show biz

Jimmy Bullard, described as “a massive joker”, is set to reunite with Adam Thomas for the live I’m a Celebrity…Get Me Out of Here finale months after that bust-up

Jimmy Bullard is said to be plotting his “ultimate sweet revenge” on Adam Thomas ahead of the live I’m a Celebrity…Get Me Out of Here finale tonight.

ITV bosses are understood to be nervously counting down to the reunion amid uncertainty over what might unfold between Bullard and Thomas, whose bust-up in scenes that aired this week was described as the programme’s biggest ever row. It is reported Bullard, 47, remains “seething” over the argument, which happened several months ago as the I’m a Celeb spin-off is pre-recorded until the final.

But sources believe the former professional footballer is ready to give his version of events tonight. One insider said: “Jimmy is a larger-than-life character with a wicked sense of humour and will be revelling in the opportunity to make everyone sweat.

“He’s a massive joker, so they don’t know what he’s going to say or do in the live final. He is also not afraid to say exactly what he thinks — and that means he won’t be toeing ITV’s line… It’s the ultimate sweet revenge.”

READ MORE: ITV I’m A Celeb vote open as winner ‘revealed’ – and it’s not Adam ThomasREAD MORE: Huge I’m A Celeb ‘rupture’ in camp revealed by host Dec Donnelly

Adam, an actor who is in Waterloo Road, and Jimmy clashed on the show as they teamed up for a Bushtucker Trial which would end with the losing duo being sent home. Former Fulham midfielder Jimmy quit the challenge and, in an angry confrontation, Adam raged at him: “You’re taking the p***!”

Campmates, including Harry Redknapp and Craig Charles, will now gather for the last time in tonight’s programme. Despite the row, Adam was allowed to remain in the camp and so battles to win the competition tonight.

But it will be the first time the former Emmerdale star comes face to face with his rival since the bitter spat, recorded last autumn. It was unclear whether dad-of-two Jimmy would attend the series finale because he remains so furious over the edit of his dramatic clash with Adam. Boxer and fellow campmate David Haye had said in an interview: “It was a lot more intense.”

ITV, though, insists what viewers saw was an accurate and fair representation of events. It also denied wild claims Adam attempted to kick Jimmy. A spokesperson had told the Mirror: “This is categorically not true. Adam did not try to kick Jimmy.”

While Adam, from Manchester, was visibly angry over Jimmy’s decision and he did kick a door in the trial area, it was said to be “nowhere near” his co-star, and was included in the broadcast this week.

AFTER literally breaking the scales, Alison Hammond has spent recent years vehemently denying fat jabs helped her to shed 13st. 

And we can reveal her astonishing weight loss is actually the result of an adventurous gym routine, a toyboy boyfriend and a £2.85 supermarket secret.  

A close pal said: “Alison was mortified when she stepped on the scales in 2020 and her weight was so high the sensor broke. 

“It stopped at anything over 29st, so she has no idea exactly how much she weighed back then. 

“It was a real wake-up call and she began a strict diet that day. 

“People are constantly accusing her of cheating and saying that she’s on fat jabs, but she’s not.

“They weren’t even around then.”  

Instead, the Great British Bake Off host, 51, has been munching on Itsu crispy seaweed thins — with just 24 calories in a pack.  

Her mate added: “When shoppers see her in Tesco the trolley is usually packed high with boxes of Itsu seaweed snacks.

“She eats about four packs a day.

“Instead of toffees she’s addicted to seaweed.” 

It is a far cry from the terrifying moment a few years ago that kickstarted her bid to get healthy. 

The scale shock prompted her to visit the doctor, who confirmed she was prediabetic and needed to slim down or face an early death. 

Being prediabetic — the point where your blood sugar is higher than normal but not high enough yet to be diabetic — genuinely terrified her as it can bring serious health problems.  

Following her doctor’s grave warning in November 2020, and in a desperate bid to reverse her diagnosis, the popular This Morning host made a plea to viewers live on air.  

Begging for help 

“I need some help,” she said bravely.

“I’ve really got to change my ways, if you guys see me out there buying sweets or chocolates, please I’m begging you, I’m not allowed to have it. 

“It’s serious now.”  

Viewers were quick to react, messaging the show in their droves with supportive comments and sharing their own struggles too.  

I thought, ‘I have to be an adult about this’. The sweets had to stop and the fatty foods.

Alison of changing her life

“Ali knew she was morbidly obese and was genuinely concerned that she was going to die,” says her pal.

“But the encouragement from viewers really touched her.

“It inspired her to make changes.” 

She previously said that her mother Maria, who died in January 2020 from lung and liver cancer, influenced her decision to overhaul her lifestyle. 

“My mum had type 2 diabetes,” she said.

“She was worried for me, so when I then found out I was prediabetic, that was frightening.  

“I thought, ‘I have to be an adult about this’. 

“The sweets had to stop and the fatty foods.”  

It was not the first time Alison had tried to lose weight.  

She had a gastric band fitted after a chair broke underneath her while she was interviewing actor Matt Damon in 2007.  

However, following the op, Alison experienced complications and “couldn’t keep anything down”. 

After two years, she decided to have the procedure reversed.  

Then, ten years later, she appeared on TV show Sugar Free Farm, which followed celebs as they embraced a sugar-free diet and farm work. 

While she managed to lose two stone on the show, the side effects from the sugar withdrawal left her feeling dizzy and sick.  

Now Alison, who is mum to Aidan, 21, works out three to five times a week with her personal trainers Lui Mancini and Ellis Gatfield.  

She combines strength training, boxing and Pilates rather than cardio and when she is busy working she enjoys walking.

A video posted by Lui displayed her hard at work with kettlebells, medicine balls and a punching bag. 

But no doubt also helping Alison’s confidence — and her weight loss — is her lover.  

She met David Putman, 29, a former Russian model, when she booked in for a massage in 2023.

The couple kept their relationship secret for about a year but now it is very much out in the open and despite the 22-year-age gap they are desperately in love.  

“It was pretty much love at first sight,” said her pal.

“She fell totally head over heels with David and he’s besotted with her.

“When you see them together it’s so sweet.

“He gets on really well with her son too.” 

But a change in her diet has had the most dramatic effect on her.

In a bid to reverse her prediabetes she has cut back on sweets and fatty foods — which has not been easy, especially as the host of C4’s Great British Bake Off, where she is surrounded by temptation.  

“Ali was completely addicted to toffees,’ says her pal.

“She would eat bags of them.” 

For people who need to use them, weight-loss jabs are a good thing. But for me, as soon as I hear any scare story, I get frightened.

Alison on using fat jabs

But these days she relies on seaweed.

The salty snack, combined with a rigorous exercise regime, has seen her weight drop to under 17st.  

She now drinks two litres of water a day and has a high-protein diet with lots of chicken and turkey mince bolognese.  

“She eats half of what she used to eat,” revealed her friend. 

Alison, who also hosts Your Song on Channel 4, previously told how weight loss jabs were not for her because she was “frightened” by “scary” stories surrounding them. 

She said: “For people who need to use them, weight-loss jabs are a good thing.

“But for me, as soon as I hear any scare story, I get frightened. 

“So I haven’t wanted to use them, but that’s not to say I wouldn’t in the future, and I certainly wouldn’t look down on anyone who did.” 

But industry insiders have warned there could be an issue if her slimdown becomes too extreme, especially as she vies for the presenting gig on Strictly.  

“There’s a fear that if she gets too skinny she might not be as popular with her fans,” said another source.  

Pals insist Alison has no intention of losing her curves or trademark sparkle.

Her journey has never been about fitting into a certain dress size but building a healthy life.  

During an interview on Loose Women last year, she summed up her attitude perfectly: “You know what, all I can do is be me.

“I can’t do anything else. 

“I’m a black, big, bubbly woman, who is slowly deflating a little bit.” 

Only time will tell if Alison’s next steps will be into the ballroom. 

But one thing is for certain, it will be seaweed, and not Ozempic, in her handbag. 

MasterChef was back with the first quarter-final of series 22 on Thursday night

MasterChef fans were left scratching their heads over Thursday night’s quarter-final challenge.

Series 22 sees celebrated chef Anna Haugh and restaurant critic Grace Dent take over from Gregg Wallace and John Torode as judges. The pair will test 48 of the country’s best amateur cooks with an array of spectacular challenges.

On Thursday’s first quarter-final of series 22, the first challenge saw the amateur home cooks tasked with creating pancakes, making the most of the fresh produce on offer.

However, it was the second challenge that left viewers baffled. During the episode, legendary food critic Jay Rayner joined the show as a special guest as he set a task for the cooks.

Jay, 59, said: “The challenge I’ve set you sounds very simple. I’ve asked you to make a salad. But we do not want a limp bowl of lettuce, we want structure, texture, we want a killer dressing… something that will rock us back on our feet.” The chefs were then given 90 minutes to create their salads.

However, viewers were left baffled over the salad challenge taking to Twitter, now X, to share their thoughts. One person said: “#masterchef A salad …, a salad, are you for real” to which another account put: “Salad? Or a mix of things #MasterChef.”

Elsewhere, another fan referenced The Simpsons as they joked: “#Masterchef You don’t win friends with salad, you don’t win friends with salad…”

Another baffled viewer simply commented: “A salad?! #MasterChef” while a different fan quipped: “No good story ever started with ‘I was having a salad and then'”.

Following the challenge, Jhané and Sabina left Anna, Grace and Jay blown away with their incredible salads. Jhané opted for a Thai-inspired salad with grilled pork, pork skin, sugar snap peas, lettuce, mint, fennel and thai basil. Jhané served it with deep fried rice paper and a lime sesame dressing, which was praised for being a ‘clever’ presentation.

Guest Jay was left delighted as he gushed: “This is exactly what I was hoping for when I set the salad challenge!”

Meanwhile, Sabina also impressed with her ‘harmony salad’, which was spiced black pea falafel, gem lettuce, carrot, pomegranate, salted chicken skin, beetroot quail eggs, puffed rice and curry leaves. It was served with a confit garlic and mustard oil dressing. Jay praised the salad for being “amazing”.

After all the contestants had shown off their creations, Jay admitted: “It was a tough challenge asking them to make a salad, some of them embraced it brilliantly!”

At the end of the show, it was revealed that Jhané and Sabina had sailed through to the next round, they were joined by fellow contestant Jim.

MasterChef season 22 is available to stream on BBC iPlayer

With more than 60 song credits, Armenta’s songwriting prowess can be heard across some of the most popular música mexicana albums to date, whether by Fuerza Regida, Tito Double P, Peso Pluma or Dareyes de la Sierra.

“I consider myself a tailor,” said Armenta, 25. “[I’ll create] a sound that will be good with your vocal timbre, with your tones, with the vocal intention you need.”

The singer-songwriter wrote Fuerza Regida’s gritty hit “Marlboro Rojo” in 45 minutes, ensuring that the song’s aggressive, battle-ready lyrics also captured a romantic spirit. (“The devil’s bullets and I only think of your eyes,” sang Jesús Ortiz Paz, a.k.a. JOP.) And he wrote “Dos Días” for Tito Double P and Peso Pluma one early morning after a wild night out with friends; you can hear the emotional hangover in the way the vocalists’ rugged voices flail in desperation.

“The most important thing is always to convey something where people can immerse themselves in a feeling,” said Armenta, whose full name is Miguel Armenta.

He dialed into our interview from a tour bus departing from Austin, Texas, en route to the next concert venue on the Dinastía Tour by Peso Pluma, Tito Double P and friends. Armenta was instrumental in writing and producing Tito Double P’s 2024 debut “Incómodo,” a 21-track project that helped distinguish the Mexican corrido singer from his already famous cousin, Peso Pluma.

“I feel that it’s a project that has solidified the responsibility we have as composers and as artists, [it’s] an album full of hits,” said Armenta, who later wrote tracks on Tito Double P and Peso Pluma’s joint 2025 LP “Dinastía.”

Since the beginning of March, Armenta has joined the pair of cousins on stage for their acoustic- and brass-powered song “London,” a track on the deluxe edition of “Dinastía” that indulges in fantasies of living like kings. The song was cut from Armenta’s own 2025 debut, “Portate Bien,” a blend of corridos tumbados with melodic touches of reggaeton and pop.

“I had just bought my own house and I wrote [‘London’] feeling like king of the world in my own studio,” Armenta said. “I thought that song was dead, but I got a call from Double P [Records] asking if I was interested in releasing it with them.”

Armenta’s entry into the música mexicana realm was not as calculated as his lyricism; at least not at first. Coming from a family full of industrial engineers, the Sinaloa-born, Tijuana-raised composer initially set his sights on a degree in biomedical engineering. “I liked the idea of being able to use technology to create advancements that benefit humanity,” he explained.

His passion for music, however, lingered persistently in the background. Starting from when he was 11 years old, Armenta would write lyrics in journals and strum along to the guitar his brother bought him. “He didn’t like that I used his guitar, so he bought me one,” he recalled.

He also gravitated toward independent YouTube artists who uploaded their raw compositions online. By age 18, he would compose one of his first R&B songs, titled “Dame” — though the tenderly sung track wouldn’t be published until two years later.

“It was the first song that I bet on as an artist, and I spent the very little money that I had on it,” Armenta said. “A literal sacrifice. I knew that the song had something, but I didn’t know what until later.”

In about 2020, Armenta helped compose some songs for Angel Ureta, a friend who signed with Street Mob Records, founded by Fuerza Regida’s JOP. Armenta eventually developed a working partnership with the indie label, which continued sign popular música mexicana acts like Calle 24, Chino Pacas and Clave Especial.

One of Armenta’s earliest hits with Fuerza Regida came in late 2022 as “Bebe Dame.” The band recorded the song alongside Grupo Frontera, who earlier that year had reached TikTok popularity for the cumbia nortena spin on “No Se Va,” a 2018 pop song by the Colombian band Morat.

Armenta proposed the adoption of his own track from the vault, “Dame,” which by that point had fewer than 1,000 views online. With some lyrical tweaking by Edgar Barrera — a 29-time Latin Grammy-winning songwriter, who Armenta later befriended — the revamped version, “Bebe Dame,” became an immediate sensation.

It helped score Fuerza Regida their first career entry into the Billboard Hot 100 at the start of 2023, later peaking at No. 25. By 2024, Fuerza Regida became one of the biggest streaming Latin acts in the U.S., alongside Junior H, Peso Pluma and Bad Bunny.

In 2024, Armenta and Barrera reunited again in secret to hash out what would be Grupo Frontera and Fuerza Regida’s joint EP, “Mala Mía” — “without either group knowing,” Armenta said. Their viral corrido-cumbia single, titled “Me Jalo,” secured Fuerza Regida’s first Latin Grammy nomination, and Grupo Frontera’s fourth, under the category of regional song at the 26th Annual Latin Grammy Awards.

“Edgar and I focus a lot on how to evolve sounds,” Armenta said. “We are in the process of recognizing [the value of] música mexicana, that we can’t let this die.”

Between 2024 and 2026, 12 of Armenta’s songs have been recognized by the BMI Latin Awards — which honors songwriters, composers and publishers — including Fuerza Regida and Grupo Frontera’s joint collaborations “Bebe Dame” and “Me Jalo,” as well as Fuerza Regida’s “TQM,” “Nel” and “Por Esos Ojos.” Tito Double P’s “Dos Dias” and “Escapate” (feat. Chino Pacas) also received accolades.

For now, the songwriter shows no signs of stopping his lyrical magic, though he figures he might part ways with the music world 10 years from now — but not before winning a couple of Grammy Awards, he said, or even starting his own publishing label for songwriters and composers. (“My mom says I’m going to get gray hairs,” he added.)

“I think that life put me here to have fun,” Armenta said. “I had another destiny, but life accommodated itself to place me in this valuable situation.”

HARRY Styles and Zoe Kravitz are engaged after an eight-month romance, a report in US outlet Page Six claims.

A source told the site that the former One Direction star, 32, “is completely smitten” and the Batman actress, 37, “is on cloud nine” with the pair now set to tie the knot.

They added: “No one in their circle is surprised.”

Rumours of their engagement had swirled since Zoe was recently spotted wearing a large diamond ring on her finger while kissing her pop-star boyfriend outside a hotel in London.

One onlooker said of the rock: “You couldn’t miss the ring on her finger. It is absolutely huge.”

There had been months of whispers the couple had already taken the next step in their romance.

ROCK ON

Harry Styles and Zoe Kravitz kiss in London as she’s seen wearing HUGE diamond ring

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The Sun first confirmed the pair were dating last August after insiders spotted them snogging inside Rita’s bistro in Soho.

They were also then caught enjoying some downtime by a fan in Rome, who filmed the couple walking arm-in-arm down a cobbled street in the Italian capital. 

The pair later spent Christmas together at Harry’s family home in Cheshire before jetting to the Bahamas for New Year, where locals claimed a proposal may have taken place.

One insider had said at the time: “Harry and Zoe saw in the New Year together in the Bahamas.

“This one is said to have been extra special and there has been talk amongst locals that a proposal did take place.”

By January sources said that the Watermelon Sugar singer was Zoe’s “soulmate”.

They were also photographed last month holding hands when arriving at a Saturday Night Live afterparty in New York City.

Harry, whose new album Kiss All The Time. Disco, Occasionally, went straight to No1 last month, is set to head out on tour soon.

He will play a string of shows in Amsterdam before taking over Wembley Stadium in London for a record-breaking 12 concerts.

From there Harry will head to South America before a 30-date residency at Madison Square Garden.

JANE Fallon has given her fans a health update after having her second surgery following her cancer diagnosis.

The author, 65, who is the partner of Ricky Gervais, told fans earlier this month that she was suffering with breast cancer, despite having no symptoms before the diagnosis.

Posting a sweet pic alongside her cat Pickles on Instagram, Jane wrote: “Little update. So, my 2nd surgery went well.

“They got the clear margin they need on the original excision, which is great. 

“They did hit a new little patch of precancerous cells on the other side of the new bit they took out but, thankfully, everyone agrees more surgery would be overkill. 

“A huge % of pre cancer doesn’t develop into cancer. 

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“I saw the oncologist today & we’ve agreed the risks of radiation outweigh the benefits in my case.

“Which leaves Tamoxifen (or similar) or wait and see (my preferred option). 

“I’m very nervous about going the drug route, because I know the side effects can be hideous, but I’m taking all the info on board & luckily there’s no pressure to make a quick decision.

“So, all good & I’m just looking forward to getting back to normal.”

Jane’s followers flocked to support her, including author Jojo Moyes who wrote: “Well done for getting through another surgery.

“Wishing you some reassuring news very soon x”

A fan added: “Happy to hear the update and it sounds very positive … yes take your time to decide , & so all the research … as of course you will x”

Another said: “That’s such uplifting news , so pleased your doing well. onwards and upwards x And cats will always upstage.”

This comes just days after Jane slammed a fake obituary that was published online after she was revealed she had cancer.

She said: “I’ve taken the post about the obituary down, because I don’t want people to think I’m upset by it. I’m not. P***ed off yes.

“But more, I just want people to know that any photos you see of me in hospital, looking sad or with tubes sticking out of me are 100% fake – AI generated.”

Following her recent procedure, Jane told her followers she was feeling “remarkably fine” and in good spirits.

She assured people she wold update them once she had the medical all clear.

“Then 8-10 days wait for confirmation that they’ve got it all & the margins are clear (small % chance of more surgery if not),” Jane wrote.

She has been resting up at home with the support of cat Pickles.

When Jane announced her diagnosis, Jane asked fans not to “panic” and said her prognosis was “excellent”.

She has been with comedian Ricky for more than 40 years after meeting back in 1982.

Jane is the author of 14 bestselling books and has penned titles such as Getting Rid of Matthew, Got You Back, Queen Bee, Worst Idea Ever, and Faking Friends. 

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

David Mackenzie’s “Fuze” springs to life in a millisecond.

In central London, a construction digger unearths an unexploded World War II bomb, and it starts to tick. The blast radius could be a half-mile wide. Outside the cordon, Chief Supt. Zuzana (Gugu Mbatha-Raw) oversees the evacuation of thousands of residents to Hyde Park. Inside the cordon, a military explosives expert, Maj. Tranter (Aaron Taylor-Johnson), marshals his squad to disarm the weapon. Also inside the cordon, a heist crew headed by thieves Karalis and X (Theo James and Sam Worthington, respectively) uses the dangerous distraction to rob a bank.

Three skilled teams, three goals. Meanwhile, a displaced neighborhood resident named Rahim (Elham Ehsas) is cooling his heels in Hyde Park very aware of an evening flight that his family is supposed to be on. His clan will factor into the plot too, although his wheelchair-bound father flusters, “Nobody ever tells me what’s going on.” Join the club, old man.

“Fuze” was one of my favorite treats at last fall’s Toronto International Film Festival, although unlike many of the other films it premiered alongside, it has no pretensions of being an awards contender. (Mackenzie’s 2016 modern western “Hell or High Water” did make a moderate Oscar splash.) This is just quality popcorn filmmaking that spins the audience in circles as we watch experts do their jobs. I left the theater feeling giddily put through the wringer by its contrarian depictions of heroes and fiends.

A mechanical exercise more than a character piece, the script by Ben Hopkins (of the 2023 Willem Dafoe existentialist art burglar drama “Inside”) functions like an elaborate contraption. First, you’re impressed by the scale. Then, it reveals how its small moving parts fit together — and at the very end, just when you think you’ve clinched it, there’s a surprise coda that makes you unpack everything again to reassemble the story from a completely different perspective.

It’s a film with a few strong opinions about how the world is being run. Yet, they’re rarely said out loud. Everyone on-screen is a person of action, not words — particularly Taylor-Johnson’s major, a veteran of the War on Terror, who is so calm under pressure that he’s introduced sniping a bull’s-eye at Lord knows how many meters. He’s the sort of character who tends to come across either bland or unconvincingly cocky-funny. Here, he’s compellingly focused on the task at hand and, like all the leads, never pauses to fill in the audience on exactly what he’s doing.

The performances are all from the grip-and-grin school of acting: neat and precise with a minimum of bluster. “Fuze’s” version of a joke is when an anxious underling pipes up to ask for permission to speak. “No,” Tranter snaps, and his gruffness is so confident that it makes you chuckle. Yet even he has a boss, Gen. Minton (Iain Fletcher), who storms into one scene to yank on Tranter’s chain of command and disrupt the power balance again.

Instead of bothering much about dialogue, “Fuze” is a blueprint of how stress and deference exert themselves upon a workplace. The robber clique turns out to have its own bosses, too, as well as the most visible fractures in their unit. You’d be correct to guess that within their grand scheme lurks at least one or two self-interested ruses run by either James’ Karalis or Worthington’s X. The other crooks don’t have names worth learning, but the actors playing them, Shaun Mason and Nabil Elouahabi, do have memorable faces.

There are no flourishes onscreen other than Matt Mayer’s editing, which is relentless. Mackenzie barely gives the audience a pause to ask questions, although he does get around to answering them (mostly). All this competence puts us in a strange state — a suspenseful trance — in which you feel on edge while also relaxing into the idea that the characters have things under control. Unpredictable twists are afoot. But the pace moves so fast that you can only observe, not outguess, the surprises, putting us in the same fix as a heavy, played by Dragos Bucur, who moans that he knows he’s getting screwed over, “but I don’t know how.”

Coming at cross purposes, some of these people will fail. One unit — it would be a spoiler to specify which — evaporates toward the climax and, oddly, isn’t missed. While the outro feels tacked on, upon reflection, it’s the missing piece that transforms the movie from a puzzle into a proclamation on group cohesion. Only afterward does it hit us that Mackenzie has really made a thriller about trust. Each of these groups (and shadow groups) is united by either duty, blood or circumstance. Of those factors, one proves more adhesive than the rest.

“Fuze” does smack a bit of an excellent episode of TV. Everyone in the cast is a little too pretty for their jobs. Likewise, the score by Tony Doogan leans too heavily on generic electronic thuds, the kind that segue into a commercial break cliffhanger and an ad for blood pressure medicine. When his techno beats kick in during the most fraught sequences, however, the effect is dynamite. As the closing credits kick in, Mackenzie lets off some well-earned steam with an apropos punk rock anthem, the Clash’s cover of “Police & Thieves.”

MORE than three decades after London helped launch her career, Tori Amos is back in the city, headlining the Royal Albert Hall for a tenth time. 

The US singer is chatty and upbeat despite staying up until 5am, still riding the high of her gig the night before. 

With her striking red hair falling in waves and her vivid green eye make-up, Maryland-raised Tori, who has called Cornwall home since the late Nineties, looks every inch the star. 

“London was the place that gave me my big exposure explosion,” she says.

“It really did shake my life up. And here we are again. 

“London broke Silent All These Years in the autumn of 1991, and then launched [debut album] Little Earthquakes, which rippled out to the States and the rest of the world.

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“America really discovered me through London, and then the UK did, too. From there, it just kept rippling outwards.” 

On her forthcoming 18th album, In Times Of Dragons, Amos turns political dread, female resistance and personal storytelling into something unique and mythic.  

She says: “I’m very reclusive at home and I’m not very sociable there so when I’m on tour I go from this insular life, where I do a lot of reading, music and writing, and step into this much more exposed life.” 

The contrast between Amos’s secluded home life and her role as a performer feeds directly into an album shaped by both personal reflection and political unease. 

The record is a response to the current political climate in America because, as a songwriter “a lot of my work is documenting time,” she tells me. 

“That’s what I did with Little Earthquakes, which followed my time of failure after [her synth band] Y Kant Tori Read when I had to go back to play piano bars.  

“I have a history of documenting things — my miscarriage in 1998 and that journey, then my 2002 album Scarlet’s Walk which documented 9/11 when I actually wrote some of it on the tour bus.” 

The idea for In Times Of Dragons came through the muses — otherworldly entities — that Amos believes bring her music.  

She has spoken widely about these guiding forces, which she says have inspired her songwriting since childhood.

And last year she published children’s book Tori And The Muses, all about them. 

She says: “This message came to me through the muses that I needed to document America at this pivotal time in history. 

“And I had to personalise this.

“It came to me a year ago that I needed to be me in the story and be closely connected to one of these people, and what that would look like, because they are personally affecting us. 

“I had to turn the volume on that to create this narrative, whatever turning into a dragon looks like.” 

The album follows the story of Tori trapped in a world run by billionaire tech moguls and lizard dragons, who threaten democracy through corporate greed and authoritarianism. 

Amos says: “Jane Mayer writes about the genesis of this in Dark Money, which is one of the most important books people need to read if they’re asking, ‘How did we get here?’. 

“This has been going on since the Seventies.

“As Mayer documents, figures like the Koch brothers — and I use that as an umbrella term for a wider movement — helped shape it, along with super PACs [organisations that spend millions supporting political candidates] and all the rest. 

“It seems there was an understanding that progressive teaching in universities had to be excavated, cut back and penetrated by a very tight right-wing philosophy that is now upon us. 

“And I’m not just talking about Republicans and Democrats. I’m talking about tyranny versus democracy.

“If you had asked me about this even around the Scarlet’s Walk era, I was already going after it through that record, and then through [2007 album] American Doll Posse during the Bush-Cheney administration with the wars, the manipulation, all of that. 

“Then there was a period of relief, when a different, more inclusive philosophy came in, whatever your politics are. 

“For me, it’s about the philosophy.

“As a songwriter, I’ve been tracking that through my career. 

“On this record, I had to take a personal journey and look at the effects of what this very small cabal of men is doing — and there are women involved too, we can’t get confused about that. 

“There’s Cambridge Analytica, the involvements of the Mercers, Rebekah Mercer [the right-wing US heiress and political donor] and all those interconnections.” 

The album’s story sees Amos’s character flee and reunite with her daughter.

This part is played by her real-life daughter Natashya, who co-wrote tracks Veins, Strawberry Moon and Stronger Together — the latter of which she also sings backing vocals on, and is one of the most emotional songs on the record. 

“She was in DC at the time, in law school, and she graduates in a few weeks,” says Amos proudly.  

“She’s going into criminal law and really had her finger on the pulse. 

“On a daily basis she’s seeing things that the wider public probably isn’t, unless you’re a political journalist. 

“We’re so inundated that the little freedoms being quietly taken away can be missed. 

“Criminal law is her calling.

“So, writing these songs with her, with her understanding of what’s happening in the field she’s chosen, and her exposure to the shock of what is being torn to pieces, was hugely important. 

“She says we are past constitutional crisis and what’s going on is absolutely shocking.” 

The final song, written last- minute for the album, is Ode To Minnesota — a response to the deaths caused by ICE agents there. 

She says: “Heinous, atrocious crimes are being committed and so this is the world of the record.”  

Amos, 62, has a long history of addressing America in song, and In Times Of Dragons continues that while exploring wider patterns of male power. 

It’s also a reminder of her role as a feminist icon and the influence she’s had on artists such as Lady Gaga, Florence Welch and St Vincent (real name Annie Clark).  

“Annie’s one of my dear friends,” she says of St Vincent.

“She’s fabulous. We have a giggle and I’m thrilled for her, for her art, and for the way she’s balancing motherhood so beautifully. 

“It’s lovely to see people who came to my shows when they were younger. 

“She’s talked to me about Choirgirl [Tori’s 1988 album From The Choirgirl Hotel] and what it meant to her when she first heard it, and we’ve had laughs about that. 

“And it’s the same with the guys too. 

“I’m off to an event later and the guy doing the Q&A used to stand by the stage door as a teenage gay kid.  

“To see these people grow up, and to still be able to bask in their creativity and development, is a beautiful thing to witness.” 

But while Amos is moved by the artists and fans who have grown up with her work, she is hesitant to define her own feminist legacy. 

She says: “It’s not for me to say, that’s more for other people to decide. 

“Believe it or not, I’m a bit introverted about that.

“What I think I’ve tried to do, and what I have done, is there for those who know it. 

“What’s important to remember is that there was no social media then.

“When people ask, ‘Was it easier back then?’, well, in some ways no, and in others yes. 

“We did have a music business with a few women in record companies, though only a few in executive positions.

“One or two could balls their way through, but you really had to.

“And if you didn’t have that tenacity in the Nineties — especially to get played on radio — it was tough. 

“At an alternative station in the States, they might add two women out of 64 slots, and the other 62 would be men.  

“I’ve spoken about that with some of my contemporaries over the years, Alanis [Morissette] being one of them, and it was not a good feeling — knowing that talented women with very good records were simply not being added to the station. 

“And touring took money. 

“That’s why I never had tour support.

“In the early days, I went out with just a piano, my tour manager and a sound guy. That was it. 

“We kept the costs down, and luckily the shows sold out, because the Press had really got behind me.” 

Today, Amos points to Dolly Parton as proof that women can keep evolving, performing and owning the stage on their own terms as they get older.

“She is fantastic and she’s aware we are a different generation that played this game and played it well,” says Amos.

“There are women who are still playing the game beautifully, and they still have the physicality and the health to do it.  

“I used to have a three-and-a-half octave range when I was doing those one-woman shows.

“But with the change of life — becoming a dragon, if that’s the menopause analogy — you adapt or you collapse.

“For me, it wasn’t a crisis in the way it has been for some women we’ve read about in the Press, and I have huge empathy for that.

“But vocally, I did have to make changes. 

“I didn’t want to alter the top lines of songs with those very high, wide-ranging melodies, so on the last tour I simply didn’t play them.  

“Then I thought, ‘No, that isn’t what I want.

“I want the whole catalogue available to me as a storyteller’. 

“So, I decided to bring in backing singers who could hit those notes.

“It was a strategic, compositional choice.

“I didn’t want to be in a position where I could only perform 40 per cent of my catalogue because of range. 

“And we’re having a blast. 

“They’re amazing singers. 

“I’ve gained four notes at the lower end and I feel like I’m down there rocking with Nick Cave, but that’s the trade-off. 

“I gained more on the lower end, while recognising that if I want to play those songs, you can only transpose them down so far before they lose their essence. 

“I have so much respect for Nick Cave.

“I used to run into him in the early Nineties.

“His work has always been a beacon of beauty and darkness — expansive work that makes you think.” 

Like Cave, Amos remains restlessly creative, and she is already thinking about where to go next.  

“After something as demanding as this, I’m doing a prequel to children’s book Tori And The Muses — that will be out next year,” she says.

“Her journey as a little girl with her muses.  

“It’s due next April — and there may be music to go with it too.” 

•  In Times Of Dragons is out on May 1. 

TORI AMOS 

In Times Of Dragons 

★★★★☆

As Coronation Street’s power couple Swarla tie the knot, British LGBT Awards founder Sarah Garrett says the soap highlights huge progression in the representation of same-sex couples on TV

Lisa Swain and Carla Connor have finally said ‘I do’ on Coronation Street, leaving Swarla fans rejoicing.

The couple got together in 2024, growing closer before realising their feelings for one another. After almost two decades on Corrie, this is Carla’s first same-sex relationship, while it’s certainly not her first wedding.

That said, Carla has finally found her soulmate in Lisa, something agreed on by cast members Alison King and Vicky Myers who play the pair. But it’s not just about the characters and what it means to them.

There’s been a huge shift with how women-loving-women (WLW) romances are presented, and perceived, onscreen in recent decades. When you think back to the first pre-watershed lesbian kiss on UK TV, that aired on former soap Brookside in 1994, it sparked both backlash and praise, while it was historic in that it was something that had never been aired before 9PM until then.

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Fast-forward 30 years and we now have Lisa and Carla’s wedding, and the soap’s first WLW wedding that sees both characters actually make it down the aisle. Viewers have backed the couple from the very start, with many fans inspired by their love story.

With the wedding airing during Lesbian Visibility Week, a deliberate choice by the soap, it has to be noted that many viewers feel represented by the characters and their union.

Yes, Swarla have had many obstacles in their time together, and more than most. They’ve had evil wives returning from the dead, killer brothers and a few hiccups along the way, not forgetting the disastrous proposals.

But they’ve made it, and Swarla are here to stay. It’s clear from the love the viewers have for Lisa and Carla that not only are they offering a powerful representation onscreen of a lesbian relationship, but it also shows how far television has come where the visibility of same-sex romance is concerned.

Addressing this progression and what Coronation Street has got right with Carla and Lisa, Sarah Garrett, Founder of the British LGBT Awards, shared her thoughts with The Mirror. She shared how much of an impact Swarla have had, and why it matters.

Sarah also shared what it was about Swarla, and what Corrie have done with the characters, that is so important – and why other TV shows and screenwriters should take note. Sarah told us: “In the 32 years since Brookside first aired a pre-watershed lesbian kiss on British television, same-sex relationships have been portrayed in many ways – the good, the bad and the ugly.

“What makes the portrayal of Carla and Lisa’s relationship so compelling is that it has never been framed as a coming-out story; instead, it is simply a story about falling in love. Their journey centres on two women who know exactly who they are, finding each other and building a relationship marked by compassion, conflict and vulnerability.

“It’s a powerful example of authentic storytelling and one from which screenwriters around the world could take note when depicting healthy, nuanced same-sex relationships.

“Going forward, the industry has the opportunity to build on this by continuing to normalise diverse relationships without sensationalism, investing in layered character development and allowing LGBTQ+ stories the same depth, longevity and ordinariness as any other on screen.”

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X. * Follow Mirror Celebs and TV on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads .

A cellphone belonging to David Anthony Burke, better known as the singer D4vd, contained “a significant amount of child pornography,” a prosecutor said in court Thursday morning.

Los Angeles County Deputy Dist. Atty. Beth Silverman made the claim during a court proceeding to schedule a preliminary hearing on murder charges in the killing of 14-year-old Celeste Rivas Hernandez. The images were uncovered as part of a broad series of search warrants executed on Burke’s phone and iCloud account, Silverman said.

Burke’s attorneys have insisted he is innocent and are demanding his preliminary hearing begin next week, meaning evidence in the closely followed case could become public as soon as May 1. He appeared in court Thursday in an orange jail jumpsuit and walked into court with his hands in his pockets.

A status hearing was set for April 29. Silverman and a district attorney’s office spokesperson declined to comment outside the courtroom. The singer’s attorney, Blair Berk, also declined to comment.

The D.A.’s office spokesperson declined to say if the child sex abuse material allegedly found on Burke’s phone was related to Hernandez or another victim.

Burke was arrested by Los Angeles police last week and charged Monday with murder, continuous sexual abuse of a child and corpse mutilation, according to a criminal complaint. He has pleaded not guilty.

Defendants have a right to have a preliminary hearing, in which a judge determines whether prosecutors have enough evidence to bring a case to trial, within 10 business days. But Berk’s push to move quickly is unorthodox. She has publicly grilled Silverman about needing access to more discovery materials, and the medical examiner’s report detailing how Hernandez died was not made public until Wednesday.

Joshua Ritter, a former L.A. County prosecutor, said Berk was playing a “hell of a game of chicken” but she may be aiming to pressure test the prosecution’s case.

“The defense might want to put the D.A. on their heels if they feel for some reason there was a rush to make an arrest. But this case is nearly the opposite of that,” he said. “They’ve had more than adequate time … this does not seem like a situation where the D.A. made a hasty decision to file.”

Silverman said police amassed “40 terabytes” of digital evidence in the case, which has made uploading and transmitting materials to the defense difficult. Silverman also said police had conducted a wiretap operation in the case, but did not disclose the nature of it. The veteran prosecutor said even she had “not received anything” related to that operation.

She also confirmed prosecutors convened three secret grand jury hearings after Hernandez’s death — two in November and December in 2025 and one in February. Those were investigative grand jury hearings, meaning prosecutors could use them to enshrine testimony against Burke, but could not use the proceedings to secure an indictment against Burke. Transcripts from all three hearings will also need to be unsealed.

L.A. County Superior Court Judge Charlaine Olmedo also warned Berk that if she does push for the immediate preliminary hearing, she may not have access to the entire compendium of evidence before May 1.

Ritter also mused that Burke could be pushing his attorneys to fight the case without delay. Beyond that, he said, the approach “makes no sense.”

“The defense is seven months behind the eight ball on this. They not only have the grand jury transcripts to catch up on but who knows what kind of digital forensics and wiretaps and everything else,” he said.

Silverman also seems intent on bringing the case to trial as soon as possible. Silverman noted Thursday marked the one-year anniversary of the date prosecutors believe Hernandez was killed, and said she intended to put the case before a jury within 60 days of the completion of a preliminary hearing.

The singer allegedly began sexually abusing Hernandez in September 2023, when she was just 13. Burke’s attorneys have said the case cannot stand up to scrutiny and pushed for the immediate preliminary hearing.

Hernandez was reported missing from her family’s Lake Elsinore neighborhood three times in 2024, and she was spotted at some of D4vd’s concerts during that time frame.

Prosecutors allege Hernandez was last seen at Burke’s Hollywood Hills residence on April 23. She “threatened to expose his criminal conduct and devastate his musical career,” according to L.A. County Dist. Atty. Nathan Hochman, though the prosecutor has not answered questions about whether Hernandez was going to report Burke to police.

Burke surged in popularity after one of his tracks was included in the wildly popular video game “Fortnite,” and he has also collaborated with artists like 21 Savage. He was beginning to tour in support of his debut album, “Withered,” when reports surfaced linking him to Hernandez’s death. He quickly canceled all shows.

The details of the crime echoed some of the violent imagery associated with Burke’s songs. The Queens-born vocalist has appeared in a music video filled with violent imagery: a young woman with an apparent chest wound lies on a bed as the singer hovers over her, blindfolded, his white shirt spattered with blood. In another video, “One More Dance,” D4vd drags a person — who bears the singer’s likeness — to a car, where a couple stuffs the person into the trunk.

Hernandez’s badly decomposed body was found in the trunk of a Tesla at a Hollywood tow yard last September. An autopsy report made public this week revealed she died from a pair of stab wounds to the chest and abdomen. When police arrived on the scene, they found Hernandez’s body was “dismembered” and two of her fingers had been amputated, according to the medical examiner’s report.

Prosecutors charged Burke with murder with special circumstances, including allegations that Hernandez was a witness to a crime — her own sexual abuse — and that Burke killed her for financial gain to protect his ascendant music career. If convicted as charged, he faces life in prison without the possibility of parole or the death penalty. Prosecutors have yet to decide if they will seek capital punishment in the case.

OLIVIA DEAN stormed the opening night of her debut arena tour – but left fans gutted by not performing No1 hit Rein Me In.

She received a hero’s welcome at Glasgow’s OVO Hydro, fresh from a stellar few months which saw her scoop four Brit Awards, three Mobos and the Grammy for Best New Artist.

But she surprised the audience by deciding not to include her Sam Fender collaboration, which has so far spent eight weeks at the top of the charts, on her 23-track setlist.

So fans had a singalong to it outside the venue afterwards instead.

Rein Me In won the Brit Award for Song of the Year in February, but Olivia had plenty of other brilliant tunes to satisfy the sold-out arena.

As floor-to-ceiling white stage curtains opened to reveal the singer, she looked cool, calm and collected, despite the high expectations on her shoulders.

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Olivia Dean shows off endless legs as she poses in just a fluffy white coat

She breezed out in a pink sequined dress and was greeted with echoing singalongs of utterly joyous tracks Nice To Each Other and So Easy (To Fall In Love).

She then told the crowd that her whirlwind success over the past 12 months has been a shock, even to her.

She explained: “This is crazy. Apologies if I get emotional tonight but I just can’t believe how many people are here. Today we were driving in and I drove past King Tut’s. I played there two years ago, and there was 300 people in the room.

“Now I’m here with all of you, so thank you so much for being here.

“Just enjoy yourselves. Sing, dance, cry, whatever you want. I’ll certainly be having a good time.”

And things got more emotional as she performed UFO, from her 2023 debut album Messy, which she said is about feeling “overwhelmed.”

When the audience spontaneously waved their phone torches in the air to light up the arena, she wiped away tears of joy.

One of the set’s unexpected highlights came as she sang Loud live for the first time.

And she did so in a flowing white skirt from a flower-shaped stage in the centre of the room.

Against stripped-back instrumentation, the haunting track showed her vocals at their most powerful.

Back on the main stage, disco balls descended from the ceiling for a more upbeat section which had her skipping and dancing across the stage, along with her nine-piece band.

As she wrapped up the gig, she said: “I never imagined I could have my own headline arena tour. It’s mental.

“Thank you so much for listening and just believing in me.”

And while she didn’t do Rein Me In, she finished her set with fan favourite Dive and her first No1, Man I Need.

She will be back on stage tomorrow at Manchester’s Co-op Live before six nights at London’s O2 Arena, and further shows in Dublin and across Europe.

Olivia is at the top of her game right now and if you want a warm, musical hug, this concert is it.

Duran set for summer

DURAN DURAN have dropped new single Free To Love and have signed up presenter Clara Amfo to appear in the music video.

They gave Radio 2 a first play of the track yesterday morning and it’s a banger, with Simon Le Bon and the band working on the single with Nile Rodgers – 40 years after he produced their Notorious album.

In an exclusive chat after the single dropped, John Taylor told me: “We wanted to write something uplifting for these times we find ourselves in. A feelgood piece for an imaginary dance floor.

“I always want to feel the DNA of classic disco in our music, reframed for now. Nile locks us into that timeless groove, bringing a sense of optimism. It’s a reminder that music can still bring people together.”

If you’ve not heard Free To Love yet, definitely give it a listen. It’s the perfect summer song.

Lady Gaga eyes six second Oscar

LADY GAGA is eyeing up another Best Original Song nomination at the Oscars after recording three songs for Devil Wears Prada 2.

After Gaga, released her Doechii collaboration Runway earlier this month, I told how the superstar had a surprise in store for fans and had contributed more to the film’s soundtrack.

I can reveal that as well as Runway, Gaga has recorded Shape Of A Woman which she performs during the film, plus a third song, which is called Glamerous Life.

It is a stripped-back emotional ballad – similar to her 2022 single Hold My Hand for the Top Gun: Maverick sequel.

On the new song, Gaga sings: “I might need a hero to save me from breaking. Can I be myself in a world that’s just faking it?”

In 2019 Gaga won Best Original Song at the Oscars for A Star Is Born’s Shallow and if Prada 2, which is in cinemas from May 1, takes off like I think it will, she will have another Oscar nomination under her belt.

Gaga co-wrote Shallow with Mark Ronson and performed it at the Oscars ceremony with her movie co-star Bradley Cooper.

Sofa, so good Kylie

ANYTHING Kylie Jenner touches seems to turn to gold.

So I think sofa superstore DFS should be having a serious think about signing her up, after the American reality TV star turned beauty mogul decided that she would use her cream sofa as the backdrop for a load of thirsty Instagram snaps.

Over two million of her fans have now liked the images, which Kylie captioned: “Can’t a girl have fun?”

I can think of more places to have a laugh than on my sofa wearing a bra, but each to their own.

Ant & Dec go crazy

OUR sister showbiz column Biz On Sunday told you back in February that Ant & Dec were in talks for a new ITV primetime show all about crazy golf.

And now I’m told the Geordie duo have had the series green-lit by telly chiefs, and the pair are already busy filming with a host of golf-mad hopefuls.

It is based on US show A Hole In One, where contestants battle it out on a seriously hard silly course for cash.

A source said: “Ant and Dec have been given the nod and they’re preparing to film their new ITV show later this summer.

“Rather than having the public competing like in the US version, they’ve got a load of golf fans to sign up and play.

“It’s going to be the weirdest and wackiest game of crazy golf ever, with some big personalities trying to putt a winner.

“Ant and Dec are huge golf fans so really wanted to get the concept off the ground. ITV loved it and now it’s being pitched for a primetime slot on Saturdays. It’s family-friendly and with the great personalities they’ve got on board, they think it could be a ratings winner.”

Ant and Dec will have a hell of a job fitting this new show into their schedules, with the pair due to jet off to Australia later this year for the next series of I’m A Celebrity . . . Get Me Out Of Here!

But if I was getting paid to spend some days in the sun mucking around on a crazy golf course, I’d definitely make some time in my diary.

Liam bigs up Oasis return

LIAM GALLAGHER is fuelling what we all know – Oasis will be coming back with more live shows.

And now the motormouth has sent fans in Italy into overdrive after heading to Rome.

He was mobbed outside his city-centre hotel, where one asked if he and Noel would return to the city.

Liam replied: “Without a doubt. We’re coming next year.”

I revealed the rockers are plotting more reunion dates in 2027 after taking this year to recharge.

A huge run across the UK, Europe and North America is heavily tipped as the brothers celebrate the 30th anniversary of their heyday.

For a man meant to be on holiday, Liam is putting in serious hours in the Oasis promotions department.

Tyla has A* pop lined up

TYLA has announced her second album A*Pop will drop on July 24.

The singer was in New York to dish out copies of her signed i-D Magazine cover and celebrated the release date with her fans, saying: “Initially going into this project, I was nervous – like, ‘Where do we go from here?’

“But I realised that the music really reflects where you are in life, and the way the new album sounds came on its own, it fell into place.

“There are some exciting features but those are all still under wraps for now.”

Reverand And The Makers also have exciting news for fans.

Today they have dropped new single F*ked Up with Robbie Williams.

NICK GRIMSHAW knows an act who has already been booked to headline Glastonbury 2027, after I revealed in January his close pal Harry Styles will top the bill next summer.

On his Sidetracked podcast Nick seemed to confirm my story by saying: “I know someone that’s playing. I can’t say who. So two spots to go . . . Maybe. They might be booked.”

VINYL fans with deep pockets should start saving now, as the White Label Auction is back.

The annual sale in aid of The Brit Trust begins on June 23, with hundreds of rare white label test pressings going under the hammer through Omega Auctions.

Among the hottest lots are signed releases from Sam Fender, The Cure, Roxy Music and Yungblud.

Collectors can also get their hands on gems from Gorillaz, Coldplay, Freddie Mercury, Sex Pistols and The Who.

The charity event has already raised more than £200,000.

STRICTLY fans can swap the sofa for the dance floor later this year, with the show’s pros heading to Warner Hotels for a string of star-studded breaks.

Kai Widdrington and Katya Jones will lead the glittery line-up, with guests able to watch live performances, snap photos and even learn a few moves themselves.

And it’s not just sequins on offer.

Singers Chesney Hawkes, Michael Ball, Alexandra Burke, Will Young and Russell Watson are all booked to perform at various locations across the country.

BBC Radio 2 presenter Sara Cox, who has just landed the biggest job on the station, has been married to husband Ben Cyzer, with whom she shares two children, since 2013

Newly announced BBC Radio 2 Breakfast Show presenter Sara Cox has always been open about her home life, previously sharing a “depressing” revelation about her marriage to husband Ben Cyzer.

The broadcaster, who is set to replace Scott Mills on the nation’s biggest radio show, struck up a relationship with advertising boss Ben back in 2006, a year following the breakdown of her first marriage.

The BBC Radio 2 host tied the knot with Ben in 2013, and together they’re parents to daughter Renee and son Isaac. She’s also mum to Lola from her earlier marriage to DJ Jon Carter.

Yet Sara, aged 51, has disclosed a nightly struggle she endures with Ben. Speaking on her Teen Commandments podcast, which she co-hosts with Clare Hamilton, Sara revealed that Ben’s snoring regularly drives her to escape to another bedroom.

She explained: “This is my issue that I’ve got with Ben in the night if I wake up, just him breathing is annoying. Not during the day, I just mean any slight noises.”

“You know on a wildlife documentary when they have a shot of an animal that’s on high alert for a predator? I feel like I’ve got that heaving in the middle of the night, I can just hear the tiniest [noise]…it’s just so magnified in the middle of the night.

“I think there’s a bit of anxiety in there. I remember in my twenties if I woke up at like half one, I probably wouldn’t have been in bed at half one, but if I woke up in the middle of the night and it was like 3am, in my twenties I’d be like, ‘Yeah, I’ve got loads of time to sleep, amazing’. Now I’m 50 I go, ‘F**k, it’s three, I’m not going to sleep, I’m never going to get back to sleep again’.

“So I need to tap into that twenties energy of thinking, ‘I’ve got loads of time to sleep’.”

When questioned about managing her partner Ben’s nocturnal disturbances, Sara Cox revealed: “I nudge him, he’s really patient, he’s great about it, and then we just keep sleeping in separate rooms, which is a bit depressing.”

Sara has just revealed how “ecstatic” she feels to take the reins of the BBC Radio 2 Breakfast Show, after its former host, Scott Mills, was axed from the role last month.

“There are not enough adjectives to really sum up how I’m feeling about being trusted with such an iconic show but let’s start with ecstatic, honoured and incredibly chuffed,” she shared.

The star, who currently hosts Radio 2’s weekday Teatime show and will begin fronting the Breakfast Show in the summer, added: “It’s been a dream to host the Breakfast Show since I joined Radio 2 and it feels like a bit of a full circle for me.

“I’ve had the most glorious seven years of my career on teatime so thank you to my brilliant Teatime listeners who hopefully will join me at Breakfast for excellent music and all my usual nonsense plus some superstar guests. I honestly can’t wait to wake the nation up with the biggest most fun breakfast show ever.”

The Saturday soccer show, which looks ahead to the day’s games, is to end following a drop in ratings

Alex Scott has issued a statement after BBC bosses blew the final whistle on Football Focus after a run of 52 years. The presenter, 41, said: “I always knew this would be my last season on the show, which the BBC were aware of too. My intention was to move quietly into the next chapter, but sometimes things change.”

The show, hosted by Alex Scott, was first broadcast in 1974. The decision is said to be based on “changing audience behaviours”, with fans increasingly consuming football content in different ways.

She said: “To have been part of it has been incredibly special, and I’m so grateful and proud of the eight years I’ve been involved , including the five years I’ve had the honour of presenting it.

“It has been such an important part of my life, working with some of the very best people in the business, both on screen and behind the scenes. I’ve loved so much of it, the conversations, the laughter, and sharing so many big moments with you, the audience. Thank you for being part of it.”

It comes as the Corporation battles with its finances, with the BBC saying “it is appropriate to respond to this as difficult decisions are made around how the licence fee is spent”.

In an age of content creators and social media, many football fans are no longer tuning in to the BBC1 show.

But BBC Sport chiefs insisted the decision to end the show at the end of the current season was not a reflection on the performance of Scott, who took over in 2021 after Dan Walker’s 12-year stint.

Alex Kay-Jelski, Director of BBC Sport said: “Alex Scott is one of our finest presenters, is hugely popular across the men and women’s game and is a big part of our present and future.

“She will remain at the heart of our sports output across both the Men’s World Cup this year and the Women’s World Cup in 2027, as well as continuing her lead role on the Women’s Super League and BBC Sport Personality of the Year. We are also working on a very exciting new project with her – more to come on that soon.”

He added: “Football Focus has been a hugely important programme in the history of BBC Sport and has played a key role in telling the stories of the game for generations of viewers. This decision was made before last week’s wider BBC savings announcement, reflecting the continued shift in how audiences engage with football and our commitment to evolving how we deliver content to reach fans wherever they are.”

But Alex, who will be the last presenter of the long-running BBC stalwart, is said to have been left feeling “bruised” over the BBC’s inquests into its declining performance. The BBC has not published viewing figures but the audience had dropped off significantly from 849,000 in 2019 to 564,000 by 2023.

Walker predicted the end of the show back in 2023, when he said: “It’s hard to see Football Focus struggling… I hope it stays part of the TV landscape.”

JERSEY Shore star Snooki has confessed that she’s putting off life-saving surgery because she’s scared.

At the start of the year, Nicole ‘Snooki’ Polizzi revealed her stage 1 cervical cancer diagnosis to the world.

The MTV reality star, 38, believes she could have avoided the diagnosis had she gone to her recommended follow up visits to the doctor.

But despite saying she had regrets over “just keep putting it off” about her prior appointments, she is now putting off life-saving surgery.

Her doctor recommends that Nicole should undergo a hysterectomy to avoid the possibility of the cancer’s return.

“No, we’re not putting off any more appointments,” Nicole said.

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But she later added: “They’re already yelling at me to schedule the hysterectomy, which I didn’t. I’m traveling.”

Lara then pressed: “I know but this is your life,” adding how she is a mom to three beautiful kids.

“Well, I’m not going to lie, I’m scared,” the reality star added.

“I know, and I understand that. But you know what’s going to be more scary? If you don’t do it,” Lara urged.

“If you get this hysterectomy, do the doctors feel like you will be way ahead of the curve?” Lara asked.

Snooki replied: “Yes.”

Nicole recently underwent a PET scan where the results thankfully showed the cancer has not spread, though the surgery is highly encouraged to ensure the cancer does not return.

Elsewhere in the interview, Snooki opened up about the moment she found out about her devastating diagnosis.

“I was terrified. I was terribly crying in my car. Like, what am I going to do?” she recalled.

“I have three kids. I got to do my will. I haven’t done my will yet.”

Snooki first told fans about her health scare in an emotional video posted online in January.

At the time, she urged her followers to take their gynecological health seriously, and get all the necessary appointments done.

She noted that she was trying to get caught up on all hers, adding that several recent pap smears came back irregular in recent years.

Nicole said this raised concern with her doctors, who urged her to undergo a colposcopy to retrieve samples from her cervix for biopsy.

“That hurt. It wasn’t a great experience,” she said.

She then shared that the results of the colposcopy were “not great,” adding that her doctor “found cancerous cells on the top of my cervix.”

He urged her to get a biopsy to see if the cancerous cells spread, telling her the results of that would determine the next steps.

Nicole admitted at the time that she had avoided visiting the doctor because she did not want to deal with “pain” or “stress” caused by different procedures.

She admitted, however, that doctors visits are necessary, and encouraged her followers to take it seriously.

Snooki got emotional in the clip as the reality hit her.

“Obviously, I’m done having kids,” Nicole said through tears.

“But like as a woman, the thought of getting a hysterectomy is just sad, and it’s scary…the thought of getting the hysterectomy and then not being able to have kids, I think that’s what’s killing me,” she confessed.

After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.

Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.

The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”

“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”

The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.

An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.

(Refik Anadol Studio for Dataland)

Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”

“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”

Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.

Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.

“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”

“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”

Plucked from a previous life as a working actor, Richard Gadd experienced a disorienting whirlwind less than two years ago. “Baby Reindeer,” his painfully personal 2024 Netflix show, based on the sexual assault he survived, instantly opened the floodgates of fame for him.

“The show came out on Thursday, and by Sunday, I could barely walk anywhere without being recognized, without being stopped,” Gadd says while visiting The Times’ offices earlier this month. “That’s an adjustment because I always thought if anything like that ever happened, it would be a bit more of a gradual process. But it was overnight, so I didn’t have time to adjust.”

Now the winner of three Emmy Awards and a slew of other accolades for that series, which he starred in, wrote and served as showrunner, Gadd, 36, has already helmed a new emotionally ferocious show.

Probing the tropes of rigid masculinity, “Half Man,” premiering Thursday on HBO, chronicles the destructive bond between two men over several decades. Niall and Ruben — whose respective mothers are romantic partners — call themselves brothers but they couldn’t be more dissimilar.

Bullied at school, meek Niall (played by Mitchell Robertson in his youth and Jamie Bell in adulthood) lost his father as a young boy. He dreams of being a writer. Meanwhile, the insolent and hyper-confident Ruben (Stuart Campbell as a teen and Gadd as a grown-up) has been in trouble with the law from a tender age. Facing any conflict, he resorts to brutal violence. When Ruben takes Niall under his wing, the two become inseparable. But as the years and resentments pile on, their cancerous brotherhood threatens to obliterate them both.

“Half Man” follows the destructive bond between Ruben (Richard Gadd), left, and Niall (Jamie Bell) over several decades.

(Anne Binckebanck / HBO)

“Richard’s writing is really unique and really singular,” Bell says on a video call from England, where he’s currently shooting the “Peaky Blinders” sequel series and is sporting a shorter haircut. “He identifies that real gray area of humanity really well and he puts a voice to the most uncomfortable places that we go into or things that we think when we’re alone in the dark, when we think no one’s watching.”

Gadd wrote the first episode of what would become “Half Man” back in 2019, while he still was performing the live version of “Baby Reindeer,” which he turned into the series. At the time, he recalls, society at large was seriously engaging in conversations around toxic masculinity and sexual violence as the #MeToo movement gained strength.

“It wasn’t necessarily that I set out going, ‘Oh, I want to make a show about that,’” Gadd says. “It was more that something must have just drifted into my head thinking, ‘You take two men repressed in their current life, repressed in the modern world. And then you go all the way back to their childhood. You contextualize learned behavior; you contextualize trauma and things they learned that make them these repressed adults. And you bring a bit of context to, I suppose, difficult male behavior in the present.’”

As “Baby Reindeer” launched his career as a creator, Gadd put “Half Man” on ice for four years but couldn’t stop thinking about returning to it. “Even as I was coming to the end of ‘Baby Reindeer,’ I thought, ‘I’m really looking forward to getting back to that project,” he recalls. “The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now.’”

Sitting across from the mild-mannered Gadd, the magnitude of his transformation on screen for “Half Man” becomes even more impressive. Gadd comes off as thoughtful and emphatic, while Ruben, his physically imposing character, commands trepidation.

“The second ‘Baby Reindeer’ finished, I thought, ‘This is what I’m going to do now,’” Gadd says about working on “Half Man.”

(Ian Spanier / For The Times)

Watching Gadd as the rage-fueled Ruben, one might be surprised to learn he originally had no intention of acting in “Half Man.” After wearing multiple hats on “Baby Reindeer,” Gadd thought this time around he could get a purely external bird’s-eye view of a project as showrunner and writer of “Half Man.” But eventually people around him suggested he should be in front of the camera once again.

“My initial response was always, ‘That’s just so far away from anything I’ve done before. It’s so far away from me. Are people going to buy it?’” he recalls. “And behind every single fear-based thought was a worry of what people might think, which in my opinion, isn’t a good enough reason to not do something.”

Convinced audiences would struggle to see the guy from “Baby Reindeer” as this “hard man,” a U.K. term for tough and intimidating men, he had to physically morph. To inhabit a new body, Gadd underwent a strict exercise regimen, and most importantly, a new diet.

“I had a chef make these meals in England, fun enough, and send them up to Scotland where I was filming,” he recalls. “I’d eat them at specific times. You go through periods of fasting and through dehydration whenever you had your top off. There was a real science to it.”

And yet, though he at first worried he wouldn’t look big enough, Gadd refused to portray Ruben with a chiseled physique conceived for mere aesthetics.

“I didn’t want him to have a six pack, I wanted him to feel like a real person,” Gadd says. “Sometimes when you see someone on TV and they’re ripped, I almost don’t think that’s real strength. Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.”

Before he agreed to play the character, Gadd auditioned numerous actors for the part, but with all of them he felt they were too focused on his appearance as an imposing figure and not his inner turmoil. “Ruben is extremely sad as a person. He’s terribly broken and traumatized,” he says.

For the series, Gadd bulked up to become more physically imposing: “Someone like Ruben, they wear their life in their body, they’re heavy set. It’s not ripped. It’s bulky. It’s natural to him.” Richard Gadd in “Half Man.” (Anne Binckebanck / HBO)

When asked if he sees himself as Ruben, Gadd contemplates the question, debating whether it’s his “jetlagged brain” or ambivalence about finding some of Ruben within him.

“Do I see myself in Ruben?” After a pause, he concedes: “All of his behavior is a reaction to a deep traumatic happening in his life. I can relate to finding it extremely difficult to get past big traumatic events and coming to terms with them and coming to terms with yourself even as a result of them.”

With less hesitation, Bell, 40, acknowledges that he finds a certain kinship with his character. As a teenager, Bell flocked to people with a defiant edge. “I grew up without a father in an all-female household and I felt very naked as a child in terms of needing to be protected by someone who was dominant and aggressive,” he says. “I totally understand why Niall seeks solace in someone like him. No one will touch Ruben. There is a safety in that.”

Gadd says he doesn’t think about celebrities when searching for the actors. “I’m quite fame-averse when it comes to casting because I think sometimes it can get in the way,” he explains. “You can have a show, which starts up with all the best intentions, turn into a sort of acting vehicle for someone, or the discussion becomes about the actor doing this role.”

That said, when the casting director on “Half Man” asked him about his “dream cast,” Gadd expressed Bell was the only one who would genuinely excite him. But could that happen? “In my head, I was still in pre-‘Baby Reindeer’ time where I thought, ‘Well, somebody like him is not going to be interested.’ And then I thought, ‘Well, he might be,’” Gadd says.

For his part, Bell found the “nihilism” in Niall, a man desperately running from his true self and living in Ruben’s shadow, an enticing and complex character to play. “[Niall] conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical and thinks that his way is the correct way, and that other people don’t understand that he is terminally unique,” Bell explains with a chuckle.

Bell, who plays Niall, says his character “conceals himself in many different ways, and has a lot of self-loathing, but at the same time has all these ambitions and actually is incredibly egotistical …”

(Anne Binckebanck / HBO)

Aside from a tight schedule to produce “Half Man,” the challenge for Bell was adjusting to the dramatic intensity that Gadd was after. “I wasn’t particularly prepared for that, therefore sometimes my reading of certain scenes I’d get wrong. We’d start scenes and Richard was like, ‘You are pitching it at like a six, and this is very much an 11,’” Bell recalls laughing. I was like, ‘Oh, OK.’ That took some modulating.”

In Gadd’s mind, Bell remains an “underrated” artist. A proud Scotsman, Gadd recalls loving Bell in the 2007 romantic dramedy “Hallam Foe,” where the British actor played Scottish. For “Half Man,” Gadd thought Bell could convey the pain that haunts Niall, even as his actions paint him less like Ruben’s victim and more like a vengeful participant in the chaos.

“There’s always something I find so vulnerable about Jamie and I knew that I was going to take Niall in some really big journeys where he was going to almost test the audience’s love for him,” Gadd says. That Niall finds Ruben so alluring is natural to Gadd, who believes the notion of a valiant male figure has been bred into everyone via fables and fairy tales.

Gadd adds that whether or not we like to admit it, we’re drawn to alpha male characters. “Because from an early age, we’ve been told they are always at the top of the social hierarchy. And as a result, we’ve always, as a society, answered to those kinds of people as some sort of leaders.”

And though he says he’s unfamiliar with the “manosphere,” the misogynistic and chauvinistic online community, Gadd doesn’t believe Ruben would fall for the gurus in those circles who claim to have the answers for young guys to become “real men.”

“Ruben carved his own masculinity. To give him credit, if that’s even something you can give him, those spaces wouldn’t hold any weight for him. He’s his own man,” Gad says. “He would never follow anyone on social media. He’s the person to be followed.”

Based on the tone of Gadd’s output thus far, it may come as a surprise that as a young person he dreamed of creating a show along the lines of the U.K.’s “The Office,” which he considers a “perfect piece of art.” The stories he is telling now better reflect his “neuroses” and the experiences he’s endured.

“My life just took a very dramatic turn, and my sensibilities weren’t workplace sitcoms anymore. When I grew up and I was doing comedy I thought, ‘I’ll write a sitcom one day and every character will be sort of funny in it,’” he says. “But my life just took a turn to the point where I needed my writing and my art darkened because what I went through was very dark.”

Humor is not entirely absent from “Half Man,” some of the characters’ reactions to their distressing realities earn a chuckle. Still, Gadd’s funny bone might also find an outlet in other people’s narratives. He was recently announced as part of the cast in Apple TV’s upcoming high-concept series “Husbands,” for which he already shot his scenes. Adapted from a bestselling novel of the same name, it stars Juno Temple as a woman who gets to experience life with a different partner every time she changes the light bulb in her attic.

“I’m very picky with stuff I take on. Because I love writing my own work so much, anything that takes me out on someone else’s show has to be very special. And this was very special,” Gadd says.

“Everything I do doesn’t have to be dark,” he adds with a soft smile.

CRUZ Beckham has sent another olive branch to his estranged brother Brooklyn despite his older sibling blocking him.

The aspiring singer, 21, took to his Instagram stories to share a picture of himself as a baby with both his brothers, Brooklyn, 27, and Romeo, 23.

In the snap, the trio are seen sitting in front of one another and wearing matching white shirts.

The adorable photo of them as children saw them beaming from ear to ear as they posed for the happy moment.

This is just one of several olive branches that Cruz has extended to his brother over the last few months.

Back in December, he shared a picture of himself with his brothers and their dad David as he gushed: “Love you guys.”

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In February this year, he posted another shot of the three brothers together as children.

The trio flashed their cheeky grins for the camera as Brooklyn sat in the middle and cuddled them both.

Last month, he commemorated Brooklyn’s 27th birthday by sharing a picture of a young Brooklyn holding Cruz as a baby.

He wrote: “I love you,” alongside a party popper emoji.

Brooklyn has not publicly responded to any of Cruz’s attempt to move on from the family drama.

The aspiring chef blocked his parents and siblings on Instagram in December and stayed firm in keeping them unfollowed on his social media platform.

Cruz previously spoke out about Brooklyn’s social media snub.

It was initially thought that the Beckham family had “unfollowed” Brooklyn’s account, as The Sun on Sunday reported.

Cruz soon put things straight. Pulling no punches, he shared a post which read: “Not true.

“My mum and dad would never unfollow their son. Let’s get the facts right. “They woke up blocked  . . .  as did I.”

Brooklyn released a bombshell statement in January and suggested public image and Brand Beckham was the biggest priority to his mum and dad.

Earlier this month, matriarch Victoria was asked directly about her eldest son during a new interview with the Wall Street Journal.

The Spice Girls star said: “I think that we’ve always—we love our children so much.

“We’ve always tried to be the best parents that we can be. And you know, we’ve been in the public eye for more than 30 years right now, and all we’ve ever tried to do is protect our children and love our children.

“And you know, that’s all I really want to say about it.”

Victoria did not refer to Brooklyn by name when asked about the rift but discussed how she had only ever tried to “protect and love our children”.

Victoria and David are understood to have been left devastated over the fall out and have even recently offered to meet with Brooklyn and his wife Nicola Peltz in the presence of lawyers and therapists in an attempt to rebuild the rift.

But with Brooklyn seemingly standing strong on his statement, the family are still yet to make any movements towards a reconciliation.

“Storage Wars” star Darrell Sheets was found dead by police on Wednesday in Lake Havasu City, Ariz. He was 67.

According to Variety, which obtained a report from the Lake Havasu City Police Department, Sheets died from what appeared to be a self-inflicted gunshot wound. The statement said that on Wednesday around 2 a.m., officers were dispatched to Sheets’ home on Chandler Drive after reports of a deceased individual.

“Upon arrival, officers located a male subject who suffered from what appeared to be a self-inflicted gunshot wound to the head. The male was pronounced deceased on scene and the Lake Havasu City Police Department’s Criminal Investigations Unit was notified and responded to the scene to assume the investigation,” the statement read.

“The body was ultimately turned over to the Mohave County Medical Examiner’s office for further investigation,” the release continued.

Police said that they identified the man as Sheets and that his family had been notified. “This incident remains under active investigation, and additional information will be released as it becomes available.”

Sheets appeared across 15 seasons of the popular A&E reality show “Storage Wars” from 2010 to 2023. His son, Brandon Sheets, was also a cast member, and the father-son duo was often considered the heart of the show. Darrell would use his not-so-stealthy approach when bidding on storage lockers that he was willing to bet contained what he would describe as “wow factor” treasures.

“I’m a buyer by trade. I love buying storage sheds. It’s my addiction,” he said on the series. “I’m basically known for taking the good stuff and just getting the heck out of here.”

According to Sheets’ cast bio, the antiques enthusiast loved to brag about “four Picassos and the world’s most lucrative comic book collection” that he scored through storage auctions. He told The Times in 2015 that he once invested in a locker and discovered pieces of original artwork by Frank Gutierrez that he said appraised for about $300,000, making for the biggest take in the TV show’s then-five-year history.

Rene Nezhoda, another “Storage Wars” cast member who was often considered Sheets’ rival due to their onscreen antics, posted on Instagram after news of Sheets’ death broke and called out cyberbullies.

“Unfortunately, Darrell Sheets took his own life,” Nezhoda said. “I know a lot of you guys think we hated each other because we competed a lot on the show, and you know, we had our moments. We had our run-ins, but that’s because we were both competitors, right?

“Deep down, me and Darrell were friends. We talked every now and then. He is a very hard worker that cared more than anyone I’ve probably ever met about their family, about his son, about [his granddaughter] Zoie.”

Nezhoda said that Sheets had someone “really, really tormenting” him on social media.

The “Storage Wars” alum then addressed cyberbullies for their treatment of public figures, saying, “Just because you watch us on television doesn’t mean you know us. You never know what demons somebody faces.”

THEY were once ‘like brothers’, touring the world together and dealing with global superstardom after being propelled into the spotlight aged just 16.

But now in their early 30s, Niall Horan and Harry Styles are “worlds apart” and living “vastly different lives”. Here, an insider tells us why the relationship has soured between the pair, and how the rest of One Direction are keeping their distance.

Fans first noticed cracks between the pair last month when Niall, 32, made barbed remarks about the cost of fame on an American podcast just days after Harry, also 32, said he found his superstardom “deeply isolating”.

Speaking on the Zach Sang show earlier this month, Niall cheerfully revealed how delighted he is to be living a “completely normal life” in London, travelling on the tube, walking his dog and going for beers with his mates in local boozers.

When asked if he minds being stopped by fans, the Irish singer remarked: “You cannot have your f***ing cake and eat it”.

Fans were quick to point out that the comment came shortly after Harry spoke about the cost of superstardom – and wondered if it was a dig in his direction.

Speaking to Runners’ World magazine for their May cover, Harry said that he found fame ‘deeply isolating’ and felt the need to withdraw from public life to protect himself.

As part of this, he moved to Italy, because it allows him to ‘live a quiet life’ and ‘reset’.

But the differing attitudes toward fame are part of reason why the pair are no longer close.

A source tells us: “The boys used to be like brothers, they were the best of friends and used to joke about what life would be like when they were old men and still hanging out together.

“Now they are about a million miles from that. They have gone their separate ways and are all living such different lives. 

“Niall is a real homebody; he loves being at their place in London with Mia and the dog, or with his family in Ireland. He’s not a kid anymore; he feels settled now, while Harry still jets all over the world and never seems to stay in one place for long.

“The pair of them hardly have anything in common now, and while Niall would never come straight out and criticise Harry, some things he says definitely make Niall’s eyes roll.”

While the Irish singer songwriter, who is worth £52 million, is completely at ease with being recognised when he’s out and about, scared Styles recently admitted all the unwanted attention left him wanting to become a recluse.

Speaking to US media, Niall claims he can live carefree in London. He says his life with long-term girlfriend Amelia Woolley – known as Mia – is not built around his work schedule and fame.

He added that he’s never minded being mobbed by One Direction’s devoted army of fans: “I don’t ever want it to be like, poor me. That was just the way it was – there were a lot of people around. 

“I just get out and do it, and people are going to come up to you and say hello. And that’s fine. 

“I used to be nearly afraid of that. I love it now. I basically live a completely normal life, really, apart from the fact that if I walk in somewhere, someone’s going to come up and say hello, that’s fine. 

“I walk the dog every day and go on the tube and go into town and go for beers. There’s nothing special.

“It’s a great thing. It’s something that when you were younger, you yearned for.

“We all want that normalcy in effect. You cannot have your f****ing cake and eat it, though, either. 

“I want to be out there doing my thing and getting up on stage. It’s the best f***ing thing in the world.”

This latest spat between the pop legends comes after we revealed Zayn Malik punched Louis Tomlinson in the face during a vicious row, cutting his head and leaving him concussed.

The former pals’ bruising clash came as they filmed a three-part road trip for a nostalgic Netflix documentary about the band, which has since been scrapped.

It emerged that Zayn had made a scathing remark about Louis’ mum, Johannah Deakin, who died of leukaemia in 2016.

Despite the frenzy of worldwide adulation, Niall says that down-to-earth fashion buyer Mia, 28, from Birmingham, keeps his feet firmly planted on the ground.

He went on: “You can sit at home and go like, it’s hard for me to do these things.

“But at times, it being uncomfortable or something can be a reason why you don’t do them. Or you can choose for that to not be a reason and you can do them anyway.

“When you shut out a lot of the things that are assumed can be negative, you also just unconsciously shut out a ton of positive things.

“We live a completely normal life outside of this.

“It’s like someone’s pressed pause on a stopwatch, and then when it clicked back in, I was just this different person. It’s really cool. It happened gradually, but when I think about it in hindsight, it felt like just night and day.

I basically live a completely normal life, if someone’s going to come up and say hello, that’s fine

Niall Horan

“My life just went from being all encompassing to having this good divide.

“I love it. I like having the balance. It’s pretty cool.

“I’ve gotten very good at. When I’m at home, I’m completely at home. I’m not doing anything. I just want to be at home.

“But I like going to work now and then being at home, I like it that way.

“Hopefully, I can keep doing that because it’s a nice little balance I’ve got going on. And it takes time to get to that.

“Amelia’s got her own life. She’s been doing her thing, and everything can’t be just surrounding me.

“It’s already weird enough that she used to fly to Amsterdam to come in on a five o’clock flight on a Friday. It can’t be like that all the time. 

“Bringing her into that is a really cool thing. And she feels that sense of pride and looks at the fans and sees the way they’re thinking and things like that. 

“It’s such a cool thing for her if I play her a song; she’s never had that before. It’s not like people were coming home in the evening from work and going, ‘Hey, I wrote you a song today.’

“That’s a new thing for her, too. The whole thing is a shock to the system, but our life is just not all about that.”

Niall previously dated Hailee Steinfeld and Ellie Goulding – resulting in Ed Sheeran writing the hit track Don’t about an apparent love triangle between the trio.

But Harry, who rented a mansion outside Rome and ran marathons using pseudonyms, feels very differently.

He explained recently: “A large part of the last couple of years has just been about, honestly, learning to like myself away from having so much of my value baked into whether other people are enjoying me or not.

“Learning that fears and feelings aren’t facts, and you can have a feeling about yourself and taking the time to be able to see what that is and see where that comes from.”

Good Morning Britain shared a breaking news update about Prince Harry on the latest edition of the ITV show

Good Morning Britain has shared a breaking news update on Prince Harry live on air.

During Thursday’s (April 23) episode of the ITV show, hosts Richard Madeley and Kate Garraway returned to our TV screens as they updated viewers on the biggest news headlines from across the UK and around the world.

Not long into the show, Ranvir Singh, who was reading the headlines, announced breaking news after Prince Harry made a surprise trip to Ukraine, urging the world not to lose sight of what the country is up against.

Speaking to viewers watching at home, Ranvir went on to say: “That breaking news from Kyiv. Hello there, very good morning to you. Well, Prince Harry has arrived in the Ukrainian capital Kyiv for a two day visit.”

She continued:”He will see some of the work of the Halo Trust an organisation that specialises in clearing landmines and explosives from war torn countries, which, of course, you’ll remember his mother, Princess Diana, was a keen supporter of.

“She worked with them in Angola in 1997. Well, the Duke of Sussex has told ITV news that he wants to remind the world what Ukraine is up against in its war with Russia, our royal editor Chris Ship is in Kyiv and is the only correspondent with access to Harry on this trip.”

The show then cut to a news report from Chris, who explained: “Prince Harry arrived here at Ukraine’s main railway station. He came in on an overnight train from Poland, and yes, an unannounced visit, they always are, of course, for obvious reasons when you come to Ukraine.”

He added: “And perhaps a reminder that at a time when the world’s attention has been on Iran and the conflict there, the fight here is still going on.”

Prince Harry made the unannounced visit to Kyiv at a time when the focus of international concern has been on the war in Iran.

“It’s good to be back in Ukraine”, Prince Harry said as he arrived. He told ITV News that he wanted “to remind people back home and around the world what Ukraine is up against and to support the people and partners doing extraordinary work every hour of every day in incredibly tough conditions”.

He called Ukraine “a country bravely and successfully defending Europe’s eastern flank” and said “it matters that we don’t lose sight of the significance of that”.

His message to Ukrainians is that “the world sees you and respects you”.

Senior Western defence and government officials are gathering in the Ukrainian capital for the Kyiv Security Conference. Harry will make a speech at the conference and tell them that the battle here is more than a simple fight about territory.

He will also see the dangerous work being carried out by The Halo Trust. The Halo Trust employs 1,300 people in de-mining work in Ukraine – its largest operation anywhere in the world.

Good Morning Britain airs weekdays from 7am on ITV1 and ITVX

VICTORIA Beckham has lost a row with US luxury handbag brand Vera Bradley over using the initials VB.

The fashion designer’s Victoria Beckham Ltd team hired intellectual property lawyers in a bid to stop the company registering the letters.

They argued that Posh Spice Victoria was now known globally for her initials — the basis of her beauty firm logo.

But they have now backed down and the application, first published in the Trademark Journal in the US last year, has been registered.

Vera Bradley rakes in more than £200million a year, with customers including Taylor Swift and Sarah Jessica Parker.

Victoria Beckham Ltd — represented by top LA attorney Eleanor Lackman from law firm Mitchell Silberberg & Knupp — asked for more time to put together their case before finally dropping it.

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The US Patent and Trademark Office said: “The Board notes the request, filed by Potential Opposer, Victoria Beckham Limited, to relinquish its extension of time to file a notice of opposition.

“In view thereof, the relinquishment releases the record of application for further processing.”

Last October, Victoria, 52, lost a similar battle with the Norwegian firm Vendela Beauty, with the company successfully arguing she was not famous enough in their country.

And in 2020, the former Spice Girl settled with Australian-based VB Skinland after they successfully registered the trademarks VB Salon and VB Skinlab.

Nic kick a Vic shtick

ACTRESS Nicola Peltz gets her kicks by poking fun at her mother-in-law’s trademark pose.

Brooklyn Beckham’s wife, 31, plays a ballerina in upcoming film Prima — and posted a picture online showing her leg pointed high in the air.

But one comment said: “This is Victoria Beckham’s signature move — stop trolling your mother-in-law.”

Nicola and Brooklyn, 27, are embroiled in a feud with his parents Victoria and David.

By Olivia Monk