set

A New York City man is facing charges after allegedly pulling out a knife near the set of the latest “Miami Vice” reboot.

On Friday around 11 p.m., the New York Police Department received a call about a man brandishing a knife near the intersection of Avenue N and McDonald Avenue in the borough of Brooklyn.

The caller, identified only as a 42-year-old man, told police that he had been in a verbal dispute with an “unidentified individual” when the man took out a knife, according to a police spokesperson.

The suspect was identified as Brooklyn resident Alex Perez, 23. The police spokesperson said Perez was taken into custody without incident and charged with menacing and criminal possession of a weapon. There were no reported injuries, she said.

In a video obtained by TMZ, a man the outlet identified as Perez is shown taking out a large butcher’s knife from his black sweatshirt pocket.

The Brooklyn district attorney’s office did not immediately respond to a request for comment Monday night. It was not immediately clear whether Perez has a lawyer.

NBC New York reported that “Miami Vice ‘85” had been filming nearby along Bay Parkway and McDonald Avenue, near Washington Cemetery.

Universal, the studio behind the film, did not immediately respond to a request for comment. Joseph Kosinski, the director behind “F1” and “Top Gun: Maverick,” is directing “Miami Vice ’85.” The movie, which according to Universal was in production as of Oct. 12, features Michael B. Jordan as Tubbs and Austin Butler as Crockett, according to the company’s social media posts.

The movie is based on Anthony Yerkovich’s iconic 1980s TV cop show. A movie adaptation directed by Michael Mann, also called “Miami Vice,” came out in 2006 but was a box-office flop, The Times reported at the time.

Authorities say the fire in Brasov in September is part of a broader Russian campaign against European countries that support Ukraine.

Romanian authorities say they have uncovered a network “coordinated” by Russia that they believe was responsible for a fire at an industrial site near a state-owned weapons factory in September.

Romania’s Intelligence Service said on Monday that the blaze in the central city of Brasov on September 14 was “part of a wider campaign of sabotage operations coordinated” by Russia amid its full-scale invasion of Ukraine.

The agency said the operations were aimed at arms manufacturers and “other targets of military and industrial interest”.

“These actions are intended to intimidate, undermine defence capabilities and weaken the contribution of the targeted states to European and regional security,” it said in a statement.

There was no immediate comment from Russia on Romania’s claim. Moscow has previously repeatedly denied such accusations.

Romania’s Directorate for Investigating Organized Crime and Terrorism, known as DIICOT, said three people had been involved in the Brasov fire – two Belarusians and a Ukrainian, all living in European Union countries.

Two were “tracked down and remanded in custody in Germany while they were preparing to commit similar offenses”, the directorate said.

The third remains at large in Poland.

According to Romania’s Intelligence Service, recruits for such networks are often found on social media and are first offered money “for a seemingly harmless task”, such as “observing or photographing certain targets”.

Over time, “the tasks become increasingly serious, potentially involving acts of vandalism, arson or even murder”, it said.

‘Hybrid’ war

Romania, a member of the EU and NATO, shares a border of more than 600km with Ukraine.

Its centrist president, Nicusor Dan, has said the country is a target of a hybrid war that Russia is waging to destabilise nations backing Kyiv, citing drone incursions into Romanian airspace, cyberattacks, disinformation campaigns and sabotage.

Foreign Minister Dan Neculaescu said the fire in Brasov was “part of a broader campaign of sabotage across Europe” targeting military production.

“Hybrid attacks will not hold us back from strengthening our resilience and defense,” he wrote on X.

The accusation follows a string of incidents at defence sites across Europe in recent weeks.

In September, explosions and a fire erupted at an ammunition storage site in Bulgaria, weeks after a blaze at another munitions facility in the country. Both sites are operated by the Bulgarian arms maker EMCO, whose munitions are used in Ukraine.

That same month, firebombs were thrown near the offices of a defence company in Munich, and Romanian authorities said they had detained a Russian citizen accused of filming and photographing military sites in preparation for sabotage.

In August, a blast struck an ammunition factory near Rome in Italy operated by the arms maker KNDS.

At sea, at least eight cargo ships have been hit off the coasts of Romania and Bulgaria over the past three weeks, and about 34 sailors have been reported dead or missing.

Dan, the Romanian president, has called the attacks on ships in Romanian waters “a new example of the tragic consequences of Russia’s aggression against Ukraine”.

A year ago, Poland and Romania also detained eight people suspected of taking part in a Russian plot to send exploding parcels to Ukraine.

BREAKINGBREAKING,

Comey, who was fired during Trump’s first term, has been accused of unlawfully divulging national security information

James Comey, the former director of the Federal Bureau of Investigation (FBI), is facing a third set of criminal charges under the administration of United States President Donald Trump.

On Monday, sealed documents came to light showing that the Trump administration accused Comey of two counts related to the unlawful dissemination of “information related to national defence”.

Comey, a high-profile Trump critic, has not been indicted in the case. He has denied any wrongdoing.

But it is the third time the Trump administration has sought to level a criminal case against the former FBI director since the president returned to office in January 2025.

In a video on the online platform Substack, Comey once again denounced the Trump administration’s attempts to prosecute him as a campaign of political retribution.

“Well, now they’re back again. it would almost be funny if it weren’t such an appalling abuse of the Department of Justice, one that we cannot become numb to,” Comey said.

“Nothing’s changed with me. I’m still innocent, and I’m still not afraid of these people, and I still believe in the independent federal judiciary.”

He also noted that Trump is only midway through his second term, and he hinted that he expects more criminal charges to come.

“The next couple years are going to be hard for all of us,” Comey added. “It’s really important that we stand straight and keep the faith in America.”

More details to come.

THE UK could soon get a direct link via ferry to a new destination in Europe.

Plans have been submitted for a ferry route between Aberdeen in Scotland and Iceland, often dubbed ‘Snow Land’.

The passenger and freight ferry would head to Seydisfjordur – a town on Iceland’s east coast.

Bob Sanguinetti, chief executive of the Port of Aberdeen, said: “A regular service between Aberdeen and Iceland would certainly be of interest to the port.”

So far, one ferry operator has shown interest in the route.

In the future, there could also be a stop in Orkney.

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Currently, there are no direct international passenger ferry services from Scotland, so if this route were to go ahead it would be the first.

It is unclear how long the ferry journey would take.

The picturesque town of Seydisfjordur sits in the innermost point of a fjord that has the same name.

To get to the town, visitors drive along Route 93 which heads over the Fjarðarheiði mountain pass.

The town is known for its wooden buildings dating back to the 19th and early 20th century as well.

Currently, the easiest way to visit Iceland from the UK is by flying, which takes around three hours and costs from £42 return.

ROBBIE Williams has been cleared over controversial tax scheme links — paving the way for a gong in the King’s New Year’s Honours.

The pop superstar, 52, is in line for recognition for his charity work with Unicef and Soccer Aid after he founded the all-stars event in 2006.

Sources said the She’s the One singer’s tax affairs had been “green-flagged” after a probe, meaning Whitehall chiefs can put him ­forward to for an honour — and he could even be made a Sir.

He has previously been linked to investments in Ingenious Media, a financing company designated a tax avoidance scheme by HMRC.

Footie stars and other celebs — including David Beckham, Wayne Rooney and Ant and Dec — were caught up in the battle between Ingenious and investigators.

Becks, also a Unicef ambassador, was knighted in 2025 after HMRC conducted financial checks.

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And former Take That member Robbie is now set for a gong.

A source said: “Robbie’s name has been put forward and if he gets anything it’s likely to be a knighthood or possibly an OBE.

“He has raised hundreds of ­millions for charity and this year was the 20th year of Soccer Aid — which was his idea. So his name has been put on the list by the charity and philanthropy committee after it was green-flagged. There are more hoops to get through, and it needs to go forward to the main honours committee and then the PM and ultimately the King.

“Anyone who is high-profile is checked and vetted thoroughly.

“And one of those checks is their tax affairs, so it is a good sign for him that HMRC have given him the thumbs-up.”

It was reported in 2019 that he was barred from receiving an OBE over his links to the tax scheme and placed on an “honours blacklist”.

But he is understood to have now satisfied Treasury bosses over his finances.

Robbie, who with wife Ayda, 47, and their four kids lives part of the year in California, has a home in London and pays tax here.

Stoke-born Robbie — catapulted to fame when he joined Take That in 1990 — founded Soccer Aid with pal Jonathan Wilkes and the annual fundraiser has so far made more than £137million.

This year’s event at a sold-out London Stadium, screened live on ITV, raised more than £16million for Unicef.

Robbie started working with Unicef after seeing the organisation’s efforts in Sri Lanka in 1998 and became a UK ambassador in 2000.

A Cabinet Office spokesman said: “We do not comment on speculation regarding honours.”

The U.S. Justice Department expanded its efforts to intervene in California’s ongoing election Friday, sending letters to more than a dozen county elections offices statewide with demands that they segregate ballots from voters the Trump administration believes are noncitizens.

The letters — which give officials 48 hours to act and threaten them with criminal punishments if they refuse — follow similar correspondence the Justice Department sent last week to California Secretary of State Shirley Weber and Dean Logan, head of the L.A. County registrar’s office, calling for some 20,000 ballots statewide be set aside and left uncounted until state and local officials can prove that the voters are citizens.

When Weber and Logan balked, the Justice Department promptly sued them and the state in a case currently pending in federal court. The California officials have contended the Justice Department’s efforts are illegal.

The new letters, first reported by the San Francisco Chronicle, follow previous threats from Justice Department officials and President Trump warning that local California elections officials could face criminal prosecution for being “aiders and abettors to a federal crime” if they tabulate votes from the “likely noncitizens” the administration has flagged.

A spokesman for the U.S. Attorney’s office in Los Angeles said 57 of California’s 58 counties were served the letters, with the exception of Los Angeles, which had already received a notice.

“The letters speak for themselves. Any election official who knowingly processes the ballot of a noncitizen is opening themselves to legal jeopardy,” First Assistant U.S. Atty. Bill Essayli, the top federal prosecutor in Los Angeles, said in a statement.

Essayli wrote Friday evening on X that “California does not verify citizenship status. We did the work for them. We obtained the registered voter list and told them who we believe are noncitizens on their rolls.”

Essayli wrote that “knowingly processing noncitizen ballots is a federal crime,” and said authorities “will hold election officials accountable. No one is above the law.”

The Justice Department did not respond to an inquiry from The Times. California Atty. Gen. Rob Bonta’s office declined to comment.

Santa Cruz County Clerk Tricia Webber, who is president of the California Association of Clerks and Election Officials, said, “From what I’ve been able to gather, most counties if not all of the counties are doing what I’m doing: Sat down with our counsel, went over everything,” Webber said.

Webber said two people with Justice Department credentials showed up at her office Friday and handed her a manila envelope with the letter inside demanding she comply within 48 hours to determine the citizenship of 81 people in her county.

“I can’t tell you anything other than I’m looking at it and doing my due diligence,” she said. “This is not normal protocol for us.”

Kristin Connelly, head of the Contra Costa County registrar’s office, said she was also among those who received a letter. She said she had not yet responded as of late Friday, but was in contact with her county counsel and “colleagues around the state who received similar letters today.”

“The non-partisan Contra Costa County Elections Division administers elections according to all state and federal election laws, as well as the Constitution of the United States and the Constitution of the State of California. Our work is observable,” Connelly said. “This threat is not helpful and is intended to intimidate.”

The letter she received, from U.S. Atty. Craig Missakian, was full of threats of criminal punishment for tabulating votes from individuals whom the county is “on actual notice” may not be U.S. citizens.

Missakian, the top federal prosecutor in the Northern District of California, wrote that he was providing Connelly with a “subset” of “407 likely aliens” from the broader statewide list of 20,000 voters, and demanded that Connelly commit within 48 hours to working with Justice Department and Department of Homeland Security officials to identify who among those 407 “is a citizen and who is not.”

“That means sending us the nonpublic information associated with each suspected alien’s registration, which includes everything in your possession from the following: a social security number, a copy of a state ID or driver’s license or the information that appears on it, a copy of the voter registration application supporting the registration, and a copy or list of documents that were presented by the registrant at the time the person registered to vote or obtained their driver’s license if registered as part of motor voter,” Missakian wrote.

He also wrote that he was reaching out by letter “to make unmistakably clear the legal implications of continuing to send vote-by-mail ballots to those people on the list or tabulating ballots cast by them until citizenship can be verified.”

The Justice Department previously sued California for its voter records. A federal judge rejected the lawsuit, calling the demands a threat to democracy. The Justice Department has also lost similar cases demanding voter rolls in dozens of other states.

California Sen. Alex Padilla said in a statement Friday that, “Donald Trump and Todd Blanche are trying to interfere in California elections.”

Padilla, the ranking Democrat on the U.S. Senate Rules and Administration Committee, which has oversight over federal elections, added: No matter how many lawsuits they file or how many election officials they threaten, they do not have the authority to interfere.”

Padilla told local election officials, “We have your back.”

“The Trump administration is afraid and desperate,” he said. “Their attempts to take over our elections will fail.”

The Justice Department has received some records by subpoenaing state and county officials for the records of specific voters.

The letters were a topic of discussion among members of the California Association of Clerks and Election Officials Friday, with officials working on how to respond.

Logan, L.A. County’s top elections official, sent an email to fellow association members saying he had seen a copy of the letter to some counties — which he condemned as misrepresenting facts and threatening elections officials “twelve days before the election” through a “posture of intimidation.”

Logan called the 48-hour deadline for responses “unenforceable,” and noted that the Justice Department was “demanding individual level data from the named counties similar to what it has previously only obtained through subpoenas.”

Logan’s office has also said that an initial review it conducted of a subset of the 20,000 voters the Justice Department initially flagged found many were born in the U.S., many weren’t actually registered and many had never voted.

RAZORLIGHT are keen to show they’ve still got the golden touch as they prepare for their 28-date tour across the UK and Europe.

The new shows will see Johnny Borrell and Andy Burrows celebrating the 20th anniversary of their self-titled second record, which spawned hits including America, In The Morning and Before I Fall To Pieces.

Speaking at the Ovo Arena Wembley, where the band plays on December 4, frontman Johnny recalls: “The first time we played here was supporting the Manic Street Preachers, it was a great show.”

Buzzing to be back, drummer Andy adds: “We feel very lucky, but at the same time we also feel like we did something really cool.”

The tour starts in Europe and reaches the UK with Glasgow on November 26, before cities including Nottingham, Bristol and Leeds.

And time on the road means more time to make new music.

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“I’m hoping we do some writing on the road because we used to do that a lot,” Johnny says.

“Now we’re going out on the tour bus again, I think we’ll have a good chance of doing that.

“We’ve got a couple of really good songs at the moment and the next step is bringing it to the band and we’ll see how it sounds.

“I like where we’re at with Razorlight at the minute, we’ve got the bit between our teeth.”

Andy says: “These shows and playing together will fuel that. It would be easy to play some gigs, earn some money and be like, ‘See you in two years.’

“But we have that drive to say, ‘F**k, we need to do this again and do it better’.”

Johnny adds: “Everyone has to bring their A-game, then we need to meld together because then it creates something incredible.”

Johnny thinks the group — which first formed in 2002 — have some exciting years ahead.

He explains: “I think a band needs that hunger. And I think we have that right now.

“We’re writing new material and we’ve got that drive.

“I always feel most comfortable in that kind of position where I’m fighting and trying to prove something. I like being the underdog and I like taking it on. When we play live, we’re not playing along to a backing track or anything pre- recorded or a click track or something like that, which 90 per cent of bands are doing now.

“It’s depressing. People do it because it’s easier and it’s cheaper to do. Anyone can go off and do 364 days of something else, then turn up and get a haircut and look like they’re in a band, you know?

“But we’re doing it the real way.

“It doesn’t matter if you’re the biggest band in the world. It doesn’t matter if you’re like the newest, youngest band starting out.

“If you’re doing it properly and you’re doing it for the love of the music, it’s a long road and you just have to keep fighting.

“And that’s our vibe right now.”

FLUFF LUCK FOR RAYE

RAYE was the big winner at the Mercury Prize do after taking home the coveted gong.

She received the award for her incredible second record, This Album May Contain Hope.

After the bash at Newcastle’s Utilita Arena, the star was snapped leaving in a faux fur coat and fluffy slippers while holding her trophy out for the waiting photographers.

Raye, who turns 29 today, said: “I just poured so much heart into this album, I really did. This accolade is serious and something that I always dreamed to one day receive. I just feel really grateful.

“It’s the best birthday present I could have asked for.”

Olivia Dean left the night empty-handed but made up for her loss by partying until 3am with her pals in Newcastle.

One of my mates spotted the Man I Need singer heading off with her friends to cool DIY music venue The Lubber Fiend.

They told me: “Olivia might have lost to Raye but she was in great spirits. She went dancing with her mates and was having the time of her life. She’s a great girl and a proper good laugh.”

WIGHT MOVE BY ROBBIE AND CO

ROBBIE WILLIAMS, Kings of Leon and Fatboy Slim have been announced as the headliners for the 25th Sky Presents Isle Of Wight Festival.

They will be joined by a slew of stars including Becky Hill, Kaiser Chiefs, Myles Smith, Cruz Beckham& The Breakers, Courteeners, Rudimental and Scouting for Girls.

The event, which takes place across four days from June 17 next year, still has some more acts to be announced.

Tickets go on sale at 8am on Monday,

Festival director Caroline Giddings said: “There’s a real mix of artists for different generations and tastes, and there’s still more to come.

“We put a lot of thought into what happens beyond the main stages, too.”

JoJo in a good lace

SINGER Jojo Siwa wows in lace as she attends the 2026 Dancers Against Cancer Gala in Beverly Hills.

The former child star looked worlds away from her wild pop star persona as she walked the red carpet in a stunning white dress.

The singer was in good company at the glitzy bash, with actress Carmen Electra and singer Janet Jackson also in attendance.

JoJo is currently enjoying some downtime in America after releasing a series of singles following her stint in the Celebrity Big Brother house last year.

GEORGE MICHAEL’s estate is hosting a free screening for NHS staff of his film, The Faith Tour, at London’s Roundhouse .

The show comes 20 years after his gig at the same venue for nurses, to thank them for caring for his mum who died of cancer in 1997.

Tickets will be distributed by NHS England.

STRIP away his rock star status and Noel Gallagher is just like us.

In the new episode of Chicken Shop Date, he tells host Amelia Dimoldenberg: “I’m pretty low-key. My children live with me. We played a gig in São Paulo to 90,000 and I got home and came downstairs to find my two lads arguing over what was left in a box of Coco Pops. I thought to myself: ‘48 hours ago I was on stage – now I am arguing with two bellends about Coco Pops.’”

MOVE over St Pancras – there’s a new kid on the block for rail services to Europe.

Lord Sadiq Khan has revealed plans to launch trains to Europe from Stratford International Station within the next four years.

Despite its name, the station has never had international services, but according to The Standard, the station is set to undergo a £20million project to launch trains to France by 2030.

One in three trains to and from France could stop at the station under the new plans – being a stop on services, rather than a new origin or destination station.

It’s predicted that the stop would add five to eight minutes to the overall journey time.

Sadiq Khan told The Standard: “We’ve been working closely with the Government to make Stratford International truly ‘international’ for the first time – opening up new opportunities for jobs, investment and tourism, while connecting one of the UK’s fastest-growing economic centres directly to Europe.

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“It’s time to unlock the full potential of this station and help write the next chapter in Stratford’s remarkable success story as we continue building a better, greener, more prosperous London for everyone.”

If trains to Europe did launch at Stratford International Station, around five million people in and around London would have better access to international rail services.

Services could run to Paris, Brussels, Rotterdam and Amsterdam.

And eventually, there could be trains to Germany and Switzerland as well.

The current plans are also backed by a number of businesses as well as the train drivers’ union Aslef.

Stratford International finished construction in 2006 with four platforms.

However, the two platforms for international services as well as the area for international passengers have remained abandoned for the past two decades.

In order for the area to open, more work would need to be done including making the flow of passengers through security more efficient.

The station would be able to handle around 250 to 300 passengers at a time.

Meanwhile, Virgin is set to launch services from London St Pancras also by 2030, competing with Eurostar.

Anthropic (ANTHRO) plans to allocate 5% of its equity to a new fund designed to address the societal consequences of artificial intelligence, including potential job losses as businesses increasingly deploy AI-powered automation. The initiative, announced Sunday, comes as the developer of the Claude AI

Paris, France – Saturday is a day of many unknowns. That was how the French newspaper Le Monde described it as France braced for possible nationwide demonstrations bringing together high school students, trade unions and “yellow vest” activists.

The protests began in mid-September at a high school in the Paris suburb of Creteil, where students took to the streets over dilapidated buildings, overcrowded classrooms, teacher shortages and what they see as a deeply unequal education system.

Since then, the mobilisation has spread to thousands of “lycees”, or upper secondary schools, across the country. It is now beginning to reflect broader anxieties in a country grappling with a combination of fiscal pressures, economic stagnation and mounting social discontent.

Teachers, trade unions and university students have joined the movement.

On Saturday, some “yellow vest” activists – remnants of the participants in the grassroots cost-of-living protests that shook President Emmanuel Macron’s first term in 2018 – have also called on supporters to join the students.

“High school students are fighting for their future. Workers are fighting to earn a living from their labour. Retirees are fighting to preserve their dignity. Our paths may differ, but our concerns can converge,” Jerome Rodrigues, a prominent “yellow vest” activist, said in a video message released last week that called on people to join Saturday’s demonstrations.

Now France is waiting to see whether those calls will translate into a large, coordinated mobilisation.

Warlike injuries

Authorities have described the unrest as among the most violent in decades, saying more than 900 police have been injured since the start of the protests. But critics argued that although some demonstrators have engaged in violence, they represent a minority and the actions of a few risk overshadowing the grievances of the wider movement.

The government has also faced criticism over its response to the protests, including the detention of thousands of minors and the use of force against young demonstrators.

More than 6,700 children had been taken into police custody since mid-September, according to reports published this week.

Human rights lawyers said several teenage students have suffered warlike injuries.

Two cases have drawn particular attention: A 15-year-old lost his hand in the explosion of a stun grenade outside a school in the northern city of Lens, and a 16-year-old in western Tours lost his sight due to an injury caused by a rubber bullet.

There are fears of further clashes on Saturday.

“This is a moment of fatigue in the country,” Prime Minister Sebastian Lecornu said on Thursday. “We are in an atmosphere of perma-crisis: wars, inflation and issues surrounding purchasing power.”

The government has accused the far-left France Unbowed (LFI) party of inflaming the protests. The party has rejected the accusation.

While France suspended the use of stun grenades for the student demonstrations, Interior Minister Laurent Nunez said on Friday that he authorised police to use them in the event of what he called “urban violence”.

Nunez also said he is expecting a “fairly significant” turnout on Saturday.

Hundreds of protest sites

Calls on social media for members of past protest movements to join the current one have been made for weeks. The website 17octobregiletjaune.net, which tracks “yellow vest” actions, listed more than 1,750 planned protest locations across the country.

The government has tried to quell student anger by scrapping plans to increase some higher education registration fees and promising to deploy 3,000 substitute teachers to high schools. This week, it set up a national online survey for pupils to hear their concerns.

But Mathieu Roger-Lacan, a French literature teacher in a disadvantaged area and author of A Language of One’s Own, a book about the growing language gap, argued that these measures fail to address the deeper problem: an education system that struggles to provide equal opportunities.

“If you have a pool that is leaking, the answer should not be to put more water into it but to work on its structure – and that costs money too,” he said.

For Roger-Lacan, the problem is not simply how much France spends on education but how it distributes those resources.

A government report published this week said that 32  percent of the French education ministry’s budget for next year will go towards funding the pensions of retired civil servants.

Students are not only complaining about deteriorating school buildings and overcrowded classrooms but also expressing a deeper anxiety about their future.

For many, a diploma no longer feels like a guarantee of stable employment or social mobility. That concern is compounded by questions about the quality of education itself amid evidence of persistent weaknesses in French students’ academic performance.

In September, the Organisation for Economic Co-operation and Development (OECD) said that French 15-year-olds’ results in mathematics and reading had fallen to among their lowest levels on record.

“There is a gap between the diploma we give at the end of school, which is given to a huge part of the population, and the reality around us, which is that many of these young students have great difficulties even in writing French,” Roger-Lacan said.

Competing demands

The protests come at a very difficult time for the government, which is caught between demands for better-funded public services and the need to rein in France’s debt.

The government recorded a deficit of 152.5 billion euros ($171.3bn) last year, equivalent to 5.1 percent of France’s gross domestic product (GDP). By contrast, the European Union average is 3.1 percent.

Meanwhile, public debt ballooned to 115.6 percent of GDP, the third highest in the EU after Greece and Italy.

Lecornu’s proposed 2027 budget seeks to reduce the deficit through spending restraint and tax measures, including a freeze on public sector pay and limits on pension increases.

Whether the government can make those savings without deepening public anger is another question.

The debate touches a nerve in France, where the welfare state and access to public services remain central political issues.

Macron’s decision to raise the retirement age from 62 to 64 triggered months of mass demonstrations in 2023, exposing deep opposition to reforms that many saw as unfairly burdening workers.

Now as the government prepares its next budget, it faces the challenge of persuading the public that spending cuts and other savings are necessary without further eroding confidence in public institutions.

The political stakes are high. The budget bill will be debated in a deeply divided parliament as parties position themselves before the 2027 presidential election, which will mark the end of Macron’s presidency.

Football’s global governing body is expected to change a rule that allowed a red card for USA forward Folarin Balogun to be controversially overturned during the World Cup, according to media reports on the agenda for Thursday’s FIFA council meeting in Zurich.

The decision-making body is convening for the first time since this year’s tournament, and a ⁠⁠motion to prohibit such actions in the future will be top of the agenda. Members will also discuss the organisation’s funding, rules and other matters amid a turbulent time in the sport.

During the World Cup’s round-of-32 match, Balogun received a red card for stepping awkwardly on the right ankle of Tarik Muharemovic of Bosnia in a 2-0 win for the home team. It triggered an automatic one-game suspension.

However, United States President Donald Trump urged FIFA President Gianni Infantino to review the case, and Balogun’s red card was overturned, allowing him to play in the USA’s round-of-16 match against Belgium.

The decision to overturn Balogun’s red card ignited one of the tournament’s biggest controversies, with widespread criticism from football federations, former FIFA officials, experts and coaches.

The 37-member FIFA council is expected to vote on whether to prohibit disciplinary committees from overturning automatic match suspensions at the World Cup, but the Balogun controversy is unlikely to go away.

FIFA Vice President Debbie Hewitt is among the sport’s leaders who have asked ‌‌‌‌Infantino to release all documents related to the case.

Thursday’s FIFA council meeting is the first since Infantino came ‌‌‌‌under ‌‌‌‌fire earlier this year for a now-shelved plan to sell a 20 percent stake in the World Cup’s commercial business to private investors.

Infantino has faced calls to resign from the leaders of three regional football confederations – UEFA (Europe), AFC (Asia) ⁠⁠⁠⁠and CONCACAF (North and Central America and the Caribbean) – and their representatives will be present in Zurich for the FIFA meeting.

They will be joined by their counterparts from Africa, South America and Oceania.

On the agenda will be a discussion of the failed FIFA Forward Enterprise (FFE) scheme, which Infantino was forced to abandon ⁠⁠⁠⁠within days of announcing it in July.

Under the plan, Infantino proposed selling a minority stake in a FIFA commercial subsidiary to private investors, with a company launched by Joshua Kushner, the brother of Donald Trump’s son-in-law Jared Kushner, identified as the proposed lead investor.

The council will also address FIFA’s governance, with some of the sport’s most powerful figures determined to limit Infantino’s powers if they cannot force him out of office.

Infantino, 56, will stand for re-election in March 2027, with a ‌‌‌‌November 18 deadline looming for potential candidates to submit their nominations.

SPAIN has long reigned as the most popular holiday destination for Brits – but a cheaper alternative is set to rival it, according to easyJet.

Destinations across North Africa are seeing a huge boom in bookings, as holidaymakers look for better value holidays.

North African holiday destinations include Morocco, Egypt and Tunisia – which all offer great winter sun options as well.

EasyJet holidays CEO Garry Wilson said at the recent ABTA convention in Madeira: “When we look at demand for next year, places like North Africa, we will see that continue to grow in popularity. 

“Spain has been a bit overheated and we will see capacity demand slow down a bit.”

Luxury five star hotels are much cheaper across North Africa compared to mainland Europe.

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For example, a five-star, all-inclusive week in Egypt can be found for under £450 each in November with loveholidays – the same in Spain is over £1,000.

Tunisia is even cheaper, with five star, all inclusive breaks just £249pp each in November for seven nights, while Morocco is around £509pp.

The Sun’s Head of Travel Lisa Minot explained further: “Holidaymakers looking for the best value this winter and into next summer should be honing in on the emerging – and wallet-friendly – North African destinations of Tunisia, Morocco and Egypt.

“With the number of flights from the UK more than doubling since 2019, they have become a serious contender to our traditional Spanish favourites.

“Now tour operators are joining the fray with easyJet Holidays, TUI and the UK’s largest tour operator Jet2 all offering even greater choice – at very competitive prices.”

She added that Brits are “recognising the value they offer as the cost of living crisis continues to hit family budgets,” which is despite the conflict in the Middle East.

Lisa continued: “I saw for myself the premium offering in Marsa Alam on a trip in February and holiday prices for this winter to the Red Sea resort are lower than before the escalating tensions.”

Egypt recently announced they had welcomed a record 14.4million international tourists in 2026, an increase of four per cent compared to last year.

With a target of 30million by 2030, hotel capacity is set to double, with plans for 35,000 extra hotel rooms.

When it comes to Morocco, not only was Fez named a trending destination for 2027 by Skyscanner, but Rabat was named a top place to go next year by Lonely Planet.

EasyJet, Ryanair and TUI have all launched new flights to Morocco this year too.

And a new study by TravelSupermarket found that Tunisia holidays have dropped in price compared to last year.

Jet2 is launching more holiday packages to Tunisia next year, after restarting routes from the UK this summer.

Oct. 14, 2026 10:49 AM PT

WASHINGTON — Federal Reserve governor Lisa Cook’s lawyers say that a committee set up by the White House last week to investigate an accusation against her is “demonstrably biased,” though they did not close the door on the possibility that she would appear before the panel.

Lawyer Abbe Lowell also said in a letter Tuesday that Cook would not be able to participate in a hearing Nov. 5 because she “will be executing her official duties as Governor at financial and monetary policy meetings in Europe.”

The earliest that Cook could appear before a “committee of inquiry” that the White House set up last Friday would be after the Fed’s policy meeting Dec. 8-9, the letter said. The letter was sent to William Scharf, a counsel to President Trump.

Lowell’s comments are the latest turn in the Trump administration’s extended efforts to fire Cook from her position as one of seven members of the Fed’s board of governors. Trump has accused Cook of committing mortgage fraud in 2021, before she joined the board, a claim she has denied. No criminal charges have been filed.

No president has fired a Fed governor before, a reflection of the Fed’s traditional independence from politics. Yet Trump, who has repeatedly demanded that the central bank lower its key interest rate, has taken numerous steps that economists say have threatened that independence. The Justice Department earlier this year sought to investigate then-Chair Jerome Powell over brief testimony he had given about an extensive building renovation, though a judge threw out subpoenas in the case and it was later dropped.

Cook was appointed by former President Biden and is the first Black woman on the Fed’s board.

Trump first tried to fire Cook in August 2025, but the Supreme Court ruled earlier this year she could remain in her position while litigation continued. The court also suggested, in a footnote to the ruling, that Trump could try again to fire her if the administration provided her adequate notice and an opportunity to respond. The committee of inquiry announced by the White House last Friday is an effort to meet those conditions.

Under the law governing the Fed, the president can only fire a Fed governor “for cause,” but the Supreme Court didn’t address whether Cook’s actions met that standard. The committee of inquiry will ultimately recommend whether there is cause to fire Cook, a White House memo last week said.

Lowell also said in the Tuesday letter that “we have significant concerns regarding the objectivity and fitness of the committee for its assigned purpose.”

One of its three members, Kevin Hassett, a top economic adviser to Trump, has already said the president has “cause” to fire Cook, the letter noted. The other two members — Labor Secretary Keith Sonderling and chair of the Equal Employment Opportunity Commission Andrea Rich — are also Trump appointees.

“A hearing with demonstrably biased members, unspecified additional allegations, and an unclear schedule for the disclosure of any additional evidence – with no explanation for why it was not previously produced – is not a process that respects the appearance or history of independence,” Lowell’s letter said.

Rugaber writes for the Associated Press.

BILLIE EILISH is gearing up for a return in 2027 – and planning to perform on the biggest stages of her career so far.

I have been told the American singer has almost completed work on her fourth studio album, and a tour is also in the works to coincide with its release next year.

The last time Billie performed in the UK, she sold out six nights at London’s O2 Arena, four at Manchester’s Co-op Live, as well as two in Dublin’s 3Arena.

But now she is hoping to go even bigger, with her team in talks for major stadium concerts and festivals in 2027 and 2028.

My music insider explained: “Billie has been hard at work on her fourth album this year and her team are already putting a plan together for its rollout.

“She has grown and grown in popularity, and promoters are speaking to her team about putting on the biggest shows of her career.

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“She has the popularity to be a stadium act now and sell out massive venues.

“On her first few tours, her team were conscious that she was very young and didn’t want to overwhelm her with venues which were too big, too early on.

“But Billie is in a really good place and she is raring to get out on the road again.”

Remarkably, next year will also mark ten years since her debut EP, Don’t Smile At Me, which was released when she was just 15.

Billie has had an incredible career so far, scoring three No1 albums.

She released her debut When We All Fall Asleep, Where Do We Go? in 2019, followed by 2021’s Happier Than Ever and 2024’s Hit Me Hard And Soft. Meanwhile, her 14 Top Ten singles include No Time To Die, What Was I Made For and Guess, with Charli XCX.

She has also won ten Grammys — including Song Of The Year three times since 2020 — as well as two Oscars and two Golden Globes.

In April, Billie commented on the progress on her fourth album, saying: “We’re more than halfway.”

She took time out over the summer to shoot a movie adaptation of The Bell Jar.

But from what I’ve been told, there isn’t too long to go before we get to hear a few more tunes from her.

A NEW Spanish tourist tax being introduced this year is set to cause a hike in holiday costs.

The rule, which will be rolled out from the start of December, could see some holidaymakers slapped with an extra fee.

Tourists visiting Spain and the Canary Islands after December 1st, 2026, may have to pay an extra new charge if they opt for self-catering accommodation.

Those staying in apartments or villas booked via the likes of Airbnb could end up shelling out for an additional 10 per cent in VAT.

The tax, brought in by the Spanish Government, applies to qualifying furnished holiday rentals in popular travel destinations such as Ibiza, Mallorca, Barcelona and the Canary Islands.

Tourist accommodation in Spain has previously been exempt from VAT payments.

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Any holiday home rented for 30 nights or fewer will be subject to the tax – unless the property is the landlord’s habitual home.

The government says that the VAT measure is being brought in to help combat the housing pressures faced by Spanish residents.

The Spanish property market is currently under strain due to the high amounts of apartments and houses being bought for short-term tourist use.

The new tax may not necessarily mean that tourists are forced to pay, though as it depends if the landlord of the holiday home decides to pay the additional VAT themselves.

Tourists are being urged to double check the price of bookings made for rental holiday homes before they pay.

Those booking accommodation that could be subject to the new tax should look carefully at the price breakdown of bookings

It is wise to check whether any additional VAT is included in the cost or whether paying it on top of the original booking will be a requirement.

Movie stars are an endangered species. They still exist, sure. Their beautiful faces still fill 50-foot screens, beaming down on us. Yet, there is a shortage of, say, Michael Douglas. A man who, over the span of decades, played an American president, a troubled detective, and a Wall Street tycoon so convincingly that the FBI recruited the actor to do a PSA for investment bankers about the perils of financial fraud.

The night before I meet Michael Douglas on Zoom, I have a hard time sleeping. I want to be well-rested before I meet the leading man — perhaps one of the last leading men from an era in Hollywood that felt limitless. What do I mean by that? He’ll tell you. His new memoir details his movie-making career as a prolific producer and actor, along with his affair with his “Romancing the Stone” co-star Kathleen Turner, mudslides in Mexico, snorting cocaine with O.J. Simpson, encounters with Princess Diana and screaming matches with Paul Verhoeven that end in blood. In short: the life of a movie star.

“People say to me: Michael Douglas. When I see your name, I don’t know what I’m going to get, but I know it’s going to be good,” Michael Douglas says.

(David Urbanke / For The Times)

Halfway through our conversation, something unanticipated happens: Douglas reveals that he doesn’t quite see himself as a movie star. After gentle pushback, he elaborates. Instead, Douglas sees himself as a chameleon.

“People say to me: Michael Douglas. When I see your name, I don’t know what I’m going to get, but I know it’s going to be good,” he says.

He’s speaking from his home in New York. Behind him is a moody 18th-century Orientalist painting, its scene too indistinct for me to make out. His smiling face — which, like most American moviegoers, I had watched 50 feet tall in the dark — glows with warmth even on my laptop screen. It seems abnormal even to witness him in miniature.

To be clear: Michael Douglas is a movie star, whether or not he wants to cop to it over Zoom. It’s in his blood. His father, Kirk Douglas — born Issur Danielovitch to Russian Jewish immigrant parents — was a legendary actor whose shadow Douglas struggled to escape, as he details in the early chapters of his memoir. He spent his childhood on movie sets, watching his father spar with iconic directors like Stanley Kubrick. Michael Douglas was subject to violent and angry outbursts as well. “Dad’s volatility kept us on edge,” he writes. He felt suffocated by his father’s legacy, often hoping to shake the title of “Kirk Douglas’ son.”

Early in his career, Douglas left his starring role on TV’s “The Streets of San Francisco” after producing his first film, “One Flew Over the Cuckoo’s Nest,” which became a breakout success. On that film, he had to deliver the shattering news to his father that he was too old to play the lead — essentially, firing his father from his dream role. It was a betrayal. Instead, the role went to Jack Nicholson, who would later win an Academy Award for his humanizing portrayal of Randle McMurphy. The film won multiple Academy Awards, launching Douglas’ career as a heavyweight producer and later an actor. Escaping the shadow of being Kirk Douglas’ son has been a lifelong battle for the actor.

(Grand Central Publishing)

Occasionally, inheritance can be a burden. In his own life, Douglas details how he was a distracted father and husband who lost sight of his son, Cameron Douglas. During Cameron’s childhood, Douglas was elsewhere — on location in the Mexican jungle in “Romancing the Stone,” then a disastrous film production in Morocco for “Jewel of the Nile” that included a fatal plane crash that resulted in three crew members’ deaths. To cope with the breakneck pace of show business, Douglas sought refuge in women, cocaine and work.

Cameron’s troubled youth reached a crescendo when he was sentenced to five years in federal prison for drug smuggling, with an additional sentence for drug possession in prison — serving seven years in the end. It was enormously painful for Douglas, who also struggled with addiction, and had sought out treatment to provide an example to his son.

In a late chapter, he recalls confiding in Rob Reiner, who also had a son who struggled with addiction issues. In the memoir, Douglas addresses the killing of Rob and Michelle Reiner in December 2025; their son Nick has been charged with murder. “We both had sons with serious drug issues and we both, at times, had been at the end of our rope,” Douglas writes. “It was a heartbreaking confessional for us, but I know we gave each other some measure of comfort during the hard times.”

Why trudge through movie history, turning over every stone and every wound, in a nearly 500-page memoir? Because, according to Douglas, it’s time.

“Your 80s may be a good time to share,” the actor says, who recently turned 82. “People interested in movies, we give them a certain insight into the process, and maybe they could learn something. For others, it’s just gossip.” His battle with Stage 4 oral cancer brought the contours of his life into stark relief, sharpened by seven weeks of radiation and chemotherapy. His official diagnosis was tongue cancer, but he told the public he had throat cancer, hoping to stall speculation in the press about the possibility of disfigurement — and, more specifically, the prospect of losing his tongue. It was isolating, and Shane Salerno — the memoir’s co-author — stayed by Douglas’ side.

Michael Douglas.

(David Urbanke / For The Times)

As much as Douglas’ memoir, “One Helluva Ride,” is a revealing and delightful account of a life in show business, it is also a love letter to California — a place where Douglas spent much of his adult life, beginning at UC Santa Barbara. The college travel brochure read: campus by the sea. “I remember the cover of it was a guy walking down the beach with a surfboard, two girls in two-piece bathing suits. In 1963, I never saw a two-piece bathing suit back east.” He was sold.

The California years made an impression. Douglas is still, at heart, a hippie. Raised in stiff East Coast prep culture, he was reborn in the California sunshine. “I transferred into becoming a hippie, influenced by the Maharishi Mahesh Yogi, hallucinatory drugs, and the world that existed in the early ‘60s in San Francisco.”

Strangely, Douglas argued that some of the utopic sentiments of the 1960s are returning. “People are beginning to look back at that time, and realize how important family is — cooperation, sharing,” he says. “Socialism is not a four-letter word or something that’s terrible. There are other things to pursue in life other than just making money.”

“Your 80s may be a good time to share,” Michael Douglas says.

(David Urbanke / For The Times)

Like the characters he portrayed, Douglas is far from perfect. He admits that he struggled — in his first marriage, and later as a father. After marrying Diandra Luker, Douglas was unfaithful, having relationships with co-stars, most notably Turner on the set of “Romancing the Stone” in the Mexican jungle. The two denied the relationship for years. Now, with Turner’s blessing, Douglas writes about their involvement in his memoir.

Before Turner, there was Diane Thomas, the film’s waitress-turned-screenwriter, with whom Douglas had an affair. Thomas’ life was tragically cut short in a car accident involving a Porsche that Douglas had gifted her.

Then there were the rumors. On the set of “Basic Instinct,” some speculated that Douglas and Sharon Stone were having an affair. They weren’t, he explains. Douglas was instead locked in a power struggle with director Verhoeven, who, during one particularly heated argument with the actor, suffered a burst artery in his nose, turning the confrontation into a bloody scene. Douglas, meanwhile, was involved with another co-star, Jeanne Tripplehorn. “They were so focused on a possible relationship between Sharon and me, they missed the real relationship happening between me and Jeanne,” he writes.

When he and his current wife, actor Catherine Zeta-Jones, made it official, Douglas went to the other room to make breakup calls to five other women. (By this point in the memoir, Douglas has enough goodwill to pass this off as charming.) “From the moment I met Catherine, and we formed our family, I was a new man,” he writes.

The memoir enshrines Douglas’ petty show-business grievances too: a repaired grudge against David Letterman, a TV co-star who stole his longtime girlfriend, and a bouquet sent to Julia Roberts to apologize for his drunken buffoonery. In Douglas’ words: “There’s two or three people that I share my hostilities with.” He clashed with Brian De Palma, who was originally attached to direct “Fatal Attraction” and tried to have Douglas fired. De Palma underestimated Douglas and was replaced by Adrian Lyne. Years later, De Palma apologized, but Douglas rejected it.

It is impossible to tell the story of Douglas’ career without the women he encountered. The films he championed helped establish a new type of female lead — in all their powerful, morally ambiguous and deranged glory. “An actress was not allowed to play a villain,” he says. In “One Flew Over the Cuckoo’s Nest,” the actor struggled to cast Nurse Ratched. “A whole number of leading actresses turned that part down until we found Louise Fletcher, who went on to win an Oscar.”

For Glenn Close, Sharon Stone and Kathleen Turner, acting opposite Michael Douglas was transformative. After her role as a murderous, sex-crazed bisexual in “Basic Instinct,” Stone became one of the biggest stars of the 1990s and earned an Oscar nomination for Martin Scorsese’s “Casino.” Close‘s portrayal of the mistress-turned-lovesick psychopath in “Fatal Attraction” earned the actor her first lead Oscar nomination after three supporting nods. Turner went from being primarily known as the sexy femme fatale of “Body Heat” to a Golden Globe-winning star with box-office clout after her collaboration with Douglas. Sure, she sued him, too, but their friendship survived.

However, it wasn’t until his role as Gordon Gekko, the fast-talking, impulsive tycoon in 1987’s “Wall Street,” that Douglas was in full force, winning an Academy Award for lead actor. Directed by Vietnam veteran Oliver Stone, Douglas delivered an unforgettable performance about the dangers of unchecked capitalism and greed. At an early New York screening, Douglas recalls Wall Street traders being stunned by the film’s stinging accuracy. “A lot of the Wall Street characters were there, very cocky at the time; they all were shocked because we caught them.”

To his surprise, Wall Street financiers approached him on the street to praise Gekko — anointing him as their hero. “I said, ‘I was the villain.’ ‘No, no, no,’” he said. “So it showed me a lot.”

It speaks to Douglas’ gifts as an actor that he could transcend the caricature of white male entitlement he portrayed with such precision. In “Falling Down,” filmed during the 1992 uprising triggered by the Rodney King verdict, Douglas plays an unemployed defense worker, a man so consumed by disillusionment and blinded by his own sense of victimhood that he cannot recognize the harm he inflicts on others. The character would prove eerily prescient, anticipating an archetype that would take shape in the decades to come. An entire generation mistaking the actor’s brilliance as an invitation.

Perhaps that is the strange thing about being a movie star: Audiences decide who you are, and what you mean to them. For a chameleon, an actor who spent a lifetime resisting other people’s definitions of him, that might be the ultimate paradox.

As our conversation winds down, I remind him of his immense contributions to filmmaking, through producing and acting. It seems redundant, but I say it anyway. His response is polite.

“Quirky,” he said. “‘Falling Down,’ ‘The War of the Roses’ — I love those quirky films.”

“I’m proud of my movies,” he says. “I’m very proud of my movies.”

Connors is a culture journalist in L.A. She covers books, food, entertainment and offbeat Los Angeles. She’s currently at work on a book of essays about tourism in all its forms.

The one consensus about Method acting is that it’s controversial. Other than that, everything’s up for debate: What is Method acting, exactly? Do actors and audiences love it or hate it? And, perhaps most importantly, who can afford to practice the technique?

Method acting is a technique in which an actor embodies a character absolutely, usually both on- and off-camera, for months at a time (and sometimes, as in the curious case of Austin Butler’s Elvis accent, beyond the project itself).

Some actors, like those in the list below — including Daniel Day-Lewis, Christian Bale and Robert De Niro — swear by it. But others — like Brian Cox, Toni Collette and Robert Pattinson — eschew the practice. (Collette called it “total bulls—” and “utter wankery,” and Jennifer Lawrence said that working with a Method actor would make her nervous.)

Female actors — like Charlize Theron, Kristen Stewart, Natalie Portman, Anya Taylor-Joy and Ellen Burstyn — have pointed out that it’s a luxury they can’t afford. (“I don’t think that children or partners would be very understanding of, you know, me making everyone call me ‘Jackie Kennedy’ all the time,” Portman said about portraying the first lady.) And Black actors — like Brian Tyree Henry and Omari Hardwick — have said they wouldn’t be able to do it safely. (“I’ve never gone full Method,” Hardwick said. “I don’t want to be pulled over while ‘driving while Method.’ … I’ll get in trouble for that. That’s scarier.”)

Jeremy Strong — who plays Mark Zuckerberg in “The Social Reckoning” — recently defended his commitment to Method acting. Here are some of the most extreme Method acting performances of all time.

Jeremy Strong as Kendall Roy in “Succession.”

(Macall Polay / HBO)

Jeremy Strong (again)

Strong is known for his unrelenting adherence to Method acting, especially on the set of “Succession.” (“The result that Jeremy gets is always pretty tremendous,” his TV dad Cox told the New Yorker in 2021. “I just worry about what he does to himself. I worry about the crises he puts himself through in order to prepare. … It’s a particularly American disease, I think, this inability to separate yourself off while you’re doing the job.”)

This tendency held true on the set of “The Social Reckoning” too. “He showed up walking like Mark, talking like Mark,” director Aaron Sorkin told Entertainment Weekly. “I heard crew members on set call him Mark. I never heard him use his own voice until after I called ‘cut’ on his last shot.”

“I’ll be honest, I think this isn’t just the way he likes to do it,” Sorkin added. “I think it’s the only way he knows how to do it.”

Andrew Garfield as Father Sebastião Rodrigues in “Silence.”

(Kerry Brown / Paramount Pictures)

Andrew Garfield

Then there are those who argue that the Method is misunderstood — first by actors, and subsequently by public perception.

“I’m kind of bothered by this idea that ‘Method acting is f— bulls—,’” Andrew Garfield said on the “WTF With Marc Maron” podcast in 2022. “No, I don’t think you know what Method acting is if you’re calling it bulls—, or you just worked with someone who claims to be a Method actor who isn’t actually acting the Method at all. It’s also very private. I don’t want people to see the f— pipes of my toilet. I don’t want them to see how I’m making the sausage.”

Garfield employed the Method in Martin Scorsese’s 2016 historical drama “Silence,” in which he played a 17th-century Portuguese Jesuit missionary who goes to Japan. He studied Catholicism with Jesuit priest James Martin, partook in the 31-day Ignatian Spiritual Exercises and denied himself food and sex.

Al Pacino as Tony Montana in “Scarface.”

(Universal Studios / Universal Pictures)

Al Pacino

On that same podcast, Garfield praised two actors known for applying the Method well and seemingly with respect — to the craft and those around them: Al Pacino, especially in “Dog Day Afternoon,” and Robert De Niro, most notably in “The Mission.”

In “Dog Day Afternoon,” Pacino played Sonny Wortzik (based on John Wojtowicz), a first-time crook whose attempt to rob First Brooklyn Savings Bank goes awry and devolves into a hostage situation. Pacino backed out of the role three times before committing (though he later won a BAFTA Award for the performance).

Producer Martin Bregman attributed this hesitancy to Pacino’s Method acting, saying this might have been a world the actor didn’t want to explore, as “no major star had ever played a gay.”

“Scarface” drug kingpin Tony Montana is also considered the pinnacle of Pacino’s Method acting. “I’ve never been that committed to a role,” he said, also on “WTF With Marc Maron.” “I mean, I was there. I said, ‘I am this guy.’”

Robert De Niro as Travis Bickle in “Taxi Driver.”

(Columbia Pictures)

Robert De Niro

In “The Mission,” De Niro stars as Captain Rodrigo Mendoza, a mercenary, slave trader and guest of the Spanish governor of 18th-century Paraguay. Jeremy Irons co-stars as Jesuit priest Father Gabriel, who challenges Mendoza to undergo penance.

De Niro channeled real-life tension with Irons — who he didn’t want cast for the role — into on-screen animosity between the two characters.

And then there’s “Taxi Driver” — for which he got a real New York City cab license and drove 15 hours a day for a month — and “Raging Bull” — when he trained with the boxer he portrays, Jake LaMotta, for over 1,000 rounds — making him a quintessential Method actor.

Lady Gaga as Patrizia Reggiani in “House of Gucci.”

(Metro Goldwyn Mayer)

Lady Gaga

There are also counterexamples of the limitations Method acting often places on women and actors of color. (Theron told The Times in 2020 that, “I can’t do the Method thing. I did it once, for ‘Devil’s Advocate,’ and I was just exhausted. It was really hard to go to those deep, dark places because I was so tired.”)

Lady Gaga, though, lived as Italian socialite Patrizia Reggiani for a year and a half while working on “House of Gucci.” She spoke with a thick Italian accent for nine months, both on- and off-camera.

“I was either in my hotel room, living and speaking as Reggiani, or I was on set, living and speaking as her,” Gaga told British Vogue. “I remember I went out into Italy one day with a hat on to take a walk. I hadn’t taken a walk in about two months and I panicked. I thought I was on a movie set.”

Jared Leto as the Joker in “Suicide Squad.”

(Warner Bros. Pictures)

Jared Leto

Jared Leto also starred in “House of Gucci,” as Paolo Gucci, who aspires to be a designer, despite his apparent lack of talent.

“He works in a very similar fashion,” director Ridley Scott told Vulture. “Once he goes in, it’s like he’s immersed, and he doesn’t come out and breathe for air until he’s finished.”

Leto is infamous for his extreme and controversial approach to the Method. As the Joker in “Suicide Squad,” he sent bizarre “gifts” — a live rat, a dead pig, bullets, anal beads and used condoms — to co-stars Will Smith and Margot Robbie to create a dynamic of “surprise and spontaneity.”

“Leto’s Joker is the latest evidence that the prestige of method acting has dimmed,” essayist Angelica Jade Bastién wrote in the Atlantic, “thanks to the technique’s overuse by those seeking award-season glory or a reputation boost, as well as its history of being shaped by destructive ideas of masculinity.”

Joaquin Phoenix as the Joker in “Joker.”

(Niko Tavernise / Warner Bros. Pictures)

Joaquin Phoenix

The Joker seems to elicit intense psychological commitment like moths to a ghastly green flame. Joaquin Phoenix didn’t quite go Method to play him in “Joker” and “Joker: Folie à Deux,” but he did shed 52 pounds for the role.

“And, as it turns out, that then affects your psychology,” Phoenix told the Daily Beast. “You start to go mad when you lose that amount of weight in that amount of time.” (Heath Ledger walked that same fine line for “The Dark Knight.”)

For his role in “The Master,” as Freddie Quell, a World War II Navy veteran struggling to adjust to a postwar society, Phoenix forced himself to talk out of one side of his mouth by asking the dentist to fasten metal brackets to his teeth.

Jamie Foxx as Ray Charles in “Ray.”

(Nicola Goode / Universal Pictures)

Jamie Foxx

Taylor Hackford, the director of “Ray” — a biopic about Ray Charles — asked Jamie Foxx, who starred as the blind soul musician, to have his eyes glued shut. This was not Foxx’s idea (perhaps a key tenet of the Method), but he agreed to it.

“Imagine having your eyes glued shut for 14 hours a day,” Foxx told the New York Times. “That’s your jail sentence.” For the first two weeks of filming, the actor suffered panic attacks, until he eventually got used to the claustrophobic sensation.

Years later, on the set of “Django Unchained,” Foxx and co-star Leonardo DiCaprio discussed embracing Method acting to help both of them better handle the disturbing material. (DiCaprio plays the ruthless owner of a plantation where Foxx’s character’s wife is enslaved.)

Leonardo DiCaprio as Hugh Glass in “The Revenant.”

(Kimberley French / 20th Century Fox)

Leonardo DiCaprio

The film for which DiCaprio finally won an Oscar (after four previous lead actor nominations, plus one for supporting actor) was also his most Method approach. As fur trapper Hugh Glass in “The Revenant,” DiCaprio crawled inside of a prop horse carcass, ate raw bison liver (despite being a vegetarian) and endured freezing temperatures, his icy breath fogging up the camera lens.

Like Phoenix, DiCaprio might not be a traditional Method actor, but he comes quite close. In 2016, after his “Revenant” nom, director Agnieszka Holland — who directed DiCaprio in “Total Eclipse,” before he filmed “Romeo + Juliet” — reflected on this.

She said he has never been a classic American Method actor, instead relying on personal experience. “But he’s doing some trick which is pretty mysterious to everyone watching — frankly even for the director,” she told the BBC. “Look at him on screen and, for the moment of the shot, he really becomes the character.”

Montgomery Clift as George Eastman and Elizabeth Taylor as Angela Vickers in “A Place in the Sun.”

(Getty Images)

Montgomery Clift

And then there are the true, original Hollywood Method actors. Montgomery Clift, Marlon Brando and James Dean are considered to have christened the technique in the 1950s. Even Clift, though, expressed reservations about the term when asked about it — “Method acting,” as it turns out, is a contentious phrase.

Method acting began with Russian/Soviet theatermaker Konstantin Stanislavski in the 1930s. From there, acting coach and actor Lee Strasberg — who co-founded the Group Theater — largely coined “the Method” in America. Group members Stella Adler and Sanford Meisner eventually left and rejected parts of Strasberg’s technique. All three of them approached the Method slightly differently, and became prominent acting teachers.

Clift was among the first actors invited to study in the Actors Studio with Strasberg and Elia Kazan. His role as George Eastman, the poor nephew of a rich industrialist, in “A Place in the Sun” is considered a landmark Method acting performance.

Marlon Brando as Stanley Kowalski in “A Streetcar Named Desire.”

(Cineclassico / Alamy / Warner Bros. Pictures)

Marlon Brando

Clift and Brando were both contemporaries and, at times, acting rivals. But Brando was so moved by Clift’s performance in “A Place in the Sun” that he voted for him to win the 1952 Academy Award for lead actor — Clift, meanwhile, voted for Brando to win for his role as Stanley Kowalski in “A Streetcar Named Desire” the same year. (Humphrey Bogart ended up victorious for his role as Charlie Allnut in “The African Queen.”)

“A Streetcar Named Desire” — both the original 1947 Broadway production and the 1951 film adaptation — was directed by Actors Studio co-founder Kazan. Brando also starred in both versions, and, though his performance was temperamental, Kazan said: “Marlon was living on stage. … A performance miracle was in the making. What was there to do but be grateful?”

James Dean as Cal Trask and Julie Harris as Abra Bacon in “East of Eden.”

(Warner Bros. Pictures)

James Dean

James Dean only got the chance to star in three films — “East of Eden,” “Rebel Without a Cause” and “Giant” — before he died at 24, and the latter two were released after his death. Prior to all three, though, he also studied at the Actors Studio under Strasberg.

In “East of Eden,” also directed by Kazan, Dean played the wayward young man Cal Trask, who competes against his (favored) twin brother (played by Richard Davalos) for the affection of their pious father. Dean had a turbulent relationship with his own father, and his mother died when he was 9. (The Trask brothers’ mother is ostensibly dead too.)

“One of the things that made [Dean] noticed,” actor Martin Landau told PBS, “was his vulnerability. He understood a mother he didn’t have. … ‘East of Eden’ was like a chance to meet his mother again, if one accepts that.”

Ruth McCabe as Mary and Daniel Day-Lewis as Christy Brown in “My Left Foot.”

(Miramax)

Daniel Day-Lewis

Daniel Day-Lewis is perhaps the closest contemporary follower in Clift, Brando and Dean‘s footsteps. He has won a record three Academy Awards for lead actor, including in 1990 for his iconic performance as Irish writer and painter Christy Brown in “My Left Foot.” (Day-Lewis beat out Tom Cruise in “Born on the Fourth of July,” Morgan Freeman in “Driving Miss Daisy” and Robin Williams in “Dead Poets Society.”)

Brown, who was born with severe cerebral palsy, could not walk or talk, was wheelchair-bound and only had control of his left foot, which he used to paint and write. Day-Lewis refused to stand between takes, remaining in his wheelchair, and made production assistants feed him by hand. He is now renowned for his Method acting, grueling process and devotion to his roles.

Christian Bale as Trevor Reznik in “The Machinist.”

(Paramount Classics)

Christian Bale

Another Method actor who rejects the label, Christian Bale is oft-associated with extreme physical transformations and intense focus onset, including in “American Psycho” as serial killer Patrick Bateman and in “The Machinist” as sleepless industrial worker Trevor Reznik.

Bale lost more than 50 pounds in four months to play the machinist, paranoid and deluded after being unable to sleep for a year. Bale’s daily diet consisted of black coffee, an apple and a tin of tuna.

But in 2011, Bale told the Mirror: “At the end of the day, I’m faking it. Pure imagination. I never took any classes, I just go, ‘I better wing this one and make it up!’ Everybody talks about the process too much. The interesting thing about a movie is the movie.”

Austin Butler as Elvis Presley in “Elvis.”

(Warner Bros. Picture / Warner Bros. Pictures / AP)

Austin Butler

Eight months after “Elvis” hit theaters in June 2022, Austin Butler — who starred as the King of Rock and Roll — said he would finally drop Presley’s deep Southern twang. (That came after fans noticed the Elvis accent creeping in during his Golden Globes acceptance speech, “Saturday Night Live” monologue and “Jimmy Kimmel Live!” guest spot.)

“It’s funny to me because I don’t even think about it,” Butler told The Times after his Oscar nomination for the role. “I guess after three years of doing everything that I could to focus on this one goal of trying to bring life to Elvis in this film, I think that there’s certain muscular habits that must pop up.”

Once again, though, Butler wouldn’t use the term to describe himself. “I never have used the word ‘Method,’” he told the Hollywood Reporter. “I think that word gets thrown around a lot. It’s a very misunderstood thing that isn’t really what I do. … It’s more that I just like to immerse myself.”

Virgin has offered a first glimpse into its new cross-Channel rail service that will provide services between London, Paris, Brussels and Amsterdam in one of its striking, high-speed trains

Virgin has offered a sneak peek at its new high-speed trains that will provide daily services from the UK to three major European destinations. The new cross-Channel rail service is set to rival Eurostar, with anticipation already building ahead of its launch, which is currently expected for 2030.

Plans include 20 daily return services between London, Paris, Brussels and Amsterdam as part of the new cross-Channel offering. With an estimate of about 7.5million seats every year, it’s expected to make it even easier for travellers to journey between the UK and European hotspots, while boosting tourism and creating up to 1,000 new jobs.

The rail operator offered a sneak peek of its trains with renderings of the sleek, futuristic black-and-red train, which the company says will be able to reach speeds of up to 300km/h. The firm has also hinted that it will recreate the likes of Virgin Atlantic’s Clubhouses as “pre-departure and onboard social spaces” where passengers can relax before their journey.

Passengers will be able to earn Virgin Points when using the rail service through their Virgin Red loyalty platform, which can then be redeemed on future train journeys, flights, hotels, cruises and other experiences.

Josh Bayliss, CEO of Virgin Group, said: “Virgin has a proud history in UK rail. With our latest venture we are drawing on more than four decades of experience across travel and hospitality to create something genuinely new. This time, we’ll be connecting London with some of Europe’s greatest cities and giving passengers a distinctive new choice in cross-Channel travel.