series

In retrospect, conventional wisdom might not be all that wise. Just check out this postseason.

The Atlanta Braves should have started Chris Sale in Game 2 of the division series against the Dodgers. They didn’t. They won.

The Braves then had an edge with Sale starting Game 3. They didn’t. They lost that game, and they were eliminated in the next game.

The Milwaukee Brewers should have considered trading rookie pitcher Logan Henderson in a package for Tarik Skubal, a win-now proposition for a team that has dominated the regular season but had not appeared in the World Series in 44 years. They didn’t. Skubal and the Dodgers missed the World Series, and Henderson started Game 2 for the Brewers on Saturday, helping them move within two victories from their first championship.

That brings us to Freddy Peralta, who starts Game 3 for the Tampa Bay Rays on Monday. Peralta was one of the top pitchers in the majors for the Brewers last year, and he has been one of the top pitchers in the majors since the Rays acquired him from the New York Mets three months ago, but in between he performed so poorly for the Mets that he cannot really explain why.

“Sometimes I ask the same question myself,” Peralta said.

So poorly that, when the league’s website ranked the most impactful trades at the deadline, the Peralta deal did not make the top 10, behind trades for six other starting pitchers: Skubal, Casey Mize and Robbie Ray to the San Diego Padres, Kevin Gausman and Clay Holmes to the Chicago Cubs, and Jose Soriano to the Toronto Blue Jays.

Conventional wisdom? No big deal.

For the Mets, Peralta put up a 4.99 ERA and a negative WAR. For the Rays, he put up an 0.79 ERA in his last six starts of the regular season and a 1.07 ERA so far in the postseason, honored as American League Championship Series MVP.

“I feel like he’s kind of come back to being Freddy Peralta with us,” Rays manager Kevin Cash said.

Peralta went 17-6 with a 2.70 earned-run average for Milwaukee last year, leading the National League in victories and posting 5.5 WAR, third behind Cristopher Sanchez of the Philadelphia Phillies and Cy Young winner Paul Skenes of the Pittsburgh Pirates.

If you wonder why the Brewers would trade Peralta, well, you don’t know the Brewers.

Tampa Bay Rays pitcher Freddy Peralta throws against the Cleveland Guardians in Game 6 of the ALCS on Oct. 19.

(Phelan M. Ebenhack / Associated Press)

Peralta was approaching free agency, and the Brewers routinely trade All-Star pitchers like that for prospects: Corbin Burnes, Josh Hader, Devin Williams.

This is how the Brewers restock: The Burnes trade brought two pieces of this World Series team, pitcher DL Hall and infielder Joey Ortiz. The Hader trade brought Game 3 starter Robert Gasser and journeyman outfielder Estuery Ruiz, and within a subsequent three-team trade, the Brewers swiped All-Star catcher William Contreras for Ruiz.

The Mets wanted Peralta for what they considered an inevitable playoff run, with the largest Opening Day payroll of any major league team, the Dodgers included. The Mets finished in last place, and Peralta’s ERA exceeded 6.00 in each of the two months preceding the trade deadline.

“I was feeling bad,” Peralta said, “because I couldn’t do anything.”

The adjustments the Mets asked him to make, he said, were “a little different” than the ones that reversed the course of his season with the Rays.

The Rays let him pitch from the stretch, as he had in Milwaukee. They modified his delivery, including having him start it from the third-base side of the pitching rubber. His fastball got faster: 94 mph with the Mets, hitting 97 mph in the playoffs.

“We see that he’s in his element, man,” Brewers manager Pat Murphy said. “That’s Fastball Freddy.”

In Milwaukee, it’s all love for Peralta. The fans even cheered his bullpen session there before Game 1.

He’ll start Game 3 in Tampa Bay and, after that, who knows, but he would be lined up to start a potential Game 7 in Milwaukee.

“I know how special it is to pitch on this mound here in Milwaukee,” Peralta said. “I would like to pitch here during the postseason.”

Tampa Bay Rays pitcher Freddy Peralta celebrates during Game 2 of the ALCS against the Cleveland Guardians on Oct. 13.

(David J. Phillip / Associated Press)

He would have liked to pitch in New York during the postseason too.

“They had a lot of big expectations for me, the fans too, in New York,” he said. “They were waiting for something great from me.”

Conventional wisdom can boomerang. The conventional wisdom on Peralta’s free agency in the spring: he should make more in free agency than any pitcher besides Skubal; in the summer: this is a bad year to take into free agency; in the fall: he should make more in free agency than any pitcher besides Skubal.

But, given what happened in New York, what were the realistic expectations in Tampa Bay?

“I was able to go to a new team that probably needed me for …” Peralta said, his voice trailing off.

The World Series?

Peralta beamed.

“Crazy,” he said. “For the World Series, yeah.”

MILWAUKEE — Sal Frelick tied the score with his first home run in three months, Cooper Pratt hit a go-ahead single in the seventh inning and the Milwaukee Brewers stunned the Tampa Bay Rays 5-4 on Saturday night for a 2-0 World Series lead by overcoming a four-run deficit for the second time in the postseason.

Tampa Bay, which won the AL pennant by forcing opponents into mistakes, committed one error, made two other misplays that could have been charged as errors and had a runner thrown out at the plate.

Down 4-0 in the first inning, Milwaukee rallied for its seventh comeback win of this postseason. The Brewers also rebounded from a 4-0 deficit to beat the Dodgers 6-4 in Game 4 of the NL Championship Series, completing a four-game sweep.

After losing Friday’s opener 3-2, the Rays burst ahead against rookie Logan Henderson, but the Brewers started to claw back with two runs in the bottom half against Tampa Bay ace Drew Rasmussen.

David Hamilton cut the deficit to 4-3 with a run-scoring grounder in the fourth and Frelick capped a nine-pitch at-bat against Ian Seymour in the sixth by driving a fastball over the center-field fence.

Frelick had gone 103 plate appearances without a home run since his July 11 drive off Pittsburgh’s Braxton Ashcraft and had not gone deep against a lefty pitcher since opening day against Tyler Gilbert of the Chicago White Sox. Frelick sped around the bases in 18.72 seconds, half the time of some theatrical trots this postseason.

Screaming fans at the second game of Milwaukee’s first World Series since 1982 were fired up during the seventh-inning stretch, dancing to the “Beer Barrel Polka” played by Mike Schneider, an accordionist from Clinton, Wis.

Brice Turang doubled against losing pitcher Tyler Wells on the second pitch of the bottom half, advanced on Garrett Mitchell’s flyout to right and scored when Pratt, a 22-year-old who debuted in June, looped a sinker from Kevin Kelly into short right field.

Abner Uribe pitched 1⅓ hitless innings for the win.

Jonny DeLuca doubled off Aaron Ashby starting the ninth, then Victor Mesa Jr. struck out when he couldn’t check his swing. Pinch-hitter Ben Williamson’s groundout advanced the runner and Yandy Díaz struck out when he couldn’t check his swing on a full-count pitch.

Ashby has three saves in the postseason while not allowing a run.

Milwaukee won its seventh straight game, becoming the fifth team to twice overcome four-run deficits for victories in a single postseason and the first since Philadelphia in 2022.

Game 3 of the matchup between teams seeking their first title is Monday night at Tropicana Field in St. Petersburg, Fla. where the Brewers last played in 2023.

Of the 57 previous teams to take 2-0 World Series leads, 46 claimed the championship.

Tampa Bay took a 4-2 lead in the highest-scoring Series first inning since 1993’s Game 4 as teams combined for seven hits, tying the most in an opening inning.

Still, Milwaukee improved to 13-0 in games started by Henderson, dating to his 2025 debut. He followed Jacob Misiorowski in the Brewers’ rotation, the first time teammates 24 or younger started the first two games of the Series since Cincinnati’s Gary Nolan and Ross Grimsley in 1972.

Henderson started on 11 days’ rest and struggled as the Rays fouled off 13 of 35 pitches in the first. He gave up four runs — three earned — in three innings.

Given an extra day of rest, Rasmussen gave up three runs and six hits over 3⅔ innings in his shortest start since July 9.

Pratt made his fourth error of the postseason at shortstop, the Brewers’ ninth in 10 games, bouncing his throw past first baseman Jake Bauers on a leadoff grounder by Díaz. Chandler Simpson and Junior Caminero followed with RBI singles, and Liam Hicks hit a two-run homer.

Jackson Chourio and Bauers started the bottom half with singles and first baseman Jonathan Aranda allowed Contreras’ one-out foul pop to bounce out of his mitt near netting in front of the seats.

With Bauers running on a full-count pitch, Contreras bounced an RBI single to the left of second baseman Richie Palacios, who had taken a step toward the base. Mitchell’s two-out single cut the deficit to 4-2.

Hamilton hit an RBI grounder in the fourth that bounced under Aranda’s legs for an error.

Chourio threw out Hicks from left for the final out of the sixth when third base coach Brady Williams waved the slow-footed catcher to try to score from second on Mesa’s single.

Blum writes for the Associated Press.

Fans say they were hooked on the crime drama from the very first episode

A new crime drama is attracting new fans who find themselves hooked from the first episode.

A ‘superb’ mystery series now streaming in the UK has been hailed as perfect for Death in Paradise fans. The New Zealand produced show made its debut earlier this year in its native country and is now available for viewers to catch up on.

The entire first season of Blue Murder Motel was added to ITVX recently. The good news for those who have already watched all episodes and enjoyed it is that a second season is on the way in the future.

But for those who are unaware, the series follows Australian married police detectives Vanessa and Cole who decide to finally leave their cop careers and their home behind them. They have finally invested in their dream, a cute 13-room motel in a sunny, ocean-side New Zealand town.

However, a series of murders in their new hometown inspire them to investigate and to help the local, inexperienced, sole-charge police officer solve the crimes. It’s not long before their new business is referred to by neighbours as the Blue Murder Motel.

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The little known series has not managed to gain enough reviews online to register a score on website Rotten Tomatoes. However, it has still managed to gain enough attention for many viewers to share their recommendations. One write-up labelled the series as ‘superb’ and claimed the show is “a huge hit” back in New Zealand and Australia, and apparently viewed in the same way as Death in Paradise and Shetland is to UK audiences.

It added: “The setting is glorious, the murder mysteries are quirky yet entertaining and the characters are genuinely likeable. If you’re looking for an escapist series that you won’t tire of easily, Blue Murder Motel is a very good choice.”

Many fans agree and urge fans of cosy crime who need a new binge worthy show to check it out. One fan posted online: “It’s funny, cosy and surprisingly sharp, with great chemistry, small-town chaos and a mystery that hooks you fast. Perfect comfort-crime vibes and I can’t wait to keep watching. Episode one complete sold me on this show!”

Another agreed: “Just binged the first six episodes and had to pause to say how much fun this new show is. It’s a classic cosy crime show so if you’re not a fan of that genre scroll on, but the end of episode six just turned everything upside down! Was not expecting that and I’m here for it.”

Blue Murder Motel is streaming on ITVX.

MILWAUKEE — It was an evening for pomp and pageantry, for celebrating a World Series between two of the five major league teams never to win one. But, before the first pitch of the first game, the commissioner of baseball and the head of the players’ union held separate media gatherings that only served to reinforce the notion that a lockout in December is a virtual certainty and Opening Day next March is in serious jeopardy.

Of all the major North American sports, baseball is the only one without a salary cap. The players and their union vow to keep it that way, and union chief Bruce Meyer said every proposal the owners make on every issue is contingent upon a salary cap. How, someone asked commissioner Rob Manfred, can the owners strike a deal if the union is entrenched against a cap?

“Re-thinking where you are is a really important part of trying to make a deal,” Manfred said. “It’s actually a skill in collective bargaining. It’s easy to say, ‘I’m here and I’m never moving.’ That’s not a particularly skilled approach to the process.”

That is perilously close to telling the other guy at the negotiating table how to negotiate. It’s also something you might say when you’re feeling pretty darn good that you’re going to win the negotiation.

“We have an unprecedented level of unanimity among ownership that it is something that we need to do,” Manfred said.

He wouldn’t say otherwise at this point, of course. The owners were unified in 1994, when they last demanded a salary cap. They didn’t win, and fans lost the final two months of the 1994 season and the first month of the 1995 season.

When the NHL got its salary cap, owners shut down the league for a full year. Would MLB owners forgo a year — or at least several months — of ticket sales and media revenue to get their cap? Would MLB players forgo a year — or at least several months — of their salaries to stave off a cap?

We won’t know the answer to either question until the spring, and until then a new collective bargaining agreement would require one side or the other to abandon its position.

MLB commissioner Rob Manfred speaks with the media before Game 1 of the World Series in Milwaukee on Friday.

(John Fisher / Getty Images)

That makes this year’s World Series something of a Rorschach test: Is a Brewers-Rays series proof that the system actually works just fine the way it is?

To Manfred, the answer is no. A series featuring two of baseball’s smaller markets is an anomaly when history shows a correlation between payroll and success, not only in the regular season but in advancing through the playoffs.

“It’s not that no small market can win,” Manfred said. “It’s just that it’s pretty rare.”

To Meyer, the answer is yes.

“It has nothing to do with what the Dodgers are doing,” Meyer said. “There is no reason whatsoever that the Pirates can’t do what the Brewers have done, or what the Rays have done.”

The Pirates, Meyer said, do not spend all the money they are allotted to sign draft picks. The Brewers, playing in baseball’s smallest market, might not routinely hand out free-agent riches, but owner Mark Attanasio said his team ranks “right in the middle” of the 30 teams in spending on baseball operations.

Attanasio publicly stumped for a salary cap here Friday, saying it would “help us compete but more importantly all of the other teams with lower payrolls too.” He said Brewers fans already fear it might take another 44 years to return to the World Series.

Said Meyer: “That doesn’t seem like a great way, with all due respect, to try and generate excitement among your fans.”

Meyer said this year’s series “undermines their argument” for what he called “the nuclear bomb of a salary cap.” He said the owners are uninterested in the union’s proposals for addressing competitive balance, including increased revenue sharing among owners and a tax against teams that fail to win consistently, and he alleged the league’s argument is “a charade” for what the owners really want: “to suppress salaries and gut player rights.”

The takeaway: Don’t book non-refundable airline tickets and hotel rooms for spring training.

On other topics:

— As The Times has reported, MLB is keeping an eye on federal investigations into Dodgers owner Mark Walter and his insurance empire, which is under scrutiny for allegedly violating laws designed to protect investors. Walter also is a defendant in multiple civil lawsuits filed by investors alleging fraud and breach of contract.

“As always when we have an investigation — external, law enforcement, whatever — we monitor that,” Manfred said. “That’s where we are right now. We’re just watching what’s going on right now.”

Over the past two months, amid efforts to find what could be more than $20 billion to recapitalize insurance funds, Walter has sold his controlling interest in the Lakers and a minority share of Chelsea, the English Premier League club. On Friday, Bloomberg reported he is seeking to sell the Sparks. He has no plan to sell the Dodgers, team president Stan Kasten has said.

— Meyer said the MLBPA continues negotiations with LA28 over how major league players would be accommodated in the 2028 Olympics. “As of now, we’re not getting satisfaction on those things,” Meyer said.

Both the league and the union say they want to participate in the Games, but Manfred said MLB would normally start preparing its 2028 schedule early in 2027. The league has agreed to an extended All-Star break to accommodate the Olympics, but MLB also could tire of waiting for the union to agree with LA28, which badly wants MLB players to participate.

MILWAUKEE — Milwaukee is going absolutely nuts. The Brewers have sold out Game 3 and Game 4 of the World Series.

The Tampa Bay Rays will host those games, but the Brewers invited fans to come to their stadium and watch on the big screen. The Brewers sold more than 31,000 tickets to each of their watch parties at $15 apiece. On Friday morning, StubHub offered them for resale, starting at $168.

There is nothing quite like a city uniting behind a team that never has won a World Series. Ask Logan Henderson.

Henderson, the Brewers’ starting pitcher Saturday in Milwaukee, grew up a huge fan of the Houston Astros. He was 15 when he saw his first World Series game.

“My parents had always said, if we were fortunate enough to be able to watch them go to the World Series, we’re going to do everything we can to get there,” Henderson said. “I was blessed that my parents got tickets to go to the games.

“There’s nothing like it. I’m on the other side of it now. I was a spectator and a fan, now I’m a player. It’s definitely surreal.”

Milwaukee Brewers pitcher Logan Henderson follows through on a pitch during Game 2 of the NLCS against the Dodgers in Milwaukee on Oct. 12.

(Robert Gauthier/Los Angeles Times)

His first World Series game as a spectator and fan? Game 4 of the 2017 World Series.

“I went to the one before the crazy one,” he said. “L.A. ended up winning that game.”

In the crazy one, the Dodgers blew two four-run leads, tied the score with three runs in the ninth inning and lost in the 10th.

If we knew then what we know now, Game 4 would be the crazy one: Dodgers pitcher Alex Wood constantly changing his signs, suspicious that the Astros might be up to something, whatever that might be.

Dodgers pitcher Alex Wood delivers from the mound during Game 4 of the World Series against the Astros on Oct. 28, 2017, in Houston.

(Pool / Getty Images)

Wood was vindicated three years later, when a league investigation revealed the Astros had been cheating in 2017, stealing signs from a television monitor next to the dugout and relaying them to batters by banging on trash cans. The practice, according to the report issued by commissioner Rob Manfred, was refined during the regular season and extended “throughout the postseason.”

The scandal outraged the Dodgers and their fans. The Los Angeles City Council voted unanimously to demand Manfred award the 2017 championship to the Dodgers. Their players wanted nothing to do with that. A real championship, after all, would come with champagne and beer in the clubhouse and a parade through the streets.

Still, the players did not turn the other cheek.

“Everyone knows they stole the ring from us,” Cody Bellinger said.

“They cheated,” Kike’ Hernández said. “They got away with it. They got a ring out of it.”

When the Astros’ team buses arrived at Dodger Stadium for games during the pandemic season of 2020, when ballparks were closed to the public, Dodgers fans gathered outside to boo.

Dodgers fans boo Jose Altuve of the Astros after he struck out in a game on Aug. 3, 2001, at Dodger Stadium.

(Luis Sinco/Los Angeles Times)

Those were Henderson’s guys inside those buses: Jose Altuve, Alex Bregman, Carlos Correa, George Springer, Lance McCullers Jr. Those were the guys that brought home the Astros’ first World Series championship, as Henderson’s Brewers are trying to do for Milwaukee.

“Personally, as a fan, Hurricane Harvey hit Houston really hard, and the Astros brought a championship to the city,” Henderson said.

“That meant absolutely everything to the city. I hope that means what it did for me to the fans in Milwaukee here.”

The Rays also are trying to bring their first championship home to Tampa Bay. In 2017, hard as this might be to believe today, the mighty Dodgers had not won a championship in 29 years.

And now, as a major leaguer, Henderson has an acute appreciation of the little things that can mean the difference between victory and defeat, between a parade and another plaintive chorus of “wait ‘til next year.”

It could be a pitcher that blows a throw he could make in his sleep, sending his team home for the winter. It could be a defense perfectly executing a seldom-seen play. It could be a ball that clanks off the roof and into play instead of flying into the stands for a home run.

It could be stealing signs and banging on trash cans.

“I would rather face a player that was taking steroids than face a player that knew every pitch that was coming,” Wood tweeted after Manfred’s report on the Astros’ cheating.

Henderson knows how hard this is to do. The Brewers haven’t appeared in the World Series in 44 years, and owner Mark Attanasio said nervous fans already are wondering whether their next appearance will be 44 years away.

So I asked Henderson if, all these years later, the scandal changed how he felt about those Astros.

He paused.

He exhaled.

He paused again.

“Maybe a little bit,” Henderson said. “It’s unfortunate. I try not to think about it or talk on it too much. I think now, being in the game, my perspective on it is a little different.

“I think for the kid in me — and the huge baseball fan I was — that team will always have a special place in my heart.”

Raise your hand if your group chat is still talking about “You Can See Everything.”

For anyone who has watched Nathan Fielder and Lance Oppenheim’s documentary about former Theranos CEO (and convicted felon) Elizabeth Holmes and her partner Billy Evans in the past week, every new think piece, funny meme, discussion thread or video parody about the film has been something to revel in. I’ve personally spent several hours messaging or speaking to friends and colleagues over the phone about the documentary, and it seems like a lot of people similarly can’t stop obsessing about it.

The film has sparked renewed interest not only in Holmes, but also in works previously released about her, including “Bad Blood,” written by John Carreyrou, the journalist who exposed Holmes and Theranos’ fraudulent practices, and Alex Gibney’s 2019 documentary “The Inventor,” which senior writer Greg Braxton rewatched and analyzed in the context of the new documentary. Also notable has been the resurgence of Hulu’s “The Dropout,” the 2022 limited series created by Liz Meriwether (“Furious”) that stars Amanda Seyfried — Variety reported this week that the series has seen a jump in viewership over the past month. And of course, there’s been lots of interest in Fielder; we’ve put together a guide to his work if you’re looking to understand him and his style.

But with all the attention on Holmes, Times culture critic Mary McNamara raises an important question: Why are we still so fascinated by Holmes, despite her track record as a con artist and fraudster? There are many answers to the question, but there’s no denying the public’s renewed fascination with Holmes, and now Evans as well.

However, if you prefer to think about lighter relationships that are less perplexing, NBC’s latest sitcom will do the job and remind you of what it’s like to be immediately swept off your feet. “Newlyweds,” starring Téa Leoni, Tim Daly and Jamie Lee Curtis arrives on NBC today. Curtis, who co-created the series, stopped by Guest Spot to talk about what inspired it and the recent changes behind the scenes.

Also in this week’s Screen Gab, our writers recommend a documentary about a saga surrounding one of the greatest hip-hop groups of all time and a cult-classic horror film that’s perfect for spooky season. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Tarik Azzougarh, left, and the RZA in Netflix’s “The Disciple.”

(Netflix)

“The Disciple: A Wu-Tang Fable” (Netflix)

In 2015, the only copy of the Wu-Tang Clan’s “Once Upon a Time in Shaolin” sold at auction for $2 million. The buyer was revealed to be hedge fund and pharma dirtbag Martin Shkreli, who infamously raised the price of an antiparasitic drug by 5,000% overnight and later went to prison for securities fraud. Joanna Natasegara‘s enchanting documentary “The Disciple” explores the long run-up to this Guinness Book of World Records event, and its aftermath, through the surprising, touching, funny and sometimes sad story of the album’s co-producer, Tarik Azzougarh, a.k.a. Cilvaringz. A Dutch Moroccan superfan whose freestyling and persistence earned him a place in the group’s auxiliary, it was Cilvaringz who first proposed the idea and brought it to fruition with Wu-Tang main man RZA — both a culmination and the beginning of an end. The film raises questions of art and ownership, friendship and business, creativity and capitalism, asking the questions who is music for, and what is it for. — Robert Lloyd

‘Highway to Hell’ (Tubi, Prime Video)

This is the perfect spooky-season flick to pop on when you don’t mind interruptions from trick-or-treaters or your buddy who treats movie night like an audition for “Mystery Science Theater 3000.” Directed by Ate de Jong (“Drop Dead Fred”), this 1992 comedy-horror cult classic stars Chad Lowe and Kristy Swanson as an eloping couple who take the wrong shortcut and wind up in Hades — basically, an even worse version of the drive to Vegas — where a young Ben Stiller works the roadside diner and Gilbert Gottfried plays Hitler. Every shot has a snort-worthy gag: a stop-motion Cerberus, a casino-bar called Hoffa’s, a cop whose handcuffs are literally a pair of severed hands. A flop at the time, “Highway to Hell’s” breakneck mix of smart and stupid was applauded by former L.A. Times film critic Kevin Thomas as “the Greek legend of Orpheus, revved up ‘Mad Max’-style.” Screenwriter Brian Helgeland would eventually win an Oscar for “L.A. Confidential.” Somehow, I never hear him brag about this goofy delight. He should. — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Jamie Lee Curtis as Claudia in “Newlyweds,” a sitcom she co-created and executive produces.

(Nicole Weingart / NBC)

Jaime Lee Curtis has been in showbiz for a very long time. And when she sets her mind to something, like returning to a sitcom, she’s going to make it happen.

“It’ll be 50 years next January that I have been a professional actress,” she says over a video call earlier this week. “It’ll be 50 years that I’ve been driving on the lot at Universal.”

Over the course of her long career, Curtis, 67, has developed a lengthy résumé in film and television, winning numerous accolades along the way, including an Oscar and an Emmy (she’s been nominated for a Grammy too — there’s still time for an EGOT). But she longed to return to a sitcom ever since wrapping her lead role on ABC’s “Anything but Love,” a series that premiered in 1989 and ran for four seasons.

While she’s had guest appearances and some recurring roles on sitcoms over the years, including on shows like “New Girl” and “The Drew Carey Show,” NBC’s “Newlyweds” was an idea she had gestated for years, and now it’s set to arrive as part of the network’s Friday prime-time lineup. The actor, who executive produces “Newlyweds” and has a recurring role, took some time to discuss how she came up with the idea for the show, her co-creator’s firing and the political thriller series she’s watching with her spouse, filmmaker Christopher Guest. — M.G.

Jamie, you co-created this series and it’s loosely based on your relationship with your husband, Christoper Guest. Tell me how it came about and how you wanted to tell that story in this show.

It was April 25, 2019. I was in New York City … I was in a car being driven by a man in his 60s in a suit with gray hair on his temples. We were chatting, as one does in the back of a car, and I asked him if he was married, and he said he was divorced. I said, “Do you have kids?” And he said, “No.” And I said, “Well, that’s the blessing that you know you’re not dealing with divorce and children, which I’ve dealt with a lot.” And he then said, “But my new wife.” In that second, I went, “Oh, my new wife.” That’s a sitcom about people in their 60s hooking up, similar to the way my husband and I met, which was we met and married very quickly. And in fact, we would have gotten married had we gone out on our first date. We have said we would have gone and gotten married that night. So the idea popped in my head: What happens if two people in their 60s get married on a whim, and decide to just throw caution to the wind and go for it? What happens to the families and the friends and their own lives and the very routinized lives that they had led leading up to that moment? I knew it was a sitcom.

It wasn’t until years later I was put together with Gail Lerner, and we — during COVID actually — started working on the idea. But much of what’s in that script was kind of what happened to me and my husband … it’s something that’s been around for a while, and I’m just really excited finally that it has turned into this version, “Newlyweds” starring Tim and Téa.

Let’s talk about Tim and Téa. They’re the newlyweds, but they’re also married in real life. What was it like playing off their dynamic and vice versa?

When the pilot got picked up, … it was what they call “cast-contingent,” which means they like the idea, but they want to make sure that the right person gets in … so they wanted us to find Jeanie first, and it was a very short list of actresses they would bank a show on. Téa, luckily, was one of those actresses and had been looking for something on the lighter side. … and it so happens she’s married to a guy IRL who happens to have a lot of experience in the comedy space on TV shows, and all of a sudden we were like, oh, wouldn’t that make a kind of fantastic bit of pairing.

What do you think we’re going to learn about Claudia? She seems so liberated, but we’ve only seen the surface. She’s got a soft spot for Jeanie and even James.

I think you’re gonna see, in fact, that she becomes not just a foil but a friend. I feel like her acceptance of Jeanie … we’re going to mine it for its comedy. I mean, I think at the end of the day, she will always shake things up because that’s just her nature. We get to meet Claudia’s mother. I can’t tell you because we haven’t announced it yet, who plays my mother. I can tell you that she’s over 90.

You’re going to have me Googling.

We get to see a little bit of the oak tree and the acorn. We definitely get the snarky oak tree and the snarky acorn.

I want to come back to your co-creator Gail Lerner, who was recently dismissed from her role as showrunner, and has been replaced with Bruce Helford. Regardless of the news, she has called it “the most joyous TV experience of her life.” How are you and the cast moving forward after these changes?

Well, you can imagine it was a bummer. You know, network television has a whole series of requirements, way beyond … my little creative ideas. It has to do with management of scripts and the amount of early drafts of things, and it’s required within a network structure. And to run a show on television, and to consistently run a show, is a different animal than just the creativity that it takes to think of a show or to develop a show. That’s why Bruce has stepped in very quickly because Bruce has proven over and over again that he’s a guy who can make 100 episodes of a show with a much bigger worldview.

It was beautiful that Gail said the very things she said because we all felt that way too. It was joyous, fun, but there were a lot of things that were way beyond my understanding. What I’ve come to learn, I’m 67, is that creativity is a continuum. That it is not rigid and binary. That I had an idea that then Gail took and built on that idea, and now Bruce has come in and taken Gail’s idea … and is building out another version of the show.

Bruce Helford was the second in charge at the TV show “Anything but Love” when I did it back in the day, so I’ve known him.

So y’all are back together.

The only other time I was ever on a sitcom was “The Drew Carey Show” when Bruce Helford wrote me a part of this crazy hairdresser who … goes on a date with Drew Carey and ends up doing bungee jumping with him on the date. It’s a funny continuum for me to be back with Bruce, who weirdly enough was the actual first person I called when I had the idea [for “Newlyweds”]. I called Bruce because I knew him as a showrunner for sitcoms. We talked about it very briefly, and then he went off to something else. I went off to something else, and it kind of fell apart. So it’s slightly weird to me, and beautiful in that way that the person I actually called when I had the idea is now the one running the show.

It’s a full–circle moment.

Completely full-circle moment.

Has Christopher seen the show? What does he think?

I will say this: Christopher Guest is not a sitcom fan. You know, my husband is a very specific person and makes very specific, very funny movies and television shows. [Sitcoms are] not the thing that he is drawn to. But he genuinely understands that I’ve wanted to do a sitcom for a long time.

Because it’s spooky season right now, and you’re one of the OG scream queens, I have to ask you: Do you watch anything in that vein?

So I’m boring because the truth is, I don’t like scary things. I don’t like scary movies. I have zero interest in scary movies, and I think if someone ended up doing some analysis of me as a human once I’m dead, they would understand that actually my natural fear of scary things is what, in fact, made me such a good actress in them, and I don’t pretend to like them. I like the fans of [scary movies] because there’s a passionate group of people that love them. But I don’t have to love the movies, I just have to love what I do.

Is there anything else you’re watching right now?

My husband and I just started watching the [fourth] season of “The Diplomat” [Netflix], which the writing is so great. Last night we watched an episode written … by Peter Noah, who was the guy who took over “Anything but Love” … and was the showrunner. This episode last night [Episode 4, “Pagliacci”] was what Chris and I watched, and I wrote to Peter last night to say, “Bravo, bravo! Oh, the writing is so gripping.” Of course the writing leads the performances, which lead the filmmaker. It’s always the writing.

ICYMI

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South Africa storm back to crush Australia by an innings in the second Test and level the series 1-1 with one to play.

⁠South Africa bowled out Australia for 295 to win by an innings and 31 runs in the last session of the second Test at St George’s Park in Gqeberha on Thursday to level the three-match ⁠series, winning a race against looming bad weather.

The hosts’ pace trio of Wiaan Mulder, Kagiso Rabada and Marco Jansen took the last four wickets required as Australia’s resistance crumbled after a century from Travis Head and a doggedly defiant Test high 40 by ⁠nightwatchman Scott Boland.

Mulder, who earlier dismissed Head, then bowled Boland and castled Australia captain Pat Cummins to forge a breakthrough, with Rabada dismissing Mitchell Starc and Jansen finishing off the innings with Josh Hazlewood caught in the slips.

A result in the Test seemed far-fetched when most of the first two days’ play was washed out and South Africa, who were 110-6 when the sun came out on the ‌morning of the third day, looked in early trouble as Australia aimed to capitalise on their success in the first Test.

But a brilliant 179 runs from skipper Temba Bavuma led a fightback that saw South Africa declare on 425-9 and then turn the Test on its head by bowling Australia out for 99 and putting them in to bat again.

Head and Boland had resumed on 156-4 in the second innings after rain returned and wiped out the morning session and Head, who was 87 overnight, went on to score 121 before chopping onto his stumps a rising delivery from Mulder.

It was Head’s 13th Test century but only his second outside Australia, and his departure offered the home bowlers hope ⁠again after almost 90 minutes of frustrating attack without success at the start of the day’s action.

“We were scrambling a bit, not sure about the weather and Australia made us work hard for those last six wickets,” said Bavuma.

Steve Smith, who battled with a neck problem in the first innings on Wednesday, ⁠made three as he came in at number seven.

The former captain was tempted into pulling a delivery from Rabada, bowling with the second new ball, but only got a top edge to ⁠Matthew Breetzke, who juggled it at mid-wicket before holding the catch.

Boland, who batted for ⁠166 balls as he put a high price on his wicket, went soon after tea, when he was bowled through the gate. Then Cummins (4) played down the wrong line and was also clean bowled in Mulder’s next over.

When Rabada came back for a fresh spell as dark clouds loomed ominously overhead, he immediately ‌bowled Starc (11), leaving one wicket to get, which Jansen snagged as Hazlewood showed no sign of sticking around and nicked behind the first ball.

Alex Carey, who lasted only two balls in Australia’s first innings, was 37 not out, with Rabada taking 4-77 on his ‌return ‌after a lengthy injury layoff, and Mulder 3-64.

“I thought we showed some good fight, but it wasn’t quite enough. We were a long way from our best,” said Cummins.

The last Test at Newlands in Cape Town starts on Tuesday.

Second Test, Gqeberha (day five of five)

South Africa 425-9 dec: Bavuma 179, Jansen 85; Boland 5-81

Australia 99 & 295: Head 121; Rabada 4-77, Mulder 3-64

South Africa won by an innings and 31 runs

Scorecard

South Africa broke Australia’s resistance in the final session to complete a famous victory in the second Test and set up a series decider in Cape Town.

Travis Head made 121 for Australia and Scott Boland survived 166 deliveries for 40 runs in an attempt to escape Gqeberha with a draw – the tourists’ hopes also boosted by the first session being wiped out by rain.

But the Proteas stuck to their task to take the six wickets needed to win by an innings and 31 runs as the light faded late on the last day.

Premier paceman Kagiso Rabada finished with 4-77 while Marco Jansen, whose 5-33 on day four put South Africa in the ascendancy, took the final wicket as Australia were dismissed for 295.

But all-rounder Wiaan Mulder also played a crucial hand, bowling with accuracy and finding movement off the pitch to dismiss Head, Boland and Australia captain Pat Cummins.

Some of South Africa’s great Test wins have come against Australia – notably in the last World Test Championship final two years ago and a Test on this ground in 2018 in the infamous Sandpaper series. This must surely rank highly among them.

They were heavily beaten in the first Test in Durban and when 40-4 and 110-6 in their first innings of this Test, there appeared only one winner in this series.

Instead, the contest has been turned on its head by Bavuma’s epic 179 and South Africa twice dismissing Australia, setting up a tantalising finale in Cape Town.

The third Test begins on Tuesday.

ATLANTA — Angel Reese had 21 points and 12 rebounds to help the Atlanta Dream beat the Golden State Valkyries 97-71 on Wednesday night and take a 2-1 lead in the best-of-seven WNBA Finals.

Rhyne Howard added 16 points and Naz Hillmon had 15 for the Dream, who host Game 4 on Saturday.

It was the second straight strong game for Reese, who had 30 points and 16 rebounds in Game 2, which the Dream also won for their first victory ever in the Finals. She now has a double-double in each game of the Finals.

“It feels good when you’re in the Finals. It’s a long season and you play against everybody and go through and push through, but when you can do it at the highest level, this is what you live for, this is what the offseason is for,” Reese said. “I put the work in for this moment and I’m just happy I could lead the team to a win. We’re feeling good going into Saturday.”

With the score tied at 49 in the third quarter, Atlanta scored eight straight, including four by Reese. Golden State got within 59-55 on Tiffany Hayes’ layup, but could get no closer as Atlanta closed the quarter scoring 12 of the final 14 points.

Atlanta has dominated the third quarter so far in the series, outscoring Golden State 63-35 in the three games.

This game was originally scheduled to be played on Thursday at the Gateway Center Arena, where the Dream play most of their home games. The league was able to work with the Atlanta Hawks and State Farm Arena to play the next two games of the championship series there so that they could have a much bigger crowd. Gateway seats 3,500 fans while State Farm Arena can seat more than 17,000.

Wednesday night’s game was sold out, as is Game 4 on Saturday, which will also be played at State Farm Arena.

The World Series is upon us, and this one should be a delight: The team with the best record in the National League, the Milwaukee Brewers, against the team with the best record in the American League, the Tampa Bay Rays.

The players are about to take baseball’s grandest stage. Yet this has somehow become a strange national obsession: not how Jacob Misiorowski or Junior Caminero might shine in the series, but how many people might watch it.

Should you care? Not really. Have you ever thought about watching a World Series game and thought, “Hmmm, let me consider what the ratings might be before I decide to tune in?”

Major League Baseball cares, of course, because its owners count on billions of dollars from the sale of television rights, and those rights are worth more money when more people watch the games. And, since the fog of a collective bargaining war has enveloped the sport, the ratings make for an intriguing subplot in the World Series.

This World Series is what owners say they want: less of, say, the Dodgers and the New York Yankees, more of teams from smaller markets that seldom advance through the playoffs, if they even get there. Neither the Brewers nor the Rays have won a World Series.

Yet the ratings for the Dodgers-Yankees World Series in 2024 almost doubled those for the Arizona Diamondbacks and Texas Rangers in 2023, and this year’s ratings should be much closer to 2023 than 2024.

So, in a sport that already generates the majority of its broadcast revenue in national rather than local packages, amid the collapse of regional sports networks, are the owners taking a risk of making less money on the World Series?

Fox currently airs the World Series as the jewel of a seven-year, $5.1-billion deal that expires in 2028.

Ed Desser, a Santa Monica-based consultant who launched NBA TV and helped negotiate the Dodgers’ record SportsNet LA deal, said the value of a World Series featuring teams such as the Dodgers and Yankees goes beyond the large audiences they command because they play in large markets.

“It’s commonplace for people to hate the Dodgers, hate the Yankees — and, to some extent, that’s good for business, because it’s another rooting interest. Anything that gets people to focus their attention is good,” Desser said. “It’s easy to hate a team that’s in a glamorous place and spends more than almost anybody.

“I’m not sure that anybody has an ax to grind against the Rays or the Brewers. Sports is about passion.”

That said, neither Desser nor Bob Thompson, the former president of Fox Sports Networks, believes MLB is setting itself up for a big fall in revenue from the Fall Classic.

For Fox — and whatever other bidders might emerge come 2028 — ratings would be important, but not as much as you might think.

“Does expected audience matter? Of course,” Desser said. “They’re in the media business, and the way you monetize is by selling subscriptions to your channel and selling advertising.

“But, typically, you’re taking a much longer viewpoint. You’re making a deal that might be five, eight, 12 years. When you do that, you have an expectation that some teams get better, some teams get worse, sometimes you get a large market, sometimes you get a small market. It kind of evens out.”

This is the fifth season of the current Fox contract. The 10 World Series berths have been spread among nine teams, with the Dodgers appearing twice.

To a broadcast outlet, Thompson said, financial success in the World Series is not just about ratings.

“It’s about how good the matchup is and how long the matchup goes. The bulk of the advertising is sold up front (before we know the teams),” Thompson said. “Ratings for the series aren’t going to be a huge deal, unless you’re selling time in, say, Game 6 and Game 7, where you can really be jacking your rates.”

Last year’s Dodgers-Blue Jays World Series extended to seven games, attracting viewers amid a dramatic finish and ultimately getting a higher rating than the 2024 Dodgers-Yankees series, even though Canadian viewers weren’t included in that Nielsen count. The Dodgers-Yankees series lasted five games, and the Dodgers beat up on the Yankees when the Yankees weren’t beating themselves.

Even if the World Series itself might be worth less with more lower-profile teams competing, Thompson said MLB could include it as part of a larger package, or dangle it as an incentive for streaming outlets or other new bidders.

He also noted that the latest MLB collective bargaining proposal calls for fewer regular-season games and more postseason games.

“Playoffs are going to get you a premium over regular-season games,” Thompson said.

And, to the extent that postseason ratings might be in decline, ratings for everything — sporting events, awards shows, news shows, dramas, comedies, you name it — are in decline. Only the NFL is immune to lower ratings.

“Big events matter more than they used to, even with smaller audiences,” Desser said. “The World Series is still a big event, and there is a premium for that.”

The three most-watched shows on broadcast television in the week of Oct. 5-11, according to Nielsen: Sunday Night Football (Atlanta Falcons vs. Baltimore Ravens) with 17 million viewers; SEC Football (Alabama vs. Georgia) with 12 million viewers; NLCS Game 1 (Dodgers vs. Brewers) with 11 million viewers.

The top entertainment show that week: Tracker (CBS), with 7.4 million viewers.

The owners will make their money on the World Series, one way or another.

“Even at a lower expectation for audience, there is still going to be that value,” Desser said. “It’s one of the biggest things happening in October.”

Actor Jason Segel and dancer-actor Kayla Radomski are officially husband and wife, tying the knot three years after striking up a romance.

The pair married over the weekend, Radomski confirmed in a series of photos and videos she reposted Monday to her Instagram stories. Segel and Radomski reportedly married Saturday at the Huntington in San Marino, according to People.

A representative for Segel did not immediately respond on Tuesday to a request for confirmation.

The photos Radomski shared to her Instagram page show herself donning a white, strapless gown adorned with a pink and green floral pattern. One photo that Radomski reshared to her Instagram stories shows Segel in a deep burgundy suit, walking hand-in-hand with Radomski.

“Shrinking” star Segel and “So You Think You Can Dance” alumna Radomski were first spotted together in October 2023 during a date night at Universal Studios’ Halloween Horror Nights. They finally debuted their relationship at the 2024 Golden Globe Awards, when Segel was nominated for his work in the Apple TV series. The now-newlyweds continued to hit the red carpet at several other Hollywood events including the 78th Primetime Emmy Awards in September and high-profile parties.

“Nothing makes me happier than to stand by your side and see your light shine so bright!!!” Radomski said of Segel in an Instagram post in October amid the Season 2 premiere of “Shrinking.”

In June 2025, Radomski revealed that Segel popped the question and shared photos from their outdoor proposal. For Radomski, it was a “FOREVER YES.”

ST. PETERSBURG, Fla. — Freddy Peralta threw 5⅓ gritty innings, Junior Caminero and Yandy Díaz each hit a two-run homer and the Tampa Bay Rays beat the Cleveland Guardians 7-3 in Game 6 of the American League Championship Series on Monday night to advance to the World Series for the third time in the franchise’s 29 seasons.

The Rays will face the Milwaukee Brewers in the first matchup in which both teams are seeking their first World Series title since 1980, when the Philadelphia Phillies beat the Kansas City Royals.

Game 1 is Friday night in Milwaukee.

The loss thwarted Cleveland’s chance at a World Series championship, extending its drought to 78 years.

On the 18-year anniversary of their first AL pennant in 2008, the Rays jumped ahead 2-0 in the second inning on Richie Palacios’ two-run double and clinched it with closer Bryan Baker on the mound.

The Guardians wouldn’t give up and had the go-ahead run at first base in the eighth when Kevin Kelly struck out Brayan Rocchio to leave the bases loaded after two runs scored.

Peralta allowed one run and five hits to earn his second win in the ALCS in his third appearance. He threw six scoreless innings to win Game 2 and got two outs in relief in Game 4.

A sellout crowd of 40,230 fans waved yellow-and-blue rally towels, rang cowbells and chanted “Let’s go Rays!” throughout the night at Tropicana Field, which needed major renovations after Hurricane Milton shredded the roof two years ago and caused extensive damage throughout the stadium.

The Rays played their 2025 home games across the bay in Tampa at the New York Yankees’ spring training complex, got new ownership before this season and secured a new stadium deal to be ready in 2029 near the NFL’s Buccaneers. They returned to the Trop to win 55 games in the regular season. Only Milwaukee had that many home wins this year.

After sweeping the Yankees in the AL Division Series, the Rays fell behind the Guardians 0-1 and 1-2 in this series before taking three straight games.

Caminero gave Tampa Bay a cushion with his first career postseason homer in the seventh inning. The two-time All-Star sent a drive off the left-field foul pole to give the Rays a 5-1 lead, becoming the first player to go deep on a splitter by All-Star closer Cade Smith.

Caminero turned around before reaching first base, looked toward his dugout and pounded his chest with both arms, cupped his ear rounding second to hear more cheers, stopped before reaching the plate, pointed into the stands and crossed his arms before reaching home.

Caminero hit 42 homers in the regular season but needed 33 at-bats to get his first in October.

The Guardians answered against Tyler Wells and Ian Seymour by loading the bases on two singles and a walk with two outs. Seymour walked Patrick Bailey to force in one run and hit Angel Martínez with a pitch to force in another. Kelly entered and fanned Rocchio on three changeups.

Díaz, who guaranteed a Game 6 victory when speaking through an interpreter on Sunday, gave the Rays a four-run lead with a two-run shot off Hunter Gaddis in the bottom of the eighth.

Caminero led off Tampa Bay’s second with single off opener Shawn Armstrong, who took the loss in his second start in three games. Left-hander Tim Herrin replaced Armstrong. Chandler Simpson reached on a fielder’s choice and stole second before Victor Mesa Jr. walked. Simpson advanced to third on Jonny DeLuca’s flyout to center. After Mesa stole second, Palacios looped a double to right-center for a 2-0 lead.

Armstrong, who was the opener in Game 4, faced the first four batters, becoming the first pitcher in postseason history to start a game after pitching both of the previous two days.

DeLuca’s sacrifice fly off Joey Cantillo made it 3-0 in the third but the Rays missed an opportunity to break it open with more runs after they loaded the bases with no outs.

Nathaniel Lowe’s RBI single in the sixth drove in Cleveland’s first run.

THINGS look like they’re about to get tense for Princess and Junior Andre in a first look at their mission on Celebrity Race Across The World.

The offspring of Peter Andre and Katie Price jetted off to take part in the BBC series at the start of the year, and the show will return to screens next week, on October 28.

But in preview images from the show, Princess, 19, and Junior, 21, look to have their work cut out for them.

Geared up in t-shirts and trainers, brandishing massive green backpacks, the pair are seen in the snaps looking stressed out as they face the TV challenge.

Branded “the wildest race yet” by the show’s producers, the siblings are pictured poring over a map and a compass, working out which direction they’ll need to head.

The pair will start their race in Kuching, in the Malaysian state of Sarawak in North West Borneo, and attempt to navigate their way to the final destination of Melbourne, Australia.

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Despite their pop star dad Peter hailing from Down Under, the brother and sister team don’t look too sure about making the nearly 3,500 mile voyage.

The siblings will compete against singer-songwriter Ella Eyre and her childhood friend Nana, veteran sports broadcaster Jeff Stelling and his son Matt, and musician Sam Ryder with his best friend and tour manager Kaz.

Bosses rushed to sign up the pair after the success of ITV2’s The Princess Diaries, which featured influencer Princess and her big brother, who is taking after Peter’s footsteps with dreams of a singing career.

A source said earlier this year: “Princess and Junior have proven themselves to be well-mannered, hardworking kids and opportunities continue to come their way.

“Execs were impressed with the ratings for The Princess Diaries but also how they came across.

“They’re brilliant signings for Celeb Race as they bring with them a younger audience.

“But bosses are also looking forward to seeing how they cope with the stripped-back style of travelling as they’re more at home in five- star hotels than a hostel.”

Junior and Princess left London to start work on the show in February, amid the start of the controversy surrounding their mum Katie’s whirlwind wedding to Lee Andrews.

Now, eight months on, the marriage has fallen apart, with Katie bracing herself for a complicated divorce in the wake of Lee’s conman behaviour and stint in jail.

Fans of the famous offspring will be able to chart Junior and Princess’ mission when Celebrity Race Across The World returns to iPlayer and BBC One next Wednesday.

Jon Stewart has signed a new deal that will keep the comedian at his weekly perch on Comedy Central’s “The Daily Show” through 2028.

Skydance Television, which owns Comedy Central, announced Monday that Stewart will remain as a once-a-week host and serve as executive producer in a deal that takes him through the 2028 presidential election.

“Jon Stewart is a generational talent and The Daily Show continues to be one of the most influential franchises on television and a cornerstone of Comedy Central,” George Cheeks, Co-Chair and Chief Content Officer, Skydance TV, said in a statement. “We are excited to continue our partnership with Jon and his award winning news team.”

Tuesdays through Thursdays will continue to be handled by “Daily Show” regulars Ronny Chieng, Josh Johnson, Jordan Klepper, Michael Kosta, and Desi Lydic.

Stewart is a signature talent for Comedy Central, which also the home of the long-running animated series “South Park.” The channel needed to retain its biggest names to keep the channel valuable to cable and satellite TV providers who pay to carry it.

Stewart first became “Daily Show” host in 1999, and tuned the satirical news program into an important voice in the national discourse. He stepped away in 2015 when he was among the highest-paid performers in the TV business.

Stewart had a production deal with HBO and hosted a series for Apple TV, “The Problem with Jon Stewart,” before rejoining “The Daily Show” in 2024 to host on Monday nights. He signed a second one-year deal in November that was set to expire at the end of this year.

While President Trump has attacked network late-night hosts who are critical of him, he has never gone after Stewart in any of his social media rants during his second term. Comedy Central is a cable network not subject to Federal Communications Commission authority, unlike Stewart’s late-night cohort Jimmy Kimmel, who appears on ABC. Both Trump and FCC Chairman Brendan Carr have threatened to pull Kimmel off the air.

Late-night TV is struggling overall as a genre due to younger viewers moving away from traditional TV to streaming, “The Daily Show” has continued to have a strong following. The program hit an eight-year high in viewing during the third quarter of 2026 according to Nielsen data. Comedy Central said the program has accrued 1.6 billion views across social media in 2026.

Skydance got out of the broadcast network late night business when it cancelled “The Late Show with Stephen Colbert.” The company said the program was losing $40 million a year. It replaced with “Comics Unleashed,” a non-topical comedy show from media mogul Byron Allen, who leases the late night hours from the network.

Television critic Luke Eccleston is back with three Netflix series he claims are ‘must-watch’ and are worth the cost of your subscription to the streaming service alone

Netflix subscribers are “wasting their accounts” if they’re yet to watch three particular series on the streaming platform, according to one TV critics. Luke Eccleston, who is known for sharing top TV recommendations online, claims the shows are “must-watch” and one is among the “most underrated” out there.

There are more than 6,000 titles available on Netflix in the UK and Ireland – including around 2,000 TV series – so it’s no wonder choosing what to watch next can prove quite daunting. Thankfully, Luke is on hand with three recommendations he assures will have you captivated.

1. Dept. Q

First on Luke’s list is the thriller series, Dept. Q. “Now this is an investigative, psychological thriller which follows after an incident where a man ends up seeing his friend paralysed and another police officer killed,” he explained.

The man ends up being placed onto cold cases permanently, according to Luke, who says you will be “on the edge of your seat from start to finish” as the drama unfolds. “I guarantee you will absolute love it,” he added.

Starring Matthew Goode, Chloe Pirrie, and Jamie Sives, Netflix synopsis states: “A brash but brilliant cop becomes head of a new police department, where he leads an unlikely team of misfits in solving Edinburgh’s cold cases.”

Midnight Mass

Next on Luke’s list is a “much more well-known” show, but one that seems to pass many people by. “Midnight Mass is one of the best shows you will ever see,” he declared.

Luke described the series as a “gripping horror” that follows life on a tiny island that sees a man return with a “special box” with something inside it that haunts an entire town. “I promise you will love it, so make sure you don’t miss this one out.”

Midnight Mass stars Kate Siegel, Zach Gilford and Hamish Linklater, with Netflix stating of the plot: “The arrival of a charismatic young priest brings glorious miracles, ominous mysteries and renewed religious fervor to a dying town desperate to believe.”

American Primeval

Luke described the last series on his list as a “brutal old-fashioned Western”, meanwhile. “It’s called American Primeval and follows a mother and son who have to flee their past across America in a haunting and desolate landscape.”

The critic closed by claiming that everyone he knows that has seen it “absolutely loved it”. He added: “So make sure you see this one right now.”

Netflix describes the drama: “A mother and son fleeing from their past form a found family while confronting a harsh landscape of freedom and cruelty in the American West.” The series stars Taylor Kitsch, Betty Gilpin and Dane DeHaan.

Responding to Luke’s suggestions, one viewer exclaimed: “Dept Q is brilliant! Can’t wait for season 2.”

A second person praised: “OMG American Primeval is 10/10.”

A third TikTok user added: “Midnight Mass is massively underrated.”

While a fourth agreed: “Midnight Mass is excellent, slightly slow burn the first couple episodes but stick with it and I promise you won’t be disappointed.”

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People looking for a gripping TV drama to watch have been recommended a BBC show that is leaving people ‘hooked from start to finish’. The programme features stars such as David Tennant and Stephen Graham

Deciding what to watch next has become a daily headache for millions of British viewers, thanks to the sheer volume of streaming platforms now available, including Netflix, BBC iPlayer, Disney+, Amazon Prime Video, and Apple TV+. But one influencer is on a mission to make that choice easier by sharing his top TV and film picks online. EccyReviews’ is the online handle of Luke Eccleston, a well-known UK-based content creator and self-proclaimed “TV fanatic” who regularly shares his must-watch television recommendations with his 5,000+ followers.

In one of his most recent posts, Luke put forward a TV suggestion for anyone “looking for a gripping new TV drama series to go and watch right now”.

He added: “You’ll be completely hooked from start to finish.”

The show in question is BBC prison drama Time. “Season 3 just dropped on BBC and I’ve binge-watched all three episodes and it is my favourite season by far,” he said.

Time is a critically acclaimed, BAFTA award-winning BBC series penned by celebrated British screenwriter Jimmy McGovern.

Each three-part series shines a spotlight on a different setting and ensemble cast within the UK criminal justice system, exploring themes of guilt, punishment, redemption, and institutional failings.

Season 1 centred on Mark Cobden (Sean Bean), a former teacher consumed by guilt after accidentally killing a man while drink-driving, who is subsequently sentenced to four years behind bars. It also features Eric McNally (Stephen Graham), a principled prison officer attempting to safeguard the inmates in his charge.

When a dangerous prisoner uncovers Eric’s weakness, he faces an excruciating decision between his professional obligations and his loved ones.

Series 2, meanwhile, relocated the action to a women’s facility, Carlingford Prison. It follows three women who arrive on the same day: Orla (Jodie Whittaker), a mother who tampered with her electricity meter; Kelsey (Bella Ramsey), a pregnant young drug addict; and Abi (Tamara Lawrance), a woman serving a life sentence carrying a tragic secret.

Compelled to share a cell, they forge an unlikely alliance to endure.

The most recent season, which recently dropped, has shifted attention to a Young Offender Institution. The narrative examines young men ensnared in the justice system following a tragedy, grappling with prison overcrowding and institutional collapse.

This instalment is fronted by David Tennant and Siobhan Finneran, who returns to her recurring role throughout the anthology as prison chaplain Marie-Louise O’Dell.

Since each season presents a self-contained narrative with a different principal cast, viewers can jump into any series without prior knowledge, though chaplain Marie-Louise serves as the connecting element throughout all three.

Discussing the latest series, Luke tells viewers: “I was gripped from start to finish and all the performances are brilliant.

“I guarantee that you will absolutely love this show.”

The recommendation proved a massive hit, with the post amassing more than 7,000 likes.

One person wrote: “Watched it all tonight – best thing I’ve watched for ages. Very violent and very sad. The writer spent a lot of time in these youth offenders prisons and was horrified at the conditions, it was all based on truth.”

Another added: “I have just started watching it, it’s brilliant very gripping.”

While a third added: “Totally hooked from the start! Talent is incredible.”

All series of Time are available to stream on BBC iPlayer now.

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As the nation hurtles toward a pivotal and divisive midterm election, it’s fair to wonder if people on opposite sides of the political spectrum will ever be able to again live peacefully as neighbors, to talk, and especially listen, to each other.

It’s a question co-directors Robert May and Barry Levinson and producer Jason Sosnoff set out to answer in the aftermath of the insurrection at the Capitol on Jan. 6, 2021. It led to their five-part docuseries, “Bucks County, USA,” now on streaming on PBS.org and the PBS app, that unfolds across four years in a suburban Pennsylvania county being ripped apart by vicious school board battles poisoned by partisan personal conflicts. (The finale streams Sunday, and the full docuseries will air Oct. 29 on SoCal PBS.)

“We don’t pay enough attention to one another,” Levinson says. “We just say, ‘I’ve formed my position and I’m locked into it’ and we don’t share enough interaction where we can discuss things. Democracy requires interactions, and if we cannot find a way to find common ground, that’s my big worry.”

The series shows how Paul Martino spent a fortune supporting Republican candidates who supported reopening schools quickly after the height of the pandemic but then, more contentiously, turned their attention to the culture wars. They focused on what was being taught in the classrooms and stocked on the shelves in the school libraries, leaving teachers feeling attacked and Black families and LGBTQ+ students alienated and ostracized.

“It’s unexpected how something like that can accelerate into such a contentious situation,” Levinson says, “where well-educated people in a wonderful community can’t figure things out.”

May says national polarization is poisoning the atmosphere locally. “It became a life-or-death battle in the name of their kids, but they both felt their children would be mercilessly mistreated if they didn’t do something to save them from the other side.”

An aerial view of Bucks County, Pa., the community at the center of Robert May and Barry Levinson’s docuseries.

(SenArt Films & Baltimore Pictures)

The filmmakers followed the heated battles as people in the divided community resorted to screaming and name-calling. It frequently plays like a fun house nightmare version of “Our Town.” That’s true even of their version of the play’s Stage Manager. Two teenagers, Evi Casey and Vanessa Martino, Paul’s daughter, guide us through each episode. While the girls are best friends, Evi’s liberal mother and Vanessa’s conservative father view each other as hostile opposition.

“I think the series does a good job of showing the political division and how it affects the kids,” says Casey.

The series opens with a school choir singing “What a Wonderful World” underneath a collection of residents telling us how they’ve been berated: “I’ve been called a pedophile.” “I’ve been called a Nazi.” “I’ve been called anti-American.” “I’ve been called a dyke and a groomer.”

But the series then gets to know people in depth, allowing for far more nuance than the contentious school board meetings.

“My hope was that people can take the time to at least have a deeper conversation with somebody who they think is doing harm to their community and try and understand it better, “ Sosnoff adds. “It starts with microchanges where somebody reconsiders the way they might harm somebody else.”

Katherine “Kitty” Good Semisch, a retired Bucks County teacher and a key figure in the documentary, says the series is perfectly timed for the midterms because of its efforts to humanize everyone. “Dehumanization and demonization lead to the worst outcomes, and this kicks out from under anybody the lazy position that the people on the other side aren’t human,” she says. “Everyone is just trying to find something that works for their community.”

Sosnoff originally approached Levinson with the idea of a project that would humanize both sides, but his original idea was to bring people together at a summer camp with a facilitator so they could get to know each other better. “Barry wisely said, ‘That’s more of a sociological experiment where you’re playing God,’” Sosnoff recalls. “He said, ‘Let’s focus on a seemingly idyllic small town, like in “Our Town,” and examine what happened and why.’”

They chose Bucks County, a purple county in a purple state. “It’s not a place of extremists but people were really inflamed,” Sosnoff says, noting that some people were reluctant to speak on camera. “The climate of fear was very much alive. It was a community in trauma.”

There are brawls over policy that lead to lawsuits, but the main drama is the 2023 school board election, where the Democrats hoped to reverse the Republicans’ 6-3 majority.

While May says he is offended by “people that don’t care about other people or their right to exist,” especially when it comes to LGBTQ+ rights, he emphasized that he resisted taking sides in the documentary. “When we don’t see people as human, that’s when you lose a society.”

Indeed, Sosnoff says that while it’s bad when people are marginalized and victimized by discrimination from those in power, they’d still edit episodes to keep everything balanced, occasionally saying, “We need to give conservative characters more screen time and understand their positions.” (He also says they grew to like everyone involved.)

At the center of the drama depicted in “Bucks County, USA” is a school board election and a community grappling with political division.

(SenArt Films & Baltimore Pictures)

May says he knows some viewers will be furious with this approach, but he hopes that if they watch all five episodes, they’ll get a full picture. “You can’t just see parts of it. You need to see in order,” May says. “People reveal who they are over the five episodes. There’s an extraordinary amount of nuance, but if somebody’s saying something stupid, we have that too.”

(And don’t mistake May’s efforts at evenhandedness for a lack of passion — the day after a 30-minute joint interview with Levinson, he called me back and talked, largely uninterrupted, mostly about bias and perceptions.)

Amazingly, most people interviewed from both sides in the community support the final version.

At the center of the action are Vanessa’s mother, Aarati Martino, who ran for school board as a Republican, and Paul, who poured hundreds of thousands of dollars into school board elections.

“Overall, I am pleased,” Paul Martino says now. “There’s some things I think don’t portray the facts exactly quite right, but they recorded 500 hours and you’re not going to love everything that’s on the screen. Everybody is represented in this film.”

Martino, who never really owns the impact of him using his fortune to try to elect cultural conservatives, says he’s been “unfairly attacked” and has become “a convenient boogeyman in some of the scenes. But I’m actually not even upset about that piece of the puzzle.” (What he feels is lacking is that in 2021 he says 30% of the 300 candidates he funded around the state were Democrats.)

And Donte King, whose family endures racism both subtle and blatant, praises the filmmakers’ attempts to humanize people with contrasting viewpoints, saying he was pleased with getting to tell his story. “It allows people to connect with you,” he says. “We might have different ideologies, but we’re more alike than we are unalike, so maybe somebody who votes blue will identify with someone who votes red and vice versa.”

The closest thing to a hero in the series may be Semisch, a liberal, who shows civic courage in her efforts to build bridges, meeting one-on-one with Vonna DeArmond, a conservative elementary school teacher, and organizing events like an ice cream social and a candle-making evening. (Martino also posted an online peace offering, saying he’d buy anyone from the other side drinks; Semisch was the only one to take him up on it, but several people interviewed, including May, say Martino’s unbending personality may explain the lack of response.)

Semisch wishes that May had fact-checked some of the misleading claims by the right, but she praises the series’ subtlety. “I understand people’s frustration, but they’re leaving it to the audience to sort out who’s making sense,” she says. “My side was advocating for more books in the library and for better training for teachers to navigate difficult topics. As you watch, it seems to me that the people on the other side aren’t making as much sense.”

Near the end of the series, there’s one sweet moment of coming together between Evi’s and Vanessa’s mothers and another moment of seemingly genuine outreach by one of the town’s conservatives to King. But there’s also plenty of acrimony and recrimination in the aftermath of the school board election and one final confrontation between King and Paul Martino at a roundtable that leaves little doubt that tensions are still simmering.

Still, May says, “I remain hopeful and optimistic because I’ve seen the humanity in all of them. I think things are better there now than when we started.”

Semisch, with DeArmond, will lead discussions about the series in Bucks County and May hopes others will follow suit around the country. He and Levinson hope that by strengthening local communities, it can eventually lead to stronger national bonds. “Maybe people can learn from them. Maybe this series is literally the beginning of a change.”

Sosnoff is a bit more measured in his final assessment, quoting a participant as saying, “We haven’t buried the hatchet yet, but it’s been put away in the closet,” he says. “I’ll take that as progress.”

Canada fight back to beat England 24-21 in Toronto in the opening match of the WXV Global Series, with Shoshanah Seumanutafa’s 77th-minute try ending the Red Roses’ unbeaten run, stretching back to the 2022 Rugby World Cup final.

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The hope for a Dodgers comeback in the National League Championship Series ended with the smack of the ball hitting leather.

Milwaukee Brewers left fielder Jackson Chourio, sprinting toward the warning track, had to leap to reel in Kiké Hernández’s line drive in the gap. But he secured the catch. And ended the Dodgers’ season.

The Dodgers’ hopes of making National League history with a three-peat died with a 6-4 loss to the Brewers on Thursday, completing Milwaukee’s four-game sweep.

“It sucked,” veteran left fielder Teoscar Hernández said. “Especially after [what] we had done the last two years. This year at the beginning of the year, what we’ve been through, a lot of injuries throughout the year the last two years, a lot of ups and downs. It just sucked that we’re in this situation, but it’s part of the game.

“Somebody has to win, somebody has to lose. This time, we’re the ones that lost, and just reflect on everything that we didn’t do great this year and just try to do it next year.”

As the Dodgers’ postseason hype video declared before the game: “October doesn’t remember who came close. It remembers who triumphs.”

The Dodgers, after reinforcing to their back-to-back championship roster in the offseason and entering the year as the World Series favorites, fell short. And instead the Brewers will represent the National League, making their first trip to the Fall Classic in 44 years.

“They may have a bunch of Hall of Famers, but we have a bunch of gamers,” Brewers manager Pat Murphy said from the stage. “And the gamers won this week.”

When the Dodgers went down 3-0 in the series, they faced a steep climb that only one team in MLB history has overcome. But the Dodgers showed resolve to begin the game.

Three singles in the second inning gave the Dodgers a lead, with Andy Pages driving in the first run. It was his third hit of the postseason with runners in scoring position and the Dodgers’ fourth overall. Then with two outs, Ohtani not only prolonged the inning but also made it the Dodgers’ highest-scoring frame of the postseason, with their first home run of the series.

It had been a maddening couple of months as Ohtani battled injuries, slid down the batting order and failed to produce when the Dodgers needed him most — in the postseason.

Then on Thursday, with the Dodgers on the brink of elimination, one swing momentarily wiped all that away.

Ohtani got his bat head down to a cutter from former Dodgers pitcher Dustin May on the inside corner. He lifted it into the stands for a three-run home run.

Ohtani turned to the Dodgers’ dugout, spread his arms wide and tossed his bat to the side. He tilted his face to the sky and yelled. He punched the air.

This was the version of Ohtani the Dodgers had sorely been missing. He announced his return with authority. And he breathed life into a stadium that had a crowd of only 49,104 — short of a sellout.

It was his first home run since Aug. 18. And it had been even longer since he’d hit a homer quite like that. With an exit velocity of 113.1 mph, it was his hardest-hit home run since June 20 and his third-hardest hit of the year, according to Statcast.

Even more important, it was the big swing the Dodgers had been waiting for all series.

“It was something that you don’t see very often from Shohei,” manager Dave Roberts said. “I think it was a lot of pent-up anger, frustration. It was the best ball he hit in probably two, three months, and it was a big hit. So I think that for him to look at the dugout, show that emotion, it just shows how much he cares. He’s still human. He still cares and wants to help his team win a baseball game. That was a big hit.”

Dodgers starter Tyler Glasnow kept the good vibes going, retiring the first 10 batters he faced. But the Brewers, as they had all series, had a comeback in them.

“We got a nice lead, we got Glas on the mound, we’re confident behind him,” third baseman Max Muncy said. “And they just kept stringing together one good at-bat after another after another after another. They were just kind of relentless.”

It began with one out in the fourth inning, as Brice Turang drew a walk, the first baserunner against Glasnow. Then William Contreras and Jake Bauers each bounced ground-rule doubles into the stands, Bauers’ driving in two runs to cut the Dodgers’ lead in half.

Shohei Ohtani strikes out with a runner on third during the seventh inning.

(Gina Ferazzi / Los Angeles Times)

The next inning, the Brewers used a walk, stolen base and David Hamilton’s RBI single to trim the Dodgers’ lead to one and knock Glasnow out of the game.

Right hander Evan Phillips replaced him and loaded the bases the rest of the way, before left-hander Alex Vesia entered to face Bauers, who had been a nightmare for the Dodgers this series.

Vesia walked Bauers on four pitches, tying the score at 4-4.

The Dodgers had lost their momentum, but they still had time.

Then, in the sixth, Dodgers setup man Tanner Scott took the mound early, at an inflection point in the contest. He worked ahead 0-and-2 in the count to Garrett Mitchell. But Mitchell spat on three straight balls to get to a full count.

Scott missed down the middle with a fastball. Mitchell sent it over the fence to give the Brewers the lead for the first time.

Even down by a run, Roberts continued to manage like he had hope, bringing in Edwin Díaz in the seventh to keep the game close.

The Dodgers’ offense got runners to third in three straight innings. In the sixth, Kyle Tucker hit a one-out double, and Teoscar Hernández moved him over with a groundout. In the seventh, Pages led off with a double, and Kiké Hernández bunted him over. In the eighth, with one out, Will Smith cut out the middle man by doubling into the right-field corner and advancing to third when Milwaukee’s Sal Frelick misplayed the carom off the wall.

The Dodgers stranded all three at third, failing to score the tying run.

“They just outplayed us this series,” first baseman Freddie Freeman said. “That’s just kind of how it goes. We had our opportunities. We just didn’t get it done.”

Díaz did his part to keep the Dodgers in the game, retiring eight straight batters. But the ninth batter he faced, Hamilton, hit a solo homer to add cushion to the Brewers’ lead.

“I wouldn’t want to go through this with any other group of guys,” Muncy said. “We really tried to do something special in this clubhouse, and I know next year we’ll be ready to get right back to it. But right now, this sucks.”

BBC sitcom Daddy Issues will come to an end after the third series has aired but not before a star-studded lineup of guest stars has joined the cast for its final outing

Daddy Issues will come to an end after the third and final series has aired, the broadcaster has confirmed. The BBC Three sitcom stars Aimee Lou Wood as Gemma and David Morrissey as Malcolm, following a pregnant party girl who moves into a flat share with her recently-divorced father.

The first series aired in August 2024, and a follow-up series was broadcast in August the following years but now the third run of episodes, which is currently being filmed in Stockport, will be its last.

But the programme, which is Danielle Ward and co-written with David Reed has confirmed a string of guest stars for its final outing. Men Behaving Badly star Neil Morrissey will be amongst those joining the cast, taking on the role of as Malcolm’s new friend Ellis.

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Shobna Gulati, best known as Sunita Alahan in Coronation Street and Anita in dinnerladies, will play new neighbour Odette whilst former Peep Show star Sophie Winkleman will play campsite owner Mary.

Sarah Hadland, best known for her role as Stevie Sutton in Miranda and for her Strictly Come Dancing stint, will be back as Rita, joining fellow returning cast members David Fynn as Derek, Taj Atwal as Cherry and Celebrity Traitors star Sharon Rooney as Catherine.

The new run of six episodes will focus on Gemma’s newfound set of calamities as she tries to settle into her new promotion at the salon whilst daughter Sadie thrives at nursery. Chaos ensues when the flat she still shares with her dad floods, and a new romance leaves her stuck in a web of lies.

Over the last few years, actress Aimee, who the BAFTA Television Award for Best Female Comedy Performance after making her screen debut in Netflix hit Sex Education, has enjoyed global success with US comedy drama The White Lotus.

Through her role as Chelsea, she earned Emmy and Golden Globe nominations. Aimee has also hosted an episode of Saturday Night Live UK, starred as Sally Bowles in the West End production of Cabaret and is due to appear in a string of Hollywood films including The Beatles, Anxious People, and The Idiots.

Speaking about the series coming back, Aimee shared nothing but excitement as she expressed her joy at being part of the comedy series.

She said: “I’m so happy to be back with David and the brilliant Daddy Issues cast for one final time. Gemma and Malcolm are one of the funniest and sweetest comedy double acts on TV, and I’ve loved being a part of it.”

Meanwhile, David Morrissey added: “I love doing Daddy Issues so much, such a great cast and crew! So I’m delighted to be coming back to have more adventures with Gemma, Malcolm and the gang!”

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