Most Angelenos know Frank Gehry as the rebel architect whose deconstructivist buildings reinvigorated L.A. amid its late-century identity crisis.
Fewer know him as the sentimental sculptor celebrated in Gagosian Beverly Hills’ upcoming “Frank Gehry” exhibition, the first to showcase Gehry’s work since his death in December. Curated by those who worked with and loved the famous architect, the show, scheduled to open May 14 and run through June 27, is equal parts tribute and art presentation. It will feature several of Gehry’s animal-themed sculptures, including a rarely seen stainless steel bear figure, on loan from the artist’s family.
The exhibition will also include the first public screening of Gehry’s entry in Gagosian Premieres, a series of videos by the gallery showcasing new art exhibitions through a mix of intimate artist interviews, studio visits and specialized musical performances.
By spotlighting Gehry’s artistic practice rather than his design ouevre — which includes Walt Disney Concert Hall, Guggenheim Museum Bilbao and Fondation Louis Vuitton — the exhibition reveals a different side of the late visionary, said Deborah McLeod, senior director at Gagosian Beverly Hills.
“I wouldn’t say it’s a retrospective, but it is a chance to stand in the room and be with him,” McLeod said, adding that she “wouldn’t have the hubris to say this is going to offer anybody closure,” but that she hopes it will help people — especially those who worked closest with Gehry — to process his loss.
“Everybody is kind of raw and missing Frank, and it’s just a chance to come together and do this again as his team,” she said.
McLeod curated the exhibition alongside Meaghan Lloyd, chief of staff and partner at Gehry Partners, whom the director said “really speaks for Frank.” Gehry‘s studio will design the show, which was realized in collaboration with the artist’s family.
“We didn’t get a chance to put one in the gallery proper. Every time we’d make one, it would get sold,” Deborah McLeod said about Frank Gehry’s bear sculptures.
The highlight of the Gagosian exhibition is an artist proof of “Bear with Us” (2014), which the gallery lifted out of Gehry’s wife Berta Aguilera’s garden with a crane. Another edition of the bear sculpture is on view at the New Orleans Museum of Art, but at Gagosian, the work for the first time will be on view as part of an exhibition.
The stainless steel figure has a crumpled appearance that many believe is the result of Gehry balling up a piece of paper and seeing the bear in the crumple, although McLeod said Gehry told her himself that wasn’t true. The director added that the bear’s form gives the illusion of something “coming into being or dissolving.” The sculpture will likely have the Gagosian’s north gallery completely to itself.
“We’re really going to give him his due,” McLeod said. It was only right for a piece that, to her, reads as Gehry’s “self-portrait.”
A handful of other animal-themed sculptures will populate the south gallery, including a glowing black crocodile, gouache-painted papier-mâché snake lamps, and “Fish on Fire” (2023), the last of Gehry’s fish sculptures to be rendered in copper. Illuminated within the darkened gallery, the pieces will have a “magical” flair, McLeod said.
The first fish sculptures Gehry made in the ’80s were contained, even still. But when he returned to the fish form 30 years later, Mcleod said, “they started to become actually Baroque, so that’s kind of neat to see that evolution.”
Rounding out the exhibition are a series of ink, watercolor and acrylic works on paper that “express the energetic motion of fish in networks of black line and clouds of color,” a news release said.
A portion of the pieces in the exhibition will be available for purchase, with a detailed checklist to come.
The first Frank Gehry Fish Lamps were exhibited in 1984 at Gagosian in Los Angeles.
Gehry’s designs breathed life into the city’s core, but he didn’t get to finish a number of his most exciting plans, including one to transform the 51-mile-long L.A. River.
And while his architecture was his great gift to his adoptive hometown — his art was his gift to himself.
“As one of the busiest architects in the world, imagine the math and the minutiae that you have to go through,” McLeod said, noting the enormous pressure from clients that Gehry must have felt in his daily practice.
“For him, just to make something the shape he wants to make it, plug it in … I know it was a huge relief for him,” she said. “I know how much he loved doing it, and I loved being a part of that part of his life.”
Garret Anderson, the often misunderstood and always lethal Angels slugger who starred in the 2002 World Series, has died of a heart attack. He was 53.
Anderson’s most memorable moment was belting a decisive three-run double in Game 7 of the only World Series ever played by the Angels. Yet consistency over 17 seasons — 15 with the Angels and one each with the Dodgers and Atlanta Braves — was the hallmark of the taciturn left fielder.
“The Angels Organization is mourning the loss of one of our franchise’s most beloved icons, Garret Anderson,” owner Arte Moreno said Friday in a statement. “Garret was a cornerstone of our organization throughout his 15 seasons and his stoic presence in the outfield and our clubhouse elevated the Angels into an era of continued success, highlighted by the 2002 World Series Championship.
Garret Anderson, who hit the game-winning three-run double, runs with the World Series championship trophy after the Angels beat the San Francisco Giants in Game 7 of the World Series in Anaheim on Oct. 27, 2002.
(Kevork Djansezian / Associated Press)
“Garret will forever hold a special place in the hearts of Angels fans for his professionalism, class, and loyalty throughout his career and beyond. His admiration and respect for the game was immeasurable.”
Nicknamed “G.A.,” Anderson is the Angels leader in games (2,013), at-bats (7,989), hits (2,368), total bases (3,743), extra-base hits (796), doubles (489) and runs batted in (1,292). And he achieved it all without fanfare.
“Garret didn’t seek the limelight,” said Mike DiGiovanna, The Times’ Angels beat writer throughout most of Anderson’s career. “A classic lunch-pail guy. He was a superstar, he just didn’t act like it.”
Fans occasionally booed Anderson for a perceived lack of hustle. He didn’t dive for fly balls and on rare occasions failed to run hard when he hit a ground ball.
His teammates, however, backed him without hesitation, saying he was one of the smartest players in baseball and made the game look easy through hard work.
“He doesn’t dive for balls because he gets there quicker than most guys,” center fielder Darin Erstad said in 2003.
Fans cheered in shock when Anderson made a diving catch against the Minnesota Twins in 2002.
“But, see, that’s what I’m talking about,” he said. “I never should have had to dive for that ball. I got a bad jump. I study hitters. I have an idea of where the ball is going. I don’t dive because I don’t have to.”
The Angels’ Garret Anderson watches the ball after hitting a two-run homer against the Toronto Blue Jays in the seventh inning of a game in Anaheim on July 4, 2008.
(Mark Avery / Associated Press)
Anderson’s understated demeanor fit well in an Angels clubhouse stocked with young, rowdy personalities.
“We have so many emotional guys on this team, Garret is a calming force,” teammate Tim Salmon said in 2003. “He’s criticized for a lack of emotion, but I think it’s good.”
For his part, Anderson possessed a wry sense of humor and wasn’t above poking fun at himself.
“Interesting,” he told The Times Bill Plaschke with a faint smile. “I used to be called lazy. Now that we win a World Series, I’m called graceful.”
After Anderson retired in 2010, he worked as a television analyst for the Angels.
Garret Joseph Anderson was born June 30, 1972, in Los Angeles. He attended Granada Hills Kennedy High, where he starred in baseball and basketball. He remained close to his baseball coach, Manny Alvarado.
“I’ve lost a handful, some of them at a young age, but this one we had a relationship for a long time,” Alvarado said Friday. “I have a ton of memories, some of them from day one and some just recently. The one thing that comes to mind he was kind of an old soul. A lot of major leaguers have a lot to learn from him.
“He was very humble and always picked up the phone. He made it to a lot of alumni games, was very generous.”
Anderson was drafted in 1990 by the Angels in the fourth round and made his major league debut July 27, 1994 versus Oakland before going on to become one of the most productive players in franchise history.
Anderson had a stretch of eight consecutive seasons appearing in at least 150 games for the Angels and played in at least 140 games in 11 of his 17 major league seasons. He was inducted into the Angels’ Hall of Fame in 2016.
“Teammates and fans came to appreciate him for his consistency,” DiGiovanna said. “He was like a metronome.”
In addition to his World Series Game 7 heroics, Anderson batted .300 with four doubles, two home runs and 13 RBIs during the 2002 postseason. He finished fourth in American League Most Valuable Player voting that year.
In 2003, he became the first player since Cal Ripken Jr. to become both the Home Run Derby champion and MVP of the All-Star Game. Anderson batted .293 with 287 home runs in his career.
His final season came with the Dodgers in 2010. At age 38 he batted only .181 but provided a settling influence on young Dodgers stars Matt Kemp and Andre Ethier.
The Angels will honor Anderson by wearing a memorial patch on their jerseys the rest of the season. There will be a moment of silence and a tribute video before Friday’s game.
Anderson is survived by his wife, Teresa, daughters Brianne and Bailey and son Garret “Trey” Anderson III.
Times staff writers Eric Sondheimer and Bill Shaikin contributed to this story.
NEW YORK — Mike Trout hit his fifth homer of the series and the Angels overcame a homer by Aaron Judge in their 11-4 victory over the New York Yankees on Thursday afternoon for a four-game split.
Trout, who recently made a mechanical adjustment, went six for 16 with five homers and nine RBIs in the series. Trout hit his latest homer with one out in the seventh inning when he sent a 2-2 slider from reliever Angel Chivilli about halfway up the left field bleachers for a 7-4 lead.
Trout homered in his fifth straight game at Yankee Stadium and became the fourth to hit five homers in a series against the Yankees. The others were Jimmie Foxx (1933), Darrell Evans (1985) and George Bell (1990), according to MLB researcher Sarah Langs.
Trout’s latest homer contributed to a rare loss for the Yankees when Judge and Giancarlo Stanton homer in the same game. Including the postseason, New York is 53-8 when the duo both connect.
Jo Adell added a grand slam in the eighth for the Angels, who lead the AL with 32 homers.
Judge hit his 89th career first-inning homer and Stanton hit a two-run shot to give the Yankees a 3-2 lead in the fourth before the Angels scored four runs in the sixth off Max Fried (2-1) and Fernando Cruz. Ben Rice also homered in the sixth.
Trout walked three times and scored the tying run in a four-run sixth on a double by former Yankee Oswald Peraza, who also hit a two-run homer in the first.
Vaughn Grissom hit a go-ahead RBI single, and Josh Lowe hit a two-run single for a 6-3 lead.
The Yankees lost for the seventh time in nine games and Fried gave up five runs and three hits in 5 1/3 innings. Manager Aaron Boone was ejected for the first time this season after New York batted in the eighth.
Brent Suter opened the game and went two-plus innings. Sam Aldegheri (1-0) gave up a run in 1 2/3 innings.
Jeremy Clarkson’s choir has reportedly landed a starring role on his new series after wowing with their Britain’s Got Talent audition that sent them straight to the semi-finals
Jeremy Clarkson’s choir have landed role in ‘uplifting’ new series after wowing on BGT(Image: ITV)
Jeremy Clarkson’s choir has landed a starring role on his new series after wowing with their Britain’s Got Talent audition. The former Top Gear presenter, 66, has documented the ups and downs of Diddly Squat in the Cotswolds on his Amazon Prime series Clarkson’s Farm since 2021, with a fifth batch of episodes expected to be released later this year.
Just weeks ago, Hawkstone Farmers’ Choir auditioned for the ITV reality competition and managed to win Amanda Holden’s Golden Buzzer, sending them straight through to the semi-finals after wowing with a rendition of Elbow classic One Day Like This. Just prior to belting out the famous track, member Katrina explained to the judges that Jeremy himself had set the choir up, having been sponsored by the Hawkstone Brewery that the TV star co-owns in the Cotswolds.
With the live semi-finals of Britain’s Got Talent just weeks away, insiders have revealed that the group of more than 30 farmers, will also enjoy another television stint with a role on the next series of Clarkson’s Farm.
A source said: “Filming for series five is well and truly under way and the finished show is likely to air next year. Fans will, however, be able to see series four in a matter of weeks, though according to Jeremy it’s a rather darker season than we’ve been used to.”
Speaking to The Sun, the source added: “Hawkstone Farmers’ ChoirBut the appearance of the Hawkstone Farmers’ Choir in the following outing is going to make it more uplifting. They’re going to have to get used to being even more famous though.”
Just after their success on BGT was aired in March, Jeremy took to social media to congratulate them. He said: “I watched Britain’s Got Talent tonight for the first time because the Hawkstone Choir were on and they were just fantastic.
“These guys are all farmers and they work incredibly hard for really incredibly small rewards, and to see them all on that stage with all that love in the room made my heart sing – I actually welled up.”
While visibly holding back tears he went on to thank Amanda Holden for pressing the Golden Buzzer. He added: “It shows that people quite like farmers. They were very very good, well done all of you. I’m a very happy man tonight.”
The short video attracted comments from fellow BGT viewers, one wrote: “I was crying like a baby, the sentiment, the emotion, they’re sensational. They Will Win.” Another wrote: “Truly awesome really heartfelt.”
Speaking about getting the Golden Buzzer, Katryna Shell from Northumberland said: “The choir has turned into something so much more than singing…
“We have come together as a community, something I didn’t even anticipate. The choir is filled with all sorts of people with varying ages, singing experience, parts of the country, but we all have farming linking us together – it’s like nothing I’ve ever experienced before.”
Hugh Thomas, from Pembrokeshire said: “I had to pinch myself – this was really happening to an old boy from Pembrokeshire! Performing on National TV wasn’t something I ever envisaged… More importantly it will shine a light on agriculture, farming and the rural economy.”
Over the years, there’s been tears, laughter and heartwarming stories as each family has a touching tale on why they need the team’s help.
This week (April 14), fans tuned in for the sixth episode of the BBC show with the Mann-Monro family.
However, the instalment marked the last episode in the series, with Dilly Carter issuing an update on Sort Your Life Out’s future. Taking to Instagram, she shared a photo of the team together, writing: “AND THAT’S A WRAP. Series 6 of @sortyourlifeout is over and out.
“A hugely emotional last episode going out with a bang. This series has been unbelievable and we are so grateful to every family who has taken part and opened up their homes to us and let us in.
“This show relies on YOU. And we are so beyond grateful we get to help transform such amazing families’ lives forever.”
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She then went on to praise the team on the show behind the scenes who work ‘tirelessly’ to ensure everything runs smoothly.
Wrapping up her caption, Dilly confirmed Sort Your Life Out will be back once again in the future. She continued: “But for now, it’s time to start getting ready for the next series. Will we be coming to your road? Keep an eye out.
“Thank you all from the bottom of our hearts, and to my gang, my TV family, I love you all and can’t wait to see you in 2 weeks.”
It wasn’t long before people commented on the post, with many praising the series so far. One person said: “Great show, can’t wait for the next series.”
Another added: “Miss you all until next time.” Someone else commented: “So sad it’s finished, best telly ever xxx”
One fan wrote: “Love the programme and love the team!! Please come back soon.” As another shared: “What an amazing series, absolutely loved it – emotional but so uplifting.”
Sort Your Life Out is available to watch on BBC iPlayer.
The Dropout tells the story of the rise and fall of Elizabeth Holmes, the founder of biotech company Theranos, starring Amanda Seyfried.
Angie Quinn Screen Time Reporter
17:32, 15 Apr 2026Updated 17:33, 15 Apr 2026
The Dropout: Official trailer from Disney+
The true crime series starring Amanda Seyfried is now available to stream on ITVX.
The Dropout chronicles the true story behind the collapse of tech firm Theranos and its founder, Elizabeth Holmes.
The tale commences in 2002, when Holmes embarked on a chemical engineering degree at the prestigious Stanford University in California, where she quickly began developing concepts for groundbreaking inventions.
Professor of Medicine Dr Phyllis Gardner (Laurie Metcalf) advised Holmes of this, but she appeared to dismiss the academic’s knowledge as an underestimation of her capabilities.
Holmes insisted that she could “change the world” with this pioneering technology and garnered international acclaim, reports the Express.
She left Stanford before completing her second year to concentrate on her new venture, Theranos, which centred around an equally ambitious and potentially transformative piece of technology.
Nevertheless, when The Wall Street Journal launched an investigation into the firm, its reporting triggered a cascade of enquiries and increased scrutiny of Theranos, prompting it to become more transparent about its tightly guarded methods.
The Securities and Exchange Commission (SEC) launched an investigation, and 40 per cent of staff were made redundant a year later as the company went through restructuring.
Following the charges, the trial was postponed due to Holmes’ pregnancy and the COVID-19 pandemic, but eventually commenced in September 2021, with a jury convicting her on four counts of defrauding investors four months later.
No verdict was reached on three additional counts of wire fraud against investors, which the government later dropped, while Holmes was also acquitted on four counts of defrauding patients.
On 18th November 2022, Holmes received a sentence of 11 years and three months in prison, and she began serving her sentence in Texas on 30th May 2023.
The Dropout chronicles the dramatic downfall of the woman Forbes once dubbed the “youngest self-made female billionaire” in the world.
“Wow.. this show is insane. I want to start off by saying that I know movies and shows overdramatise true stories, so I’m speaking solely about the show right now. This goes from you rooting for the main character to you hating her.. like a real life Anakin Skywalker story”, one viewer commented about the series in a review on IMDB.
Another remarked, “The story itself is good. It moved at a quick pace, and everything they got is amazing. The one that played Edmund Ko, Stephen Fry as Ian Gibbons, are standouts for me. Sunny was also great.”
A third wrote: “Highly Watchable With Great Performances”, while another stated: “Wonderful! One of the very best shows you can see. Amanda Seyfried deserves every award to which she is eligible. Her performance as Elizabeth Holmes is off the chart.”
Rebounding was not a strength of the Lakers over the course of the regular season. Rebounding was a strength of the Houston Rockets during the 2025-26 campaign.
So, on their first day of practice Tuesday for Game 1 of the first round Saturday at Crypto.com Arena, the Lakers worked diligently on rebounding drills, knowing full well that will be one of the keys against the Rockets.
The Lakers were the fourth-worst rebounding team in the NBA, averaging 41.0 per game. The Rockets were the top rebounding team in the league, getting 48.1 overall and 15.0 on the offensive end.
And one of the Lakers’ better rebounders, Luka Doncic, won’t be available because he’s dealing with a Grade 2 left hamstring strain that he went to Spain for treatment. Doncic is second on the Lakers in rebounding at 7.7 per game. His starting backcourt mate, Austin Reaves, also is a good rebounder but he also won’t play because of a Grade 2 left oblique strain. Reaves is averaging 4.7 rebounds per game.
“They’re out indefinitely,” Lakers coach JJ Redick said about Doncic and Reaves.
Redick then gave a simple answer for how the Lakers have to deal with the Rockets in the best-of-seven series.
“Again, taking care of the basketball and boxing out. That’s the series,” Redick said. “Scheme, personnel, obviously important, but if we don’t take care of the ball and we don’t box out, we’re not gonna win the series.
“They were No. 4 in scoring opportunities. We were No. 23, so we don’t have the luxury with Luka and AR out of getting drilled in scoring opportunities every single game. We gotta box out. We’re going to place an emphasis on every drill in practice. We started practice with boxing out today. You gotta put it in their minds. That’s literally the only thing we said about Houston today. Today was about us having a practice, getting sharp with our stuff. Tomorrow, we’ll introduce [Rockets] personnel. Thursday we’ll do our scout, as we would. Friday will be a reinforcement of that scout. Saturday we’ll be good to go. Only thing we did today was box out.”
Lakers 7-foot backup center Jaxson Hayes will be counted to get rebounds. He’ll also spend time dealing with Rockets All-Star center Alperen Sengun, who averages 20.4 points and 8.9 rebounds (3.0 on offense) per game.
Hayes missed the last four games because of left foot soreness, but he was back at practice Tuesday.
“Feeling a lot better,” Hayes said. “It’s nice getting a few days off. Especially with my job, I jump a lot and I run a lot, so it’s hard for me to rest something like that. Getting those days off was very much needed. Very helpful.”
When asked about the box-out drills the Lakers did at practice, Hayes recalled the last time he did such a thing.
“Definitely college, for sure,” Hayes said. “College days with those Texas bigs. Coaches start off the practice where you got to smack somebody. Obviously, we weren’t trying to murder each other out on the boards, but definitely practicing that stuff. Houston is, I think, one of the best offensive rebounding teams in the past 20 years. So, just making sure we’re ready for that.”
The Rockets are a physical team that also plays smothering defense.
Houston allowed 110.0 points per game during the regular season, the fourth-best defensive mark in the league, and held teams to 46.0% shooting, the sixth-best mark in the league.
For Lakers guard Marcus Smart, there is one way to compete with the Rockets on the backboards.
“Will. Willpower,” Smart said. “We’re competitors. We’ve been doing this for a while. We’re doing that at the highest level, right? And they’re going to try to come in and punk us. And if you will allow that, you will be punked. And I don’t think we have any guys that are going to be punked on this team. So, we might not be the most athletic and strongest, but we got to have the most heart.”
The ITV drama is said to be returning for a third series after the show ended on a huge cliffhanger, with reports suggesting Martin Compston could reprise his role
The beloved ITV thriller is reportedly set to make a comeback for a third series(Image: Bad Wolf/ITV)
Beloved ITV thriller Red Eye is reportedly set to make a comeback for a third series, following concerns the programme was facing the axe.
Earlier this year, the drama’s viewing figures didn’t look too good initially after going head-to-head with the BBC’s The Night Manager.
But it’s said that the show will be making a return to our TV screens and Line Of Duty star Martin Compston is also understood to be reprising his role for the third instalment, according to reports.
A TV insider said: “The drama launched on New Year’s Day and went up against one of the most hyped shows of 2026 so far, so it always faced a challenge.”
Speaking to The Sun, they added: “But it met that challenge and also had the figures hugely boosted by viewers watching it on streaming service ITVX, which is one of the most important measures of a programme’s success these days.
“So from fearing it might not return, it now looks like bringing Red Eye back is a bit of a no brainer for ITV. Though they’ve yet to officially recommission the third outing or confirm castings.”
The Mirror has contacted ITV for comment.
The drama, which first graced our screens last year, featured Richard Armitage as a doctor implicated in a dreadful crime abroad, alongside Jing Lusi portraying the detective charged with escorting him back to Britain. The gripping six-part thriller followed the pair as they unravelled a rapidly deepening conspiracy and a mounting body count.
When it returned for its second series, Line of Duty’s Martin joined the ensemble. Martin took on the role of Head of Embassy Security, Clay Brody, a former colleague of DS Hana’s who once ‘screwed her over’.
The synopsis read: “Inside the US Embassy, the celebrations for a newly-appointed US Ambassador to London are shattered when a call, threatening to blow a British plane out of the sky if anyone leaves, triggers an immediate embassy lockdown, trapping guests and staff inside.
“That’s when the murders begin, landing Hana Li, as a British cop, in a political and jurisdictional nightmare. Compelled to join forces with the Head of Embassy Security, Clay Brody, played by Martin Compston, a former colleague who once screwed her over, Hana has to see her way past her distrust of him and focus on the investigation.
“Because this time it’s personal. The plane that will be blown up is a government jet and Director General Madeline Delaney is onboard.
“With a killer wreaking havoc inside the Embassy and evading them at every turn, Hana and Brody must discover who is behind the treacherous plot before time runs out for the hostages within the Embassy and the passengers on board Delaney’s plane.”
BBC has aired the gripping bumper-length finale of The Capture series three and fans have been left wondering if there will be another season of the popular series
Dan Laurie Deputy Editor of Screen Time
22:15, 12 Apr 2026
The third series of The Capture has come to an end(Image: BBC)
BBC viewers were all left making the same demand after tuning into The Capture season three finale.
DI Rachel Carey’s (Holliday Grainger) battle with E Squadron and her investigation into Isaac Turner’s (Paapa Essiedu) death came to a close and it also marked the end of the road for two major characters.
Rachel officially become the Commander of Counter Terror, but in doing so had sold out on her ideals and compromised herself, meaning she had lost to E Squadron.
They would continue using Correction in the knowledge that she would never be able to reveal that to the public or do anything about it.
One element of the story was left hanging which saw Rachel spotting the dead DSU Gemma Garland (Lia Williams) in the background of a selfie she had just taken only for her to disappear from the image moments later.
Whether this was something that happened technologically or just in Rachel’s head was left uncertain at this moment.
However, the tantalising cliffhanger has left fans begging more episodes.
Taking to X, formerly known as Twitter, one fan penned: “@BBCOneDrama There needs to be a fourth series of #TheCapture. It is sooo good. S3E6 was superb and left us wanting another series. Soon. Another person wrote: “There’d better be a season 4 #TheCapture.”
A third person agreed: “Is Gemma dead? Is Frank dead? Is D.C Chloe compromised? I don’t trust these scriptwriters anymore We need answers!!! We need S4!!”
Meanwhile, a fourth social media user said: “Need a season 4. I can”t believe walker died man #TheCapture.”
Creator Ben Chanan has previously stated that he wrote the third season intending it to be the show’s last but by the time it was released he was less certain.
He told Radio Times: “I’d think to myself as I was writing it ‘This is going to be the last series.’ Now, is that true? I don’t know. Never say never, right?
“I think it’s really healthy to just write each series as if it’s going to be the last that you’re not just hanging on to people for the sake of it.
“I think actors don’t mind dying in a series particularly if it’s probably going to be the last one but also if you give them a really good send off.”
Anyone who has spent any time in the digital agora will know the chilling feeling of seeing some supposedly secret thing about yourself suddenly reflected in a targeted advertisement. In a new Silicon Valley soap, “The Audacity,” Duncan (Billy Magnussen) founds a company called PINATA, for Privacy Is Not a Thing Anymore, which will allow subscribers to snoop at a deep level on just about anyone in the world; the war against the date eaters, the name suggests, is long since lost, and is none of your business, anyway.
Created by Jonathan Glatzer who has written for “Succession” and “Better Call Saul,” the series premieres Sunday on AMC, the network of “Breaking Bad,” “Mad Men” and an earlier tech-related series, “Halt and Catch Fire,” about the rise of the personal computer — shows that focus on difficult, sometimes amoral characters whose shenanigans might change the world, not necessarily for the better. “The Audacity,” though well made enough, is not in their league.
Duncan made his fortune as a co-founder of a community app something along the lines of Facebook (which, along with Mark Zuckerberg, doesn’t exist in this silicon reality — “If only,” do I hear you sigh? Or was that me?) Now he’s trying to sell his information-gathering startup to “Cupertino” (as in the home of Apple), “the most important tech company to ever exist,” and leaking rumors he imagines will be to his advantage. Duncan is not himself a creator, or particularly smart — he thinks it’s “Schroeder’s Cat,” for example — but does have a gift for selling; his “genius” late partner, Hamish — a suicide — did the real work. Now a new Hamish enters his life in the form of Harper (Jess McLeod, whose blonde bob may remind viewers of the brilliant coder played by Mackenzie Davis on “Halt and Catch Fire”) the creator of the “algo” mentioned above.
Despite his riches, Duncan is unhappy enough to be a patient of the series’ other main character, therapist JoAnne (Sarah Goldberg). (He also has an “ayahuasca guy.”) Most prominent among her other clients is Carl (Zach Galifianakis), a semi-retired industry legend who made his money from a spam platform and whom Duncan will spend much of this eight-episode season attempting to impress. “People act like we took something as if we didn’t build everything they touch,” Carl will complain to JoAnne. “Where’s our parade? All I see are pitchforks and ingratitude.”
Sarah Goldberg plays Joanne, therapist to Duncan and Carl (Zach Galifianakis) in “The Audacity.”
(Ed Araquel/AMC)
JoAnne conducts her business from her rented home, as does her child psychiatrist (second) husband, Gary (Paul Adelstein), one of the few figures in this roundelay you will be given no reason to dislike. (It’s an old house, to contrast it with the modernist leviathans inhabited by the overly moneyed class.) Sharing the place is her weedy, newly arrived 15-year-old son, Orson (Everett Blunck), sent reluctantly from Baltimore, where his father is being treated for cancer. Orson has embarrassing gastric issues and watches alpha-male videos in the basement, where he also practices the bassoon. (That he’s working on “The Sorcerer’s Apprentice,” in its way a story of runaway tech, might have some thematic meaning, though it does also have a killer bassoon part.)
Something Duncan says in a session with JoAnne leads her to unload some stock, like Martha Stewart in 2004, and Duncan, working this out, blackmails her into passing on inside information from her clients to him. “You think you know everything because you have information, but information is not insight,” says JoAnne, who has insight to spare, making herself even more valuable to Duncan, whose pronouncements are more in the line of “Cheaters never lose, and losers, they never cheat” and “Empathetic is just pathetic with a prefix — I am an apex predator.”
Anushka (Meaghan Rath), a power player who works for Duncan, is also a toothless director of ethical innovation on the board at Cupertino. She’s married to Martin (Simon Helberg), who is working on something he calls Alexander, or Xander — he would say “someone,” probably — “an intelligent entity, more of an autonomous companion, for alienated teens based on personal data ecosystems.”
He has less time for his own alienated teen, Tess (Thailey Roberge) — “Dad, eyes on me,” she says, as the family sits at a comically long dinner table, the parents looking at their phones — who has been expressing herself through low-level vandalism and thievery. “I hear you’re klepto now,” says Jamison (Ava Marie Telek), the daughter of Duncan and Lili (Judy Punch), whose body mass is under constant review by her mother. Seemingly, all the children of the Valley are being shuttled by their parents toward Stanford, where they will matriculate by hook or by crook.
Though Lili has been configured as shallow and spoiled, Punch (a great comic actor) injects her with some warmth and keeps her from being the joke she might have been. Galifianakis has a native oddball energy, though some of Carl’s assigned interests feel tacked on and out of joint — he’s involved with a fight club, where “control alt delete” serves for saying “uncle,” and, even weirder, has been made a World War Ire-enactor and military fetishist; it’s a point that exists only to make him receptive to Tom (Rob Corddry), the deputy undersecretary of Veterans Affairs who has come to Palo Alto looking for a partner to digitize truckloads of files that will in some way help to better their plight. (“Straightforwardly, what’s the quant ben for us?” he’s asked. Translation: “What’s in it for us?”) The series’ designated tragic figure, he’s granted a karaoke performance, with original lyrics, of Peggy Lee’s “Is That All There Is?”
Much of the action has to do with characters buying and selling various enterprises, or failing to, and creating and breaking and creating alliances, and it ceases to matter after not too long awhile what person or which company does what. Much less of it has to do with people being people. The cast is very good and the dialogue good enough, but because few of these characters are developed beyond a handful of identifying characteristics, it’s a generally cold, dispassionate watch. As to Duncan, the nominal star of the show, it doesn’t matter whether he’ll win or lose — there’s not enough to hang on to. Past being unlikable, he’s unsympathetic, and worse, for all his noisy behavior, uninteresting. JoAnne, though her journey is more twisted, doesn’t fare all that much better.
To signal that he has considered these things, Glatzer gives Anushka, who has had a revelation, a speechy little speech to voice the thoughts already on your mind. “When was the last time we saw tech help? … Truth be told, what have we actually made better? Did we spread knowledge? No. People used to occasionally agree on truth. Are we more tolerant of those different from ourselves? Please. Absolutely blew it on climate. Data centers emit more greenhouse gas than all of air travel. And have we made made the lives of our children better? Probably, no. But we can have Q-tips at our door in an hour. Huzzah.” So true.
We also get a reminder, from Harper, to check the box that keeps a website from selling your information. It’s good advice.
NICOLE Kidman commandos attention by going undies-free in a sheer-sided dress.
The actress, 58, wore the striking monochrome frock to the premiere of her Apple TV series Margo’s Got Money Troubles.
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Nicole Kidman commandos attention by going undies-free in a sheer-sided dressCredit: AFPNicole cuddled Margo’s Got Money Troubles co-star Elle Fanning in New YorkCredit: GettyElle, meanwhile, blew out candles on a cake for her 28th birthdayCredit: Getty
He plays her husband in Prime Video series Scarpetta in which she is a forensic pathologist investigating a series of murders.
The pair were seen cosying up at a screening of the series earlier this month in New York and stuck together at the after-party.
A source said: “Nicole and Simon’s closeness is definitely the talk of the town right now.
“They’re incredible together on screen and when you see them together in real life, that chemistry clearly wasn’t faked.
“At the after-party they stayed close all night and were deep in conversation.”
Nicole wore the striking monochrome frock to the premiere of her Apple TV series Margo’s Got Money TroublesCredit: GettyNicole is planning a holiday with her teen daughters after her split last year from their country singer dad Keith UrbanCredit: Getty
The popular detective series first aired back in 2024 and features David Mitchell and Anna Maxwell Martin
The first series saw a huge cliffhanger(Image: BBC)
There’s brilliant news for fans of the hit detective series Ludwig, as it looks as though it’ll be back for a third series.
The BBC crime drama initially premiered in 2024 and featured David Mitchell portraying twin brothers John Taylor and DCI James Taylor.
When John visited his sister-in-law, Lucy Betts-Taylor (Anna Maxwell Martin), events took a dramatic turn as he discovered his brother had vanished from their Cambridge residence.
As she revealed that James had been behaving oddly while working on a case, Lucy informed John that her husband had instructed her to escape with their son after he failed to return home one evening.
Nevertheless, she defied his instructions and enlisted his twin brother to assume John’s identity and pose as a member of the police force in a bid to uncover the truth, reports Cambridgeshire Live.
Despite his early reservations, he ultimately consented as his puzzle-solving abilities enabled him to recognise that the letter his brother left contained hidden messages.
Following a series packed with twists and turns, John eventually confessed that he wasn’t his twin brother. Yet, they received an unexpected voicemail from the real James.
Acknowledging he disappeared, James instructs his twin to carry on investigating the corruption in Cambridge.
While the second series is scheduled to broadcast later this year, it appears there could be additional episodes in the pipeline as TVZone reports that a third instalment has been commissioned.
The BBC declined to comment when contacted by Cambridge News. Discussing the second series, David Mitchell said: “I’m delighted that John ‘Ludwig’ Taylor has failed to escape the clutches of the Cambridge police and will have to continue to face up to the city’s alarming conundrum-based crime wave.”
Alongside David and Anna reprising their roles in Ludwig, audiences can also expect to see Dipo Ola (DCI Russell Carter), Dylan Hughes (Henry Betts-Taylor), Dorothy Atkinson (DCS Carol Shaw), Ralph Ineson (Chief Constable Ziegler) and Karl Pilkington (DI Matt Neville) all return to the screen.
The series has garnered widespread acclaim from viewers since its debut, with one fan declaring: “#Ludwig on BBC is amazing!” Another enthused: “Oh my goodness @BBCiPlayer – #Ludwig was absolutely incredible! When is series 2 out??!!”
A further viewer remarked: “Clever, witty and perfectly casted! Back to classic entertainment! Just what we need these days, and we need more of it.”
While another enthusiastic fan shared: “A WONDERFUL ENTERTAINING MURDER MYSTERY, EVOCATIVE OF MISS MARPLE HERSELF. Ludwig from the BBC, is a beautiful written mini series.”
The first series of Ludwig is available to watch in full on BBC iPlayer.
From Maddie Lee: The teams were the same. The venues were the same. But the clash between the Dodgers and Blue Jays on Monday at Rogers Centre was far from the roller coaster of Game 7 of the World Series.
And the Dodgers’ most notable performance came from a young catcher who wasn’t on the World Series roster last year.
“These fans, sadly, didn’t want to see us come to town,” catcher Dalton Rushing said after hitting two home runs in the Dodgers’ 14-2 win. “And rightfully so, after what we did tonight. But yeah, I think we all just look forward to carrying it over to tomorrow and leave our mark in Toronto once again.”
Rushing, giving Game 7 hero Will Smith a day off, recorded the first multi-homer, four-hit game of his major league career.
Go beyond the scoreboard
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It was Rushing’s third start of the season and first time playing on consecutive days. The 25-year-old also homered Sunday in Washington.
“I learned a lot from last year,” Rushing said. “Last year, mentally, I was in a tough spot playing the role that I was, and just kind of trying to figure out how you play that role. And this year, I have a little better understanding.
“You’re not going to show up and have a game like that tonight. You’re not going to show up and get two hits every game, whether you’re playing every day or you’re playing every three days. And that was maybe it was just a pill I had to swallow a little bit. I’m just glad I could see results tonight.”
Kyle Tucker singles in the seventh inning of the Dodgers’ win over the Toronto Blue Jays on Monday night.
(Mark Blinch / Getty Images)
From Bill Shaikin: Fans lined up before the game, waiting patiently for the chance to take a selfie with trophies that commemorated the back-to-back World Series championships.
Dodger Stadium is not the only place you can do this. The trophies were from 1992 and 1993, and they honored the Toronto Blue Jays.
The Dodgers matched that back-to-back feat over the past two years, including a classic Game 7 victory in Toronto in last year’s World Series, and returned here Monday to a noise pit packed with fans primed to boo, and to urge their team to exact vengeance on the evil mercenaries from America.
On this night, the mercenaries prevailed, in a pummeling so relentless and a silencing so rapid that a three-peat appeared all but inevitable: Dodgers 14, Blue Jays 2.
Michigan players celebrate after defeating Connecticut for the NCAA men’s basketball title on Monday night.
(Michael Conroy / Associated Press)
From the Associated Press: This title for Michigan’s newest Fab Five will look better in the trophy case than a time capsule.
Hard to be too picky — this new-age group of ballers in maize and blue showed they can win any which way.
The five fabulous transfers who make up coach Dusty May’s starting lineup got down and dirty with the rest of the Wolverines to dig out the national championship on Monday. Michigan made only two three-pointers all night but still muscled its way to a 69-63 victory over stingy, stubborn Connecticut.
Elliot Cadeau led the Wolverines with 19 points, including the team’s first three, which came 7:04 into the second half. The second, from freshman Trey McKenney, came with 1:50 left and felt like a dagger, giving May’s team — which had scored 90 points in five straight March Madness games leading to the final — a nine-point lead.
Kings forward Scott Laughton celebrates with goaltender Anton Forsberg after the Kings’ 3-2 shootout win over the Nashville Predators at Crypto.com Arena on Monday.
(Scott Strazzante / Associated Press)
From the Associated Press:Adrian Kempe scored the only goal of the shootout in the second round, and the Kings tightened the Western Conference playoff race with a 3-2 win over the Nashville Predators on Monday night.
The Kings have played in overtime in seven of its last 10 games — and 32 this season.
Joel Armia opened the scoring for the Kings and Scott Laughton made it a 2-1 lead in the second period. Jared Wright has an assist in a career-best three straight games for L.A.
Neto launched a leadoff shot on Chris Sale’s first pitch, and Soriano (3-0) struck out 10 as the Angels won their third consecutive game. The right-hander gave up one run and three hits without issuing a walk, throwing 69 of his 96 pitches for strikes.
Soriano gave up a solo homer to Drake Baldwin and a single to Matt Olson in the first, then retired 19 straight batters before Mike Yastrzemski led off the eighth with a single.
Tiger Woods celebrates after winning the Masters in April 2019. Woods was arrested on a DUI charge in Florida last month and will not compete at the Masters this week.
In the wake of last month’s rollover car accident and DUI charge, the five-time Masters winner has stepped away from golf indefinitely and reportedly could be receiving treatment in Switzerland for an addiction to painkillers.
“He’s not immune to it just because he can hit a golf ball really well,” fellow competitor Jason Day said. “He’s had 25 to 30-something surgeries, and when you’re going through that many procedures, it’s painful coming out of those procedures. I’ve had procedures done and I typically try and stay away from all that stuff because I just know that — painkillers, there can potentially be a downfall to it.”
After spending her first two seasons with the Chicago Sky, the two-time All Star has been traded to the Atlanta Dream in exchange for first-round picks in 2027 and 2028, the teams announced Monday morning. Atlanta also receives the option to swap second-round picks with Chicago in 2028.
“An Angel’s DREAM,” Reese posted on X. “ATL WHAT UP?!”
Reese was already a star before coming to the WNBA after helping Louisiana State win the national championship over Caitlin Clark and Iowa in 2023 and leading the Tigers back to the Elite Eight the following year.
1940 — Jimmy Demaret wins the Masters by four strokes over Lloyd Mangrum. Mangrum opens with a 64, a course record by two strokes that stands for 46 years.
1946 — Herman Keiser edges Ben Hogan by one stroke to win the Masters.
1951 — Ben Hogan takes the Masters by two strokes over Robert Riegel.
1956 — Joe Graboski scores 29 points and Paul Arizin 26 as the Philadelphia Warriors beat the Fort Wayne Pistons 99-88 to win the NBA championship in five games.
1963 — Jack Nicklaus becomes the youngest Masters winner at 23, beating Tony Lema by a stroke.
1969 — Ted Williams begins managing the Washington Senators.
1985 — New Jersey’s Herschel Walker rushes for a USFL-record 233 yards in leading the Generals to a 31-25 victory over the Houston Gamblers. Walker breaks his own USFL record for the longest run from scrimmage by going 89 yards on his second carry.
1995 — Baseball exhibition season begins late due to strike.
1996 — Dave Andreychuk scores a goal for his 1,000th career point, and the New Jersey Devils top the New York Rangers 4-2.
1998 — Al MacInnis has a goal and an assist in St. Louis’ 5-3 loss at Detroit to become the sixth NHL defenseman to reach 1,000 points.
2000 — 1st regular season MLB game at Enron Field (now Minute Maid Park) in Houston.
2003 — Syracuse wins the NCAA title with an 81-78 victory over Kansas.
2007 — Michigan State beats Boston College 3-1 for its first NCAA hockey title in 21 years.
2008 — Mario Chalmers hits a 3-pointer with 2.1 seconds left in regulation to force overtime, and Kansas goes on to defeat Memphis 75-68 for the NCAA title.
2009 — Tina Charles scores 25 points and grabs 19 rebounds and Connecticut routs Louisville 76-54 to capture its sixth women’s basketball title. UConn (39-0) wins every one of its 39 games by double digits, a first in college basketball.
2010 — Don Nelson sets the NBA career record for victories by a coach in the Golden State Warriors’ 116-107 win over the Minnesota Timberwolves. Nelson’s 1,333 wins surpass Lenny Wilkens’ total.
2014 — Shabazz Napier scores 22 points and Connecticut wins its second NCAA men’s title in four years, beating the freshmen-led Kentucky 60-54 in the championship game.
2015 — UConn’s women down Notre Dame 63-53 for their 10th NCAA championship. Coach Geno Auriemma ties UCLA’s John Wooden for the most titles in college basketball.
2016 — Ernie Els, winner of four major titles, opens with a 10 on the par-4 first hole at the Masters. After his first two shots, Els seven-putts from 2 feet. His sextuple bogey is the worst score on the first hole at the Masters, beating the old mark by two strokes.
2016 — The Golden State Warriors become the second team to win 70 games in a season by beating the San Antonio Spurs 112-101.
2018 — Vegas Golden Knights end regular season with most victories of any expansion team.
2019 — Dwyane Wade and Dirk Nowitzki play final NBA games.
2019 — Magic Johnson quits as President of Basketball Operations of the Lakers.
Compiled by the Associated Press.
Until next time…
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
Taylor Frankie Paul is breaking from the Church of Jesus Christ of Latter-day Saints.
The embattled “Secret Lives of Mormon Wives” star announced on Easter Sunday that she’s parting ways with the religion she built her brand on.
“Born and raised Mormon (lds) and I’ll always have love and respect towards it,” she wrote Sunday in an Instagram story. “I’ll even continue to go with my family at times, with that being said, it’s time to detach myself from it.”
Paul launched her career as a Mormon mom-fluencer on TikTok before she landed “The Secret Lives of Mormon Wives,” the reality television series that leveraged her #MomTok success.
The series offered a look at Mormon moms in Utah that subverted viewers’ expectations. Paul drank alcohol and scandalized her online following when she admitted that her social circle participated in “soft swinging” in which they swapped partners for hookups but “didn’t go all the way.” The series followed her through the aftermath of a divorce and an on-again, off-again relationship with Dakota Mortensen, all of which is frowned upon by the Mormon church.
“I strongly believe in Christ, God, the bible, the divine,” she continued in her post. “I believe we are loved whether we are praying in [a] church building or from a bathroom floor at home.”
Paul was set to lead Season 22 of ABC’s “The Bachelorette” until a leaked video of a 2023 domestic dispute between Paul and Mortensen made its way across the internet. Though the entire season had been taped, ABC nixed the premiere, and “Secret Lives” also paused production. Her casting was a break from “The Bachelorette” tradition in that she had not been a contestant on a previous season of “The Bachelor.”
Now police are investigating allegations of a second and third domestic violence incident involving Paul and Mortensen, and as a result of the inquiry Paul has temporarily lost custody of the son she shares with Mortensen. A hearing regarding the protective order is set for Tuesday and may determine whether a final protective order is granted by the Utah court.
“The last 40 days felt like hell on earth,” Paul wrote in a separate Instagram post on Sunday. The post stitched together photos of Bible scripture, Paul crying, pain relief patches and personal notes scrawled through notebooks.
“Through every panic attack I prayed for strength as I could feel my body breaking down and out from the distress of it all. … I’ve prayed since I was young and never strayed away because I believe he wants us to ask for help especially during our lowest points.”
It is just one of the many upcoming projects the reality star has in the works
Kim Kardashian is working on the ‘new Dance Moms’(Image: Stephane Cardinale – Corbis/Corbis via Getty Images)
The makers behind hit dating show Love Island have teamed up with Kim Kardashian for their next reality series project which aims to be the ‘next Dance Moms’.
Having received a green light, the new show is expected to be streaming on Paramount Plus at some point later this year. Reality star Kim Kardashian will serve as executive producer for the new show
The title is a joint production between companies ITV America, which also produces Love Island USA, along with Kim Kardashian Productions and Paramount Sports Entertainment. Executive producers for ITV America are Mioshi Hill, Jordana Hochman, Jeremiah Smith and Tom Ciaccio. Natalie Ento also serves as an executive producer.
Named Team Moms, the series will launch viewers into the world of nationally competition youth baseball in the US. To do this, they will be granted exclusive access to the Legendary Prep Academy in Scottsdale.
Viewers will be immersed in what is Arizona’s first and only baseball prep school. The series follows the coaches, founders and a group of dynamic families.
Their respective teen sons who comprise the starting line-up for one of the most competitive youth baseball programs in the world. It is a feeder to Division 1 college scholarships, NIL deals and ultimately, fame and fortune in the MLB.
Willing to do whatever it takes for their children to excel at America’s favourite pastime, the intensity of the program is only paralleled by the fervour of its athlete’s parents, who will stop at nothing to ensure their kids make it to the big leagues.
It’s clear from the premise that the show hopes to be recreate the magic of Dance Moms which created such stars like Maddie Ziegler and JoJo Siwa.
This isn’t the only television project being produced by All’s Fair star Kim Kardashian. According to her IMDB page, she is also set to produce and star in the series Group Chat.
That is an upcoming drama about five glamorous LA women in their 40s who appear to live flawless lives, but their private group chat reveals the raw, messy reality beneath their polished facades..
She will also star in the series as well as Netflix comedy film The Fifth Wheel. She also has a Kardashians spin-off in the works called Calabasas Behind the Gates, which will focus on the exclusive, gated lives of the extended Kardashian-Jenner circle, including friends and neighbours.
Paramount hope that Team Moms will become another hit in its list of ongoing reality shows which also include Survivor, Big Brother, The Challenge and Making Love.
For seven innings on Friday night, the much anticipated college baseball showdown between No. 1 UCLA and rival No. 12 USC, lived up to expectations before an overflow crowd at Jackie Robinson Stadium. There were three home runs, diving catches, two elite starting pitchers competing at a high level and both teams refusing to let the other separate itself.
UCLA sent up 12 batters and scored seven runs to turn a tight game into a rout and come away with a 12-4 victory in the first game of a three-game series.
“It’s a cruddy way to end it,” USC coach Andy Stankiewicz said. “We were right there and it went sideways fast.”
UCLA (27-2) took a 5-4 lead in the seventh on an RBI single from Will Gasparino. In the eighth, the Bruins loaded the bases with none out on a walk, hit batter and infield single. Then came a two-run single from Mulvai Levu, an infield single from Roman Martin and a two-run single by Payton Brennan. The inning kept going and going. There was a dropped pop fly in foul territory, a misplayed ball in center that went for a triple by Phoenix Call, wild pitches and walks.
“At the end of the day, it was a very tight game that doesn’t look like a tight game,” Savage said.
USC celebrates a second-inning home run by Andrew Lamb (29).
(Craig Weston)
Two of the top pitchers in the nation, Logan Reddemann of UCLA and Mason Edwards of USC, each gave up home runs and faced challenges from top hitters. Reddemann gave up a two-run home run to Andrew Lamb and a solo home run to Augie Lopez. UCLA scored three earned runs off Edwards, doubling the run total he has given up all season. Martin had a home run.
“I thought you had two premier pitchers against two really good offenses,” Savage said. “They had to fight for every out. Mason is clearly the best pitcher in college baseball the first half of the season. We did a good job making him work.”
UCLA pulled off a rare pick off play when USC stole second with a man on third. Catcher Cashel Dugger did an acting job worthy of an Academy Award throwing the ball hard to Reddemman on the mound, who then got the runner on third leaving the bag.
“I thought it was executed perfectly,” said Miller, the third baseman on the play.
It doesn’t happen often, but UCLA had to find a sign gathering cobwebs in the ticket office to post at the entrance of Jackie Robinson Stadium on Friday night: “Game sold out.”
The same sign will be posted again on Sunday. Some 2,000 people were allowed in.
“I wish the ballpark was bigger,” Savage said.
Tickets were going for more than $100 on the secondary market. The auxiliary bleachers were filled. The UCLA versus USC baseball series hasn’t received this much attention and interest since the days of Rod Dedeaux winning 11 College World Series titles at USC, the last in 1978. Savage won an NCAA title in 2013 and was drawing big crowds in 2010 when future first-round picks Gerrit Cole and Trevor Bauer pitched UCLA to Omaha.
“We’re a competitive team,” Savage said. “They like challenges. This was a big challenge. USC has played as well as any team in the country. It was two really good teams playing in the first game of a series. The city of Los Angeles was excited. It’s good for Southern California, it’s good for recruiting, it’s good for people to come in and see the talent USC and UCLA have.”
UCLA’s relief pitching continues to be a major strength. Freshman Zach Strickland and sophomore Easton Hawk combined for three hitless innings to finish out the victory. And UCLA didn’t have to use its best reliever this season, Wylan Moss, giving Savage options for the rest of the series.
Gasparino and Brennan each finished with three hits. USC dropped to 27-4.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
This is another strong week for new releases. By now you have likely heard something about “The Drama,” which has become inescapable thanks to the tireless promotion of its two stars, Zendaya and Robert Pattinson.
In a movie written and directed by Norwegian provocateur Kristoffer Borgli (“Dream Scenario”), the pair play Emma and Charlie, an engaged couple who find their wedding week thrown into disarray by the revelation of a deep secret from the bride-to-be.
Robert Pattinson and Zendaya in the movie “The Drama.”
(A24)
As Amy Nicholson put it in her review, “To another screenwriter, ‘The Drama’ would be an intimate study and a more emotionally wrenching film. But Borgli forces us to parse the mushy stuff from the mess and analyze the pending nuptials as an impersonal problem: What comes after a public shaming for the guilty and the inquisitors? That’s one of the most important (and unresolved) questions of the modern era, so I’ll forgive the filmmaker for being no more interested in writing Emma and Charlie as complex human beings than if they were character names in a math quiz about two people on two trains speeding toward a crash.”
Meanwhile, Tim Grierson spoke to Shira Small, the folk artist whose sole 1974 album features a song heard in an early scene of “The Drama.” Small, a delightful interview, goes into the music career she left behind a long time ago — one which may be reigniting now thanks to the movie.
Also opening in Los Angeles this week is Israeli filmmaker Nadav Lapid’s “Yes,” a guaranteed conversation-starter. Ariel Bronz stars as a musician who, in the aftermath of the Oct. 7 attacks, decides to say yes to composing a vicious new political anthem..
Reviewing the film, Joshua Rothkopf said, “It’s a movie about a citizenry at war with itself, hoping to keep the plates spinning for one more night. You watch it and think how easy it would be to envision an American remake — and wonder, too, if a filmmaker like Lapid even exists here.”
One of my favorite films from SXSW 2025, “Fantasy Life,” is finally coming to theaters. Written and directed Matthew Shear, the movie is an affectionate nod to the chatty dramedies of Noah Baumbach (some of which Shear has acted in). Here he plays Sam, a troubled law school dropout who takes a job looking after the children of a Brooklyn couple (Amanda Peet and Alessandro Nivola) and finds himself in an emotional affair with the wife.
“Fantasy Life” actor-writer-director Matthew Shear and star Amanda Peet bond in New York.
(Justin Jun Lee / For The Times)
I recently spoke to Shear and Peet about their collaboration on the film. Peet’s character in the film is also an actor and, though much of the film’s anxieties felt familiar to her, one scene in particular is drawn from Peet’s own experience: She is often mistaken in public for Lake Bell, including once on a red carpet.
“It’s a weird thing because you’re like, what do I do here?” said Peet with a laugh. “What’s the least douchey way to get out of this?”
The Black Pack’s resistance humor
Robert Townsend in the 1987 movie “Hollywood Shuffle.”
(Samuel Goldwyn Company / Photofest)
Curated around a new book by Artel Great, the UCLA Film and Television Archive is launching the series “The Black Pack: Rewriting American Comedy,” to spotlight a moment in the 1980s and ’90s when a small group of Black creators reached the very heights of Hollywood.
Eddie Murphy, Paul Mooney, Robert Townsend, Keenan Ivory Wayans and Arsenio Hall were friends and collaborators who, from 1987 to 1994, created the work showcased in the series. The Black Pack is a name they gave to themselves, partly in response to the John Hughes-affiliated Brat Pack.
Things begin tonight with a 35mm screening of Townsend’s essential 1987 satire “Hollywood Shuffle.” Great will be there for an introduction and a Q&A with cast member Anne-Marie Johnson and Spring Mooney, daughter of late actor Paul Mooney, who also appeared in the movie.
The cast of “In Living Color,” to be celebrated as part of the UCLA screening series “The Black Pack.”
(Fox / Photofest)
Other events include an evening of episodes of Wayans’ sketch comedy series “In Living Color,” 1988’s “Coming to America,” starring Murphy and Hall, a 35mm screening of Townsend’s 1991 “The Five Heartbeats” and a 35mm screening of 1989’s “Harlem Nights,” the only movie starring, directed, written and produced by Murphy, then at the height of his cultural capital.
This series is a terrific example of why smart programming matters. Here is a group of films (and a TV show) that might seem only related in a vague way, but when put together under a specific theme or idea, they are suddenly transformed into something revelatory.
Each evening of the series is designed to make the case for a different aspect of the Black Pack’s work and influence. The series as a whole puts forward a larger concept Great has coined a term for.
“I’m arguing through the series that the Black Pack’s cultural material is connected to a longstanding tradition that I call Black resistance humor,” says Great, now an associate professor at San Francisco State University, in an interview this week. “This idea of Black resistance humor is really a cultural practice where Black cultural workers are using political wit, irony, satire, parody, absurdity to challenge corrupt authority, to give voice to racial trauma and also attach themselves to re-imagining what freedom can really look like.”
From left, Arsenio Hall, Eddie Murphy, James Earl Jones and Madge Sinclair in the movie “Coming to America.”
(Paramount / Photofest)
There are plans for Black Pack programs in other cities, including Atlanta, San Francisco and Chicago, bringing this fresh look at their specific moment to venues around the country.
“I’m hopeful that the series will allow communities and audiences to see the Black Pack as cultural strategists who are using this idea of Black resistance humor to address very serious issues of power, identity and race,” says Great. “But also as a way of thinking, as a way of seeing and as a way of building alternative systems. Because that’s what they were able to do.”
Points of interest
‘The Birthday Party’ in 35mm
Actor Robert Shaw, left, with director William Friedkin on the set of “The Birthday Party” in 1968.
(Larry Ellis / Getty Images)
As part of its series celebrating the legacy of actor Robert Shaw, the Academy Museum will screen 1968’s “The Birthday Party” in 35mm on Sunday. One of the earliest features directed by William Friedkin (who would go on to such classics as “The Exorcist” and “To Live and Die in L.A.”), the film’s screenplay was written by Harold Pinter, adapting his own play. Shaw, Friedkin and Pinter make for a combustible intensity.
Shaw plays Stanley, the lone boarder at a seaside inn. When two mysterious men (Dandy Nichols and Sydney Tafler) arrive, they engineer a party for Stanley that becomes increasingly ominous.
In his original review, Charles Champlin lauded Shaw, saying he gives “one of the total and totally engrossing movie performances,” adding that Friedkin “as a director is everything a dramatist, and an audience, could want. The sense of loving care and artistic sureness which characterizes every aspect of the movie is extremely tonic. Pinter may be an acquired taste, but it is easy to acquire.”
‘He Got Game’ in 35mm
Denzel Washington in 1998’s “He Got Game.”
(David Lee / Touchstone Pictures)
Spike Lee’s prolific career is now studded with movies that maybe didn’t quite get their due in their day but deserve renewed attention. Screening in 35mm on Sunday at Brain Dead Studios is Lee’s 1998 “He Got Game,” which is just that kind of movie: stuffed with ideas and ambitions even if it doesn’t totally all come together for everyone. I particularly like his use of composer Aaron Copland’s music, which gives many of the images an epic quality they might not otherwise fully achieve, challenging preconceived notions of what can be thought of as Americana.
The movie stars a particularly electric Denzel Washington as Jake Shuttlesworth, a once-promising basketball player whose life took a turn. Now he’s in prison. His son, Jesus (played by NBA star Ray Allen), is a promising prospect and Jake is given an offer of a reduced sentence if he can convince his son to attend a certain college. The mixture of two of Lee’s own personal preoccupations, basketball and family, makes for a potent combination.
Reviewing the movie when it was released, Kenneth Turan wrote, “Given that writer-director Lee is one of the most visible of the New York Knicks’ celebrity fans, what’s surprising is not that he made a film about the sport he cares so much about but that he waited so long. … Though ‘He Got Game’ is periodically awkward and unruly, it benefits, as many of Lee’s films do, from the director’s determination to connect with the troublesome issues of the real world. Too few American directors work with Lee’s kind of social immediacy, and that makes his films, flawed and didactic though they sometimes are, essential viewing.”
Harmony Korine’s ‘Gummo’
Jacob Reynold, left, and Nick Sutton in Harmony Korine’s ‘Gummo’
(Criterion Collection)
Harmony Korine’s first feature as director, 1997’s “Gummo,” will screen at Vidiots on Monday. The event is co-presented by the Cinegogue, a group perhaps best known for their limited-edition movie-themed clothing drops, but who describe their mission thusly: “Our goal: make movies cool again through concert-like experiences and fanfare. … Because even though a movie might end, cinema is forever.” (And that’s a sentiment we here can get behind.)
The film finds Korine attempting to bring elements of experimental film and video to a nominally more mainstream context. It’s both confrontational and playful. Using a collage-like structure, the film follows a few kids as they make their way around their small town in Ohio after a tornado. Mostly featuring non-actors, the cast also includes Linda Manz and Chloë Sevigny, who is also credited as the film’s costume designer.
Writing about “Gummo” and Korine’s subsequent “julien donkey-boy,” Kevin Thomas made special note of “the intensity of Korine’s compassion for individuals who have so little going for them and so much going against them, yet at times are capable of experiencing an exhilarating freedom of spirit.”
It was Brady Murrietta’s silence rounding the bases, then his Darth Vader-like stare directed at St. John Bosco pitcher Jack Champlin after touching third base on Thursday and slowly jogging toward home plate that sent a clear message: Don’t poke the bear.
His two-run home run in the bottom of the sixth inning broke a 3-3 tie and keyed a 5-4 win to prevent the No. 1-ranked Lancers from suffering a three-game Trinity League baseball sweep by No. 2 St. John Bosco.
One day earlier, the intensity level between the two teams reached such a crescendo that after the fiery Champlin got the final out in a 4-1 win at Hart Park, he decided to offer a taunt.
“I was hearing them all game at third base,” Champlin said. “I pointed to the ground and was saying, ‘This is my field.’ A bunch ran out of the dugout toward me and it got bigger than it needed to be.”
There was pushing and shoving as St. John Bosco went nuclear on security for Thursday’s home game, so much so that a security person refused to let a 5-foot-4 sportswriter walk into the Orange Lutheran bullpen after the game until calmer heads prevailed.
Jack Champlin of St. John Bosco is fired up after a two-run triple on Thursday against Orange Lutheran.
(Nick Koza)
The two teams declined to shake hands in a precautionary measure. It was almost comedic, since Orange Lutheran pitcher Gary Morse has played with St. John Bosco pitcher Julian Garcia since they were 8 and texted him Thursday morning to congratulate him on his Wednesday pitching performance. And Murrietta intended to text his friends on the Braves, too.
“It was more to get my boys hyped up,” Murrietta said of staring at Champlin.
Wednesday’s game was particularly important with each team’s ace on the mound. The 6-foot-8 Morse had a 95 mph fastball and gave up two hits and one run with eight strikeouts over six innings. Garcia, who missed his junior season after arm surgery, touched 97 mph while striking out 10 and giving up three hits in six innings. The Braves broke the 1-1 tie with three runs in the seventh inning, keyed by a two-run single from James Clark.
On Tuesday, in St. John Bosco’s 7-4 win, Clark had another big game with two hits and three RBIs.
“Two best teams in the country,” Morse said.
Orange Lutheran (8-3, 1-2) was coming off a championship at the National High School Invitational in North Carolina. It showed off a top pitcher to join Morse in Cooper Sides, a senior transfer from Red Buff who struck out eight in five innings on Thursday in front of dozens of pro scouts.
Asked what he learned about his 11-3 defending Division 1 championship team this week, St. John Bosco coach Andy Rojo said, “I think it continues what we already know that it’s a tough team, a resilient team. We’ve had a lot of high-pressure, high-level games. A ton of one-run games.”
Said Garcia: “It pushed us to show we’re a great team.”
Orange Lutheran coach RJ Farrell saw his team fight back from adversity, and in the Texas-bound Murrietta, he has an MVP candidate capable of igniting the Lancers with his bat, glove and leadership skills.
The two teams could meet again next week during the Boras Classic in Orange County. Otherwise, it would come during a new-look Southern Section Division 1 playoff format that will have 16 teams and start with a best two-out-of-three series to advance. Both teams have shown they have the pitching to advance.
“Bob’s Burgers” voice actor and comedian Eugene Mirman was pulled from a fiery car crash and hospitalized with serious injuries.
Before noon on Tuesday, Mirman’s Lucid Gravity struck the Bedford Toll Plaza in New Hampshire as he was traveling northbound on the F.E. Everett Turnpike. Callers reporting the crash said the vehicle had caught fire and the driver appeared to be trapped inside. New Hampshire State Police said that while units were responding to the 911 calls, Gov. Kelly Ayotte and her security detail came upon the crash and stopped to help.
A trooper assigned to the governor’s detail and two others pulled Mirman from the burning car through a window before first responders arrived. Gov. Ayotte retrieved a fire extinguisher, according to State Police Col. Mark Hall.
“Certainly, their actions were heroic in what they did,” Hall said. “Without hesitation, they put themselves in danger to render aid to someone who was in need of it.”
The actor was transported by ambulance to a nearby hospital with serious injuries. Videos of the incident show the vehicle badly damaged and engulfed in flames.
“Eugene was in a very scary car accident,” Mirman’s agent, Jay Glassner, confirmed in a statement Wednesday. “He wants to thank the bystanders, state police, first responders and hospital staff who saved him. He is grateful to be on the mend. At this time, we kindly ask for privacy for Eugene and his family as he focuses on recovering from his injuries.”
The crash remains under investigation.
The animated series “Bob’s Burgers,” which centers on a family that runs a restaurant, celebrated its 300th episode, titled “Grand Pre-Pre-Pre-Opening,” when the Fox favorite premiered its 16th season in the fall.
Often referred to as a “comfort show,” the series features Mirman as kid brother Gene Belcher.
“It’s just a mix of warmhearted and funny and sort of grounded,” the actor told The Times last year.
“There’s a sibling camaraderie that is really lovely,” Mirman continued. “It reminds me of the camaraderie on TV and movies in the ’80s. That era of the stuff I grew up watching.”
The Associated Press and Times staff writer Tracy Brown contributed to this report.
CHICAGO — Matthew Boyd struck out 10 while pitching into the sixth inning, and the Chicago Cubs beat the Angels 6-2 on Wednesday.
Nico Hoerner had three hits for Chicago on a chilly and windy afternoon at Wrigley Field. Matt Shaw had two hits and two RBIs, and Alex Bregman reached three times in the rubber game of the three-game series.
Boyd (1-1) yielded two runs, one earned, and two hits over 5 2/3 innings in his second start of the season. The left-hander was tagged for six runs in 3 2/3 innings in a 10-4 loss to Washington on opening day.
Zach Neto had two of the Angels’ four hits. Yusei Kikuchi (0-1) was charged with five runs and six hits in 5 1/3 innings.
Chicago grabbed control with five runs in the third inning. Miguel Amaya walked and scored from first on Hoerner’s double into the gap in left-center. Bregman singled in Hoerner, and Dansby Swanson drove in Ian Happ with a sacrifice fly. Shaw and Pete Crow-Armstrong contributed two-out RBI singles.
It looked as if first-year Angels manager Kurt Suzuki wanted a replay review of the play at the plate when Amaya scored but was denied because he took too long to decide on the challenge.
The Angels chased Boyd while scoring two runs in the sixth. Jo Adell singled in Neto, and Mike Trout scampered home on an error on Bregman at third.
The Cubs tacked on an unearned run in the seventh. Trout dropped Carson Kelly’s leadoff fly ball to center for an error, and Kelly scored on Shaw’s one-out single.
Up next
Angels: Following an off day, LHP Reid Detmers (0-0, 5.79 ERA) starts for the Angels in their home opener on Friday night. RHP Bryan Woo (0-0, 3.00 ERA) takes the mound for Seattle.
Cubs: RHP Cade Horton (1-0, 2.84 ERA) starts the opener of a weekend series at Cleveland on Friday. LHP Joey Cantillo (0-0, 4.91 ERA) gets the ball for the Guardians.
The Brazilian dystopian thriller has been hailed a ‘rare gem’ and ‘masterpiece’ by fans
Netflix series 3% should be on your radar if you love thrillers(Image: GETTY)
The concluding series of the universally loved dystopian thriller, The Handmaid’s Tale, has been over for some time, leaving devotees hunting for their next television fixation.
Fans of thrillers are similarly captivated by a relatively obscure dystopian series titled 3%, showcasing a young ensemble and situated within an intriguing offshore community.
This Netflix offering from 2020 has accumulated numerous glowing reviews since its debut, with audiences declaring it “Tremendously Underrated”.
One IMDb critique states: “I was really surprised by the fact that this show is really unknown. It is a great TV series that definitely deserves more recognition.”
Another subscriber commented: “Cinematically and visually stunning, a political, Hunger Games-esque storyline with believable acting, and I thought very interesting, lifelike characters. The script is intelligent, the characters are strong, and the interaction is elegant in its simplicity and natural air”, reports the Express.
The narrative of this Brazilian thriller revolves around merely 3% of the population inhabiting luxury on an island, while the remaining citizens endure poverty on the mainland. Upon turning 20, ordinary people are given a single opportunity to join the elite 3% through a brutal competition dubbed ‘the process’.
Deliberately ruthless and potentially lethal to contestants, the competition concludes with most candidates returning to deprived circumstances – sometimes too incapacitated to even carry on.
While the series hails from Portugal, numerous English-speaking audiences have been captivated by the programme, eagerly watching every episode through subtitles or dubbed versions.
One enthusiast even labelled the show a “rare gem”.
They remarked: “3% is one of those rare shows that only gets better and better as it goes. Season 3, so far, is shaping up to be the most enthralling season yet, which, let me tell you, is absolutely saying something!”
“The world continues to be fleshed out, and the already quite complex characters are only getting more interesting. Do yourself a favour; watch at least to episode three before you pass judgement. You won’t regret it!”
Another viewer commented: “This is truly an outstanding dystopian/post-apocalyptic series. The acting, the shots, the pace, the character development, the storyline… Everything is on point! Seasons 1, 2 and 4 were, for me, all riveting.”
Boasting a Brazilian ensemble, the performers in this production are relatively unfamiliar but deliver an “outstanding” showing, according to audiences.
João Miguel portrays Ezequiel in the series, the Process’s leader, alongside Bianca Comparato, who appears as Michele Santana, and Michel Gomes as Fernando Carvalho. Reflecting on the performances in 3%, one viewer commented: “I watched this out of boredom, but boy, was I glad that I did. It totally caught me off guard by how wonderful this show was. It is intelligent, futuristic, and well acted; all in all, absolutely amazing.”
Whether you’re eager to discover what all the fuss is about, or simply on the lookout for something to watch after completing The Handmaid’s Tale, 3% is currently available to stream on Netflix.
A dream team has assembled to bring a scripted series based on the book “Perversion of Justice: The Jeffrey Epstein Story” from the drawing board to the small screen.
Oscar-winning actor Laura Dern has signed on to portray Miami Herald investigative journalist Julie K. Brown, whose tireless reporting on the Epstein sex-trafficking case exposed how federal prosecutors approved what many have referred to as a “sweetheart” plea deal for Epstein in 2008.
Per Variety, the official description of the series reads: “An explosive account of an investigative reporter exposing the secret plea deal between Epstein and federal prosecutors. Drawing from Brown’s experience as a groundbreaking reporter for the Miami Herald, the book and the limited series follow her relentless years-long investigation that identified 80 victims, persuaded key survivors to go on the record, and led to Epstein[‘s] and Ghislaine Maxwell’s arrests.”
In 2008, the financier was charged with luring underage girls to his Palm Beach, Fla., mansion for sex. Under the plea agreement with then-U.S. Atty. for the Southern District of Florida Alexander Acosta, Epstein avoided a federal trial — where, if convicted, he could have faced a potential sentence of life in prison — and pleaded guilty instead to two state felony solicitation charges.
He served 13 months in a county jail but was allowed to go to his office six days a week on a work-release program.
Co-showrunners for the project are Eileen Myers, known for “American Hostage,” and Sharon Hoffman, best known for her work on “House of Cards” and who is adapting Brown’s book for television. Dern will also executive produce, along with Adam McKay and Kevin Messick, known for “The Big Short,” “Don’t Look Up” and “Succession.” Brown is also executive producing.
Although Sony Pictures Television is still pitching the series to networks and streamers, industry insiders predict that, with Dern and McKay on board, a green light is on the horizon.
Last week, Brown joined veteran journalist Katie Couric live on Substack to discuss her reporting on Epstein, and how the disgraced financier and his camp underestimated her. “I don’t think he worried about the little old reporter from the Miami Herald,” she said.
“When you have a sex predator of children who is — at the time I wrote this story, he was out there, you know, he was free — and he was still, as we now know, harming children,” Brown told Couric. “And so my goal at the time was to look at how this happened.
“Where was the breakdown? Was there someone who … was powerful who let him off the hook, and I just thought it was a good time to take a new look at it like a cold case detective would.
“By the time I decided to reopen the case, these women, these victims who were 13, 14, 15 years old, were now in their late 20s and early 30s, and Donald Trump became president right around this time. And ironically, as I was already looking at this story, he nominated Alexander Acosta to be his Labor secretary, and I knew at the time that he was the very person who had let [Epstein] off the hook. And so that’s where I started looking at this case.”
