Two whole seasons of a new imagining of a classic detective drama will be streaming for free before the year is out.
The drama follows an unconventional young detective rising up the ranks(Image: PBS MASTERPIECE)
Fans of detective dramas need to add a “fabulous” series to their watchlists.
Fans of cosy crime and detective dramas like Vera are urged to keep an eye out for a detective series hailed as “superb” by viewers. Based on Georges Simenon’s iconic detective novels, the series follows a rising young detective in the Paris Police Judiciaire, who heads La Crim, the serious crime unit.
Unlike previous adaptations, the series is set in the present day and is produced by Playground, the team behind hit shows like All Creatures Great and Small and Wolf Hall. Maigret is the series in question and it stars Benjamin Wainwright as Chief Inspector Jules Maigret, the titular unconventional young detective rising up the ranks.
The Last Kingdom actress Stefanie Martini also stars as Louise Maigret, Maigret’s wife and confidante, who works as a psychiatric nurse. The Inbetweeners star Blake Harrison stars as Sergeant Joseph Torrence.
UKTV has acquired the rights to two seasons of Maigret for its free streaming service, U and linear channel U&DRAMA. Season one premieres on U and U&DRAMA in December, and season two will follow in 2027.
UKTV teased: “In series one, Chief Inspector Maigret and his team of maverick but loyal detectives, Les Maigrets, solve a series of complex crimes in Paris. Maigret’s unconventional methods and unique sense of justice put him at odds with his superiors and the judicial system he is supposed to represent. Maigret must outwit some of Paris’s most cunning and violent criminals, while dealing with his own troubled past.”
Karin Marelle of UKTV and BBC Studios hailed Maigret “one of the most recognisable detective brands in the world“, while Simon Cox, who led on the acquisition of the series for Banijay Rights, said: “The series combines gripping mysteries and rich character storytelling all centred around one of crime fiction’s most iconic and enduring detectives.”
Fans took to IMDb reviews to share their thoughts on the series, with one hailing it “outstanding”, adding: “I have not been a fan of either the books or previous movies or shows about Maigret. So I came to this with no preconceived notions.
“Overall I found it an outstanding beginning to what I hope will be a long series. Well written, well-acted, and highly entertaining. Just a sort of thing that I was looking forward to take my mind off with many problems that we now see in our world.”
Another called it a “fabulous show”, sharing: “We are enjoying this programme ever so much! My mum and I are huge fans of the original Maigret and this is a great modern remake!
“I am not usually very enthusiastic about remakes, but this is an exceptionally good one. I can’t wait for more episodes, and hopefully many more seasons to come! Overall a great programme with a really fabulous cast.”
Another viewer said it was a “superb” watch, adding: “This iteration reminds me a lot of another detective series using British actors in a non-British setting, Vandervalk. Regardless, I thought the plotting, writing, acting, and direction was superb, especially in the last episodes of this first series.”
The series premiered on PBS Masterpiece in the US in October 2025, and on ABC Television in Australia in November 2025.
Series 1 of Maigret premieres on U and U&DRAMA in December and Series 2 will follow in 2027.
What happened to that docile small-town bunch that was once embarrassingly soft? What happened to the team with great stats but none of the swagger, a team that the Dodgers swept last October in a playoff series that wasn’t that close?
The Dodgers entered the National League Championship Series at Milwaukee’s American Family Field on Sunday knowing the Brewers had the best record in baseball, the best batting average in baseball, the best bullpen in baseball, and still…
They had to be convinced this wasn’t the same Brewer team that had famously rolled over one short year ago.
Well, um… duck!
In a first round that portended a lengthy and bloody fight, the Dodgers clutched to a 1-0 lead after three innings with ace Tarik Skubal on the mound and Brewers ace Jacob Misiorowski headed for the showers.
Then they lost it.
They lost to a rare Brewer home run. They lost to a trademark Brewer bunt. They lost to four stifling Brewer relievers.
In the end, they lost the series opener 2-1 to a relentless Brewer effort filled with all the muscle and hustle of their football-toting neighbors up in Green Bay.
This time, when they were knocked down, the Brewers didn’t stay down.
This time, the Brewers swung back and swung harder and eventually landed a stunning blow deep into the Dodgers’ psyche.
This time, it’s clearly going to be different.
This time they tied the game in the fourth inning on a Brice Turang home run, then took the lead an inning later on a perfect example of the manufactured attack that is pure Brewerball.
Garrett Mitchell walked, rookie Cooper Pratt laid down a sacrifice bunt and light-hitting Luis Lara banged the next pitch up the middle to score Mitchell from second for the 2-1 lead.
From there, the league’s best bullpen held the Dodgers to two singles in the last four innings, with the Dodgers stranding two runners on base in two of them. On a night they ended three innings with double plays and have still not focused their postseason hitting efforts, the final inning epitomized the frustration.
With two outs against closer Trevor Megill, Kyle Tucker drew a seven-pitch walk and kid pinch-hitter Josue De Paula drew a walk, and the sort of heroics the Dodgers have displayed for the previous two postseasons were all set up for Mookie Betts.
And he promptly lofted the second pitch to center fielder Mitchell, who made the catch and screamed and flexed with the sort of hearty celebration that usually comes from the Dodgers.
A different day indeed.
Last season in the NLCS, the Dodgers won the opener by this exact same score and the series was never really close. Don’t expect the Brewers to follow the same path, but also don’t expect this to be easy.
Milwaukee’s Brice Turang celebrates with third base coach Matt Erickson after hitting a solo home run in the fourth inning against the Dodgers in Game 1 of the NLCS on Sunday.
(Robert Gauthier / Los Angeles Times)
The Dodgers should get the equalizer in this best-of-seven series Monday afternoon with October superstar Yoshinobu Yamamoto facing relatively untested Logan Henderson.
But who knows? If the Brewers are going to act like this for a week, the Dodgers could be in big trouble.
The two-time defending champs aren’t panicking. But they’re not happy either. And if you listen closely, perhaps you can pick up a scent of worry.
“Yeah, you can’t go into a long series against a team that has the best record in baseball and expect to just win four,” Dodgers manager Dave Roberts said. “It’s going to be a long series. We knew it coming in. We had our chances, but they made plays, pitches when they needed to.”
And the Dodgers, particularly one man in the middle of their order and behind the plate, failed to do the same.
Will Smith grounded into a double play and went hitless in three at-bats and is now one for 19 in the postseason.
“Yeah, he’s not swinging the bat well,” said Roberts, who remains hopeful. “He just has that knack to get a hit, a big hit.”
More of a lost cause is Shohei Ohtani, who banged out a single in three at-bats and is three for 16 in the postseason.
The Brewers seem better able to handle slumps from their stars because they’re all about the business of creating runs from what unselfish soul finds himself in the spotlight.
When asked about the key to this culture, Turang said, “I think the buy-in factor with everyone buying into what we’re trying to accomplish and kind of our style of play. Then not only that, like guys are getting more experience, they’re learning the game — even for me, still learning, getting experience. That’s a big factor in this.”
Milwaukee Brewers pitcher Jacob Misiorowski celebrates after striking out Kyle Tucker in the fourth inning Sunday in Game 1 of the NLCS.
(Robert Gauthier / Los Angeles Times)
Spoken like a guy who believes his team is on the verge of taking the next step. Turang said the key is what happens when they are faced with adversity — like Sunday night.
“Then not giving up when we are behind in the game and knowing that we can do it, we can make up runs,” he said. “This group is really, really good with that.”
As for the Dodgers, they know they’re really, really good at just about everything. But they know that time could be quickly running out on their chance to once again show it.
“We’ve just got to reset,” Roberts said. “We’ve got our guy going tomorrow, who we trust undoubtedly, and we’ve got to win a baseball game.”
This October, against this newly rumpled and roughneck version of the Milwaukee Brewers, that’s apparently going to be easier said than done.
As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.
The only guide you need for fall entertainment.
Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.
‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)
Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”
(Netflix)
Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali
‘Brothers,’ Sept. 23 (Apple TV)
Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”
(Ryan Green / Apple TV)
Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara
‘American Hostage,’ Sept. 20 (MGM+)
Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”
(Steve Ackerman / MGM+ / Sony Pictures Television)
Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia
‘East of Eden,’ Oct. 1 (Netflix)
Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”
(Netflix)
Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton
‘Below,’ Oct. 8 (Netflix)
Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”
(Netflix)
Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.
‘Cupertino,’ Oct. 8 (CBS)
Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”
(Elizabeth Fisher / CBS)
Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd
‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)
Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.
(Paramount+)
When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown
‘VisionQuest,’ Oct. 14 (Disney+)
Paul Bettany in Marvel’s “VisionQuest” on Disney+.
(Marvel)
When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.
‘Crystal Lake,’ Oct. 15 (Peacock)
Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”
(Peacock)
Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.
‘The Diplomat’ Season 4, Oct. 15 (Netflix)
Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”
(Netflix)
For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal
‘Nocturne,’ Oct. 30 (Apple TV)
Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”
(Dennis P. Mong Jr / Apple TV)
Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.
‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)
Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”
(Paramount+ with Showtime)
At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.
‘Dig,’ Nov. 23 (Peacock)
Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”
(Colleen Hayes / Peacock)
A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.
‘Blade Runner 2099,’ Nov. 25 (Prime Video)
Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”
(Clay Enos / Prime)
Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.
‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)
Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”
(Netflix)
For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.
‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)
Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”
(Aidan Monaghan / HBO)
In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.
‘North of North’ Season 2, Fall 2026 (Netflix)
Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.
(Netflix)
No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.
‘Pride and Prejudice,’ fall 2026 (Netflix)
Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”
(Ludovic Robert / Netflix)
Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.
Jimmy McGovern’s BAFTA-winning BBC drama is returning to screens with David Tennant and Siobhan Finneran leading the cast
15:49, 11 Oct 2026Updated 15:49, 11 Oct 2026
The third series of Time is set to air on BBC One this October(Image: BBC)
Time returns tonight for its third but there’s some bad news for fans.
The wait is almost over for a brand new instalment of the gripping BBC drama which first began in 2021 and has featured the likes of Stephen Graham, Jodie Whittaker and Bella Ramsey.
That was until he found a real-life story in his research about a mother going to see her son in a young offender institution, whom she hadn’t seen for years. Although she didn’t speak English and he didn’t speak her language, which Jimmy shares is Swahili, in their BBC story.
However, the creator has shared that the upcoming series, which will being on Sunday night (October 11) will be its last. Speaking to RadioTimes, he said: “There’s very little altruism involved with these stories. I do them because I love doing them, although I think this will be the last time. I have said that many a time before, though, because these are also stories I feel bound to tell.”
A synopsis for the third series of Time details that viewers will see two young offenders struggle through the terrifying first weeks and months of their incarceration. However, an unlikely friendship between them looks to shift the trajectory of their futures.
The description further reads: “Meanwhile, Prison Chaplain Marie-Louise (Siobhan Finneran) comes to the young offender institution having lost her faith.
When tragedy strikes in the prison, Marie-Louise clashes with veteran officer Bailey (David Tennant), a man in the midst of his own crisis. Bailey knows more about the circumstances that led to this major incident – but will he come clean before the guilt gets too much?”
Since the series first began five years ago, it’s been highly praised by viewers, with some hailing it as a masterpiece. On Rotten Tomatoes, one person has said: “Absolutely riveting drama, a must-watch from start to finish. Brilliantly acted and excellent plot.”
Meanwhile, on IMDb, another added: “I expected a mediocre show, but got a well-crafted masterpiece. In its two seasons, each with three episodes, ‘Time’ tells the stories of two people who are imprisoned for the first time and, in my opinion, it does this excellently” While a third wrote: “Serious, realistic and brutal. If you want to see something serious and realistic, this is for you.”
Also joining David Tennant and Siobhan Finneran in the third series will be Vinette Robinson, Jo Joyner, Daniel Ryan, Warren Brown, Louis McCartney, Ollie McNulty and Chukwubuikem Molokwu will star in the third series.
Nicolas Cage is making it clear — he’s not an “AI-friendly actor.”
The 62-year-old actor spoke out against a tech giant during an appearance at New York Comic Con on Saturday. He alleged that he was asked to sign an artificial intelligence waiver for the television series “Spider Noir.”
“Amazon is a very AI-friendly company, to the tune of $50 billion invested in OpenAI,” Cage said on stage.
“I am not an AI-friendly actor, so it’s like, connect those dots! I’m not a member of their club. I didn’t sign the waiver to let him use AI on ‘Spider-Noir.’ I’m probably not going to be working with that studio again, but that’s OK.”
Amazon did not immediately respond to a request for comment.
“Spider-Noir,” which premiered in May, is a “Spider-Man” project that put a 1930s crime-thriller spin on the web-slinging superhero. The show was produced by both Sony Pictures Television and Amazon MGM Studios.
Cage’s part as “The Spider” marked his first leading role in a series. The Oscar-winning actor, whose home in Malibu was recently affected by a sinkhole, is known best for his roles in movies like “National Treasure,” “Moonstruck” and “The Rock.”
Upon its release, “Spider-Noir” received much praise from fans and critics alike. In its first six weeks of streaming, the series earned 2.6 billion minutes watched, according to Nielsen. It was also Amazon’s most-nominated show at this year’s Emmys, with 11 nominations and five wins.
Last month, Amazon announced that the show was canceled after only one season, leaving much of the industry in shock.
During his Comic Con panel, Cage also said he plans to keep working in TV. He announced that he will be joining the HBO series “True Detective.”
“My agent’s out there somewhere listening,” Cage said. “That’s OK that I’m the first to announce that, right?”
