season

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and it looks like the Dodgers won’t be needing Tatiana Tate to be a live trumpeter for a while.

Well, we knew some bad news had to hit the Dodgers eventually, and it did on Monday when they put new closer Edwin Díaz on the injured list because of “loose bodies” in his right elbow. He will have surgery and will be out until sometime after the All-Star break.

Díaz signed a three-year, $69-million deal with the Dodgers before the season, and after a great debut, has steadily declined. He has a 10.50 ERA and has given up nine hits and walked five in six innings, striking out 10. He has four saves. Let’s look at each game:

March 27 vs. Arizona
1 IP, 0 hits, one walk, two strikeouts, save

March 28 vs. Arizona
1 IP, save

March 31 vs. Cleveland
1 IP, one hit, one ER, one walk, two strikeouts

April 5 at Washington
1 IP, one strikeout, save

April 7 at Toronto
1 IP, one hit, one walk, three strikeouts, save

April 10 vs. Texas
1 IP, four hits, three ER, one walk, two strikeouts, blown save, win

April 19 at Colorado
0 IP, three hits, three ER, one walk

We kept hearing from Díaz and the Dodgers that he was healthy, but his fastball had lost about two miles per hour, and he went nine days without pitching. The Dodgers are known for not always being 100% forthcoming about injuries (I’m pretty sure their health advisor is the Black Knight from “Monty Python and the Holy Grail”).

And then on Monday we hear about “loose bodies.” Loose bodies in the elbow are small fragments of bone or cartilage which are floating in the joint.

At the moment, Díaz joins names that include Don Stanhouse (2-2, 5.04 ERA) and Kirby Yates (4-3, 5.23 ERA) among terrible free agent reliever signings by the Dodgers. Tanner Scott was terrible last season, led the league in blown saves and didn’t pitch in the postseason, but has rebounded so far this year (of course, it’s still early).

I thought after Yates and Scott were so bad last season that the Dodgers would wait a while before offering big money to a reliever. But no. You have to figure they will be shy now.

Of course, Díaz could recover from this and come back to be a great closer. But right now, yikes.

So who will be the new closer? The guess here is that Dave Roberts will go with whoever the matchups dictate. Their best relievers this season have been Alex Vesia, Jack Dreyer and Scott. Blake Treinen pitched well until his last outing. Same with Will Klein.

So, looks like another season of bullpen uncertainty. We should all be used to it by now. But just think: Closer injured, Mookie Betts injured, Kyle Tucker not hitting as expected and the Dodgers are still 16-6 (on pace to win 118 games) and have the best record in baseball.

And of course those pesky San Diego Padres are right there with them at 15-7, the third-best record in baseball.

Welcome, Jake Eder

The Dodgers brought left-hander Jake Eder up from the minors to replace Díaz. Eder, 27, was with the Angels last season, where he went 0-1 with a 4.91 ERA in 18 1/3 innings, walking nine and striking out 15. He was selected out of Vanderbilt in the fourth round of the 2020 draft by the Miami Marlins.

Of course, we know one thing if he’s with the Dodgers, and sure enough: He missed the 2022 season after Tommy John surgery. The Marlins traded him to the White Sox in 2023 and he had an 11.42 ERA in five starts in double A. In 2024, he had a 6.61 ERA in 24 minor-league starts. His contract was purchased by the Angels before the 2025 season, and they traded him to Washington on July 30. The Dodgers purchased his contract on April 1.

Dalton Rushing is amazing

Dalton Rushing has 12 hits this season. Seven of them are home runs. In 27 at-bats, he is hitting .444/.496/1.296. He is one behind Max Muncy for the most home runs on the Dodgers. He is tied for fourth in the NL in homers, but everyone he is tied with or trailing has at least 50 more plate appearances.

He has 13 RBIs, tied for third on the team with Kyle Tucker and Teoscar Hernández, trailing Andy Pages (21) and Freddie Freeman (14). They all have at least 50 more plate appearances.

At this point, I’d play him every day until Freeman comes back from paternity leave and strongly consider starting him at DH when Shohei Ohtani is the starting pitcher. This run won’t last forever, but might as well ride it out while you can.

Davey Lopes remembered

I’m a little behind on this, but the Dodgers honored Davey Lopes before the first home game they played after he died. They played a video and had a moment of silence for him.

I think he deserves a patch on the uniform, but, the Dodgers must think otherwise.

Charley Steiner says thanks

After the last newsletter, where readers gave their best wishes and shared their favorite Charley Steiner moments, Steiner sent along the following:

“This has all been so very flattering. I’m feeling better and stronger. The messages were so kind, flattering and overwhelming.”

Up next

Tuesday: Dodgers (Yoshinobu Yamamoto, 2-1, 2.10 ERA) at San Francisco (Landen Roupp, 3-1, 2.38 ERA), 6:45 p.m., Sportsnet LA, AM 570, KTNQ 1020

Wednesday: Dodgers (Shohei Ohtani, 2-0, 0.50 ERA) at San Francisco (Tyler Mahle, 0-3, 7.23 ERA), 6:45 p.m., Sportsnet LA, AM 570, KTNQ 1020

Thursday: Dodgers (Tyler Glasnow, 2-0, 3.24 ERA) at San Francisco (Logan Webb, 2-2, 5.40 ERA), 12:45 p.m., Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

In case you missed it

Dodgers closer Edwin Díaz to undergo surgery, will return after All-Star break

Rick Monday on saving an American flag at Dodger Stadium: ‘I get letters every week’

Shaikin: Rick Monday saved an American flag in 1976. Why the moment resonates 50 years later

Behind the scenes of a milestone Make-A-Wish experience with the Dodgers

And finally

Vin Scully discusses what he does to prepare for a game. Watch and listen here.

Until next time….

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Welcome to this week’s Lakers newsletter, where we’re playing chess, not checkers.

The intensity has picked up now that the playoffs have started. The Lakers won Game 1 against the Houston Rockets and now the fun begins. Coaches tinker with their game plans trying to capitalize on every perceived advantage. Players are locked in intense multi-game matchups. For a self-proclaimed basketball sicko such as JJ Redick, it’s almost basketball nirvana.

“Every day I wake up, I’m excited to go to work,” Redick said. “Every day feels exciting.”

Playoff DA

Days before the game, on the day of the game and the day after the Lakers’ playoff opener, Redick fielded different versions of the same question.

How influential will Deandre Ayton be in these playoffs?

“The ceiling for our team is maximized when he’s playing at a high level,” Redick said Monday, one day after Ayton’s 19-point, 11-rebound double-double highlighted the Lakers’ Game 1 win. “I remember saying that three times already in the last week. I don’t know how else to answer that.”

Facing consistent scrutiny as the Lakers’ biggest X factor, Ayton now needs to deliver consistent performances in the playoffs. Just one impressive performance won’t be enough to silence critics.

Ayton sent a solid statement in Game 1. In addition to shooting 80% from the field, Ayton helped hold Rockets All-Star center Alperen Sengun to 19 points on six-of-19 shooting. The Lakers’ defense, anchored by Ayton on the back line, smothered Houston. Playing without Kevin Durant, who was a late scratch with a right knee contusion, the Rockets shot just 37.6% from the field.

“I really tried my best to show [Redick] that I’m here and I’m ready throughout those practices just being super and extremely consistent,” Ayton said after the Lakers’ playoff opening win Saturday. “I couldn’t wait to just beat up on somebody else in the first game.”

In front of a buzzing Crypto.com Arena crowd, Ayton made his presence felt early. He scored the Lakers’ first points with a turnaround floater in the lane. He caught two two lobs for dunks. The Lakers’ crowd erupted each time.

Ayton, after two lost years in Portland, hadn’t experienced that thrill in too long.

“It got my blood boiling a little bit,” Ayton said of not playing in the postseason since 2023.

Ayton’s career was fading in Portland. He became known more for inconsistent play and lagging energy than his soft shooting touch or defensive prowess. He looked at the two-year, $16.6-million contract with a player option from the Lakers as a lifeline. It felt like the last chance for him to prove he could still be that player who started for the Phoenix Suns in the NBA Finals.

Ayton averaged 14.7 points, 12 rebounds and 1.5 blocks on 53.1% shooting in the 2021 Finals series against the Milwuakee Bucks. When speaking of Lakers players with playoff experience, LeBron James always leads the conversation, but Redick, conscious of Ayton’s importance to this team, never leaves out Ayton’s playoff past.

There is still a reason why Ayton was the No. 1 overall pick in 2018, center Jaxson Hayes said.

“When it comes to this serious time of year, like playoffs, he already knows,” Hayes said. “He’s been there, and so he knows what to do. He just came locked in. And I loved it. It was awesome.”

The Lakers were 22-3 in the regular season when Ayton took 10 or more shot attempts and 15-1 in games when he had 11 or rebounds. The trend continued in the playoffs when Ayton made eight of 10 shots in Game 1. He grabbed his 11th rebound in the final seconds.

Ayton’s dominance allowed Hayes to “take a chill day,” the backup center joked. But both big men aren’t resting on one successful game.

“We’re not gonna sit here and take this for granted,” Ayton said. “We have to take care of home court, and that’s our job.”

Gang’s all here

Luka Doncic, left, and Austin Reaves chat as they sit on the bench during Game 1 against Houston.

(Mark J. Terrill / Associated Press)

Each seat in Crypto.com Arena for Game 1 was carefully decorated with a yellow T-shirt featuring every Lakers player and Redick. Each photo, a little black-and-white headshot, was the same size arranged in a grid, symbolizing unity from everyone on the Lakers’ bench. On the free T-shirt and in real life, the Lakers brought the entire band together just in time for the playoffs as Luka Doncic reunited with the team Saturday.

The superstar guard is still out indefinitely while rehabbing a Grade 2 hamstring strain, but his presence on the bench at least offered a timely morale boost.

“I think people don’t know how much impact Luka has, not only on the court, but off the court,” forward Rui Hachimura said. “He’s a guy that always wants to be around with us. We love him just being around, just hanging out, talking. So, yeah, we’re happy that he’s back finally and he’s doing funny things always.”

While continuing treatment for his injury, Doncic’s role at practice was limited to rebounding and passing the ball in shooting drills. He and Reaves helped distract teammates during free-throw shooting drills at the end of practice Monday and engaged in a quick game of rock-paper-scissors while Jarred Vanderbilt was at the free-throw line. After their shared agent Bill Duffy helped Hayes get a Slovenian passport to potentially play internationally together, Doncic has been calling the 7-foot center from Cincinnati “my Slovenian brother.”

Doncic adds his joyful energy to a typically tense time. Maintaining that balance of lightness and focus has been key for the Lakers all season. Like how Redick often describes when Doncic is at his best, the Lakers look their best when they’re having fun too.

In the final seconds of Saturday’s Game 1, when the Lakers were dribbling out the clock, Hachimura was standing dutifully in the corner in front of the Lakers’ bench with his hands up ready for a pass. Doncic playfully smacked his teammate on the head several times.

Hachimura had no recollection of the moment. That’s just life with Doncic.

“I’m used to it,” Hachimura said.

On tap

Tuesday vs. Rockets, 7:30 p.m.

The Lakers have a chance to go up 2-0 in a playoff series for the first time since the 2020 NBA Finals.

Friday at Rockets, 5 p.m. PDT

The Lakers have lost nine consecutive road playoff games. The last postseason win on the road came in Game 1 of the second round in 2023 against Golden State. The Lakers won that series in six and advanced to the Western Conference finals.

Sunday at Rockets, 6:30 p.m. PDT

Maybe the Lakers are going for the sweep Sunday. If not, they will at least get two days’ rest before Game 5 back in L.A.

Status report

Luka Doncic (left hamstring strain)

Doncic is still out indefinitely but at least reunited with the team Saturday after returning from Spain. Redick said Doncic is in good spirits to be back with his teammates, and he sat on the bench for Saturday’s Game 1.

Austin Reaves (left oblique strain)

Reaves is working diligently with hopes of returning this postseason. Like Doncic, he had an initial four- to six-week recovery timeline, which would make April 30 the roughly four-week mark.

Kevin Durant (right knee contusion)

The Rockets superstar missed Game 1 after banging his knee in practice last week. He was a game-time decision Saturday and remains questionable for Tuesday’s Game 2.

Favorite thing I ate this week

Duck tsukune meatballs and wagyu beef tongue skewers from RVR in Venice.

(Thuc Nhi Nguyen / Los Angeles Times)

My friends heard conflicting opinions about RVR — a new izakaya on Abbot Kinney — so, naturally, we had to investigate.

Our verdict is all the thumbs up.

The menu rotates so often that between sitting down and ordering, our server handed us new menus because the kitchen got a different batch of produce from the farmers market that morning.

There were waves of small shareable plates and we started with the duck tsukune meatballs and wagyu beef tongue skewers (pictured). The meatballs are among the most popular dishes on the menu, our server told us. The beef tongue wasn’t popular at all, he said, but they were his favorite. We’re on his side. He said the beef tongue is brined for days in dashi, and the care shows in the beautifully tender pieces; we cut one of the cubes with the skewer that it came on.

We had a seasonal blood orange and fennel salad, pan fried pork rib gyoza that came with a unique yozu kosho sauce, and wagyu beef keema curry. The miso-orange glaze-soaked mochi beignets were the ideal sweet treat.

In case you missed it

Luka Doncic providing Lakers a big playoff boost, even from the bench

Luke Kennard provides a jolt of Luka magic, helping the Lakers beat the Rockets

Plaschke: Can Lakers steal series? Anything is possible after Game 1 win

Nike is denied trademark for Bronny James ‘b9’ logo. Here’s why

Swanson: Can LeBron James pull off his second-greatest playoff feat?

‘He knows the most’: How LeBron James sets the tone for Lakers entering playoffs

L.A.’s Blue Era: How popular are the Dodgers? Even the Lakers look up at them. Way up

Until next time…

As always, pass along your thoughts to me at thucnhi.nguyen@latimes.com, and please consider subscribing if you like our work!

Defender Callum Doyle has been a key member of the Wrexham team bidding for the Championship play-offs.

The 22-year-old has played in 36 games in all competitions this season, including 26 successive matches.

His performances have been recognised with a spot in the Championship team of the season, one he describes as a “massive honour”.

But Doyle acknowledges that life at the Stok Cae Ras did not get off to the best of starts.

Back in October the 22-year-old former Manchester City youngster was featuring in only his eighth game for his new club following a late summer move.

In the second half at home to Oxford – a game Wrexham won 1-0 – he was shown a straight red card during the second half of the match.

“It’s one of those moments that it’s a bad moment,” Doyle said.

“But, in the grand scheme of things it’s not so bad of how I’ve changed my attitude towards training.

“And it’s been good for me since that point.”

The sending off proved to be a blessing and a turning point for Doyle’s season.

Doyle’s enforced absence was an opportunity that manager Phil Parkinson and his coaching team used to work with the Manchester-born defender.

“He came in and missed a lot of pre-season, so it took us a while to get him up to speed,” said Parkinson.

“When he got sent off, it was a chance for us to pull him away and do work with him and almost give him a mini pre-season and get him to where he needed to be.

“But I think everybody can see what a class player Callum is.

“He’s got a lot of experience for someone so young and the aim is for him now to finish his season strongly.”

DENVER — The Dodgers announced Monday that Edwin Díaz will undergo surgery to remove “loose bodies” in his right elbow and the closer isn’t expected to return until some point in the second half of the season.

Díaz, 32, has a 10.50 ERA in seven appearances this season for the Dodgers, who made a splash signing the high-profile free agent to a three-year $69-million deal, a record for a reliever.

The Dodgers recalled 27-year-old left-handed long reliever Jake Eder to replace Díaz on the roster.

Díaz gave up three runs and failed to get an out in the Dodgers’ 9-6 loss to the Colorado Rockies in a non-save situation Sunday, in what was his first appearance in nine days.

He entered the game and gave up a walk and three base hits, including a two-RBI single to Edouard Julien. Afterward, Dodgers manager Dave Roberts expressed concern about Díaz’s performance: “I know what it’s supposed to look like, and when it doesn’t look like that, it gets a little concerning, really.”

Before the Dodgers played their final game of the four-game series against the Colorado Rockies on Monday, Roberts said that the diagnosis provides some clarity, and that Díaz only began feeling discomfort in his elbow Sunday.

Before that Roberts said the plan was to “tread lightly” with the pitcher’s workload, unsure why the velocity of his pitches was down.

“Obviously, we all saw the stuff [Sunday], and it sent up red flags,” Roberts said. “And so, after the game, he had a conversation with our training staff, and felt that he had some elbow discomfort. So we just wanted to be proactive, and felt that it was smart to get an MRI, get imaging, which we did do, and it showed loose bodies.”

Having experienced the same thing as a player, Roberts explained, “you have loose bodies and they’re asymptomatic until they’re not.”

Dodgers closer Edwin Díaz jogs to the mound during the ninth inning against the Cleveland Guardians at Dodger Stadium on March 31.

(Ronaldo Bolanos / Los Angeles Times)

A 10-year veteran, Díaz is a three-time All-Star. For his career, he has 257 saves in 300 opportunities with 849 strikeouts.

General manager Brandon Gomes said the Dodgers are “as confident as we can be” that Díaz will return to top form.

“Our understanding is that it’s a pretty straightforward procedure,” Gomes said. “We’re going to take our time with getting him back and being mindful of the buildup, and make sure he’s in a really good position to come out and compete at the highest level of what we expect.

“It’s the benefit of having a deeper staff and a talented team that it’s never easy to lose somebody like Edwin, but we’ll get through it and it’ll be a collective effort to keep winning baseball games.”

Roberts said he doesn’t plan to name a substitute closer in Díaz’s place, and the manager acknowledged that the news will significantly alter how he’ll use the bullpen.

“It does change it. In a big way,” Roberts said. “I do think being able to deploy guys in their right lanes or pockets has been helpful. But with that, I do think that Alex [Vesia] has been throwing the baseball really well. Tanner [Scott has] been throwing the baseball really well, and outside of last night, Blake [Treinen] was throwing the baseball really well.

“But it does kind of not allow us to work from the back end, which is certainly a luxury.”

The Dodgers have had unfortunate luck signing big-name relievers. In 2025 they signed left-hander Scott to a four-year $72-million deal. He then led the league with 10 blown saves last season and the Dodgers removed him from their postseason roster, replacing him with left-hander Justin Wrobleski, who was set to start Monday as the team played for a series split at Coors Field.

Ousseni Bouda scored two goals in the second half, ending LAFC goalie Hugo Lloris’ scoreless run to begin the season at 593 minutes, and the San José Earthquakes stunned LAFC 4-1 on Sunday night in an early Western Conference showdown.

San José (7-1-0) moves into a first-place tie with the Vancouver Whitecaps in the Western Conference and Supporters’ Shield races in the Earthquakes’ second season under head coach Bruce Arena.

Daniel De Sousa Britto missed a chance to tie Lloris with a sixth clean sheet on an own goal by Reid Roberts in the 74th minute. He had three saves.

Bouda used assists from newcomer Timo Werner — his third — and Beau Leroux to find the net in the 53rd minute after a scoreless first half.

Werner, sidelined the last two weeks with a lower-body injury, took a pass from Leroux three minutes later and scored his first MLS goal for a 2-0 lead. Leroux’s assists gives him four, matching his total last season in 33 appearances as a rookie.

An own goal on Ryan Porteous in the 59th minute made it 3-0 in a span of six minutes.

Bouda’s fourth goal of the season capped the scoring in the 80th minute. Niko Tsakiris notched his career-high fifth assist.

Lloris finished with two saves in a second straight loss for LAFC (5-2-1), third in the West. Lloris sat out a 2-1 road loss to the Portland Timbers.

San José has won all four of its road matches.

LAFC was 6-0-1 at BMO Stadium in all competitions entering play, outscoring its opponents 17-1.

The third season of Apple TV’s “Shrinking” concludes with Jimmy (Jason Segel) being, well, “Jimmy-ed.”

For three seasons, Jimmy, a therapist grieving the loss of his wife, has used unconventional methods —think taking someone with aggression issues to a boxing ring — to get through to his patients. In the last moments of “And That’s Our Time,” Jimmy’s mentor and fellow therapist Paul (Harrison Ford) turns that approach on its namesake, flying across the country to give Jimmy a much needed push to move forward with his life. “Jimmy needed permission and encouragement from someone to say, ‘All right, it’s time,’” Segel says. “This is the end of this story and it’s time to start a new one.”

In the scene, Paul finally tells Jimmy he’s like a son to him. “I found ourselves writing a conversation that if we were lucky enough to have a conversation like that with our own fathers, we’d be grateful,” executive producer Bill Lawrence says. “A lot of my shows have an element of mentorship in them. To see Jimmy’s mentor come through for him in the way that I would always hope he would meant a lot to me.”

Lawrence had always envisioned the three-season arc for Jimmy ending this way. But when they found out the comedy would be returning for a fourth season, he and his fellow executive producers were faced with a dilemma: End the season the way they would have the series or push their original ending out for one more season. After much discussion, they decided to stick the landing.

“It still felt right,” Lawrence says. “This particular story with these characters has been told and you should feel, in a good way, like it’s gonna be OK for Jimmy. Jason is so good at it, watching him play the agony of trying to get through it all and come out on the other side was my favorite kind of journey on the whole show.”

Segel spoke to The Envelope about filming this pivotal scene and bringing the third season to a close.

What did filming this final scene mean to you? To play this part of Jimmy’s journey coming to an end?

I’m always really interested in, “What is the dirty underneath? If we go one level deeper, what is the thing that the person is not saying?” This arc with Jimmy over the three seasons had been building up to Jimmy finally saying the actual thing, which is some version of, “Who’s gonna want me now?”

Paul answers that question by telling Jimmy that his scars are “evidence of a life well–lived.”

I had a therapist I was talking to about having to show up somewhere with people I knew from 25 years ago. I remember having a little bit of apprehension because I’ve had a twisty-turny life. I thought, “God, there’s so much to catch up on and I’m showing up covered in scars.” And this therapist said to me, just matter of fact, “What a shame it would be to show up anywhere at 45 years old not covered in scars.” And I went straight to Bill and [executive producer] Neil [Goldman], this is a year ago, and I said, “This is what Harrison says to Jimmy at the end of this arc.” And we worked it in.

What was the actual day of filming the scene like for you?

It was a difficult day. It was loud that day. There was a little bit of discombobulation on the street. There was construction and they couldn’t hold the cars right. It wasn’t the ideal environment for a scene like this where you would love to hear a pin drop. People were coming into the restaurant asking, “Are you guys open?” It almost felt like we were making a student film. And Harrison and I took a minute and we walked away from the set and we started running the scene, walking up and down the busy street to kind of acclimate ourselves. And I’m walking up and down the street with this man who I idolize and we are at that moment like equals and teammates. We have to go build this scene together. It is a real honor to have that dynamic with him.

Do you think it was important to have such a pivotal scene outdoors?

They’re a good reminder that the show takes place in the real world and that you’re like a representative of reality almost. I think that there’s something vulnerable about all that taking place outside. … There’s other patrons there. It’s surrounded by people, surrounded by life, and Paul is showing up and telling Jimmy, “It’s time to step into it. Look, it’s all around you.”

This season we met Jimmy’s father (played by Jeff Daniels), who never really connected with his son and, in a heartbreaking moment, chooses a fishing trip with his buddies over staying for Alice’s (Lukita Maxwell) high school graduation.

One of the things this show does really well is handle these situations honestly. Whether it’s Parkinson’s or loss or a complicated relationship with a family member. It’s not gonna magically change. None of it. And so the show is very much true to, “How do we get through it with each other?” That’s really the theme of the show. These issues are gonna be there. What are we gonna do with the realities of life? I think the reason they brought Jeff Daniels in is to highlight why Jimmy so desperately wants Paul’s affection. Where is this coming from? Bill is a genius in terms of setting something up in a previous episode so that there’s a payoff in the finale. I think that we understand suddenly how desperate Jimmy is to have somebody say, “You’re my son and I love you.” And he finally gets that at the end from Paul.

The other major event that happens in the finale is that Alice leaves for college.

To me, [Jimmy’s relationship with Alice] has been the heart of the show and the most important storyline. The show started out with Alice parenting a troubled child in her father. And that dynamic slowly, slowly, slowly shifted to being the right direction. Until finally he is able to see her off to college and she feels safe to leave him behind. He is the parent and she is the child and everything is the right size again. I think watching Lukita as an actor and a human being grow up over these past four years, it’s been really the joy of my career. When I met her, she called me Mr. Segel. I realized she grew up with my “Muppet” movie. I have the real honor of being more of a mentor than a contemporary to Lukita. To get to the point where I am being surprised and challenged and blown away and moved to tears in scenes with Lukita is like the coolest thing in the world.

Cobie Smulders and Jason Segel in “Shrinking.”

(Apple TV)

We see Jimmy sit down at the restaurant with his potential love interest Sofi (Cobie Smulders), but we don’t hear their conversation.

It originally ended with a hard cut to black. Then then they did this beautiful cinematic pullback. I think the most important line is, “Hello.”

As the scene ends, Paul tells Jimmy that he can either “stay stuck” or “go make new scars.” Paul advises Jimmy to “choose wisely” and then winks at Jimmy. It’s a subtle nod to the famous “choose wisely” scene from “Indiana Jones and the Last Crusade.”

Harrison is not so secretly one of the funnier people I know. He always knows exactly what he’s doing and we’ve had a few of those throughout the season, some little nods to Harrison’s body of work. It was a perfect way to end that scene. Paul slash Harrison is always just a little smarter than you. One of the great qualities that they have is they’re just a little bit ahead of you, which a great mentor should be, right?

Have you thought about how it will be to play Jimmy in the show’s fourth season now that this particular story arc has come to an end?

I think an equally interesting and complicated and fun area is someone deciding they’re ready to be happy. Because God knows it’s one thing in your house alone in front of the mirror [to say], “Now I’m gonna be happy.” And then you go out and in practice, it’s its own set of complications, right? And so, I’m actually really excited about that idea of someone saying, “OK, I’m ready to take it for a spin.” And then seeing that’s its own thing.

Los Angeles — Lisa Rinna said she would return to the “Real Housewives” franchise, but to get her husband Harry Hamlin on board, it would have to involve some big numbers.

“You guys are gonna laugh and think I’m ridiculous, but I was like, ‘I might do it for $5 million,’” Rinna explained. “He’s like, ‘No, 10. $10 million, you can go back.’”

The “Real Housewives of Beverly Hills” alum wasn’t afraid to throw shade on a sunny Saturday morning during her panel at The Times’ Festival of Books.

The “You Better Believe I’m Gonna Talk About It” author sat down with Times senior television writer Yvonne Villarreal to talk about Rinna’s journey from soap star to her rise on the “Real Housewives of Beverly Hills” and her recent “The Traitors” fame.

As a “Real Housewife,” Rinna was known for her snappy comebacks and for sharing her candid emotions. Her memoir explores Rinna’s experience during Season 12, which was filmed shortly after the death of her mother, Lois Rinna. Rinna explained that her grief manifested into feelings of “rage.”

“Rage was the first emotion that came. I didn’t expect that. You know, you think you’re going to be in shock, and then you think you’re going to be really sad? Well, I went immediately into rage, and that’s not really very cute,” Rinna said. “But I think my being in grief triggered the housewives, and it triggered the audience.”

After Rinna’s time on “RHOBH,” she joined the cast of Season 4 of “The Traitors.” The show — loosely based on the game Mafia — selects celebrities to be faithfuls and traitors, and the faithful must attempt to discover the traitors. Wearing outfits like her viral cheetah-print ensemble, Rinna skyrocketed to fan-favorite status during her tenure as a traitor.

“So when I decided to do ‘Traitors,’ I was like, ‘Self, listen. You’re gonna go in there and just be you. No Housewives s—, no, none of that reactionary stuff, no, you’re gonna just be you,’” Rinna said.

She also joked that being a traitor was the “highlight” of her year: “I could kill people, I could lie, I could deceive, I could backstab. Heaven.”

Rinna compared the objectives of “RHOBH” to “The Traitors” and the different strategies she had to employ on the franchises.

“‘Housewives’ is not a game. ‘Traitors’ is a game,” Rinna explained. “‘Housewives,’ you just tried to literally protect yourself from the drama and the toxicity. And it’s even though it’s a television show, it’s real. I mean, no one is writing a script for you. You’re dealing with interpersonal relationships and conflict.”

DENVER — Nobody’s perfect, not even the Dodgers.

Their steamroll hit a speed bump as they squandered opportunities in Saturday’s 4-3 loss to the Colorado Rockies at Coors Field.

Even the hottest of Dodgers’ hitters cooled off as the night did. Collectively, they went 0-for-6 with runners in scoring position and left eight runners on base, including two in the ninth inning.

Now 15-5, it was their first loss in five games and their first all season to a National League opponent.

Kyle Tucker, the Dodgers’ pricey new right fielder, had three hits, including his third home run this season. And backup catcher Dalton Rushing hit his fifth home run.

But that was all the damage the Dodgers did in support of starter Emmet Sheehan, who left with a one-run lead that reliever Will Klein relinquished in a matter of three batters in the sixth inning.

Shohei Ohtani also saw his career-best on-base streak reach 50 when he singled in the ninth inning to tie Willie Keeler’s 50-game mark established in 1901.

The two-time reining World Series champs threw the proverbial first punch when Tucker launched a 435-foot two-run home run into the second deck, making it 2-0 two batters into the game.

Tucker’s third home run as a Dodger drove home Ohtani, who chopped the first pitch he saw to Troy Johnston and would have been out at first if not for the errant throw by the first baseman.

In the bottom of the first, the Rockies responded when Mickey Moniak doubled and TJ Rumfield drove him in with a single to cut the lead in half, 2-1.

Dodgers catcher Dalton Rushing follows the flight of his solo home run off Colorado pitcher Ryan Feltner Saturday in Denver.

(David Zalubowski / Associated Press)

The Dodgers came right back in the second inning, when Rushing — in his one expected start behind the plate this series — kept crushing, launching a 1-1 pitch 371 feet over the right field wall to make it 3-1. It was his fifth home run in 18 at-bats until that point.

The Dodgers’ two home runs in the first two innings gave them multiple homers in 10 of their first 20 games this season — and ran their MLB-leading season total to 37 as a team.

But the Rockies returned serve in the bottom of the second, when Johnston scored on a Kyle Karros sacrifice fly to stay within a run, 3-2.

That’s how it stayed for the next three innings, as Sheehan got out of the third and fourth unscathed, despite the Rockies putting runners in scoring position in both the third and fourth. His only 1-2-3 inning was the nine-pitch fifth.

His control wasn’t as sharp as in his prior outing, but he left after five innings with the lead, having thrown 77 pitches, allowed four hits, two runs, struck out four and walked two.

The Dodgers got something going again in the sixth inning when Freddie Freeman hit a one-out triple into the gap in the expansive Colorado outfield, just beyond the grasp of diving center fielder Brenton Doyle.

A batter later, the Rockies’ diving third baseman Karros made a nifty play to throw out Teoscar Hernández after he drilled a ball up the line — holding Freeman at third in the process.

Then left-hander Brennan Bernardino came on in relief and tied up a clearly frustrated Max Muncy with a curveball, striking him out and ending a scoreless inning with Freeman stranded on third.

Klein took the loss after taking over for the Dodgers in the sixth and immediately gave up a double to Hunter Goodman before Ezequiel Tovar’s grounder ricocheted off Klein’s left foot and right knee. Tovar reached before Freeman could corral the ball and get it to Klein at first.

Both runners scored on a no-out double by Johnston and Colorado had a 4-3 lead that would stand.

In the eighth, “Let’s go Dodgers” chants picked up with Andy Pages at bat and Ohtani and Tucker on first and second base. But Pages struck out on a strike that was determined to find the bottom of the zone by baseball’s new ABS system.

Hernández then walked to load the bases but Muncy grounded out to second base, leaving more runners stranded.

PHOENIX — Golden State coach Steve Kerr is contemplating his future, the four-time NBA champion coach suggesting after the Warriors’ season ended Friday night that there is a chance he might not be back with the club next season.

“It might still go on. It may not,” Kerr said after the Warriors lost in Phoenix and were eliminated from the play-in tournament.

He shared an embrace with Stephen Curry and Draymond Green, the team’s two constants from the Warriors’ title runs with Kerr, near the team’s bench in the game’s final moments and appeared to mouth the words “thank you.”

Kerr wouldn’t reveal what he said in that moment.

“None of your business,” he said, smiling.

Green and Curry both made clear that they want him back. Kerr’s future has been the subject of speculation for some time, fueled in part by him coaching this year on the final season of his existing contract. The Warriors missed the playoffs this season for the fourth time in the last seven years.

“I want Coach to be happy. I want him to be excited about the job. I want him to believe you know he’s the right guy for the job,” Curry said. “I want him to have an opportunity to again enjoy what he does. So, whatever that means for him, you know, everybody’s plan is their own. And I’m not going to try to tell anybody what to do. He knows how I feel about him. That shouldn’t even need to be said.”

Added Green, when asked if he could even fathom the Warriors without Kerr on the sideline: “I just don’t deal with change well. I don’t love it. So, I don’t want to think about that. I hope that’s not the case, but we’ll see what happens.”

The 60-year-old Kerr just finished his 12th season with the Warriors. He’s 604-353 in that span, led Golden State to the NBA Finals in each of his first five seasons — and once since then as well — plus guided the U.S. to Olympic gold at the Paris Games in 2024.

His playoff record of 104-48 is nearly unmatched; among coaches with at least 100 playoff games in their career, his .684 playoff winning percentage is second only — and barely — to Phil Jackson, who went 229-104 (.688).

Kerr said he’ll meet with Warriors owner Joe Lacob and general manager Mike Dunleavy to chart a path for what’s next. He suggested that might come in a week or two.

“We’ll talk about what’s next for the Warriors, what the plan is this offseason,” Kerr said. “And we will come to a collaborative decision on what’s next. I don’t know what’s going to happen. I still love coaching. But I get it. These jobs all have an expiration date. There’s a run that happens, and when the run ends, sometimes it’s time for new blood and new ideas and all that.

“And, if that’s the case, then I will be just nothing but grateful for the most amazing opportunity any person could have to coach this franchise, in front of our fans in the Bay and to coach Steph Curry, to coach Dray and the whole group.”

Kerr wouldn’t say what some of the factors are that might sway his decision, calling those private.

“If it’s right, it’s right,” Kerr said. “And if it’s not, it’s not.”

There will be talks with Curry as well; the greatest three-point shooter in NBA history, who just finished his 17th season — all with Golden State — said he plans to play for “multiple” seasons after this and would be interested in an extension.

“It’ll be a busy summer for the Warriors,” Curry said, smiling.

The Warriors were 37-45 this season, dealing with injuries the entire way. They rallied Wednesday from a 13-point fourth-quarter deficit to beat the Los Angeles Clippers and move into Friday’s play-in finale, only to fall short against the Suns.

And now, the Warriors wait to see what’s next.

“This was as tough a season as you can have, with the injuries, with all kinds of adversity,” Kerr said. “And they battled, and they battled the entire season. They kept going the other night just to, you know, continue the season, to show that kind of fight. And then tonight, we just didn’t have it. But the competitive desire was there. And I’m proud of the group for finishing the season the right way by continuing to fight and trying to win every game.”

Kerr — who won five championships as a player, to go along with his four rings as a coach — has spoken often of his good fortunes within the game. He played for Lute Olson at Arizona, played with Michael Jordan and Scottie Pippen in Chicago, played with David Robinson and Tim Duncan in San Antonio and played for Jackson and Gregg Popovich as a pro.

And coaching Curry — the greatest face of a franchise he’s ever seen, he said — is another honor, Kerr has insisted.

“The only thing I’ve learned is that I’m the luckiest guy in the NBA’s history,” Kerr said.

In just five starts, José Soriano’s season with the Angels has gone from good to great — to historic.

Soriano pitched two-hit ball into the sixth inning of the Angels’ 8-0 victory over the Padres on Friday night, ending San Diego’s eight-game winning streak with yet another dominant outing by the Angels’ right-handed Dominican ace.

Soriano (5-0) has an ERA of 0.28 after allowing just one run in his first 32 2/3 innings this season. He leads the majors with 39 strikeouts while allowing only 11 hits, and he’s tied with Milwaukee’s Aaron Ashby for the lead with five wins.

Except for occasional control problems, Soriano has been overwhelming every lineup he faces — and Drake Baldwin’s first-inning homer for Atlanta on April 6 is still the only run he has allowed all season. His 17-inning scoreless streak is the second-longest in the majors this season, and opponents are batting .104 against his 0.73 WHIP — both the best in baseball.

Angels ace José Soriano delivers to the plate during the fifth inning of a win over the San Diego Padres at Angel Stadium on Friday.

(Jayne Kamin-Oncea / Getty Images)

“It’s like a hot knife through butter,” Angels slugger Jo Adell said. “It’s pretty crazy. It’s really special, and he’s a special talent. He’s always had the stuff to compete at this level, and he’s doing what an ace does. Whatever he’s done, just keep doing it.”

And after five straight dominant starts, Soriano has reached rare company.

The most recent pitcher to allow one earned run or fewer in each of his first five starts in a season with at least 15 total innings pitched was the Dodgers’ Fernando Valenzuela in 1981, when he won the NL Cy Young award in his groundbreaking rookie season. Walter Johnson also did it in 1913 — and nobody else.

Soriano is also the only pitcher in major league history to go at least five innings while yielding one or fewer earned runs and three or fewer hits in each of his first five starts to a season.

“I just feel confident to keep pitching like that,” Soriano said. “I believe in my catcher, and we’re on the same page. I think that’s a big part of the results we’re having.”

While Soriano dazzled his previous two opponents with back-to-back, 10-strikeout outings over 15 combined innings to win the AL Player of the Week award, he actually didn’t overwhelm the Padres’ veteran lineup.

San Diego drew four walks and forced Soriano to throw 99 pitches. The Padres loaded the bases in the third before Soriano got Jackson Merrill to ground out, but San Diego eventually chased him with a single and a walk with two outs in the sixth.

“The thing that impressed was that to us, he had to grind a little bit tonight,” Angels manager Kurt Suzuki said. “I think that’s the maturity showing up, where he’s learning how to pitch — and I say this lightly — without his best stuff. He learned how to navigate a great lineup over there without his best stuff … and it was pretty incredible. You can’t say enough.”

Soriano has a 99-mph fastball and a sinker that ranks among the best in baseball, but he’s also mixing in a curve that has flummoxed his opponents. The combination has been too much for any opponent through his first five starts.

“Knowing him from the past, you always thought of the high-90s sinker, and then he comes in breaking out the curveball,” Padres manager Craig Stammen said. “That pitch was very impressive from the dugout. Gave our guys trouble at the beginning. It’s really hard to lay off that pitch, and it complements his sinker. He did a great job tonight mixing his pitches. … He’s just a really good pitcher.”

The Clippers’ season has come to an end but better than anyone expected. No consolation but a great job by head coach Tyronn Lue for guiding the Clippers from a disastrous 6-21 start and finishing with more than 40 wins.

Coach Lue led the team, overcoming major obstacles throughout the season with a player investigation, injuries, internal strife and major roster changes at the trade deadline. As usual for Clipper fans, wait till next year.

Wayne Muramatsu
Cerritos

The Clippers are the NBA’s version of Stealers Wheel’s “Stuck in the Middle With You.” Yes, they have had 15 straight seasons of playing .500 or better, and owner Steve Ballmer has brought them respectability, but for their entire 56-year existence — which has contained many clowns and jokers — they still have never [attained] their goal of winning (or even reaching) the NBA Finals.

Ken Feldman
Tarzana

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell, and the Dodgers keep rolling. When will the first bad stretch of games begin?

Last week, I asked you to show some support for Dodgers broadcaster Charley Steiner, who battled cancer and has been heard infrequently on broadcasts since 2024.

And boy did you respond. We received over 1,000 emails from people who wanted to pass along best wishes. Obviously, we can’t run all 1,000 emails, but here are a selected few.

John Peterson of Pleasant Hill: I had the great fortune of meeting Charley Steiner in Las Vegas in the early ‘90s. At the time, I was an assistant athletic director at UNLV, and our men’s basketball team had played in three Final Fours (1987, 1990, 1991), so tickets to home games were super scarce in those days. Charley was in town to call a boxing match for ESPN, so he and Rich Rose, former president of Caesars World Sports, were desperate enough to sit in my staff seats (at least they weren’t in the balcony!). I was in total awe of those two giants of the sports entertainment landscape. We even took a photo together. I was already a huge Charley Steiner fan, but after meeting him in person, I became a fanboy for life, so when he became a Dodger announcer, I was over the moon. I will always remember how gracious he was — like any other fan who wanted to see for himself what all the fuss was about the Runnin’ Rebels. Have cherished the memory ever since.

Tara Elkinton: My husband and I are huge Dodger fans and it’s been said I Bleed Blue. We always enjoyed listening to Charley and Rick. Charley’s commentary was always honest, interesting, personal and made you feel like you were at the game. We love and miss him.

Steven Booth: Charley, thank you for bringing peace, love and happiness into our lives. Hearing you call games is like having a coffee or beer with your friend at the ballpark. We love you and are praying for you.

Darin Axel-Adams of Pendleton, Ind.: I was a teenager when he started at ESPN and always enjoyed watching him on SportsCenter. I was a budding high school radio broadcaster and Charley was one of the ESPN anchors I attempted (not very successfully!) to mimic. I also thought he had some of the funniest “This is SportsCenter” promos … it was pretty obvious that he didn’t take himself or his profession too seriously. Living in the Midwest, I haven’t been able to enjoy much of Charley’s time with the Dodgers, but when I do, I am reminded again of what a truly gifted broadcaster he is!

Kim Haack: My father was a Dodger fan for more than 50 years. He is the reason I’m a Dodger fan today. He died three weeks before the Dodgers won the World Series in 2020. We often listened to the radio in the car and enjoyed listening to Charley and Mo. The radio call from Charley at Game 6 of the 2020 World Series when the Dodgers won was absolutely amazing. Of course, I was sobbing when they won, thinking of my father. It was a balm to hear Charley’s familiar voice and I think he spoke for all of us when he said, “In a year like no other, when joy has been so hard to come by, tonight tears of joy, let ‘em flow …” Charley’s call of that game is something I will never forget for the rest of my life. Whenever I see that clip and hear Charley’s voice, I tear up remembering how much I appreciated his familiar voice when facing a bittersweet time in my life.

Kirk Stitt: Charley, I’m a 76-year-old Dodger fan since 1958. I know you value your privacy, I get that. You need to know that thousands of Dodgers fans everywhere are thinking of you and wishing you the best and hoping to hear you.

Donald Golightly of Russell, Ky.: Being an old Brooklyn Dodger fan myself, I can relate to Charley. While I don’t feel the connection to the new Dodgers, in recent years I really enjoyed listening to Charley and Rick on the internet. So here’s wishing Charley the best now and always! Keep your head up and keep smiling!

Philip Nelson: The absolute best ESPN SportsCenter commercial is the Y2K commercial. Near the end Steiner is wearing his tie around his head like a bandana. War paint as if he is in The Lord of the Flies and says, “Follow me. Follow me to freedom!” (Note: You can watch that commercial here.)

Jim Carlisle: I have “followed you to freedom” for years and have greatly appreciated your integrity, personality, accuracy and humor on the air. It was so great to hear you on the air on opening day with Rick Monday. It was like having a reunion with an old friend. I’m hoping you’ll be able to return to the booth whenever you feel up to it. You have many fans who are hoping the same thing.

Stephen Knight: I’ve enjoyed your calls since, like, forever. As a cancer survivor myself with what I like to call unremission, the choice of how you deal with it is a personal one and is yours, and your family’s. And I just want to thank you for putting me inside the park for all of those Dodger games. You made me feel so alive, so connected with each call of every strike, ball, hit or miss.

Jimie Murray of Redondo Beach: One of my favorite memories was a totally random call about 10 years ago. A Dodgers runner slid into second base head first and got up after time was called to shake his belt and pants. Charley said, (Runner) is getting the dirt out of all the places dirt shouldn’t be.” It just made me laugh and now any time a player slides head first, I repeat it for my wife.

Tom Schulz: I’ve always been a Dodger fan, initially (and continuing so) because of Jackie Robinson. But I really became a fan in 2020 while living in Arkansas (now thankfully in California), and Charley and Rick helped me preserve my sanity during COVID. In the midst of that bizarre and unsettling year, Charley and Rick were voices of normalcy. Since then, I have caught at least part of every Dodgers radio broadcast. Charley and Rick became my friends.

Eliza Rubenstein: I’m a third-generation Cardinals fan living in SoCal, and it takes a LOT to get me to say nice things about the Dodgers. But I spent years listening to Dodger games on the radio in large part because I found Charley Steiner to be so completely and consistently delightful. His intelligence, his dry wit, his charming habit of saying “he’s been struck out” rather than “he struck out” … his rhythm and diction and humor have always spoken directly to my baseball-obsessed heart, and considering that I grew up with Jack Buck in my ear and high standards in my soul, that’s saying a lot.

Nancy Shattuck: Thank you for voicing joy and Dodger blue to this grateful fan.

Lydia Valenzuela: You’ve been missed. It was so nice to hear you on opening day. I’m sure I speak for all the fans when I say we can’t wait until you’re back again on the radio. I love to hear the banter between you and Rick. You both always bring a smile to my face. That warm soothing voice of yours is missed. Hope to hear from you again soon.

Howard Hancock: Thank you for being such a terrific part of my sports enjoyment for so many years. I greatly hope to hear you call many more innings in the future.

Scott Snyder: You have been the most underrated voice in my 55 years of loving baseball. Best of wishes to you.

Linda Seidman: We fans miss you and your calling the games so very much! Nobody calls a game like you, especially the home runs. The games just aren’t as good or as fun or as exciting without your calls, so please get back in the booth whenever you can!

Larry Oppenheim: What I love most about Charley Steiner is the sheer joy he brings to announcing the Dodgers. And his joy is contagious. A friend and I would text back and forth while listening to Dodgers games. I would say ‘did you hear what Charley just said’ and I would write it down in my text. Thankfully, I found these messages. Delving into my old text messages has brought back so many joyful memories. Charley, I miss you terribly.

Samuel Contreras of Chino Hills: Charley, we haven’t forgotten you at all. Dodger fans miss you and look forward to your return to the broadcast booth on a regular basis. My family’s life has been affected by multiple myeloma as my wife was diagnosed in October 2024. Thankfully, she’s doing well and I wish the same for you. Please know that Dodger broadcasts are not the same without you.

Keith Putirka: Charley Steiner is one of my all-time favorite baseball announcers and when I heard he was headed to L.A. to cover the Dodgers, I was thrilled. I grew up listening to Vin Scully and was clearly very spoiled. Until I moved to New York in the early 1990s, I had no idea how much of a gap there was between Vin and everyone else. But I still loved listening to baseball games, especially on ESPN, and I first heard Charley on the radio when he called the 1997 World Series on ESPN radio. He was terrific. He made the games come to life, conveying the environment, the stories and the excitement, in his own inimitable style. After that, I would always tune in to any ESPN-broadcast game so that I could hear Charley Steiner call the games. I’m 63 and I’ve been listening to and watching baseball for a very long time. Growing up in L.A. I heard a lot of great announcers, but my list for the top three announcers in baseball is an easy choice; it is in order, Vin Scully, Charley Steiner and Jon Miller. Thank you, Mr. Steiner, for making a great sport even greater to listen to.

Hoyt Adams: I used to work at the Genius Bar at the Apple Store in Santa Monica, and one day I helped Charley. He was so easygoing, funny and genuinely delighted to talk baseball with a stranger who was helping him with his computer.

When I told him the hard drive on his laptop was failing, he said in that wonderful radio voice, “So that’s your story and you’re sticking to it.” But he immediately lit up when we started talking baseball again. For one reason or another, I brought up how much I loved players like Jamey Carroll, who was getting a lot of time at shortstop that season. When I was driving home from work that night, I turned on the game, and Jamey Carroll just so happened to be having a killer night. Charley talked about him and even mentioned several beats from our conversation — it absolutely made my season.

Patrick Hennes of Corona: I have “worshipped” Vin Scully since I was one of millions of young fans that had my transistor radio under my pillow listening to my Dodgers, beginning in the early 1960s. No one could ever be better. But for this one night, I think Charley surpassed the GOAT. It’s always a good time to go back to this incredible game, when the Dodgers hit four straight home runs in the bottom of the ninth to tie San Diego. And to appreciate Charley Steiner as a fantastic announcer. (Note: You can watch and listen here.)

George Martin of Virginia: Listening to Charley Steiner call a game is like a warm blanket on a cold and rainy day. Whatever your troubles, hearing him brings security, relief and joy.

Jason Hashmi: The line, “we’ll find out together” is the classic Steiner phrase for me. Will Freeman’s ankle heal in time for the World Series and will he be a liability on the bases if he does return? “We’ll find out together.” I’ve adopted the phrase myself, and often for things unrelated to baseball. I always give a wink to Steiner in my mind when I do. I wish him health and peace.

Kathy Pratt: In 2014 my husband and I drove up from Tucson to see a spring training game. As we were walking into Camelback Ranch Stadium we looked up and there was Charley Steiner. My husband asked if he could take a picture of him and his wife. Charlie’s reply was, “I always love to have my picture taken with a beautiful woman!” Charley’s kindness was so appreciated and it made our day.

Candi Hersch: I miss hearing you on the radio. You are much younger than my father, but listening to the game with you is like hanging out with my dear departed dad. It’s comforting and you always have great insight.

Doug Weber of Carlsbad: For every note you receive, please know that there are thousands more who wish you all the best. Thank you for everything and we’ll look forward to hearing from you soon.

Bill Walsh of Oceanside: I miss Charley’s voice on the radio. While working I always had the Dodger radio broadcasts playing behind my desk. Charley and Rick became my daily companions. I miss you greatly Charley.

Andrew Mounts of Clovis: You’re part of this wonderful thing we call the Dodger family. Your enthusiasm and love for this crazy game and the Dodgers is greatly appreciated and very sorely missed. Never forget your voice paints a picture of this game that we love so much. You and Mo put us in the ballpark when we couldn’t be there. Thank you so very much. Get well Dodger friend and may God bless you and your family.

Geoff King of Bakersfield: The Dodgers have been blessed with the best radio and TV broadcast personalities ever, with Vin Scully at the top of the list. But Charley was a great addition to the Dodger broadcast crew years ago. His demeanor, stories and mannerisms calling the game were like Scully. We went several years without TV because of the Direct TV dispute so we would listen to the games on the radio. Charley was a lifesaver of Dodger baseball for us.

Rich Mortimer: My family and I have enjoyed your Dodger coverage for many years. I am 73 and have been a Dodger fan my whole life and Charley’s reporting has made our viewing and listening so much more enjoyable. Thank you Charley. Please know that there are thousands of Dodger fans, Charley Steiner fans, who are praying for your recovery.

John Sotos of Leesburg, Va.: I have always been a Charley Steiner fan, from his days at ESPN to his time broadcasting Dodgers games. That ESPN commercial — no, not “follow me to freedom!” — but the one in which he has to hide under his desk while an angry Evander Holyfield, having been told that Charley disparaged his boxing, prowls the ESPN spaces shouting “Charley Steiner! Come out and get your whoopin’!” Still one of my favorites. (Note: You can watch that ad here.)

Ohtani out of the batting lineup

Much concern was raised when Shohei Ohtani wasn’t in the hitting lineup Wednesday when he was the starting pitcher against the Mets. Nothing to worry about. Ohtani was hit in the right shoulder by a pitch Monday, and the Dodgers were just being cautious. As Maddie Lee reported:

“If it weren’t for the hit by pitch [Monday], he would’ve been DHing and pitching tonight,” Dave Roberts said before Wednesday’s game.

“Just feeling what gives him the best chance to stay loose during the outing, feel good,” Roberts said. “There’s still some soreness in there. When he’s hitting, there’s a component that he’s in the cage getting ready to hit, and if we can take that off his plate and just focus on one thing tonight, we felt — training staff, pitching coaches, myself — we just felt it was the best thing for him. So, once I told him, he completely understood.”

Up next

Friday: Dodgers (Tyler Glasnow, 1-0, 4.00 ERA) at Colorado (Ryan Feltner, 1-1, 7.30 ERA), 5:40 p.m., Sportsnet LA, AM 570, KTNQ 1020

Saturday: Dodgers (Emmet Sheehan, 2-0, 6.60 ERA) at Colorado (TBD), 5:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Sunday: Dodgers (Roki Sasaki, 0-2, 6.23 ERA) at Colorado (Michael Lorenzen, 1-2, 8.10 ERA), 12:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Monday: Dodgers (*-Justin Wrobleski, 2-0, 2.12 ERA) at Colorado (*-Jose Quintana, 0-0, 4.15 ERA), 5:40 p.m., Sportsnet LA, AM 570, KTNQ 1020

*-left-handed

And finally

Charley Steiner on the 30th anniversary of his famous Carl Lewis call. Watch and listen here.

Until next time….

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

LIV Golf appears to be dying on the vine but doesn’t want to say so.

Amid several reports that the Saudi-backed Public Investment Fund will cease its abundant funding of LIV Golf after the 2026 season, officials with the four-year-old PGA Tour competitor chose to focus on the fact that the show will go on — at least through August.

During a broadcast interview from the LIV tournament in Mexico City, LIV Chief Executive Scott O’Neil would not say if the league has a funding commitment from the Public Investment Fund, or PIF, beyond this year.

O’Neil responded to a question about golfer Sergio Garcia saying this week that LIV Golf Chairman Yasir Al-Rumayyan “told us at the beginning of the year that he is behind us, that they have a project of many years.”

“It’s just not the way the world works,” O’Neil said. “We have commitments to have this … the reality is you’re funded through the season and then you work like crazy as a business to create a business and a business plan to keep us going.

“But that’s not different from any other private equity-funded business in the history of mankind.”

The interview was pulled from the internet shortly after it was posted.

PIF announced a new five-year strategy Wednesday that will reduce international investments from 30% to 18-20% of the portfolio and place greater emphasis on Saudi domestic initiatives to promote sports. LIV Golf does not fit into that category and was not mentioned.

“PIF will continue to support Saudi Vision 2030 objectives by delivering competitive domestic ecosystems,” Al-Rumayyan said in the announcement. “The 2026-2030 strategy is a natural next step in PIF’s growth journey.”

PIF approved more than $250 million in additional funding for LIV Golf this year, hiking the total investment to more than $5.3 billion since the league was launched four years ago. Documented losses are more than $1 billion from 2022 to 2024, according to Forbes.

LIV Golf executives were rushed from various corners of the planet to a meeting this week in New York where the future of the operation was discussed in private and decisions were made.

A few flew in from Mexico City, where this week’s tournament began Thursday at the Club de Golf Chapultepec. It is one of the highest-altitude golf courses in North America, and LIV golfers took deep breaths before answering press questions about reports that the organization was on the verge of collapse.

“For me, it didn’t make sense to think about it or waste time thinking about,” superstar golfer Jon Rahm said after shooting a first-round 65. “Since everything happened so suddenly and so quickly, I wasn’t very worried about it because normally, before the rumors start, we already know something — there’s always someone within the league who knows something.”

Communication at the tournament was spotty. A power outage at the course Tuesday caused interviews to be canceled, and streaming of the first round Thursday was down for about two hours because of what were described as technical difficulties.

Yet nothing could stop the speculation and growing unease about the future of LIV Golf. Money continues to hemorrhage, as does the roster of big-name golfers.

LIV Golf purses each week are $30 million — 50% more than PGA Tour purses. Enormous signing bonuses were doled out to secure the services of superstar golfers Phil Mickelson, Dustin Johnson, Cameron Smith, Bryson DeChambeau and Rahm. All received bonuses of at least $100 million to defect from the PGA Tour, and Rahm, a relative latecomer to LIV Golf, received a reported $300- to $500-million bonus.

Yet original LIV Golf members Brooks Koepka and Patrick Reed recently returned to the PGA Tour. Others are bound to follow.

Former PGA standout Greg Norman was the LIV Golf chief executive until resigning in August, citing exhaustion. His comments upon exiting might have foreshadowed the current difficulties.

“I knew there were going to be a lot of headwinds,” he told the Australian Golf Digest. “I didn’t anticipate the magnitude of those headwinds because … as time went by, those headwinds were created by misperceptions.”

Norman was replaced by O’Neil, whose internal message to the LIV staff Wednesday attempted to quiet concerns about PIF pulling the plug. He urged the golfers to focus on the season that is already underway.

“We are heading into the heart of our 2026 schedule with the full energy of an organization that is bigger, louder and more influential than ever before,” O’Neil wrote in the message obtained by Sports Illustrated. “The life of a startup movement is often defined by these moments of pressure. We signed up for this because we believe in disrupting the status quo.

“We have faced headwinds since the jump, and we’ve answered every time with resilience and grace. Now we answer by doing what we do best: putting on the most compelling show in sports.”

One of those headwinds is that “a compelling show” can be a relative term. LIV Golf has been popular in golf-starved locales such as Australia and South Africa, but TV ratings are low everywhere and interest in events held in the United States is tepid.

PIF — worth an estimated $1.15 trillion — launched LIV Golf as part of a strategy to transform Saudi Arabia into a global sports hub, using its vast oil revenue to drive economic diversification, create jobs and boost tourism. Initiatives include massive investments in soccer, tennis and esports in addition to golf.

The PGA Tour countered by increasing prize money and creating a series of limited-field “signature events” for top players. Rory McIlroy and Tiger Woods are among the sport’s top stars to steadfastly remain loyal to the PGA Tour, with Woods turning down an offer from LIV Golf of $800 million in 2022.

Mexico City is the sixth stop in the LIV Golf 14-tournament season that concludes in August. The Individual Championship finale is scheduled for Indianapolis from Aug 20–23.

Christopher Meloni has a message for Elliot Stabler fans: “Thank you … for sticking with him and welcoming him back.”

The “Law & Order: Organized Crime” star took to Instagram on Thursday to convey his appreciation for his character’s long run in the franchise after it was revealed that the NBC show had been canceled after five seasons.

“I just saw that they announced … ‘Organized Crime’ won’t be coming back,” Meloni said in his video post. “So I wanted to take this moment to say thank you to the fans who not only helped give the character of Elliot Stabler life and longevity, but for sticking with him and welcoming him back.”

Meloni’s run as the seasoned detective began in “Law & Order: Special Victims Unit,” which debuted in 1999. Stabler investigated New York’s “especially heinous” sex-based crimes with partner Olivia Benson (Mariska Hargitay) and other detectives in his unit for the show’s first 12 seasons. (The character was written off the show in advance of the Season 13 premiere because Meloni and NBC could not come to an agreement on a new contract.)

Stabler returned to “SVU” in 2021 for a crossover event that helped launch “Organized Crime,” a “Law & Order” spinoff focused on NYPD officers who track down “vicious and violent members of the underworld.” While the character has occasionally appeared in “SVU” episodes since his return, the end of “Organized Crime” likely means Meloni is done playing Stabler full time, at least for now. “Law & Order: SVU,” meanwhile, has been renewed for a 28th season.

“I had a great time playing him,” Meloni said in his Instagram message. “It was a great ride. Thank you. You helped give me a career that I never dreamed of. Nearly 17 odd years.”

Garret Anderson, the often misunderstood and always lethal Angels slugger who starred in the 2002 World Series, has died of a heart attack. He was 53.

Anderson’s most memorable moment was belting a decisive three-run double in Game 7 of the only World Series ever played by the Angels. Yet consistency over 17 seasons — 15 with the Angels and one each with the Dodgers and Atlanta Braves — was the hallmark of the taciturn left fielder.

“The Angels Organization is mourning the loss of one of our franchise’s most beloved icons, Garret Anderson,” owner Arte Moreno said Friday in a statement. “Garret was a cornerstone of our organization throughout his 15 seasons and his stoic presence in the outfield and our clubhouse elevated the Angels into an era of continued success, highlighted by the 2002 World Series Championship.

Garret Anderson, who hit the game-winning three-run double, runs with the World Series championship trophy after the Angels beat the San Francisco Giants in Game 7 of the World Series in Anaheim on Oct. 27, 2002.

(Kevork Djansezian / Associated Press)

“Garret will forever hold a special place in the hearts of Angels fans for his professionalism, class, and loyalty throughout his career and beyond. His admiration and respect for the game was immeasurable.”

Nicknamed “G.A.,” Anderson is the Angels leader in games (2,013), at-bats (7,989), hits (2,368), total bases (3,743), extra-base hits (796), doubles (489) and runs batted in (1,292). And he achieved it all without fanfare.

“Garret didn’t seek the limelight,” said Mike DiGiovanna, The Times’ Angels beat writer throughout most of Anderson’s career. “A classic lunch-pail guy. He was a superstar, he just didn’t act like it.”

Fans occasionally booed Anderson for a perceived lack of hustle. He didn’t dive for fly balls and on rare occasions failed to run hard when he hit a ground ball.

His teammates, however, backed him without hesitation, saying he was one of the smartest players in baseball and made the game look easy through hard work.

“He doesn’t dive for balls because he gets there quicker than most guys,” center fielder Darin Erstad said in 2003.

Fans cheered in shock when Anderson made a diving catch against the Minnesota Twins in 2002.

“But, see, that’s what I’m talking about,” he said. “I never should have had to dive for that ball. I got a bad jump. I study hitters. I have an idea of where the ball is going. I don’t dive because I don’t have to.”

The Angels’ Garret Anderson watches the ball after hitting a two-run homer against the Toronto Blue Jays in the seventh inning of a game in Anaheim on July 4, 2008.

(Mark Avery / Associated Press)

Anderson’s understated demeanor fit well in an Angels clubhouse stocked with young, rowdy personalities.

“We have so many emotional guys on this team, Garret is a calming force,” teammate Tim Salmon said in 2003. “He’s criticized for a lack of emotion, but I think it’s good.”

For his part, Anderson possessed a wry sense of humor and wasn’t above poking fun at himself.

“Interesting,” he told The Times Bill Plaschke with a faint smile. “I used to be called lazy. Now that we win a World Series, I’m called graceful.”

After Anderson retired in 2010, he worked as a television analyst for the Angels.

Garret Joseph Anderson was born June 30, 1972, in Los Angeles. He attended Granada Hills Kennedy High, where he starred in baseball and basketball. He remained close to his baseball coach, Manny Alvarado.

“I’ve lost a handful, some of them at a young age, but this one we had a relationship for a long time,” Alvarado said Friday. “I have a ton of memories, some of them from day one and some just recently. The one thing that comes to mind he was kind of an old soul. A lot of major leaguers have a lot to learn from him.

“He was very humble and always picked up the phone. He made it to a lot of alumni games, was very generous.”

Anderson was drafted in 1990 by the Angels in the fourth round and made his major league debut July 27, 1994 versus Oakland before going on to become one of the most productive players in franchise history.

Anderson had a stretch of eight consecutive seasons appearing in at least 150 games for the Angels and played in at least 140 games in 11 of his 17 major league seasons. He was inducted into the Angels’ Hall of Fame in 2016.

“Teammates and fans came to appreciate him for his consistency,” DiGiovanna said. “He was like a metronome.”

In addition to his World Series Game 7 heroics, Anderson batted .300 with four doubles, two home runs and 13 RBIs during the 2002 postseason. He finished fourth in American League Most Valuable Player voting that year.

In 2003, he became the first player since Cal Ripken Jr. to become both the Home Run Derby champion and MVP of the All-Star Game. Anderson batted .293 with 287 home runs in his career.

His final season came with the Dodgers in 2010. At age 38 he batted only .181 but provided a settling influence on young Dodgers stars Matt Kemp and Andre Ethier.

The Angels will honor Anderson by wearing a memorial patch on their jerseys the rest of the season. There will be a moment of silence and a tribute video before Friday’s game.

Anderson is survived by his wife, Teresa, daughters Brianne and Bailey and son Garret “Trey” Anderson III.

Times staff writers Eric Sondheimer and Bill Shaikin contributed to this story.

There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”

Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.

“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”

The overheard in L.A. moment inspired the eight-episode season,

Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”

(Netflix)

The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.

“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”

Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.

Why did you want to set this season in Montecito?

Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud. (Netflix)

That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.

We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?

It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.

Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.

I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.

There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?

I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.

Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”

(Netflix)

You directed this season. Is there a moment that stands out with this cast?

A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.

How did you want race and identity to figure into this season, particularly through Austin?

Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.

Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”

(Netflix)

There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?

Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”

The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?

The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.

We didn’t see where Eunice (Seoyeon Jang) ends up.

I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.

Charles Melton as Austin Davis in “Beef.”

(Netflix)

We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.

The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]

Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?

I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.

Also, can we take a moment for Burberry’s acting?

Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.

Four months after being pushed into retirement by the Clippers, future Hall of Famer Chris Paul apparently took delight in the team’s quick exit from the postseason Wednesday night.

Paul posted the familiar meme “stopped by my biggest hater’s funeral” on his Instagram story shortly after the Clippers blew a 13-point fourth-quarter lead in a 126-121 play-in loss to the Golden State Warriors.

Paul, the Clippers’ all-time assists leader, called out teammates, coaches and executives during his short second stint with the team early this season. In an effort to inject accountability during the team’s 6-21 start, Paul instead angered many, including head coach Tyronn Lue, who wasn’t on speaking terms with Paul at the end.

“Everyone was fed up,” a league source told The Times in December.

Paul, who is second to John Stockton in NBA career assists with 12,552, posted at the time about his being cut on social media, saying “Just Found Out I’m Being Sent Home,” along with a peace emoji.

For their part, the Clippers turned around their season, going 36-19 after a horrific start to finish with a winning record for the 15th consecutive season at 42-40.

Then came the dispiriting loss to the Warriors and the 40-year-old Paul’s opportunity to get in the last meme, even though it wasn’t exactly original. Philadelphia 76ers star Joel Embiid posted the same one when the team traded guard Ben Simmons in 2022.

Bright lights, big stage, same LeBron.

Unmoved by postseason pressure, superstar LeBron James said he doesn’t plan to change his preparation ahead of the Lakers’ playoff opener against the Houston Rockets on Saturday. Approaching his record-tying 19th postseason appearance, James has reason to believe in his well-established routine.

“Nothing changes for me from the regular season to the postseason,” James said, “besides just making even more heightened focus.”

The consistent approach that guided him through 23 regular seasons puts James in position to star in another high-stakes game as the Lakers (53-29) chase the franchise’s 18th NBA championship. James will command almost the entire spotlight with guards Luka Doncic and Austin Reaves still sidelined.

The 41-year-old, 22-time All-Star has never had a problem with being a leading man.

“I think a lot of the great players, the best players, what they’re addicted to is being the showman,” Lakers coach JJ Redick said, referencing Stephen Curry’s fourth-quarter heroics that pushed the Golden State Warriors over the Clippers in a thrilling play-in game Wednesday night. “And being on the stage and giving a performance. …

“One of the reasons they’re great and they’re able to be the showman so consistently is because they recognize [that] to be the showman, I have to do all the things necessary to then go on stage and perform at my best. And that’s the commitment with LeBron that I’ve talked about so often.”

The stage is set for a star-studded first-round series with James and Houston’s Kevin Durant. The Rockets’ superstar rose to fifth on the NBA’s all-time scoring list this season. He and James, the league’s all-time leading scorer, have 76,037 combined regular-season points, more than the rest of the Lakers’ roster combined (57,341).

“He’s the head of the snake,” James said of Durant. “But it’s the Houston Rockets and they have some damned good players on that team.”

Durant has the support of two-time NBA All-Star center Alperen Sengun, who is averaging 20.4 points, 8.9 rebounds and 6.2 assists per game. James leads the Lakers alone. They’re without Doncic (hamstring) and Reaves (oblique) indefinitely.

Since Doncic and Reaves were injured, James assumed the primary role in the Lakers’ offense and has delivered 25.5 points, 11 assists and 6.8 rebounds per game. Battling the emotional toll of Doncic’s and Reaves’ injuries, James set the tone for the Lakers’ strong finish to the regular season with his vocal leadership and strong play, Redick said. His teammates are falling in line.

“He’s been in the playoffs I don’t know how many times,” Lakers guard Bronny James said. “So he’s won series, won Finals, I think we just need to have our mind open and ears open and listen to whatever he says because he knows the most.”

Lakers star LeBron James and coach JJ Redick discuss strategy during a game against the Clippers this season.

(Gina Ferazzi / Los Angeles Times)

After years of competing against each other in the NBA and with each other on the international stage, Durant said earlier this season that the Miami Heat version of James was the hardest player he’s ever had to guard. James said every version of Durant feels like an impossible matchup.

The 37-year-old scores in bunches and does it efficiently, Redick said. Durant hasn’t shot worse than 50% from the field in a season since 2011-12. Now in his 18th season, Durant played the second-most total minutes of any player this season, trailing only 23-year-old teammate Amen Thompson.

“He’s a guard in a big man’s body,” Lakers guard Marcus Smart said. “I’m 6-3 and he’s 7-foot so he has that advantage and that’s what makes it tough, because he’ll shoot right over top of you it seems. But playing him the years that I have played him — and last month — it definitely gives you insight of what to expect.”

Durant averaged 18 points, 5.5 rebounds and three assists in two losses to the Lakers in March. He shot 55.6% from the field but had 11 total turnovers. The Lakers, who often double-teamed Durant to take the ball out of his hands, forced 36 turnovers in the two wins.

The Lakers expect the same defensive pressure from the Rockets, who are ranked sixth defensively. Guards Reed Sheppard and Thompson both rank in the top 10 in the league in total steals with 122 and 119, respectively.

Smart and guard Luke Kennard have taken larger ball-handling responsibilities along with James to offset the loss of Doncic and Reaves. Bronny James is in line for rotation minutes in the Lakers’ shorthanded backcourt. The 21-year-old guard has played in 10 consecutive games, the longest stretch of his young NBA career, averaging 6.6 points, two assists and a steal with seven-for-17 shooting from three-point range in the five games since Doncic and Reaves were injured.

Getting to share the court with his son, whether in regular-season games, practice or now the postseason, is “the best thing that’s ever happened to me in my career,” the elder James said.

With his future unknown beyond this season, James pledged all season to stay in the moment. The Lakers hope to make this postseason one last.

“The moment is all we have,” James said. “At the end of the day, that’s all that matters.”

Netflix fans have been raving about a lesser-known comedy crime show starring, as they beg for a second series of the ‘cosy’ White House murder mystery to be made

Netflix fans have praised one lesser-known comedy crime programme available on the streaming service, left desperate for more as they plead for a second series to be commissioned.

With an enormous number of TV programmes and films accessible on streaming platforms, it can be overwhelming to settle on what to watch. As a result, many people frequently turn to recommendations from friends, family, or even strangers online to determine their next viewing choice. This was precisely the situation for one Reddit user, who headed to the Netflix forum seeking a suggestion for their next watch, but stipulated it had to be a bingeable programme with only one series.

“Best Series on Netflix (Only One Season) Like a Must Watch Binging Series,” they wrote in the headline of the post.

They continued: “Please drop the best one season series down below. I mean like I’d want to watch it all in one sitting because of how good it is. Like suspenseful, action, cliff-hangers. Maybe a really sad part where I get very attached to the characters! Anything!!”

Fellow Netflix enthusiasts promptly descended on the comments section to share their top picks across a variety of genres. However, one programme stood out from the crowd, as fans lauded its characters and overall storyline.

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Stranger Things and The Last of Us.

“Really liked the comedy The Residence,” one person shared. To this, someone else added: “So pi**ed they aren’t doing more. It was gold!

“Such a fun show,” another person said, while another wrote: “I freaking LOVED this one. So much. Great rec.”

The Residence is an American mystery comedy drama TV series exclusive to Netflix. The debut and only series launched in 2025, and centres on an eccentric detective named Cordelia Cupp as she attempts to solve a murder that took place in the White House during a state dinner for the Australian Prime Minister.

As the investigation unfolds, interpersonal tensions amongst the residence’s staff come to light, with both personnel and dinner guests emerging as potential suspects.

The programme has earned an impressive 84% score on Rotten Tomatoes, alongside a rating of 7.7 out of 10 on IMDb. Viewers frequently rave about the endearing central character and the captivating storyline.

“A fantastic “cosy”-style mystery: light, wickedly clever, and keeps you guessing to the very hand,” one viewer wrote in their IMDb review.

They went on to say: “Uzo Aduba as Cordelia Cup is a great lead. The supporting cast has additional strong characters as well, though some of these portrayals are less even. As much as I enjoyed the first season and wish for more, I find it hard to imagine how a second season could live-up to the first: further developing the Cup character (so that she is not just a repetition of the Cup we already know) will be hard.”

Another viewer remarked: “For those who find this series too long consider this, the plot, the mystery and all the plot twists are not nearly as important as the comedy and the wonderful performances in this fun story. It was smart without being pedantic, funny without being crude or silly, and engaging without pandering.”

France striker Hugo Ekitike will miss the World Cup after suffering a rupture of the Achilles tendon during Liverpool‘s Champions League defeat by Paris St-Germain on Tuesday.

Ekitike left the pitch at Anfield on a stretcher after slipping in the first half and Liverpool fear a long absence for the 23-year-old, which could also rule him out of the start of next season.

He went for scans on Wednesday, which confirmed the extent of the damage.

In a statement on Thursday, Liverpool did not give a timeline for the recovery.

“Scans on the issue have subsequently confirmed a rupture of the Achilles tendon,” the club said.

“Ekitike will therefore be sidelined for the remaining weeks of the club season and unable to participate at this summer’s World Cup with France.

“Further updates will be provided at the appropriate time.”

On Wednesday night, France manager Didier Deschamps said in a statement published by the French Football Federation that Ekitike was out of this summer’s tournament in the US, Mexico and Canada.

He said: “Hugo is one of the dozen young players who have made their debuts with the national team in recent months. He had perfectly integrated into the group, both on the pitch and off it. This injury is a huge blow for him, of course, but also for the France team.

“His disappointment is immense. Hugo will regain his top form, I’m convinced of it. But I wanted to express all my support to him, as well as that of the entire staff. We know he’ll be fully behind the France team, and we’re all thinking of him very strongly.”

It was do or die Wednesday night at Intuit Dome and the Clippers did not do enough to keep their season alive, blowing a 13-point lead early in the fourth quarter and losing to the Golden State Warriors, 126-121.

Having rebounded from a franchise-worst 6-21 start to earn the next-to-last berth in the NBA play-in tournament, coach Ty Lue’s resilient bunch could not extend its historic comeback on its home floor.

Stephen Curry led the Warriors with 35 points, Kristaps Porzingis and and Gui Santos each had 20 and Brandin Podziemski added 17. The Warriors were 19-of-41 from 3-point range.

Bennedict Mathurin scored 23 points while Kawhi Leonard and Darius Garland each added 21 points for the Clippers, who won three of the teams’ four regular season meetings, including a 115-110 victory in the same arena four days earlier.

The Clippers got off to a hot start, scoring 12 straight points to take a 10-point lead 3:19 into the game but Golden State used a 12-2 run of its own to tie it and took a 17-16 lead on Curry’s three-pointer just before the seven-minute mark. A 15-5 run put the Clippers back up 31-22 at the end of the first quarter.

Steph Curry falls to the court to grab a loose ball against Clippers Bennedict Mathurin and Kris Dunn in the third quarter.

(Allen J. Schaben / Los Angeles Times)

Porzingis’ three-pointer from the top of the key put the Warriors in front early in the second quarter but the Clippers closed the first half with a flourish. Draymond Green got assessed a technical foul and Leonard made the ensuing free throw to give his team a 10-point lead and the Clippers headed to the locker room ahead 61-53.

Back-to-back buckets by Jones Jr. pushed the Clippers’ lead to 10 points with 7:48 left in the third quarter, but again the proud Warriors responded on a rare four-point play by Curry to pull within four. The Clippers pushed the lead back to 11 before Golden State used a 5-0 run to creep within 89-83 heading to the fourth quarter.

Porzingis’ three-pointer whittled the Warriors’ deficit down to three with 8:16 left but Garland’s three-pointer pushed the margin back to eight with 6:36 left. Al Horford’s three-pointer gave the Warriors a 117-115 lead with 2:12 left, Lopez hit a pair of free throws to tie it with 1:51 left, but Curry, as he has done so many times in his career, sank a three-pointer to put his team up 120-117 with 50 seconds remaining and the visitors hung on.

IKawhi Leonard walks off the court after the Clippers’ season-ending loss.

(Allen J. Schaben / Los Angeles Times)

The Warriors’ reward is a flight to Phoenix where they will take on the Suns in a Friday night matchup to decide the eighth and final playoff seed in the Western Conference. The Suns had a chance to clinch the No. 7 seed Monday but lost at home to Portland, 114-110. Should the Warriors prevail they will meet No. 1-seeded and defending champion Oklahoma City in a best-of-seven series opening Sunday on the road.

When a visibly drained looking Alvaro Arbeloa stepped into the press room in Munich, questions about his future felt unavoidable. His expression echoed the same sense of disappointment he showed after his very first match in charge, the defeat by Albacete.

The 43-year-old has been in the role for only four months, having replaced Alonso in January. Yet the pressure has been relentless, the results have been inconsistent, and the season now looks set to end without major silverware – a repeat of 2024-25, when only the Uefa Super Cup was secured.

This would be the first time in 16 years Real Madrid have gone two consecutive seasons without winning a major trophy. Under president Florentino Perez, managers’ contracts have typically ended the moment those trophies disappear.

Throughout it all, Arbeloa has consistently taken responsibility, deflecting the blame away from his players. By his own admission, he is ‘a man of the badge’, fully committed to fighting for the club at all costs.

But taking consistent ownership for poor defeats won’t be enough to convince Perez he’s the right man to lead Madrid into next season.

The club never publicly clarified the length of Arbeloa’s contract although sources suggest it runs until the end of the 2026-27 campaign. For now, dismissing Arbeloa before the season concludes would serve little purpose, with relatively little left at stake.

Real sit nine points behind Barcelona is La Liga with a Clasico at Camp Nou still to play in May. Players have also spoken openly about how Arbeloa improved morale in the dressing room. Vinicius Junior, speaking ahead of the first leg against Bayern, said that he had ‘a wonderful connection’ with Arbeloa and that he ‘hoped he could continue’ working with him.

For now, Arbeloa said he isn’t worried about his future.

“Since I’ve been in this position, it hasn’t been the slightest worry. I feel I’ve done everything I can to help my players win every day.”

But if anyone understands the unforgiving nature of Real Madrid’s managerial turnover, it is Arbeloa.