season

In their darkest playoff hour, Lakers coach JJ Redick advised his players during practice Sunday to take the same mental approach for the win-or-go-home Game 4 that they’ve used since the first day of training camp.

The Lakers trail the Oklahoma City Thunder 3-0 in the best-of-seven Western Conference semifinal series. The Lakers must beat the Thunder at Crypto.com Arena on Monday night or their season is over.

“Our first slide that we put up in training camp was [to] win the day,” Redick said. “Today was a quick offensive review and then just going over some stuff defensively. Got to win today and we got to win tomorrow. We know what we’re facing being down 3-0. So it’s just more of a mindset check than anything else.”

No NBA team has ever come back to win a series when trailing 3-0, with those teams holding a 161-0 record.

Those are the long odds the Lakers face.

Redick was asked what his team’s mood was like at practice.

“These guys are good,” he said.

Redick then was asked what his squad has shown him that gives him hope the Lakers can still win.

“Affirmation,” he responded.

Even after losing three games by an average of 19.6 points per game, the Lakers still cling to some hope.

Rui Hachimura has been on what Redick called a “heater” from three-point range. He has made 57.1% of his threes and has shot 54.1% from the floor in the series, averaging 18.3 points per game.

Hachimura thought back to the Lakers’ first-round series against the Houston Rockets and how they had a commanding 3-0 lead. But the Rockets fought back to make the series 3-2 before the Lakers closed out the series.

“It’s crazy, but I think that’s the mentality we need,” Hachimura said. “I think it’s one at a time. I think especially with this type of team, you can’t really make mistakes. … We have to keep the same energy the whole game. That’s the only way we can win. So, we know what we do.”

Lakers star LeBron James plays against the Thunder in Game 3 of the Western Conference semifinals on Saturday.

(Robert Gauthier / Los Angeles Times)

What they need to do is play better in the third quarter. The Lakers have been outscored 92-61 in the third quarter by the Thunder.

“I feel like every game we’re getting closer,” Hachimura said. “Especially last night … apparently we had the best offensive game of the series, even the playoffs. I think we had really good looks, great looks. But I think defensively we, especially in the third quarter, we kind of slowed down. I don’t know [if] we got burned out or we got tired, whatever.

“So, I think our focus is like how we play in the first half we have to do in the whole game. … That’s going to be our goal.”

The Lakers have managed to slow down Thunder star Shai Gilgeous-Alexander by having Marcus Smart guard him and putting constant double teams on the reigning NBA most valuable player.

Gilgeous-Alexander is averaging 21.0 points per game in the series, far below the 31.1 points he averaged during the regular season. He’s averaging 5.7 assists per game, which is below his 6.6 during the regular season, and he’s shooting 45.8%, which is below his 55.3% for the season. He’s averaging four turnovers in the series as well.

But Chet Holmgren, who is averaging a double-double in the series at 21.3 points per game and 10.0 rebounds, has been a handful for the Lakers. Ajay Mitchell is averaging 20.7 points per game and 6.6 assists.

That’s why the Lakers are on the verge of seeing their season end. The Lakers have faced adversity all season, but Game 4 will be the ultimate test.

“Being on the Lakers, you feel like your back’s against the wall every game,” Redick said. “So I think the whole season has prepared us to be in a position where we’re in the second round of the Western Conference and being in the mix with a great basketball team.”

The Sparks signed guard Kate Martin to a developmental player contract Sunday just hours before their first game of the season. About 45 minutes before tipoff, Martin arrived in Los Angeles.

“It’s been chaotic, but honestly, found a lot of clarity, a lot of confidence, and where I’m at and where the future of my career is heading,” she said. “So honestly, kind of all over the place, but feeling really good and having a lot of clarity right now.”

Martin was a surprising end-of-training camp cut for the Golden State Valkyries after she averaged 6.2 points per game in 42 contests last season. But Golden State was deep at the wing position, making Martin expendable with its other positional needs.

Speaking publicly for the first time since being cut, she was emotional, but excited for the opportunity with the Sparks.

“I chose L.A. because of the way they approached me,” she said. “I just feel honored for the opportunity. And opportunities don’t always come around in this league. And so for the year that I got cut to be the year where there are development spots, I feel very grateful for that.”

The Sparks had one developmental spot left after signing Louisville graduate Laura Ziegler during training camp.

Martin will be available to be on the active roster for 12 games, while receiving a weekly stipend of $750 in addition to a pro-rated minimum salary of $6,000. She has the most experience of any player signed to a developmental contract across the league with two full seasons under her belt.

“(Martin is) great in the locker room, great teammate, super hard worker,” said Las Vegas Aces coach Becky Hammon, who coached Martin in her rookie season. “She’s somebody who came in with pro habits and a lot of times from college, that’s hard to do, but she came in and was a nice piece for us.”

The 25-year-old was a fan favorite with the Valkyries and had the third highest-selling jersey in the WNBA last season despite coming off the bench for Golden State.

Martin first went viral during the 2024 draft when she was selected 18th overall by Las Vegas and was in the room to support her Iowa teammate, Caitlin Clark. She averaged 2.6 points per game in 34 games as a rookie with the Aces before being selected by the Valkyries in the expansion draft in December 2025.

“Now my expectations for myself are to buy into being an L.A. Spark,” Martin said. “I know that roles are ever changing throughout the season, but right now, I’m gonna be where my feet are, and I’m going to buy into this role as a development player. I’m going to learn, I’m going to grow, and I’m just going to make the most of this opportunity.”

It’s unclear how much Martin will play with the Sparks, but she might have a path because they lack wing depth. The Sparks are backcourt heavy, then have three bigs in Nneka Ogwumike, Cameron Brink and Dearica Hamby. Rae Burrell and Sania Feagin fill that role, but Martin could bring a three-point shot and energy off the bench.

“It’s a great fit for us,” Sparks coach Lynne Roberts said. “Thrilled how that worked out. It’s no secret, I love shooters. I think it’s a great add. And I think this gives her a chance in the developmental spot to just kind of settle and really pour into the player development. Her work ethic is unbelievable.”

The league’s worst team this season is getting the No. 1 pick in the NBA draft.

The Washington Wizards won the draft lottery on Sunday and are poised to pick first overall for the first time since choosing John Wall in that spot in 2010. Wall was the Wizards’ on-stage representative for the lottery.

Washington had a 14% chance of winning No. 1, tied with Brooklyn and Indiana for the best odds. The Wizards had basically a 50-50 chance of getting either a top-four pick or the No. 5 spot.

But three consecutive years of losing — the three worst seasons in the franchise’s 65-year history — finally paid off Sunday for the Wizards, who went 17-65 this season and even allowed Miami’s Bam Adebayo to score 83 points for the league’s second-highest single-game total ever.

The Wizards swung deals to land Trae Young and Anthony Davis last season, and now they have a chance to add an immediate impact player with the No. 1 pick.

Utah will pick No. 2, Memphis will pick No. 3 and Chicago will pick No. 4.

The Clippers got the fifth pick — via a trade with the Pacers — followed by No. 6 Brooklyn, No. 7 Sacramento, No. 8 Atlanta, No. 9 Dallas, No. 10 Milwaukee, No. 11 Golden State, No. 12 Oklahoma City, No. 13 Miami and No. 14 Charlotte.

The draft begins June 23 in New York. The draft combine in Chicago starts on Monday.

No. 1 pick possibilities

There are four candidates that generally are considered front-runners to be the No. 1 pick, all of them entering the draft after their freshman years of college. They are:

— BYU’s AJ Dybantsa, who led the nation in scoring at 25.5 points per game in his lone college season.

— Duke’s Cameron Boozer, the AP player of the year who averaged 22.5 points and 10.1 rebounds.

— Kansas’ Darryn Peterson, who averaged 20.2 points in 24 games for the Jayhawks.

— North Carolina’s Caleb Wilson, who averaged 19.8 points and 9.4 rebounds on 58% shooting.

All four of those players, and a few other likely first-round selections, were all among those in the studio for the announcement of the lottery results Sunday at Chicago’s Navy Pier.

“Standing here is kind of crazy,” Dybantsa said. “One of these teams is going to be home.”

Last of this format (probably)

This was the eighth, and likely final, year of this version of an NBA draft lottery, with the worst teams having a 14% chance of winning.

Framework fell into place last month on changes meant to further discourage tanking, and the league’s Board of Governors is expected to ratify that plan in the next few weeks — with general managers meeting in Chicago on Tuesday to discuss them presumably for one last time.

The three worst teams, starting next season, would have a 5.4% chance of winning — with the next seven teams all having an 8.1% chance of winning. The lottery would grow from 14 to 16 teams if the plan, as expected, is approved.

Reynolds writes for the Associated Press.

UCLA senior Megan Grant continues to etch her name into NCAA record books.

Grant hit her 38th home run of the season during a Big Ten tournament title game loss to Nebraska on Saturday, breaking the NCAA Division I record set in 1995 by Arizona’s Lauren Espinoza.

As a team, UCLA pushed its NCAA record single-season team home run total to 182.

After Grant’s historic bomb in the third inning off Big Ten pitcher of the year Jordy Frahm gave UCLA a 2-0 lead, the Bruins’ (47-8) offense sputtered and Nebraska (46-6) rolled to a 7-2 victory.

UCLA will learn its NCAA tournament matchup when the the softball bracket is revealed at 4 p.m. Sunday on ESPN2. The Bruins are expected to host an NCAA Regional and Super Regional should they advance.

Grant and Oklahoma freshman Kendall Wells have hit homers at a blistering pace and are battling to close the season with the NCAA home run title. Wells has 36 home runs, two behind Grant. Her team was eliminated from the Southeastern Conference tournament Friday, but she can add to her tally when the loaded Sooners compete in the NCAA tournament.

ATLANTA — Bobby Cox, the folksy manager of the Atlanta Braves whose teams ruled the National League during the 1990s and gave the city its first major title as well as World Series trips that fell short, died Saturday. He was 84.

Cox died in Marietta, Ga., according to the Atlanta Braves. He had a stroke in 2019 and heart issues that complicated his recovery.

“Bobby was the best manager to ever wear a Braves uniform. He led our team to 14 straight division titles, five National League pennants, and the unforgettable World Series title in 1995. His Braves managerial legacy will never be matched,” the Braves said in a statement.

Cox took over a last-place team in June 1990 and led the Braves to a worst-to-first finish in 1991, losing the World Series to the Minnesota Twins in seven games. That was the start of what was to become a record 14 consecutive division titles, a feat no professional team in any sport had accomplished.

He managed the Braves for 25 years and led Atlanta to its first World Series title in 1995, retired after the 2010 season and was inducted into the Hall of Fame in 2014.

“Bobby was a favorite among all in the baseball community, especially those who played for him. His wealth of knowledge on player development and the intricacies of managing the game were rewarded with the sport’s ultimate prize in 2014 — enshrinement into the Baseball Hall of Fame,” the Braves said.

Braves Bobby Cox, right, and Blue Jays manager Cito Gaston look over Camden Yards during All-Star workouts in 1993.

(Carlos Osorio / Associated Press)

As of Saturday, Cox ranks fourth all-time with 2,504 wins, fifth with 4,508 games, first with 15 division titles including a record 14 in a row, first with 16 playoff appearances and fourth with 67 playoff victories.

Only Connie Mack, John McGraw and Tony La Russa had more regular-season wins than Cox. His 158 regular-season ejections also was the most among managers.

“He is the Atlanta Braves,” catcher Brian McCann said in 2019. “He’s the best.”

McCann described Cox as an “icon” and “one of the best human beings any of us have ever met.”

The Braves retired Cox’s No. 6 jersey in 2011, when he joined the team’s Hall of Fame.

Cox spent 29 seasons as a major league manager, including four with Toronto. He managed 16 postseason teams. He brought an old-school approach to the dugout. He always wore spikes and stirrups, and his fatherly demeanor inspired loyalty from his players.

Odum writes for the Associated Press.

Taylor Sheridan’s “Yellowstone” universe, the sprawling neo-western TV franchise that chronicles the embattled Dutton family across time and locations, continues its aggressive expansion on screen with next week’s arrival of “Dutton Ranch.”

Premiering May 15 on Paramount+, the series continues the story of Beth Dutton (Kelly Reilly) and Rip Wheeler (Cole Hauser) — she’s the daughter of the late John Dutton (Kevin Costner), while he’s John’s longtime ranch foreman and fixer — as they migrate their passionate and unwavering love from Montana to South Texas to build a new life. The new series picks up about a year after the events that closed out the mothership series — namely, the selling of Yellowstone Ranch. And as you might expect, it doesn’t take long for them to make new enemies in their efforts to keep their new ranch operating.

Christina Alexandra Voros, who is an executive producer and director on the series, stopped by Guest Spot to talk about what sets “Dutton Ranch” apart from its parent show.

Also in this week’s Screen Gab, our recommendations include the return of a classic Cartoon Network series and a new addition to the growing microdrama landscape. And wait. Did you hear “The Bear” released a special episode? Let us tell you about it.

Scroll down and stream on. See you next week.

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

Mordecai, a blue jay who works at the park, in “Regular Show: Lost Tapes.”

(Cartoon Network)

“Regular Show: The Lost Tapes” (Cartoon Network )

Nearly a decade after “Regular Show” flashed into history with a metafictional battle for the fate of the universe, J.G. Quintel is restoring his cult-beloved cartoon series to life, with its cast and creatives back in place. (Following the “Gumball” revival, these are great days for old-school CN fans.) A surreal hardly workplace comedy, it’s set in a city park (even when, in the last season, the park was hijacked into a tree-shaped space station), where the characters — a blue jay, a raccoon, a lollipop man, a Yeti, a muscular little green monster, a video-game ghost with a hand growing out of its body-head and a walking gumball machine, who runs things — get into scrapes as strange as that cast list might suggest. As the original series ended 25 years into the future, “The Lost Tapes” no doubt indicates a rewind — VHS is the preferred format of this crew — into an earlier world we can regard as the present. Though what, after all, is time to a cartoon? (The show premieres Monday on Cartoon Network, and will come to Hulu and HBO Max later in the year.) — Robert Lloyd

Eric C. Lynch, Brittney Jefferson and Jenna Nolen in a scene from “Screen Time.”

(Liliane Lathan)

“Screen Time” (TikTok, PineDrama)

When word hit that Issa Rae’s Hoorae Media was set to premiere its first microdrama series, which are essentially super-short TV shows shot for smartphones, it felt like it was finally time for me to see what this format on the rise is all about. “Screen Time” begins with a double-date movie night that goes off the rails after a mysterious figure hijacks the TV and sends two couples — Danielle (Brittney Jefferson of “Rap Sh!t”) and Marcus (Eric C. Lynch of “Queen Sugar”); and James (Xavier Avila of “Á La Carte”) and Olivia (Jasmine Luv of “Tell It Like a Woman”) — on a tailspin as they’re forced to confess their secrets or risk their online footprint being made public. It’s a fun and ridiculous ride, made all the more entertaining when you scroll the comments for a full communal experience. It’ll have you doing an inventory on your phone’s contents, if you’re not busy unplugging any nearby virtual assistants while questioning what’s up with Marcus. There are 27 episodes now available to watch, with each clocking in at roughly a minute and flowing into the next. (For a bit of comparison, the viral “Who TF Did I Marry?” TikTok series by Reesa Teesa, which held me hostage in 2024, had about 50 videos, with many lasting around 10 minutes. But that was real-life drama.) Of course, Rae knows something about making online content stand out. Long before “Insecure” made her an in-demand storyteller in TV and film, Rae broke through with her YouTube series “The Mis-Adventures of Awkward Black Girl.” The next episode drop arrives on May 22. — Y.V.

Catch up

Jon Bernthal as Michael “Mikey” Berzatto and Ebon Moss-Bachrach as Richard “Richie” Jerimovich in a stand-alone episode of “The Bear” titled “Gary.”

(FX)

Everything you need to know about the film or TV series everyone’s talking about

“Dutton Ranch” isn’t the only show spinning off family dynamics in new places. “The Bear” made a surprise episode drop earlier this week. Titled “Gary,” the stand-alone episode — listed on Hulu separate from the main show and not considered part of a season — is a one-hour flashback that mostly functions as a prequel. It follows Richie (Ebon Moss-Bachrach) as he sets out on a work trip to Gary, Ind., with Mikey (Jon Bernthal).

Though not biologically related, the pair are best friends who consider each other family of the “cousin” variety. And they’re tasked with running an errand for cousin Jimmy (Oliver Platt) to deliver a box whose contents neither knows. Moss-Bachrach and Bernthal, who have been friends since 2003, co-wrote the episode. And TV critic Robert Lloyd had this to say about the pair’s collaboration here: “One senses that as writers, they’ve built themselves a playground to act in; both are phenomenal.”

It’s also worth noting that, a day after the episode’s release, FX confirmed the Emmy-winning series is coming to an end next month. Fans questioned the show’s fate when the fourth season concluded with its tortured but deeply ambitious head chef Carmy Berzatto (Jeremy Allen White) announcing he planned to leave the restaurant. So, yes, chef: When “The Bear” returns on June 25 for it’s fifth season, it will be the series’ last.

Guest Spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

(Emerson Miller / Paramount+)

A pair of “Yellowstone” siblings are keeping television screens supplied with Dutton drama. After “Marshals,” the CBS procedural that follows Kayce Dutton (Luke Grimes) as he leaves ranch life to join an elite U.S. Marshals unit in Montana, became runaway hit for the network when it premiered earlier this year, quickly earning a Season 2 renewal, the fictional character’s sister, Beth (Reilly), is poised for her spin-off debut. Joined by her husband Rip (Hauser) and their surrogate son Carter (Fin Little), the trio relocate to South Texas to escape the ghosts of the Yellowstone ranch and build a new life in “Dutton Ranch.” Managing a new 7,000-acre property, they encounter new friends (a compassionate veterinarian played by Ed Harris) and foes (a rival rancher played by Annette Bening). The nine-episode series premieres with two episodes on May 15. Ahead of the show’s launch, reports surfaced that Chad Feehan, the show’s creator and showrunner, would not return for Season 2. I spoke with Voros, a longtime collaborator of Sheridan, about how the new series is different from the mothership, whether its central couple parallels the epic love story featured in “The Madison” and the show’s she’s been watching. — Y.V.

How is “Dutton Ranch” different from “Yellowstone”?

“Yellowstone” was entirely about a family holding on to the legacy of a place, and “Dutton Ranch” is entirely about building a new legacy. From a spiritual sense, what is driving these characters is similar — it is the bond to family, it is protection of each other. But the landscape has changed. In many ways, what was about land in the mothership has alchemized into being about family in “Dutton Ranch” because that’s what is left. The land that has brought them to their knees in war for generations is no longer something that burdens them, but they are tasked with building a new life and protecting that new life that they have built.

What is it about Beth and Rip that struck a chord with “Yellowstone” viewers? And why do you think they are well–suited to stretch this TV universe?

Everyone loves a good love story and everyone loves an imperfect hero. When two people find each other and complete each other in a way that is both untraditional and heroic and romantic, it’s hard not to fall in love with them — and it’s hard to not want to fight for them and want to see them succeed. I’ve been with “Yellowstone” since the first season, and I remember very clearly being out there in Montana, making this crazy, big, ambitious TV show. And I remember, the next year, no one could go out to a restaurant in town without being accosted. Then the next year, there were Rip and Beth costumes at the store for Halloween. It takes a very special kind of actor to be able to carry that story and that character forward and to keep evolving, and to not become a caricature of themselves, but to grow not just the fictional person, but to also grow as an artist, to continue breathing life into that character. And I think Kelly and Cole have done so with with such grace and such a profound commitment to each other and to the show and to storytelling. They’re both EPs this season, and it’s so well-earned. It’s not just on face value. They have been in the trenches from the very beginning, really fighting for and protecting themselves and the DNA of the series.

I know, in theory, Taylor’s other series that you worked on, “The Madison,” is not in the same fictional universe. But at the heart of that series is this epic, once-in-a-lifetime romance. Do you see parallels? Do you think Preston (Kurt Russell), whose character loved visiting Montana, and Rip would have ever crossed paths? Would they have liked each other?

They would have enjoyed a beer together if they stumbled into each other at the same bar. I think the pursuits that feed their souls are different. Beth and Stacy would have ultimately gotten along after probably some kind of caustic series of remarks at the same bar.

I think there’s something about enduring love that is in both of those relationships. There are parallels in terms of the secrets that people carry, not necessarily nefarious ones, but sides of yourself that you don’t always see. I will say, Rip and Beth understand all the facets of each other in a way that is different from Stacy and Preston. The love story of “The Madison” is about two people who share everything but this one thing. Rip and Beth’s characters have also known each other since they were teenagers, and they have experienced most of each other’s lives together. If you look at Taylor’s writing, and maybe this comes from his own love story, he loves writing these strong romances, whether it’s Rip and Beth or Stacy and Preston. There are these grounding relationships that are formed by these volatile people, and it is fascinating to watch, and I think people find something familiar in them.

Ed Harris as Everett McKinney and Annette Bening as Beulah Jackson in “Dutton Ranch.”

(Emerson Miller / Paramount+)

The cast in the Sheridan TV universe are all pros. You’re also working with some major screen heavyweights — Kevin Costner, Helen Mirren, Harrison Ford, Michelle Pfeiffer, etc. In “Dutton Ranch,” you have Annette Bening and Ed Harris. What was the pinch-me moment?

I don’t even know where to start. Ed came into my office to chat at the very beginning, before we started prep. I just froze for a second; I lost my ability to speak like a normal human being. You have to forget that they are who they are in the beginning until you settle into a routine, otherwise you would be too awe-inspired to really do anything productive with your day. I feel so spoiled by the caliber of artists that I’ve had the opportunity to work with. I’m working with Sam Jackson right now on “Frisco King.” I look at the work that I’ve done with Michelle and Kurt, then Annette and Ed on this — it’s such an honor that artists of that caliber are excited to come play in these worlds. Everyday on set with Annette and Ed makes me a wiser director, makes me a smarter human being.

It was recently reported that Chad Feehan, the series co-creator, departed the series as showrunner. What was your collaboration with him like? And how do you think he handled setting the foundation for this series?

Writing a spin-off to “Yellowstone” comes with a tremendous amount of responsibility and a tremendous amount of opportunity. It’s a gift to be able to work with characters like Rip and Beth, and I think Chad did a wonderful job creating a world of characters for them to go toe to toe with in the Jacksons. The original DNA of the No. 1s on our call sheet was always there, but they are entering a new path and a new part of their own journey and worthy adversaries were needed.

OK, before I let you go, what have you watched recently that you are recommending to everyone you know?

“The Beast in Me” [Netflix], I thought was unbelievable. It’s not the kind of thing that I normally watch. I just finished watching “Imperfect Women” [Hulu]. I was so taken by the performances in both of those shows. I love “Hacks” [HBO Max], I love “Shrinking” [Apple TV]. I balance my dark thriller with comedy.

ICYMI

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UCLA senior Megan Grant hit her 37th home run of the season, tying the NCAA single-season record during the Bruins’ 19-5 win over Wisconsin during the Big Ten tournament semifinal Friday in College Park, Md.

The record was set in 1995 by Arizona’s Lauren Espinoza, but Grant and Oklahoma freshman Kendall Wells have hit homers at a blistering pace all season and are battling to close the season as the new title holder. Wells has 36 home runs, but her team was eliminated from the Southeastern Conference tournament Friday and she’ll have to wait until the NCAA tournament begins to add to her tally.

Grant, meanwhile, will be in the lineup when UCLA plays regular-season Big Ten champion Nebraska for the league tournament title at 10 a.m. Saturday in College Park, Md. The game will air on the Big Ten Network. First pitch was shifted earlier with the hope of avoiding storms in Maryland.

Grant’s teammates celebrated blast No. 37 and cheered behind her while she was interviewed on the Big Ten Network.

“I was just focusing as much as I can, just competing within that at-bat,” Grant said when asked about her record-tying blast. “… A one-on-one battle is all I think about. It kind of had a good payout.”

During their semifinal win over Wisconsin, the Bruins hit four home runs and pushed their NCAA record single-season team home run total to 181.

Earlier Friday, UCLA senior Jordan Woolery was named Big Ten player of the year by the league’s 17 head coaches.

Woolery leads the nation in RBIs (107) and is the fifth player in NCAA Division I history to record more than 100 RBIs in a season.

Bri Alejandre, Aleena Garcia, Rylee Slimp and Grant joined Woolery on the All-Big Ten first team. Bruins Kaniya Bragg, Alexis Ramirez and Taylor Tinsley earned second-team honors.

In: Blake Snell. Out: Tyler Glasnow. Soon: Mookie Betts.

The Dodgers took two steps forward and one step back in their quest for full strength Friday, putting Glasnow on the injured list because of back spasms while planning to activate Snell from the injured list on Saturday and Betts on Monday.

Snell’s start Saturday will be his first since the World Series. The two-time Cy Young winner opened the season on the injured list because of shoulder fatigue, as the Dodgers eased him into spring with the goal of putting him in the best possible position to succeed in October.

Glasnow left Wednesday’s game because of the injury. An MRI examination revealed “nothing really significant,” according to manager Dave Roberts, but the IL stint allows Glasnow to avoid rushing to be ready for his next start, with the bigger October picture in mind.

Dodgers pitcher Tyler Glasnow delivers against the Houston Astros on Wednesday.

(Ashley Landis / Associated Press)

Glasnow never has made more than 22 starts in a season. He has been on the injured list in every full season since 2019.

With Glasnow’s status in question, the Dodgers on Thursday reconsidered their plan for Snell. They originally planned for him to make a final rehabilitation start Saturday, but Roberts said the pitcher and the team agreed he could throw the planned five innings in Los Angeles as well as he could in Ontario.

The Dodgers recalled reliever Paul Gervase to fill Glasnow’s roster spot. They could return him to triple-A Oklahoma City to make room for Snell on Saturday.

Betts strained an oblique muscle April 4. The shortstop is scheduled to play two minor league rehabilitation games Oklahoma City Friday and Saturday, then return to Los Angeles for evaluation, with the hope he’ll be cleared for activation Monday.

“We’re not going to run him out there every single day,” Roberts said.

Snell and Betts are not the only reinforcements on the way. Utilityman Kiké Hernández and reliever Brusdar Graterol began rehabilitation assignments this week.

The return of Betts would appear to allow the Dodgers to jettison infield reserve Santiago Espinal, although the team opened the season with Espinal on the roster and Hyeseong Kim at triple-A, allowing Kim to play every day and Alex Freeland and Miguel Rojas to split time at second base.

However, since rejoining the Dodgers when Betts was injured, Kim is batting .314 with an .801 OPS.

The Dodgers dropped outfielder Kyle Tucker to sixth in the lineup Friday, in a batting order Roberts said was designed to combat Atlanta Braves ace Chris Sale.

In his career, Tucker is 0 for 9 with four strikeouts against Sale.

There will be no replacement referees — and therefore, hopefully, no “Fail Mary” repeat — in the NFL this fall.

The league and the NFL Referees Assn. have avoided a work stoppage by agreeing on a new collective bargaining agreement that runs through the 2032 season.

The current deal was scheduled to expire May 31. The sides having been negotiating since the summer of 2024, and the NFL had begun the hiring process for replacement officials last month.

“This agreement is a testament to the joint commitment of the league and union to invest in and improve officiating,” NFL executive vice president of football operations Troy Vincent said in a statement. “It also speaks to the game officials’ relentless pursuit of improvement and officiating excellence. We look forward to working together for the betterment of the game.”

Terms of the agreement have not been released, but the Associated Press reported in March that the league had increased its offer to a 6.45% annual growth rate”growth rate” = increase? in compensation over a six-year labor deal.

“We see this new CBA as a partnership with the league that benefits our membership but also seeks to make our game better,” NFLRA president Carl Cheffers said in a statement. “It is good to get these negotiations behind us so we can focus on preparing for the 2026 season.”

No such agreement between the sides was reached during the 2012 offseason, leading to a lockout that lasted 110 days. It all culminated in Week 3 of that season with the notorious “Fail Mary” call at the end of the Green Bay Packers-Seattle Seahawks game on “Monday Night Football.”

With the Seahawks down by five in the closing seconds, quarterback Russell Wilson threw deep to receiver Golden Tate in the end zone. Green Bay defender M.D. Jennings appeared to come down with the ball first, with Tate attempting to wrestle the ball away.

Two officials stood above the players, with one signaling touchdown (meaning Tate caught the ball, Seattle wins) and the other signaling touchback (meaning Jennings caught the ball, Green Bay wins). The final call on the field was a touchdown, which stood after a lengthy review.

It got worse. The next day, the NFL released a statement saying the officials missed a pass interference call on Tate that would have negated the touchdown. A day after that, the NFL and the referees union announced a new collective bargaining agreement that brought the regular officials back for that weekend’s games.

The Associated Press contributed to this report.

LAS VEGAS — Perhaps you were a little surprised when the Ducks, who haven’t had a winning record in seven seasons, led the Pacific Division for most of the season, or when they made the playoffs for the first time since 2018, or when they eliminated the Edmonton Oilers — who played in the last two Stanley Cup Finals — in the first round of the playoffs this spring.

If you were surprised by any of that, wait until you hear what they’ve done now.

Because with a dominant 3-1 victory over the Vegas Golden Knights on Wednesday in Game 2 of a best-of-seven playoff series, the Ducks evened the series at a win apiece and wrested home-ice advantage away from the division champions. Now they come home for Game 3 on Friday with a strong wind at their backs in a series they were supposed to lose.

“We kept the momentum and we’re headed home, which is fantastic,” center Ryan Poehling said.

If the series goes a full seven games, the Ducks will play three of the last five game at home where — would it surprise you to learn? — they had the best home record in the division this season?

But it’s not just that the Ducks won, but how they won that’s important. The younger, speedier team has skated rings around the older — and frustrated — Golden Knights, who have made the playoffs eight times in nine years, winning a Stanley Cup in 2023. Two games into this series, however, the plodding Golden Knights have looked like they’re skating through quicksand at times and have really had no answer for Anaheim in this series.

“The way to beat them is just outpacing them,” Poehling said. “And it’s not just with speed. It’s how we play. Guys are supporting one another, and you saw that. Tonight was kind of a game plan of what we want to do to win, for sure.

Ducks forward Beckett Sennecke celebrates after scoring in the second period against the Golden Knights in Game 2 on Wednesday.

(Ethan Miller / Getty Images)

“We didn’t like how Game 1 ended, but we liked our game. That’s hockey sometimes. You can play the right way, do all the right things, we end up losing.”

The Golden Knights won Game 1 when a blown icing call allowed them to score the go-ahead goal before adding an insurance goal into an empty net. So the Ducks made sure one play wouldn’t decide Game 2, taking their first lead of the series on a Beckett Sennecke goal midway through the second period.

“We had some great opportunities to score first,” coach Joel Quenneville said. “Finding a way to score first was important.”

The Ducks also scored second and third, with Leo Carlsson doubling the lead 6:36 into the third period before Jansen Harkins scored into an empty net with 3:30 to play to ice things. That didn’t end the drama though because the Ducks were six seconds away from their first shutout of the season when Vegas’ Mark Stone scored a power-play goal into an empty net.

For the Ducks, that goal spoiled nothing.

“It doesn’t matter,” goalie Lukas Dostal said. “It doesn’t matter how you win, where the score is. Obviously it’s always the cherry on the top. But it doesn’t really matter. We got a W and that’s all we focus on.”

Maybe. But after a regular season in which the Ducks gave up more than 3.5 goals a game, most of any playoff qualifier, the defensive effort was…. well, surprising.

And important.

“That’s not our tradition of playing that type of game. Low-scoring affair, when we score first and we’re leading throughout,” Quenneville said.

Ducks goaltender Lukas Dostal protects the net in front of Vegas forward Tomas Hertl during the second period.

(John Locher / Associated Press)

But if the Ducks hope to make a long playoff run, that’s the blueprint they’ll have to follow.

“The only way you’re going to be successful in the playoffs is you’ve got to win games like tonight,” said Quenneville, whose three Stanley Cup wins with Chicago are the most by an active NHL coach. “We showed that it’s going to take everybody to play these type of games. And everybody contributed.”

“We’re picking a good time,” added defenseman Jacob Trouba “to play our best hockey.”

Still, the Ducks’ best hockey can get better. Anaheim was for 0 for Las Vegas on the power play, failing to score on nine opportunities with the man advantage in the two games — including an eight-minute stretch in the first period when Vegas had one, and sometimes two, players in the penalty box.

“We had some great chances on the power play,” said Quenneville, whose team scored on half of their 16 power-play chances in the first-round series with Edmonton. Vegas, however, has killed 19 straight penalties and 24 of 25 in the postseason.

Ducks forward Leo Carlsson scores past Vegas goaltender Carter Hart during the first period Wednesday.

(John Locher / Associated Press)

Yet that wasn’t good enough for the sweep at home, so the once-favored Golden Knights must break serve in Anaheim.

“They split here. We’ve got to go in and try to get a game out of there,” Vegas coach John Tortorella said. “We’re going to keep our composure and get about our business. This team has always been really good in these type of situations, so I have full confidence we’re going to find our way.”

If the Golden Knights fail to do that, they just might be in for a surprise.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and I guess Shohei Ohtani is human after all.

I’m writing this on Tuesday evening because my youngest daughter, Hannah, whom I’ve mentioned numerous times in this newsletter, is getting married this weekend. I won’t be able to do a newsletter for next Monday, and I didn’t want everyone to wait a week and a half for the next newsletter.

So, hopefully nothing huge happened on Wednesday. But if it did, and it’s not mentioned here, now you know why.

Heading into Wednesday’s game, Shohei Ohtani was hitless since April 27. That’s a long time without a hit. So what happened?

Our Dodgers beat reporter, Maddie Lee, wrote about this after Monday’s game. Some takeaways from that story, which you can read here:

—At one point, Ohtani was going to hit and pitch Tuesday, but the Dodgers changed their mind Monday and had him only pitch.

—“Definitely not results,” Dave Roberts said of how he made that decision. “It’s a little bit more body language and just watching the player. … We’ve certainly enjoyed the fruits of him doing [both], which he will continue to, at times. But I think for me, it’s a start by start kind of read-and-react situation.”

—Ohtani: “I do feel like over the course of my career it’s just a reality that I’m not exactly hitting at the best of my ability at this time of year,” Ohtani said last week through interpreter Will Ireton. “At the same time, as a player, I do want to be better and get to that position where I’m feeling really good. It’s a balancing act of the two.”

—Ohtani has become pull-happy. He was hitting the ball to the right side 53.4% of the time entering Monday, compared to 43.2% last season, according to Statcast.

—“It’s more about timing and feel for him, backing up the baseball,” hitting coach Aaron Bates said. “When he gathers correctly and hits through the baseball, obviously we’ve seen what he’s capable of doing. But just kind of managing his at-bats right now, trying to get to the big part of the park.”

As of right now, this is Ohtani’s worst offensive season since 2020, when he hit .197. Let’s take a look at his OPS+ numbers since he began playing:

2018: 151
2019: 121
2020: 79
2021: 157
2022: 144
2023: 185
2024: 181
2025: 187
2026: 131

Even in the midst of this slump, Ohtani is 31% better than league average this season. Pretty amazing.

Does Ohtani slump early in the season? Let’s look at his numbers per month in his career:

March/April: .293/.369/.559
May: .261/.355/.541
June: .316/.413/.721
July: .248/.361/.543
August: .272/.365/.537
Sept/Oct.: .294/.391/.582

He usually hits fine this time of year. Of course, this season he is also trying to pitch full time. But he hit fine when he was a full-time pitcher with the Angels. Sometimes, players just go through slumps. There’s no reason to believe Ohtani won’t break out of this slump. And if Ohtani went four for four with three homers Wednesday, then I reverse jinxed him.

Stats explained

Every year I get emails from readers who only follow the Dodgers and not baseball in general. They want to know how to calculate various stats and wondered if I could put together a glossary of terms. This seems as good a time as any to do so. Some of you, maybe most of you, probably already know these things, but there are different levels of baseball knowledge among the subscribers, so let’s put us all on the same page. And if you want, you can save this newsletter to refer back to. These definitions come from mlb.com.

Pitching

GF: Games Finished. The number of times the pitcher was on the mound during the final out.

ERA: Earned Run Average. The number of earned runs times nine then divided by the number of Innings Pitched.

CG: Complete Games. When the pitcher throws the entire game without any relief.

SHO: Shutouts. A complete game thrown by the pitcher where the losing team did not score.

Saves. Earned by a pitcher when a. He is the finishing pitcher in a game won by his team. b. he is not the pitcher who earned the win (W). c. he meets one of the following criteria: 1. He came to the mound with a lead of three runs or fewer and pitches at least one inning. 2. He came to the mound with the tying run on base, at bat, or on deck. 3. He pitches effectively for at least three innings.

IP: Innings Pitched. A pitcher with 4.2 innings pitched had four full innings then retired two batters in his fifth inning of work.

ER: Earned Runs. Earned runs are those which scored without the aid of an error, a catcher’s interference call, or a passed ball.

R: Runs Allowed. A total number of runs, earned or not earned, that scored.

K: A strikeout by the pitcher.

Balks. A call against the pitcher for making an illegal motion that the umpire views as an attempt to deceive a baserunner.

Hold. Awarded to a relief pitcher who enters with the lead, retires at least one batter, and does not relinquish the lead.

K/BB: Strikeouts to Base on Balls Ratio. Strikeouts divided by base on balls.

K/9: Strikeouts per nine innings. The number of strikeouts averaged during every nine innings of work. Strikeouts times nine divided by innings pitched.

BB/9: Walks per nine innings. The number of walks averaged during every nine innings of work. Calculated as walks times nine divided by innings pitched.

ERA+: A pitcher’s ERA adjusted to reflect home ballpark and league average. A pitcher with an ERA+ of 100 is a league average pitcher. An ERA+ of 110 means the pitcher’s ERA is 10% better than the league average. An ERA+ of 90 means that the pitcher’s ERA is 10% worse than the league mean.

FIP: Fielding Independent Pitching. FIP is similar to ERA, but it focuses solely on the events a pitcher has the most control over: Strikeouts, walks, hit-by-pitches and home runs.

For example: If a pitcher has surrendered a high average on balls in play, his FIP will likely be lower than his ERA. Balls in play are not part of the FIP equation because a pitcher is believed to have limited control over their outcome.

The formula: The “FIP constant” puts FIP onto the same scale as the entire league’s ERA: ((HR x 13) + (3 x (BB + HBP)) – (2 x K)) / IP + FIP constant.

Hitting

AB: At-bats. Number of times a player batted, excluding walks, sacrifices, catcher interference, or being hit by a pitch.

Plate appearances: The number of times a player batted.

Runs Batted In. Given to a a batter when a runner scores due to a base hit, a sacrifice, being hit by a pitch, during an infield out (but not during a double play), or a fielder’s choice.

Sacrifice Fly. A fly ball hit with less than two outs, fair or foul, that is caught but allows one or more baserunners to tag up and score.

Batting Average. The player’s total number of hits divided by their total number of at-bats.

OB%: On Base Percentage. Determines what percentage of a player’s plate appearances resulted in him reaching base safely. Calculated by adding hits, walks and hit by pitch then dividing that by the player’s at-bats, walks, sacrifice flies and hit by pitch.

SLG%: Slugging Percentage. Calculated by taking the total bases (singles + 2 x doubles + 3 x triples + 4 x home runs) then dividing it by the number of at-bats.

AB/HR: At-Bats per Home Runs. Calculated by dividing the number of at-bats by home runs.

AB/K: At-Bats per Strikeouts. Calculated by dividing the number of at-bats by strikeouts.

OPS: On-Base Plus Slugging. On-base percentage added to slugging percentage.

OPS+: OPS adjusted to reflect league and ballpark conditions, like ERA+ for pitchers. OPS+ is scaled so that 100 is a league average player. Formula: 100 x (OBP/lgOBP + SLG/lgSLG – 1)

BABIP: Batting Average on Balls in Play. BABIP measures a player’s batting average exclusively on balls hit into the field of play, removing outcomes not affected by the opposing defense (namely home runs and strikeouts).

For example, a hitter who goes two for five with a home run and a strikeout would have a .333 BABIP. He’s one for three on the balls he put in play.

The formula: (H – HR)/(AB – K – HR + SF)

BABIP can be used to provide some context when evaluating both pitchers and hitters. The league average BABIP is typically around .300. Pitchers who have allowed a high BABIP is considered to be pitching with “bad luck.” Over time, they’ll see fewer balls in play fall for hits, and therefore experience better results in terms of run prevention. The same applies for batters who have seen a high or low percentage of their balls in play drop in for hits.

Up next

Friday: Atlanta (*-Chris Sale, 6-1, 2.14 ERA) at Dodgers (Emmet Sheehan, 2-1, 5.23 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Saturday: Atlanta (Spencer Strider, 0-0, 8.10 ERA) at Dodgers (Roki Sasaki, 1-3, 5.97), 6:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Sunday: Atlanta (JR Ritchie, 1-0, 3.63 ERA) at Dodgers (*-Justin Wrobleski, 5-0, 1.25 ERA), 1:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shohei Ohtani is mired in a hitless streak. Here’s what the Dodgers are doing to fix it

How a onetime top Dodgers prospect became an advisor to four U.S. presidents

And finally

Vin Scully tells a story about a childhood prank. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Former WNBA MVP Tina Charles has retired after 14 seasons in the league.

“Today, I officially announce my retirement from basketball,” the eight-time All Star wrote in a post shared across her social media accounts Tuesday. “This game gave me everything and I’ll miss it deeply.”

The veteran center — the No. 1 overall draft pick selected by the Connecticut Sun in 2010 — played for six WNBA franchises over the course of her career, including a lengthy stint with the New York Liberty. Named the league MVP during her 2012 campaign, Charles is the WNBA’s leader in career rebounds (4,262), double-doubles (201) and made field goals (3,364), as well as second on the list for career points (8,396) behind Diana Taurasi.

“I’ve experienced the highest highs and the lowest lows, and I’m thankful for all of it,” Charles wrote, reflecting on her professional career and “lifetime of love for this game.” “Growing up in Queens, New York, basketball wasn’t just a game, it was a language, a rhythm, its survival, its expression. It pulled me in early, and I gave myself fully to it. It shaped me into the woman I am today and for that, I wouldn’t change a thing.”

Charles is an expected future Hall of Famer. While a WNBA championship eluded her, her career includes three Olympic gold medals with Team USA, two NCAA championships with the UConn Huskies and a number of titles in leagues overseas. Her individual accolades also include being named to the All-WNBA team nine times, most recently in 2021, and to the league’s All-Defensive team four times. (Charles did not play in the 2020 and 2023 WNBA seasons.)

In a July episode of Sue Bird’s “Bird’s Eye View” podcast, Charles spoke candidly about her thoughts around retiring.

“I thought I was done in 2023 when I didn’t play,” she said. “Then [I] came back, found the joy, love for the game again. But here, I probably think about it every day. … Going in, playing, at this age, in the 30-minute range. Just how you feel physically, and then it’s more games.”

Charles returned to play with the Sun for the 2025 season, starting 42 of 44 games while averaging 16.3 points and 5.8 rebounds. She received the Dawn Staley Community Leadership Award for the second time during her final season, for her work with Hopey’s Heart Foundation. Charles founded the nonprofit in 2013 in honor of her late aunt, Maureen “Hopey” Vaz, to raise awareness about sudden cardiac arrest and provide automated external defibrillators to schools and recreation centers that need them.

According to the New York Times, Charles is currently pursuing a master’s degree in sports management at UConn and is eyeing the possibility of working in a front office of a WNBA, NBA or college team in the future while continuing her Hopey’s Heart Foundation efforts. She also has plans to get into the beer business.

“There are still dreams in my heart that are waiting to be lived, and I can’t wait to share that journey with you all,” Charles said in her social media post.

Travis d’Arnaud hit a three-run homer, Walbert Ureña threw six innings of two-hit ball, and the Angels defeated the Chicago White Sox 8-2 on Wednesday.

The Angels won a series for the first time since April 10-12 at Cincinnati. The Angels (15-23) are 2-7-2 in series this season.

D’Arnaud’s 396-foot shot off Noah Schultz (2-2), the backup catcher’s first homer of the season, kicked off a five-run second inning for the Halos. After Bryce Teodosio doubled on a ball that got past right fielder Jarred Kelenic, Zach Neto hit a stand-up RBI triple.

Mike Trout brought one more across with an infield popup that second baseman Chase Meidroth lost in the afternoon sun for a single.

Jorge Soler and Jo Adell were hit by back-to-back pitches from reliever Osvaldo Bido with the bases loaded to bring in two runs in the fourth.

Ureña (1-3) allowed one run, struck out five and walked three in his second quality start of the season. Brent Suter, Drew Pomeranz and Chase Silseth completed a four-hitter.

Meidroth had two hits for Chicago (17-20). Standout rookie Munetaka Murakami, who is tied for the major league lead with 14 home runs, struck out four times for the second time this season.

Schultz allowed seven hits and seven runs in 3⅔ innings. He had allowed a total of six earned runs in four previous starts this year.

Up next for the Angels: Open a three-game series at Toronto on Friday with LHP Reid Detmers (1-2, 4.28) facing Blue Jays RHP Dylan Cease (2-1, 3.05).

This story includes spoilers for Episode 8 of “Daredevil: Born Again” Season 2.

By the end of “Daredevil: Born Again’s” first season, showrunner Dario Scardapane knew they were heading toward Matt Murdock’s big reveal in Season 2.

The second season finale of the Marvel series, out now on Disney+, sees Murdock (played by Charlie Cox) declare to the world that he’s the vigilante Daredevil.

“Coming in with Season 1, I wish I could say I knew exactly where we were going,” says Scardapane during a recent video call. “But I knew that moment in the courtroom where Daredevil outs himself, we were definitely heading towards that.”

Iain B. MacDonald, who directed Episodes 7 and 8, said that everybody involved understood that it “was going to be a super significant moment” while they were filming the scene.

“When that’s out, that’s out,” MacDonald says. “That moment clearly has a domino effect for the rest of the episode. … I’m super excited to just to see how that’s received by the fans … because as a director, you want to deal with big moments in what you direct, and that is, for me, one of them.”

A continuation of Netflix’s “Daredevil,” which initially concluded in 2018, “Born Again” has followed Wilson Fisk’s (Vincent D’Onofrio) rise from criminal kingpin to the supposedly reformed mayor of New York. Fisk’s authoritarian tactics and campaign targeting vigilantes pushes Daredevil underground to try to assemble allies in order to bring the Kingpin down.

Matt Murdock (Charlie Cox) returned to the courtroom to make his case.

(JoJo Whilden / Marvel)

Their much anticipated showdown occurs in a courtroom in the season finale during the trial of Karen Page (Deborah Ann Woll).

“Myself and my DP [director of photography], Jeffrey Waldron, looked at a lot of courtroom dramas, just to really think about how we can tell those courtroom stories really well, and do it creatively and imaginatively … and in the language of ‘Daredevil,’ ” said MacDonald. “It was a challenge, for sure, [but] I really, really enjoyed shooting them.”

While Murdock may have triumphed in the courtroom, his revelation has consequences as teased in the episode. Scardapane says those consequences will be explored in Season 3.

“That last scene in Season 2 tells you where we’re going,” says Scardapane. “If the question is, are we doing a specific comic book run that is beloved by all, including me, I think that it’s pretty obvious what we’re doing in that last scene.”

The fallout for Murdock, as seen in the episode, is his arrest and imprisonment. In the final moments of the finale, the Man Without Fear is shown getting locked up at Rikers Island. Murdock appears to have accepted his fate, but a glimmer of smile hints that this is not the end of his story.

“Charlie and I talked about [the scene], and we knew that we wanted to end on that close-up of his face,” MacDonald says. “He said we can do two things here, one which is like acceptance of circumstances, like he’s resigned. He has made the sacrifice of outing himself to the world about who he really is [and] he has put himself away in service of the greater good … as well as have that little moment of a hint of a smile to say, this is a beginning. This is a new adventure. This is a new challenge.”

In a conversation edited for clarity and length, Scardapane discussed Murdock and Fisk’s arcs in Season 2, “Daredevil: Born Again’s” timely political themes and what to expect in Season 3.

Karen Page (Deborah Ann Woll) and Matt Murdock (Charlie Cox) get a chance to celebrate in the “Daredevil: Born Again” Season 2 finale.

(JoJo Whilden / Marvel)

At what point did you know that what you were building toward in Season 2 would end with Matt Murdock in jail?

It’s kind of a process that snowballs. They had started before me. They were doing the Mayor Fisk run. It was much more procedural, much different tone. They did six episodes, and I came in, and we moved it more in line as a continuation of the Netflix series. When Fisk becomes the mayor of New York, you put the villain at a really, really elevated place. So, Season 1 was the rise of Fisk. Season 2 has got to be the rise of that which takes him down — the resistance.

That moment that Matt stands up in court and says, “I am Daredevil,” that’s like the record scratch. Everything has changed from this moment on. At the end of Season 1, beginning of Season 2, we knew we were heading toward that moment. That moment’s consequences, for Matt and for Fisk, are kind of the fodder for Season 3.

There are comic book runs that I shall not name — although they’ve been named — that take that dilemma that Matt put himself in and go to really great places with it. Coming in with Season 1, I wish I could say I knew exactly where we were going. But I knew at the very beginning, that moment in the courtroom where Daredevil outs himself, we were definitely heading toward that.

It felt significant that Matt and Fisk’s big showdown this season happened in a courtroom.

The fun of Daredevil since the comics started is here you have a lawyer who really believes in the justice system who goes out and breaks bones at night. He’s a vigilante lawyer. That’s such a dichotomy. When the villain takes power, when the villain is the police — this situation, the villain is the Anti-Vigilante Task Force — the villain has now become the power structure of New York and has become the justice system. How does Matt fight back? He fights back as a vigilante until it gets to a crucial moment where Karen is pulled into this flawed justice system. Now there’s nowhere he could go. He’s put in this place where both his personas have to integrate, have to kind of collide, for him to beat Fisk. I think that Charlie’s performance in that courtroom scene is his best courtroom performance in any episode of “Daredevil” ever. Building to that moment of Fisk and Matt facing off in court, it was pretty important because all four of them are in court there: Wilson Fisk, Kingpin, Matt Murdock and Daredevil are all there in that scene.

Wilson Fisk’s (Vincent D’Onofrio) ambitions are thwarted in “Daredevil: Born Again” Season 2.

(JoJo Whilden / Marvel)

Fisk, the villain, ultimately loses this battle. Can you speak a bit about his arc this season?

One of the joys of this job is working with Vincent D’Onofrio, full stop. He’s done such a good job of humanizing a monster. I don’t write Fisk as a villain. I don’t think Vincent plays him as a villain. And that’s where the fun comes in.

Building up a man whose appetite, whose isolation, whose just general hunger to dominate, making that character and then giving him this one lifeline to humanity in Vanessa — that’s all calculated. We knew in Season 1 when Foggy was killed that Vanessa was going to be the cost for Fisk. The idea that Vanessa set up Foggy to die using Bullseye, and Bullseye ended up inadvertently killing Vanessa, that was 100% in the DNA from jump. Vanessa passed away in the comic books in two different ways, but that takes Fisk now into a place where, for me, all bets are off. I think that the Fisk that Vincent is playing in Episode 6, 7 and 8 and beyond are a different animal entirely. We just finished a very special episode that is pretty much all Fisk in this new incarnation and it was pretty exciting. Vincent’s in rare form in Season 3.

I understand that the Anti-Vigilante Task Force stuff was shot before the the story and imagery became extremely timely.

It’s really strange because there’s footage in the finale that’s intentionally supposed to reflect certain events. One of the things that I really wanted to do with this story, when you’re dealing with politics and everything, is we’re living in a time where these values of mutual respect, mutual listening, mutual live and let live … what I would say, democratic values are being thrown out the window when you’re dealing with the other side. If somebody doesn’t share your beliefs, it’s free game. And I’ve never really seen a time like that. So we took that story, where the mayor’s side has no quarter for the vigilante side and the vigilante side has no quarter for the mayor’s side. When they storm the rotunda, it looks very familiar. That is intentional. I’m not going to dodge that. Because it’s the idea that everybody sees themselves as a hero of this story, where they’re treating the people on the other side horribly. There’s no lesson there. It’s just the idea that when mobs get involved, when large groups of people get involved, the higher morals and higher sense of humanity falls apart.

You’ve mentioned that in writing and filming this show, you were looking at history. But what was it like when the present started mirroring what you already made based on the past?

The sequence in Episode 2, when the bodega is raided and people are dragged away by the Anti-Vigilante Task Force, that was filmed before Los Angeles, before Minnesota — before all of it. The whole thing got really strange in that the real world started to feel cartoony, and I don’t mean that in a positive way.

I think we were, as writers and directors, tapping into an unease and a malaise that’s just out there. Having it look exactly like things that then happened on the news, that was chilling. It was really hard to get my head around it. It was hard for the people involved, the directors, the fact that some of those sequences in our show, of people being dragged away and thrown into vans, looked exactly like what we were seeing on the news.

There have been other touch points, like the affinity some Task Force officers have for the Punisher logo, that crosses from the fictional into reality.

I’ve been wrestling with this since working on “The Punisher.” The map of what you do when you want to be an autocrat: You form a militia, you empower them beyond, you target a group that you want to make scapegoats, you round them up. When Charles Soule was doing the Mayor Fisk run in the comic books, that’s what he was thinking about. S—, Tony Gilroy did it in “Andor.” When you build any kind of story about an autocrat, it follows the same script. Weirdly, the script’s now playing out outside our door, and that’s become really hard to deal with. The funny thing about this show in these times is, no matter what I say, somebody’s gonna get all like, “Oh, they put politics in our comics” and “they’re trying to teach us a lesson.” Nobody’s trying to teach you a lesson. We’re just laying out a story about a guy who’s a criminal who becomes a mayor and a guy who’s a lawyer who tries to take him down. But does that have echoes in what’s going on outside our window? Yes, it does.

There is a sect of the audience that gets very vocal about the MCU getting ”too woke” or comic books and superheroes ”becoming political.”

One thing that just broke me when we started Season 3, I posted a picture of our writers room, and it’s just some of the best genre writers in the television business. I posted it [on Instagram] and I said “so stoked to get into it with these guys.” The first comment was, “Looks like a pretty woke room. Don’t ruin the show.” How does a room look woke? Oh, so you’re looking at the makeup of the people in that room, and you’re saying that that is something you don’t like? I can’t help you [with that]. I’ve just got to go into that room and write stories.

It’s also not like superhero comic books haven’t had storylines about marginalized communities or interrogating people in power.

Guys, comic books are political. They’ve always been political. The first graphic novel that ever won a Pulitzer Prize was “Maus.”

Jessica Jones (Krysten Ritter) gets in on the action.

(JoJo Whilden / Marvel)

I think I’ve waited long enough to ask about Luke Cage, played by Mike Colter, showing up in the finale. How did all of that come together?

One of the things that I’ve said a bunch about this show is we lean into the idea that these characters have grown up. The time that has passed between the end of the Netflix shows and the beginning of this show, we acknowledge and we lean into. Their lives have matured. As anybody knows, in the comics, Luke and Jessica had a child, Danielle. Now for me, as a writer, that’s just great story. We have a family of two very interesting people who were made iconic by the performances of Krysten Ritter and Mike Colter. What does that little family look like moving forward? So that tease at the end has seeds for acres and acres of stories. There’s a world that I’m super interested in, that a lot of the characters from the Netflix shows live in, that I’d love to see go forward. A lot of that’s out of my hands. But Mike and Jessica and that family are important to these stories.

Can you say anything more about what Luke has been up to since audiences last saw him?

Luke went to do some work for Mr. Charles. That’s a little bit of an Easter egg, a storyline that will play out in the future. Mr. Charles’s interest in alternatively abled people, or people who can do special things, that interest has long tentacles. It touched Luke and Jessica. It touches Bullseye at the end of the season, and that moves forward.

I think everybody’s been curious since Charlie Cox’s return. Matt’s back. Now Jessica and Luke are back. Are we going to see all of the Netflix era heroes assembled?

The best way I can answer that question is that we take comic book runs, fan desires and unfinished business. On “Punisher,” we were planning for a Season 3. I know [“Daredevil” showrunner] Erik Oleson was getting ready to work on a Season 4. That all ended very abruptly. None of the shows really got an ending that brought it all together. I wouldn’t say that “Defenders” was an ending that brought it all together. There’s so much unfinished business in those Netflix shows. We definitely, definitely knew from way back, how the ending of the Mayor Fisk rise and fall, where that was going to go next. And it’s funny because I’m talking to you as we’re trying to end where it goes next, and we’re thinking about, “OK, now what happens after that?”

I’m just going to throw it out there that I’d like to see Misty Knight and Colleen Wing back also.

[Jessica Henwick, who plays] Colleen has already said that she is not in Season 3, and that’s a real sad thing for us. It was not for lack of trying. I want to do Daughters of the Dragon, come on! That was teed up in “The Defenders.”

I wish I could be more forthright, but I have to save some some secrets for Season 3. But I do believe that we set a launching pad at the end of Season 2 that takes us into some pretty fun places that we’re in right now, and I gotta go finish that.

Whitney Leavitt is leaving “The Secret Lives of Mormon Wives.”

The reality star announced the news during her final performance of “Chicago” on Sunday. Leavitt has played tap-dancing murderess Roxie Hart in the Broadway revival since February. TMZ published a video of the moment, in which a Broadway castmate shows Leavitt a newspaper mid-scene. Leavitt, in character as Hart, points to the headline and reads aloud: “Whitney Leavitt announces she’s leaving ‘The Secret Lives of Mormon Wives.’” The audience is heard hollering and cheering.

Leavitt followed the big reveal with an Instagram video Tuesday morning and assured fans that, although the forthcoming season will be her last, she would still appear in Season 5 of the Hulu series.

“It’s honestly so crazy to me looking back on this journey, because I had been trying to get into theater, film, way before ‘Secret Lives’ even came into my life,” she said. “The reality show just fell into my lap organically and I said yes to it. It’s definitely not the path that I had envisioned in my mind to get to where I am today, but I wouldn’t change a thing. I have experienced so much with this group of women, and through that process, I have also learned so much about myself.”

Leavitt continued, saying that the “Mormon Wives” had been through so much together, including more extreme highs and lows than audiences have seen. “No matter what happens with our relationships, that is something that will always be a part of our life, that will always be a part of my life, and I wouldn’t change a thing.”

“The times I’ve walked away from ‘MomTok,’ it came from a place of anger and frustration,” she continued. “But this time, it’s significantly different, because I’m leaving with gratitude. I feel content. I feel like this is a chapter that’s closing in my life, and honestly, I believe that’s how it was always meant to be. I’m so grateful for ‘The Secret Lives of Mormon Wives.’ It’s gotten me where I am today. It’s given me the opportunities that you all have seen. But I’m ready. I’m ready for the next chapter. And I cannot wait to share with you guys what’s next.”

Much like her “Chicago” character, Leavitt’s place in the spotlight has come with less-than-favorable tabloid fodder. She told “Oprah Daily” that, although she doesn’t fully agree that she’s a series “villain,” she’s embraced her on-screen persona. She’s been candid about being a “very ambitious woman” and using “Secret Lives” as a launchpad for a career in Hollywood — and this isn’t the first time she’s departed the show.

“I had walked away from the show,” she told Gayle King about her brief hiatus after Season 2. “I wasn’t enjoying it anymore. I left the show, and then they were almost midway through the season, and I got a call from the producers, and they said, ‘If you come back, we know that you really want this opportunity to go on “Dancing With the Stars,” but the only way that you would get this opportunity is to come back and film.’”

Last year, Leavitt partnered up with pro dancer Mark Ballas and competed on Season 34 of “Dancing With the Stars.” She was eliminated in the semifinals, finishing in sixth place, but her “Cell Block Tango” performance impressed casting directors of the long-running Broadway production. One thing led to another, and the reality star was headed to Broadway.

Although Salt Lake City may not be known for the excitement synonymous with the Big Apple, Leavitt has plenty of drama to keep her busy back in production on “Mormon Wives.”

The show hit pause in March amid a series of domestic violence investigations involving stars Taylor Frankie Paul and her on-again, off-again partner Dakota Mortensen. The Salt Lake County district attorney’s office announced in mid-April that it would not be filing charges against Paul, and shortly after, the Hulu series said it would resume filming Season 5.

In the comments section of Leavitt’s Instagram video announcing her departure, Paul wrote, “You will be missed. Chase those dreams my girl. I’m excited to see your next chapter.”

Mike Trout, Jorge Soler and Zach Neto hit home runs, Ryan Zeferjahn worked out of a bases-loaded jam in the ninth inning and the Angels held on for a 4-3 victory over the Chicago White Sox on Tuesday night.

Zeferjahn hit a batter and walked two in the ninth before retiring Edgar Quero on a groundout for his first save this season and his third in 10 career opportunities. The right-hander struck out rookie home run leader Munetaka Murakami — tied with the Yankees’ Aaron Judge at 14 — with a runner on first to get the final out in the eighth.

Trout hit his 11th homer of the season and the 415th of his career with one out in the first off Erick Fedde (0-4) after Chicago scored two runs off Sam Aldegheri in the top half.

Soler followed with his eighth homer one out later to tie it 2-2.

Neto homered for the first time since April 10, a tiebreaking two-out shot in the fifth for his sixth of the season. Trout walked for the second time before scoring from first on a double by Nolan Schanuel to make it 4-2 and chase Fedde. Trout reached base four times with a single in the eighth.

Neto ended an 0-for-23 slump with a third-inning single before getting picked off.

Chase Meidroth hit his second homer leading off the seventh against Sam Bachman to get Chicago within 4-3. Both Colson Montgomery and Miguel Vargas extended their on-base streaks to 18 games for the Sox.

José Fermin (1-1) pitched a scoreless fifth for the win. Aldegheri gave up two runs on four hits in four innings in his sixth career start.

Fedde yielded four runs on six hits in 4 2/3 innings.

The top four hitters in the Angels’ lineup drove in a run for the first time since June 18, 2021, against the Tigers.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and it still amazes me every season how some fans are ready to throw in the towel at the first sign of distress.

So, the Dodgers’ offense has been sputtering as of late. Since April 21, a span of 12 games, they have scored two runs in a game three times, one run in a game twice and have been shut out once. They are 5-7 in that time and lost four in a row before winning Sunday.

Is that good? Of course not, but it’s nothing to get overly concerned about. Every team goes through highs and lows on offense. In that same time, they also scored 12 runs in a game and beat the Chicago Cubs, who had a 10-game winning streak, twice.

When they opened the season 15-4, they were averaging almost six runs a game. No one was bowing down and handing them the World Series trophy just for that, just like no one should write them off because of a bad stretch of games.

Let’s look at the Dodgers’ offense each year since 2017, with the number of times the team scored two runs or fewer in a game each season.

2026
Two runs: 6 times
One run: 3 times
No runs: 1 time
Season record: 21-13
Average runs per game: 5.15
Longest losing streak: 4 games

The Dodgers project to score two or fewer runs 47 times this season, which is higher than the last few seasons, but it’s a relatively small sample size and projections are a bit wonky this early. This is looking more and more like a repeat of last season. Streaky offense, erratic bullpen, solid (for the most part) starting pitching.

2025
Two runs: 13 times
One run: 16 times
No runs: 8 times
Season record: 93-69
Average runs per game: 5.09
Longest losing streak: 7 games

2024
Two runs: 15 times
One run: 14 times
No runs: 5 times
Season record: 98-64
Average runs per game: 5.20
Longest losing streak: 5 games

2023
Two runs: 12 times
One run: 14 times
No runs: 4 times
Season record: 100-62
Average runs per game: 5.59
Longest losing streak: 4 games

2022
Two runs: 12 times
One run: 13 times
No runs: 7 times
Season record: 111-51
Average runs per game: 5.23
Longest losing streak: 4 games

2021
Two runs: 22 times
One run: 14 times
No runs: 5 times
Season record: 106-56
Average runs per game: 5.12
Longest losing streak: 4 games

2020
Two runs: 7 times
One run: 2 times
No runs: 0 times
Season record: 43-17
Average runs per game: 5.82
Longest losing streak: 2 games

2020 was the COVID-shortened season.

2019
Two runs: 22 times
One run: 11 times
No runs: 6 times
Season record: 106-56
Average runs per game: 5.47
Longest losing streak: 6 games

2018
Two runs: 19 times
One run: 17 times
No runs: 8 times
Season record: 92-71
Average runs per game: 4.93
Longest losing streak: 6 games

2017
Two runs: 14 times
One run: 20 times
No runs: 8 times
Season record: 104-58
Average runs per game: 4.75
Longest losing streak: 11 games

So, there’s nothing really unusual going on so far this season. Now, if we reach May 20 or so and they still are slumping, then we can worry more. At some point, this team will age out. Mookie Betts seems to be injury prone, and Freddie Freeman has slowed some. At some point, this team will fail to make the postseason. But not this season.

The biggest obstacle this team faces is expectations. Some in the media proclaimed this the best offense in history. It was never going to be that. But it raised expectations, making them almost impossible to beat.

Heck, last season’s Dodgers went 0-6 against the Angels. They went 3-6 in one stretch, losing one of those games 16-0. They went through another stretch of the season in which they went 2-10, scored two or fewer runs seven times and averaged 3.5 runs per game. And last time I checked, they won the World Series.

So, this is nothing new.

When will Blake Snell be back?

Blake Snell, whom the Dodgers should start encasing in bubble wrap when he’s not pitching, is on a rehab assignment. In three games (two for class-A Ontario, one for triple-A Oklahoma City) he has pitched eight innings, giving up six hits, four runs and two walks while striking out 10. If all goes well, he will be back in mid-to-late May.

And who goes out of the rotation when he comes back? Yoshinobu Yamamoto, Shohei Ohtani and Tyler Glasnow aren’t going anywhere, so that leaves Emmet Sheehan, Justin Wrobleski and Roki Sasaki. If you go by results, then it has to be either Sheehan or Sasaki. How these guys pitch over the next couple of weeks will solidify that answer, but as for now, I’d remove Sasaki from the rotation.

Justin Turner, manager?

With three World Series titles, Dave Roberts will be Dodgers manager for a long time. But when he does step down, could Justin Turner be next?

Turner’s wife, Kourtney, recently appeared on the “Foul Territory” podcast and had this to say when asked if she believes Justin will become a manager after retiring.

“I do. I think it will be more nerve-wracking than his playing days for me, though, because I think it’s a tough job. Because if things are going well, not everyone looks to the manager. But then if there’s a decision that doesn’t pan out, I think it falls back on the manager.

“So I’ll have to stay off Twitter and all the comments for that one. I think he has such a good understanding of the game. I think he has good feel. I think he does a really good job.

“I’m always in awe when he goes to these new teams. And then I see him in the dugout the first or the second game of the season, and he’s already meshing so well. He just has that ability to reach, I think, every single guy there. And I think that’s what makes him so special.”

Turner is currently playing for Tijuana in the Mexican League.

These names seem familiar

How notable players who were with the Dodgers the last couple of seasons are doing with their new teams. Click on the player’s name to be taken to their full stats page:

Anthony Banda, Twins: 1-0, 9.00 ERA, 14 IP, 16, hits, 5 walks, 13 K’s, 50 ERA+

Austin Barnes: out of baseball (released by Mets in spring training)

Cody Bellinger, Yankees: .275/.373/.483, 142 PA’s, 8 doubles, 1 triple, 5 homers, 20 RBIs, 137 OPS+

Walker Buehler, Padres: 1-2, 5.40 ERA, 25 IP, 27 hits, 12 walks, 24 K’s, 78 OPS+

Mike Busch, Cubs: .218/.317/.339, 145 PA’s, 7 doubles, 1 triple, 2 homers, 17 RBIs, 92 OPS+

Michael Conforto, Cubs: .300/.321/.433, 38 plate appearances, 4 doubles, 5 RBIs, 150 OPS+

Caleb Ferguson, Reds: on the IL

Jack Flaherty, Tigers: 0-2, 5.90 ERA, 29 IP, 27 hits, 25 walks, 32 K’s, 74 OPS+

Jason Heyward: retired

Justin Dean, Cubs: in the minors

Tony Gonsolin: out of baseball

Kenley Jansen, Tigers: 0-2, 6.14 ERA, 6 saves, 7.1 IP, 8 hits, 4 walks, 9 K’s, 74 OPS+

Craig Kimbrel, Mets: 0-1, 4.26 ERA, 6.1 IP, 6 hits, 3 walks, 8 K’s, 100 OPS+

Michael Kopech: out of baseball

Gavin Lux, Rays: on the IL

Dustin May, Cardinals: 3-3, 5.15 ERA, 36.2 IP, 47 hits, 9 walks, 25 K’s, 75 ERA+

Zach McKinstry, Tigers: .209/.261/.326, 46 PA’s, 2 doubles, 1 homer, 5 RBIs, 62 OPS+, on the IL

James Outman, Twins: .129/.182/.194, 33 PA’s, 2 doubles, 4 OPS+

Ben Rortvedt, Mets: in the minors

Corey Seager, Rangers: .213/.315/.410, 143 PA’s, 6 doubles, 6 homers, 17 RBIs, 113 OPS+

Chris Taylor, Angels: in the minors

Justin Turner, Tijuana (Mexican League): .276/.344/.448, 32 PA’s, 2 doubles, 1 homer, 3 RBIs

Trea Turner, Phillies: .243/.304/.375, 148 PA’s, 6 doubles, 4 homers, 11 RBIs, 86 OPS+

Miguel Vargas, White Sox: .220/.359/.424, 145 PA’s, 4 doubles, 1 triple, 6 homers, 17 RBIs, 119 OPS+

Kirby Yates, Angels: on the IL

Up next

Monday: Dodgers (Yoshinobu Yamamoto, 2-2, 2.87 ERA) at Houston (TBA), 5:10 p.m. PDT, Sportsnet LA, AM 570, KTNQ 1020

Tuesday: Dodgers (Shohei Ohtani, 2-1, 0.60 ERA) at Houston (Peter Lambert, 1-2, 3.52), 5:10 p.m. PDT, TBS, Sportsnet LA, AM 570, KTNQ 1020

Wednesday: Dodgers (Tyler Glasnow, 3-0, 2.56 ERA) at Houston (Lance McCullers Jr., 2-2, 6.32 ERA), 11:10 a.m. PDT, Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

In case you missed it

Why Dodgers pitcher Emmet Sheehan has ‘K ALS’ stitched into his glove

‘We’re in a little funk’: Dodgers fizzle at plate, suffer third straight loss

Ex-Dodger Alex Cora’s wild roller-coaster departure from the Red Sox explained

Shaikin: The Dodger hosting a comedy show? Stoic Will Smith. No joke

McCourt Foundation’s L.A. Marathon to city: Can you save us half a million dollars?

What Shohei Ohtani’s start against Marlins says about how Dodgers are handling his workload

And finally

Vin Scully tells a story on how a player’s career was influenced by … well, you have to see it to believe it. Watch and listen here.

Until next time…

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Captain Virgil van Dijk says Liverpool‘s season has been “unacceptable” after Arne Slot’s side fell to an 18th defeat in all competitions when they were beaten by Manchester United.

The Dutch defender has also stressed the need for “a lot of work to be done behind the scenes” to avoid a repeat of their disappointing Premier League title defence.

“I’m not here to make excuses,” Van Dijk said.

“It’s been a very disappointing season, an unacceptable season, and it’s tough. We shouldn’t feel sorry for ourselves whatsoever.

“We have to work and turn this around and make sure that next season these things don’t happen. It’s not Liverpool.”

Liverpool may still require four points from their remaining three games to confirm Champions League qualification.

The 3-2 defeat against Michael Carrick’s side at Old Trafford came after a three-game winning run in the Premier League, but it was the 11th loss of Liverpool‘s title defence.

The last reigning champions to lose more league games were Leicester (18) in 2016-17.

“I think it’s unacceptable that we have lost too many times as defending champions of the Premier League and we shouldn’t accept it,” said Van Dijk.

“There will be a lot of work that has to be done going into next season. When I am back from the World Cup I will go into it, but there is a lot of work to be done behind the scenes.”

The 34-year-old added: “I care so much about this club. I know that it has been a tough season, but I will always be there in good and lesser good days.

“But we have three games left and the realisation has to come from ourselves, as a group and as players, to make sure that we are in the Champions League because of the impact of it for the financial side for the club. But also because we want to be playing against the best teams in Europe.

“It’s not easy. But we keep going.”

This time last year, Swansea had built significant momentum under former boss Alan Sheehan, who had inspired an upturn in form to ward off relegation concerns after the Luke Williams era ended on the back of a worrying slump.

In the previous campaign, Williams was the man who masterminded the turnaround in fortunes after Michael Duff’s forgettable stint in charge.

Matos’ challenge is to change the record at Swansea, who will begin 2026-27 with an eye on the play-offs, as was the case at the start of the season which ended with Saturday’s win over Charlton Athletic.

There is likely to be a little more expectation next time around given that the teams finishing seventh and eighth will secure play-off places in a year’s time.

Yet it is worth remembering that aside from their two play-off campaigns under Steve Cooper – when parachute payments still offered a helping hand – the best finish Swansea have managed since dropping out of the top flight is 10th, first Graham Potter in 2019 and then Russell Martin three years ago.

Matos’ team finished 11th, just as Sheehan’s side did last year, although Swansea had three more points this time around.

Ultimately, they were nine points short of Hull City, who claimed the last of this season’s play-off places, and five adrift of Derby County, who ended in eighth.

EXCLUSIVE: American star Hemky Madera has opened up about joining the Emmy-winning HBO series, Euphoria.

Euphoria’s latest season has certainly got audiences talking after featuring a huge time-jump and some new characters.

Now, one of the stars of Euphoria has teased working on the new season and starring opposite singer and lead Zendaya.

In an exclusive interview with Reach Plc, the publishers of the Mirror, Hemky Madera has spoken about his mysterious new character Jimenez and joining the show.

The 49-year-old star, who is best known for Queen of the South, said: “Being part of this cast is amazing, from the crew, for [creator] Sam [Levinson] all the way to Zendaya and all between, so it was a great experience to be part of this show.”

He went on to tease: “I can’t say much about his character but his moral compass is in a certain way.” Adding: “But it’s a fun, whacky character.”

Although not much is known about Madera’s character, he is set to be playing a key role and will be appearing in six out of the eight episodes of season three.

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He said: “Zendaya’s character Rue and my character through many episodes together, working together. So it’s pretty cool.”

On working with the 29-year-old Spider-Man: Homecoming star, Madera said it was “amazing”.

He elaborated: “She’s such a pro. She was very welcoming and she was on from the emotional to the action to everything in between was pretty cool to work with.”

He went on to tease the third season, saying it was a “more mature flavour” and the characters were now adults and “no longer under the blanket of high school”.

He added: “They’re making their mistakes and learning from them.”

Madera admitted that although he’d been familiar with the series, it wasn’t until he started auditioning for Euphoria that he became a fan and binged the first two seasons.

“I’m very honoured to be a part of the show,” he said.

Madera said about the audition process that it was “tricky” because it was his second in-person audition in eight years. Due to shooting Queen of the South, the actor would have to send off self-tapes.

“It was nerve-wracking in the sense of being back in a room, but at the same time very exciting to be part of the room,” Madera explained.

Along with Euphoria season three, Madera has a long list of upcoming projects, including Star Wars: The Mandalorian and Grogu.

He is also going to be appearing in Victor, The Last Horseman, La Máquina, and El Secreto del Retrato.

Euphoria season 3 airs on HBO Max and NOW in the UK on Mondays

For Russell, this cannot be an easy moment in his career. A Mercedes protege himself, he has waited eight years for this moment – the best car, with Mercedes.

Last year, he was comfortably the better driver of the two; only rarely did Antonelli get the better of him. So he earned his status as pre-season championship favourite.

The Briton, 28, lived up to that when he won the first race of the season in Australia from pole position, but since then things have gone against him.

A technical problem almost certainly robbed him of pole in China and handed it to Antonelli, who converted it into a maiden win. A safety car intervened to hand the victory in Japan to Antonelli, when without it most likely either McLaren’s Oscar Piastri or Russell would have won.

But there was no doubt about the Miami win. Antonelli put it on pole. Russell was fifth on the grid, behind upgraded cars from the Red Bull, McLaren and Ferrari teams.

Antonelli made a sixth bad start in a row and lost ground. But he stayed calm, fought back, and grabbed the win from McLaren’s Lando Norris over the pit stop period.

Norris initially thought that was all about McLaren making a mistake by letting Mercedes pit first, not wanting to go too early with rain threatening.

But McLaren team principal Andrea Stella said the team still had the margin to stay ahead of Antonelli when they did stop three laps after him, but that a series of events conspired against them.

First, there was the time gained by what Stella called a “huge” first lap out of the pits by Antonelli after his stop. That risked overheating his tyres, which he would have to deal with later, but ensured he was still within striking range of the McLaren.

Then Norris made a couple of errors on his in-lap and had a slow stop. Combine all that, and it was enough to put Antonelli right on Norris’ tail when the McLaren came out of the pits. The Mercedes quickly swept past, and Antonelli held Norris off for the rest of the race.

Russell is keeping things in perspective, recognising there are still 18 races to go, and a lot can happen.

“Clearly he’s in a very good place at the moment and momentum is with him,” Russell said. “But, having got enough experience myself in championships I’ve won and how momentum swings throughout the year, and looking at the championship last year, to be honest, I’m not even considering it.

“It’s just that I want to get back on to the top step of the podium. The first three races, I had the performance to do that, but this weekend I absolutely did not have the performance to do that.

“So, I could be standing here now with three very different results in previous races, with this one being a bit of a one-off, but obviously things worked out differently in Japan and China, but that’s Formula 1 sometimes.”

Russell admitted that the “pace was really, really poor on my side”, and that he has never gelled with the Miami circuit and its low-grip surface and slow corners.

But Hill said: “You can’t have that, you can’t have a track that you don’t gel with. You’ve got to be good across everything. George now has to regroup, has to look at where he is at and what the new paradigm is.”

Captain Paige Cronin delivered a pinpoint cross onto Cloé Lacasse’s head for the game’s only goal in the 32nd minute, giving Utah (4-2-1) a win over Angel City at BMO Stadium. It was the Royals’ fourth straight victory.

In first half stoppage time, Maiara Niehues received a direct red card for violent conduct towards Lacasse. It was the first red card in club history for Angel City FC, who played down a player the entirety of the second half.

Royals goalkeeper Mandy McGlynn started her first match of the 2026 season and earned the clean sheet with four saves.

After starting the season with three consecutive wins, Angel City FC (3-3-0) have now lost three straight.