The Conference League, Europe’s third-tier competition, is only in its fifth season, with two English sides – West Ham in 2023 and Chelsea in 2025 – among its first four winners.
From the start of this season’s edition Palace have been the bookmakers’ favourites, even though they only finished 10th in the league phase and had to go through two matches against Bosnian champions Zrinjski to get into the last 16.
But there are not many clubs in the competition Palace will fear.
They will find out on Friday whether they play German side Mainz, a team 13th in the Bundesliga, or Cypriot side Larnaca, who only scored seven goals in six league phase matches, though they did beat Palace 1-0 in October.
“We’re hungry for more [silverware] but you don’t talk about winning it three months out,” added goalkeeper Henderson, who became Palace captain after Guehi left the club.
“It’s knockout football and we go into it with confidence. You see the supporters get into the stadium early and Selhurst was rocking tonight and we can make it a fortress.”
Former Palace defender James Tomkins, speaking on TNT Sports, said: “They go through to the next stage, into the last 16 of this competition and they are favourites to go on and win it from here.
“They’ve got to concentrate on the Conference League. The opportunity they’ve got is incredible. To add a third trophy in two seasons would be remarkable and beyond the wildest dreams of the fans.
“They needed a second goal to get over the line and it’s a great night for the club. The atmosphere is amazing and you can see all the fans are behind the team and the manager and it means a lot.”
Who are the top teams to watch in City Section high school baseball and likely contenders to reach Dodger Stadium?
1. BIRMINGHAM: The Patriots have two quality starting pitchers, led by sophomore Carlos Acuna, plus an experienced closer, so if they play defense and get a little hitting, reaching Dodger Stadium will be no surprise.
2. EL CAMINO REAL: The defending City champions lost key players from the pitching staff to graduation but members from an outstanding junior varsity team are already showing signs they can handle the pressure of varsity ball.
3. NARBONNE: The Gauchos have an early-season win over Bell that will help them come playoff time.
4. BELL: Two years ago, Bell won it all, and several players from that team are off to good starts, led by Jayden Rojas. A 1-0 win over Palos Verdes was impressive behind pitcher Rigoberto Baltazar.
5. SYLMAR: Pitcher Alex Martinez and power-hitting outfielder Rickee Luevano are capable of having big seasons.
6. CARSON: The Colts have plenty of experience back to contend in Marine League.
7. SUN VALLEY POLY: Wins over Agoura and Quartz Hill show the Parrots are favorites to win East Valley League.
8. CLEVELAND: Just trust All-City player Joshua Pearlstein to make the Cavaliers strong in West Valley League.
9. VENICE: The Gondoliers went 29-4 last season and will need strong play from returnee Xander Lippman.
10. SAN FERNANDO: Tigers can be Sylmar’s strongest opponent in the Valley Mission League.
This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.
Elsewhere, Anthony (Jonathan Bailey) returned with his wife Kate (Simone Ashley) to give Benedict some stern words of advice, while their mother Violet (Ruth Gemmell) was having relationship issues of her own. Here are just a few of the major revelations in the latter half of the season.
Cressida Cowper returned
Cressida Cowper (Jessica Madsen) was unveiled as the new Lady Penwood following her emotional exit in season three. After surprising Penelope Bridgerton (Nicola Coughlan), she revealed Lord Penwood was an old friend of her aunt Joanna’s, and had taken a liking to her when he was visiting the family in Wales.
Cressida had formed friendships with both Penelope and Eloise Bridgerton (Claudia Jessie) for her own gain and had even threatened to unveil Penelope as Lady Whistledown if she did not help her restore her reputation.
Cressida had been forced to leave society after her father took away her dowry, and she did not have enough money to attract a suitor.
She and Joanna moved to the countryside in the hope she would be able to find someone outside of the ton. Thankfully, things seemed to work in her favour and she even reconciled with Eloise.
Penelope gave up Lady Whistledown
After realising she was holding too much power as Lady Whistledown and felt like she was destroying people’s lives, Penelope asked Queen Charlotte’s (Golda Rosheuvel) permission to give up her column.
At first, the Queen refused, saying she enjoyed the gossip too much to see Lady Whistledown buried once and for all.
However, the Queen had a change of heart towards the end of the season, realising she needed to let society live their lives, and allowed Penelope to step down.
Penelope unveiled Lady Whistledown’s final pamphlet at the Queen’s ball, but it transpired it was not the end of the gossiper after all.
As the season concluded, someone else had decided to step up to the plate, although their identity is yet to be revealed.
The Queen set Lady Danbury free
After denying Lady Danbury (Adjoa Andoh) the right to leave society and visit her homeland, the friends were both left in an unhappy place.
However, the Queen eventually learned she could not trap her friend for the sake of her own contentment, and with a nudge from those closest to her, she agreed Lady Danbury could leave.
While Lady Danbury stressed she would not be gone forever, there were a lot of emotional goodbyes as she had forged some priceless friendships over the years.
Fans will have to wait and see whether she appears in season five.
John Stirling died
For those who have read author Julia Quinn’s novels, they will know the ultimate fate of Francesca Bridgerton’s (Hannah Dodd) husband was drawing closer.
After spending some leisure time with his wife and his cousin Michaela (Masali Baduza), John said he wished to have a nap as he had a headache.
He had asked Francesca to wake him, but when Francesca went to stir her husband, he did not respond and she quickly realised he had died in his sleep.
A funeral was held, followed by a celebration of his life at their family home.
While the series does not say how John died, Quinn explains in the books he had a brain aneurysm.
Sophie discovered the truth about her inheritance
Some major revelations came about for Benedict and Sophie after the second Bridgerton son finally realised the maid he had fallen in love with was in fact the Lady in Silver all along.
He made the connection after finding Sophie’s mother’s necklace, which she had lost, and realised the mysterious woman from the ball had been wearing the same piece of jewellery.
Believing Araminta had been lying to Sophie about her inheritance, Benedict urged her to locate her father’s will so she could find out whether Lady Gun was telling the truth.
After locating the will, Sophie learned her father had left equal portions of the dowry to Sophie and Araminta’s two daughters. She was also able to use this to confirm she came from nobility and could therefore marry Benedict without being shunned.
At the Queen’s ball, Benedict and his mother Violet forced Araminta to come to an arrangement with Sophie, so neither of them would need to go to prison.
Araminta’s allegations were dropped and in return, the Bridgerton’s did not reveal she had lied and stolen Sophie’s inheritance.
A post-credit scene saw Sophie and Benedict finally tie the knot after he proposed to her at the Queen’s ball.
Bridgerton season 4 is on Netflix
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The City Section boys’ soccer playoffs are in turmoil.
On Wednesday, City Section commissioner Vicky Lagos announced that Marquez and South East have been removed from the Open Division playoffs because of ineligible players that violated CIF bylaw 600, which bans players from participating in outside leagues during the season of their sport. Both players are involved with MLS Next, a soccer development program.
South East reached the Open Division final after beating Marquez in the semifinals. Marquez was scheduled to face El Camino Real in the final but now is also out. As a result, two schools that were beaten in the first round, Birmingham and Venice, will play Thursday at Birmingham for the right to face El Camino Real at 6 p.m. at Pasadena City College on Saturday for the Open Division title.
But there are more problems. At least four Birmingham players, thinking their season had ended, have already started playing for their club teams, so they won’t be eligible to play for the Patriots on Thursday.
Franklin was also removed from the playoffs, and Chatsworth and L.A. Jordan forfeited games this season for similar reasons.
“It’s a big mess,” Lagos said.
Birmingham athletic director Rick Prizant, whose school is part of the West Valley League, is proposing to change bylaw 600.
“This proves we should get rid of the rule,” he said.
Lagos emphasizes before the season to coaches that players can’t play in club competitions or in showcases during their high school soccer season. Lagos said she doesn’t believe any of the head coaches were aware of the violations. She received an email last week informing her of a possible South East violation and another Monday regarding Marquez.
President Trump headed into Tuesday night’s State of the Union speech projecting confidence in his personal power to “Make America Great Again,” despite the woes he says he’s been saddled with by his Democratic predecessors.
He also stood in a uniquely precarious position — facing some of his lowest approval ratings ever, plummeting support on his signature issue of immigration, unrelenting pressure from the slow rollout of the Epstein files, a sluggish economy, mounting international tensions and looming midterm elections in which Democrats appear poised to make gains, possibly even retaking control in Congress.
Trump remains popular among his base and remarkably infallible in the eyes of his loyalist administration and still commands extraordinary deference from many leaders in his party. Many of his supporters share his confidence and suggest polls showing slipping support are bogus.
“This is what ‘America first’ looks like,” said Paul Dans, former head of the conservative Project 2025 playbook, which Trump has largely adopted. “The last year has been phenomenal. He has done more in one year than most presidents would accomplish in a whole term.”
Nonetheless, political observers see a landscape of vulnerabilities for the second-term president heading into the 2026 elections.
“He stands at a moment of rapidly declining political capital,” said Rob Stutzman, a Republican consultant in California. “From a historical perspective, a president in year six, heading into what looks like a rough midterm, is probably not going to rise any higher again, in terms of their political equity — so he’s probably past his peak of power.”
Trump is in “about as weak a position” as any president heading into a State of the Union address in recent memory, agreed Bob Shrum, a longtime Democratic strategist and director of the Dornsife Center for the Political Future at USC. “I don’t think the country sees Trump as the solution to anything at this point.”
At the same time, however, Trump is not acting like other weakened presidents, Shrum noted.
Instead of taking stock and turning away from unpopular policies, including on immigration and the economy, he is signaling that he simply won’t accept major midterm losses for his party — which leaves the nation in “completely uncharted waters,” Shrum said.
“We have a president who by all traditional standards has been weakened seriously, but who acts as though he had maximum strength,” he said. “We have a president who is deeply unpopular, who by every measure should see his party do very poorly in the midterms, but who seems determined to interfere in the midterm elections in any possible way that he can.”
In the polls
A Washington Post-ABC News-Ipsos poll released Sunday showed 60% of Americans disapprove of Trump’s job performance, with 39% saying they approve. The last time Trump fared so poorly in that poll was shortly after the Jan. 6, 2021, attack on the U.S. Capitol.
A CNN poll by SSRS released Monday found that Trump’s job approval rating stood at 36%, with a 19-point drop in approval among Latinos in the last year, an 18-point drop among Americans younger than 45, and a 15-point drop to just 26% approval among political independents — the lowest it has ever been during either of his terms.
Shrum said such sharp declines in support among Latino and independent voters do not bode well for Trump or for other Republicans on the ballot in November — especially given that the president, who often dismisses polling not in his favor, does not appear inclined to alter his policies.
Dans, who is running for Senate in South Carolina against Republican incumbent Sen. Lindsey Graham, dismissed Trump’s slumping polling numbers as “fake or engineered,” and said if anything, the president should “go full Trump” — doubling down on his agenda.
On immigration
Trump has polled well on immigration in the past. But his heavy-handed crackdown — with Immigration and Customs Enforcement and other federal agents arresting people without criminal records, detaining U.S. citizens and legal immigrants and killing U.S. citizens in Minneapolis — has shifted that. The Washington Post-ABC News-Ipsos poll found 58% of adults disapprove of his handling of immigration.
Stutzman said Trump and his team obviously realize their approach has rubbed voters the wrong way, which is why they recently shuffled the leadership team in Minneapolis. But the broader policy has remained in place and “the numbers are still cratering on them,” he said.
Shrum said that if Trump “were intent on improving his situation, he would change the way ICE behaves, and might put some different faces on the effort that he’s making, and might focus on people who are actually convicted criminals,” but instead, he and other administration officials “seem determined to plow ahead.”
Dans said Trump received “a clear mandate in 2024 with respect to the mass migration, and it was to reverse and end that flow,” and that’s what he’s doing. “Everyone is going back home.”
On Epstein
Trump has repeatedly denied any wrongdoing involving the late disgraced financier and convicted sexual abuser Jeffrey Epstein, a onetime acquaintance. However, questions about Epstein’s ties to Trump and other powerful men have persisted as evidence from multiple investigations into Epstein’s abuses continue to be released.
Republicans in Congress broke with the president and joined Democrats to pass a bill requiring the records’ release last year. Justice Department officials have slow-walked the release by redacting and withholding records, further dragging it out.
The records contained unproven accusations of wrongdoing by Trump, which he has denied. Democrats and Republicans alike have argued more records need to be released.
On the economy
Trump was dealt a blow last week when the U.S. Supreme Court blocked a sweeping set of tariffs he’d imposed on international trading partners.
Trump has said his administration will use other legal authorities to impose similar or even stiffer tariffs, despite polls showing his tariffs are unpopular.
The Washington Post-ABC News-Ipsos poll, which was taken before the court ruling, found that 57% of respondents disapproved of Trump’s managing of the economy, and 64% disapproved of his handling of tariffs.
Dans said that Trump has already tempered inflation and that “the economy is ready to take off like a rocket ship,” especially if Congress gives the president the space to continue rolling out policies aimed at returning jobs to the U.S. that long ago went overseas.
“We’re really focused on reindustrialization,” Dans said. “This isn’t going to happen overnight, but all the building blocks are being put in place.”
Looking ahead
Stutzman said there is already evidence that Trump “doesn’t quite have a grip on Congress” like he used to, given recent votes on the Epstein files and tariffs, and that the conservative-leaning Supreme Court is still willing to rule against him, as it did on his tariffs.
If Democrats win back control in the midterms, Trump will see his influence wane even further as “the next two years turn into a quagmire,” with Democrats stymieing his agenda and launching one investigation after another, Stutzman said.
Dans said people standing in Trump’s way, including in Congress, need to clear out, because they’re “flouting” the will of the electorate. “It’s always about what the people want, and that’s what he’s going to deliver.”
Shrum said Trump trying to avoid losing power by interfering with the vote, including through the handling of mail-in ballots, is a major concern, as is Trump entering the U.S. into an armed conflict overseas in a “Wag the Dog” move — a reference to a 1997 movie of the same name in which an unpopular president uses a foreign war to salvage an election.
However, Shrum said he doesn’t think the latter would actually benefit Trump — “I don’t think that at this point another foreign incursion would make any president more popular” — and that, interference or not, a Republican drubbing in November is likely.
Trump, then, “will just try to govern by executive order,” will get sued and will have his agenda mired in court battles straight through the end of his presidency, Shrum said — a product, in part, of his confident despite all indications, “my way or the highway” approach to governing.
PHOENIX — There are expectations surrounding new Dodgers right fielder Kyle Tucker — not surprising for someone with a four-year, $240-million contract.
But first things first.
“Last year I got one hit in spring [training], so hopefully I get more than that,” Tucker said, sharing a laugh with reporters after grounding out and walking in two plate appearances in his Cactus League debut on Sunday. “So, that’s the goal. But I mean, [I’m] just feeling comfortable.”
In a clubhouse full of superstar players, the feeling seems mutual with his teammates.
“I’m glad he’s with us,” Dodgers catcher Will Smith said, adding: “Yeah, There might be other superstars on this team, but it’s not really anyone’s focus here. It’s all about getting in every day, working hard, helping us win a ballgame that day and working toward the ultimate goal of winning the World Series.”
It was a tale of two seasons for the 29-year-old Tucker in 2025.
Through the first three months of the year, Tucker had the Chicago Cubs’ offense humming, powering the club to a 53-35 start. Entering July, Tucker was batting .291 with a .395 on-base percentage, .931 OPS, 17 home runs, 52 RBIs and 20 stolen bases. Tucker found himself in the middle of the National League MVP discussion as the Cubs sat in first place in the NL Central.
But from July 1 through the end of the season, he batted just .225, posting a .690 OPS, five home runs and 21 RBI, a far cry from his first half that earned him a start in right field in the All-Star Game.
It was later revealed that Tucker sustained a hairline fracture in June, which he played through. In September, he suffered a calf strain, landing him on the injured list.
He finished the season with a .266 batting average and 22 home runs, career lows for him. That did not deter the Dodgers, and it was an easy sell for Tucker as well.
“Every organization is unique in its own sense,” Tucker said. “But this organization obviously the last couple of years has done pretty well, so I think that’s a huge part of the front office and them doing their part and trying to get a great group together. Just great people and great athletes, and then trying to just put the best product out on the field for the city of Los Angeles and the fans. I think they’ve done a pretty good job of that so far. Hopefully, we can keep winning for them.”
Despite what happened last season with Tucker, Dodgers manager Dave Roberts is confident in the newly-signed star.
“For me and the people that I talked to and how he goes about it, there’s nothing negative for me,” Roberts said last week. “I love guys that just come to work and love playing and competing. So, he just wants to win. He’s not a self-promoter; he’s not going to give [the media] a bunch of great soundbites. He wants to play to win, and I love guys like that. So, I’m excited to have him and get to know him even more.”
Tucker missed just under three weeks in the season’s final month. He would not return to the outfield in 2025, manning the designated-hitter spot for the Cubs, whose season ended at the hands of the Brewers in five games in the NL Division Series. Tucker says he felt good all offseason and is feeling even better in the early days of camp with his new team.
“It was a pretty healthy [offseason],” Tucker said. “At the beginning, I might have still been kind of nursing the calf a little bit. But it was kind of feeling pretty good right at the end. I think if we had moved onto the next series, I probably would have gone to the outfield, so I wish I could have gotten out there for that. Overall, in the offseason, I felt pretty healthy, and [feel pretty healthy] going into camp so far.”
Alex Vesia returns to the mound
Dodgers left-hander Alex Vesia made his Cactus League debut in Monday’s 3-0 win over the Seattle Mariners — the first time he’s pitched in a game of any kind since his newborn daughter died last fall.
Entering Monday’s game in the fifth inning to a loud ovation, Vesia struck out one and retired the side in order. He then received a warm greeting by his teammates in the dugout.
“Being around the guys, it’s really been comforting,” Vesia said. “These guys are my brothers, I truly love all of them. It’s meant a lot.”
Dodgers set starting pitchers for the week
Before Monday’s game, Roberts revealed starting pitchers for this week. Gavin Stone will take the mound Tuesday, Roki Sasaki will start Wednesday before Tyler Glasnow makes his first start of the Cactus League Thursday. Yoshinobu Yamamoto will start for the second time Friday, in what will likely be his final start before joining Team Japan for the World Baseball Classic.
Over the last two offseasons, the Dodgers spent a combined $141 million on relief pitchers Edwin Díaz and Tanner Scott, both of whom are expected to make their first spring training appearances later this week.
“I think Tanner and Edwin are going either Wednesday or Thursday in the Cactus League games,” Roberts said. “Those guys, we’ll start to see them this week.”
Kara Braxton, who won two WNBA championships during a 10-year career, has died at age 43.
“It is with profound sadness that we mourn the passing of 2x WNBA Champion Kara Braxton,” the WNBA said in a statement Sunday. “Our thoughts are with her family, friends, and former teammates at this time.”
No cause of death has been given.
Born in Jackson, Mich., along with twin sister Kim, Braxton played high school basketball at Jackson High for one season and at Westview High in Portland, Ore., for three seasons.
Braxton, a 6-foot-6 center-forward, played at the University of Georgia from 2001-2004, earning SEC freshman of the year and first-team all-conference honors in 2002. She averaged 15.4 points and 7.3 rebounds a game during her three seasons with the Bulldogs.
“Rest in peace Kara,” Georgia basketball posted on X.
Braxton was selected by the Detroit Shock at No. 7 overall in the 2005 draft. She spent 5 1/2 seasons with the team, winning the WNBA championship in 2006 and 2008 and earning her only All-Star nod in 2007. She also played for the Phoenix Mercury from 2010-11 and the New York Liberty from 2011-14, finishing with career averages of 7.6 points and 4.7 rebounds a game.
New York Liberty’s Kara Braxton grabs the ball between Indiana Fever’s Tammy Sutton-Brown, left, and Tamika Catchings on Sept. 17, 2011.
(Mel Evans / Associated Press)
“We mourn the loss of Kara Braxton, a former Liberty player whose presence and passion left a lasting impact on our organization and the women’s game,” the Liberty wrote Sunday on X. “Our hearts are with her family, friends, teammates, and all who were touched by her spirit. Her impact will not be forgotten.”
Braxton is survived by her husband Jarvis Jackson and two sons, Jelani Thurman and Jream Jackson.
Thurman, a tight end who played three seasons at Ohio State before transferring to North Carolina last month, posted a number of tributes to his mother on his Instagram Story, including a photo of her kissing him as a baby at a Shock media day photo shoot.
“imma miss my queen,” Thurman wrote to accompany another photo, which appears to show him as an older child wearing his mother’s No. 45 jersey to school.
Thurman also posted video of an interview from around the time Ohio State won the 2024 national championship in which he was asked what lessons he learned from his mother that helped get him to that point.
“Man, she taught me always go hard,” Thurman said. “There’s one goal, you know what you need to go to do.”
Ira Parker intended the very last scene of “A Knight of the Seven Kingdoms,” Episode 6 (titled “The Morrow”), to be just “something that was a little funny.”
Sunday’s season finale of the HBO fantasy series ends with everyone, including the royal Targaryen entourage, departing Ashford after the conclusion of the trial and tournament. Just before the credits roll, Prince Maekar, who notices his young son Aegon is once again missing, frantically shouts, “Where the f— is he?”
“To be honest, the very, very, very end was almost just meant as a joke,” the showrunner says during a recent video call. “But I think people — both in my writing camp and in the HBO camp and probably in the world — took that quite literally. So I’ve maybe had to deal with it a little bit more in Season 2 than I was planning to.”
“A Knight of the Seven Kingdoms” showrunner Ira Parker, right, with director Sarah Adina Smith on the set of the fantasy series.
(Steffan Hill / HBO)
Starring Peter Claffey as Ser Duncan the Tall and Dexter Sol Ansell as Prince Aegon Targaryen, “A Knight of the Seven Kingdoms” is an adaptation of George R.R. Martin novellas set in the same world as his “A Song of Ice and Fire” series. These “Tales of Dunk and Egg” stories take place around 100 years before the events depicted in “Game of Thrones.”
The moment in question could be a big deal for some fans of Martin’s novellas. The scene is not included in “The Hedge Knight,” the book upon which the first season of “A Knight of the Seven Kingdoms” is based. Whether Egg had Maekar’s permission to join Dunk’s travels as his squire is left more open ended in the novella itself.
While the young prince said he had his father’s blessing, “it’s not confirmed canonically” in the book, says Parker. “We haven’t done anything egregious here, I don’t think. [And] I believe it from a character perspective. I believe that Egg would do that again, because he’s already done it. We’ve seen him. He runs away. That’s sort of his thing. And he lies to people.”
Without sharing any details, Parker teases the situation will be addressed again next season.
Dunk (Peter Claffey) in the season finale of “A Knight of the Seven Kingdoms.”
(Steffan Hill / HBO)
The showrunner, who co-created the series with Martin, admits that approaching “The Morrow” was “daunting.” Set in the aftermath of Trial of Seven, Episode 6 involved “a lot of creation” to stretch out the remaining events from the source material.
“Very early on, all of us knew that we weren’t going to add any story,” says Parker, who previously worked on “Thrones” prequel “House of the Dragon.” “The story is the story. We’re going to be 100% faithful to the novellas in that respect. But where we could add, because we needed about another 50% of material in order to fill out even our six 30-minute episodes, was going to be in the characters.”
This has meant the show has spent more time with the very relatable Dunk and his precocious charge Egg. Its supporting ensemble including Lyonel Baratheon (Daniel Ings) and Raymun Fossoway (Shaun Thomas), who give Dunk a helping hand, have also been more fleshed out. This has allowed audiences to just “enjoy hanging out in this world.”
“I wasn’t always convinced that people would allow us to do it,” Parker says. “Hanging out in Westeros. It meant a little bit of a slower start. Luckily, people have come along with us on the ride. … We really just hoped that people would be charmed enough by these characters and the story and want good things for Dunk.”
Like “The Hedge Knight,” the episode concludes by teasing Dunk and Egg’s journey to Dorne, but Parker confirms Season 2 will be an adaptation of the second novella, “The Sworn Sword,” which takes place a year and a half or so after the events of “The Hedge Knight” and sees the pair in a part of the Reach.
“I love ‘The Sworn Sword’ because I think it’s very funny, and I think the sort of ‘will they / won’t they’ between Dunk and Lady Rohanne is just good territory for us,” he says. (Parker said they considered setting Season 2 in Dorne but that it would have taken too much time to flesh out the story even with Martin’s notes.)
In a conversation edited for clarity and length, Parker discussed his collaboration with Martin, every aspect of the show being a reflection of Dunk, and “A Knight of the Nine Kingdoms.”
Lyonel Baratheon (Daniel Ings), left, and Dunk (Peter Claffey) while a maester (Paul Murphy) looks over the injured hedge knight.
(Steffan Hill / HBO)
The show is called “A Knight of the Seven Kingdoms,” but in the finale, Egg points out to Dunk that there are actually nine kingdoms in Westeros. Can you explain that moment and actually showing the alternate title card?
The situation is so overwrought in this episode. With Baelor’s death and with everything that Egg has gone through, which we see him struggling with. Where Dunk’s head is at, going off alone again. The fact that they both get together is wonderful and uplifting, but we sort of had to reassure the audience — that even though Egg is now officially a prince and Dunk knows that, and this tragedy has come to pass between the two of them, the core of that relationship, what we learned to love about their relationship before all of this happened, actually still remains. So that was the importance of having a type of conversation like that. It didn’t necessarily have to be the conversation about the kingdoms, but just Egg, in his way, making sure that Dunk never feels like he knows anything. And it is a wink to the audience and to the fans [who have raised questions about the number], but we’re not changing the name of the show.
You mention Egg’s struggles and we do see just how much anger he has toward his brother Aerion in this episode. What were your thoughts on depicting that onscreen and what it says about Egg?
I talked to George a little bit about Egg and his motivations early on, and George said kids feel disappointment more acutely and that that is a huge part of it. It’s not to be discounted. I don’t want to go out there and say it’s because of Targaryen trauma and everything he’s been through. He’s a boy. Things were happening that were very nice for him that he was very happy about. Then it was all taken away and he blames people. He feels like he’s caused all these problems [for others], and when that doesn’t have a place to land, that’s what turns into anger. It just sort of brews up inside of you.
He sees Aerion as the true cause of all this. At that young age, he doesn’t know how to undirect that. He has some sort of a father there in Maekar. But the fact that he ends up with Dunk, that’s the whole story of Episode 6. Is Dunk, after all this, going to decide to save this kid who is just going to be thrown to the wolves otherwise? Who’s not going to get what he needs to direct his frustration and his disappointments to good energy targets? Kids who have that end up, generally, in better situations than kids who don’t.
It’s very important for me to show the importance of having a mentor in your life. We’re obviously very thematically about fathers and sons, knights and squires, and, to a certain extent brothers. But it is, at the core of it, what it is to have a teacher. Dunk had that in Ser Arlan. Dunk certainly has no obligation to do anything for this family at this point and he does it … because it was done for him. So he’s paying it forward, being a benefit to the person next to him.
Dunk (Peter Claffey) is ready for his next journey.
(Steffan Hill / HBO)
That’s one thing that sets Dunk apart. He’s one of the few people we see in this world who believes in doing good and that that’s what he’s supposed to be doing.
There’s an addition to that, which is that he wants so badly to do good and do right by his mentor who taught him what a knight was supposed to be. But there is this feeling that the world isn’t going to let you do that. We see somebody like Ned Stark, who’s very honorable, [but] probably suffered ultimately from his naivety — his belief in others. Dunk, I think, has one extra level. Or maybe I’m just projecting that onto him because sometimes I think about how to protect myself in this world where not everybody always has the best intentions. You so badly want to do good, but then there’s also the reality of that, and a big part of Dunk’s early journey in this world is learning those lessons.
Maybe that’s just because my head is also stuck in Book Two, where I think that is brought even more to the forefront. But he’s never going to change. He’s always going to be hopeful.
You did a Reddit AMA recently and you responded to someone who had asked about the show’s production budget that everything in this show was a reflection of the lead character. Can you explain what you meant by that?
It’s very chilling at the beginning to realize that you have one [point of view] character, but then when you realize how many facets go into making up that one person — from costumes, cinematography, music, everything — you realize you actually are telling a lot of different stories, just about one person and how they relate to the world. You have to make sure that that is one hell of an immersive experience, because it’s not like you could just have an audience member tune out if they don’t like the Dunk story this week. We had to make you feel in every single episode that you are in that situation, that you can somehow relate to Dunk and what he’s going through. This is because it’s about to get even tougher for him. Hopefully the people who come to us for the light, fun, enjoyable take on Westeros will stick with us through some of the harder, trickier, grimmer moments. Because this is George R.R. Martin’s world, and it gets dangerous.
But it was actually a very nice, natural way for us to differentiate ourselves [from the other shows]. We’re not a prequel. These are novellas that have existed for 30 years. It’s more organic. Rather than being so grand and epic in scale, it’s still small and simple and hopeful. [Dunk’s] still basically just a kid. It’s two kids setting out to have a little bit of fun. There’s got to be some some whimsy about it. That very easily allowed us to find our own voice.
Egg (Dexter Sol Ansell) has a lot of anger for his older brother.
(Steffan Hill / HBO)
How is it like to work with George R.R. Martin?
He has been wonderfully collaborative. It’s been the most fulfilling creative partnership of my whole life. A lot of people can start out in this industry reading your stuff and telling you what they think is wrong without asking you why you did something the way that you did it. Giving you the benefit of the doubt and the conversation jumping off from there, George is very good at that. Whenever he would call me about a new script, we’d talk out what’s in my head in the version of events that led me down this path. And then he talks about why he either did it another way or has issues with it. It becomes a very natural conversation. It’s an extension of a writer’s room with a living legend, one of the greatest living writers in the world today. He just likes talking about this stuff with you, and I like talking about it with him.
What were your earliest conversations with him about “Dunk and Egg” like? Did you already have an idea of how you wanted to do the show before you talked to him?
I swung pretty wildly at the beginning from the point where HBO sent it to me — where I thought “Game of Thrones” shows are 10 episodes, an hourlong each, how could we possibly do that with these three novellas — to finding out what HBO’s intentions were for it, finding out what George’s intentions were for it. Having conversations with George about what he likes, why Dunk is his sole POV character. Why, for example, he never wrote any Egg chapters. He has so many specific thoughts on all of this that that really helped inform what my approach was going to be.
I think it was very important for me to go into that first meeting, when I flew to Santa Fe to meet him, with a mile-high preparation. I knew everything possibly in and around this world and these characters, and I had a lot of pitches, if it came to that. But I didn’t go in there and lead with that. I just went and I sat down and we had conversations. I asked a lot of questions and I listened a lot. And then I went back and I re-formed and I went off and wrote a pilot. Then we were off to the races.
Raymun Fossoway (Shaun Thomas), left, was a true friend to Dunk (Peter Claffey).
(Steffan Hill / HBO)
You worked on “House of the Dragon,” which is such a different show, even though it’s in the same world. How did your time there affect how you wanted to approach this show?
That room was one of my favorite rooms that I’ve ever been in. Ryan Condal is a true writer’s writer. He has so much love for this world. It’s funny because everybody thinks comedy rooms are just so funny all the time, everybody’s cracking jokes, and drama rooms are so serious because of the material. It’s actually often the exact opposite. In drama, because comedy is not currency, everybody’s just cracking jokes all the time. And Ryan has such a sharp wit; we share a very similar sense of humor. I think it was him who put me forward for this to HBO when they were looking for a writer for “Dunk and Egg,” and I’m very grateful.
Our room for “Knight of the Seven Kingdoms” was very different. We hired all drama writers, just people that have different sensibilities. I felt like I was living my very best days. We had 11 days in that writer’s room because the writers’ strike shut us down so quickly, but we knew that that was coming up. So we got going as fast as we possibly could and we broke as much as we could. Then I assigned scripts the very last day. But those 11 days in that room, I think we broke, ultimately, 20 seasons of a show by accident.
We were having so much fun, we were creating it all for the first season. We did it all for six episodes. As soon as we got back from the strike, a few of my writers were just like, “How do you expect us to write 35-minute episodes with these beats to be broken?” We pulled it a lot, lot back from what that was, but writers rooms are the happiest place on Earth, or least lonely place on Earth. It’s not always happy — it’s hard sometimes.
Nicolás Fernández scored on a penalty kick in the second half and New York City FC tied the Galaxy 1-1 in a season opener on Sunday before a sellout crowd of 30,510 at Dignity Health Sports Park.
Newcomer João Klauss needed 90 seconds to win the hearts of Galaxy fans, scoring with assists from Marco Reus and Joseph Paintsil for a 1-0 lead. L.A. worked a cash-for-player trade with St. Louis City to acquire Klauss on a one-year deal, hoping he’ll ease the loss of superstar Riqui Puig for a second straight season after complications from a torn ACL.
Los Angeles maintained the lead until Emiro Garces was sent off the field for a second yellow card, setting up a successful PK for Fernández that tied it in the 66th minute and left the Galaxy a man short. Fernández scored five goals in 19 appearances with L.A. last season.
Novak Micovic did not have a save in his 25th career start for the Galaxy — 20 of them coming last season when the 24-year-old allowed 37 goals.
Matt Freese, the reigning goalkeeper of the year, saved six shots for NYCFC — four in the first half. Freese had eight clean sheets in 31 starts last season on his way to the award.
NYCFC is coming off a loss to eventual MLS Cup champion Inter Miami in the Eastern Conference Final last season.
The Galaxy are hoping to rebound from a disastrous season that saw them endure a league-record 16-match winless streak — one year after beating the New York Red Bulls to win the MLS Cup.
A half dozen little kids have come out of the bleachers seeking high fives from any Palisades High basketball player. Jack Levey, the smallest player on the court, responds to the delight of the fanatics. Receiving recognition and giving back to those rooting for you is among the most memorable parts of the high school sports experience.
Palisades is on the verge of winning its first upper division City Section basketball championship since 1969. The Dolphins will play Cleveland on Friday night at 8 p.m. at L.A. Southwest College for the Open Division title.
Levey, a 5-foot-10 junior guard, is the secret weapon who shows up when the Dolphins’ three stars — freshman Phillip Reed and junior twins EJ and OJ Popoola — need a little help.
“All the attention is on them,” he said. “I’m always open.”
His contribution comes in the form of making three-pointers.
“I practice all the time,” Levey said. “Any time I’m in the gym, I’m shooting threes. That’s why I know if I’m going to play in college, I have to be able to shoot threes.”
If he’s not shooting 400 threes a day at practice, he’s in the backyard at home in Westchester shooting threes on a hoop, with his father feeding him passes.
He has made 103 threes this season. During Palisades’ 71-56 semifinal victory over San Pedro on Saturday night, he stole the ball and was leading the fast break for what looked like could have been a breakaway layup. Instead, he pulled up on the wing and made a three.
“I’m more comfortable shooting a transition three than getting to the basket,” he said. “I feel like a three is a layup.”
Coach Jeff Bryant has given him the green light to pretty much shoot from anywhere. In a game against Westchester this season, he was 11 for 12 from three-point range.
Jack Levey celebrates a big win in the Dolphins’ return to their home court against Western League rival Fairfax.
(Steve Galluzzo / For The Times)
“I couldn’t miss,” he said. “It was so fun. It was the best.”
Other coaches in the Western League know they must pay attention to Levey or suffer the consequences.
“He’s one person we game plan for to limit his looks,” University coach Steve Ackerman said. “He’s an exceptional three-point shooter and has even improved over last season.”
Levey’s journey wasn’t necessarily supposed to turn him into a three-point shooter. Growing up, he was usually the tallest player on his youth team. Then he stopped growing and saw others pass him by. When he entered high school, he had to re-invent himself.
“I thought I was going to be 6-3,” he said. “I have to be able to shoot the ball.”
You’d have to know nothing about basketball these days to fail to guess who his favorite player is.
“Steph Curry,” he said. “That’s my GOAT.”
In a season where the overall talent level in City Section basketball probably reached a new low, the young talent at Palisades provides a starting point to move forward. Reed, the talented freshman, had 29 points Saturday in the semifinals.
And from a fan perspective, waiting for Levey to launch one of his threes offers a moment of excitement and entertainment that even makes little kids look up and put down their video games to see if the ball goes in.
LAFC kicked off the MLS season with a 3-0 statement win over reigning champion Inter Miami at a packed Coliseum on Saturday night, giving new coach Marc Dos Santos his first win.
The matchup featured Miami star Lionel Messi and attracted an announced crowd of 75,673, the second-largest for a regular season game in MLS history and the largest for a season opener.
It was LAFC’s ninth win in season-opening games, another record for the club.
Miami tried to impose its game plan early, with several attacks down the right side of the field, and focused on making Messi the focal point of its attack. However, LAFC controlled possession and by the 12th minute already had generated two clear scoring opportunities through Son Heung-min and Denis Bouanga.
Son had a great chance during a one-on-one matchup against Canadian goalkeeper Dayne St. Clair, who managed to alter the LAFC winger‘s shooting angle and prevent a goal.
After a poor clearance by Miami, Stephen Eustáquio stole the ball and quickly passed to Son, who saw David Martínez running and sent a deep pass for him. Martínez crossed the ball past Clair, with the Venezuelan opening the scoring in the 37th minute to give LAFC a 1-0 lead.
Martínez had a chance to score again during first-half stoppage time when he took advantage of a defensive error on the right side of the field, but this time his shot grazed the visiting goalkeeper’s right post.
Miami responded with an attack, during which Messi had the perfect angle for a shot from the left, but it sailed close to LAFC goalkeeper Hugo Lloris’ top right post and did not reach the back of the net.
In the second half, Miami came out determined to push LAFC back into its own territory by advancing its lines and looking to support Germán Berterame.
Dos Santos’ team played a waiting game, and its patience paid off when it scored its second goal in the 72nd minute. Son was at midfield when he passed back to Mathieu Choinière, who fed Timothy Tillman, who sent a long pass to Bouanga. The French striker took advantage of Clair’s poor clearance by chipping the ball over the goalkeeper’s head to take a 2-0 lead.
When it looked like that would be the final score, Bouanga slipped away down the left wing and, despite defensive pressure, managed to send in a cross that new substitute Nathan Ordaz tapped in to give LAFC a 3-0 lead during second-half stoppage time.
For LAFC, the match marked the beginning of a new era following the departure of coach Steve Cherundolo, who led some of the most successful chapters in the club’s history, including its first MLS Cup title in 2022.
LAFC opted to maintain continuity under Dos Santos, who was promoted from the assistant coaching ranks following Cherundolo’s exit at the end of last season.
Miami arrived in Los Angeles as the team to beat, with high morale and ambition to defend its title.
The club has had historic seasons, including combined scoring records in the regular season and playoffs, and has consolidated its project with world-renowned figures who have transformed its impact on and off the field.
Under the leadership of coach Javier Mascherano, Miami faces a new season with a mix of experience and youth.
The presence of Messi — who won most valuable player awards and the Golden Boot last year — remains the focus of media and competitive attention for the club.
A season of frustratingly unfortunate events for USC had led here, to this nightmarish crescendo at the one-minute mark Saturday, in a must-win matchup.
Through a roller-coaster afternoon, the Trojans had navigated one wave after another, riding several hot streaks and surviving the cold ones, knowing full well that their NCAA tournament hopes hinged on a win over Oregon, one of the Big Ten’s worst teams.
All that stress seemed to subside as USC took a six-point lead with 70 seconds remaining. Any rational onlooker would assume that the Trojans had held on for good, dispatching of the Ducks.
But then Oregon scored on a layup. It stole the ball back. And it hit a three-pointer.
USC coach Eric Musselman reacts after a play during the Trojans’ loss to Oregon Saturday at the Galen Center.
(Damian Dovarganes / Associated Press)
USC clung to a one-point lead as freshman Alijah Arenas stepped back for a jumper that clanged away. Kam Woods missed a tip. Then, Oregon got the ball back and drew a foul.
Two free throws from Oregon’s Nate Bittle dealt USC one final, unbelievable blow to their Saturday — and perhaps their season — handing the Trojans a devastating 71-70 loss.
Their hopes of making the NCAA tournament aren’t necessarily dead as of Saturday. Four games still remain for the Trojans to build their case before the Big Ten tournament. But two of those come against UCLA and another against Nebraska, one of the best teams in the Big Ten this season.
USC had hoped Chad Baker-Mazara‘s return from injury would help lift them to a victory Saturday. Baker-Mazara led all scorers with 21, but he also fouled out late, during that final possession.
Arenas struggled most of the afternoon, before scoring 11 in the second half. But it was his turnover in the final seconds that ultimately handed Oregon the win
Baker-Mazara hadn’t played since the beginning of February, and in back-to-back losses to Illinois and Ohio State, the Trojans undoubtedly missed his spark. If not for a late game winner in State College from Arenas, they would’ve dropped all three games played without Baker-Mazara.
The circumstances ultimately left USC in a must-win scenario Saturday, if it hoped to continue clinging to the edge of the NCAA tournament bubble. Oregon had, on the other hand, spent most of the season in the Big Ten cellar. It entered Saturday’s matinee with losses in 11 of its last 12 games.
There was no such urgency in Baker-Mazara upon his return. The sixth-year senior sang and danced his way through warm-ups, before opening the game on a stationary bike in the corner of the arena.
But upon checking in, he jolted the Trojans offense to life with 13 straight points.
The boost Baker-Mazara provided eventually ran out of gas. USC hit just three of its final 14 shots before halftime, and Oregon stormed out in front.
The Ducks did the same in the second half, albeit in much more devastating fashion, leaving USC with a much harder road ahead.
New UCLA coach Bob Chesney will direct his first football season in a historic venue the Bruins have long called home.
UCLA announced on Saturday that the Bruins will play the 2026 season at the Rose Bowl amid ongoing litigation of the university’s right to potentially break its lease and play home games at SoFi Stadium.
“We know how much game day means to Bruins — to our students, alumni and fans who plan their autumn around Saturdays together,” UCLA vice chancellor for strategic communications Mary Osako said in a statement. “Our priority is delivering a strong season experience for our student-athletes and our community, and we have great momentum in our football program.
“During this unprecedented time in college athletics, UCLA will always be guided by what’s best for our student-athletes and the Bruin community.”
The California Post was the first to report UCLA’s decision to play another season at the Rose Bowl.
While the lawsuit states UCLA has formally notified the Rose Bowl that it is “moving on” and that “there’s no way we’re staying long term,” the school has never publicly announced plans to move its home games to SoFi Stadium.
“While we continue to evaluate the long-term arrangement for UCLA football home games, no decision has been made,” Osako said in a statement to The Times in October.
After a judge denied UCLA’s request to settle its legal dispute with the Rose Bowl operators and city of Pasadena via arbitration, it seemed unlikely the legal issues would be resolved in time for UCLA play the 2026 season anywhere but the Rose Bowl.
The city of Pasadena and the Rose Bowl Operating Co. filed a lawsuit in October to force UCLA to honor its contract and play games at the stadium through the 2044 season.
The complaint and subsequent filings have alleged that the university has been working to play its home games at SoFi Stadium, calling the move “a profound betrayal of trust.” Rose Bowl officials have since added SoFi Stadium and its operator, Kroenke Sports, to the lawsuit.
UCLA’s lease runs through June 30, 2044, and Pasadena officials say taxpayers have invested more than $150 million in stadium renovations while recently refinancing an additional $130 million in bonds for capital improvements.
The iconic Rose Bowl opened in 1922, is a national historic landmark and boasts ample tailgating opportunities, but some fans have complained about the aging venue’s uncomfortable seating and lack of modern amenities.
The next hearing in the case is scheduled for Friday as it proceeds toward trial.
Welcome to Screen Gab, the newsletter for everyone who is feeling mighty nostalgic about the ’90s and early aughts.
On Thursday night, we learned that Eric Dane died at 53 after a battle with ALS, also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease. The actor was known for his mid-2000s role on ABC’s medical drama “Grey’s Anatomy,” where he earned the moniker “McSteamy” as Dr. Mark Sloan, a plastic surgeon. Coincidentally, yesterday marked the 20th anniversary of his first appearance on “Grey’s.” More recently, he appeared in HBO’s teen drama “Euphoria” as Cal Jacobs, a very complex father to Nate (Jacob Elordi), one of the central characters. The actor will appear posthumously in the show’s third season when it returns in April. Dane remained busy in the past couple of years, having also appeared in the one-season action series “Countdown” on Prime Video and in an episode of ABC’s “Brilliant Minds.” If you want to go further on Dane, Netflix announced this morning that an episode of the docuseries “Famous Last Words” featuring the actor was available. The show consists of an interview with a notable subject, and is only released posthumously.
If you want another trip down memory lane, last week saw the arrival of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette,” which takes a closer look at the famous couple who unexpectedly met a tragic end. The show fully immerses you in the culture of New York in the ’90s, complete with Calvin Klein ads, tabloid magazines with zany headlines and partying at the Roxy nightclub. Connor Hines, the creator of “Love Story,” spoke to us about the show, which you can read below.
Also in this week’s Screen Gab, we recommend an Irish series on Netflix from the creator of “Derry Girls” and another nostalgic docuseries about “America’s Next Top Model.”
ICYMI
Must-read stories you might have missed
Grace Van Patten and Jackson White of “Tell Me Lies” at American Quick Start & Gas Inc. in Brooklyn, N.Y.
Recommendations from the film and TV experts at The Times
Bronagh Gallagher, back left, as Booker, Shauna Bray as Midwife, Saoirse-Monica Jackson as Feeney in “How To Get To Heaven From Belfast.”
(Christopher Barr / Netflix)
“How to Get to Heaven From Belfast” (Netflix)
Lisa McGee, whose “Derry Girls” was the toast of 2018, returns with another comedy of Irish women in a mad place. Three friends since school travel to a one-taxi, one-hotel town for the wake of an estranged fourth: Saoirse (Roisin Gallagher), an award-winning television writer who can’t seem to keep her engagement ring on her finger; Robyn (Sinéad Keenan), a busy, bored rich wife and mother; and Dara (Caoilfhionn Dunne), who has been stuck, or has stuck herself, caring for her mother. All share a dark secret they hope to keep buried, but which has begun to poke its head above ground. What, and who, they find, and don’t find, kicks off a manic mystery, served with a side of car trouble, hangovers, a storm, a blackout, oddball supporting characters and a little romance, not necessarily in that order, with sharp, funny dialogue driving it along. And that’s just the beginning. — Robert Lloyd
A still of “America’s Next Top Model” contestants, clockwise from far left, Nicole Panattoni, Adrianne Curry, Elyse Sewell, Kesse Wallace, Robbyne Manning, Giselle Samson, Shannon Stewart and Ebony Haith as featured in “Reality Check: Inside America’s Next Top Model.”
(Courtesy of Netflix)
“Reality Check: America’s Next Top Model” (Netflix)
“We were all rooting for you!” was the cry heard ‘round the world from Tyra Banks, the host and creator of the reality TV series that aimed to find the next fresh face of magazine covers and fashion runways. But viewers learn in this docuseries that what we saw on screen didn’t tell the whole story. From allegations of sexual assault to discord among the judges, “America’s Next Top Model” had a lot of problems, many of them relating to the fact that a show like it hadn’t been done and producers were inexperienced in handling serious issues on set. “Reality Check” features candid interviews with former contestants including Shandi Sullivan, Keenyah Hill, Tiffany Richardson (recipient of that famous “rooting” speech) and Banks herself. — Maira Garcia
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Sarah Pidgeon as Carolyn Bessette Kennedy and Paul Kelly as John F. Kennedy Jr. in “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”
(FX)
The latest anthology series produced by Ryan Murphy dramatizes the true-life romance between John F. Kennedy Jr. and Carolyn Bessette that gripped the culture in the ’90s. Nearly three decades after their tragic deaths, FX’s “Love Story” revisits the tumultuous seven-year relationship between the pair. JFK Jr. (Paul Anthony Kelly) spent his life navigating the public spotlight as the son and namesake of an assassinated (and beloved) president, and Bessette (Sarah Pidgeon) was a publicist working at Calvin Klein. Inspired by Elizabeth Beller’s book “One Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” the nine-episode series chronicles the couple’s whirlwind romance and their struggle to maintain their relationship under intense media scrutiny before their deaths in a 1999 plane crash. The first four episodes are streaming now on Hulu and Disney+, with new episodes released weekly on Thursdays. Connor Hines, who created the series, stopped by Guest Spot to discuss what intrigued him about the couple’s plight and the early aughts rom-com that he admires. — Yvonne Villarreal
You were a child when the love story of John F. Kennedy Jr. and Carolyn Bessette — as well as that fateful flight — generated intense media attention. What do you remember about their story? What stood out then?
My father commuted into Manhattan every day for work and always brought home the New York Post. I have vivid memories of seeing photos of them splashed across the cover. I knew about the Kennedy family, of course, but I couldn’t fully grasp the choke hold John F. Kennedy Jr. had on the country at the time. The scale of the fascination was something I only truly understood later.
Why does this story feel worth revisiting now? And did any modern couples in the spotlight become reference points as you unpacked questions about public fascination while weaving together this story?
We’re living in an attention economy, so a couple beset by obsession and scrutiny feels especially resonant right now. There are, unfortunately, far too many examples of women who marry high-profile figures only to be harangued for expressing anything other than gratitude and graciousness. That dynamic hasn’t disappeared — it’s simply evolved.
The series grapples with the media invasion that swirled around them. Some critics contend that dramatizing their story for television reignites it. How do you see it? And how did that inform your approach to telling this story?
They’ve been memorialized as these beautiful, one-dimensional fashion figures whose marriage buckled under immense pressure. The series felt like an opportunity to course-correct a dated and misogynistic narrative, especially surrounding Carolyn — and to add dimension to two people who were far more complex than the images and tabloid stories written about them.
You seemingly had a lot of material to draw from and public moments in their relationship timeline to focus on. What was a moment that most fascinated you?
I was personally drawn to Carolyn’s rich life before she became a public figure. She was incredibly sharp, savvy and dynamic — she ascended from folding sweaters at a Calvin Klein store in the mall to becoming a muse and trusted advisor to Calvin Klein himself. I don’t think people fully appreciate how much she gave up to be with John.
What have you watched recently that you are recommending to everyone you know?
“Dying for Sex” [Hulu, Disney+]. “Adolescence” [Netflix].
What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?
“Something’s Gotta Give” [Tubi], or anything by Nora Ephron. I’m also an unapologetic champion of the Bravo network.
With a lineup that goes nine deep, Sierra Canyon’s boys’ basketball team has won 25 of 26 games this season, and about the only way the Trailblazers are going to be a denied Southern Section Open Division and state championships is if a fellow Mission League team can beat them.
At least one thing is certain about the playoffs — the Mission League is tops. Three of the four teams that reached the Open Division semifinals are from the Mission League, setting up semifinals Tuesday that will feature Sherman Oaks Notre Dame at Sierra Canyon and surprising La Mirada at Harvard-Westlake.
“It continues to show that the Mission League is one of the toughest leagues in the country,” Harvard-Westlake coach David Rebibo said. “It pays to be in a quality league.”
First up for everyone is figuring out Sierra Canyon.
“I love the options,” Sierra Canyon coach Andre Chevalier said of his team’s depth after a 70-47 blowout of Santa Margarita on Friday night in a quarterfinal between the top-seeded Trailblazers and the No. 2-seeded Eagles (27-5), according to the Southern Section’s computer power rankings.
Santa Margarita never had a chance. The Eagles missed numerous three-point attempts, while Sierra Canyon was finding different players to contribute. Nine players scored for Sierra Canyon, with Brandon McCoy getting 17 points and nine rebounds, Brannon Martinsen scoring 13 points and Maxi Adams 11. McCoy and Adams are McDonald’s All-Americans, but it’s the Trailblazers’ depth that is coming through during a long season that still has three weeks left.
Sophomore guard JJ Sati-Grier, a transfer from North Carolina, suddenly has earned playing time and had four baskets. Sophomore guard Josh Lowery had seven points.
During the second half when a Sierra Canyon player took an ill-advised shot, Chevalier shouted out, “What are you doing?” The player found himself immediately on the bench. Another player came in to contribute. If the Trailblazers keep finding so many players to deliver baskets, that’s tough to overcome.
“Our depth is going to get us over the top,” Chevalier said.
Notre Dame and Sierra Canyon finally will get to play their Mission League title game that was supposed to tip off two weeks ago but canceled because of a student’s death.
The biggest upset was La Mirada taking down No. 3-seeded Redondo Union on the road, 73-70. Gene Roebuck fouled out early in the fourth quarter but still scored 19 points. Cisco Munoz had 17 points, Tristan Partida 15 and King-Riley Owens 10. The Matadores made the Open Division playoffs last season but didn’t qualify for the state playoffs. Now they are one win away from playing for a section title.
Harvard-Westlake built a 10-point halftime lead but had to hold on against Mission League rival Crespi at home, 49-46. Joe Sterling finished with 15 points and Pierce Thompson 13.
Sherman Oaks Notre Dame defeated Corona Centennial 59-56. NaVorro Bowman Jr. scored 23 points, and Zach White had 13 points and 10 rebounds.
“It’s testament to the quality of the coaching, the quality of the players,” Notre Dame coach Matt Sargeant said of the league’s success.
JSerra 105, Inglewood 91: The Lions made it to the Southern Section Division 1 final. Jaden Bailes scored 33 points, and Ryan Doane had 32 points and 18 rebounds. Jason Crowe Jr. finished with 37 points for Inglewood. JSerra will face top-seeded Crean Lutheran, a 67-55 winner over Rancho Christian.
Hesperia 54, Mater Dei 49: Hesperia moved on to the Division 2 final.
Sylmar 93, Marquez 75: Aiden Garcia scored 26 point as the Spartans advanced to the City Section Division II championship game, where they will play King/Drew, which defeated Bravo 72-44. Wayne Chamberlain had 20 points, 10 rebounds and five blocks.
Chatsworth 53, Venice 51 (OT): The Chancellors made it to the City Section Division I final with an overtime win in the semifinals. They will face top-seeded and fellow West Valley League rival Granada Hills, a 48-30 winner over L.A. Jordan.
They are the core of the Lakers, the engines that make this team go, but health issues have prevented them from playing together for far too much of the 2025-26 campaign.
During their first game since the NBA All-Star break, Doncic, Reaves and James carried the the Lakers to a 125-122 win over the Clippers Friday night at Crypto.com Arena.
Doncic had 38 points, 11 assists and six rebounds.
Lakers guard Austin Reaves celebrates after Clippers guard Bennedict Mathurin (9) was called for an offensive foul Friday at Crypto.com Arena.
(Gina Ferazzi/Los Angeles Times)
Reaves had 29 points, six assists and made a big defensive play late in the game.
And James had 13 points and 11 assists, his fifth straight game with 10 or more assists.
Up 118-115 with 1:49 left, Reaves took drew a charge on Bennedict Mathurin, the Clipper’s sixth foul that sent him to the bench with 26 points.
Still, the Lakers didn’t escape until Doncic made two free throws with 21.2 seconds left to give the Lakers a five-point lead that barely stood.
With a 125-122 lead and the ball, James threw a dangerous cross-court pass intended for Doncic that Nicolas Batum instead stole.
But Batum missed a potential game-tying three-pointer and James got the rebound to secure the win.
The Lakers put two defenders on Kawhi Leonard, double teaming the Clippers’ best offensive weapon, keeping a crowd of defenders around him, especially when they employed their zone defense.
Leonard was giving it to the Lakers, but he left late in the fourth quarter with left ankle soreness, departing with 31 points on 11-for-19 shooting.
Lakers coach JJ Redick said pre-game that Leonard is back to being a force on both sides of the basketball.
That’s why so much of the Lakers’ gameplan centered around trying to slow down Leonard, who is eighth in the NBA in scoring (27.8) and tied for first in steals (2.0).
“He’s more consistently taking the tougher assignments right now, and he’s back to being just an elite two-way player on both ends of the floor,” Redick said. “And you know, he’s playing as well as anybody in the NBA right now for the last two months, whatever the starting point would be, but it really is on both sides of the ball.”
Leonard is a primary reason why the Clippers are still rolling despite having traded away two key pieces in guard James Harden and center Ivicia Zubac.
The Clippers started the season 6-21, looking nothing like a playoff team.
But then they beat the Lakers on Dec. 20 and that got the Clippers rolling to a 21-7 stretch entering Friday night’s game, a two-month period that saw them get to one game under .500.
Clippers coach Tyronn Lue said none of the Clippers ever gave up on the season, adding they were always “playing to win” no matter whether they had “young, old, toddlers” on the court.
“I just feel confident,” Lue said. “I just feel confident in our players, confident in our coaching staff and I just feel confident in the environment and the culture that we’ve set. Why wouldn’t we want to play to win? That’s our mindset. That’s my mindset every single night. As tough as it may be or you start 6-21 whatever it may be, you’re playing to win. So, we make it to the playoffs and anything can happen. So our goal is to make it to the playoffs. I don’t know why somebody would scoff at that.”
MILAN — She flipped her hair. She shrugged. She dusted her hands off.
Alysa Liu makes winning an Olympic gold medal look easy.
The 20-year-old became the first U.S. woman to win the Olympic singles title since 2002, electrifying the crowd at Milano Ice Skating Arena with her “MacArthur Park” program Thursday and overtaking Japanese rivals Kaori Sakamoto and Ami Nakai, who won second and third, respectively.
Liu scored a monster 150.20 points in her free skate, the highest mark for a women’s free skate all season in international competition to win by a total of 1.89 points. Her choreographer Massimo Scali’s jaw dropped when he heard the score read in Italian. A beat later when the screen caught up to the public address announcement in the stadium, Liu nodded confidently and cracked a subtle smirk.
American gold medalist Alysa Liu hugs Japanese bronze medalist Ami Nakai after their final scores were revealed at the Winter Olympics on Thursday in Milan.
(Jamie Squire / Getty Images)
She doesn’t care about the scores.
Liu, who grew up in Oakland, has floated through her second Olympics as if she had not a single care in the world. A two-year retirement during which she climbed Mt. Everest, got her driver’s license and started college at UCLA made skating feel inconsequential. Now so unbothered, Liu spent part of her six-minute warmup cheering on teammate Amber Glenn in the leader’s chair. Minutes before taking the ice, Liu snapped a selfie with her coaches. She gives her coaches a high-five right before taking her starting position.
“She’s not like us,” her coach Phillip Diguglielmo said. “The rest of us here would be like, ‘Oh my God, I’m nervous. Oh, I can’t do this. I have a million voices in my head.’ She has one voice in her head, and it says, ‘I got this.’”
The only emotions Liu felt during her program were “calm, happy and confident.” When she sees the faces in the crowd smile, Liu said she can’t help but smile, too. And there was a lot of smiling. Her Donna Summer disco program had fans clapping within the first minute. Diguglielmo and Scali held their hands overhead to join the roar. Liu’s pre-program message to the crowd on the video board was “Y’all better turn up!”
Liu, who won the 2025 world championship with the same crowd-pleasing program, returned to the sport in 2024 with the sole objective of sharing her art. She wanted to make as many programs as possible. Winning never seemed to matter. With the gold medal hanging around her neck, Liu stopped short of saying she even wanted it. She surely didn’t need it, she said.
“What I needed was the stage,” Liu said. “And I got that.”
Once Liu processed the final scores, she rose to her feet and turned toward Nakai, clapping for the 17-year-old. Nakai, skating in her first Olympics, was shocked. She held up three fingers to Liu, asking if she had finished on the podium. Overjoyed, they hugged. Liu picked Nakai, who had entered the free skate in first place, up off the ground.
Sakamoto was less than a point ahead of Liu entering Thursday’s free skate, but small mistakes from the three-time world champion, in addition to Liu’s strong technique and infectious energy made Liu the first U.S. woman to win the Olympic gold medal since Sarah Hughes in 2002. The United States’ 20-year drought without a medal — since Sasha Cohen took silver in 2006 — was the country’s longest.
Liu held her palms up in disbelief after finishing the program of her life that put her in the lead with two competitors remaining. She leaned into the camera and pointed to the piercing on the inside of her upper lip. She did it herself.
With blond horizontal stripes dyed in her dark brown hair, bold black eyeliner and the smiley lip piercing, Liu has cut an alternative path to the top of a sport that long valued a specific kind of femininity. But the slick back bun, classical music and balletic dress was not Liu’s brand.
Her brand is joy.
And now as just the second figure skater in history to win two Olympic gold medals at the same Olympic Games — joining U.S. star Nathan Chen — Liu has the stage, and the attention, to display her joy for the next generation of athletes.
“People will be able to see how she approaches the sport now versus before and see how much more successful it is now in a healthy way,” Glenn said. “And I’m hoping people can really learn from that.”
Glenn got redemption after the short program, putting up a season’s best 147.52 during her free skate that vaulted her from 13th to fifth with a 214.91 total score. The only blemish was when Glenn put one hand down on her final jump — the same triple loop that cost her in her short program. But as she held one leg behind her during a spiral in her last sequence, Glenn smiled as she looked into the crowd. After the program, she whipped her fist through the air triumphantly.
The performance put a positive punctuation mark on Glenn’s winding Olympic journey. She has faced intense scrutiny at the Games. The same pressure that consumed Glenn and teammate Ilia Malinin could not even touch Liu’s glowing aura.
When asked Thursday if she felt any “Olympic pressure,” Liu smiled.
“You would have to explain what Olympic pressure is,” she said.
Then she bounced away, the gold medal around her neck blending perfectly with her gold dress.
Known for producing first-round draft picks as pitchers, Harvard-Westlake has assembled a group of hitters this season that look capable of producing lots of offense after a 15-1 season-opening five-inning win over Southlake (Texas) Carroll on Thursday at O’Malley Family Field.
Just look at the first five hitters in the lineup: Shortstop James Tronstein is headed to Vanderbilt; outfielder Ethan Price is committed to Santa Clara; center fielder Ira Rootman is a Texas commit; freshman third baseman Louis Lappe is the Little League star from El Segundo; designated hitter Jake Kim is a UCLA commit.
Freshman Louis Lappe of Harvard-Westlake got an RBI double in his first high school at-bat on a 3-and-2 count.
(Craig Weston)
Kim led the Mission League in home runs as a sophomore with seven and hit his first home run of 2026 to right field with a little help from the wind on Thursday. Rootman hit a ball so far over the left-field fence for a three-run home that it might have gone out of a big-league stadium. Lappe, in his first high school at-bat, delivered an RBI double.
“It was cool,” Lappe said. “A lot of pressure came off. I got that weight off my shoulders.”
The Wolverines have been focused on getting stronger in the weight room and no one has benefited more than Rootman, a junior who added 10 pounds and can’t wait to see how his improved strength is going make him a better hitter.
As for first impressions of Lappe, Rootman said, “I think he’s a very special kid and has so much talent it’s unbelievable.”
Justin Kirchner struck out nine in four innings. He’s a junior committed to Yale.
Boys soccer
El Camino Real 1, Palisades 0: Defending champion El Camino Real advanced to the City Section Open Division championship game with a victory in overtime. Jayden de la Cruz scored the overtime goal. El Camino Real will face the winner of Friday’s semifinal between South East and Marquez.
The Lakers had just completed practice Thursday with a full and healthy squad when Luka Doncic strolled over to speak with the media.
Doncic had played only five minutes Sunday for Team World in the All-Star Game because of a lingering left hamstring strain. He had missed the previous four Lakers games.
With the Lakers scheduled to start the post-All-Star break against the Clippers on Friday night at Crypto.com Arena, Doncic was asked if he was playing in that game.
“Probably,” he said. “We’ll see. I got to talk to people.”
Since Doncic did practice, he was asked how he was doing and how his hamstring felt.
“I’m good,” he said. “Feeling good.”
But, Doncic was told, he did play in the All-Star Game, even if it was limited time.
“Five minutes. I was on minutes restriction,” Doncic joked.
Lakers coach JJ Redick was the first to speak to the media after practice, his time away from the game leaving him fresh and ready to go.
He was asked if Austin Reaves, who had been on a restriction of about 25 minutes after returning from a 19-game because of a left calf strain, would still be on a minutes restriction and if Doncic would be available for the game against the Clippers.
“Austin won’t have a minutes restriction,” Redick said, “and as of 35 to 45 seconds ago, we’ll have everybody available tomorrow.”
Injuries have been a common thread for the Lakers this season.
Lakers guard Austin Reaves sits on the scorer’s table before entering a game against the Mavericks earlier this month. His minutes restriction since returning from a calf injury has been lifted.
(Gina Ferazzi / Los Angeles Times)
It started at the beginning of the season, when LeBron James missed 14 games because of sciatica. He has recently dealt with left foot arthritis that kept him out of a game.
Center Deandre Ayton missed the last two games with right knee soreness.
“Well, there’s only so much you can control. I mean, you know, as a coach, you have zero control in that. As a player, you know what you do to prepare, and what you do to recover can give you some level of control, but ultimately, the basketball Gods in the game are going to dictate health,” Redick said. “It’s funny, we were talking before the season about building continuity with those three guys, and we’ve had them available together for 10 games. So it’s just the situation we’re in.
“Not the only team that has had a bunch of health issues throughout the season and had to manage that. But I think … my messaging this morning to the players was this is going to be a sprint, these last 28 games. It’s another segment of the season where, starting tomorrow, we won’t have more than a day between games until the end of March. So, we’ve got an opportunity to, I think, play our best basketball after the All-Star break. We’ve got a number of indicators on both sides of the ball that we’re doing some things that are trending in the right direction. And I think it’s coming at a good time, as we’re getting fully healthy.”
Doncic, James and Reaves have played just 10 games together because of health issues.
As a trio, they have combined to average 80.2 points per game, led by Doncic’s NBA-best 32.8 points per game. Reaves is averaging 25.4 points and James 22.0.
Reaves said it is “very important” that the three of them get reps together.
“You have those games from last year, but obviously you still have a learning curve of how to play alongside one another and that’s with everybody else on the team as well,” Reaves said. “Continuing to build that continuity and confidence in every single position. We’re locked in with the five guys on the court. So, very excited.
“I think you can tell throughout the season, even with the unfortunate injuries and stuff, we’ve done a good job of maintaining it. We’re fifth in the West, on pace for a good record and just getting healthy is going to continue to help that. So it’ll be fun to see what that looks like and get to work.”
The Lakers
play four games next week, all against opponents with winning records that are jockeying for position in the playoff race.
So, Thursday’s practice was a good start for the Lakers to get back in gear.
“We only got one practice in so we’re not going to get a lot out of one practice,” Doncic said. “But we definitely like to get up and down a little bit after one week off. So, it was good.”
“He will be in the MVP conversation this year,” Roberts said this week. “But again, I think, speaking for Mookie, his main goal is to help us win a championship. So, I think whatever falls out from there, I think that will happen. I just want him to focus on just being healthy, helping us win, and then whatever happens outside of that, will happen.”
Coming off a season that got off on the wrong foot with a stomach virus that caused him to lose 20 pounds and then saw him set career lows for batting average (.258), on-base percentage (.326) and OPS (.732), Betts is eager to move forward. And with a more typical spring training timeline this year — unlike the previous two years when season-opening games in South Korea and Japan sped up preparations — Betts can ease into his seventh season with the Dodgers.
“I haven’t had a regular spring maybe since I’ve been a Dodger,” said Betts, who also won’t be participating in the World Baseball Classic as he did in 2023. “I just know that, being 33 now, I don’t have to hurry up and get here, and be ready to play from day one. So, I can just kind of embrace that. Not everybody’s blessed to have that, so being that I am one of the ones that’s blessed with that, I’ll see what I can make of it.”
One thing that’s not in question for Betts heading into the season: his shortstop play. Despite the nearly unprecedented shift from the outfield to the infield, Betts played 148 games at short last season and was a Gold Glove Award finalist. The work he put in to learn a new position raised questions about whether that was a root cause of his hitting struggles, a point he granted some credence to late last season.
Betts did pick up the pace late in the season, batting .317 and nearly doubling his home run total from 11 to 20 over his final 47 games. But he slumped in the NLCS and World Series, batting a combined .136 and was eventually dropped from second to third in the batting order for Game 5 against the Toronto Blue Jays, then fourth for Games 6 and 7.
Roberts said this week that he intends to slot Betts third in the batting order this season, with Shohei Ohtani still in the leadoff spot. (He added that Freddie Freeman, Will Smith and newcomer Kyle Tucker are all in play for the second and fourth spots in the order.)
“I like [Betts] in the number three in the sense that there’s an on-base component, there’s a ‘get hits’ component, there’s a drive-in-runs component, and you’re more of a Swiss Army knife in the lineup,” Roberts said. “So, I’m not beholden to it, but I like him in the three-hole right now.”
And as a result, Roberts feels bullish about Betts this season.
“I think he had a great offseason,” Roberts said. “He’s in a good headspace. The body’s good, and I think for me, it’s just getting back to being who he is. I just think that last year was an outlier offensive season, and I’m not too concerned about Mookie at all.”
Yoshinobu Yamamoto to start Cactus League opener
Roberts announced Thursday that World Series MVP Yoshinobu Yamamoto will start the Dodgers’ first spring training game Saturday against the Angels at Tempe Diablo Stadium. He did not share how many pitches or innings Yamamoto expects to throw, but he did state that it will likely be Yamamoto’s only Cactus League start before departing to play for Team Japan in the World Baseball Classic.
Roberts also revealed what players may start Saturday’s Cactus League opener.
“I would expect Will Smith to be in there,” Roberts said. “I expect [Teoscar Hernández] in there, and probably Andy [Pages]. I think that’s safe, and then we’ll go from there.”
Roberts plans to hold other veteran players until next week.
“Guys like Mookie and Muncy, I’m going to start those guys a little bit later than this weekend and see where we go,” Roberts said. “Once they get going, then we’ll stagger and give them the ample time in-between. I’ve got to appreciate that it’s a longer spring. So, if they’re going to be here for six weeks, then I don’t want to kind of come in too hot, I want to pace them out a little bit.”
Freeman said Thursday that he will not play in the Dodgers’ first three spring training games.
“I feel good, I’m ready to go, but we are going to slow-play it a little bit,” Freeman said. “I won’t play until I think Tuesday, so the fourth game, and then I’ll get going.”
Jared Grindlinger, considered one of the top high school baseball prospects from the class of 2027, is reclassifying and will graduate as part of this year’s class, making him eligible for the 2026 amateur draft, Huntington Beach coach Benji Medure confirmed on Thursday.
Grindlinger is a left-handed 16-year-old pitcher who throws 93 to 95 mph. His brother, Trent, is a freshman at Tennessee, so that option of joining his brother at the end of this season is also possible. He’s uncommitted, but his decision to graduate this spring will add another top pitching talent for pro scouts to evaluate.
Medure said he was already receiving numerous calls on Thursday after word became known, and increased scrutiny is something with which Grindlinger will have to deal.
Loyola coach Keith Ramsey on Huntington Beach Junior pitcher Jared Grindlinger: “He’s one of the best arms I’ve seen coaching high school baseball.”
The final episode of Grantchester’s tenth season is set to air tonight, with another show set to replace it.
ITV’s ‘Grantchester’ returns to our screens for a seventh series
The tenth season of Grantchester has been delighting ITV viewers over recent weeks, but it’s set to come to an end tonight (Thursday, February 19).
The British crime drama was first broadcast in 2014 and followed Anglican vicar Sidney Chambers (James Norton), who investigated a series of mysterious wrongdoings in his small Cambridgeshire village. Sidney undertook his sleuthing adventures alongside Detective Inspector Geordie Keating (Robson Green).
Geordie and Alphy embarked on several new investigations when the show returned to ITV for its tenth season last month. As well as solving cases, there have also been some emotional revelations, including Alphy tearfully reading a letter written by his mother when she gave him up for adoption.
The heartbreaking scenes left viewers in tears, with one person writing on X (formerly Twitter): “What another brilliant, heartbreaking and heartwarming episode of #Grantchester. Top performances from all the cast. I’m absolutely broken.”
Another added: “I’m in absolute bits. Absolutely broke me,” while others have praised the cast’s compelling performances.
“Once again, Robson Green knocking it out of the park tonight,” one person wrote, with another adding: “Honestly #Grantchester is up there with the best on TV with great performances. I have no idea why @ITV @itvstudios @masterpiecepbs are ending it.”
Grantchester has had viewers gripped every week and will likely leave a gaping hole when the last episode airs at 9pm tonight. Ahead of the final season airing sometime next year, ITV bosses have confirmed what will takeover from Grantchester on Thursday nights.
The first episode of True Crime Presents’ second season, Murder on a Knife’s Edge, is set to begin at 9pm on Thursday, February 26.
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It will centre around the case of Wayne Coventry, who sought love after 18 years with his childhood sweetheart, but the 37-year-old father-of-three was involved in a toxic relationship, and was sadly murdered in October 2019.
The first series of True Crime Presents aired last year, offering thought provoking and insightful input from victims and witnesses on a series of shocking murders.
The initial ten episodes explored several heartbreaking cases, including the death of EastEnders star Gemma McCluskie and 17-year-old Shafilea Ahmed.
Fans have praised the show since its release, with one IMDb user writing: “Quite a decent documentary series. Experts and witnesses given an in-depth analysis on five different murders… The stories are all engaging, some you may know quite well, while others may be new to you.”
Murder on a Knife’s Edge: True Crime Presents premieres at 9pm on Thursday, February 26 on ITV1, while Grantchester is available to stream on ITVX
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