for building the nation of Israel with her husband, Abraham (Jeffrey Donovan), the first patriarch.

“These are three generations of women who passed the baton of what was set in motion by Sarah and Abraham and the episodes are all in a way portraits of different types of marriages,” says René Echevarria, who wrote the first installment and is the series’ showrunner.

However, like the Bible’s many miracles, “The Faithful” coming together in the first place is divine considering executive producing partners Carol Mendelsohn and Julie Weitz were actually not planning to pitch it when they were in a meeting with Fox TV executives on one fateful day.

“The Faithful” begins with the story of Sarah (Minnie Driver) and Abraham.

(Moris Puccio / Fox)

“Julie gave me one instruction, ‘We can talk about all of our projects but do not talk about the Bible,’” recalls Mendelsohn. But then Fox President Michael Thorn asked Mendelsohn what her passion project was and “It was like I was hit by the burning bush!”

So “The Faithful” was pitched and a green light was given for the show. “I guess it was divinely ordered,” Mendelsohn says, laughing.

Crafting a Bible-based event series may initially seem like a stretch for Mendelsohn, known for producing the massively popular “CSI” crime drama franchise and, since partnering with Weitz over a decade ago, contemporary dramas where God wasn’t a part of the story. However, with “The Faithful,” the common thread with their previous projects was very clear. “Everything that we do together comes from characters that we fall deeply in love with and we love to do stories about women,” says Weitz. “We were thinking of doing something in this world when “The Chosen” [the Prime Video series about Jesus Christ] came out and became a huge hit.”

Mendelsohn and Weitz brought Echevarria on board and once they dug into the respective stories of these influential women, “it became clear that we should give two hours to each of these matriarchs and tell that story, which is the genesis of not just Judaism, but Islam and Christianity, the three largest, most prominent religions of mankind,” says Weitz, who is also grateful for Fox’s programming strategy for the episodes. “It worked nicely because they are giving us Sunday Nights leading right through Passover and into Easter so it just made sense to [Fox] too.”

For varying perspectives, the show utilized both Christian and Jewish scholars, which backed up their storytelling objectives, given that these age-old stories traditionally didn’t always flesh out women as much as men, so leaning into an interpretation of text was not taboo. “Our Jewish scholar mentioned, ‘what you’re doing is called midrash, an ancient tradition in Judaism to look at these stories and read between the lines,’” says Echevarria.

That interpretive freedom can be seen in the show’s first installment, which explores Genesis 16 where Sarah, barren for years despite God having told Abraham that she would bear a child in her older age, enlists former Egyptian slave Hagar (Natacha Karam) to sleep with her husband in the hopes she’ll give them a child. Driver says Sarah’s story is one that many women can connect with, but as far as who the real woman was, there’s a lack of true definition. “Who knows what Sarah was like? We don’t know. She doubted and, to some people, she thwarted God, but actually to me, she was just a woman who wanted to have a baby, loved her husband very much and was very strong,” she says.

Natacha Karam plays Egyptian slave Hagar, who bears Abraham’s child.

(Stefano Cristiano Montesi / Fox)

Donovan notes that Sarah suggesting Abraham lie with Hagar in Genesis 16 initially comes across as a straightforward and simple sentence. “But there’s so much to unpack in that one line from the Bible,” he says. “The complex struggles that these three people must have had that people today are still having 4,000 years later? We’re still going, ‘I can’t have a baby. Let’s have her have our baby. But do you like her? Is she better than me?’”

But as much as Sarah’s plight with infertility is relatable, other moments in the story took more work to get there, like the moment where Abraham talks with God. “I can only imagine what it would feel like to speak to God,” Donovan says.

To grapple with that notion before shooting this particular scene, the actor, dressed in his character’s tunic and waiting on the crew to set up, found a spot to sit on under a tree and thought about Abraham’s daily life and how impactful a message from God would be. “He’s a shepherd that got up with the sun and watched his flock and tried to survive,” Donovan says. “‘How do I not die today? How do I feed my family?’ For me to give the respect to the character, that deserves a couple of hours of solace and solitude.” He calls it the most difficult scene in the series for him.

And while the show explores Sarah and Abraham’s marriage, it also dives into the relationship between Sarah and Hagar, which begins when a captive Sarah is freed and she takes slave Hagar with her to give her a better life.

“Hagar finds herself pulled into this story that’s far larger than anything that she could ever have imagined for herself,” says Karam, adding that the two women grow close but conflicts also arise. “Originally, the relationship is defined by hierarchy and necessity and then there’s this complicated dependence that bounds them together for life.”

The actor expressed her satisfaction that the story of Sarah and Hagar is given a positive portrayal since that’s not always been the case. “There are versions of that story that are read through a lens of reprimanding both of these women, which I want to say is shocking but it was actually quite predictable to spin it so that it ends up being, ‘Oh, look what these two women did when they tried to take control,’” she says.

“Hagar finds herself pulled into this story that’s far larger than anything that she could ever have imagined for herself,” says Natacha Karam, left, with Minnie Driver and Jeffrey Donovan.

(Moris Puccio / Fox)

The spin from the cast and crew on the production itself was that with all “The Faithful” episodes filming in the ancient city of Rome, the series benefited from what the city had to offer in terms of scenic authenticity. Also, the unforgiving heat while shooting outdoor scenes wasn’t fun but also wasn’t a total negative, says Driver. “I’ve never been outside in 100-plus degree heat for 10 or 11 hours a day. It was brutal, but it definitely lent to the veracity of the story like where you were so beyond hot and exhausted,” she says. “There’s a generosity of its history that you’re invited in. It was this fever dream, the whole experience of being there.”

And while the Sarah-Abraham-Hagar story fills out the first episode, the March 29 installment continues the drama with the introduction of Rebekah (Alexa Davalos), who marries Sarah and Abraham’s son, Isaac (Tom Mison). Also barren for many years, she eventually receives a message directly from God that she will have twin sons and that her youngest son will one day rule. With the arrival of Esau (Ben Robson), who is born first, and Jacob (Tom Payne), she’s faced with a burden to ensure God’s message stays on course at any cost. “The story becomes about how she almost destroys her family because she’s been told that this is the way, this is the destiny,” says Weitz.

The April 5 finale, airing on Easter Sunday, moves forward as a now-exiled Jacob returns to his hometown and meets two sisters, Leah (Millie Brady) and Rachel (Blu Hunt), and sparks fly. Teases Echevarria, “tonally the episode is a little bit different and it’s a little more scandalous but certainly contemporary.” Adds Weitz, “Jacob falls in love with both of the sisters for different reasons and at different times so it becomes a story about sister rivalry for the love of the same man.”

Love is something audiences have been feeling in recent years for faith-inspired programs, which keeps this three-week event from feeling like a television anomaly. For example, Prime Video’s “The Chosen” has been exploring the life of Jesus Christ (Jonathan Roumie) for five seasons with a sixth season centered on Jesus’ crucifixion coming later this year. Also, on March 27, Prime Video launches the second season of “House of David,” which follows the journey of young shepherd David (Michael Iskander) from slaying a certain giant named Goliath to becoming the king of Israel. And earlier this month, faith-centric streamer the Wonder Project wrapped the first season of its contemporary drama series, “It’s Not Like That,” starring Scott Foley as a widowed minister raising his kids and finding love again. Plus, no Easter holiday would feel right without ABC’s annual broadcast of the 1956 classic film “The Ten Commandments,” airing April 4.

Why is faith TV having a moment now? The appetite for this kind of programming by audiences could reflect the often-bleak world of the 21st century we live in, offers Karam. “These are stories about people who are in the middle of impossible circumstances, who can’t see what the lesson is yet, or whether there’s light on the other side,” she says. “But historically, there always was and there always is [light on the other side] so I think that’s what people are hungry for right now is a framework to make sense of things.”

As long as this hunger continues and audiences show up for “The Faithful,” the producers have a wealth of stories to tell beyond the great matriarchs.

“The difference from a regular TV show is that we do have this extraordinary IP and this different perspective,” says Echevarria. “Our hope is that ours will always be a little different and we’d come at it from a different angle.” Sounds like the faith is definitely being kept.

Afroman has emerged victorious from an invasion of privacy and defamation case filed against him by seven members of Ohio’s Adams County Sheriff’s Office over mocking videos and social media posts the rapper put out after a failed 2022 raid on his home.

“We did it, America! Yeah, we did it! Freedom of speech! Right on! Right on! Yeah! God bless America!” the 51-year-old rapper, born Joseph Foreman, shouted outside the courthouse after the Wednesday evening verdict as supporters rallied behind him. In the clip, under a white fur coat, he was rocking the same American flag shades and red, white and blue suit and tie he had worn on the stand Tuesday.

Four deputies, two sergeants and a detective with the Adams County sheriff filed the lawsuit in March 2023, seeking to reclaim any money the rapper made from what they said was unauthorized use of their likenesses. The group wanted nearly $4 million in damages. Foreman used footage from the raid in videos for songs including “Lemon Pound Cake” to make money to pay for the damage done to his home during the raid, when his front gate was broken down and his front door smashed in.

The plaintiffs said in their lawsuit that the posts and videos caused them “humiliation, ridicule, mental distress, embarrassment and loss of reputation” and made it difficult to do their law enforcement work.

At trial, all seven plaintiffs testified about the harassment they had suffered because of the rapper’s music and videos. One, Deputy Lisa Phillips, had her gender identity called into question in Foreman’s videos and social media posts. She cried on the stand as a video suggesting she enjoyed sex with other women was played for the court.

The jury apparently agreed with the argument that the sheriff’s officers were acting in a public capacity during the raid and therefore were not shielded from criticism of their behavior.

“No reasonable person would expect a police officer not to be criticized. They’ve been called names before,” defense lawyer David Osborne said in closing arguments for the rapper and comedian, known for his breakout 2000 hit, “Because I Got High.”

In 2022, the sheriff’s team was acting on a warrant showing probable cause that drugs and drug paraphernalia would be found on the property and alleging that trafficking and kidnapping had happened there. No evidence of a crime was found, and no charges were filed.

Foreman wasn’t home during the raid but was able to see at least part of it via a video recorded by his ex-wife and footage captured on his home security system before law enforcement turned off those cameras. He said on the stand that the raid traumatized his children, who were 10 and 12 at the time.

“The whole raid was a mistake. All of this is their fault,” Foreman testified Tuesday. “If they hadn’t wrongly raided my house, there would be no lawsuit, I would not know their names, they wouldn’t be on my home surveillance system, and there would be no songs, nothing.”

Foreman also defended his right to use the raid footage as fodder for his work.

“After they left, I had the right to kick the can and to do what I had to do to repair the damage they brought to my house. Yes, I did,” he testified. “I have freedom of speech. I’m a rapper. I entertain.”

Foreman discussed his reaction to the lawsuit with local station WCPO Channel 9 in 2023. “From the first 10 seconds, I was offended. I was appalled. I was like ‘What?’ Then I started laughing,” he said. “These guys with their rifles are crying about my comedy songs.”

Meanwhile, as the jury deliberated Wednesday, an entirely different Adams County Sheriff’s Office was feeling online heat linked to the trial: the office in Colorado’s Adams County.

“The Adams County Sheriff’s Office has received a flood of social media comments, DMs, and phone calls about the #Afroman defamation trial,” the Colorado department said on X. “It’s clear this is important to a lot of people. There’s just one small issue: that’s the ACSO in Ohio. We are the ACSO in #Colorado. Different states, same name.”

The Associated Press contributed to this report.