show biz

Actor David Jason has reflected on the highs and secrets of Open All Hours as he took on one of the most iconic comedy roles on television in the 1980s

Sir David Jason famously landed two iconic comedy roles in the 1980s. One was the lead in Only Fools and Horses as wheeler dealer Del Boy Trotter.

The other was playing second fiddle to Ronnie Barker as unlucky-in-love errand boy Granville in Open All Hours. With such a workload, some actors might have ditched the co-star role and concentrated solely on being ‘the star of the show. But not Sir David.

Looking back on Open All Hours’ 50 ^th anniversary, he says he would never have turned his back on the loveable put-upon corner shop assistant. He says: “I was never grand about ‘Oh I’m above playing Granville.. I have got my own series.’ No, I was just happy to be doing another character which was so different. I had this character that was the total opposite. The leading man, the driving force, the wheeler dealer.”

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Open All Hours is regarded as one of Britain’s top classic sitcoms. Viewers fell in love with penny-pinching stuttering shopkeeper Albert Arkwright (played by the late Ronnie Barker) and his endless efforts to woo ‘the lust of his life’ – the very buxom Nurse Gladys Emmanuel (the late Lynda Baron) while a string of regular customers would pop in and out of the shop in Yorkshire often being conned by his latest crafty tricks.

Added into the mix was Arkwright’s over-worked shy and awkward nephew Granville played by Sir David. The show was made for Ronnie in 1973 as one of seven new comedy pilots by the BBC who had lured him away from LWT to work for them.

Sir David, who is now 86, was excited to be among its cast as it meant working with the comic genius. Their paths had crossed when he appeared in his sketch show Hark at Barker in 1969 and he claims he learned so much from him over their years together.

In a new TV special called Open All Hours: Inside Out marking its 50 ^th anniversary this year, Sir David pays a fond tribute to the legendary funny man saying: “I couldn’t wait to work with him to see what I could learn from him.

“When we first started to work together he was a big star and I was in his shadow for years. Ronnie was at the top of his trade if you like. The rest of us crawled about underneath desperately trying to learn how to be as clever as Ronnie B but with that came the generosity of spirit he was so wonderful to work with he was good fun and he was respectful.

“It was a huge learning curve in my career to work with Ronnie B. It was a great journey to have travelled with him and learned his respect for showbiz and what it meant to be in it and to entertain people. A brilliant man.”

Audience research for the pilot of Open All Hours was very positive but the BBC wanted Ronnie for another show called Prisoner and Escort (which became Porridge). It meant Arkwright and Granville stayed on the shelf for three more years as the comedy was not fully commissioned until 1976.

But there was unrest about its scheduling on BBC Two on a Friday at 9pm. Writer Roy Clarke calls it ‘terrible’ and adds: “That was the equivalent of burying it.”

Even Sir David comments: “BBC One would have had the kudos over BBC Two but at least it was going out I suppose.”

Ratings for series one topped more than six million each week but, remarkably, the BBC went cold on the show. They wanted Ronnie to do more Porridge and more of The Two Ronnies with his pal Ronnie Corbett and writer Roy busied himself penning more episodes of Last Of The Summer Wine.

Meanwhile, Sir David landed the lead role in a new ITV sitcom called A Sharp Intake of Breath in 1977 and then in 1981 he was cast as Del Boy in a new BBC comedy Only Fools and Horses.

It was an immediate hit.

But at the same time, the Beeb decided to revive Open All Hours for a second series. This time it was scheduled to go out on BBC One. Sir David had no hesitation in juggling both roles as he loved playing Granville and knew fans loved the character too.

He says: “Granville appealed to the viewers as people saw a bit of themselves in him – a dreamer who wanted to see the world. Granville was wistful and a bit romantic. I was so happy to be working with that sort of personality.”

Ratings for the sitcom soared with an average of 13 million viewers tuning in. In addition to its main stars, the shop’s badly behaved till became a character in its own right. And the Carry On style humour appealed to the masses especially when Nurse Gladys used to comfort Granville in her ample breasts – something which always made Arkwright jealous.

Sir David now recalls those scenes with a chuckle: “She was so padded everywhere you couldn’t get any pleasure about being pulled into her bosoms.”

Open All Hours bowed out in 1985 after 26 episodes and even beat Corrie in the ratings. It always remained popular whenever it was repeated but fans never expected to see the corner shop again especially since Ronnie passed away in 2005 aged 76.

However, in 2012, Sir David went to the BBC head of comedy with an idea for a sequel. He says: “I always wondered what would have happened to Granville if Arkwright left the shop to him.. and the rest is history as they say.”

And in 2014, Still Open All Hours was launched with the actor reprising the role. However, the new twist was that Arkwright had died and left the shop to Granville who had turned into a miser just like his uncle and was now tormenting his errand boy son Leroy played by James Baxter.

James says: “I had the toughest role. I was nervous at the beginning but I was in very safe hands with David. He built this world, him and Ronnie and Roy so I never felt too scared. Arkwright and Granville are icons of British comedy. I will stand in that shadow. That is fine by me.”

Some characters from the original made appearances too including Lynda Baron, Stephanie Cole and Maggie Ollerenshaw. It was a huge hit and ran for six series. A seventh was planned but ended up being cancelled when the Covid-19 pandemic struck and the series was shelved for good.

Sir David – who has also starred in The Darling Buds of May, A Touch Of Frost and A Bit Of A Do – comments: “I always felt it would be nice to see how we round it all up so that we the audience would go ‘Oh that’s lovely, you know’.”

His wish is granted in the new TV special as he gets to dust down his old shopkeeper overcoat one more time as Granville for a final sketch penned by Roy Clarke. And he jokes about the script: “It might be rude. Knowing Roy Clarke it might be very rude.”

On the show’s 50 ^th anniversary he concludes: ““It’s as much as that? 50 years? Doesn’t time fly when you are having fun? I was so lucky to work with such lovely people who were so good at their job and had a wonderful sense of humour because this is what it is all about.”

* Open All Hours: Inside Out airs on U&Originals on Thursday 7 May at 8pm.

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Adam Thomas is the I’m A Celebrity South Africa winner 2026 despite ‘unbroadcastable’ row

Adam Thomas defeated the bullies and the other finalists to be crowned the winner of I’m A Celebrity All Stars in South Africa.

In a live final back in London, the actor beat runner up Mo Farah, third placed Harry Redknapp, and Craig Charles in fourth to be named an I’m A Celebrity ‘legend’.

Looking surprised and a bit shaken after a night of controversy, Adam said: “Thank you guys, thank you so much. I love ya.”

Earlier in the live show there had been chaos as he came face to face with David Haye and Jimmy Bullard and the verbal clash led to two other campmates – Gemma Collins and Sinitta – storming off stage.

The 37-year-old actor had faced abuse in camp from boxer Haye, had a row with quitter Jimmy Bullard and also got emotional at times on the ITV show. But he put it all behind him to come out on top.

Before he did his final trial in South Africa, Adam admitted there had been “a lot of drama” in camp. And there was a lot of drama in the final too as hosts Ant and Dec struggled to stay on top of things as it got chaotic with the crowd booing comments and celebs speaking out of turn.

Just minutes before Adam was crowned champ there were awkward scenes in the studio as Jimmy Bullard said Adam was “aggressive, abusive and intimidating” when Jimmy quit and Adam feared his own jungle adventure was also over. Thankfully the other campmates let him stay in the camp.

Adam reflected on it and said he had apologised to Jimmy several times. Looking serious he said: “Listen I take full responsibility for my actions. Yes emotions were definitely running high in that moment. But, you know, I have got nothing but love for Jimmy.”

When David Haye tried to interrupt him Adam also said “will you just let the finalists speak”. Adam then said: “I take everything he said into account. That is not how I want to show myself off and I have never showed myself off in that light before that or after that. And I am sorry Jimmy.”

Adam was given a final eating trial in South Africa called Swallow the Odds, and looking ahead to the prospect of winning said: “I am gonna be a legend baby” He then proceeded to smash the trial, eating five courses with the likes of five pig teats, two century fermented eggs, tarantula and fermented tofu.

He even cheered himself on, saying “come on Adam, ” in between mouthfuls. After watching Gemma said: “You done so well, you amazing.”

But he also had to cope with a backlash from other contestants, as David Haye interrupted the show at this point and said: “Do you think you deserve to win it after calling Jimmy the C-word a couple of times?”

Adam replied: “After that trial I deserve it yeah.”

Trying to restore order, host Dec said: “We are going to come to this a bit later.”But David continued: “Don’t you think you should ask Jimmy…a lot of that stuff was cut out.”Ant said: “There was a lot of stuff which was unbroadcastable which is why, look we will get into this later in the show.”Dec added: “I knew it was going to smoothly.”

Actor Adam first appeared on the show in 2016 making the final.

Asked about the South African version he said: “It was completely different but at the same time, so much better because of the people there. Everything was stepped up a lot, especially the trials and challenges. It was like going back to being a kid again. In my eyes there’s no comparison, this was definitely for the legends and it felt legendary.”

He had paired up with Jimmy Bullard for a trial where the bottom two left the show, but when Jimmy refused to take part and said “get me out of here” Adam had been due to leave too and verbally attacked Jimmy. He was so furious the scenes were edited down, something Jimmy is unhappy about. During the final he urged ITV to show the full contents of Adam’s rants.

Commenting on his clash with Jimmy Bullard when the ex-footballer quit, Adam had said on Thursday: “It was just really random and unexpected to be honest. I didn’t see it coming.

“Safe to say, I don’t think I was too happy about it. The fact I felt like I was leaving because of someone else just really broke my heart more than anything as I wanted to do my kids proud. Emotions can get the better of you in there and in hindsight, I probably would never have reacted the way I did but I was just really upset.”

On social media this week he had claimed even getting to the final he had felt a winner. But he had also said in a podcast chat with his brother this week he was still getting therapy for the way he had been treated in camp by David Haye.

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Like the milieu in which they’re set, prison movies can be terribly constricting. Often focusing on well-worn themes of masculinity, regret and redemption, they feature (and sometimes indulge) rough-hewn portrayals of tortured characters suffering through physical and emotional tumult. Inherently compelling but also a shade predictable, the genre promises a tantalizing glimpse at a terrifyingly macho world — one that most of us are fortunate not to know firsthand.

Cal McMau’s feature directorial debut hardly reinvents the formula, but it does remind audiences what remains so sturdy about the premise of an ordinary man trying to stay alive behind bars. And thanks to the latest impressive turn from rising star David Jonsson, “Wasteman” even finds a few new notes to play within a familiar stark melody.

Jonsson is Taylor, who has been serving 13 years in a U.K. prison for a drug deal that went tragically wrong, leading to an accidental death. Soft-spoken and overly accommodating, the young man mostly wants to avoid trouble, allowing himself to be bullied by cell-block thugs Paul (Alex Hassell) and Gaz (Corin Silva) while offering to cut their hair in exchange for the pills that fuel his addiction. Taylor has learned to go along to get along, existing in a zombie-like state from the perpetual high he chases.

But Taylor’s stasis is interrupted by the news that he may be granted early parole. (The overstuffed U.K. penal system needs to shed nonviolent prisoners to make room for dangerous offenders.) Longing to reconnect with his estranged teenage son Adam (Cole Martin), Taylor can see the light at the end of the tunnel — until the arrival of Dee, his new cellmate.

Played by a snarling, coiled Tom Blyth, Dee swaggers whereas Taylor shrinks. Seeing his new home as his kingdom, Dee quickly becomes the prison’s chief supplier of whatever you need — sneakers, candy, drugs — while ferociously asserting his dominance. (Early on, Dee slashes a fellow inmate’s face, recognizing him as someone who once ran with a rival crew.) Taylor adapts to the volatile situation as he always has, serving as the unthreatening beta, eventually earning Dee’s trust and friendship. Soon, Dee takes an interest in Taylor, ordering his lackeys on the outside to give Adam gifts that they claim are from his dad.

“Wasteman” introduces this odd-couple scenario and then waits for their fragile coexistence to rupture. Accustomed to being the prison’s top dogs, Paul and Gaz don’t take kindly to Dee invading their turf, resulting in an escalation of tension that puts Taylor’s parole at risk. But if much of “Wasteman” follows an expected trajectory, the film’s conception of Taylor proves thornier than anticipated.

Although probably best known for the HBO series “Industry,” Jonsson has demonstrated a dazzling range over a short period of time, including acing romantic dramas (“Rye Lane”) and dystopian thrillers (“The Long Walk”). But what unites his diverse roles is the sense of a sensitive, intelligent actor who constantly makes us wonder what he’s thinking.

Jonsson’s silences always seem to say so much and in “Wasteman” he capitalizes on his reserved demeanor and smaller frame to create a character who is much less frightening than those around him. Unlike Dee, he’s no hardened criminal, merely a guy who made one stupid mistake to financially support his child, and “Wasteman” initially encourages viewers to sympathize with this delicate soul who’s been thrown to the wolves.

Gradually, though, Jonsson complicates our feelings about Taylor. Equally desperate to be freed and to keep getting high — essentially escaping one prison while remaining in another — he slowly reveals himself to have little in the way of principles or ethics. When Paul and Gaz confront Dee, Taylor’s response is so cowardly that it’s pathetic, suggesting a spinelessness that bedeviled him long before he wound up in jail. The film presents Taylor as a kindly spirit, which turns out to be little more than calculated self-preservation.

Within the confines of a fairly conventional prison drama, McMau dissects an anonymous nobody who discovers that, both in prison and in life, there are consequences for not taking sides. Despite Dee’s savagery, Blyth portrays Taylor’s cellmate as loyal and honest — someone who believes in a personal code of conduct. The movie’s bitterest irony is that, of the two men, it’s ultimately Dee who may be more honorable.

McMau’s attempts to amplify the story’s grim authenticity occasionally fall flat. (Inspired by footage shot by actual inmates with contraband cellphones, the first-time director incorporates stagey inserts meant to re-create these intimate, graphic images.) He’s on firmer footing exploring his two leads as they square off inside this smoldering crucible. Like Jonsson, Blyth hints at a whole universe inside his character simply by the way he quietly listens and observes. As Taylor’s parole looms, the stakes grow. By the time “Wasteman” reaches its ambiguous finale, our loyalties are far from clear-cut.

Gemma Collins and Sinitta reacted angrily to Jimmy Bullard’s claims of what led to his own bitter row with Adam Thomas during this I’m a Celebrity…Get Me Out of Here series

Gemma Collins and Sinitta both stormed off stage during the I’m a Celeb finale.

Drama unfolded moments before actor Adam Thomas was crowned the winner of the show, beating Mo Farah to the title. Singer and actress Sinitta, 62, appeared to take issue at something Jimmy Bullard had said about his own spat with Thomas which happened earlier in the series.

Addressing the audience, Sinitta said: “You guys weren’t there, you don’t know what happened.” She then stormed off stage, and was soon followed by TV personality Gemma.

Jimmy, the former professional footballer, had accused Thomas of being “abusive, aggressive and intimidating”. Adam came face to face with Jimmy and David Haye again for the first time since their bitter camp fallouts in South Africa.

READ MORE: Who won I’m A Celebrity 2026? Adam Thomas triumphs to be Legend despite ‘unbroadcastable’ rowREAD MORE: Dan Walker breaks silence and insists ‘I did NOT settle’ after claims withdrawn

And it was ex boxer David that made the first move, calling out the star when he was chatting to Ant and Dec. This season has been full of twists, trials, tension and tears and now I’m A Celebrity South Africa has reached its end.

When he was announced the winner, Adam said: “Thank you guys, thank you so much. I love ya.” Before he did his final trial in South Africa, Adam, 37, admitted there had been “a lot of drama” in camp. And there was a lot of drama in the final too, as hosts Ant and Dec struggled to stay on top of things.

Adam reflected on it and said he had apologised to Jimmy several times. Looking serious he said: “Listen I take full responsibility for my actions. Yes emotions were definitely running high in that moment. But, you know, I have got nothing but love for Jimmy.”

When David Haye tried to interrupt him Adam also said “will you just let the finalists speak”. Adam then said: “I take everything he said into account. That is not how I want to show myself off and I have never showed myself off in that light before that or after that. And I am sorry Jimmy.”

Adam was given a final eating trial in South Africa called Swallow the Odds, and looking ahead to the prospect of winning said: “I am gonna be a legend baby” He then proceeded to smash the trial, eating five courses with the likes of five pig teats, two century fermented eggs, tarantula and fermented tofu.

He even cheered himself on, saying “come on Adam, ” in between mouthfuls. After watching Gemma said: “You done so well, you amazing.”

But he also had to cope with a backlash from other contestants, as David Haye interrupted the show at this point and said: “Do you think you deserve to win it after calling Jimmy the C-word a couple of times?”

Jada Pinkett Smith is asking a judge to make Bilaal Salaam cover the $49,000 in legal fees she racked up fighting claims he made in a December lawsuit.

According to a motion filed April 20 and obtained by The Times, Pinkett Smith is asking that Salaam pay $49,181.23, consisting of “reasonable attorneys’ fees incurred” in connection with Pinkett Smith’s successful special motion to strike Salaam’s complaint, “plus further fees and costs associated with this motion.”

Salaam — Will Smith’s former best friend of 40 years who also goes by Brother Bilaal — filed a lawsuit against the “Bad Moms” actor in December, alleging emotional distress and seeking $3 million in damages.

Salaam claimed that in September 2021, he attended a private birthday party for Will Smith at the Regency Calabasas Commons. According to his lawsuit, he was in the lobby of the movie theater when Pinkett Smith approached him with about seven members of her entourage and threatened him. Salaam’s suit claims that Pinkett Smith told him he would “end up missing or catch a bullet” if he kept “telling her personal business.” She also allegedly pressured him to sign a non-disclosure agreement.

In November 2023, Salaam appeared on the “Unwine With Tasha K” podcast and alleged that he walked into Duane Martin’s dressing room and saw Will Smith having a sexual encounter with the “All of Us” actor. He also made claims about Pinkett Smith’s sexual habits.

Pinkett Smith swiftly responded during an appearance on “The Breakfast Club” and said that Salaam started the rumors as part of a broader “money shakedown” and that his claims were “ridiculous and nonsense.”

“It’s not true and we’re going to take care of it,” she said. “We’re about to take legal action.”

Salaam beat Pinkett Smith to the courthouse and sued her in December, but Pinkett Smith asked the judge to toss the case in February.

According to the motion filed this week, the former “Red Table Talk” host argues Salaam should pay her hefty legal bills because she “prevailed on her anti-SLAPP motion” and the court struck all allegations relating to media statements “that formed the basis for Plaintiff’s three causes of action, as well as additional allegations regarding a cease-and-desist letter.”

In the first of several significant flashbacks in “Over Your Dead Body,” Samara Weaving’s unhappy Lisa complains to a friend about a hunting trip her equally miserable husband Dan (Jason Segel) is taking her on. “You know how much I hate guns,” Lisa fumes. “So dangerous.” Turns out, she’s actually telling two lies, which is par for the course for this twisty yet underwhelming dark comedy that views marriage as both a hyperviolent blood sport and a battle to the death.

Based on Norwegian filmmaker Tommy Wirkola’s 2021 “The Trip,” “Over Your Dead Body” concerns a couple whose wedded bliss has faded along with their professional prospects. Dan directed a moderately successful sci-fi film several years ago but is now stuck shooting cheesy pop-up ads. Meanwhile, Lisa’s nascent acting career is flailing. As the movie begins, Dan conspicuously informs his production team that he and his wife are going hiking in the middle of nowhere — something, he insists, the risk-taking Lisa wants to do, despite how perilous that might be. What we soon realize is that he’s creating cover for his nefarious plan, which is to kill Lisa at his family’s forest cottage, making it look like she disappeared without a trace in the woods.

But director Jorma Taccone eventually reveals that it’s not just Dan who has murder on his mind. That first flashback rewinds to Lisa’s simultaneous scheming, claiming to those close to her that Dan longs to go hunting — when, in fact, she’s secretly brought a rifle so that the authorities will assume he accidentally shot himself. (Whatever fears she once harbored about firearms are, clearly, no longer an issue, if they ever were.) Dan is offended when he uncovers her plot: Why would she want to kill him? At least he’s justified, he believes, having caught Lisa in an affair with her scene partner.

More surprises are in store as Dan and Lisa engage in a deadly standoff in the cabin, only to discover that they’re not alone. Another flashback details how two convicted killers, Todd (Keith Jardine) and Pete (Timothy Olyphant), escaped from a local penitentiary with the help of Pete’s girlfriend, prison guard Allegra (Juliette Lewis), and are seeking refuge at the cottage. Suddenly, the feuding married couple must work together to stay alive.

One-third of the comedy troupe the Lonely Island, Taccone previously directed the big-screen adaptation of the “Saturday Night Live” sketch “MacGruber” and co-directed the endlessly rewatchable mockumentary “Popstar: Never Stop Never Stopping.” For “Over Your Dead Body,” he teams with producer David Leitch, whose 87North shingle specializes in R-rated action-comedies like “Nobody” and “Violent Night.” Taccone’s irreverent, slyly shocking style would seem a good match for a story in which the pain of romantic discontent is paired with myriad scenes in which a variety of weapons wreak grisly havoc, including lawnmowers, sports cars, gardening equipment and a sock with a pool ball in it.

But despite Segel and Weaver’s best efforts, they can’t make this bickering duo deliciously awful, the characters proving more grating than hilariously combustible. And when Pete and his cohorts arrive, they’re too broadly quirky to be either menacing or hysterical, although Olyphant’s long-suffering leader has some nice moments slowly processing how dumb Todd and Allegra are.

Other than one queasy homage to “Deliverance,” the film’s handling of the showdown between this drab married couple and the cartoonish criminals is rarely gripping. Instead, “Over Your Dead Body” delivers over-the-top fight sequences emphasizing grimaces and gross-out laughs. People aren’t simply shot in the head — the bullet transforms it into a gooey slab of meat. Fingers get sliced off, stakes are driven through hands and a foot is reduced to bloody tatters. Taccone handles all this with gleeful excessiveness but once you’ve seen one pulverized face, you’ve seen them all.

A droll irony is intended to unfold alongside the rising body count. Dan and Lisa embarked on this getaway to murder one another, but they’ll end up rekindling their love. To be sure, Segel and Weaving are much more winning once their characters start warming to one another. Still, the film feels like a missed opportunity for Weaving, who became a scream queen in the “Ready or Not” films. In those movies, as an unsuspecting bride thrust into a life-or-death situation, she appealingly balanced a convincing physical performance with an understated comedic streak, her beleaguered character enduring one absurdity after another.

Weaving finds herself in a somewhat similar role in “Over Your Dead Body” and this uneven action-comedy is anchored by her had-it-up-to-here performance, which provides a witty insight into marriage that the film otherwise ignores. It’s bad enough that Lisa has to deal with Dan’s insecurity — now she’s got to tangle with some dopey crooks? Women have to do everything in a relationship.

Scarlett Moffatt is reaping the benefits of her popularity during her latest I’m A Celeb stint with her already being offered huge deals thanks to her on-screen success

Gogglebox star Scarlett Moffatt has landed a huge new deal with ITV following her I’m A Celeb success.

The popular TV personality missed out on being part of the I’m a Celebrity South Africa final after she was given the boot from the camp following a Bushtucker Trial that saw her have to count coloured balls. Fans were disappointed to see Scarlett, 35, axed before reaching the finale which ended up being an all-male line-up.

However, the exit has done her no harm with ITV bosses among an array of channels and brands who are keen to work with her following her latest stint. Scarlett said: “I have got something coming up with ITV and I’ve just done a photoshoot in Barcelona.”

She continued to The Sun: “It’s been a whirlwind recently. It feels like the first time I came out of the jungle ten years ago — the same thing is happening again.”

Scarlett was just 25 years old when she was crowned the Queen of the Jungle in 2016, two years after she found fame on Gogglebox. She went on to become a TV presenter in joining Ant and Dec on their hit show Saturday Night Takeaway, before diverting to Channel 4 to reboot Davina McCall ’s dating show Streetmate.

Scarlett also served as a host of I’m a Celeb spin-off Extra Camp. She welcomed her son Jude in June 2023 and took some time away from the world of entertainment, however her fresh stint on the I’m a Celebrity all-stars series has placed her firmly back in the spotlight cementing her popularity with the public.

A source said: “Scarlett might not have reached the final of I’m a Celebrity but she’s shone this series and it’s reminded everyone how funny, kind and brilliant she is. Her diary is packed with offers but she’s thrilled to have a big new project with ITV booked.”

Meanwhile, Scarlett revealed earlier this week that she and fiancé Scott Dobson are now expecting their second child. Speaking at ITV’s Showcase event on Thursday night, she said: “I’m so excited to be pregnant again.

“I didn’t know if it would happen again so I’m so grateful that I get to be a mammy for two. When I first had my little boy Jude, I decided to take two years off. Then I’ve come back into it head first and I’m pregnant again.

“But I don’t know if I’d want to take another two-year break — I love this job. I feel so grateful that I get to call this my career. I hope I’ll do lots of new things.”

The baby news came after viewers saw Scarlett talking about her fertility struggles in heart-wrenching scenes shown on I’m a Celebrity last week.

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CORONATION Street legend Tracy Shaw has revealed she’s been diagnosed with breast cancer.

The actress, who is best known for playing Maxine Peacock in the soap, took to Instagram tonight to share the news and told fans she is due to start five months of chemotherapy before potentially having surgery.

Tracy, 52, wrote alongside a video: “My diagnosis of breast cancer.
So the journey begins …..

“Love to everyone who is also going through this journey, looking forward to hearing from you all, especially you amazing survivors.”

The actress explained she was due to have surgery in two weeks but doctors at the Royal Berkshire Hospital told her she needs to undergo chemo after tests revealed she has HER2 in her cells.

HER2 is a protein that promotes cancer cell growth and is found in more aggressive types of the disease.

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She said after the course of chemo she hopes to have surgery to remove lumps and lymph glands so more tests can be done, which could lead to further surgery before radiotherapy.

Samia Longchambon commented: “Sending love to you Tracy.”

Sally Ann Matthews wrote: “Love you baby girl x.”

A fan said: “What a brave and brilliant post. Sending positive vibes and love to you.”

Tracy said she is currently in a daily 12 step programme and told fans she’s recovered from “many addictions” including anorexia, bulimia, alcoholism and drugs.

She thanked her friends in fellowships around the world for supporting.

The star said she has struggled with losing some of her hair as a result of the cancer but added: “I am truly grateful that I have this opportunity to hopefulyl be free from cancer as well.”

She also thanked fans for sending messages asking if she was OK after taking time away from social media for Lent to be more present.

Tracy’s soap character Maxine arrived on the cobbles in 1995 as a friend of Fiona Middleton (Angela Griffin).

However, she betrayed her pal by having a one-night stand with Fiona’s boyfriend – Steve MacDonald.

A year after making her Weatherfield debut, she was awarded the Rear of the Year title.

In the soap, Maxine married butcher Ashley Peacock (Steven Arnold) and they welcomed a son named Joshua.

She also ended up having a baby with the local doctor – despite being married to Ashley.

Her run came to an end when she was brutally murdered by Richard Hillman.

The character was struck with a crowbar after she returned home from the pub.

In the real world, Tracy’s pop career launched in 1998 and saw the release of two singles.

These were Ridin’ High and a cover of Lonnie Gordon’s Happenin’ All Over Again.

Since leaving the soap, she played minor roles in ITV dramas but the majority of her work has been in the theatre.

The star appeared opposite Jason Connery in stage play The Blue Room in 2003.

The role saw her bare all on stage – as well as playing 15 different women in the production.

RUSSELL Brand has confessed he thinks about going to prison “every day” ahead of his rape trial and denies being a “grifter”.

The comedian and actor, 50, who now hosts a podcast is facing trial on three counts of rape, three of sexual assault and one of indecent assault against six women from 1999 to 2009.

He denies all the charges against him.

The star, who wore a crucifix around his neck, talked at length with Piers Morgan on his YouTube show Uncensored.

Asked if he thought about the reality of going to jail if he was found guilty, Brand said: “Yes… all the time, every day.”

He added: “I will be with God wherever I am. And of course, I would prefer to be with God with my wife and my kids… I’m not saying that that’s not a difficult image, you know, and a difficult thing to contemplate, of course it is.”

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Brand, who brought a Bible with him, continued: “We are going to find out the truth, and we’re going to deal with the truth.

“Because actually, I am not afraid of the truth and if the truth is I am going to prison, then I am. My job will be, do not be afraid of that truth, that is what you are going to do.”

The one-time Hollywood star claimed he would face being behind bars “with God” if he was found guilty of the charges against him.

He also strenuously defended his innocence.

Morgan put it to him that there were people who considered him “basically just a massive grifter”.

Brand immediately shot back: “No, that’s what they say about you.”

Morgan added: “You’re very eloquent, you can be very persuasive with the power of your words, but that actually when it comes to any of these issues, you don’t really have a personal principle.”

Brand said: “I do, I do.”

In an earlier interview for The Megyn Kelly Show podcast admitted he had sex with a 16-year-old when he was 30.

He said his relationships at the time were “exploitative” – but stressed his sex with the girl was legal.

Brand said: “In Europe and in the United Kingdom where I’m from, the age of consent is 16. And I did sleep with a 16-year-old when I was 30.

“But when I was 30, I was a very different person. I was a lot younger and I was an immature 30-year-old.”

Brand told host Megyn Kelly his relationships in the past were “selfish”.

He continued: “I did not apply enough consideration barely any I suppose really to how that sex was affecting other people.”

At the height of his fame, the actor starred in a number of Hollywood films, including Forgetting Sarah Marshall and Get Him to the Greek.

His trial at Southwark Crown Court is due to start on October 12.

Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.

“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.

Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.

But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.

His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.

The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.

“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.

In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.

But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.

If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.

That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.

BEYONCE and hubby Jay-Z are looking to move to France — after ditching plans for a UK home.

The music power couple, who abandoned househunting in the Cotswolds due to concerns about flooding, are said to be eyeing up a stunning chateau near Bordeaux.

Crazy In Love singer Beyoncé, 44, and Jay-Z, 56, are already huge fans of the famous wine region – with the 99 Problems rapper celebrating his birthday there in 2023.

Sources say the US pair are looking at a 16th century estate boasting 10 bedrooms and eight bathrooms, nestled in a commune.

Locals have told how the area is abuzz with talk of the A-listers joining their community – which is described as the French equivalent to the Cotswolds.

Businesses have reportedly been sworn to secrecy about the couple’s potential arrival.

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One local said: “Everyone is talking about Beyonce and Jay-Z moving to the area.

“It’s all been shrouded in secrecy, with local businesses and tradespeople forced to sign non-disclosure agreements, but theirs are the names on everyone’s lips.”

Residents have reported a recent surge in private planes landing at the closest airport.

One source also told how a job description has gone on a local noticeboard for an experienced property manager working with VIP clients at an historic estate.

One of the requirements for the role is “absolute discretion”.

The superstar couple — worth a combined £1.5billion — were said to be buying a £7.5million 58-acre plot in the Cotswolds, following the footsteps of several celebrities.

Planning permission was secured for the seven-bedroom property.

But insiders said the pair, who have three children together, turned their backs on the area after learning it was prone to flooding.

A source told The Sun: “Beyonce and Jay-Z buying this plot of land was the talk of the Cotswolds, so many locals were excited about them moving in.

“But the plan appears to have fallen through.”

Despite their snub the Cotswolds have attracted a raft of celebrities including Ellie Goulding, James Blunt, Kate Moss, Amanda Holden, Tom Cruise, Liam Gallagher and Lily Allen.

TV host Ellen Degeneres and wife Portia de Rossi also moved to the area and renovated a farmhouse which they are selling for £22.5million.

KYLIE Jenner seductively pulled down her skimpy swimsuit as she cuddled her new kitty for a slew of sexy selfies.

The socialite, 28, has become a cat mom since her beloved 11-year-old Italian Greyhound, Norman, passed away last year.

And is seems that the stunning beauty mogul is enjoying the company of her new four-legged friend.

Taking to Instagram, Kylie posed up a storm in a seriously skimpy outfit, writing a caption which read: “me + my lip liner + and my kitty.”

She shared four photos to the platform, with each of the snaps being selfies of the star as she rocked a gray bathing suit.

The swimsuit was strapless and had cutout details, displaying her toned physique.

MAID SHARE

Kylie’s housekeeper ‘forced to clean Timothee’s mansion without proper payment’

The first image saw Kylie pulling her cut-out bikini down a little while applying lip gloss in a huge mirror.

Her cleavage was on full display as she pouted up a storm and applied the lip product with her long raven locks framing her face.

The second snap saw her standing up straight while holding her adorable fluffy friend.

Posing with her kitty, Kylie pouted while lifting the kitten up to her cheek.

The third photo was of Kylie posing with her hair all over her face, and the fourth was a video of her cradling the kitty and kissing it.

“Absolutely beautiful,” swooned one fan in the comments section.

“You’re perfect” swooned another.

“That cat makes me smile,” said someone else.

Meanwhile, on Reddit, one penned: “Her body is amazing. Go Kylie go. Love what she’s wearing. The kitten is adorable.”

“Why is she pulling on her bottoms in 1?” asked someone else.

A third Reddit fan then speculated: “Hmmm she’s looking extra toned lately in the abdominal area.I think she got sum fat removed or something?”

While a fourth said: “I honestly wonder how often these girls go under the knife? They always look different.”

This comes after The U.S. Sun revealed Kylie‘s former housekeeper, claimed she was forced to clean Timothee Chalamet’s mansion without being properly paid in an explosive new lawsuit.

Angelica Vasquez also said she was belittled over her race, religion and immigration status by fellow domestic staffers.

Writing obituaries is a sacred, tricky task. Major news organizations compose advance obits on major figures, a just-in-case endeavor that feels both hugely important and somewhat macabre.

Several years ago, it fell to me to compose an advance death notice for the legendary conductor Michael Tilson Thomas, who was confronting a terminal brain cancer diagnosis by doubling down on his performance schedule and delivering — by all accounts — spectacular performances.

The piece lay blessedly dormant for longer than anyone thought possible as Tilson Thomas persevered in the face of his illness — an inspiration to all who knew and loved him. And then, yesterday morning, it became necessary to publish. There was a rush to update the writing, to fact-check the timeline, to be sure that all salient points were included. Here was the final story of a remarkable human’s life. The sense of responsibility cannot be overstated.

I was surprised to learn that a former colleague at the paper had also written an advance obit on Tilson Thomas, so my editor worked to meld the two together. The other writer included information that I had missed and vice versa, so in many ways it turned out to be a good thing that we had mistakenly doubled up on the weighty task.

One detail that the other writer included that was formerly unknown to me: A Times story from 1985 reported Tilson Thomas walking off the stage at the Hollywood Bowl nearly 15 minutes into the hourlong second movement of Part II of Gustav Mahler’s Symphony No. 8. Tilson Thomas did this, according to the archived news clip, because a noisy police helicopter simply would not go away.

A reader wrote in after the obituary went live to say that he had been there when it happened, and offered up this fresh insight:

“I was at the concert. The helicopter was hovering long, low and loud(!) with a bright searchlight scanning the trees behind the shell. It was an impossible situation which [Tilson Thomas] handled with quiet dignity. And when he returned to the stage he opted to re-start the Second Movement of Mahler VIII from the top! It was a long and memorable night at the Bowl.”

Our obituary described Tilson Thomas as storming off the stage. Not so, said the reader.

“More determination than storm,” he wrote.

And suddenly I could picture it, that moment from more than 40 years ago, with Tilson Thomas displaying the singular determination and love for his craft that would sustain him much later in life when he faced down death with the same quiet grace, the same unwavering resolve. And the music … I can hear it over the chop-chop-chop of the helicopter, until Tilson Thomas is all that remains.

I’m Arts editor Jessica Gelt feeling grateful for stories past. This is your arts and culture news for the week.

The week ahead: A curated calendar

FRIDAY

Craft Contemporary hosts CLAY LA this weekend.

(Allen J. Schaben/Los Angeles Times)

CLAY LA
Emerging and established ceramic artists gather their wares for Craft Contemporary’s ninth annual fundraiser, a vibrant marketplace with complimentary refreshments, music and hands-on air-dry clay activities. Fun fact: The museum was founded by Edith R. Wyle, grandmother of “The Pitt’s” Noah Wyle.
Market Preview Night, 6-9 p.m. Friday, $20 general admission, $15 members; weekend market, 11 a.m.-5 p.m. Saturday (free with $9 museum admission) and Sunday (pay-what-you-wish admission); regular museum hours, 11 a.m.-5 p.m. Wednesday-Sunday; noon-8 p.m., the first Thursday of the month. Craft Contemporary, 5814 Wilshire Blvd. craftcontemporary.org

Music director James Conlon of at L.A. Opera will conduct his farewell concert Friday at the Dorothy Chandler Pavilion.

(Ariana Drehsler/For The Times)

James Conlon Farewell Concert
The maestro, who is stepping down after 20 years as LA Opera’s music director, leads the organization’s full orchestra and chorus for an evening of Mozart, Verdi and Wagner as his grand finale. The event is followed by a celebratory gala on the stage of the Dorothy Chandler Pavilion.
7 p.m. Dorothy Chandler Pavilion, 135 N. Grand Ave., downtown L.A. laopera.org

SATURDAY
John Adams & Conrad Tao
The LA Phil’s John and Samantha Williams Creative Chair conducts the orchestra in a program that includes Piazzolla’s “Two Tangos,” Stravinsky’s “Song of the Nightingale” and Prokofiev’s “Lieutenant Kijé Suite,” plus pianist Conrad Tao performing Adams’ composition “Century Rolls,” inspired by 1920s self-playing pianos.
8 p.m. Saturday; 2 p.m. Sunday. Walt Disney Concert Hall, 111 S. Grand Ave., downtown L.A. laphil.com

Brewery Artwalk & Open Studios
This free semi-annual event at the former Pabst Blue Ribbon Brewery north of downtown features more than 100 artists sharing, discussing and (ideally) selling their work in the very spaces that much of it is created.
11 a.m.-6 p.m Saturday and Sunday. Brewery Arts Complex, 2100 N. Main St., L.A. breweryartwalk.com

Jerrika Hinton and Bradley Gibson in “Fremont Ave.” runs April 25-May 23 at South Coast Repertory.

(Marc J. Franklin)

Fremont Ave.
The world premiere of Reggie D. White’s multi-generational drama about three Black men in L.A. and the woman who is the glue in their lives. Directed by Lili-Anne Brown. Part of the Pacific Playwrights Festival.
Previews, 8 p.m. Saturday; 7 p.m. Sunday and Tuesday-Thursday; opening night, May 1; regular performances, May 2-23. South Coast Repertory, Segerstrom Stage, 655 Town Center Drive, Costa Mesa. scr.org

The Liminary
It’s 2042 in Last Call Theatre’s latest immersive experience and the U.S. is run by a nationalistic, isolationist government. Do you dare join the resistance? With interactive exhibits on immigration, community and hope, plus multiple endings and narratives inspired by the saga of immigrants.
8 p.m Saturday; 8 p.m. May 1-2, May 7-9 and May 14-16. 1919 3rd Ave. L.A. lastcalltheatre.com

Liz Larner, “smile (abiding),” 1996-2005; Rachel Harrison, “The Prepper,” 2024; and Rebecca Morris, “Untitled (#15-25), 2025” from the exhibition “planchette” at Regen Projects.

(Regen Projects)

planchette
A group exhibition featuring contemporary abstract sculptures and paintings by influential artists Rachel Harrison, Liz Larner and Rebecca Morris.
Opening reception, 6-8 p.m.; exhibit runs through May 23. Regen Projects, 6750 Santa Monica Blvd. L.A. regenprojects.com

SUNDAY
Gabriel Kahane & Roomful of Teeth
The eclectic singer-songwriter-composer teams up with the multi-Grammy-winning vocal group to perform music from their recently-released collaborative album, “Elevator Songs.”
7 p.m. Sid The Cat Auditorium, 1022 El Centro St., South Pasadena. sidthecat.com

WEDNESDAY

The Australian Chamber Orchestra comes to the Segerstrom Center for the Arts on Wednesday, April 29.

(Nic Walker)

Australian Chamber Orchestra
The ensemble from down under performs Purcell’s “Fantasia on One Note,” Handel’s “Concerto Grosso in A Major, Op. 6 No. 11,” a new work by John Luther Adams titled “Horizon,” Vaughan Williams’ “The Lark Ascending” (arranged by Adam Johnson), and Schubert’s ”Death and the Maiden” in the candlelit intimacy of the Samueli Theater.
7 p.m. Segerstrom Center for the Arts, 600 Town Center Drive, Costa Mesa. scfta.org

Jason Delane, left. and Chuma Gault in “Hymn” at the Odyssey Theatre.

(Cooper Bates)

Hymn
In this drama by British playwright Lolita Chakrabarti, best known for her stage adaptations of the novels “Life of Pi” and “Hamnet,” two Black men meet at a funeral and discover a life-changing connection. Gregg T. Daniel directs this co-production between the Odyssey Theatre and the Lower Depth Theatre.
Previews 8, p.m. Wednesday, Thursday and May 1; 8 p.m. Fridays and Saturdays (an Wednesday, May 27); 3 p.m. Sundays (except May 31), through June 14. Odyssey Theatre, 2055 S. Sepulveda Blvd. odysseytheatre.com

THURSDAY

Los Angeles Ballet presents “Giselle” with Kate Inoue at the Ahmanson Theatre, April 30-May 3.

(Alex Lopez)

‘Giselle’
The Los Angeles Ballet’s staging of this classic supernatural romance features the original 1841 choreography by Jean Coralli and Jules Perrot (updated by Marius Petipa) and score by composer Adolphe Adam.
7:30 p.m. Thursday-May 2 and 2 p.m. May 3. Ahmanson Theatre, 135 N. Grand Ave., downtown L.A. losangelesballet.org

The 1967 romantic comedy “Barefoot in the Park,” starring Jane Fonda and Robert Redford, opens the TCM Classic Film Festival on Thursday.

(Paramount Pictures)

TCM Classic Film Festival
Hollywood Boulevard comes alive with four days of movie magic beginning with the opening night presentation of the 1967 romantic comedy “Barefoot in the Park,” starring Robert Redford and Jane Fonda. Other screenings include “Alice In Wonderland” (1951), “A Place In The Sun” (1951), “Gaslight” (1944), “Out Of The Past (1947) , “Modern Times” (1936), “The Day The Earth Stood Still (1951) and “The Magnificent Seven” (1960), with appearances by Fonda, Barbara Hershey, Carol Burnett, John Turturro and many more.
Thursday-May 3. TCL Chinese Theatre IMAX, 6925 Hollywood Blvd.; Hollywood Roosevelt Hotel; TCL Chinese 6 Theatres multiplex, 6801 Hollywood Blvd.; El Capitan Theatre, 6838 Hollywood Blvd.; Egyptian Theatre, 6712 Hollywood Blvd. filmfestival.tcm.com

Arts anywhere

New and recent releases of arts-related media.

French Violinist Renaud Capucon, seen performing during the 2024 Paris Olympics, has a new live album featuring the works of composer Ernest Chausson.

(Kristy Sparow / Getty Images)

Chausson
This concert album pairs two pieces by French Romantic composer Ernest Chausson: “Concerto for Violin, Piano and String Quartet, Op. 21.,” performed by violinist Renaud Capuçon, the late pianist Nicholas Angelich and the Ébène Quartet, and “Poème” for violin and orchestra, featuring Capuçon and the Brussels Philharmonic led by conductor Stéphane Denève. The show was recorded live in 2020. Warner Classics/Erato: Digital ($10) and CD ($17).

The City Unseen
Emmy-winning producer-director Daniel Sackheim, whose credits include “Law & Order,” “The X-Files” and “The Americans,” is also a serious photographer. His new book of black-and-white images casts Los Angeles as the protagonist in a noir landscape of nocturnal beauty where its darkest secrets lurk in the deepest shadows. Hat & Beard Press: 108 pages, $60.

International Jazz Day
The 15th annual event is Thursday in Chicago, but you can celebrate early with PBS’ broadcast of last year’s International Jazz Day All-Star Concert from Abu Dabai. Hosted by Jeremy Irons, the lineup includes Herbie Hancock, Dee Dee Bridgewater, Kurt Elling, Jose James, John McLaughlin, Helene Mercier, Danilo Perez, Arturo Sandoval and more.
10 p.m. Friday. PBS SoCal and streaming at pbssocal.org

— Kevin Crust

Culture news and the SoCal scene

Attendees walk around the Los Angeles County Museum of Art’s new David Geffen Galleries in Los Angeles on Sunday, April 19, 2025.

(Ariana Drehsler/For The Times)

The Los Angeles County Museum of Art news did not stop last week as it threw a glitzy opening gala for the new David Geffen Galleries, and — a few days later — welcomed members for previews prior to opening its doors to the general public on May 4. I attended the gala and checked in with a number of wonderful artists, including Mark Bradford, Ed Ruscha and Jeff Koons, about their thoughts on the new building. Then, on Sunday, we sent a team to get member reactions to the new space. Later in the week we published critic Leah Ollman’s review of the inaugural installation. Spoiler alert: Nope, not gonna give you one. You’ll have to read it.

We also ran a lovely profile by contributor Tara Anne Dalbow about Eileen Harris Norton whose jaw-dropping art collection is currently on display at Hauser & Wirth in downtown L.A. “Few people have done more to shape Los Angeles’ art scene than Eileen Harris Norton,” writes Dalbow. “The third-generation Californian, born and raised near Watts Towers in South Los Angeles, bought her first artwork at the Baldwin Hills Crenshaw Plaza, co-founded Art + Practice in Leimert Park, and has spent 50 years collecting artists who were, in many cases, her friends and neighbors.”

Joey Stromberg and Jenny Soo in “For Want of a Horse” at the Echo Theater Company.

(Cooper Bates)

Times theater critic Charles McNulty was — as always — incredibly busy, publishing two reviews and a feature in the past week. First up, his take on “For Want of a Horse” by Olivia Dufault, currently receiving its world premiere in an Echo Theater Company production at Atwater Village Theatre. “The subject is zoophilia, not to be confused with bestiality, though for many of us it will be a distinction without much of a difference,” McNulty writes. Curious? Read on.

McNulty also delivered a thoughtful profile Nicholas Christopher, who he dined with on a recent trip to New York. “A new Broadway star emerges each season, and this year the spotlight has alighted on Nicholas Christopher, who has been dazzling audiences and insiders alike as part of the awe-inspiring triumvirate powering the thrilling new revival of the musical ‘Chess,’” McNulty writes.

Finally, McNulty reviewed “Eat Me,” by Talene Monahon, having its world premiere at South Coast Repertory. A fan of Monahon‘s previous work, McNulty was not as impressed at he would have liked. The play, he writes, “is a relentlessly quirky work that gorges on its own dark whimsy.”

In other news, I got the scoop that new media artist Refik Anadol’s museum of AI arts, Dataland has set its opening date for June 20.

Elinor Gunn in “Joan” at South Coast Repertory. SCR has announced its 2026-27 season.

(Scott Smeltzer)

South Coast Repertory announced an expanded 2026-27 season, featuring nine productions, including “Hamlet,” starring Raymond Lee; Stephen Sondheim and James Lapine’s “Into the Woods;” Lauren Yee’s “Mother Russia;” and Oscar Wilde’s classic, “The Importance of Being Earnest.” “The 2026-27 season reflects programming changes established in SCR’s recently adopted strategic plan, which includes more classics, modern masterpieces and the continuation of an annual musical on the Segerstrom Stage,” a news release notes.

“GUAC,” the heartbreaking one-man show by a father who lost his son in the 2018 Parkland school shooting, returns Tuesday to Center Theatre Group’s Kirk Douglas Theatre after playing to a packed house last September. Manuel Oliver’s devastating plea for gun control runs for three weeks only, through May 17.

— Jessica Gelt

And last but not least

If you’re sad that you missed Coachella, this story about how much people paid to attend will make you feel all better.

Choosin’ to stay home instead of trekking out to Indio for this weekend’s Stagecoach festival? Don’t worry, you’ll be able to listen to all the country music your heart desires. You can get your country heartbreak on with Ella Langley, Bailey Zimmerman and Cody Johnson, and then rock out with Counting Crows. If you prefer EDM, you can catch Diplo and Dillstradamus (Dillon Francis and Flosstradamus) as Friday’s closing acts.

The festival will be livestreamed on Amazon Music, Amazon Prime Video and Twitch beginning at 3 p.m. On Sirius XM’s The Highway (channel 56), you can listen to exclusive interviews and live performances along with a special edition of the Music Row Happy Hour. The station Y’Allternative will also be covering the festival on Friday evening.

Here are updated set times for the Stagecoach livestream Friday performances (times presented are PDT):

Channel 1

3:05 p.m. Noah Rinker; 3:25 p.m.; Adrien Nunez; 4 p.m. Ole 60; 4:25 p.m. Avery Anna; 5 p.m. Chase Rice; 5:55 p.m. Nate Smith; 6:50 p.m. Ella Langeley; 7:50 p.m. Bailey Zimmerman; 8:55 p.m. the Red Clay Strays; 10 p.m. Cody Johnson; 11:30 p.m. Diplo

Channel 2

3:05 p.m. Neon Union; 3:25 p.m. Larkin Poe; 4 p.m. Marcus King Band; 4:50 p.m. Lyle Lovett; 5:35 p.m. BigXthaPlug; 6:30 p.m. Noah Cyrus; 7 p.m. Wynonna Judd; 8 p.m. Counting Crows; 8:50 p.m. Sam Barber; 10 p.m. Dan + Shay; 10:45 p.m. Diplo featuring Juicy J; 11:05 p.m. Rebecca Black; 11:45 p.m. Dillstradamus

Sirius XM Music Row Happy Hour

1 p.m. Avery Anna; 2 p.m. Nate Smith; 2:30 p.m. Josh Ross; 3 p.m. Cody Johnson; 3:30 p.m. Gabriella Rose; 5:15 p.m. Nate Smith; 7:50 p.m. Bailey Zimmerman; 9:30 p.m. Cody Johnson; 11 p.m. Diplo

Sirius XM Y’Allternative

5 p.m. Ole 60; 6 p.m. Larkin Poe; 7 p.m. Marcus King Band; 8 p.m. Sam Barber

AFTER 14 episodes, I’m A Celebrity All Stars is set to conclude at the grand finale with the winner set to be announced TONIGHT.

What was once 12 has now become four as the remaining celebs prepare to learn their fates.

What time is the I’m A Celeb All Stars final on tonight?

The final instalment of I’m A Celeb All Stars will be shown live tonight from an ITV studio in London.

It will be shown across two parts, with the first section running from 7.30pm to 9pm, and the second from 10pm to 10.30pm.

In the hour gap, Graham Norton’s new reality show The Neighbourhood will premiere on ITV.

Viewers will be able to vote for who they want to be King of the Jungle from the final four celebs remaining.

star out

I’m A Celeb star pulls out of final after Ant & Dec insist whole cast will attend

‘ARD TIMES

Why did Jimmy Bullard leave I’m A Celeb All Stars?

Votes will be counted by the 10pm programme, where the winner will be confirmed by hosts Ant and Dec.

Which stars are in the final?

As previously mentioned, just four celebs remain in the show after eight departures happened in South Africa.

The final four include Harry Redknapp, Mo Farah, Craig Charles, and Adam Thomas.

That means for the first time in over two decades the show has an all-male final – confirming that the winner will be King of the Jungle rather than Queen.

Football legend Harry Redknapp will be hoping he can repeat history as he won the show back in 2018, while Mo Farah has already beaten his last appearance back in 2021 where he placed fifth.

Fan favourite Craig Charles was amongst the top contenders to win the show when he first appeared in 2014, before having to leave the series early after his brother Dean suffered a fatal heart attack.

Whereas actor Adam Thomas will be hoping to win the show after experiencing drama with David Haye and Jimmy Bullard during his time in the jungle.

Who has been eliminated from the show?

Eight celebs have left the show in order to get to the final four.

The first to go was comedian Seann Walsh on day nine after being given the boot by Team Lion leader and finalist Harry Redknapp.

Next up to leave the jungle was controversial campmate David Haye on day 11 after a campmate vote-off.

Before Gemma Collins packed her bags in the same episode after David chose her when given the choice of another celeb to leave the camp with him.

Beverley Callard was next to leave on day 12 due to medical reasons and has since confirmed she won’t be present at the live finale after being diagnosed with breast cancer.

The most shocking elimination was Jimmy Bullard’s as he called out “I’m A Celebrity Get Me Out Of Here!” during a trial.

His decision to quit caused a row between him and Adam Thomas as the campmates were paired up and relying on each other – meaning Jimmy took Adam down with him by quitting.

Fortunately for Adam, who has since progressed to the final, the rules were bent and he was allowed to remain in the jungle.

Ashley Roberts and Sinitta were both recently eliminated off the back of being slowest to finish their trials.

Whilst Scarlett Moffatt was kicked out just 24 hours before the grand finale after losing a trial called Keep Your Eye on the Ball.

Don’t you ever wish you could explore one of L.A.’s most vibrant boulevards without a car? When the first phase of Metro’s extension to its D Line opens May 8, L.A.’s transit system will add what has long been a missing puzzle piece. A busy, traffic-snarled section of Wilshire Boulevard, home to world-class museums, restaurants and galleries, will at long last be significantly more accessible.

Ride and walk, for instance, to the newly reimagined Los Angeles County Museum of Art, and then stroll to the Original Farmers Market or the acclaimed République. Or take transit to a concert at the El Rey Theatre, then grab a pint at Tom Bergin’s. And do it all without stressing about valet or parking in a part of town where the latter is at a premium.

Though this initial phase of the D Line extension is only three stops, for residents and business owners in the community, it feels monumental.

“I’m so excited for Metro to open and for lots of people to hopefully come and peruse these streets,” says Christina Mullin, owner of Miracle Mile Toys & Gifts. Mullin, who also lives in the neighborhood, has seen the area disrupted by construction for the better part of a decade, and is hopeful the subway stops will bring in an influx of shoppers.

“It’s such a nice, walkable area,” Mullin says. “You can walk all of La Brea and all the way to the Sycamore Kitchen. This will be very good for the city.”

And it seems to be generating much excitement, at least if Metro’s own marketing is any indication. A line of innuendo-filled “Ride the D” shirts went viral and then almost instantaneously sold out. (Those looking for the shirts are likely out of luck, as a Metro spokesperson says the item was intended only as a limited-edition run.)

Here are some highlights of destinations along the new stations, which are located at Wilshire/La Brea, Wilshire/Fairfax, Wilshire/La Cienega and will collectively serve Koreatown, Miracle Mile, Hancock Park, Carthay Circle, the Fairfax District and Beverly Hills. All should be within about a 20- or 25 minute walk.

The second section of the D Line will continue west through Beverly Hills and Century City, and the third will extend to Westwood and UCLA. The full rail line, according to Metro, is expected to be open by the end of 2027.

ALEX Reid has revealed his mum Carol has died as he shared a heartbreaking tribute to her on social media.

The Celebrity Big Brother star, 50, took to Instagram to share a series of pictures with his beloved mother as he revealed the devastating news.

He penned: “Today I celebrate the life of the best woman in my life, my mum, who went to join my darling dad in heaven!

“I’m absolutely heartbroken, but have a sense of ease knowing you are in peace now, not in pain.

“I unfortunately missed my mum’s passing by 2 minutes, although I still managed to hold her in my arms, kiss and caress her face, telling her how much I love her.

“Long live Carol Reid!,” Alex concluded.

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His followers rushed to support him with messages of condolences as one wrote: “So sorry Alex. Sending you love xxx.”

Another social media user commented: “I’m so sorry Alex for your loss. You’re so lovely with your mum. Anyone can see the love between you both. May she RIP.”

Someone else said: “I’m so sorry for your loss. Prayers and thoughts are going out to you and the family.”

Yet another penned: “I’m so sorry for your loss! May she rest in peace and I truly believe that she will always be with you in spirit cheering you on. God bless you and your family.”

While a fifth added: “Bless you Alex you’ve been by her side all these years, she knew in those two minutes she will always be in your heart. Love to you all x.”

Alex revealed back in 2020 that his mum was battling Alzheimer’s and was feeling guilty for moving her into a care home.

At the time, he shared a number of headlines surrounding Dame Barbara Windsor, who also had the disease prior to her death in 2020.

He wrote on X, formerly known as Twitter: “I know how it feels moving mum into a home with dementia it’s worse than bereavement as they’re still here & so lost.

“You feel an immense sense of guilt to want to do more I see how scared mum sometimes is, wanting to come home, but I see she how she is adapting & her quality of life improves.”

In March last year, he shared a video of him going to the care home to visit Carol as he gave her a bunch of flowers and a card.

He told his followers on Instagram: “Visiting my mum with dementia in her care home today on Mother’s Day, I was so grateful and lucky that she actually said I love you my darling!

“I’ve only had two or three words out of her over the last year! So so grateful! Happy Mother’s Day everyone!”

Alex and his fiancée Nikki welcomed their twin boys Phoenix Bobby and Hunter George back in 2023.

Nikki told Mail Online at the time: “To just have them in my arms. I am complete now. I have my family and I never need to revisit that dark place again.”

Their births came after the pair welcomed daughter Anastasia in 2021 after a seven year IVF battle.

Russell Brand, the British comedian and actor who has been accused by multiple women of rape and sexual assault, said his sexual flings amid the height of his fame in the early aughts included sleeping with a 16-year-old girl.

Brand confirmed the relationship to Megyn Kelly on the the latest episode of her eponymous podcast and YouTube show published Wednesday. “I did sleep with a 16-year-old when I was 30,” he said, “but when I was 30 I was a different person. I was a lot younger and I was an immature 30-year-old.”

The “Get Him to the Greek” actor, 50, emphasized that the age of consent in the United Kingdom is 16 and reflected on his behavior at the time, adding that he thinks having consensual sex as a famous person “involved exploitation.” He said he felt fame and addiction paved the way for “opportunity for endless consent which led me to be a hedonist and a fool and exploiter of women.”

“That is wrong and that is something that needs to be redeemed and addressed and atoned for,” he added.

Brand’s relationship with a 16-year-old girl became public in 2023 when the Times of London and Britain’s Channel 4 published a joint investigation detailing allegations of rape, sexual assault and other abusive behavior against the once-in-demand actor. One of the women who raised allegations against Brand said she became involved with the former actor when she was 16 and he was 31, and that he referred to her as “the child” in their relationship. According to the woman, Brand reportedly forced his penis down her throat, making it difficult to breathe, and she fought him off by punching him in the stomach. Brand denied the claims at the time.

The investigation centered on alleged incidents that occurred between 2006 and 2013 — the peak of Brand’s Hollywood fame — and laid the groundwork for additional complaints against the raunchy comedian to come to light.

In April 2025, the Metropolitan Police Service charged Brand with single counts of rape, indecent assault, oral rape and two counts of sexual assault connected to alleged attacks on multiple women between 1999 and 2005. U.K. authorities pressed additional rape and sexual assault charges against the “Forgetting Sarah Marshall” actor in December. He will stand trail in October.

Brand, ex-husband to pop star Katy Perry (who is facing her own sexual assault scandal),fell mostly out of public favor within the past decade and pivoted his focus to religious and “free-thinking” content. Last year he appeared at Turning Point USA’s AmericaFest 2025.

At the beginning of the podcast episode, Kelly said that after learning about allegations against Brand she “felt anger for a couple years” toward the actor. However, Kelly said she grew open to speaking with him after some time and an “enormous amount of open-mindedness to [Brand] being railroaded and attacked by people.”

Notably, Kelly in November offered a flimsy definition of pedophilia when it came to late convicted sex offender Jeffrey Epstein. Citing “somebody very close” to Epstein’s case, Kelly said Epstein “ was into the barely legal type, like, he liked 15-year-old girls,” Kelly continued.

“I’m not trying to make an excuse for this, I’m just giving you facts — that he wasn’t into, like, 8-year-olds,” she added at the time. “But he liked the very young teen types that could pass for even younger than they were, but would look legal to a passer-by.”

Times staff writer Meredith Blake contributed to this report.

Ciara Miller and Maura Higgins will be among the stars competing for the Mirrorball Trophy.

“Summer House’s” Miller and “The Traitors” contestant Higgins — both publicly betrayed by men they trusted on their shows — are the first celebrities joining Season 35 of “Dancing With the Stars.” Disney announced the new season Wednesday during Hulu’s Get Real House event in Los Angeles.

Miller joins the cast less than a month after it was revealed that her “Summer House” castmate and ex-boyfriend, West Wilson, was dating her friend on the show, Amanda Batula. She teased her “DWTS” news with an Instagram video in which she wrote out her “Next Chapter 2026” to-do list, which included “prioritizing” herself, “taking risks” and “Dancing With the Stars.”

Higgins, who lost Season 4 of “The Traitors” in the finale after being blindsided by her friend and co-star Rob Rausch, rose to prominence on “Love Island” in 2019. Higgins shared her excitement in a video on Instagram, saying, “Please pray for me.”

“Get me on that dance floor. I want to win the trophy,” Higgins said. “I’ve manifested this.”

Higgins told reporters at the Get Real House event that Mark Ballas is her dream partner.

The announcement comes after a landmark season of “DWTS,” which saw a record-breaking number of fan votes. In November, The Times spoke with “DWTS” showrunner Conrad Green, who attributed the ratings spike to reviving “communal viewing experiences.”

“It’s been largely a question of keeping our existing audience and then finding a new audience of 18- to 30-year-olds. That’s partly fed by social media. It’s partly fed by a desire to have communal TV viewing experiences,” Green said. “That was something everyone had with ‘American Idol’ and ‘Dancing With the Stars’ 20 years ago, but TV doesn’t lend itself to that so much anymore.”

During the event, Disney also announced a new spinoff series, “Dancing With the Stars: The Next Pro.” “DWTS” Season 34 winner Robert Irwin will host the show. According to the synopsis, it “features 12 exceptional up-and-coming dancers who move into one house and compete in a grueling audition process, all vying for a coveted spot as a pro dancer on Season 35 of ‘Dancing with the Stars.’”

“DWTS” pro and three-time Mirrorball champion Ballas will host the show alongside his mother, former ballroom dancer Shirley Ballas. The series will premiere July 13 on ABC.

Jonnie Park has always gone by many names. The most Google-able is his hip-hop moniker “Dumbfoundead,” which he’s gone by for decades as a seasoned battle rapper and an artist who’s put out a jaw-dropping 13 albums while becoming one of the kings of legendary Leimert Park hip-hop crew, record label and open mic Project Blowed. As a resident of L.A.’s Koreatown since childhood, he’s still known as “The Mayor of K-town.” To his friends, he’s just “Dumb.” Of all the aliases and titles he’s fought for, “author” might seem to be the most unlikely. But as a professional when it comes to producing scathing hot bars in battle raps, it felt only right to put his journey down the warpath of rhymes on paper in his debut memoir “Spit: A Life in Battles,” released April 14 on Third State Books.

The memoir (which includes a foreword by Park’s longtime friend, R&B star Anderson .Paak) recounts razor-sharp memories starting from childhood, including the harrowing story of his family’s immigration from Argentina to L.A. when he was 3. He talks frankly about the perils and prejudice of growing up Korean American in Southern California and thrusting himself into the hip-hop scene, where, after stumbling in as an outsider to Black culture, he ultimately found his voice on stage. It speaks to the foundation that later served him well as an actor, podcaster, comedian and recently TV writer for season 2 of the hit show “Beef.” But he says his reputation as a battle rapper is the one that will always matter most.

Recently Park spoke to the Times about the hardest parts of writing his new memoir, the importance of Project Blowed and taking his underground rap mentality with him from the gutter to the stars.

For your memoir you purposely take the parts of your life from childhood until about age of 30, the peak of your hip-hop career. What was it like to go back and take that journey again?

To me, it’s always kind of the core of who I am. Even as a multi-hyphenate, I always say I’m first and foremost a battle rapper. It was such a pivotal moment at a time in my life and I take that label with me wherever I go, so it doesn’t feel too distant. But to actually be in that arena feels very distant. I look back and I just think about the audacity of a young Asian kid in that world. I’m just like “Wow, I really had the balls to do this at one point.” And I still love the subculture of battle rap. It’s something I’m a part of and a story that I want to tell in all these other mediums — whether it’s screenwriting or developing a TV show, I still feel like there’s a lot to be done with that subculture.

Why was it important for you to help your readers learn about the technical aspect of battle rap and what it takes to be a battle rapper?

There’s a lot more layers to it than people know. Obviously we know Eminem’s “Eight Mile” was the height of the story of where battle rap got to, and it did a great job of that. Obviously it’s been many years since then. But I also wanted to let people know that the people involved in this subculture aren’t just in poverty trying to make it out and get on a record label. This is a real subculture that people obsess over and I just wanted to find an excuse to nerd about it and also teach people this kind of new era of battle rap. I also highlight some of my peers really deserved it, and including the open mic I went through called Project Blowed. That’s the one thing I love about this book is that I can immortalize some of my personal heroes and places that I hold dear to my heart.

But mechanics of how our brains work when freestyling is something I find interesting. People always ask me “How do you guys freestyle or battle?” And I was really nervous about explaining it. I just didn’t know how I would do that. I had the help of my co-author, Donnie Kwak, who I’ve known for many years. He’s never written a book either, but he’s just kind of like a big brother to me and we’ve had many conversations about this. So being able to break that down was really cool for me. And I still really love that chapter about freestyling and battling for dummies.

Dumbfoundead’s memoir “Spit” chronicles his rise through underground battle rap, offering deeper insight into the subculture.

(Lenne Chai)

What was it like for you as you were discovering your voice through open mics at Project Blowed?

Project Blowed freed such a big part of me. I think when I saw the other rappers there, and they were taking [rapping] to heights I never imagined, the styles of raps that I would see here, from there, were so unorthodox. At that point, I was listening to everything on the radio along with mix tapes and stuff. But this was not even that. This wasn’t even like the underground mix tapes. It was the most raw and purest form of rap. It was so weird and abstract, even for me, just the young Korean kid at the age of 14 that hadn’t gone south of Pico Boulevard, growing up on Third Street, and all of a sudden I’m on 43rd. It was like another world for me. Next thing I know, I’m immersed in this world where there’s black kids that are into anime, punk rock and rapping their a— off. And I’m like, “This is insane!” So it did a lot for my perception of everything, more than just hip-hop.

Why was it so important for you to kind of showcase your Korean from not only the standpoint of a rapper but also as a writer?

Definitely the Korean American part was very important to me, because we see Korean culture, Korea especially being this global powerhouse, and what we know of it is the “Squid Games,” and the K-Pop of it all. And so I did want to share this more in the perspective of a Korean American. Even more specifically, in Southern California, in Los Angeles, there is a different vibe of Asian American life than the rest of the country. I’m the epitome of that. A lot of our parents have these wholesale businesses downtown or dry cleaners or liquor stores. Growing up in K-town, a lot of Korean families have a dad who’s an alcoholic, and there’s a lot of domestic violence situations. I think through my story, a lot of people will see themselves in these situations.

Jonnie Park, a.k.a. Dumbfoundead, writes in his memoir about growing up in Koreatown.

(Third State Books)

I think it also just speaks to all the different layers of struggle, battles that you and your family have gone through. Were there any aspects of this book that were really challenging for you?

The hardest part was definitely writing about my father, and knowing that this book is going to be out in the public because it’s so revealing. There’s affairs, there’s businesses that he worked at that are named. These families do exist — I grew up with that family that my dad had an affair with. I don’t talk to them or anything, but it’s all in the book. And I did want to be honest, I just felt like this is a place to do it if I’m going to do it. I don’t know if my dad will read it, but if it ever got translated into Korean, he’s definitely reading it. I still don’t have a great relationship with my father and I just feel like there wasn’t, there’s not much of a closure to that still. And maybe the book will help open up some new conversations between him and I. So that part was a little difficult, and also talking about some of the domestic violence in my house. Growing up with my dad and my mom, it made me feel for my mom a lot.

The beginning and the end is the most difficult part, because the end really discusses kind of like that insecurity as an artist, and where I’m at in my life as an artist, seeing a lot of my friends becoming extremely successful. I really wanted to be honest about that. The book doesn’t necessarily end with me being triumphant and feeling at ease.I still feel that as an artist, and I think that’s why it’s just an ongoing battle.

Describe what that’s like having come out of that underground rap scene and showing your skills to the world in TV and film while holding on to that underground mentality.

Even being in a writer’s room for “Beef” Season 2 — that was my first writer’s room — felt like a cypher. Knowing when to jump into the conversation at the right time, and knowing when to fall back. That just tells you that the skills that I acquired from freestyling and battle rap, I was able to take into the real world and apply it in so many different places.

I think it’s so interesting that I got that “Beef” Season 2 gig because the showrunner and the creator of the show really loves my perspective on Asian American culture on my podcast [“Fun With Dumb”], just based off of that. I got to a place in my life where I just felt very comfortable being vulnerable and self-deprecating through all the things I’ve done in battle rap. I was able to apply it to podcasting, too. And to have that humor and wit and that vulnerability, that comedic sense that I’ve acquired from battling and freestyling, one thing just led to the other. I still have the same kind of slate of stories and ideas that I’ve been trying to get made for many years. That includes stories on battle rap, K-town and being Korean, American. Those are always kind of the things I take with me to whatever I’m trying to make right now, and maybe once I make those, I can move on, but I’m still working on that.

PRINCESS Andre, Towie’s Ella Rae Wise and Gemma Arterton were among the glamorous big-name celebs at tonight’s ITV Showcase.

The great and the good of the channel’s talent descended on London’s Design Museum to champion its 2026 schedule.

Ant and Dec, Michelle Keegan and Olivia Attwood also attended as did pregnant Scarlett Moffatt with her fiancé Scott.

Reality star Princess went all out in a satin dress befitting of her royal name, while Ella Rae gave a glimpse of her bra in a fitted white suit and carried a pink Chanel bag.

Bond Girl Gemma showed off her legs in a black mini skirt and heels, which she teamed with a black vest top and white tee.

She joined Tom Bradby on the black carpet and the pair looked to be having a good laugh in between posing for pictures.

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Michelle Keegan also opted for a power suit and cut a happy and relaxed figure beside actor Douglas Booth.

Olivia Attwood wore a baby blue corset with a suit jacket hanging off her shoulders and loose-fitting smart trousers.

Love Island‘s Whitney Adebayo looked stylish in a plunging striped dress, while Marcel Somerville rocked a patterned shirt and pristine white trousers.

Glam Gabby Allen curled the front of her blonde ‘do and dressed in a slinky nude number.

Emma Willis was typically cool in a beige suit and crop top, while Joey Essex gave European Bachelor in a buttoned-down white shirt and trousers, accessorising with a necktie and shades.

Influencer Perrie Sian went hell for leather in a chocolate brown jacket and matching skirt

Sir Mo Farah was full of energy, striking fun poses in his blue blazer and stone-coloured trousers.

Graham Norton attended in a black blazer emblazoned with a colourful flower motif, while Natalie Simpson was a vision in red.

Among the programmes coming to screens are new entertainment show The Neighbourhood, fronted by Norton, and gameshows The Box, hosted by Gary Lineker, and Nobody’s Fool, hosted by Danny Dyer and Emily Atack.

Then there are the familiar favourites such as Love Island, I’m A Celeb and Britain’s Got Talent as well as new dramas Secret Service, with Arterton in the lead role, The Blame, featuring Booth and Keegan, and The Party, with Luke Evans and Elizabeth Day.

Jimmy Bullard, described as “a massive joker”, is set to reunite with Adam Thomas for the live I’m a Celebrity…Get Me Out of Here finale months after that bust-up

Jimmy Bullard is said to be plotting his “ultimate sweet revenge” on Adam Thomas ahead of the live I’m a Celebrity…Get Me Out of Here finale tonight.

ITV bosses are understood to be nervously counting down to the reunion amid uncertainty over what might unfold between Bullard and Thomas, whose bust-up in scenes that aired this week was described as the programme’s biggest ever row. It is reported Bullard, 47, remains “seething” over the argument, which happened several months ago as the I’m a Celeb spin-off is pre-recorded until the final.

But sources believe the former professional footballer is ready to give his version of events tonight. One insider said: “Jimmy is a larger-than-life character with a wicked sense of humour and will be revelling in the opportunity to make everyone sweat.

“He’s a massive joker, so they don’t know what he’s going to say or do in the live final. He is also not afraid to say exactly what he thinks — and that means he won’t be toeing ITV’s line… It’s the ultimate sweet revenge.”

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Adam, an actor who is in Waterloo Road, and Jimmy clashed on the show as they teamed up for a Bushtucker Trial which would end with the losing duo being sent home. Former Fulham midfielder Jimmy quit the challenge and, in an angry confrontation, Adam raged at him: “You’re taking the p***!”

Campmates, including Harry Redknapp and Craig Charles, will now gather for the last time in tonight’s programme. Despite the row, Adam was allowed to remain in the camp and so battles to win the competition tonight.

But it will be the first time the former Emmerdale star comes face to face with his rival since the bitter spat, recorded last autumn. It was unclear whether dad-of-two Jimmy would attend the series finale because he remains so furious over the edit of his dramatic clash with Adam. Boxer and fellow campmate David Haye had said in an interview: “It was a lot more intense.”

ITV, though, insists what viewers saw was an accurate and fair representation of events. It also denied wild claims Adam attempted to kick Jimmy. A spokesperson had told the Mirror: “This is categorically not true. Adam did not try to kick Jimmy.”

While Adam, from Manchester, was visibly angry over Jimmy’s decision and he did kick a door in the trial area, it was said to be “nowhere near” his co-star, and was included in the broadcast this week.