series

An acclaimed crime drama is returning but not in a way fans expect

The ‘most compelling drama ever’ is making a comeback but not in the way you think.

Star of Netflix’s Monster: The Ed Gein Story Charlie Hunnam could end up reuniting with Yellowstone creator Taylor Sheridan for a brand new series inspired by their most beloved characters.

According to Variety, Hunnam, who is set to appear in the streamer’s next instalment of the true crime anthology as Lizzie Borden’s father, is returning to one of his most popular roles. Reports claim that US network FX has ordered a limited series called Legends.

Not to be confused with the other Netflix show of the same name, this will see Hunnam appear alongside several of his Sons of Anarchy castmates, more than 10 years after its final episode.

However, it is not a prequel nor straight forward spin-off. Instead, it will see the stars play fictionalised versions of themselves.

The story will see the cast of Sons of Anarchy reunite at a fan convention for the first time and see the line between life and art blurs, as the fractured brotherhood finds itself up against a real-world threat more dangerous than anything they ever faced in their show.

So far, the confirmed cast set to appear include Hunnam (Jax), Ron Perlman (Clay), Katey Sagal (Gemma), Maggie Siff (Tara), Mark Boone Junior (Bobby), Tommy Flanagan (Chibs), Kim Coates (Tig), and Theo Rossi (Juice).

Many fans have immediately compared the new show’s premise to sci-fi cult hit Galaxy Quest. In that film, Tim Allen teamed up with Alan Rickman as actors who used to star in a Star Trek-like series together.

They then get mistaken for a real life space travelling crew by aliens who recruit them to save them from a dangerous warlord.

Hunnam has developed the show himself alongside with Jonathan Groff (the writer behind Black-ish and How I Met Your Mother, not the musical actor). It’s Always Sunny In Philadelphia’s Rob Mac is also listed as an executive producer.

It’s been described by the network as “a love letter to the series and a fun meta twist on what fans think they know.”

The original Sons Of Anarchy series was created and largely written by Kurt Sutter. It ran for seven seasons across six years. It boasts an 87% rating on Rotten Tomatoes and has been described by fans as “one of the most compelling dramas ever made”.

It is not yet known if any other former cast members will feature, whether as guest stars or cameos. However, fans are already shared their hope that Taylor Sheridan, now well known as the creator of Yellowstone and its spin-offs, will appear.

Sheridan played Deputy Chief David Hale in the first three seasons. He was the local police’s second-in-command and a no-nonsense cop who grew up with Jax, Tara, Opie, and Donna but often came up against them.

A fan even joked that Sheridan could play the antagonist in this new series. Some have shared their confusion at the concept, while still admitting excitement.

One said: “No clue what’s going on here, but they already have my viewership.” Another added: “I’m incredibly confused by the premise but I’ll be tuning in!”

Even those that are not familiar with Sons of Anarchy have confessed they are on board. One person posted on social media: “Never watched Sons Of Anarchy but this is so meta and bizarre, I kind of love it.”

Sons of Anarchy is streaming on Disney+

BBC cameras follow NHS staff dealing with everything from stabbings to car crashes

A new BBC series shows the stark realities of working in NHS emergency care.

The six-part docuseries comes from the makers of revered true crime show Murder 24/7, and follows a very similar format. However, rather than showing real-time investigations into crimes, it instead centres around staff dealing with a host of emergency cases at Southmead Hospital in Bristol.

From stabbings and third-degree burns through to car crashes, the talented teams within the emergency department are shown handling each case from the patient’s arrival through to diagnosis and treatment.

The season debut opened with the devastating case of two friends, Luke and Kieran, who were involved in a motorbike crash, leaving both with severe injuries. As the teams treat the pair, they fear irreversible damage to Luke’s nerves which could leave him unable to walk.

Viewers will have to tune in to episode one, now streaming on BBC iPlayer, to discover how the duo’s story played out. Meanwhile subsequent episodes of Emergency 24/7 air every Tuesday at 9pm on BBC Two.

Luke recently appeared on BBC Radio Bristol to discuss his story, sharing: “I don’t remember the actual accident itself.

“I remember picking my friend up and just going out for a ride on the bike.

“He was on the back, I was driving, and then the next thing I knew, I blinked, and about five or six days had gone by, and I was in Bristol ICU.”

Reactions to the new series have been positive so far, with one viewer writing: “I enjoyed it. Really rammed home how busy they are. Also highlighted the rubbish they have to deal with.”

A second shared: “It’s really well done, set over the time period of one shift and follows a couple of patients closely and then you get an update at the end with how they’re doing.

“They also give a good explanation of why hospitals do things like corridor care, what’s being shown on the scan, how the team works when there’s a major trauma, the impact abusive patients can have on the department as a whole by removing staff from other areas to deal with them etc.”

Meanwhile others reported being left in “awe” at the work of the teams featured. A third viewer show fan shared: “Watching #emergency 24/7 #emergency24 on BBC2. I’m in awe of the surgeon putting that spine back together, and all the staff in A and E.”

Emergency 24/7 airs weekly on Tuesdays at 9pm on BBC Two. Episodes are available to stream via BBC iPlayer after broadcast.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. New ranking of the summer movies I’ve seen this year: 1. “Spider-Man: Brand New Day”; 2. “The Odyssey”; 3. “Supergirl”; 4. “Young Washington”; 5. “Disclosure Day”; 6. “Masters of the Universe”; 7. “The Devil Wears Prada 2.” I keep including these just to annoy the one guy who calls me names for not having “Disclosure Day” last. I have to get thrills where I can get them.

So, the Dodgers lost three of four to the Brewers, who now have clinched the tiebreaker over the Dodgers. They always have to do things the hard way. Some random thoughts about the Dodgers

—It’s time for Edwin Díaz to drop the Timmy Trumpet entrance and just come out like any other pitcher. When you have a 10.66 ERA and it’s August, perhaps it’s time to sneak into the game quietly.

—Dave Roberts had this answer when asked Thursday night, after Díaz blew a save, as to why he is still closer: “Give me another option. I have to have other options. And to be quite honest, none of those [other] guys really are throwing the baseball great. So that’s just kind of the way it is.”

—It is surprising to see Roberts throw the whole bullpen under the bus. But since he asked, here’s an option: Tanner Scott, who since the All-Star break has an 0.87 ERA in 12 games and 10.1 innings. He has three saves and has given up nine hits, six walks and has struck out 12. Not exactly Mariano Rivera, but better than the current guy.

—But here’s the other thing to keep in mind: The Dodgers seem to do this every year. They are going to give Díaz every chance to right the ship before the postseason, because having him in the bullpen would be great if he was pitching well. But, if he’s pitching like this when the postseason begins, he won’t get a lot of innings. Remember last season? Scott was terrible. He last pitched Sept. 26. He didn’t pitch at all in the postseason. Instead, they put Roki Sasaki in the bullpen and he was solid, though not the second coming of Éric Gagné as some seem to think.

—The Dodgers will figure out whom they trust near the end of September, and that will be the bullpen for the postseason. It will include starters and a guy who is just there to eat innings during big losses (think Will Klein last season. Yes, he saved the season in Game 3, but there was a reason he was the last guy out of the bullpen). And it will include the five to six relievers they trust the most. This happens every season, so this should not come as a surprise.

—Yes, it can be frustrating during the regular season. We in the media say “Greatest team ever!” “They could win 120 games!” But that’s never going to happen. The Dodgers are interested in one thing only: Winning the World Series. They have a plan as to how to approach it, and while it annoys some fans, they aren’t going to deviate from that plan. And why should they? They won three World Series, and almost another one in *2017.

*-The Astros cheated in that series.

—A look at some numbers:

Kyle Tucker at Dodger Stadium this year: .189/.286/.272
Tucker everywhere except Dodger Stadium this year: .275/.361/.469

That’s pretty incredible. In 239 career at-bats at Dodger Stadium (206 from this season), he is hitting .205/.307/.318.

The road Tucker is whom they signed, the home Tucker hits like a pitcher. Why? Could be any number of things.

The Dodgers are 14-15 since the All-Star break. Let’s see how the main people are hitting and pitching (through Sunday):

Freddie Freeman, .327/.367/.366 (109 plate appearances)
Shohei Ohtani, .278/.336/.509 (119)
Alex Call, .278/.350/.389 (20)
Hunter Feduccia, .273/.304/.455 (23)
Andy Pages, .270/.336/.398 (111)
Teoscar Hernández, .267/.298/.422 (94)
Miguel Rojas, .258/.314/.355 (35)
Dalton Rushing, .250/.325/.472 (40)
Mookie Betts, .238/.287/.386 (108)
Max Muncy, .214/.298/.512 (94)
Tommy Edman, .211/.272/.347 (103)
Kyle Tucker, .188/.286/.353 (98)
Ben Rortvedt, .182/.182/.182 (11)
Kiké Hernández, .087/.125/.087 (24)

Team after the break: .248/.306/.403
Before the break: .262/.343/.434

Runs per game before the break: 5.22
Runs per game after the break: 3.93

They have lost their patience at the plate and their power. Not a good combination for winning games. These numbers will go up slightly though because of Monday’s 11-5 win over the Rockies.

Here are the pitching numbers, through Monday:

Jonathan Hernández, 0.00 ERA (7.2 IP)
Tanner Scott, 0.87 (10.1)
Blake Snell, 1.50 (12)
Brock Stewart, 1.80 (5)
Yoshinobu Yamamoto, 1.82 (34.2)
Roki Sasaki, 2.10 (30)
Kyle Hurt, 2.16 (8.1)
Jack Dreyer, 3.09 (11.2)
Tarik Skubal, 3.18 (17)
Eric Lauer, 4.15 (21.2)
Evan Phillips, 4.50 (10)
Alex Vesia, 4.63 (10.2)
Edgardo Henriquez, 6.52 (9.2)
Justin Wrobleski, 6.92 (26)
Edwin Díaz, 12.92 (7.2)
Will Klein, 14.54 (4.1)

Wrobleski, Stewart and Klein are on the IL, as is Blake Treinen.

Dodgers ERA after the break: 4.12
Before: 3.55

For those who think Roberts doesn’t notice these things, here’s what he had to say after Sunday’s loss:

“This has been cumulative. It’s been a long time since we’ve been consistent offensively. … I just don’t see the consistent plan of attack, one through nine. The results are hard, hitting’s hard, but I do think that fighting and winning pitches, spoiling pitches — that’s care, hunger. 
And that’s a reason why [when] you look at four and a half months of the season, the Brewers have outscored us. … A team that’s young and hungry. It’s certainly not talent.

“We just haven’t played clean baseball for quite some time, and that speaks to the defense and not converting an out … it’s just not winning baseball. Our pedigree [and] what we typically do is control the zone, grind it, grind at-bats [and] create stress. We’re not doing that.”

Tommy John dies

Former Dodger Tommy John, who had an arm surgery named after him, died Sunday at 83. He took part in this newsletter’s “Ask….” series last year and here are a couple of highlights:

Bud Layne of Parkersburg, W.V., asked: First, I would just like to join the crowd and say that Tommy John belongs in Cooperstown. Hope it is soon, as my time on this earth is growing short at 82 years old, and I am hopeful that the event takes place in my lifetime. My question: Do you think falling short of 300 career victories is the main hindrance of you not being able to join the immortals in Cooperstown? And, if not, what do you think is the reason?

John: I too will be 82 in May of this year. There is no rhyme or reason why I’m not in the Hall of Fame. I have no idea. I had 288 wins. I lost a season and a half which would’ve brought me to more than likely the 300 mark. I had 188 no decisions. I don’t know if it’s because my name is mentioned almost every day or that it is their jealousy that I have a surgery named after me. I have no idea. All I know is I am very proud of my career and the teams that I played for.

Drew Taylor of Huntington Beach asked: What was going through your mind after having your surgery and being told the odds were 100-1 against you returning to pitch, what drove you to defy those odds?

John: All my life starting as a child all I wanted to do was pitch. When I was given the odds, I figured 1% was better than nothing and I had just become a new dad for the first time. I told Dr. [Frank] Jobe if you do your job I will do more than mine. I just happened to be in the right place at the right time with the right doctor and team.

Tony Smith of Los Angeles asked: You played for two of the most emotional managers in history in Tommy Lasorda and Billy Martin. How would you compare the two and did you have a favorite manager in your career?

John: I loved playing for Tommy Lasorda. He loved all the players. Tommy just made the game fun. Billy was a good manager, but he was very high strung. Tommy just enjoyed the game, his team and all the celebrities who came out to celebrate the Dodgers.

—OK, back to your humble host here. Let’s face it: John should be in the Hall of Fame. He won 288 games, pitched in 26 seasons. That alone would be enough. But if you add in the fact that he underwent what was basically experimental surgery, a surgery that saved his career and went on to save the careers of hundreds of pitchers, then he should be in.

Imagine you were in the hospital for something and the surgeon can fix it, but he says, “I have to try a surgery that has never been done before.” I mean, what thoughts went through John’s head? Maybe he’d lose the use of his arm altogether. It couldn’t have been an easy decision. And sure, someone later would have said yes if he said no. But being the first counts for something. We remember Neil Armstrong more than the other brave men who landed on the moon for a reason. He (and Buzz Aldrin) were the first.

John was pitching on July 17, 1974, when he hurt his arm. “Right at the point where my arm is back and bent, something happened,” he told The Times. “It was as if I had left my arm someplace else. It was as if my left arm had just flown off my body, away from the rest of me.” He said he felt no pain, but after blooping two pitches up to the mound, he signaled for Dodgers manager Walter Alston to take him out. He eventually saw Dr. Jobe , and the rest is history. Jobe took a tendon from John’s right arm, threaded it through holes he had drilled in John’s left elbow and hoped it all would work. And it did, with John returning to the mound on April 16, 1976.

John before the surgery: 124-106, 2.97 ERA, 116 ERA+
After the surgery: 164-125, 3.66 ERA, 107 ERA+

On a personal note, I got John’s autograph at the Carson Mall in 1977. I was a big Dodger fan and knew who he was, but was too young to understand the history. There were a bunch of kids in line, and many dads or older brothers who were interested in seeing him (autographs were for 12 and under only). As I got closer to the front of the line, I noticed that John always took an extra moment to ask the kid about himself. He made each child feel important. It’s something I never forgot. And, when I asked him to do the Q&A, he and his wife, Cheryl, could not have been more pleasant. Sincere condolences to his entire family. He will always be a Hall of Famer in my mind, and I hope he is for real at some point.

The postseason

Here’s a look at the NL. Remember, the three division winners plus the next three teams with the best record make the postseason. The two division winners with the best record get a first-round bye.

Division leaders
1. Milwaukee, 77-48
3. Dodgers, 75-51, 2.5 GB
2. Atlanta, 74-51, 3 GB

Wild-card standings
1. Chicago, 73-53
2. Philadelphia, 68-58
3. San Diego, 67-59

4. Arizona, 66-60, 1 GB
5. Miami, 64-62, 3 GB
6. St. Louis, 64-62, 3 GB
7. Pittsburgh, 61-66, 6.5 GB
8. Cincinnati, 60-65, 6.5 GB
9. Washington, 60-66, 7 GB

In case you missed it

Swanson: Tarik Skubal’s gritty starts would pay off if slumping Dodgers would wake up

‘Rare accomplishment’: How Max Muncy went from being cast off to longest-tenured Dodger

Tommy John, Dodgers pitcher and medical pioneer, dies at 83

MLB approves sale of Padres to José E. Feliciano, Kwanza Jones

Shaikin: For Dodgers’ Charley Steiner, a complete game three years in the making

Swanson: The Dodgers need Mookie to be Mookie

Shohei Ohtani takes important step in his push to return to Dodgers’ rotation

Swanson: Dave Roberts and Dodgers need to stop using Edwin Díaz in high-leverage moments

And finally

Ross Porter interviews Tommy John in 2021. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Earlier this year, Colman Domingo devoted a portion of his monologue on “Saturday Night Live” to a few things he is famous for. One example? “When you come to my house, the vibes are spectacular.”

Those vibes must have transitive properties: On a recent morning in a borrowed backyard in Santa Monica, the vibes were as impeccable as one of the actor’s famously natty red-carpet looks. Posing for photos poolside, Domingo was the picture of laid-back charm, chatting with the crew in that commanding leather-and-gravel voice and flashing a toothsome smile.

With four projects in 2026 alone and more than 100 credits across film, television and the stage dating back to 1994, you definitely know Domingo from something. Increasingly, people recognize him from several things. Or, as the case may be with a performer of his caliber, they don’t — and that has been the highest compliment of all for the 56-year-old Philly native.

“It is the wildest thing,” says Domingo, stretched out on a sectional in the shade. He recounts how people have approached him about his role as Danny, the elegantly snarky architect on the Netflix comedy “The Four Seasons,” and were flummoxed to discover that he also plays the tightly wound Ali, he of shaken faith and sawed-off shotgun, on the recently concluded HBO drama “Euphoria.” “I’ve had so many people who saw me as one character, but they didn’t know I played the other character, even if they watched both. They’re like, ‘Wait a minute, that’s the same guy?’”

Domingo in “Euphoria.”

(Patrick Wymore / HBO)

That’s the same guy. Familiarity has bred respect as Domingo nabbed Emmy nominations for both roles for the second time — supporting actor in a comedy for “The Four Seasons” and guest actor in a drama for “Euphoria,” a trophy he took home in 2022.

“I get the yin and yang,” he says of the pleasure and challenge of inhabiting men from such different worlds.

Domingo credits “Euphoria” creator Sam Levinson with the complexities of Ali’s journey, which were showcased in the finale in breathtaking extremes of violence and grace and included a poignant monologue about the limits of empathy as he grieved the loss of his sponsee Rue (Zendaya). “It was so beautiful,” says Domingo of the conclusion of his arc. “Sam gave me words that are not just for Rue. They’re like a prayer for the world, sitting down at tables and having the hard conversations and trying to get people to come to their personal truths. To have a breakthrough in their lives. That’s how he’s been utilizing me for the series.”

(Evan Mulling / For The Times)

Conversely, Tina Fey and the writing staff of “The Four Seasons” have been using Domingo’s Danny as, among other things, a brutally effective vehicle to deploy acidic one-liners. (A favorite: “This the town Tracy Chapman sped away from.”)

“He is fictitious, but in many ways there’s a lot more of me in him than I personally have seen [in my previous characters],” he says of the man whose bravado masks an unsettled energy as he encounters the challenges of midlife. “Even in my notes to Tina and the showrunners, I started to craft a character that was closer to myself. I’m like, ‘I don’t see the mes in the world, queer men who are mostly in heteronormative worlds and how we activate and how we love and our friendships that are not just based on the fact that we are queer.’”

Domingo’s own midlife — conversations about fiber and the proliferation of readers in every room aside — is enviable. In addition to the two series, he appeared in two of the most talked-about films of the year, the blockbuster Michael Jackson biopic “Michael” and Steven Spielberg’s sci-fi thriller “Disclosure Day.” In another instance of playing a set of disparate characters, he was the imperious patriarch Joe Jackson in the former and the rebellious, empathetic whistleblower Hugo Wakefield in the latter.

“I wanted to challenge myself in different spaces,” says Domingo with gratitude for those roles as well as other 2026 opportunities, like his “SNL” appearance — which brought him back to his “Big Gay Sketch Show” days — and his recent guest-hosting stint on “Jimmy Kimmel Live!” “I never want to get caught up just doing the same thing.” He recalls a time when he played a couple of villains in a row and similar offers poured in. “I thought, ‘Oh no, I’ve done that.’ I knew it was time to move on to something else. And even ‘The Four Seasons,’ when that came along, I had been going back to back with dramatic roles — ‘Sing Sing,’ ‘The Color Purple,’ ‘Rustin.’ It takes a little toll on you.”

Domingo with Marco Calvani in “The Four Seasons.”

(Emily V. Aragones / Netflix)

Fortunately, all of that work has helped Domingo amass a very comfy set of laurels (upon which he refuses to rest). While his success has been a slow burn, including years of work on Broadway as an actor and playwright — Domingo co-wrote the book for “Summer: The Donna Summer Musical” as well as several straight plays — and his stint as a series regular on “Fear the Walking Dead” the last five years lighted the fuse on the rocket.

In that time, Domingo has won four NAACP Image Awards, been nominated for back-to-back lead actor Oscars, Golden Globes and BAFTA awards, and received a second Tony Award nomination, this one for best play as a co-producer of the “Hamlet” adaptation “Fat Ham.” (His previous Tony nod came in 2011 for featured actor in a musical for “The Scottsboro Boys.”)

Colman Domingo.

(Evan Mulling / For The Times)

“I’m very happy that this has happened the way it has,” he says of this golden period of work and creativity in his 50s. It’s not that he wouldn’t have appreciated or been ready for it in his youth, he says, but he has seen the pitfalls of success that happens too young. “At this age, I know myself. I know what I need. I have boundaries. I know how to still be a person in the world. And that’s the part that’s important to me, which is not being so isolated.”

There’s little danger of that given how often he is now stopped on the street. But he is cheered by the interactions because, whether fans love him as a good guy, a bad guy or a character in between, they all want the same thing. “Whatever I’ve done, people always ask, ‘Can I have a hug?’” Maybe the vibes are not about the house, but Domingo himself.

Telly star Vicky McClure has shared an insight into the upcoming series of Trigger Point and she’s hinted that fans can expect high-powered storylines

She is perhaps better known for Line Of Duty, but Vicky McClure is in the line of fire again during her ITV drama Trigger Point.

The fourth series kicks off with her troubled character Lana Washington on the front line with Counter Terrorism Command as the capital is hit by a wave of devastating bombings.

It’s shocking on screen and the 43-year-old admits it keeps her on her toes. Vicky says: “I think it’s a really great start, and it was the right place to start with Lana’s personal situation. If you’ve been a fan of the show, you’ve got to deal with her, and she’s got to put herself first eventually, for the job as well as for herself. You just cannot keep going. Especially with what’s to come. So yeah, there’s a lot going on.

“But I don’t think anyone will ever know Lana inside out bless her. There’s a numbness to her because of the amount of tragedy that she’s faced. Whether it be close family or a stranger in you know a situation, she doesn’t feel, and that must be such a disconcerting and scary place to be.”

Vicky and the team of bomb disposal officers – known as EXPOs – begin the new series jumping onto a truck as she tries to keep the capital safe from explosive devices and terrorist threats.

Although it is serious and tense on screen, the high octane opening episode was also mixture of fun and fitness for Vicky. She joked she does a lot of prep in the gym before adding:”No I don’t! and I’m not going to lie about it because I don’t.

“It’s my gym! It’s happening while I’m working, and it is it is long days, and it is physical, and it is a lot to take on. But, I know it might get said a lot, but I mean it, this was one of the best jobs.

“And y’know as much as there’s a lot of running, there’s like running, and then it’s like okay, we’re going to change lens. I’m like ‘I’ll see in 20 minutes’. So I’ll go and have a cup of tea and sit down and catch my breath and go again.”

Vicky is joined on the show by returning fellow cast members Eric Shango who plays Danny, Nabil Elouahabi who stars as Hass, Natalie Simpson who is DS Helen Morgan and Maanuv Thiara who is DCI Batra. Director Jennie Darnell, who also worked on Line Of Duty also got to use guest stars including Julie Graham and Jonas Armstrong.

They hope to build on the success of the third series which averaged 7 million viewers, with the launch attracting 7.4million

The main problem the team had for the explosive opening episode was shooting in London and all its landmarks, which is not easy as its a city that is never quiet or empty.

Director Jennie said It was “very exciting” but added: “How of you track a device on a lorry through London in almost real time. We had to work through that. What makes it complex and difficult is if we were going to say it was set in London, we needed to be in London.

So we needed to know those landmarks and know how we could use them, know which ones we could have access to using, and then piece that together from there.”

The result is an extraordinarily tense and exciting opening episode, although actor Vicky is at pains to keep all the details secret.

Writer Chris Brandon teased: “This show thrives on its on its cliffhangers and and and its surprises, and there’s plenty more to come.”

Before promoting this ITV series, Vicky has also just finished filming new Line Of Duty scenes for the BBC and is sworn to secrecy on that action too, although she thinks some measures by TV bosses to keep things under wraps can be a bit over the top.

She said: “ I do think sometimes it’s a bit dramatic, the industry, it’s a bit MI5. Oh sign an NDA for this script.

“Like we’re gonna copy it and get a green light tomorrow, which is impossible ever. So I do think sometimes it’s excessive.

“But then, for the audience’s sake, I wouldn’t dream of saying anything, because, you know whether you’re gonna binge it, whether you’re gonna go week by week, whatever way you want to approach telly now, which is in so many different ways, people have a choice, and that’s great.

And it’s such a shame when sometimes it is you know given out, and therefore you kind of can’t miss the spoilers. But that’s that’s the way it is now.

“I wouldn’t dream of sort of saying too much. I think if my family ask, yeah, they probably know a lot. So don’t approach them!”

* Trigger Point Series 4 starts on ITV and ITVX on Sunday August 30 at 9pm.

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The Dodgers needed a pivotal win Sunday afternoon against the Milwaukee Brewers. And Tarik Skubal did his part, giving up just one earned run on seven hits over six innings.

“Seemed like they had a good approach,” Skubal, who threw a season-high 109 pitches. “My job doesn’t change. I got to continue to make pitches and continue to get ahead and throw strikes, and I felt like I did that.”

But it wasn’t enough.

Milwaukee’s Logan Henderson quashed the Dodgers’ offense, giving up just three hits and one run over seven innings, to give the Brewers a 6-2 win in front of an announced crowd of 45,828.

The Dodgers (74-51) lost the four-game series 3-1 and also dropped the season series against the Brewers 4-3. The Dodgers trail Milwaukee (77-48) by three games for the best record in baseball.

“I really wanted to win this game because it could matter,” Dodgers manager Dave Roberts said. “But we didn’t, so now we got to move forward. I hope it doesn’t come back to bite us.”

Panic hasn’t — and presumably won’t — set into the Dodgers’ clubhouse. The two-time defending champions, however, are well aware they have lost 11 of their past 16 games.

“This has been cumulative,” Roberts said. “It’s been a long time since we’ve been consistent offensively. … I just don’t see the consistent plan of attack, one through nine. The results are hard, hitting’s hard, but I do think that fighting and winning pitches, spoiling pitches — that’s care, hunger. 
And that’s a reason why [when] you look at four and a half months of the season, the Brewers have outscored us. … A team that’s young and hungry. It’s certainly not talent.

“We just haven’t played clean baseball for quite some time, and that speaks to the defense and not converting an out … it’s just not winning baseball. Our pedigree [and] what we typically do is control the zone, grind it, grind at-bats [and] create stress. We’re not doing that.”

Milwaukee’s Jake Bauers beats a tag attempt by Dodgers catcher Ben Rortvedt to score in the seventh inning Sunday.

(Eric Thayer / Los Angeles Times)

The Brewers struck first with two outs in the second inning after Luis Lara grounded into a bases-loaded fielder’s choice; Tommy Edman dropped an awkward flip to second base from Mookie Betts, resulting in an error and a 1-0 Milwaukee lead.

Max Muncy got to Henderson in the fourth by hitting a tying home run 370 feet to right field. In the next inning, Milwaukee’s Jake Bauers hit a go-ahead single to right off Skubal, scoring Jackson Chourio from second after his double.

“I just got to be better in those moments,” Skubal said. “You know, the slider down and in to Lara’s got to be probably a little bit more down and in, and the changeup to Bauers has got to be a more quality pitch. … So as much as it’s in the kind of grind of at-bats, they also put some swings on some balls. But I need to execute some pitches and some two-strike counts a little better as well.”

The Brewers added two insurance runs in the seventh, as Bauers and Andrew Vaughn collected a pair of RBI knocks against left-handed reliever Alex Vesia. They got two more in the ninth after a second bases-loaded error by Edman came when he failed to field a choppy ground ball from David Hamilton, allowing Chourio and Lara to score.

“We have a lot of guys with reputations that can really pick the ball,” Dodgers catcher Ben Rortvedt said of the defensive woes. “I don’t think we’re really worried about [it]. All these things are going to help us in the long run.”

Dodgers shortstop Mookie Betts walks back to the dugout after striking out in the seventh inning.

(Eric Thayer / Los Angeles Times)

The Dodgers had a chance to crawl closer with one out in the eighth, with Teoscar Hernández on third and Hunter Feduccia on first. But Shohei Ohtani grounded into a double play against Brewers reliever Aaron Ashby.

Andy Pages hit a solo home run in the ninth, but it came too late to matter.

“It can’t happen all at once,” Roberts said of a potential turnaround. “It just kind of starts building, collectively. And once we do that, then you get the big hit, things like that. But it’s a process of: each pitch, pass the baton, valuing every single pitch. And mentally, it’s not easy, but we can do it. We’ve done it many times over before.”

The results just haven’t been there for the Dodgers.

As they head to Colorado for a three-game series against the last-place Rockies, the Dodgers aren’t expecting any breaks.

“Honestly, I think every team’s hungry because they’re chasing us,” Roberts said. “They’re trying to make a name for themselves or trying to play spoiler, whatever it is. But every team we play is going to bring their best. The guys we are going to play the next three games, they’re gonna bring their best, I promise you that.”

If there is a silver lining, it’s that Skubal seems to be acclimating just fine in L.A. — even if the two-time defending AL Cy Young winner hasn’t had his best game since joining the Dodgers.

“I just got to be more consistent,” Skubal said of his first three starts with the Dodgers. “Continue to get quality contact on the ground, and sometimes you need a little bit of luck … But the stuff on my hand is as good as it’s ever been. And honestly, my execution today was pretty good too.

“There’s always room for improvement … but [in] the same breath, you can’t beat yourself up too much. I’m not going to be perfect out there. But yeah, I need to be more efficient. That’s the standard that I hold myself to: pitching deeper into ballgames and giving our team a chance to win every time out.”

Injury updates

The Dodgers placed left-handed starter Justin Wrobleski on the 15-day injured list with left forearm inflammation and recalled right-handed reliever Kyle Hurt from triple-A Oklahoma City. Wrobleski, who has pitched a career-high 126⅓ innings this season, surrendered four runs and four hits in a loss against the Brewers on Saturday.

“We just felt collectively that Justin was the right person [to] back off the fatigue of the arm,” Roberts said. “It’s not something that he’s ever going to make an excuse for. But I do think that it’s smart for us, as an organization, to take that load off a little bit from him.”

Wrobleski has struggled recently, giving up 11 home runs over his past four starts.

Stewart, who was placed on the 15-day IL with right shoulder discomfort on July 31, said he’ll join the Dodgers on their upcoming road trip to Colorado and is hopeful he’ll be activated soon.

KANSAS CITY, Mo. — It did not take long for Ty Simpson to acclimate to the NFL.

In his pro debut, the Rams rookie quarterback passed for two touchdowns and made no major errors in a 20-12 preseason victory over the Kansas City Chiefs on Saturday at Arrowhead Stadium.

“I definitely felt more comfortable than I ever have in a game,” said Simpson, who completed 21 of 25 attempts for 190 yards.

It was a much-awaited first game for Simpson after the Rams shocked fans and much of the NFL by picking him so high in the draft after he started only 15 games for Alabama.

Fourth-year pro Stetson Bennett played the first two series — the first against many Chiefs starters — and led a field-goal drive on the second one before Simpson came on with 11 seconds left in the first quarter.

Simpson’s first series ended with him bobbling a high snap, and then making a smart decision to throw the ball out of bounds. From that point on, offensive coordinator Nate Scheelhaase called play-action bootlegs and other rollouts that enabled Simpson to find receivers, many of them wide open.

“Once that first drive kind of got done, I was like, ‘All right, well yeah, this is just like playing in the backyard,’” Simpson said.

Simpson’s parents and brother were in attendance, and he credited family, coaches and teammates for helping him relax and excel. He finished two second-half drives with short touchdown passes to running back Dean Connors.

“I thought Ty had great command all day,” coach Sean McVay said. “It was a great step in the right direction for him.”

During training camp and recent practices, Bennett took first-team snaps when starter Matthew Stafford was held out. He took second-team snaps when Stafford practiced.

So he appeared to enter the game as the presumptive frontrunner to back up the reigning NFL most valuable player.

Rams quarterback Ty Simpson celebrates after a touchdown against the Chiefs on Saturday.

(Reed Hoffmann / Associated Press)

Does Simpson’ performance change anything?

“We’re going to continue to evaluate it like anything else,” McVay said.

Simpson is not getting caught up in whether there is a true competition.

“That’s a head-man decision and executive decision,” he said. “I just know that I’m happy to be here and I’m working to make sure that I do anything the team needs me to do.”

Other takeaways from the Rams’ preseason victory:

Stetson Bennett steady in start

Rams quarterback Stetson Bennett passes in the first quarter against the Chiefs on Saturday.

(David Eulitt / Getty Images)

Bennett, a fourth-year pro making his seventh preseason start, completed four of six passes for 38 yards and led a field-goal drive before giving way to Simpson.

The first series ended when the Chiefs broke up a third-down pass.

During the second series, Bennett completed four passes during a 13-play, 73-yard field-goal drive that stalled at the six-yard line after the Chiefs broke up his third-down pass to rookie tight end Max Klare in the end zone.

“Stetson did a nice job,” McVay said. “He came in and did a nice job orchestrating a nice drive on the second series.”

Offensive lineman Keagen Trost injured

If the Super Bowl-favorite Rams have a potential weakness, it’s offensive line depth.

They selected former Missouri standout Keagen Trost in the third round with the hope that he could provide versatility. And with left tackle Alaric Jackson possibly facing a suspension if the NFL determines that he violated the league’s personal conduct policy, Trost could be counted on immediately.

Trost started at right tackle, but he left after two series because of a hamstring injury he apparently sustained as part of the protection unit for a Rams field-goal attempt.

“He was pretty bummed,” McVay said, adding that Trost would undergo tests to determine the severity of the issue.

Receiver Mario Williams also sustained a hamstring injury on a kickoff return, McVay said.

Tight end Max Klare the go-to receiver

Chiefs wide receiver Nikko Remigio is tackled by Rams safety Alex Cook during the first half Saturday.

(Reed Hoffmann / Associated Press)

Max Klare, a second-round draft pick out of Ohio State, was targeted eight times, and caught seven passes for 37 yards.

Klare is part of a loaded position group that includes veterans Tyler Higbee, Colby Parkinson, Davis Allen and second-year pro Terrance Ferguson.

But Klare showed skills that could help the Rams this season and beyond.

Receiver CJ Daniels, who made multiple plays during training camp, caught two passes for 18 yards.

Defense holds Chiefs to field goals

Outside linebacker Desjuan Johnson, a rotational player last season, was the most notable member of a defense that played a few series against quarterback Justin Fields and the rest of the game against Garrett Nussmeier and Chris Oladokun.

Johnson sacked Nussmeier in the third quarter. Rookie lineman Tim Keenan also had a sack.

Safety Nick Andersen had a team-best nine tackles for the Rams.

Harrison Mevis picks up where he left off

In his first game under new special teams coordinator Bubba Ventrone, Harrison Mevis kicked field goals of 25 and 40 yards.

Ethan Evans averaged nearly 61 yards for four punts.

Smith returned three punts for 52 yards.

A new young adult series has entered the chat.

“Sterling Point” has all the hallmarks of your usual YA obsession — yearning, an awkward love triangle, a lack of adult supervision, an enviable waterfront setting and complicated friendships. Unlike most other YA series of the moment, it’s an original story that isn’t based on a book. Created by Megan Park, the writer-director behind Sundance hit “My Old Ass” and an actor with roots in the coming-of-age circuit in shows like “The Secret Life of the American Teenager,” the heartfelt drama centers heavily on the complex relationship between two teens who discover they’re half sisters after a death exposes a deep family secret.

It’s the latest series helping Prime Video step further into its WB/The CW era as a go-to destination for younger audiences, joining hits that include “The Summer I Turned Pretty,” “Every Year After,” “We Were Liars” and “Off Campus.” Not to show my millennial wrinkles, but unless the streamer invests in a campaign that evokes the spirit of late ‘90s marketing push known as “The Faces of WB,” what’s even the point of it all? Until then, in this week’s Guest Spot, we spoke with Park about the series that has teen drama enthusiasts hooked.

Also in this week’s Screen Gab, our writers recommend a six-part British television drama that recounts the tragic 1988 bombing of Pan Am Flight 103 and a 2007 stoner comedy directed by Gregg Araki that will help you mellow out and pregame this weekend’s latest addition to the genre. — Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Phyllis Logan, left, Molly Geddes and Cora Bissett in “The Bombing of Pan Am 103.”

(Netflix)

“The Bombing of Pan Am 103” (Netflix)

Admittedly, I didn’t know a lot about the Pan Am flight disaster that this miniseries depicts, but I’m glad that’s no longer the case. This BBC production (it debuted in the U.K. last year) depicts the stories of American and Scottish investigators who spent more than a decade combing through evidence, clues and tips to bring justice to the families affected by the bombing of Pan Am Flight 103. In 1988, the commercial jetliner was transporting 259 people, including 190 Americans, when it exploded over the skies of Lockerbie, Scotland, killing everyone on board and 11 Scots on the ground. Until the events of Sept. 11, 2001, it was one of the most lethal acts of air terrorism, according to the FBI. In the series, we see the gravity of the disaster, but also a deep layer of humanity, showing how Lockerbie and its citizens were irrevocably changed, yet their compassion never wavered, whether for each other or the victims’ families, who formed a lasting bond in an unlikely place. The main characters in the show are based on real-life people: Connor Swindells is DS Ed McCusker, who helped lead the investigation in Scotland; Patrick J. Adams is FBI Agent Dick Marquise, who led the American investigation; and the brilliant Merritt Wever is Kathryn Turman, a tireless advocate whose work led to reforms and services for families of victims. Be prepared to watch with a box of tissues. — Maira Garcia

Anna Faris, John Krasinski, center, Michael Shamus Wiles in 2007’s “Smiley Face.”

(Lacey Terrell / First Look Pictures)

“Smiley Face” (Prime Video)

This has been a stand-out summer for highbrow discourse about Homeric adaptations. As a reward, let’s get stupid with Gregg Araki’s 2007 stoner flick “Smiley Face,” a giddy, silly romp about a slacker (Anna Faris) whose troubles start when she snarfs a plate of pot cupcakes for breakfast. Her misadventures treat us to a tour of L.A. — from a Hollywood casting office to the Venice Beach boardwalk, with a pit stop at a meat-packing plant in El Monte. Even better, it’s a tour de force performance from Faris, who plays an impulsive mess with the fearlessness of a clown leaping into a kiddie pool of pudding. She deserved to make a dozen more movies just like it. (The “Scary Movie” franchise only halfway counts.) If “Smiley Face” gives you the munchies for a great new comedy, check out “The Wrong Girls” with Kristen Stewart and Alia Shawkat and Araki’s latest farce, “I Want Your Sex,” which stars a ferociously funny Olivia Wilde. — Amy Nicholson

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Ella Rubin and Amélie Hoeferle in “Sterling Point.”

(Prime Video)

The enemies-to-lovers romance trope in a teen drama? It’s been done. “Sterling Point” anchors its premise on an enemies(ish)-to-sisters storyline. The coming-of-age drama opens with 17-year-old twins, Annie Jacobson (Ella Rubin) and her twin brother Connor (Keen Ruffalo), who were raised in New York City and inherit a Canadian island following the death of their estranged grandfather. The series follows Annie as she sets out to the island and encounters Ramona (Amélie Hoeferle), the half sister she didn’t know existed until she arrived there. Their initial friction gives way to a tight bond as they piece together emotionally heavy family secrets.

The series hails from Megan Park, who has become known for her nuanced stories about young people with films like “The Fallout,” a drama starring Jenna Ortega about the aftermath of a school shooting, and the Aubrey Plaza-led “My Old Ass,” about a teenager who meets her older self while on a mushroom trip. Over video call, Park discussed the “Sterling Point’s” origins, her hopes for Season 2 and the coming-of-age stories that she admired growing up. — Y.V.

Many series about and catering to young adults right now, some of which are part of Prime Video’s lineup, are based on books that have built-in fan bases. Did that make “Sterling Point” a harder sell? What was your experience of pitching it?

Yes, I think people are always more nervous to take a risk on something brand new when you’re like, “This is just a weird idea I had in my brain, but trust me I think it’ll work.” But I was really lucky with Amazon being so supportive because they had just acquired “My Old Ass” and I think they understood the voice and the stories that I was wanting to tell with the show. I was shocked that people were willing to take the risk of being like, we’re going to go in a writers room and we’re going to figure out the show in an old-school way; we’re not going to rely on any kind of built-in audience or IP. I’m very thankful for Amazon for taking that chance on us. It’s not that I’m against adapting IP. I’m sure I would do that at some point, but I had an idea and somebody still wanted to listen to it, so I feel very grateful for that.

What inspired this story ?

I wanted to try [writing for] TV because I was like, “Well, eight hours is a lot more content than just making a movie.” That was a fun challenge to me. When I was acting, I spent so many years doing TV, so it felt like home. For me, it was the sisterhood story and sort of the the idea of these two young women who are connected by this woman that they don’t know and don’t feel like her death has necessarily affected either one of them, and it has very much affected both of them. I thought it was an interesting idea to explore, nature versus nurture. I come from a family where there’s a lot of adoption, and I had also never really seen a character like Annie where they were adopted and they didn’t have the desire to seek out their biological family, and that was just something they were fine with. That’s been an experience of a lot of people in my family. Oftentimes, [we see] stories about you know people wanting to find their biological family. Both of them exist, but I hadn’t seen the latter in a lot of things. I was excited to explore that.

Daniel Quinn-Toye, Bo Bragason and Jacob Whiteduck-Lavoie in “Sterling Point.”

(Prime Video)

Identity, and how that’s shaped by our parents, drives so much of the story. What interested you in that parent-child or just familial dynamic?

I’ve always just loved stories that are about that; family dynamics are the most interesting to me because they’re so full of triggers, and everybody has some kind of crazy story within their family, or a mystery. At that age, you’re finally realizing your parents are just people too, and they maybe don’t know everything. And maybe you have different ideas or thoughts about how the world works than your parents, and that can sometimes not go over very well. It is an interesting time. And as a mom now with children — I have a 2- and 6-year-old — you think a lot about like, “Wow, how are my kids going to feel about A, B, and C when they’re this age? What’s my relationship going to be with them as teenagers and adults?” It’s so wild to think about. I was also writing it, thinking about a lot about the mom and the parents POV as well.

The show has romance or feelings of infatuation that are a hallmark of young adult dramas, but it’s not the focus of the show. It’s the relationship between the sisters. There’ve been studies saying that teens want less sex in TV and movies, that they prefer watching stories about deep friendships or platonic relationships. Was that top of mind for you at all?

You’re the first person who’s asked me that, and I feel like yes. We love a love triangle, we love a love story — it’s so fun and such an escape; it’s almost like an essential part of a show in a way. But especially this generation, their friendships are deeply important and they live at home longer, statistically. Their relationships, their parents, are a lot different than maybe millennials’. When I was in high school, I was never involved in romantic relationships. That was a later part of life, and I feel like I’ve talked to a lot of people, they were like, I wasn’t dating really in high school. I was not ready and not there yet. You don’t often see that. And so it was fun to have this this North Star that the real love story and the real heart of the show is the sisterhood, and I hope that sets the show apart in an exciting way, because it felt that way when we were writing it.

The season ends with Annie and Ramona essentially swapping locations. What are you interested in exploring in a Season 2 with these characters?

I have a whole bunch of ideas left, so we shall see. There’s a lot between these two young women having now experienced each other’s lives fully that is going to be really interesting to explore and pick up, hopefully, if we get the chance to. Listen, eight hours seem like a lot, but once you get into it, you’re like, “Wait, man, there’s eight hours more that I think I could get deeper into A, B, and C.” And there’s so many great supporting characters in the show, and we had stuff [for them] that we wanted to fit in for them in Season 1 that we just couldn’t fit in. Season 2 could be fun in that way, where you know these people and know the world, and now you can go more into [who they are.] Who is Oona’s mom? There’s all these other characters who we can get more into their world as well.

The YA genre is thriving right now. And it’s not even just young people tuning in — I feel like I see so many TikToks from millennials and Gen X talking about their obsession with them. Why do you think we’re still turning to these types of stories later in adulthood?

Because it’s nostalgic. It’s such a defining time in every single person’s life. It’s why young people are finding shows that we grew up on, like “One Tree Hill” or “Dawson’s Creek.” And why women in their 50s or 60s are still relating to the newer shows like “Off Campus” and and “Elle.” It doesn’t matter the era; it’s just the unique sort of idea that it’s the first this, the first that; the defining moments of our lives in so many ways.

In the spirit of this series, what were some of the coming-of-age films, TV series or books that shaped you?

I grew up in like the era of such great coming-of-age comedies — “Clueless” was a big one for me — and really epic rom-coms like “How to Lose a Guy in 10 Days.” Those movies really stuck with me. I would say that Chris Columbus, as a filmmaker, makes movies like “Mrs. Doubtfire,” “Step Mom” — those movies that are such wild ideas or really sad things, but you’re also unexpectedly crying. In “Mrs. Doubtfire,” you’re like, oh, this is a story about a dad who misses his kids, but it’s so heartfelt but also funny at the same time.” I want to make things that are heartfelt, which isn’t necessarily a cool word to some people. I think it’s cool because I want to make things that are meaningful but also lead with their heart, and you’re surprised when the emotion comes. It’s not just super, super dark or super, super light and fluffy; it hopefully falls perfectly right in the middle.

ICYMI

Must-read stories you might have missed

The new start of this year’s I’m A Celebrity has reportedly been pushed back after ITV won the rights to the UEFA Nations League, meaning there would be a schedule clash

Bosses at ITV have been forced to delay the latest series of I’m A Celebrity, according to reports. It’s claimed a major scheduling clash has led to the series Down Under being pushed back.

That’s because the channel has landed the rights to the UEFA Nations League. It’ll see England back in competitive action following this summer’s World Cup disappointment.

The international tournament will kick off on September 24. The games will continue for a number of months and England are set to take on current World Cup champions Spain on November 15.

The game, being held at the Riyadh Air Metropolitano in Madrid, will kick off at 8.45pm. This is just 15 minutes before the start of I’m A Celeb 2026 was pencilled to begin.

But it’s claimed the football has taken priority, with the reality series said to now be commencing a day later on November 16.

A source told The Sun: “I’m A Celeb has always benefited from the Sunday night prime-time slot, but this year it’s all change. Now ITV has the rights to the UEFA Nations League bosses have had to go back to the drawing board.”

And a second source added: “Bosses have pulled out all the stops to ensure this year’s IAC launch show is must-see TV. Following the huge success of this year’s World Cup, bosses are overjoyed to have such a stellar lineup of entertainment and sport this autumn on ITV.”

While the campmates for the upcoming series are yet to be announced, speculation is already growing. And there are also reports that there will soon be another spin-off of the series.

Rio and Kate Ferdinand have reportedly signed up for an I’m A Celebrity: Wild Frontier, a new spin-off of Ant and Dec’s classic reality show which will be filmed in Canada.

If they have signed up, it means they have become the first married couple to join the show, which is focusing on celebrity pairs. Together, they will have to face their own daredevil challenges and Bushtucker Trials and it will mark England star Rio’s first venture into reality TV.

A source said: “Bosses are overjoyed to have landed the Ferdinands. It’s a real coup for the show. They have brilliant chemistry and are great fun. It will be the first time viewers have really seen Rio away from football chat, too.

Speaking to The Sun, the source added: “ITV are still in talks with some other brilliant names and this show promises to be absolutely spectacular — and a real social media talker.”

Unlike the Australian series, the spin-off show sees famous faces compete in pairs. It could be with friends, relatives or couples as they take on Bushtucker-style trials together before facing elimination as a duo.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok , Snapchat , Instagram , Twitter , Facebook , YouTube and Threads.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Mark Walter sold the Lakers for $12.5 biillion after owning the franchise for 10 months. If every reader of Dodgers Dugout can chip in $50 million, we might be able to buy the Dodgers.

Series with Brewers is important

The Dodgers begin a four-game series with the Milwaukee Brewers tonight at Dodger Stadium. Remember, the three division winners automatically qualify for the postseason, but the division winner with the worst record will have to play in the first round, while the other two skip the first round. And, if teams are tied, the first tiebreaker is head-to-head record. Let’s look at those three teams as of Wednesday night:

1. Milwaukee, 74-47
2. Atlanta, 73-48
3. Dodgers, 73-48

The Dodgers are 2-1 against Milwaukee and 1-2 against Atlanta. So, the Dodgers will need to at least split the four games to maintain tiebreaker advantage over the Brewers. Of course, winning three of four or sweeping would be even better. If the Brewers win three of four, or sweep the Dodgers, then they will be in the driver’s seat for best record and home-field advantage throughout the postseason.

The Dodgers have three games remaining against the Braves, Aug. 25-27 at Atlanta.

Let’s take a look at how the Dodgers and Brewers compare this season, through Tuesday.

Runs per game
Dodgers, 5.02 (third in the majors)
Milwaukee, 4.91 (fifth)

Batting average
Dodgers, .261 (first)
Milwaukee, .252 (sixth)

On-base percentage
Dodgers, .338 (second)
Milwaukee, .336 (third)

Slugging percentage
Dodgers, .428 (second)
Milwaukee, .396 (19th)

Doubles
Milwaukee, 214 (third)
Dodgers, 198 (ninth)

Triples
Milwaukee, 20 (seventh)
Dodgers, 12 (18th)

Home runs
Dodgers, 152 (seventh)
Milwaukee, 110 (30th)

As you can see, the Dodgers have more power than the Brewers, but Milwaukee makes up for it some in the next two categories.

Stolen bases
Milwaukee, 118 (fifth)
Dodgers, 46 (28th)

Sacrifice bunts
Milwaukee, 29 (second)
Dodgers, 12 (22nd)

ERA
Milwaukee, 3.54 (fourth)
Dodgers, 3.72 (seventh)

Rotation ERA
Dodgers, 3.54 (fourth)
Milwaukee, 3.56 (fifth)

Bullpen ERA
Milwaukee, 3.51 (fourth)
Dodgers, 4.02 (16th)

Pitcher strikeouts
Milwaukee, 1,169 (second)
Dodgers, 1,073 (eighth)

Pitcher walks
Dodgers, 373 (10th fewest)
Milwaukee, 376 (11th)

Home runs allowed
Milwaukee, 123 (seventh fewest)
Dodgers, 143 (20th)

Saves
Milwaukee, 38 (third)
Dodgers, 32 (14th)

Blown saves
Dodgers, 16 (T15th)
Milwaukee, 15 (T19th)

Inherited runners who scored%
Dodgers, 35.5%, 49 of 138 (23rd)
Milwaukee, 41.9%, 54 of 129 (28th)

The two teams are pretty evenly matched.

The big difference between the two is the Brewers just can’t seem to breakthrough in the postseason. They have made it in seven of the last eight seasons, but reached the NLCS only twice, losing both times to a very familiar team. Let’s look:

2018: Lost in NLCS to Dodgers, 4-3
2019: Lost NL wild-card game to Washington
2020: Lost in NL wild-card series to Dodgers, 2-0
2021: Lost in NLDS to Atlanta, 3-1
2022: Did not make postseason, finished with 86-76 record
2023: Lost in NL wild-card series to Arizona, 2-0
2024: Lost in NL wild-card series to New York, 2-1
2025: Lost in NLCS to Dodgers, 4-0

This is why it was such a surprise they didn’t do more to acquire Tarik Skubal. That would have given them a devastating 1-2 punch in Skubal and NL Cy Young favorite Jacob Misiorowski. Instead, they acquired former Dodger Dustin May.

Keep in mind, it is not imperative to finish in the top two. The Dodgers had to play in the first round last season and that worked out OK. In fact, this season is looking amazingly like last season, with the shaky bullpen and strong starting pitching.

L.A. radio/TV icon Steve Edwards discusses the team

Steve Edwards, who had done just about everything in the local TV and radio landscape and is probably best remembered as longtime host of “Good Day L.A.,” is a longtime Dodgers fan and newsletter subscriber. He agreed to answer a few questions recently, and we thank him for his time. This was conducted via email.

Q. How long have you been a Dodgers fan, and do you have a favorite Dodgers memory and player?

Edwards: To a certain extent it started before the Stone Age. I was a kid in New York in a glorious time for baseball. We had three teams. We had the famous Willie, Mickey and the Duke playing center field for the three teams. The teams were always going to the World Series every year in some combination and it was an incredible time when baseball was the king of all sports and to be a kid in the middle of all of was nirvana (a word that didn’t exist in the a nine year old’s vocabulary-but sounds good now). As a Bronx Kid I was geographically predisposed to the Yankees.

But I loved the Dodgers, who couldn’t? Jackie Robinson was a heroic figure in my part of the world and you had Pee Wee and Campy and Hodges, Oisk, Skoonj and of course The Duke. Over the years I gradually flipped allegiance — falling more in love with the Dodgers — and falling out of love with The Steinbrenner Yankees, mainly because of Steinbrenner. Moving to L.A. sealed it. When I came to L.A. the teams were playing in The World Series and I realized I was clearly rooting for the Dodgers, a thing that would’ve made my mother, who was from Brooklyn, very happy.

Q. How do you assess this season’s team?

Edwards: Really good and yet disappointing. We are like spoiled children — we get more of everything — and of course want even more. Of course it will come together in time for the playoffs where Kiké will hit .900, Glasnow and Snell will pitch no-hitters and Freddie will hit a couple of walkoffs. Now if Tucker and Díaz can really come around……

Q. A genie grants your wish and says you are the owner of the Dodgers and can make three immediate changes. What changes do you make? It can be to the team, the stadium, whatever you want.

1. Keep Yordan Alvarez.

2. Have Frank McCourt never buy The Dodgers (or at least not hold on to a share of the land and parking lots).

3. I am a BIG BIG fan of Joe Davis and Stephen Nelson. We are so fortunate to have them, but I still wish we could hear Vin’s voice — a voice that was the soundtrack of so many of our lives — not only the best ever, but connected us as a community and help define Los Angeles.

Q. Recently, a website listed their 10 greatest Dodgers. A lot of fans were unhappy that Shohei Ohtani wasn’t among the top 10. Seems way too soon to consider him one of the 10 greatest Dodgers. What do you think?

Edwards: Shohei didn’t become the Face of Baseball until he became a Dodger. All those years, even with everything that he personally accomplished on a team with Mike Trout,didn’t really move the needle that much (that’s a whole other Q&A).

When he arrived with the Dodgers, it wasn’t just the needle moving, it was a seismic shift. He is already one of the most memorable Dodgers (or all of baseball) in history — so to ask if you should be considered top 10 is crazy, maybe some think he needs a few more years but he’s definitely should be considered and — come on —he’s in.

Q. Way back in the ancient times of 1991, I won WrestleMania tickets from you while you were hosting a show on KABC 790 (which may have been the greatest talk station in history). You have been a TV host and have done virtually everything. What was your favorite?

Edwards: That’s like choosing among your children or grandchildren. I’ve been incredibly lucky and grateful for all of it. But I really did love doing Sportstalk…

Q. My two favorite shows of yours were “Two on the Town” with Melody Rogers and “Good Day L.A.” with you, Jillian Barberie and Dorothy Lucey. We recently did a story on the three of you hosting a podcast. What was the genesis of that podcast, and how can readers listen to it?

Edwards: It came around organically, we’ve remained really good friends through the years with all the ups and downs of life. We were approached to do this, and it seemed like a natural thing to do. There were a lot of people who loved that show — there also a lot of people who were annoyed by it. For me it brings back a familiar feeling of trying to finish a sentence. Funny you mention Two on the Town — I’m about to have a FaceTime with Melody Rogers right after this. You can find the podcast on YouTube — “So Unanchored” with Jillian Barberie, Dorothy Lucey and Steve Edwards. It’s a good deal at the price — it’s free. You can find it by clicking here.

Up next

Thursday: Milwaukee (*Shane Drohan, 6-4, 3.87 ERA) at Dodgers (Roki Sasaki, 5-5, 4.54 ERA), 7:10 p.m., SportsNet LA, AM 570, KTNQ 1020

Friday: Milwaukee (*Robert Gasser, 3-4, 4.57 ERA) at Dodgers (Yoshinobu Yamamoto, 11-7, 2.65 ERA), 7:10 p.m., SportsNet LA, AM 570, KTNQ 1020

Saturday: Milwaukee (Jacob Misiorowski, 11-5, 2.76 ERA) at Dodgers (*Justin Wrobleski, 11-4, 3.44 ERA), 4:15 p.m., Fox, AM 570, KTNQ 1020

Sunday: Milwaukee (Logan Henderson, 6-2, 2.88 ERA) at Dodgers (*Tarik Skubal, 6-2, 2.93 ERA [0-1, 4.09 ERA with Dodgers]), 1:10 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Dodgers’ Freddie Freeman appears to avoid serious injury in fall down dugout steps

Dodgers’ Dalton Rushing provides promising update on his elbow injury

Shaikin: The Shohei Ohtani Economy: A two-mile ride to Dodger Stadium, for $85

And finally

Highlights from the final game of Vin Scully‘s career. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

In the summer of 2020, the year “Ted Lasso” debuted on Apple TV, the largest audience for a televised soccer match in the U.S. was 1.7 million. Shortly before the soccer-based sitcom returned for a fourth season last Wednesday, nearly 63 million viewers in the U.S. watched the World Cup final.

Brendan Hunt, the actor who plays Lasso’s loyal sidekick Coach Beard in the series, can’t prove the show is responsible for that growth. But since he can’t disprove it either, he’ll just go with the flow.

“I would love it if we’ve had a role at all,” he said. “If we are a pebble in that avalanche, then I’m happy.”

What the Emmy-winning series has undeniably done is bring soccer into millions of unsuspecting households that had previously avoided the sport like a plague. So while Jason Sudeikis, the star and co-creator, alongside Hunt, of “Ted Lasso,” insists the show is not about soccer, the sport sure gets a lot of screen time. And that has made the game more palatable and popular for a public that can now relate to it.

“We tricked them by putting soccer in a comedy show,” Hunt said. “The first thing you’ve got to do to get somebody to become a soccer fan is just make them care about one team, to find one team.

“In this instance we’ve made them care about this fictional team and that easily can transmute, if you’re not careful, into caring about other teams. And then hopefully the sport itself.”

After a three-year hiatus, “Lasso” returned for Season 4 last week with the series’ eponymous title character, played by Sudeikis, returning to Richmond to coach a fledgling second-division women’s team. Hunt’s understated character makes his first appearance of the season in Episode 2 Wednesday.

“He is clearly going through something,” Hunt said. “Is it just what happens to Beard when he’s away from Ted for too long or is there something important that has happened? We’ll find out before too long.”

Speaking of having gone through something, Hunt, who plays a fictional coach for a fictional team, spent the first part of his summer being a very real journalist at a very real tournament, attending 14 World Cup games in more than half a dozen stadiums — including the Spain-France semifinal in Arlington, Texas, which he watched from the press box, and the Spain-Argentina final, part of which he watched from field level.

“That was a really cool experience,” said Hunt, who did a World Cup podcast with Rebecca Lowe, the studio host of Fox’s tournament coverage.

But for Hunt, 54, the most passionate soccer fan among the writers and actors on “Ted Lasso,” the sport was an acquired taste. Half a lifetime ago, Hunt was a die-hard Chicago Bears fan working in residence with an improv group at a small, aging theater in Amsterdam when he got swept up in Dutch soccer culture.

Eventually, he said, he was contributing weekly columns to Sp!ts, a free commuter newspaper in Amsterdam, chronicling his growing infatuation with the sport. When Sudeikis, another Midwesterner, joined the comedy troupe, Hunt began proselytizing about the sport, using PlayStation games to draw in Sudeikis.

“I found a secret that I had to tell everybody,” Hunt said. “When Jason came to Amsterdam, by that point I was fully a zealot. It was like a new recipe. ‘This thing is great!’

“I’ve been doing it ever since. I just have a slightly larger platform from which to do it.”

That platform is “Ted Lasso,” based around a soft-drawling college football coach, and Beard, his quiet but intense assistant. The concept debuted in a 2013 promo for NBC’s coverage of the English Premier League, then launched as a full-blown sitcom during the angst and fear of the coronavirus pandemic seven years later.

The series, with its message of optimism, kindness and patience and its call to “be curious, not judgmental” — a sentiment Lasso mistakenly credits to Walt Whitman — proved to be the perfect tonic for those trying times. Before it paused after Season 3, it had become the most-watched original streaming series across all platforms and the first Apple TV show to cross the billion-minute mark in a single tracking week.

But in addition to all the messaging and positivity, the show also included soccer. The offside rule and promotion and relegation are the butts of repeated jokes and there are discussions of tactics, positions, formations and other game-related details that would have previously frustrated viewers.

“Lasso,” however, proved U.S. soccer IQ was higher than expected; the sport may not have become fully mainstream, but it was no longer a foreign concept.

“There’s just a wider sense of like, ‘yeah, we’re fine. Soccer’s fine,’” Hunt said of the U.S. public. “We don’t need to explain it to people or impress it upon people. The World Cup has sort of finally cemented that.

“It feels like less and less of a capital S struggle right now.”

Brendan Hunt, left, and Jason Sudeikis in “Ted Lasso.”

(Apple TV)

For Hunt, who has been a season-ticket holder for LAFC and Angel City, getting to be a credentialed World Cup journalist — and a participant in the halftime show at the final — were once such far-fetched dreams that they never even made his bucket list. Getting paid to write scripts for a project he’s passionate about, then act out those scripts as a make-believe coach, was once only slightly less unbelievable.

Yet Hunt has done it all — and after a three-year break he’s back doing it again.

“It’s definitely fun,” he said. “For one thing it makes me a little more useful in the writers’ room than I would be on ‘Grey’s Anatomy.’ And it also means that a world that I already really enjoy has now opened its arms to us.

“The world of football, to have responded so well to this show, has been truly a touching part of this experience.”

And no one can’t prove the show hasn’t played at least a small role in making the U.S. a soccer country at last.

BALTIMORE — Zach Neto hit a three-run home run to lift the Angels over the Baltimore Orioles 4-1 in the final game of the series on Thursday afternoon.

Wade Meckler singled on a ground ball in the third inning that was overthrown by Orioles starting pitcher Brandon Young at first, advancing him to second. Nolan Schanuel was then walked to set up Neto’s 411-foot homer that went over the center-field wall.

Schanuel hit a sacrifice fly in the seventh for Meckler to score the fourth run of the game.

Angels pitcher Mitch Farris (1-3) entered the game in the fifth inning in relief of starter Ryan Johnson. Farris pitched one inning, struck out two and walked one. Johnson pitched the first 4 2/3, where he walked five and struck out one. He gave up three hits and one earned run. Samy Natera Jr. earned his second save after striking out two in the final 1 1/3 innings.

Yohel Pozo hit a solo home run in the third for the only run for the Orioles. It was his first in an Oriole uniform since coming to Baltimore after getting claimed off waivers from the St. Louis Cardinals in July.

Young (8-3) pitched 4 1/3 innings in the loss, giving up six hits. He struck out four and walked two.

Up next

The Angels have not yet named a starter for Friday as they kick off a three-game series at Miami. The Marlins will start RHP Tyler Phillips (3-5, 3.53 ERA).

Another harrowing episode is set to air tonight at 9pm on BBC One

True crime fans have been left stunned after watching harrowing episodes of the “best” BBC series – and another airs tonight.

Murder 24/7 has returned to screens for its third run, once again plunging viewers into real-life murder investigations in the UK. Following West Mercia Police, viewers have so far witnessed chilling murders as detectives work against the clock in their pursuit of justice.

Last night (August 4), the first of a two-part special aired on BBC One at 9pm delving into the murder investigation of Jamie Gawler. Jamie was found dead by police in an armchair in a flat, with a towel draped over his face.

Officers were stunned to hear the horrific post-mortem results as their investigation led them miles away in South Wales and a potential suspect.

The second episode will air tonight (August 5) on BBC One at 9pm, with episodes also available to stream on BBC iPlayer. However, viewers have been left sickened by the latest instalments.

Taking to TikTok, one true crime fan admitted their “jaw was on the floor watching this show”. In the video, they added: “Wow. Absolutely brutal…. I couldn’t believe them episodes, they were brutal.”

One person commented: “Omg I’m addicted to this one bet my leccy bill sky high.” Another replied: “It was horrific”, as a third said: “It was a hard watch.”

A fourth wrote: “Just watched them both this afternoon absolutely shocking.” A fifth added: “I love watching this programme but those two were brutal.”

Another branded the latest instalment as “sickening” as one person said: “It was absolutely horrendous.” One viewer echoed: “It was about the worst of that series.”

The second part of the two-parter, titled Natural Born Killer, will return tonight at 9pm as detectives continue to build their case against suspect Matthew Jonathan.

A BBC synopsis reads: “A critical forensic breakthrough comes when analysts match an incomplete, bloody footprint from the scene to Jonathan’s rare boots via a national database. Soon after, investigators recover a series of phone videos that reveal the true extent of the assault.”

A separate case featured also sees a woman fighting for her life after a brutal assault with a meat cleaver as her partner is arrested on suspicion of attempted murder.

Murder 24/7 can be streamed on BBC iPlayer

Jeremy Clarkson has also confirmed major news regarding another one of his shows today.

A Jeremy Clarkson show’s replacement has already been announced and it’s something viewers have been waiting weeks for.

From Top Gear and The Grand Tour to the unforgettable Clarkson’s Farm on Prime Video, Jeremy Clarkson is never too far away from our small screens.

And this evening, Wednesday, August 5, at 9pm, will be no different as he returns in a repeat episode of Who Wants to be a Millionaire? on ITV where he plays quizmaster.

As always, the 66-year-old will be faced with a new line-up of contestants tasked with answering a series of questions that could ultimately change their lives.

However, this will be the last episode of the quiz show reboot to air for a while with ITV confirming what will take its place next week.

Jeremy Clarkson’s Who Wants to be a Millionaire’s time slot will be taken over by ITV’s live coverage of pre-season football.

Kicking off at 7pm and airing for almost three hours, the special is set to air the match between Manchester United and Leeds United, with the friendly taking place at Croke Park, Dublin.

The official synopsis notes: “Normally used for Gaelic sports, this is the first time this 80,000 capacity venue has hosted a club association football match, and while a friendly in name, it is likely to be a highly competitive contest given the historic rivalry between the teams.”

As presenter Hugh Woozencroft leads the coverage, there will also be analysis from John O’Shea and Michael Brown with commentary by Sam Matterface and Lucy Ward.

Clarkson has been in the news for months thanks to the return of Clarkson’s Farm on Prime Video with season five revealing that he had prostate cancer. Thankfully, it has since been confirmed that he is now officially in remission.

But today, Wednesday, August 5, Clarkson is back in the news as it’s been announced he and his former Grand Tour hosts James May and Richard Hammond, would be reuniting.

The Grand Tour came to an end two years ago but the stars will be making cameo appearances in the reboot to help “pass the baton on”.

Hosting duties are being taken over by YouTubers Thomas Holland and James Engelsma with The Grand Tour season seven airing on Friday, September 4.

Live Pre-season Football airs on Wednesday, August 12, from 7pm, on ITV.

Rob Rinder and Ruth Goodman returned to screens to explore Victorian Britain at a crucial moment

A devastating discovery was made during a new documentary series.

Last year, Channel 5 introduced Rich Lives, Poor Lives, a new history documentary series where presenters Rob Rinder and Ruth Goodman investigate key moments in British history from the perspective of both the rich and the poor.

Rob and Ruth returned to screens on Tuesday (August 4) to front a new instalment of the series, which saw them travel back to the 1840s when railway mania swept Britain and transformed the fortunes of the rich and poor.

During the episode, Rob followed wealthy Victorians who poured their money into the railway boom. They included George Hudson, known as the “Railway King”, who seized on the craze to build a vast personal empire, and Lord Morpeth, an aristocrat who embraced the railways.

Meanwhile, Ruth investigated the lives of those who built and worked on the railways. The presenter uncovered the stories of railway worker Thomas Eaton and Mary Arguile, Britain’s first female station mistress.

Later in the episode, Rob and Ruth compared the differences between first class and third class on one of George Hudson’s trains.

Back in the 1840s, hundreds of third class passengers were jammed into small cattle wagons, leading to many people reporting injuries, including black eyes, bruised faces, and bloody noses.

“Oh my goodness. You go on a nice day out and you end up coming out like you’ve been boxing,” a surprised Rob said.

The pressure to squeeze more and more money from the railways took its toll, something the unskilled laborers up at the Woodhead Tunnel, including Thomas Eaton, knew all too well. Reports of terrible accidents at the tunnel soon reached the desks of the government.

On the 23rd of June 1846, Thomas Eaton was one of 32 witnesses summoned to Westminster to give his testimony to a committee.

Ruth revealed what happened as she stood in a courtroom alongside Rob. Reading out Eaton’s testimony, Ruth said: “Several were killed, sometimes when the engine was drawing them up, sometimes striking at the side. It threw them out and killed them.”

Eaton saw about 40 people killed in the 18 months that he worked on a particular section of the line. The death toll on that area of the line was at 3% of the workforce, a revelation that stunned Rob.

Ruth went on to say: “It was pretty sobering stuff, but the men running the inquiry didn’t seem as sympathetic as you’d expect.”

The members asked if the accidents were caused by the workers’ “carelessness”, suggesting that it was the fault of those who died.

“The worst was yet to come,” Ruth then noted, before reading the testimony of an engineer called Purdon. When asked if there was a safer way to work, he replied: “Oh, well, perhaps it is safer, but it is attended with such a loss of time, and the difference is so very small, I would not recommend the loss of time for the sake of all the extra lives it would save.”

A horrified Rob then said: “Gosh, that’s an admission. Profit over lives.”

The Victorians with Rob Rinder and Ruth Goodman is available to stream on Channel 5

The beloved crime drama first aired on the BBC back in 2001 and ran for seven years before coming to an end.

A popular BBC programme based on a bestselling book series has been hailed ‘one of the best of all the Brit mysteries’.

Over 20 years ago, BBC viewers saw a new detective duo hit the screens as actors Nathaniel Parker and Sharon Small took on the roles of DI Thomas “Tommy” Lynley and DS Barbara Havers.

The Inspector Lynley Mysteries, which is based on the crime novels by author Elizabeth George, follows the unlikely duo as they solve complex murder cases.

With DI Lynley coming from an aristocratic background and DS Havers hailing from a working-class life, the pair frequently butt heads due to their conflicting personalities.

Originally, the show aired in 2001 and ran for seven years and features a range of odd cases.

Over the years, viewers saw public school disappearances, political conspiracies and aristocratic family murders.

Speaking about the show coming to an end, actor Nathaniel shared that the actors didn’t know the series wasn’t coming back when they filmed.

He told Entertainment Weekly in the past: “Well, it’s kind of strange because when we shot it we didn’t know it would be the end. They canceled the series after we finished shooting, so there is no tie-up to it.

“There’s been quite a sweet response, a wonderful response really, here and in Europe. I mean around the world, really. Lots of petitions and things like that sent to the BBC.

“It’s been slightly embarrassing. I was asked by a bunch of people in Amsterdam — 17,500 viewers — to accept their petition to take back to the BBC. But I think the BBC would look at me and say, “God, you must be really desperate for work!”

Although the series came to an end in 2008, with a revival airing last year, its still remained a beloved show with BBC viewers.

On IMDb, one person said: “A magnificent duo – up there with Holmes & Watson, Morse & Lewis […] Both characters are utterly convincing and indeed inspiring as people. There are many duos as detectives, but this is one of the best.”

Someone else wrote: “Better than the books by far. Having seen the television version before reading the books, I can heartily recommend the video version over the print one.”

Another shared: “One of the best of all the Brit mysteries. Everything about this show works well — the plotting, the acting, the direction, the sets — but what is truly above average is the relationship that slowly develops between the two stars, making this show both a mystery program and a character-based one. Watching these two actors grow into their roles while solving well-written cases is deeply satisfying.”

While a fourth commented: “Very Enjoyable Series. I find this series very satisfying. It is character-driven and has compelling dialogue between Lynley and Sgt Havers. Havers is the real star of the show.”

Inspector Lynley Mysteries is available to watch on BBC iPlayer.

Celebrity Hunted is back with a new set of stars heading out on the run in the UK

Celebrity Hunted viewers all had the same response as the new series of the show began.

The programme – which sees stars going on the run and trying to stay hidden as they are hunted by experts – last aired in early 2025, so fans were thrilled as it returned on Channel 4.

The show’s latest run, in aid of Stand Up To Cancer, sees celebs such as Strictly stars Amy Dowden and Carlos Gu, EastEnders‘ Brian Conley and his daughter Lucy and TV star siblings Scarlette and Stuart Douglas trying to hide from the Hunters. Love Islanders Chris Taylor and Toby Aromolaran, presenters and disability advocates JJ Chalmers and Sophie Morgan and comedians Jen Brister and Laura Smyth are also trying to evade capture by Ray Howard and his team.

“So happy Celebrity Hunted is back,” one person wrote on X as the series started.

“The best time of the year is back and I can’t wait,” someone else wrote on the platform, which was formerly Twitter.

“We are so back,” said another, as one fan exclaimed: “Bring it on!” as another view said simply: “Finally.”

“Great to have a new series of Celebrity Hunted!” said someone else. “It’s a show that even after 11 years on air (*civilian and celeb series*) it’s always a must watch. It seems like the civilian series is now aired every 16/22 months. @Channel4 any news about a 2027 civilian series?”

Somebody else quipped: “If I ever become a celebrity, Celebrity Hunted better still be around. It looks like so much fun.”

The celebrities on the show have been tasked with vanishing into mainland Britain, cutting themselves off from their lives – and their fame.

“For 14 relentless days they must stay hidden, think fast and trust no one because the moment they leave a trail, the hunt is on,” said a synopsis.

“Pursuing them is Ray Howard and his elite team of Hunters drawn from policing, military and intelligence backgrounds. They have the full arsenal of the modern state at their disposal including CCTV, ANPR, Facial Recognition, helicopters, drones, search dogs, cyber investigations and media appeals. Every clue, every sighting and every mistake can mean a capture.

“In a world where almost every movement leaves a footprint, can these celebrity fugitives escape the glare of the spotlight and remain under the radar or will the Hunters bring every fugitive into custody before the 14 days are up?”

While viewers were delighted to see the show return, one posted a message on social media questioning whether it was “set up” after the opening sequence, which saw the stars being tracked by helicopters.

They asked: “Has there ever been a more set up show As if the flight plans for these 3 helicopters weren’t submitted to the Civil Aviation Authority (CAA) weeks ago and are all flying at the legal mandated speed, height and distance between them in London.”

“Obsessed with how fake this is now,” joked someone else, as another viewer wondered: “Hang on… heading east when the lone heli stops the pair but that looks suspiciously like Westminster Bridge under them even though they’ve just flown over the city…”

Celebrity Hunted is airing on Channel 4.

USC coach Lincoln Riley said he is glad to have the Trojans’ annual rivalry game with Notre Dame back without compromising the Trojans’ biggest need.

The schools announced they agreed to a four-year series starting in 2030 during Week 1 of the season at the Coliseum. The following year the teams will play in Week 1 at Notre Dame Stadium. The 2032 and 2033 games will be played during Week 1-3 of the season.

“We felt like the best thing for our program was to play this game early in the season,” Riley said. “As I’ve said publicly, we’re a part of a conference. We have a conference schedule to answer to. We don’t make our own schedule, we don’t choose our own kickoff times. And so with that, we have much less flexibility and so it made more sense for us to play this game in a traditional nonconference window.”

Riley, who took many jabs locally and nationally for letting one of college football’s most prestigious rivalry series expire, has been steadfast in noting the inequity between USC playing Notre Dame amid a grueling Big Ten schedule and independent Notre Dame’s ability to surround the contest with less taxing matchups to aid its College Football Playoff push.

Ultimately, both schools said they valued the rivalry and they found a way to reach an agreement announced Monday.

USC owns a 37-53-5 all-time record against Notre Dame, excluding the Trojans’ 2005 victory, which was later vacated due to NCAA sanctions (original record: 38-53-5). Riley is 1-3 during his Trojans tenure against the Irish. The teams battle for the Jeweled Shillelagh.

“I think this benefits everyone,” Riley said. “I think this benefits USC. I think this benefits Notre Dame. I think this benefits college football. This is important. We know its important to our fan base, we know it’s important to alumni, we know it’s important to former players and coaches.”

Maybe there is something in the fog. Matthew Rhys landed two Emmy nominations in different categories for darkly comedic and darkly chilling turns this TV season.

Rhys is nominated for lead actor in a comedy series for his deft performance as Tom Loftis, a single dad and the mayor of a cursed New England island who is trying to balance the town’s supernatural threats with his efforts to boost tourism, in Apple’s TV’s breakout horror-comedy series “Widow’s Bay.” The word-of-mouth buzz around the series, which premiered in April, intensified each week leading up to its finale last month and prompted chatter around its prospects as a major Emmys contender. The series arrived late in the season, so only its first seven episodes qualify for the 2026 awards cycle, but that was enough for Rhys to nab a nod.

It wasn’t the only performance from Rhys that voters boosted. He is also nominated for lead actor in a limited or anthology series for his role as the sociopath Nile Jarvis, a famed and formidable real estate developer who once was the prime suspect in the killing of his wife, in Netflix’s “The Beast in Me.” Nile finds himself in a cat-and-mouse dynamic with his new neighbor (Claire Danes), an author in search of her next book subject who is suspicious of his innocence.

Prior to this year’s nominations, Rhys received five Emmy nominations over his career, including for his lead roles in “The Americans” and “Perry Mason,” as well as a guest actor nod in “Girls.” He won in 2018 for his role as KGB spy Philip Jennings in “The Americans.”

The Times spoke with Rhys about his nomination; these are edited excerpts.

Matthew Rhys as Mayor Tom Loftis in Apple TV’s “Widow’s Bay.”

(Apple)

Congratulations on your exciting morning — it’s a big day in the Rhys-Russell household [Keri Russell, Rhys’ partner, is nominated for lead actress in a drama for her role in “The Diplomat”]. Let’s start with the most important question: What’s in the fog, Matthew?

[laughs] I love how it took me a moment. I was like, “Wait, what?” Oh, yes, the fog! What’s in the fog is an incredible Season 2.

Place me in the moment when you got the news.

I was in Brooklyn Bridge Marina at the time. I just got off a boat, and I thought, “Oh, God, it’s 11:40.” So I thought quite possibly [they] got to our categories. I checked my phone and there were the many texts. That was the exciting moment because if you haven’t been nominated, there’s no text.

Did one text stand out from the others?

The real pinch-me moment — this is going to sound like a real name drop — but it really got me emotional because I thought, if I’d have told my 18-year-old self that Gary Oldman would text me to congratulate me, I wouldn’t have believed it. That’s when it got me in an emotional way because he’s such a true hero.

Let’s start with “Widow’s Bay,” which recently wrapped its first season. There’s something so thrilling about how it broke through the way that it did. What has struck you about how viewers responded to this horror comedy?

There was a great degree of nervousness about how this would land, whether indeed it would land at all, and the fact that it has, and kind of the depth and the complex nature that’s landed or resonated with people in different ways, is what I’ve loved. Some people go, “Oh my God, it’s so funny”; some people say, “Oh my God, it’s terrifying” — some people say both. And some people pick up on the weirdest things, and then some people pick up on the most obvious, great things. But it’s the length and breadth and the variety of its resonances that has really made me very happy, and really made me doff my cap to [creator] Katie Dippold, for what she did.

What should networks and studios take away from the success of “Widow’s Bay” if they are really paying attention?

Take the risk. And challenge audiences. Everyone’s more than ready for it and thirsty for it in a real way. I really hope this does something in the Hollywood psyche, where they go, “Let’s put away the remakes and let’s just get after new challenging, original material.”

What guidance did you get from Katie about who Tom was and how to play him?

She’s dizzyingly collaborative, so she said, “Tom is yours.” It was more me going, “But what about this for Tom?” She would help, but she really said, “Tom is yours to create now. Everything I’ve done is on the page.” And it was. That’s the beauty of her writing. If you’re true to it, and you don’t get in the way of it, it sings.

The way Tom reacts to situations and people is such a master class in facial expressions. Did you recognize that would be your tool for your performance early on?

We had a kind of sliding scale — Hiro [Murai, executive producer and director], myself and Katie — because it was a departure for me. I’d go, “I don’t know where this lives or where reality lives.” And as much as anyone can say, “Play for real” — playing it for real can mean many things. It can mean a very minimal reaction, and it can mean a great reaction, and so there were times when I was like, “I’m gonna hit the sliding scale, and you let me know where it should be landing, or where, in your opinion, it’s landing in a real way.” Sometimes they were like, “Maybe a little less,” and then they were like “Maybe a little more.” That element of collaboration was wonderful too.

The moment on the boat is a GIF I send often. The jolt.

It’s funny, we have a great and incredible stunt coordinator Paul [Marini]. He said, “You have to lead where the momentum of the energy would be; it’d be your hips. So let your hips lead, and then let your body follow.” And I was like, “Oh, that’s smart.” Then if you do that, then it has a degree of comic effect to it. But my pelvis hasn’t quite recovered.

Matthew Rhys as Nile Jarvis opposite Claire Danes as Aggie Wiggs in Netflix’s “The Beast in Me.”

(Netflix)

Sort of like your dance moment in “The Beast in Me” — lead with the hips. This is your thing, Matthew.

Anytime, in the stage direction, it says “dances,” I’m like [mimics vomit sound]. That strikes ice in my veins because I’m always like, “Oh my God.”

That’s your horror comedy.

That is my true horror comedy because my dancing can be horrific and comical when it is to be neither.

Let’s talk about “The Beast in Me.” Nile Jarvis was also quite the departure from you. What was your entry point to understanding him and figuring out how chilling to make him?

It was a lot of YouTube watching, where you just type in “psychopaths” and stuff comes up. I read Jon Ronson’s “The Psychopath Test” and “The Journalist and the Murderer” [by Janet Malcolm]. The writing was so strong in “The Beast in Me,” so much of Nile was preemptively done for me. As [director] Antonio Campos said, “The trick might be not to do too much because enough has been said.” Everyone has this predisposed idea of who he is and, therefore, the idea we came up with was to do not as little as possible, but to be minimal with it because he’s aware of what everyone thinks of him and there’s a degree of enjoyment and relishing in that.

Have you been able to sensibly eat a roast chicken since?

No, not sensibly. It’s become Pavlovian for me now. When I eat roast chicken, I devour it in a slightly psychotic way. I love that scene. It’s an astute piece of writing to say so much about someone without words.

What would you be best suited to achieve: rebranding the town of Widow’s Bay as a tourist destination or charming your neighbors into signing paperwork for the construction of a running path through the backwoods of their properties?

I’m not saying I could charm the neighbors, but I would attempt to charm the neighbors. Playing Tom was exhausting in a way that playing Nile wasn’t. I always spent the end of the day on “Widow’s Bay” going, “My God, I’m exhausted” — because you’re just vibrating on a higher level with Tom. It’s always like, “Listen, please!” The pitch is always higher; you’re always like, “You’ve got to listen to me!” Or if you’re terrified, you’re just hyperventilating.

I know the news of these nominations is still fresh and I don’t want to tell you how to approach the big night, but I just have to say, this could be the moment you take a page from Philip Jennings of “The Americans” and come with a wig and getup so when they pan to you during both categories, you can make them feel distinct.

That’s exactly what I’m going to do. I’m going to Jennings it. I’m going to PJ it. When it pans to me in the second category, I’m gonna look completely different. I’m going to be dressed as Elizabeth [Jennings].

Well, congratulations. How do you think you and Keri are going to celebrate?

Keri, in true “Americans” style, is having me meet her in a clandestine spot that I don’t know anything about, so who knows what. I don’t know what the afternoon is going to unfold, but it’s a big surprise. She might end up killing me, who knows.

SACRAMENTO — Republican gubernatorial candidate Steve Hilton is pressuring his Democratic rival, Xavier Becerra, to participate in a series of debates in the weeks leading up the Nov. 3 election to determine California’s next governor.

In a video shared by his campaign Friday, Hilton listed six debate invitations he has received from cable broadcaster CNN and television news stations around the state, beginning in late September.

“I have accepted every single one of these debates,” said Hilton, standing behind a debate-style podium and gesturing at an empty one beside him with Becerra’s name on it . “This guy, Xavier Becerra, has not accepted any of them. That is completely outrageous. We have to have a debate in this governor’s race. So come on, Xavier.”

The video shows Hilton walk out of frame and return with a cardboard cutout of Becerra, which he plunks behind the second podium while urging the candidate to “man up and show up.”

Becerra’s campaign said he will debate Hilton and blasted the Republican for “chasing” publicity.

“Snowflake Steve is melting faster than he can plan another press conference. While he’s there chasing media and doing Donald Trump’s bidding, Xavier Becerra is building a coalition of Californians ready to elect a governor who won’t bring Trump’s chaos to their front door,” Becerra spokesman Jonathan Underland said in a statement to The Times.

Hilton, a British immigrant who once advised a U.K. prime minister, is endorsed by President Donald Trump and finished second in the June open-party primary election with 24.6% of the vote.

Years of hosting a weekly show on Fox News has made Hilton comfortable on camera and the debate stage; he appeared at-ease during a series of debates earlier this year while lobbing attacks at his Democratic opponents and blaming the party for the state’s long list of problems.

Becerra served as secretary of the Department of Health and Human Services during the Biden administration. Before that, he spent four years battling the first Trump administration as California attorney general and more than two decades representing a Los Angeles congressional district.

The longtime Democratic politician became the come-from-behind winner of the primary, finishing with 28.1% of the vote after polling near the middle or bottom of a crowded field for months. His meteoric rise came after another front-runner, former Rep. Eric Swalwell, dropped out after a former staffer and other women accused him of sexual assault and misconduct.

Becerra has kept a relatively low profile since the election with few public appearances.

Hilton has held several campaign events in recent weeks to court independent and Latino voters. As a Trump-endorsed Republican, he faces a steep climb in California, where the president is deeply unpopular and a GOP candidate has not won a statewide election since 2006.

Last week he accused Democratic leaders of “abandoning” residents in Boyle Heights, where flies, rats and the stench of rotting food have lingered weeks after a frozen food warehouse was damaged by fire.

Hilton also recently took out full-page ads in The Los Angeles Times and San Francisco Chronicle to make the case to voters who dislike Trump but are dissatisfied with the status quo in California.

The creator of “New Girl” has a dark, twisty new show about a … female serial killer?

Since the end of her breakout sitcom, Liz Meriwether has imbued her sharp and charming brand of funny in network comedies like “Single Parents” and “Bless This Mess.” But she’s steadily embraced darker tones in her work — first, with the Emmy-winning Elizabeth Holmes biodrama “The Dropout,” then with last year’s FX miniseries “Dying for Sex,” a delicate dance between laughter and sorrow in its exploration of a woman’s commitment to live her best sexual life following a terminal cancer diagnosis. “Furious,” though, may be her darkest project yet.

Loosely inspired by the 1987 neo-noir “Black Widow,” which starred Theresa Russell as a serial killer who marries and poisons wealthy men for their inheritances, and Debra Winger as the investigator obsessed with tracking her down, the Hulu crime drama deepens the cat-and-mouse dynamic. It follows an FBI rookie and her search for a female serial killer seeking vengeance against the men who abused her as a teenager. And still, it manages to find moments of levity. The first three episodes are currently streaming, with new episodes released every Monday until the finale Aug. 31.

“I’ve just been loving trying different things with my writing,” Meriwether told me during a recent video call. “When this came up, I was like, ‘Oh, wow, a crime thriller, a serial killer show.’ It was so different than what I’d done before. It’s like the shows that I love, so I was excited to try to write one, somewhat naively. It’s funny because I would always roll my eyes a little bit when drama writers thought they could write comedy and then I found myself in the flip side of that being like, ‘Oh, this is so hard.’”

Check out more of my conversation with Meriwether in Guest Spot. And yes, as a devoted “New Girl” re-watcher forever trying to retain my Youths! status, I asked about about the reboot discourse that’s become its own comedy.

Also in this week’s Screen Gab, our writers recommend the return of a detective comedy that has its schoolteacher-turned-self-taught P.I. on another wild adventure and a Spanish-language limited series that takes place during the 1986 World Cup. — Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Diarra Kilpatrick as Diarra Brickland and Shannon Wallace as Chris in Season2 of “Diarra From Detroit.”

(BET / Paramount+)

“Diarra from Detroit” (Paramount+)

Diarra Kilpatrick (“Perry Mason”) created and stars in this smart, sparky mystery as a middle school teacher, also named Diarra, who turns self-described Black Nancy Drew when a man she was dating (Shannon Wallace as Chris) disappears. The new season, which sees the series folded into Paramount+ along with other BET+ series, finds them together again (retrospective spoiler alert: she rescues him at the end of Season 1), with issues — he’s got trauma to navigate, she’s sorting out her identity and desires — and mysteries still to solve, including the identity of the Chief, the city’s Mr. Big. The new season, which feels even more self-assured, picks up old themes of friends and family, as the search for a missing antique desk leads Diarra and friends and accomplices Aja (DomiNque Perry) and Tea (Bryan Terrell Clark) into fanciful new territory, including encounters with Black Freemasons and bikers, the history of Prohibition and a treasure hunt. Local food culture (Superman ice cream, coney dogs, Faygo) gets its due. The mix of suspense, romance and comedy is deft; small details keep the characters surprising and lifelike.— Robert Lloyd

Rafaella Lopez as Barbara, Ian Andrade as Salvador, Aldo Emiliano Navarro as Miguel, Damian Vergara as Tono and Regina Arroyo as Maria in “I’m Not Afraid.”

(Julieta Horak / Netflix)

“I’m Not Afraid” (No Tengo Miedo) (Netflix)

The dilapidated La Esmeralda coffee estate in Mexico’s Veracruz mountains is a lush, beautiful and spooky place — the perfect setting for a kidnap mystery. But in “I’m Not Afraid,” it’s also the wonderfully imperfect backdrop for a compelling tale about friendship and family bonds as seen through the eyes of a child. Set in 1986 during FIFA World Cup fever and a blight that’s ruined the region’s coffee crops, 10-year-old Miguel (played with depth and authenticity by Aldo Emiliano Navarro) first discovers boy captive Felipe (Yago Andreu) hidden and chained in and overgrown area that’s said to be haunted. He’s sure it’s the work of a witch spoken about in local folklore until it’s revealed his beloved parents may have something to do with the abduction. Poverty has driven them and the other families on the estate to make desperate choices. Adapted from Niccolò Ammaniti’s acclaimed novel by Ernesto Contreras (“The Secret of the River”), this six-episode series explores what happens when adults do desperate things in the hope of securing a better future for their children, but it’s the kids who end up saving the day. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Emmy Rossum as FBI agent Alice Black in “Furious.”

(Sarah Shatz / Disney)

“Furious” feels like a crime story for the Epstein age. The eight-episode psychological thriller stars Emmy Rossum as Alice Black, a troubled rookie FBI agent who left her job as an NYPD detective to escape a violent and traumatic relationship with a fellow cop. She gets enlisted to help track down a female serial killer, played by Lola Petticrew, whose targets are the wealthy men who exploited and trafficked her for sex. But the series isn’t as concerned with its ripped-from-the-headlines relevance. Over video call, creator Liz Meriwether discussed what she was interested in unpacking in TV’s latest addition to the crime drama genre and contributing to the red flag roles played by Jake Lacy. —Y.V.

The series is loosely based on the “Black Widow” film. But how much did current events, specifically stories surrounding Jeffrey Epstein and the powerful men in his orbit, inform what or how you wanted to explore here?

It really did start as a “Black Widow” adaptation. This female serial killer and this female FBI agent in this cat-and-mouse game that has this very weird third act, where they just end up hanging out together on a beach, being friends. I loved that part of it. In the midst of this very exciting female killer-female FBI agent crime movie, there was this story about two women connecting who don’t have anybody else really in their lives to connect with. I dug into that and quickly saw that if the serial killer was just a black widow like she is in the movie, that it wasn’t going to give me enough story for eight episodes. I did a lot of research about real-life female serial killers, which are pretty rare. Female serial killers are almost all victims of horrible violence at different times in their lives. That really got me going, OK, what does it mean if you’re a victim of violence and you start being perpetrator of violence? What are the things that we can forgive and understand, and what are the things that we can’t?

And yes, when I looked out into the wider world and current events and what I was thinking and feeling, I definitely scooped up a lot of a lot of stories that are out there. But it’s not the story of a specific predator. There’s a lot to choose from right now. It should feel relevant. It should have echoes of what’s going on out there. But I wanted the focus to be on these characters, not the men that did these acts.

The parallels between Alice and Catherine — what they each have survived and the different ways they deal with it — come into focus. What were you interested in exploring about the traumatic and lingering effects of abuse through these two women?

Initially, when we were casting Catherine, the question of age came up because all of my writer instincts were like, “Oh well, we need to have Catherine be very young and closer to when she was actually a victim of this predator.” But as I started thinking about it, I was like, I don’t think we’ve seen as many stories about the long-term effects of this violence. There’s no flashbacks in the show. I’m not interested in showing what was done to either one of them [Catherine and Alice]. I really was interested in the aftereffects.

I spoke to a social worker, a psychologist and a trafficking victim, which was one of the hardest conversations I’ve ever had, and also a beautiful conversation. Her name is Jay Benke, and she has an organization that helps people that have been trafficked. She made a really interesting point that stuck with me, which is that when these FBI agents and law enforcement officials build cases, they’re looking at putting the traffickers in jail; they’re not looking at what the people who have been trafficked need for their lives to heal. There’s also an amazing website that a lawyer pointed me to called thelifestory.org, which is videos from different people who’ve been trafficked telling their story — from their childhood, all the way through having been trafficked and then coming out — and it’s in the shape of a circle. Those two resources for me were incredible. On the Alice side of things, we tend to think of the experience of being a [domestic violence] victim as being much more cut and dry than it is for a lot of people. The victim’s relationship with violence and love is very complicated and violence and intimacy can become linked in their brain. It was something that I started to learn about in my research for “Dying for Sex” and continued on with “Furious.”

Lola Petticrew as Catherine in “Furious.”

(Sarah Shatz / Disney)

We see these very girly things, stickers and gemstones, that Catherine holds onto. It reminds us of her emotional or mental stasis.

I don’t know what Lola would say about this, but my thought about the character of Catherine was she was a bit trapped. The choice to go on the path of vengeance feels like a very active choice, but in some ways it’s really limited. It makes your whole life about what happened to you. I feel like Catherine’s story is about breaking out of that trap a little bit, almost trying to give her character a chance to to grow up in some ways. That was definitely a struggle for me going into this because I was like, how am I going to give a serial killer an emotional arc? Catherine is trapped and needs to put the pieces of her memory and her life together in order to move forward.

The thing I love in Episode 3 is the bag that Catherine puts on the bed. That was a big breakthrough for me for Catherine’s character in that her history is something that she’s had to piece together and hold on to, and there’s big gaps in her memory, so she holds on to these material objects in order to just feel like she’s a person. Then in looking at Alice’s character, we felt like she was the opposite in a lot of ways. She had run out of her life with Marshall and [did] not really bring that much. Her whole life is her job; her apartment is really bare.

I don’t mean to sound glib in regard to the subject matter, but you mentioned Marshall, played by Jake Lacy. Why has Jake cornered the market on playing toxic dudes who seem like nice guys?

I haven’t seen “All Her Fault” yet — it’s something that I really need to see. He’s extraordinary in the show [“Furious”], and I had a long conversation with him before he signed on. It’s a very tricky part to play. It was very important to me throughout the process that none of the characters were easily put into bad or good categories — hopefully, we’re constantly making the audience question their feelings and their judgments about people. There’s an incredible documentary called “A Better Man” that is impossible to find. I had to pay like $50 to rent it. It’s this couple that dated when they were in high school, and he was abusive toward her. She got out of the situation, and they’re coming back in their 30s, meeting again and talking about what happened. It’s an unbelievable documentary. I had Jake watch it because I really wanted him to think about Marshall as a human. He really contributed to that, and you can see it in his performance. He’s [Jake’s] a very nice guy.

You know I can’t let you go without mentioning this “New Girl” reboot — or at least the talk of it. It’s become a bit at this point — Lamorne Morris and Jake Johnson pointing fingers at each other. You posted a video on Instagram confessing to sending explicit messages that have caused some tension.

In some ways, I feel like the videos and the interviews and stuff is maybe better than a reboot. If we can see that as the reboot, maybe that would be good for everybody. [The video] came from me getting this question from journalists during the [“Furious”] junket, It was like Hour Eight of the junket, and my brain just disappeared, and I started talking like a stream of consciousness — like I don’t have any more stories to tell or something. And then I went home that night and texted the cast and I was like, “I really messed up the question.” It had been this running joke on our text threads about how they just constantly blame each other, but a lot of the times they blame me like I’m the one that’s like holding up the reboot. I find it so annoying, but then I like answered this question in a horrible way, and then I was like, “Oh, I am going to be the one who has to answer to this.”

If it does happen, it’s going to be a really dark “New Girl” reboot, given the tone of recent projects.

[Laughs] I don’t even know if fans would want what would come out of me at this point.

Last question: What have you’ve watched recently that you’re recommending to everyone?

I love “Taskmaster” [YouTube, Pluto TV]. It’s the thing that brings me joy when I need it and so I always recommend that to everybody — but with the caveat that you have to love British humor. If you love joy and British humor, I highly recommend “Taskmaster.” And Kumail [Nanjiani] was on this last season, which was like really fun.

I’m very behind. “Widow’s Bay” [Apple TV] is No. 1 on my list. I need to watch it. I love Katie [Dippold, the show’s creator] so much.

ICYMI

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Under a new licensing agreement, Netflix will be streaming “The Walking Dead” franchise globally.

Netflix and AMC Global Media, the network that originally aired the zombie series, inked a new five-year co-streaming deal, according to a press release on Thursday. Both companies will be able to show the original “The Walking Dead” series and its six spinoffs on Netflix and AMC+. The deal is valued at $500 million, AMC Global Media said in its second-quarter earnings report.

“This deal creates a global destination for this universe — all shows, all episodes — making the franchise more accessible than ever to fans around the world. In addition, the co-exclusive agreement allows us to bring the original series to AMC+ for the first time early next year,” Kristin Dolan, the company’s chief executive, said in a statement. “This agreement is a fantastic result for our companies, for the fans and for this timeless IP.”

AMC Global Media is renting the franchise, not selling it. The five-year licenses run separately for each show, with start dates that vary based on territory and the expiration of existing streaming deals. The rights to “The Walking Dead” revert to AMC Global Media when the term ends.

The company also keeps global rights to run the “Walking Dead” universe on its own services throughout. Dolan told investors the agreement would supply what she called “a meaningful source of cash flow for years to come,” framing it as evidence that the company’s library still commands premium prices even as its cable business shrinks.

The agreement will extend the franchise’s reach on Netflix in places like the U.K., Italy, Australia and New Zealand — making episodes available beginning in 2027.

“The Walking Dead” premiered on the AMC network in 2010, introducing audiences to the high-stakes world of a zombie apocalypse. In 2011, the series began streaming exclusively on Netflix in the U.S. The show aired for 11 seasons and became one of AMC’s most influential shows. Other popular programs from the network include “Mad Men” and “Breaking Bad.”

“Audiences have discovered and loved ‘The Walking Dead’ on Netflix for nearly 15 years and the show continues to attract new fans,” Lori Conkling, Netflix’s vice president of licensing, said in a statement.

The deal landed alongside a rough quarter. AMC Global Media reported second-quarter revenue of $547 million, down 9% from a year earlier, and a loss of 51 cents a share, compared with 91 cents in profit in the same period last year. Operating income fell to about $16 million from $64 million.

Netflix’s second-quarter earnings showed mixed results. The company‘s revenue rose 13% to $12.6 billion; its net income was $3.4 billion, up 9% from a year ago; and its advertising business is on track to reach $3 billion in revenue this year, double the amount in 2025.

The same filing offered some details on Netflix’s acquisition of InterPositive, the AI post-production startup founded by Ben Affleck, for $587 million in cash in March.

But Netflix’s stock price has continued to waver due in part to investor concerns about the streamer’s future growth.