A dream team has assembled to bring a scripted series based on the book “Perversion of Justice: The Jeffrey Epstein Story” from the drawing board to the small screen.
Oscar-winning actor Laura Dern has signed on to portray Miami Herald investigative journalist Julie K. Brown, whose tireless reporting on the Epstein sex-trafficking case exposed how federal prosecutors approved what many have referred to as a “sweetheart” plea deal for Epstein in 2008.
Per Variety, the official description of the series reads: “An explosive account of an investigative reporter exposing the secret plea deal between Epstein and federal prosecutors. Drawing from Brown’s experience as a groundbreaking reporter for the Miami Herald, the book and the limited series follow her relentless years-long investigation that identified 80 victims, persuaded key survivors to go on the record, and led to Epstein[‘s] and Ghislaine Maxwell’s arrests.”
In 2008, the financier was charged with luring underage girls to his Palm Beach, Fla., mansion for sex. Under the plea agreement with then-U.S. Atty. for the Southern District of Florida Alexander Acosta, Epstein avoided a federal trial — where, if convicted, he could have faced a potential sentence of life in prison — and pleaded guilty instead to two state felony solicitation charges.
He served 13 months in a county jail but was allowed to go to his office six days a week on a work-release program.
Co-showrunners for the project are Eileen Myers, known for “American Hostage,” and Sharon Hoffman, best known for her work on “House of Cards” and who is adapting Brown’s book for television. Dern will also executive produce, along with Adam McKay and Kevin Messick, known for “The Big Short,” “Don’t Look Up” and “Succession.” Brown is also executive producing.
Although Sony Pictures Television is still pitching the series to networks and streamers, industry insiders predict that, with Dern and McKay on board, a green light is on the horizon.
Last week, Brown joined veteran journalist Katie Couric live on Substack to discuss her reporting on Epstein, and how the disgraced financier and his camp underestimated her. “I don’t think he worried about the little old reporter from the Miami Herald,” she said.
“When you have a sex predator of children who is — at the time I wrote this story, he was out there, you know, he was free — and he was still, as we now know, harming children,” Brown told Couric. “And so my goal at the time was to look at how this happened.
“Where was the breakdown? Was there someone who … was powerful who let him off the hook, and I just thought it was a good time to take a new look at it like a cold case detective would.
“By the time I decided to reopen the case, these women, these victims who were 13, 14, 15 years old, were now in their late 20s and early 30s, and Donald Trump became president right around this time. And ironically, as I was already looking at this story, he nominated Alexander Acosta to be his Labor secretary, and I knew at the time that he was the very person who had let [Epstein] off the hook. And so that’s where I started looking at this case.”
Clayton Kershaw’s 2025 teammates had already received their World Series rings in a pregame ceremony Friday at Dodger Stadium when the future Hall of Famer jogged out of the dugout wearing his No. 22 Dodgers jersey.
He took the ball from manager Dave Roberts on the mound and delivered the ceremonial first pitch. Then the team re-emerged to present Kershaw with his ring.
“For me it’s just a great ending to my career,” Kershaw said when asked what the new ring meant to him. “I couldn’t have scripted it any better.”
A detailed look at the inside of the Dodgers’ 2025 World Series championship ring.
(The Champions Collective)
Though his playing days are over, Kershaw’s time with the Dodgers will continue. He’s joining the front office as a special assistant, according to a person with knowledge of the situation not authorized to speak publicly.
The Dodgers’ ring ceremony was the second part of a two-day celebration of the team’s 2025 World Series title. On opening day, the Dodgers brought out their trophies from back-to-back World Series titles and raised their new championship banner.
“I’m excited,” Kershaw said a couple hours earlier, after watching the Dodgers take batting practice before facing the Arizona Diamondbacks. “It’s why we play, is to win some of these rings. I heard the ring is pretty over the top; I haven’t seen it yet.”
Over the top, indeed.
A detailed look at the inside of the Dodgers’ 2025 World Series championship ring.
(The Champions Collective)
The diamond- and sapphire-encrusted rings highlight the back-to-back nature of last year’s World Series victory. They include engravings of the 2024 and 2025 trophies on both the outside and inside of the ring.
The L.A. logo is made up of 17 custom-cut blue sapphires, one for every postseason game the Dodgers played last year.
On the underside side of the ring, the four playoff series are listed, along with “11.01.25,” the date of Game 7 of the World Series.
The ring top holds dirt collected from home plate during Game 7, visible through a glass window when the ring is opened. Inside the ring sits a bespoke band that’s also set with sapphires and a diamond.
Dodgers players (from left) Shohei Ohtani, Freddie Freeman, Mookie Betts and Max Muncy show off their World Series rings before beating the Arizona Diamondbacks at Dodger Stadium on Friday.
(Gina Ferazzi / Los Angeles Times)
In a nod to the fan base, the total attendance figure for the 2025 season (4,012,470) gleams in blue on the bottom of the ring. Each players’ ring is also personalized with his signature, last name and number.
“Anytime you get to celebrate one more time with your teammates, it’s pretty special,” Kershaw said. “I know they’ve got to move on to this season, but I don’t have to. So I’m just going to keep relishing it. It’ll be great.”
Kershaw was already in town for work. He appeared on NBC’s broadcast of the Dodgers’ 8-2 win Thursday against the Diamondbacks.
A detailed look at the side of the Dodgers’ 2025 World Series championship ring.
(The Champions Collective)
“It’s just talking baseball,” Kershaw said. “So if people want to hear me talk about baseball, I can do that all day. I love baseball.”
His new role with the Dodgers, first reported by the Athletic, is another form of talking baseball.
“Probably not physically here in L.A.,” Kershaw said. “But definitely, I’m sure I’ll watch games. I still want to be a part of the Dodgers, so if I can help in some small piece, I will.”
A detailed look at the side of the Dodgers’ 2025 World Series championship ring.
(The Champions Collective)
Because Kershaw joined Team USA for the World Baseball Classic and then jumped into part-time broadcasting, he hasn’t fully experienced retirement yet. He said he doesn’t miss playing, but he misses the people.
“There’s a freedom with retirement,” Kershaw said. “If you don’t want to work out, you don’t have to. If your back hurts, it doesn’t matter. If your arm hurts, it doesn’t matter. You get to see a lot more stuff, be around for everything. So there’s a lot of great parts. It doesn’t take away from how special playing this game is, but there’s a lot of really awesome parts about being home.”
There’s a lot of chatter around reality TV right now and the hazards of leaning into mess for the sake of potential viewership. Before Utah-based reality star and social media influencer Taylor Frankie Paul was making national headlines over domestic violence allegations brought against her by former boyfriend Dakota Mortensen — putting “The Bachelorette” and “The Secret Lives of Mormon Wives” series under interrogation — The Times was working on a group of stories that captured the longevity and cultural impact of the unscripted format.
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Speaking of reality TV — Valerie Cherish and “The Comeback” have returned for another round of the showbiz satire. The HBO comedy, which blends scripted comedy with a mockumentary format, originally premiered a year before the “Real Housewives of Orange County” and lampooned the effects of the early-2000s reality TV boom. It followed Valerie (Lisa Kudrow), a former sitcom star from the ’90s, as she attempts to revive her career by starring in a new sitcom while allowing a reality TV crew to document her journey. When the short-lived series was revived in 2014, it poked fun at the rise of prestige TV and the evolution of celebrity culture in the social media era. Now, its third and final season finds our favorite leading lady navigating Hollywood’s AI revolution. Michael Patrick King, who developed the series with Kudrow, stopped by Guest Spot to discuss the show’s latest timely exploration.
Also in this week’s Screen Gab, we take a breather from current programming and dust off two bygone titles. One is an animated sitcom that revolves around a mild-mannered therapist and his sessions with a notable clientele of real-life comedians playing exaggerated versions of themselves; the other is a mid-aughts thriller (of the Lifetime TV variety) that follows a heroic doctor who moonlights as a dangerous predator — its Letterboxd rating spread is something to behold. And it’ll make you wonder what Valerie Cherish might have brought to camp like that.
Let it all be incentive to spend some extra time on the couch this weekend — it’ll cut down on trips to the gas pump! Until next week.
— Yvonne Villarreal
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Recommendations from the film and TV experts at The Times
Dr. Katz, played by creator Jonathan Katz, invites his ex-wife, Roz, played by actor/author Carrie Fisher, to indulge in a dysfunctional family Thanksgiving on “Dr. Katz, Professional Therapist.”
(Comedy Central)
“Dr. Katz, Professional Therapist” (YouTube)
Once in a while the algorithms that rule our lives do us an actual favor, and so it was that YouTube alerted me that the entirety of this great turn-of-the-century cartoon lives there, hosted unofficially on a variety of channels. (Just type in the title.) Created by star Jonathan Katz with Tom Snyder, the inventor of an animation workaround called Squigglevision — in which vibrating outlines give a crude effect of action — and co-produced by Loren Bouchard, who would go on to co-create “Bob’s Burgers,” this six-season, semi-improvised, Peabody Award-winning Comedy Central series is founded on the notion that a comedian’s patter can resemble the neurotic unloading one might encounter in a psychotherapist’s office. And so onto Katz’s couch comes a parade of future comedy elder statespersons, naively but recognizably rendered, including Ray Romano, Lisa Kudrow, Dave Chappelle, Garry Shandling, Marc Maron, Catherine O’Hara, Margaret Cho, Wanda Sykes, Patton Oswalt, Sandra Bernhard, Paul F. Tompkins, David Cross, Jim Gaffigan, Steven Wright and Conan O’Brien. Rodney Dangerfield, already an elder comedy statesperson, has some things to say about his wife. Framing the therapy sessions are the domestic misadventures of Katz and his adult child son, Ben (H. Jon Benjamin, the Mel Blanc of adult animation, if Mel Blanc only used his own voice). Can’t-be-bothered secretary Laura (Laura Silverman, recently seen as Jane the documentarian on the new season of “The Comeback”), fills out the regular cast. — Robert Lloyd
“Stalked by My Doctor” (Tubi)
Last weekend, the Museum of Home Video hosted an interactive game at Vidiots where the sold-out crowd watched the first five minutes of 10 films and then voted on which flick to finish. “Stalked by My Doctor” won in a landslide. This 2015 Lifetime TV movie is one of the most bizarrely watchable trash films of the 21st century. Eric Roberts stars as Dr. Beck, a lovelorn, egotistical California cardiologist who is convinced he’s a catch. This graying bachelor falls for his patient, a high schooler named Sophie (Brianna Joy Chomer) and, when rejected, threatens to clobber her disabled boyfriend (Carson Boatman) with the guy’s own crutch. Filmmaker Doug Campbell makes B-pictures like a plastic surgeon does liposuction: He hacks off all the fat. Subtle? Absolutely not. Yet, there’s not a single dull scene and the characters make smarter moves than you’d expect. By the end, I was hooting and clapping, and giddy to hear that this top-notch schlock launched a five-film franchise. Some night soon, you can bet I’ll put on “Stalked by My Doctor: Patient’s Revenge.” — Amy Nicholson
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Lisa Kudrow as Valerie Cherish in “The Comeback.”
(Erin Simkin / HBO)
Could ChatGPT deliver a script worthy of Valerie Cherish’s talents? More than 11 years after it was last revived, “The Comeback” returned this month with a third season that explores the fear of technology replacing artists, and the ethical compromises that arise, through its sharp and uncomfortable comedic touch. Valerie is offered the lead in a new sitcom, “How’s That?,” on a faltering streaming service called the New Net. But there’s a catch. It’s the first-ever TV series to be written by AI — a fact that network brass wants to keep secret to avoid industry backlash. Valerie is initially resistant to the idea, but a humiliating experience on an indie shoot has her reconsidering. Is she about to be part of the new future of TV? A new episode of “The Comeback” drops Sunday on HBO and HBO Max. Over email, King shared his worries over how AI may transform the entertainment business and the series he’d pick to join the comeback circuit. — Y.V.
This season has Valerie Cherish starring in the first sitcom written by artificial intelligence. The series has always hilariously explored industry shifts. What concerns or curiosities do you have regarding AI, and did those evolve as you worked on the season?
Concerns — yes, many. They range from young writers with nowhere to learn their craft to no writers, young or seasoned, anywhere but the Coffee Bean & Tea Leaf. And yes I’m curious — white-knuckle curious — to see how the threat of AI (Season 3) will change how we make TV compared to how way the threat of reality TV (Season 1) and the threat of prestige cable and streaming (Season 2) did. Spoiler alert …television and TV writers are still here. When is this being published?
Without spoiling anything, there’s a scene in this week’s second episode where Valerie takes a meeting with some Hollywood folks — and it’s an odd experience. Do those meetings feel any more confusing or bizarre to you, in terms of how network brass thinks about the landscape, than they did a decade or two ago?
That billion-participant Zoom scene in the episode is very reflective of the “pitch process” today — in fact more than reflective — it’s a documentary … minus the occasional “pop-up pet.” What’s missing from this current Zoom pitch process is the in-person connection, which also accounts, I think, for why you no longer hear the phrase: “I sold it in the room.” No room, more people — less sales?
What does your writing process with Lisa Kudrow look like? Place me in those weeks of writing the first episode of this season.
The first and every episode has the same process. We talk, we laugh, we eat, we improv, we take turns writing it down — you know, things human writers do.
In addition to this third go with “The Comeback,” you worked on multiple seasons of “… And Just Like That.” What have you found interesting about the process of revisiting characters at a different stage in your life? Has one felt easier to navigate than the other in the current entertainment landscape?
I’m fascinated by a character’s personal evolution — how they can grow over the years. Who they were, who they might be now, what they’ve let go of — how they’ve changed. I’m also fascinated by how some fans of these characters don’t want them to change. In the current TV landscape — the fans are very vocal.
What have you watched recently that you are recommending to everyone you know?
“The Pitt” [HBO Max]. In addition to the good characters, it’s the thrill of being introduced to new actors.
As a viewer, which show — excluding those in your catalog — do you think would be worthwhile to revisit in 2026?
“Freaks and Geeks” [Prime Video, Paramount+]. One season only. Sometimes … a special show that was canceled — deserves a comeback.
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
In another busy week for new releases, the horror-comedy “Forbidden Fruits” is among the standouts. Having just premiered at SXSW, it is the feature debut for director Meredith Alloway, who co-wrote the screenplay with Lily Houghton, adapting Houghton’s play. Diablo Cody is a producer on the film, and the movie shares a sensibility with her beloved “Jennifer’s Body.”
Set at a Texas shopping mall, the plot follows a group of female employees at a boutique who are secretly a coven of witches after hours. They bring a new employee into their fold. Lili Reinhart, Lola Tung, Victoria Pedretti and Alexandra Shipp star.
Alexandra Shipp, from left, Victoria Pedretti, Lili Reinhart and Lola Tung in the movie “Forbidden Fruits.”
(Sabrina Lantos / Independent Film Co. / Shudder)
Though Katie Walsh gave the film a mixed review, declaring it “essentially the fast fashion of girly pop horror,” the film casts a spell when it is working.
Pedretti in particular is a standout, and Malia Mendez spoke to her about the role. “It asks a lot of people to try to step into a world like this one,” Pedretti said of the film’s knowing, campy style. “And as nerve-racking as it may be to take that big swing, you gotta take the big swing.”
Also opening in L.A. this week is Sofia Coppola’s “Marc by Sofia.” The director’s first documentary, it’s more a snapshot than a definitive portrait of the life and career of her longtime friend, fashion designer Marc Jacobs, as he prepares for his spring 2024 collection. While not as in-depth or revealing as one would hope, the film has a warmth and charm all its own. And anyone feeling nostalgic for ’90s New York after watching the recent TV series “Love Story” will get a buzz from this too.
Larry Karaszewski on ‘Last Summer’
Richard Thomas, left, Barbara Hershey and Bruce Davison in the movie “Last Summer.”
(Warner Archive)
The American Cinematheque at the Aero Theatre on Sunday will host the world premiere of a new restoration of the theatrical version of 1969’s “Last Summer,” directed by Frank Perry from a screenplay by Eleanor Perry. Actors Barbara Hershey and Bruce Davison will be there for a Q&A moderated by screenwriter Larry Karaszewski.
“This is one of the holy grails for movie nerds,” says Karaszewski in a recent phone interview. The restoration happened in no small part thanks to his persistent and vocal fandom of the film. Best known for his work with writing partner Scott Alexander (including “Dolemite Is My Name” and “Ed Wood”) and currently a governor in the academy’s writer’s branch, Karaszewski is also a pillar of the repertory scene around Los Angeles, frequently moderating Q&As and an avid moviegoer.
Richard Thomas, left, Barbara Hershey and Bruce Davison in the movie “Last Summer.”
(Warner Archive)
“Last Summer” follows three teenagers (Hershey, Davison and Richard Thomas) whiling away the summer at the beach on New York’s Fire Island. As a certain psychosexual energy escalates among them, winding each other up, they turn their attention to a younger girl (Catherine Burns) and torment her in increasingly sadistic ways.
For her performance, Burns was nominated for an Oscar for supporting actress, while Hershey briefly changed her last name to Seagull after a bird was accidentally injured on set.
In his original July 1969 review, The Times’ Charles Champlin called “Last Summer” “a compelling and disturbing movie, with moments of quite extraordinary power and poignance.”
“This was a movie that people who saw it were just fascinated by,” says Karaszewski. “Even though it came out in ’69, it feels like an important ’70s-style movie, a really rough youth film that used the new freedom that cinema had at that time. But you couldn’t see it.”
Director Frank Perry and screenwriter Eleanor Perry during production of “Last Summer.”
(Warner Archive)
Over time, the rights to the movie changed hands, elements went missing and it became a rarity. Due to an intense rape scene, the movie was also briefly released to some theaters with an X-rating, though Karaszewski says the differences to the R-rated version are minimal — a matter of a few frames and a single word. Released on VHS, “Last Summer” has never been on DVD or Blu-ray. (The Warner Archive label will release a disc of the new restoration later this year.) An edited TV version of the film has circulated, and the last few times “Last Summer” has shown in Los Angeles, it has been from a print discovered at an archive in Australia.
Karaszewski has long had a fascination with the film, one that was only fueled by its inaccessibility.
“It became famous as just, ‘Oh, that’s the movie Larry champions, that’s the movie that Larry won’t stop talking about,’ ” he says. Karaszewski jokes that he won’t know what to do with himself now that his longtime obsession with seeing the film revived has been fulfilled.
“I’ve been championing it so long,” he says. “It could have been just like, ‘Oh, Larry’s a little crazy. He loves this movie.’ And that would’ve been fine too. I’m a person that feels like every movie should have its day in the spotlight.”
The complete Akira Kurosawa in 35mm
An image from Akira Kurosawa’s “Ran.”
(Rialto Pictures)
On Saturday, the Academy Museum launches “Darkness and Humanity: The Complete Akira Kurosawa,” a comprehensive retrospective of the Japanese filmmaker’s 30 existing features, all of which will screen in 35mm. The series opens with two of Kurosawa’s best-known films, “Seven Samurai” and “Rashomon.” Other highlights include “Throne of Blood,” “Ikiru,” “Hidden Fortress,” “Stray Dog,” “High and Low,” “Dreams” and “Ran.” This is a rare opportunity to take in the true breadth of Kurosawa’s work.
Writing about the filmmaker in 2009 to commemorate the centennial of his birth, Dennis Lim said, “The wonder of Akira Kurosawa’s 50-year career is that it was at once remarkably varied and satisfyingly coherent …. But the constant in his films was the principle of heroism, not as a vaporous ideal but a way of life, an awareness of individual agency and personal responsibility in a world that does not always reward or even allow heroic behavior.”
Toshiro Mifune in Akira Kurosawa’s “Yojimbo.”
(Janus Films)
Kurosawa’s influence on other filmmakers around the world has been widely acknowledged. Upon the news of Kurosawa’s death, Steven Spielberg proclaimed him “the visual Shakespeare of our time” and added, “I am deeply saddened by Kurosawa’s death. But what encourages me is that he … is the only director who right until the end of his life continued to make films that were recognized as, or will be recognized as, classics.”
In 1985, while in Los Angeles for a screening of his film “Ran,” Kurosawa described his own work by saying, “I just make up stories and film them. When I am lucky, the stories have a lifelike quality that makes them appealing to people and the film is successful.”
Points of interest
‘To Sleep With Anger’ in 35mm
Actor Danny Glover and director Charles Burnett during production of “To Sleep With Anger.”
(Samuel Goldwyn Company / Photofest)
To celebrate the release of Ashley Clark’s new book “The World of Black Film: A Journey Through Cinematic Blackness in 100 Films,” the UCLA Film and Television Archive will screen Charles Burnett’s 1990 drama “To Sleep With Anger” in 35mm at the Billy Wilder Theater on Sunday. Clark will be there for a book signing, and Burnett will join him for a Q&A.
Recently included as part of The Times’ ranked list of the 101 best Los Angeles movies, “Anger” stars Danny Glover in a galvanizing performance as Harry, an old friend from the South who arrives for an unexpected visit to a family in South Central L.A., upending their lives.
In his book, Clark describes the film as “a singular work with a distinct yet tantalizingly hard-to-pin-down performance from Danny Glover, who, as the inscrutable Harry, flickers between menace and charm, using all of his six-foot-four-inch stature to dominate the frame.”
In a 1990 Times story by David Wallace, Burnett spoke about how the film was meant to evoke a sense of Black cultural history, saying, “I didn’t appreciate the [storytelling] tradition until it disappeared. I had a sense of who I was because of that experience. … This film was an attempt to go back and deal with the past. To tell a story about a story.”
Added Glover: “I think there is a little of Harry in all of us. We’re constantly in conflict between the good side and the other. Harry’s involvement with the dark side is not that uncommon.”
Clark will also appear at the Academy Museum on Monday for the world premiere of Ngozi Onwurah’s restored 1995 film “Welcome II the Terrordome.”
‘Thank You for Smoking’
Aaron Eckhart in the movie “Thank You for Smoking.”
(Dale Robinette / Fox Searchlight Pictures)
On Saturday, Vidiots will host a 20th anniversary screening of Jason Reitman’s debut feature “Thank You for Smoking” in 35mm, with the filmmaker in attendance for a Q&A. Adapted by Reitman from a novel by Christopher Buckley, the film is media satire that follows the misadventures of a lobbyist (Aaron Eckhart) for Big Tobacco. The cast also includes Katie Holmes, Robert Duvall, William H. Macy and Sam Elliott.
In his original review, Kenneth Turan called the movie “that rare film that actually has a sense of humor,” before adding, “Reitman’s script and direction retain the novel’s rhythms and black comic sensibility while at the same time eliminating and/or rearranging large chunks of its plot. He’s also figured out a way to make the story more conventionally audience-friendly without losing the extraordinary bite that made the book so successful.”
I recall an afternoon spent on the Fox lot talking to Reitman and Buckley together for a piece I wrote in 2006. The political climate that the film examines, one of extreme partisanship, has only heightened in the years since.
“The compliment the book always got,” said Reitman at the time, “which I thought was wonderful, was Democrats always thought it was theirs and Republicans always thought it was theirs. Like all good satire, the book was a mirror. … It doesn’t feel like it’s coming from one way or the other. It’s ridiculing both, and hopefully the film does the same thing.”
Scrubs fans have been wondering if any more original cast members will return.
Scrubs Cast – then and now
Fans are wondering if one of the most beloved characters from the original series of Scrubs will appear in the revival.
*Warning – this article contains minor spoilers for the revival series of Scrubs*
A few weeks into the new season, we have already been reacquainted with JD, Turk and Elliott played by Zach Braff, Donald Faison and Sarah Chalke respectively. Early episodes have also featured brief appearances by John C McGinley’s Dr Cox and Judy Reyes’ Carla.
Unfortunately they are not series regulars for the new iteration. Although the Todd has been a more regular occurrence.
The Janitor was an instant favourite in the original series. He appeared during the original eight season run and was played by Neil Flynn.
Most dedicated viewers will know that the writers first considered the role would actually be a part of the main character’s imagination but they soon abandoned that idea part way through the first season.
He did not appear in the ninth season, having apparently quit as soon as he found out his adversary JD no longer worked at the hospital. Behind the scenes, Flynn’s commitment to starring in the sitcom The Middle at the same time prevented him from appearing.
But will the Janitor appear in the new series? Here’s what we know so far.
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Is the Janitor in the new series of Scrubs?
Yes, the Janitor is due to make an appearance in the series. A video shared to the show’s official Facebook page back in February confirmed it by sharing a short video. It was captioned: “Oh, he is SO back. Neil Flynn is scrubbing back in to Scrubs.”
However, the actor was not in his character’s usual attire. Instead of his maintenance overalls, he is seen wearing a suit. The person behind the camera drops a disposable coffee cup before Flynn enters the shot and says: “I’m not cleaning that.”
This clip sparked more than a 1,000 comments of fans sharing their excitement to the news. One person simply stated: “Best. News. Ever!” Another replied: “Shut the front door!?!!! I cannot waaaait!! I was getting so worried because I hadn’t seen him in any of the sneak peeks.”
However, six episodes have been released so far and Flynn is still to appear. The show seems in no rush to offer up more cameos as it spends time introducing fans to the new characters. This week, in the sixth instalment, only just saw the reintroduction of another beloved role – the stuffed dog Rowdy, who was revealed to now be living in JD’s office.
There only three episodes left of the revival series according to its Wikipedia page, so it should not be long before Flynn appears. We still don’t know for sure which one it will be though. It could be that the makers of the show are saving something special for the finale.
First baseman Freddie Freeman, pausing outside of the Dodgers’ home dugout to talk about the upcoming season, nodded his head toward the right-field foul pole, where just beyond it the Dodgers’ championships signs are displayed.
Eight baseball-shaped signs sported their years — 1955, 1959, 1963, 1965, 1981, 1988, 2020, 2024 — while a ninth was still shielded by a blue cover, with plenty of room along the stadium’s club level for more.
“You want to just keep putting those banners up,” Freeman said. “That one’s blocked for a reason. You want to do it again. You want to keep doing it over and over and over again. And that’s what’s fun, and then that’s what makes everything else just take care of itself.”
The 2025 championship sign will be revealed as the Dodgers both celebrate last year’s achievements and set the tone for this year.
They’ll receive their World Series ring on Friday, but they’ll also be in the midst of playing three games against the Arizona Diamondbacks.
“Everyone’s different,” Freeman said. “Some people want to move on and get on to the new season and not worry about last year. I’m one of the guys that can appreciate what we did last year, even in the present year.
“It’s hard to win a World Series. I don’t like to just kick it to the side. … Our fans haven’t celebrated it since the parade. We get to celebrate with our fans and open the weekend. It’s going to be a great time.”
“I get my ring, and I put it in the safe, and I don’t really look at it ever again,” he said when asked about the ring ceremony. “It brings back all the emotions from the prior year, you like showing friends and stuff, it’s cool. But no, for me, the motivation is just winning, being with these guys each and every day, and competing with them and working towards that goal.”
On that point, Dodgers players seem to agree.
They don’t need a tangible reminder of their World Series aspirations this year.
“It’ll be one of the few days where we really think about what we did last year, versus what we’re trying to do right now,” veteran third baseman Max Muncy said.
Plenty of teams say their goal is to win the World Series. But the Dodgers have raised their outside expectations, too. Entering Thursday, PECOTA put the Dodgers’ odds of completing a three-peat at 20.8%, by far the highest World Series chances in the majors. PECOTA, Baseball Prospectus’ projection system, listed the Mariners as next most likely to win the World Series, at 14.2%.
While those numbers establish a clear favorite, they also reflect how unpredictable the postseason can be. Even the Dodgers, with their lofty payroll and strong player development track record, will need health, luck, and the right mindset to pull off a third straight championship.
“You know what the goal is every single year, and that’s to be the last team standing at the end,” Mucy said. “But we more so preach, how do you get there, instead of that being the goal. And for us, it’s always been, you have to take it one day at a time.”
The phrase itself isn’t a novel concept. The trick is making that focus a reality, and a team standard.
“I talk about it every day,” manager Dave Roberts said. “I’ve talked about it since I got here. It’s just, let’s win a baseball game. That’s our mantra, and everyone in this building, that’s the goal.”
The veterans on the team preach it too, hoping to pass down that team-first focus to the generation coming behind them.
“When you put on this uniform, you come in here, you see all these superstars working extremely hard every single day — front office, ownership group doing the same thing — that’s the expectation,” Freeman said. “It’s a different standard, and you just want to be part of that standard that keeps the level high.”
After the commotion of the championship banner reveal and the ring presentation the first two days of the season, “let’s win a baseball game,” will continue to be the mantra.
Maybe it will even work well enough, day after day, for the Dodgers to add another sign to their championship display this time next year.
Fans now know when they can look forward to the new adaptation
20:06, 25 Mar 2026Updated 20:10, 25 Mar 2026
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Fans of Harry Potter admit that they are ‘dancing in their room’ after the first ‘incredible’ trailer finally landed for the upcoming HBO series.
We have known for some time now that a new adaptation based on the series of books written by J.K. Rowling has been on the way. Most have welcomed the news with cautious optimism. Some have said to be unsure we need another version after the much admired film series.
This new iteration is set to be a faithful adaptation of the iconic novels, with the author credited as an executive producer. Each season of Harry Potter will be introduced to both new and existing fans, exclusively streaming on HBO Max which finally launches in the UK this month.
The original classic films will continue to be accessible for viewing globally. While fans should be able to stream the new series on HBO’s dedicated platform, Sky and NOW users should also have access providing they have the correct subscription.
It’s been previously suggested that the studio is optimistic about the series being as successful and well-received as the films, with hopes of it running for a minimum of 10 years. The series is penned and executive produced by Francesca Gardiner, known for her work on Killing Eve and His Dark Materials. Multiple episodes will be directed by Mark Mylod, renowned for directing several episodes of the HBO hit series Succession.
Last year it was confirmed that emerging talents, Dominic McLaughlin, Arabella Stanton, and Alastair Stout, will take on the legendary roles of Harry Potter, Hermione Granger, and Ron Weasley, respectively. We now have a first glimpse of their much anticipated performances.
That also includes the new portrayals of other beloved characters. This includes Hagrid played by Nick Frost and Professor Dumbledore, with Hollywood star John Lithgow taking on the responsibilities of the role.
Fans now also know when they can expect to start watching the series and it is sooner than many think. The caption for the video as shared on YouTube states: “A new era of Hogwarts begins. The HBO Original series Harry Potter and the Philosopher’s Stone premieres this Christmas.”
As expected, fans were quick to share their thoughts and opinions on the first footage shared from the series. Many were actually surprised at how much they enjoyed it.
One person replied: “This actually looks incredible! I love that they’re going to show more of Harry’s life with the Dursleys!” Another added in a similar vein: “THIS LOOKS INCREDIBLE!!! God Bless HBO!! THIS CHRISTMAS.”
Someone else confessed: “I’m dancing in my room right now.” While one person noted: “I actually love the take on Harry trying to be a muggle student at a school.”
Surprised by how the first episode seems to be approaching faster than first anticipated, one said: “Also, Christmas??? YESSS!!! I thought we’d have another year!!”
Plenty of others recognised that the series will allow them to explore more events of the book and reflect on characters more deeply. Some fans even admitted that they were left emotional and even in tears at the thought that the series could allow them to relive their childhoods. One person commented: “I shed a tear…my childhood is coming back to me again.”
One person posted: “I’m sobbing this is incredible” and another “I’m literally crying.”
Harry Potter is streaming on HBO Max this Christmas.
Riz Ahmed has created and stars in a marvelous new series, “Bait,” premiering Wednesday on Prime Video. There are no worms in it, though viral video plays a part, and fame — the pursuit of which is a subject — is a lure.
But what’s in a name? A comedy by any other name would be as funny — if it was funny, and this one very much is, in a way that’s crazy and serious and human, built around a character in crisis who refuses to believe his life is out of control and is so invested in putting up a front that he’s begun to believe his own lies. Almost. It’s a series in which hallucinations, dreams, magical realism and memories, which punctuate and interfere with the “normal” business of the story, all amount the same thing, and in which the style of the filming shifts with the action.
Ahmad plays Shah Latif, a British Pakistani actor, who, owing to the exertions of his faithful, often frustrated agent, Felicia (Weruche Opia), is improbably auditioning to be the next James Bond. But he repeatedly forgets his line when his scene partner, a girl with a gun, asks, “Tell me, when it’s just you all alone, how do you live with yourself? Do you even know who you are?” establishing a theme. (The line he can’t recall: “I don’t live with myself, I live with whoever you need me to be.” Spies and actors!)
Leaving the audition, he contrives to be photographed by one of the paparazzi lurking outside, sniffing for a Bond scoop; his picture is published, which creates a stir and some racist blowback, culminating in a package thrown through the front window of his parents’ home. (It is not a window that opens.) What’s inside the package I’ll leave for you to discover, but it will play a part through the rest of the show.
The recurring question of who will be the next James Bond generates a lot of pop cultural heat in our world; just type “next James Bond” into your search engine of choice. At one point, you may recall, Idris Elba was regularly bruited as a potential 007, which occasioned enough anti-Black reaction that he officially took himself out of the unofficial running. It may have been on Ahmed’s mind here — Shah claims high purpose for his Bondean aspirations, that he wants “to show them that this too is what British looks like.”
On the one hand, Shah has had enough of a career to have been made into a “limited edition collectible action figure,” starred in a well-regarded but underseen small film, played “the translator in ‘Homeland’ series seven” and earned a rising star award from some French festival; on the other, he is, professionally speaking, no Idris Elba — not a nobody, but not too many rungs above it. (He’s not Dev Patel, either, with whom he’s repeatedly confused.)
At the top of the second episode, Shah is seemingly being interviewed on a podcast, “Sir Chatwick Stewart, with me, Sir Patrick Stewart” — played by the man himself, whom we hear but never see — about his ambitions, though it’s soon clear that Stewart is a mental projection, an inner critic and inquisitor. He’ll stick around through the series, offering barbed commentary and something like support: “If I humiliate you, it’s to save you from the bigger humiliation of remaining as you are.”
As a protagonist continually getting in his own way, Shah is a classic sort of comic character. He creates opportunities only to squander them; finds himself voiceless after forcing himself onstage at a black-tie gala or in an underground club (he was once a politically provocative MC). After a newsworthy mishap, his agent advises him to lie low, which is impossible for him to do; there is no itch he won’t scratch, and no good advice he’ll actually follow. Apart from a rival actor (Himesh Patel) he’s a protagonist without antagonists, excepting himself. He’s insufficiently grateful to the people he owes, and insufficiently apologetic to those he’s wronged.
Shah’s self-involvement will be challenged by ex-girlfriend Yasmin (Ritu Arya), encountered first by accident, then sought out — a writer, she has published an op-ed headlined, “No, Shah Latif, We Don’t Need a Brown Bond” — in which she accuses him of “exchanging his political art for vanilla distraction.” His family, whom he neglects to visit for months, includes warm-hearted cousin Zulfi (Guz Khan), who has started a Muslim ride share company; a no-nonsense sister (Aasiya Shah) — the name of her character is rendered as “Q” on IMDb and elsewhere, but in the series itself she’s called Ainy — doting mother Tahira (Sheeba Chaddha); and his skeptical father, Parvez (Sajid Hasan), who has not been keeping his doctor appointments and asks Shah, “What do you even do? I watch TV all day — you’re never on it.”
Appropriate to a character who lives for being onscreen, “Bait” plays with the language of film — gritty procedural, a burst of Bollywood, romantic comedy — though not necessarily to the usual ends. Frame-filling titles identify the London neighborhoods where the action takes place — Wembley, Kentish Town, Brick Lane, Ladbroke Grove — as Paris, Moscow and Mexico City might appear in an international thriller. The series is at once satirical and celebratory; “Bait” feels abundant, both in its presentation of a culture, which has the ring of documentary truth, and as a beautifully realized work of art.
The award-winning series returns for its fifth and final season soon, with fans calling it ‘awesome’
The series stars Jean Smart as Deborah Vance(Image: HBO MAX)
Fans of the series are wishing it would never end.
Fans of comedy dramas are in for a delight as an acclaimed dark comedy is poised to return with a brand new season soon.
The series first premiered on HBO Max back in 2021 and it charts the journey of a stand-up comedian and her comedy writer as they grapple with the shifting dynamics of their partnership.
The popular comedy was renewed for a fifth and concluding season, set to air on April 9, and it features Jean Smart as Deborah Vance and Hannah Einbinder as Ava Daniels.
HBO Max has just unveiled the trailer for the final season of Hacks, and within 24 hours it amassed over a million views.
Fans flocked to the YouTube comments to express their opinions, with one viewer exclaiming: “I never want it to end!!!”
Another commented: “I love when a series announces the final season, even though I adore Hacks, to end it’s inevitable, and to conclude with full control and a solid script is even better.”
A third chimed in: “I freaking love this show, I can’t wait for this final season.” Whilst a fourth enthused: “This is gonna be amazing!!!!!!”
A fifth declared: “Hands down, one of the best comedy series ever! Why does it have to end?”
Whilst numerous fans were disheartened that the series was drawing to a close, others were content that the show was concluding on its own terms.
One stated: “I’m so glad they’re going to be able to finish it knowing it’s the end.”
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Season five was confirmed to be the final season at the 2025 Emmy Awards, with star Hannah Einbinder revealing: “I think it will feel different.
“We’re going to start [filming] next week, and knowing it’s the last season is really bittersweet. But I think it’s right, you know?”
Einbinder expressed that it was the appropriate time to conclude the show, stating it’s crucial not to “overstay your welcome.
“I think it’s nice to do something as many times as it should be done,” she further commented. “Not overstay your welcome. Rip it and do it and laugh and cry.”
All four preceding seasons of Hacks have garnered critical praise and on the review aggregation website Rotten Tomatoes, the series as a whole boasts an impressive 99 per cent rating.
Since he became head coach at Birmingham in 2007, Matt Mowry is 0 for 18 when it comes to winning a West Valley League baseball title. He’s won five City titles but the Patriots haven’t been able to figure out how to win a league title.
A showdown against defending City champion El Camino Real on Tuesday didn’t start or end well for the Patriots. The Royals (10-3, 4-0) scored five runs in the first inning on six hits and coasted to an 8-3 win over Birmingham (10-2, 3-1).
The big hits in the first inning were an RBI double by JJ Saffie, a two-run double by Blake Dubin and an RBI single by Ryan Hauptman. For the second consecutive game, Birmingham pitcher Nathan Soto couldn’t make it out of the first inning. ECR starter Jackson Sellz, celebrating his 17th birthday, threw six innings before Hauptman came in to get the save. Ryan Glassman, Macai Friedman and Shane Bogacz each had two hits.
Birmingham is getting help starting Friday when transfers Masen Ruiz (Chatsworth), Toni Mendoza (Chatsworth) and Larkin Fleming (Sherman Oaks Notre Dame) become eligible. All could become starters. The two teams play again twice next month.
Fullerton 7, Ocean View 5: Luke Gonzalez had two doubles to help Fullerton come back from a 5-3 deficit.
Los Alamitos 4, Marina 0: Ryan Deck struck out seven, walked none and gave up two hits in the shutout. Cruz Derrico finished with three hits.
St. Bernard 5, Bishop Amat 4: Juan Sandoval struck out five in a complete game for St. Bernard.
Newport Beach 9, Edison 0: Gavin Guy struck out six in 5 1/3 innings and also hit a three-run home run.
Santa Margarita 2, Servite 0: Sophomore Tyler George struck out four, walked none and threw a two-hit shutout. He also hit a home run.
Santa Monica 10, Leuzinger 1: Ryan Breslo had three hits for Santa Monica.
Oaks Christian 5, Newbury Park 2: Luke Puls, Ryan Sheffer and Oliver Dauskurdas each had two hits for Oaks Christian (9-2).
Calabasas 10, Thousand Oaks 9: The Coyotes handed Thousand Oaks its first defeat after 10 consecutive victories in a wild Marmonte League opener. The Lancers wiped out an 8-1 deficit with seven runs in the fifth inning to tie the score. Conner Kingston ended the game with a scoreless seventh for the save. Landon Carson had four RBIs for the Lancers. Michael Morales had three hits for the Coyotes.
Westlake 2, Agoura 1: Jaxson Neckien had two hits for the Warriors.
Sherman Oaks Notre Dame 10, Crespi 0: Malakye Matsumoto hit a grand slam and threw two scoreless innings of relief for 11-0 Notre Dame. Beckett Berg threw five scoreless innings with four strikeouts.
Sierra Canyon 8, Chaminade 2: Isaias Tirado and Aiden Jahng each hit home runs and Armando Solorio threw four shutout innings.
St. Francis 6, Bishop Alemany 4: Daniel Izaguirre had three hits for St. Francis in the Mission League win. Brody Thompson, Chase Stevenson and Alex Noble hit home runs for Alemany.
La Mirada 5, Gahr 1: Jacob Oropeza threw 3 2/3 innings of scoreless relief.
El Modena 3, Villa Park 0: Three pitchers combined on a no-hitter.
Softball
Huntington Beach 17, Fountain Valley 0: Bree Carlson hit three home runs for the Oilers.
Murrieta Mesa 7, Great Oak 0: Lilly Hauser struck out 13 and also had a two-run double to lead unbeaten Murrieta Mesa.
Oaks Christian 9, Newbury Park 3: Giabella Otani had two hits and three RBIs.
The Astros had been a mainstay atop the AL West for eight years — claiming seven division titles during that time — but now the division appears to be under new management.
Last season, the upstart Mariners finally broke through after years of promise, winning 90 games and claiming their first division crown since 2001. This season, the club hopes to take the next step forward and reach the World Series for the first time in franchise history. Seattle locked up cleanup man Josh Naylor to a five-year, $92.5-million contract, solidifying their lineup. The M’s also traded for super utilityman Brendan Donovan, who, as a member of the St. Louis Cardinals, was named an All-Star for the first time in his career last season.
The Astros, in their third year under manager Joe Espada, are hoping to return to the top of the division. They’ll have their work cut out for them, with just seven players remaining from the Astros’ 2022 World Series team.
Even after a pair of mediocre seasons, the Rangers remained aggressive this winter, making a pair of blockbuster trades, acquiring frontline starter MacKenzie Gore from the Nationals and outfielder Brandon Nimmo from the Mets. Ex-Marlins manager Skip Schumaker will take the reins from four-time World Series champion Bruce Bochy, who did not return as the club’s skipper.
Entering their second season playing in Sacramento, the Athletics grabbed veteran Jeff McNeil from the New York Mets in a trade, while locking up promising youngsters Tyler Soderstrom and Jacob Wilson to long-term extensions. The Angels installed rookie manager Kurt Suzuki, replacing Ron Washington.
1 | Seattle Mariners
2025 | 90-72, 1st in West
Last year in playoffs | 2025
After bidding farewell to Eugenio Suárez and Jorge Polanco, the Mariners are betting on young infielders Cole Young and Colt Emerson. Newcomer Brendan Donovan should provide a nice spark to the M’s lineup. 26-year-old Bryan Woo emerged as the club’s ace last season while George Kirby missed the first two months with shoulder inflammation and was never quite right. A healthy Kirby could make a huge difference this season for an already formidable M’s rotation.
2 | Houston Astros
2025 | 87-75, 2nd in West
Last year in playoffs | 2024
Even after an offseason in which the Astros lost stars Kyle Tucker, Alex Bregman and Justin Verlander, the team still led the West for most of the season in 2025. One player to watch will be second-year outfielder Cam Smith, who the Astros acquired as the centerpiece of the Tucker trade. It was a tale of two seasons for Smith, who dazzled with a .297/.357/.443 slash line through his first 75 big league games, but hit a snag over his next 59 games, slashing just .153/.248/.232.
3 | Athletics
2025 | 76-86, 4th in West
Last year in playoffs | 2020
Two years after losing 112 games, the A’s showed encouraging progress in their first season in Sacramento. First baseman Nick Kurtz ran away with AL rookie of the year honors, winning the award unanimously, with shortstop Jacob Wilson placing second. Between Kurtz (36), catcher Shea Langeliers (31), designated hitter Brent Rooker (30), left fielder Tyler Soderstrom (25) and right fielder Lawrence Butler (21), the A’s had five players hit for 20 or more homers last season.
4 | Texas Rangers
2025 | 81-81, 3rd in West
Last year in playoffs | 2023
The Rangers have posted just one winning season over the last 10 years, and it came in 2023, the same year that the club won its first-ever World Series. In order for new manager Skip Schumaker to return the Rangers to form, he’s going to need his position players to bounce back in a big way. Freshly-acquired MacKenzie Gore should add length to the Rangers’ rotation, while former Vanderbilt teammates Jack Leiter and Kumar Rocker will have an opportunity to establish themselves as formidable major league starters.
5 | Angels
2025 | 72-90, 5th in West
Last year in playoffs | 2014
The Angels upped their win total by nine games from 2024 to 2025, and the club could continue to progress in its first season under rookie manager Kurt Suzuki. General manager Perry Minasian enters the final year of his contract, after the Angels failed to post a winning record in each of his first six seasons.
Bill Cosby drugged and sexually assaulted a former waitress in 1972 after escorting her to one of his shows, a civil jury in California concluded Monday, awarding the woman $19.25 million in damages.
The verdict was the latest turn in a series of legal battles the disgraced entertainer, now 88, has faced since allegations that he repeatedly drugged and raped women exploded publicly about a decade ago. Since then, he served about three years in a Pennsylvania prison on sexual assault charges before the case was overturned in 2021.
Donna Motsinger, now 84, said in her lawsuit filed in Los Angeles County Superior Court that Cosby had given her wine and a pill that left her unable to move, and that she woke up in her house wearing nothing but her underwear, according to court records, and that “she knew she had been drugged and raped by Bill Cosby.”
Cosby has denied the allegations, as well as those brought by dozens of other women who claimed they had been drugged and raped. Coming in the early years of the #MeToo movement, a broad social media-inspired campaign to name and prosecute men accused of sexual misconduct, Cosby’s attorneys painted him as an unfair target of mass vigilantism gone awry.
Motsinger sued Cosby in 2023, alleging that, at the time, she was working at a Sausalito restaurant called The Trident that was popular with celebrities, including Cosby, according to the complaint her attorneys filed Sept. 27 of that year. One night, Motsinger accepted Cosby’s invitation to go with him to his show at the Circle Star Theater in San Carlos. Cosby picked her up at her home in a limousine, according to her complaint, and, on the way to the venue, gave her the wine and a pill that she thought was aspirin.
“Next thing she knew, she was going in and out of consciousness while two men attending to Mr. Cosby were putting her in the limousine,” the complaint said. “The last thing Ms. Motsinger recalls were flashes of light,” before waking up in her house in nothing but underwear.
Motsinger didn’t consent to Cosby’s sexual contact and, having been rendered unconscious by drugging, she couldn’t consent to it to begin with, according to the complaint. As a consequence of her ordeal, her complaint says she suffered lost wages, medical bills, pain and suffering and emotional distress.
A popular sitcom hailed as ‘comedy gold’ has apparently been renewed for another series
17:03, 23 Mar 2026Updated 17:04, 23 Mar 2026
Mammoth is apparently returning for a third series(Image: BBC/BBC Studios/Simon Ridgway)
A BBC series dubbed “cracking” and “comedy gold” by viewers is reportedly returning for a third series.
The sitcom about about a PE teacher from the 1970s getting a second chance at life started in 2024 and made a splash with viewers. According to The Sun, it is now set to return for a third run, with filming due to start in June.
Starring Mike Bubbins as Tony Mammoth and Car Share star Sian Gibson as his daughter, the series followed the teacher when his body was discovered frozen in time, after he was thought to have died in an avalanche during a school trip in 1979.
After being revived, he has to adapt to a world that has completely changed.
A previous BBC synopsis said: “In the Seventies he was a carefree Cardiff bachelor, teaching PE and generally living la vida loca. In 2024, he thought the world would still be his oyster, but Mammoth never really liked oysters, he was more of a pint and a packet of crisps sort of bloke. All he wanted was his old life back; the same job, the same clothes, the same car and the same soundtrack.”
Mammoth – set and filmed in Cardiff – started in 2024, and returned for its second series last year.
It was a hit with viewers, with one writing on Imdb.com that it was “a cracking comedy” that “feels remarkably relevant”, adding: “It is inoffensive yet sharp, poking fun at 1970s attitudes while highlighting the absurdities of modern life.”
“There were many genuine laugh out loud moments and some wonderful hillarious situations created by the writers,” said someone else.
Another viewer remarked: “Bubbins is wonderfully understated as the titular star and delivers the punch lines with little fanfare but lots of laughs. The supporting cast is brilliant, but this is very much Bubbins show and plays it to perfection.”
“Love it, a much needed slice of comedy gold and well done to the BBC for backing it,” said another impressed viewer.
“The writing is so strong, when you sit down you just know you’re in for some happy, silly, uncomplicated good fun and it’s been great to watch the series develop.”
Like the mythical city of Brigadoon, Lisa Kudrow’s “The Comeback” has returned to television after many years away, with the difference that time has not stood still for its inhabitants, older in a changing world that values them less and which they navigate with less assurance.
Kudrow, who created and writes the series with Michael Patrick King, was in her youth a player in the twilight of network-dominated television, cast in a smart, influential show with wide, multigenerational appeal; in a quantitative sense, at least, everything would be downhill from there, as the medium transformed and transformed again. “The Comeback” premiered in 2005, just a year after the end of “Friends”; the first season addressed the rise of reality TV, and the next season, in 2014, riffed on dark, streaming “prestige” television.
The new (and final) season, which is both timely and speculative, addresses the impact of artificial intelligence on the medium and the industry, hinting at a dystopian future; this gives it a moral, even political component, not to say a sense of urgency. Not surprisingly, “The Comeback,” as a thing made by humans, comes down firmly on their side — it’s a manifesto at times — even as it acknowledges, uncomfortably, that computer-produced content might be “good enough.”
Once again, Kudrow plays Valerie Cherish, who, at 60 — the phrase “of a certain age” repeats throughout the series — still qualifies as a working actor. But she’s been pushed into the further reaches of the profession: Her two-season cozy mystery series, “Mrs. Hatt” (“part-time gardener, solves crime, husband is an ex-police chief”), is on no one’s radar but her own, having shown on Epix. A day’s work on a “no-budget” film is even less rewarding than she had imagined; she lasted all of two episodes on “The Traitors.” Paddling hard to stay current, to improve her brand, she bumbles through a podcast, “Cherish the Time,” without any idea what to do with that time; employs a social media person, Patience (Ella Stiller), with no discernible impact; and posts pictures of herself holding products in hopes of “future collabs.”
Still, she is not poor. Valerie and husband Mark (Damian Young), have moved from Brentwood to a condominium with a view in the (real life) Sierra Towers, overlooking the Sunset Strip, opening the latest “new chapter” in their lives, though just what that chapter for them is hard to say. Mark has lost his job in finance — “You told a joke at work at a time when jokes were illegal,” Valerie says, trying to cheer him, “no one cares now” — but left on a golden parachute; now he builds his day around pickleball. A potential role in a reality show, “Finance Dudes,” isn’t working out to anyone’s satisfaction. He’s on the verge of a three-quarter-life crisis.
When her self-promoting manager/publicist Billy (Dan Bucatinsky) comes to her waving an offer for a new series, for a new network, in which she’ll star, Valerie is more than intrigued, if taken aback when he tells her that it’s being written by AI. (He isn’t supposed to know.) Network head Brandon (Andrew Scott, as blandly discomfiting as his Moriarty on “Sherlock”) assures her that it is “within the Writers Guild agreement,” but that it is also a secret — which will account for a lot of comedy going forward, secrets and lies being the very stuff of the form. “AI is really extraordinary,” he tells Valerie. “After all, it picked you.”
It’s also created a wholly generic multicamera sitcom, “How’s That?,” in which Valerie’s character, Beth, as she describes it, “runs a cute, charming old New England B&B with the help of her hunk nephew, Bo — so Beth and Bo, B&B.” (“Viewers want a break from the complicated confusing storylines of all these dark streaming shows,” says a network exec.) Her eager supporting cast has no idea that the series is being written by anything other than its human faces, unhappily married couple Josh (John Early) and Mary (Abbi Jacobson). Josh, who thinks of himself as “the voice of women of a certain age,” is precious about the jokes he manages to get into the script; Mary couldn’t care less. Untalented writing assistant Marco (Tony Macht) only wants “to get, like, a really nice house.” The AI, meanwhile, is personified to the cast and crew, who know nothing about it, as someone named “Al,” who “works remotely.”
One by one, the old company is introduced into the new season, Valerie finds Jane (Laura Silverman), her former documentarian, working as a cashier at Trader Joe’s, having tired of scuffling as a filmmaker, “begging people to care about the things that I cared about.” When Valerie lets it slip that her new series is AI-generated — “but don’t tell anyone ‘cause that’s a secret” — Jane is inspired to pick up her camera again. Lance Barber will eventually rejoin as screenwriter Paulie G., Valerie’s old nemesis. Robert Michael Morris, who played Mickey, Valerie’s hairdresser and best friend, in earlier seasons, passed away in 2017; Jack O’Brien, as Tommy, occupies a version of that space here.
Valerie may be only moderately successful, but she isn’t a hack. She has an Emmy for “Seeing Red,” the drama at the center of Season 2. She pushes back against the costumer (Benito Skinner) who wants to put her in a caftan. She knows her craft and is nominally proud of belonging to a union. She’s not a diva, but she has her pride. And that she is loyal, even when it does her no good, makes her easy to like. Thrust half-wittingly onto this cutting edge — being the first in an AI comedy, Mark tells her, “is like saying, ‘I was the first one to eat an arm in the Donner Party’” — she is wholly sympathetic, and, eventually, as things bend toward horror in a last-act revelation, a hero.
Though the subject is serious, the approach this time is light and farcical. Partially abandoning the documentary aesthetic of its predecessors — the first season had the look of amateur video, and the second of guerrilla filmmaking — much of this season is shot as a conventional, non-meta television show, allowing us access to private conversations and meetings without having to account for Jane and her crew, or requiring the players to act as if they’re being watched. Paradoxically, without pretending to reality, it makes some things more real.
Playing himself, director James Burrows, whom Valerie convinces to helm her pilot, notes that the jokes AI writes might come fast but are never better than obvious. “Surprising only comes from a group of writers huddled in a corner beating themselves up to beat out a better show,” he says. And just as Valerie is not a character an algorithm could produce, Kudrow is not an actor a machine could ever imagine. She’s no Tilly Norwood, or Tilly Norwood at 60, or Tilly Norwood with quirks applied. There’s no one like her— other than her — for the learning machines to scrape.
You should never settle for “good enough” when better, or best, is available. But that choice is on you.
Piglets is a British comedy that’s set in a police training college. The first series aired on ITV1 in July 2024, shortly before getting renewed for a follow-up instalment.
The series follows a newly-recruited group of six very different would-be cops, and the handful of key staff whose task it is to knock them into shape.
Sarah Parish and Mark Heap lead the cast as no-nonsense Superintendent Julie Spry and Superintendent Bob Weekes, whose job it is to oversee the training of the next batch of new recruits.
The new recruits include Steph (Callie Cooke), Leggo (Sam Pote), Geeta (Sukh Kaur Ojla), Afia (Halema Hussain), Dev (Abdul Sessay) and Paul (Jamie Bisping). The cast also features Rebecca Humphries as Head of Admin Melanie, as well as Ukweli Roach and Ricky Champ as police trainers Mike and Daz.
Despite pulling in 5.6 million views for its first six episodes, the show was at the centre of huge controversy shortly after its premiere.
The Police Federation of England and Wales described the comedy’s title – which is based on the slang term “pig” for police – as being “highly offensive” and “insulting”. Piglets also received several Ofcom complaints from frustrated viewers when it was broadcast.
Now, the show’s second season has landed on ITVX, with The Traitors favourite Maddy Smedley joining the cast.
Maddy took to her Instagram earlier this week to promote the new series, saying: “So apparently, ITV aren’t really promoting Piglets series two, so this is the advert for it.”
After explaining how fans can find the show on ITVX, the star added: “I worked my butt off on that show, so this is the advert now, like it or lump it. Let me know what you think of the show, and thanks for your time.”
Despite the controversy surrounding the programme, there are lots of viewers who have shared their praise since its release.
One person wrote on IMDb: “This show is an absolute riot. While it may not be for everyone, the hate this show gets is completely unjustified… It’s a simple comedy with funny characters that mesh together perfectly, combining to create one of my favourite shows from this year. I can’t recommend this show enough. I’d love to have more of this show to watch.”
Another added: “I thought this was absolutely brilliant, well written, funny and such a mixed bunch of characters who gel well together for this type of show. A much needed comedy show in today’s TV world!”
A third said: “Piglets has a lot of laughs and is a lot of fun. Yes, it’s silly, which is why it’s so good. Who doesn’t like laughing at silly jokes and puns and references??? It’s a classic comedy and we need more of this on TV.”
“The best way I can describe it is, it’s an addiction,” says Taylor Frankie Paul.
The star of “The Secret Lives of Mormon Wives” is seated by a window in an empty Starbucks within a downtown Salt Lake City hotel, reflecting on her relationship troubles in an interview Feb. 19. Followers of Paul’s screen life are all too familiar with the drama. Now, others can’t escape knowing about it too.
Days later, a dispute with her on-again, off-again partner would lead to an investigation by police that surfaced in multiple news reports this week, and on Thursday, the release of a video recording of a separate dispute in 2023 would lead to a pause on “The Bachelorette,” her latest starring role on reality TV, three days before it was set to premiere.
Her brush with fame began with #Momtok, as the self-proclaimed founder of the Utah-based group of Mormon moms that spawned the so-called corner of TikTok where they shared choreographed dance videos and light lifestyle content. But in 2022, she rose to notoriety after revealing in a TikTok Live session details about an arrangement she had with her then-husband Tate Paul to pursue intimate relations with other consenting couples (without having extramarital sex); she confessed to violating their agreement by having an emotional affair. The salacious revelation, which became known as the “soft-swinging” scandal, lit up social media and, eventually, led to the creation of Hulu’s breakout hit “The Secret Lives of Mormon Wives.” Much of Paul’s story across the show’s four seasons has revolved around her rocky relationship with Dakota Mortensen, the man she began dating following her divorce.
Dakota Mortensen and Taylor Frankie Paul in a scene from “The Secret Lives of Mormon Wives.” The pair share a 2-year-old son.
(Fred Hayes / Disney)
Even as the show documented the lead-up to Paul becoming the new face of “The Bachelorette,” her biggest screen opportunity yet, the pair’s on-again, off-again dynamic remained as turbulent and confusing as ever, down to the “Mormon Wives” season’s final minutes. A despondent Paul nearly upended the start of production on ABC’S dating series when she missed her flight to Los Angeles after sleeping with Mortensen, who is the father of her youngest son, Ever, the night prior. (She took a later one.)
“I was just still stuck in the cycle,” she says, noting she hasn’t watched the “Mormon Wives” finale. “That’s why I knew I had to leave [to do ‘The Bachelorette’], if that makes sense … I can’t help people understand it because my own brain doesn’t understand it. The only thing I can relate it to is, it is a drug; the toxicity is a drug. It’s always a mind game and I fall for it every time, and I cave and it’s just so dumb. I get exhausted saying it to people because I’m like, ‘I don’t blame you guys. I’m mad at me.’”
The hook of a 31-year-old mother of three trying to find love — who unapologetically wears her troubles on her sleeve — was supposed to be what made her a desirable candidate for the latest crossover experiment to hit Disney’s reality TV universe. But in the week leading up to Sunday’s Season 22 premiere of “The Bachelorette,” reports surfaced detailing allegations of domestic violence involving Paul and Mortensen. Utah’s Draper City Police Department confirmed there is an open investigation involving the pair; a spokesperson for the department declined to share more details amid the ongoing investigation. But according to a person familiar with the situation, allegations were made by both parties involving incidents on Feb. 24 and Feb. 25, less than a week after our interview. No charges have been filed in the case.
Taylor Frankie Paul in a promotional still from ABC’s “The Bachelorette,” now on pause.
(Sami Drasin / Disney)
Paul was previously arrested and charged in 2023 for a separate dispute involving Mortensen, eventually pleading guilty to one count of aggravated assault; other charges were dropped. Part of that incident was documented in the first season of “Mormon Wives.” On Thursday, TMZ published a video of the incident, leading Disney Entertainment Television to hit pause on the planned premiere of “The Bachelorette.” “In light of the newly released video just surfaced today, we have made the decision to not move forward with the new season of ‘The Bachelorette’ at this time, and our focus is on supporting the family,” the statement from Disney read. Whether the season will be released at a later time or be re-edited remains to be seen, according to a person familiar with the matter.
“Taylor is very grateful for ABC’s support as she prioritizes her family’s safety and security,” read a portion of a statement provided by a representative for Paul. The statement went on to say Paul suffered “extensive mental and physical abuse as well as threats of retaliation.”
While Season 5 of “The Secret Lives of Mormon Wives” began production in January, cameras were not following Paul during the time of the recent incidents; Paul was focused on publicity commitments for “The Bachelorette.” Hulu and ABC declined to comment on the ongoing investigation. Mortensen could not be reached for comment. Production on “Mormon Wives” is currently on pause and a decision on Paul’s status as a cast member has not been made, according to a person briefed on the situation.
Paul’s chaotic reality now casts a shadow on both shows. The programming experiment aimed at expanding and blending the audiences of ABC’s veteran dating series and Hulu’s budding answer to the “Real Housewives” franchise now becomes an example of too much of a good thing — in this case, overextending a breakout hit early in its run — and how it can backfire. And it puts a spotlight on the discourse surrounding vetting failures and oversights in reality TV, as well as the compulsion or limits by viewers to rubberneck, particularly by savvy viewers of a genre that thrives on sordid personal drama.
How the ‘Mormon Wives’ crossover took shape
At a time when the traditional television landscape faces steep challenges, accelerated by a radical shift in viewing habits spurred by streaming and social media, Disney has been blurring the lines between its linear and streaming properties — ABC and Hulu — to maximize the reach of its unscripted assets. “Mormon Wives,” which has released four seasons in less than two years, has become a key player in that effort. Earlier this year, two of its cast members, Jen Affleck and Whitney Leavitt, competed against each other on “Dancing With the Stars.” And Paul’s casting as “The Bachelorette” makes her the first heroine who was not a contestant on a previous season of “The Bachelor.”
Prior to the reports about Paul, The Times spoke to Robert Mills, who leads Walt Disney Television Alternative, as well as show producers, about collaboration efforts within the company’s broadcasting universe as a way to expand and reward viewer curiosity.
Mills, a veteran ABC unscripted executive, said it was a way the company can distinguish itself from its competitors, particularly as it seeks to build Hulu’s unscripted slate against streaming rivals with deeper benches. And the possibilities on how to apply it to “Mormon Wives” began the summer ahead of its launch. As “Dancing With the Stars” producers were in the final stretch of casting the show’s 33rd season, Mills says there was talk of having one of the women be a contestant on the competition that fall, to coincide with the new show’s arrival.
“I do remember saying, ‘If it’s not this season, I know we’re going to have somebody next season because you can just feel this,” he says, referring to the energy surrounding “Mormon Wives.” “When the show took off, then it became, ‘OK, now we know we’re doing it.’”
And while having a cast member compete on “Dancing With the Stars” may, on its own, create a curiosity factor for audiences of both shows, the added layer of having the journey play out on “The Secret Lives of Mormon Wives” had the potential to heighten the story and viewing experience. And why not have two “Mormon Wives” cast members in the same season to see how their competitiveness plays out? So they did.
Dancer Jan Ravnik with partner Jennifer Affleck on “Dancing With the Stars.” (Eric McCandless/Disney)
Mark Ballas and Whitney Leavitt, who reached the semi-finals on the dancing competition series. (Eric McCandless/Disney)
The casting process for “DWTS” was documented in the third season of “Mormon Wives,” with Affleck and Leavitt pitching themselves to ABC executives. And their journey on the competition, including moving their families to Los Angeles and their eventual falling out, is featured in Season 4.
Corporate synergy within the Disney portfolio is nothing new, particularly on “Dancing With the Stars.” Disney Night is a recurring themed episode on the competition show, with contestants dancing to Disney, Pixar and Marvel tunes. And the series has featured stars from “Bachelor” nation before. But navigating the ins and outs of stories that intertwine without overstepping has required nimbleness.
“We basically carved out times where they [the ‘Mormon Wives’ crew] could film rehearsals and we always had a producer present just in case something happened that was dramatically important for our show,” says Conrad Green, the showrunner of “Dancing With the Stars.” “It’s like a gentleman’s agreement — we’re borrowing talent off another show so we have to work together and it works for everyone’s benefit.”
Stretching out a successful series typically leads to spin-offs — and yes, Mills says, those conversations are happening with “Mormon Wives” — at least at the time of the interview. In the meantime, the crossover strategy has become its key feature. Its third season featured the fallout from an explosive crossover with Hulu’s “Vanderpump Villa,” which follows Lisa Vanderpump, a former Bravo star, and her staff at various luxury European estates. MomTok stars Demi Engemann and Jessi Ngatikaura were guests on that show’s second season and got embroiled in drama with staff member Marciano Brunette, who alleges he had intimate connections with both women. The recent fourth season of “Mormon Wives” revisits the crossover, with some of the women’s spouses partaking in their own “Villa” getaway that fuels more drama.
Layla Taylor, left, Jessie Ngatikaura, Mikayla Matthews and Demi Engemann of “The Secret Lives of Mormon Wives” at the castle in “Vanderpump Villa.”
(Andrea Miconi / Disney)
Paul’s casting in “The Bachelor” universe continues the long-running franchise’s efforts to revamp as it ages, to mixed results. In 2021, the franchise cast its first Black male lead; last year, it entered the senior citizen dating space with spin-off “Golden Bachelor.”
After Paul posted a TikTok in June 2025 jokingly announcing her “bid” as a single mother looking for love, members of the company’s publicity department took notice and, before long, discussions began. When the idea to bring on a star outside the franchise was presented to”The Bachelorette” showrunner Scott Teti, he did some homework.
“Of course, I had heard of her — it’s hard not to hear of that name,” he says. “But I had to familiarize myself with it because I hadn’t watched her show. Instantly, you realize how honest and truthful she is, almost to a fault. Although she’s unrelatable in a lot of ways, with the attention she gets from media and social media … she has a layered story that I think is very relatable to a lot of people — being a single mother and not having success in past relationships and still really wanting to find love.”
He adds that though she was a “fish out of water” the first night, she found her way. “She made herself vulnerable and she finally let her walls down and made herself open to being in a relationship, finding someone,” he says. “At the same time, because she is used to doing things her own way, and not really caring what anybody thinks, that is what made it interesting. That is why this season is so big, and there are so many pivotal points in the season that will leave you on the edge of your seat.”
At least that was the plan.
Dressed in beige lounge pants and an oversize T-shirt adorned with mushrooms when we meet, Paul is affable despite her sluggish demeanor as she navigates the schedule demands in this window between “Mormon Wives” Season 4 and her debut as “The Bachelorette.” She pulls out her phone to share a series of TikTok videos that capture what she says is her current mental state — one features a man sarcastically talking about how he’d rather be petty than regulate his emotions. No stranger to finding a wide audience with viral videos, Paul sees the crossovers as “genius marketing.” But also acknowledged their potential challenges to #MomTok.
“I think it’s really cool to see all the different opportunities you can venture off into,” she says. “I think the con of that, with #MomTok, is that with all the opportunities, it kind of spreads us apart. We’re doing our own thing. It could break friendships. You’re getting envious. You get competitive.”
As the cast’s fame and opportunities grow, whether across Disney or outside of it — Leavitt, for example, is starring as Roxie Hart in “Chicago” on Broadway — the way to keep the series interesting is to incorporate all those moments into the show rather than pretend they live outside of it.
“We have not shied away from breaking the fourth wall,” says “Mormon Wives” showrunner Andrea Metz. “We have not shied away from talking about what is really happening with them. And I think that people like that. The trajectory of their fame and their stars rising has been very quick, but it’s also been really exciting.”
And the highs and lows are in full view, as this week proves.
Was she ready for ‘The Bachelorette’?
How all this might impact #MomTok — the power of their clique to withstand the various in-fighting and drama has become a perennial concern each season — is already playing out in the headlines.
Before recent allegations against Paul threatened the outcome of “The Bachelorette,” Paul’s entanglement with Mortensen had already cast doubt for some viewers of both franchises about whether she went into the dating series with any seriousness. The break between wrapping “Mormon Wives” and starting filming on “The Bachelorette” was one day. Paul admits she isn’t sure she was ready for the experience.
“I might not have been ready, but ready is a decision — just do it,” she says. “It was like a rehab, almost. It’s full detox. I had no contact — in no world does it happen with the co-parent. Whether or not I was ready, it was what was so needed for me, at the very least to just get away from it. And I wanted to find someone and love.”
“‘The Bachelorette’ is one of the hardest things I ever did,” she continues, “but also the most amazing things I ever did. I have my kids back home. I’m not just here looking for me. The emotional exhaustion was a lot. I’m dating 20-something guys. I am putting my all into one conversation after the other, every single day, all day. Your brain is just kind of fried.”
Then she considers a question that didn’t feel as prescient then: Does she feel like it broke the cycle she’s had with Mortensen?
“Yeah, I feel like it helped,” she says. “Obviously things — [we’re] within the process of the show, I can’t speak on it yet. But you’ll see it all unravel.”
Driver Daniel Dye has been suspended indefinitely by NASCAR for “insensitive comments made during a recent livestream,” the organization announced Tuesday.
The full-time driver in the NASCAR Craftsman Truck Series was also suspended indefinitely by his team, Kaulig Racing.
In the video, Dye imitated IndyCar driver David Malukas. At one point during the livestream, Dye referred to the voice he had used as a “David Malukas gay voice.”
According to a NASCAR news release, Dye was punished for violating a rule that states members should not make “a public statement or communication that criticizes, ridicules, or otherwise disparages another person based upon that person’s race, color, creed, national origin, gender, sexual orientation, marital status, religion, age, or handicapping condition.”
“Dye used language that officials deemed unacceptable, resulting in Tuesday’s suspension,” NASCAR stated. “Dye must complete sensitivity training before he may return to competition.”
On Tuesday, Dye posted a statement on social media, in which he apologized to Malukas and others for his “careless comments.”
“I chose my words poorly, and I understand why it upset people,” Dye wrote. “I’m sorry to anyone who was offended. That’s not how I want to represent myself.
“I have some close friends in the LGBTQ+ community who I would never want to feel less of themselves because of what I said, and that’s exactly why I should hold myself to a higher standard. In talking with them, I realize that a true friend would know better than to act the way I did and for that I need to be a better friend. What I said doesn’t reflect how I feel about them or anyone else.
“I didn’t think enough before I spoke, and I in no way meant any harm. I know that intention does not erase impact and I need to do better.”
Malukas and his team, Team Penske, did not immediately respond on Wednesday to requests for comment.
Dye, 22, was also suspended four years ago as a driver in the ARCA series, which NASCAR owns. He had been arrested and charged with felony battery for allegedly punching a high school classmate in the groin area. He was reinstated when the charge was reduced to a misdemeanor.
In 49 Truck Series starts, Dye has two finishes in the Top 5 and 10 finishes in the Top 10, earning one pole position. He is in 13th place through three races this season.
While in Australia, members of Iran’s women’s football team found themselves at the centre of an international political storm. As several players choose to return home, difficult questions are being raised about athlete safety, agency and Western intervention. Samantha Johnson looks at how Iran’s women footballers became caught in the middle of something they had nothing to do with, and asks whether they were being used as political pawns.
Sky has just dropped the chilling first-look at the return of one of its best new thrillers coming back to screens very soon
‘Brilliant’ thriller fans ‘binged in one night’ is coming back soon(Image: SKY)
A critically acclaimed comedy-thriller series that entranced countless fans back in 2024 is finally coming back for a second season.
Sweetpea starred Fallout’s Ella Purnell as shy wallflower Rhiannon Lewis, an unassuming newspaper assistant who has been either bullied or ignored her entire life.
After the sudden death of her father and reuniting with her school bully, Julia (played by Nicôle Lecky), something snaps in Rhiannon and she goes on a murderous rampage.
A synopsis for the second season reveals: “Navigating a new promotion, an irresistible rebound, and a copycat killer threatening to expose her, the kill list is mounting.
“And Rhiannon is forced to question whether her perfect ex AJ, was right: is she a monster?”
This week, Sky has dropped a tantalising new image from the second season of Sweetpea, which reveals Purnell back as Rhiannon.
In the snap, she’s donned a dark raincoat and emblazoned a wall with the word “monster” in what seems to be tomato ketchup.
Several new names are joining the main cast this time round, including Rish Shah (Overcompensating) as Rhiannon’s new love interest Gabriel, along with Tamsin Greig (Riot Women) as AJ’s mother, Liv.
Greig’s Riot Women co-star Taj Atwal will also feature as Freya, Rhiannon’s new boss, with Heartstopper’s Jenny Walser added as a new friend named Daisy.
Jon Pointing (Big Boys), Jeremy Swift (Ted Lasso), Leah Harvey (Foundation), Ingrid Oliver (Thursday Murder Club), Nitin Ganatra (Mr Bigstuff) and Alexandra Dowling (Game of Thrones) will all be reprising their roles from the first season.
Sweetpea season two is shaping up to be a must-watch thriller when it arrives at an unconfirmed date in 2026 after the first outing received rave reviews from fans and critics.
One IMDb user wrote: “I’ve waited a long time for this to come out on Sky, and it did not disappoint! Brilliant dark comedy, it’s right up my street. No spoilers here, just a basic review to say I loved it!
“I binged the whole series in one night, I just couldn’t turn off, the end of each episode leaving me wanting more, and to know ‘what next!?’ It may be a little slow to get started initially but it had me hooked straight away.”
Someone else gave it a strong recommendation: “If you like shows that dig deep into the dark corners of the human mind while still managing to throw in some wicked humour, Sweetpea is going to be right up your alley.
Sky’s Ultimate TV bundle
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Sky is giving away free subscriptions to Netflix, Disney+, HBO Max, Hayu and discovery+ to customers on the Ultimate TV bundle from March.
“It’s fresh, it’s disturbing, and it’s a story you won’t easily forget. I absolutely love it!”
And a final fan called it “an intriguing and captivating series that keeps you hooked from start to finish”, adding Purnell’s “amazing” lead performance is “impossible to look away” from.
Sweetpea season 2 will premiere in 2026 on Sky and NOW.
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
The popular crime drama first aired back in 2021 and has featured the likes of Stephen Graham, Jodie Whittaker and Bella Ramsey.
David Tennant is starring in the upcoming series(Image: Getty Images for BAFTA)
The wait is almost over as the BBC has confirmed a third series of Jimmy McGovern’s BAFTA-winning hit drama, Time, is coming back.
With filming set to begin in Belfast, the broadcaster has announced viewers can expect to see David Tennant and Siobhan Finneran in the upcoming instalment.
This week, the broadcaster shared further casting as Vinette Robinson, Jo Joyner, Daniel Ryan, Warren Brown, Louis McCartney, Ollie McNulty and Chukwubuikem Molokwu will star in the third series.
BBC viewers will also welcome the likes of Ethaniel Davy, Victor Zhao, Paul Smith Junior, Finn Kearns and Jack Barnes.
Set in a Young Offenders Institution, the third series of Time will explore the impact of locking up teenagers and the impact on those who look after them.
A synopsis reads: “Prison Chaplain Marie-Louise comes to the YOI having lost her faith. When tragedy strikes within the prison, Marie-Louise clashes with veteran officer Bailey, a man in the midst of his own crisis.
“Bailey knows more about the circumstances that led to this major incident – but will he come clean before the guilt gets too much?
“Meanwhile, two teenage young offenders, Peter and James, struggle through the terrifying first weeks and months of their incarceration.
“Can James ever face his broken parents after an unforgivable act of violence and will Peter tell the truth about the death of an innocent man, or does family loyalty mean more? An unlikely friendship between them looks to shift the trajectory of their futures, but in an increasingly unstable environment, is change ever possible?”
Sharing an image of the new cast members joining the show in Instagram, it wasn’t long before people commented on the post, sharing their excitement.
One person said: “Fantastic news.” Another wrote: “Can’t wait! Congrats on the casting, amazing announcements.”
Someone else shared: “ANOTHER SEASON OF TIME?!? I’m ready to get my heart absolutely broken yet again.” As one fan added: “A good line-up of actors and actresses.”
Another commented: “Can’t wait for this also great casting!” While someone else added: “Can’t wait for this, Siobhan smashed the first 2 series.”
Time series one and two are available to stream on BBC iPlayer
For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.
It’s been described as Game for a Laugh meets Saturday Night Takeaway – but Joel claims he was terrified during one particular challenge
21:35, 16 Mar 2026Updated 21:35, 16 Mar 2026
Joel dressed as a chair and was praying no one sat down on him(Image: ITV)
Joel Dommett said he experienced “one of the most frightening moments of my life” after being disguised as a set of dog toys while trying to get a collar off a Great Dane in new show Celebrity Sabotage.
The Masked Singer star is joined by fellow disruptors GK Barry, Judi Love and Sam Thompson for the new Saturday night series which has been dubbed Saturday Night Takeaway meets Game for a Laugh. And at one point he was tasked with trying to grab the collar while GK tried to distract the owner from realising what was going on.
“I think it’s genuinely one of the most frightening moments of my life because we had this lady who had a Great Dane and so she was there with the dog. And so GK was there trying to distract the owner whilst I was dressed as dog toys, trying not to get caught by the owner, but trying to get the collar off the dog without being noticed.”
The dog, at the time, was wearing a wig. “It turns out, not that safe,” he laughed. “Obviously the dog just wanted to eat me. Face to face with a dog, I can’t remember if I fell. You would bloody panic if you were on the floor. It’s called a Great Dane for a reason.”
GK admitted she was worried for him, telling him at the time. “Honestly, it’s not that deep, but I’d love you to still have a face after this episode. And he was like, ‘I’m going to go again’.”
Another time comedian Joel was made to hide inside a chair. “I dressed as that chair and I was just hidden in a room and we were all there. The entire time I was just thinking, ‘Please, nobody sit on me.’ That was all I was thinking.”
For the series, producers took over a manor house where they staged six fake reality shows, each with its own celebrity host, who were all in on the joke. Once the unsuspecting contestants arrived to take part, the four saboteurs set about carrying out missions being set for them by producers, with each set of players genuinely believing they were taking part in a brand new show for ITV. They were – but not the one they thought.
The good news for all of them, however, is that every time the saboteurs were successful, they were winning money for the unwitting contestants worth up to £30,000. Joel, 40, said that when they finally worked out what was going on, it made for great TV. “The reveal at the end when they realise that they’re winning money. It’s just like so heartwarming.” And he added “We just cause absolute chaos, carnage. I don’t know about you guys, but it’s the most fun I’ve had working on a show in a really long time.”
One of the challenges sees the team tasked with ruining the face masks being applied to people who were in on the joke in a fake spa – by lacing it with green dye, which stained their faces and left them filled with fake fury.
Judi said that one of the saboteurs spent a lot of time using one particular disguise. “We dress up as mad stuff. Basically every single episode GK is dressed as a bush,” she laughed. For herself, she said: “I think the skill I learned is that I can roll quite well. I’ll just leave it at that.”
Over the weeks the team are joined by guest saboteurs, one of whom was Jo Brand. ‘She was so funny. She just did not care about what we were saying,” they laughed. “There was one bit we were like, ‘Don’t get caught.’ She was just wandering around the corridors.
-Celebrity Sabotage starts on Saturday March 21 at 8pm on ITV1 and ITVX.
North Korea on Saturday staged another of its show-of-force ballistic missile launches — pictured is one launch during a test in December — that sent 10 missiles off its west coast, which traveled more than 200 miles and landed just outside the Japanese exclusive economic zone in the Sea of Japan. Photo by KCNA/EPA
March 14 (UPI) — North Korea launched 10 ballistic missiles into the sea on Saturday — which landed just outside Japan’s economic zone in the East Sea — in a show of force amid a U.S.-South Korea military exercise.
The launch, confirmed by the Japanese and South Korean defense ministries, is one of the largest North Korea shows of force that it has ever launched, The Japan Times and The Independent reported.
The missiles were launched from the west coast of North Korea, flying roughly 211 miles before falling just outside the Sea of Japan.
The Japanese Ministry of Defense in a statement called the launch a continued effort to “threaten the peace and security of Japan, the region and the international community.”
Shinjiro Koizumi, the Japanese defense minister, added that the ministry would remain in close contact with the United States and other allies “to remain fully vigilant and maintain surveillance in preparation for any unforeseen contingencies.”
The launch is the largest since at least November 2022, when Kim Jong Un’s regime launched a volley of 23 missiles that included short-range ballistic missiles and surface-to-air missiles, among others.
Analysts have said that it is unlikely that North Korea would attack U.S. or other nation’s assets in the region while the United States has diverted missile defense systems, among other things, to the Middle East amid the war in Iran.
They say, rather, that the show of force is meant to show that it can defend itself if it is invaded.
North Korea’s launch also comes as the United States and South Korea are about halfway through the annual 11-day Freedom Shield combined joint exercise that includes land, air and sea training events to allow the two nation’s armed forces to integrate seamlessly in combat.
One warship that was involved with the exercise, the USS Tripoli, an amphibious assault ship carrying 2,500 Marines and 2,500 sailors, has been redeployed to the Middle East to bolster U.S. military power there amid the war in Iran.
President Donald Trump speaks during an event celebrating Women’s History Month in the East Room of the White House on Thursday. Photo by Bonnie Cash/UPI | License Photo
