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ST. PETERSBURG, Fla. — Freddy Peralta threw 5⅓ gritty innings, Junior Caminero and Yandy Díaz each hit a two-run homer and the Tampa Bay Rays beat the Cleveland Guardians 7-3 in Game 6 of the American League Championship Series on Monday night to advance to the World Series for the third time in the franchise’s 29 seasons.

The Rays will face the Milwaukee Brewers in the first matchup in which both teams are seeking their first World Series title since 1980, when the Philadelphia Phillies beat the Kansas City Royals.

Game 1 is Friday night in Milwaukee.

The loss thwarted Cleveland’s chance at a World Series championship, extending its drought to 78 years.

On the 18-year anniversary of their first AL pennant in 2008, the Rays jumped ahead 2-0 in the second inning on Richie Palacios’ two-run double and clinched it with closer Bryan Baker on the mound.

The Guardians wouldn’t give up and had the go-ahead run at first base in the eighth when Kevin Kelly struck out Brayan Rocchio to leave the bases loaded after two runs scored.

Peralta allowed one run and five hits to earn his second win in the ALCS in his third appearance. He threw six scoreless innings to win Game 2 and got two outs in relief in Game 4.

A sellout crowd of 40,230 fans waved yellow-and-blue rally towels, rang cowbells and chanted “Let’s go Rays!” throughout the night at Tropicana Field, which needed major renovations after Hurricane Milton shredded the roof two years ago and caused extensive damage throughout the stadium.

The Rays played their 2025 home games across the bay in Tampa at the New York Yankees’ spring training complex, got new ownership before this season and secured a new stadium deal to be ready in 2029 near the NFL’s Buccaneers. They returned to the Trop to win 55 games in the regular season. Only Milwaukee had that many home wins this year.

After sweeping the Yankees in the AL Division Series, the Rays fell behind the Guardians 0-1 and 1-2 in this series before taking three straight games.

Caminero gave Tampa Bay a cushion with his first career postseason homer in the seventh inning. The two-time All-Star sent a drive off the left-field foul pole to give the Rays a 5-1 lead, becoming the first player to go deep on a splitter by All-Star closer Cade Smith.

Caminero turned around before reaching first base, looked toward his dugout and pounded his chest with both arms, cupped his ear rounding second to hear more cheers, stopped before reaching the plate, pointed into the stands and crossed his arms before reaching home.

Caminero hit 42 homers in the regular season but needed 33 at-bats to get his first in October.

The Guardians answered against Tyler Wells and Ian Seymour by loading the bases on two singles and a walk with two outs. Seymour walked Patrick Bailey to force in one run and hit Angel Martínez with a pitch to force in another. Kelly entered and fanned Rocchio on three changeups.

Díaz, who guaranteed a Game 6 victory when speaking through an interpreter on Sunday, gave the Rays a four-run lead with a two-run shot off Hunter Gaddis in the bottom of the eighth.

Caminero led off Tampa Bay’s second with single off opener Shawn Armstrong, who took the loss in his second start in three games. Left-hander Tim Herrin replaced Armstrong. Chandler Simpson reached on a fielder’s choice and stole second before Victor Mesa Jr. walked. Simpson advanced to third on Jonny DeLuca’s flyout to center. After Mesa stole second, Palacios looped a double to right-center for a 2-0 lead.

Armstrong, who was the opener in Game 4, faced the first four batters, becoming the first pitcher in postseason history to start a game after pitching both of the previous two days.

DeLuca’s sacrifice fly off Joey Cantillo made it 3-0 in the third but the Rays missed an opportunity to break it open with more runs after they loaded the bases with no outs.

Nathaniel Lowe’s RBI single in the sixth drove in Cleveland’s first run.

THINGS look like they’re about to get tense for Princess and Junior Andre in a first look at their mission on Celebrity Race Across The World.

The offspring of Peter Andre and Katie Price jetted off to take part in the BBC series at the start of the year, and the show will return to screens next week, on October 28.

But in preview images from the show, Princess, 19, and Junior, 21, look to have their work cut out for them.

Geared up in t-shirts and trainers, brandishing massive green backpacks, the pair are seen in the snaps looking stressed out as they face the TV challenge.

Branded “the wildest race yet” by the show’s producers, the siblings are pictured poring over a map and a compass, working out which direction they’ll need to head.

The pair will start their race in Kuching, in the Malaysian state of Sarawak in North West Borneo, and attempt to navigate their way to the final destination of Melbourne, Australia.

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Despite their pop star dad Peter hailing from Down Under, the brother and sister team don’t look too sure about making the nearly 3,500 mile voyage.

The siblings will compete against singer-songwriter Ella Eyre and her childhood friend Nana, veteran sports broadcaster Jeff Stelling and his son Matt, and musician Sam Ryder with his best friend and tour manager Kaz.

Bosses rushed to sign up the pair after the success of ITV2’s The Princess Diaries, which featured influencer Princess and her big brother, who is taking after Peter’s footsteps with dreams of a singing career.

A source said earlier this year: “Princess and Junior have proven themselves to be well-mannered, hardworking kids and opportunities continue to come their way.

“Execs were impressed with the ratings for The Princess Diaries but also how they came across.

“They’re brilliant signings for Celeb Race as they bring with them a younger audience.

“But bosses are also looking forward to seeing how they cope with the stripped-back style of travelling as they’re more at home in five- star hotels than a hostel.”

Junior and Princess left London to start work on the show in February, amid the start of the controversy surrounding their mum Katie’s whirlwind wedding to Lee Andrews.

Now, eight months on, the marriage has fallen apart, with Katie bracing herself for a complicated divorce in the wake of Lee’s conman behaviour and stint in jail.

Fans of the famous offspring will be able to chart Junior and Princess’ mission when Celebrity Race Across The World returns to iPlayer and BBC One next Wednesday.

Jon Stewart has signed a new deal that will keep the comedian at his weekly perch on Comedy Central’s “The Daily Show” through 2028.

Skydance Television, which owns Comedy Central, announced Monday that Stewart will remain as a once-a-week host and serve as executive producer in a deal that takes him through the 2028 presidential election.

“Jon Stewart is a generational talent and The Daily Show continues to be one of the most influential franchises on television and a cornerstone of Comedy Central,” George Cheeks, Co-Chair and Chief Content Officer, Skydance TV, said in a statement. “We are excited to continue our partnership with Jon and his award winning news team.”

Tuesdays through Thursdays will continue to be handled by “Daily Show” regulars Ronny Chieng, Josh Johnson, Jordan Klepper, Michael Kosta, and Desi Lydic.

Stewart is a signature talent for Comedy Central, which also the home of the long-running animated series “South Park.” The channel needed to retain its biggest names to keep the channel valuable to cable and satellite TV providers who pay to carry it.

Stewart first became “Daily Show” host in 1999, and tuned the satirical news program into an important voice in the national discourse. He stepped away in 2015 when he was among the highest-paid performers in the TV business.

Stewart had a production deal with HBO and hosted a series for Apple TV, “The Problem with Jon Stewart,” before rejoining “The Daily Show” in 2024 to host on Monday nights. He signed a second one-year deal in November that was set to expire at the end of this year.

While President Trump has attacked network late-night hosts who are critical of him, he has never gone after Stewart in any of his social media rants during his second term. Comedy Central is a cable network not subject to Federal Communications Commission authority, unlike Stewart’s late-night cohort Jimmy Kimmel, who appears on ABC. Both Trump and FCC Chairman Brendan Carr have threatened to pull Kimmel off the air.

Late-night TV is struggling overall as a genre due to younger viewers moving away from traditional TV to streaming, “The Daily Show” has continued to have a strong following. The program hit an eight-year high in viewing during the third quarter of 2026 according to Nielsen data. Comedy Central said the program has accrued 1.6 billion views across social media in 2026.

Skydance got out of the broadcast network late night business when it cancelled “The Late Show with Stephen Colbert.” The company said the program was losing $40 million a year. It replaced with “Comics Unleashed,” a non-topical comedy show from media mogul Byron Allen, who leases the late night hours from the network.

Television critic Luke Eccleston is back with three Netflix series he claims are ‘must-watch’ and are worth the cost of your subscription to the streaming service alone

Netflix subscribers are “wasting their accounts” if they’re yet to watch three particular series on the streaming platform, according to one TV critics. Luke Eccleston, who is known for sharing top TV recommendations online, claims the shows are “must-watch” and one is among the “most underrated” out there.

There are more than 6,000 titles available on Netflix in the UK and Ireland – including around 2,000 TV series – so it’s no wonder choosing what to watch next can prove quite daunting. Thankfully, Luke is on hand with three recommendations he assures will have you captivated.

1. Dept. Q

First on Luke’s list is the thriller series, Dept. Q. “Now this is an investigative, psychological thriller which follows after an incident where a man ends up seeing his friend paralysed and another police officer killed,” he explained.

The man ends up being placed onto cold cases permanently, according to Luke, who says you will be “on the edge of your seat from start to finish” as the drama unfolds. “I guarantee you will absolute love it,” he added.

Starring Matthew Goode, Chloe Pirrie, and Jamie Sives, Netflix synopsis states: “A brash but brilliant cop becomes head of a new police department, where he leads an unlikely team of misfits in solving Edinburgh’s cold cases.”

Midnight Mass

Next on Luke’s list is a “much more well-known” show, but one that seems to pass many people by. “Midnight Mass is one of the best shows you will ever see,” he declared.

Luke described the series as a “gripping horror” that follows life on a tiny island that sees a man return with a “special box” with something inside it that haunts an entire town. “I promise you will love it, so make sure you don’t miss this one out.”

Midnight Mass stars Kate Siegel, Zach Gilford and Hamish Linklater, with Netflix stating of the plot: “The arrival of a charismatic young priest brings glorious miracles, ominous mysteries and renewed religious fervor to a dying town desperate to believe.”

American Primeval

Luke described the last series on his list as a “brutal old-fashioned Western”, meanwhile. “It’s called American Primeval and follows a mother and son who have to flee their past across America in a haunting and desolate landscape.”

The critic closed by claiming that everyone he knows that has seen it “absolutely loved it”. He added: “So make sure you see this one right now.”

Netflix describes the drama: “A mother and son fleeing from their past form a found family while confronting a harsh landscape of freedom and cruelty in the American West.” The series stars Taylor Kitsch, Betty Gilpin and Dane DeHaan.

Responding to Luke’s suggestions, one viewer exclaimed: “Dept Q is brilliant! Can’t wait for season 2.”

A second person praised: “OMG American Primeval is 10/10.”

A third TikTok user added: “Midnight Mass is massively underrated.”

While a fourth agreed: “Midnight Mass is excellent, slightly slow burn the first couple episodes but stick with it and I promise you won’t be disappointed.”

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People looking for a gripping TV drama to watch have been recommended a BBC show that is leaving people ‘hooked from start to finish’. The programme features stars such as David Tennant and Stephen Graham

Deciding what to watch next has become a daily headache for millions of British viewers, thanks to the sheer volume of streaming platforms now available, including Netflix, BBC iPlayer, Disney+, Amazon Prime Video, and Apple TV+. But one influencer is on a mission to make that choice easier by sharing his top TV and film picks online. EccyReviews’ is the online handle of Luke Eccleston, a well-known UK-based content creator and self-proclaimed “TV fanatic” who regularly shares his must-watch television recommendations with his 5,000+ followers.

In one of his most recent posts, Luke put forward a TV suggestion for anyone “looking for a gripping new TV drama series to go and watch right now”.

He added: “You’ll be completely hooked from start to finish.”

The show in question is BBC prison drama Time. “Season 3 just dropped on BBC and I’ve binge-watched all three episodes and it is my favourite season by far,” he said.

Time is a critically acclaimed, BAFTA award-winning BBC series penned by celebrated British screenwriter Jimmy McGovern.

Each three-part series shines a spotlight on a different setting and ensemble cast within the UK criminal justice system, exploring themes of guilt, punishment, redemption, and institutional failings.

Season 1 centred on Mark Cobden (Sean Bean), a former teacher consumed by guilt after accidentally killing a man while drink-driving, who is subsequently sentenced to four years behind bars. It also features Eric McNally (Stephen Graham), a principled prison officer attempting to safeguard the inmates in his charge.

When a dangerous prisoner uncovers Eric’s weakness, he faces an excruciating decision between his professional obligations and his loved ones.

Series 2, meanwhile, relocated the action to a women’s facility, Carlingford Prison. It follows three women who arrive on the same day: Orla (Jodie Whittaker), a mother who tampered with her electricity meter; Kelsey (Bella Ramsey), a pregnant young drug addict; and Abi (Tamara Lawrance), a woman serving a life sentence carrying a tragic secret.

Compelled to share a cell, they forge an unlikely alliance to endure.

The most recent season, which recently dropped, has shifted attention to a Young Offender Institution. The narrative examines young men ensnared in the justice system following a tragedy, grappling with prison overcrowding and institutional collapse.

This instalment is fronted by David Tennant and Siobhan Finneran, who returns to her recurring role throughout the anthology as prison chaplain Marie-Louise O’Dell.

Since each season presents a self-contained narrative with a different principal cast, viewers can jump into any series without prior knowledge, though chaplain Marie-Louise serves as the connecting element throughout all three.

Discussing the latest series, Luke tells viewers: “I was gripped from start to finish and all the performances are brilliant.

“I guarantee that you will absolutely love this show.”

The recommendation proved a massive hit, with the post amassing more than 7,000 likes.

One person wrote: “Watched it all tonight – best thing I’ve watched for ages. Very violent and very sad. The writer spent a lot of time in these youth offenders prisons and was horrified at the conditions, it was all based on truth.”

Another added: “I have just started watching it, it’s brilliant very gripping.”

While a third added: “Totally hooked from the start! Talent is incredible.”

All series of Time are available to stream on BBC iPlayer now.

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As the nation hurtles toward a pivotal and divisive midterm election, it’s fair to wonder if people on opposite sides of the political spectrum will ever be able to again live peacefully as neighbors, to talk, and especially listen, to each other.

It’s a question co-directors Robert May and Barry Levinson and producer Jason Sosnoff set out to answer in the aftermath of the insurrection at the Capitol on Jan. 6, 2021. It led to their five-part docuseries, “Bucks County, USA,” now on streaming on PBS.org and the PBS app, that unfolds across four years in a suburban Pennsylvania county being ripped apart by vicious school board battles poisoned by partisan personal conflicts. (The finale streams Sunday, and the full docuseries will air Oct. 29 on SoCal PBS.)

“We don’t pay enough attention to one another,” Levinson says. “We just say, ‘I’ve formed my position and I’m locked into it’ and we don’t share enough interaction where we can discuss things. Democracy requires interactions, and if we cannot find a way to find common ground, that’s my big worry.”

The series shows how Paul Martino spent a fortune supporting Republican candidates who supported reopening schools quickly after the height of the pandemic but then, more contentiously, turned their attention to the culture wars. They focused on what was being taught in the classrooms and stocked on the shelves in the school libraries, leaving teachers feeling attacked and Black families and LGBTQ+ students alienated and ostracized.

“It’s unexpected how something like that can accelerate into such a contentious situation,” Levinson says, “where well-educated people in a wonderful community can’t figure things out.”

May says national polarization is poisoning the atmosphere locally. “It became a life-or-death battle in the name of their kids, but they both felt their children would be mercilessly mistreated if they didn’t do something to save them from the other side.”

An aerial view of Bucks County, Pa., the community at the center of Robert May and Barry Levinson’s docuseries.

(SenArt Films & Baltimore Pictures)

The filmmakers followed the heated battles as people in the divided community resorted to screaming and name-calling. It frequently plays like a fun house nightmare version of “Our Town.” That’s true even of their version of the play’s Stage Manager. Two teenagers, Evi Casey and Vanessa Martino, Paul’s daughter, guide us through each episode. While the girls are best friends, Evi’s liberal mother and Vanessa’s conservative father view each other as hostile opposition.

“I think the series does a good job of showing the political division and how it affects the kids,” says Casey.

The series opens with a school choir singing “What a Wonderful World” underneath a collection of residents telling us how they’ve been berated: “I’ve been called a pedophile.” “I’ve been called a Nazi.” “I’ve been called anti-American.” “I’ve been called a dyke and a groomer.”

But the series then gets to know people in depth, allowing for far more nuance than the contentious school board meetings.

“My hope was that people can take the time to at least have a deeper conversation with somebody who they think is doing harm to their community and try and understand it better, “ Sosnoff adds. “It starts with microchanges where somebody reconsiders the way they might harm somebody else.”

Katherine “Kitty” Good Semisch, a retired Bucks County teacher and a key figure in the documentary, says the series is perfectly timed for the midterms because of its efforts to humanize everyone. “Dehumanization and demonization lead to the worst outcomes, and this kicks out from under anybody the lazy position that the people on the other side aren’t human,” she says. “Everyone is just trying to find something that works for their community.”

Sosnoff originally approached Levinson with the idea of a project that would humanize both sides, but his original idea was to bring people together at a summer camp with a facilitator so they could get to know each other better. “Barry wisely said, ‘That’s more of a sociological experiment where you’re playing God,’” Sosnoff recalls. “He said, ‘Let’s focus on a seemingly idyllic small town, like in “Our Town,” and examine what happened and why.’”

They chose Bucks County, a purple county in a purple state. “It’s not a place of extremists but people were really inflamed,” Sosnoff says, noting that some people were reluctant to speak on camera. “The climate of fear was very much alive. It was a community in trauma.”

There are brawls over policy that lead to lawsuits, but the main drama is the 2023 school board election, where the Democrats hoped to reverse the Republicans’ 6-3 majority.

While May says he is offended by “people that don’t care about other people or their right to exist,” especially when it comes to LGBTQ+ rights, he emphasized that he resisted taking sides in the documentary. “When we don’t see people as human, that’s when you lose a society.”

Indeed, Sosnoff says that while it’s bad when people are marginalized and victimized by discrimination from those in power, they’d still edit episodes to keep everything balanced, occasionally saying, “We need to give conservative characters more screen time and understand their positions.” (He also says they grew to like everyone involved.)

At the center of the drama depicted in “Bucks County, USA” is a school board election and a community grappling with political division.

(SenArt Films & Baltimore Pictures)

May says he knows some viewers will be furious with this approach, but he hopes that if they watch all five episodes, they’ll get a full picture. “You can’t just see parts of it. You need to see in order,” May says. “People reveal who they are over the five episodes. There’s an extraordinary amount of nuance, but if somebody’s saying something stupid, we have that too.”

(And don’t mistake May’s efforts at evenhandedness for a lack of passion — the day after a 30-minute joint interview with Levinson, he called me back and talked, largely uninterrupted, mostly about bias and perceptions.)

Amazingly, most people interviewed from both sides in the community support the final version.

At the center of the action are Vanessa’s mother, Aarati Martino, who ran for school board as a Republican, and Paul, who poured hundreds of thousands of dollars into school board elections.

“Overall, I am pleased,” Paul Martino says now. “There’s some things I think don’t portray the facts exactly quite right, but they recorded 500 hours and you’re not going to love everything that’s on the screen. Everybody is represented in this film.”

Martino, who never really owns the impact of him using his fortune to try to elect cultural conservatives, says he’s been “unfairly attacked” and has become “a convenient boogeyman in some of the scenes. But I’m actually not even upset about that piece of the puzzle.” (What he feels is lacking is that in 2021 he says 30% of the 300 candidates he funded around the state were Democrats.)

And Donte King, whose family endures racism both subtle and blatant, praises the filmmakers’ attempts to humanize people with contrasting viewpoints, saying he was pleased with getting to tell his story. “It allows people to connect with you,” he says. “We might have different ideologies, but we’re more alike than we are unalike, so maybe somebody who votes blue will identify with someone who votes red and vice versa.”

The closest thing to a hero in the series may be Semisch, a liberal, who shows civic courage in her efforts to build bridges, meeting one-on-one with Vonna DeArmond, a conservative elementary school teacher, and organizing events like an ice cream social and a candle-making evening. (Martino also posted an online peace offering, saying he’d buy anyone from the other side drinks; Semisch was the only one to take him up on it, but several people interviewed, including May, say Martino’s unbending personality may explain the lack of response.)

Semisch wishes that May had fact-checked some of the misleading claims by the right, but she praises the series’ subtlety. “I understand people’s frustration, but they’re leaving it to the audience to sort out who’s making sense,” she says. “My side was advocating for more books in the library and for better training for teachers to navigate difficult topics. As you watch, it seems to me that the people on the other side aren’t making as much sense.”

Near the end of the series, there’s one sweet moment of coming together between Evi’s and Vanessa’s mothers and another moment of seemingly genuine outreach by one of the town’s conservatives to King. But there’s also plenty of acrimony and recrimination in the aftermath of the school board election and one final confrontation between King and Paul Martino at a roundtable that leaves little doubt that tensions are still simmering.

Still, May says, “I remain hopeful and optimistic because I’ve seen the humanity in all of them. I think things are better there now than when we started.”

Semisch, with DeArmond, will lead discussions about the series in Bucks County and May hopes others will follow suit around the country. He and Levinson hope that by strengthening local communities, it can eventually lead to stronger national bonds. “Maybe people can learn from them. Maybe this series is literally the beginning of a change.”

Sosnoff is a bit more measured in his final assessment, quoting a participant as saying, “We haven’t buried the hatchet yet, but it’s been put away in the closet,” he says. “I’ll take that as progress.”

Canada fight back to beat England 24-21 in Toronto in the opening match of the WXV Global Series, with Shoshanah Seumanutafa’s 77th-minute try ending the Red Roses’ unbeaten run, stretching back to the 2022 Rugby World Cup final.

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The hope for a Dodgers comeback in the National League Championship Series ended with the smack of the ball hitting leather.

Milwaukee Brewers left fielder Jackson Chourio, sprinting toward the warning track, had to leap to reel in Kiké Hernández’s line drive in the gap. But he secured the catch. And ended the Dodgers’ season.

The Dodgers’ hopes of making National League history with a three-peat died with a 6-4 loss to the Brewers on Thursday, completing Milwaukee’s four-game sweep.

“It sucked,” veteran left fielder Teoscar Hernández said. “Especially after [what] we had done the last two years. This year at the beginning of the year, what we’ve been through, a lot of injuries throughout the year the last two years, a lot of ups and downs. It just sucked that we’re in this situation, but it’s part of the game.

“Somebody has to win, somebody has to lose. This time, we’re the ones that lost, and just reflect on everything that we didn’t do great this year and just try to do it next year.”

As the Dodgers’ postseason hype video declared before the game: “October doesn’t remember who came close. It remembers who triumphs.”

The Dodgers, after reinforcing to their back-to-back championship roster in the offseason and entering the year as the World Series favorites, fell short. And instead the Brewers will represent the National League, making their first trip to the Fall Classic in 44 years.

“They may have a bunch of Hall of Famers, but we have a bunch of gamers,” Brewers manager Pat Murphy said from the stage. “And the gamers won this week.”

When the Dodgers went down 3-0 in the series, they faced a steep climb that only one team in MLB history has overcome. But the Dodgers showed resolve to begin the game.

Three singles in the second inning gave the Dodgers a lead, with Andy Pages driving in the first run. It was his third hit of the postseason with runners in scoring position and the Dodgers’ fourth overall. Then with two outs, Ohtani not only prolonged the inning but also made it the Dodgers’ highest-scoring frame of the postseason, with their first home run of the series.

It had been a maddening couple of months as Ohtani battled injuries, slid down the batting order and failed to produce when the Dodgers needed him most — in the postseason.

Then on Thursday, with the Dodgers on the brink of elimination, one swing momentarily wiped all that away.

Ohtani got his bat head down to a cutter from former Dodgers pitcher Dustin May on the inside corner. He lifted it into the stands for a three-run home run.

Ohtani turned to the Dodgers’ dugout, spread his arms wide and tossed his bat to the side. He tilted his face to the sky and yelled. He punched the air.

This was the version of Ohtani the Dodgers had sorely been missing. He announced his return with authority. And he breathed life into a stadium that had a crowd of only 49,104 — short of a sellout.

It was his first home run since Aug. 18. And it had been even longer since he’d hit a homer quite like that. With an exit velocity of 113.1 mph, it was his hardest-hit home run since June 20 and his third-hardest hit of the year, according to Statcast.

Even more important, it was the big swing the Dodgers had been waiting for all series.

“It was something that you don’t see very often from Shohei,” manager Dave Roberts said. “I think it was a lot of pent-up anger, frustration. It was the best ball he hit in probably two, three months, and it was a big hit. So I think that for him to look at the dugout, show that emotion, it just shows how much he cares. He’s still human. He still cares and wants to help his team win a baseball game. That was a big hit.”

Dodgers starter Tyler Glasnow kept the good vibes going, retiring the first 10 batters he faced. But the Brewers, as they had all series, had a comeback in them.

“We got a nice lead, we got Glas on the mound, we’re confident behind him,” third baseman Max Muncy said. “And they just kept stringing together one good at-bat after another after another after another. They were just kind of relentless.”

It began with one out in the fourth inning, as Brice Turang drew a walk, the first baserunner against Glasnow. Then William Contreras and Jake Bauers each bounced ground-rule doubles into the stands, Bauers’ driving in two runs to cut the Dodgers’ lead in half.

Shohei Ohtani strikes out with a runner on third during the seventh inning.

(Gina Ferazzi / Los Angeles Times)

The next inning, the Brewers used a walk, stolen base and David Hamilton’s RBI single to trim the Dodgers’ lead to one and knock Glasnow out of the game.

Right hander Evan Phillips replaced him and loaded the bases the rest of the way, before left-hander Alex Vesia entered to face Bauers, who had been a nightmare for the Dodgers this series.

Vesia walked Bauers on four pitches, tying the score at 4-4.

The Dodgers had lost their momentum, but they still had time.

Then, in the sixth, Dodgers setup man Tanner Scott took the mound early, at an inflection point in the contest. He worked ahead 0-and-2 in the count to Garrett Mitchell. But Mitchell spat on three straight balls to get to a full count.

Scott missed down the middle with a fastball. Mitchell sent it over the fence to give the Brewers the lead for the first time.

Even down by a run, Roberts continued to manage like he had hope, bringing in Edwin Díaz in the seventh to keep the game close.

The Dodgers’ offense got runners to third in three straight innings. In the sixth, Kyle Tucker hit a one-out double, and Teoscar Hernández moved him over with a groundout. In the seventh, Pages led off with a double, and Kiké Hernández bunted him over. In the eighth, with one out, Will Smith cut out the middle man by doubling into the right-field corner and advancing to third when Milwaukee’s Sal Frelick misplayed the carom off the wall.

The Dodgers stranded all three at third, failing to score the tying run.

“They just outplayed us this series,” first baseman Freddie Freeman said. “That’s just kind of how it goes. We had our opportunities. We just didn’t get it done.”

Díaz did his part to keep the Dodgers in the game, retiring eight straight batters. But the ninth batter he faced, Hamilton, hit a solo homer to add cushion to the Brewers’ lead.

“I wouldn’t want to go through this with any other group of guys,” Muncy said. “We really tried to do something special in this clubhouse, and I know next year we’ll be ready to get right back to it. But right now, this sucks.”

BBC sitcom Daddy Issues will come to an end after the third series has aired but not before a star-studded lineup of guest stars has joined the cast for its final outing

Daddy Issues will come to an end after the third and final series has aired, the broadcaster has confirmed. The BBC Three sitcom stars Aimee Lou Wood as Gemma and David Morrissey as Malcolm, following a pregnant party girl who moves into a flat share with her recently-divorced father.

The first series aired in August 2024, and a follow-up series was broadcast in August the following years but now the third run of episodes, which is currently being filmed in Stockport, will be its last.

But the programme, which is Danielle Ward and co-written with David Reed has confirmed a string of guest stars for its final outing. Men Behaving Badly star Neil Morrissey will be amongst those joining the cast, taking on the role of as Malcolm’s new friend Ellis.

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Shobna Gulati, best known as Sunita Alahan in Coronation Street and Anita in dinnerladies, will play new neighbour Odette whilst former Peep Show star Sophie Winkleman will play campsite owner Mary.

Sarah Hadland, best known for her role as Stevie Sutton in Miranda and for her Strictly Come Dancing stint, will be back as Rita, joining fellow returning cast members David Fynn as Derek, Taj Atwal as Cherry and Celebrity Traitors star Sharon Rooney as Catherine.

The new run of six episodes will focus on Gemma’s newfound set of calamities as she tries to settle into her new promotion at the salon whilst daughter Sadie thrives at nursery. Chaos ensues when the flat she still shares with her dad floods, and a new romance leaves her stuck in a web of lies.

Over the last few years, actress Aimee, who the BAFTA Television Award for Best Female Comedy Performance after making her screen debut in Netflix hit Sex Education, has enjoyed global success with US comedy drama The White Lotus.

Through her role as Chelsea, she earned Emmy and Golden Globe nominations. Aimee has also hosted an episode of Saturday Night Live UK, starred as Sally Bowles in the West End production of Cabaret and is due to appear in a string of Hollywood films including The Beatles, Anxious People, and The Idiots.

Speaking about the series coming back, Aimee shared nothing but excitement as she expressed her joy at being part of the comedy series.

She said: “I’m so happy to be back with David and the brilliant Daddy Issues cast for one final time. Gemma and Malcolm are one of the funniest and sweetest comedy double acts on TV, and I’ve loved being a part of it.”

Meanwhile, David Morrissey added: “I love doing Daddy Issues so much, such a great cast and crew! So I’m delighted to be coming back to have more adventures with Gemma, Malcolm and the gang!”

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Two whole seasons of a new imagining of a classic detective drama will be streaming for free before the year is out.

Fans of detective dramas need to add a “fabulous” series to their watchlists.

Fans of cosy crime and detective dramas like Vera are urged to keep an eye out for a detective series hailed as “superb” by viewers. Based on Georges Simenon’s iconic detective novels, the series follows a rising young detective in the Paris Police Judiciaire, who heads La Crim, the serious crime unit.

Unlike previous adaptations, the series is set in the present day and is produced by Playground, the team behind hit shows like All Creatures Great and Small and Wolf Hall. Maigret is the series in question and it stars Benjamin Wainwright as Chief Inspector Jules Maigret, the titular unconventional young detective rising up the ranks.

The Last Kingdom actress Stefanie Martini also stars as Louise Maigret, Maigret’s wife and confidante, who works as a psychiatric nurse. The Inbetweeners star Blake Harrison stars as Sergeant Joseph Torrence.

UKTV has acquired the rights to two seasons of Maigret for its free streaming service, U and linear channel U&DRAMA. Season one premieres on U and U&DRAMA in December, and season two will follow in 2027.

UKTV teased: “In series one, Chief Inspector Maigret and his team of maverick but loyal detectives, Les Maigrets, solve a series of complex crimes in Paris. Maigret’s unconventional methods and unique sense of justice put him at odds with his superiors and the judicial system he is supposed to represent. Maigret must outwit some of Paris’s most cunning and violent criminals, while dealing with his own troubled past.”

Karin Marelle of UKTV and BBC Studios hailed Maigret “one of the most recognisable detective brands in the world“, while Simon Cox, who led on the acquisition of the series for Banijay Rights, said: “The series combines gripping mysteries and rich character storytelling all centred around one of crime fiction’s most iconic and enduring detectives.”

Fans took to IMDb reviews to share their thoughts on the series, with one hailing it “outstanding”, adding: “I have not been a fan of either the books or previous movies or shows about Maigret. So I came to this with no preconceived notions.

“Overall I found it an outstanding beginning to what I hope will be a long series. Well written, well-acted, and highly entertaining. Just a sort of thing that I was looking forward to take my mind off with many problems that we now see in our world.”

Another called it a “fabulous show”, sharing: “We are enjoying this programme ever so much! My mum and I are huge fans of the original Maigret and this is a great modern remake!

“I am not usually very enthusiastic about remakes, but this is an exceptionally good one. I can’t wait for more episodes, and hopefully many more seasons to come! Overall a great programme with a really fabulous cast.”

Another viewer said it was a “superb” watch, adding: “This iteration reminds me a lot of another detective series using British actors in a non-British setting, Vandervalk. Regardless, I thought the plotting, writing, acting, and direction was superb, especially in the last episodes of this first series.”

The series premiered on PBS Masterpiece in the US in October 2025, and on ABC Television in Australia in November 2025.

Series 1 of Maigret premieres on U and U&DRAMA in December and Series 2 will follow in 2027.

It wasn’t a baseball game, it was a sucker punch.

Ouch! Ooof! What?

Who are these Milwaukee Brewers?

What happened to that docile small-town bunch that was once embarrassingly soft? What happened to the team with great stats but none of the swagger, a team that the Dodgers swept last October in a playoff series that wasn’t that close?

The Dodgers entered the National League Championship Series at Milwaukee’s American Family Field on Sunday knowing the Brewers had the best record in baseball, the best batting average in baseball, the best bullpen in baseball, and still…

They had to be convinced this wasn’t the same Brewer team that had famously rolled over one short year ago.

Well, um… duck!

In a first round that portended a lengthy and bloody fight, the Dodgers clutched to a 1-0 lead after three innings with ace Tarik Skubal on the mound and Brewers ace Jacob Misiorowski headed for the showers.

Then they lost it.

They lost to a rare Brewer home run. They lost to a trademark Brewer bunt. They lost to four stifling Brewer relievers.

In the end, they lost the series opener 2-1 to a relentless Brewer effort filled with all the muscle and hustle of their football-toting neighbors up in Green Bay.

This time, when they were knocked down, the Brewers didn’t stay down.

This time, the Brewers swung back and swung harder and eventually landed a stunning blow deep into the Dodgers’ psyche.

This time, it’s clearly going to be different.

This time they tied the game in the fourth inning on a Brice Turang home run, then took the lead an inning later on a perfect example of the manufactured attack that is pure Brewerball.

Garrett Mitchell walked, rookie Cooper Pratt laid down a sacrifice bunt and light-hitting Luis Lara banged the next pitch up the middle to score Mitchell from second for the 2-1 lead.

From there, the league’s best bullpen held the Dodgers to two singles in the last four innings, with the Dodgers stranding two runners on base in two of them. On a night they ended three innings with double plays and have still not focused their postseason hitting efforts, the final inning epitomized the frustration.

With two outs against closer Trevor Megill, Kyle Tucker drew a seven-pitch walk and kid pinch-hitter Josue De Paula drew a walk, and the sort of heroics the Dodgers have displayed for the previous two postseasons were all set up for Mookie Betts.

And he promptly lofted the second pitch to center fielder Mitchell, who made the catch and screamed and flexed with the sort of hearty celebration that usually comes from the Dodgers.

A different day indeed.

Last season in the NLCS, the Dodgers won the opener by this exact same score and the series was never really close. Don’t expect the Brewers to follow the same path, but also don’t expect this to be easy.

Milwaukee’s Brice Turang celebrates with third base coach Matt Erickson after hitting a solo home run in the fourth inning against the Dodgers in Game 1 of the NLCS on Sunday.

(Robert Gauthier / Los Angeles Times)

The Dodgers should get the equalizer in this best-of-seven series Monday afternoon with October superstar Yoshinobu Yamamoto facing relatively untested Logan Henderson.

But who knows? If the Brewers are going to act like this for a week, the Dodgers could be in big trouble.

The two-time defending champs aren’t panicking. But they’re not happy either. And if you listen closely, perhaps you can pick up a scent of worry.

“Yeah, you can’t go into a long series against a team that has the best record in baseball and expect to just win four,” Dodgers manager Dave Roberts said. “It’s going to be a long series. We knew it coming in. We had our chances, but they made plays, pitches when they needed to.”

And the Dodgers, particularly one man in the middle of their order and behind the plate, failed to do the same.

Will Smith grounded into a double play and went hitless in three at-bats and is now one for 19 in the postseason.

“Yeah, he’s not swinging the bat well,” said Roberts, who remains hopeful. “He just has that knack to get a hit, a big hit.”

More of a lost cause is Shohei Ohtani, who banged out a single in three at-bats and is three for 16 in the postseason.

The Brewers seem better able to handle slumps from their stars because they’re all about the business of creating runs from what unselfish soul finds himself in the spotlight.

When asked about the key to this culture, Turang said, “I think the buy-in factor with everyone buying into what we’re trying to accomplish and kind of our style of play. Then not only that, like guys are getting more experience, they’re learning the game — even for me, still learning, getting experience. That’s a big factor in this.”

Milwaukee Brewers pitcher Jacob Misiorowski celebrates after striking out Kyle Tucker in the fourth inning Sunday in Game 1 of the NLCS.

(Robert Gauthier / Los Angeles Times)

Spoken like a guy who believes his team is on the verge of taking the next step. Turang said the key is what happens when they are faced with adversity — like Sunday night.

“Then not giving up when we are behind in the game and knowing that we can do it, we can make up runs,” he said. “This group is really, really good with that.”

As for the Dodgers, they know they’re really, really good at just about everything. But they know that time could be quickly running out on their chance to once again show it.

“We’ve just got to reset,” Roberts said. “We’ve got our guy going tomorrow, who we trust undoubtedly, and we’ve got to win a baseball game.”

This October, against this newly rumpled and roughneck version of the Milwaukee Brewers, that’s apparently going to be easier said than done.

As we head into fall television season, you might notice some familiar titles, not just because a few shows are returning for new seasons, but because they’re prequels, continuations or adaptations of well-known books or films — sometimes both.

The only guide you need for fall entertainment.

Hollywood has leaned into established IP this season, but if you’re seeking an original story, don’t fret, several of those are coming too. Viewers will have plenty to cozy up to, with a slew of series dropping around holidays — a perfect time to binge your new favorite watch.

‘Monster: The Lizzie Borden Story,’ Sept. 17 (Netflix)

Ella Beatty as Lizzie Borden in Netflix’s “Monster: The Lizzie Borden Story.”

(Netflix)

Described as a “darkly comic spin on a Victorian-era murder,” the fourth installment of Ryan Murphy and Ian Brennan’s true-crime anthology chronicles the story of Sunday school teacher Lizzie Borden, who in 1893 was the prime suspect in the still unsolved ax murders of her father and stepmother inside their Fall River, Mass., home. The 32-year-old “spinster” was tried by an all-male jury who found her innocent of the gruesome crime. Their quaint view of women as meek, docile and powerless clearly worked in her favor. Ella Beatty plays the rage-filled, blood-spattered Borden in this eight-episode series. Charlie Hunnam, who appeared in the third installment of “Monster,” portrays her wealthy but ultimately unfortunate father Andrew Borden, and Rebecca Hall plays his second wife, Abby Borden. The drama reportedly includes the music of modern artists such as Kate Bush, while the trailer simply leans into the haunting Victorian-era nursery rhyme “Lizzie Borden took an axe …” — Lorraine Ali

‘Brothers,’ Sept. 23 (Apple TV)

Woody Harrelson and Matthew McConaughey in Apple TV’s “Brothers.”

(Ryan Green / Apple TV)

Twelve years ago, after their chemistry lit up Season 1 of “True Detective,” stars Woody Harrelson and Matthew McConaughey became Hollywood’s most beloved bromance. When Harrelson later told a tale in which McConaughey’s mother revealed she had known Harrelson’s father around the time McConaughey was conceived, it made a lot of hot-rumor sense. Also, apparently, a fine pitch for a series, with the two men playing fictionalized versions of themselves. After a family crisis, Harrelson flees with his wife and daughters to McConaughey’s Texas ranch where he hears a similar “I knew your father” story from Ma Mac (Holland Taylor). As he decides what to do, McConaughey decides to run for governor of Texas. The personal eccentricities of the two leads, along with their odd-couple vibe, provide most of the show’s humor, but the best reason to watch is Taylor, who shows both stars how it’s done, by stealing the show from under their feet. — Mary McNamara

‘American Hostage,’ Sept. 20 (MGM+)

Jon Hamm as Fred Heckman in MGM+’s “American Hostage.”

(Steve Ackerman / MGM+ / Sony Pictures Television)

Set in the 1970s, this anthology series based on a scripted podcast of the same name tells the true story of Fred Heckman, a respected radio journalist played by Jon Hamm, who also executive produces. Heckman, the news director of WIBC-AM in Indianapolis, is placed at the center of a story when hostage-taker Tony Kiritsis (Giovanni Ribisi) requests to be interviewed by the newsman as police attempt to negotiate the release of his hostage, mortgage broker Dick Hall (Kristoffer Polaha). The series contemplates topics like shady lending practices by financial institutions — something that will resonate deeply with today’s economy — and the ethics of placing oneself in a news story. Shawn Ryan (“The Shield,” “The Night Agent”) and Eileen Myers (“Big Love”) serve as co-showrunners and executive producers. — Maira Garcia

‘East of Eden,’ Oct. 1 (Netflix)

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

Zoe Kazan has established herself in the past several years as a versatile artist who impressed critics and audiences with her lead role in “Ruby Sparks” and her Emmy-nominated performance in HBO’s “Olive Kitteridge.” The spotlight is likely to get brighter with Netflix’s “East of Eden,” the latest adaptation of John Steinbeck’s classic novel. A previous version of the novel was directed by Kazan’s grandfather Elia Kazan, and is best known as one of three films starring James Dean. Zoe Kazan is the writer and co-showrunner of the Netflix project, which stars Florence Pugh as anti-heroine Cathy Ames — a character sidelined in the 1955 film. Christopher Abbott (“Girls”) and Mike Faist (“Challengers”) co-star. — Greg Braxton

‘Below,’ Oct. 8 (Netflix)

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

Summer is over, but that doesn’t mean there can’t still be stories about killer creatures under the sea. Netflix’s “Below” joins the watery spectrum already inhabited by “Jaws,” “The Meg,” “47 Meters Down” and numerous other entries as it unveils its premise about a seaside town targeted by a mysterious monster. Josh Hartnett (“Trap”) stars as a fisherman and single father living in a small Newfoundland town who must find a way to protect his family and the community when an unidentified creature starts wreaking havoc. He joins forces with a marine researcher (Mackenzie Davis of “Station Eleven”) who informs him of the town’s mysterious history and buried secrets. — G.B.

‘Cupertino,’ Oct. 8 (CBS)

Rachel Keller as Olivia Siffre, Ella Stiller as Christy Palladino and Mike Colter as Michael Price in CBS’ “Cupertino.”

(Elizabeth Fisher / CBS)

Robert and Michelle King return to the network and territory of their acclaimed series “The Good Wife” with this Silicon Valley-based legal dramedy, replicating that show’s mix of quirk, current events and courtroom nail-biters. To continue the David vs. Goliath comparison the network has put out, it launches its stones at the brow of the tech industry, with Mike Colter and Rachel Keller as lawyers fired with bad cause who team up to defend the little guys from the big jerks. Ella Stiller is their ingenuous aide-de-camp, Busy Philipps a flamboyant investor and Renée Elise Goldsberry as an opposing counsel who has history with Colter. — Robert Lloyd

‘Avatar: Seven Havens,’ Oct. 9 (Paramount+)

Saheli Khan as Pavi, Dee Bradley Baker as Geet/Ruhi and Aishwarya “Aishu” Devan as Nisha in “Avatar: Seven Havens” on Paramount+.

(Paramount+)

When “Avatar: The Last Airbender” premiered over 20 years ago, it introduced audiences to a world inspired by Asian and Indigenous cultures, where certain people can manipulate elements through a martial arts-infused ability known as bending. It also helped show that an animated kids series can tackle weighty themes such as war, genocide, imperialism, sexism, propaganda and political corruption in a serialized story and be a hit. In the world of “Avatar,” there is one special bender who is the master of all four elements — water, earth, fire and air — and is tasked with maintaining balance in the world. Set after the events of “The Last Airbender” and “The Legend of Korra,” “Avatar: Seven Havens” follows the current incarnation of the Avatar, Pavi. Young Pavi and her twin sister, Nisha, live in a world that no longer sees the Avatar as humanity’s savior after it was devastated by a calamity. Pavi and her allies still have to figure out a way to save the world, though. Every Avatar seems to have to deal with problems caused or left unresolved by their predecessors. As a Korra fan, I’m curious to see what sort of legacy she ended up leaving behind. — Tracy Brown

‘VisionQuest,’ Oct. 14 (Disney+)

Paul Bettany in Marvel’s “VisionQuest” on Disney+.

(Marvel)

When we last saw Vision (Paul Bettany), the reconstructed synthezoid and former Avenger had just regained his memories — thanks to an assist from his magically created double — before flying off into the unknown at the end of “WandaVision.” Much has changed in the Marvel Cinematic Universe since then, but I’m ready to dive back into this corner of the multiverse occupied by “WandaVision,” “Agatha All Along” and the upcoming “VisionQuest.” Capping off the TV trilogy, the new series will see Vision navigating life after “WandaVision” along with existential questions about his personhood and identity with the help of some friends in the form of other Marvel AI and robots, including Ultron (James Spader). Both “WandaVision” and “Agatha” were meditations on grief, trauma and motherhood, by way of sitcoms and magical escape rooms, respectively. I’m interested to see how this final installment will explore the patrilineal connection between Ultron, Vision and Tommy (Ruaridh Mollica), one of Wanda and Vision’s long lost twins who were magically created in “WandaVision.” Could the series tee up a full Maximoff family reunion? I hope so. — T.B.

‘Crystal Lake,’ Oct. 15 (Peacock)

Linda Cardellini as Pamela Voorhees in Peacock’s “Crystal Lake.”

(Peacock)

Drew Barrymore made a fatal mistake in the opening scene of the 1996 horror film “Scream” when the creepy murderer on the telephone quizzed her about the name of the killer in the original “Friday the 13th.” When Barrymore answered “Jason Voorhees,” she was reminded that the original killer was actually Pamela Voorhees, Jason’s mother. Pamela is center stage in “Crystal Lake,” Peacock’s prequel to the bloody franchise launched in 1980. Linda Cardellini (“DTF St. Louis”) plays the grief-stricken mother who seeks revenge after her son drowns at a summer camp. There will be blood. — G.B.

‘The Diplomat’ Season 4, Oct. 15 (Netflix)

Keri Russell as Kate Wyler, Rufus Sewell as Hal Wyler and Allison Janney as Grace Penn in Season 4 of “The Diplomat.”

(Netflix)

For those of us who stay ready for the Kate Wyler 2028 campaign, it’s time to lock in. The highly competent, intensely impulsive, deeply flawed and incredibly relatable political power player with unapologetically messy hair is back to clean up more backroom deals and betrayals, volatile international crises and unstable government leadership — all while managing a topsy-turvy marriage tangled up in it. The fourth season picks up directly after the Season 3 finale cliffhanger, where Kate (Keri Russell) learned that her husband, Vice President Hal Wyler (Rufus Sewell), and President Grace Penn (Allison Janney) secretly conspired to steal a Russian nuclear weapon. The new season will explore the fallout and tension in domestic and international relationships, and the marital strife in between. Somehow, political chaos feels good in a show like this. — Yvonne Villarreal

‘Nocturne,’ Oct. 30 (Apple TV)

Stephen Graham and Liev Schreiber in Apple TV’s “Nocturne.”

(Dennis P. Mong Jr / Apple TV)

Stephen Graham plays the diabolically cunning serial killer Jurek Walter in “Nocturne,” a chilling psychological thriller that promises “Hannibal”-level creepiness (as in the film). The 10-episode drama stars Liev Schreiber as Jonah Lynn, a former soldier turned homicide detective who moves to a small town in western Pennsylvania after working the tough streets of Philadelphia. But the peace and quiet he hoped for is shattered when his family is targeted by Jurek. Lynn’s surrogate daughter, FBI Agent Saga Bauer (Zazie Beetz), steps in the fray, upping the stakes. Based on Lars Kepler’s crime novels “Lazarus” and “The Sandman,” the series also stars Bill Camp, Rory Culkin, Poorna Jagannathan, Chrissy Metz and Gary Carr. The cast alone should make “Nocturne” a killer thriller, but we’ll have to wait until October to see if it slays. — L.A.

‘Yellowjackets’ Season 4, Nov. 20 (Paramount+)

Sophie Thatcher as teen Natalie in the finale of Season 3 of “Yellowjackets.”

(Paramount+ with Showtime)

At the end of Season 3, “Yellowjackets” gave us an on-the-nose cliffhanger: We see young Natalie (Sophie Thatcher) reach a cliff, satellite phone in hand, as Aerosmith’s “Livin’ on the Edge” plays. She screams into the receiver, “Can anyone hear me?” Response: “I can hear you.” Over the past three seasons, the Yellowjackets, the New Jersey girls soccer team lost in the Canadian wilderness after a plane crash, have been trying to survive harsh weather, a lack of food and medical care — and one another. It appears we’ll finally get to see them rescued, based on the recent trailer for the new season, as well as the aftermath. The series, created by Ashley Lyle and Bart Nickerson, was originally pitched as a five-season arc, but they announced last year that Season 4 would be the last. The dual timelines in the show, where we see the survivors as teenagers and adults, have felt disconnected at times, but let’s hope this season finally offers clarity. — M.G.

‘Dig,’ Nov. 23 (Peacock)

Hugh Laurie as Neville and Amy Poehler as Elise in Peacock’s “Dig.”

(Colleen Hayes / Peacock)

A new comedy series starring Amy Poehler that she co-created with “Parks & Recreation” executive producer Michael Schur? Sign me up! The workplace at the center of “Dig” is an excavation site in Greece, where Poehler’s Elise is among a team of archaeologists that unearths a rare artifact. According to the logline, this discovery kicks off an “adventure of a lifetime” — and I’m curious what that might mean for people whose careers presumably involve carefully sifting through old dirt all day. The show also stars Hugh Laurie as Neville, a British archaeology professor, as well as Geraldine Viswanathan, Antonia Thomas and Fina Strazza. The series is based on Kate Myers’ novel “Excavations,” and in the book, the four central women have their own issues and hang-ups and don’t really get along, at least initially. If there’s anyone I trust to mine comedy gold with that setup, it’s Poehler and Schur, who is co-showrunning with J.J. Philbin. — T.B.

‘Blade Runner 2099,’ Nov. 25 (Prime Video)

Hunter Schafer as Cora in Prime Video’s “Blade Runner 2099.”

(Clay Enos / Prime)

Having slept on the franchise’s previous sequel, “Blade Runner 2049,” I find myself quite excited by the prospect of this tale of biological and synthetic life forms in a smoggy, next-millennium Los Angeles, not least (and likely most) because Michelle Yeoh stars in it. Yeoh plays an aging replicant detective in search of rogue replicants — here, in a “Planet of the Apes” style twist, the world has turned upside down, with the artificial life forms in power and the people powerless. Hunter Schafer plays Yeoh’s partner, a human masquerading as a replicant. (As to L.A., you will not recognize the old place, which in any case was created in Prague and Barcelona.) — R.L.

‘The Hunting Wives’ Season 2, Nov. 26 (Netflix)

Malin Akerman as Margo, left, and Brittany Snow as Sophie in Season 2 of “The Hunting Wives.”

(Netflix)

For those who are watching the show for the plot, get ready to yeehaw about all the melodrama that’s about to hit your screen. Following its massive breakout success on Netflix, the series about East Texas socialites is back for a twisty and steamy eight-episode second season that will no doubt launch a heavy helping of memes, GIFs and explicit fanfics. For the uninitiated, the series based on May Cobb’s bestselling novel follows Sophie (Brittany Snow), a married East Coast liberal who moves to a wealthy Texas town and immediately becomes infatuated with Margo (Malin Akerman), the local queen bee of a clique of conservative women who have a knack for behaving badly. Their toxic, lusty friendship and the show’s crime mystery subplots had viewers hooked. After the chaotic events of the Season 1 finale, the new episodes pick up with Sophie and Margo on the outs but pulled back into another dangerous game of cat and mouse that will make their situationship all the more complicated and angsty. But fear not, Margo’s wig remains a comforting presence through it all. — Y.V.

‘Harry Potter and the Philosopher’s Stone,’ Dec. 25 (HBO)

Ron (Alastair Stout), Harry (Dominic McLaughlin) and Hermione (Arabella Stanton) in HBO’s “Harry Potter and the Philosopher’s Stone.”

(Aidan Monaghan / HBO)

In the U.K., Christmas Day telly is a much bigger deal than it is in the U.S., which may be why HBO decided to launch its new “Harry Potter” series, beginning with the U.K.-titled eight-episode “Harry Potter and the Philosopher’s Stone,” on Dec. 25. “Highly anticipated” doesn’t even begin to cover it; a quarter century since the film versions began lighting up the box office, the story of “the boy who lived” continues to entrance fans old and new. Starring newcomers Dominic McLaughlin as Harry Potter, Alastair Stout as Ronald Weasley and Arabella Stanton as Hermione Granger, the series promises a richer, more detailed adaptation of the books, along with a more contemporary feel. With John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Nick Frost as Hagrid and Paapa Essiedu as Severus Snape, the cast is just as formidable and star-studded as the films. And with a reported $58-million price tag, the production values should burn just as brightly, especially at Christmas. — M.M.

‘North of North’ Season 2, Fall 2026 (Netflix)

Anna Lambe as Siaja in Season 2 of “North of North” on Netflix.

(Netflix)

No news regarding the coming fall season has made me happier than the return of this sunny, aspirational Indigenous comedy, set in a small town among the Inuit people in Nunavut, Canada’s northernmost territory. A luminous Anna Lambe plays Siaja, who in the first season went a long way toward finding herself in a life bounded by a narcissist husband (estranged, but always around), a once-difficult mother, a rambunctious child, a new love interest, a surprising father, a capricious yet not uncaring boss (Mary Lynn Rajskub) and a mythological sea spirit — in other words, lots to go on in a second season. (For even more Canadian content: “Kids in the Hall” alum Bruce McCulloch joins the cast as a first-aid instructor.) — R.L.

‘Pride and Prejudice,’ fall 2026 (Netflix)

Lizzie (Emma Corrin), Jane (Freya Mavor), Mrs. Bennet (Olivia Colman), Lydia (Rhea Norwood), Mary (Hopey Parish) and Kitty (Hollie Avery) in Netflix’s “Pride and Prejudice.”

(Ludovic Robert / Netflix)

Every generation gets its own Mr. Darcy. Experiencing Jane Austen’s most famous work — whether on the page or on the screen — is a cultural rite of passage for many young women. The 1995 BBC miniseries starring Jennifer Ehle and Colin Firth, and the 2005 film starring Keira Knightley and Matthew MacFadyen, are the two definitive, most popular screen adaptations of the classic novel, often drawing fierce debate from enthusiasts about which is better. (Sorry, but that misty sunrise walk by MacFadyen’s Mr. Darcy changed lives — namely, mine — and will always give the 2005 version a slight edge in my eyes.) Now, the classic novel is getting its streaming-era adaptation. Written by bestselling author Dolly Alderton (“Good Material”), the six-part limited series promises to be a faithful adaptation. Emma Corrin (“The Crown”) and Jack Lowden (“Slow Horses”) take the mantel as the original and ultimate enemies-to-lovers couple, Elizabeth Bennet and Mr. Darcy. Will it live up to its predecessors? Will it capture Austen’s witty text and unforgettable scenes of yearning? I don’t know. But I’m going to watch it anyway because — I mean, come on — it’s “Pride and Prejudice” and I’m just a girl who’s always on the lookout for slow-burn tension and hand-flex close-ups. I’m preparing myself now for the hours of sleep I’ll lose getting sucked into the TikTok discourse about it. — Y.V.

Jimmy McGovern’s BAFTA-winning BBC drama is returning to screens with David Tennant and Siobhan Finneran leading the cast

Time returns tonight for its third but there’s some bad news for fans.

The wait is almost over for a brand new instalment of the gripping BBC drama which first began in 2021 and has featured the likes of Stephen Graham, Jodie Whittaker and Bella Ramsey.

Creator Jimmy McGovern explained that while the first series focused on a male prison and the second series was based on a female prison, he knew he wanted to focus on young offenders next, but didn’t have a story.

That was until he found a real-life story in his research about a mother going to see her son in a young offender institution, whom she hadn’t seen for years. Although she didn’t speak English and he didn’t speak her language, which Jimmy shares is Swahili, in their BBC story.

However, the creator has shared that the upcoming series, which will being on Sunday night (October 11) will be its last. Speaking to RadioTimes, he said: “There’s very little altruism involved with these stories. I do them because I love doing them, although I think this will be the last time. I have said that many a time before, though, because these are also stories I feel bound to tell.”

A synopsis for the third series of Time details that viewers will see two young offenders struggle through the terrifying first weeks and months of their incarceration. However, an unlikely friendship between them looks to shift the trajectory of their futures.

The description further reads: “Meanwhile, Prison Chaplain Marie-Louise (Siobhan Finneran) comes to the young offender institution having lost her faith.

When tragedy strikes in the prison, Marie-Louise clashes with veteran officer Bailey (David Tennant), a man in the midst of his own crisis. Bailey knows more about the circumstances that led to this major incident – but will he come clean before the guilt gets too much?”

Since the series first began five years ago, it’s been highly praised by viewers, with some hailing it as a masterpiece. On Rotten Tomatoes, one person has said: “Absolutely riveting drama, a must-watch from start to finish. Brilliantly acted and excellent plot.”

Meanwhile, on IMDb, another added: “I expected a mediocre show, but got a well-crafted masterpiece. In its two seasons, each with three episodes, ‘Time’ tells the stories of two people who are imprisoned for the first time and, in my opinion, it does this excellently” While a third wrote: “Serious, realistic and brutal. If you want to see something serious and realistic, this is for you.”

Also joining David Tennant and Siobhan Finneran in the third series will be Vinette Robinson, Jo Joyner, Daniel Ryan, Warren Brown, Louis McCartney, Ollie McNulty and Chukwubuikem Molokwu will star in the third series.

Time airs on Sunday, October 11 on BBC One at 9pm

Nicolas Cage is making it clear — he’s not an “AI-friendly actor.”

The 62-year-old actor spoke out against a tech giant during an appearance at New York Comic Con on Saturday. He alleged that he was asked to sign an artificial intelligence waiver for the television series “Spider Noir.”

“Amazon is a very AI-friendly company, to the tune of $50 billion invested in OpenAI,” Cage said on stage.

“I am not an AI-friendly actor, so it’s like, connect those dots! I’m not a member of their club. I didn’t sign the waiver to let him use AI on ‘Spider-Noir.’ I’m probably not going to be working with that studio again, but that’s OK.”

Amazon did not immediately respond to a request for comment.

The use of AI continues to be a major sticking point across Hollywood. Industry unions including SAG-AFTRA and the Writers Guild recently secured protections against technology in new contracts. But as AI evolves and AI actors like Tilly Norwood continue to make headlines, it’s still unclear exactly how the industry will be affected.

“Spider-Noir,” which premiered in May, is a “Spider-Man” project that put a 1930s crime-thriller spin on the web-slinging superhero. The show was produced by both Sony Pictures Television and Amazon MGM Studios.

Cage’s part as “The Spider” marked his first leading role in a series. The Oscar-winning actor, whose home in Malibu was recently affected by a sinkhole, is known best for his roles in movies like “National Treasure,” “Moonstruck” and “The Rock.”

Upon its release, “Spider-Noir” received much praise from fans and critics alike. In its first six weeks of streaming, the series earned 2.6 billion minutes watched, according to Nielsen. It was also Amazon’s most-nominated show at this year’s Emmys, with 11 nominations and five wins.

Last month, Amazon announced that the show was canceled after only one season, leaving much of the industry in shock.

During his Comic Con panel, Cage also said he plans to keep working in TV. He announced that he will be joining the HBO series “True Detective.”

“My agent’s out there somewhere listening,” Cage said. “That’s OK that I’m the first to announce that, right?”

AMY Childs has admitted to feeling “emotional” having wrapped filming on her Towie wedding special.

Amy Childs: The Towie Wedding follows Amy and her now-husband Billy Delbosq as they prepare to tie the knot.

The spin-off sees the couple make arrangements before getting legally wed in London, followed by a lavish ceremony at San Roque Golf Club, near Marbella.

Taking to Instagram, Amy shared behind-the-scenes snaps from filming.

She captioned the images: “And that’s a wrap!

“Feeling so emotional our show has come to an end however I am so excited for you to all to see (dates coming soon)!

wedding joy

Towie couple in talks for huge wedding spin-off after Amy Childs’ TV nuptials

FAIRYTALE WED

Towie’s Harry Derbigde shares snaps of Amy Childs wedding ahead of TV special

“It’s been incredible!”

Referencing her daughter, Amy added: “PS Polly the star of the show!”

Amy’s photos saw the reality star sat for cameras solo as well as with Billy.

Another shot saw Polly, nine, who Amy shares with ex Bradley Wright, sat for her own solo pieces to camera.

Amy also shared a selfie, taken after getting glammed up for filming.

She looked chic in a black blazer and matching top, showing off a freshly-styled mane in shades of caramel and hazlenut.

Amy showcased her flawless make-up, with a tanned glow to her complexion, striking black lashes and a slick of rosy gloss across her pout.

She sported a necklace with Billy’s name on it, as well as the names of all her children: Polly and Ritchie from previous relationships and twins Millie and Billy with her now-husband.

The pair had their second ceremony at the end of September, surrounded by 180 guests including Towie co-stars such as Jordan Brook and Sophie Kasaei.

Amy was walked down the aisle by her dad, who is also named Billy, with guests all adhering to a black tie dresscode.

Amy and Billy had their first wedding back in April having previously postponed their nuptials last year.

The new show is expected to land on ITV in the coming months.

Twenty-one years into its run, “Dancing With the Stars” is one of the hottest and buzziest shows on TV right now.

ABC’s competition series kicked off its 35th season in September, scoring its biggest premiere ratings since 2020. Fueling a lot of that viewership power are Gen Z and millennial viewers, attracted by a cast loaded with social media influencers, reality TV stars and nostalgic favorites. And a certain 55-year-old late-night sidekick has emerged as a social media hit with his lovable underdog journey: Guillermo Rodriguez.

Best known as the former parking lot security guard-turned-sidekick on “Jimmy Kimmel Live!,” who was discovered after he was caught sleeping in the car of the show’s announcer, Rodriguez regularly steals the spotlight on the late-night talk show with his humorous, humble interactions in comedy bits and as a red-carpet correspondent. Now, he’s expanding his profile as a celebrity contestant on “Dancing With the Stars,” paired with dance pro Witney Carson.

Rodriguez says he’s been asked to join the show before, but he passed because of a busy schedule and his insecurity as a dancer — “I’m not a dancer,” he tells me. “I dance when we have Thanksgiving, Christmas, but it’s for two seconds, four seconds. Not a minute and a half!”

He praises Carson, who is competing while pregnant, for her patience and encouragement in his journey.

“Oh, my God, Witney is a great partner,” he says. “She’s telling me, ‘Listen, just follow me. Follow the steps. Remember, do not look at the floor; look up. And just be yourself. If I want to ask you to be a diva, you be a diva. I don’t want you to laugh.’ She’s been fantastic. She’s helping me a lot. She tells me, ‘The audience know that you’re not a professional dancer, and that you’re trying hard and everything. Just enjoy because this only happens once in a lifetime.’” Read more from my conversation with Rodriguez in Guest Spot.

Also in this week’s Screen Gab, our writers recommend a miniseries about a mysterious sea creature terrorizing a small coastal town and a pair of psychological horror dramas exploring female rage. And just a quick PSA — not funded by taxpayers, I promise — before I wrap up: “Felicity” is now streaming on Netflix. If you want to get (re)acquainted with collegiate angst, the art of making “hey” pack the same power as a Keats poem or experience Keri Russell’s controversial haircut moment, give it a whirl. As a superfan who returned to it often when it was on Hulu, it’s my duty to warn you to proceed with caution when it comes to Season 4. — Yvonne Villarreal.

Turn on

Recommendations from the film and TV experts at The Times

Josh Hartnett as Calvin and Mackenzie Davis as Fonda in Netflix’s “Below.”

(Netflix)

“Below” (Netflix)

A first-rate sea monster miniseries, set in a small fishing village in Newfoundland, where the natives add an “s” to some verbs (“anyway you slices it,” “I gets it”), making them sound a little like Popeye. Creator Jesse McKeown drops enough “Jaws” references to let you know he’s aware of the similarities, but “Below,” which goes some crazy places in its latter half, is very much its own aquatic whirligig. Josh Hartnett plays fisherman Calvin Penney, attempting to harvest blue ice for vodka in the face of declining stocks, but finding his haul smelling strangely of ammonia. Mackenzie Davis is marine researcher Fonda Howander (year’s best name), who has an idea about that. (Global warming, your real-world villain.) The series, in which I detect a quality of Canadian naturalism, uses its special effects budget sparingly, and I would say, wisely; when something extraordinary happens, it doubly registers. But the series’ strength is in its evocative background and nicely drawn characters, going about their messy human business, as the town debates whether to let the government transplant them to somewhere less remote while Calvin tries to get his adult kids on his page. — Robert Lloyd

Summer H. Howell as the titular teenager in Prime Video’s “Carrie.”

(Robert Falconer / Prime Video)

“Carrie” (Prime Video) and “Monster: The Lizzie Borden Story” (Netflix)

Killer women usher in the Halloween season with these two new horror series. The TV adaptation of Stephen King’s novel loosely follows the 1976 big-screen classic starring Sissy Spacek, but reimagines the bloody prom queen Carrie (Summer H. Howell) in today’s world, replete with cyberbullies and smartphones. The limited series from horror master Mike Flanagan (“The House on Haunted Hill,” “Midnight Mass”) pits the terror of the modern world — school shootings, conspiracy-theory fanaticism — against a naive girl’s deadly telekinetic powers for a smart and powerful reimagining of the chilling classic. “The Lizzie Borden Story” is the fourth season of the “Monster” anthology series from Ryan Murphy and Ian Brennan, and it stars Ella Beatty as the titular character. With the help of an enviable cast (Sarah Paulson, Vicky Krieps), it dramatizes the events before, during and after the 1892 ax murders of Borden’s father and stepmother, and jumps timelines to connect Borden’s story with that of another violent female killer who shocked the country a century later. Does it take historical liberties? Absolutely, and it makes for a thrilling new take on a notorious chapter in American crime. — Lorraine Ali

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Witney Carson and Guillermo Rodriguez perform during Mariah Carey night on “Dancing With the Stars.”

(Eric McCandless / Disney)

When Guillermo Rodriguez signed up to compete on “Dancing With the Stars,” he came in with no dance background and the least nimble body, but he had experience in how to win over fans as the scene-stealing sidekick on “Jimmy Kimmel Live!” Now, Rodriguez has danced the cha-cha, paso doble, foxtrot and samba before millions of people — captivating audiences with assisted knee walks, floor drops and a bare-chested message for the world. He may be the lowest-scoring star on the leaderboard each week, but the 55-year-old knows how to hold an audience and, with professional partner Witney Carson, has managed to stay alive in the competition. After channeling his inner diva for Mariah Carey night on the show (cheekily performing to “Obsessed”) and making it past this week’s elimination round, Rodriguez spoke to us about how he’s feeling at this stage in the competition. — Y.V.

How is the diva life treating you?

Oh, my God, Yvonne, it’s hard work. Being a diva is not easy.

What body part is hurting you today?

You know what — my legs. My legs and my back hurt bad. If you’re in the 20s and 30s, it’s OK, but when you’re like in the 50s, it’s hard. In the 20s and 30s, you have all the energy and also your body is young.

When you get home from rehearsals or after performance night, what’s your routine? Are you doing a bath soak? Are you elevating your feet?

I actually I get in the pool, I get in the hot tub. But someone was telling me I gotta get a massage and I gotta get a cold plunge because that’s gonna help the body. Also, you know what is helping me. I haven’t [had a] drink in two months, and I feel good. I have a shot, I have a drink, so it can relax me and everything. But with “Dancing,” I cannot have a drink because I don’t wanna forget the steps.

You’ve said that you’re doing the show because you want to dance with your wife. How’s that going? Have you been showing her any moves at home?

I have a little bit. And she said, “Well, wait, this is it?” I go, “No, this is only the beginning [steps]. I still got to show [you] more. She goes, “Oh, now I understand why you’re so tired.” And I go, “Yeah, we have to rehearse and everything, and you gotta smile at the camera, you gotta watch your steps, you gotta move your hips and everything.” And I tell her, “When I move to the left, I hear a noise like [mimics creaking noises], ‘Oh, oh, my body is clicking!’ I move left to the left — my knee is making noise!’” But I’m having a lot of fun. It’s great.

How has this experienced changed you so far? How do you feel when you’re out there performing?

It changed me in that I get nervous and it’s hard, but when I go over there [onstage], I like it. I enjoy. You get like a minute and 12 or 40 [seconds], depending on the music. But I’m happy. I get to push myself.

I get out there and [I think], I gotta give my best. And I feel so good because a lot of the audience, they like it a lot. They go crazy and everything, and that makes me feel so good. You know what — I might not be the best dancer, but I’m trying my best, and the people see it. But who knows what’s gonna happen. I might go home next week.

Witney Carson and Guillermo Rodriguez perform the paso doble on “Dancing With the Stars.”

(Christopher Willard / Disney)

We’ve seen you in the bottom a few times. This week, you were there again. What was going through your head this week as you waited for the names to be called?

I feel very nervous. I said, “Oh, my God, this is it. We going home.” I told Witney [before the show], “Witney, I think this is it. I think we’re going home.” She said, “Well, listen, if we’re going home, we did a good job. You told me that you wanna pass the first week, and you already passed the first week, so you don’t have nothing else to lose.” But I feel very nervous. And then when they say, “The couple going home is Ciara [Miller] and Brandon [Armstrong],” I was like, “Oh, my God.” It was hard. And the dance was hard too. Samba is a fast dance. We didn’t have too much time to rehearse because we were going to New York back and forth.

The fandom for “Dancing With the Stars” goes hard. What has surprised you about the fan response?

A lot of the fans are voting for us. I want to say thank you to all the fans. They‘re keeping us alive. They’re voting a lot. They’re making it happen and everything. I was so surprised. [This week,] Carrie Ann [Inaba] give us bad comments, and the audience started booing. I was like, “Wow, this is so amazing! The audience is on our side.” They want us to keep going. And I told Witney, “Witney, we gotta keep going.” We dance for the people. If we make it past next week, it will be great. If we go home, we did it and that’s it.

On the other side of that, there can be some negative talk too, some frustrated fans who think other contestants should still be there. How do you deal with that? Or when the beefs get stirred up on social media? Are you paying attention to that?

I don’t know. The first week I was listening to the comments and everything, but now I don’t listen. I just go have fun. Everybody has different opinions. You cannot please everybody. So I just go have fun, enjoy, and that’s it. If they like it, [or] they don’t like it. Some people say, “Oh, he’s too old. He’s out of shape.” I say, “You know what? Come and dance yourself. It’s not easy.” Every week I try to do better and better.

How do you think Jimmy Kimmel would do in the competition?

Oh — you want me to be honest? He doesn’t dance. And he told me that. He told me, “You know me, that I’m not good.” And I go, “Yeah, I know you’re not good. You’re like a rock.” I told him, “Jimmy. I think when it’s time and they say, ‘Dancing the cha-cha-cha, here’s Jimmy Kimmel,’” I said, “I’m gonna come right away before you start and I’m gonna spray WD-40 so you can move good.”

Is there a song you really want to dance to if you had the opportunity to pick it?

Oh, I would like to dance to one that goes [begins singing “You’re the Best” by Joe “Bean” Esposito, which is featured in the “Karate Kid” soundtrack]: “You’re the best. You’re the best around. No one’s ever gonna keep you down. You’re the best.” I’m like, oh, my God, I would love to dance that one.

I know you’re super busy with all the rehearsals, but is there a show that you are enjoying right now, one that helps you unwind?

Oh yeah, there’s a show that I’m watching right now. It’s called “The Studio” with Seth Rogen. I cannot wait for the new season. I love the show. Seth Rogen is doing a great job. Bryan Cranston too, and Ike Barinholtz. Oh, my God, everyone in the cast is so funny.

We have to get you on that show, Guillermo. You can play yourself.

Yeah, I want to. I want to be in that show. Hopefully, it happens soon.

ICYMI

Must-read stories you might have missed

A growing scrum of reporters around Andrew Friedman, the Dodgers’ president of baseball operations, in the locker room Wednesday night after the Dodgers defeated the Atlanta Braves to advance to the National League Championship Series, didn’t put a damper on the celebration.

Tanner Scott stuck upside-down beers in Friedman’s shirt. Alex Freeland dumped beer into his mouth and all over his face. Eric Lauer coordinated a sneak attack, announcing that he was heading to the showers before reappearing from a side entrance.

Friedman never stopped grinning. But it almost looked like he had an extra glint in his eye when asked whether he’d rather take on the Milwaukee Brewers or San Diego Padres in the NLCS.

“I just want chaos,” Friedman said.

Later that night, the Brewers advanced, locking in an NLCS rematch that could certainly deliver chaos.

The Dodgers and Brewers are meeting in the playoffs for the fourth time in nine years. Last season, the Dodgers swept Milwaukee in the NLCS.

Usually before playing a big-market team like the Dodgers, Brewers manager Pat Murphy leans into the underdog narrative by saying he suspects the opponent can’t name many of the Brewers players. But by becoming perennial playoff contenders, and posting the best record in the majors over the past two seasons, the Brewers have given up whatever anonymity they may have had when they promoted Murphy a few years ago.

The cast of characters on both sides has remained relatively consistent since last October. But even after trading away top pitcher Freddy Peralta, Milwaukee is a more complete team than last season.

But losing talented players hasn’t stopped the Brewers from winning the last four NL Central titles. They keep saying goodbye to top players — including Cy Young winner Corbin Burnes, closer Devin Williams and shortstop Willy Adames — then raise their win total.

Many of the players remain the same, although the Brewers added former Dodgers starting pitcher Dustin May and reliever JoJo Romero in a trade with the St. Louis Cardinals at the deadline, after losing in the Tarik Skubal sweepstakes. Several players also took important steps forward.

The biggest difference-maker has been Jacob Misiorowski, who had the lowest ERA (1.80) in the majors this season and is the NL Cy Young favorite. As a rookie last year, the flame-thrower was relegated to the postseason bullpen until the NLCS. This year, he was the Brewers’ Game 1 starter in the NLDS against the Padres.

The Brewers have long hung their hat on playing sound baseball, from pitching and defense to baserunning. But the knock on them has been the lack of thump in their lineup.

First baseman Jake Bauers had a career season, leading the team in home runs (26), on-base percentage (.389) and on-base-plus-slugging percentage (.873). Jackson Chourio, who was hobbled by a hamstring injury in the last NLCS, hit a career-high 25 home runs and led the team in slugging percentage (.487). And though the Brewers likely won’t out-slug the Dodgers — they hit 50 fewer home runs during the season — they have a pesky roster that stole 90 more bases.

The Brewers also had a better regular-season record (103-59) than the Dodgers (100-62), so the series will begin in Milwaukee on Sunday.

Signs point to a more competitive series than last year. The Brewers even entered the postseason with the better World Series odds (18.5%) than the Dodgers (16.7%), according to Baseball Prospectus’ PECOTA standings.

The Dodgers certainly won’t take the matchup lightly. They made sure not to underestimate the No. 3 seed Braves.

“The mistake that the outside perspective kind of gets sometimes is to underestimate certain teams,” said Kiké Hernández as the Dodgers celebrated their NLDS victory. “And we knew we had a tough task ahead of us. [The Braves are] a team that was playing really good baseball, had a lot of momentum, and they were throwing the ball really well. They had a really good bullpen, a lot of different kinds of arms, and, fortunately for us, they were a little bit short on starting pitching, so they had to tax their bullpen to a point where it paid off for us.”

The Dodgers ended the series before it returned to Los Angeles for an if-necessary Game 5. So they got to turn their attention to the Brewers a couple days early.

“I think the strength of our team is our rotation,” Friedman said. “And so even if we weren’t able to reset it, we still feel like it would be a strength of ours. But to be able to line it up the way we want to, certainly advantageous. To be able to have a few days off our feet and rest up for Sunday, also really helpful.”

Then the chaos begins.

“Crazy Rich Asians” will officially be back on screen, with some familiar faces joining for the ride.

HBO announced on Thursday that it had ordered an original drama series of the same name based on author Kevin Kwan’s book series eight years after director Jon M. Chu’s “Crazy Rich Asians” film adaptation marked a watershed moment for Asian representation in Hollywood. The series will see stars Constance Wu and Henry Golding reprise their roles as lovebirds Rachel Chu and Nick Young; Ronny Chieng as Nick’s cousin Eddie Cheng and Oscar winner Michelle Yeoh as the hard-to-please Young family matriarch, Eleanor.

Although not exactly the movie sequel some fans were hoping for, the series will pick up after the events of the 2018 film and will be based on Kwan’s books, HBO announced. Adele Lim, who co-wrote Chu’s 2018 film, will serve as showrunner and will executive produce the series alongside Kwan, Chu and “Crazy Rich Asians” movie producers Nina Jacobson and Brad Simpson.

HBO announced its series order just days after parent company Warner Bros. Discovery closed its $111-billion deal with Paramount Skydance.

The official series order comes more than a year after Golding shared that he and some of his “Crazy Rich Asians” collaborators had reunited to discuss the future of the franchise, including a meeting with Lim. The Times confirmed last year that the series was in early development.

The “Crazy Rich Asians” series could fill the void left by the onetime promise of a “Crazy Rich Asians” sequel. Prospects of a sequel crumbled in 2019 when the Hollywood Reporter broke news that Lim left the sequel over pay disparity.

An ‘epic moment’ has reportedly caught Celebrity Traitors bosses off guard and forced them to scrap huge plans they had for the series. The change will reportedly “make great TV”

The Celebrity Traitors bosses have been forced to scrap a cliffhanger but what has replaces it “will make great TV” according to sources.

The show sees twenty-one famous faces head to The Traitors castle, ready to play the ultimate game of deception and betrayal in the hope of winning a cash prize of up to £100,000 for a charity of their choice.

Fans quickly become invested in the show and to keep viewers hooked it has become known for it’s cliffhangers.

Tonight, viewers will tune in to watch the result of last Friday’s cliffhanger. The all-star line-up will be casting their votes on who to banish from Ardross Castle after the Withnail and I actor battled to convince them he was a faithful.

Actor Richard E. Grant was chosen by host Claudia Winkleman to be a Traitor alongside presenter Maya Jama. However, just minutes into the game, comedian Joe Lycett casually asked him what role he had been given, to which Grant immediately replied, “Traitor!”

He then spent the rest of the premiere manically back-pedaling to convince his fellow contestants that he was actually a Faithful who had simply made a bad joke.

A source told The Sun: “Cliffhangers on The Traitors have become legendary so bosses never want to disappoint and hope to have the nation on tenterhooks all week, waiting for Thursdays to come around – that’s part of the reason the format being fed out twice a week works.

“So they plot out likely moments in gameplay that will be the Friday cliffs. But during filming, something so unbelievable happened even execs didn’t see it coming.

“It forced them to throw plans out the window to accommodate the epic moment – which should make great TV.”

Production firm Studio Lambert decide what elements of the show would make good teasers during pre-production.

Speaking at the launch of the series, executive producer Sarah Fay said: “We always have an idea before going into pre-production what might be cliffhangers but we have to be so reactive because who knows what the story is going to be.

“Last year we went to deadlock [at the Round Table] when it was down to David [Olusoga] and Mark [Bonner] where it was a tie. We never knew that that was going to happen until obviously, it was happening right before our eyes.

“I think the beauty of this game as well is every episode we’ve probably got about three options of what the cliffhanger could be because it’s so nail-biting.”

The Mirror has contacted the BBC press office for comment.

The Celebrity Traitors returns tonight at 8pm on BBC One.

Scared straight.

Faced with a reality check, the Dodgers got real. Confronted with the end, the Dodgers are just getting started.

Stepping warily into Atlanta’s Truist Park with their five-game division series tied at one game apiece and Braves’ ace Chris Sale waiting for them on the mound Tuesday, the Dodgers marched out three hours later on the verge of another champagne shower.

Yoshinobu Yamamoto was brilliant, showing everyone that they were focusing on the wrong ace.

The Dodger bats were reborn, showing everyone that they still know how to hit in October.

And, yes, the Dodgers finally have a closer, Edwin Díaz entering the ninth and allowing a leadoff double to Ozzie Albies before retiring the next three hitters for the biggest save of his brief Dodgers career.

In all, the Dodgers drowned out that horrible tomahawk chop with some mighty hacks of their own, winning 3-1 while finally displaying some of the desperation that had been missing.

“We’ve gotta treat every game like an elimination game and go out there and play with urgency,” said Freddie Freeman about the lesson learned.

Seemingly moments after staring the Dodgers down with a thrilling Game 2 victory, the Braves have essentially been consigned to their rearview mirror.

Historically, the team that wins Game 3 in a best-of-five series wins that series 72% of the time, but the Dodgers don’t need some fancy stats to tell them what they know.

The Braves can’t beat the Dodgers in two straight games, and they can’t do it with one of those games at Dodger Stadium if necessary, and they can’t do it with Tyler Mahle pitching in one game and the bullpen handling the other game.

The Dodgers have Tyler Glasnow on their mound in Wednesday’s Game 4 and Tarik Skubal waiting for a possible Game 5 and this thing feels over.

Dodgers pitcher Yoshinobu Yamamoto delivers during a 3-1 win over the Braves in Game 3 of the NLDS on Tuesday.

(Mike Stewart / Associated Press)

“I think I was most proud of we played tonight like an elimination game,” said manager Dave Roberts, later adding, “Tonight I think collectively it was probably one of our better performances.”

It started with the Dodgers’ offense against Sale, who shut them out in a 1-0 victory over Yamamoto just last month.

This time they were patient. This time they were smart. This time they worked him for 24 pitches in the first inning, 18 in the second, 20 in the third.

All of this set up the 37-year-old Sale for a fourth-inning beatdown with some familiar Dodger postseason magic.

With Andy Pages on first after a ground-ball single — he’s breaking out of his two-year postseason slump! — Kiké Hernández drove in a hanging changeup 406 feet over the left-field wall for a two-run homer, and where have you heard this before?

Highlights from the Dodgers’ 3-1 win over the Atlanta Braves in Game 3 of the NLDS.

Hernández is arguably the most consistently unlikely postseason hero in Dodger history. During the regular season he struggles. During the postseason he shines.

This was his 17th postseason home run, fourth in Dodger history, and remember the three home runs he hit that night in the 2017 National League Championship Series in Chicago?

He’s been doing that sort of thing ever since, and his Dodger teammates can only stare in amazement.

“I wish there was a recipe for that so we can all take it from him, he’s incredible, he shows up when you need him,” said Freeman, later adding,“He’s a Swiss Army knife and he’s ready to go at all times.”

This time Hernández was followed two batters later by another familiar October bat. It’s safe to say that Freeman has broken out of his slump, as he homered for the second time in two nights after hitting one in the previous 66 games. It was the first time Sale had given up more than two runs in an inning in three years.

That made the score 3-1 and considering Yamamoto was 33-0 with at least three runs of support in his career, this game felt over. And it was indeed over.

In notching a postseason-high 10 strikeouts over eight innings, Yamamoto showed why he — and not Skubal — is the ace of this staff.

Making his first start in 13 days, he gave up just one run on four hits in seven innings in a continuation of his postseason mastery. He now has an 8-0 career postseason record with a 2.14 ERA and that doesn’t begin to illustrate his impact.

“Wow, what a performance,” said Roberts. “He just has a way to just make pitches, calm his heartbeat.”

Yamamoto was held back for this game while Skubal started the opener, but he shouldn’t take a back seat to anyone anymore this postseason. He should pitch early, often, every day if possible, because he is darn near unhittable.

Unhittable in a different sense was struggling Shohei Ohtani, who was moved down from the top of the order to the fifth spot, and it didn’t do him any good.

He failed to get a hit in four plate appearances, reacting so badly to one of Sale’s changeups that he foolishly called for an ABS challenge that he lost.

Ohtani is still lost. But on a turning-point night in Atlanta, the Dodgers found themselves.