show biz

BBC Breakfast viewers were stunned by the quick change

BBC Breakfast viewers have been hit with an unexpected scheduling change this morning.

The hit breakfast show airs every morning from 6am on BBC One with a regular panel of presenters and experts on hand to deliver all the latest news stories, sports and expert insight into what’s going on across the UK.

According to the BBC, a synopsis reads: “The latest news, sport, business and weather from the BBC’s Breakfast team.”

This morning (Sunday, August 16) hosts Roger Johnson and Luxmy Gopal returned to the BBC Breakfast couch on BBC One. However, it wasn’t long before their broadcast was interrupted and they moved channels.

Just over an hour into the show, BBC Breakfast moved from BBC One to BBC Two. This is because of the European Athletics Championships which is reporting live from Birmingham, covering the “opening session on day seven.”

Before the change over, Roger said: “It’s almost time for us to say goodbye on BBC One but Breakfast continues on BBC Two and BBC News channel until 9 o’clock this morning, lots to come from the programme.”

After the quick channel change, Roger told viewers: “If you’ve followed us over from BBC One, thank you for hitting the button, we’re here on BBC Two and the BBC News Channel until 9 o’clock this morning, it’s good to have your company.”

Reacting to the channel change, one person wrote on X: “We haven’t turned over to bbc2 for ages. B***** football probably.”

Another penned: “What you mean I have to lift the remote control and press a button?? When is Newswatch back on??”

Tomorrow’s instalment is expected to continue as usual on BBC One, from 6am to 9.30am.

The programme continued seamlessly as they jumped into their next segment of the importance of pet food banks, with donations dropping off as they struggle to meet the demand of pet owners.

Appearing on the programme, one pet owner Vicky told of her story when she struggled to pay for food for her beloved pets. She said: “Husband was promised work, payments stopped for the work. We were literally living off of peanuts.

“I just remember crying, it was coming up to Christmas. But it was thanks to the pet foodbank that I was able to keep my dogs.”

BBC Breakfast airs every morning from 6am on BBC One

When the doors to the emergency room in “The Pitt” swing open and a new patient arrives, we, like the doctors, are on high alert, wondering what the acclaimed medical drama is about to throw at us.

We know two things: The actors will be superb. And it’s best not to become too attached to the characters they’re playing.

Five of those actors earned Emmy nominations for Season 2 guest turns on “The Pitt” last month, a long-overdue return to the time when the guest categories regularly rewarded working actors doing exemplary work.

Even better: Two of the five “Pitt” nominees self-submitted their performances after HBO Max, looking to streamline its submissions in the guest categories, did not put them forward.

If you watched the second season of the show, you could probably name the actors who made the Emmys’ guest list: Tina Ivlev, heartbreaking as the sexual assault survivor; Brittany Allen, poignant as the dying mom; Tal Anderson, combative and funny as Dr. King’s neurodivergent sister, who craves independence from her protective sibling; Ernest Harden Jr., devastating as the doomed Louie; and Jeff Kober, who, playing Dr. Robby’s motorcycle mechanic, has some of the most affecting scenes in the season.

HBO Max entered Ivlev, Harden and Anderson, leaving Allen and Kober to pony up the $225 to submit themselves, joining the ranks of 84 entrants for guest actor and 51 for guest actress. (To be eligible to compete in guest, actors must appear in less than 50% of a show’s eligible episodes.) Eight other actors appearing on “The Pitt” also self-submitted.

“The three actors that HBO put forward delivered beautiful, human work that resonated deeply with audiences, and they were in a tough position having so many actors who had all delivered great performances,” Allen told me over a call from her Pasadena home.

“Though at first there was a moment of disappointment, I quickly moved on from that,” Allen continues. “I didn’t take it personally because as an actor, you get good at not taking things personally.”

Kober, calling from the Valley, signs off on that sentiment. He won a daytime Emmy in 2022 for “General Hospital” after he submitted himself.

“I guess that’s how the Emmys work for me,” he says, laughing. “I don’t know any other way.”

There is precedent for self-submission success at the Emmys. Three “Game of Thrones” cast members — Gwendoline Christie, Alfie Allen and Carice van Houten — entered themselves in 2019 and were nominated. Kelly Jenrette did the same in 2018 for “The Handmaid’s Tale” and earned a nod.

For Allen, it came down to believing in herself and the work she did on “The Pitt.” As her seven-episode arc aired, strangers often stopped her at her local Trader Joe’s and at the park with her 3-year-old son to tell her how moved they were by her performance and her character Roxie’s decision to accept that her life was coming to an end and say goodbye.

But, good as it was and seen as it was, that work didn’t translate into landing an agent. Having recently turned 40, Allen figured she had nothing to lose, having reached an age where she wasn’t “as worried about being perceived as the quiet little girl who doesn’t ruffle any feathers.”

In a challenging industry, that approach has resonated deeply with her peers.

“I’ve had similar moments in the past where I’ve had a memorable role on a high-profile show and I’ve thought, ‘Maybe this will make it a little easier moving forward’ and it hasn’t,” Allen says. “So if ever there was a time to go, ‘I’m going to try to put my name out there in a way that might make me a little more bankable,’ this is it.”

Kober, 72, has had ups and downs over the course of his 40-year acting career and like Duke, the grounded mentor he played on “The Pitt,” he possesses a calm acuity when talking about the profession.

“Acting is the most profoundly spiritual career a person could have because you don’t get into it unless you need approval, and then when you get that approval, you find it doesn’t do a thing for you,” Kober says. “Then you’ve got to find a way to do something with this thing you love that isn’t about getting approval. It’s only when you’re not working for that when you know the work matters.”

With his shoulder-length hair, goatee and go-with-the-flow manner, Kober gives off distinct vibes of another Jeff — Jeff “The Dude” Lebowski.

“I have heard that comparison made,” Kober says, smiling.

Both Kober and Allen express deep appreciation for “The Pitt” as a workplace where actors can come in and do the kind of work that they aspire to do, work that resonates with audiences and reminds them why they entered the profession in the first place.

“I love being on set,” Allen says, “so going to Warner Bros. every morning as the sun rose and watching that miniature city come to life and having the privilege of working in an environment that is so ripe for accessing truth and play and shared humanity was a gift. When Roxie came along, I saw it as the epitome of what I want to offer as an actor and as a person in this life.”

Because of her character’s fate, Allen will not be returning to “The Pitt.” The fate of Duke, diagnosed with a life-threatening ascending aortic aneurysm, is ambiguous. Dr. Robby encourages him to follow up with further tests, which Duke agrees to do if Robby promises to return from his sabbatical and let him take his Triumph Bonneville for a ride.

So … Duke’s coming back, right?

“One would think,” Kober says, hopeful. But then, he jokes that maybe there will be a line next season where someone in the ER says, “Did you hear about Duke? What a shame.”

“Or he could come back in Season 4, who knows,” Kober adds, noting he has heard nothing from the show’s producers. “One thing I’ve learned over the years as an actor is the importance of letting go. That’s the life of an actor.”

STACEY Solomon has given an insight into her family holiday in ‘paradise’ with Joe Swash and her sister Jemma.

The TV presenter, 36, is currently enjoying a holiday in Turkey and has shared snaps and videos of their amazing experience.

The TV star looked incredible in a baby pink bikini while enjoying time with daughter Belle in a leafy swimming pool.

She also shared rare snaps of the family all together – but said she looked like a mole in them.

Stacey also enjoyed having fun in the stunning swimming pool with her sister as a bemused stranger looked on at their antics.

The TV presenter also shared a sweet snap of her cuddling her daughters on the golden sand in front of rows of luxurious sun loungers.

ALL ABOUT ASHLEY

Ashley James on rejecting marriage, mum-shamers & getting cancelled

jac’d in

Jac Jossa suffers fresh blow after split.. as insiders accuse Dan of game playing

Stacey also shared a super sweet clip of her family trying out a viral trend and captioned it: “Thought I’d share this for anyone who sees the cutest family video trends but this is what you’re dealing with.

“Take my hat off to those families who can get everyone to comply.”

Fans flocked to comment and one wrote: “You are all so cute”!

Another added: “We love this sister love.”

A third said: “I have loved this holiday I felt like I was there with you all.”

While a fourth wrote: “Beautiful family and beautiful holiday.”

Jemma and her husband Lee marked their 21 year anniversary while on holiday – after their recent business woes.

It came after Jemma’s home organising company was taken over by Lord Alan Sugar after she tearfully closed down the firm earlier this year.

Meanwhile, Stacey gave birth to Belle, her third child with former EastEnders star Joe, back in February 2023.

The couple had previously welcomed son Rex and daughter Rose, in 2019 and 2021 respectively.

Stacey already had older sons Zachary and Leighton from prior relationships, while Joe had son Harry.

The new release is rising through the ranks already, but viewers are warned they will need a “sick bucket”

One of the “sickest” documentaries viewers have ever seen is rising up the ranks as a strong fan warning has been issued.

An Amputation Obsession: The Monster and the Surgeon was released on Prime Video earlier this week (August 13) and already it is making waves amongst viewers.

The two-part series delves into the real life disturbing story of NHS vascular surgeon Neil Hopper, from Cornwall, who lost his own legs to amputation.

After claiming a mystery illness resulted in sepsis and injuries to his legs, Neil was seen as a ‘hero’ and a symbol of hope when he documented his journey and recovery, even going back to work.

But years later, police uncovered a dark reality and horrific secrets that Neil kept hidden from everyone. In 2019, he deliberately caused irreversible damage to his legs that resulted in an amputation of both limbs before he claimed hundreds of thousands of pounds in fraudulent insurance payouts.

When a whistle-blower set out to expose an underground network devoted to extreme body modifications, police discovered Neil’s truth.

Rising up the ranks already, an official synopsis reads: “Vascular surgeon Neil Hopper becomes a symbol of hope after losing both legs, until an investigation uncovers a hidden obsession and secret life.”

Some true crime fans have already binged the two part series, and have issued a strong warning. One person took to TikTok to recommend the “crazy” watch as they said in a video: “Honestly, the things what some people get off on never ceases to amaze me.”

Get Amazon’s Prime Video free for a month

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

£8.99

£0

Amazon

Get Prime Video here

TV lovers can get 30 days’ free access to tantalising TV like The Boys, Reacher and Clarkson’s Farm by signing up to Amazon Prime. Just remember to cancel at the end and you won’t be charged.

They added: “It’s absolutely crazy”, as one person replied: “Just watched this it’s so messed up.” Another dubbed it as “shocking” as a third penned: “The f*** This was insane.”

In another video, one person said: “Yous need to watch this immediately but get a sick bucket before you do because oh my god, it’s horrifying.”

They went on to say: “The biggest trigger warning that I have ever, ever put on a video needs to be put on this documentary. Let’s just say your jaw will be on the floor.”

Another commented: “Only managed the first episode. Felt way too sick to continue.” One person admitted: “I think it’s the sickest documentary I’ve ever seen.”

An Amputation Obsession: The Monster and the Surgeon can be streamed on Prime Video

In the beginning of 2025, Taylor Olin had decided she’d seen enough of Echo Park and decided to relocate to a cozy ranch up in Altadena. There, she’d begun to plant her roots in an artistic community, spending most of the last year and some change nestled in with her new flock of bohemian neighbors.

It would be the perfect sanctuary for the Something Specials frontwoman, that doubled as a creative space.

By the first week of January, she moved her belongings into a rented stationary camper situated on a ranch owner’s sprawling land, that they’d lived on for more than 25 years. In the shadow of the San Gabriel Mountains, her L.A. chronicle would continue, as dreamed.

But within a week of settling down, she’d receive a knock on her door, step out of her home, and see flames burning a nearby hillside. When she saw the fire she knew to leave, packing as much as she could before making a run for it.

“Every successive update we would get from her was just unbelievably surreal,” said Josh Augustin, who plays drums and keys and does production for the band.

She didn’t know it yet, but all that was left of her camper was its frame; it’s burned, twisted metal was another casualty of the L.A. wildfires. For the next couple of weeks, she’d couch surf until ultimately sleeping in her van, waking up early to wait tables at an oyster bar on Sunset Boulevard.

The remains of Olin’s rented camper.

(Taylor Olin)

“From there, I went back to Florida, and I put on a benefit show for some specific people in Altadena that I wanted to give some funds to,” Olin said.

She’d then relocate to Europe and start fresh with aid from a GoFundMe created by a friend. Roughly a year and a half later, she’s still there and has had time to reflect on the experience.

“As much as I was directly affected, I really have held the space in my heart for those who have been there for their entire lives,” she said.

“My commitment to the community had only been a year … whereas they had invested so much and lost so much.”

But something fascinating was happening behind the scenes, coinciding with the disaster that had sent Olin overseas and left her bandmates, Augustin and Nathan Slone — located in New York City — shocked.

One year earlier, the band had released “Love,” a pleasantly sweet, folky, country-adjacent tune that melts easily into eardrums. Though it hadn’t received much attention at the time, it began to gain some traction on social media right after Olin settled down in Europe, frequently appearing in short-form videos across Instagram.

“We had no idea where we were getting it from,” she said of the new listeners. “It was picked algorithmically and put at the top of recommended songs on stories and reels, and so we started seeing thousands of reels being used with its intro.”

The band unwittingly stumbled into virality.

“We would get maybe a few hundred listeners in a day across our entire discography,” Slone, guitarist and bassist, said. “It’s … come to life, die, come back to life, and died. Now our whole discography seems to be in a ‘high tide lifts all ships’ moment.”

At that time, “Love” was floating around 1 million listeners on Spotify. Today, it sits at nearly 20 million, with the band’s average monthly listeners at 1.2 million. Small highlights include being featured in a Reese Witherspoon carousel and Ashley Tisdale French gardening video on Instagram, the latter containing their other hit, “Aces.”

Now, the trio is gearing up to release its debut album, “Somewhere Up There,” on Friday. At just shy of an hour, the project is split almost evenly between new music and previously released tunes.

Album art for “Somewhere Up There.”

(Taylor Olin / The Something Specials)

Impressively, the band has met in person only three times, one of which was when they first agreed to work together. Better yet, when Olin and Slone first met, it was shaking hands on stage at the Echoplex before the band’s first show.

They’re all skilled musicians, having done their due diligence in different music groups, but nothing has clicked like the parasocial success that is the Something Specials.

“We need each other all the way through — we each bring a different thing to the project,” Slone said.

“I’ll go and write the bass of the song, and a riff if there’s a riff. Josh helps with keyboards and drums. We refine it a little bit together. We send it to Taylor. Taylor records over it. We get it back. We might add a part or two. We mix it. All say yes. Send it for mastering and upload it.”

In a modern world, it’s not unusual to hear of music production being done in such a way, but it’s the group’s limited personal relationship that makes it shine.

The plan is to keep being nonchalant about the whole thing, and hopefully their fan base will continue to grow. On Oct. 28, they’ll play the Sultan Room in New York City, their third time together as a band.

“It’s bizarrely easy,” Slone adds.

“With very few exceptions, if things are flowing well, we can wrap something up in a week or two,” Augustin adds about the outfit’s remote recording process.

They’re still winging it at this point, unsigned and with no representation, but “winging it has served us well,” Olin said.

“We’ve been approached many times [by labels],” Slone continues. “But we do pretty darn well on our own, and record labels don’t really have much to offer us, frankly.”

Olin says that in a time where the use of artificial intelligence is so prevalent, and particularly in creative spaces, doing things “DIY” is the best approach. They’re starting with an initial run of around 500 vinyl records, with plans to release the album on CD and cassette later down the line.

“With this kind of band — with our sound, with our aesthetic— I think that as old-school as possible feels best,” she said.

On Friday night at the SoFi Stadium, there was nothing random about the songs that played just before Karol G took the stage for the first of three evenings at the venue. We can safely assume that the Colombian superstar selected the cuts herself — the perfect tropicoqueta mix to set up the mood.

First, a shadowy “Bésame Mucho”; Elvis Crespo’s merengue smash “Suavemente”; the Afro-Cuban nugget “El Manisero”; and two life-affirming hits by the Queen of Salsa herself, Celia Cruz: “La Vida Es Un Carnaval” and “La Negra Tiene Tumbao.”

These carefully curated gems share a common element: They managed to transcend the stylistic contours of their respective genres and become something bigger — the kind of irresistible, it-takes-a-village anthems that will lure everyone to the dance floor, even if they don’t understand the lyrics.

And that is exactly what Karol G — la bichota, the South American Cleopatra, the woman with the billion-dollar smile — has been doing for global pop since the release of “Tusa,” her imperial duet with Nicki Minaj, back in 2019.

(Jill Connelly / For De Los)

Karol is currently the 42nd-most-streamed artist on Spotify, and her albums “Mañana Será Bonito” (2023) and “Tropicoqueta” (2025) helped reinvent the sound of contemporary Latin. She emerged from the reggaeton thunderstorm that hijacked the planet, but then guided it smoothly into a different aesthetic territory, far away from the movement’s misogynistic toxicity. Her ongoing collaboration with producer Ovy On The Drums — they’re the same age, 35, both from Medellín — was transformative, combining clanging, tribal beats with liquid textures and a refined, champagne-like lightness.

Part of the massive “Viajando Por El Mundo Tropitour,” Friday’s performance confirmed the singer’s stature as one of the most vital and charismatic Latin artists of the 21st century. More than a conventional concert, it felt like a stark, delirious fantasia, a relentless cinematic mosaic of decadent dance numbers and hyper-popped fragmentation presented in five acts, unified by a tropical visual motif: lush vegetation; a blue lagoon where cleansing erotic rituals take place; plumes of purifying fire to expiate the aftertaste of all those failed romances.

(Jill Connelly / For De Los)

Beginning with the wicked reggaeton beat of “Latina Foreva” — an existential jam about curves and pleasure, the freedom of the flesh — Karol ignited a deafening roar of adoration from the full-capacity crowd. For a moment, I got a taste of what Beatlemania must have sounded like in the 1960s.

As the cameras followed her closely, projecting every playful grimace and flirtatious wink onto the giant video screens, the complexity of her artistic persona became increasingly transparent: an indomitable woman who is deeply connected with primal joy and sensuality, but also vulnerable enough to get her heart broken on the way to the red carpet (and still embrace the experience). In the world of Karol G, what doesn’t kill you makes for an international hit.

Admittedly, it was the aggressive, in-your-face numbers that worked best. Karol sounds even better when surrounded by half-naked dancers — “Gatúbela” and “Ojos Ferrari” were highlights in that respect — and the choreography evoked the sweaty rapture of a full-blown Roman orgy.

(Jill Connelly / For De Los)

But she’s also smart enough to alternate the futurism of neo-reggaeton (the cutting-edge territory where her work with producers like Ovy On The Drums and Tainy has given us some astonishing records) with an affectionate nod to the past glories of Afro-Caribbean lore: the 20th century cultural bubble where Colombian families listened to the “14 Cañonazos Bailables” compilations during the Christmas season.

On the title track of “Tropicoqueta,” she draws an imaginary line that connects her current sexual emancipation to the frisky downbeats of 1950s mambo and the early 2000s movement that jazzed up the Afro-Caribbean classics with a digital bounce. On Friday, she salsified “Provenza” and added the riff of Willie Colón’s “La Murga” as an intro to “Tusa.” Her visual recreation of the “Tropicoqueta” album cover onstage was one of the show’s wittiest moments.

At one point after the success of “Mañana Será Bonito,” Karol must have realized that her newly acquired diva status gave her the chance to voice some valuable thoughts on the merits of Latin American culture.

In between songs, Karol spoke with compassion about the recent earthquakes affecting Colombia and Venezuela — the latter of which is where her poised opening act, Elena Rose, also hails from — but her pan-Latino ideology seeped into the music as well. Her face was covered in tears after she performed “Ese Hombre Es Malo” backed by female mariachi players. At the end of the show, a stunning reading of “Si Antes Te Hubiera Conocido” revealed the instinctive ease with which she can navigate the sweet, syncopated phrasing of Dominican merengue.

1/2

Elena Rose opens for Karol G at SoFi.  (Jill Connelly/For De Los)

2/2

Inglewood, CA., Aug. 14, 2026. – Opener Elena Rose performs during the first of Karol G’s three nights headlining the SoFi Stadium for her Viajando Por El Mundo Tropitour. (Jill Connelly / For De Los)  (Jill Connelly/For De Los)

A few tracks from her recently released sixth studio album,”No Me Arrepiento De Sentir Tanto,” displayed a more introspective side. On the dreamy ballad “Después de Ti,” she was joined on guitar by Greg Gonzalez of Cigarettes After Sex, reenacting their performance together from April, when Karol headlined Coachella.

The deafening volume at SoFi was the only aspect of the show that got in the way. The sound stage felt bludgeoned into submission throughout, as the intense distortion of bass, percussion and guitars made the instrument separation within the mix almost inaudible.

That said, the overall experience transcended the sonic elements, as Karol is clearly using the Tropitour as a good reason to celebrate her extraordinary achievements with the fans (she even hugged a security guard).

Somewhere in the venue, a young Latina girl must have been dazzled by this extravagant spectacle and perhaps dreamed of one day following in the footsteps of Carolina Giraldo Navarro: a gifted singer and composer, a woman intelligent enough to cherish the emotional value of dancing the night away.

And that is one solid role model to have.

The Australian singer was the third celebrity to be named for the new series of the BBC show and has now given an update after a gruelling first day in rehearsals

Delta Goodrem says she’s already struggling with the gruelling demands of her Strictly Come Dancing schedule – after one rehearsal.

The Australian singer and actress was confirmed for the twenty-sixth series of the long running BBC show in June, shortly after representing her country in the Eurovision Song Contest with the song Eclipse.

But Delta, 41, admits she is feeling the strain after participating in her first rehearsal at a London dance studio on Friday. Reflecting on her progress with new Strictly host Emma Willis, she said: “I can’t move today… I had my very first day yesterday. Obviously, there was a lot of dancing, so it was a baptism of fire, a lot of shock for the body, so I’m slow moving today.”

Despite her pedigree as a seasoned performer, Delta insists she doesn’t have an advantage over her Strictly rivals because her music doesn’t lend itself to dance.

“I love dancing, but I don’t get to dance,” she explained during an appearance on BBC Radio 2. “It’s never been my role. My music doesn’t sit in the space where I do a lot of choreography.

“I don’t do a lot of dancing, and I don’t think people associate me with dance… I’ve never done ballroom. I didn’t even know there was a difference between Latin and ballroom until yesterday.”

Delta was the third celebrity to be confirmed for the new series following the announcements of former Love Island winner Dani Dyer and EastEnders star Lacey Turner.

The singer hinted at an appearance on the show in June, telling Good Morning Britain: ‘Every time I’ve ever been in the UK and I get immersed into it. I love music with all my heart but as I said before Eurovision, I’m always open.’

Last week, the singer admitted she was yet to be assigned a professional dance partner and was already feeling nervous about her imminent appearance on the show. “I think in a couple of weeks, so it’s still like a week or so away when we start the process,’ she told Sunday Brunch. ‘I’m excited, nervous, all those kinds of things.”

Asked if she saw herself as a potential winner, she added: “I am going to go in and give my very best that I possibly can. I have no expectations or awareness of what level of dancing.”

Strictly is back this autumn and winter for its first series since hosts Tess Daly and Claudia Winkleman quit the programme. Tess and Claudia have since been replaced by a trio of presenters – Johannes Radebe, Josh Widdecombe and Emma Willis.

Delta shot to fame when she starred as aspiring singer Nina Tucker on Neighbours and then went onto a major pop career with hits such as Innocent Eyes and Born To Try.

Along with the likes of Kylie Minogue, Jason Donovan, Holly Valance and Natalie Imbruglia, she is part of a cohort of stars who started out on the Australian soap before going onto conquer the music industry.

After signing up for Strictly Come Dancing, she said: “I’ve been incredibly honoured to perform on many different stages throughout my career – from TV, theatre, film sets, to touring my own shows around the world.

“There is, however, one stage I’ve never stepped onto and that is the ballroom floor. I’m absolutely thrilled to be joining Strictly and can’t wait to get started.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Lots of broken-up bands reconvene for a tour, as the Black Crowes did in 2019, half a decade after brothers Chris and Rich Robinson dissolved the Southern rock group they’d formed in Atlanta in the mid-1980s. Some even stay together long enough to make a new record, as the Crowes managed to do with 2024’s well-received “Happiness Bastards.” What’s relatively rare in music is for a reunited band to quickly follow up a comeback album with a second one. Yet that’s what the Robinsons did this year when they dropped “A Pound of Feathers,” the Crowes’ 10th studio LP, behind which they’ll touch down Monday night at the Hollywood Bowl. Ahead of the show, Chris Robinson, 59, called from the road to tell the stories behind five of the band’s songs.

‘Hard to Handle’ (1990)

The Black Crowes broke out with a frisky cover of this Otis Redding tune just as hair metal was giving way to grunge. A hit on MTV, the song drove sales of the band’s debut, “Shake Your Money Maker,” to sales of more than 5 million copies.

There are some songs of Otis’ that I couldn’t do justice. As a 21-year-old kid starting my career — well, we didn’t even know we were gonna have careers — but what am I gonna sing? “I’ve Been Loving You Too Long”? “Hard to Handle,” it’s cheeky, it’s lighthearted. And I loved the break: “Pretty little thing, let me light your candle…” So I took it to George Drakoulias, our producer, and I said, “I think we could do this.” George is the one who turned it into “Walk This Way” — he put it in the same rhythmic space. Otis’ version swings, but we really couldn’t swing at the time.

So “Hard to Handle” wasn’t something you were playing live early on?
No, we brought it in for the record. Being from Georgia and Otis being from Georgia, it was important to us that people knew this is where we’re coming from. Two autumns ago, Zelma Redding and her family invited us to their big old ranch outside Macon, and we had an afternoon in the great man’s study. They have all his awards and guitars and stuff and the velvet slippers he had on when the plane crashed. At certain times in our career, we’ve been like, “F—, do we have to play ‘Hard to Handle’ again?’” We’d jam at the end or try all these things to make it sound different. But as the years have gone by, we just play it the way it’s supposed to be.

George’s engineer, Brendan O’Brien, played the guitar solo in “Hard to Handle.” Why?
We had Jeff Cease, but he’d split and gone back to Nashville. And Rich didn’t play solos back then. That changed, but at the time he was the rhythm guitar player. So it was out of necessity. We needed that meat-and-potatoes solo, and Brendan could rip it. I saw him on some podcast saying we were in L.A. and we were gonna call Slash. I’m like, “No we weren’t — you did the solo in Atlanta on Rich’s Les Paul.”

“Shake Your Money Maker” came out on Rick Rubin’s Def American label, and he’s credited as executive producer. Did Rick do anything on the album?
No.

All righty.
I’m just being honest. George and I lived in Rick’s house — I was in the basement — but the most I saw of him at the time was him leaving to go get lunch at Canter’s with Glenn Danzig. He did come to a session once with Andrew Dice Clay. We were called Mr. Crowe’s Garden at the time — we weren’t yet the Black Crowes. Rick and George were like, “You guys probably need to change your name,” and Andrew Dice Clay goes, “You should change it to Sticky Paste.” I said, “Why don’t you stick to the cigarette over your head, and I’ll handle this?”

‘She Talks to Angels’ (1990)

For “Money Maker’s” fourth single, the band released this darkly poetic ballad about a woman struggling with a drug addiction.

Were you nervous to reveal a softer side?
The only trepidation would’ve been because this was the power-ballad era of all the hair-metal bands.

Poison with “Every Rose Has Its Thorn” and so on.
Every band had one. There were hair-metal bands that only had power ballads — Firehouse or some band with 17th century French aristocrat hair.

Everything but the lace cravat.
Everything but sincere songwriting. Look, they’re people too — I get it. But we wrote a ballad out of the sincerity of how we were feeling, you know? We were reaching for “Wild Horses” or “Dark End of the Street” or “Astral Weeks.” The power ballad was a device for rock bands, but we didn’t use it as that. We used it as pure expression.

Tell me about the story the song tells.
My interest in writing and literature revolved around darker themes, whether it was the Beats or Paul Bowles or whatever. There’s drugs and madness and pain but also glory and redemption and the true heartbeat of life. So the song is a sad story but it’s romantic. There’s no moral gotcha — no resentment toward the character or the predicament they find themselves in.

How’d you come by that approach?
Reading. My mother, who just passed away a few weeks ago, she gave me a great gift: I’m dyslexic, and my mom in the early ’70s in the Deep South, she knew something was up with me. I went to school three times a week after school for years to learn how to read. And when that clicked, that was everything. My life now, it’s horribly boring. Rick Rubin with Danzig at Canter’s sounds exciting compared to Chris Robinson and the used bookstores of my life.

“Angels” is full of vivid details: the lock of hair in the woman’s pocket, for instance. Who were the songwriters that taught you how to create an image?
It all starts with Bob: “Jewels and binoculars hang from the head of the mule” — like, what?! But I’m a funny Dylan fan because I like the weird lyrics he does, like “Clothes Line Saga” from “The Basement Tapes.” Alex Chilton was really big. The first Big Star record I could get my hands on in the early ’80s was “3rd.” As a matter of fact, the first show we ever did, Rich and I played “Nightime” from that record.

On the strength of “Money Maker,” the Crowes were nominated for best new artist at the Grammys in 1991. You didn’t win —
A theme that continues today.

You remember who did?
It was Mariah Carey, I think.

Correct.
Good for her. Rich and I flew in from some tour date for one night, and I remember MC Hammer winning and doing something with Pepsi. I met MC Hammer a couple years ago. Amazingly cool guy.

What put you and Hammer in the same room?
I’m not allowed to talk about that.

Sure.
No, I’m serious — I can’t talk about it.

‘Remedy’ (1992)

The Crowes’ sophomore album, “The Southern Harmony and Musical Companion,” was led by this swaggering soul-rock jam, which Robinson opened with a memorable couplet: “Baby, baby, why can’t you sit still? / Who killed that bird out on your windowsill?”

I was in Philly a few weeks ago, in Rittenhouse Square, and I said to my friend, “That’s the hotel that I opened my window one gray day on tour, and there was a dead bird.” The room was on the 15th floor or something, and I guess the bird had flown into the glass. I was in a series of early failed rock and roll relationships, so my imagination was: Who killed that bird? Oh, she did it. The rest of it’s made up, but I had to see the dead bird that morning to kick off the thought.

There’s some great interplay here between you and your background singers — really draws out the R&B in the band’s sound.
For us, it’s instinctive. I’ve ingested a lot of Funkadelic, a lot of Prince, a lot of the Gap Band. One of my first concerts was Cameo on the “Alligator Woman” tour — mind-blowing. My singing is far more rhythmic than it is melodic a lot of the time. When I was playing with Joe Perry last summer, Steven Tyler came down to the Hollywood Bowl to do “Train Kept A-Rollin’.” He was like, “What key’s it in?” I said, “I don’t know.” He’s like, “You’ve been out with Joe for three weeks, and you don’t know what key the song’s in?” I said, “Steven, are you ready? I’ve never known what key a song is in.”

“Remedy” spent 11 straight weeks at No. 1 on Billboard’s rock radio chart. One of the songs stuck behind it was the Red Hot Chili Peppers’ “Under the Bridge.”
And just think — I never took my shirt off.

‘Sting Me’ (1992)

The tune that eventually knocked “Remedy” from the top spot? The Crowes’ second single from “Southern Harmony.”

It’s as close to a protest song as we ever got. Concerts in the ’90s were wild, man — we were seeing security guards beating on kids. But we were also seeing this blind patriotism toward ideals and philosophies that you’ve never even really looked at with any depth. So: “If you feel like a riot / Then don’t you deny it.”

There’s something slippery about the riff — it takes a second to figure out where the one is.
It fights itself — it’s funky in there. “Shake Your Money Maker” was very straight — click tracks to put the drum track together, now play the bass over that, blah blah blah. We just weren’t great at that point. By the time we’re in the studio with “Sting Me,” though, that’s one take live on the floor. We made “Southern Harmony” in eight days.

You can hear the effect of having played a few hundred gigs.
I’m glad you say that. Now bands are like, “I don’t want to go on the road — I’m gonna take a mental health break.” Can you imagine in 1992, you’re in one of the biggest bands in the world, and you’re like, “Hey man, I gotta chill out”? Get the f— out of here.

The “Sting Me” video was filmed at the Great Atlanta Pot Festival in 1992, which the band played as part of your activism around legalizing weed. What’s it been like to see those efforts succeed to some degree?
My main victory within that, if my voice was a part of it, is that we’re in a more gentle place — that it won’t ruin your life now if the police pull you over and there’s a roach in your ashtray. You have to realize: Being arrested isn’t just about the inconvenience of being incarcerated — it’s that now you’re in the system. I mean, ask any marginalized community — those drug laws were put on the books to keep you down.

‘Pharmacy Chronicles’ (2026)

Over a shuffling country-blues groove, Robinson sings about “perfume, Champagne and sin” in this standout from “A Pound of Feathers.”

Would you have foreseen that, after you got back together, you and Rich would release two albums in less than two years?
I don’t know about that. But leave Rich and I to our own devices, and that’s what we do. Our whole entrée into this world wasn’t because I could sing or he was a great guitarist — we wanted to write songs. I’ve written a lot of songs by myself, and probably out of those songs, there’s a few that I’m proud of. And I think Rich would say the same thing for himself. But there’s just something about the inspiration I get from Rich’s playing that makes us a successful songwriting team.

“Pharmacy Chronicles” has some bedraggled wisdom to it. I’m not sure you could have written it as a younger man.
I wasn’t that cynical then. It’s making fun of yourself in a way — like some old Victorian actor in the bowels of the theater taking his makeup off and wondering what it all means.

Do you think your voice has changed along with your perspective?
Of course my voice has changed — through age and, in the ’90s, through abuse. I can’t hit the super-highest notes I could as a young person. But we still sing the old songs in the original keys. Not that I know what those keys are.

The family of actor Robert Carradine filed a lawsuit against the governing body of UCLA, saying that the “Revenge of the Nerds” star’s death by suicide in February at a university-affiliated psychiatric facility was preventable.

In a legal complaint filed Aug. 7 with Los Angeles County Superior Court, the children of Carradine allege that the psychiatric care team at the UCLA health facility was reckless in its care and committed elder abuse and neglect.

Carradine, 71, had checked into the facility shortly before his death.

The 27-page suit names the UC regents as defendants, along with physicians, nurses, clinical care partners and other officials who are identified as “Does 1-100.” Plaintiffs in the suit include Carradine’s estate and his surviving children.

“He asked for help. He recognized that he was a danger to himself and voluntarily walked into a psychiatric hospital to be kept safe,” the family claimed in the suit reviewed by The Times. “He knew he was not safe to be left alone.”

Carradine had bipolar disorder, and the lawsuit says that he had admitted that he had “suicidal thoughts” when he checked into UCLA Resnick Neuropsychiatric Hospital in Westwood.

“Instead of walking into a safe environment, [Carradine] walked into a locked facility that broke a cardinal rule for a hospitalized psychiatric patient with active suicidal thoughts and a history of suicide attempts,” the lawsuit says. “UCLA let him walk into a locked psychiatric unit with a belt.”

The family also said hospital staff left him in a room with a table that had not been removed from his unit before being placed there, according to the lawsuit. He died about 19 hours after checking into the facility, the lawsuit says.

“None of this happened because UCLA lacked the knowledge, the policies or the means,” the civil complaint says. “It happened because UCLA took shortcuts with two safeguards that were meant to protect Robert’s life. UCLA gave Robert the means to hurt himself and then no one watched over him or checked on him for long periods of time despite orders to watch him every 15 minutes.”

The lawsuit says that UCLA staff was distracted during Carradine’s observation intake and that they falsified their records to reflect proper care.

The Times has reached out to the UC regents and UCLA Health for comment.

The youngest son of prolific character actor John Carradine, Robert Carradine was born on March 24, 1954, in Los Angeles. Known for both his film and television work, Carradine made his debut in a 1971 episode of the long-running western “Bonanza.” His first film appearance was in the 1972 John Wayne western “The Cowboys.”

During his 50-year Hollywood career, he appeared alongside his brother David in a 1972 episode of “Kung Fu” and the 1973 Martin Scorsese film “Mean Streets.” Alongside his brothers David and Keith, Robert joined other sets of acting siblings to portray sets of real-life siblings in the 1980 western “The Long Riders.” Carradine also landed roles in Hal Ashby’s 1978 Vietnam War drama “Coming Home” and Samuel Fuller’s 1980 World War II epic “The Big Red One.”

“It is with profound sadness that we must share that our beloved father, grandfather, uncle, and brother Robert Carradine has passed away,” the Carradine family said in a statement following the actor’s death. “In a world that can feel so dark, Bobby was always a beacon [of] light to everyone around him. We are bereft at the loss of this beautiful soul and want to acknowledge Bobby’s … nearly two-decade battle with Bipolar Disorder.

“We hope his journey can shine a light and encourage addressing the stigma that attaches to mental illness. At this time, we ask for the privacy to grieve this unfathomable loss. With gratitude for your understanding and compassion.”

In the 2000s, Carradine charmed a new generation of fans as lovable TV dad Sam in “Lizzie McGuire.”

“There was so much warmth in the McGuire family, and I always felt so cared for by my on-screen parents,” the show’s star, Hilary Duff, wrote in her Instagram tribute to her on-screen dad. “I’ll be forever grateful for that. I’m deeply sad to learn Bobby was suffering. My heart aches for him, his family, and everyone who loved him.”

Carradine’s family and estate are seeking unspecified general and wrongful-death damages and compensation for medical expenses incurred during his hospitalization.

EMILIE Kiser has addressed the controversy that surrounded her after her young son was pictured without a life jacket.

The 27-year-old influencer‘s son, 16 months, was pictured on a boat without a life jacket – and fans were left completely enraged.

In a video posted on Friday, Emilie acknowledged that she and her husband, Brady Kiser, 29, made a mistake for not putting a life jacket on their son and apologized for the incident.

“I understand this conversation.

“I think it is important. It holds people accountable, and I know that I am not perfect.

“I know that we make mistakes, and all I can say is that I’m sorry, and that I know we made a mistake,” Emilie said.

‘BRIGHT LIGHT’

Influencer Emilie Kiser reveals she’s pregnant a year after son, 3, drowned

DEVASTATING LOSS

TikToker speaks publicly for first time since 3-year-old son’s death

She captioned the video, “Thanks for listening. Hope you all have a safe and good weekend.”

Emilie also shared a statement which read: “Our child should have been in his life jacket for the entirety of that boat ride, not even for the few moments that he was out of it.

“We are painfully aware that in a matter of seconds, your entire life can change, and we should have done better.

“We recognize and appreciate the genuine care that people have for our children.

“There has also been a deep level of anger and hurt directed toward our family, and we understand the basis of those feelings as well.

“It comes from the belief that Trigg should still be here, and we share that same belief more than can be expressed. He was only three years old, and should have lived a lifetime more. That reality lives with us every moment of every single day.

“We will continue to do better, advocate for better and, as hard as we try to avoid them, still make mistakes. We can only promise that we will never stop learning from them and continue loving our children with everything we have.”

The footage of Teddy was captured during a June family trip to Mallorca, Spain.

The footage was shared by fellow influencer Madi Curtis in a now-deleted upload.

Teddy could briefly be seen sitting on the boat with Brady without a life jacket.

This comes just a year their son Trigg died after falling into the family’s pool.

Arizona police alleged Brady was watching an NBA playoff game while Trigg, 3, fell into the water and was alone for over nine minutes.

Brady found him unconscious, and Trigg died six days later in the hospital on May 18, 2025.

Just last month, Emilie revealed she’s expecting another child.

Taking to social media in July, Emilie penned: “As I stated last year, my family’s privacy will always be my priority.

“Because of that, I’m not sure how much I will be sharing about this pregnancy and next phase of life, but I appreciate your understanding as I navigate those boundaries.”

She added: “This baby has already brought so much hope and joy into our home, and we are treasuring every moment of it together.

“Thank you in advance for all of the love, well wishes, and support as we navigate this next chapter of our growing family.”

The influencer recently opened up about her grief and her decision to stay with her husband in mid-June on the Jay Shetty Podcast.

“Losing a child really shows you, in the scariest, most real way possible, just how quickly life can change and how quickly life can literally be taken away,” she said.

“And I think that really scared me with Teddy [her youngest son].”

Emilie revealed there were times she was “so angry” at her husband and was unsure if she could ever forgive him.

In his first address to the Disney faithful as chief executive, Josh D’Amaro pledged that Walt Disney Co. would create new stories and experiences at the D23 fan event Wednesday night in Anaheim.

D’Amaro was greeted like a rock star during the Burbank media giant’s film and TV presentation as the assembled crowd of more than 12,000 Disney super fans at the Honda Center gave him a rousing round of applause and cheers. He beamed at the audience, while clasping his hands together in front of him.

“I believe that in order to lead this company, you have to understand what it actually feels like to be a fan,” he said onstage. “And, I do. ”

D’Amaro is no stranger to the D23 stage; in his past role as parks chief, he would give updates on the latest news for the experiences division.

But now, as CEO, he said the company would deepen its connection with fans by continuing to develop fresh stories and new experiences.

“We are not here waiting for the future,” he said. “We’re building it … we’re actually building it right now.”

While Disney unveiled several upcoming original stories, including an animated supernatural flick from Pixar called “Ghost Market” set for release in spring 2028 and “Clay,” a Disney Animation film coming later that year about a mentor-mentee relationship, many of its projects are related to existing franchises.

The company unveiled details about Pixar’s “Coco 2” and “Incredibles 3,” both of which got huge applause from the audience, as well as a live-action “Lilo & Stitch 2.” Fans cheered for the return of the Jonas Brothers reprising their original Disney roles in “Camp Rock 3.” Even a teaser from “The Bluey Movie” elicited screams from the largely adult audience.

Earlier in the day, Disney executives revealed additional plans about its streaming strategy during a series of panels.

The company plans to lean more on creators with its new Verts vertical video feed on Disney+, a new feature designed to increase engagement. So far, it has grown in popularity among users, said Erin Teague, executive vice president of product management at Disney Entertainment and ESPN.

“What we’re seeing is as users are engaging with their vertical video experience, they are actually engaging in the overall product experience, double the amount of time,” she said onstage. “That means that we’re meeting users where we are.”

The company also plans to invest more in local international content to help grow the Disney+ service around the world. Disney has seen its local Korean shows perform well in Asia, as well as Brazil, executives said. And shows that do well in one country can often be remade in other regions.

Over the next three years, Disney plans to roughly triple the number of local original series on Disney+.

Marvel’s new X-Men are ready for their close-up — finally. The cast of the upcoming superhero film took the stage together for the first time Friday night during the Disney Entertainment Showcase at D23.

Marvel Studios President Kevin Feige capped off his portion of the presentation by formally introducing Sadie Sink, whose role in “Spider-Man: Brand New Day” had been kept under wraps before its release, as Jean Grey. Then, along with “X-Men” director Jake Schreier, they welcomed the rest of the cast.

Joining Sink in “X-Men” are Kit Connor as Cyclops, Christopher Abbott as Professor Charles Xavier, Samara Weaving as Emma Frost, Inde Navarrette as Rogue and Maya Boyd as Storm. Adam Driver, who appeared at the event in a recorded video bit, will be playing Nathaniel Milbury, better known to fans as Mr. Sinister.

“X-Men” is expected to hit theaters May 5, 2028.

Held at the Honda Center, the Disney Entertainment Showcase is one of the marquee presentations of the three-day D23 fan event where the various arms of Walt Disney Studios — including Lucasfilm, Pixar and Disney Animation — take the stage to promote their upcoming film and television projects. New CEO Josh D’Amaro received a rock star’s welcome from the more than 12,000 Disney faithful attending this year’s showcase, which was emceed by “Zootopia 2” stars and self-proclaimed “super fans” Ke Huy Quan and Ginnifer Goodwin.

Among the stars tapped to help promote their upcoming projects were Anne Hathaway (“Princess Diaries 3”); Joe, Kevin and Nick Jonas (“Camp Rock 3”); Benjamin Bratt (“Coco 2” and “Kingdom Hearts IV”); Kathryn Hahn (“Tangled”); Robert Downey Jr., Chris Evans and Hayley Atwell (“Avengers: Doomsday”); Ryan Gosling (“Star Wars: Starfighter”); and Kristen Bell, Idina Menzel and Josh Gad (“Frozen III”).

Here are the biggest reveals and takeaways from Disney’s studios showcase.

Marvel’s television future remains unclear

As expected, Marvel Studios turned its spotlight to “VisionQuest,” the upcoming Disney+ series starring Paul Bettany (Vision) and James Spader (Ultron). Picking up after the events of “WandaVision,” the show will see Vision “beginning to ask rather more complicated questions” about his identity and humanity, according to Bettany.

After several movie announcements at San Diego Comic-Con last month, fans had been anticipating Marvel’s D23 presentation would focus on its series slate. But “VisionQuest” was the only TV show represented at the event. (Marvel’s presentation also included a new “Avengers: Doomsday” clip and a mention of the upcoming game “Marvel’s Wolverine.”)

The lack of new series announcements, along with the recent cancellation of “Wonder Man” Season 2 and reports that Marvel is cutting back on live-action Disney+ shows, has cast a shadow on the MCU’s TV future. “VisionQuest” will premiere Oct. 14.

‘Star Wars’ fans still love Hayden Christensen

Lucasfilm President Dave Filoni brought the cast and creatives of “Ahsoka” Season 2 and “Star Wars: Starfighter” for his portion of the showcase, along with new footage from both projects.

When “Ahsoka” star Rosario Dawson invited Hayden Christensen (Anakin Skywalker) and Eman Esfandi (Ezra Bridger) to join her on stage, fans had an especially warm welcome for the prequel trilogy star.

“As always, it is such an honor to get to play Anakin Skywalker,” said Christensen. “In this new season. Anakin continues to advise Ahsoka. He challenges her and pushes her to answer the most important question in her life: Are you or are you not a Jedi?”

“Star Wars: Starfighter” director Shawn Levy, left, and Ryan Gosling, who is showing the symbol of his character Kade on his jacket.

(Kevin Mazur / Getty Images for Disney)

Director Shawn Levy and Ryan Gosling were on hand to discuss “Star Wars: Starfighter,” which will be set during a time period in the galaxy far, far away that has not yet been shown before. Gosling plays Kade Auberon, a Starfighter pilot (and possible mechanic), in the standalone film that will be set some time after the sequel trilogy.

Disney is leaning on the magic of nostalgia in live-action and animation

Mira Sorvino, right, and Lisa Kudrow appeared onstage as Romy and Michele, respectively, to tease their sequel.

(Jesse Grant / Getty Images for Disney)

Much of Disney’s studio showcase focused on sequels of franchises past and present. “Romy and Michele 2” (2027) stars Lisa Kudrow and Mira Sorvino showed up in character to tease their upcoming sequel to the much-loved 1997 original, proclaiming they were now Disney princesses.

“Princess Diaries” star Anne Hathaway made an appearance to reassure fans the team was hard at work to make sure “Princess Diaries 3” was getting done right, while “Camp Rock” stars Joe, Kevin and Nick Jonas came to plug “Camp Rock 3” and its new stars. A brief first-look teaser for the live action “Tangled” (2028) concluded on a shot of Kathryn Hahn as Mother Gothel calling out to Rapunzel, right before the “Agatha All Along” star took the stage.

Even one of Disney’s oldest characters is getting a revival, thanks to filmmaker Jon Favreau. The “Mandalorian and Grogu” director shared a first look at his miniseries, “Oswald the Lucky Rabbit,” a hybrid live-action and hand-drawn 2D animated show expected to hit Disney+ in February.

On the animation side, Pixar’s Pete Doctor came armed with news about “Incredibles 3” (2028) and “Coco 2” (2029), while Disney Animation’s Jared Bush announced “Zootopia 3” before turning it over to “Frozen III” (2027).

According to Benjamin Bratt, who is returning to voice Ernesto de la Cruz, “Coco 2” is set some time in the future, where a teenage Miguel is sent back to the land of the dead for another adventure. “Frozen III,” meanwhile, will see Anna and Kristoff finally get married before the sisters meet a mysterious stranger who also wields ice magic. Olaf is also expected to find love.

The event also featured teases for “Ice Age: Boiling Point” (2027), “The Bluey Movie” (2027) and a “Kingdom Hearts” anime series.

But don’t worry, Pixar and Disney are still making original movies

Billie Doe (Hailee Steinfeld) and Beef Roger Crummchuk (Walton Goggins) in “Hexed.”

(Disney)

Fans of animated originals can rest assured that both Pixar and Disney Animation have new stories on the way. In addition to “Hexed,” a magical coming-of-age adventure about a young girl named Billie who discovers she’s a witch that will hit theaters Nov. 25, Disney Animation announced “Clay” for 2028. According to Jared Bush, “Clay” is a story about a mentor and student named Flip and Mushi.

“I believe that new stories, new characters, new worlds are vital to the future of Disney Animation,” said Bush.

Pixar, meanwhile, announced “Ghost Market” will hit theaters in 2028. Set in Hawaii, “Ghost Market” will follow a young content creator named Kyle who encounters hungry ghosts. The studio also has “Gatto,” from “Luca” director Enrico Casarosa, on deck for 2027.

Aaron Thiara, who plays Ravi Gulati on EastEnders, has reportedly quit the long-running BBC soap after four years on the show so that he can focus on new projects

Aaron Thiara has reportedly quit EastEnders. The actor, 33, has starred as Ravi Gulati on the long-running BBC soap since 2022 and has been at the centre of several dramatic storylines during that time.

Now, insiders have claimed that Aaron, who appeared in various short films and a string of Shakespeare plays before joining EastEnders, is leaving the programme for pastures new.

A source claimed: “Aaron has been at the centre of the some of the soaps biggest storylines since his arrival as bad-boy Ravi back in 2022. He’s an incredibly popular member of the cast and the fans love him.

Speaking to The Sun, the source went on to claim: “He’s decided to focus on new projects, but will stay on set until the end of the year to see out some juicy storylines his character has in store.”

Since he arrived in Walford three years ago, Ravi has discovered that his biological son of Nish Panesar and that he was the product of an affair. He then went on to kill Ranveer Gulati, the man he thought was his father, in an act of self-defence and was once in a love triangle with Denise Fox and Jack Branning.

The character is also known for his relationship with Priya Nandra-Hart (Sophie Khan Levy), with whom he has a son, Nugget and a daughter, Avani.

Just over a year ago, Ravi partnered with Nicola Mitchell to set up a drugs empire but six months later, she spiked his drink as an act of revenge and he ended up putting his son into a coma.

Much of 2026 has revolved around Ravi’s mental health and PTSD, and, ahead of the storyline, Aaron pleaded with fans to “see the person” and “not the villain”. Some fans had been struggling to be sympathetic towards the character following his actions towards Harry.

Aaron said that he hopes fans can look past Ravi’s history amid his upcoming storyline, which EastEnders worked with mental health charity Samaritans on.

He said: “In these moments, I hope the audience can simply see a human being in crisis. Some may hold his history against him, but I hope people will see, not the villain, not the history, but the person underneath it all.”

Aaron won Villain of the Year at the now-defunct British Soap Awards in 2023 and was also nominated for Serial Drama Performance at the National Television Awards around the same time. When he joined the programme a year earlier, he spoke of how thrilled he was to get the chance to be part of such a television staple.

He said: “My heart is filled with immense gratitude to be joining such an iconic show, working alongside a stellar cast and a remarkable production team. It’s a very proud moment for me and my family. This is a wondrous opportunity to approach as an actor, and I can’t wait for people to meet Ravi on screen and witness his roller-coaster of a journey!”

A spokesperson for EastEnders declined to comment

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

LIAM Payne’s girlfriend Kate Cassidy has revealed that she’s ‘living her best life’ after making one change since his passing.

The social media star was in a relationship with the 1D singer before his tragic death at the age of 31 in October 2024.

In her latest TikTok video, Kate explained she was putting herself first and said: “Your best life starts when you put yourself first.”

The highlight clip included Kate being carried across a grassy field at a festival and wearing a green halter‑style outfit with a matching scarf as she posed for a selfie.

She was also seen in sunglasses with a friend at a huge gig as they partied with a crowd behind them.

Another showed Kate driving with a friend in a red convertible as they cruised down a sunny street.

UNSEEN JACKO

Unseen Jacko vids show star spray perfume on crotch & joke about ‘dirty pics’

ALLY ROSS

Holly’s awful ‘Kitchen P**spot’ show is surely worst of 2026 & lacks two things

Another image showed her sitting on a huge swing with chain supports, as she leaned back with her arms outstretched.

She accompanied the video clip with the hit tune Stop The Wedding by Ashe.

Fans flocked to comment and one wrote: “Keep glowing babe.”

Another added: “I’ve been a fan for a while and I love too see you keep glowing as the time goes on.”

A third added: “You give me so much hope. May you live happy.”

This comes days after Kate hit back at trolls who accused her of abandoning the dog she shared with the singer.

The influencer and her late One Direction star boyfriend adopted their rescue pup Nala just a month before the singer’s tragic passing.

In a TikTok post, a jubilant Kate revealed she was flying off on another trip.

Sharing a video from the airport, she wrote over the top: “I’ve been flying out of town for some peace of mind.”

However, some fans wanted to know where Nala was, while she went off on her holiday.

But Kate was quick to shut down speculation she had left her dog home alone.

“Nala is literally staying with Anna everyone plzzzz,” she snapped back.

Liam tragically lost his life when he fell from the balcony of the hotel he was staying at in Argentina in 2024.

VENEZUELA Fury has recalled how she got thrown to the ground by husband Noah Price after a painful accident.

The 16-year-old daughter of Paris Fury and Tyson Fury has spoken about the accident that was caused by £10 heels.

She recalled how her husband pulled her to the ground after her heels broke.

Speaking in her latest TikTok upload, Venezuela said: “Story time! So guys, this is what happened at Luke Combs.

“So, walked around London all day in these £10 shoes. I thought they were so jazzy. Amazing. Right, walked around them all day.

“Went to walk out the concert, walking down the steps and I can feel… I thought it was like the… you know the end of a heel, the little spongy bit that stops it from being like scrapy?

Read More about Venezuela

forbidden love

Venezuela Fury reveals she had to keep relationship with hubby Noah secret

WIFE GLOW

Noah Price reassures Venezuela Fury after she admits feeling ‘fat’ without tan

“I don’t know. I thought that was like digging in because I could feel something like pressing up and then when I step it was loose.

“And I looked and my full heel was just wobbling off,” she recalled.

“So, Noah’s tried to like put it back on and he pulled my foot from underneath me.

“I fell, flying up the floor outside of Wembley Stadium as we were waiting for the taxi,” she added, recalling the fall.

“Then, I see two girls on the kerb next to me waiting for their taxi. They had cowboy boots on. So I looked to them. Do you want to swap shoes with me, love?” she added.

“Thank God for this woman, you know. She really was lovely and I felt bad for her after.

“So, I’ve kidded her up. Oh, these shoes, they’re the best shoes in the world. They’re so expensive.

“It’s just me heel snapped. You can go and trade them in. Right, that’s what I’m telling her. And she’s gone like, oh, I don’t really want to trade you.

“Yeah, you will, love. You will. You’ll love it, love. So, I’ve kidded her up.

“I’ve got these shoes on. They’ve crippled me in blisters. But I made sure I got myself to the Coyote Ugly Bar in the end up. Because I don’t think they would have let me in with no shoes on.

“Anyways, I wouldn’t advise going to that either because it was only full of old men.

“And that’s my story time,” she concluded.

Fans were quick to react to her TikTok video, with many flocking to the comments.

“We’ve all been there with the heel,” said one person.

“You’re actually so funny I can’t,” penned a second.

While another said: “Oh Noah.”

Former EastEnders star Shaheen Jafargholi, who played Shakil Kazemi on the BBC soap, shocked fans when he took to social media and posed topless to show off his ripped appearance

Former EastEnders star Shaheen Jafargholi has shocked fans with his appearance – almost a decade after he left the BBC soap. The actor, 29, played Shakil Kazemi from 2016 until 2018, with his alter-ego leaving Walford in explosive scenes which saw him stabbed to death as part of a hard-hitting knife storyline.

The former soap star recently took to Instagram to share a series of snaps of himself topless whilst attending a music festival, and, in one photo he posed confidently as he looked to his left and showed off his toned physique.

In another snap, the TV star was seen rolling on the grass as he cuddled his dog. He did not caption the post, but fans were taken aback by his appearance.

One wrote: “Well then [fire emoji],” and another said: “Phoaar!” A third wrote: “You’re looking very nice and slim in this Photo,” and a fourth said: “gorgeous!!”

Following his time on EastEnders, he enjoyed a five-year stint as Marty Kirkby on Casualty and later this year, he will be seen in Sky legal drama War.

When Shaheen left EastEnders, he said: “It’s going to be weird – I’ve been there for two years now and made so many incredible friends and family.

“Like anything all good things come to an end, it’s the nature of these kind of shows, characters come and go I feel so blessed to be able to leave with such an incredible storyline that means so much.”

Shaheen initially found fame when he competed on Britain’s Got Talent in 2009 alongside Susan Boyle and Diversity, and has so far released two albums. Shortly after impressing Simon Cowell, Amanda Holden and Piers Morgan on the ITV1 talent show, and reaching the final, he was selected to perform at Michael Jackson’s funeral.

He sang Who’s Lovin’ You again and, according to the late US talk show host Larry King, the founder of Motown Records, Berry Gordy, said “If I were still in the business, I would sign him tomorrow.”

Shaheen previously recalled: “When I was walking I wasn’t thinking about anything other than the way to get there. So I just walked out and did it. When I opened my mouth to sing, I was fine.

“When I sing I go into a totally different world. I feel invincible. I feel nobody can touch me and I can do whatever I want to do. It wasn’t until I’d finished that I realised what I’d just done.”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

A couple appearing on Escape To The Country were forced to leave their dream home after a major setback

A couple desperate for a fresh start were left facing a heart-breaking wait.

The duo wanted to start a new chapter and move to the countryside following a devastating accident that changed their lives forever. But their plans were put on hold because their current property is yet to sell so they couldn’t put an offer on their dream property.

Sarah and Matt appeared on a previous episode of the Escape to the Country as they searched for a fresh start in the Herefordshire countryside following a devastating cycling accident.

The couple had been happily settled in Berkshire when tragedy struck in 2019. Matt was involved in a horrific cycling accident which left him needing to have his arm amputated. He was airlifted to hospital and spent a month in a coma following the crash.

Years on from the life-changing accident, the couple were hoping a move to the countryside could mark the beginning of a brighter chapter.

With a budget of £650,000, they were looking for a modern or new-build property with at least three bedrooms, bathrooms on more than one floor, room to park their camper van and, importantly, a strong sense of community.

Presenter Sonali Shah joined them in their search — but before the property hunt got under way, Matt opened up about the accident which had turned his world upside down.

He recalled cycling downhill in wet conditions when his bike suddenly lost grip. “I was coming down a hill, but it was raining, then it was dry, then it was raining. The roads were very greasy,” he explained.

Matt said a cyclist behind him later told him that as he went around a bend, his bike “just went straight on”, sending him into an oncoming car.

Incredibly, the car was being driven by a doctor, who was travelling with her daughter and son-in-law, who were also doctors.

Their medical knowledge proved crucial in the immediate aftermath. As Matt tried to describe what happened, he became overcome with emotion.

“And her son-in-law held my head up for an…” he began, before Sarah stepped in. “An hour,” she explained. “So he turned down and Matt had stopped breathing and they knew. So most people would say don’t touch someone, but he turned Matt straight away.”

Matt later said the man had held his head for what could have been “an hour and a half” after realising he had stopped breathing. The couple’s devastating experience made their search for a new home particularly poignant.

And after viewing several properties arranged by Sonali, one house appeared to offer exactly the kind of new beginning they had been hoping for.

The Victorian property had double-aspect sitting rooms, four bedrooms and a garden stretching across half an acre. It also featured an annex extension which could be used for the couple’s business. Priced at £650,000, it was within their budget — and the house appeared to capture their imagination immediately.

For Matt, however, it represented far more than simply another property. Standing in the garden, he reflected on how dramatically his life had changed since the accident. “If I hadn’t had the accident, we wouldn’t be standing here in this garden, looking at this beautiful property,” he said.

Visibly emotional, Matt added: “It’s almost like however negative you feel, there is always a great positive to come and that’s how it feels to me. From a bad, dark place I’ve been in, this is the brightest I’ve felt in a very long time.”

But despite falling for the property and seeing it as a potential new beginning, the couple faced a frustrating obstacle. Their dream of escaping to the countryside was effectively on hold because they were still waiting to find a buyer for their existing Berkshire home.

You can stream Escape to the Country on BBC iPlayer

Former Loose Women panellist, Nadia Sawalha, has spoken out in support of her co-star Denise Welch after her shock departure from the show earlier this week to concentrate on her “first love” of acting.Nadia, 61, told the Mirror she is “really happy” for her pal, praising how Denise, 68, was “never afraid to share what she thought.” Nadia, claims to have been “bullied off” Loose Women after complaints were made about her pro-Palestinian beliefs, and is now threatening to sue ITV.Yesterday Nadia’s husband Mark Adderley and her sister Dina Sawlaha hit out over the lack of support she has been given since leaving the show amid celebrations of Denise’s time at Loose Women.

Mark, a film producer and local councillor, said in a video post that the way she had been treated “breaks my heart”.

He declared: “I am absolutely flabbergasted, agog, horrified, shocked, beyond dismayed and disappointed by the cowardly lack of support I have heard or seen for you from people I would’ve expected it to come from.”

When Kaye Adams replied to the news of Denise’s departure, Dina raged: ”So your Instagram does work! After all of Nadia’s support for you during your bullying allegations, you couldn’t even LIKE her Daily Mail apology post, which is about as controversial as it gets. Wow, wow, wow!”Last month Nadia received a “substantial” payout and apology from two newspapers which had printed false claims about her and husband Mark.

Despite the drama, Nadia is fully supportive of Denise, and tells the Mirror: “Denise was a great Loose Woman, never afraid to share what she thought, even if it was unpopular sometimes.

“I have always admired her advocacy for those suffering with their mental health and addiction, as I’ve faced similar challenges within my family.”

The pair have worked together on the ITV Daytime show on and off for 20 years.

Nadia adds: “We always said it would have been a disaster if we’d gone to school together, as we would have been in trouble constantly!”Denise, recently appeared in Channel 4 drama Tip Toe and previously starred in Waterloo Road, Coronation Street, Benidorm and Hollyoaks. “Having seen her on stage and, of course, many times on TV, I know she is a fabulous actress,” Nadia says. “So I’m really happy for her. Anything is possible for her. The sky’s the limit.”

In an exclusive interview with the Sunday Mirror last week, Nadia claimed some Loose Women colleagues had offered support, but she alleges many are too scared to do so publicly.

She said two well-known faces at ITV reacted to an Instagram video she posted on her threat to sue the network. It was not clear who those individuals were.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

KELLY Osbourne has turned up the heat in an animal-print swimming costume as she enjoyed some much-needed downtime.

The TV star and daughter of the late legend Ozzy Osbourne shared photos of her break in the sunny UK, rocking a retro one-piece and Black Sabbath-inspired glasses.

Looking stunning in a one-piece show-stopper, the star accessorised the balconette-style spaghetti-strapped number with black bat-wing sunglasses and pointed frames.

Wearing a wide-brimmed woven straw sun hat and multi-layered gold chain necklaces including a cross pendant and medallion charms, she paired her chic look with gold rings and diamond earrings.

Poised to perfection on a sunlounger aside a pool, she also delighted fans with a slick runway-style photo poolside – showing off her toned figure and tattoos.

In another snap, she looked sharp as she held a pose and a coffee cup, lying next to the outdoor pool.

KEL OF A FIGHT

Inside Kelly Osbourne’s bitter split from ex as she starts new life in UK

ONE YEAR ON

Kelly Osbourne says ‘part of her died’ with Dad one year since Ozzy’s death

The television star has gone through “the hardest time of her life” over the last year after the death of her father Ozzy Osbourne.

She recently opened up about the reality of living without her dad Ozzy, and admitted in a poignant heart-breaking letter: “Life without you has been the hardest thing I have ever had to endure.”

She recently spoke about navigating grief following on from the rock legend’s death aged 76.

Her tear-jerking post described grief as leaving people “ghosts of the people we used to be”.

“People think grief is missing someone who is gone, but the deepest sorrow is waking each day longing for the version of yourself who died with them.

“Grief is a language no one truly speaks until life forces it upon them.

“It cannot be explained, borrowed or imagined. You only understand its endless ache when you’ve stood in the unbearable silence, carrying a love that has nowhere left to go.

“I miss who I was before my daddy died. Before my heart became a home for absence.

“Before every memory became both a blessing and a wound.”

Kelly explained how she often finds herself imagining him looking down on her mum “with that magical smile, the one that held so much pride and so much love”.

Kelly also said how Ozzy would be “so incredibly proud” of the woman Sharon is becoming, “not because you’ve forgotten him, but because you’ve found a way to keep living while carrying him with you”.

Kelly shares three-year-old son Sidney with her ex-fiancé, Slipknot DJ Sid Wilson who she split with in March of this year.

Ozzy doted on his grandson, with the youngster a regular fixture at family celebrations before the rock legend’s death.

The musician died at his home in Buckinghamshire, just 17 days after his farewell Black Sabbath concert at Villa Park in Birmingham.

July 4, 2026 marked what would have been Ozzy and wife Sharon‘s 46th wedding anniversary.

The duo got married in 1982 as they said “I do” in a ceremony in Maui, Hawaii.

Fans are eagerly awaiting news on brand new releases as the hit documentary series is set to return

Channel 4 has dropped a huge update on all new 24 Hours in Police Custody – and fans cannot wait.

The hit landmark documentary has been a firm favourite amongst fans since it was first released in 2014, following a local police force as they investigate serious crimes.

Plunged into the heart of an investigation, the award-winning series follows officers from the moment a 999 call is made, right through to conviction as detectives fight against the clock for justice.

Earlier this week, Channel 4 teased that brand new episodes could be released very soon, sending viewers into a frenzy. Now, the broadcaster has dropped another tantalising update, leaving fans of the show on the edge of their seats.

Taking to Facebook, the Channel 4 documentaries page shared a picture of a to-do list captioned: “Busy week ahead.”

The tasks listed on the image included: “1. Apologise to the legal team (again. 2. Collect rain coat from lost property. 3. Leak details of new 24 Hours in Police Custody. 4. Find out why our office pass doesn’t work anymore.”

The post hints that a major update could be released this week, and that brand new episodes may be on the way very soon. However, fans are still awaiting any official news, with the upcoming TV guide not giving anything away.

One person commented: “Ooooh, new 24 hours? Can’t wait.” Another said: “If they fire you we will hire you on the spot over at 24 Hours in Police Custody Group , we’ve got your 6.”

A third penned: “Oooh, teasing”, as a fourth echoed: “Number 3 only. Thank you…patiently waits for said leak.”

A fourth stated: “24 Hours in Police Custody is the best thing on C4, but can anyone help me understand why they’re not weekly, & just randomly appear? No ‘season’, just every now & again a new one’s there.”

A fifth replied: “#3 – we love watching that!” Another echoed: “Yes more 24 hours coming up. One of the best programmes on TV bar none!”

Earlier this year, new episodes were aired on Channel 4 before being replaced with repeats, a move which did not go down well with viewers at the time.

With calls for more episodes, it could be that prayers may be answers very soon. In the meantime, 24 Hours in Police Custody can be streamed on Channel 4 online.

The school year is beginning in the Los Angeles area, with LAUSD back this week and Pasadena Unified School District starting Monday. My 10-year-old daughter just got her new backpack and shoes and is aflutter about her return for her final year of elementary school. But she’s sad about one thing in particular: Last year her school had to choose to keep PE or art. It voted for art. She loved both, and didn’t think the choice was fair. I asked her to write about it and said I’d share her thoughts with readers.

For context, late last school year PUSD laid off more than 150 full-time-equivalent certificated positions. According to United Teachers of Pasadena President Jonathan Gardner, that number included almost 25 art, music, dance, orchestra and choir teachers. It also included librarians, coordinators for special education and counselors, and, of course, plenty of irreplaceable regular teachers. It’s a bitter pill for educators and parents to swallow, especially when the country is spending billions on an ill-advised war in Iran that was never approved by Congress and many people in the city are struggling to afford groceries and healthcare.

My daughter, Henri Boo Biller, gets into that a bit in her essay:

“Because the district couldn’t pay for certain activities and classes anymore, subjects like art, music and PE have ended. Some people have protested about these layoffs and budget cuts, but the children are especially sad.

Kids love and adore some of these teachers that have been teaching them how to draw or play a sport or musical instrument. Taking away these activities is ending certain opportunities for kids. For example, kids love to run and play just as much as they love to draw and sculpt. Taking away one of the two wouldn’t mean that the kid doesn’t still want to do it!

One of the subjects they’ve been taking away in some schools is music. This is a problem because some kids can’t afford instruments or lessons from an expensive instructor. That’s why music is so important, to let kids learn an instrument without having to pay big bucks for it. Taking away that is taking away a giant opportunity. The instruments the kids are learning, such as trumpet, trombone, flute, guitar, saxophone, cello and violin are expensive instruments that are hard to find, or at least hard to find in good condition.”

I’ll interject here. This is true. My family benefits from a school-loaned saxophone for my daughter.

In her essay, my kiddo interviewed her neighbor and best friend who lives across the street, asking her what she thought should be done about these budget cuts. Her answer broke my heart.

Q. What do you think we can do about these changes?
A. Have more fundraising events throughout the year. As well as school sales, bake sales and lemonade stands.

My daughter continues, “As [my friend] mentioned, we could hold more school sales like bake sales and lemonade stands. But we could also think about why this is happening. The money that is usually going to schools across the country is instead being used by the government to buy more weapons for the war in Iran [editor’s note: we have discussed that one thing being funded doesn’t necessarily take away from another, and that it is really a matter of what we prioritize as a society] … and because of this PUSD and other districts are having to take away certain programs. Some of these programs are even their main selling point! Programs like art, music and PE are being shut down, ending certain opportunities for children. We can try to get some of that money back, like the interview stated, or protest to show the world we mean business. Thank you for your time. Next week I will come back with an equally intriguing topic. Have a nice rest of your week! I’m Henri B. Biller, signing out.”

As her mother, I vote for protest! We do mean business, right?

I’m arts editor Jessica Gelt sending my love to the teachers of the city. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Battleship Potemkin
Sergei Eisenstein’s epic 1925 silent film screens with the world premiere of a live music score for string quartet and vocal quintet composed and conducted by George Sarah. Sarah also performs on synths/electronics, joined by soprano Jenna Hansen, mezzo soprano Anna Caplan, tenors George Sterne and Sean McDermott, Kaija Hansen on violin/viola, Katie Kim on violin and cellists Carolyn Regula and Paul Hyun.
8 p.m. Friday and Saturday. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

SUNDAY

Jas Ahluwalia and Kamaljeet Ahluwalia of Absolute Focus.

(Sierra Madre Playhouse; courtesy of the artist)

Absolute Focus + Chris Votek
The husband-and-wife duo of Santoor virtuoso Kamaljeet Ahluwalia and tabla master Jas Ahluwalia are joined by cellist Votek for an afternoon of traditional Hindustani raga.
4 p.m. Sierra Madre Playhouse, 87 W. Sierra Madre Blvd. sierramadreplayhouse.org

Pacific Chorale’s Choral Festival
The annual event brings hundreds of community members together with the voices of the Chorale for Maurice Duruflé’s “Requiem.” Robert Istad conducts the Pacific Chorale’s Festival Chorus.
5 p.m. Renée and Henry Segerstrom Concert Hall, Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. pacificchorale.org

TUESDAY

Gershwin, Bernstein & More
Gianandrea Noseda and the National Symphony Orchestra make their Bowl debut with music from “West Side Story,” “An American in Paris” and Dvořák’s “From the New World.”
8 p.m. Hollywood Bowl, 2301 N Highland Ave., Hollywood. hollywoodbowl.com

WEDNESDAY

An Enemy of the People
Director Bart DeLorenzo has reimagined Henrik Ibsen’s classic play to highlight its contemporary resonance in a society in decline. The cast includes Lauren Campedelli, DeJuan Christopher, Dennis Dun, Clay Hollander, Jason McBeth, Cara Mitsuko and Jay Paulson.
Previews, 8 p.m. Wednesday-Aug. 21; opening night, 8 p.m. Aug. 22; 8 p.m. Fridays and Saturdays and Wed. Sept. 16; 3 p.m. Sundays through Sept. 27. Odyssey Ensemble Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

Herbie Hancock performs at the 2026 New Orleans Jazz & Heritage Festival.

(Amy Harris / Invision / AP)

Herbie Hancock Celebrates Miles Davis
The Grammy-winning keyboardist has recruited a stellar lineup including two of Miles Davis’ former bassists — Ron Carter and Marcus Miller — trumpeter and composer Terence Blanchard, former Davis saxophonist Kenny Garrett, bassist Christian McBride and conductor-arranger Vince Mendoza, to honor Davis through his music.
8 p.m. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

THURSDAY

Presented in VistaVision
A tribute to the cinematography technique created by Paramount Pictures in 1954. Its popularity waned in the 1960s but contemporary filmmakers such as Brady Corbet, Yorgos Lanthimos and Paul Thomas Anderson have embraced the format. The series begins with John Ford’s “The Searchers” (1956) in 70mm on Thursday, and includes “North by Northwest” (1959), also in 70mm, and “One Battle After Another” (2025), the first film shot in VistaVision to win the Academy Award for best picture.
7:30 p.m. Thursday; the series continues through Aug. 31. Academy Museum, 6067 Wilshire Blvd. academymuseum.org

Gustavo Dudamel conducts his final concert in Disney Hall as L.A. Phil music director on June 7.

(Jason Armond / Los Angeles Times)

Celebrating Gustavo at the Bowl
As Gustavo Dudamel departs L.A. for New York, he goes out with a bang of four nights with four different programs: Beethoven Ninth with the L.A. Phil and YOLA on Thursday; Gustavo’s Fiesta, with Los Tigres del Norte, singer-songwriter Lila Downs, Mariachi Reyna de Los Ángeles, singer Sílvia Pérez Cruz, La Sonora Dinamita and Los Panchos, joining with the L.A. Phil for a night of Latin music on Aug. 21; Foo Fighters with the L.A. Phil and YOLA on Aug. 22; and last, but not least, “A Concert for Venezuela: A Benefit to Support Earthquake Relief” on Aug. 23.
8 p.m. Thursday-Aug. 22; 7 p.m. Aug. 23. Hollywood Bowl, 2301 N Highland Ave. hollywoodbowl.com

— Kevin Crust

Retrospective

L.A. Times arts coverage from the past …

Lynda Benglis. “MI,” 1984. Glass, sandcast, powdered; ceramic oxides, metal inclusions 13 1/2 x 17 x 16 in. Los Angeles County Museum of Art, gift of Daniel Greenberg and Susan Steinhauser.

(Museum Associates / LACMA; Lynda Benglis / VAGA, New York)

Shattering expectations

Aug. 6, 2006

It was 1986 and Daniel Greenberg and Susan Steinhauser were 10 years into their passion for collecting glass art. Their home was lined with the kinds of works they loved.

That was when Stephanie Barron, a curator at the Los Angeles County Museum of Art, called to suggest that they look at an unusual piece at Margo Leavin Gallery in West Hollywood. Titled “MI,” it was a thick twist of sand-cast glass with a roughened texture reminiscent of glass unearthed from ancient sites. Even more unusual, the artist was Lynda Benglis, better known for avant-garde sculpture and performance and video work.

It was as if glass, as an artistic medium, had reached a critical juncture. “A whole group of artists who were not part of the glass movement but who worked in glass suddenly appeared,” Greenberg says.

He and Steinhauser viewed “MI” with puzzlement at first, then respect and finally appreciation. “This was part of our learning experience,” he said. “It expanded our horizons.” The couple helped LACMA purchase the piece. READ MORE

— Scarlett Cheng

Culture news and the SoCal scene

Anthony Hopkins at Hotel Bel-Air in Los Angeles on Aug. 1.

(Christina House / Los Angeles Times)

Anthony Hopkins’ first love was music, and, at 88, he’s returned to it. Later this month, the two-time Academy Award-winning actor will release his debut album, “Life Is a Dream,” on Decca Classics, featuring London’s Philharmonia Orchestra and conducted by Gustavo Dudamel.

Dudamel will play his final show at the Hollywood Bowl later this month as the music and artistic director of the L.A. Phil, and although the city has had years to get used to the idea of losing him, it still stings. In a tender, thoughtful column filled with insider information, Times classical music critic Mark Swed looks back at Dudamel’s arrival in L.A. more than 20 years ago to track how the Venezuelan wunderkind went from “rising star to star to savior.”

Swed also broke the news that German composer and conductor Matthias Pintscher will be Los Angeles Chamber Orchestra’s new music director, replacing Jaime Martín beginning in the 2027-28 season. “Pintscher, who is 55, says he is not ready to make any grand statements about LACO other than being eager to explore West Coast music and that he loves combining old with everything else,” Swed wrote.

Michael Shaeffer as King Aerys II Targaryen in the “Game of Thrones: The Mad King,” which opened Saturday at Royal Shakespeare Theatre.

(Johan Persson)

The wildly popular “Game of Thrones” franchise, which began in book form and spawned one of HBO’s most successful series of all time, is branching out to the stage. A 3.5-hour play, “Game of Thrones: The Mad King,” opened last weekend at the Royal Shakespeare Theatre in Stratford-upon-Avon. Author George R. R. Martin was in attendance to celebrate, and audiences seemed delighted by the expansion of the fantasy world-building effort, with many fan questions answered.

The Lucas Museum of Narrative Art this week announced its flagship restaurant: Skywalker Grill, inspired by founder George Lucas’ Skywalker Ranch in Marin County. The restaurant is located on the top floor of the museum with sweeping views of the city. It will be open for lunch, dinner and weekend brunch with hours that last long after the museum closes. Think American cuisine with California-sourced ingredients, including a signature Skywalker Ranch Wagyu burger.

Self Help Graphics & Art in Los Angeles.

(Sarahi Apaez)

Self Help Graphics & Art announced the launch of a $6-million capital campaign for the completion of its permanent home at 1300 E. 1st St. in Boyle Heights. The fund is intended for the final phase of a major renovation that will turn the space into a destination arts and culture center. The goal is to complete the project by the end of the year.

Three public art pieces by street artist Banksy have cost British taxpayers more than $200,000, as public authorities work to remove, manage and protect the art, a freedom of information record request obtained by the BBC recently found.

— Jessica Gelt

And last but not least

One of L.A.’s most beloved taco trucks now has a brick-and-mortar home in Studio City.

Christy Knowings, an actor best known for the Nickelodeon sketch comedy series “All That,” has died. She was 46.

According to her father, Charles Dunn, Knowings died Tuesday in Long Beach after she suffered a severe asthma attack on Aug. 7 and went into cardiac arrest. The actor had been on life support for several days.

Knowings joined Nickelodeon’s sketch show for kids and teens, “All That,” in 1997 when she was a teenager trying to break into the business. She impressed casting directors with a repertoire of characters and accents she’d been perfecting since she was 4 years old.

“I filmed a bunch of different characters, and then a week after that, producers and writers from ‘All That’ flew out from Hollywood to come see me in New York, and that’s all she wrote,” Knowings said during a 2019 interview. “Five minutes later, I was asked if I wanted to move to California.”

On “All That,” Knowings joined an all-star cast that included Kenan Thompson, Amanda Bynes, Kel Mitchell, Nick Cannon and Gabriel Iglesias, to name a few. She stayed with the sketch show for three seasons, departing in 2000.

Following “All That,” she appeared on “Sesame Street” across three episodes in twin-themed sketches.

“Sesame Street” posted a tribute for the actor on social media, writing, “Sesame Workshop mourns the loss of Christy Knowings, who appeared on Sesame Street alongside her brother, cast member Chris Knowings. Our deepest condolences go out to Chris and his family.”

Christy Lorraine Knowings was born Feb. 25, 1980, in the Bronx. She attended Manhattan’s Professional Performing Arts School and started honing her skills as a character actor from an early age.

“I did impersonations, but my thing was really creating new characters, and the characters would stem from different dialects,” she told the Pop Culture With Pat podcast.

“I was pretty good … Even if I had a small role playing a judge at a science fair, I would still try and make that character stand out by using a different accent or doing something a little dangerous. Didn’t always work! But most of the time it did.”

In 2019, ahead of the 25th anniversary of “All That,” Knowings spoke with Bustle about the way the show was ahead of its time. The Native American Afro-Latina actor said the cultural nuances brought by the diverse cast were celebrated.

“People tell me, especially Black ‘90s kids who were watching for my seasons, they’re like, ‘We really paid attention to you because you were the only Black girl!’ I was there to represent them in a way and I didn’t even realize it at the time because social media was not a thing,” she said.

“‘All That’ showcased the unity that we all wanted, needed and still need in a very humorous way. We brought each other together in a very lighthearted way. With Amanda and I doing ‘Whateverrr!’ you didn’t see a Black girl and a white girl, you just saw these two insane girls who loved the same guys. We both loved Leonardo DiCaprio and we both loved Kobe Bryant! I think we pushed a lot of boundaries.”

Knowings’ “All That” castmates posted tributes to her on social media.

Thompson, now a “Saturday Night Live” star, wrote alongside a photo of Knowings, “Man this one hit hard!!! Rest well Christy!!! Never could have imagined this day!! Sending so much love to her family!! She was a real one and one of the funniest people out here!!! Gonna miss you buddy!!!”

Alisa Reyes wrote that Christy was “not only an immensely talented actress, singer, and artist, but she was also a star seed, a light worker, and a true uplifter of humanity … Her frequency and vibration are now soaring into the ethers, and I can already feel her magic sprinkling upon us like stardust.”

Lisa Foiles posted a tribute on Facebook, writing, “It doesn’t feel fair when we lose one of our own. Christy was mesmerizing to me on ‘All That.’ I studied her facial expressions, her commitment to a bit, her talent for comedy way beyond her years. I dreamed of being in her shoes — and even when I joined the show, I knew they were impossibly big shoes to fill. She was a comedic icon to me, and when I finally got to meet her, her kindness matched her talent. Take some time to let her make you laugh today. RIP Christy Knowings.”

Knowings is survived by her father, twin brother, mother Rénee Knowings Dunn and siblings Charles Dunn Jr., Ashley Dunn Ledger, Yavonka Vega, Tamea Dunn and Lee Elder.