show biz

A waterfront amphitheater roughly twice the size of the Greek Theatre and two-thirds the size of the Hollywood Bowl is set to open this week in Long Beach — and there’s a lot riding on its success.

City leaders hope F&M Bank Amphitheater of Long Beach, located next to the famed Queen Mary, will supplant declining revenues from oil extraction and lead to an uptick in tourism. Concert promoters, meanwhile, see it as filling an important gap in Southern California’s music venue market.

The temporary amphitheater, which has a maximum capacity of 11,000, is meant to be a precursor to a permanent “Long Beach Bowl,” which is being pitched as the largest waterfront venue on the West Coast. The site opens June 6 with a performance by native son Snoop Dogg, and is expected to last for up to 10 years.

The new amphitheater represents a years-long dream of Mayor Rex Richardson, who began championing an outdoor performance venue on the waterfront in 2023. Soon after the closure of Irvine’s FivePoint Amphitheatre in October of that year, he accelerated those plans by proposing this facility. The general feeling was that Irvine’s loss could be Long Beach’s gain.

“This will be a place where memories are made, where music brings people together and where our city shows up on the big stage,” he said during a January groundbreaking. “The amphitheater represents direction to invest in our city’s future, to embrace our creative economy [and] to shape how people experience Long Beach for generations to come.”

Good vibes by the water is the driving energy behind the temporary venue.

(Eric Thayer / Los Angeles Times)

While Los Angeles and Orange County have no shortage of cavernous indoor arenas, the region has recently lacked a proper “summer shed” capable of hosting many national amphitheater tours, said Nick Storch, head of global artist development for booking agency Independent Artist Group. Those tours typically play venues larger than the Greek, Irvine’s Great Park Live or Costa Mesa’s fairgrounds-adjacent Pacific Amphitheatre, but smaller than the Hollywood Bowl.

Such tours, Storch said, are of “massive” importance to the concert industry. “With amphitheaters, it’s not just the music — it’s the experience of being outside and watching a concert, getting a bite to eat with your friends and all those kinds of things,” said Storch, whose agency’s clients Motley Crue and Five Finger Death Punch will perform at the F&M Bank Amphitheater in September.

“FivePoint was a great venue to help artists that are in that in-between stage, and not fully ready for arenas,” he said. “Long Beach having an amphitheater is going to grow the market again.”

Amphitheaters are also crucial to veteran artists with established fan bases. The long-running hard rock band Tesla — who also will perform at the F&M Bank Amphitheater in September — has not played a show in Los Angeles or Orange counties since the closure of FivePoint, which hosted the group twice.

Brian Wheat, the band’s bassist and manager, said he’s excited the new venue will help change that. “Sheds are great in the summertime, and outdoor summer gigs always create a great atmosphere for both bands and fans,” he said.

Much like the F&M Bank Amphitheater, FivePoint Amphitheatre was designed to serve as a temporary venue following the closure of Irvine Meadows Amphitheatre, which operated from 1981 to 2016. (From 2000 to 2014, it was known as Verizon Wireless Amphitheater.)

At 11,000 seats, the amphitheater is roughly two-thirds the size of the Hollywood Bowl. Its permanent replacement will be “architecturally iconic,” said Mayor Rex Richardson, while this temporary version is likened to a “summer shed.”

(Eric Thayer / Los Angeles Times)

From its opening in October 2017 until its closure, FivePoint hosted nearly 500 concerts, including artists such as KISS, Dave Matthews Band, Charlie Puth, Morgan Wallen and Luke Combs.

Venue operator Live Nation — which manages more than 300 facilities across the country — initially hoped to build a permanent amphitheater nearby, but scrapped those plans in 2023 after the Irvine City Council ended negotiations. Soon after, Live Nation announced the venue would shutter.

After learning of Live Nation’s fallout with Irvine, Richardson and members of his economic development team attended the final FivePoint concert, a performance by the Zac Brown Band, to “explore the feasibility if we were to do the same thing.”

Three months later, Richardson announced plans to build a temporary amphitheater in Long Beach to bridge the gap until a permanent facility — which he envisions as an “architecturally iconic and significant” waterfront venue akin to San Diego’s Rady Shell at Jacobs Park — can be permitted, financed and constructed.

The site’s location is central to its appeal, said Dan Hoffend, executive vice president of North American venues for Legends Global, the operator for F&M Bank Amphitheater. “If you sit in the very top row — what you would consider the worst seat in the house — it’s a spectacular view,” he said. “The Queen Mary is sitting there in all its glory. You’re looking across the harbor. What would be perceived as the worst seat is actually the best seat because you see it all.”

Long Beach Mayor Rex Richardson, left, and amphitheater general manager Tra Jones sit in the stands. Even from the nosebleeds, you still have a view of the waterfront at the F&M Bank Amphitheater.

(Eric Thayer / Los Angeles Times)

Tra Jones, general manager of the new amphitheater and a Long Beach native, said he’s striving to make it feel less stopgap and utilitarian than FivePoint.

“It doesn’t have a temporary feel at all,” he said. “We looked at all our surroundings and said, ‘What does this look like from a stylistic point of view?’ We leaned into the port/SteelCraft vibe — a very cool industrial look. When you walk in, you’re experiencing a vibe. That’s what we want to resonate with concertgoers coming here.”

The word “vibe” also pops up frequently in conversation with Richardson. Under his watch, Long Beach recently started branding itself as “Vibe City,” which he said is an attempt to encapsulate the charm of L.A. County’s second-largest city, and the state’s seventh-largest.

“Long Beach is special, but it’s hard to explain why if you haven’t been here,” he said. “Because you have to experience it for yourself, the best way to describe it is that it’s a vibe.”

Still, Richardson is aware that vibes can only go so far. During an April meeting with residents of downtown Long Beach, attendees were more interested in discussing homelessness and a recent uptick in traffic fatalities than how a new concert venue might add to the city’s cultural cachet. Some downtown residents have circulated a petition regarding noise-related concerns.

“The job of the mayor is to meet the needs of your residents today — keeping a roof over your head, making sure it’s safe to walk down the street, making sure you have access to amenities and services in your community — but also to think about the future,” he said.

That means finding a way to offset revenues from oil extraction, which currently finance many municipal services, and are projected to drop from more than $50 million annually to around $21 million by 2035. According to Richardson, the new amphitheater — managed by Legends Global, but owned by the city — will help cover that shortfall. The venue is projected to be profitable within five years and generate nearly $29 million in revenue by 2036.

Oil revenues, which pay for city services, are projected to drop by more than half. The amphitheater is being pitched as a budget gap solution.

(Eric Thayer / Los Angeles Times)

“We were fortunate that revenue from oil provided a lot of our services and built our beautiful waterfront, but as California moves away from oil production, we have to plan a more sustainable future by investing in what we know will be here in the long haul,” Richardson said. “In order to do that, we have to invest in arts and culture and tourism.”

Richardson is betting on music at a time when other cities — including Los Angeles — are doubling down on sports, warehousing or data centers. The amphitheater is also meant to remind the world of the city’s impact on pop culture.

From War to Warren G and Sublime to Snoop, Long Beach has a rich musical history. The city hosted the first concerts by the Beach Boys and No Doubt, while Rock & Roll Hall of Famers Elvis Presley, the Eagles and Iron Maiden all graced the stage of the Long Beach Arena.

While that venue currently holds more conventions than concerts, Long Beach has hosted notable outdoor music festivals in recent years, including Warped Tour, Day Trip and Dreamstate. Richardson believes the success of those events helped prove the city’s viability as a concert destination.

“This is the first step toward a legacy of leaving our city in a more economically resilient position,” Richardson said. “At every big turn in our city’s economy, we’ve leaned on arts as a way forward, and this is no different.”

Even the bleacher seats represent Long Beach pride at F&M Amphitheater.

(Eric Thayer/Los Angeles Times)

Three years ago, Mattel Inc. struck box-office gold — or rather, pink — with the billion-dollar success of “Barbie.”

In its first return to theaters since the female-forward phenomenon, the El Segundo toymaker is turning to the brawny He-Man for another box-office lift.

Its latest film, “Masters of the Universe,” opens this weekend, as Mattel looks to build on that previous success and continue extending its signature toy brands into the entertainment arena.

“The movie is very much in tune with culture,” said Mattel Chief Executive Ynon Kreiz. “Everything is much more contemporary relative to what was created more than 40 years ago, but it’s still very true to the origin story and to the DNA of the brand.”

The new film arrives at a pivotal time for Mattel, which is facing pressure from investors to grow its business. The maker of Hot Wheels, American Girl and Uno has recently confronted a challenging market for toys, beset by tariffs on goods produced overseas and weaker-than-expected demand for Barbie dolls and Fisher-Price preschool products.

Amid uncertainty in the toy market and the fallout from tariffs, Mattel’s net income dropped 25% to $398 million in 2025. And since the company announced disappointing holiday sales totals in February, its stock has dropped more than 30%, closing at $14.34 on Wednesday.

“Masters of the Universe” toys at Mattel headquarters in El Segundo.

(Myung J. Chun / Los Angeles Times)

The share price slide prompted investor Southeastern Asset Management to send a letter last month to Mattel leadership suggesting the toy maker should sell itself and go private. Southeastern manages about 4% of the company’s stock on behalf of its clients.

“The frustration among investors has been the fact that if you look at the business from 2021 through 2025 and even this year … the business really hasn’t grown,” said Eric Handler, a Roth Capital senior media and entertainment analyst, referring to Mattel. “This is a company that needed something fresh in the portfolio, and there’s a wide range of investments being made, of which ‘Masters of the Universe’ is one part.”

Kreiz pushed back on the idea that the company is not growing. In the fourth quarter of 2025, net sales were up 7% to $1.8 billion, though the result was not as strong as the company expected.

Mattel has spent $1.2 billion in the last three years to buy back shares, with an additional $1.5-billion share repurchase planned for the next three years.

“We’re investing in our own stock because we believe it is undervalued,” he told The Times in an interview at his office, which has floor-to-ceiling windows that give an expansive view of El Segundo. “We absolutely agree that the share price doesn’t reflect the progress that we’ve achieved over the last few years financially, operationally, our place in culture, the strength of our brands, and the continued expansion of the business. And more importantly, the potential that we have down the road.”

“Masters of the Universe” is a key variable in that equation.

Ynon Kreiz, chief executive of Mattel.

(Myung J. Chun / Los Angeles Times)

The movie, which had a budget of roughly $170 million, is expected to bring in $25 million to $35 million in the U.S. and Canada during its debut weekend. That’s a far cry from the $162-million opening haul of “Barbie,” but box-office analysts say that film captured the cultural zeitgeist in a way that’s hard to replicate.

The ‘80s-era “Masters of the Universe” is “a property that was famous with a certain group of fans, but it hasn’t had much of a pop culture presence,” said Shawn Robbins, who directs movie analytics at Fandango and founded the forecasting site Box Office Theory. The movie has notched a respectable 74% approval rating from critics on aggregator Rotten Tomatoes.

“There’s been so many callbacks to nostalgic franchises,” he said. “Some people are always on board for them, and maybe the positive reviews bring people in who were on the fence. But people are also ready for something fresh and new and exciting.”

Kreiz said he’s often asked how the company will match the success of “Barbie.”

“The answer is, we don’t need to match ‘Barbie’s’ success for movies to have a meaningful economic impact on the company,” he said. “Not every movie will be ‘Barbie.’ If we create quality content that people want to watch and create quality experiences that people are engaged with, good things happen, and these brands will resonate and will be here for years to come.”

While theatrical revenue is important, the measure of success for “Masters of the Universe” could also include its eventual reception on streaming platforms and, of course, toy sales, analysts said.

There are hundreds of products tied to the movie, from collectible action figures of Nicholas Galitzine’s He-Man and Camila Mendes’ Teela, to branded Uno decks, Legos, clothing and skateboards.

Skeletor from “Masters of the Universe.”

(Myung J. Chun / Los Angeles Times)

“For us, it’s a huge win already,” said Robbie Brenner, president of Mattel Studios and chief content officer, who also served as a producer on the film. “We have reinvigorated and relaunched this brand that has been around for decades … and done it in a way with just the best-in-class toys. Obviously that’s our bread and butter. And then to have made an epic, incredible movie … is a huge win.”

While Mattel does not yet have sales totals for its “Masters of the Universe” toys, executives said during an earnings call in late April that product sales were “growing double digits” amid strong customer demand, particularly from adults.

When Kreiz was named CEO in 2018, he saw the potential for Mattel to expand beyond toys. In an entertainment landscape dominated by known franchises and intellectual property, the former TV and media executive wanted to leverage the company’s IP in new ways to attract consumers.

Hence, Mattel has expanded into real-world experiences such as a Barbie pop-up at Coachella or a traveling Hot Wheels monster truck show. In February, the company fully acquired Mattel163 mobile game studio after buying out a stake held by Chinese tech firm NetEase. The studio has released games based on Uno, Skip-Bo and other Mattel intellectual property.

And on the film and television front, the Mattel Studios division now has 51 people — most of whom are based in El Segundo — focused on projects across platforms.

After “Masters of the Universe,” Mattel Studios plans to release a “Matchbox” streaming movie in October. The division has more than a dozen films in development that have been announced, including an American Girl movie with Paramount, Polly Pocket with Amazon MGM Studios, as well as a live-action Magic 8 Ball series from M. Night Shyamalan.

“The journey for the company was to evolve from being a toy manufacturer that was making items to become an IP company that is managing franchises,” Kreiz said. “It’s not that we’re not creating toys — it’s obviously a big part of our business — but the opportunity is to expand so much more than the physical product.”

“Masters of the Universe” was in development for years at several different studios before it was picked up by Amazon MGM.

That partnership stemmed from Mattel’s work on the “Barbie” movie with Courtenay Valenti, then president of production and development at Warner Bros. Pictures who is now head of film at Amazon MGM.

“Masters of the Universe” felt like a good property for Mattel to bet on because of its nostalgia factor and deep bench of colorful characters, from the green tiger Battle Cat to the heavily armored Ram Man and ever meme-able Skeletor, which the company hopes will attract new audiences, Brenner said.

The movie is directed by Travis Knight — chief executive of stop-motion studio Laika who also led the 2018 “Transformers” spin-off “Bumblebee” — who Brenner said “nailed” the narrative’s tone. (It didn’t hurt that Knight was already a fan of the franchise and had sported the He-Man haircut as a child.)

“It’s a property that’s kind of out there,” said Brenner, who grew up watching He-Man and his twin sister She-Ra. “It’s got all these crazy characters. But just riding that line between what is funny and kind of irreverent and then kind of heartfelt, that is a very hard thing to put in a blender and to get right.”

Acclaimed German director Wim Wenders announced he was withdrawing his 1975 film, “Wrong Move,” from distribution due to a scene featuring then-13-year-old actor Nastassja Kinski topless.

Kinski played Mignon, a mute acrobat and street performer, in the film. In the controversial scene, she is featured lying on the bed topless as she tries to seduce her 30-something co-star Rüdiger Vogler, who plays Wilhelm.

Wilhelm enters the room, removes most of his clothing and gets into bed with her, slaps her, pushes her away and then caresses her face and cradles her.

Kinski, who also starred in Roman Polanski’s “Tess” and Wenders’ “Paris, Texas,” has voiced her discomfort with the scene for decades and recently told a German news outlet that, although she “didn’t know much at the age of 13,” she could tell that it wasn’t right.

In a 1997 USA TV interview, she was candid about wishing some of her work could be scrubbed from the screen permanently, saying, “I’ve done quite a lot of movies, a lot of movies that I want to just go and burn someplace. You always calculate ‘how much would that cost? How would I do that?’ and just know it’ll exist forever. It won’t be showing all that much, but just the fact that it’s there and it’ll exist.”

She told W Magazine the same year, “If I had had somebody to protect me or if I had felt more secure about myself, I would not have accepted certain things. Nudity things,” Kinski said. “And inside it was just tearing me apart.”

Per the Hollywood Reporter, Wenders received a lifetime achievement award at the German Film Awards last week and addressed the “Wrong Move” issue in his speech, saying that he would not shoot the scene today. He also said that he knew that keeping it in the film had continued to cause Kinski pain.

“I can’t blame the 29-year-old young man I was then, 50 years ago, who made a film of his time; wanting, in a way, to capture the zeitgeist,” he added before calling on the members of the German Film Academy to debate the issue and aid him in finding a resolution.

On Wednesday, the “Perfect Days” director issued a statement that was posted on social media saying that he would withdraw the film from all current forms of distribution.

“As the only person responsible at the time for Wrong Move who is still here, I recognize that Nastassja Kinski should have been better protected back then. For that, I apologize to you, Nastassja, unreservedly, no ifs and buts.”

Wender said that “the many reactions, comments, and conversations of recent days” had a played role in shifting his perception of the issue but that society must find appropriate ways of dealing with controversial film works from the 20th century.

“Only after that process has taken place — even if it takes considerable time — and once we have been able to present a mutually agreed solution, which will include Nastassja Kinski, will we make the film available again.”

Kinski commented on Wenders’ statement on Wednesday. The following has been translated from German:

“Wim, after all that, all those years, only because the public has now commented in so many newspapers, as well as colleagues, and now because thousands — even though I asked for so long — only now because of the public, do I read THESE words from you, W. Wenders: ‘Nastassja, back then 13 in the first film, Wrong Move.’ ”

LOVE Island’s Millie Court has stepped into her “hot girl summer” era with a series of sizzling new bikini snaps after her split from All Star boyfriend Zac Woodworth.

The Essex girl and the American hunk shocked fans when they called time on their romance last month, having been one of the villa’s big success stories earlier in the year.

Millie hasn’t resigned herself to the sofa eating ice cream since the split, instead she’s looking better than ever.

Just days after wowing on the catwalk in Miami, she showcased her toned body in white swimwear beside a pool.

Unsurprisingly, the comments were packed full of compliments, with pals like Sophie Piper and Chloe Burrows championing her.

Another follower said the pics gave them “goosebumps”, while another urged a man out there to “wife her up”.

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Just days ago, Millie and Zac came face-to-face for the first time since ending their relationship, supposedly due to the transatlantic distance keeping them apart.

They crossed paths during a group gathering with fellow Islanders, and fans believe their body language was telling.

Love Island‘s Yamen Sanders captured the moment the former couple reunited and shared a hug, joking that they were “back together” and his girlfriend Whitney Adebayo agreed with the tease.

However, Millie looked far from impressed by the joke, appearing awkward as she briefly hugged Zac before turning to her friends and asking them to “stop”.

Her reaction caught fans’ attention, with many claiming it suggested Millie was the one who dumped Zac.

One wrote: “Millie’s like no thanks”.

A second said: “Millie said hell nah ahahahahaha.”

A third shared: “Millie looks less than impressed”.

Ted Danson is apologizing for roasting onetime paramour Whoopi Goldberg while wearing blackface.

It was the fall of 1993 at the Friars Club in Manhattan, and the occasion was a roast of the “Sister Act” star, who at the time called Danson her “best friend.” Danson, fresh off the heels of an 11-season run on “Cheers,” and Goldberg, who was at the height of her film career, had been tangled up in a not-so-secret love affair that sprang up while filming “Made in America.” Danson was freshly split from his second wife, producer Cassandra Coates, who served him divorce papers after the tabloids outed his fling with Goldberg earlier that year.

To make matters messier, Danson and Goldberg’s romance was cooling off and the two actually tried to get out of the Friars roast, but the club said the tickets had been sold and the show must go on.

According to The Times’ archives, Goldberg said she wrote the racial-slur-laden monologue that Danson delivered wearing black minstrel makeup with exaggerated lips in white. On the podcast, Danson said he’d been preparing for the skit for months, sure he was going to nail it. “Within 20 seconds I was like, I stuck my finger in a light socket,” Danson told W. Kamau Bell on the “Who’s With Me?” podcast.

At least two among the more than 2,000 guests at the roast protested. TV talk show host Montel Williams walked out, and New York City Mayor David Dinkins left the event early.

“My brain was going: Here is one of the most outrageous, funny Black women in the world, and I’m supposed to be roasting her, and I’m not a stand-up. I can’t run with the bulls. I’m an actor; if the material is funny, I can be funny,” Danson said.

“And then I thought, well, I can do performance theater. I looked at all these tapes, and it’s like, well if I were Black, I could say all these outrageous things, I’m not. Then my mind went, well, I will do it in blackface.”

Danson prefaced discussing the incident by saying that if he stammered throughout it was because it was uncomfortable talking about an affair he had when he was married, and that he’s been married to his third wife, Mary Steenburgen, for 32 years.

As for the blackface incident, “I have no problem talking about [it],” he said, adding that he wants to apologize for the rest of his life for the major flub. Although the incident happened more than three decades ago, internet fodder lasts forever, and Danson said he wanted to address it because somebody today can happen upon the incident online and think, “What the f—?”

Danson continued, “That this white guy could have something valuable to say about race and race relations was so stupid and entitled.”

He said he thought: “I know it’s bold, but I can pull this off, and that was so arrogant and stupid on my part. So off I go using all this horrendous language describing our love affair, while also in blackface. And I’d run it past Whoopi, and maybe she just didn’t want to squelch my creativity. … I worked for months, by the way, months.”

Earlier in the conversation, Bell told Danson that he wanted to give him his flowers for knowing how to apologize in public. “How to say ‘oops.’”

The Fortune viewers were left scratching their heads over the latest episode of the Channel 5 drama

The Fortune viewers were left baffled as the psychological drama progressed on Channel 5, with many questioning the storyline.

The series focuses on waitress Amanda Blakefield (portrayed by Poldark’s Eleanor Tomlinson) whose life is transformed when she discovers she’s set to inherit a substantial estate from a total stranger.

Amanda clashes with the wealthy man’s relatives, including son Anthony, portrayed by All Creatures Great and Small star Callum Woodhouse, and also experiences difficulties with her own husband Jimmy (Harry Potter star Matthew Lewis), who is receiving mysterious phone calls.

In the opening episode of the series, Amanda becomes trapped in a vehicle with a man named Boots who delivers her a menacing warning. She escapes and rushes home, but in the second episode chooses to return to the location and break into his eerie cottage during the middle of the night – alone – to investigate.

Audiences were left bewildered by the choice, with one describing it as “daft” and another observing that she was “messing with fire”, reports Wales Online.

“Who goes wandering at night and enters the house of someone who had threatened her?” one viewer questioned on X, as another stated: “He has already threatened her, so she goes to see him on her own at night.”

“She was (scared) last night in the taxi and here she is alone wandering around his house in the dark,” another posted on the platform, formerly known as Twitter.

“Now she’s being daft again,” remarked another viewer.

“Typical TV drama derangement syndrome. Do they: (a) consult a solicitor? (b) report threats and kidnapping to the police? No! It’s always (c) do it yourself and barge in uninvited to dangerous situations without telling anyone else.”

“Don’t think I’d want to be wandering around there at the dead of night,” admitted one viewer, as another posted: “Amanda’s messing with fire.”

Yet others were thoroughly gripped by the nail-biting mystery, with one declaring the episode “went with a bang” and another describing it as “interesting”. “I enjoyed it,” wrote one viewer, adding: “Good cast.”

Another gave it a firm thumbs up, while someone else commented: “Episode 2 so far is much better than the ludicrous episode 1.”

The Fortune is airing on Channel 5.

EMILY Atack has shared a loved-up snap with her fiance Alistair Garner after bravely opening up about being the victim of sexual abuse.

The actress, 36, recently bravely came forward to share her experiences which she faced at different stages of her life.

But now it appears she’s moving forward as she took to Instagram to share a sweet picture of the pair.

In the photo, Emily is seen resting her head on Alistair’s shoulder as she smiles while holding a beverage.

She’s wearing a denim jacket while her husband-to-be is sporting a blue jumper, with a pair of sunglasses tucked into the top.

Her followers flocked to the comments section as one gushed: “Gorgeous angels xxxx.”

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Another social media user enthused: “Love seeing you happy,” while a third added: “Goddamn beauties!”

The Rivals star revealed she was sexually abused at the age of ten and got pregnant at 16.

In her most personal interview to date, Emily shared harrowing details of her tough childhood as a “troubled” teenager, which left her “scarred” and “traumatised”.

The TV beauty, who became a household name as Charlotte Hinchcliffe in Channel 4 comedy The Inbetweeners at 17, was in an abusive relationship when she found out she was pregnant.

“I’ve never actually told anybody this, but I was pregnant,” she said. “I was very young and I was in this awful, abusive, horrible relationship and I fell pregnant.

“And it was just in the middle of all this kind of stuff going on with my mum and dad.

“I’ve never spoken openly about how or what happened.

“And I don’t know if I’m ready to yet. But obviously, that pregnancy didn’t continue.”

In another heartbreaking revelation, Emily also told that she was sexually abused at the age of ten, which sparked an “unhealthy relationship with sex and boys”.

And she explained how being the subject of unwanted attention by creepy older men had a knock-on effect with her relationships.

“I was keeping so much from my parents when I was young,” Emily said. “It’s going a little bit dark, but I was sexually assaulted first of all when I was ten.

“That was when I was first ever sexually assaulted. And from that moment, I was treated badly, appallingly, by older men from that age throughout my life. I think the loneliness came a lot from that.

“Lots of things happened that my parents to this day still don’t know the detail of, how men have treated me and touched me and whispered things to me in my ear when people aren’t in earshot.

“From that, I then developed a really unhealthy relationship with sex and with boys, because I leaned into that behaviour a little bit.”

Despite her horrendous experiences, Emily has found her happily ever after in fiance Alistair.

The couple got engaged in July last year, a year after welcoming their son Barney.

The pair will be officially tying the knot in September as they count down the days until their man and wife.

MAURA Higgins has sparked an unexpected Dancing With The Stars feud as she took sides after a pro dancer’s bitter split from his ex-girlfriend.

The 35-year-old landed the biggest job in American telly back in April after her successful stint on The US Traitors.

Maura was snapped up for the job, which is the US equivalent of Strictly Come Dancing, as she continues to crack the showbiz scene out there.

In a recent interview, the reality star confessed the pro dancer she really doesn’t want to be paired with.

While she would love have Mark Ballas or Val Chmerkovskiy as her partner there’s one man that it seems would really hit a nerve.

Maura said: “To be honest, I’m okay to have anyone else – I just don’t want [Gleb Savchenko]. That’s the main thing for me, you know?”

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The TV personality and model assured fans she wasn’t trying to be “mean” but was simply sticking up for her good pal Brooks Nader.

“It’s just because I get on with [Brooks], and that’s that. I’m on Brooks’ side. I’m a loyalist, okay,” she added.

Actress Brooks, 29, “really fell” for Gleb while they were competing on the show together back in 2024.

The Russian dancer, 42, has gained a reputation for being a “playboy” over the years after being linked to his partners from previous seasons.

Brooks and Gleb had quite the messy break up just seven months after their romance begun.

Reality star Brooks accused Gleb of cheating and he denied all of those allegations.

During Episode 3 of Alex Cooper‘s Unwell Winter Games earlier this year, Gleb called the Sports Illustrated model “crazy.”

He even made brutal comments about their sex life.

Maura and Brooks appear to have struck up a friendship after meeting at events over in America.

The girls posed for snaps together at a Vanity Fair party back in March and it seems they have only grown closer.

Former Love Island star Maura has proved she has Brooks’ back as she risked sparking a huge feud.

The celebrities’ pro dancer partners will be announced later this year.

Dancing With The Stars is set to kick of following it’s usual schedule in the Autumn.

CONVICTED murderer Mackenzie Shirilla showed tell-tale signs she was trying to force emotion during her arrest and in her bombshell Netflix interview, a body language expert has claimed.

Shirilla, 21, has been languishing behind bars in Ohio after being found guilty of murdering her boyfriend, Dominic Russo, and their friend, Davion Flanagan.

Her case has sent true crime fans into a tailspin after the success of the Netflix documentary, The Crash, in which she broke her silence and maintained her innocence.

Shirilla’s TikToks and Instagram posts have resurfaced, showing her regularly posing in the mirror, showing off designer clothing, and even smoking weed in her car.

Text messages revealed by police showed her toxic relationship with Dominic, her boyfriend of four years, whose family claims had tried more than once to break up with her.

She reportedly threatened to harm him during arguments before purposefully plowing into a brick wall while driving her Toyota Camry on July 31, 2022.

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Renowned body language expert Logan Portenier, host and creator of the popular YouTube channel Observe, spent hours breaking down her movements in dozens of social media clips and footage.

Here he gives The U.S. Sun his biggest takeaways from the case.

TikTok star

Shirilla was a social media-obsessed teen before the crash and shared daily posts on TikTok of her and Dom, both at home and out and about, as she was often the center of attention.

Reviewing one clip of them in the car together, Logan said, “He doesn’t seem to be as stoked for this video that she’s filming as she does.

“It didn’t seem as though they were quite on the same page emotionally.

“She’s doing her different poses and expressions for the sake of the video and for his side of things, he seems much more reserved and subdued.

“Because he’s not performing as much for the camera as she is, we’re seeing a fair bit of synchronization across the upper half of his face and the lower half of his face, which lets us know that anything that we’re kind of seeing on that is probably going to be forced. It’s performative.

“And he does, a little lackluster kind of asymmetrical smile on the bottom half of his face.”

Uncomfortable posing

In another clip from Shirilla’s TikTok, the couple is at home, and she is trying to get him to pose in a full-length mirror as he is seen hiding behind her.

“Mackenzie is doing a lot of the posing,” Logan said. “She’s hitting her different looks that she wants to do during this.

“In the background, you could see initially Dom’s nonverbal communication.

“He’s doing a self hug. You can see him holding both of his arms there.

“That is misconstrued in a lot of areas as exclusively defensive,” but Logan feels this is more about comfort.

“What I do find more interesting is that he does shift later on to holding both hands in front.

“So both of those clusters there, he has one in front and then he has his hands clasped in front like that. Both of those signal a level of discomfort.”

Logan added, “We’re seeing again this dichotomy between the two of them.

“He’s kind of there and he’s being present, albeit uncomfortable, reserved, and needing to do a little bit of self-soothing to be able to make it through.”

Distracted driving

Shirilla, who made no secret of being image-conscious before her arrest, frequently posed for TikTok videos — even when she should have been concentrating on the road.

In hindsight, clips showing her filming herself while driving are especially unsettling, given that two young men would later lose their lives in a crash while riding in a car with her behind the wheel.

“It’s very focused on the phone and what she appears like on it, hitting her specific facial expressions as well,” Logan said.

“And on those facial expressions, this helps us understand how she will behave and appear when she’s performing.

“There might be some of that lip pursing that we kind of see in there.

“There are some head tilts in there as well as she’s trying to be perceived in a very specific way, so that performative non-verbal communication comes in handy in future situations, because then you can keep an eye out for some of those patterns that may or may not show up in the future.”

Cuffed and anxious

Shirilla survived the crash and police launched an investigation, as evidence slowly proved it was not an accident and she recovered from multiple surgeries.

Fast-forward to November 2022, and Shirilla’s life blows up in smoke as she’s finally arrested and later charged with murder.

“I don’t know that she’s aware that there’s a camera pointed at her, that she’s going to be perceived in this area, and so what we’re going to be able to see is more of her unfiltered nonverbal communication,” Logan pointed out.

“And with this, she is feeling what would be considered in that vein of the universal emotion of sadness.

“There’s grief, there’s panic, and stress, everything that can go into that.

“What really gives it away is the action in her forehead area.

“What we’re seeing predominantly is unit one activation, which is the middle portion of your eyebrows when they go upward during genuine sadness and grief.

“You can see that happening symmetrically, but if it’s more performed, a lot of people will end up having light asymmetrical activation because it’s not genuine.”

Frozen with fear

In further footage of Shirilla in the back of a police car after her arrest, Logan said she appears frozen with fear despite not shedding a tear as she heads to the station.

“She has fairly relaxed eye positioning in general when she’s not panicked,” he said.

“And so this widening of her eyes, it indicates, genuinely, that she’s feeling anxious. This would be considered fear.”

Logan added that while Shirilla “might not be terrified, it would at least trigger as fear to the anxiety levels” as she rides in the police car.

“So we’re seeing both the combination of the grief across the upper half of her forehead and her eyes are showing the fear as well,” Logan said.

“Then when we get down to the rest of her face, some things that show more physiology rather than just physical movements, is a lot of the inflammation around her nose and upper lip,” which Logan claims “[lets] us know that this is coming from an authentic place.”

Putting on an act

Logan explained that emotional states have a profile, and things can usually shift after around four and a half seconds.

During the journey, Shirilla seems to relax, despite the situation that she’s in, and is seen rolling her head back and looking bored.

But as they approach the station, Logan feels she starts to perform as she realizes she should be more upset than she is if she’s not guilty of murder.

“When you’re watching somebody who’s performing, you’ll see a lot of crashes in between,” he told The U.S. Sun.

“So they’ll be emoting a specific way and then it’s almost like they remember like, ‘Oh, I should be sad right now.’ And then they’ll crash into sadness, something like that.

“You can see it start to kind of creep through the cracks of her rather reserved expression beforehand.”

This is where Logan returns to Shirilla’s “eyebrow activation.”

He claims Shirilla’s outer and inner eyebrows are working together at this point to show sadness, stress and anxiety.

Again, the corners of her nose are also activated, not in disgust, but trying to show she is upset, something he says he doesn’t often see.

Oscar-worthy performance

She is later seen sobbing during her trial before being locked up for 15 years to life on murder charges.

Shirilla starts to mix with people from different walks of life, and it’s years later when we see her sit down with film producers for her bombshell interview.

She is seen walking into the frame and sitting down at a table wearing her prison scrubs, her hair tied up in a large bun.

“The fact that she’s sitting down, crossing her arms, immediately lets us know that she’s probably feeling uncomfortable about what’s about to happen there and needs to block off and self-soothing a little bit,” Logan said.

Shirilla then activated her glabella – the smooth area of skin on her forehead located directly between the eyebrows and just above the bridge of her nose, Logan said.

He claims this was to give the impression she is empathetic, but instead of it being symmetrical, she delivered asymmetrical activation.

“Her right eyebrow does not have the same activation as her left eyebrow.

“Her left eyebrow is doing the exact same expression that we saw in the cruiser. Her right eyebrow is not.

“It’s an asymmetrical expression which lets us know this isn’t authentic empathy.

“This isn’t authentic pain or fear or grief that she’s feeling here. It’s forced.”

Logan said this was also visible further down the vein on the bottom half of her face.

She also began pursing her lips – something she would do in her performative TikTok videos, where she wanted to control how she was being perceived.

He said she is trying to convince the audience she is upset about the situation she is in, and victims’ deaths, but “her body is betraying her.”

“And then when we get to this specific interview she’s talking at a lower register, she has a little bit more husky to her voice,” he said.

“Some of the verbal tics that she uses as well have shifted. And my immediate thought was, this has to be something about the performance that she’s obviously performing.

“She wants people to feel a certain way. And so she shifted her tone, her speaking differently as well to perhaps support that.”

He feels not only her voice will have changed in prison, but her body language as she mixes with other inmates.

“I have no doubt in my mind that she’ll be adjusting her overall nonverbal behavior as well to better fit in and get to where she wants to be in that social circle as well,” he said.

To see the full interview with Logan, and other exclusive videos on Mackenzie Shirilla, visit our YouTube channel.

TOMMY Fury raced to be by Molly-Mae’s side for the birth of their second child as he chartered a private jet from boxing training camp to make it in time.

Fans were concerned history would repeat itself and Tommy wouldn’t be around during the beginning stages of their baby’s life, due to his scheduled fight against World’s Strongest Man, Eddie Hall, on June 13.

But, the Netflix star has certainly put those rumours to bed as he stopped at nothing to put Molly at ease.

The 27-year-old flew on a private jet from his training camp in Manchester down to London earlier this week.

The loved-up couple announced the birth of their baby on Instagram today with a sweet snap at the hospital.

A source said: “The whole family is over the moon. Tommy flew down on private jet to be at the birth.

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“Mollie went into labour yesterday, she had been in London for the past week while Tommy continued his training camp in Manchester ahead of his Eddie Hall fight.”

“Tommy flew straight down last night to be by her side as soon as she told him labour had started. They went to hospital this afternoon and the baby was born a few hours later,” the source continued.

“The baby is absolutely perfect. Molly is exhausted but doing well. She’s so glad Tommy made it down for the birth as she was so worried he might not get there in time.”

But despite it all being a race against the clock, Molly’s boxer beau still managed to get there in time bearing gifts.

The source added: “Tommy rushed down with flowers, her favourite chocolates Ferrero Rocher and the blanket she wanted to wrap the baby in for the first pictures, as she’d forgotten it at home.”

In the first snap of their new babe, Tommy, Molly and Bambi all gathered around the hospital bed as they lay sleeping.

The picture appeared to be taken soon after the birth as stunning Molly was still in her hospital gown.

She looked utterly overjoyed as she beamed down at their new arrival.

The smitten couple captioned the announcement post: “…and then there were 4.”

There celebrity pals and fans went wild over the news and flooded their comments with congratulations.

Before the birth, Maebe creator Molly told fans over on her YouTube that she would be giving birth to her second bundle of joy at London’s Portland Hospital.

She explained how she would be having the same midwife that was present when she gave birth to her daughter Bambi, three.

Molly and Tommy are yet to reveal the baby’s gender or name.

In her latest video, Molly confessed she could announce the name by putting it on Tommy’s fight shorts as she normally take the lead on designing them.

Perhaps all could be revealed next week.

Los Angeles County prosecutors are reviewing two sex assault cases against Sean “Diddy” Combs that stem from allegations made by a Florida music producer last year, law enforcement officials and the alleged victim said Wednesday.

Investigators from the Los Angeles Police Department and the Los Angeles County Sheriff’s Department presented the cases to prosecutors in January 2026, according to a statement from the district attorney’s office.

A spokesman for the district attorney’s office declined to say when the alleged incidents occurred or explain why it has taken nearly nine months to make a charging decision.

Combs — who rose to fame as a hip-hop mogul in the 1990s as the face of Bad Boy Records — has gone through a years-long public downfall following myriad allegations of domestic violence and sex abuse. In July, a New York jury convicted him of transporting prostitutes across state lines for drug-fueled bacchanals referred to as “freak offs.”

He was sentenced to four years in federal prison and remains incarcerated at a minimum-security prison in New Jersey.

Combs’ reputation and business began to publicly unravel in 2023 after federal authorities raided his homes, and a leaked video showed him beating his ex-girlfriend, Casandra “Cassie” Ventura, at a Los Angeles hotel.

TMZ first reported on the D.A.’s office’s decision to review the L.A. allegations. A spokesman for Combs declined to comment.

In November, The Times reported that the Sheriff’s Department was investigating Combs on suspicion of a sex assault that happened in East L.A.

Jonathan Hay — a Florida-based music producer who was working with Combs on a project to remix songs written by deceased rap legend Notorious B.I.G., also known as Christopher Wallace — said Wednesday that he is the alleged victim in the cases under review by the district attorney.

Hay told several media outlets in 2025 that he was the “John Doe” from a civil lawsuit filed last July that accused Combs of sex assault in 2020 and 2021. Hay first reported the assaults to police in Largo, Fla., he has said.

According to the suit, Hay, Combs and others were at a Los Angeles warehouse that stored some of Wallace’s possessions in 2020 when Combs “provided drugs to everyone present” and subsequently began masturbating in front of Hay.

Combs “started watching porn on his cell phone, grabbed one of Biggie’s shirts off a rack, and began to masturbate with it in front of the plaintiff,” the suit alleges. In a separate incident in March 2021, Hay alleged Combs forced him to perform oral sex, according to the suit.

“I have an overwhelming feeling of hope as we are knocking on the door of criminal justice,” Hay wrote in an email to The Times on Wednesday. “I am beyond grateful that both the LASD and LAPD investigated this case thoroughly for many months and submitted it to the District Attorney.”

Combs’ civil attorney Jonathan Davis has previously denied Hay’s allegations.

“Let me make it absolutely clear, Mr. Combs categorically denies as false and defamatory all claims that he sexually abused anyone,” Davis said in a statement last year. “He looks forward to vindicating himself in court, where such matters are decided — and not in the media — based on admissible, material evidence, not rank speculation and unsubstantiated allegations.”

Times staff writer Richard Winton contributed to this report.

MAYA Jama has turned up the heat as she models swimwear in a sizzling clip after signing a huge deal with Agent Provocateur.

It was revealed last month that the Love Island presenter, 31, had become the face of the lingerie brand for their AP Swim 2026 campaign.

She sizzled in the first photoshoot and now the brand has released a video for fans to marvel at.

In the clip, Maya is seen raising the temperature in a variety of different swimwear and bikini sets as she larks around in Ibiza.

At one point, she lays back on a chair in a sexy black two-piece as she seduces the camera with her sex appeal.

Another clip sees her strutting her stuff in an eye-catching leopard print bikini set as as she shows off her incredibly slim figure.

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The television personality lays in a pool in a blue two-piece before being seen in a black nightie with lace detailing.

The brand shared the video on Instagram as they penned: “On set in Ibiza.”

Maya became the face of the sexy yet sophisticated lingerie brand last month, adding to her already impressive career milestones.

She signed to replace Kate Moss as the face of Rimmel London in March 2023, which Maya said was “such an honour, and I feel so lucky to be even in the same kind of pathway”.

As well as this, he is said to have banked a six figure sum as the face of hair-extension brand Beauty Works, plus thousands more for lending her name to campaigns by designer fashion label Self Portrait, Maybelline, Adidas and Gordon’s Gin.

It doesn’t appear to be slowing down for the ITV star as she landed the cover of British Vogue in July 2024.

And she was also the face of Dolce & Gabbana’s A/W ’23/24 collection.

Maya returned to our television screens on Monday as she ushered a new batch of contestants into the Love Island villa.

The 12 new faces watched in awe as Maya strutted her stuff into the villa in an eye-catching white bra top and ruffled skirt.

For the first time in the show’s history, she hosted the first episode at night time.

After watching the islanders couple up with one another, it wasn’t the only Maya action fans got in the first episode.

She returned at the end to tell new bombshells George and Yasmin that they had to pick two islanders to dump 24 hours later.

Three weeks on from when Lee went ‘missing’ after failing to arrive in the UK for a joint interview with Katie, here is what we know.

Last night Katie shared a video filmed inside a car where she discussed the effects of CBD oil. The view from the car appeared to show that the star was warmer climes in a foreign country, which would line up with the recent snaps taken of Katie at Gatwick Airport with a huge suitcase and her engagement ring firmly on her finger.

She revealed on Facebook that she is set to travel to Dubai to try and visit him in prison, but added: “I don’t know if I’m going to see Lee or I’m not when I get there and it’s a really weird feeling.”

Lee told Katie he was in Al Awir prison, also known as “Dubai Alcatraz” in a brief phone call last week, as he claims he was detained after being mistaken for a spy. It has not been confirmed by Dubai authorities that he is in prison, or was in fact charged with espionage.

While he has allegedly been in prison, he has unfollowed and followed Katie – the only person he follows on Instagram. His account also followed a woman dubbed “biker babe” who used to be on a millionaire matchmaker site, but she appears to have ultimately blocked his account.

The phone call about Lee’s whereabouts came after he’d been “missing” for almost two weeks, with Katie telling fans that her husband had been “kidnapped” and she had to get Interpol involved after as he was being taken to a “black site”.

Since this ordeal began in May, Katie has faced criticism for using Lee’s alleged arrest as a PR stunt to promote her CBD oil collaboration and her music. She has also been met with sympathy from fans who believe she had no involvement and is being “conned” by her husband.

Love Island fans were left seething with the decision by bombshells George and Yasmin as two islanders were forced to leave the show already

Love Island is now into day three of the new series, and with the sun heating up, so is the drama. Viewers were left less than impressed as the bombshells made their eviction decision on Wednesday, calling it a ‘sinister’ move.

Yasmin was in tears as the time for the bombshells to make their decision approached. And their call stunned the viewers as Ellie and Samraj were sent home. But while tears ran down the villa, with gutted Samraj and Ellie needing to exit, they were told that all may not be as it seemed.

And the decision – and announcement – left fans stunned. On X, formerly known as Twitter, after Yasmin and George’s decision, one user wrote: “That was sinister #loveisland.”

Another said: “ELLIE & SAMRAJ ????? WOTTTTTTT #LoveIsland.” And a third agreed, calling the decision to dump Samraj “crazy”. With twists and bombshells already flowing, bosses would have expected the drama to unfold. And it appears that is exactly what is happening. Viewers questioned the cliffhanger as the show came to a close.