Unbeknowst to him, Rosa (Carolina Bécquer) is a true-crime obsessed barmaid who is eager to help when a murder unfolds closeby.
When a member from a Take That tribute band is found dead in a hotel pool, the police spring into action. However, Rosa doesn’t think they’ve got the right person and sets out to solve the case with Dennis.
Viewers were quick to comment on the new series, with many comparing it to Channel 5’s Good Ship Murder, reports the Express.
One person said: “#benidormismurder Is a carbon copy of #Thegoodshipmurder but I’ll persist with it!!”
Another replied, saying: “I love #TheGoodShipMurder so yeah #BenidormisMurder is worth sticking with.”
Sadly, not everyone was overjoyed with the opening episode as one viewer commented: “Thought I’d give #BenidormIsMurder a go, Take That, John Hannah….good mix! But no, it’s terrible! Sorry!”
While another added: “Another clichéd drama from #ch5. Predictable story, formulaic structure, poor script and poor acting. Just not interesting enough. Not for me.”
This week, John Hannah appeard on The One Show to speak about the new six-part series, although quickly took a cheeky swipe at the pay he got for the show. He said: “Some great guests come in. In fact, we shot the third episode first. We shot that in Gran Canaria, actually.
“The first episode was an Irish hen party, half a dozen terrific Irish actresses turned up and Trevor. A bunch of Irish actors turned up, and they all knew each other a bit.
“It was October, cold back here [the UK], a good script, two weeks in the sun, having a laugh, they all knew each other, so there was a great bond there, a great chemistry there.
“Simon and I were talking at the end of that episode, we were like, ‘Wow, they’ve set the bar really high. There’s something about a good script, a bit of sunshine, regardless of the pay… which wasn’t the best, but anyway it doesn’t matter.”
While everyone laughed at the cheeky jibe, another guest on the programme joked that he shouldn’t mention money.
John replied: “No, let’s not because we’re not doing it for the money, right? Of course not. It was brilliant, everyone came out. We were all getting paid….a bit.”
Educating Yorkshire is set to return to Channel 4 for a brand new series, with Headteacher Matthew Burton and the students of Thornhill Community Academy back on screens once again.
Mr Burton teaching students in Educating Yorkshire in 2013(Image: Channel 4/PA)
Channel 4 has confirmed that one of British television’s most celebrated documentary series is making its return.
Educating Yorkshire has been given the green light for a brand new run, and fans will be thrilled.
More than a decade on from its debut, the Channel 4 show that captured the hearts of the nation is heading back to Thornhill Community Academy in Dewsbury, West Yorkshire, where cameras will once again follow the staff and pupils navigating the highs and lows of school life.
Burton, who remains at the helm of Thornhill, will be front and centre once again in the new series.
After more than a decade off air, the show staged a remarkable comeback in 2025, earning a BAFTA nomination and pulling in a staggering 8.7 million viewers across linear and streaming platforms.
People were quick to praise the show’s comeback at the time, with one person commenting: “This is brilliant!!”
Another added: “Im so over the moon this is back absolutely brilliant. Ive watched Mr Burton and Mushy episodes over again . Its been too long – welcome back . No doubt there will be lots of laughs and tears – love it love it love it.”
Someone else wrote: “I can not wait for the new series of Educating Yorkshire.” While another commented: “Omggggg is he back!?!? That teacher is the reason I want to teach in the first place.”
Channel 4 revealed that the programme attracted 8.7 million viewers across linear and streaming platforms, proving a particular hit with younger audiences and securing a 28% share of 16-34s.
The show has clearly left a lasting impression, with three in ten viewers aged between 16 and 34 saying Educating Yorkshire had inspired them to consider pursuing a career in education or youth work.
Grace Reynolds, Exec Producer, commented: “The extraordinary teachers and staff help the students navigate some of the most important years of their lives.
“While headlines often focus on the challenges facing teenagers today, our experience making the series tells a different story. Spend time in Thornhill and you’ll find resilience, compassion, ambition and optimism. If it reminds us of anything, it’s that the future is in remarkably good hands.”
No broadcast date has yet been confirmed for the new series.
Educating Yorkshire is available to watch on Channel 4.
The ITV documentary series first aired three years ago and follows world-leading forensic scientist Dr Angela Gallop delving into complex cases.
The ITV true crime series returns to screens on Tuesday night(Image: ITV)
Forensic scientist Dr Angela Gallop is back once again for a fresh crime series on ITV.
The harrowing true crime docu-series will see Dr Gallop and her team revisit complicated cold murder cases using advanced scientific techniques that may not have been available at the time of the crime.
Through the re-examinations, Dr Gallop and her team have helped bring notorious killers to justice in Cold Case Forensics, which is airing a brand new season.
On Tuesday night (July 28), ITV viewers will see the forensic scientist look into the chilling death of Italian banker Roberto Calvi, also widely known as ‘God’s Banker’
A synopsis for the episode reads: “Return of the documentary delving into the casebook of world-leading forensic scientist Angela Gallop and her team.
“When the body of Italian banker Roberto Calvi was found hanging under Blackfriars Bridge in London in 1982, the investigation led to a murky world of financial deals with the Vatican and the Mafia. Nicola Walker narrates.”
Roberto Calvi was the chairman of the largest private bank in Italy and also had connections to the Roman Catholic Church.
However, the 62-year-old went missing in 1982 for nine days before his body was discovered hanging.
At the time, the coroner’s report didn’t find evidence of foul play on his body and ruled his death as a suicide.
Although UK police were puzzled by the strange circumstance, as his pockets were stuffed with bricks, he had a fake passport in a different name and had £10,000 ($14,000) in cash in different currencies.
It wasn’t until 2002 that Roberto Calvi’s case was officially reopened by Italian prosecutors, with the City of London Police opening it as a murder inquiry in September 2003.
As a result, Dr Gallop was hired by Roberto’s family in a bid to prove he had been killed and didn’t die by suicide decades ago.
Other cases explored in this series includes solicitor Cheryl Lewis and ten-year-old Damilola Taylor.
The first series included the cases of Rachel Nickell, Lynette White and Stephen Lawrence.
Cold Case Forensics airs on Tuesdays on ITV from 9pm
“Furious,” which premieres Monday on Hulu, is technically a serial killer story, since there are multiple murders committed by a single character, but happily that is the least of it.
Broadly speaking, these kinds of stories — powered by a stop-them-before-they-kill-again clock, making their antagonists out to be finicky geniuses or horror movie monsters instead of opportunistic mediocrities — strike me as a low form of fiction. But “Furious” is as much relationship drama as procedural, animated by a quartet of excellent performances, with some things to say about abuse, exploitation and love along the way.
Although “Furious,” created by Elizabeth Meriwether (“New Girl,” “Dying for Sex”), acknowledges an inspirational debt to the 1987 Theresa Russell-Debra Winger film “Black Widow,” all it really preserves are a couple of names, the idea of a female serial killer and an emotional relationship with the woman hunting her. The killer is Catherine (Lola Petticrew), a petite young woman who goes about in a variety of wigs, under a variety of names, careful to mask in public. Her murdering is not a compulsion but a mission, like Jeanne Moreau in “The Bride Wore Black.”
Her nemesis is Alice Black (Emmy Rossum), a former police detective now answering phones for the FBI. She became persona non grata in the NYPD after identifying her detective boyfriend (Jake Lacy as Marshall) as the person who put her in the hospital, because, you know, cops. One day a request comes from former colleague Danny Kelly (Scoot McNairy) to assist him in investigating the homicide we see Catherine commit at the top of the series.
Various elements of the crime bring to mind an earlier killing; Alice believes they’re connected and might have something to do with sex trafficking or, eventually, a Jane Doe cold case. This brings her to the desk of Nora Washington (Quincy Tyler Bernstine), who also happens to be running the very FBI department Alice has been hoping to join. “You requested my squad,” says Nora. “Why do you want to work in the basement on sex crimes and crimes against children — do you hate yourself?” Maybe she does — she orchestrates internet dates where foreplay is a fistfight, and has some relevant trauma in her past.
Catherine (Lola Petticrew), a petite young woman whose murdering is not a compulsion but a mission.
(Sarah Shatz / Disney)
Sharing scenes with the other principal characters, intense or sensitive as the moment requires, Alice is the hub around whom the series revolves and hurtles forward. Danny, who found himself isolated in the department when he said he believed her, is her only friend. (“But here’s the crazy s—. You don’t … talk to me anymore, either.”) Nora, who has a hard edge and a drinking problem, has a few things to teach her, sometimes with a quote from Balzac (“Laws are spiderwebs through which the big flies pass and the little ones get caught”) and Beckett (the dead “make a noise like feathers”) or a tale from Greek mythology. (“I’m not a former cop. I went to a fancy school, and I’m very smart,” she says, very drunk.)
As to Catherine, she is a mix of a sly fox and a wounded bird. She may be manipulative and murderous, but as we’re given reasons to dislike her victims, a collection of rich white people — with one sad exception — and because Alice feels connected to her in some way, and because she’s had a terrible life, there is not a little of the protagonist in her antagonist. There are some sad ironies stitched into the plot, and an upsetting late twist, though the show doesn’t wallow in it. We understand that Catherine has her reasons, and in a strange way we want to see her carry out her mission. She may be a killer, but she isn’t the villain.
It’s not perfect. We are not surprised at least as much as we are. Some of the plot points strain credulity. There are some old-school jurisdictional clashes between the police and the FBI (as in every fourth episode of “The Closer”), and a heaping helping of professional jealousy within departments.
But the show stays fascinating less for the plot than for the performers. Rossum attacks her role as if playing a Greek tragedy. (The hair redoubles the impression.) McNairy, one of TV’s most likable actors, brings warmth. Petticrew evokes broken innocence. Bernstine finds new notes in a role that typically runs to cliche.
For the record:
1:42 p.m. July 27, 2026An earlier version of this article stated that actor Steve Way was born with spinal muscular atrophy. He has muscular dystrophy.
I also want to mention the great Hope Davis as the sister of a victim, the son of a well-connected mogul with something to hide, and especially Steve Way, as Alden (“Ramy”), a force for good in Catherine’s life, and for humor in the series; born with muscular dystrophy, he manages some excellent physical comedy in his motorized wheelchair. The direction (Brian Kirk helmed the first two episodes) is crisp and matter of fact, staying out of the way, which is all you can ask when the writing is good and the actors are too.
Love Island All Stars has been confirmed to return in 2027 and it remains to be seen which of the latest series might give the villa life another go in South Africa
22:36, 27 Jul 2026Updated 22:36, 27 Jul 2026
Love Island All Stars is set for a return(Image: ITV)
The latest Love Island winner might have just been announced, but some fans aren’t ready to let the reality TV fun leave us. With Julia and Lorenzo being crowned this year’s winner, they have high hopes they won’t have to feature in the upcoming All Stars offering.
But for others, they could be chomping at the bit to head to the South African series and give love – or drama – another go. And it might only be months away after bosses revealed its return.
The last All Stars cast took to the South African villa on Monday 13 January, and it’s expected the next edition will be at a similar time next year.
One bombshell that has already been tipped to appear from the current line-up is Dublin-based social media influencer Charleen Murphy. She entered the ITV2 dating programme during the Casa Amor phase of the current series, but despite making it into the main villa, her link-up with Kavan wasn’t strong enough to continue.
Viewers were shocked when Kent-based Kavan experienced a swift change of heart on his return to the main villa and almost immediately broke things off with Charleen when choosing to recouple with Jasmine at the first opportunity.
Geordie bombshell Tommy revealed in the live final that he had already been making moves outside the villa with Charleen, but it seems as though she might have her eyes on another shot at villa life. And it wouldn’t be a surprise if Tommy followed her after a drama-filled stint of his own.
In this year’s All Stars, villa hopefuls headed to the show for six weeks instead of five. Speaking on the renewal at the time, Mike Spencer-Hayter, Creative Director at Lifted Entertainment, said: “Love Island: All Stars has quickly established itself as a stand-alone hit, keeping fans of the show gripped by iconic Islanders from the past 10 years returning for another chance to find love.
“We are very excited about series 3, and you can expect the twists and turns to continue in All Stars, after an incredible smash hit summer series.”
The season saw Samie Elishi and Ciaran Davies, but sadly the relationship didn’t work on the outside.
And while we know All Stars is set to grace the small screen again, it remains to be seen whether Maya Jama will be presenting it once again. Maya took over from Laura Whitmore in 2022, but speaking to Deadline, the TV host was open and honest about her potential Love Island future.
She said: “I never know. I never decide if I’m doing the next series until the end of one. So it’s fake news that I’m leaving, but I always decide at the end of a series if I’m going to continue the next year. So we’ll find out.”
THE detective series Bergerac has returned to screens and in turn has been showing off a beautiful island less than one hour away from the UK.
The series filmed in Jersey has been showcasing its Caribbean-like beaches and pretty capital, St Helier.
The series Bergerac returned last year but has just dropped on BBC iPlayerCredit: UKTVThe series filmed over the Channel Island of Jersey which is expecting more visitorsCredit: Alamy
But it’s set to reach a ‘wider audience’ having dropped all six episodes of the first series on BBC iPlayer a few days ago.
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The island of Jersey, where the majority of scenes were filmed, is now expecting a surge in visitors.
Visit Jersey Chief Executive Tricia Warwick said: “The series has already impactfully raised Jersey’s profile as a visitor destination, and this new platform means even more viewers will discover our island’s stunning landscapes and unique locations for themselves.
While it’s less than an hour from the UK, it feels worlds away, mostly thanks to its Caribbean-looking beaches.
Across its 130 miles of coastline are exotic spots from Beauport Beach, Portelet Bay to Plémont Bay.
Many beaches, like St Brelade’s Bay, are also lined with palm trees, which gives them a tropical feel.
The island’s capital, St Helier, is also home to Havre des Pas Bathing Pool, a tidal lido that fills up with seawater at high tide.
St Brelade’s Bay Beach has been compared to the CaribbeanCredit: Alamy
Not only is it a sought-after swim spot with some calling it a ‘good old-fashioned lido’, but it also has an open kitchen, dance floor, stage and a balcony that looks over the pool.
St Helier is also a prime spot for shopping at Royal Square, King Street and its indoor market on Halkett Street.
The first series of Bergerac which aired between 1981 and 1991 starring John Nettles was filmed in Jersey.
Head of Sun Travel (Digital) Caroline McGuire visited the island a few years ago. She said: “If I told you there’s an island an hour’s flight from the UK, with a Caribbean-like coastline, that gets summer quicker than England and you don’t need a passport – you’d think I was pulling your leg.
“But such a unicorn does exist in the English Channel: Jersey.
“When my family and I visited earlier this year, every beach was outstanding, the weather glorious, the food a fantastic hybrid of French and English tastes.”
Beauport Beach is one of the island’s beautiful beachesCredit: GettySt Helier also has a popular lido called Havre Des Pas Bathing PoolCredit: Alamy
Caroline headed to Plémont Beach in the north which had “clearest turquoise waters” but she also visited St Ouen’s Bay and Le Braye bistro which is right on the beachfront.
Other popular activities include dolphin-spotting boat rides and exploring its secret tunnels that were used in World War Two.
Luckily for Brits, Jersey is less than an hour away by plane.
The route departing from Southampton to Jersey Airport in Saint Peter takes 50-minutes.
For those who aren’t fussed about getting there quickly, another route to the island is by ferry.
Condor Ferries offers routes from Poole, and Portsmouth to St Helier which take between four and a half to 10 hours.
After devouring 13 series and over a decade of Love Island, one glaring problem has become clear: Each series there is a female villain, pitted against the others… but who is really to blame?
Love Island’s biggest problem(Image: ITV)
Love Island is almost over and with that, the 2026 summer of love (or influencers building their brand in a Spanish villa) has come to an end. Every time it happens, I am left devastated by the loss of the ITV2 show, despite complaining to anyone who would listen about how angry that year’s season made me.
My love for the show and the bereavement I feel when its gone has not only had me going back and watching the seasons I was too young to watch the first time, but had me watching them again and again. One thing has become clear – our female villains are often born when men misstep and aren’t allowed to bounce back in the same way.
We keep entering an era where our bad girls are pitted against each other until they are relegated to the depths of obscurity after the show ends and not even allowed to be iconic anymore.
Yes, these woman’s actions are often undeniably bad. But compared to those of the men around them, who get redemption arcs, huge social media followings and get to continue working within the Love Island world, the women’s punishments rise to the top of villain lists seem unbefitting of their crimes. To illustrate my point, here is a timeline of the seasons and who their biggest villains are…
Series 1 – Naomi Ball
Bombshell Naomi is largely considered the biggest villain from the first series that aired when Love Island was rebooted. She was sharp-tongued and her confrontations with Jess Hayes were one of the reasons the latter girl won the series with Max Morley.
Her intense rivalry with Jess was was fuelled by a love triangle between the two and Josh Ritchie, especially when Josh dumped Naomi for not being willing to sleep with him.
He then brazenly asked: “Do I now carry on with Jess, get my end away, have a good three-weeks sh*gging, or do I start something with Naomi, where something can be long term and something maybe outside of the villa but not have sex, not have as much of a laugh? It’s a genuine penis/head dilemma.”
With a love interest like that, who needs enemies? Though Naomi still consistently crops up as the Villain of Series One, Josh has gone on to redeem himself on All Stars.
Series 2 – Olivia Buckland
Thankfully, Olivia is now mostly beloved, but for years after her series was released, she was painted by fans as manipulative and mean. She was blamed for Javi Shephard and Dan Lukakis fighting over her, even though that’s the nature of the game. She was blamed for hurting Dan when Terry Walsh came along, even though they’d only known each other three days by that point.
Worst of all, she was blamed for sleeping with Rykard Jenkins when he was getting close to Rachel Fenton, when it was Rykard who was pursuing a relationship, not Olivia. Olivia was not only free from any romantic attachments, she was in a couple with Rykard.
Olivia was able to regroup and rebuild after Love Island, especially since she and now husband Alex Bowen stayed together. The same cannot be said for all the women on this list.
Series 3 – Jonny Mitchell
Series three is the first where our main villain is a man. Jonny arrived on day four and was in a couple with Camilla Thurlow for most of his time on the show. Whilst in a couple, he clashed with Camilla, telling her that he thought feminists “believe in inequality” and would feel emasculated if a woman tried to pay on a date.
Jonny then went on to make Camilla cry by dumping her for Tyla Carr – and he wasn’t even going to be honest about it. Very manly, macho Jonny was too chicken to be upfront and instead decided to try and do a gradual fade out instead, until he was forced to fess up by Dom Lever. And yet, while Naomi never got her redemption and Olivia had to wait until after the show, Jonny ended his run on the series on good terms with everyone.
Series 4 – Adam Collard and Megan Barton-Hanson
Love Island has never known a villain like Adam Collard. He moved from girl to girl to girl and blamed some of them for “pushing him away” and into the arms of another. When he accused Rosie Williams of being jealous of his connection with Zara McDermott, he smirked as she cried in front of him and Women’s Aid came out with a statement against him.
Despite Adam sparking a huge national conversation about gaslighting, he was brought back for series eight, in which he was given the opportunity to prove himself a good guy after all.
Meanwhile, Megan, who also moved from guy to guy but without gaslighting them, was also labelled a villain and constantly shamed by the public for her career as a stripper.
Series 5 – Michael Griffiths
Michael is another instant where the villain ultimately crowned the winner. Prior to coming back from Casa Amor with another girl, his partner Amber Gill wasn’t viewed favourably by the public. But when he not only played away at Casa but then started calling her “childish” for being upset, Michael became the bad guy and Amber became a champion.
Since the show ended, Michael has gone down in history as one of the most iconic islanders. He spawned the ‘Destiny’s Childish’ memes, in which people who seem like players on the show are all put in a group with Michael. It’s helped him get roles on Celebrity Ex on the Beach, Eating with my Ex and MTV’s Living the Dream. He has been rewarded for his actions, in a way the women on this list rarely are.
Series 6 – Connor Durman and Rebecca Gormley
Connor had everyone talking during the first winter Love Island with his rather questionable behaviour. To the shock of his partner Sophie Piper, he bragged about having a threesome with a girl and her housemate after a first date in a game of Truth or Lie. When Sophie made a joke about it, Connor then folded his arms and backed away, telling a confused-looking Sophie “You hate me tonight. You’re hating me.”
And when she tried to keep things light, he angrily insisted, “You’re digging me out already, you are,” leaving fans begging her to head for the hills. Despite this, its Rebecca that fans remember as a villain. She a rivalry with Siannise Fudge over her interest in Luke Trotman, a storyline that is not uncommon on this show and yet was enough to make Rebecca a villain.
Series 7 – Faye Winter
Faye has received the most Love Island complaints in the show’s history after yelling at Teddy Soares. The argument followed the first ever Movie Night, in which Teddy was seen having a flirty exchange during Casa Amor.
The public knew the clips were taken out of context and that Teddy had been faithful to Faye. 25,000 complaints were made to Ofcom and Faye’s family had to release a statement, reminding the public that the show was edited for entertainment.
Faye received online abuse and death threats after the incident. What makes it so infuriating is that much of the public were angry with Faye for reacting to Teddy’s actions as they knew the clip was taken out of context and fumed that she should have known he was a good guy. To summarise: Fans who knew what Faye had seen wasn’t the whole truth were angry with her for reacting to it rather than those who took the clips out of context.
Series 8 – Tasha Ghouri
Tasha’s series was largely defined by both Islanders and the public deciding she was stringing her partner Andrew Le Page along. She was subjected to constant online vitriol about how she was just waiting around for someone else to sweep her off her feet, and using Andrew to stay safe.
Yet when it came to Casa, it was Andrew who played away. “I licked her t*t, or whatever,” he told Tasha after being forced to come clean about his bedroom antics with Coco Lodge. Notably, Andrew wasn’t as hated for actually doing something as Tasha was for what people thought she wanted to.
Series 9 – Olivia Hawkins
Olivia was branded as a villain after clashing with several islanders, particularly those she had coupled up with before like Kai Fagan and Tom Clare. She was branded as messy and a hypocrite for being upset with Kai for recoupling in Casa, even though she’d done the same.
By the time she joined series two of All Stars, Olivia was so known as a villain that she had to hit back at the title, telling the Mirror that she thought it was “tiring”. She was called a bad guy again when she clashed with Grace Jackson, catching heat despite no longer being on the show anymore. She has since seemed to prefer sticking to a quiet life away from reality TV and I’m not sure anyone can blame her.
Series 10 – Molly Marsh
Molly was villainised after being honest with partner Mitch Taylor. Her crime was telling him that she wanted to talk to other people just days into knowing each other. From then, both Mitch and Jess Harding accused her of using him and being two-faced… despite the fact that she’d been upfront about her feelings.
This was the start of the Love Island “divides”. In series since, we’ve seen time and time again how there is a divide among the girls as they are pitted against each other by the men and form two camps. This time it was Molly vs Jess, a battle that Jess ultimately won, as she won the whole series.
The hate Molly received has since been viewed as unwarranted, and Molly has faded into the background of many Love Island conversations, while Mitch, whose behaviour towards Molly was very possessive, has become one of the show’s icons.
Series 11 – Harriett Blackmore
Harriett Blackmore, much like Olivia Hawkins, was labelled a villain and a drama queen when she clashed with Ciaran Davies. But why did they clash? Well, just before, Harriett had told Ciaran, whom she had been coupled up with since the start, that he was her top boy.
After that, he took Nicole Samuel to the Hideaway, leaving Harriett in tears. Was Ciaran a bad guy for this? Of course not! Our sweet Welshman made it to the final of the show.
Series 12 – Meg Moore and Helena Ford
This was a season filled with villains. Meg Moore and Helena Ford were two of the biggest, with fans slamming Meg for her rude and aggressive attitude towards girls her partner Dejon Noel-Williams was talking to and Helena for constantly going after boys Shakira Kahn and Toni Laites were talking to.
Though neither behaved well, Meg’s behaviour often came amid Dejon telling her that the girls were obsessed with him and that he wasn’t open to getting to know them, even though he was. Similarly, Helena’s came as Harry Cooksley and Harrison Solomon both told her that she was their number one.
The behaviour of all three men caught the attention of the public, who slammed them as toxic. Dejon undeniably came off the worst and seems to have shrunk back from the limelight, but despite this, the season became about the divide between the girls. It was defined by Shakira and Toni’s camp vs Meg and Helena’s.
Helena did appear on All Stars, hoping for a redemption. So did Harrison, even though Women’s Aid had put out a statement about his behaviour. Since both shows, Helena and Meg have faded away, while Harrison and Harry have both gained a huge social media following for their Love Island commentary.
Series 13 – Every woman on the show
Then we have series 13. In this series, pretty much every woman has been villainised at some point, often when a man was also involved and received much less hate.
Priya Jaswal was demonised for saying Samraj Toor’s behaviour was “pathetic”, even though he was also attacking her and never apologised. Jasmine Muller was hated on for her interactions with Kavan Murphy, when his brother Aidan kept stirring the pot and again when it was Kavan who brought someone else back from Casa Amor.
Lola Deal and Julia Majchrzak have both received hate amid their feud, which was all started by Sean Fitzgerald’s conversations with people in Casa Amor. Elicia Chadwick has also been on the public’s bad side for her reaction to Aidan picking Priya, despite him having kissed his way up her body while on their date.
Even former Islanders turned debriefers Shakira, Toni and Yasmin Pettet have received more hate this season than the men on the show. And if this doesn’t summarise the modern divide between men and women, I don’t know what does. Men think they can get away with anything, while women have to micromanage every emotion so as not to come off wrong.
No wonder, when men’s bad behaviour is caught on camera and still excused, while the slightest comment or odd look from a woman is enough to make her the nation’s most hated.
Ishan Kishan and Tilak Varma sets up 90-run win over Zimbabwe as India takes 2-0 lead in T20 series.
Published On 25 Jul 202625 Jul 2026
India inflicted another heavy defeat on Zimbabwe when they won the second Twenty20 international at Harare Sports Club by 90 runs to secure their three-match series.
Ishan Kishan scored 81 and Tilak Varma an unbeaten 60 as India amassed a formidable total of 219-5 after being put into bat before dismissing Zimbabwe cheaply for 129 to secure the victory on Saturday.
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Kishan, whose runs came off 44 balls, and Tilak, who took 29 balls to get to 60, accelerated the scoring in the middle overs, taking advantage of bowling that was often too full.
They put on 94 off 44 balls for the fourth wicket before Ishan was caught in the deep mistiming a slog at a wide delivery.
Zimbabwe faced a record run chase and, although opener Brian Bennett offered some early hope, they were always up against it and were dismissed in 17.5 overs.
Bennett played an array of strokes for 32 runs off 19 balls before falling to Yash Thakur, who finished with 2-30 on his T20 international debut.
Once Bennett had been dismissed, there was a steady fall of wickets, with the slow left-arm bowling of Abhishek Sharma producing the best figures of 3-17.
India won the opening match of the three-game series at the Harare Sports Club by seven wickets with 40 balls to spare.
WASHINGTON — The Dodgers arrived at the White House on Thursday to celebrate their 2025 World Series championship following an invitation from President Trump.
The ceremony took place in the Rose Garden, with manager Dave Roberts selected to give a speech on behalf of the team.
It was the back-to-back champions’ second visit in as many years, but this trip came with scheduling complications. The timing for a visit didn’t work out when the Dodgers were in town to play the Nationals in April for a day-game laden series. So, they used their single off day on a three-city East Coast trip to make a pit stop in Washington, wedging the visit between games against the Phillies and Mets.
The decision to again visit the White House raised debate among Dodgers fans, who argue Trump’s anti-immigration policies have harmed many of the team’s supporters. But Roberts has continually tried to downplay the political messaging associated with the visit.
Mookie Betts and Kiké Hernández did not join the team for the visit, with Betts telling reporters he preferred to spend the day with his family and Hernandez saying he had a rehab assignment conflict but wouldn’t have joined the team if he was available. Hernández previously offered his support to fans affected by ICE raids in Los Angeles, while Betts said he didn’t want his decision to be viewed as political.
“This took a long time to get both sides together, and, honestly, like I’ve always said, my company line, my personal line is I hope that we get this invitation every year,” Roberts said when the trip was finalized this month. “Because that’s the goal: to win a championship, to get this invitation to the White House. And I’m not a politician, and I’m doing something that teams have done for decades. And so that’s where I stand, really. I’m a baseball coach. That’s what I do.”
The visit falls days after Bloomberg reported that two insurance companies controlled by Dodgers chairman Mark Walter, as well as Guggenheim Partners, where Walter is chief executive, are being investigated by federal prosecutors for potential financial improprieties.
No charges have been filed. Representatives from the parent company of the insurance firms as well as from TWC Global — the Walter business empire that controls his sporting investments, including the Dodgers and Lakers — have told reporters they are cooperating with the investigation.
John starred as detective sergeant as Jim Bergerac in the original run of the British crime drama, which aired from 1981 to 1991. The much-loved series has now been rebooted, with Damien as DCI James ‘Jim’ Bergerac.
Asked if John had given the show his blessing, Damien told Radio Times they they had spoken about it and that he was “thrilled” with what the original Bergerac had to say.
He said: “We met and he said, ‘I’ve watched the first episode and I think it’s fantastic. It’s very different to what we did, it’s much darker – I loved it.’
“He didn’t need to say that, and I was thrilled that he did.”
The Bergerac reboot started in 2025, airing on U&Drama. It follows the police detective as he solves solves crimes in Jersey, while also dealing with issues in his own past.
Viewers have been enthusiastic about the new take on the series, with one posting on IMDB.com: “I have fond memories of the original with the gorgeous John Nettles, so there is always a bit of anxiety regarding a remake.
“However, this Bergerac, with the mesmerising Damien Molony is a different deal altogether. The general feel is much darker and less of a glossy travelogue for Jersey.. Have just binged this and can’t wait for the next season!”
Someone else said: “Like the reboot. Love the cast. Good plots and clever twists. The setting of the show is also an added bonus. I really like the actor playing the lead role, he is very likeable as this character.”
“I loved it,” one viewer posted on review site Rotten Tomatoes, although another added: “An entertaining reboot although not as good as the original.”
One reviewer commented: “Bergerac is not Superman, he is flawed and sometimes makes dumb decisions, and he wields the double-edged sword of obsessiveness, which leads to breakthroughs but can just as backfire.
“But he is very watchable, and Molony is able to persuasively carry Bergerac’s darkness and dynamism.”
Television favourite Claudia Winkleman is still amazed that she is asked to present Channel 4 talent show The Piano when she has zero musical knowledge. Speaking ahead of the launch of the fourth series on Sunday, she says: “I still know absolutely nothing, but nobody seems to mind. They haven’t shouted at me, so I’m like the idiot of the group.
“I know what moves me, but I’m just there as a conduit. I’m there to chat to people and make them as comfortable as possible and try and hear as much of their story as possible, so that the mentors can then get to know them a bit before they play.”
The show sees amateur pianists showing off their skills on instruments placed in bustling railway stations, unaware that professional musicians are secretly watching and judging them. Claudia, who will be working alongside Lebanese-born pop star Mika, known for hits including Grace Kelly and Lollipop, would love to see more Elton John numbers on the show. She says: “I am longing for someone to play some Elton John. I just want somebody to play his amazing music.”
Claudia and Mika will be joined by new mentors, including Jamie Cullum and Jools Holland, who will help to weed out stars of the future. Claudia, 54, says of The Piano: “I love it so much. We’re so lucky because when we did it for the first time, we thought we’d only get one go.
“It is an absolute privilege to wait in stations for these amazing pianists who surprise us. We learn about their lives, meet their friends and family and we learn about why playing the piano is important to them. For all of us involved it’s an honour. I can’t wait to see who we’re going to meet. What’s so thrilling about this amazing show, is you have no idea who’s just around the corner and is just walking towards you through the station.”
Welcoming her new army of mentors, she says: “They all bring very different perspectives. In every location, they will choose somebody to play at the final concert, so it’s going to be fascinating.
“What I loved about having different mentors is that they love the idea and they love the show. So, what was brilliant was to have people who were so enthusiastic. I love the fact they wanted to be part of it. It’s not glamorous and we adored them for wanting to be there. It was ‘hello, welcome to Birmingham New Street station, can I get you a Greggs?’ They were all absolutely up for it.”
Now a household name after 30 years in showbusiness, which has seen her present hit shows like Strictly and Traitors, Claudia would advise wannabe media stars to go for hands-on experience over a degree. She says: “Don’t study at university. Go, but don’t study subjects like media studies. I would study something else. It is just about experience. I don’t think you need to study media. Just work around it.”
Claudia comes from a media background. Her mum, Eve Pollard, is a former newspaper editor, who was once at the helm of The Sunday Mirror and Sunday Express and her dad, Barry Winkleman, was a book publisher.
When she felt the urge to try TV, after working in a gallery, she says: “At the age of 24, I applied to the former TV company Planet 24 and got a call from Janet Street-Porter’s office and I just continued. I worry about people who know what direction they want to go in. That is nerve wracking. It is OK not to know. “
But Claudia admits that her career has involved some weird assignments. She says: “Once I dressed up as a fruit for Fruit Awareness Week on This Morning. I was a kiwi! I remember going ‘we are going to go live as a fruit.’”
Claudia graduated with an honours degree in fine art from Cambridge University, although her cheeky charm was nurtured during her days as a pupil at the City of London School for Girls. She says: “I had the most amazing history of art teacher, but my friend and I thought it would be easy. We wore fishnets, smoked fags and flirted with boys. It was like ‘paintings? Yada-yada.’ We were not bad but naughty.
“I remember one day our teacher, Mrs Dale, in the first lesson, clicked her fingers and made us all walk to St Paul’s Cathedral. She said ‘I have had enough. You look up and this is what we are going to teach you’. She was unbelievable and the way she introduced art to us was great. She took us to Venice and made us appreciate Titian. She was brilliant.”
Her father, Barry, who was divorced from her mum Eve in 1975, when she was just three, also loved taking her to galleries. She says: “My parents impacted me massively. My dad used to take me to The National Gallery and the only rule was we were only allowed to look at one painting.
“He did not want to bore me to death. Now, when I take my kids, we are in for the duration. But there was no rush when my dad took me and it made me want to go back. My dad taught me so much. My mum and dad both taught me things like, ‘make the tea and be early. Be the last one to leave. Don’t worry what you look like. It is just a shell and that is going to go’.
“I was brought up by a brilliant feminist. Once I asked my mum for a Barbie doll and she was like ‘don’t be ridiculous. That is not what you are supposed to look like’. I was told to ‘be interested, don’t worry about being interesting and ask questions.’ I was told ‘don’t be one of those tools who sits there and waits.’ I was never daunted by what they did. Only grateful. I always felt grateful that they worked so hard.”
Claudia, in turn, passes on her experience to her three children, Jake, 23, Matilda, 20, and Arthur,15, who she shares with her film and television producer husband, Kris Thykier. And she says they teach her too. Claudia continues: “I have learned everything from my kids. Life before was just waiting for them.”
Like many parents, she has steered her children away from social media. She says: “Social media is awful. It is an absolute nonsense. I would never put my kids on it. I have tried to explain to them how awful it is. I don’t post a lot of stuff on social media. I have posted six times this year.”
Instead, Claudia – who likes the ethos of her favourite filmstar, ET, whose catchphrase is ‘be good’ – gets her thrills from doing live TV. The Traitors presenter, whose BBC1 chat show – which launched in March – was recently axed after lukewarm reviews, says: “Live is exciting. It is like doing exams at school, I know it is weird but I like being tested. I like a test.
“Not a driving test as I failed many of those. Turns out head on chin is not helpful. I do get incredibly nervous though but it wakes you up. I like the nerves. When I used to do Strictly with Tess I just used to grip her upper arm all the time.” Let’s hope there’s no arm-grabbing on The Piano – to avoid any bum notes.
*The new series of The Piano continues on Channel 4, Sunday at 9pm.
Hunter Dobbins scattered six hits over six innings, JJ Wetherholt hit a home run in the sixth and the St. Louis Cardinals held on for a 1-0 victory over the Angels on Wednesday at Angel Stadium.
Dobbins, recalled from triple-A Memphis for Wednesday’s start, struck out five and walked none to help St. Louis snap a four-game losing streak and end the Angels’ three-game win streak.
Luis Gastelum threw a scoreless seventh, George Soriano had a 1-2-3 eighth and closer Riley O’Brien struck out Oswald Peraza with an 80-mph sweeper and Josh Lowe with a 98-mph sinker with two on in the ninth for his 26th save.
Dobbins (2-1) escaped a first-and-third, two-out jam in the second, a two-on, one-out jam in the third and a first-and-third, two-out jam in the fourth.
That inning ended with Cardinals third baseman Blaze Jordan reaching into the third-base dugout to snag Tyler Heineman’s popup.
Angels starter Reid Detmers (3-7), expected to be a top target of contenders looking to acquire starting pitching before the Aug. 3 trade deadline, blanked the Cardinals on one hit through five innings despite walking two to open the fifth.
The left-hander escaped the fifth with the help of third baseman Vaughn Grissom, who made a backhand diving stop of José Fermín’s grounder, scrambled to the bag for a forceout and threw to first to complete a double play.
Jordan struck out to end the inning.
But with one out in the sixth inning, Detmers (3-7) left a fastball up to Wetherholt, who lined his 15th homer of the season over the wall in center field to break the tie and knock Detmers out of the game.
Up next: Cardinals RHP Michael McGreevy (4-7, 2.92 ERA) will oppose Arizona RHP Brandon Pfaadt (4-1, 4.58 ERA) Thursday night in St. Louis. For the Angels, RHP Grayson Rodriguez (3-3, 8.23 ERA) will face Giants RHP Logan Webb (5-7, 3.87 ERA) Friday night in San Francisco.
A police drama that has gripped viewers is returning for a new series on the BBC
The BBC has shared an update on Blue Lights(Image: CREDIT LINE:BBC/Two Cities Television/Matthias Clamer)
The BBC has shared a first look at the new series of a police drama fans have called “the best cop show”.
Belfast-set Blue Lights has become a huge success since it started in 2023, with viewers gripped by its first three series.
It is now set to return for a fourth run, and the broadcaster has given fans a peek at what’s to come in images showing Siân Brooke, Martin McCann, Katherine Devlin and Nathan Braniff back in uniform.
The series, which follows officers at the fictional Blackthorn police station in Belfast, will also see the return of Game of Thrones’ Richard Dormer.
He played Gerry Cliff in series one, and will be back alongside Hannah McClean as solicitor Jen Robinson and Jonathan Harden as disgraced former Inspector, Jonty, in an episode “that will answer important questions from the past”.
The new images come weeks after the BBC shared an exclusive clip from the new season.
The brief look at series four showed Constable Shane Bradley (Frank Blake) pulling over elderly driver David (Trevor Gill) and his passenger, Imelda (Rosamund Monteith), to quiz him about whether he had been drinking.
Fans are eagerly awaiting the new episodes, after declaring the first three series of Blue Lights were “excellent” and “outstanding”.
One posted a comment on IMDb.com saying the show was “entertainment at its best”, while another remarked: “As an ex-cop, I’m so sick of US made cookie cutter police shows. Blue Lights in my opinion is bang on what it’s like to be cop.”
“Brilliant acting, directing, production – award winning drama all round,” said someone else. “Absolutely outstanding British drama. It’s poignant, emotional, engaging. The cast are brilliant. Best show I’ve watched in a long time.”
“If you haven’t watched Blue Lights yet, you’re missing out on one of the best shows in years,” one fan wrote on Reddit. “This is a must watch show, one of the best of the 2020s and will one day be a classic,” they continued.
“Watched this whole thing in like a week, it is fantastic,” said someone else, as another wrote on Reddit that it was “a masterpiece of a show”.
“This is probably the best cop show since Southland and Bosch,” another viewer commented.
Blue Lights will be available on BBC iPlayer and BBC One this autumn.
BBC sitcom The Power of Parker, which featured a cast made up of Conleth Hill, Sian Gibson and Benidrom star Sheila Reid, has been axed after two series on air
The Power of Parker has been axed after two series on air(Image: CREDIT LINE:BBC/Boffola Pictures)
The Power of Parker has been axed after two series on air. The sitcom starred Conleth Hill, best known for his role as Varys in Game of Thrones, as wannabe business guru Martin Parker, whose seemingly successful life is in fact all built on lies.
All set in Stockport in 1990, the programme also stars creator Sian Gibson, best known for her role in Peter Kay’s Car Share, and Sheila Reid, known to fans of Benidorm as Madge Harvey, in the cast.
The final episode of series two saw Martin bracing himself for arrest on a charge of attempted murder, and along with his mistress and his wife pushed business rival Sandy (Steve Pemberton) into the back of a bin wagon. But Sandy then turned back up with video evideoce and threatened to go to the police if they did not pay up. However, viewers will never get to see just what happened now that the show has been pulled.
A source said: “Losing any series will feel like a crime for its fans. But for the two million who watched The Power Of Parker, its axe with so many loose ends is a major felony.
Speaking to The Sun, the source added: “The ratings just didn’t deliver enough bang for buck and it was decided the series would be chopped to make way for new formats.”
Over the years, the BBC has been responsible for comedies such as Only Fools and Horses, The Vicar of Dibley and Fawlty Towers amongst a whole host of other sitcom staples.
A spokesperson said: “There are no plans for a third series of The Power Of Parker. We’d like to thank Paul Coleman, Sian Gibson and the team at Boffola Pictures for bringing the show to our screens.”
Whilst promoting what turned out to be the last series, which focused what happened after Martin after losing his electrical goods store over an affair with Kath (Sian Gibson) – the sister of his wife Diane (Rosie Cavaliero), Conleth revealed to presenters Alex Jones and Roman Kemp on The One Show that his character had experienced a “huge fall from grace” with things being exacerbated by Kath.
However, his co-star then chimed in and told fans that there would be plenty of “twists and turns” coming up as she said: “Kath makes everything worse but there’s lots of twists and turns and there’s a huge twist in one of the episodes which means that Kath and Diane, her sister, played by lovely Rose Cavaliero, and Martin all have to work together.”
Conleth previously explained that his family weren’t too impressed with the character when the first series aired. He said: “My older relatives didn’t like him because he was an adulterer,” he shares.
“I based him on a mate of mine back home who wears cowboy boots and suits. When he doesn’t, he looks like a dumpy middle-aged man but transforms in the suit and cowboy boots,” he admits. “It’s just something about the choice of ‘I’m going to give myself a couple more inches’ in the boots that I liked immediately.”
It was a very warm homecoming at the box office this weekend for Christopher Nolan’s “The Odyssey,” as the star-studded epic grossed $124.5 million in the U.S. and Canada, a welcome and massive jolt for theaters after a series of slower weeks.
The Universal Pictures film’s haul outperformed studio expectations of a $117 million domestic opening and set a record for the highest-grossing opening weekend for a live-action or R-rated film so far this year.
“The Odyssey” now ranks as the third-highest domestic debut of 2026, trailing only Disney and Pixar’s “Toy Story 5” ($159.7 million) and Universal, Illumination and Nintendo’s “The Super Mario Galaxy Movie” ($131.7 million).
The film, which stars Matt Damon as Odysseus, brought in a total of $264.1 million worldwide, according to studio estimates. That marks the biggest global opening ever for a Nolan film.
“The Odyssey” was produced by Nolan and his wife and producing partner Emma Thomas for their company, Syncopy, and had a production budget of about $200 million to $250 million.
“It delivers on every sort of promise,” said Jim Orr, Universal’s president of domestic distribution. “It is totally immersive. It is great emotional storytelling. It is something that truly has to be experienced on the big screen.”
The nearly three-hour epic is the first feature to be shot entirely on Imax cameras, a feat that required extensive cooperation between Nolan and the Canadian entertainment tech company, which operates out of Playa Vista.
Nolan first told Imax Chief Executive Rich Gelfond in early 2024 that he was considering making an entire film with Imax cameras and laid out what he’d need for that to happen, including a quieter and lighter camera, a way to make film reloads easier and getting enough trained projectionists.
“It took a fair amount of time and investment” to figure out those challenges, Gelfond said. But by August 2024, the Imax team put together a series of tests to show cinematographer Hoyte van Hoytema. Two months later, Nolan saw the tests and was impressed.
“As filmmakers and studios integrate Imax, we become an increasingly important part of the ecosystem,” Gelfond said. “When a film is released in Imax or shot in Imax, I think it’s a signal to audiences that it’s somewhat special, and the filmmaker is really leaning in in a unique way.”
Anticipation for the film has been building for at least a year, when the first Imax 70mm tickets went on sale. Pre-sales for “The Odyssey” shattered the previous Imax record by nearly double, the company said.
Enhanced formats made up 53% of the domestic weekend’s total, with both film and digital Imax revenue comprising 23.8%. Imax 70mm comprised about 4% of that total, with Imax digital making up the rest. Non-Imax 70mm film screening revenue totaled 3%, while 35mm showings made up 0.3%.
Adding to the film’s mystique is Nolan’s reliance on old-school Hollywood practical effects, such as his use of puppetry, animatronics and robotics in scenes with the Cyclops, as well as a real Viking boat that the actors learned to sail.
The massive reception for the film is a relief for theater owners, who weathered their own rough waters in the last few weeks, as Walt Disney Co.’s live-action “Moana” underperformed in its opening at the box office and Universal and Illumination’s “Minions & Monsters” had a softer debut.
“Moana” came in second at the box office this weekend with a domestic haul of $19 million. “Minions & Monsters” ($14.8 million), “Toy Story 5” ($14.8 million) and Warner Bros. Pictures’ “Evil Dead Burn” ($5 million) rounded out the top five, according to data from Rentrak.
It feels like the World Cup started only yesterday, but we’re quickly approaching the final between Spain and Argentina on Sunday. Even if soccer isn’t a sport you typically watch, it was hard not to get sucked into the enthusiasm of the game and cheer for the teams, whether you had a connection to a particular country or not. If you’re among the viewers who are going to feel a little melancholy after it’s all over, you’re not alone. Culture critic Mary McNamara has been enthusiastically following the matches, and if you’re feeling more globally minded as a result, she came up with a list of international TV shows to watch when the the World Cup is over.
My colleagues at De Los, who, like many of us, have been watching the matches on Telemundo (I count myself among them), might be following up their World Cup viewing with some episodes of “El Señor de los Cielos,” the network’s long-running series starring veteran Mexican actor Rafael Amaya. The ads for the show have been a constant between timeouts and matches, and I’m intrigued. And I’ll admit the racy ads for “El Turco” also caught my eye — Telemundo knows exactly what it is doing.
And as the global event winds down, if you’re still hankering to watch something sports related, you’re in luck because Netflix released its latest comedy starring Will Ferrell, “The Hawk,” in which the comedic actor plays Lonnie “The Hawk” Hawkins,” the greatest golfer in the world. The series, which Ferrell created with longtime collaborators Harper Steele and Chris Henchy, reunites him with fellow “Saturday Night Live” alums Molly Shannon and Chris Parnell. However, the person you’ll see him most with onscreen is his co-star Fortune Feimster. The stand-up comedian and actor dropped by Guest Spot to chat about the new series, her experience with golf and what it was like to go toe-to-toe with Ferrell, one of her comedy heroes.
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Also in this week’s Screen Gab, our writers recommend a romance horror film that set the internet ablaze earlier this year and a classic British spy series. — Maira Garcia
Turn on
Recommendations from the film and TV experts at The Times
Inde Navarrette stars as Nikki and Michael Johnston as Bear in “Obsession.”
(Focus Features)
“Obsession” (Peacock)
After earning $428 million worldwide at the box office (on a $750,000 budget) and sending shock waves through Hollywood, the cautionary love story in this romance horror film hits streaming. Directed by YouTuber-turned-horror-auteur Curry Barker, the film follows Bear (Michael Johnston), a shy, hapless guy who, after being unable to summon the courage to confess his feelings for friend and co-worker Nikki (Inde Navarrette), dubiously turns to a one-wish willow toy and hopes for her to “love him more than anyone else in the world.” And, well, the results are chilling — in large part due to Navarrette’s ability to go from completely charming to completely frightening with just her face. If you want to understand some of the online discourse the film has ignited — what it says about consent, its plot holes, whether it’s worthy of the hype or just what the heck was up with that walking backward moment — here’s your chance to see what all the fuss is about. — Yvonne Villarreal
Patrick McGoohan stars in the 1967 TV series “The Prisoner.”
(ITC Entertainent)
“The Prisoner” (Criterion Channel)
The 17 episodes of “The Prisoner,” Patrick McGoohan‘s 1967 existentialist, anti-authoritarian, anti-nationalist, mod-a-go-go avant-garde ode to individualism, have been given a deserved berth in the cinematic pantheon that is the Criterion Channel, looking clean and crisp and immediate. Created in an era rife with screen spies — including the one creator-star McGoohan had previously played in the show aired here as “Secret Agent” — its hero is a British operative who resigns his job in the opening credits, only to find himself imprisoned in a fanciful seaside village — a kind of Baroque hilltown impression of a holiday camp. His unidentified jailers believe there must be a darker reason for his resignation and spend the series attempting it to extract it with elaborate charades, gizmos and gadgets, while our hero spends it trying to bring them down and/or escape. (A giant floating white ball provides creepy security.) Unwilling to bend, impossible to break, McGoohan at once upends the James Bond mythos and provides a dashing hero, clever, witty and terribly attractive. — Robert Lloyd
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
In “The Hawk,” Fortune Feimster plays Sam, who becomes the caddie for Lonnie (Ferrell).
(Colleen E. Hayes / Netflix)
“The Hawk” gives us a tour of the golf world through the eyes of the titular Lonnie Hawkins (Ferrell), whose better days in the game appear to be behind him. With his trusty caddie Old Henry (Keith David) by his side, he’s feeling like things are looking up — until Old Henry dies suddenly. Lonnie is heartbroken, but he’s not deterred, choosing to continue his ambitious return to the PGA Tour, leading him to be extremely late to Old Henry’s funeral and making a disastrous entrance.
But who will be his new caddie? Enter Sam, played by Feimster, a drifter Lonnie meets in a Walmart parking lot when he pulls over his tour bus. Sam’s late-model Cadillac is broken down in the parking lot, but that doesn’t get her down. Lonnie and Sam strike up a fast friendship, and before you know it, she’s driving his bus and working as his caddie on the course, encouraging him as he goes up against foes like Golden Fisk (Luke Wilson), Anton (Parnell) and even his own son, Lance (Jimmy Tatro), with whom he has a difficult relationship. Her methods are unusual — Sam doesn’t know much about golf, but their mutual love of fast-casual dining and pickles (a running gag in the show) gets them through.
“I’m excited for people to see another big broad comedy,” she says about “The Hawk.” “You know, we need to laugh. That’s what’s been missing, I think, from our current times is we need some more laughter, some more levity.”
The actor spoke about hers and Ferrell’s onscreen friendship, which has become a real-life friendship thanks to their mutual love of sports, how a silly musical moment in the finale came together and why you might see her and interior designer Jeff Lewis together again soon. — M.G.
I feel like a lot of your comedy has some sensibility of who you are as a person and where you come from — the South. How did you relate to Sam in this series?
The heart of Sam was something I really responded to. I love that this was a really silly, wacky character where I got to show off the broad comedy that I often enjoy doing. But I appreciated the trajectory of the character, that they allowed me to have this range where I got to show emotion and be disappointed and angry and just go through a mix of emotions as an actor. That was a really cool road to get to go down. But I love the heart that she had. And I think that’s something that I try to incorporate in my own life, positivity and cheering people on and that belief in people that they can do it.
How much did you know about golf before taking role?
Not much, honestly, other than a few rounds at Top Golf. [Laughs] I’m a sports gal. I love sports. I played sports my whole life, but for whatever reason, golf was the one sport I did not partake in … I even played college sports. This was the one I didn’t have much knowledge of, but luckily my character did not need any knowledge of golf. It almost was beneficial that I did not know what I was talking about. So when Will’s character needed a club, and I had no clue which one it was, that was all very real.
Do you think the show helps make golf more relatable? Golf is presented as a highbrow sport, but Sam and Lonnie, they’re grounded. He found Sam in a Walmart parking lot.
I definitely think it makes it more palatable for people that aren’t familiar with that world. I think that’s why you start rooting for this character, because he’s the outsider that doesn’t necessarily fit in that world. You kind of like that chaos that he brings to this very posh, very put-together sport. That’s why I think you find a lot of comedy in the juxtaposition of that. Comedy’s all about tension and release, and you have a lot of tension with that stuffy golf world and that competition, and then the release is this fun comedy, ridiculous people, crazy outfits — it’s fun to watch the two worlds collide.
I’m so glad you mentioned crazy outfits because there’s this scene where Sam gets herself a leather suit as a reward. Was it hot to wear?
As a comedian, the suit was incredible because it was so ridiculous. And of course, my character would waste her money on something like that right away instead of being responsible with it and saving it. As an actor, that suit was so, so hot. We were filming in the hottest parts of the Valley of L.A. and they did everything they could to make it not just like … my body sweated every two seconds. It sure was rough at times. But for the look of it all and the comedy of it all, it was worth it.
There’s another great moment, in the finale, where you’re trying to motivate Lonnie and you start singing the Chili’s “Baby Back Ribs” song. Was that in the script?
That was in the script, mainly just because anything song related had to have clearance. But there was a lot of riffing between him and I about fast food restaurants and about restaurants in general, and a lot of that was off the cuff, he and I just talking as people about all the fast food restaurants we love. The Chili’s song is that iconic jingle that everybody knows. We took it very seriously getting to sing it with each other … and we were practicing like, “OK, you take this part,” and he’d be like, “OK, no, you keep going, and then I’ll come in.” It felt like a real musical situation that we were prepping for.
Oh, my God, I need to see that outtake. I would be dying.
Luke [Wilson, who plays Golden Fisk] said he had passed by us practicing, and he said it was such a surreal moment seeing how serious Will and I were taking this song.
Fortune Feimster as Sam and Will Ferrell as Lonnie in “The Hawk.”
(Colleen E. Hayes / Netflix)
Speaking of Will, I went through our archives and you told one of our writers in 2023 that you hoped to one day have a career like Will Ferrell’s. Now you’re starring in a show with him. What was it like working with him, and do you feel like you’re getting closer to that goal?
The experience of working with him was definitely a dream come true — he and Molly Shannon, the fact that I’m with both of them on the show is pretty crazy. I feel like everyone growing up has their “SNL” cast that they are like, “That’s my cast, that’s who I watched every Saturday,” and they were definitely my cast. My early knowledge of comedy comes from them, and I’m sure there’s a big influence of them in my comedy now, having watched them religiously. To now be on a show with the two of them does not feel real at times.
What’s nice is I’d done two movies with Will, like very small parts, and had hoped that that would lead to something more in the future and was so lucky that it did. But we really got to know each other a lot better on this show, obviously, because I was basically his right-hand person the entire show. I would say 85% of what I filmed was with him. We just hit it off right away. Our energies are very similar. We’re very similar in our outlook. Our sensibilities of comedy are very similar.
We became genuine friends. He’ll pick me up and take me to a Lakers game. We just went to the World Cup game together. We definitely have a bond of sports. It’s so cool to not only get to be working with someone I admire so much and a comedy hero, but to now be genuine friends, it’s pretty incredible. I’m so lucky that I’m in that position.
What World Cup game did you guys go to?
We went to USA vs. Turkey here in L.A. He wore his visor that says “Hawk” on it. We kept trying to get the camera guy’s attention because we weren’t sitting in a box. We wanted to be in the mix … with the fans, and so no one expected to see Will sitting there amongst the fans.
After halftime, they go around and show different [celebrities] like, “Leonardo DiCaprio is here.” I said, “Will, the camera guy’s looking at us.” Everyone in our section got really pumped about it. We show up on the Jumbotron, and our whole section starts going nuts. And I’m pointing at Will’s hat, he’s dancing, and we didn’t know that it was also on TV. My phone blew up for like the next 30 minutes because everyone and their mother was watching this soccer game. We ended up inadvertently promoting “The Hawk” on this really big world stage.
What’s a TV series or film that you’ve watched recently that you’re recommending to everyone?
I feel like it’s not something that I have to recommend, so many people know of it, but I really loved “Hacks” [HBO Max], and especially this last season of it, I felt like they wrapped it up so beautifully. Sometimes these shows have this good run, and then they sort of fumble it at the end, and I just thought the way they ended that show really serviced all of their characters in such a great way and highlighted this really beautiful friendship from people of different generations.
What’s your comfort watch, a TV show or film that you love to return to and watch over and over again?
A movie that I could watch no matter what … is “Bridesmaids” [Peacock, Hulu]. That movie never gets old. I just think it’s one of the best comedies. Of course, as a female comedian, I love a group of women doing funny things together. And those particular women are just so incredible. I’ve gotten lucky enough to work with Kristen [Wiig] and Annie [Mumolo] — I did “Barb and Star [Go to Vista Del Mar]” with Kristen and Annie. Even though I was a tiny part of that movie, I can watch that movie over and over again. I just love their sensibilities as writers as well.
I promised my colleague I would ask you one more question, about getting your house renovated by Jeff Lewis on “Flipping Out” and what that was like.
That always cracks me up how many people saw that show. I’m working with him right now. I have a new house that he is helping with at the moment.
I mean, listen, he’s a big personality. There’s a reason why they gave him “Flipping Out” for so many years that he has a radio show now [“Jeff Lewis Live” on SiriusXM], and they’re actually bringing his “Flipping Out” show back [“Still Flipping Out” on Bravo], which I did a little bit of that show as well. But as an interior designer, he definitely has this — he kind of walks into a space and you see him calculate things, like “A Beautiful Mind,” where he’s seeing everything in front of him, and he’s very decisive. I’m very indecisive with interior design. Even though he has this … over-the-top personality, as a designer, he’s so gifted. And when you see his work, you’re like, “Oh, my God, this is incredible.”
Obviously he and I have a funny rapport with each other, but now also doing this house, I feel like I’ve learned even more to the point where I know when to give it back to him a little bit. He likes that little ribbing of each other.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
I have been writing this newsletter, most weeks, for more than 10 years now. I wouldn’t even want to do the math on how many of them that would be, or just how many movies I have written about. That count is about to come to a close as this is the last one.
Don’t worry: I will still be covering the world-class scene of moviegoing in Los Angeles as well as writing about a broad swath of films and filmmakers, just finding new ways to go about it.
When this newsletter began, it was a catch-all for movie coverage and related events from The Times and eventually settled into a curated survey of the best new releases each week. We helped figure out what you should go see. As theaters reopened following the closures forced by the pandemic, the repertory scene in Los Angeles exploded, with new audiences turning out for old movies in astonishing numbers.
We followed their lead, flipping the focus of the newsletter to the rep scene while still keeping an eye on new releases. Venues around the city had a newly revived energy to match audiences’ enthusiasm. The Academy Museum opened with two gold-standard theaters, while the American Cinematheque expanded the number of screens it programs. (Just recently, it added the historic Village Theater in Westwood.) The Vista began bringing first-run films in 35mm and 70mm, along with classic movies. Vidiots opened in Eagle Rock, helping to redraw the map of L.A.’s movie-loving community.
The David Geffen Theater at the Academy Museum seats a thousand and is often fully attended.
(Ricardo DeAratanha / Los Angeles Times)
The city has also seen the rise of itinerant pop-up series such as Mezzanine, Acropolis Cinema and Hollywood Entertainment pulling off must-see events. Smaller venues such as Now Instant Image Hall, 2220 Arts + Archives, Eastwood Performing Arts Center, Brain Dead Studios and the Philosophical Research Society have made a home to all kinds of movies. The Laemmle and Landmark chains have continue to play traditional arthouse releases and international films, while the Frida and Gardena theaters bring great movies to the South Bay.
Entities such as Revival Hub and MovieTown do a vital job of collating extensive listings info. (We will also continue to give monthly overviews of the best movies to see.) This is simply an incredible time for going to the movies in Los Angeles, arguably the best ever.
My main takeaway from the experience of working on this newsletter is confirmation of my belief in the movies themselves and the community of people around them. I was recently at a sold-out screening of Akira Kurosawa’s “Ran” and the idea of sitting with nearly a thousand other people watching a Japanese movie from the 1980s, each connecting to the events on screen in their own way, was deeply inspiring.
Among my favorite recent developments is how many venues now name the show’s projectionists as part of a screening’s introduction, which is always met with an enthusiastic round of applause. It is a reminder that what this is really about is people, dedicated to something we love.
And since this isn’t really a goodbye, it seems fitting to turn to the movies once again, as another week demonstrates why the scene here in Los Angeles is so truly special.
A tribute to Sam Neill
Sam Neill and Nicole Kidman on the set of 1989’s “Dead Calm.”
(Michael Ochs Archives / Getty Images)
Anyone looking for an example of just how intimate the screening scene in Los Angeles can be should make their way to the New Beverly Cinema on July 24. The theater already had a three-night double-bill of Rob Reiner’s “Misery” and Phillip Noyce’s 1989 thriller “Dead Calm” booked when news broke last weekend that actor Sam Neill had died at age 78.
The New Bev quickly announced that it would make one of those screenings into a tribute to Neill, who co-stars in “Dead Calm.” Director Noyce, along with co-star Billy Zane and filmmaker Roger Donaldson (who worked with Neill on 1977’s “Sleeping Dogs”) will all be there to celebrate their friend and colleague.
“Dead Calm” is a tight thriller set within the confines of a small sailing boat. Reviewing the movie when it was first released in 1989, Sheila Benson wrote, “Neill is probably one of the screen’s most underrated actors … ‘Dead Calm’ was probably far and away his nastiest assignment physically, yet his presence, sexuality and all, is absolutely vital to the balance of the story.”
Remembering the actor as part of a rundown of his greatest performances, Glen Whipp described Neill in “Dead Calm” as “part Cary Grant, part MacGyver.”
Two by Ross McElwee
Documentary filmmaker Ross McElwee in his 1986 movie “Sherman’s March.”
(Music Box Films)
Documentary filmmaker Ross McElwee helped to reinvent the form with his 1986 film “Sherman’s March,” which comes with the explanatory subtitle of “A Meditation on the Possibility of Romantic Love in the South During an Era of Nuclear Weapons Proliferation.”
Ostensibly a film about Union General William Tecumsah Sherman’s campaign of destruction during the Civil War, the movie actually ends up being about McElwee revisiting old girlfriends and forging a few new ones along the way, reflecting on his own campaign of romantic misadventure. As charming as it is revelatory, the movie is being rereleased in a new 4K restoration.
McElwee’s latest film, “Remake,” reflects on the death of his son Adrian and whether the director himself had a detrimental effect on the boy’s life. Reviewing “Remake,” Tim Grierson calls it “especially revealing — both in terms of the glimpses we get of this father-son relationship and of unsolved mysteries that linger just outside the frame.”
A weekend with Robert Rodriguez
Quentin Tarantino, George Clooney and Salma Hayek in the horror movie “From Dusk Till Dawn.”
(Academy Museum)
The Academy Museum will present “A Weekend with Robert Rodriguez” to celebrate the 30th anniversary of “From Dusk Till Dawn” and the 25th anniversary of “Spy Kids.” It speaks to Rodriguez’s undersung range as a filmmaker that one movie is a bawdy, gory comedy about a criminals on the run who encounter an ancient den of vampires, while the other is a family-friendly tale of two siblings who discover their parents are secret agents and must rescue them from a supervillain.
Rodriguez will not only be present to talk about both movies, he will be performing music each day with a different band.
Reviewing “From Dusk Till Dawn,” which was scripted by Quentin Tarantino, Jack Matthews said it was “a film nerd’s fever dream, a Frankenstein’s monster of used movie parts, deliberately mismatched styles, and deliriously implausible characters.”
Elaine May’s secret success
Dustin Hoffman and Jessica Lange in the movie “Tootsie.”
(Everett Collection / Columbia Pictures)
One of the most exciting things about the ongoing revival of L.A.’s repertory scene is the upheaval of the notion of the “canon.” What are the most lauded movies of all time and who gets to do the lauding? Case in point is the now widely accepted coronation of Elaine May as a towering creative figure, no longer relegated to being merely a fringe character unfairly saddled with the commercial failure of “Ishtar.”
May is credited as director on only four feature films, though she’s an uncredited writer on a number of other projects, perhaps most notably 1982’s comedy “Tootsie,” starring Dustin Hoffman as a struggling New York City actor who finds success when he lands a part by secretly posing as a woman. Directed by Sydney Pollack, who also makes a tremendous turn as Hoffman’s agent, the movie will be playing at Vidiots on Saturday.
Finding new moves
Wiley Wiggins and Patrick Riester in the movie “Computer Chess.”
(Kino Lorber)
The very first thing I ever wrote under the banner of Indie Focus was about how independent filmmakers such as Andrew Bujalski and Alex Ross Perry were working on 35mm at a time when mainstream Hollywood was very much forcing the idea of shooting on digital. So it only seems appropriate that this final edition of the newsletter should include something on Bujalksi, who has long been one of my favorite contemporary American filmmakers.
“Computer Chess,” Bujalski’s oddball experiment in using antiquated video equipment to tell a heady, offbeat story about a weekend chess tournament in the early ’80s, will screen in a 35mm print at Brain Dead Studios on July 24, presented by Mezzanine. Bujalski will be present, along with Blair Barnes, a filmmaker who will be showing the L.A. premiere of his short “sitrep,” also shot on an analog-era tube camera.
New this week
Matt Damon and Zendaya in the movie “The Odyssey.”
(Melinda Sue Gordon / Universal Pictures)
Sure to be one of the biggest movies of the year, Christopher Nolan’s adaptation of “The Odyssey” opens today. Los Angeles audiences have multiple venues to choose from that are showing the film in Nolan’s preferred Imax 70mm format — these theaters are among only a small number across the world that are doing this. Presenting a movie in Imax 70mm isn’t the easiest endeavor. Eloise Rollins-Fife has a report on how that’s actually done. Get your epic on.
Reviewing the movie, Amy Nicholson wrote, “Nolan refuses to tremble before the canon. Grabbing mighty scissors, he cuts and rejiggers Homer and a bit of Virgil to transform these classical texts into his type of tale: one fixated on memory, self-identity, destructive genius and the slippage of time. As ever, it’s light on sex, heavy on wine-dark angst.”
Kenneth Turan spoke to Nolan about the movie’s origins, saying, “I’ve been telling this story in all my films for years. It’s a family story, a love story, a revenge story, a war story, a coming-of-age story. It’s a very strong foundational text for me.”
The Hairdresser Mysteries seems to have won over TV viewers as it launched to favourable reviews on BBC One
The Hairdresser Mysteries had a great response from viewers(Image: BBC/Mill Bay Media/Khuram Mirza)
A new BBC detective series has left fans “obsessed” as it launches with positive reviews.
The Hairdresser Mysteries made its debut on Friday, 17 July at 2pm. Written by playwright Jim Cartwright, the series centres on Lily Petal, a talented hairdresser whose obsession with all things 1970s is matched only by her flair for styling.
After leaving the fast-paced world of an upmarket London salon, she relocates to a small hairdressing shop in a quiet northern market town in search of a slower pace of life. However, that plan quickly unravels when a string of suspicious deaths begins unfolding around her new home.
Before long, Lily finds herself solving crimes instead of simply cutting hair, with sharp-minded assistant Clary Coombs by her side. Their unlikely detective team is completed by the town’s resident busybody, Wincey, and enthusiastic Police Constable Adam, who all become caught up in a series of investigations.
Leading the cast is Sally Phillips as Lily, the fashionable salon owner whose knack for uncovering clues proves just as useful as her skills with a pair of scissors. The 56-year-old actress is widely recognised for playing Shazza throughout the Bridget Jones film series.
Taking on the role of Clary is Charlotte Jordan, whose character’s intelligence and eye for detail make her an invaluable partner in Lily’s amateur sleuthing. The 32-year-old actress is best known to television audiences for portraying Daisy Midgeley in Coronation Street, a role she held between 2020 and 2025.
Promoting the show on Instagram, actress Charlotte penned: “The Hairdresser Mysteries’ drops on @bbcone and @bbciplayer today with the schamazinggg @sallysmack @isunetra and @bencastlegibb.
“Welcome to Blosson Vale. Where everyone’s a little bit odd…and someone usually ends up dead. New episodes every Friday for the next six weeks.”
After seeing her post, fans couldn’t get enough and headed straight to the comment section to share their thoughts. One social media user wrote: “So obsessed, already need another series!!”
Another wrote: “LOVING IT SO FAR!! Lily and Clary are already an ICONIC duo!!”
Fans on X, formerly known as Twitter, also shared similar sentiments, with one writing: “I guess a lot of us were just watching because it was Charlie Jordan’s first job after Corrie and she was brilliant.”
The Hairdresser Mysteries airs Fridays at 2pm on BBC One.
Fronted by First Dates star Fred Sirieix, the travel show titled Fred’s Ultimate Hotels will see the star explore the world’s most luxurious hotels.
The hospitality expert is swapping the restaurant floor for the open road to spotlight some of the most breathtaking places to stay.
From the regal splendour of The Royal Mansour in Marrakech and the stunning Royal Madikwe safari lodge in South Africa, to the timeless grandeur of Raffles Singapore, Fred will travel the globe checking into the world’s most spectacular hotels.
He will take viewers behind the scenes to reveal the people, precision and passion that create world-class service. During his stay, he uses own Five Fs: First Impressions, Facilities, Flawless Service, Fine Details and Feeling.
But this is far more than a luxury travel series. In every episode, Fred experiences each hotel from both sides of the reception desk.
First checking in as a guest to enjoy everything the property and destination have to offer, he then swaps five-star luxury for staff uniform, working alongside the teams responsible for creating seamless guest experiences.
Speaking about the new show, Fred said: “People often think the secret to a great hotel is the building, the food or the luxury.” Of course, those things matter but for me, it’s always about the people.
“The welcome, the attention to detail and the passion of the staff are what turn a wonderful hotel into an unforgettable experience.”
Every episode ends with Fred presenting his Hospitality Hero Award to one exceptional member of staff. Fred remarked: “It was an incredible privilege to work alongside some of the world’s best hospitality teams and to see first-hand the pride they take in what they do.
“I hope viewers will discover some extraordinary places, but more importantly meet the remarkable people who make them so special.”
Jannine Waddell, Executive Producer at Waddell Media, said: “Fred is the perfect host for this series. As one of the world’s leading hospitality experts, he knows exactly what it takes to deliver truly exceptional five-star service.
“But what makes Fred so special is that he’s never afraid to roll up his sleeves and get back to the job he loves. Whether he’s checking in guests, working front of house or supporting the team behind the scenes.
“He has enormous respect for the people whose passion and dedication create unforgettable experiences.”
Fred’s Ultimate Hotels is due to air on Channel 4 later this year.
A Democratic senator alleges that whistleblowers have detailed several problems stemming from rushed or improper reconstruction of the Kennedy Center, adding a new layer to the travails of the arts complex after President Trump tried to seize control of it and its name.
Sheldon Whitehouse of Rhode Island said in a release Saturday that he had received a whistleblower disclosure from the Government Accountability Project, a nonprofit whistleblower protection group, alleging that “the Center rushed a series of renovations driven by the President’s aesthetic whims and his desire to star in a series of televised events in December.”
“The Center’s subservience to the President’s desires and its corner-cutting contracting practices have resulted in steel columns that are rusting through fresh paint, a reflecting pool that may have to be torn out and rebuilt, and a brand-new bathroom floor torn out over an offending tile color,” Whitehouse said. “This is waste, and it treats a national memorial to President Kennedy as if it were a private renovation project.”
Whitehouse released a letter he wrote to the Kennedy Center’s executive director, Matt Floca, seeking answers by July 23. He said the whistleblower report included “firsthand accounts of multiple former Center project managers, supported by contemporaneous documents and photographs.” He also included an 83-page appendix full of internal center documents, emails and photos of apparently shoddy construction.
The allegations in the letter include that the center rushed work before it was authorized by Congress because it wanted it to be complete for Trump to accept the so-called FIFA Peace Prize that the soccer federation awarded him.
In doing so, the letter alleges, the center didn’t follow required contracting guidelines and wasted money replacing a bathroom because the president didn’t like the color and inking no-bid contracts. One $8-million contract to replace the concert hall’s floor went to a firm with no experience in concert halls, Whitehouse contended.
The Kennedy Center did not immediately respond to a request for comment.
Trump seized control of the arts and culture venue named for President Kennedy at the beginning of his second term. Trump ousted the center’s leadership and replaced it with a Board of Trustees that named him chairman and added his name to the building.
Democrats sued to remove it, and a federal judge ruled that Trump’s name must come off the venue, noting that only Congress has authority to rename it. Trump also tried to close the center for two years, only to be ordered by the court to keep it open.
Many artists have boycotted the venue in protest of the president’s actions.
