show biz

DUA Lipa and her new husband Callum Turner have been spotted looking more in love than ever while on a dog walk, just days after getting married.

The couple tied the knot in an intimate ceremony on Sunday at Old Marylebone, which was attended by a handful of their loved ones.

The newlyweds were pictured enjoying a stroll in London today as they continue to bask in their happiness.

Callum, 36, put his arm around his new wife as they locked hands in a sweet embrace.

They dressed down for the outing as she wore a grey trench coat-style jacket with joggers and a pair of Ugg boots.

The singer, 30, went make-up free as she concealed her face with a pair of sunglasses and tied up her hair in a ponytail.

SEALED WITH ONE KISS

Inside Dua Lipa & Callum Turner’s intimate wedding with just 8 guests

DUA NOTHING WRONG

Samsung denies misusing picture of Dua Lipa after she lodged £11m lawsuit

Meanwhile, the actor opted for a white open shirt with a white t-shirt underneath, which he paired with a baggy pair of jeans and hiking boots.

He had a cross body bag across his shoulder as their pet pooch ran in front of them.

The new husband and wife looked the picture of love as they beamed from ear to ear as they chatted away.

The two later bumped into a pal as they enjoyed a catch up before getting into their car and driving off.

At their wedding, Dua stunned in a white hat, dress and gloves while Callum looked suave in a navy suit and tie.

Eight friends and family stood on both sides of the stairs at Marylebone Registry and tossed confetti as the beaming couple headed into a black cab.

The pair will be heading to Sicily, Italy for their lavish second wedding this week.

Showbiz pals including singers Charli XCX and Tove Lo are on the guestlist.

There are even whispers that Sir Elton John, who Dua collaborated with on the 2021 song Cold Heart, could perform.

“They have rented out multiple huge venues for the multi-event extravaganza,” a source told The Sun.

Fashion designer Simon Porte Jacquemus, the man behind the label Jacquemus, is believed to have created at least one of the dresses Dua will wear for her wedding celebrations.

The Sun first revealed James Bond contender Callum had popped the question to New Rules singer Dua in December 2024 after just a year of dating, and she confirmed the news in an interview with British Vogue last June.

Dua, who completed her 81-date, £100million-grossing Radical Optimism Tour in December, said at the time: “I want to finish my tour – Callum’s shooting, so we’re just enjoying this period.

“I’ve never been someone who’s really thought about a wedding, or dreamt about what kind of bride I would be. All of a sudden I’m like, ‘Oh, what would I wear?’.

“This decision to grow old together, to see a life and just be best friends forever – it’s a really special feeling.”

The performer also revealed Callum had her engagement ring made especially for her, after discussing it with her sister Rina, who is expected to be a bridesmaid along with her best friends.

“It’s very exciting,” said Dua. “I’m obsessed with it. It’s so me. It’s nice to know the person that you’re going to spend the rest of your life with knows you very well.”

HEIDI Klum looks half her age in a tiny zebra-print bikini for a sizzling and steamy beach photoshoot.

The America’s Got Talent alum, 53, has posed in an array of tiny bikinis as part of a brand collaboration with Calzedonia.

Posing on a sandy beach, the ageless beauty looked sensational as she smiled for the camera.

In one photo, Heidi rocked a zebra print number which showed off her sensational figure thanks to the plunging bikini top and low rise bottoms.

Another snap saw her lounging around in a brown glittery two-piece string bikini.

Heidi then rocked a bronze string bikini, which left very little to the imagination.

Read More about Heidi Klum

HEIDI HI!

Carefree Heidi Klum, 52, lets loose in Cannes as she sunbathes topless with hubby

‘SCARES ME’

Heidi Klum leaves fans stunned by ‘creepy’ look at Met Gala as a living statue

She also wore a yellow gold number, which displayed her svelte figure seamlessly.

Last month, Heidi went topless in just a pair of tiny thong bikini bottoms as she sunbathed on her swanky hotel balcony.

Heidi was accompanied by her husband, Tokio Hotel guitarist Tom Kaulitz, who wore what appeared to be a polka-dot pyjama top and sunglasses before taking off his shirt.

Just weeks before her topless moment in the sun, the costume-loving star was completely unrecognizable as she transformed into a living statue at A-list fashion event The Met Gala.

Heidi and her husband Tom got engaged in 2018 and then got married in California in February 2019.

The pair then had a second ceremony in Capri, Italy later that same year in August 2019.

Speaking about Tom in an interview in 2022, Heidi gushed that she had “finally found the one” in her husband.

“I just know him so well. We just gel really well,” Heidi spilled in an interview with E! News.

“I just feel like, ‘Finally, I found the one.’ So far so good. I hope it stays that way.”

And in 2024 she even lifted the lid on their sex life.

Speaking about their “bedroom sports”, Heidi told The Sunday Times: “Sport en chambre is my favorite exercise – it sounds better in French.

“I have a younger husband,” she gushed.

She then revealed how the Tokio Hotel guitarist is “very good” and she even called her husband “my match”.

Heidi is also a mother and shares Leni, 22; Henry, 20; Johan, 19; and Lou, 16, with her ex-husband Seal.

At the AI on the Lot media conference last week in Culver City, speakers laid out a view of artificial intelligence that was very much complementary to human workers.

Artificial intelligence is a tool that must be wielded by humans, several said. The idea was to help skilled artists and production specialists do their jobs and experiment, others said.

Of course, to many in Hollywood, AI is not that simple.

Guardrails on its usage emerged as a central issue in the 2023 writers’ and actors’ strikes, and additional rules were added in the recent Screen Actors Guild-American Federation of Television and Radio Artists and Writers Guild of America contracts. There are still big questions about AI’s effect on jobs in the entertainment business, as well as copyright and ethical concerns.

Whether it’s good or bad or some combination of both, AI, in some form, is probably here to stay.

So, eight months ago Amazon MGM Studios opened an AI Studios division to start work on Project Nara, an AI production toolkit built on Amazon’s AWS cloud computing platform that could be used by teams of filmmakers. Project Nara is still in beta mode, and the company set up a GenAI Creators’ Fund to give filmmakers interested in using the toolkit financial support, while also giving the studio feedback.

The beta testers got eight weeks to produce an animated short and, out of those, the company greenlighted three animated series.

Shortly after the conference, filmmaker Jorge Gutierrez, whose stop-motion-style “Punky Duck” was chosen as one of the greenlighted series, pulled out after an online backlash over his use of AI.

“We respect Jorge’s decision, as well as his incredible talent, his voice and the world he created with ‘Punky Duck,’” an Amazon MGM Studios spokesperson said in a statement. “We continue to be excited about the innovative work moving forward at our studio and the GenAI Creators’ Fund.”

Before the flap over “Punky Duck,” I spoke with Albert Cheng, head of Amazon MGM Studios’ AI Studios, about the goal of the division, what’s next for AI and his belief that humans are at the center of creativity. The conversation has been edited for length and clarity.

Why was AI Studios formed?

AI Studios was started last fall because we wanted to learn how to leverage AI technology to build tools that would help enhance or redefine the workflows for film and TV production.

When you look at the horizon of what it takes to drive continued engagement of a global streaming service like Prime Video, we need more original programs. So if you can figure out how we take the same amount of money that we spend and be able to make more shows, that’s ultimately what we want, and we think AI is going to be a help to drive that.

With AI, now we’re looking at how does technology change the way we actually create our cinematic storytelling? It could mean that with AI, we will hear from a lot more voices. If we can actually get the biggest costs down, we will be able to have more voices, be able to take more risks and creative risks most of all.

There’s always concern about what does AI mean for jobs. We believe that it actually creates more jobs and different types of jobs. In fact, people with experience, plus the tools, become even more valuable in terms of their ability to produce excellent quality work. So it’s always about the human behind it.

You mentioned that some of these production crews had more than 100 people, but crews in the past would have been much larger. How do you respond to concerns about that?

You may have smaller crews, but we’ll do more of them [productions], and more in a short period of time. When you actually have smaller productions and you do more of them, you’re increasing your throughput. Your turnover rate of the available jobs is much faster, so your job totals are actually going to be bigger.

You spoke about the idea of AI filmmaking bringing jobs back to L.A. and expanding California’s production incentive eligibility to include AI-assisted filmmaking. Can you elaborate on that?

When you look at AI production, it can be done on a soundstage. We don’t need to go to London, we don’t need to go to other places.

We do have technology companies in California that are driving this, we have people here in the city that have experience, if given the AI tools, can produce great work. So, how can we not incentivize more companies to use our soundstages and finally make productions and make more of them?

Have you or anyone else at Amazon spoken with government officials about this idea of expanding the incentive criteria?

We’ve been talking to a number of bodies about whether it’s possible. The question is, who’s going to take the ball?

How much can you decrease a show’s production budget by using AI?

I think we can get a show to half the cost, [or] to almost a fifth of the cost.

What was the thinking behind the GenAI Creators’ Fund?

We wanted to provide a support and invest in creators who wanted to try it, and then also give us feedback.

We also wanted to show that storytelling is the thing that drives the content. It’s not the technology; the technology just enabled them to make it.

What is the biggest misconception of AI use in production?

There’s a narrative that AI can do so many things by itself, that you don’t need people. That’s absolutely not true. It’s just a technology, it can’t make decisions.

In order for something actually quality to be made, a person actually needs to be behind that, and that’s been proven over and over again. People are still responsible for the output.

Stuff We Wrote

Film shoots

Number of the week

Internet culture drove the box office over weekend, with A24’s “Backrooms” hauling in $81.4 million in the U.S. and Canada.

The $10-million horror flick, which stars Chiwetel Ejiofor as a furniture store owner who finds a mysterious portal in his basement, was directed by 20-year-old YouTuber Kane Parsons and is based on his online series of the same name. Worldwide, the film made nearly $118 million in its debut weekend.

Focus Features’ “Obsession” also had a big weekend with a 10% jump in domestic box-office revenue in its third outing. The horror movie, which had a production budget of less than $1 million, was directed by Curry Barker, who also built his reputation on YouTube.

Together, the two films highlight the growing power of YouTube — and online culture as a whole — on the big screen. They beat out franchise film “Star Wars: The Mandalorian and Grogu,” which dropped 69% from its debut last weekend to rank third at the box office.

What I’m watching

I’m just one episode away from finishing this season of “Bridgerton” on Netflix. While I liked that the show dived into the social class dynamics behind Benedict and Sophie’s romance, I have to say that I loved the secondary focus on Violet Bridgerton and Lord Anderson finding a second chance at love.

ACTRESS Mariah Ann Martin has been left devastated by discovering her husband has had an affair – resulting in a secret baby.

The Perception actress has claimed her ‘love of her life’ husband has fathered a child outside of their 13-year marriage – just months after welcoming their fourth child.

The Son of Phantom star took to social media to share her profound heartbreak – documenting her grief just an hour after the shock discovery.

According to the stunned 32-year-old, her husband Jon has recently welcomed a newborn with another woman.

The heart-breaking revelation marks a bitter conclusion for the couple who have been together over a decade.

She wrote alongside the emotive footage: “I’m usually insanely private… But I’m good at hiding my shame… my pain…

HEALTH SCARE

Disney legend, 78, rushed to hospital after suffering stroke

LEAK ORDEAL

Huge ‘Brit’ female celeb’s affair with top sports star exposed after pics leak

“But I think it’s time I do something different.. I’m so embarrassed. I’m so heartbroken that I could crawl into a cave and decompose… but I won’t… I can’t…”

She added: “To my friends. Buy a plane ticket and come help me pack my house.”

A video on Instagram shows the earth-shattering aftermath as she found out about the deception.

She tearfully said: “It’s been an hour since I found out the love of my life, my college sweetheart, the father of my four children, my husband, has a baby that’s one week old. And I’m devastated.”

The star continued: “And I tend to keep these things to myself because of shame and embarrassment — but it really caught me off guard.

“And I’m so hurt. But, I’m okay. And, I’m wondering what God’s hand in this is. I’ve always believed it was something divine, but sometimes, maybe your grace runs out – for him.

“He’s never cheated on me before and when he does, he gets a baby out of it. And that’s just something I won’t be able to do…. I feel like this is a bottom I never deserved.”

Reams of followers rushed to her rescue and shared their sorrow for her.

Paloma Faith sympathised: “I feel sorry for your husband because he will probably realise too late that he squandered the greatest woman he ever or will ever meet and hopefully you will live a better life than ever before.”

Nadia Sawalha penned: “I can see you have a huge heart, a deep soul, an unshakeable moral code, the strength of a lioness, a strong faith, exquisite beauty and the ability to be vulnerable. A 360 degree woman for whom anything is possible.”

Former Towie star Georgia Kousoulou added: “Sending you so much love. Bigger things are coming for you.”

Sit at a table with a bunch of actors and it inevitably becomes an impromptu acting class, one in which even the Michelle Pfeiffer is leaning over to observe. At least that’s what happened on a recent afternoon when The Envelope gathered six actors from some of this season’s most talked about television series for its 2026 Emmy Drama Roundtable.

It all began when Pfeiffer (“The Madison”) shared that, while studying acting, she couldn’t grasp the technique created by Sanford Meisner, which trains actors to stop overthinking and encourages them to listen and respond actively to their scene partners. The revelation immediately activated Katherine LaNasa (“The Pitt”), who beckoned Tom Pelphrey (“Task”) to join her in a spontaneous application. (Both had studied the method.)

“I like your jacket,” LaNasa said, locking eyes with Pelphrey.

“You like my jacket?” he replied playfully.

“I do like your jacket … You’re smiling at me.”

The exchange, which had a flirtatious energy, continued for a minute, before Pelphrey and LaNasa emphasized that it’s essentially looking at and listening to what the other person is doing.

“Somehow I was doing it wrong and I didn’t understand why I was doing it wrong,” Pfeiffer said.

This openness and encouragement carried the entire conversation, which brought together Pfeiffer, who plays Stacy Clyburn, a wealthy New York City matriarch whose life is upended by the tragic death of her husband, which compels her to move to Montana; LaNasa, who brings depth to the burnout plaguing steadfast, straight-talking charge nurse Dana Evans; Pelphrey, in his turn as Robbie Prendergast, a sanitation worker who robs drug houses at night to provide for his family; Zahn McClarnon, who stars as Det. Joe Leaphorn, a stoic man battling his past and the loss of his son in “Dark Winds”; Billy Magnussen, who portrays Duncan Park, the eccentric and profit-hungry CEO of a tech company in “The Audacity”; and Karolina Wydra, who plays Zosia, the eternally cheerful liaison to a utopian, hive-minded collective in “Pluribus.” Read on for excerpts from our discussion.

I know all your characters are going through some personal things, but if you were to transform into them for 24 hours, what would you do with that day?

Magnussen: I live with Duncan daily because I think your job as an actor is to check the morality of the character you’re playing. And at the same time, you have to question your own morality, see where you stand, to then deal with that character. Duncan’s a really messed-up guy, and doing it for five months … I was on set 16 hours a day every day. I was with him nonstop. And his temperament and pace was just out of this world. It’s exhausting. So what would I do? I would try to go to a spa, personally, because it’s exhausting.

Wydra: Do you find that it gets blurry after a little while?

Magnussen: I still know who Billy is.

McClarnon: But there’s times where you can’t see that line between [fiction and] reality, just moments. I’ve found myself in those moments where I know the difference, obviously, but I’m so emotionally attached to Deanna Allison, who plays my wife on the show, where I can’t separate them anymore. It’s not like 24 hours, but just moments where I’m like, “Wait a second, where am I? Am I in the show? Is this Joe Leaphorn or is this Zahn?” Usually in the middle of the season, it starts to get a little blurry for me.

Magnussen: Do you think it’s the job, though, to keep it separated? Or do you guys believe in Method acting?

Wydra: Rhea Seehorn, who is on “Pluribus,” who’s incredible, who’s my partner in crime, she gave me a book about Method [acting] — the Method and what really Method was. And it’s not what we think it is. We all do Method acting, but it’s not staying in the character and living in the character forever. … And that’s what people think Method is, is that you never break the character, you take the character home, but it’s not. It’s building a world. Building it, personalizing it.

Pfeiffer: Isn’t that what we all do? Some actors will go live on the ranch. They won’t take a bath for six months. They really take it to another level, which I’m not willing to do … From the minute I commit to something, it’s right there [in my head], I’m thinking about it. It can be a year away, and it’s right here torturing me, which is I think why I’m a bit of a commitment-phobe. My agents always call me “Dr. No” because I know no matter what, even if I’m not consciously aware of it, it’s there just badgering me.

LaNasa: I have found that people want Dana, want my character, in real life. And it’s cool because she’s very comforting to people. But I had an experience recently in New York where this table of girls, they were having some party, and someone said, “Oh, you mean a lot to us.” And I said, “Oh, are they nurses?” Well, some of them are. And then they asked at the end of their dinner would I take a picture. And then one girl told the other people to leave and then she told me her illness journey. And I had breast cancer. She was going through breast cancer. And it was really interesting. And it was the most meaningful that I’d ever felt about taking a character home where it’s like … I think I spoke about my wellness journey because I was playing the role. It ended up coming up through the press. … And for some reason, because I was Dana in someone’s mind, it meant something. And I thought, “Well, this was actually useful. This breaking of that wall between character and person was actually useful.”

Tom, you get the call that you’re cast as Robbie in “Task.” What’s the first thing you do to figure him out?

Pelphrey: When I read the first two episodes, I felt like I understood Robbie’s soul perfectly, but I knew that I would have to break my ass to get that accent right. So that was where I focused most of my conscious energy and discipline and time, was just [on the] technical, just on the accent. The fun part was, because he would be my age, thinking about growing up in Philly at that time and who his heroes would be, having ideas for tattoos, stuff like that. We had more time than you get sometimes before we had to start filming because we knew and then the writers’ strike happened. I had a lot of months to sit with him and emotionally and spiritually. And I’d just become a father. Obviously [with] Robbie, everything he does is for his kids.

Pfeiffer: It changes everything. It opens your heart.

Pelphrey: I was a new person. And I understood him in that regard perfectly and I couldn’t have before. I could have imagined it and now I knew for sure.

For “The Audacity,” Billy, you spoke with some tech folks. What did you come to understand about what they’re after as innovators versus what you’re after as a creative?

Magnussen: Listen, no one’s a villain in their own story. I believe that from Day 1, these people probably came to the Valley with genuine ideas. The genesis of their idea was to connect and really bring something powerful and important to society and people. And, “Oh wait, we’re making a lot of f— money.” And through that lens, you start being blinded by this humanity that’s around you or caring for people around you rather than a bottom line. When you’re in an incestuous pool or in a small bubble, culture is created. And like Facebook, their slogan was “Move fast and break things.” Being a bull in a china shop is not a good idea anywhere, but for some reason that was the culture. People just started doing that more and more and breaking things and breaking things and breaking things. I don’t think they started off that way, but the culture just bred them to become this way. I personally relate that to, I don’t want to say Hollywood or the entertainment world, but we’ve seen the toxicity. And we’ve been slowly trying to filter that out, I think, of Hollywood. But when you have a microclimate kind of culture feeding in toxic behavior and rewarding toxic behavior over and over again, it breeds it. So you start to have to scrape away that cancer. But again, the genesis of all these ideas were pure. We were 6 years old just dreaming to be something or being like, “I could do this.”

Pfeiffer: Pretending to be something else, other than what we were.

Magnussen: I empathize with that. I don’t think people are bad. I just think they’re lost sometimes.

Karolina, your character in “Pluribus,” Zosia, is carrying the weight of almost every person in the world. What do you remember about those discussions with [creator] Vince Gilligan and how he helped you unpack this character and the relationship with Carol, Rhea [Seehorn]’s character?

Wydra: I took a break for five years from acting before Zosia came into my life. I walked away at 39 to have kids and my agent and my manager dropped me and it was really terrifying to also be a woman and turning 40, to have children at that time. When Lou [her second son] was maybe a year-and-a-half [old], I got the itch of like, “God, I miss acting so much. How am I ever going to come back? How am I going to get an opportunity?” And I was 43 at the time and out of nowhere I got an email being like, “Hey, there’s this thing …” from a commercial agent that I was on their roster, but I did not work with them. And they said, “There’s this audition.” And I go, “OK.” I read it and I said, “Who wrote it?” And she said, “Vince Gilligan for Apple TV.” I went, “What? OK.” And I didn’t know anything about the project and it was always my dream to work with Vince from when I saw “Breaking Bad.”

Long story short, I’m here and the whole journey has been so wild, so insane. When I first would talk to him about Zosia, I was like, “God, how am I going to tackle the world and someone that has the highest emotional intelligence, someone that does all these different things? And how do you see the Others? How do you want them to move about the world and the complexities of who they are?” Vince is such a beautiful human being. He’s like, “They’re just happy and content.” You go, “OK, yeah, but … what else?” For me, Zosia is extremely spiritual. Meditation was my key, my go-to to get into that zone of connection to humanity, not in the physical but very spiritual way where, [if] you meditate enough, the ego gets lifted and you truly feel connected, and you feel one with everyone. And the wild thing, I think the greatest gift, was becoming a mother; I understood what it means, unconditional love. Because my heart lives outside my body all the time. And so becoming a mother was a gift to play Zosia, because I unconditionally love Carol. And now, no matter what she throws at me, I just love her, and take care of her, and I want to nurture her.

Michelle, you get the call from Taylor Sheridan, who also created “Landman” and “Yellowstone.” He says he wants to meet with you and he wants to do it on his turf in Texas, not yours. There’s no script. What does someone like Taylor Sheridan say to someone like Michelle Pfeiffer that will get her to agree to the show?

Pfeiffer: Well, he gave me a lot of tequila.

LaNasa: Writing this down: Tequila, check.

Pfeiffer: I got a call that he wanted to meet with me, that he had an idea for something, “But you have to come to Texas.” And I said, “Is there anything? Is there an outline? Is there a paragraph?” “No, no. He wants to explain it to you in person.” I had to stay the night in Fort Worth and then met with him and he gave me tequila, and then after a while I had to stop drinking. He gave me a very rough outline of the show, of the character … She’s been with the love of her life for 50 years. It’s the marriage that we all dream of having. And he dies suddenly, tragically, and … all of a sudden the rug is really just emotionally and psychologically pulled out from underneath them. And it’s how do you rebuild a life and it’s the study of grief. He said that I had committed that night, which I did not. I’d had a few cocktails. We went back and forth a little bit about [the fact] that I really would like to read something. And he said, “Well, I would really like to cast this before I write anything.” Then I realized I wasn’t going to win this battle and I reached out to Helen Mirren [who starred in Sheridan’s “1923”], who I don’t know, but I figured she doesn’t suffer fools and she would give me the truth about what it’s like to do this. She couldn’t have spoken [more] highly of everything. She said the scripts are wonderful. The production is wonderful. And loves Montana. And so I took a leap of faith. I never do that.

What stands out to you about his process versus then working with your husband, David E. Kelley, also a prolific writer, who adapted “Margo’s Got Money Troubles”?

Pfeiffer: I couldn’t be luckier working for two of the most talented and prolific writers in the history of television. [They’re] not that much different. I purposefully didn’t want to bug David because it’s not like we had any hard-and-fast rules about not working together, but we weren’t really actively seeking it out because that can get a little dicey, just looking at it from afar. I really cherish my marriage, and our family, and I just didn’t want to mess it up. I really mostly went to the director and every now and then I might throw a little something his way. And [with] Taylor … I would go through Christina [Alexandra Voros], our director, because he’s just not honestly that accessible because he’s got a bit going on. I personally don’t like to spend my time trying to rewrite things. It’s more interesting to me to try to make something work and then I end up finding something I never would’ve decided. It just takes you to a new place and it’s so much more interesting than anything I would have conjured up.

Zahn, you’re not only the lead in “Dark Winds,” but also an executive producer and directing episodes. I know there was a moment where your character was supposed to shoot someone in the face early on. And you felt strongly, “My character’s not someone that would do this.” Talk to me about leaning into speaking your mind.

McClarnon: There’s not a lot of Native characters on television. The foundation of that character obviously comes from Tony Hillerman’s books. So the foundation was set for that character. And when I got to a point in the season where I’m supposed to kill a man, shoot him in the head in the middle of the desert — first off, I didn’t see that in the books. And I know it’s television and we want drama and all that stuff, but also, to be honest with you, I want Native kids — see, I’m going to cry now — to have something to look up to. We grew up with these stereotypes and we grew up with these tropes of Native Americans. The only one I can really remember that I really looked up to was Will Sampson in “One Flew Over the Cuckoo’s Nest” because he was playing a trope, but he becomes the hero at the end of the story. It’s one of my favorite films. So when it came to that point where the writer said, “He’s going to kill this rich white man in the desert and shoot him in the head,” morally, I think Joe Leaphorn is more than that.

And it was simple. I sat down with the showrunner [John Wirth] and we talked about it, and we went back and forth for about a week. And I’m so glad that I have access to somebody like that. I have access where they’re not telling me, “No, this is the way it’s written. This is what you’re going to do.” So yeah, we decided not to shoot the guy in the head, where I’d just leave him out in the desert to fend for himself.

Katherine, you’ve talked to nurses and medical professionals in the making of “The Pitt,” but you were also a patient during your breast cancer journey, interacting with them a lot from the other side. What is something that they’ve told you or even something you observed in that time that really spoke to you about what they’re going through on the day to day in these jobs?

LaNasa: It’s funny, I’d always wanted to work with John Wells. I go through this period of all this unemployment, and then I get this job for John Wells. I had had cancer a year before and then had complications up to like six months before. It wasn’t until I got to the emergency room set that I was like, “Oh, this whole period … ” — the spirituality of that. I really believe that we need to be grateful for our life while we’re living it, no matter what’s going on. Because I still have my children, and I have nature, and I have my husband, and cooking, and my dog, and so many wonderful things. And I was really trying to hold onto that. It’s always this idea that maybe something is for a reason or whatever — now I’m going to cry. The fact that that was so purposeful, that I understood so deeply what it was to be a patient, what it was to be terrified going into the emergency department. I also understood how much it mattered when a nurse took a little extra time and was a little bit kind.

Pfeiffer: You’re going to make me cry.

LaNasa: And there was one particular nurse — I had my cancer, went through my radiation and then [went] back and forth, back and forth [to the ER]. And there was a week, the second trip to the ER [they thought I might have multiple sclerosis]. “Now do I have MS on top of having had cancer?” And I had a breakdown in the ER. And she’s like, “Listen, first six months after cancer are really bumpy, and it’s not going to stay like this. Do you need an Ativan?”

Magnussen: Did not see that turn.

LaNasa: It was that human touch. Or when they would come and give you a warm blanket or something. There’s a nurse, Kathy Garvin at County, who told me she wouldn’t do the job that she does being the [emergency department] charge nurse if it wasn’t in a county hospital. She wants to do that hard work for people that really need her. For the most underprivileged, for the unhoused. And I try to honor that in the story and to just bring that to life — their generosity and their humility.

The Envelope’s 2026 Emmy Drama Roundtable: From left, Zahn McClarnon, Michelle Pfeiffer, Tom Pelphrey, Katherine LaNasa, Billy Magnussen and Karolina Wydra.

There’s a lot of discussion in the industry right now about runaway production and can L.A. rebuild and what’s lost. I’m curious how you feel about this topic.

Magnussen: I live in Georgia and … one of our biggest exports as Americans is our culture. And if we just keep it isolated to Hollywood, I think we lose out at expressing everything we are as Americans.

McClarnon: We shoot on the Tesuque Pueblo. There’s 19 pueblos in New Mexico. We have taken over their old casino and we’ve converted it into a soundstage. We use their back lot. We obviously help out the tribe with renting the place out. And so I like shooting in New Mexico and supporting the local community, especially local Natives.

Pfeiffer: I think there’s room for all of it. We shot [a movie] in London that took place in Los Angeles. And it’s ridiculous that our entire industry has left. Los Angeles is really hurting. And a lot of people are hurting. All those jobs, all of those restaurants where people used to eat, people used to shop. And I think to not give the same sort of tax incentives that other states are doing — look, if it takes place in Georgia, you should go to Georgia. But I think Los Angeles was really built on the movie [industry].

LaNasa: I have a 34-year-old and a 12-year-old. I remember with my 34-year-old, even just being a young, starting-out mother, I would be like, “Well, I’m not going out of town. I have a child.” I would never go do a TV show out of town. I had a kid and the kid was in school and I needed to provide consistency for that child. And then with my second one, that was impossible. We would just not have been able to work. But it’s really hard on families. We are actors and we’ve come here to pursue the industry. We’ve moved here and we’ve risked something … L.A., for all of its problems, is a city of dreamers. It’s a city of people that came to pursue their art. And I am one of those people. And so in a way, I wasn’t really a citizen like the other citizens of Atlanta. I was outside. I didn’t have my community.

Magnussen: I know, but that’s the thing I have an issue with is this idea that, “It’s only there.”

Pelphrey: I’ll say this. Love that we get to film all over our beautiful country. Would love to keep the jobs in this country. That would be the nice part. Because when everybody’s like, “Oh great, we can go to Belarus or London.” Guess what? All of us get to go. Our crew doesn’t get to go — the people that we know that we need, that we work with, that we make these things with. We get to go wherever the f— we want, actors, directors, but the crew doesn’t.

VENEZUELA Fury has shown off her post-honeymoon sunkissed glow as fans say she’s ‘a model in the making’.

After sunning herself on her and husband Noah Price’s lavish £30,000 honeymoon in Marbella, the newlywed, 16, is keen to flaunt her sun tan.

In a new TikTok video uploaded to her page, Venezuela can be seen posing in a strapless pink corset and matching miniskirt.

She was standing by a white wall, which really made her tan pop and stand out.

In the video, Venezuela mimed along to a song and posed for the camera while showing off her figure.

She wore her long hair down and cascading over her shoulder, with bright red lipstick on her lips and barely any eye makeup.

Read More about Venezuela

fury-ous

Venezuela Fury shouts at husband & fumes ‘I’m trying to talk’ as she films video

STUNNING WIFE

Venezuela Fury looks incredible as she shows off outfit in her static home

The reality star, who appears in At Home With The Furys on Netflix, tagged fashion brand Ego in the comments.

Fans were quick to swoon over the stunning video, with one even urging she is a “model in the making”.

“The legs! A model in the making,” penned one person.

Another added: “The beautifulist.”

While a third said: “Omg you look like heaven.”

And a fourth swooned: “You look so pretty.”

Venezuela and her husband Noah have just returned from their £30k honeymoon and are settling into life as a married couple.

Following her lavish wedding last month, Venezuela has traded her parents’ £8million mansion on the Isle of Man for a plush static home in East Riding of Yorkshire.

Before they headed off on their romantic trip, Venezuela gave fans a tour of her and Noah’s marital home.

Along with their wedding and their expensive honeymoon, Venezuela’s parents also paid for the static home and gave her a cash lump sum.

A source previously revealed to us: “Tyson and Paris gave Venezuela and Noah a wedding present of £5million to kick-start their life, obviously, they were over the moon.

so there were some mixed feelings – but it’s up to Tyson and Paris.

“Tyson also paid for the honeymoon and got them a traditional gypsy wagon as a sentimental gift. Tyson’s got one in his front yard.”

We were also previously told: “Venezuela wants to start her married life in the traditional style of a traveller, just like her parents did.

“She has lived in luxury since she was born, but is willing to swap her home comforts to go and live in a static caravan.”

The Strictly Come Dancing star learns of her ancestor’s devastating fate in a new episode of Who Do You Think You Are?

Amy Dowden discovers a shocking family tragedy as she delves into her ancestry.

The Strictly Come Dancing icon has taken part in BBC’s Who Do You Think You Are? where she learns about her lineage.

At one point, Amy is left in tears as she hears of a family member who suffered from breast cancer and died at a young age, leaving several children behind.

The Welsh dancer is left devastated, as she reflects on her own cancer battle, having been diagnosed with breast cancer in May 2023 and suffering health setbacks as she underwent treatment.

Elsewhere during the programme, Amy learns of a 13-year-old who was shot dead in an awful accident.

After hearing of a rumour of a murder from her mum’s side of the family, Amy begins her journey in west Wales, where she seeks to find out if her ancestor was the victim or the perpetrator.

“Was there a murder, was one of my family involved? Detective Dowden on a mission,” Amy declares.

She meets her distant cousin Wyn at his home in Ceredigion, where he shows Amy a family Bible that belonged to her three-times great-grandfather.

Inside it, she reads the name Elinor Jenkins, with information revealing that she was shot dead by the “cruel man Offley Owen” in November 1888, when she was just a teenager.

“Why would somebody want to shoot a 14-year-old girl?” Amy wonders, shocked to hear the distressing news of her ancestor’s murder.

“When I heard of this mysterious death, I didn’t think it would be somebody within our family who was killed, I assumed one of our family members shot somebody. I was not expecting this and not expecting a child,” she says.

Elinor was Amy’s three-times great aunt, and was killed at a nearby farm, Berthlwyd, where she worked as a servant.

The dancer meets historian Dr Angela Muir, who confirmed that Elinor was actually aged 13, and was working at the farm with a 17-year-old boy called Offley Owen.

She reads newspaper reports that detail what happened, revealing that Elinor had been sent to fetch water before a witness heard Owen saying “I’ve shot Nelly dead”.

Owen had taken up the gun “with a purpose of showing her”, but was unaware it was loaded, and was supposedly being playful.

He did, however, tragically kill her, with Elinor being shot in the mouth.

“This is awful,” Amy says. “That would have been an instant death.” The historian agrees, saying: “It’s quite horrific.”

However, Amy finds it difficult to believe the death came about as an accident. She wonders: “He obviously had intention to use that gun,” adding: “To me, this was planned.”

Amy hears about the coroner’s inquest that took place after Elinor’s death, leaving her “confused”.

The reports eventually confirmed that Owen was charged with manslaughter, and would have been tried in the assizes court in Carmarthen.

“I’m horrified by what I’ve read, it’s going to take a little time to process it,” Amy admits.

In Carmarthen, Amy meets another historian who explains that Owen pleaded not guilty at court and the prosecution announced they would call no witnesses.

She’s stunned to discover that Owen was discharged, which would often happen in cases like these during those times, as the court took into account that he had never been in trouble with the law before.

“Some part of me is not satisfied with this,” Amy says, hearing that the victim’s family didn’t get justice after the tragedy.

Seeking comfort after hearing of the outcome, Amy travels to a church in Blaenpennal, where Elinor was laid to rest.

She says: “At first when I heard that he was found not guilty, I was like, how did the family move on? How did they start to process the grief? But it does seem like it was an accident and I guess, after time, they started to forgive.”

She learns that Elinor was remembered “as a young person of more than ordinary ability”, and also that a valley near the farm where she lost her life is now named after her.

Amy says: “I never realised that a member of my family has landscape named after her, I think that’s something quite special, really touching.”

Amy Dowden’s episode of Who Do You Think You Are? airs on Tuesday 2 June at 9pm on BBC One and iPlayer

Euphoria’s creator Sam Levinson has claimed that Sydney Sweeney pushed him to include nude scenes for her character Cassie Howard as he defends himself from fan backlash

After the Euphoria season finale, fans were outraged by the inclusion of copious nude scenes for Cassie Howard, but Sam Levinson has claimed that Sydney Sweeney ‘forced’ him into it.

During the third and final season, Sweeney’s character was nude in multiple scenes, including a montage of nude fetish scenes, as her character started a career as an OnlyFans model. Some fans felt the show over sexualised Cassie and criticised Levinson for the direction the show took. But Levinson said in a podcast episode that it was Sweeney’s choice.

The showrunner said: “When I first wrote it, I thought, ‘Well maybe we shoot all of this and we don’t have any nudity.’ I was talking to her, and you know, [I said] ‘Maybe there’s ways to shoot around certain things?’

“She looked at me, and she was like, ‘Are you kidding? It’s like, I’m playing an OnlyFans model. You’re telling me you’re going to, like, skirt around it?’ And I was like, ‘Yeah, OK, it’s a fair point.’ So there’s always a discussion of what works best for the character.”

He added the the New York Times podcast that Sweeney was a “totally fearless actor” and “wonderfully professional”. Levinson said: “I adore working with her, because there’s such a flexibility in terms of the performance.”

Fan backlash to the scenes was quite strong. Critics of the show questioned their inclusion and argued Cassie was being “degraded” in them and that it was a “humiliation ritual” for Sweeney.

Levinson addressed the fan backlash: “I believe very strongly that the best, most honest performances are when an actor feels free and safe. That’s how you get a great performance. You can’t if there is any tension, the emotion that is going to be blocked. And that’s something I’ve known from my days of studying acting.” He claimed his role on set was to “create the most conducive environment for the actor”.

Sweeney has also appears to have spoken about the nude scenes. She took to Instagram on 31 May to share a series of behind the scenes pics from the last season, including one from when she was nearly naked, with a python draped over her body. She said underneath the image: “It’s called… acting.”

Fans were also angry with the the season finale for killing off Zendaya’s character Rue via an accidental overdose. After being sober all season, the character was given pain pills that were laced fentanyl and died. Accidentally overdosing on fentanyl was the same way Euphoria star Angus Cloud died in in 2023.

Some fans felt the death was wrong as Rue had been sober all season. “What the hell is this show about ??? Rue has been sober since episode one how come she died from overdose in the last episode?” one wrote on X. Another added: “I think it’s safe to say that this was the worst season of Euphoria.”

But Levinson said this was an “honest” ending for Rue. “The honest ending is that people like Rue don’t make it. There’s no reason to sugarcoat it. I wanted to tell this story for Angus [Cloud] and for people who weren’t granted a second chance.”

For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

90s movie actress Ashley Judd looks worlds away from her Hollywood days as she rings in her birthday and sings into a hairbush.

The iconic star celebrated her 58th birthday in May and took to Instagram to share a note with her fans.

She was one of the most popular actresses in the 90s and has a strong filmography of work to prove it.

Ashley shared a video of herself singing into a hairbrush as she danced away in her garden with loved ones on her special day.

She popped her grey locks into ponytails as wore a navy plaid dress and went make-up free.

The actress also posted snaps of herself sat in front of a birthday cake as well as being serenaded by a group of musicians who played their instruments for her.

DAD BRAG

Nepo-baby with Hollywood dad strips off for sex scene with Sydney Sweeney

TENSE TAY

How Taylor’s wedding will be an ‘ex-fest’ as former flames come face-to-face

She penned: “On my 58th birthday, my inner 12-year-old was ready to receive love, care, attunement, delight, protection, and provision.

“Have you ever considered, from your adult perspective, restaging for your sweet inner child an experience she either never had at all?

“Or an experience that did not unfold with the safety and attention it should have?

“I deeply enjoy doing this from a loving inner-parent perspective for my inner family.”

Ashley went on to open up about her childhood and her relationship with birthdays as her fans wished her well on her special day.

The movie star began her career back in 1991 with a guest role in the television series, Star Trek: The Next Generation.

Over her three-decade long career, she’s starred in movies including thriller Double Jeopardy, crime drama Heat and in The Divergent Series.

Her last acting role was in thriller film Lazareth, which released in 2024.

She’s worked with the who’s who of Hollywood, including Robert Deniro, Al Pacino, Tommy Lee Jones, Samuel L Jackson and Jim Carrey.

These days Ashley spends her time working as an activist and humanitarian and is an ambassador for UNFPA (United Nations Population Fund), which is a sexual and reproductive health agency.

She isn’t the only famous person in her family as she’s the daughter of country music singer Naomi Judd.

Her half sister Wynonna also forayed into the country music world.

TWIN Peaks star Owain Rhys Davies has died aged 44.

Owain’s heartbroken family confirmed the news of his sudden death on social media, hailing him as “a brother to many” in a touching tribute.

The Welsh actor was best known for his role as Agent Wilson on Twin Peaks: The Return.

He also starred in Disney’s Alice Through The Looking Glass and A Serial Killer’s Guide To Life.

And his talents took him to the West End too, with appearances in London productions such as The Wizard of Oz and Mamma Mia!.

Owain’s brother Rhodri wrote: “It is with profound sadness that my father and I share the news that my brother, Owain, has passed away.

NO SHAME

I was first to interview Lee Andrews — his reaction proves he’s out for himself

CAREER STALLED

Shamed Stephen Bear selling £2 SMOOTHIES on street market with teen wife

“This news will come as a great shock to many. The reach of Owain’s love, friendship, and generosity was vast.

“While there are still questions that remain unanswered regarding the circumstances of his death, our understanding at this stage is that Owain passed suddenly, naturally, and peacefully.

“The outpouring of messages we have received over the past few days has been deeply moving and a testament to the impact he had on so many lives.

“Owain was fortunate enough to have more than one family.

“Alongside his biological one, he built extraordinary, family-like bonds with many of his closest friends, colleagues, and loved ones.

“I am incredibly proud that, while he was my brother, he was also a brother to so many others.

“We know that this loss will be felt by a great many people, and we take comfort in knowing how loved he was.”

Tributes have flooded in from celebs across the acting world, including Coronation Star Hayley Tamaddon.

The devastated actress, 49, described Owain as a “beautiful friend” in a heartbreaking tribute.

It read: “Heartbreaking to hear that my beautiful friend has passed away. Owain was loved by so many. He lit up Every room he went into.

“I have some wonderful memories of us together, we go back so many years.. but our time together in LA will always make me smile.

“Sleep well my love. My heart goes out to his friends, and family Rhodri and Conway.”

Downton Abbey star Joanne Froggatt said: “No words seem to convey my emotions. I am so sorry for your loss and the grief you must be feeling.

“I am devastated to lose our beautiful friend, he was more than a friend, he was joy and life and talent and kindness and fun and intelligence.

“He was everything and my brain can’t compute that we don’t get to hug him again.

“What I would give for one more hug. You’re forever in our hearts cariad.”

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us on TikTok @TheSun.

EastEnders spoilers for next week have teased the fallout to the big episodes airing this week, hinting at Jordan’s fate as well as Denise getting a sad update on the BBC soap

There’s some huge moments ahead on EastEnders, with spoilers for next week confirming bombshells and worrying scenes.

It’s the fallout to the show’s big week that “changes everything”, with new details confirmed about what happens. Not only that, but we see characters struggling in the fallout, and reacting to some big discoveries.

George clashes with Nicola about her deal with Eddie, leading to him heading to the boxing gym. A friendly session with Mark takes a turn though, when Mark punches George and he falls unconscious.

Phil reveals to a stunned Mark that George should never have been boxing due to his brain injury. A groggy and confused George refuses hospital treatment, so Phil takes him home and informs Nicola about George’s CTE.

Harry worries that George might tell Gina about Nicola’s deal with Eddie, fearing it will end their relationship. He does encourage Nicola to tell Gina before someone else does, while Nicola tries to get through to George.

Denise is shocked when doctors insist she be admitted immediately for treatment. Despite Jack’s pleas, Denise is determined to be there for Chelsea after Jordan’s accident involving Ian.

When Denise’s condition worsens, Jack shares the doctor’s warning with Yolande in a bid to encourage Denise to start her treatment. Denise refuses still, while later in the week Chelsea learns that Jordan’s rehabilitation may not work.

Kat plans a birthday dinner for Jasmine, while Oscar secretly juggles time seeing the twins separately. When Oscar finds out the circumstances around the death of the twins’ foster dad, and Jasmine’s departure from the family, he asks Jasmine about it, causing her to lash out.

Josh and Oscar give into temptation, but Kat spots them kissing. Kat confronts Oscar and tells him to stay away from Josh and Jasmine, before she tells Alfie what she saw.

Unaware of the situation, Zoe invites Oscar to the meal for Jasmine and Josh. It looks set to be another drama-filled week in Walford next week then!

EastEnders airs Mondays to Thursdays at 7:30pm on BBC One and BBC iPlayer. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

KIM Kardashian is flogging her rare designer clobber on her fashion website — but you’ll need a 19-inch waist to wear it.

The reality star, 45, is selling items from her Disney+ series All’s Fair, including a 1995 John Galliano top and jacket for £43,000, and a £1,265 Thierry Mugler suit.

Kim has cinched her 24-26in waist to 19ins for red carpet events such as Met Galas.

And with her reported 43-inch bum many clothes are specially tailored for her shape.

Most items from her All’s Fair wardrobe are marked with a warning to buyers, with one assistant writing next to the Mugler suit: “Pants were altered to fit Kim’s body.”

A dress by the late French designer was also adjusted for the superstar.

KIM FREES ‘KILLER’

Death row inmate accused of murder FREED after Kim Kardashian pays bail

MY KIM K BODYWORK

I got a custom outfit just like Kim K’s for £14… I felt a million dollars

The John Galliano skirt was tweaked to fit her shapely derrière, along with a £1,300 three-piece suit from Patou.

A Christian Dior silk coat was also tailored to fit Kim’s waist — going from a UK size 18 to size six.

Kim’s family have been using the “Kardashian Kloset” website to flog used clothes since 2019.

It’s unknown if money from sales go into the family’s pockets or to charity.

Kim keeps every outfit she’s worn in storage — including her Met Gala designs and even the bridesmaids dress she wore to sister Khloe’s wedding to Lamar Odom in 2009.

She said of her archive: “This is its own time capsule.

“I have every look, every dress, every event.

“I love it, it’s like going down memory lane.”

DISGRACED reality TV star Stephen Bear has set up a market stall selling £2 smoothies with his pregnant teenage wife.

Bear, 36, was spotted on Sunday flogging fruit juice in Walthamstow, north-east London, with his Brazilian missus Miami, 19.

The former Ex on the Beach cast member was sentenced in March 2023 to 21 months in prison for uploading CCTV footage of himself having sex with ex-girlfriend Georgia Harrison, 31, to his OnlyFans account without consent.  

An eyewitness who saw the Walthamstow-born sex offender, who won the 18th series of Celebrity Big Brother in 2016, said: “I was walking past the market at about 1pm on Sunday and spotted him and recognised him from Ex on the Beach.

“He had set up one of those folding tables and someone stopped and asked him for a selfie.

“By the time I went back that way around an hour later they had gone.

“They were doing different flavours like strawberry and mango, putting the fruit in a nutribullet blender and selling them for just £2 in those plastic cups with the round lid on the top.

“It’s hard to think he’s even making a profit at that price, fruit is so expensive at the moment.”  

Bear announced his intention to set up a stall in the market in a social media video posted three weeks ago.

But he said it would likely be after he makes his boxing debut on July 25.
He is due to fight Andy “The Silencer” Lee at York Hall in Bethnal Green, east London.

In the clip posted to his TikTok on May 10, in which he can be seen being driven by his brother Rob, Bear said: “We’ve got some breaking news guys.

“Me and Rob’s decided we’re going to inquire and get a market stall down Walthamstow market.

“We’re thinking you don’t want to travel far to sell your bits and pieces, and if you never need to store anything, the house is, like, five minutes away from Walthamstow market.

“So send me a DM, what you think we should sell on our stall and then we’re going to inquire.

“Probably going to be after my boxing match, July 25, I’m going to get that out of the way first.”

After Rob suggested selling T-shirts or fruit and veg, Bear said: “I think if you’re holding fruit and veg, it’s going to go off, so we’re not going to do that.

“But we’re going sell something out of the ordinary.

“Send us a DM, what you think we should sell on our market stall.”

Bear married then 18-year-old Miami in her native Brazil in July 2025, around 18 months after he was released from HMP Brixton.  

The couple – who post X-rated content together – announced in March that they are expecting their first child.

Bear, who served 10 and a half months of his sentence, was ordered to pay his former Love Island and The Only Way is Essex star ex Georgia £207,900 in civil damages.

In March 2024, Georgia later said that she had received “not one penny” of it or the £212,515 she was owed for lawyers’ fees.

Bear was then ordered to pay HM Treasury the £22,305 he made in profits from subscribers after uploading the video and £5,000 in compensation to Georgia.

The Sun asked Bear for comment.

MOVE over revenge dressing . . .  the new celebrity break-up power move is a revenge campaign.

Maya Jama, who has just split from Manchester City defender Ruben Dias, shared her sexiest looks yet for Agent Provocateur.

She is not the only one turning heartbreak into a big-brand deal.

From multi-million-pound ads to career switches designed to overshadow an ex, the new rule of uncoupling is success.

Celebrity publicist Emma Bunning says: “We’re seeing stars turn break-ups into business opportunities, launching new ventures, signing major partnerships and embarking on career blitzes just as their personal lives hit the headlines.

“It’s savvy PR because it shifts the narrative from heartbreak to success.”

Read More on Celeb splits

MAY OH MAY

I broke the story on Maya and Ruben’s split – but my DMs were more shocking

DADDY DRAMA

Cardi B is giving Stefon Diggs a ‘second chance’ 3 months after messy breakup

Here, Yasmin Harisha takes a look at the other celebrities telling us they are thriving after a split.

Maya Jama

AGE: 31

SPLIT FROM: Ruben Dias

Sizzled as she modelled swimwear for Agent Provocateur after her split from the Portuguese footballer last month.

The presenter’s deal with the sexy-yet-sophisticated brand is bound to bolster her bank balance even further.

Her career move comes hot on the heels of fronting the new Love Island series, which kicked off last night, and her upcoming gig on Celebrity Traitors – together bolstering her net worth of £2million.

Miley Cyrus

AGE: 33

SPLIT FROM: Liam Hemsworth

POP rebel Miley turned her 2020 divorce from the Hunger Games actor, 36, into a Grammy-winning, multi-million-pound empire.

After releasing anthem Flowers on Liam’s birthday in 2023, it became the fastest song in Spotify history to surpass one billion streams.

And she celebrated the track reaching No1, and pushing her net worth to an estimated £118million, by sharing a sexy bikini shot.

Bella Hadid

AGE: 29

SPLIT FROM: Adan Banuelos

The model parted ways with the 37-year-old cowboy in January after two years.

She threw herself into promoting her perfume brand Orebella and filming FX science-fiction series The Beauty.

It is a classic business move for Bella, who is one of the world’s highest-paid models and rakes in millions a year.

She also capitalised on her 2017 split from singer The Weeknd by modelling for the Victoria’s Secret campaign.

Sabrina Carpenter

AGE: 27

SPLIT FROM: Barry Keoghan

THE pop pixie hit the campaign trail following her split from actor Barry Keoghan, 33, in December 2024, after a year together.

First up was her massive Netflix holiday special, A Nonsense Christmas, wearing a black and white vintage Chanel ensemble.

Then, in April last year, the singer showed off her curves in Versace’s La Vacanza campaign cementing a total fortune that has skyrocketed to an estimated £16million.

Nicole Kidman

AGE: 58

SPLIT FROM: Tom Cruise

HOLLYWOOD icon Nicole, who also divorced Keith Urban, 58, in January, gave us the ultimate blueprint for post-split success following her 2001 divorce from Tom Cruise after 11 years.

Nicole launched a relentless solo career that culminated in her winning an Oscar for The Hours in 2003 and bagging a record-breaking multi-million-pound deal as the face of Chanel No.5, which paid her £500,000 per minute for a single commercial.

Khloe Kardashian

AGE: 41

SPLIT FROM: Lamar Odom

When it comes to turning a messy split into a business empire, we certainly have to hand it to Khloe.

Following her highly publicised divorce from the former NBA player in December 2016, Khloe stepped out in skin-tight dresses for her E! series Revenge Body in 2017.

Since then, she has stripped down for her fashion brand Good American, swelling her worth to £44million.

Lily Allen

AGE: 41

SPLIT FROM: David Harbour

SINGER Lily put her career centre stage following her split from her Stranger Things husband, David, 51, after four years of marriage.

Launching her highly anticipated comeback in October 2025, just one month after she filed for divorce, Lily released her fifth studio album, West End Girl.

The record detailed their divorce, and helped to build her a sturdy personal net worth of an estimated £1.5million.

Shakira

AGE: 49

SPLIT FROM: Gerard Pique

Latin superstar singer Shakira didn’t just move on from the former Barcelona centre-back, 39, she really cashed in.

After his alleged infidelity, Shakira launched her BZRP Music Sessions diss track and reportedly raked in £24million from her heartbreak trilogy.

She also stepped out for high-fashion brands, including in a sheer, diamond-encrusted gown for Burberry.

Joe Swash says discovering family history has made him complete after taking part in Who Do You think You Are? for the BBC

Joe Swash says he feels “galvanised” after learning about the Italian roots of his family. The actor and husband of Stacey Solomon appears on Who Do You Think You Are? hoping to learn more about his family tree.

Former EastEnders star Joe, 44, tells the programme he lost his own dad Ricky when he was aged 39 and Joe was just 12 which had a big impact on his upbringing.

He explained: “My house was full of life and life. And then, when my dad died, for a long time, it was a house full of sadness and grief. So, you know, a lot of the time it was just trying to get through that period. Growing up in London, I was quite vulnerable, not having a father figure, and I had dyslexia and ADHD that wasn’t diagnosed, so I do struggle when I read something, and a lot of the time I was misunderstood as being quite naughty and mischievous.”

Joe says thanks to some “strong women” in his life he stayed on track, and that he feels like he has got some “Italian traits” including wearing his heart on his sleeve. His mum Kiffy tells him that on his father’s side his great grandmother’s part of the family tree were Italian.

At this stage Joe doesn’t know anything beyond his grandad Charlie but his parents were Joe’s great grandad also called Charlie Swash and Maria Raimo. A 1921 marriage certificate shows Maria living at home in Lox Gardens in London with her parents, Giuseppe, Italian for Joseph, and Rosa, Joe’s great great grandparents.

Joe’s great great grandfather Guiseppe Raimo moved from Italy to London and worked his way up from a street performer in poor living conditions to a job crafting Street pianos. He also spoke alongside Sylvia Pankhurst in 1923 at a Communist Workers’ Movement meeting in London. A letter in his name was published in weekly newspaper The Worker’s Dreadnought, condemning the brutality of the fascist regime.

Historian Alfio Bernabei said: “Giuseppe wasn’t simply attending the meeting, he was actually speaking alongside Sylvia Pankhurst. He could see what was going on, he was following events in Italy, and everything was leading towards a catastrophe. Giuseppe would have run terrible risks had he been in Italy, and he was running terrible risks in London.”

Hearing this detail, Joe said: “It really does fill me with a great, great deal of pride to think that he was struggling through life anyway, being Italian, living where they were living, but he still was concerned about what was happening in the world and fascism, so he must have been a man with great moral compass, someone that really stood by what he thought.

“I had so much pride when I found out about him. The journey he went on, the morals and the things he stood up for, the people he rubbed shoulders with, and the way he got out and worked through poverty to make himself and make his family’s life better, just shows real tenacity. Learning about his speech was emotional, it was a total surprise. I think in that moment I felt really close to my relatives, to Giuseppe. It was such a lovely thing to find out.”

Joe also goes to Naples and traces his ancestors back to his five times great grandfather Donato who was born in 1762 and was living in the now largely abandoned but picturesque mountainous town of Senerchia. The family were peasant farmers but did have a brush with crime after being wrongly linked to the Italian brigands in 1867 during the Italian rebellion.

Back in the present day Joe also finds a ‘Raimo bar’ nearby to Senerchia, and is delighted the family name lives on in Italy. Reflecting on everything, Joe said: “For a lot of my life, I’ve never really known who I am, what I am, where my roots are. I don’t know if that’s due to losing my dad at a young age, but being on his journey, it really has sort of like galvanised who I am, where I’m from, the people that made me, how strong they are, they never give up. Hopefully a bit of that tenacity has come down the line to me.”

He added: “I think what I’ll carry with me from this experience is just the importance of where you come from and knowing who you are. As well as the things that I found out about my relatives, especially about Giuseppe. Traits and things from them that I hope I have as well, or that I’d like to introduce into my life, you know. It just made me feel a lot more attached to my heritage, which I’ve never really felt attached to. I very much knew nothing about it before, but after this journey, I feel like I’m part of something.”

* Who Do You Think You Are? With Joe Swash airs on BBC1 at 9pm on Tuesday June 9. The series is available to stream on BBC iPlayer.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

R&B singer Peabo Bryson, well known for his duets from beloved Disney classics “Aladdin” and “Beauty and the Beast,” suffered a stroke over the weekend.

A representative for the artist told The Times that the singer is undergoing treatment but provided no details about his condition.

“Two-time Grammy Award-winning singer, songwriter and balladeer, Peabo Bryson — the voice behind the Oscar-winning Disney songs ‘Beauty and the Beast’ and ‘A Whole New World’ — has suffered a stroke and is currently under medical care,” the representative said in an emailed statement. “At this time, the family requests privacy as they navigate this deeply personal moment together. The thoughts, prayers and love of friends and fans are welcomed and deeply appreciated.”

Bryson recently performed a concert with Jeffrey Osborne at Trilith Live in Fayetteville, Ga., in early May. The event was a standalone performance, apart from the crooner’s Golden Touch tour, which he announced last year, amid his celebration of 50 years in the music industry. In April, the Grammy winner turned 75 and posted photos on Instagram from a birthday bash showing him surrounded by friends and family. In early May, he posted a video of his son, Kitt, performing a Michael Jackson dance routine, writing “Super proud Dad moment from last nights Gig in Atlanta.”

Soul and funk band Maze, which was fronted by the late Frankie Beverly, shared some love for Bryson on social media.

“The entire Maze The Music Forever family sends our heartfelt prayers, love, and support to Peabo Bryson during this time of healing,” read the post. “Peabo’s extraordinary voice, timeless artistry, and unwavering contributions to music have touched millions around the world. We pray for God’s healing hand, renewed strength, comfort, and a full recovery.”

BLAKE Lively has demanded that Justin Baldoni pay her “significant” damages – with the pair now facing a potential mini-trial despite reaching a settlement earlier this month.

The actress claimed in court docs that Baldoni, her co-star and director on the movie It Ends With Us, should be covering her legal fees after suing her.

The star also said she was owed legal fees, costs, treble damages – with punitive damages on top, according to court docs.

Lively had previously sued Baldoni for £119million in damages in 2024 for alleged sexual harassment on the set of It Ends With Us – which he denied.

In April this year, a judge dismissed most of her case and weeks later both sides reached a settlement with no money changing hands.

Now, Lively wants Baldoni to pay her for his own failed counter-lawsuit, in which he demanded £300million for defaming him.

MET MADNESS

Beyonce steals show at Met Gala but Blake Lively makes shock return

IT ENDS WITH THEM

Blake Lively & Justin Baldoni ‘settle bitter legal battle’ after 2 years

A judge dismissed his case last year and Lively says in court docs that because she won, Baldoni has to pay up.

During a hearing at a court in New York on Monday, Judge Lewis Liman told Lively’s lawyers to consider dropping their claims.

He said: “Your client does have the ability to end this.”

But Lively’s lawyer said she was entitled to the money and said he would be calling experts to testify in what could be a mini-trial.

Neither Lively, who is married to Deadpool star Ryan Reynolds, nor Baldoni were in court for the hearing.

Speaking after the session, Lively’s lawyer Sigrid McCawley said her film star client would be seeking “very significant” damages.

The actress’ “reputation was harmed” as was her livelihood, McCawley said.

Lively’s trial would have been taking place this week – had the case not been thrown out.

Her former BFF, Taylor Swift, was set to be one of the big names likely involved in the trial.

Lively had alleged in court docs that Baldoni added unscripted kisses to a dance scene in the movie It Ends With Us.

Lively plays a florist in the movie, while Baldoni portrays her character’s abusive neurosurgeon boyfriend.

Baldoni denied Lively’s claims, and the court dismissed most of them – including conspiracy, sexual harassment, and defamation.

Lively’s complaint allegations included the film producer being accused of going into Lively’s trailer while she was topless and breastfeeding her baby.

Lively, 38, initially filed her complaint against It Ends With Us director Baldoni, 42, in December 2024.

The star claimed in the filings that she had lost $161million as a result of the fallout.

For “Abbott Elementary” costume designer Hachy Mendez-Smith, the fifth season’s Halloween episode — in which Gregory (Tyler James Williams) and Janine (Quinta Brunson) dress up as “Sinners” filmmaker Ryan Coogler and an Imax screen, respectively — had to do more than deliver a punchline. It also had to reflect their characters. “Gregory has always been the more grounded, measured type. And then Janine is naturally more whimsical, optimistic and quirky, so she carried the bigger, more expressive visual in the moment,” she says. “And as his girlfriend, she’s always been supportive of him. So even in costume, it was like she was literally holding space for his story. It felt authentic, not just comedic.” The designer drew inspiration for Gregory’s burgundy coat from a Coogler red carpet moment, tailoring a clean, sophisticated silhouette while playing with the scale of Janine’s costume. “Quinta’s 4-11 in real life, so we had to be mindful yet over the top to land the visual right away,” she notes. The highlight for Mendez-Smith: Coogler’s reaction. “I was honored he even watched and loved that he talked about how much the show means to him,” she says. “And it was hilarious that initially he thought it was AI. He couldn’t believe how spot on it was.” How spot on? Even Janine’s screen matched the correct Imax aspect ratio: 1.43:1.

Another Brat summer is upon us.

Charli XCX announced Monday that her new album, “Music, Fashion, Film,” drops July 24, and it already looks iconic.

That’s because the cover art, which Charli shared on Instagram, features three icons within their fields. The Velvet Underground’s John Cale represents music, Marc Jacobs stands for fashion and beloved director Martin Scorsese symbolizes film.

“My new album Music, Fashion, Film is out july 24th,” Charli wrote on Instagram. “11 songs, 30 minutes, 5 seconds. available to pre order now, love you xx.”

She released the first two singles, “Rock Music” and “SS26,” in May. The latter, a shorthand for the fashion industry’s current “Spring, Summer ‘26” season, has an accompanying video that features the artist strutting down an X-shaped runway, singing, “We’re walking on a runway that goes straight to hell / Nothing’s gonna save us, not music, fashion or film.”

“Rock Music,” the album’s first single, was met with mixed reactions from critics and fans. The song telegraphs Charli’s genre switch from electronic pop to the titular rock music, announcing, “I think the dance floor is dead” over heavily distorted guitar.

“If I’d made another album that felt more dance-leaning, it would have felt really hard, really sad,” Charli told British Vogue in April. “What’s interesting for me is to bend the possibilities of what my perspective on [rock music] could be.” She later clarified on Instagram, “I never said i was making a rock album.”

“Music, Fashion, Film” is not the artist’s first album in 2026. She released “Wuthering Heights,” the soundtrack to Emerald Fennel’s movie of the same name, in February. Cale is featured on “House,” the soundtrack album’s lead single.

Charli has added acting and producing to her repertoire in recent years. She produced and played a somewhat fictionalized version of herself in Aidan Zamiri’s mockumentary “The Moment,” based on the “Brat” album cycle, which Times film critic Amy Nicholson called “ ‘Spinal Tap’ for the era of stan culture.”

She also co-starred in Daniel Goldhaber’s “Faces of Death” remake, released in April, and is set to appear in Gregg Araki’s upcoming erotic comedy “I Want Your Sex” and Cathy Yan’s art-world thriller “The Gallerist” by year’s end.

“I’ve always been really inspired by cinema when making my music, more so than listening to music, to be honest,” Charli told The Times at the Sundance Film Festival in January. “It’s an honor to be able to be acting, working on projects and writing and producing films. It’s kind of my dream.”

One of the new Love Island contestants is Jasmine Muller, who previously dated former Arsenal star Hector Bellerin, and who has said she would be open to dating a footballer again

The World Cup may be right around the corner, but things will be kicking off in a different way for ex-WAG Jasmine Muller. The 27-year-old Love Island star from Dubai used to date former Arsenal player Hector Bellerin.

Though the two broke up, she doesn’t seem burned by the WAG lifestyle or the relationship and has said that she is open to dating a footballer again. “I’m open to getting to know everyone,” she said. “If I like you, I like you, so I’m not put off from dating footballers.”

Jasmine and Hector dated in 2021. “That relationship was so long ago, I don’t think about it anymore. It was a very healthy and lovely relationship and I suppose it did prepare me a little for high profile things but my main preparation has come from my mum and my sister and my friends. I have a huge support network.”

OPINION

Back in 2021, the two were first revealed to be dating on TikTok, where Jasmine now has 57,000 followers. The two posted pics together and Jasmine was often seen in Spain, where Hector is from.

Now that she’s heading to Majorca, Jasmine has been very clear that she is open to meeting anyone – as long as they aren’t insecure. “My biggest ick is an insecure man,” she warned. “I’m quite a secure woman so I can’t date an insecure man.”

She added: “Honestly, how would he deal with me? That’s the real question. I don’t think insecure men could handle me. I pick up on insecurity straight away, and it just wouldn’t end well. By the end of it, he’d probably hate me.”

Jasmine has described her type on paper as “objectively hot”. If she finds him, she’d going “straight for the goal”. “Life is too short to play it sage, that’s boring,” she said. “You don’t go on Love Island to play it safe.”

As well as finding the fully secure love of her life, Jasmine is hoping to keep up the legacy left by Shakira Khan from series 12. Shakira was in the OG line up as well and was hugely popular, coming second on the show with her partner Harry Cooksley. Speaking after the show, Shakira revealed that one of the reasons she wanted to do it was because she wanted to be the representation for Asian women that she never had growing up.

“Being a fellow brown girl, it was lovely to see her be so honest,” Jasmine said when asked which Islanders she took as inspiration. “I hope I can do that for other brown girls.”

She’s hoping not to be drawn into drama in the same way Shakira was, but can’t deny that she is hoping to be a bit of a peacekeeper on the show. “I’m always involved in everyone’s business. I’m basically the auntie of the group. Everyone literally calls me ‘Jasmine Auntie.'”

Jasmine admits that has some draw backs though. “I’m so used to being there for other people that putting my issues first is a new thing. But I just think of what my Mum would say and what she would tell me to do. She’s so supportive, she even zipped up my suitcase to come here!”

Love Island returns Monday 1st June at 9pm on ITV2 and ITVX

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

She first appeared in 2017 before returning as an All Star in 2025. Now, Gabby Allen is joining the Mirror for an opening show watch-along.

She’ll be bringing a unique take on all things villa life from someone who knows it better than most.

Who will impress her and who will be an immediate red flag. The Scouse bombshell already has high hopes for her fellow Liverpudlian, Robyn.

Let’s see how this one goes… it’s nearly over to you, Maya!

Dua Lipa and Callum Turner are writing a new chapter in their romance, tying the knot two years after a meeting that would make most bookworms swoon.

The Grammy-winning “Levitating” pop diva, 30, and “Eternity” actor, 36, exchanged their vows Sunday morning at the historic Old Marylebone Town Hall in Westminster, London, officials confirmed to the Associated Press. The Daily Mail published photos of the newlyweds all smiles and hand-in-hand descending town hall steps. Callum was spotted wearing a navy suit as his bride donned a custom Schiaparelli skirt suit, white gloves and a wide-brimmed hat, according to the Daily Mail. The singer also wore white Louboutin heels and a serpentine necklace by Bulgari.

Lipa and “Masters of the Sky” star Turner began dating in January 2024, after numerous missed opportunities. Turner told the Times of London in October 2025 that he and his now-wife (“I just thought she was the most beautiful woman in the world”) first met in Los Angeles before a mutual friend’s birthday and struck up an instant connection. “We sat next to each other and realized we were reading the same book, which is crazy,” Turner said.

Lipa runs her own book club and blog, titled Service95, and announces the selected reads on Instagram. When they met, the bookworms-turned-lovebirds were each making their way through Hernán Díaz’s “Trust.”The novel won the Pulitzer Prize for fiction in 2023.

“I had just finished the first chapter and I told her and she looked at me and said, ‘I just finished the first chapter too.’ I said, ‘So we’re on the same page,’” he told the Times. “In the movie version of it I look up to the sky and I’m like, ‘I hear you. I understand. The signs are loud, don’t worry.’ And that was really the first [moment].”

Lipa hard-launched her romance with Turner on Instagram in July 2024, sharing photos from Glastonbury. Over the following years, the singer continued sharing photos of sweet moments between herself and Turner, who does not have an Instagram account, and the pair were spotted together at numerous public events including the 2025 Met Gala. In December 2024, Lipa posted photos featuring a diamond ring on her left ring finger, spurring engagement chatter. After months of flaunting the ring on social media posts, Lipa confirmed the engagement to British Vogue in June 2025.

“It’s very exciting … This decision to grow old together, to see a life and just, I don’t know, be best friends for ever — it’s a really special feeling,” she told the outlet at the time.