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NO-ONE travelled further to become an international star than Sam Neill, who died today aged 78.

He would leave his home in the South Island of New Zealand to fly thousands of miles to film sets in Britain, Europe and America – but always travel back to his far-flung base the moment they were over to spend time with his family.

They confirmed his death in a statement, writing: “It is with immense sadness that the whānau of Sam Neill share the news of his passing on Monday 13th July, in Sydney, Australia.”

This followed a battle with stage three blood cancer after he was diagnosed in 2022.

After undertaking an experimental treatment announced a month ago he was in remission.

His family said: “The loss was sudden and unexpected but blessed by the fact that Sam remained cancer- free.”

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Sam became famous thanks to his role in Omen III (The Final Conflict) where he played the antichrist who had risen to become a British politician trying to prevent the second coming of Christ.

Before then starring in 1983 British TV series, Reilly, Ace of Spies, in which he played Sidney Reilly, a Russian-born adventurer who became a successful spy during the First World War.

But his entry to the big-time came ten years later in Jurassic Park, directed by Steven Spielberg, which spawned a craze for everything about dinosaurs. 

The film, about a theme park where the public could see cloned dinosaurs, caught the public’s imagination – and broke box office records.

The dinosaurs run riot in the film when all safety fences are broken, killing park workers and each other as there is a battle for supremacy. 

Neill’s lead role of dinosaur expert Dr Alan Grant escaped the carnage and went on to star in sequels, Jurassic Park III (2001) and Jurassic World Dominion (2022), making a personal fortune in the process.

Yet he was a last minute choice after bigger star names like William Hurt, Kurt Russell, Harrison Ford and Tim Robbins all turned it down.

“It was a warning never to become too big or too expensive,” he said. 

“You can lose a lot of good parts in that way. I preferred quiet progress.”

Neill did precisely that throughout his career of over 100 movies in nearly 50 years, in which he would turn up in the most unlikely roles.

It included that of Major Chester Campbell in the first two series of the BBC’s hit series Peaky Blinders.

He was born on September 14th, 1947 in Omagh, Northern Ireland to New Zealander father Dermot, an army officer, and mother Priscilla, who was English. 

Although he was christened Nigel, he later thought the name ‘prissy’ and changed it to Sam in childhood. 

His family continued to call him Nigel.  

He is survived by actor son Tim (b 1983) whom he had with actress Lisa Harrow, a fellow New Zealander.  

Despite reports to the contrary, they never married.

He also has daughter Elena (b 1991) with estranged wife Nariko Watanabe, a Japanese make-up artist whom he met on Dead Calm (1989), which was co-star Nicole Kidman’s breakthrough movie. 

He had a stepdaughter with Watanabe, Maiko Spencer (b 1982).  

Neill spent virtually his entire life travelling, first with his father’s job moves around Ireland and then, when he retired from the army, to New Zealand, aged seven.

His father joined the family brewing wholesale business near far-flung Dunedin, which was Gaelic for Edinburgh and founded in 1848 as a Scottish Free Church settlement.

“I was an outsider from the start there,” he recalled. 

“Bullying at school, mocked for my accent, being called names and beaten up – the lot.

“Cowboy films and TV series were very popular at the time, so I called myself Sam to sound like one. It didn’t do much good.”

He was sent away to boarding school in Christchurch, more than 200 miles north along the coast. 

“It was even more lonely,” he said. 

“I developed a stutter, although I could talk perfectly up to that point.”

He used the experiences and memories when he became an actor, always being prepared to take on new projects wherever they were in the world.

“I had an ability to pretend to be other people – probably because I had to at school,” he told me. 

“I never had any great expectations as an actor.”

He started working in television documentaries and in small acting roles.  

He was 30 before he appeared in a movie, Sleeping Dogs (1977), an action thriller made in New Zealand. 

“That film was a calling card,” he said. 

“It was a critical success and that led to some offers, all thousands of miles away. It was a case of either travel or never leave.”

He had arrived in London when we first met in March, 1989, promoting a film called A Cry in the Dark, with Meryl Streep.

It was an alarming real-life Australian story about a baby girl who disappeared from a campsite.

The baby’s mother, Lindy Chamberlain (played by Streep) insisted that a wild dingo dog had taken her baby, but a disbelieving public felt that she was making up a story to cover up murder.

Neill was playing husband Michael Chamberlain. 

“It revealed to me the price of being an international star, like Meryl,” he said.

“She was the most famous actress in the world at that point and the sort of stuff she had to put up every day was incredible. 

“One was a story about her leaving her husband for Michael Jackson!

“I thought to myself ‘if this is what real stardom means, I don’t want it.’   So I had to be careful. I wanted recognition, but also want privacy and sanity.”

Neill went on to achieve exactly that.  

We met several times over the years. He had a calm, down-to-earth manner, unfussy and unflashy, with a dry self-mocking sense of humour.

“I have always been free of ambition – honestly,”  he said.

“I realised, early on, that if I started to desperately want things, then I was going to be disappointed.

“There was always someone whose career was going to better and bigger than mine. There was also someone going to get the parts I wanted.

“So I never had a game plan. If I’d had one, I would have moved to Hollywood and committed to a career in films, going to endless meetings and being a ‘personality.’

“Instead, I have never moved my home from New Zealand. I’ve been fortunate in that enough work has come up – and I’ve travelled to do it.

“I had to get used to the biggest jet-lag, the longest time-changes to the body and being away from home. But that’s been worth it.

“Don’t forget that the first time I went to New Zealand in the early 1950’s it took two months by boat and now it’s only 21 hours by plane.”

He was also cautious about being caught in the trap of other well-known actors. 

“I don’t know what it is about us that leads us in to more temptation,” he laughed.

“I think we are sometimes over-celebrated and can have far more fame than is comfortable. So when trouble comes, it’s all over the public domain.

“I once went to a pub’ with English actor Warren Clarke, drank non-stop to keep up, blacked out and woke up in bed with a woman I didn’t know. 

“The trick is to keep your trousers on and go to bed early. It’s mostly worked for me up to now.”

He seemed to effortlessly glide into some major roles in films like The Hunt for Red October (1990) and The Piano (1993) and TV series The Tudors (2007), Happy Town (2010) and Alcatraz (2012).

There was a certain irony that when playing his unrelentingly tough Northern Ireland police chief in Peaky Blinders, he couldn’t master the accent.

“I was born in Northern Ireland and had the accent as a kid, but had buried it so deep in my mind that I had the greatest difficulty digging it up again.”

He ended up calling his Irish friend Liam Neeson for some tips and delivered the part pitch-perfect.  

“I probably over-did it a bit in the end,” he said.

“I love working in Britain. I feel part British, obviously, and the quality of the acting and the film crews are hard to beat anywhere in the world.”

Between each highly-paid role and movie, he would return home to New Zealand and not work, sometimes for months on end, so would simply slip out of the headlines.

On the last occasion we met, he was more interested in talking about his own wine label in New Zealand. 

He had used the old family connection with wine to grow his own and set up a company to produce it.

He lived, very happily he said, among wine-making and animals on a ranch in Central Otago, surrounded by mountains and lakes.

Neill announced in his 2023 autobiography Did I Ever Tell You This? (Penguin) that he had been undergoing chemotherapy since March, 2022 for a type of blood cancer. 

He had first noticed swollen glands when travelling to promote Jurassic World Dominion.

He had put a hold on his acting work. 

“I have been very fortunate to enjoy the best cities in the world – like London, Paris or Rome – and I have never been too jaded to get a kick out of that,” he said. 

“But the thing that pleases me more than anything is to sit still at my home, have a quiet glass of red wine and contemplate life.”

TRIBUTES are pouring in for screen icon Sam Neill, who passed away aged 78 on Monday, July 13.

The acclaimed actor died suddenly surrounded by his loved ones, just months after revealing he was cancer-free.

Sam Neill’s family confirmed the news in a statement: “It is with immense sadness that the whanau of Sam Neill share the news of his passing on Monday 13th July, in Sydney, Australia.

“Sam was surrounded by family and passed with the dignity that has characterised his whole life.

“The loss was sudden and unexpected but blessed by the fact that Sam remained cancer-free.

“They would like to express their deepest gratitude to the staff at St Vincent’s Private Hospital for their incredible care.

‘ANOTHER DAY’

Final photo shows Sam Neill beaming at awards event weeks before his death

TOUGH LOSS

Richard E Grant & Australian PM lead tributes to Sam Neill after death at 78

“More details will be shared later, but for now, on behalf of the family, we ask that you respect their privacy as they navigate this immeasurable loss.”

Australian Prime Minister Anthony Albanese paid tribute, writing on X: “Sam Neill starred in so many beloved Australian stories and he earned a special place in Australian hearts.

“Wry and dry, thoughtful and laconic, Sam fought illness with the same dignity, humour and conviction that gave strength to his every performance.

“He will be much mourned and long remembered. May he rest in peace.”

Fellow actor Richard E. Grant posted: “Knew @samneilltheprop for 3 decades and finally worked with him on PALM BEACH in 2018. An officer and a Gentleman in the truest sense.

“Guided and helped me through a very difficult time in my Life. Pictured beside producer @deb_bal & @ladyheathermitchell. Sail on, kind Sir.”

While Jurassic World: Dominion director Colin Trevorrow said Sam was “a friend and collaborator at a challenging time”.

He continued: “His strength gave us all strength. I’ll remember him for his tranquility, his love of wine, and for the calm assuredness he brought to his characters.”

Scottish actor Alan Cumming wrote: “Ahhh Sam, what a glorious beautiful man. You are missed. Sorry to the family for your immense loss.”

The Boys’ Karl Urban posted: “Heartfelt condolences to your whanau.
Sam was truly brilliant. An inspiration for many who followed in his trailblazing footsteps.

“A beautiful man, A national treasure who gave so much to New Zealand and the to world. God speed Sam.”

At the time of writing, no cause of death has been given.

Who were Sam Neill’s parents?

Sam was born Nigel John Dermot Neill in Omagh, Northern Ireland, to English mother Priscilla Beatrice Ingham and New Zealand father Dermot Neill, an army officer.

The family emigrated to New Zealand when Sam was seven, settling in Dunedin, and he later went to boarding school in Christchurch.

He took the name Sam when he was a youngster because there were too many Nigels at school.

In his memoir Did I Ever Tell You This?, Sam wrote: “The one thing I resent about my parents, the only thing, is that they called me Nigel.

“Changing my name to Sam at the age of 11 was probably the best decision I made in my life.”

He added: “I found I moved more easily in the world as a Sam. Nigel is an awkward fit in most circumstances. Imagine being a movie actor called Nigel Neill.”

His dad’s family had deep roots in the wine trade, having founded the Dunedin merchant firm Neill & Co generations earlier, which Sam later drew on when he established his own Central Otago winery, Two Paddocks, in the 90s.

Who was Sam Neill married to?

Sam had a long relationship with New Zealand actress Lisa Harrow, whom he met while filming 1981’s The Final Conflict. The pair had a son together, Tim, born in 1983.

Later on life, he went on to marry Japanese make-up artist Noriko Watanabe, whom he met on the set of the 1989 film Dead Calm.

The couple welcomed a daughter, Elena, in 1991, and Sam also adopted Noriko’s daughter from an earlier relationship, Maiko.

Sam and Watanabe separated in 2017.

Who are Sam Neill’s children?

Sam is survived by four children. Alongside Tim, Elena and Maiko, he also had a son named Andrew.

He was placed for adoption when Sam was in his early twenties and was reunited with his father in 1994.

Sam previously told The Times: “I’ve got a slightly unusual family – it’s more extended than most.

“My first son, Andrew, was given up for adoption when he was very small. I was quite small, too – in my early twenties.

“I didn’t see him for 25 years and then we went looking for each other.”

What movies did Sam Neill appear in?

Sam’s career spanned more than 50 years and around 150 screen credits. Among his biggest film roles were:

• Dr Alan Grant in Jurassic Park (1993)
• Alisdair Stewart in The Piano (1993)
• Vasili Borodin in The Hunt for Red October (1990)
• John Ingram in Dead Calm (1989)
• Damien Thorn in The Final Conflict (1981)
• Michael Chamberlain in Evil Angels (1988)
• Dr Alan Grant in Jurassic Park III (2001)
• Dr William Weir in Event Horizon (1997)
• Dr Alan Grant in Jurassic World: Dominion (2022)
• Cliff Buxton in The Dish (2000)

On television, Neill played corrupt Major Chester Campbell in Peaky Blinders.

He also featured as Cardinal Thomas Wolsey in The Tudors, among many other roles.

Sam was awarded an OBE in 1991 for services to acting, and in 2022 accepted redesignation as a Knight Companion of the New Zealand Order of Merit (KNZM), the second-highest grade in the New Zealand royal honours system.

He previously turned down the KNZM when knighthoods were first restored to the New Zealand honours system in 2009.

Emmy nominations arrived Wednesday and if you made the cut, it was a magical morning, like you were invited to Taylor Swift and Travis Kelce’s wedding and danced to “I Want to Hold Your Hand” and ate your fill of lobster, sushi and Krispy Kreme donuts, a combination that I’m sure goes well together provided you’ve fortified yourself with a steady stream of the couple’s signature tequila cocktails throughout the day.

And if you didn’t hear your name called, well, you’re feeling like you’re out there on the street behind the police barricade, hot and sweaty, wondering what happened to your dragons and how in this underwhelming Emmy season things could go so wrong.

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With Emmy submissions still down this year, there aren’t as many slots available to salute all the worthy work, leading to some sad omissions — which, for the sake of alliteration and search engine optimization, we’ll call “snubs.” There were also some surprises, some worthy, some about as welcome as the aftermath of a hot dog-eating contest on the Fourth of July.

Now that I’ve whetted your appetite, grab a donut (or a footlong) while I run down the morning’s notables.

SURPRISE: “The Bear” (comedy series)

OK, not that huge a surprise when a series nominated for its first three seasons, and winning for its first, snags another nod. But given the number of people complaining about the show’s pokey plotting, it was fair to wonder if “The Bear” would again make the cut for Season 4. The show dropped its final season three days after nominations voting ended and because things actually happened during this crowd-pleasing conclusion, it’s possible we might be seeing it again here next year too.

SNUB: Jeremy Allen White, “The Bear” (comedy lead actor)

While “The Bear” made the cut for series, the only cast member to join the party was Ayo Edebiri. Past winners White, Liza Colon-Zayas and Ebon Moss-Bacharach were left out, though all will have a shot at returning next year. Whether they will is open to question. Voters seem to have had their fill of the show.

Jeremy Allen White and Ayo Edebiri in “The Bear.”

(FX)

SURPRISE: “Your Friends and Neighbors” (drama series)

The Jon Hamm-led Apple crime drama failed to land any nominations for its first season outside a nod for main title music. Now moved from limited series to drama, it inexplicably landed a single nomination for its enjoyable-enough follow-up season — for the big prize, drama series. No other noms. Nothing for Emmy favorite Hamm. It’s almost as confusing as some of the plotting in the show.

SNUB: “Half Man” (limited series)

Richard Gadd’s limited series was provocative with its brutally violent look at male rage and unresolved trauma. But some voters I talked with found it so off-putting that they never made it past the first episode. Could be we’ve had our fill of toxic male behavior in the news without having to endure it on our down time too.

SURPRISE: Riz Ahmed, “Bait” (limited series / TV movie lead actor)

Ahmed created, wrote and produced this limited series about a struggling actor whose life is upended when rumors circulate he might be the next James Bond. His sharp comic timing and affecting vulnerability landed with voters.

SNUB: Cailee Spaeny, “Beef” (limited series / TV movie supporting actress)

OK, you didn’t like her character and you’re still afraid to drink orange juice after watching the show. But to nominate everyone else from the series and omit Spaeny? That feels like a case of Millennials and Boomers taking out their grievances on Gen Z.

Cailee Spaeny, left, with Carey Mulligan and Charles Melton in “Beef.”

(Netflix)

SURPRISE: Richard Jenkins and Joy Sunday (limited series / TV movie supporting actor and actress)

The weird and unpredictable “DTF St. Louis” had one last surprise for us, as voters indicated their enthusiasm for it by nominating not just David Harbour, Jason Bateman and Linda Cardellini, but also Richard Jenkins and Joy Sunday, who were terrific as the mismatched law enforcement partners. “DTF,” not “Beef,” might now be the limited series to beat at the Emmys.

SNUB: “Stranger Things” (drama series)

Nostalgia, it would seem, has its limits.

SURPRISE: Rufus Sewell, “The Diplomat” (drama lead actor)

He’s overly involved on the show, so why not at the Emmys, too?

SNUB: Kathy Bates, “Matlock” (drama lead actress)

Dirty birdies.

Chase Infiniti in “The Testaments.”

(Disney)

SURPRISE: Chase Infiniti, “The Testaments” (drama lead actress)

Infiniti was overlooked at the Oscars for her lead turn in “One Battle After Another,” but Emmy voters did right by her, nominating her formidable work in the sequel to “The Handmaid’s Tale.”

SNUB: Adam Brody and Kristen Bell, “Nobody Wants This” (comedy lead actor and actress)

Though Netflix’s rom-com nabbed a comedy series nomination, voters took the title to heart regarding its two leads, both of whom were nominated for its first season.

SURPRISE: Yahya Abdul-Mateen II, “Wonder Man” (comedy lead actor)

A show about a struggling actor navigating the indignities of auditions? No doubt voters found it relatable and Abdul-Mateen II made his anxieties and aspirations vivid.

SNUB: Jenna Ortega, “Wednesday” (comedy lead actress)

Wednesday’s child is full of woe.

Megan Stalter, left, with Robby Hoffman and Paul W. Downs in “Hacks.”

(HBO Max)

SURPRISE: Megan Stalter, “Hacks” (comedy supporting actress)

Stalter’s loud, boundary-pushing nepo baby Kayla on “Hacks” was divisive, but she coasted to her first nomination on the wave of goodwill surrounding the show’s final season. Cringe comedy enthusiasts are celebrating. Now we await a reprise of her jeans and white T-shirt red carpet look from last year.

SNUB: “Saturday Night Live” cast members (comedy supporting actor and actress)

Admittedly it’s a low bar, but “Saturday Night Live” was better this year, not that voters seem to have noticed. Bowen Yang failed to earn a nomination for his farewell season, ending a four-year streak. And breakout cast member Ashley Padilla was overlooked too, her comic timing apparently too absurd for voters’ tastes.

SURPRISE: Dale Dickey, “Widow’s Bay” (comedy supporting actress)

Hopes were high for “Widow’s Bay,” television’s best new comedy, which arrived late in the Emmy season — so late that its last three episodes weren’t eligible for consideration. But that didn’t stop voters from embracing it, giving the show 19 nominations, including one for Dickey’s turn as the gruff town hall worker who is the Spielberg of overhead projector presentations.

SURPRISE: Connor Storrie (comedy series guest actor)

HBO Max’s hockey romance drama “Heated Rivalry” wasn’t eligible for the Emmys because it’s a production of the Canadian TV network Crave, and the television academy requires the U.S.A. be part of a show’s funding to make the ballot. But star Storrie still received an Emmy invite thanks to his impressive comic turn hosting “Saturday Night Live” in February. The guest actor trophies are handed out during the Creative Arts Emmys, a week before the primetime show, but we’ll likely see Storrie and “Heated Rivalry” co-star Hudson Williams show up to present something during the main telecast. They do want people to watch, right?

EXCLUSIVE: The Netflix actress unpacked her new crime drama based on a notorious real-life Irish American gang.

Bosch legend Titus Welliver and Ozark star Jessica Frances Dukes have spoken candidly about portraying a detective partnership in a gritty new period drama.

The Westies, a fresh gangster series which arrived on MGM+ (available through Amazon Prime Video) yesterday, features Netflix actress Dukes as Birdie Polk, who is resolute in her mission to shield New York from a sinister criminal underworld.

Meanwhile, Welliver portrays her hesitant police partner Glenn Keenan, whose complex ties with Eamonn Sweeney (J. K. Simmons), head of Irish American gang The Westies, compels him to navigate a precarious balance between opposing forces.

The Westies, co-created by Narcos’ Chris Brancato and Michael Panes, draws from a genuine Irish American gang which operated from Hell’s Kitchen throughout the 1960s until the late 1980s.

Dukes, who portrays Special Agent Maya Miller in Netflix’s Ozark, shared her thoughts on taking on a markedly different kind of FBI agent.

She said: “I’ve been a fan of Chris Brancato and Michael Panes for a while and being able to dive into one of their worlds was something that was a goal of mine, so to be a part of this was really exciting.

“To jump into FBI world again, at first I was like ‘Do I want to do FBI again?’ and then I read it and I was like, ‘Oh, this chick is not Maya Miller’. And so I was so excited to dive into this ballsy woman. It was so much fun – I loved playing her.”

Considering the broader importance of the role, she added: “She’s given this opportunity to bring these guys down and she’s put in this place of power in [the early 1980s].”

She continued: “There is one woman in a sea of men running this show. I feel like Birdie starts the show with the reward and now it’s all about, ‘Is she going to succeed and prove all the naysayers waiting for her failure wrong?’ And I truly believe she’s got the golden ticket with Keenan.”

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Welliver, who portrays the titular Harry Bosch in Bosch on Prime Video, commented on the new series: “For me, it’s very personal because I’m a New Yorker and I was in and around that time.

“All characters are different and Glenn Keenan is the polar opposite of Harry Bosch if you look at these two guys.”

Discussing his character further and how he engages with Simmons’ Sweeney and Dukes’ Polk, he observed: “The scenes with J.K. were great because those worlds are very markedly different.

“Sweeney and Keenan have a long history together, whereas the relationship with Polk and Keenan is new, but there’s an interesting similarity.

“So they’re both trying to puppeteer Keenan and he is basically saying, ‘Nobody has strings on me.’

“And that’s what I think is the interesting aspect of that character and he emerges with a sense of independence, but at a serious cost.”

The official synopsis for The Westies from MGM+ states: “The Westies is a gritty and kinetic crime drama centering on New York City’s infamously violent Irish gang of the same name.

“The series is set in the early 1980s when the construction of the Jacob Javits Convention Center on the Westies’ home turf in Hell’s Kitchen promises a financial windfall.

“Despite being outnumbered fifty-to-one by the Five Families of the Italian Mafia, the Westies’ legendary brutality and cunning have given them the leverage necessary to share the spoils through a fragile détente.

“But internal conflict between the brash younger generation and the old-school leadership threatens to set a match to this powder keg, which will sweep the Westies into the FBI’s ever-deepening investigation into the Italian mafia.”

The Westies premiered on 12th July 2026 exclusively on MGM+ in the UK.

The ITV drama made it’s highly anticipated debut tonight (July 12) but viewers were distracted

ITV The Dark viewers were quick to identify a problem just minutes into the new series.

The ‘scary’ new thriller, adapted from GR Halliday’s novel, From the Shadows, premiered on Sunday (July 12) night, yet viewers complained about the audio as they struggled to hear what was happening.

Starring Friends’ Helen Baxendale and Outlander’s Laura Donnelly, the six-part series follows a tense cat-and-mouse hunt for a twisted serial killer stalking the residents of a seemingly peaceful town in the idyllic Scottish countryside.

Laura leads the cast as DI Monica Kennedy, who teams up with new partner DC Connor Crawford (Mark Rowley) to hunt a serial killer stalking the Scottish countryside after a young man’s body is found eerily staged.

“As fear spreads through the rural community and secrets begin to unravel, Monica finds herself in a dangerous game of cat and mouse with the killer,” the synopsis continues.

“But when the case becomes intertwined with her own past, she must confront whether her personal history could put both the investigation and her family at risk.”

During the opening episode, DI Monica Kennedy’s family day out, is brought to an abrupt end when a mysterious woman from Monica’s past shows up.

With the threat of this reappearance hanging over her, Monica is called into investigating a chilling crime with her new partner – DC Connor Crawford.

A naked corpse of a young man in his late teens is discovered, posed in the middle of a remote Scottish glen.

Despite all the drama going on, viewers watching at home were quick to spot a major issue not long into the show.

Many insisted there was an issue with the sound as they also claimed that they were forced to use subtitles after struggling to understand the actors.

One viewer wrote: “#Thedark #itv I’ve had to put the subtitles on.. the audio is low, and I can’t understand them.”

Another commented: “Had to put subtitles on for #Thedark.”A third posted: “#thedark audio needs putting through Google translate and the unnecessary background music killing completely.”

Meanwhile many fans seemed to be enjoying the show but insisted that it would have been “perfect” if it was released in the winter.

One fan wrote: “Would have loved this for the dark, wintry rainy cold nights in autumn/winter!”

Another fan jumped in and agreed: “Oh yes that would have been perfect. Proper winter series #TheDark.”

The Dark is available on ITV1 and ITVX.

SACHA Baron Cohen has brought back the iconic Ali G character at Wimbledon ahead of a new film.

Sacha, 54, first played faux-streetwise poseur from Staines in 1998 on The 11 O’Clock Show before landing his own series, Da Ali G Show.

Sacha last played Ali G in 2014 but at the men’s singles final at Wimbledon on Sunday, the star resurrected the character.

Sitting in Centre Court, Ali wore a Wimbledon-coloured tracksuit with the motif ‘Official Ganja Dealer’ on the back, hat, heavy gold chain and glasses, Sacha sported his alter ego‘s facial hair, and attitude.

Ali also joined Instagram to share videos from the tournament and said: “I iz BACK!

“And if u iz at dis borin wimbledore final lookin 2 get grand slammed, I iz here wif de hookup.  dm me, especially if u iz fit.”

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He also shared a shot of a DVD of his TV series and wrote: “dm me if u want to buy one of these DVD box sets.

“Me iz got like 10,000 of dem. Dey iz very rare. Free pickup in the northwest surrey area.”

Sacha’s appearance at Wimbledon as Ali G comes as he prepares a new film for his comic creation.

While few details are known at the moment, in July last year, The Sun exclusively revealed pictures of Sacha in character as Ali as he filmed in a Cotswolds zoo park.

A passer-by who saw the filming in ­Chipping Norton, said: “He was with a whole film crew and was in full character.

“He seemed very comfortable in the role. I was amazed, I thought to myself ‘that’s Ali G’.

“He clearly updated Ali G’s ­wardrobe. He’s replaced his tracksuit and skull cap, but he still had gold jewellery and tinted shades.”

As well as Da Ali G Show, which ran for three series until 2004, he also had a film, Ali G Indahouse, in 2002.

The BBC has launched a new crime drama by the creator of Unforgotten starring John Simm alongside some other famous names

BBC viewers wasted no time sharing their reactions to the broadcaster’s latest crime drama.

Written by Chris Lang, the celebrated creator behind Unforgotten, Innocent, The Thief, His Wife and the Canoe, I, Jack Wright is a compelling whodunnit starring Nikki-Amuka Bird, John Simm, Daniel Rigby, Ruby Ashbourne-Serkis, Zoë Tapper, Percelle Ascott, Harry Lloyd and Liz Kingsman.

A synopsis reads: “I, Jack Wright, is a propulsive whodunnit with family secrets at its core. The apparent death by suicide of high-powered businessman Jack Wright (played by Trevor Eve) sends shockwaves through his family, leaving a mystery that pits greed, loyalty and suspicion against one another.

“As his many wives and children fight over the remains of his estate, a dogged police detective investigates – and uncovers the shocking truth about this well-heeled clan.”

Within minutes of the opening episode airing on BBC One on Sunday, July 12, viewers were sharing their thoughts on social media, reports Wales Online.

And it appears many were caught off guard when legendary actor Eve’s character met his demise almost immediately after the opening credits finished.

One viewer remarked: “Eddie Shoestring didn’t last long in this,” referencing Eve’s ’80s private detective TV drama Shoestring.

Another added: “Looked at the cast for #IJackWright and thought ooh, nice! Then one of my favourite actors character was dead in the first 5 minutes! Hopefully there’ll be some flashback scenes.”

Yet despite Jack Wright’s swift demise, audiences appeared to embrace the whodunit, with one viewer remarking: “It’s a bit like Cluedo.”

Another enthused: “ooh blimey! Binge time!”

The drama was filmed across London, particularly Holborn and Lincoln’s Inn Fields, Paris, and Hertfordshire. The Wright family’s main home, Marston House, was shot at the Mansion House North Mymms Park.

I, Jack Wright first debuted in April 2025 on UandAlibi before being acquired by the BBC. This means not only will the first series be repeated by the broadcaster, but they’ve also secured the second series, which is presently in production.

The inaugural series consists of six episodes altogether. The first episode premiered on BBC One on Sunday, 12 July, as part of a double bill.

Those who relished the opening two instalments won’t have long to wait, as episodes three and four will be shown on Monday, 13 July. Episodes five and six are scheduled to air on Sunday, 19 July.

I, Jack Wright airs on BBC One and BBC iPlayer

GOODBYE boys, Wonderbra icon Eva Herzigova is officially off the market.

The supermodel, 53, married her longtime partner, Gregorio Marsiaj, following a 25-year romance.

Eva, who featured in the famous 1994 Hello Boys campaign for push bras, looked radiant in a flowing white dress as she tied the knot in Turin, Italy, on Saturday.

Joined by their three sons, George, Philipe and Edward, along with a close circle of relatives and friends, Eva and businessman Gregorio exchanged vows at a church, followed by a civil ceremony and an intimate dinner.

The couple first met in 2001 and got engaged in 2017.

Eva was previously married to Bon Jovi drummer Tico Torres in 1996, but the couple divorced two years later.

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She has also been linked to record executive Guy Oseary and model Kelly Rippy.

The model has previously rubbed shoulders with royalty.

In 2017, King Charles opened a pool with supermodel Eva.

Charles hailed the makeover “decidedly splendid” in New Cumnock, Ayrshire.

Eva joined a host of VIPs including Olympic swimmer Duncan Scott and entrepreneur Sir Tom Hunter at the re-launch.

MODEL Lila Moss is helping others to feel much boulder.  

The 23-year-old daughter of fashion icon Kate Moss posed on rocks in Athens in a black Burberry swimsuit. 

Lila, whose father is creative director Jefferson Hack, has been praised for having her Type 1 diabetes monitors on show, raising awareness. 

Lila Grace Moss was born on September 29, 2002, in London, UK.

Her parents split two years after Lila was born, but they’ve still both managed to spend time with their daughter.

Despite her parents’ A-list status, Hack told Sunday Times Magazine that Lila finds them “deeply uncool.”

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Like Kate, however, Lila has a passion for fashion and began her career at the early age of 14.

In October 2018, Lila Grace Moss became the new face of Marc Jacobs Beauty.

Marc first met Lila on a trip to Formentera in 2008 when she was just six years old.

He broke the news on Instagram writing: “At just 6 years old, Lila’s strong character, demeanour and great beauty was already very apparent.

“The next time I saw Lila was in August of 2011 at Kate’s wedding (to now ex-husband Jamie Hince), her character was even more dynamic and her beauty even greater.”

Stephen Libby quit his job as a cyber security consultant after winning The Traitors UK and a source has now claimed fans might see him join the Stricly Come Dancing cast

The Traitors star Stephen Libby is said to be in talks to join the upcoming season of Strictly Come Dancing.

The 32-year-old former cyber security consultant, best known as the co-winner of Series 4 of The Traitors UK, became a fan-favourite on the BBC show due to his strategic gameplay, highly expressive “poker face”, and distinctive 1970s-inspired vintage fashion choices. Stephen and his fellow contestant Rachel Duffy made history as they became the first-ever Traitor duo to successfully split the prize money in the UK version, taking home £47,875 each.

Following his high-profile win, Stephen left his career in cyber security to pursue entertainment full-time. It has now been claimed that the Scottish TV star, originally from the Isle of Lewis in the Outer Hebrides and now based in London, might be joining Strictly Come Dancing.

According to a source, the Strictly casting team believe Stephen could be “a great it” for the show – and if he doesn’t make the cut for this year, he might be considered for 2027, especially if he continues being so popular. Speaking to The Sun, the insider said: “The Strictly casting team have met with Stephen and think he could be a great fit.

“Stephen was hugely popular on The Traitors and since leaving Ardross Castle he has built up a very big fan base. The BBC are always keen to utilise their talent and Stephen is ideal.”

The source added: “No final decision has been made yet but if Stephen doesn’t make the cut this year, he’ll be a key target for the 2027 series – especially if his profile continues to grow as it has.”

Since winning The Traitors, Stephen landed a prominent role on ITV’s This Morning – his assignments included flying to Los Angeles to host red-carpet fashion segments at the Oscars and Elton John’s Academy Award party. Signed by United Agents, he is also booking regular corporate speaking gigs to discuss strategy, human behaviour, and trust.

The Strictly presenting team for the upcoming season will be hosted by a brand-new trio – Emma Willis, Josh Widdicombe, and Johannes Radebe – who are taking over from Tess Daly and Claudia Winkleman. The expert judging panel features returning favourites Shirley Ballas, Motsi Mabuse, Anton Du Beke, and Craig Revel Horwood.

The BBC has officially begun announcing the celebrity cast ahead of the autumn launch on BBC, with social media star Cach Mercer, TV personality Dani Dyer, actor Lacey Turner, singer and actor Delta Goodrem, and celebrity hairstylist Chris Appleton confirmed to be among the contestants.

The Mirror has contacted the BBC and Stephen Libby’s representatives for comment.

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Don Iwerks, an Academy Award-winning special effects pioneer whose innovations transformed film and Disney theme parks, died peacefully Thursday at the age of 96, the Walt Disney Co. announced.

For Disney and his own studio, Iwerks Entertainment, Iwerks helped develop technologies and techniques like Circle-Vision, the 360-degree camera behind “America the Beautiful” and other early Disney attractions, and the 3-D effects used in attractions like Captain EO and the Star Tours ride.

“There was a ‘can-do’ attitude I learned from Walt and my father,” Iwerks said, according to a statement shared by the Disney Co. “Walt gave everyone a feeling that they were creating things that others had never thought of before, of being a part of history.”

Born July 24, 1929, Iwerks received his first camera at age 14 as a gift from his father, animator Ub Iwerks.

The elder Iwerks met fellow artist Walt Disney when both men were teenagers working at a Kansas City, Mo., art studio. They would go on to work together at the Disney Brothers Cartoon Studio, where Iwerks designed and animated “Plane Crazy,” the first Mickey Mouse cartoon.

After a stint at his own animation studio, Ub returned to Disney as a special effects engineer, pioneering techniques like the 360-degree motion-picture camera.

“He was absolutely my inspiration because he was technically minded. He made my childhood and formative years one of the greatest times of my life,” Don Iwerks told The Times in 1998.

The Iwerks family moved to the San Fernando Valley in 1936, where Don graduated from Van Nuys High School in 1947.

He served as a photographer in Germany during the Korean War and joined his father at Disney following his 1952 discharge from the U.S. Army. An allergic reaction to chemicals used to develop film led to his transfer to the company’s Studio Machine Shop, where he spent the next 34 years.

Don spent three months in the Bahamas manning underwater cameras for the 1954 Disney film “20,000 Leagues Under the Sea.” He then worked as the camera technician on “A Tour of the West,” an original Tomorrowland attraction at the soon-to-be opened Disneyland. The immersive 360-degree film was shot on the Circarama camera system his father invented.

Together, Don and Ub developed technologies like the “endless loop” system that enabled a single film print to run for up to 10,000 performances with minimal intervention and refinements to the photography processes used in “Mary Poppins” (his favorite of the Disney films) and other movies.

His own hands were used as the model for those of the Abraham Lincoln Audio-Animatronics figure in “Great Moments with Mr. Lincoln,” which opened at Disneyland in 1965. The “Iwerks Hands” now appear on similar figures at Disney parks around the world, according to his family.

In 1986, he co-founded Iwerks Entertainment, which soon became a major player in the film and theme park industries. The company specialized in large-format films and created the 3-D projection system used in the Terminator rides at Universal Studios parks in Hollywood and Florida.

His innovations were honored with the Academy of Motion Picture Arts and Sciences’ honorary Gordon E. Sawyer Award and an Academy Scientific and Technical Award, among other prizes.

“It’s very obvious that computers are playing a big role in motion pictures today. The digital technology in film is able to put elements of scenes together on a film and have them look lifelike. It’s hard to know where that will go,” Iwerks said in a 1998 interview.

“My view is that technology should support a good story and add to it. Technology for technology’s sake?” he said with a shrug. “You still need good films.”

Iwerks is survived by his wife of 54 years, Betty; his sons, Larry and John; John’s wife, Chris; his daughter Leslie, and great-nephew,Mike, both of whom have also worked for Disney, according to an obituary shared by his family. His daughter Tamara preceded him in death.

“Like his father, he was a humble genius, a consummate problem solver, and delighted in sharing knowledge, encouraging others, and approaching every challenge with confidence and grace,” his family said in the statement from Conejo Mountain Funeral Home in Ventura.

Both Don and Ub Iwerks are commemorated in a storefront window on Main Street U.S.A. in Disney World’s Magic Kingdom. Located above the Main Street Bakery, the window is a lasting tribute to a family who made some of the park’s magic possible.

“Iwerks-Iwerks Stereoscopic Cameras,” the lettering reads. “No Two Exactly Alike.”

Love Island fans have taken to social media with celebratory posts as original couple Lola and Sean chose to self-dump after a public vote and a feud with Julia

Love Island fans have decided shared their shock after Lola and Sean, who have been together since the beginning, dumped themselves from the villa. Fans, who had been pushing for the couple to leave amid a feud with Julia, were excited to see them head out of the villa.

Taking to social media after the couple volunteered to leave, one fan said: “SEAN AND LOLA TAPPING OUT I DID NOT EXPECT THIS #loveisland #loveislanduk.”

“Wait they actually dumped Sean and Lola?? wtf oh my goddddd #loveislanduk,” said another.

Many felt that it was time for the couple to leave with one viewer sharing: “It was honestly their time to leave.” Others were a bit more ecstatic, with another saying: “War is over, Lola and Sean are gone.”

A third said they were “so happy” Lola had left the villa and hoped she would look back at her feud with Julia and how her behaviour, which included telling Julia to “be scared” to talk to her and refusing to join a peace chat amongst the girls, could be seen as “nasty”.

A fourth jokingly said “Pack those bags angel”, referring to the nickname Lola gave everyone. Meanwhile, several mentioned the England World Cup win from Saturday and implied Lola and Sean leaving was on the same level. “What a time to be British,” said one fan.

But some were on Lola and Sean’s side, respecting them for taking the decision to leave. As one fan said: “Fair play to Lola and Sean they weren’t actually playing a game and left. The other couples would NEVER.”

A second said that “no one deserves to be done dirty” the way Lola and Sean had been and that they hoped Lola really had found love, as she thought she had. A third said they respected the couple for leaving when the point was to get to the end as a couple and win the prize money.

The exit comes after a public vote. At the end of Friday’s episode, Julia and Lorenzo were voted the favourite couple. This came after several episodes of strife between Julia and Lola – Casa girl Julia had briefly hit it off with Sean, and when Lola found out she was livid.

Fans slammed Lola for her reaction to Julia, with many saying it was overly harsh and even Sean telling her not to be “petty” when she wanted to say Julia was only in the villa for “air time”.

So when a vote came up for fans to pick their favourite couple, they rallied behind Julia and voted her couple the best. The bottom three were Lola and Sean, Mica and Samraj and Martha and Jordan.

In Sunday’s episode, Julia and Lorenzo were told to pick a couple to send home, but before they could, Lola and Sean stepped forward to volunteer to go home. They said they’d found what they wanted and were happy to head home.

Lorenzo teared up as he agreed to send Lola and Sean home. Sean later said that it would’ve felt “selfish” for him and Lola to stay when they’d been together since the start and were already exclusive.

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RICKY Gervais banked £16.2million from his sell-out 80-date live Mortality tour, accounts show.

The Brit comedy legend, 65, raked in £311,500 a week for the stint.

It meant the 2025-26 financial year was his best earner to date.

His firm, Red Lion 99, has £17.9million in assets and he has another £33.9million in his TV and film firms listed on Companies House.

Gervais will earn even more from a new nationwide tour, Legend, which starts this autumn.

Yet the Reading-born star is known to be disinterested in wealth.

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He once said: “People ask me why I dress like a tramp.

“And I say, ‘My clothes are clean and comfortable.

“Who am I trying to impress?’

“I don’t wear £50,000 watches. I don’t collect cars. I can’t drive.”

“Nothing gives me more of a buzz than to help an animal. I don’t get excited about things.

“I’m not a hippie or communist, I think money’s for the safety of your family and friends, and you can’t take it with you.”

The Dark is a new ITV crime drama inspired by GR Halliday’s novel From the Shadows.

ITV’s The Dark is arriving with fans keen to discover everything about its “beautiful” setting.

Following the discovery of a young man’s body in the picturesque wilderness, it rapidly emerges that a serial killer is at large.

This marks the start of Detective Monica Kennedy’s (portrayed by Laura Donnelly) perilous cat and mouse chase as she embarks on a treacherous investigation to apprehend the murderer.

As ITV audiences prepare to immerse themselves in the chilling world inspired by GR Halliday’s novel From the Shadows, here’s all you need to know about The Dark’s filming locations.

Where was ITV’s The Dark filmed?

The Dark on ITV is situated in the remote Scottish Highlands, with production taking place across Greenock, Inverclyde, the broader Glasgow region and its surrounding countryside.

Last September, actress Donnelly and actor Mark Rowley were photographed filming The Dark alongside production crews at James Watt College’s Finnart Street campus.

The cast were also captured at Annexe Park, Fox Street, Greenock, Newton Street, Cathcart Square, plus Inverclyde Academy and St Mary’s Primary School.

Multiple sequences were additionally captured throughout greater Glasgow’s countryside, which served as a stand-in for the isolated Scottish Highlands.

Screenwriter Matt Hartley revealed to the Royal Television Society that working in Scotland proved an enormous attraction when it came to production and drawing creative inspiration.

“I grew up in the Peak District and live in Wales so the space and atmosphere in the ­Highlands and areas around where we were filming was intrinsic to me.

“There’s a line early on that says: ‘This is where people come to bury bodies, not display them.'”

“That was one of our key thoughts: this is a world of mystery, where people disappear.”

French-born director Gilles Bannier, however, had quite a different expectation of what filming in Scotland would entail.

He revealed: “It met all my expectations except one.

“I wanted these rolling clouds, amazing mist – the Scottish weather we all know.

“In fact, it was the most beautiful summer and autumn they’ve ever had in Scotland.

“So we were chasing a single cloud, a single drop of rain.”

The Dark premieres on Sunday, July 12, at 9pm, on ITV.

Walt Disney Co.’s “Moana” lost its way at the box office this weekend as the company’s latest live-action remake opened to a sluggish $43 million in the U.S. and Canada.

The domestic haul for “Moana” underperformed studio expectations, which ranged from $60 million to $65 million. Globally, the film brought in a total of $95 million on a production budget of about $250 million.

Despite its lackluster debut, the film still came in first at the box office during a weekend where it had few new competitors in the family film space.

The “Moana” franchise has been a box-office and streaming juggernaut. The original 2016 animated movie brought in more than $643 million worldwide and is the most-watched movie on Disney+, while a 2024 sequel grossed more than $1 billion at the global box office. On the merchandise side, more than 22 million “Moana”-themed toys have been sold. “Moana” also appears in the Disney theme parks.

But the theatrical reception for the live-action film may signal that audiences think there’s been too much “Moana” in just 10 years. (The 2024 film sequel was originally set to be a streaming series before it was moved to Disney’s theatrical calendar.)

Most of Disney’s previous live-action remakes have come decades after the original animated movie, such as 2025’s “Lilo & Stitch,” which arrived 23 years after its animated predecessor and grossed more than $1 billion in worldwide box office receipts.

The theatrical haul for the latest “Moana” may also have suffered from poor reviews — the film got a 34% on aggregator Rotten Tomatoes, with several critics highlighting its nearly frame-by-frame similarity to the original film. The audience score on Rotten Tomatoes, however, was 90%.

Still, as the last of this summer’s major animated films, “Moana” could see a longer tail in theaters, particularly with many children still on break from school. Disney’s live-action “Mufasa: The Lion King” opened in 2024 to a middling $35 million, but ended up grossing more than $722 million globally through the holiday season.

Universal Pictures and Illumination’s “Minions & Monsters” came in second at the domestic box office this weekend with $20.5 million. Disney and Pixar’s “Toy Story 5” continued its strong run with an $18.5-million haul, enough for third place and contributing to a total global gross of $879.1 million.

Warner Bros.’ “Evil Dead Burn” ($13.7 million) and Angel Studios’ “Young Washington” ($6.4 million) rounded out the top five.

Also notable this weekend: Lionsgate’s musical biopic “Michael” crossed $1 billion in worldwide box office revenue, the first time that the studio has reached that milestone and the second film this year after “The Super Mario Galaxy Movie” to hit that mark.

BUSTY Kylie Jenner showed off her jaw-dropping figure in a string of bikinis as she got wet and wild with a pal in her steamiest shoot yet.

The Keeping Up With The Kardashians star, 28, looked incredible as she posed up a storm to promote her brand KHY’s latest collaboration.

Kylie, who founded KHY back in 2023, has recently joined forces with designer swimwear brand Frankie’s Bikinis.

The reality star took to her social media to show off some of the stunning two pieces by sharing snaps of herself modelling the looks.

She also wowed in a baby pink set alongside owner Francesca Aiello as they stood in front of a water fountain, and also climbed over each other on the grass in front.

In another snap, Kylie smized at the camera as she showed off her cleavage in a busty leopard print bikini.

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She also laid on the floor in a black leather two piece with a pair of silver stilettos.

Kylie captioned the post: “So fun getting to step into @francescaaiello world again.

“There’s nothing better than creating with your friends and watching each other do what we love.

“So excited for @khy x @frankiesbikinis round two. Launching 07.14 khy.com.”

Many rushed to the comments section to share how incredible she looked.

One wrote: “Icon.”

Another added: “Hotness overload.”

A third chimed in: “Great. A professional woman, what elegance. Always brilliant. Giving everything. Blessings!!!”

“Obsessed with u,” a fourth said.

A fifth commented: “Queen.”

A sixth simply said: “Beautiful.”

The Warner Bros. Ranch in Burbank will serve as broadcast headquarters during the Los Angeles Olympics and Paralympic Games in two years.

LA28 and Warner Bros. Discovery on Thursday jointly announced that the 30-acre Hollywood Way campus would play a pivotal role in the Games. Constructing an efficient TV nerve center — the operational hub where feeds from events are produced, then distributed to hundreds of millions of viewers around the world — has long been a crucial component to staging such an ambitious television extravaganza.

Over the last few months, LA28 executives and the Olympic Broadcasting Services team narrowed their search to the Ranch. The facility, which recently underwent a $300 million transformation with new soundstages, has the capacity and technical requirements to support the international broadcast center.

The International Olympics Committee approved the selection at a recent meeting.

“The facilities are near-perfect for them, both in size and in access,” Simon Robinson, Warner Bros. Discovery’s president of global experiences and studio operations, said in an interview with The Times. “As we sat down and talked it through with them, we were able to reach what we think is a great deal for both of us.”

Warner Bros. and LA28 declined to provide financial details of the arrangement, which will span nearly two years.

For Warner Bros., the decision came down to whether the studio needed the space for its own TV and film productions or if it was advantageous to turn over the facility, which boasts 16 soundstages and a five-story creative office building, to LA28.

Work to prepare the campus for the Olympics will begin in January.

LA28 plans to use nearly all of the soundstages, which are equipped with dedicated set lighting power, high-capacity silent air conditioning, high-speed wired and wireless internet, and adjoining production suites. There’s also a mill — a 40,000-square foot workshop space — a cafe, plenty of parking and quick access to area freeways.

“We look forward to welcoming the global broadcast community to Los Angeles in 2028,” Shana Ferguson, LA28’s chief of sport and games delivery officer, said in a statement.

No Warner Bros. production will be displaced, Robinson said. Three shows that currently use the complex — the HBO productions “Rooster” and “I Love LA,” and “I Suck at Girls” for Netflix, will be wrapped by the time LA28 moves in next year.

“Everything fell into place nicely,” Robinson said.

The Ranch outpost is rich in Hollywood history — a go-to site to shoot old westerns. Columbia Pictures owned the lot for years, before bringing in Warner Bros. as a partner in the 1970s.

It was later used for filming such classic TV series as “Bewitched” and “I Dream of Jeannie” and the movie “Lethal Weapon.” Opening credits of Warner Bros.’ 1990s sitcom “Friends,” featured the then 20-something cast members frolicking in a fountain near the center of the lot. (The fountain was moved to the main Warner Bros. lot, where it has become a featured part of the studio tour.)

The ‘beautiful’ BBC period drama is perfect for fans Jane Austen and is based on a literay classic.

Pride and Prejudice fans have been encouraged to rediscover a “brilliant” overlooked period drama.

The sweet romance on Prime Video, situated in the mid-19th century, has earned acclaim for its “beautiful” landscapes and “heartwarming” narrative.

Originally broadcast on the BBC in 2005, the production boasts a stellar ensemble headed by Miss Austen’s Keeley Hawes. Additional cast members include The Crown’s James Murray, Inside No. 9 actor Steve Pemberton and Lark Rise to Candleford star Ben Miles.

Now that the film has become available to stream, audiences have been revisiting the adaptation based on Thomas Hardy’s celebrated novel of the same name.

Under the Greenwood Tree marks the second published work by the English writer Thomas Hardy, initially released anonymously in 1872, reports the Express.

It chronicles the tale of a romance between schoolmistress Fancy Day (Hawes) and church musician Dick Dewey (Murray).

The official synopsis reads: “In this lighthearted romance from Victorian novelist Thomas Hardy, the beautiful new village school teacher is pursued by three suitors: a working-class man, a landowner, and the vicar.”

Helmed by Nicholas Laughland, the production carries a 6.9/10 rating on IMDb and appears not to have received extensive critical assessment at the time of its release.

Audiences have flocked to IMDb to express their admiration for the overlooked period drama, describing it as ‘brilliant’ and ‘perfect comfort viewing’.

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One viewer wrote: “In the tradition of Pride and Prejudice, Sense and Sensibility, there is the mix of position, miscommunication, and the delightfulness of authenticity of period. A treat to watch. The acting, script, and setting all played well together. If you adore period romances, then this should go on your list to watch.”

Another fan gushed: “Superb. This film, although made for TV, will be a classic, just like the 1995 Pride and Prejudice directed by Simon Langton. The sets seemed remarkably authentic, and all the cast were excellent […] I have watched it 3 times in two days.”

A third viewer reflected: “The scenery was stunning, the plot had depth and kept me and my family gripped throughout. I thoroughly recommend it to anyone with a warm heart, as it certainly warmed mine.”

“Beautiful film in every way, from the classic Thomas Hardy novel,” another viewer said, while a further admirer agreed: “A thing of beauty and wonder.”

However, not everyone was won over by the film, with one critic labelling it a ‘big let down’ and another commenting: “I usually don’t like Hardy’s stuff… I guess that continues.”

Under the Greenwood Tree is streaming now on Prime Video.

The Lucas Museum of Narrative Art, which is moving at light speed toward its Sept. 22 opening, announced Thursday that it will give free annual passes to its South L.A. neighbors living in the 90037 ZIP Code. The 300,000-square-foot, $1-billion museum located in Exposition Park will also host a special community preview day on Sept. 13, more than a week before the general public gets to step inside.

The 90037 ZIP Code has a population of more than 65,000 and is bordered roughly by the 110 Freeway to the west, Slauson Avenue to the south, Central Avenue to the east and Martin Luther King Jr. Boulevard to the north. Residents can register for passes at lucasmuseum.org/lm37 and will be alerted in August when the program launches. Pass holders can reserve tickets for themselves and one guest.

Tickets for non-pass holders go on sale July 21. They cost $25 for adults and $21 for seniors. Kids 17 and under are free.

“Storytelling has the power to bring people together and create a sense of community,” said Lucas Museum Chief Executive Tracey Bates in a news release about the program. “Through LM37, we are inviting our South Los Angeles neighbors to make the museum part of their lives and take their own path of discovery through the art, programs and experiences that will help shape this new cultural hub for Los Angeles.”

The community preview day is designed to give local business owners, community partners, civic leaders and registered LM37 pass holders a sneak peak of the 10,000 square feet of exhibition space, as well as the expansive gardens with 11 acres of park space.

The opening programming, curated by co-founder George Lucas, features 20 inaugural exhibitions across more than 30 galleries, including one titled “Star Wars in Motion,” containing vehicle designs, high-speed racers, flying vessels, props, costumes and illustrations from the first six films in the beloved franchise.

More than 1,200 objects will be on display from Lucas’ personal collection of narrative art. Highlights include work by Norman Rockwell and Dorothea Lange, as well as a variety of manga, children’s book illustrations and comics.

“Little House on the Prairie” is the third television adaptation to bear the name of Laura Ingalls Wilder’s 1935 autobiographical novel of life on the Kansas plains in 1869 to 1870. The first, the Michael Landon television series that debuted in 1974, set in Walnut Grove, Minn., is really based on Wilder’s subsequent volume, “On the Banks of Plum Creek,” while a 2005 miniseries, shown as part of “The Wonderful World of Disney,” was generally faithful to the letter and spirit of the text. The record shows that I liked it.

The new “Little House,” created by Rebecca Sonnenshine and streaming on Netflix, is fairly faithful to its spirit, and less so to its letter. At its center is the Ingalls family: father Charles (Luke Bracey), or Pa; mother Caroline (Crosby Fitzgerald), or Ma; serious older sister Mary (Skywalker Hughes), and adventurous Laura (Alice Halsey), whose story this is. They are heading out to Kansas to what they imagine is free land, though they will have a thing or two coming on that account. “This will be our new forever,” says Laura, who doesn’t yet know that her future will be in Minnesota.

To be sure, the character relations remain essentially the same. Pa will play his fiddle. Laura and Mary will dance, when not getting in one another’s hair, or sulking. There will be singing, frequently. Major episodes from the book — when Jack got lost, (Jack is the dog, and he will be found), the incident of Mr. Scott (Maclean Fish) down the well, Christmas, the one about malaria, and all the business of building the eponymous log house — are accounted for, if in some cases expanded upon or altered. So extensive are its innovations that, although I am going to point out certain departures from or additions to the text, because I am that sort of pedant, it may be best just to regard this “Little House” as an original thing, a variation on a theme by Laura Ingalls Wilder, or a reboot of the television show.

Some touches are drawn from Wilder’s own history. Her mother was a teacher before she married Charles Ingalls; her maternal grandfather died from drowning. The black cowboy hat Laura sports is straight from a photograph of Wilder as a girl. Laura is made a sort of mini-Scheherazade to foreshadow the writer she’ll become (though she’ll also ask, “What am I ever going to need in a book?”). Baby Carrie, in the novel from the start, is born, as she really was, in Kansas, meaning that Ma is pregnant through much of the season — a condition that may have seemed too complicated for a 1935 children’s book, but which adds new strains of drama to the miniseries. It also introduces a theme in which Ma, who has lost “so many” babies, is trying to give Pa a boy, though he is not the sort to be disappointed in another girl.

Also new to the story is Independence, Kan., itself, which in the book is an offstage place to which Pa will sometimes go to fetch necessities, disappearing from the story until he returns. Here it’s nearby — a nicely realized little movie town to which the whole family will sometimes repair, to shop, raise a church or join in a Founders Day celebration. It’s dominated by a less than transparent booster, Eli James (Michael Hough), who comes with a self-important wife, Jemma (Mary Holland), and a pair of teenage twin girls who might be described as all dressed up with nowhere to go.

Notably, the series’ treatment of Native Americans feels intended to rectify, or at least deepen, their portrayal in the book — naive or romantic, maybe, though not, I’d argue, negative — with added native characters and discussions regarding the land and treaties and such. While Ma frets about the natives in the neighborhood, for no reason she can articulate — one juvenile delinquent steals her cherished china figurine, but we understand that there are social causes for his behavior — Pa, who has built his house unwittingly on an Osage trail, has sympathy and perspective. (Ma will soften considerably, because this is that kind of show.)

It’s not an issue for guileless, outgoing Laura, who acquires an Indigenous best friend, Good Eagle (Wren Zhawenim Gotts). Her father, Mitchell (Meegwun Fairbrother) will be a friend to Pa and her mother, White Sun (Alyssa Wapanatâhk), will provide a skeptical counterpoint to Ma. Mission-educated, they live in a nice house with a crucifix on the wall and shelves full of literature.

Most every character gets some backstory, some traumatic. The Ingalls left Wisconsin under a cloud. (“Why didn’t anyone come to say goodbye?” wonders Laura.) (Still, it’s good to see Martin Donovan as Pa’s angry father in a fever-induced flashback.) Ma married Pa, her social inferior, against her mother’s wishes. Caleb (Kowen Cadorath), a new character who works for another new character, Emily Henderson (Barrett Doss), at the general store, was abandoned as a small child. Echoing the character played by Victor French in the TV show, Mr. Edwards (Warren Christie) has a drinking problem, brought on by a family tragedy. (In the book he describes himself as a “wildcat from Tennessee”; here he has wild … cats.) Much of the time, someone is sad. Halsey and Hughes, who are very watchable throughout, are especially good with worried looks, and Fitzgerald, perhaps the series’ MVP, is an artist when it comes to expressing concern.

Sonnenshine also invents tentative romances between Edwards and Lacey Aubert (Rebecca Amzallag), who is French, independent, runs the saloon, I guess you’d call it, dresses in black and wears trousers; between Emily and Dr. Tann (Jocko Sims), who is in the book, but much more established here; and between Mary and Caleb. All these storylines sacrifice the centrality of Laura as a character and observer and makes this “Little House” less a story of a family out on its own than a family in the context of community. (That’s for later volumes in Wilder’s nine-book saga.)

It’s very sentimental — which the novel, with its matter-of-fact, if sensually evocative prose, and its child’s-eye view, is not. The dialogue here is ripe with sampler sentiments and weighted with meaning (“Hope is everything,” “What if this is where we finally become who we’re meant to be,” “Life can get away from you if you don’t speak your heart.”) Much of the added material would have easily fit the TV series — temperamentally, it’s very much a case of late 20th century broadcast television — which to some may be a recommendation.

It’s pretty, often very pretty, to look at. The flat expanse of Winnipeg, Canada, where it was filmed, makes a good topographical match for east Kansas. Prairies are prairies.