show biz

Viewers of Love Island were left stunned by the latest recoupling news after Sam made his moves with the latest two bombshells to enter the villa

Love Island fans were quick to have their say about the latest recoupling drama. A surprising text sent shockwaves through the villa, with Yasmin telling them all they must gather around the fire pit immediately.

Bombshells Namibia and Victoria were given the option to pick first, with both new arrivals having been flirting with Sam. And Namibia immediately chose Sam, leaving Victoria frowning. And she threw a spanner into the works as she chose Ope, despite him making it known he was all eyes on Angelista.

Ope hugged the bombshell before sulking back into the chair. Angelista looked fuming before the episode ended. But despite Ope’s reaction, fans claimed he would have been ecstatic on the inside.

On X, formerly known as Twitter, one user wrote: “Ope acting like he’s going to the electric chair being picked by Victoria when I know he’s gassed on the inside.”

Another added: “Ope wanted this so why is he huffing and puffing??? fool.” And a third said: “Ope with this bad acting.” Earlier in the episode fans watched at Sam wasted no time exploring his options and try to move on from his friendship couple with Robyn. And it all appeared to be going well.

As he pulled Namibia for a chat, he asked her: “Would you say I’m your favourite in here?” And he was met with a positive response as she teased: “Yeah, you’re up there.”

He picked up on the flirty vibes and admitted he fancied her. He went on to reveal if it was up to him, he would recouple with her.

When Victoria later asked of any bold moves he was planning, he decided to take her on a private tour of their living space. The duo ended up on the famous terrace and locked eyes on each other.

As they reflect on their time in the Villa, Sam confessed that the arrival of the two Bombshells was a welcome surprise.Victoria later asked him which of the bombshell has made him happier.

“When you like something you’ve got to go for it… and I like you,” Sam said. And the pair locked lips, much to Namibia’s dismay. He admitted to the boys that he “kind of f***ed up” with his actions, looking concerned.

But the triangle continued the following afternoon after Sam invited Namibia to the Hideaway away from prying eyes.

While tucked away, he told her: “I still fancy you the most in here, I think you’re beautiful.” But the moment was quickly clocked by Victoria. Away from the group, Sam made his move after telling Victoria he won’t be kissing Namibia again.

LOVE ISLAND CONTINUES TOMORROW AT 9PM ON ITV2 AND ITVX

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Ariana Grande and Ethan Slater have reportedly ended their relationship after almost three years together.

According to multiple outlets, the former couple — who met on the set of the 2024 musical blockbuster “Wicked” — quietly called it quits several months ago.

“It’s amicable, they gave lots of time and careful consideration and decided to go their separate ways,” a source told People. “They are still friends and very supportive of one another. They have been quietly broken up for several months.”

The “Thank U, Next” singer, 32, and “SpongeBob SquarePants” actor, 34, had been linked since 2023. They made their relationship Instagram-official in 2024 in the lead-up to the release of “Wicked,” in which Grande starred as G(a)linda the Good while Slater portrayed Munchkin and future-Tin Man Boq.

Their dating rumors were scrutinized at the time because Grande and Slater both had highly publicized splits from former spouses around the same time. Grande was previously married to real estate agent Dalton Gomez, while Slater had been married to psychologist Lilly Jay, his high-school sweetheart with whom he shares a child.

In March, Slater wrapped the off-Broadway run of “Marcel on the Run.” In addition to co-writing the play with Marshall Pailet, Slater portrayed mime artist Marcel Marceau.

Grande, meanwhile, embarked on her Eternal Sunshine tour in Oakland on Saturday. This marks the “Hate That I Made You Love Me” singer’s first tour since 2019. Grande is slated for five shows in Los Angeles beginning June 13.

This might be the last time fans can catch Grande at a live concert — at least for a while. In November, she mentioned these shows might be her “last hurrah” as a touring pop star.

“I’m very excited to do this small tour, but I think it might not happen again for a long, long, long, long time,” she said on the “Good Hang With Amy Poehler” podcast. “So I’m going to give it my all, and it’s going to be beautiful, and I think that’s why I’m doing it, because it’s like, one last hurrah.”

Grande’s next album, “Petal,” will be released July 31.

Former EastEnders star Ben Hardy is returning to screens in an Agatha Christie film that also includes a Game of Thrones actor

Former Peter Beale actor Ben Hardy is set to start filming an exciting new ‘whounnit’ based on real-life events.

The new film Eleven Missing Days will also star Vincent Cassel and Felicity Jones and tell the story of Agatha Christie’s real-life disappearance.

The novelist’s disappearance made national and international headlines during the 1920s, with famous names joining the search to find her, including leading politicians and fellow writers such as Arthur Conan Doyle, according to Deadline.

There has been a lot of speculation over what happened to the author, and now 100 years on, some details still remain a mystery.

The synopsis reads for the film: “In December 1926, at the height of her fame, Agatha Christie became front-page news when she vanished in bizarre circumstances from her home.

“In a case of life imitating art, this whodunnit explores the investigation behind her disappearance, strangely resembling an Agatha Christie novel itself, where everyone in her life became a suspect.”

A stellar cast joins Ben Hardy in the forthcoming movie, including Say Nothing star Ryan McParland, Game of Thrones’s Alfie Allen, The Brutalist’s Stacy Martin, Nicole Elizabeth Berger from He’s Watching You, and The Gorge actor Oliver Trevena.

Currently in pre-production, the picture is on course to shoot this summer in the UK.

Who did Ben Hardy play in EastEnders?

The 35-year-old found fame on the BBC soap in 2013 when he arrived in Walford as legendary character Peter Beale. He had taken over the role from Thomas Law, who had played the part between 2006 and 2010 before returning in 2023.

Ben’s version of Peter was most memorable for being caught up in the ‘Who Killed Lucy Beale?’ saga and for dating Lola Peace (Danielle Harold) before rekindling his romance with Lauren Branning (Jacqueline Jossa).

After finding out his own brother Bobby (Eliot Carrington) had killed Lucy, Peter struggled with life in Walford and moved to New Zealand to start a new life in 2015.

In an interview with The Independent, Ben said that he had “been battling it for a year, how to make things work” before ultimately deciding to leave the show.

“I have so much respect for everyone who works on that show, I felt myself getting lazy as an actor,” he explained. “I felt myself constantly going, ‘This scene doesn’t work’.”

Ben went on to say: “That laziness scared me. I said, ‘I have to get out of here’.”

He has since traded in his fruit-and-veg market stall for the bright lights of Hollywood and landed a role in the 2016 film X-Men: Apocalypse.

He also played Roger Taylor in the biopic Bohemian Rhapsody and portrayed the role of Four in the Netflix movie ‘6 Underground’ alongside Ryan Reynolds.

Ben also played Frank McCulled in the film Pixie, Seb in The Voyeurs, Simon in The Girl Before, and Tre in Tagged.

Most recently, he starred as Oliver Jones in the Netflix movie Love at First Sight (2023) and the 2025 horror movie The Conjuring: Last Rites.

EastEnders airs Monday to Thursday on BBC One and iPlayer

FANS of a huge US hitmaker have voiced their concern after the star repeatedly slipped and stumbled on stage at the Summertime Ball.

Yesterday, 80,000 revellers descended on Wembley Stadium for Capital’s annual festival – but there was one singer who got everyone talking

A video of Stephen Sanchez has emerged and shows the star’s chaotic performance at the Summertime Ball.

Taking to the stage the flamboyant star was dressed in a peach suit.

But as The Until I Found You hitmaker started to perform, he was seen slipping and sliding everywhere.

At one point Stephen looked like he was about to fall off the stage, as he tried to regain his balance.

However, in the end he just ripped off his shoes and carried on dancing.

Sharing the video, TikToker @_floss_ wrote over the top of the clip: “The stage was really out to get Stephen Sanchez.”

Floss’s followers rushed to comment, with one saying: “Honestly at the end when he slid into stairs I just thought he had broken his toes!”

Another added: “Be careful Stephen!”

This one said: “This is a bad health and safety hazard! But he handled it so well.”

Meanwhile, Stephen wasn’t the only one to suffer on stage.

Fellow US star Jason Derulo was left red-faced as he slipped on stairs and fell over during his Capital Summertime Ball performance.

The singer took a stumble on stage when he slipped down some stairs while walking down onto the stage.

However, the US singer-songwriter styled it out in his usual fashion and appeared to be unhurt, telling the crowd: “I survived!”

Keeping his cool, he took a moment kneeling and put his finger in the air while he gathered his composure.

p]:text-cms-story-body-color-text clearfix”>

Earth Wind & Fire’s “September,” with its nonsensical phrase “ba-dee-ya,” has been streamed more than 2.3 billion times on Spotify, more than the band’s next five songs combined (including “Let’s Groove,” “Boogie Wonderland” and “Shining Star”).

In his visually and sonically vibrant film “Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World),” drummer, DJ and director Ahmir “Questlove” Thompson (“Summer of Soul”) shows how the funky but aspirational band was much more than its biggest hit musically.

But he also explores, in depth, the complexities of the band’s central figure, Maurice White. A self-affirming visionary who wanted to bring hope to people, White mixed journaling with talk of spaceships and metaphysics. However, he was also traumatized by a childhood in which his mother moved to Chicago for more opportunities, leaving White in Memphis, where he was once brutally beaten by white policemen. Those scars created a man who was a distant father and equally remote with his band members at the peak, mistreating them with casual disdain until everything fell apart.

Questlove recently spoke by video call about the film, now streaming on HBO Max, which features interviews with family, surviving band members, childhood friend Booker T. Jones and a couple of fans named Barack and Michelle Obama. This interview has been edited for length and clarity.

What drew you to this story?

In 2020, I was DJing on the internet, live streaming and I was DJing to calm people down from thinking they’re going to die in the apocalypse. One day I did an Earth, Wind & Fire set and when I got to the fourth hour, I thought, “Yo, is this one of the most relentlessly positive groups of all time?”

I started researching the lyrics and realized this band tricked us into positivity, like getting us to eat our vegetables. I started wondering how a band like that got past the velvet rope and realized that none of it was by accident, it was all by design. Their music was so good and you start singing the lyrics and there’s an osmosis effect of positivity that gets you.

When I started this in 2023, I had a spooky feeling that the turmoil of 2020 was going to visit us again, so I thought people would want something to watch that will help them plant seeds of what to do.

You save “September” to the end. Was it so people would see the band was more than their biggest hit or to send audiences off humming and happy?

It’s an unlikely legacy song. They have so many meaningful songs like “Shining Star,” while “September” is a leftover that was a filler song from a greatest hits album that became a career-defining song.

Initially, I was coming out the gate with “September,” just, “Let’s get this out the way.”

It took a while. Early on the Obamas weren’t part of the project. I interviewed them the morning after the 2024 elections; they were so professional and so in the moment and also helped us process the day.

We’d never gotten to see them sit next to each other and be playful and dance. And I didn’t say, “OK, let’s see how you move, dance for 12 seconds,” I was just playing something and they started dancing and the camera happened to be running.

But they put the song in context. In 2009, they said, “What’s the statement we want to make to America to show this is a new era at the White House?” And Earth, Wind & Fire was chosen to be one of the bands at the inauguration and it was that song. So my producer said, “Now we can treat ‘September’ like an encore.” We used that story to show how that song grew on its own organically.

White is a complicated guy. Was it challenging to balance everything in your narrative?

Oftentimes Black artists are seen as caricatures or one-dimensional. It’s easy to do the gotcha of “You’re so positive and metaphysical, what about this or that?” My goal is always to find a human element that you see yourself in. In Maurice’s case with his career, he did drink the Kool-Aid. But his personal life stemmed from not ever forgiving his mother for leaving him behind when he was little. When we hold anger and other emotions in, when we refuse to talk to our partners or friends — and you want people to read your minds — that’s when it becomes a problem. But I wanted to show that in a way where I don’t spell it all out. Hopefully people will make the connection of the importance of dreaming and planning and affirmations but also the importance of letting things go, like forgiving people.

MOLLY-MAE Hague and Tommy Fury will reveal the name of their baby son this weekend, The Sun can exclusively reveal.

Boxer Tommy’s shorts will be adorned with the newborn’s name when he fights man mountain Eddie Hall in a pay-per-view event on Saturday.

A source said: “The little man’s name will be on Tommy’s shorts at his fight along with Bambi’s.

“That’s how they are going to announce it to the world.

“The shorts will be two-toned colour.

“It was Tommy’s idea and Molly was very open to it.”

The insider continued: “Now the little fella is here it’s a no-brainer — what better way to announce his name than on his dad’s boxing shorts.

“Molly is now obsessed with it — she’s hoping to be there.

“They’re working out the walk outs at the minute because that’s when it will be revealed, with music and blue fireworks — it will be cool.

“It should be a really nice moment for them.”

Earlier today, Molly-Mae gave fans a glimpse inside her gender reveal party by sharing unseen footage.

The 26-year-old welcomed her baby son last week but chose to keep the gender private for the entirety of her pregnancy.

Molly-Mae gave birth at celeb-loved private spot The Portland Hospital, the same place Bambi was welcomed back in 2023 and the hospital which has seen A-listers such as Meghan Markle and Victoria Beckham give birth.

The new mum, Tommy and their daughter Bambi, three, found out the gender of the little one by popping a balloon, which exploded with blue confetti.

The couple met on Love Island in 2019 and are the show’s most famous couple.

They weathered a temporary split in 2024 as Tommy battled alcohol issues, but they are now stronger than ever.

Martin Mull was best known to audiences for playing comedic characters like Col. Mustard in “Clue” and Gene Parmesan in “Arrested Development,” but a new exhibit opening next year at the Santa Barbara Museum of Art seeks to elevate the role Mull was most proud to inhabit: a respected painter.

“Martin Mull: The Joys of Indoor/Outdoor Living,” co-curated by comedian Steve Martin and Hammer Museum Director Emerita Ann Philbin, comes to SBMA next June and runs through October. It will be the first major museum exhibition of Mull’s artwork in 20 years.

The paintings featured include scenes of unassuming houses visited by otherworldly guests, dead-eyed office workers, gravity-defying displays and lambs being led to the slaughter. They play with perspective, color, space and time to illuminate postwar American tensions, be they racial, political or existential.

“Martin Mull’s work as an artist will certainly be his primary legacy,” Martin said in a statement. “After a full-time career in painting, in the last 20 years of his life with his technical gifts fully developed, Martin’s art coalesced into tight, narrative paintings of a peculiar nature. Combining surreal elements with family idioms, he formed his own worried portrayal of American life.”

The exhibit, which will take over the museum’s 6,000 square feet of main galleries, will feature more than 50 paintings and drawings by Mull, most of which come from the artist’s estate and the private collections of Mull’s entertainment industry colleagues, including Steve Martin, Jennifer Tilly, and Ted and Nicole Sarandos .

The exhibit is the second curatorial collaboration between Martin and Philbin since 2015, when they partnered on “The Idea of North: The Paintings of Lawren Harris” at the Hammer Museum.

Philbin, who retired from her longtime role as the Hammer’s director in 2024, told The Times via email that the idea behind the Mull show came after she saw one of his paintings in Martin’s dining room.

“Steve talked about how Mull’s painting practice was his deepest passion, despite the fact that his fame was as an actor and comedian. It prompted me to do a little research, and I became very intrigued by his body of work. I wrote to Steve, ‘Martin Mull. There’s something there.’ That’s how the project began,” she said.

Along with Martin and Philbin, the upcoming exhibition is led by SBMA Chief Curator James Glisson and Amada Cruz, the museum’s director and CEO. In a news release, a museum spokesperson said Mull’s work “upsets any storybook picture of perfection” and resists nostalgia while acknowledging its allure.

“It’s so deeply strange — dark and funny, hopeful and menacing all at once,” Philbin said. “The paintings are about the smoldering tensions that underlie the American dream, so I think it’s a particularly apt moment to bring them back into the public eye.”

Mull, who died in 2024, received his master of fine arts degree in painting from the Rhode Island School of Design in 1967. Though he went on to craft a career in the public eye as a musician, comedian and actor, painting remained his “true vocation.”

Martin, a longtime friend of the multidisciplinary artist, echoed this sentiment in an email to The Times.

“If a comedian says he is also a painter, run. Except this once.”

Netflix’s new hit drama which is climbing the charts stars the late Song Young Kyu as Ryu Gwang-pil.

K-drama Teach You A Lesson was Song Young Kyu’s final job before his tragic death in 2025.

Netflix has just unveiled a new South Korean drama which is already climbing the UK Top 10 chart alongside shows like The Witness, and viewers have been talking about one star in particular.

The series, which is just one of many Netflix K-dramas, is about a school notorious for violence and the decline of faculty authority, which is turned around by an inspector from the Educational Rights Protection Bureau who uses physical intervention and unconventional methods to discipline delinquent students.

The show, based on the Naver webtoon Get Schooled, stars Song Young-gyu as Ryu Gwang-pil – a member of the National Assembly and the father of student Ryu Jun-hyeong (played by Lee Seung-gyu).

Song Young-kyu, also referred to as Song Young-gyu, was a 55-year-old South Korean actor who was best known for his theatre roles, and he made his film debut in the 2002 movie Turn It Up.

He was best known to international audiences for his roles in Netflix’s Narco-Saints and Disney+’s Big Bet, both released in 2022.

In August 2025, the actor was found dead inside a parked car in Yongin, Gyeonggi Province. There was no signs of foul play according to authorities.

Teach You a Lesson was the show he completed filming on before his death and his posthumous appearance in the series is drawing worldwide attention.

The first episode of the series revolves around school violence and it sees Education Authority Protection Bureau supervisor Na Hwa-jin (Kim Moo-yeol) visit Daehan High School, where student Park Dae-seok (Jung Soo-hyun) died.

The ringleader of the violence, Ryu Jun-hyeong, is the son of Congressman Ryu Kwang-pil, a prominent potential presidential candidate.

Relying on his father’s position of power, Ryu Jun-hyeong looked down on students and staff, committing all kinds of atrocities.

Na Hwa-jin even visited Ryu Kwang-pil directly. However, instead of correcting his son’s wrongdoing, Ryu Kwang-pil tried to block Na Hwa-jin using his position and influence and even attempted to dismantle the Education Authority Protection Bureau altogether.

Song Young Kyu, who is survived by his wife and two daughters, appeared in more than 40 TV dramas and numerous films across three decades.

His role as Chief Choi in the 2019 film Extreme Job, which became one of South Korea’s highest grossing films ever, gained him international attention.

One fan took to X, formerly Twitter, to pay tribute to the star after watching Teach You A Lesson, saying: “I was so focused on the plot of Teach You a Lesson that I didn’t even realise the actor playing the bully’s father in episode one was Song Young-gyu.

“The crazy thing is, I’ve seen him in so many dramas over the years, but while watching this one, all my attention was on the story, the tension, and everything happening on screen.

“It wasn’t until now that it clicked. It’s a strange feeling when you recognise an actor after the fact and remember that they’re no longer here. It makes you look at their scenes differently.

“Supporting actors rarely get the same attention as lead stars, but they’re often the ones who make these dramas feel real. Continue to Rest in Peace, Song Young-gyu.”

Teach You A Lesson is on Netflix now

Christa Miller, who plays consummate mother and opinionated neighbor Liz on “Shrinking,” has one piece of advice for parental dressing: Step away from the athleisure.

“You’re not going to feel confident in workout wear,” says Miller. She and the show’s costume designer, Allyson B. Fanger, are very intentional with Liz’s outfits, a master class in effortless yet accessible casual chic: Bold colors, layered tops, cheeky accessories and a liberal use of stripes. “The character totally could have been [in] Lululemon, but I didn’t want to fall into that trap.” Instead, Miller says they chose to spotlight Californian brands like Clare V, Jennifer Meyer, and fittingly, Mother, styled “a little off” for looks that have become so popular that Fanger created a LookLikeLiz hashtag on Instagram for fans.

Miller is just one of the stars pulling focus for their characters’ distinctive style on shows that are contenders in the Emmys race this year: Keke Palmer (“The ‘Burbs”), Sarah Snook (“All Her Fault”), Lucy Punch (“The Audacity”), Elle Fanning (“Margo’s Got Money Troubles”) and others all have fans buzzing about their fashion. And costume designers and style experts agree that the inspiration goes both ways.

“There was this expectation that once you became a mom, the attractive parts of you got set aside because you were just a mom,” says Shana Draugelis, founder and CEO of lifestyle and shopping website the Mom Edit, which recently ran a detailed feature on Liz’s wardrobe. “With the advent of Instagram, the whole style game has just completely leveled up.”

Liz’s looks, which Miller says are inspired by “Brentwood mom” style, reflect the character’s personality. “She’s not going to work, but she does want to have a certain element of presence,” says Fanger, who is a five-time Emmy nominee for her work on “Grace and Frankie.” “But there’s also a casual component to Los Angeles dressing. Mixing levels [of designers] lends itself to uniqueness, a strong point of view and a general coolness. You never look like you’re trying too hard.”

Another character with a strong fashion POV is “The ‘Burbs” Samira (Palmer), a city girl and new mom who moves with her husband Rob (Jack Whitehall) and their baby son from the city to the idyllic (and fictional) Hinkley Hills. Clad in bright, slouchy-cool separates and statement accessories, Samira quickly makes a splash among her more blandly dressed neighbors.

“She’s the only Black woman in the neighborhood,” says the show’s costume designer, Trayce Gigi Field, who pulls quite a bit of, yes, Mother, but also likes to sprinkle in some lesser-known designers like Good ’Ol Whats-her-face jeans. She also paired Samira’s Howard University sweatshirt with biker shorts a la Princess Diana. “Showing her jewelry and her vibe and just having cooler clothes … it’s a great contrast to the other characters, except for Rob, [who] had the Black wife glow-up.”

Less brightly colored but no less interesting are Marissa (Snook) and Jenny (Dakota Fanning), who bond after the disappearance of Marissa’s son in an affluent Chicago neighborhood in “All Her Fault.” Their wardrobes are more subtle, yet show that there are different strata in the quiet luxury landscape. Publishing exec Jenny is well off, but nowhere near as wealthy as Marissa, who owns an accounting firm. (Perhaps not coatless “Succession” rich, but still.)

Costume designer Gypsy Taylor pulled “silks and beautiful fine wools and cashmeres” in warm toffee, chocolate and peachy tones by designers like Max Mara and Armani for Marissa, while Jenny “was a little bit more street: leather coats instead of cashmere. Or a beautiful J. Crew turtleneck as opposed to a Saks Fifth Avenue” one.

But perhaps the most amusing depiction was how Taylor contrasted the stay-at-home moms (and dads) with Marissa and Jenny, with most of the sartorial showdowns taking place during school pickups and dropoffs. “We just went hard yummy mummy on her,” says Taylor of PTA President Sarah Larsen (Melanie Vallejo). She used “too much Lululemon,” as well as Alo and PE Nation to round out the athleisure.

In “The Audacity,” Silicon Valley parents Duncan (Billy Magnussen) and Lili (Punch) portray a different kind of luxury, a casual minimalism that belies the residents’ mind-boggling net worth. “The focus is not so much showing off the wealth, but at least, you know, it’s still there,” says the show’s costume designer Farnaz Khaki-Sadigh. “So you see people like wearing a T-shirt, but it’s not your average T-shirt — more about the quality of the fabric than the designer name on it.”

Finally, on the other side of the economic spectrum, there’s Margo (Elle Fanning) and her mother Shyanne (Michelle Pfeiffer) in “Margo’s Got Money Troubles.” When college student Margo unexpectedly becomes pregnant, Shyanne and Margo’s estranged father Jinx (Nick Offerman) step in; the series follows their struggle to support each other after baby Bodhi arrives.

Costume designer Mirren Gordon-Crozier says via email that her conversations with Fanning “centered around making Margo feel emotionally truthful rather than overly styled.” This meant vintage Levi’s, worn tees, thrift-store knits, “pieces that feel inherited or accumulated over time.” As for her mother, “Shyanne is much more performative. She understands the power of presentation and uses fashion almost as armor.”

But it’s not just the distinctive clothes that are uniting the people on these shows — it’s the fact that parenthood is just one aspect of these characters’ very full, very busy lives. “What does feel good to me is the fact that so many of these moms are being portrayed in Hollywood for something other than being a mom,” says Draguelis. “It just feels like being a mom is a continuation of who you are.”

Memorizing your lines seems like such a foundational part of an actor’s job that there wouldn’t be much to say about it. Yet when a group of performers recently got onto the topic during The Envelope’s Emmy Limited Series / TV Movie Roundtable, it turned out everyone had their own way of doing it. And all were eager for tips and tricks, whether it be an app, a line-drilling coach (“Can I have that number?”), writing down the first letter of each word or even writing a monologue backward.

“We have to share tools, guys,” said Camila Morrone, who plays a bride-to-be who learns her fiancé’s family dark secrets in the horror thriller “Something Very Bad Is Going to Happen.” “It’s funny that we all have such different methods.”

Joining Morrone were Jamie Bell, who stars in “Half Man,” about the extremely dysfunctional, toxic relationship between two stepbrothers; Linda Cardellini, who appears in “DTF St. Louis” as a dissatisfied woman caught in a dangerous love triangle; Michael Peña, who plays a detective assigned to the case of a missing child while his own boundaries are tested in “All Her Fault”; Andrew Rannells, who is a man coming to terms with his own life while helping to plan a funeral in “Miss You, Love You”; and Constance Zimmer, who channels the mother of Carolyn Bessette Kennedy in “Love Story: John F. Kennedy Jr. and Carolyn Bessette.” Read on for more excerpts from our conversation.

How do you watch TV? A home theater screening room or a tablet on the go?

Morrone: When I see people on a plane watching on their phone, I’m like, “Do you know how many people worked on that?”

Zimmer: I can barely watch one on an iPad because I still feel guilty about not getting the full effect.

Cardellini: I can’t watch on my phone or an iPad. It starts to hurt my eyes. And I like to binge. I don’t like one at a time. I like to save it up, and I like a binge. I don’t have the patience.

Morrone: Oh, I love one at a time. I want to wait till Sunday night, order my favorite food, maybe have a friend come over … Guess our theories of what’s going to happen. I did that with “White Lotus” this year, and I was looking forward to every Sunday at 7 p.m.

Bell: I catch usually about 10 minutes of whatever my wife has fallen asleep to. And then I’ll get into that, and then I’ll watch a lot more episodes while she’s asleep. And then she’ll wake up, and we’ll be completely out of sync in terms of what we’re watching.

Jamie, “Half-Man” is such an emotionally intense show, and it seems like that would be a really hard head space to exist in. Are there things that you do for yourself to maintain your own sanity?

Bell: Me and Richard [Gadd], who wrote the show, are big soccer fans. So I brought a soccer ball to set a lot, and just whatever space we’re in, we just kick a ball to each other every now and then. So, a lot of that wasn’t even us really speaking to each other, but just passing a ball backwards and forwards, which was quite a nice way of just taking our minds off of whatever scene we were doing and still enjoy the space with each other and do something that was physical that didn’t really require us jumping [around] too much.

Camila, “Something Very Bad Is Going to Happen” is also a very intense show. It’s not so much a scream queen kind of horror; it’s this foreboding horror. Was that a difficult space for you to exist in?

Morrone: I think there’s an underappreciation for horror performances. I think some of the most incredible performances, especially by women, have been done in the horror genre. And I think it’s a really specific thing to do because if you’re playing only one level of horror throughout an eight-episode series, I think it’s incredibly boring. And I think I had this notion of like, “God, I don’t want to do these jump scares,” and kind of the cliches of what we imagine horror is like. But horror can be really deep and really internal, and I think there’s a lot of ways in which horror and fear manifest. And I think it was interesting to try and find levels to it and to have the audience come with you, but not dramatize or exaggerate an emotion.

Michael, in “All Her Fault” you are playing someone who could be a much more conventional detective character, but reveals more layers. Was there a moment in your career when you realized, whether it was going for certain roles or not going for certain roles, where you wanted to break out of feeling like a sidekick character or more stereotyped characters? Was there a moment where you made an effort to start going for a different kind of role?

Peña: Back when I started acting, the breakdowns for actors, it was like “Caucasian only,” “Caucasian only,” “Caucasian only,” and we weren’t allowed to audition for those. And it was only until the 14th part that it said, “Open to other ethnicities.” So there’s like a thousand of us going for the 14th place. Ten years of that, you kind of think, “I guess I’m meant to be a supporting character.” But then my mom, right before she died, what she said is, “If you’re going to do that, just make it real. What’s the best you can do with that part?” I said, “Make it a three-dimensional character.” She’s like, “Just do that.” And she’s like, “Nobody remembers your bank account.” And I was like, “Oh, these are two good pieces of advice, Moms,” and so that’s what I did. And with “Crash,” he was a gangster and I was like, “Screw it. I’m just going to do the work and try it out, and all the stuff that I was learning in acting class, I’m going to apply it to this particular role.” And I was happy with the work, so then I kept doing that.

For the rest of you, was there a moment where you had to make a decision about the kind of career that you wanted for yourself and the kind of roles you were going to go up for?

Zimmer: Sorry. It just makes me laugh because we have no control, as actors, over where they believe that we belong. I wish that we could say, “I’d like to try this now,” but it’s basically where they believe they would like us. And then you get put into an area, or a path, or a box, and you can’t get out until somebody else decides, “Hold on. We’re going to give you that shot to try this, even though it’s not necessarily what you normally do or are known for.” Then it takes that for everybody to go, “Oh, you can do this, too?” And it’s like, “Yeah, that’s my job.” My job is to do a lot of things, not just one role, or one type of role.

Rannells: You’d like to think that you’re more in control of those decisions, but sometimes things just happen.

Constance, as Ann Messina, Carolyn Bessette’s mother in “Love Story,” you have this speech that you give at their wedding dinner. It’s such an incredible scene, and I’m wondering, what was it like for you when you first read that in the script?

Zimmer: That monologue was actually my audition.

Peña: Oh, I love when that happens like that.

Zimmer: So I knew it very well, getting on the set with it. I think that I only saw two scripts out of nine episodes, and they were just the ones I was in. And I remember my team saying, “This might be it. We don’t know if there’s anything else that you’re going to do on the show.” And I said, “If this is the only thing I do, it’ll be worth it,” because it was so layered and it was so well-written by Connor Hines and Juli Weiner, I was kind of like, “This is all that matters anyway.” So, to be able to feel like I could pour the entire character into one moment in time, it allowed me to try and give her as much as possible because I was like, “This might be it.” So when I read it, I was like, “Oh, OK. That’s like those five-page monologues that you don’t get very often to do for one character in one episode.”

Linda, your character on “DTF St. Louis” has this habit of saying, “No way, José,” and it’s oddly catchy. And she also is always asking people to speak up. Is it difficult to take what seems, on the page, maybe like tics or weird habits and make them feel natural?

Cardellini: That was the great challenge of it, and it’s the beauty of [Steven Conrad’s] writing. Like we repeat “Jamba Juice,” or “Quality Inn,” or “Garden Suites,” all these little phrases, or “Snag it.” It’s so fun to find a way to make that seem like it is natural to you. I remember I had a long monologue audition, and in there I talk about, “No way, José.” I wasn’t sure what the tone was — it’s such a specific tone when you watch the show, and it’s very Steve Conrad. And I didn’t know what it was before I met him and before you could see the show in action. So getting through that and chewing through that in my audition, doing these versions of “No way, José” that I thought felt really, really natural to me, I was like, “This is how I would say it. This is how I’m going to do it. If my sense of humor matches his sense of humor, if our tones match, then I’ll get this role. And if they don’t, then somebody else will do it beautifully in that other way, whatever that is.” Luckily that was like a marriage of tone and thought, and then those things start to come naturally. And then you want to say them more often than they’re written. There’s not a lot of improv in the show, but we would all just joke around and say it to each other.

Andrew, so much of “Miss You, Love You” is just you and Allison Janney together —

Rannells: Just sitting in a house. Just talking.

What was the rehearsal process like? How did the two of you prepare for these very long dialogue scenes?

Rannells: We rehearsed it like a play, which was really fun, and I’ve never really … I mean, we did that, I guess, with “Boys in the Band” a little bit. We had done it on Broadway and then we all kind of still knew it from when we actually filmed it. But Allison and I rehearsed it like a play, and we would just run lines like little theater nerds. It was exciting because I’ve never — to get on set and to be able to say, like, “We can do the first 25 pages just because we’ve already memorized it.” And we did for Danny Moder, the [director of photography]; we did our little play for the crew one day. Which was really fun because you don’t normally get to work like that. It’s like in little segments. And [writer-director] Jim Rash just let us run it in a way that felt really satisfying to get to do. Because sometimes when you just do little pieces of things you’re like, “I can’t quite get the arc of this, and I don’t really know.” You’re doing inserts, and you’re like, “This doesn’t feel like acting.”

Zimmer: And you’re doing it out of order, so you’re like, “Wait, I’m playing the end before I’ve even played the beginning, but I don’t even know what my beginning is.”

Cardellini: It becomes detective work.

Rannells: Shout-out to Allison Janney. It turns out she’s good at acting.

Linda, what was it like working with an intimacy coordinator in shooting what certainly look like they could have been very awkward scenes in “DTF”?

Cardellini: I like an intimacy coordinator. I think it’s wonderful. I think they’re there if you would like to use them. Everybody I’ve ever worked with in that capacity has been so helpful and considerate, and I think it’s just a nice resource to have. And we had a great one on “DTF.” … One of the first scenes I ever shot was me where I have to, we call it “weight placement,” on Jason’s face. And we were scheduled to shoot that much later, but it came up the —

Rannells: That was your first day?

Cardellini: That was our first scene together, really placing your weight on somebody in a way where you just don’t want to hurt somebody’s face. I mean, you don’t want to suffocate somebody. There’s a lot of things that could happen. But it was handled so beautifully. And Jason, of course, is so wonderful, and we had such a great time doing the scenes because we just would laugh — they’re funny. The scenes, more than even being sexual, are so awkward and bizarre and filled with these strange little kinks that it becomes funny, in a way, although you treat it with dead seriousness. But Steve Conrad had a beautiful economy about what he was shooting, and he would storyboard. It was never just like, “Oh, be intimate and go for it, and we’ll see what we use.” It was, “This is the part of your body we’re going to use right here. This will be the shot. It’s this frame. We’re not going to do any more than that.” So you never felt like you were in the Wild West doing this passionate thing that felt uncomfortable. … Because, of course, going into something like that, reading the script, you’re thinking, “It’s a little nerve-racking. How am I going to do these things?” It was much easier than I could have ever imagined.

Constance, your character in “Love Story,” she embodies the other side of the glamour and the fame and the story that we all think we know. And in a lot of ways I can’t help but connect it to your character from “UnReal” in that it creates this really interesting perspective on fame. These roles, do they make you think about that, as well? Do you start to consider your own relationship to fame and your character’s relationship to fame?

Zimmer: Ann, [and] working on “Love Story” in general, really brought the price of fame to the forefront and how it can tear people apart and down and away from who they were before they became famous. And I think, in this particular story, Carolyn never set out to be famous. That was like the last thing she wanted. The scenes with me and Sarah Pidgeon, who plays Carolyn Bessette, were very much about, “How do I remind you that everything is going to change, and you are going to change?” So it made the mama bear really show up. And sadly, it’s hard to do the research about all of that and see how much media was to blame. I hate to say it, and it’s tough, especially for a woman: They really tore her apart. It definitely makes you look at things and go, “Wow, it’s so interesting what we all give up.” This is our craft. We do this as actors, yet when we step outside of our craft and our roles, we are judged on such a harsh level. We’re here for the work and to make and show these characters so that maybe you can see a little bit of yourself, or maybe it can help you with grief, or laughter, or whatever. But then, outside of our work, we are judged almost worse about how we’re aging, how we’re not aging, what we look like, what we don’t look like. It’s the hardest part, I think, of what we do.

Would the rest of you agree with that, that in some ways, it’s not the work that you’re doing, but it’s this other job that exists outside of your work, the fame aspect of it? Does that become a bigger challenge than you expect?

Rannells: So much of the promotion of things that you work on now hinges on your participation in like, “Post this picture” or “Do this video” or “Do this thing.” And that’s stuff that you just don’t think about when you say, “I want to be an actor.” You don’t think about, “Do I have to do a collab with the network?” I don’t want to do that. That’s not part of my job, but it is part of your job. That is part of it now. So that’s a tricky aspect of it that I didn’t expect.

Morrone: The other side of that coin is that there’s independent films that I’ve done, that nobody would have ever seen had I not been the poster child on social media, being like, “I love this film. Please, watch this film. This is how to watch this film.” So, then again, it can also be a really beneficial platform. And it’s such a complicated relationship because, I mean, I grew up with social media. I don’t ever remember not having a form of social media. And I wish I could be like the cool actors who aren’t on it. They’re much more mysterious.

Peña: Jamie’s not on it.

Bell: I mean, it’s not a conscious choice. I’m just not on it.

Jamie, both you and Linda have been acting since you were quite young and, in some ways, have grown up on camera. How do you know what of yourself to hold onto, what you allow the public to see? Is that something you , at some point in your career, had to make a decision about how much of yourself you were going to give away?

Bell: I’m quite a boring person. I’m a dad. When I’m not working, I’m just dad and school running and that kind of thing. And also, I enjoy working. So most of my time is spent either trying to get the next job, or thinking about the next job, or just really working hard on that because I enjoy that. So I really don’t think about any of that other stuff. And I’ve been quite fortunate in that no one is particularly interested in banging down that door anyway …which I’m quite relieved about, honestly, because I feel like I get to work in a space where I’m just coming and playing the part, and I’m going home. That’s all I’ve ever done is since I was like 12 or 13 years old, and I still enjoy that. I still enjoy that thrill of going to work and playing the character. And I have incredibly high expectations of myself and all those things. I self-flagellate a lot on the way home, like, “Why didn’t you do it like that?” I stress myself out about that kind of stuff, but I still go back the next day going like, “God, maybe I’ll get it today.” And that excitement still exists. And I think mostly that’s because I don’t have this other side of stuff that is distracting me from anything.

Cardellini: When I first started, I wondered if I would ever make a living at it. And to be able to have had it as my job and to have a job that I love and, like you said, show up and just be excited to do the work and be excited to be around other people who do the similar work or behind the camera… It’s such a beautiful community that I feel very grateful that I’ve been able to grow up doing what I love. I mean, I wouldn’t have guessed that it could have lasted this long. And people always said, like, “Oh, when you get to a certain age, it gets terrible for women.” And I still feel like I’m still learning and growing and doing new things, stuff I’ve never done before. So I just try to turn down my worry and just be so grateful in the moment, which is not always easy for me because I can live with a lot of anxiety. But thinking about it and listening to everybody here right now, I just am very grateful to have a seat at the table, literally and figuratively.

I’d imagine for all of you that you’re probably never quite sure what roles you do that are going to be the ones that hit in a certain way. Do you ever know what movies are going to land with audiences?

Peña: I think I’ve done OK in that department where if I read something and it really moves me, I just want to be a part of it. I mean, they had their own success, in a way. “Eastbound & Down” was so funny. When I read the character, I was like, “Oh, this is a really cool character.” And now the meme… There’s a fart meme. Man, I swear to God, we shot that 15 years ago, and literally I do a fart noise, and I say, “How long have you been with her?” It sucks now because I’m like, “That’s all they know me for. Not ‘Crash,’ not ‘World Trade Center,’ not all the movies that were nominated, this and that.” It’s the fart noise.

Rannells: Is that going to be your In Memoriam thing?

Peña: Can you imagine? Let’s watch a clip here of Michael —

As we talk about these past projects you’ve been a part of, it just leads to the question of how the business of being an actor, the nature of this as a job, has changed for you over the years.

Rannells: When I started, and I started in the ensemble of “Hairspray” on Broadway, I never expected that I would ever get a job on television. That just seemed very far away. So the fact that I get to do it and that I have a tiny bit of control over what I get to do is a real gift because it was very unexpected. My first TV job, I was a headless stripper on “Sex and the City.”

Morrone: What episode?

Rannells: It wasn’t a Halloween episode. They just didn’t shoot my face. But I remember filming it and being like, “I can’t imagine this will ever happen again, that I’ll be on a set, or doing a TV show,” So it’s still sort of a surprise anytime I get a job that I’m like, “Someone’s going to pay me to do that, to make faces.”

It seems like everyone in Hollywood right now is talking about artificial intelligence. For all of you, is that something that you are thinking about for yourself? Have you experimented with it at all?

Morrone: I really want to believe that people will always choose us and real emotion, and that the audience is really smart and they want to see real humans and real life experiences and raw emotion. And I pray that that’s the case. I have a lot of hope in humanity, in that case.

I don’t know what it means for us in the near future. I know that we have to protect ourselves. I actually was working with Patricia Arquette, she directed me in a film called “Gonzo Girl.” And she is so hyper-aware of all of this and looking into all her contracts. So was Jamie Lee Curtis. I got the opportunity to talk to her about AI. And they were so knowledgeable and like, “Go back and look at everything that you’ve done the last 10 years, and review everything, and make sure that they can’t use your likeness in the future.” I mean, it’s something that we really do have to be aware of.

Peña: I don’t think that it’s going to be a threat because it’s working off of a database and whatever has been uploaded onto that particular AI. So, just for s— and giggles, I was like, let me see if it can write some jokes. So, I’m like, “What would Peña say in this one?” I was like, “Lame.” All the jokes sucked, and they were recycled jokes. And I was like, “OK, cool. That gives me hope.”

Zimmer: Was there a fart joke in there, though?

LOVE Island viewers have been left baffled after spotting Ellie Chadwick is rarely seen without her iconic £2,000 Prada bag.

Despite engaging in some tense chats in the villa, fans of the hit ITV show have been left distracted by her trusty wicker basket bag never being far from sight.

And it turns out there is a key reason why real estate videographer Ellie, 24, is always carrying her beloved accessory around the villa.

Amy Bannerman, eBay‘s Pre-Loved Style Director, told The Sun that bags were added into the Love Island pad for the first season of Love Island All Stars in January 2025.

She explained: “I wanted a way to add more eBay to the Islanders’ non-swimwear looks and give us an opportunity to talk about eBay’s Authenticity Guarantee (AG) offering. 

“The Love Island All Stars cast all really veer towards premium brands too, so it felt like the perfect place to introduce it.

“There isn’t more of a focus on bags this season, but they have got more airtime from Ellie’s iconic Prada moment, which is great.”

Viewers have been left in fits of giggles after spotting Ellie’s bag habit and have taken to social media to discuss it further.

One wrote: “Ellie is the first girl I’ve seen carry a bag around the villa, she’s so real go find those designer bags girly show us the villa collection.”

This person replied: “And the only thing in there is probably her phone and some lip gloss.”

This person asked: “Can tell you right now that there’s nothing in Ellie’s bag,” while someone else echoed: “Why is Ellie the only person in love island to ever carry a handbag?”

Someone shared a picture of Teletubbies character Tinky Winky and their famous red handbag, while another posted a picture of Mr Tumble and his yellow spotted bag.

This viewer shared: “Ellie walking around the villa with a handbag, quite possibly is the first time I’ve seen that happen on that show, since I began watching it, all those years ago. Definitely not on my bingo card.”

Another added: “It’s really making me laugh that Ellie carries a handbag, like girl why do you need a handbag in the villa?”

And some fans have even suggested: “If she stays long enough, she’s going to have some bag deals.”

Amy clarified that there is no quota for how many eBay items Islanders have to use, but they have the option to choose from their “incredible choice of brands and styles.”

Amy explained: “They pick pieces from a shared wardrobe that includes everything from Versace and Gucci to vintage Topshop and Marks & Spencer. 

“Last season, unbranded vintage was the most-worn category, which was very exciting for us!”

The eBay staff member said they also added men’s bags as the “boys all seemed keen to join the girls in carrying AG bags.”

She added: “We have also added luxury AG men’s sliders too, so they’re wearing more eBay around the pool during daytime moments.”

The love triangle between Scottish lass Ellie and brothers Aidan and Kavan reared an ugly head on Sunday’s episode of Love Island, with Ellie branding Aidan as a ‘p****’.

Since Kavan entered the villa as a surprise bombshell he caught Ellie’s eye, despite her previously being coupled up with his brother.

The blonde beauty continued to express interest in both of the lads for a while until Sunday when everything came crashing down.

Ellie and Aidan were sitting on a sofa together talking about how Aidan kissed someone else when she was briefly booted from the villa.

Ellie left for around 12 hours alongside Samraj after bombshells Yasmin and George were tasked by host Maya Jama to axe a lad and a lady from the show.

However they weren’t really dumped from the programme, and instead went on secret dates with bombshells Priya and Kavan.

Ellie then returned to the villa and discovered that Aidan hadn’t been faithful.

She brought it up with Aidan tonight saying she can’t get past it and needed to “draw a line” under things.

An unconvinced Aidan didn’t take her seriously, saying he thinks she “still likes him”.

But Ellie then shut the romance down well and good, saying that the difference between Aidan and his brother Kavan is that Kavan “is not a p****”.

Musicians have been left out of settlements between major record labels and AI companies, a new lawsuit alleges.

The American Federation of Musicians of the United States and Canada (AFM), which has 70,000 members, said Universal Music Group and Warner Music Group “received significant compensation” from the AI companies for past copyright violations and licensed “substantial” portions of their music catalogs to them, but haven’t shared that with the musicians.

UMG and WMG sued AI companies Udio and Suno in 2024, accusing them of copyright infringement. Both companies settled with Udio last year. In November, WMG announced a partnership with Suno, but Universal Music Group’s lawsuit against Suno is pending.

“While the Defendants protected their own interests and created a significant source of new revenue with the retrospective settlements and prospective licenses, they have refused to compensate the musicians whose work — created with their own instruments and through their talent, creativity, and hard work — is fed into AI machines for profit,” AFM said in its lawsuit, filed in U.S. District Court in New York on Friday.

AFM said it believes the AI settlements fall under the “new use” provision of its collective bargaining agreements, which requires music companies to notify the union of new licenses for purposes not covered by the contract and to compensate musicians, whose work was used to train AI models.

UMG and WMG said in statements that they are in negotiations on a collective bargaining agreement with AFM.

“Warner Music Group is growing the value of music by establishing guardrails and architecting a healthy AI ecosystem on behalf of artists everywhere,” the company said in a statement.

Universal Music Group said it will continue to work to resolve issues during the negotiations.

“Universal Music Group has been at the forefront of protecting the rights and advancing the interests of artists and songwriters in the age of AI — striking responsible AI licensing agreements to ensure they are compensated, leading the charge for legislation to further protect them and taking legal action against bad actors,” the company said in a statement.
“We expect to continue our strong working relationship with the AFM built on mutual respect for the talented musicians in our industry.”

AI has become more popular among consumers, dramatically changing the landscape in the entertainment industry. Many startups have popped up allowing users to type text prompts into AI systems to generate original songs, video clips and stories.

Some creatives say the AI tools help them brainstorm or illustrate bold ideas on a budget. But critics have raised concerns about whether AI systems are trained on copyrighted works without permission or payment to artists. Others are worried AI could eliminate their livelihoods.

Udio said it would create a new platform that would train on licensed and authorized music with artists having the ability to opt-in. Suno agreed to change its platform, launching new licensed models, and place download restrictions.

Bradford Auerbach, a partner at law firm OGC, said he expects to see more of these types of lawsuits filed by unions.

“You’ve got the unions always protecting the status quo, so you’ve got this invariable conflict of new technology coming in, and moving the cheese for a lot of people that were accustomed to having their business set up the way it was,” Auerbach said.

Very few have heard of the ‘phenomenal’ World War II drama on Netflix, as viewers call the powerful and engrossing series an ‘exceptional masterpiece’ that’s a ‘must watch’.

For years, the television drama Band of Brothers has been establishing the standard for war-themed dramas.

Crafted by Tom Hanks and Steven Spielberg, the series is widely regarded as the gold standard of its genre, having elevated expectations considerably when it comes to war epics.

Now, another war drama is being lauded as a ‘phenomenal masterpiece’ – and it might well eclipse Band of Brothers.

Available on Netflix, the relatively obscure war drama limited series comprises three episodes running approximately an hour each, and acclaim for the programme has been widespread.

War Sailor, originally titled Krigsseileren, is a Norwegian war drama that was selected as Norway’s official submission for Best International Feature at the 95th Academy Awards – and audiences cannot stop praising it, reports Wales Online.

It first premiered as a film in late 2022, and when it eventually arrived on Netflix in April 2023, it emerged as a three-part miniseries with 30 minutes incorporated into its original running time.

Written and helmed by Gunnar Vikene, it happens to be the most costly Norwegian film ever produced, created on a budget of $11.1m.

The drama features Kristoffer Joner and Pål Sverre Hagen in leading roles, alongside Ine Marie Wilmann, Henrikke Lund Olsen, Armand Hannestad, and Leon Tobias Slettbakk.

The war drama draws from the genuine, real-life experiences of 30,000 Norwegian civilian sailors who participated in Allied convoys during the Second World War.

The war drama’s official synopsis reads: “Merchant sailors are caught in the middle of the Atlantic Ocean during Germany’s invasion of Norway and hijacked into working for the Allied war effort.”

Boasting an impressive 92% audience approval rating on Rotten Tomatoes, War Sailor has been hailed as “heart-in-your-throat moving” by viewers.

An IMDB user review of the war drama says: “One of the best war movies I’ve seen. I thought I’d seen so many war and catastrophe movies I’d become numb to the emotional drama and could only be stimulated by history lessons and battlefield action but this one gripped me.”

While another viewer said of the series: “Intense but phenomenal. It’s difficult to sum up the experience of watching this film. It weaves suspense, devastation, love, hope, and the horrors of war together into a picture that will stay with me for a long time to come.”

Another audience review added: “Brilliantly written, directed and acted, this is a gripping, at times excruciating, film. The characters are beautifully, painfully individual, the story unexpected and painfully convincing. It takes us inside the actions of war but the unforgettable moments are the still ones in which nothing happens but meaning.”

While one viewer crowned it “a masterpiece”: “Wow – what an intense film. Excellent acting and period sets. A masterpiece.”

Yet another audience review said: “A sweeping epic. Structured like a sweeping epic, Krigsseileren tells about the efforts of Norwegian commercial sailors in the Atlantic theatre during WWII. A combination of authenticity, technical brilliance, and a clear artistic framework makes this into an all-encompassing viewing experience.”

While one fan described the drama as something that “transcends the ordinary”: “Something Extraordinary Finds its Way to Our Screens. Just when we thought nothing of quality is left, nothing worth our time, what we have left of it, War Sailor shows up on Netflix.

“As real a depiction of events which shaped our world as you are likely to see. Transportation to another place and time at a historic moment in history, for the price of your Netflix subscription. Empowering performances that transcend the ordinary. Highly recommended.”

Critics have branded the war drama “powerful and engrossing”, with one reviewer writing: “War Sailor is the best kind of war movie: a character drama that happens amidst war, focusing most on how the characters are changed by the atrocities over the years.”

Another critic said: “War Sailor offers some of the best ensemble acting seen in recent years. It’s been perfectly cast down to the smallest role.”

War Sailor is available to stream on Netflix.

GEMMA Collins spent years convincing the world she was living her best diva life – but behind the designer handbags and larger-than-life personality, there was a time when the empire she had worked so hard to build started crumbling around her.

Incredibly, the GC pulled herself back from the brink and banked more than £1.4 million last year. But friends say the feat would have been nearly impossible without the help of one very special man.

Those closest to Gemma have revealed the secret to the Romford-born star’s success is her dad, Alan, who is credited as the only person who can keep Gemma grounded.

A source tells us: “People see Gemma as this unstoppable force of nature, but behind the scenes, Alan has always been her rock.

“When things got difficult financially, he stepped in and took control.

“Gemma trusts him completely. There aren’t many people she would hand that responsibility to.”

For years, Gemma has openly admitted that Alan is effectively the gatekeeper to her fortune.

In one interview, she confessed: “My dad controls all my money. Seriously, I have to ask him if I want to upgrade my car.”

It’s a remarkable admission for a woman who has built a reported £4million fortune and can command up to £75,000 for a single sponsored Instagram post.

But those who know the family say it perfectly sums up their relationship.

Another source tells us: “Alan has always kept Gemma grounded.

“She’s the star, but he’s the sensible head behind the scenes.

“When she gets excited about a new project, he’s often the person asking the difficult questions.”

The latest figures suggest that the approach is paying off.

Accounts for her personal brand, Gemma Collins Ltd, show the company landed profits of around £1.4 million last year.

For fans who remember the financial turmoil of previous years, this is a huge turnaround.

Back in 2017, Gemma Collins Boutique Ltd was forced into liquidation owing around £88,000 to creditors.

The problems continued when she was disqualified from acting as a company director for three years in 2020 after repeatedly failing to meet VAT return deadlines, with HMRC pursuing claims worth more than £71,000.

A separate clothing business was later voluntarily dissolved, while her cosmetics venture, GemmaCollagen Ltd, survived for just a matter of months before disappearing altogether.

One insider tells us: “There was a period where it felt like every business venture came with a headache.

“Gemma never stopped working, but there were definitely lessons learned.

“That’s when Alan became more involved.”

It is perhaps fitting that Gemma’s biggest supporter is also somebody who understands business himself.

Alan built a successful career in shipping and has long been regarded as one of the most influential figures in his daughter’s life.

Fans caught a glimpse of their bond on her reality shows, where Alan frequently offered advice, not just about money but about life itself.

During one emotional conversation about her turbulent romance with James Argent, he told her: “You’ve just got to find some stability in your life when you find the right person.

“As much as we all like Arg, you’ve got to decide if he’s the right person.”

He later added: “For my daughter, I want somebody who’s top dollar.”

Those close to the family say that attitude explains exactly why Gemma places so much trust in him.

One source tells us: “Alan isn’t interested in celebrity.

“He cares about Gemma being secure and looked after. That’s always been his focus.”

Their relationship has only strengthened in recent years.

Gemma has spoken emotionally about her father’s devastating battle with Covid in 2020, when he spent weeks fighting for his life in intensive care.

She has also supported both Alan and mum Joan through a series of serious health scares, including Joan’s breast cancer diagnosis and terrifying hospitalisation last year after she stopped breathing.

The ordeal brought the family even closer together.

These days, Alan and Joan live with Gemma in her £1.3 million Essex home alongside fiancé Rami.

Speaking previously, Gemma said: “They live with me now. They’ve moved into my home, so we’re like one big Irish family.”

And remarkably, there appears to be very little tension under the roof.

Previously speaking to The Sun, Gemma explained: “Rami was absolutely fine with it.

“He loves my parents. They get on really well.

“You’ve got to remember, Rami has been in my family for nearly 15 years.”

The happy family dynamic comes as Gemma prepares for what insiders believe could be one of the biggest chapters of her career.

Later this year, she will return to screens with a new Sky reality series, Four Weddings and a Baby, which follows her wedding plans with Rami and her hopes of starting a family.

One insider tells us: “This show is incredibly important to Gemma because it’s the most personal thing she’s ever done.

“People know The GC, but this is about the woman behind the character.

“She’s genuinely in a really happy place.”

And for Gemma, that happiness feels hard-earned.

Perhaps that’s why those closest to her believe the latest financial success means far more than a healthy bank balance.

It’s proof that after all the setbacks, Gemma Collins is finally enjoying the stability she spent years chasing.

And standing beside her through every twist and turn has been the same man all along.

FORMULA One star Lewis Hamilton has gone Instagram official with Kim Kardashian after sharing his first photo of the reality star following the Monaco Grand Prix.

The snap quickly sent fans into a frenzy, with followers flooding the comments section as the pair confirmed their relationship.

Kim Kardashian appeared in Lewis Hamilton’s photo dump from the star-studded Monaco Grand Prix weekend attended by a host of celebrities and sporting icons.

Kim looked glamorous as ever, and many were quick to point out that it was the first time Lewis had shared a photo featuring Kim on his social media.

In the snap, Kim was seen holding Lewis’ racing helmet.

The reality star opted for a daring black sheer top, adding to the glamour of the Monaco Grand Prix weekend.

The stylish photo immediately caught fans’ attention.

One commented: “Great pics Lewis and a fab weekend well done ❤️ And welcome to the family Kim kardashian ❤️”

Another added: “In his boyfriend era”.

A third penned: “YES!!!!!! Kim on the grid!”

A fourth said: “Omgggggg kimmmmmm😍”

A fifth wrote: “Omg Kim !! U guys are so cute”.

Kim made her F1 trackside debut to support her Ferrari driver boyfriend.

She arrived with her sister Khloe Kardashian as well as a huge entourage.

Kim wore a stunning cream one-shoulder maxi dress, while Khloe opted for a satin plunge midi dress also in cream.

Kim watched the race and Lewis narrowly miss out on winning.

Kimi Antonelli became the youngest winner at 19 years old. 

Despite the loss, Lewis appeared in high spirits as he blew Kim a kiss and sprayed her with champagne as he celebrated on the podium.

Kim and Lewis have been friends for over a decade.

They were first spotted getting cosy on New Year’s Eve in Aspen. 

They went public with their romance at the Super Bowl in February.

Just last week, they took a huge step in their relationship as he was seen with her four children for the first time.

A source previously said that the couple have an “intense” relationship and Kardashian’s family absolutely “adores” him.

Love Island’s George Knight has spoken about his exit from the show after the bombshell’s sudden departure just days into filming was finally aired on the ITV2 show

Love Island star George Knight has spoken about his sudden exit from the ITV2 show for the first time since his departure was aired. The bombshell decided to quit the villa just days after entering.

He said in an Instagram video: “Hello, everyone. Just wanted to take a moment and come on and say a massive, massive thank you to every single person who has reached out over the past two days, wishing me their love, their support, and all their well wishes.

“It has been completely overwhelming, and I am trying to get back to every message, which is pretty, pretty much impossible. But thank you so much.”

He continued: “And I think moments like this give you a massive kind of perspective on the bigger picture, and as fun and as great my six days in the villa were, it’s obviously important for me to be here with my family, so thank you so much.

“It’s, it’s been, as I said, completely overwhelming, and a massive thank you to all of ITV’s welfare team and the execs who have been amazing. Hopefully it’s not the last you see of me, and looking forward to the year ahead, and yeah, thanks again, guys.”

George was a day one bombshell, entering the villa alongside Yasmin Hadlow. But before the week was over, he had chosen to walk away from the show.

His exit was not shown on Love Island. Instead, the show decided to just portray its aftermath. OG Islander Lorenzo Alessi told his fellow contestants that George had decided to leave for “private reasons”. He said: “George has left the Villa for private reasons and won’t be coming back.”

The Islanders seemed shocked, particularly Robyn Langton, who had been getting to know George. The 21-year-old nsaid: “Aww, George, we love you!” The other Islanders clapped and in a VT, Robyn added: “I can’t believe it, I actually can’t believe it. He was the only person I was actually kind of interested in.”

After leaving the villa, George said on social media: “Family comes first, always. Leaving the @loveisland Villa was a decision made in order to be with my family. Out of respect for them, I’d prefer not to go into any further detail. Thank you to everyone who has reached out with kind messages and support! It genuinely means a lot.”

As well as his official Love Island headshot, he shared a picture of himself and his sister in his post. In the pic, he sat on a garden bench with Emma and their dog. In the comments, Emma wrote: “Love you George.”

Despite only being on the show for a small amount of time, George really shook things up in the villa. The 28-year-old footballer was tasked with choosing a boy to send home and opted for Samraj Toor, coupling up with Mica Harris as a result. However, Samraj and Ellie Chadwick, who was chosen to be dumped by Yasmin, were not sent home and instead re-emerged as bombshells, with the chance to confront George and Yasmin.

Despite being coupled with Mica, George and Robyn kissed. The day before he walked away from the villa, George and Robyn fought, as she felt he was mischaracterising the situation to the rest of the villa. Mica was also hurt and told George she was stepping back from getting to know him because she thought he was better suited to Robyn.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

Love Island fans were left fuming after the latest episode and took aim at two islanders they called ‘shady’ after their sneaky move

Love Island fans were fuming at a “shady” duo. Viewers were less than impressed after Lorenzo and Priya snuck away to the hideaway for a flirt and a kiss.

But, while the name of the game is to find your perfect match, many viewers criticised the pair for their sneaky moves. On X (formerly Twitter), one user complained: “Priya and Lorenzo are both shady af.”

Another wrote: “Lorenzo is actually finished. Jasmine is gonna COOK him.” And a third said: “Very embarrassing fumble by Priya and Lorenzo, they will be evicted from my villa.”

It follows the introduction of the two new bombshells to the group. They were quick at work, selecting the two boys they wanted to share an intimate date with.

But as per Love Island’s unwritten rules, there was a twist. The girls in the villa sat back and watched as events unfolded.

Ope, whose comments to the boys raised eyebrows among the girls, sat down to enjoy a date with Victoria and quickly made his move by kissing her hand.

Despite appearing to be building on things with Angelista, his comments about coupling up in the villa didn’t go down well. Explaining that things have been progressing at a slower pace than he’s used to.

“So you still haven’t had your first kiss?” Victoria asks. “No, are you going to be my first kiss?” Ope responds cheekily.

It left the girls fuming, with Angelista ending up in tears in the bedroom. Sam’s date went much better, though, as he appeared respectful toward the girls in the villa.

But the reaction from the girls watching on the big screen left a lot to be desired. With Cocktail Night drawing to a close, the boys made their way back to the Villa with Namibia and Victoria, but they were met with a frosty welcome back.

They seemed unsure why until Aidan spotted the big screen and realised what had happened. He told the boys, “Oh no, they watched it.”

And that left Ope very nervous. As he attempted to pull Angelista for a conversation, she abruptly shut down his request. Providing a frank assessment of what she saw, Jasmine tells one Islander: “A bunch of you acted like boys, and a bunch of you acted like men.”

Just before the episode aired, George Knight spoke about his sudden exit from the ITV2 show for the first time since his departure. The bombshell decided to quit the villa just days after entering.

He said in an Instagram video: “Hello, everyone. Just wanted to take a moment and come on and say a massive, massive thank you to every single person who has reached out over the past two days, wishing me their love, their support, and all their well wishes.

“It has been completely overwhelming, and I am trying to get back to every message, which is pretty, pretty much impossible. But thank you so much.”

He continued: “And I think moments like this give you a massive kind of perspective on the bigger picture, and as fun and as great my six days in the villa were, it’s obviously important for me to be here with my family, so thank you so much.

“It’s been, as I said, completely overwhelming, and a massive thank you to all of ITV’s welfare team and the execs who have been amazing. Hopefully it’s not the last you see of me, and looking forward to the year ahead, and yeah, thanks again, guys.”

Love Island continues tomorrow at 9pm on ITV2 and ITVX

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

DC Studios co-chief James Gunn took to social media Monday to settle a debate once and for all: Of course, Supergirl can have pierced ears.

“Supergirl,” the upcoming superhero film starring Milly Alcock as the last daughter of Krypton, Kara Zor-El, has been the target of questioning from online detractors. One overblown gripe that some have mentioned on social media after zeroing in on Supergirl’s earlobes in promotional images is how a superpowered alien refugee known for her invulnerability and unbreakable skin could have any body jewelry.

“As explained in Superman, the same way she gets drunk — she goes to a planet with a red sun,” Gunn wrote on Threads. “Not to mention she was raised on a chunk of Krypton so didn’t even experience super powers until her teens.”

As the filmmaker mentions, Alcock’s iteration of Kara made her DC Universe debut in his 2025 movie, “Superman.” After the clearly inebriated Girl of Steel crashes into her cousin’s Fortress of Solitude to pick up her dog, Krypto, Superman notes that Kara “likes to go and party on other planets … with red suns.” This is because, as Superman explains, Kryptonians have enhanced power on Earth because of its yellow sun. This is also Kryptonian lore that has been established in comic books.

A recently released “Supergirl” clip also shows Superman first meeting his cousin after her pod lands on Earth. The footage shows Kara’s superpowers kicking in for the first time.

Directed by Craig Gillespie, “Supergirl” will follow the eponymous Kryptonian as she is celebrating her 23rd birthday. According to the film’s logline, Kara’s encounter with “an unexpected and ruthless adversary” leads her to “reluctantly join forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.”

The movie’s cast also includes Matthias Schoenaerts, Eve Ridley, David Krumholtz, Emily Beecham, David Corenswet and Jason Momoa. “Supergirl” will hit theaters June 26.

Ariana Grande and boyfriend Ethan Slater have broken up, according to reports.

The couple, who starred in both Wicked films, had been together for three years.

TMZ reports that the separation is amicable and the pair remain good friends.

Unlike Lily Allen’s searingly personal music after her split rom husband David Harbour, the publication writes that Ariana’s new upcoming album, Petal, isn’t inspired by her own split.

Meanwhile People claims the pair “have been quietly broken up for several months.”

This tallies with rumours that had been swirling around the relationship prior to the split that the pair were struggling to make their busy schedules work.

The Sun has contacted representatives for Ethan and Ariana for comment.

Just this weekend, on the very first night of Ariana’s Eternal Sunshine Tour at the weekend, her fans thought she’d put the speculation to bed by alluding to an engagement.

While singing her hit Thank U, Next, she changed the lyrics from “Only wanna do it once, real bad” to “twice” as she playfully held up two fingers and laughed.

It sent fans wild, but now it’s clear it was a red herring.

The couple got together in controversial circumstances.

Ariana, 32, split from her ex-husband Dalton Gomez in 2023 after almost three years of marriage.

Around the same time, Ethan went through a messy divorce from Lilly Jay, his wife of five years, just a year after the birth of their son, Ezra.

Despite rumours alleging Ethan’s romance started with Ariana on the set of Wicked while he was still married to Lilly, sources close to the pop star insist the couple had been separated for two months.

“Ariana’s the story really. Not a girl’s girl,” Lilly previously said.

“My family is just collateral damage… The story is her and Dalton.”

She added: “As for me, days with my son are sunny. Days when I can’t escape the promotion of a movie associated with the saddest days of my life are darker.”

Ethan and Ariana moved in together in New York in 2023 — before her divorce was finalised.

She defended her man publicly in a Vanity Fair interview in 2024 amid criticism of the way his previous relationship ended.

Ariana said: “No one on this earth tries harder or spreads themselves thinner to be there for the people that he loves and cares about.”

And she admitted that the narrative had hurt her, adding: “The most disappointing part was to see so many people believe the worst version of it.”

The first film by Canadian filmmaker David Cronenberg to be shot partly in the U.S. is, perhaps not surprisingly, a freaky satire of Hollywood. Its take on fame has only grown more accurate in the years since its premiere in 2014. Julianne Moore, Mia Wasikowska and Robert Pattinson star in a demented tale of family, celebrity, ambition, ego and limousines. Funny and perverse, the film captures the uncanny cocktail of mean-spirited malignancy, self-obsessed delusion and just plain obliviousness that runs rampant around town. Presented by the screening series Mezzanine and the local literary magazine the Big One, the evening will be introduced by the film’s screenwriter, Bruce Wagner, a longtime chronicler of Los Angeles.

“Maps to the Stars” is playing June 14 at Brain Dead Studios. Tickets here.

Death in Paradise fans shouldn’t miss out on this “beautiful” series while the BBC hit takes a break.

Death in Paradise fans need to watch this “wonderful” show that’s just made its eagerly anticipated comeback.

Death in Paradise is currently on its yearly break from BBC One, leaving dedicated fans desperately searching for something to fill the void left by the beloved cosy crime drama until it returns.

While they wait, viewers could instead tune into the real-life equivalent of Death in Paradise, documentary series Policing Paradise, which returned for its second series today, Monday, June 8.

The programme follows the day-to-day workings of the Bermuda Police Service, capturing both local and British officers patrolling the tropical islands as they juggle police duties with ensuring thousands of tourists remain safe.

What makes Policing Paradise particularly thrilling for Death in Paradise enthusiasts, however, is its connection to two of the beloved drama’s prominent cast members.

The debut series of Policing Paradise, which aired in March 2025, was narrated by none other than Officer Ruby Patterson actress Shyko Amos.

Yet for this fresh second series, it is the Commissioner himself, actor Don Warrington, who has assumed narrating responsibilities.

Policing Paradise season two continues to broadcast Monday to Thursday at 2pm on BBC One, with the opening four episodes now available on BBC iPlayer.

Series one of the documentary is already accessible to stream, with the remainder of the second series anticipated to follow at a later date.

Beyond the day-to-day hurdles of tackling petty crime and managing summer festivals, Policing Paradise also shines a light on various specialist units, including marine patrols, dog handlers and drug-enforcement officers.

Ahead of its return, one enthusiastic fan praised the first series on IMDb, writing: “This show has it all; insightful access to the full range of Bermuda police duties from dog handling to diving, beautifully photographed with great skill, and narrated with tact, wit and affection by Shyko Amos (Ruby, Commissioner Pattersons’ niece from Death In Paradise).”

They continued: “This show is an informative documentary with the bonus of that lovely camerawork with Shykos’ voice-over work deftly remaining appropriate and informed across the wide-ranging situations. More of this please!”

A second viewer agreed: “Great to see all the places we love and very interesting to see how Bermuda is policed.

“Hoping there will be another series to get a bit more about it and see more on wonderful Bermuda. Island paradise in the Atlantic.”

Policing Paradise is available to stream on BBC iPlayer.

Two Dragons’ Den entrepreneurs were branded “delusional” by Touker Suleyman over their valuation after he turned down their pitch, but their vegan pet food brand is now worth £11,000,000.

Dragons’ Den stars who Touker Suleyman once labelled “delusional” have revealed their company is now turning over £11,000,000.

The Dragon confirmed at the weekend that he would be departing the show after “ten extraordinary years”.

In a social media post, Touker shared: “It has been an immense privilege to sit in that chair, to meet so many passionate and talented entrepreneurs, and to invest in businesses and people I truly believed in.

“The show gave me a platform not only to invest in leading British founders and companies, but to share hard-won wisdom built over decades in business – and I hope that, in some small way, I made a difference to those who stood opposite me.”

Yet one particular pair of entrepreneurs who faced Touker in the Den were on the receiving end of some scathing criticism from the businessman, reports Wales Online.

Omni founders Dr Guy Sandelowsky and Shiv Sivakumar appeared on the programme last year, seeking investment in their protein-based, vegan pet food brand.

Established in 2021, their brand centred on improving pets’ wellbeing through lab-grown food that was calorie-controlled and environmentally sustainable, while also delivering on taste.

Within two years, they had racked up over £2,500,000 in sales, and were seeking £75,000 from the Dragons in exchange for a 1% stake in their business.

Touker, however, remained wholly unimpressed, declaring he “wouldn’t even get out of bed for” that sum, and bluntly stated: “You’re delusional about what this is really worth.”

Although Deborah Meaden and Steven Bartlett championed the entrepreneurs, Touker rejected Omni’s lifetime value projections, and was swift to utter the infamous words, “I’m out.”

Yet, despite his scathing assessment, the Omni entrepreneurs disclosed in a 2025 interview that their business was valued at £7,500,000, and shortly afterwards, they’d soared to £11,000,000, even collaborating with Springwatch’s Chris Packham.

Reflecting on Touker and also Peter Jones’ brutal comments in the Den, Dr Guy and Shiv previously told Metro: “I feel like when we were in the Den, they were looking at our historical numbers and basing that on our valuation, but what we were basing it on was actually what our revenue was like at that point, because we’re so fast-growing.”

Dr Guy went on: “We can make quite reasonable assumptions about what we’re going to do in the coming months as well, and I felt like that wasn’t necessarily as much their focus. When you look at our run-rate based on our revenue, it’s not as crazy as they were sort of alluding to at all.”

He continued by stressing that their experience in the Den came down to their product, not their numbers.

He added: “In hindsight, the one disadvantage of it is that we didn’t get to show the nation so much of the other stuff we filmed, like the details of our products.”

Speaking back in March 2025, they said the response from the series had been “amazing”, adding: “We’re trying to keep up, honestly, we’re just a small business trying to help pets live happier lives, and we knew that going on the show would increase our exposure.

“But we never imagined the demand that we’re seeing now, we’ve had to re-evaluate our stock levels and the number of people helping with our customer service and packaging, so it’s been really, really positive.”

He went on: “It’s just a testament to the fact that so many people out there watching the show understood what we’re trying to do, aligned with our mission and were willing to give it a go.”

Sharing his announcement that he was stepping down from Dragons’ Den this weekend, Touker’s statement went on: “Stepping back from Dragons’ will give me more time to mentor the entrepreneurs I have invested in, and to give back the 50 years of business experience I have accumulated.

“If I can help the next generation avoid the pitfalls I’ve faced, seize the opportunities I almost missed, and build businesses they are truly proud of, then that will be the most rewarding chapter of my career yet.”

Touker concluded: “To the BBC, to my fellow Dragons past and present, to the production team, and above all to the entrepreneurs who dared to walk through those doors – thank you.

“It has been one of the greatest joys of my career. The fire in the Den burns on. I simply pass the torch.”

After Sara Davies’ departure last year, it has yet to be confirmed who will be joining Deborah Meaden, Peter Jones and Steven Bartlett in the Den.

Dragons’ Den is available to watch on BBC iPlayer.