season

Another former bombshell has apologized for past use of a racist slur that got her ousted from the villa.

Fired “Love Island USA” contestant Alannah Keyser posted a video to TikTok on Saturday addressing a past video that showed her using the N-word as she sang along to the Roddy Ricch song “The Box.” On Friday, Peacock confirmed to The Times that Keyser had been dismissed from the hit reality dating show after the resurfaced video began circulating online.

“I do want to begin by addressing the video of me singing along to a Roddy Ricch song that contains a racial slur,” Keyser says in her video. “I’m sorry to whoever has seen that video and has been offended by it; that was never my intention. The video is from six years ago, and that word is just not in my vocabulary anymore.”

A USC film student from Miami, Keyser also addressed some of the other social media chatter about her that had been making the rounds prior to her dismissal. Included were accusations of racism due to screenshots of her alleged use of the racist slur on Snapchat and Instagram as well as observations that alleged she had interacted less with Black men on the show.

She said those screenshots had been “falsified.”

“What has been shared does not reflect the truth, and it’s never been in my character to discriminate against anybody’s skin color,” Keyser said. “I do want to say directly that I do not support racism or discrimination of any kind, and I never have.

“When I first found out that these things were going around online, it really broke my heart, and I couldn’t do anything about it. But this has definitely been a learning lesson for me, and it sucks that I didn’t get a chance to really show my personality and who I am,” she added.

In the caption of her TikTok video, Keyser wrote that “reality tv is HEAVILY edited & [her] chats/kisses with the other boys were unfortunately not aired.”

Keyser was the second “Love Island USA” contestant who was dismissed from the show this season after video of them using the N-word surfaced on social media. Earlier this month, Peacock axed Oregon-based beauty technician Vasana Montgomery just days after it announced its slate of Islanders for the show’s eighth season. She has since apologized, saying, “There is no excuse” for her use of the slur.

Last year, contestants Cierra Ortega and Yulissa Escobar were dismissed from the show for their use of racist slurs. Ortega had been caught repeatedly using a derogatory slur for Chinese people (and Asian people in general) on social media, while Escobar had used the N-word in a couple of podcasts. Both have since apologized.

Reuben Owen will be going head-to-head against Jess’ dad in tonight’s Season 3 finale.

Reuben Owen Life in the Dales is almost over once again – but there’s a silver lining.

Spreading his wings away from his family’s original Channel 5 show Our Yorkshire Farm, eldest son Reuben Owen takes centre stage in his own series Life in the Dales.

The ambitious 22-year-old entrepreneur has been continuing to tackle building up their plant machinery and groundwork business with help from his friends and girlfriend Jess.

Season 3’s ninth episode and grand finale airs tonight, Tuesday, June 30, spelling the end of the popular docu-series with no confirmation of a fourth outing just yet. However, fans of the young Yorkshire farmer will be thrilled by its Channel 5 replacement on TV schedules next week.

Series 3 might be ending but next Tuesday, July 7, fans are going to be treated to a repeat episode from Reuben Owen Life in the Dales Season 2.

The instalment that’s taking up the primetime slot at 8pm will be episode seven where Reuben celebrates his 21st birthday with a vintage tractor journey. His girlfriend Jess also organises a cute surprise of balloons and a cake which is secretly transported under his best friend Tommy McWhirter’s tractor engine.

As of yet though, it isn’t clear if this is just a one-off repeat of Life in the Dales or if Channel 5 is going to continue airing episodes every Tuesday.

But before fans step back in time, there is the Season 3 finale to get excited about. The official synopsis for tonight’s episode reads: “With lambing season well underway, Reuben and Jess race to stock-proof the fences at Brough Castle Farm before more than 300 newborn lambs arrive in the fields.

“However, when Reuben challenges Jess’s dad Dave to a battle of man versus machine, Jess is left caught in the middle.

“Capper and Sonny attempt to breathe life back into a vintage tractor, but getting it to run proves tricky.”

Reuben Owen Life in the Dales is available to watch on Channel 5.

Former Lakers Malik Beasley and Ed Davis were charged with wire fraud conspiracy and bribery in sporting contests by federal prosecutors in a sweeping indictment that included four other co-conspirators.

Both played one season with the Lakers during long careers, Beasley in 2022-23 and Davis in 2014-15.

According to the indictment, Beasley illegally manipulated his performance to ensure gamblers won prop bets two years before he played for the Lakers and one year after.

Davis — described in the indictment as Beasley’s “gatekeeper” — allegedly collaborated to manipulate Beasley’s performance when they were Minnesota Timberwolves teammates during the 2020-21 season and did so again four times during the 2023-24 season while Beasley was with the Milwaukee Bucks.

The illegal activity allegedly began during a Jan. 26, 2024 game between the Bucks and Cleveland Cavaliers. Beasley averaged 11.3 points that season and 11.7 during his career, but scored three points in that game.

In total, the defendants and their co-conspirators allegedly placed fraudulent wagers totaling hundreds of thousands of dollars on Beasley’s fixed performances.

Also indicted were NBA player agent Paolo Zamorano, William Brown, Robert Gorodetsky and Ernesto Plascencia. They are charged with wire fraud conspiracy, bribery in sporting contests and money laundering conspiracy for allegedly bribing Beasley to manipulate his performance. Zamorano was Davis’ agent.

Several of the defendants were arrested Monday.

“As alleged, the defendants turned professional basketball into a criminal betting operation, bribing then-NBA player Malik Beasley to fix his performance in multiple games in order to place fraudulent wagers, enrich themselves and cheat legitimate sportsbooks,” said Joseph Nocella Jr., United States Attorney for the Eastern District of New York. “Bribery and insider betting schemes like this one involving former NBA players and a current NBA player agent who exploited inside NBA information for profit erode the integrity of American sports and victimize the sports-watching public.”

Beasley, 29, has been under investigation for more than a year and sat out the 2025-26 season. The Detroit Pistons offered him a three-year, $42-million contract last offseason but rescinded it when informed by authorities that the nine-year veteran was suspected of participating in the illegal gambling scheme.

At first glance, neither player seemed to be vulnerable to bribes from gamblers. Beasley has made $59.2 million during his career, including a career-high $15.6 million with the Lakers. He averaged 11.1 points in 26 games that season.

Davis, 37, played for eight teams in 12 seasons before retiring in 2022 having made $47.2 million.

However, prosecutors allege that Beasley borrowed substantial sums from Davis to pay off gambling debts and attempted to repay him through the illegal activity. A year ago Beasley was successfully sued by his former agency for $2.5 million over a contract dispute. He also was sued for $6 million by South River Capital, a company that specializes in making loans to athletes.

“These defendants allegedly operated an illegal betting ring in an attempt to unlawfully earn hundreds of thousands of dollars,” said James C. Barnacle Jr., FBI Assistant Director in Charge. “As alleged, Malik Beasley allowed himself to be bought and altered his game-time performance to line pockets of Ed Davis and his other co-conspirators.”

Prosecutors also allege Beasley rigged his performance during three games with the Bucks in 2024 — a Feb. 27 game against the Charlotte Hornets, a March 10 game against the Clippers and a March 21 game against the Brooklyn Nets.

Five current or former NBA players have been indicted as part of the FBI investigation into illegal sports gambling and insider information trading. Veteran guard Terry Rozier is facing four charges, while former Lakers assistant coach Damon Jones and former Toronto Raptors center Jontay Porter have pleaded guilty to felony conspiracy to commit wire fraud.

The expansive gambling indictment also ensnared Hall of Fame player Chauncey Billups and several organized crime figures.

She’d been out for over a year, her long, arduous recovery from a season-ending knee injury kept almost completely under wraps. But as JuJu Watkins took her place in front of a microphone for the first time since returning to practice this summer, the USC superstar could barely contain her gratitude.

Asked Monday what the best part about being back has been so far, a big smile crept across Watkins’ face.

“Honestly everything,” Watkins said. “Like I don’t even know, the smallest stuff just gets me excited.”

Watkins’ return is a momentous mile marker for a team that has serious national title aspirations this season. Her status remains uncertain, and reporters in attendance Monday were told not to inquire further about Watkins’ specific recovery timeline. But Watkins did say that she’s already been able to scrimmage during USC’s summer practice and that she’s “feeling back like myself.”

“It’s just been a long time coming,” Watkins said. “I’ve just been working out and grinding every day so that I could be in position, so to see all of that hard work pay off right now, it’s really fulfilling.”

Watkins was a two-time consensus All-American and the Associated Press Player of the Year in 2025, when her knee buckled that March during a breakaway in the second round of the NCAA tournament. The injury, a torn ACL, wouldn’t just derail a possible title run for USC that season, but also upend the Trojans’ trajectory for the next one.

Facing one of the toughest schedules in the nation, USC missed Watkins dearly. The Trojans finished their frustrating campaign 18-14 before losing in the Round of 32.

As she sat out, Watkins said she struggled to keep still. Patience didn’t necessarily come naturally. She found herself leaning on others, she said, like Dallas Wings point guard Paige Bueckers, who went through her own ACL recovery.

“She was constantly checking up on me, sending me texts, encouraging me,” Watkins said of Bueckers. ‘I really appreciated that.”

Coaches suggested she pour that energy into her teammates. So she took solace in doing the little things, like arranging the locker room chairs during pre-game.

“Just to watch her take something that was so difficult and pour herself into everything that went into last year was something I’ll never forget,” coach Lindsay Gottlieb said. “I really do take a lot of inspiration from it.”

The silver lining, coming out of a season without their superstar, was the emergence of freshman Jazzy Davidson, who came to USC to play alongside Watkins. Instead, she ended up winning National Freshman of the Year and becoming a rising star in her own right,

This month, Watkins and Davidson were finally able to take the floor together, just as Gottlieb had once envisioned. She’d waited quite a while for that pairing, she reminded Monday. But Davidson, she thinks, will be all the better for having survived her freshman season without Watkins.

“You just come back with a different level of confidence,” Gottlieb said. “I hope she brings with her every experience she had because who had more experience than Jazzy in terms of a freshman year where she handled so much?”

Now, with Watkins back and Davidson set to take another step forward, there won’t be so much pressure on the Trojans’ newest top recruit.

Saniyah Hall marks the third straight No. 1 overall prospect to sign with Gottlieb and USC, but she steps into a decidedly different scenario than the other two did. In addition to Watkins and Davidson, the Trojans also brought in two other top freshmen in Sitaya Fagan and Sara Okeke, as well as two priority portal adds in Ryann Bennett and Pania Davis.

“With the talent that’s on the team,” Hall said, “I think it could be something that’s very special.”

That starts with Watkins, who, in spite of a year away, apparently hasn’t skipped a beat in her return.

“I feel like she’s back like she never left,” guard Kennedy Smith said.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. Today is one of those newsletters that we devote to only one topic.

Do you remember where you were 36 years ago today?

Fernando Valenzuela was a great pitcher. I think he should be in the Hall of Fame for his on-field talents and the fact he brought thousands of new fans to the sport, all across the country.

But by 1990, he was no longer a great pitcher. He was an afterthought on the 1988 World Series title team. In 1989, he was basically a league average pitcher, going 10-13 with a 3.43 ERA. Going into his start against St. Louis on June 29, 1990, he was 5-6 with a 4.09 ERA, had given up 97 hits in 94.2 innings and had given up eight runs in 5.1 innings in his last start.

Pitching a no-hitter, which seemed possible earlier in his career, was off the table. And then, well, who better to take us through that final inning than Vin Scully?

Covering the Dodgers then for The Times was Bill Plaschke. The rest of this is his words as written that evening:

Thirty minutes before the Dodgers faced the St. Louis Cardinals Friday, Fernando Valenzuela noticed on a clubhouse television set that Oakland pitcher Dave Stewart had thrown a no-hitter in Toronto.

“Fernando turned to some teammates and he said, ‘That’s great, now maybe we’ll see another no-hitter,’ ” Dodger Manager Tom Lasorda said.

It was the first time in the modern baseball era that two no-hitters have been pitched on the same day. It was the Dodgers’ first no-hitter since Jerry Reuss had one against the San Francisco Giants on June 27, 1980.

“And it couldn’t have happened to a tougher, more competitive guy,” Lasorda said. “You look at Fernando and he has done everything in his career except a no-hitter. And now . . . this.”

With Willie McGee on first base and one out in the ninth inning, former Dodger Pedro Guerrero hit a grounder up the middle that seemed destined for the outfield. But Valenzuela stuck out his glove, the ball nicked the leather and rolled to Juan Samuel, who stepped on second base and threw to first baseman Eddie Murray, who made the catch that sent Dodgers running to the mound.

“Do you think if I don’t touch that ball, it goes through for a single?” Valenzuela asked afterward. “Whoooa. I think it does. I think I don’t touch it, I’m in trouble.

“I was just glad to see Scioscia running to the mound from the plate. Only then did I know it was over. Thank goodness Alfredo Griffin made the catch and the throw.”

When reminded that it was Samuel who made the final play, Valenzuela laughed.

“That shows you how excited I am,” he said after improving to 6-6 with a 3.73 earned-run average. “This is a great moment for me.”

But in the final three innings, he threw 49 pitches, and was obviously tired.

“But this was a different kind of tired,” Valenzuela said. “This kind of tired did not bother me. You think I feel anything during those last inning? No way.”

“This is a different pitcher than in previous seasons,” catcher Mike Scioscia said. “This guy is not as quick as the old Fernando, but this guy still knows how to win.”

Back to your humble host here. If you want to read Plaschke’s entire article, click here.

When watching the final inning as called by Vin, I was struck by a tinge of sadness when Vin gave the day and time in case “Fernando wants to play this to his grandchildren one day.” Valenzuela died in 2024. He had seven grandchildren; let’s hope they all got to sit with him and hear it.

It was also amazing to hear Vin say that Fernando had thrown only 108 pitches through eight innings, so he has plenty of ammunition left. Now baseball managers and front office people are afraid a pitcher’s arm would fall off if they throw 108 pitches today.

And thanks, Fernando, for all the great memories.

Here’s another link to Vin’s call.

Up next

Monday: Dodgers (*Eric Lauer, 3-5, 4.87 ERA [2-0, 2.54 ERA with the Dodgers]) at Athletics (*Gage Jump, 3-1, 2.04 ERA), 6:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Tuesday: Dodgers (*Justin Wrobleski, 9-2, 2.71 ERA) at Athletics (*Jeffrey Springs, 3-7, 5.52 ERA), 6:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Wednesday: Dodgers (Shohei Ohtani, 8-2, 1.58 ERA) at San Diego (J.T. Ginn, 6-4, 3.15 ERA), 6:40 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Wife, kids of Dodgers’ Miguel Rojas in Caracas when earthquakes hit Venezuela

Mookie Betts is ‘back’ for Dodgers: Offensive takeaways from series win over Padres

‘He cares about people.’ How Dodgers’ Dave Roberts got to the cusp of 1,000 career wins

Shaikin: Did Padres curse themselves by messing with that anti-Dodgers FTD burger?

And finally

Vin Scully and Fernando Valenzuela throw out the first pitch before Game 2 of the 2017 World Series. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

“The Pitt” has put “ER” veteran Noah Wyle back where he excels: a fictional emergency room. But this time, Wyle has assumed far more control over the Emmy chaos by producing and directing as well as acting.

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In 2025, Wyle won the lead drama actor Emmy for playing complicated miracle worker Dr. Michael “Robby” Robinavitch, plus a producing prize for drama series.

5

Wyle was nominated five times (1995-1999) without winning for his supporting performance as Dr. John Carter on “ER,” his first hospital-set collaboration with producer John Wells.

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Nominations that “ER” actors Wyle, Julianna Margulies, Anthony Edwards, Sherry Stringfield, Eriq La Salle, George Clooney, Laura Innes, Gloria Reuben, CCH Pounder and Maura Tierney amassed in supporting and lead categories.

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Emmy wins that resulted from those nominations: Margulies’ supporting triumph in 1995.

200%

“The Pitt” doubled that haul in one season, with Wyle’s lead and Katherine LaNasa’s supporting wins. (And added a guest actor Emmy for Shawn Hatosy, who moves up to supporting in Season 2.)

3

Wyle could grab three more nominations this time around, including for his “Pitt” directing debut (Season 2, Episode 6).

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He also no longer competes against his co-stars, as he did with La Salle, and as at least eight “Pitt” performers (LaNasa, Taylor Dearden, Fiona Dourif, Sepideh Moafi, Isa Briones, Patrick Ball, Gerran Howell and Hatosy) could this year.

SAN DIEGO — The Dodgers claimed a series win against the San Diego Padres with a 4-2 victory Sunday, widening the gap between division rivals to 10 games.

The Dodgers (54-30), who have the best record in the majors, have won five of the first six games of a three-city trip that ends in Sacramento.

A bounce-back start from right-hander Emmet Sheehan made the Dodgers’ win Sunday possible. He held the Padres to one run, on Manny Machado’s fourth-inning homer, through five innings.

“Maybe being a little more comfortable in my mechanics,” Sheehan said after limiting the Padres to two hits. “But also just the focus in between starts of trying to get a little more execution instead of delivery thoughts. I had seven days, so I got to throw two bullpens this week, which is nice.”

It was the first time Sheehan held an opponent to a single run since May 8, when he threw 4⅔ innings against the Atlanta Braves.

“He just beared down and made pitches when he needed to,” manager Dave Roberts said, “versus feeling it with the mechanics or being uncertain.”

Mookie Betts stayed hot with his bases-loaded, two-run single off Padres starter Michael King to spearhead a three-run rally in the fifth. Betts also singled in the seventh.

Freddie Freeman had an RBI on a nine-pitch walk in the fifth, and Shohei Ohtani drove in the Dodgers’ first run with a single in the third.

“The last six weeks, Shohei’s been out of this world,” Roberts said. “Freddie’s been very consistent all year, and then now we got Mookie this last week on track. So it has been the better part of the season that we haven’t had all three of those guys. You can see it — when those three guys are threats, it just kind of takes a lot of pressure off everybody else.”

Over the three-game series, the Dodgers outscored the Padres 20-12. Here are offensive takeaways from the series:

Tucker ‘grinding’ through

Kyle Tucker hits a two-run home run against the San Diego Padres on Saturday in the Dodgers’ 15-3 win.

(Orlando Ramirez / Getty Images)

Dodgers right fielder Kyle Tucker never had been through a stretch like this. He entered Sunday with a .719 on-base-plus-slugging percentage, the lowest he’s had 77 games into a season in his career.

“I feel fine coming to the field and everything, it’s just not being as productive as I normally am, or as I want to be, kind of sucks,” Tucker said in a conversation with The Times a couple of weeks ago. “But I’ve just got to come back for the next at-bat, or the next day, and whatever, and just move on.”

Has battling this uncharacteristic slump taught him anything?

“I’d rather not suck,” he said. “But just try and grab through and just whenever anything works or clicks or whatever, just don’t let it go.”

Tucker has had moments this season when it looked like he was heading toward an offensive turnaround.

In mid-April, he homered twice in three games, including a three-hit performance. In early May, he went on a six-game hitting streak. He hit .303 over a nine-game stretch in mid-June. But none led to sustained success.

So, when Tucker logged three hits, including a home run, on Saturday as the Dodgers routed the Padres 15-3, he was cautious in his optimism. Tucker even nitpicked the nine-pitch at-bat that ended in the pull-side homer.

“There were some pitches I swung at earlier in the at-bat that I thought should’ve gotten the job done earlier, just didn’t put a great swing on it,” he said after the game.

Manager Dave Roberts was more enthusiastic about that at-bat.

“He’s handled it well,” Roberts said. “He’s frustrated, certainly. But he hasn’t run from the work. Even [Friday] night after the game, he was hitting in the cage. … You hear the word ‘grind’ a lot, but he’s grinding. It’s good to see him have some success. I just liked that one at-bat tonight where it was just compete. It wasn’t about mechanics. It was about competing and getting the job done.”

On Sunday, Tucker singled in four at-bats.

Edman’s consistency

Tommy Edman hits against the San Diego Padres on Friday.

(Derrick Tuskan / Associated Press)

There were times last year when utility player Tommy Edman could look at video of his swing and think, “OK, that doesn’t look like how I want it to look.” But there was only so much he could do in the middle of the season, while playing through nagging ankle issues.

“Part of it is kind of just breaking habits that I built last year,” said Edman, who underwent surgery on his right ankle in the offseason. “Was just getting into some bad movements with the lower body, probably just compensating for the ankle, and hips get out of whack, and that kind of stuff. So I’m hopeful that I’ll just be able to keep this up the rest of the year and just be consistent with it.”

Since returning from the injured list on June 16 to make his season debut, Edman is hitting .333 (11 for 33) with a .405 .on-base percentage. He hit his first triple and second double of the season in the Dodgers’ blowout win Saturday.

“I feel like this is kind of one of the rare times where both swings feel good, both from the right and left,” switch-hitting Edman said after that game. “It’s really tough to maintain both swings over the course of the season, so just happy that I feel that way.”

Betts is back

When Betts went three for four, a triple short of the cycle, in the Dodgers’ series finale in Minnesota last week, he couldn’t put his finger on a cue that had snapped his swing into shape over the last couple of weeks.

“Today, I was able to just find something,” he said then. “I don’t even know really what I found. After the home run the first at bat, I wasn’t sure what I did, but I just kind of stayed there. And I think that was the beauty of it. And not really fully knowing and just kind of going to play kind of let me know my training is paying off.”

It continued playing off. That performance kicked off a three-game homer streak. And by the end of his two-week heater, Betts had raised his OPS from .591 to .737.

By Saturday night, Roberts was ready to declare that Betts was back.

“I say ‘back’ because I just think there’s more intent with him in the batter’s box and a lot less indecisiveness,” Roberts said. “So for me, if he can have that kind of proactive approach, aggressive approach, then everything else is going to take care of itself.”

Betts credited his resurgence to a shift in how he prepares for games. Instead of taking 100 swings in the cage with a specific cue, he’s building up from a blank slate every day.

“I used to have things I would think about that would produce a swing, and now I’m actually just training my body every day,” he said. “So kind of one in the same, but they’re just two completely different ways of going about it. And still trying to get fully used to it, but it’s working, so I’m not changing it.”

We made it. With just days left in Phase I voting, this week marks the last issue of The Envelope, and the last edition of this letter from the editor, until we return with a crop of newly minted Emmy nominees in August.

Until then, may you have a summer as magical as a German soccer fan’s road trip through the American South — and enjoy reading the below highlights from our coverage.

Cover story: ‘Industry’

(Jason Armond / Los Angeles Times)

How do “Industry” stars Myha’la and Marisa Abela want the series to end? Let’s just say they are as unsentimental about their characters as series creators Mickey Down and Konrad Kay.

“I want there to be a huge statue of Harper Stern in front of J.P. Morgan,” Myha’la says of her hard-charging trader. “And a bird s— on her arm.”

“In her mouth,” interjects Abela, who plays Harper’s No. 1 frenemy Yasmin Kara-Hanani.

After the laughter ringing through the room subsides, though, Abela does allow for a moment of reverence — for the HBO drama if not for the disreputable people who populate it. “I don’t know if I need Yasmin to be happy at the end of it,” the actor says, reflecting on her character’s emergence as a Ghislaine Maxwell type in the Season 4 finale. “I know I want it to feel worthy of everything that has come before… What I love about the show is that [the writers] don’t often backtrack. You commit to something and then you have to live with the f— fallout. Which is savage.”

Read more of our conversation in this week’s cover story.

Writers Roundtable

(Christina House / Los Angeles Times)

Though he joined The Envelope’s 2026 Emmy Writers Roundtable to discuss the return of another beloved comedy, “The Comeback,” we couldn’t resist asking Michael Patrick King about the intense fan reactions to his “Sex and the City” revival “And Just Like That…”

“What happened was, it was really well made, but it wasn’t their Carrie,” he said. “Even though you stand behind it, you go, ‘Wow, that’s a surprise. I thought that they would be interested in 57-year-old women who still hadn’t figured everything out. And instead they wanted them to be 35 and still allowed to be lost.’”

For more juicy tidbits from the minds of of TV’s top writers, be sure to check out the full conversation, which also included Megan Gallagher (“All Her Fault”), Jonathan Glatzer (“The Audacity”), Andrew Guest (“Wonder Man”), Bruce Miller (“The Testaments”) and Sonja Warfield (“The Gilded Age”).

How Connor Hines won over Ryan Murphy

Writer Connor Hines, who translated the real-life relationship between JFK Jr. and Carolyn Bessette into FX’s major hit “Love Story.”

(Evan Mulling / For The Times)

While our On Writing series of screenwriter essays are always revealing — about the inspiration behind a series, the process of adaptation or the making of a major plot turn, to name just a few — I don’t remember one as candid about the art of the pitch as Connor Hines’. In this week’s issue, the writer behind “Love Story: John F. Kennedy Jr. and Carolyn Bessette” explains how he prepared to present his vision for the new anthology’s first season to one of TV’s most powerful producers, Ryan Murphy. As it turns out, landing the meeting is not the (only) hard part.

“I spent roughly three months in the trenches with [producers] Brad [Simpson] and Nina [Jacobson], deepening and refining my presentation [to Murphy] — one that I’d recite in the shower, on runs, at Trader Joe’s, while I drove,” Hines writes. “It was a crash course in storytelling, producing, and understanding the alchemy that propelled so many of Ryan’s shows into the zeitgeist.”

More stories from our June 16 issue

It seems “Love Island USA” producers pulled one bombshell aside for a chat, one that has led to her firing from the hit reality dating series.

Contestant Alannah Keyser’s time in Fiji has officially come to an end as she faces backlash for apparently using a racial slur in a video and social media comments that recently resurfaced on social media. “Love Island USA” streamer Peacock confirmed to The Times on Friday that Keyser, a film student at USC from Miami, will no longer appear on the series. She is the second contestant Peacock dismissed this season over a racial slur scandal.

Keyser made her “Love Island USA” debut last week as one of the six women hopeful to strike up a connection with the male contestants in Casa Amor, testing the men’s relationship with their partners back in the villa. Keyser appeared to pair up with contestant Zach Georgiou. In her debut episode, she informed Georgiou she had a brief romance with his older brother Charlie, a previous “Love Island USA” contestant.

“Love Island USA” parted ways with contestant Alannah Keyser after she used a racial slur in social media comments and posts.

(Ben Symons / Peacock)

She faced allegations of racism amid her first “Love Island USA” episode when a social media user surfaced screenshots of Keyser allegedly using the N-word on Snapchat and Instagram. A user on X (formerly Twitter) also published video of Keyser seemingly saying the slur as she sings along to Roddy Ricch’s “The Box” at a party. Some viewers — and other contestants on the series — also observed that Keyser interacted less with the Black men on the series in her debut episode.

A source familiar with “Love Island USA” production said the controversial video and posts only became public on social media after Keyser’s first episode and that the posts were not viewable during the series’ vetting process. Peacock confirmed Kesyer’s firing hours after the U.S. Sun reported her exit and minimized screen time. “Producers were disappointed and embarrassed that this has become another mishap,” a source told the outlet.

Keyser did not immediately respond to a request for comment via social media.

Keyser is the fourth “Love Island USA” contestant in two years to face scrutiny for her past use of racial slurs. Earlier this month, Peacock pulled beauty technician Vasana Montgomery from its Season 8 lineup before the season started. Last year, contestant Cierra Ortega prematurely left the villa as she faced criticism for her past social media posts that included a slur for Chinese (and, more generally, Asian) people. A month before that, contestant Yulissa Escobar was dismissed by the season’s second episode amid social media outcry over her use of the N-word.

Those three contestants have since publicly apologized for their posts.

The Bear fans might be wondering who Tom Skilling is in real life as the Chicago meteorologist makes a surprise appearance in the final season

The latest guest star is Chicago royalty with an unexpected family connection.

**Warning – this article contains minor spoilers for The Bear Season 5.**

UK fans of The Bear tuning in may well be seeking some background on the fifth season’s thrilling new guest star.

Jeremy Allen White, Ebon Moss-Bachrach and Ayo Edebiri headline the smash-hit FX and Disney+ series centred on a chaotic Chicago restaurant whose lofty ambitions are more than matched by the mayhem unfolding in its kitchen.

Season 5 picks up immediately after the moment Carmen ‘Carmy’ Berzatto (played by White) announced he was walking away from the restaurant business for good, breaking the news to Sydney (Edebiri), Richie (Moss-Bachrach) and his sister Natalie, known as ‘Sugar’ (Abby Elliott), reports Wales Online.

With their finances in dire straits, a fierce storm raging outside and a packed dining room to cater for, the Bear team face one final night to demonstrate they’ve got what it takes to land that much-coveted Michelin star.

Adding to the pressure, a local celebrity has secured a table for their most crucial evening yet, as meteorologist Tom Skilling has made a reservation. But just who is he?

Who is Tom Skilling?

Tom Skilling, 74, is a former weather presenter who served as WGN-TV Chicago’s chief meteorologist from 1978 until his retirement in 2024.

Though he was born in Pittsburgh, Pennsylvania, Skilling grew up in Westfield, New Jersey before his family relocated to the Chicago suburb of Aurora, Illinois, where he completed his secondary education. At just 14 years old, he started working for WKKD and WKKD-FM where he spotted that their weather reports were incorrect as they relied on forecasts for Chicago instead of Aurora.

He struck a deal with the station to deliver his own reports which, if accurate, would earn him his own weather programme.

They proved correct and he started presenting Aurora forecasts three times weekly. He subsequently secured a position at Aurora’s WLXT-TV aged only 18.

Skilling went on to work at WKOW-TV and WTSO radio while studying at the University of Wisconsin in Madison, before securing his first major television role in 1975 for WITI-TV in Milwaukee, where his forecasts were accompanied by a sock puppet named Albert the Alley Cat.

Following a return to Chicago, he became WGN-TV’s chief meteorologist in 1978, where he stayed until his retirement in 2024. He is believed to have become the highest-paid weather broadcaster in the United States and also maintained a popular column in the Chicago Tribute, Ask Tom, until 2022.

Skilling has never married and remarkably little is known about his private life. However, he is the brother of disgraced Enron CEO Jeffrey Skilling.

The energy giant, Enron Corporation, declared bankruptcy in 2001 after fraudulent practices were exposed. This resulted in the collapse of the company’s accounting firm, Arthur Andersen, which was amongst the five largest firms globally, and is regarded as one of the biggest bankruptcy reorganisations in American history.

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This means members can stream hit shows like Andor, The Bear and Alien: Earth, plus countless titles from Star Wars and Marvel, for a fraction of the usual price.

Jeffrey Skilling, who served as CEO at the time, faced 35 criminal charges linked to the scandal, encompassing conspiracy, insider trading and securities fraud.

He received a $45 million (£34 million) fine and a 24-year prison sentence. Following numerous appeals, he ultimately served 12 years behind bars before being released in 2019.

The Bear Season 5 is available to stream on Disney+.

Defenseman Brandt Clarke has agreed to a five-year, $37 million deal to stay with the Kings.

The Kings announced the deal Friday for Clarke, the eighth overall pick in 2021 who has grown into the new cornerstone of their defense.

Clarke had career highs of eight goals and 32 assists while playing in all 82 regular-season games last season for the Kings, who lost in the first round of the Stanley Cup playoffs for the fifth consecutive year. He was third in the NHL with 185 blocked shots, and he finished fourth on the LA roster in scoring.

The 23-year-old Clarke spent parts of the past four seasons with the Kings, but has been an NHL regular for only two years. Kings general manager Ken Holland still saw enough to lock down the mobile defenseman through the 2030-31 season.

The Kings hired Peter Laviolette as their head coach earlier this month, and Clarke’s offensive skill fits well into the team’s possible evolution away from its traditional defense-first mentality to a more aggressive club under Laviolette.

Clarke was the Kings’ most prominent restricted free agent heading into the summer, but Holland also must make decision on unrestricted free agents Andrei Kuzmenko and Scott Lawton.

The Angels have fired general manager Perry Minasian midway through their sixth consecutive disappointing season under his leadership.

The last-place Angels appointed former Cardinals GM John Mozeliak to be their interim general manager and baseball operations consultant on Friday. Mozeliak will oversee day-to-day baseball operations while assisting the search for the next GM, team president Molly Jolly said in a news release.

“Perry has been a valued leader who worked tirelessly over the last six years to strengthen our baseball operations department,” Jolly said. “I am grateful for his dedication, insight and many contributions to our organization.”

Minasian took over the Angels’ front office in November 2020, but the long-struggling franchise has made no discernible progress during his tenure under mercurial owner Arte Moreno.

The Angels’ streaks of 10 straight losing seasons and 11 straight non-playoff seasons are both the longest in the majors, and its farm system is still considered to be among the majors’ worst, just as it was when Minasian arrived.

The biggest transaction of his tenure occurred when Shohei Ohtani left the Angels after six seasons for the Dodgers in late 2023, the Angels failing to trade Ohtani for prospects before Ohtani became a free agent.

Minasian’s flurry of moves before and after the 2023 trade deadline seemed chaotic. The Angels kept Ohtani — a decision Moreno had a big hand in — and dealt away several prospects in an attempt to push for the playoffs.

But the Angels went 8-19 that August and fell so far out of contention that they placed several players on waivers in order to bring their payroll under the luxury tax threshold.

After holding the majors’ worst record for much of the current season, the Angels are tied for last in the AL standings at 34-48 heading into their game against the Athletics on Friday night at Angel Stadium. Los Angeles lost a franchise-record 99 games in 2024, its first season after losing two-time AL MVP Ohtani.

The Angels never won more than 77 games or finished higher than third in the AL West during Minasian’s tenure.

Minasian clashed with respected manager Joe Maddon early in his tenure, eventually leading to Maddon’s firing amid an epic losing streak in the 2022 season. After Phil Nevin and Ron Washington also failed to hold the managerial job for more than two seasons, Minasian hired first-time manager Kurt Suzuki from his own front-office staff last fall, giving him a one-year deal with the acknowledgment that their fates were tied.

Ray Montgomery served as interim manager in 2025.

A reduction in payroll forced Minasian to supplement this year’s team with low-cost players — several returning from major injuries — such as pitchers Alek Manoah, Jordan Romano, Drew Pomeranz, Kirby Yates and Brent Suter, outfielder Josh Lowe and infielders Yoan Moncada and Adam Frazier.

Most of the moves didn’t pan out, as Romano and Pomeranz were released, and Manoah, Lowe and Moncada have been busts.

The largest free-agent deal signed by Minasian was a three-year, $63 million contract for left-hander Yusei Kikuchi before 2025. Kikuchi was an All-Star last season but has been sidelined since late April because of a shoulder injury.

Minasian also signed reliever Robert Stephenson to a three-year, $33 million deal before 2024, but the right-hander is out for this season because of another elbow injury.

Jolly and Mozeliak are scheduled to speak at a news conference on Saturday.

Minasian is a former Rangers clubhouse attendant who rose to positions in the front offices of the Atlanta Braves and the Toronto Blue Jays as a protege of Alex Anthopoulos.

Minasian had never interviewed for a GM job before he was chosen to replace Billy Eppler by Moreno, who has repeatedly hired GMs with little to no prior experience in the job during his two decades of ownership.

Mozeliak left the Cardinals last fall after three decades with St. Louis, including the past 18 in charge of baseball operations.

For the second straight year, the City Section is allowing a pilot program of high schools forming a boys flag football league as its popularity grows.

This year’s group of high school participants is expected to double in size between eight and 16 teams, City Section commissioner Vicky Lagos said. All will be small charter schools. Last year, several teams that temporarily dropped 11-man football, Sotomayor and Torres, had flag teams in a league that was played in the fall. Sotomayor and Torres will have 11-man teams this season.

When Lagos mentioned the pilot boys flag football league at an 11-man coaches meeting this month, there was clear skepticism voiced by coaches. If boys flag football ever gets approved, Lagos said schools would have to choose between having an 11-man team or a flag team. When Lagos mentioned having the flag season in the spring, there was concern it would take away participants from track and field teams.

This issue figures to come up around the state as schools in the California Interscholastic Federation have similar discussions. Flag football is likely to gain a boost in exposure when it is played at the 2028 Olympic Games in Los Angeles.

Lagos points out that boys flag football participants would be different than 11-man. Middle school students engage in flag football and attract students whose parents don’t want them to play 11-man tackle football for fear of head injuries.

Girls flag football is in its fourth year and rising fast. Adding boys flag football is a debate and issue that will need to be addressed in the future.

Ron Nocetti, executive director of the CIF, said a section must first bring up adding boys flag football as a sport before real discussions can begin.

How well do you remember your U.S. history class from high school or college? Did some of the key moments in America’s 250 years of existence involve Larry David playing a founding father? OK, maybe not, but it’s fun to imagine what that would be like. And that’s precisely what David and Jeff Schaffer have done with their new HBO series “Life, Larry and the Pursuit of Unhappiness.”

The series, premiering Friday, is a timely look at some of America’s big moments in history with a comedic twist that will remind viewers of “Curb Your Enthusiasm,” partly because it also features some cast members from the show. The series arrives on the cusp of the 250th anniversary of America’s founding, and offers an alternative history that’s still steeped in facts. Schaffer stopped by Guest Spot to talk about creating the series with David and what it was like to work with former President Obama.

Speaking of laughter, if you like yours with a whole lot of drama, FX dropped the final season of “The Bear” Thursday on Hulu. The series, which premiered in 2022 and made phrases like “cousin,” “yes, chef,” and “every second counts” memorable, ties up a lot of strings for its crew of chefs. Jeremy Allen White and Ayo Edebiri, the actors who were at the center of the show for five seasons, spoke to us about “The Bear” coming to a close, where their characters end up and what it feels like to leave them behind (be forewarned, the interview has lots of spoilers).

The finale feels like a fitting end to one of the best shows of the past decade (so far) — but we won’t say much more. Enjoy each episode like a multi-course meal at a fine-dining restaurant. You’ll want to savor each bite before it’s over.

Also in this week’s Screen Gab, our writers recommend an animated series with monsters and mystery and a documentary about one of America’s greatest bands. I’ll get my flags, fireworks and BBQ supplies ready in the meantime. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Bobby and Romy in Disney+’s “The Doomies.”

(Disney)

“The Doomies” (Disney+)

If you’re missing “Widow’s Bay,” and like cartoons, here’s another tale of monsters loose in a coastal tourist town, with the difference that the town, called “Ouimpre,” is decidedly on the Atlantic coast of northwest France. (It’s a Franglais pun.) There are half-timbered buildings; what used to be a Camembert factory after it was a beret factory; a cafe that serves crepes, not pancakes; and boulangeries, not bakeries. (It’s a French production; Disney encouraged animator Andrés Fernandez to go local.) As in “Stranger Things,” which no one may be missing by now, the protagonists are kids — Romy, who is excitable and impulsive, and Bobby, who is neither — abetted by a formidable female teenage demon slayer and a lighthouse keeper with occult knowledge. The series is energetic, funny and character-driven — even the monsters. The action is well-staged and intense, the color palette moody and evocative, and the design not at all reminiscent of a hundred other cartoons, which makes the show refreshing as well as fun. — Robert Lloyd

Earth, Wind & Fire in HBO’s “Earth, Wind & Fire (To Be Celestial vs. That’s The Weight Of The World)”

(Jeffrey Mayer / HBO)

“Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)” (HBO Max)

Even if you think you don’t know Earth, Wind & Fire, chances are they’ve soundtracked a wedding, bar mitzvah, awkward office party or some other memorable celebration in your life. Somewhere between “Shining Star,” “Let’s Groove” and “September,” the band mastered the art of coaxing three or four generations of a family onto the same dance floor. Questlove’s new documentary explores how that happened. If his recent Sly Stone film examined how genius can curdle into self-destruction, this one asks a different question: How did Earth, Wind & Fire founder Maurice White build something that lasted? Abandoned by his mother as a child, White set out to create not just a band but a family, assembling a sprawling ensemble around a musical and spiritual vision. Questlove is too thoughtful a filmmaker to sand down the rough edges. White emerges as both inspiring and flawed: a gifted bandleader, spiritual seeker and demanding perfectionist whose drive sometimes came at a personal cost. Drawing on interviews with everyone from former bandmates to Stevie Wonder, Lionel Richie and Barack and Michelle Obama, Questlove builds a portrait of White that never shies away from his contradictions. In the process, he shows how White’s fascination with spirituality, Egyptology and the cosmic unknown shaped both the band’s music and mythology. You may occasionally wish the film lingered longer on the performances themselves (for a reminder of what made Earth, Wind & Fire such a formidable live act, start with the 1975 concert album “Gratitude”). But by the end, you have a deeper appreciation for the band’s unlikely feat: turning something so eccentric into something so universal. — Josh Rottenberg

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Larry David in “Life, Larry and the Pursuit of Unhappiness.”

(John Johnson / HBO)

Is Larry David about to be the most entertaining (and crankiest) history teacher America has ever had?

To celebrate the arrival of the nation’s semiquincentennial, the comedian teamed up with Barack and Michelle Obama’s Higher Ground Productions to revisit the truth of our history with some comedic chaos. The result is “Life, Larry and the Pursuit of Unhappiness,” a seven-episode sketch comedy series from the mind of David and his longtime “Curb Your Enthusiasm” collaborator Jeff Schaffer that pairs reenactments of seminal milestones from America’s past with David’s misanthropic humor — or, as its creators dub it, “‘Curb’ in costume.” Subtitled “An Almost History of America,” it features a star-studded roster of actors dressing up in period clothes alongside David, including “Curb’s” Jeff Garlin, J.B. Smoove and Susie Essman, as well as Bill Hader, Kathryn Hahn, Jon Hamm and Jerry Seinfeld. The first episode premieres Friday at 9 p.m. ET/PT on HBO and will stream on HBO Max.

Over a video call, Schaffer discussed the show’s genesis, former President Obama’s improv skills and the British TV series that has him entertained. — Yvonne Villarreal

Tell me about getting into business with the Obamas. Their production company approached Larry. How did it evolve into this?

Larry and President Obama know each other a little bit. They really enjoy each other’s company, or at least Larry enjoys needling Obama, and Obama really enjoys needling Larry. The moment that we all met together to have our first meeting, the first thing Obama does — I’ve never met the president [prior]— he starts just ragging on Larry’s golf game, and how he wears so much sunscreen on the golf course. And Larry just goes to President Obama, “Oh, I’m sorry, my dad’s not from Kenya.” And that’s how it started. They have a great rapport and they wanted to do something special for the 250th [anniversary]. Larry says no to everything — his best friend can be having a premiere of a movie, and Larry will go, “Where is it in Hollywood?” But Larry’s not going, that’s too far. When this came around, Larry was like, “Huh, that’s actually pretty interesting.” He responded right away to the historical nature of it because, as he would say, he’s an American history buff.

The genesis for Larry and I is that we had done a tiny test run of this with that FTX ad for the Super Bowl a few years back. I don’t know, whatever happened to those people — I’m sure they’re fine — but he remembered how much fun he had being in costume. And honestly, I think he forgot how much he hated being in a wig. It’s like childbirth, enough time had passed.

Given the sort of tenor of the times, why does this type of comedic look at America’s history feel like the appropriate way to mark this anniversary?

It’s the 250th and I get that celebrating the country right now may feel like throwing a birthday party for your friend who’s in rehab — he’s all f— up — but we still love him, right? There’s a way to look at the country’s history, warts and all, the two steps forward and the one step back. And I think one of the best ways to do that is through comedy.

Going back to President Obama — what are the negotiations to get him to appear in it? Or was that on the table from the beginning?

Once I saw the two of them interact together, that became my primary mission. We’ll write the sketches, and we’ll do the documentary stuff, we’ll make it all historical and fun, whatever, but we have to get you two on screen together. It was also sort of the promise of the show, too. When I originally talked to Amy Gravitt at HBO about it, I remember I said, “What if I could give you a show that brought together two people half of America loves?”

What was it like directing them in a scene together? He gives the opening remarks at the start of the show.

He is a truly inspiring, amazing human being who also happens to have great comedic timing. He and Larry get into a groove immediately, which is very fun, and it was honestly one of the coolest things I’ve ever done in my life, directing them. The president said, “I guess I like being annoyed by Larry. Once we get together, I start sounding like him.” It’s like Larry’s this black hole of negativity that sucked Obama in for these brief periods of time; it was just fun.

Is he good at improv then on the spot like that?

Yes, he is. He’s got some really funny stuff in the sketch they’re in together that is all him — 100% the president.

Do you have a favorite moment from this first episode — it features the Declaration of Independence, segregation and Rosa Parks.

There’s different things in each of them. The thing that I’m most excited about is when you don’t know what the next one’s going to be, and then when the narration for the little documentary section starts, and it starts talking about Rosa Parks, I can just see [viewers] going, “Oh no …” That’s a great “Curb” feeling. It’s a comedy horror film — “Oh no, don’t do that, oh no.” Then you get sucked in.

We tried really hard to make sure that production-wise, there’s historical accuracy, so it really felt like you were in this moment. Then Larry gets dropped in, and all hell breaks loose. Same thing with World War I — I got to shoot a whole bunch of World War I fighting — and there’s Larry pretending to be dead. One of the things that attracted us to it in the very beginning was the idea of the juxtaposition between these big dramatic moments and then Larry. History is writ large, and Larry writes so small and that dynamic is fun for us.

One of the great things about a show like this — or what’s come before, like “Drunk History” — are the lessons that can be learned. Is there something you learned while filming this series or a takeaway you had in looking back at our history?

There are things I did not know. One of the things that was also enjoyable is being able to talk about modern things in a historical context, even with that phone. We don’t write dialog — we write some, but it’s basically like doing “Curb.” Larry knew that people were going to ask some questions about the phone, but I just was peppering these people with questions about all of the modern stuff, and just watching Larry get angrier and angrier at these people. At a certain point, the membrane of actor, of character to real human being was breached. He was so mad at them, but that’s what making the show is. Actually, at the end of the our shoot, President Obama said to me, “I see how it works. Larry makes the world uncomfortable, and you make sure the world makes Larry uncomfortable.” That’s literally how we make the show.

Would this format work for current historical events? How do you think, 250 years from now, a reboot of this show would tackle something like telling the story of the UFC fight on the White House lawn?

That’s the problem — we’ve entered an era of America parodying itself. It’s insane. One of my good friends, Dave Mandel, used to do a “Veep” and he’s like, “What do you do now?” I think what we tried to do, and you’ll see as you go further into episodes, we try to address a lot of things that are happening right now through a historical lens. So we might be back in colonial times, and we might be back in the ‘50s, but we’re actually talking about something that’s happening right now.

Before I let you go, what is the TV show or movie out right now that you’re telling everyone to watch?

I just started watching “Steve and Alice” [Hulu, Disney+]. It’s so well done; it’s so dark and funny and really engaging.

What’s the comfort show or movie you return to again and again?

I can pretty much put on any “Lord of the Rings” [HBO Max] movie anywhere and not be able to get my butt off the seat.

ICYMI

Must-read stories you might have missed

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. We are exactly halfway through the Dodgers season and they are 52-29. The newsletter mathematician is out sick, but I think that works out as being on pace for a 104-58 record this year.

Remember a few weeks ago when the Dodgers were slumping a bit? They had lost four in a row and had dropped into second place behind the San Diego Padres? Well, the Dodgers have the best record in baseball now and are in first place by nine games over the Padres.

They are headed to Petco Park to start a three-game series tonight, with a chance to bury the Padres this weekend, or, let the Padres get within shouting distance again.

So, with 81 games to go, here’s a look at the top two teams in the NL West:

Record
Dodgers, 52-29
Padres, 42-37

Batting average
Dodgers, .262 (1st among the 30 teams)
Padres, .220 (30th)

On-base%
Dodgers, .345 (1st)
Padres, .294 (30th)

Slugging%
Dodgers, .438 (1st)
Padres, .364 (30th)

Runs per game
Dodgers, 5.22 (2nd)
Padres, 3.91 (30th)

Doubles
Dodgers, 137 (7th)
Padres, 113 (T24th)

Home runs
Dodgers, 109 (3rd)
Padres, 81 (T22nd)

Batting avg. with runners in scoring position
Dodgers, .265 (7th)
Padres, .247 (15th)

Batting avg., two out and runners in scoring position
Dodgers, .242 (9th)
Padres, .238 (12th)

Well, there goes the theory that the Dodgers are a poor clutch-hitting team.

ERA
Dodgers, 3.40 (3rd)
Padres, 3.85 (9th)

Rotation ERA
Dodgers, 3.25 (2nd)
Padres, 4.50 (23rd)

Bullpen ERA
Padres, 3.12 (2nd)
Dodgers, 3.68 (10th)

The Dodgers are in the top 10 in everything, while the Padres are in the bottom 10 in a lot of things. It’s amazing they are in second place with an offense that bad,

Now let’s look at the lineups.

Catcher
Dodgers, Will Smith, .249/.338/.382, 102 OPS+
Padres, Freddy Fermin, .145/.245/.258, 41 OPS+

Smith is having an off year by his standards, while Fermin is having an off year by living person standards. His backup, Rodolfo Durán, is hitting .136/.239/.339

First base
Dodgers, Freddie Freeman, .282/.372/.486, 139 OPS+
Padres, Ty France, .252/.297/.485, 115 OPS+

Freeman just keeps chugging along. He is in the top 100 in major league history in hits, runs, doubles, homers, RBIs and walks. He is the active leader in times reached base with 3,741. He’s 36, and next year he will really start rocketing up the career lists as a lot of players are tightly bunched just ahead of him. France is 31, and next year he has a really good shot at being 32.

Second base
Dodgers, Alex Freeland, .241/.324/.340, 87 OPS+
Padres, Fernando Tatís Jr., .283/.347/.367, 101 OPS+

Freeland is the worst hitter among the starters, and he isn’t that bad. Tatis hit 25 homers last season and has three this season, as the Padres have lost all their power this season for some reason. Normally, Jake Cronenworth starts at second for the Padres, but he has been on the IL since May 5 because of concussion symptoms and was hitting only .144 in 34 games before that.

Third base
Dodgers, Max Muncy, .266/.365/.508, 142 OPS+
Padres, Manny Machado, .184/.267/.378, 79 OPS+

You know what you never hear anymore? This: “The Dodgers need to move on from Muncy at third.” Muncy has been their most consistent hitter and has worked hard to improve defensively. Meanwhile, everyone would like to know what happened to Machado, who has been terrible this season and at one point seemed to blame analytics for his slump. He had a walk-off hit Tuesday and seems to be emerging from his doldrums, hitting .259/.339/.556 since June 9.

Shortstop
Dodgers, Mookie Betts, .230/.290/.415
Padres, Xander Bogaerts, .230/.321/.337

Speaking of season-long slumps, hi Mookie! He is also showing signs of life, hitting .317/.358/.524 since June 9 and lifting his numbers to where they are better than Bogaerts’.

Left field
Dodgers, Teoscar Hernández, .276/.348/.436, 119 OPS+
Padres, Samad Taylor, .379/.438/.448, 150 OPS+

Hernández should be back off the IL soon, and Alex Call has filled in quite well in his place. The Padres have played better since calling Taylor up from the minors a couple of weeks ago. His lofty numbers will probably drop (he has had only 66 plate appearances), but his speed has been a spark for San Diego. He replaced normal left fielder Ramón Laureano, who is probably out for the season after hip surgery.

Center field
Dodgers, Andy Pages, .266/.318/.474, 119 OPS+
Padres, Jackson Merrill, .212/.274/.352, 74 OPS+

Pages has been the linchpin of the offense pretty much all season and it’s nice to see a player shake off a brutal postseason on offense by rebounding this year. Merrill is one of many Padres who are mysteriously slumping this season. He hit .264/.317/.457 last season.

Right field
Dodgers, Kyle Tucker, .234/.333/.374, 98 OPS+
Padres, Jase Bowen, .133/.138/.167, 1 OPS+

Tucker would have been great if he was working under the same contract Michael Conforto had last season. Dodgers fans would be pleased with that production for that pay ($17 million). Instead, he’s getting $60 million for league-average production. Bowen has had only 32 plate appearances, and Tatís will move back here once Cronenworth is able to return to second base.

Designated hitter
Dodgers, Shohei Ohtani, .295/.414./.549, 168 OPS+
Padres, Miguel Andujar, .246/.283/.405, 90 OPS+

Ohtani is the best player in the game, while the Padres seem confused as the what a DH is supposed to do. Hint: the word “hitter” is right there in the job title.

Starting pitchers (in order of IP)
Dodgers
Yoshinobu Yamamoto, 7-5, 2.65 ERA
Justin Wrobleski, 9-2, 2.71 ERA
Shohei Ohtani, 8-2, 1.58 ERA
Roki Sasaki, 3-4, 4.76 ERA
Emmet Sheehan, 3-5, 5.32 ERA
Eric Lauer, 2-0, 2.54 ERA

Padres
Michael King, 5-6, 3.33 ERA
Randy Vásquez, 6-5, 4.17 ERA
Walker Buehler, 4-3, 3.96 ERA
Griffin Canning, 1-5, 7.38 ERA
Lucas Giolito, 2-3, 5.16 ERA

The Dodgers have one weak spot right now in Sheehan. The Padres just put Giolito on the IL and have been using openers quite a bit lately. It’s nice to see Buehler become a productive pitcher again.

Closer
Dodgers, Tanner Scott, 1-3, 2.18 ERA, 11 saves
Padres, Mason Miller, 2-1, 0.79 ERA, 21 saves

Scott has been good this year, but Miller is the best closer in baseball and has given up only 14 hits and 13 walks in 34 innings, while striking out 66.

Relievers (six most-used, in order of IP)
Dodgers
Edgardo Henriquez, 2-0, 2.93 ERA
Will Klein, 2-2, 2.59 ERA, 1 save
Jack Dreyer, 3-1, 3.82 ERA
Alex Vesia, 1-1, 2.39 ERA, 3 saves
Kyle Hurt, 2-1, 3.42 ERA, 1 save
Blake Treinen, 4-1, 3.52 ERA, 1 save

Padres
Adrián Morejón, 6-1, 3.51 ERA, 1 save
Wandy Peralta, 1-0, 1.82 ERA
Jason Adam, 2-1, 2.45 ERA
Ron Marinaccio, 1-0, 3.72 ERA
Yuki Matsui, 0-1, 1.67 ERA
Kyle Hart, 0-1, 4.13 ERA

It seems unlikely that the Padres will fade quietly into the night, especially if Machado and Tatís start hitting.

For full stats for both team, click here for the Dodgers and click here for the Padres.

Milestone for Mookie

Betts hit the 300th home run of his career Wednesday against the Twins, becoming only the 169th player to reach that mark. He is tied with Chuck Klein and one behind the great Rogers Hornsby. He is 14 behind for Dodger Reggie Smith and 16 behind former Dodger Ron Cey.

Ohtani vs. Rushing

Dodgers catcher Dalton Rushing wears his emotions on his sleeve. Sometimes, that’s a good trait in a player. Alex Vesia is like that and he seems to fire up the team. He does it in a “Yeah! Let’s beat these guys!” sort of way.

Rushing, however, is sort of a high-energy Eeyore, the guy who makes every mistake he makes a tragedy of epic proportions.

During Wednesday’s game against the Twins, Rushing had some problems behind the plate while Ohtani was pitching.

Rushing let a pitch get past him for a passed ball due to some miscommunication. Ohtani explained to reporters after the game (through interpreter Will Ireton): “There were two pitches called. The first one was offspeed. The second pitch was a fastball. Rush thought that he was getting an offspeed because I started moving after the first pitch was called, but what I had in mind was the second pitch, which was a fastball.”

From Rushing: “Shohei and I talked about it. It was an error on my side. I messed it up. It was my fault.”

Also, a pitch was called a ball and Ohtani thought it was a strike. He tapped his head to call for an ABS challenge while Rushing shook his head to not challenge. The umpire accepted the challenge and it was a strike.

Ohtani gave up three runs in the second inning. After that, he called his own pitches instead of letting Rushing call them. He then pitched four scoreless innings.

Ohtani, on how to make things better: “The in-game flexibility, reading the swings, reading how the hitters are really taking their approach during the game — that’s how I see what adjustment needs to happen. In that sense, I personally realized we just have to be better at being on the same page and communicating throughout the game.”

Also Ohtani: “There’s really a couple ways of communicating. One is by words, but the other way to be able to communicate is by example, and just taking charge and showing Rush what kind of pitching style I’m capable of.”

Now, I’m not interpeter Will Ireton, but I interpret that as, “When is Will Smith coming back?”

Rushing also struck out in his first three at-bats. He was upset with himself during the game and was consoled on the bench by Dave Roberts, Freeman and Dodgers mental skills coach Brent Walker. That’s a lot of hand holding during a game. And Rushing has had other moments on the bench during games where he has gotten upset or angry about something that has happened. Always directed toward himself, not to his teammates.

Could this be a big problem? Well, it could be. But, the Dodgers didn’t get to where they are by not knowing how to handle situations like this. A lot of scouts will tell you that the biggest difference between triple-A and the majors is the mental aspect. Rushing is learning this now. It would be great if he was just calm and cool and handled all situations flawlessly. But we were all made different for a reason. So, we can afford to give him a little grace, and if the Dodgers feel he (or anyone else) is becoming a detriment to the team, then one day we will wake up to discover, “The Dodgers have traded …”

In the meantime, don’t focus on just these occasional outbursts, look at how well he has played overall. He’s a major league player, he just needs a little help. And don’t we all sometimes?

Final word from Rushing, to reporters after the game: “Good thing he’s as good as he is and he can take control of the game, but it’s pretty embarrassing. They’ve always got my back. Once again, it’s embarrassing that I need support like that. I’m a grown man, and it’s a pretty tough pill to swallow.”

Up next

Friday: Dodgers (Roki Sasaki, 3-4, 4.76 ERA) at San Diego (Walker Buehler, 4-3, 3.96 ERA), 6:45 p.m., Apple TV, AM 570, KTNQ 1020

Saturday: Dodgers (Yoshinobu Yamamoto, 7-5, 2.65 ERA) at San Diego (Randy Vásquez, 6-5, 4.17 ERA), 5:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Sunday: Dodgers (Emmet Sheehan, 3-5, 5.32 ERA) at San Diego (Michael King, 5-6, 3.33 ERA), 1:10 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shohei Ohtani is the first Dodger to be named 2026 All-Star

Shohei Ohtani takes control of Dodgers’ win after miscommunication with Dalton Rushing

Dodgers fulfill $1-million pledge in response to ICE raids, owners divest from prison group

MLB clears Dodgers’ Dr. Neal ElAttrache after link to Conor McGregor steroids report

Shaikin: Why a salary cap wouldn’t be enough to stop the Dodgers from winning

And finally

Vin Scully tells us the first phrase he learned in Japanese. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Should I stay or should I go?

It’s at once a practical and existential question that plagues the two lead chefs in FX’s “The Bear.” He was the emotionally tortured and volatile chef who left behind a rising career in Michelin-starred restaurants to return to Chicago, his hometown, to run his recently deceased brother’s floundering sandwich joint. She was a Culinary Institute of America-trained chef with potential and a steady demeanor seeking mentorship and an opportunity to work with a prodigy. Together, Carmen “Carmy” Berzatto and Sydney “Syd” Adamu — played by Jeremy Allen White and Ayo Edebiri, respectively — transformed the Original Beef of Chicagoland from a hole-in-the-wall into the titular fine-dining establishment.

But now their partnership in the kitchen has come to an end.

Created by Christopher Storer, “The Bear’s” fifth and final season picks up the morning after Syd, Richie (Ebon Moss-Bachrach) and Nat (Abby Elliott) learn Carmy is quitting the food industry and leaving the restaurant in their hands at a make-or-break moment. And the pressure mounts for Syd to decide if she’ll jump ship to pursue another opportunity. The eight-episode season, now streaming in full on Hulu, largely stretches across one day as the restaurant’s debts accumulate, suppliers cut them off and an unrelenting storm floods the kitchen and threatens to upend a night of service the chefs desperately need to have one last shot at survival and one last performance as a team to deliver an improbable turnaround.

In some ways, it’s a journey that mirrors the actors’ own trajectories. Before “The Bear” became a runaway hit, White was best known for his role on Showtime’s long-running dark comedy “Shameless,” while Edebiri primarily worked as a stand-up comedian and writer. Just as their characters have evolved and gained electric momentum in their careers, so have the actors. Both garnered Emmy Awards for their performances on “The Bear,” and they have added a multitude of film and TV credits to their résumés since. Edebiri is currently starring opposite Don Cheadle in the revival of “Proof,” her Broadway debut, while White will be starring this fall as an investigative reporter in Aaron Sorkin’s “The Social Reckoning,” a companion piece to “The Social Network” that chronicles Facebook’s whistleblower scandal.

Over separate video calls from New York, Edebiri and White reflected on “The Bear’s” conclusion and what it means to leave the characters that supercharged their careers behind. Here are edited excerpts from the conversations.

Ayo Edebiri as Sydney Adamu and Jeremy Allen White as Carmen “Carmy” Berzatto in a scene from Season 5 of “The Bear.”

(FX)

After living inside these characters’ skins for so many years, what’s it like to be done playing them?

Edebiri: They keep saying that we’re done, so I guess that really is the thing of it. Obviously I know that it’s over, but even when we were finishing our first seasons, it didn’t matter how much critical acclaim we got because we’re on a show that’s a part of a network that has a deal with the streaming service — there’s all these things that are continually in flux or that you know that you have no control over. As an actor, you’re used to this state of limbo or not totally knowing or being prepared for an ending, so I think I’m not overwhelmed by it, if that makes sense.

White: I don’t know yet. We were very lucky to understand for a long time when the show was going to end and, to a degree, how the show was going to end. It was difficult to see the direction it went — I have strong feelings about Carmy and where he ends up and how his story might continue on. So much of this season, for Carmy, is about a surrender or acceptance of his place in the world and his place in the kitchen, and it’s the first time he’s really been able to get very honest with himself since we’ve met him. And, in doing so, he chooses to leave, and that was hard for me, for Jeremy. Maybe there’s a world in which he tries this and he comes back. I think I had a different understanding for a while of Carmy’s future. I want him to be happy and healed, but it felt like … I don’t know — imagining him outside of a kitchen was hard for me.

I want to unpack that a little bit more. He wants to be happy. But it was interesting to see him wrestle with how his work hinders that — is it the crutch or the salvation? Did you find yourself having an existential moment as Jeremy taking in what Carmy was wrestling with, or have you reckoned with it before?

White: He threw himself into this work, into this world, pretty young in life. And he was really good at it. But a big part of him burying himself has so much to do with his brother, with his family. I was finishing something too. And, yes, of course, I was thinking of goodbyes, and I was thinking of moving on, and new pursuits and all of these things. I was checking in with myself and what it might feel like to just make such a hard turn in life. I thought a lot about what you get back from your work, but I think ultimately, what Carmy and I don’t share is he was causing so much chaos in his work life; it wasn’t just himself that he was punishing at times. It came down to this surrender to an easier way, a softer way, which was to turn it over to Syd, to turn it over to Richie, to turn it over to Tina in the kitchen — that part, I had an easier time understanding.

“The most beautiful thing about their relationship is their true unconditional belief in one another,” says Allen about Sydney and Carmy in “The Bear.”

(David Urbanke / For The Times)

Syd was facing a crossroads: a shiny new job that could take her to the next level or sticking with this seemingly sinking ship that has taken her to the next level, but where she’s felt unappreciated or stifled at times. Ayo, what did you think of the choice she made?

Edebiri: We’re really fortunate to have such amazing writers who thought about her and her journey. [There’s] an awareness of Sydney’s womanhood and Blackness and youth, but I think [they treated] her with the full dignity of just being a human being and getting able to be a complex character in this show and giving her the dignity of being just as flawed as the other characters. [The choice she made] just made sense to me. It made sense in the architecture of the show. It was gratifying to get to build to that with everybody.

The bulk of this final season has the team dealing with this massive storm that’s created a slew of setbacks at a make–or–break moment for the restaurant. It leads to one final symphony in the kitchen together.

White: Those days were beautiful. So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another, not just for the emotional beats of a scene, but in this very technical aspect as well. I remember going back to Season 1 and filming Episode 7, “The Review,” which was the single-take episode, and just how much camaraderie came from that, and how much respect came from that for everyone — that feeling of real success that we could do this. It’s a really nice thing that happens sometimes on sets, where there is such a nice mirror of what’s going on with the characters and what’s going on with the cast. In this last push, and this team effort, we want these things as the characters, and we want these things as the cast. We want these people to have what they want, what they deserve, so it was really exciting shooting that last episode or two where all those things are coming into place.

Edebiri: That’s Chris’ thing — it’s like a classical piece of music or something; there’s different movements. His own challenge that he puts on himself, and that, in turn, puts on us, is that we’re still in the same piece of music, but everything just has a different feeling. He’d been talking about it since, low-key, Season 3, but definitely started talking about it a little bit more concertedly when we were filming [Season] 4. It was really starting to take shape in his brain. This challenge of having it be in this one day, and how each episode can feel different, was really exciting to him, so in turn, it became exciting to us.

Were you hoping for more runway to chart what the characters were facing?

Edebiri: No, I think it was cool. I was just like, “Yeah, let’s see what it is.” That’s kind of what everything has been with this show. Part of her emotional journey for the last season, what was on a slower track, in a way, there was something also really fun in having the pressure cooker of one day, and everything getting to ramp up and be quite immediate, which I think has been reminiscent of Seasons 1 and 2 in a fun way.

Tina (Liza Colón-Zayas), left, Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Carmy (Jeremy Allen White) in “The Bear.” The restaurant faces multiple setbacks, including a storm that causes damage and dwindling supplies.

(FX)

Carmy and Sydney’s dynamic has been so fundamental to the series. These are two people who see something in each other that the other doesn’t. What do you admire about their relationship as friends and as co–workers?

White: The most beautiful thing about their relationship is their true unconditional belief in one another. They see the beautiful things in one another that the other one is not able to witness in themselves. Even though trust has been tested and trust has been broken at times, there is such a loyalty to the best in themselves. They know that they can rely on one another. In a lot of ways, they saved each other. That piece in the opening episode of Season 3, where Carmy gets the call about Mikey and serves the scallop to Syd without ever having met her — there is this invisible tether that was not witnessed by either of them, but it inspired Syd, and whether Carmy knew it or not, this thing was loved and enjoyed by someone that was birthed from this very traumatic moment. There’s just this beautiful, invisible tether that has always existed and will always exist between the two of them.

Edebiri: What I admire about it is the fact that they are able to bring out — through a lot of miscommunication and hard work, but ultimately, I think, with good intentions — the best in each other. They want to see each other be the best versions of themselves.

How is that reflected in your dynamic? Jeremy, who is Ayo as a scene partner and what has she brought out in you as a performer, and vice versa?

White: I was really so lucky to kind of witness Ayo in real time — everybody else had to wait some months to see her on the show. I remember genuinely being struck by her presence, her groundedness. It felt like, if this makes sense, wrong because she was doing it so well. She’s incredibly smart, she’s a wonderful writer, and she’s very skilled improvisationally, and so, in acting with her, there’s something that always makes you feel very in the moment. You can never like relax, in the best way. It’s like you always have to surrender yourself to each moment.

Edebiri: When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work. He’s a really great leader. There are ideas in society of men in power, and what power held by men has to look like and feel like, and he’s very gentle — especially in the show, which can live so much in the space of chaos and anxiety, having a gentle spirit really helps with filming. He’s so good at making that very clear and helping teach me that as well … I’ve definitely learned from him, without realizing it, ways to protect yourself and protect your peace, and protect also the peace of your co-workers — you get the work done, you be serious about it, but it doesn’t have to be torture.

Edebiri on working with White: “When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work.” (David Urbanke / For The Times)

What was it like to see them get this thing they’ve been after — not one, but two Michelin stars?

White: Reading that moment —there’s been so much pain and heartache … for years and years and years, and I was just so relieved to see this joyous moment on the page. It felt so, so close to the surface of me already. And we — Jeremy and Ayo — have shared so many insane, joyous moments in our lives since the show. So it felt familiar in the best way. I’m so glad for that moment for both of them — for Carmy and Syd.

Edebiri: We’re shooting it so fast. You always wish you just had more time, and that was one of the last scenes — I think it was the last thing that he and I shot. There’s obviously a bit of a preciousness and emotionality that you’re feeling in that moment, while also tapping into what’s happening to the characters. It’s this thing that, in the brain of myself, we’ve been building to this over five seasons. There’s obviously a somewhat meta reflection of what we’ve gone through — this is just such a crazy journey. But I think at the end of it, especially because of what we know is going to change in their relationship, that in their working proximity, that they are not going to be close, but they know that they were able to do this thing and build this thing together, I think [is] what felt very special, and felt very cool. I hope it’s something that people who have loved the show also feel.

Fans have intense feelings about their relationship, as I’m sure you know. Has it surprised you how strongly people feel about their dynamic?

White: I know that exists. I don’t have too much knowledge on how that all works. It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us. It didn’t occur to us. But I understand it. There is an intimacy, of course, with these two characters. And there is this trust. They lean on each other and they admire each other so much. I’m not like — nobody’s crazy to feel that. There is love there, it’s just not a romantic partnership.

Edebiri: It surprised me the first two [seasons] because I don’t think that that’s what we were doing. Anytime that you say otherwise, I’ve learned [not to]. It’s been hard when doing press, it feels like we get asked specific questions to try to give a specific answer, but the point of art is we make it and we give it. If people are having a response, that’s great, and if I don’t agree with you, I don’t think I’m shutting it down or anything. We made something, then you’re picking something up — that’s the exchange.

White says he knows fans have intense feelings about the relationship between Carmy and Syd. “It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us.” (David Urbanke / For The Times)

Carmy has a few heartfelt conversations this season, but one that really stands out is the one with his mom, played by Jamie Lee Curtis, while revisiting the family home he’s stayed away from for years. He cooks for her. She’s remorseful. Jeremy, what did you think of that moment for Carmy?

White: There’s resistance in it. People like Carmy, you can give them the answer, you can give them the sorry, you can give them the opportunity, and a lot of the times they don’t know what to do with it, or they push it away, or they push it down. What that scene was about, for Carm, was becoming available to even listen. That was the conflict of the scene and the moment. But he was able to eventually get to that acceptance to release some of the resentment, to release some of the anger. Then he is able to show up for her, which was what has been absent. He was able to take it and give her something. It’s been years, if ever, that he’s really been able to do that, to get out of his own way, and be of service in that way to his mother.

Ayo, it was really touching to see Syd naming Tina her chef de cuisine. How did you feel about what that sets up for where Syd and the Bear might be headed with these women as partners in the kitchen?

Edebiri: I loved it. I love getting to work with Liza [Colón-Zayas]. I’ve been so privileged to also be able to direct her — she’s just phenomenal. I think about these two characters, where they started Day 1; Tina was pretending not even to speak English just to stay away from the girl. It was rough from the get-go, but I think both for Liza and I, as two women of color as well, we felt so invested in their relationship and the community they built with each other. There’s something very moving about that to me. Part of the thing for Sydney, she doesn’t know — I think Carmy can see it — that one of her strengths is that they’re different types of leaders. Part of what I think makes Sydney a great leader is that she’s able to delegate and actually remove herself when she knows that she might not be the best in a situation, it might be somebody else.

I haven’t actually seen it. I can’t watch the episodes, but I know when we were filming it, it was both very sweet and very funny. I don’t know if they kept any of the improv from Liza.

You can’t watch because you’re emotional about it or because you just don’t have access?

Edebiri: No, I don’t want to. We were doing all this press and everybody was, “You were so emotional; you wanted to cry, right?” And I’m like, “No, I just don’t want to watch.” I’ll watch it later. The only season that I watched before [it aired], frankly, was 3 and 4 because I had episodes that I made in it. I love the show and I know the show is good. I don’t enjoy watching myself.

I do love that Syd’s ethos in the kitchen is borrowed from “Ratatouille.”

Edebiri: Yes, f—ing rat. It tracks for Sydney.

“I love getting to work with Liza [Colón-Zayas],” says Edebiri about her co-star, whose character is named chef de cuisine. “I’ve been so privileged to also be able to direct her — she’s just phenomenal.”

(FX)

Jeremy, what was your reaction when you read Carmy is in a suit interviewing for an internship at an architectural firm? And what he expresses there?

White: I understand and I’m proud of the courage that it takes [to do a life pivot], but also I tried to play that scene in a way where I didn’t want it to be entirely clear [what happens next]. I wanted the question to be like, “Is this guy still so f— up in the head that he’s trapped regardless of his place in this world, or place of work? Is it a romance that he’s saying goodbye to? Is it a love that he still has, and he’s not quite over yet?” Then I was like, “Do we snap out of that scene and we’re back on the clock?” What is this? I think the goal of the scene is it shouldn’t be all too clear and wrapped up.

What do you think?

White: I could see there’s obviously so much love. There’s love for the people he works with, and there’s love for the paces he’s gone through, but I didn’t know. … I didn’t know if it was a goodbye or an admittance. I think I was trying to find something between him coming clean and being like, you know what, I don’t belong anywhere else or I’m so in love with this thing, but it’s not good for me, and I think it exists somewhere in between that.

Ayo, what was your reaction to Carmy interviewing at the firm?

Edebiri: I was like, “Yeah, that makes sense. This boy’s a noodle.” He’s a fool, he’s ridiculous. It makes sense.

Where do you think he goes from here? Have you thought about it? Do you think he will ever find his way back to the kitchen?

White: I haven’t thought about it too much. I do think there’s something really honest about that direction that Carmy was moving into, but I would hope there’ll always be room for him somewhere in a kitchen.

Edebiri: Syd is like, “You can’t do anything else, brother. Like, what’s the plan?” I don’t know if he takes a break, if he comes back to help her, if he does his own thing.

What do you think happens to the Bear?

Edebiri: I think they do well. It’s not just her; it’s her and Sugar and Richie and Marcus and Tina. She got in it for Carmy, but I think she ended up finding her own voice. I think they keep going, at least for a few more years. I really do.

White: I have to believe that all the pain and suffering and trauma — not only that Carmy has gone through, but that everybody has gone through — is for some greater good. That there is a payoff. My hope is that it would be successful. They’ll have the endurance and the motivation to make it.

The Dodgers won the World Series last year, and the year before that. Their lead is the largest in any division this year. That success, and the money that nourishes it, has battalions of fans beyond Los Angeles all but marching outside ballparks with picket signs reading “SALARY CAP NOW.”

It’s a reasonable thought: The Dodgers can’t possibly keep winning if they can’t keep outspending the competition.

Or can they?

“There are a lot of little things that happen behind the scenes that people don’t see,” pitcher Will Klein said. “I understand where people are coming from. It’s easy to be a fan of a smaller team and get mad at other teams outspending you.

“But I think there’s a level of care here, and wanting to win, that exceeds other groups.”

The obvious disclaimer: Any team would be better with Shohei Ohtani and Freddie Freeman and Mookie Betts and Yoshinobu Yamamoto, at a combined price of $1.6 billion. The counter argument: The Angels had Ohtani and Mike Trout and, well, you know.

It takes a roster. In Klein and pitcher Eric Lauer, the Dodgers have done something they do well besides spend: develop valuable contributors out of players discarded by other teams.

The Dodgers grabbed Lauer last month, desperate to fill a hole in their starting rotation. The Toronto Blue Jays had cut him, and he would be joining his seventh major league organization. The logical thought: The Dodgers had found a healthy arm to eat up some innings until they could find someone better.

That still might happen. But Lauer, who is set to pitch Monday, has put up a 3.22 earned-run average in four starts with the Dodgers. Four starts is a small sample size, but in that time, Lauer is a career league-average pitcher performing 28% above league average.

“They got me immediately,” Lauer said. “They figured me out right away, and they knew exactly what was going to help me.”

For Lauer, the changes affected his delivery, but the specifics were not as important as finding a kindred spirit in Connor McGuiness, the Dodgers’ assistant pitching coach.

“I’ve always had a really hard time explaining myself and what I do, because I think a little differently,” Lauer said.

“When I was with the Brewers, it was running joke that it was ‘the language of Lauer,’ because I would describe things so differently and feel things so differently that, if you weren’t close to me and you didn’t know how I operate, it was very hard to understand what I was trying to do.

“Connor just immediately got it. It was like he’s been speaking it forever.”

At one point in his career, Lauer said, he struggled to explain the sensation of catching his heel on the mound as he completed his delivery toward home plate.

“I would describe it as, ‘I was falling backwards and I would catch myself,’ and it’s a really weird concept to think somebody was falling backwards when it doesn’t look like you’re falling at all,” he said. “It looks like you’re just moving forward.

“So they were like, ‘That’s not what you’re doing’ and I was like, ‘That’s what I’m feeling.’ We have to make the connection between the feel and the real so that we can understand each other.”

Klein, who joined his fourth organization when the Dodgers acquired him in a minor league trade last June, is in his first full major league season. He has a 2.37 ERA, and his 0.7 wins above replacement is better than any Dodgers reliever besides veteran closer Tanner Scott.

Klein said other teams had made suggestions on how to improve his game, and with the Dodgers, he has added a sweeper and dumped a slider. But what he needed to do most was throw more strikes, trusting that his lively fastball and curve were good enough to beat the best players in the world.

In the minors, Klein issued 6.9 walks per nine innings. This season, he has issued 3.6 walks per nine innings.

The credit, he said, should be shared with the Dodgers’ mental skills coaches.

“It’s easy to see the guys in the batter’s box — especially when you come up watching baseball and being fans of these guys, it’s easy to see them being above yourself,” Klein said.

“But you’re on the mound with them, so you have to see that too. There’s a lot on the mental side that’s helped me here.”

Dodgers pitcher Will Klein delivers against the Tampa Bay Rays at Dodger Stadium on June 16.

(Eric Thayer / Los Angeles Times)

The Dodgers did not include Klein on their postseason roster for the first three rounds last year, but he said coaches at all levels — in the majors, at triple-A and at the Arizona training complex — never stopped checking in on him, during the season and throughout October.

“When you’re down there, they don’t forget about you up here,” he said. “That kind of commitment and care was levels above what I had experienced.”

When the Dodgers added him to the World Series roster, Klein saved the season, with four scoreless innings to close out an 18-inning victory in Game 3.

Lauer called the communication in the Dodgers’ organization “miles ahead” of any other organization in which he has played.

“The training room, the weight room, the coaching staff, the players to each other,” he said. “Every form of communication is so seamless. Everybody knows what’s going on all the time. There’s no gray area.

“It’s all: ‘This is the plan, this is what we want to happen, this is how we’re going to make it happen,’ instead of: ‘This is the plan, this is what we want to happen, figure out a way to make it happen.’”

Klein raved about how the Dodgers treat player families, and about a high-tech pitching machine so lifelike that he could see what it would be like to bat against him. Lauer reflected on his experience as a first-round pick turned journeyman who went to South Korea to revive his career.

“I have a hard time saying anybody has done a better or faster job of helping me than the Dodgers,” Lauer said.

What Lauer and Klein say substantially echoes what Dodgers president of baseball operations Andrew Friedman said at last year’s World Series about turning the team into a preferred destination for players, and not just because the team wins and spends.

“Communication, being honest, having a really strong player development group in place at the major-league level, and how you treat families and treat the players,” Friedman said then, “I think matters a lot in that.”

To be clear: There is no indication the players’ union is willing to consider, let alone approve, a salary cap.

But, if that were to happen, Klein believes the Dodgers would be just fine.

“Our owners want to win, so they want to get the best product on the field, so they go and spend money,” he said, “and then everyone is mad that they want to win.

“I think they’ll find ways to win more if they can’t spend as much money. Friedman was with the Rays when they weren’t spending as much money and still had success there.

“I think they’re just better at wanting to win than some other people.”

Questions surely will follow Dusty May as he leaps to the Dallas Mavericks after coaching Michigan to the NCAA national championship.

Can he provide blessed amnesia to the Mavericks faithful? Can he help them forget Luka Doncic and Nico Harrison and Anthony Davis and Jason Kidd? Can he allow them to peer into a future anchored by budding superstar Cooper Flagg without constantly checking the rearview mirror?

May, 49, was hired Tuesday as the Mavericks’ head coach,. He led Michigan to the pinnacle of March Madness last season and posted a 64-13 record in two years. He also coached Florida Atlantic to the 2023 Final Four and a 60-13 record in the last two of his six seasons there.

“We set out to find a leader who embodies the values we want to define our organization,” Mavericks president Masai Ujiri said in a statement. “Dusty has won at every stage of his career because of his ability to build. He develops players, creates accountability, and brings people together around a shared standard of excellence. His work ethic is extraordinary, and his teams consistently reflect his values.”

The list of high-profile college coaches who struggled to replicate their success in the NBA is daunting: Rick Pitino, John Calipari, John Beilein, Lon Kruger, Tim Floyd and Mike Montgomery immediately leap to mind.

Not only did May not coach or play in the NBA, he barely played in college. He was a 5-foot-10 point guard at NAIA Oakland City for one season before transferring to Indiana and serving as team manager under coach Bobby Knight.

But his arrival will divert attention from the past, from the hugely unpopular and disastrous trade of Doncic to the Lakers for Davis and spare parts on Feb. 1, 2025.

Mavericks fans staged a faux funeral complete with a casket a day later in front of the Dirk Nowitzki statue outside American Airlines Center. They booed Harrison — the general manager who engineered the deal — at every home game and chanted “Fire Nico.”

When Doncic returned as an opponent, Mavericks fans chanted “MVP” when the Laker shot free throws.

Harrison admitted to underestimating the backlash from fans but defended the trade, initially saying he had “no regrets.” By November, he was fired and updated his social media profile to “unemployed.”

Next to go was Kidd, a Hall of Fame point guard who helped the Mavericks to their only NBA title as a player and to the NBA Finals as a coach. At the time, it wasn’t clear whether Kidd was an advocate of the Doncic deal or a victim of a front-office blunder. But Mark Cuban, the Mavericks’ former majority owner who currently owns 27% of the team, indicated March 31 during a podcast that Kidd was complicit.

“I think there was animosity between [Harrison] and some people on Luka’s team — his agent and some of the people around them,” Cuban said. “I don’t think they got along. I think there were issues.

“J-Kidd had coached Anthony Davis and was close to him, and Nico was close to AD since he was like 13 years old. So I think there was some confirmation bias as well. But that doesn’t justify our coach and our general manager to stand up and trade our best player.”

Doncic, 26, flourished in his first season in Los Angeles despite a late-season injury that kept him out of the playoffs. The shooting guard led the NBA with 33.5 points per game and he will be a franchise cornerstone. Davis played only 20 games with Dallas because of injuries and in February was traded to the Washington Wizards.

The makeover began when the Mavericks secured the first pick in the 2025 NBA draft despite having only a 1.8% chance of obtaining it through the lottery. They took Flagg, a forward from Duke who went on to lead Dallas with 21 points per game and was named rookie of the year.

Next, they hired respected former Raptors executive Ujiri as team president. And now they have added May as coach. This week they will add two more promising players via the first round of the draft.

“I am honored to join the Dallas Mavericks organization,” May said in a statement. “This is one of the most respected franchises in professional sports, with passionate fans, a talented roster, and a clear commitment to building a championship organization.”

The franchise is trying to eliminate reminders while attempting to instill hope for the future.

“When you study [May’s] journey, you see someone who has earned every opportunity through preparation, discipline, humility, and an unwavering commitment to improvement,” Ujiri said. “We believe those qualities make him the right leader for the Dallas Mavericks.”

Meanwhile at Michigan, a loaded roster will report to interim coach Mike Boynton Jr., May’s top assistant and the head coach at Oklahoma State from 2019 to 2024. Players are allowed to enter the transfer portal for 15 days following a coaching change, so job one for Boynton will be to keep them from fleeing.

Netflix’s comedy series Leanne is returning for Season 2 this summer and some huge names have joined the cast.

Fans of the beloved sitcom Leanne can gear up for another binge-fest soon.

Leanne Morgan’s bingeworthy comedy series, Leanne, is set to return for a second season this summer, with the star expressing how “so grateful” she feels about returning to Netflix. The Big Bang Theory producer, Chuck Lorre, who is behind the popular series that proved a massive hit with viewers, said of the show’s comeback: “Congrats to Leanne and the entire cast and crew.

“This has been an incredible journey that began with a visit to Knoxville, Tennessee. Leanne Morgan is the whole package. A comedic genius, a warm, loving human being, and an absolute joy to work with.”

Kristen Johnston, Celia Weston, Blake Clark, Ryan Stiles, Jayma Mays, Tim Daly, Graham Rogers, Hannah Pilkes, and Andrea Anders are all set to reprise their roles for the second season. Fresh faces are also joining Season 2 and here’s everything you need to know about the new series.

When is Leanne Season 2 out?

Leanne is making its Netflix comeback for a second season on August 27, with the sitcom’s latest run consisting of 10 episodes.

Fortunately for devotees, all 10 instalments will arrive simultaneously, allowing them to binge-watch to their hearts’ desire.

The second run is considerably more compact than the first, which featured 16 episodes, and it remains inspired by Leanne’s stand-up performances.

The sitcom chronicles Leanne’s journey as her world gets flipped upside down when her husband of 33 years unexpectedly walks out on her for another woman.

Throughout the series, “Leanne learns to embrace the chaos and finds strength, laughter, and hope in the most unexpected places”.

Who is joining the cast of Leanne Season 2?

Fresh faces include country music sensation and Yellowstone star Lainey Wilson.

The 34 year old country artist from Louisiana made her television debut in Yellowstone in 2022, taking on the role of Abbey.

She also has her own Netflix documentary chronicling her career, and made her big-screen debut in the film adaptation of Colleen Hoover’s novel Reminders of Him.

Actress and model Jaime Pressly is also joining the cast, best recognised for her portrayal of Joy Turner in the NBC sitcom My Name Is Earl.

Actor and comedian Billy Gardell, famous for Mike & Molly, has similarly signed up for the series, alongside accomplished film and theatre actress Tyne Daly.

Leanne season 2 arrives on Netflix on August 27.

Indiana Fever star Caitlin Clark called out officials following her team’s 86-77 win over the Phoenix Mercury on Monday. She was one of five players assessed technical fouls amid a fourth-quarter dustup that also involved former teammate DeWanna Bonner.

Clark was called for a personal foul at the 7:57 mark in the fourth quarter after getting tangled up with Bonner, who was trying to post up near the free-throw line. The two exchanged some words before things escalated as their teammates got involved. Clark appeared flabbergasted when she learned she received a technical foul for clapping while her teammate Myisha Hines-Allen and the Mercury’s Alyssa Thomas were in each other’s faces.

Bonner, Thomas, Hines-Allen and Fever guard Sophie Cunningham were also assessed technical fouls for their actions during the scuffle. Hines-Allen was later ejected from the game after earning another technical foul for pushing Thomas after being called for a foul in the very next play.

This marks Clark’s fifth technical of the season so far. Players who rack up eight technical fouls in a season must serve a one-game suspension.

“It’s ridiculous. I got a tech for clapping,” Clark said after the game. “We should all just go on the calendar now and pick a game that I’m going to be suspended for if I’m going to get technicals for clapping.

“If any technicals should be taken away, it should be that one,” Clark added. “I don’t understand it at all. … I’m going to play with emotion. I’m going to play with passion. And if they’re going to give me a technical foul for clapping, then so be it. That’s their choice.”

Caitlin Clark reacts during Monday’s game between the Indiana Fever and the Phoenix Mercury.

(Michael Hickey / Getty Images)

This was not the first time this season the two-time All-Star has been seen clapping toward other players or officials during a game. None of the previous occasions resulted in Clark receiving a technical foul. The star guard has been receiving more attention this season for her behavior during games outside of her play. The Fever reportedly plan to appeal the technical foul.

Clark led all scorers with 24 points while also dishing out nine assists in the Fever win, while Kelsey Mitchell added 22 points. For the Mercury, Kahleah Copper led with 20 points, while Thomas had 19 points, five rebounds and nine assists.

Bonner, a two-time WNBA champion, had signed a one-year contract with the Fever last season. She played in just nine games before parting ways with the team and eventually rejoining the Mercury, where she started her career. Fever fans could be heard booing Bonner at various times during Monday’s game at Gainbridge Fieldhouse in Indianapolis.

Fever coach Stephanie White said that Clark has to be aware of her technical fouls and that “there are some that we could do without.”

“There are natural things that happen that the energy of the game creates when you do get those,” White said. “But there are some that we can be a little bit more in control of. So, yes, we’ll continue to remind her, and I think she has to have an awareness.”

She also brushed off the incident as something “that … happens” in “a competitive sport.”

“As a group, we have to be able to have our moment and then regroup and play with poise and composure. It can’t continue to go on,” White said.

Dallas Wing guard Paige Bueckers and Golden State Valkyries forward Janelle Salaün are among the other players who have been assessed technical fouls this season for clapping after a play. Neither incidents involved taunting players from the opposing team, and both of those techs have reportedly been rescinded.

Julius Randle is headed back to New York, although he will be playing in a different borough this time around.

The Brooklyn Nets acquired the 12-year veteran after he spent the past two seasons with the Minnesota Timberwolves, multiple media outlets reported Monday night.

As part of the three-team deal, Minnesota will send Randle and the 28th pick in Tuesday’s draft to Brooklyn in exchange for the Nets’ No. 33 overall pick. In addition, Brooklyn will send veteran center Nic Claxton to the Chicago Bulls. The Timberwolves will receive Mo Gueye from Chicago but are expected to waive the third-year forward.

For Minnesota, the trade creates a $33 million trade exception as well as financial flexibility to seek free agents to play alongside superstar Anthony Edwards. Later on Monday, the Timberwolves came to terms with guard Ayo Dosunmu on a five-year, $112 million deal to remain with the team after being acquired from Chicago at the trade deadline.

Randle goes from a team that won 49 games in each of the last two seasons and three playoff series during that stretch to one that won just 20 games last year and a combined 78 over the last three seasons.

The Nets, who haven’t had a representative in the All-Star Game since Kevin Durant in 2022, will continue rebuilding with the No. 6 overall pick in the 2026 draft to go with the first-rounder they received from Minnesota.

The Lakers drafted Randle at No. 7 overall in 2014, with his first two NBA seasons coinciding with the final two of Lakers legend Kobe Bryant. After becoming a free agent in 2018, Randle played one season with the New Orleans Pelicans before becoming a three-time All-Star during five seasons with the New York Knicks.

In October 2024, Randle went to Minnesota as part of the deal that brought Karl-Anthony Towns to New York. Towns was a key member of the Knicks team that defeated the San Antonio Spurs in the NBA Finals and celebrated with a championship parade in Lower Manhattan last week.

During the 2025 postseason, Randle shook his reputation for fading in the playoffs, crediting his perseverance to a mentality instilled in him many years earlier by Bryant.

“I had a great mentor in Kobe that didn’t necessarily let me pout or get down on myself,” Randle said after scoring a career playoff high of 31 points during a conference semifinal game against Golden State. “His thing was always, ‘All right, what’s next? How can you get better? How can you improve?’ So I always just kind of took that mentality with me.”

While Randle hasn’t publicly commented on the trade, his wife Kendra posted a video to her Instagram Story of 9-year-old son Kyden, the oldest of their three children, stating that he’s “so excited” and “so happy” to be returning to New York.

“@brooklynnets fans he really wanted to make this,” Kendra Randle wrote as a caption to the video.

The Associated Press contributed to this report.