season

For the second straight year, the City Section is allowing a pilot program of high schools forming a boys flag football league as its popularity grows.

This year’s group of high school participants is expected to double in size between eight and 16 teams, City Section commissioner Vicky Lagos said. All will be small charter schools. Last year, several teams that temporarily dropped 11-man football, Sotomayor and Torres, had flag teams in a league that was played in the fall. Sotomayor and Torres will have 11-man teams this season.

When Lagos mentioned the pilot boys flag football league at an 11-man coaches meeting this month, there was clear skepticism voiced by coaches. If boys flag football ever gets approved, Lagos said schools would have to choose between having an 11-man team or a flag team. When Lagos mentioned having the flag season in the spring, there was concern it would take away participants from track and field teams.

This issue figures to come up around the state as schools in the California Interscholastic Federation have similar discussions. Flag football is likely to gain a boost in exposure when it is played at the 2028 Olympic Games in Los Angeles.

Lagos points out that boys flag football participants would be different than 11-man. Middle school students engage in flag football and attract students whose parents don’t want them to play 11-man tackle football for fear of head injuries.

Girls flag football is in its fourth year and rising fast. Adding boys flag football is a debate and issue that will need to be addressed in the future.

Ron Nocetti, executive director of the CIF, said a section must first bring up adding boys flag football as a sport before real discussions can begin.

How well do you remember your U.S. history class from high school or college? Did some of the key moments in America’s 250 years of existence involve Larry David playing a founding father? OK, maybe not, but it’s fun to imagine what that would be like. And that’s precisely what David and Jeff Schaffer have done with their new HBO series “Life, Larry and the Pursuit of Unhappiness.”

The series, premiering Friday, is a timely look at some of America’s big moments in history with a comedic twist that will remind viewers of “Curb Your Enthusiasm,” partly because it also features some cast members from the show. The series arrives on the cusp of the 250th anniversary of America’s founding, and offers an alternative history that’s still steeped in facts. Schaffer stopped by Guest Spot to talk about creating the series with David and what it was like to work with former President Obama.

Speaking of laughter, if you like yours with a whole lot of drama, FX dropped the final season of “The Bear” Thursday on Hulu. The series, which premiered in 2022 and made phrases like “cousin,” “yes, chef,” and “every second counts” memorable, ties up a lot of strings for its crew of chefs. Jeremy Allen White and Ayo Edebiri, the actors who were at the center of the show for five seasons, spoke to us about “The Bear” coming to a close, where their characters end up and what it feels like to leave them behind (be forewarned, the interview has lots of spoilers).

The finale feels like a fitting end to one of the best shows of the past decade (so far) — but we won’t say much more. Enjoy each episode like a multi-course meal at a fine-dining restaurant. You’ll want to savor each bite before it’s over.

Also in this week’s Screen Gab, our writers recommend an animated series with monsters and mystery and a documentary about one of America’s greatest bands. I’ll get my flags, fireworks and BBQ supplies ready in the meantime. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Bobby and Romy in Disney+’s “The Doomies.”

(Disney)

“The Doomies” (Disney+)

If you’re missing “Widow’s Bay,” and like cartoons, here’s another tale of monsters loose in a coastal tourist town, with the difference that the town, called “Ouimpre,” is decidedly on the Atlantic coast of northwest France. (It’s a Franglais pun.) There are half-timbered buildings; what used to be a Camembert factory after it was a beret factory; a cafe that serves crepes, not pancakes; and boulangeries, not bakeries. (It’s a French production; Disney encouraged animator Andrés Fernandez to go local.) As in “Stranger Things,” which no one may be missing by now, the protagonists are kids — Romy, who is excitable and impulsive, and Bobby, who is neither — abetted by a formidable female teenage demon slayer and a lighthouse keeper with occult knowledge. The series is energetic, funny and character-driven — even the monsters. The action is well-staged and intense, the color palette moody and evocative, and the design not at all reminiscent of a hundred other cartoons, which makes the show refreshing as well as fun. — Robert Lloyd

Earth, Wind & Fire in HBO’s “Earth, Wind & Fire (To Be Celestial vs. That’s The Weight Of The World)”

(Jeffrey Mayer / HBO)

“Earth, Wind & Fire (To Be Celestial vs. That’s the Weight of the World)” (HBO Max)

Even if you think you don’t know Earth, Wind & Fire, chances are they’ve soundtracked a wedding, bar mitzvah, awkward office party or some other memorable celebration in your life. Somewhere between “Shining Star,” “Let’s Groove” and “September,” the band mastered the art of coaxing three or four generations of a family onto the same dance floor. Questlove’s new documentary explores how that happened. If his recent Sly Stone film examined how genius can curdle into self-destruction, this one asks a different question: How did Earth, Wind & Fire founder Maurice White build something that lasted? Abandoned by his mother as a child, White set out to create not just a band but a family, assembling a sprawling ensemble around a musical and spiritual vision. Questlove is too thoughtful a filmmaker to sand down the rough edges. White emerges as both inspiring and flawed: a gifted bandleader, spiritual seeker and demanding perfectionist whose drive sometimes came at a personal cost. Drawing on interviews with everyone from former bandmates to Stevie Wonder, Lionel Richie and Barack and Michelle Obama, Questlove builds a portrait of White that never shies away from his contradictions. In the process, he shows how White’s fascination with spirituality, Egyptology and the cosmic unknown shaped both the band’s music and mythology. You may occasionally wish the film lingered longer on the performances themselves (for a reminder of what made Earth, Wind & Fire such a formidable live act, start with the 1975 concert album “Gratitude”). But by the end, you have a deeper appreciation for the band’s unlikely feat: turning something so eccentric into something so universal. — Josh Rottenberg

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Larry David in “Life, Larry and the Pursuit of Unhappiness.”

(John Johnson / HBO)

Is Larry David about to be the most entertaining (and crankiest) history teacher America has ever had?

To celebrate the arrival of the nation’s semiquincentennial, the comedian teamed up with Barack and Michelle Obama’s Higher Ground Productions to revisit the truth of our history with some comedic chaos. The result is “Life, Larry and the Pursuit of Unhappiness,” a seven-episode sketch comedy series from the mind of David and his longtime “Curb Your Enthusiasm” collaborator Jeff Schaffer that pairs reenactments of seminal milestones from America’s past with David’s misanthropic humor — or, as its creators dub it, “‘Curb’ in costume.” Subtitled “An Almost History of America,” it features a star-studded roster of actors dressing up in period clothes alongside David, including “Curb’s” Jeff Garlin, J.B. Smoove and Susie Essman, as well as Bill Hader, Kathryn Hahn, Jon Hamm and Jerry Seinfeld. The first episode premieres Friday at 9 p.m. ET/PT on HBO and will stream on HBO Max.

Over a video call, Schaffer discussed the show’s genesis, former President Obama’s improv skills and the British TV series that has him entertained. — Yvonne Villarreal

Tell me about getting into business with the Obamas. Their production company approached Larry. How did it evolve into this?

Larry and President Obama know each other a little bit. They really enjoy each other’s company, or at least Larry enjoys needling Obama, and Obama really enjoys needling Larry. The moment that we all met together to have our first meeting, the first thing Obama does — I’ve never met the president [prior]— he starts just ragging on Larry’s golf game, and how he wears so much sunscreen on the golf course. And Larry just goes to President Obama, “Oh, I’m sorry, my dad’s not from Kenya.” And that’s how it started. They have a great rapport and they wanted to do something special for the 250th [anniversary]. Larry says no to everything — his best friend can be having a premiere of a movie, and Larry will go, “Where is it in Hollywood?” But Larry’s not going, that’s too far. When this came around, Larry was like, “Huh, that’s actually pretty interesting.” He responded right away to the historical nature of it because, as he would say, he’s an American history buff.

The genesis for Larry and I is that we had done a tiny test run of this with that FTX ad for the Super Bowl a few years back. I don’t know, whatever happened to those people — I’m sure they’re fine — but he remembered how much fun he had being in costume. And honestly, I think he forgot how much he hated being in a wig. It’s like childbirth, enough time had passed.

Given the sort of tenor of the times, why does this type of comedic look at America’s history feel like the appropriate way to mark this anniversary?

It’s the 250th and I get that celebrating the country right now may feel like throwing a birthday party for your friend who’s in rehab — he’s all f— up — but we still love him, right? There’s a way to look at the country’s history, warts and all, the two steps forward and the one step back. And I think one of the best ways to do that is through comedy.

Going back to President Obama — what are the negotiations to get him to appear in it? Or was that on the table from the beginning?

Once I saw the two of them interact together, that became my primary mission. We’ll write the sketches, and we’ll do the documentary stuff, we’ll make it all historical and fun, whatever, but we have to get you two on screen together. It was also sort of the promise of the show, too. When I originally talked to Amy Gravitt at HBO about it, I remember I said, “What if I could give you a show that brought together two people half of America loves?”

What was it like directing them in a scene together? He gives the opening remarks at the start of the show.

He is a truly inspiring, amazing human being who also happens to have great comedic timing. He and Larry get into a groove immediately, which is very fun, and it was honestly one of the coolest things I’ve ever done in my life, directing them. The president said, “I guess I like being annoyed by Larry. Once we get together, I start sounding like him.” It’s like Larry’s this black hole of negativity that sucked Obama in for these brief periods of time; it was just fun.

Is he good at improv then on the spot like that?

Yes, he is. He’s got some really funny stuff in the sketch they’re in together that is all him — 100% the president.

Do you have a favorite moment from this first episode — it features the Declaration of Independence, segregation and Rosa Parks.

There’s different things in each of them. The thing that I’m most excited about is when you don’t know what the next one’s going to be, and then when the narration for the little documentary section starts, and it starts talking about Rosa Parks, I can just see [viewers] going, “Oh no …” That’s a great “Curb” feeling. It’s a comedy horror film — “Oh no, don’t do that, oh no.” Then you get sucked in.

We tried really hard to make sure that production-wise, there’s historical accuracy, so it really felt like you were in this moment. Then Larry gets dropped in, and all hell breaks loose. Same thing with World War I — I got to shoot a whole bunch of World War I fighting — and there’s Larry pretending to be dead. One of the things that attracted us to it in the very beginning was the idea of the juxtaposition between these big dramatic moments and then Larry. History is writ large, and Larry writes so small and that dynamic is fun for us.

One of the great things about a show like this — or what’s come before, like “Drunk History” — are the lessons that can be learned. Is there something you learned while filming this series or a takeaway you had in looking back at our history?

There are things I did not know. One of the things that was also enjoyable is being able to talk about modern things in a historical context, even with that phone. We don’t write dialog — we write some, but it’s basically like doing “Curb.” Larry knew that people were going to ask some questions about the phone, but I just was peppering these people with questions about all of the modern stuff, and just watching Larry get angrier and angrier at these people. At a certain point, the membrane of actor, of character to real human being was breached. He was so mad at them, but that’s what making the show is. Actually, at the end of the our shoot, President Obama said to me, “I see how it works. Larry makes the world uncomfortable, and you make sure the world makes Larry uncomfortable.” That’s literally how we make the show.

Would this format work for current historical events? How do you think, 250 years from now, a reboot of this show would tackle something like telling the story of the UFC fight on the White House lawn?

That’s the problem — we’ve entered an era of America parodying itself. It’s insane. One of my good friends, Dave Mandel, used to do a “Veep” and he’s like, “What do you do now?” I think what we tried to do, and you’ll see as you go further into episodes, we try to address a lot of things that are happening right now through a historical lens. So we might be back in colonial times, and we might be back in the ‘50s, but we’re actually talking about something that’s happening right now.

Before I let you go, what is the TV show or movie out right now that you’re telling everyone to watch?

I just started watching “Steve and Alice” [Hulu, Disney+]. It’s so well done; it’s so dark and funny and really engaging.

What’s the comfort show or movie you return to again and again?

I can pretty much put on any “Lord of the Rings” [HBO Max] movie anywhere and not be able to get my butt off the seat.

ICYMI

Must-read stories you might have missed

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell. We are exactly halfway through the Dodgers season and they are 52-29. The newsletter mathematician is out sick, but I think that works out as being on pace for a 104-58 record this year.

Remember a few weeks ago when the Dodgers were slumping a bit? They had lost four in a row and had dropped into second place behind the San Diego Padres? Well, the Dodgers have the best record in baseball now and are in first place by nine games over the Padres.

They are headed to Petco Park to start a three-game series tonight, with a chance to bury the Padres this weekend, or, let the Padres get within shouting distance again.

So, with 81 games to go, here’s a look at the top two teams in the NL West:

Record
Dodgers, 52-29
Padres, 42-37

Batting average
Dodgers, .262 (1st among the 30 teams)
Padres, .220 (30th)

On-base%
Dodgers, .345 (1st)
Padres, .294 (30th)

Slugging%
Dodgers, .438 (1st)
Padres, .364 (30th)

Runs per game
Dodgers, 5.22 (2nd)
Padres, 3.91 (30th)

Doubles
Dodgers, 137 (7th)
Padres, 113 (T24th)

Home runs
Dodgers, 109 (3rd)
Padres, 81 (T22nd)

Batting avg. with runners in scoring position
Dodgers, .265 (7th)
Padres, .247 (15th)

Batting avg., two out and runners in scoring position
Dodgers, .242 (9th)
Padres, .238 (12th)

Well, there goes the theory that the Dodgers are a poor clutch-hitting team.

ERA
Dodgers, 3.40 (3rd)
Padres, 3.85 (9th)

Rotation ERA
Dodgers, 3.25 (2nd)
Padres, 4.50 (23rd)

Bullpen ERA
Padres, 3.12 (2nd)
Dodgers, 3.68 (10th)

The Dodgers are in the top 10 in everything, while the Padres are in the bottom 10 in a lot of things. It’s amazing they are in second place with an offense that bad,

Now let’s look at the lineups.

Catcher
Dodgers, Will Smith, .249/.338/.382, 102 OPS+
Padres, Freddy Fermin, .145/.245/.258, 41 OPS+

Smith is having an off year by his standards, while Fermin is having an off year by living person standards. His backup, Rodolfo Durán, is hitting .136/.239/.339

First base
Dodgers, Freddie Freeman, .282/.372/.486, 139 OPS+
Padres, Ty France, .252/.297/.485, 115 OPS+

Freeman just keeps chugging along. He is in the top 100 in major league history in hits, runs, doubles, homers, RBIs and walks. He is the active leader in times reached base with 3,741. He’s 36, and next year he will really start rocketing up the career lists as a lot of players are tightly bunched just ahead of him. France is 31, and next year he has a really good shot at being 32.

Second base
Dodgers, Alex Freeland, .241/.324/.340, 87 OPS+
Padres, Fernando Tatís Jr., .283/.347/.367, 101 OPS+

Freeland is the worst hitter among the starters, and he isn’t that bad. Tatis hit 25 homers last season and has three this season, as the Padres have lost all their power this season for some reason. Normally, Jake Cronenworth starts at second for the Padres, but he has been on the IL since May 5 because of concussion symptoms and was hitting only .144 in 34 games before that.

Third base
Dodgers, Max Muncy, .266/.365/.508, 142 OPS+
Padres, Manny Machado, .184/.267/.378, 79 OPS+

You know what you never hear anymore? This: “The Dodgers need to move on from Muncy at third.” Muncy has been their most consistent hitter and has worked hard to improve defensively. Meanwhile, everyone would like to know what happened to Machado, who has been terrible this season and at one point seemed to blame analytics for his slump. He had a walk-off hit Tuesday and seems to be emerging from his doldrums, hitting .259/.339/.556 since June 9.

Shortstop
Dodgers, Mookie Betts, .230/.290/.415
Padres, Xander Bogaerts, .230/.321/.337

Speaking of season-long slumps, hi Mookie! He is also showing signs of life, hitting .317/.358/.524 since June 9 and lifting his numbers to where they are better than Bogaerts’.

Left field
Dodgers, Teoscar Hernández, .276/.348/.436, 119 OPS+
Padres, Samad Taylor, .379/.438/.448, 150 OPS+

Hernández should be back off the IL soon, and Alex Call has filled in quite well in his place. The Padres have played better since calling Taylor up from the minors a couple of weeks ago. His lofty numbers will probably drop (he has had only 66 plate appearances), but his speed has been a spark for San Diego. He replaced normal left fielder Ramón Laureano, who is probably out for the season after hip surgery.

Center field
Dodgers, Andy Pages, .266/.318/.474, 119 OPS+
Padres, Jackson Merrill, .212/.274/.352, 74 OPS+

Pages has been the linchpin of the offense pretty much all season and it’s nice to see a player shake off a brutal postseason on offense by rebounding this year. Merrill is one of many Padres who are mysteriously slumping this season. He hit .264/.317/.457 last season.

Right field
Dodgers, Kyle Tucker, .234/.333/.374, 98 OPS+
Padres, Jase Bowen, .133/.138/.167, 1 OPS+

Tucker would have been great if he was working under the same contract Michael Conforto had last season. Dodgers fans would be pleased with that production for that pay ($17 million). Instead, he’s getting $60 million for league-average production. Bowen has had only 32 plate appearances, and Tatís will move back here once Cronenworth is able to return to second base.

Designated hitter
Dodgers, Shohei Ohtani, .295/.414./.549, 168 OPS+
Padres, Miguel Andujar, .246/.283/.405, 90 OPS+

Ohtani is the best player in the game, while the Padres seem confused as the what a DH is supposed to do. Hint: the word “hitter” is right there in the job title.

Starting pitchers (in order of IP)
Dodgers
Yoshinobu Yamamoto, 7-5, 2.65 ERA
Justin Wrobleski, 9-2, 2.71 ERA
Shohei Ohtani, 8-2, 1.58 ERA
Roki Sasaki, 3-4, 4.76 ERA
Emmet Sheehan, 3-5, 5.32 ERA
Eric Lauer, 2-0, 2.54 ERA

Padres
Michael King, 5-6, 3.33 ERA
Randy Vásquez, 6-5, 4.17 ERA
Walker Buehler, 4-3, 3.96 ERA
Griffin Canning, 1-5, 7.38 ERA
Lucas Giolito, 2-3, 5.16 ERA

The Dodgers have one weak spot right now in Sheehan. The Padres just put Giolito on the IL and have been using openers quite a bit lately. It’s nice to see Buehler become a productive pitcher again.

Closer
Dodgers, Tanner Scott, 1-3, 2.18 ERA, 11 saves
Padres, Mason Miller, 2-1, 0.79 ERA, 21 saves

Scott has been good this year, but Miller is the best closer in baseball and has given up only 14 hits and 13 walks in 34 innings, while striking out 66.

Relievers (six most-used, in order of IP)
Dodgers
Edgardo Henriquez, 2-0, 2.93 ERA
Will Klein, 2-2, 2.59 ERA, 1 save
Jack Dreyer, 3-1, 3.82 ERA
Alex Vesia, 1-1, 2.39 ERA, 3 saves
Kyle Hurt, 2-1, 3.42 ERA, 1 save
Blake Treinen, 4-1, 3.52 ERA, 1 save

Padres
Adrián Morejón, 6-1, 3.51 ERA, 1 save
Wandy Peralta, 1-0, 1.82 ERA
Jason Adam, 2-1, 2.45 ERA
Ron Marinaccio, 1-0, 3.72 ERA
Yuki Matsui, 0-1, 1.67 ERA
Kyle Hart, 0-1, 4.13 ERA

It seems unlikely that the Padres will fade quietly into the night, especially if Machado and Tatís start hitting.

For full stats for both team, click here for the Dodgers and click here for the Padres.

Milestone for Mookie

Betts hit the 300th home run of his career Wednesday against the Twins, becoming only the 169th player to reach that mark. He is tied with Chuck Klein and one behind the great Rogers Hornsby. He is 14 behind for Dodger Reggie Smith and 16 behind former Dodger Ron Cey.

Ohtani vs. Rushing

Dodgers catcher Dalton Rushing wears his emotions on his sleeve. Sometimes, that’s a good trait in a player. Alex Vesia is like that and he seems to fire up the team. He does it in a “Yeah! Let’s beat these guys!” sort of way.

Rushing, however, is sort of a high-energy Eeyore, the guy who makes every mistake he makes a tragedy of epic proportions.

During Wednesday’s game against the Twins, Rushing had some problems behind the plate while Ohtani was pitching.

Rushing let a pitch get past him for a passed ball due to some miscommunication. Ohtani explained to reporters after the game (through interpreter Will Ireton): “There were two pitches called. The first one was offspeed. The second pitch was a fastball. Rush thought that he was getting an offspeed because I started moving after the first pitch was called, but what I had in mind was the second pitch, which was a fastball.”

From Rushing: “Shohei and I talked about it. It was an error on my side. I messed it up. It was my fault.”

Also, a pitch was called a ball and Ohtani thought it was a strike. He tapped his head to call for an ABS challenge while Rushing shook his head to not challenge. The umpire accepted the challenge and it was a strike.

Ohtani gave up three runs in the second inning. After that, he called his own pitches instead of letting Rushing call them. He then pitched four scoreless innings.

Ohtani, on how to make things better: “The in-game flexibility, reading the swings, reading how the hitters are really taking their approach during the game — that’s how I see what adjustment needs to happen. In that sense, I personally realized we just have to be better at being on the same page and communicating throughout the game.”

Also Ohtani: “There’s really a couple ways of communicating. One is by words, but the other way to be able to communicate is by example, and just taking charge and showing Rush what kind of pitching style I’m capable of.”

Now, I’m not interpeter Will Ireton, but I interpret that as, “When is Will Smith coming back?”

Rushing also struck out in his first three at-bats. He was upset with himself during the game and was consoled on the bench by Dave Roberts, Freeman and Dodgers mental skills coach Brent Walker. That’s a lot of hand holding during a game. And Rushing has had other moments on the bench during games where he has gotten upset or angry about something that has happened. Always directed toward himself, not to his teammates.

Could this be a big problem? Well, it could be. But, the Dodgers didn’t get to where they are by not knowing how to handle situations like this. A lot of scouts will tell you that the biggest difference between triple-A and the majors is the mental aspect. Rushing is learning this now. It would be great if he was just calm and cool and handled all situations flawlessly. But we were all made different for a reason. So, we can afford to give him a little grace, and if the Dodgers feel he (or anyone else) is becoming a detriment to the team, then one day we will wake up to discover, “The Dodgers have traded …”

In the meantime, don’t focus on just these occasional outbursts, look at how well he has played overall. He’s a major league player, he just needs a little help. And don’t we all sometimes?

Final word from Rushing, to reporters after the game: “Good thing he’s as good as he is and he can take control of the game, but it’s pretty embarrassing. They’ve always got my back. Once again, it’s embarrassing that I need support like that. I’m a grown man, and it’s a pretty tough pill to swallow.”

Up next

Friday: Dodgers (Roki Sasaki, 3-4, 4.76 ERA) at San Diego (Walker Buehler, 4-3, 3.96 ERA), 6:45 p.m., Apple TV, AM 570, KTNQ 1020

Saturday: Dodgers (Yoshinobu Yamamoto, 7-5, 2.65 ERA) at San Diego (Randy Vásquez, 6-5, 4.17 ERA), 5:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Sunday: Dodgers (Emmet Sheehan, 3-5, 5.32 ERA) at San Diego (Michael King, 5-6, 3.33 ERA), 1:10 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shohei Ohtani is the first Dodger to be named 2026 All-Star

Shohei Ohtani takes control of Dodgers’ win after miscommunication with Dalton Rushing

Dodgers fulfill $1-million pledge in response to ICE raids, owners divest from prison group

MLB clears Dodgers’ Dr. Neal ElAttrache after link to Conor McGregor steroids report

Shaikin: Why a salary cap wouldn’t be enough to stop the Dodgers from winning

And finally

Vin Scully tells us the first phrase he learned in Japanese. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Should I stay or should I go?

It’s at once a practical and existential question that plagues the two lead chefs in FX’s “The Bear.” He was the emotionally tortured and volatile chef who left behind a rising career in Michelin-starred restaurants to return to Chicago, his hometown, to run his recently deceased brother’s floundering sandwich joint. She was a Culinary Institute of America-trained chef with potential and a steady demeanor seeking mentorship and an opportunity to work with a prodigy. Together, Carmen “Carmy” Berzatto and Sydney “Syd” Adamu — played by Jeremy Allen White and Ayo Edebiri, respectively — transformed the Original Beef of Chicagoland from a hole-in-the-wall into the titular fine-dining establishment.

But now their partnership in the kitchen has come to an end.

Created by Christopher Storer, “The Bear’s” fifth and final season picks up the morning after Syd, Richie (Ebon Moss-Bachrach) and Nat (Abby Elliott) learn Carmy is quitting the food industry and leaving the restaurant in their hands at a make-or-break moment. And the pressure mounts for Syd to decide if she’ll jump ship to pursue another opportunity. The eight-episode season, now streaming in full on Hulu, largely stretches across one day as the restaurant’s debts accumulate, suppliers cut them off and an unrelenting storm floods the kitchen and threatens to upend a night of service the chefs desperately need to have one last shot at survival and one last performance as a team to deliver an improbable turnaround.

In some ways, it’s a journey that mirrors the actors’ own trajectories. Before “The Bear” became a runaway hit, White was best known for his role on Showtime’s long-running dark comedy “Shameless,” while Edebiri primarily worked as a stand-up comedian and writer. Just as their characters have evolved and gained electric momentum in their careers, so have the actors. Both garnered Emmy Awards for their performances on “The Bear,” and they have added a multitude of film and TV credits to their résumés since. Edebiri is currently starring opposite Don Cheadle in the revival of “Proof,” her Broadway debut, while White will be starring this fall as an investigative reporter in Aaron Sorkin’s “The Social Reckoning,” a companion piece to “The Social Network” that chronicles Facebook’s whistleblower scandal.

Over separate video calls from New York, Edebiri and White reflected on “The Bear’s” conclusion and what it means to leave the characters that supercharged their careers behind. Here are edited excerpts from the conversations.

Ayo Edebiri as Sydney Adamu and Jeremy Allen White as Carmen “Carmy” Berzatto in a scene from Season 5 of “The Bear.”

(FX)

After living inside these characters’ skins for so many years, what’s it like to be done playing them?

Edebiri: They keep saying that we’re done, so I guess that really is the thing of it. Obviously I know that it’s over, but even when we were finishing our first seasons, it didn’t matter how much critical acclaim we got because we’re on a show that’s a part of a network that has a deal with the streaming service — there’s all these things that are continually in flux or that you know that you have no control over. As an actor, you’re used to this state of limbo or not totally knowing or being prepared for an ending, so I think I’m not overwhelmed by it, if that makes sense.

White: I don’t know yet. We were very lucky to understand for a long time when the show was going to end and, to a degree, how the show was going to end. It was difficult to see the direction it went — I have strong feelings about Carmy and where he ends up and how his story might continue on. So much of this season, for Carmy, is about a surrender or acceptance of his place in the world and his place in the kitchen, and it’s the first time he’s really been able to get very honest with himself since we’ve met him. And, in doing so, he chooses to leave, and that was hard for me, for Jeremy. Maybe there’s a world in which he tries this and he comes back. I think I had a different understanding for a while of Carmy’s future. I want him to be happy and healed, but it felt like … I don’t know — imagining him outside of a kitchen was hard for me.

I want to unpack that a little bit more. He wants to be happy. But it was interesting to see him wrestle with how his work hinders that — is it the crutch or the salvation? Did you find yourself having an existential moment as Jeremy taking in what Carmy was wrestling with, or have you reckoned with it before?

White: He threw himself into this work, into this world, pretty young in life. And he was really good at it. But a big part of him burying himself has so much to do with his brother, with his family. I was finishing something too. And, yes, of course, I was thinking of goodbyes, and I was thinking of moving on, and new pursuits and all of these things. I was checking in with myself and what it might feel like to just make such a hard turn in life. I thought a lot about what you get back from your work, but I think ultimately, what Carmy and I don’t share is he was causing so much chaos in his work life; it wasn’t just himself that he was punishing at times. It came down to this surrender to an easier way, a softer way, which was to turn it over to Syd, to turn it over to Richie, to turn it over to Tina in the kitchen — that part, I had an easier time understanding.

“The most beautiful thing about their relationship is their true unconditional belief in one another,” says Allen about Sydney and Carmy in “The Bear.”

(David Urbanke / For The Times)

Syd was facing a crossroads: a shiny new job that could take her to the next level or sticking with this seemingly sinking ship that has taken her to the next level, but where she’s felt unappreciated or stifled at times. Ayo, what did you think of the choice she made?

Edebiri: We’re really fortunate to have such amazing writers who thought about her and her journey. [There’s] an awareness of Sydney’s womanhood and Blackness and youth, but I think [they treated] her with the full dignity of just being a human being and getting able to be a complex character in this show and giving her the dignity of being just as flawed as the other characters. [The choice she made] just made sense to me. It made sense in the architecture of the show. It was gratifying to get to build to that with everybody.

The bulk of this final season has the team dealing with this massive storm that’s created a slew of setbacks at a make–or–break moment for the restaurant. It leads to one final symphony in the kitchen together.

White: Those days were beautiful. So much of our show is shot so quickly, but then we really get to slow down with these choreographed pieces of kitchen ballet, and that’s also when we feel really strong as a group of performers, where we’re incredibly reliant on one another, not just for the emotional beats of a scene, but in this very technical aspect as well. I remember going back to Season 1 and filming Episode 7, “The Review,” which was the single-take episode, and just how much camaraderie came from that, and how much respect came from that for everyone — that feeling of real success that we could do this. It’s a really nice thing that happens sometimes on sets, where there is such a nice mirror of what’s going on with the characters and what’s going on with the cast. In this last push, and this team effort, we want these things as the characters, and we want these things as the cast. We want these people to have what they want, what they deserve, so it was really exciting shooting that last episode or two where all those things are coming into place.

Edebiri: That’s Chris’ thing — it’s like a classical piece of music or something; there’s different movements. His own challenge that he puts on himself, and that, in turn, puts on us, is that we’re still in the same piece of music, but everything just has a different feeling. He’d been talking about it since, low-key, Season 3, but definitely started talking about it a little bit more concertedly when we were filming [Season] 4. It was really starting to take shape in his brain. This challenge of having it be in this one day, and how each episode can feel different, was really exciting to him, so in turn, it became exciting to us.

Were you hoping for more runway to chart what the characters were facing?

Edebiri: No, I think it was cool. I was just like, “Yeah, let’s see what it is.” That’s kind of what everything has been with this show. Part of her emotional journey for the last season, what was on a slower track, in a way, there was something also really fun in having the pressure cooker of one day, and everything getting to ramp up and be quite immediate, which I think has been reminiscent of Seasons 1 and 2 in a fun way.

Tina (Liza Colón-Zayas), left, Sydney (Ayo Edebiri), Richie (Ebon Moss-Bachrach) and Carmy (Jeremy Allen White) in “The Bear.” The restaurant faces multiple setbacks, including a storm that causes damage and dwindling supplies.

(FX)

Carmy and Sydney’s dynamic has been so fundamental to the series. These are two people who see something in each other that the other doesn’t. What do you admire about their relationship as friends and as co–workers?

White: The most beautiful thing about their relationship is their true unconditional belief in one another. They see the beautiful things in one another that the other one is not able to witness in themselves. Even though trust has been tested and trust has been broken at times, there is such a loyalty to the best in themselves. They know that they can rely on one another. In a lot of ways, they saved each other. That piece in the opening episode of Season 3, where Carmy gets the call about Mikey and serves the scallop to Syd without ever having met her — there is this invisible tether that was not witnessed by either of them, but it inspired Syd, and whether Carmy knew it or not, this thing was loved and enjoyed by someone that was birthed from this very traumatic moment. There’s just this beautiful, invisible tether that has always existed and will always exist between the two of them.

Edebiri: What I admire about it is the fact that they are able to bring out — through a lot of miscommunication and hard work, but ultimately, I think, with good intentions — the best in each other. They want to see each other be the best versions of themselves.

How is that reflected in your dynamic? Jeremy, who is Ayo as a scene partner and what has she brought out in you as a performer, and vice versa?

White: I was really so lucky to kind of witness Ayo in real time — everybody else had to wait some months to see her on the show. I remember genuinely being struck by her presence, her groundedness. It felt like, if this makes sense, wrong because she was doing it so well. She’s incredibly smart, she’s a wonderful writer, and she’s very skilled improvisationally, and so, in acting with her, there’s something that always makes you feel very in the moment. You can never like relax, in the best way. It’s like you always have to surrender yourself to each moment.

Edebiri: When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work. He’s a really great leader. There are ideas in society of men in power, and what power held by men has to look like and feel like, and he’s very gentle — especially in the show, which can live so much in the space of chaos and anxiety, having a gentle spirit really helps with filming. He’s so good at making that very clear and helping teach me that as well … I’ve definitely learned from him, without realizing it, ways to protect yourself and protect your peace, and protect also the peace of your co-workers — you get the work done, you be serious about it, but it doesn’t have to be torture.

Edebiri on working with White: “When we first started, I was coming from the comedy world, and he was coming from a much more dramatic world. Our approaches were so different. He has such amazing presence of being and a quiet focus and has such care for the work.” (David Urbanke / For The Times)

What was it like to see them get this thing they’ve been after — not one, but two Michelin stars?

White: Reading that moment —there’s been so much pain and heartache … for years and years and years, and I was just so relieved to see this joyous moment on the page. It felt so, so close to the surface of me already. And we — Jeremy and Ayo — have shared so many insane, joyous moments in our lives since the show. So it felt familiar in the best way. I’m so glad for that moment for both of them — for Carmy and Syd.

Edebiri: We’re shooting it so fast. You always wish you just had more time, and that was one of the last scenes — I think it was the last thing that he and I shot. There’s obviously a bit of a preciousness and emotionality that you’re feeling in that moment, while also tapping into what’s happening to the characters. It’s this thing that, in the brain of myself, we’ve been building to this over five seasons. There’s obviously a somewhat meta reflection of what we’ve gone through — this is just such a crazy journey. But I think at the end of it, especially because of what we know is going to change in their relationship, that in their working proximity, that they are not going to be close, but they know that they were able to do this thing and build this thing together, I think [is] what felt very special, and felt very cool. I hope it’s something that people who have loved the show also feel.

Fans have intense feelings about their relationship, as I’m sure you know. Has it surprised you how strongly people feel about their dynamic?

White: I know that exists. I don’t have too much knowledge on how that all works. It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us. It didn’t occur to us. But I understand it. There is an intimacy, of course, with these two characters. And there is this trust. They lean on each other and they admire each other so much. I’m not like — nobody’s crazy to feel that. There is love there, it’s just not a romantic partnership.

Edebiri: It surprised me the first two [seasons] because I don’t think that that’s what we were doing. Anytime that you say otherwise, I’ve learned [not to]. It’s been hard when doing press, it feels like we get asked specific questions to try to give a specific answer, but the point of art is we make it and we give it. If people are having a response, that’s great, and if I don’t agree with you, I don’t think I’m shutting it down or anything. We made something, then you’re picking something up — that’s the exchange.

White says he knows fans have intense feelings about the relationship between Carmy and Syd. “It’s funny, I’m very aware of it now because it’s become part of a conversation around the show, but it was nonexistent in our approach to the work. It wasn’t even a thought for either of us.” (David Urbanke / For The Times)

Carmy has a few heartfelt conversations this season, but one that really stands out is the one with his mom, played by Jamie Lee Curtis, while revisiting the family home he’s stayed away from for years. He cooks for her. She’s remorseful. Jeremy, what did you think of that moment for Carmy?

White: There’s resistance in it. People like Carmy, you can give them the answer, you can give them the sorry, you can give them the opportunity, and a lot of the times they don’t know what to do with it, or they push it away, or they push it down. What that scene was about, for Carm, was becoming available to even listen. That was the conflict of the scene and the moment. But he was able to eventually get to that acceptance to release some of the resentment, to release some of the anger. Then he is able to show up for her, which was what has been absent. He was able to take it and give her something. It’s been years, if ever, that he’s really been able to do that, to get out of his own way, and be of service in that way to his mother.

Ayo, it was really touching to see Syd naming Tina her chef de cuisine. How did you feel about what that sets up for where Syd and the Bear might be headed with these women as partners in the kitchen?

Edebiri: I loved it. I love getting to work with Liza [Colón-Zayas]. I’ve been so privileged to also be able to direct her — she’s just phenomenal. I think about these two characters, where they started Day 1; Tina was pretending not even to speak English just to stay away from the girl. It was rough from the get-go, but I think both for Liza and I, as two women of color as well, we felt so invested in their relationship and the community they built with each other. There’s something very moving about that to me. Part of the thing for Sydney, she doesn’t know — I think Carmy can see it — that one of her strengths is that they’re different types of leaders. Part of what I think makes Sydney a great leader is that she’s able to delegate and actually remove herself when she knows that she might not be the best in a situation, it might be somebody else.

I haven’t actually seen it. I can’t watch the episodes, but I know when we were filming it, it was both very sweet and very funny. I don’t know if they kept any of the improv from Liza.

You can’t watch because you’re emotional about it or because you just don’t have access?

Edebiri: No, I don’t want to. We were doing all this press and everybody was, “You were so emotional; you wanted to cry, right?” And I’m like, “No, I just don’t want to watch.” I’ll watch it later. The only season that I watched before [it aired], frankly, was 3 and 4 because I had episodes that I made in it. I love the show and I know the show is good. I don’t enjoy watching myself.

I do love that Syd’s ethos in the kitchen is borrowed from “Ratatouille.”

Edebiri: Yes, f—ing rat. It tracks for Sydney.

“I love getting to work with Liza [Colón-Zayas],” says Edebiri about her co-star, whose character is named chef de cuisine. “I’ve been so privileged to also be able to direct her — she’s just phenomenal.”

(FX)

Jeremy, what was your reaction when you read Carmy is in a suit interviewing for an internship at an architectural firm? And what he expresses there?

White: I understand and I’m proud of the courage that it takes [to do a life pivot], but also I tried to play that scene in a way where I didn’t want it to be entirely clear [what happens next]. I wanted the question to be like, “Is this guy still so f— up in the head that he’s trapped regardless of his place in this world, or place of work? Is it a romance that he’s saying goodbye to? Is it a love that he still has, and he’s not quite over yet?” Then I was like, “Do we snap out of that scene and we’re back on the clock?” What is this? I think the goal of the scene is it shouldn’t be all too clear and wrapped up.

What do you think?

White: I could see there’s obviously so much love. There’s love for the people he works with, and there’s love for the paces he’s gone through, but I didn’t know. … I didn’t know if it was a goodbye or an admittance. I think I was trying to find something between him coming clean and being like, you know what, I don’t belong anywhere else or I’m so in love with this thing, but it’s not good for me, and I think it exists somewhere in between that.

Ayo, what was your reaction to Carmy interviewing at the firm?

Edebiri: I was like, “Yeah, that makes sense. This boy’s a noodle.” He’s a fool, he’s ridiculous. It makes sense.

Where do you think he goes from here? Have you thought about it? Do you think he will ever find his way back to the kitchen?

White: I haven’t thought about it too much. I do think there’s something really honest about that direction that Carmy was moving into, but I would hope there’ll always be room for him somewhere in a kitchen.

Edebiri: Syd is like, “You can’t do anything else, brother. Like, what’s the plan?” I don’t know if he takes a break, if he comes back to help her, if he does his own thing.

What do you think happens to the Bear?

Edebiri: I think they do well. It’s not just her; it’s her and Sugar and Richie and Marcus and Tina. She got in it for Carmy, but I think she ended up finding her own voice. I think they keep going, at least for a few more years. I really do.

White: I have to believe that all the pain and suffering and trauma — not only that Carmy has gone through, but that everybody has gone through — is for some greater good. That there is a payoff. My hope is that it would be successful. They’ll have the endurance and the motivation to make it.

The Dodgers won the World Series last year, and the year before that. Their lead is the largest in any division this year. That success, and the money that nourishes it, has battalions of fans beyond Los Angeles all but marching outside ballparks with picket signs reading “SALARY CAP NOW.”

It’s a reasonable thought: The Dodgers can’t possibly keep winning if they can’t keep outspending the competition.

Or can they?

“There are a lot of little things that happen behind the scenes that people don’t see,” pitcher Will Klein said. “I understand where people are coming from. It’s easy to be a fan of a smaller team and get mad at other teams outspending you.

“But I think there’s a level of care here, and wanting to win, that exceeds other groups.”

The obvious disclaimer: Any team would be better with Shohei Ohtani and Freddie Freeman and Mookie Betts and Yoshinobu Yamamoto, at a combined price of $1.6 billion. The counter argument: The Angels had Ohtani and Mike Trout and, well, you know.

It takes a roster. In Klein and pitcher Eric Lauer, the Dodgers have done something they do well besides spend: develop valuable contributors out of players discarded by other teams.

The Dodgers grabbed Lauer last month, desperate to fill a hole in their starting rotation. The Toronto Blue Jays had cut him, and he would be joining his seventh major league organization. The logical thought: The Dodgers had found a healthy arm to eat up some innings until they could find someone better.

That still might happen. But Lauer, who is set to pitch Monday, has put up a 3.22 earned-run average in four starts with the Dodgers. Four starts is a small sample size, but in that time, Lauer is a career league-average pitcher performing 28% above league average.

“They got me immediately,” Lauer said. “They figured me out right away, and they knew exactly what was going to help me.”

For Lauer, the changes affected his delivery, but the specifics were not as important as finding a kindred spirit in Connor McGuiness, the Dodgers’ assistant pitching coach.

“I’ve always had a really hard time explaining myself and what I do, because I think a little differently,” Lauer said.

“When I was with the Brewers, it was running joke that it was ‘the language of Lauer,’ because I would describe things so differently and feel things so differently that, if you weren’t close to me and you didn’t know how I operate, it was very hard to understand what I was trying to do.

“Connor just immediately got it. It was like he’s been speaking it forever.”

At one point in his career, Lauer said, he struggled to explain the sensation of catching his heel on the mound as he completed his delivery toward home plate.

“I would describe it as, ‘I was falling backwards and I would catch myself,’ and it’s a really weird concept to think somebody was falling backwards when it doesn’t look like you’re falling at all,” he said. “It looks like you’re just moving forward.

“So they were like, ‘That’s not what you’re doing’ and I was like, ‘That’s what I’m feeling.’ We have to make the connection between the feel and the real so that we can understand each other.”

Klein, who joined his fourth organization when the Dodgers acquired him in a minor league trade last June, is in his first full major league season. He has a 2.37 ERA, and his 0.7 wins above replacement is better than any Dodgers reliever besides veteran closer Tanner Scott.

Klein said other teams had made suggestions on how to improve his game, and with the Dodgers, he has added a sweeper and dumped a slider. But what he needed to do most was throw more strikes, trusting that his lively fastball and curve were good enough to beat the best players in the world.

In the minors, Klein issued 6.9 walks per nine innings. This season, he has issued 3.6 walks per nine innings.

The credit, he said, should be shared with the Dodgers’ mental skills coaches.

“It’s easy to see the guys in the batter’s box — especially when you come up watching baseball and being fans of these guys, it’s easy to see them being above yourself,” Klein said.

“But you’re on the mound with them, so you have to see that too. There’s a lot on the mental side that’s helped me here.”

Dodgers pitcher Will Klein delivers against the Tampa Bay Rays at Dodger Stadium on June 16.

(Eric Thayer / Los Angeles Times)

The Dodgers did not include Klein on their postseason roster for the first three rounds last year, but he said coaches at all levels — in the majors, at triple-A and at the Arizona training complex — never stopped checking in on him, during the season and throughout October.

“When you’re down there, they don’t forget about you up here,” he said. “That kind of commitment and care was levels above what I had experienced.”

When the Dodgers added him to the World Series roster, Klein saved the season, with four scoreless innings to close out an 18-inning victory in Game 3.

Lauer called the communication in the Dodgers’ organization “miles ahead” of any other organization in which he has played.

“The training room, the weight room, the coaching staff, the players to each other,” he said. “Every form of communication is so seamless. Everybody knows what’s going on all the time. There’s no gray area.

“It’s all: ‘This is the plan, this is what we want to happen, this is how we’re going to make it happen,’ instead of: ‘This is the plan, this is what we want to happen, figure out a way to make it happen.’”

Klein raved about how the Dodgers treat player families, and about a high-tech pitching machine so lifelike that he could see what it would be like to bat against him. Lauer reflected on his experience as a first-round pick turned journeyman who went to South Korea to revive his career.

“I have a hard time saying anybody has done a better or faster job of helping me than the Dodgers,” Lauer said.

What Lauer and Klein say substantially echoes what Dodgers president of baseball operations Andrew Friedman said at last year’s World Series about turning the team into a preferred destination for players, and not just because the team wins and spends.

“Communication, being honest, having a really strong player development group in place at the major-league level, and how you treat families and treat the players,” Friedman said then, “I think matters a lot in that.”

To be clear: There is no indication the players’ union is willing to consider, let alone approve, a salary cap.

But, if that were to happen, Klein believes the Dodgers would be just fine.

“Our owners want to win, so they want to get the best product on the field, so they go and spend money,” he said, “and then everyone is mad that they want to win.

“I think they’ll find ways to win more if they can’t spend as much money. Friedman was with the Rays when they weren’t spending as much money and still had success there.

“I think they’re just better at wanting to win than some other people.”

Questions surely will follow Dusty May as he leaps to the Dallas Mavericks after coaching Michigan to the NCAA national championship.

Can he provide blessed amnesia to the Mavericks faithful? Can he help them forget Luka Doncic and Nico Harrison and Anthony Davis and Jason Kidd? Can he allow them to peer into a future anchored by budding superstar Cooper Flagg without constantly checking the rearview mirror?

May, 49, was hired Tuesday as the Mavericks’ head coach,. He led Michigan to the pinnacle of March Madness last season and posted a 64-13 record in two years. He also coached Florida Atlantic to the 2023 Final Four and a 60-13 record in the last two of his six seasons there.

“We set out to find a leader who embodies the values we want to define our organization,” Mavericks president Masai Ujiri said in a statement. “Dusty has won at every stage of his career because of his ability to build. He develops players, creates accountability, and brings people together around a shared standard of excellence. His work ethic is extraordinary, and his teams consistently reflect his values.”

The list of high-profile college coaches who struggled to replicate their success in the NBA is daunting: Rick Pitino, John Calipari, John Beilein, Lon Kruger, Tim Floyd and Mike Montgomery immediately leap to mind.

Not only did May not coach or play in the NBA, he barely played in college. He was a 5-foot-10 point guard at NAIA Oakland City for one season before transferring to Indiana and serving as team manager under coach Bobby Knight.

But his arrival will divert attention from the past, from the hugely unpopular and disastrous trade of Doncic to the Lakers for Davis and spare parts on Feb. 1, 2025.

Mavericks fans staged a faux funeral complete with a casket a day later in front of the Dirk Nowitzki statue outside American Airlines Center. They booed Harrison — the general manager who engineered the deal — at every home game and chanted “Fire Nico.”

When Doncic returned as an opponent, Mavericks fans chanted “MVP” when the Laker shot free throws.

Harrison admitted to underestimating the backlash from fans but defended the trade, initially saying he had “no regrets.” By November, he was fired and updated his social media profile to “unemployed.”

Next to go was Kidd, a Hall of Fame point guard who helped the Mavericks to their only NBA title as a player and to the NBA Finals as a coach. At the time, it wasn’t clear whether Kidd was an advocate of the Doncic deal or a victim of a front-office blunder. But Mark Cuban, the Mavericks’ former majority owner who currently owns 27% of the team, indicated March 31 during a podcast that Kidd was complicit.

“I think there was animosity between [Harrison] and some people on Luka’s team — his agent and some of the people around them,” Cuban said. “I don’t think they got along. I think there were issues.

“J-Kidd had coached Anthony Davis and was close to him, and Nico was close to AD since he was like 13 years old. So I think there was some confirmation bias as well. But that doesn’t justify our coach and our general manager to stand up and trade our best player.”

Doncic, 26, flourished in his first season in Los Angeles despite a late-season injury that kept him out of the playoffs. The shooting guard led the NBA with 33.5 points per game and he will be a franchise cornerstone. Davis played only 20 games with Dallas because of injuries and in February was traded to the Washington Wizards.

The makeover began when the Mavericks secured the first pick in the 2025 NBA draft despite having only a 1.8% chance of obtaining it through the lottery. They took Flagg, a forward from Duke who went on to lead Dallas with 21 points per game and was named rookie of the year.

Next, they hired respected former Raptors executive Ujiri as team president. And now they have added May as coach. This week they will add two more promising players via the first round of the draft.

“I am honored to join the Dallas Mavericks organization,” May said in a statement. “This is one of the most respected franchises in professional sports, with passionate fans, a talented roster, and a clear commitment to building a championship organization.”

The franchise is trying to eliminate reminders while attempting to instill hope for the future.

“When you study [May’s] journey, you see someone who has earned every opportunity through preparation, discipline, humility, and an unwavering commitment to improvement,” Ujiri said. “We believe those qualities make him the right leader for the Dallas Mavericks.”

Meanwhile at Michigan, a loaded roster will report to interim coach Mike Boynton Jr., May’s top assistant and the head coach at Oklahoma State from 2019 to 2024. Players are allowed to enter the transfer portal for 15 days following a coaching change, so job one for Boynton will be to keep them from fleeing.

Netflix’s comedy series Leanne is returning for Season 2 this summer and some huge names have joined the cast.

Fans of the beloved sitcom Leanne can gear up for another binge-fest soon.

Leanne Morgan’s bingeworthy comedy series, Leanne, is set to return for a second season this summer, with the star expressing how “so grateful” she feels about returning to Netflix. The Big Bang Theory producer, Chuck Lorre, who is behind the popular series that proved a massive hit with viewers, said of the show’s comeback: “Congrats to Leanne and the entire cast and crew.

“This has been an incredible journey that began with a visit to Knoxville, Tennessee. Leanne Morgan is the whole package. A comedic genius, a warm, loving human being, and an absolute joy to work with.”

Kristen Johnston, Celia Weston, Blake Clark, Ryan Stiles, Jayma Mays, Tim Daly, Graham Rogers, Hannah Pilkes, and Andrea Anders are all set to reprise their roles for the second season. Fresh faces are also joining Season 2 and here’s everything you need to know about the new series.

When is Leanne Season 2 out?

Leanne is making its Netflix comeback for a second season on August 27, with the sitcom’s latest run consisting of 10 episodes.

Fortunately for devotees, all 10 instalments will arrive simultaneously, allowing them to binge-watch to their hearts’ desire.

The second run is considerably more compact than the first, which featured 16 episodes, and it remains inspired by Leanne’s stand-up performances.

The sitcom chronicles Leanne’s journey as her world gets flipped upside down when her husband of 33 years unexpectedly walks out on her for another woman.

Throughout the series, “Leanne learns to embrace the chaos and finds strength, laughter, and hope in the most unexpected places”.

Who is joining the cast of Leanne Season 2?

Fresh faces include country music sensation and Yellowstone star Lainey Wilson.

The 34 year old country artist from Louisiana made her television debut in Yellowstone in 2022, taking on the role of Abbey.

She also has her own Netflix documentary chronicling her career, and made her big-screen debut in the film adaptation of Colleen Hoover’s novel Reminders of Him.

Actress and model Jaime Pressly is also joining the cast, best recognised for her portrayal of Joy Turner in the NBC sitcom My Name Is Earl.

Actor and comedian Billy Gardell, famous for Mike & Molly, has similarly signed up for the series, alongside accomplished film and theatre actress Tyne Daly.

Leanne season 2 arrives on Netflix on August 27.

Indiana Fever star Caitlin Clark called out officials following her team’s 86-77 win over the Phoenix Mercury on Monday. She was one of five players assessed technical fouls amid a fourth-quarter dustup that also involved former teammate DeWanna Bonner.

Clark was called for a personal foul at the 7:57 mark in the fourth quarter after getting tangled up with Bonner, who was trying to post up near the free-throw line. The two exchanged some words before things escalated as their teammates got involved. Clark appeared flabbergasted when she learned she received a technical foul for clapping while her teammate Myisha Hines-Allen and the Mercury’s Alyssa Thomas were in each other’s faces.

Bonner, Thomas, Hines-Allen and Fever guard Sophie Cunningham were also assessed technical fouls for their actions during the scuffle. Hines-Allen was later ejected from the game after earning another technical foul for pushing Thomas after being called for a foul in the very next play.

This marks Clark’s fifth technical of the season so far. Players who rack up eight technical fouls in a season must serve a one-game suspension.

“It’s ridiculous. I got a tech for clapping,” Clark said after the game. “We should all just go on the calendar now and pick a game that I’m going to be suspended for if I’m going to get technicals for clapping.

“If any technicals should be taken away, it should be that one,” Clark added. “I don’t understand it at all. … I’m going to play with emotion. I’m going to play with passion. And if they’re going to give me a technical foul for clapping, then so be it. That’s their choice.”

Caitlin Clark reacts during Monday’s game between the Indiana Fever and the Phoenix Mercury.

(Michael Hickey / Getty Images)

This was not the first time this season the two-time All-Star has been seen clapping toward other players or officials during a game. None of the previous occasions resulted in Clark receiving a technical foul. The star guard has been receiving more attention this season for her behavior during games outside of her play. The Fever reportedly plan to appeal the technical foul.

Clark led all scorers with 24 points while also dishing out nine assists in the Fever win, while Kelsey Mitchell added 22 points. For the Mercury, Kahleah Copper led with 20 points, while Thomas had 19 points, five rebounds and nine assists.

Bonner, a two-time WNBA champion, had signed a one-year contract with the Fever last season. She played in just nine games before parting ways with the team and eventually rejoining the Mercury, where she started her career. Fever fans could be heard booing Bonner at various times during Monday’s game at Gainbridge Fieldhouse in Indianapolis.

Fever coach Stephanie White said that Clark has to be aware of her technical fouls and that “there are some that we could do without.”

“There are natural things that happen that the energy of the game creates when you do get those,” White said. “But there are some that we can be a little bit more in control of. So, yes, we’ll continue to remind her, and I think she has to have an awareness.”

She also brushed off the incident as something “that … happens” in “a competitive sport.”

“As a group, we have to be able to have our moment and then regroup and play with poise and composure. It can’t continue to go on,” White said.

Dallas Wing guard Paige Bueckers and Golden State Valkyries forward Janelle Salaün are among the other players who have been assessed technical fouls this season for clapping after a play. Neither incidents involved taunting players from the opposing team, and both of those techs have reportedly been rescinded.

Julius Randle is headed back to New York, although he will be playing in a different borough this time around.

The Brooklyn Nets acquired the 12-year veteran after he spent the past two seasons with the Minnesota Timberwolves, multiple media outlets reported Monday night.

As part of the three-team deal, Minnesota will send Randle and the 28th pick in Tuesday’s draft to Brooklyn in exchange for the Nets’ No. 33 overall pick. In addition, Brooklyn will send veteran center Nic Claxton to the Chicago Bulls. The Timberwolves will receive Mo Gueye from Chicago but are expected to waive the third-year forward.

For Minnesota, the trade creates a $33 million trade exception as well as financial flexibility to seek free agents to play alongside superstar Anthony Edwards. Later on Monday, the Timberwolves came to terms with guard Ayo Dosunmu on a five-year, $112 million deal to remain with the team after being acquired from Chicago at the trade deadline.

Randle goes from a team that won 49 games in each of the last two seasons and three playoff series during that stretch to one that won just 20 games last year and a combined 78 over the last three seasons.

The Nets, who haven’t had a representative in the All-Star Game since Kevin Durant in 2022, will continue rebuilding with the No. 6 overall pick in the 2026 draft to go with the first-rounder they received from Minnesota.

The Lakers drafted Randle at No. 7 overall in 2014, with his first two NBA seasons coinciding with the final two of Lakers legend Kobe Bryant. After becoming a free agent in 2018, Randle played one season with the New Orleans Pelicans before becoming a three-time All-Star during five seasons with the New York Knicks.

In October 2024, Randle went to Minnesota as part of the deal that brought Karl-Anthony Towns to New York. Towns was a key member of the Knicks team that defeated the San Antonio Spurs in the NBA Finals and celebrated with a championship parade in Lower Manhattan last week.

During the 2025 postseason, Randle shook his reputation for fading in the playoffs, crediting his perseverance to a mentality instilled in him many years earlier by Bryant.

“I had a great mentor in Kobe that didn’t necessarily let me pout or get down on myself,” Randle said after scoring a career playoff high of 31 points during a conference semifinal game against Golden State. “His thing was always, ‘All right, what’s next? How can you get better? How can you improve?’ So I always just kind of took that mentality with me.”

While Randle hasn’t publicly commented on the trade, his wife Kendra posted a video to her Instagram Story of 9-year-old son Kyden, the oldest of their three children, stating that he’s “so excited” and “so happy” to be returning to New York.

“@brooklynnets fans he really wanted to make this,” Kendra Randle wrote as a caption to the video.

The Associated Press contributed to this report.

Kyle Bradish pitched eight shutout innings, Taylor Ward hit a leadoff home run against his former team and the Baltimore Orioles extended their winning streak to three games Monday night with a 6-1 victory over the Angels.

Coby Mayo hit a three-run homer and Bradish (5-7) struck out nine as the Orioles improved to 4-3 on a nine-game trip.

Bradish gave up six hits and one walk. He has 21 strikeouts over his past two starts.

Baltimore was already without second baseman Jackson Holliday (groin) when third baseman Blaze Alexander (knee) exited in the third — leaving outfielder Leody Taveras to play third for the first time in seven seasons. Taveras finished with two hits.

Jorge Soler homered late for the Angels (32-48) in his return from the injured list, but Sam Aldegheri (2-3) gave up five runs and five hits over 4⅔ innings. The Angels had scored 27 runs over their previous three games.

Ward, playing his first game at Angel Stadium as a visitor following an offseason trade, hit the fourth pitch from Aldegheri 419 feet over the wall in center field. It was his 56th career home run at Angel Stadium.

The Angels then saluted Ward, a member of the major league team for eight seasons, with a tribute video in the middle of the first inning.

Baltimore made it 4-0 in the fourth on Mayo’s three-run homer and scored again in the fifth on Pete Alonso’s sacrifice fly. Gunnar Henderson added an RBI triple in the seventh that made it 6-0.

Rico Garcia gave up Soler’s homer in the ninth.

Baltimore (38-42) is 21-6 against the Angels since 2022.

Ty Simpson listens to himself in the evening before he falls asleep. And also when he gets up in the morning and heads to work at the Rams’ practice facility.

The rookie quarterback hears his own voice on audio recordings as he recites the team’s play calls.

“I want to make sure it’s the last thing I think about when I go to bed,” he said recently, “and the first thing that I wake up to.”

The Rams ended their offseason program last week. But Simpson, a Tennessee native, said he would remain in Southern California and continue to study in preparation for training camp at Loyola Marymount in late July.

Simpson began the practice of recording himself at Alabama, where he was the starter in the last of his four seasons with the Crimson Tide.

Now he is the heir apparent to Rams quarterback Matthew Stafford, the reigning NFL most valuable player.

The Rams surprised many when they used the 13th pick in the draft to select Simpson, who started only 15 games. But Simpson is doing everything he can to fit into a position group that includes Stafford, 38, fourth-year signal-caller Stetson Bennett and undrafted free agent Matthew Caldwell.

“Feel like I’m a freshman again — drinking from a fire hydrant,” he said, adding that he knows and is comfortable with high expectations. “The quarterback runs the show here, just how I like it.”

Stafford, entering his 18th season, has said that Simpson has not been shy about asking questions.

“I hope I’m not annoying him,” Simpson said, “but I really appreciate the big brother kind of role he’s playing in my development.”

Stafford is “the MVP for a reason,” Simpson said. “Everything he does, he’s so just aware of everything, aware of how everything works. … I really appreciate him and Stetson taking me in and answering all the questions I have.”

Bennett got limited reps during the offseason program. But his opportunities are expected to increase during training camp as the Rams manage Stafford’s workload.

When asked about Bennett, coach Sean McVay and offensive coordinator Nate Scheelhaase seemingly have gone out of their way to speak generally about rookies.

“They’re way behind in terms of just the overall teaching progression but they’re learning,” McVay said. “Ty, like the rest of the rookies, are doing a really nice job.”

Scheelhaase, who went through several head coach interviews during the offseason, is in his first season as the Rams’ coordinator.

“I’ve been encouraged with all of our rookies, including Ty,” Scheelhaase said. “First things first, you want to see, do they come in? Are they coachable? Are they willing to work? And you’ve seen that from Ty from Day 1.”

Simpson said that, so far, the jump from college to the NFL has not been daunting. Quarterback coach Dave Ragone and teammates have helped ease the transition.

“The biggest thing is just how detail-oriented everybody is,” Simpson said, adding, “It’s really, really cool because, coming from Alabama in the SEC, that’s how pro-ready I felt.”

With Stafford under contract through the 2027 season, Simpson might not play for a few years. But if Stafford were to suffer an injury, his time could come sooner.

Simpson is expected to play extensively during preseason games later this summer.

To make sure he’s prepared, Simpson recites and listens to his play calls.

“So when I get in the game and hear a play call, I can just imagine it and see it,” he said. “That’s a big thing, just knowing the terminology and being detail-oriented just like Matthew and Stetson.”

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell.

We received more than 500 questions for Justin Turner after putting out the plea a couple of weeks ago, which is a record. (Some were the same question asked by multiple people.) I selected a few, and Turner answered them via email between games with the Tijuana Toros.

Mark Haendel in Santa Monica asks: Any ideas of staying in baseball after you actually retire? Coaching, managing, college or pro level, etc.?

Turner: I will definitely stay in the game in some capacity. I love it too much and my son loves being around it too much to step away.

Kristen Lazalier in Norman, Okla., asks: Please share three favorite memories of your years with the Dodgers. Thank you for always bringing such passion and joy to your play — both on and off the field!

Turner: It would have to be winning the World Series in 2020. Winning the Roberto Clemente Award in 2022. The walk-off homer in the NLCS and winning the fan vote for my first All-Star Game in 2017.

Chris Nayve asks: What is your go-to mindset or thought that helps you when things get challenging in baseball or just in life?

Turner: The best thing is just to simplify things and not try to do too much. Take the results out and trust the process. Live in the moment and control what is in front of me.

Robert Scott Wallace asks: First and foremost, I wanted to thank JT and his wife for all the good they do for the city of Los Angeles. A basic question: Who is the toughest pitcher you had to ever face in the big leagues and why?

Turner: Felix Hernández was the nastiest. Cliff Lee and Tyler Glasnow, after the 2020 World Series, own me. (Editor’s note: Turner was 0 for 3 with two strikeouts against Hernández, one for 20 against Lee with four strikeouts and 0 for 11 against Glasnow with 10 strikeouts.)

Paul Mihalow asks: Did anybody on your MLB teams ever complain about the “pine tar” on the back of your jersey — like clubhouse managers or laundry guys?

Turner: No. I asked the clubhouse guys and they said it was actually very easy to get out every night.

Jeff Plotkin asks: Who were some of your favorite teammates?

Turner: That’s a tough one. I get along great with just about everyone. But my favorite baseball guy of all time is, hands down, Chase Utley.

Gabriel Ortega asks: What is one lesson you’ve learned from fatherhood that has surprised you the most, and how has it changed the person you are both on and off the field?

Turner: Being a dad definitely taught me patience and understanding. That just because i know what I’m saying or asking doesn’t mean Bo or anyone else does. Sometimes you have to get creative to get your message across.

Robert Shannon asks: Where does the 2004 College World Series championship with Cal State Fullerton rank on your career highlights?

Turner: That has to be way up near the top. That’s one of the hardest tournaments to win and that was always a special group of guys.

Marshall Fong asks: What adjustments did you make as you aged to remain a competitive player?

Turner: The biggest thing is time management and learning how to get my work in that needs to be done without killing myself and my energy for the game.

Thanks again to Turner for taking the time to answer reader questions.

Andy Pages has a burden

Last week, colleague Liana Handler wrote a nice story on Andy Pages and the struggle he has as his family lives in Cuba. He is unable to see them and sometimes he can’t get reach them on the phone, which is when the fears really loom large.

A few key passages from Handler’s story:

Unlike his teammates — both American and those on visas — Pages is distinctly cut off in the United States, where he lives with his wife, Alondra, but is separated from his parents and sister in Mantua. The third-year Dodgers center fielder is making $800,000 this year but can’t spend his money on flights home or on bringing his family to the country where he plays baseball. The tense relations between the U.S. and Cuba — the Trump administration has imposed economic sanctions and made diplomatic threats — don’t allow for that.

“I haven’t found any way that gives me that tranquility and peace,” he told The Times in Spanish two weeks ago. “Because the way things are there, what’s always on your mind is that it could happen. Anything, any time. And I have all my family in Cuba. So, you have to live with that worry all the time.”

Most of Pages’ family can only listen to his baseball games on the radio or through fuzzy images on the television.

No one understands that more than Dodgers infielder Miguel Rojas. A Venezuelan immigrant, Rojas said he felt a personal responsibility for Pages, who is caught between wanting to speak more about the situation and being guarded because of his budding career and the fact that he’s not yet eligible to be a free agent.

“We need to preserve our job, because this is our only way to make an income, and a lot of us are the head of the family, so we got to continue to think about it that way,” Rojas said. “I would like to be more vocal and be a little bit more present for my community, but it’s really hard because I’m performing my job, and if I stop doing this, I don’t know how to do anything else.”

As Rojas describes, it is not easy to focus on your job when you see people you know at home suffering.

“We are here to perform and actually provide entertainment to people, and sometimes we are seen like that,” he said. “The problem is when the lights are off at night, when you have to go home, when you become a regular human being that is on the streets.”

The story is well worth your time and can be read here.

Perfect Father’s Day present

Shohei Ohtani missed Friday’s game to be present for the birth of his second child with his wife, Mamiko.

“We are again overjoyed to experience this wonderful day in our lives together,” Ohtani said on Instagram. “Thank you for being born safely. We would also like to express our heartfelt gratitude to everyone who has supported us throughout this journey.”

Injury updates

—Will Smith has an inflamed disk in his neck and recently had an injection there to help reduce it. The earliest he will be back is Friday, as he is not going on the team’s trip to Minnesota.

—Teoscar Hernández will begin a rehab assignment in triple-A this week and could be back before the end of the month.

—An MRI on Blake Treinen‘s elbow showed no structural damage, so he should be back as soon as he can come off the 15-day IL.

—Reliever Edwin Díaz is progressing well and remains on track to return after the All-Star break.

—Reliever Evan Phillips has pitched in six games for triple-A Oklahoma City. In 5-1/3 innings, he has given up five hits, walked four and struck out five. He should return in early July.

—Reliever Brock Stewart could be activated before today’s game against Minnesota. If not, then sometime this week.

These names seem familiar

How notable players who were with the Dodgers the last couple of seasons are doing with their new teams (through Sunday). Click on the player’s name to be taken to their full stats page:

Anthony Banda, Twins: 2-0, 4.22 ERA, 2 saves, 32 IP, 26 hits, 14 walks, 29 K’s, 104 ERA+

Cody Bellinger, Yankees: .276/.370/.473, 324 PA’s, 15 doubles, 3 triples, 11 homers, 49 RBIs, 133 OPS+

Walker Buehler, Padres: 4-3, 3.96 ERA, 72.2 IP, 73 hits, 23 walks, 65 K’s, 105 ERA+

Mike Busch, Cubs: .247/.377/.396, 337 PA’s, 13 doubles, 2 triples, 8 homers, 42 RBIs, 122 OPS+

Michael Conforto, Cubs: .222/.328/.434, 116 PA’s, 9 doubles, 4 homers, 13 RBIs, 116 OPS+

Justin Dean, Cubs: .500/.500/1.500, 2 PA’s, 1 triple, 3 RBIs, 443 OPS+

Caleb Ferguson, Reds: 0-0, 1.50 ERA, 12 IP, 10 hits, 5 walks, 12 K’s, 302 ERA+

Jack Flaherty, Tigers: 1-8, 5.35 ERA, 65.2 IP, 69 hits, 34 walks, 78 K’s, 81 ERA+, on the IL

Kenley Jansen, Tigers: 1-3, 4.00 ERA, 9 saves, 18 IP, 10 hits, 10 walks, 22 K’s, 110 ERA+

Craig Kimbrel, Rays: 0-2, 5.50 ERA, 18 IP, 19 hits, 8 walks, 18 K’s, 78 ERA+

Gavin Lux, Rays: on the IL

Dustin May, Cardinals: 5-6, 4.30 ERA, 83.2 IP, 78 hits, 22 walks, 77 K’s, 94 ERA+

Zach McKinstry, Tigers: .177/.272/.259, 171 PA’s, 4 doubles, 1 triple, 2 homers, 11 RBIs, 48 OPS+

James Outman, Tigers: .169/.238/.286, 84 PA’s, 4 doubles, 1 triple, 1 homer, 5 RBIs, 44 OPS+

Joc Pederson, Rangers: .237/.333/.419, 235 PA’s, 7 doubles, 2 triple, 9 homers, 25 RBIs, 119 OPS+

Luke Raley, Mariners: .241/.303/.503, 210 PA’s, 6 doubles, 1 triple, 14 homers, 35 RBIs, 126 OPS+

Ben Rortvedt, Mets: in the minors

Corey Seager, Rangers: .186/.284/.373, 204 PA’s, 6 doubles, 9 homers, 24 RBIs, 91 OPS+, on the IL

Justin Turner, Tijuana (Mexican League): .273/.483/.461, 196 PA’s, 14 doubles, 6 homers, 25 RBIs

Trea Turner, Phillies: .227/.280/.336, 328 PA’s, 12 doubles, 7 homers, 22 RBIs, 67 OPS+

Miguel Vargas, White Sox: .236/.353/.465, 324 PA’s, 12 doubles, 1 triple, 16 homers, 44 RBIs, 126 OPS+

Kirby Yates, Angels: 0-3, 3.68 ERA, 1 save, 14.2 IP, 9 hits, 7 walks, 19 K’s, 116 ERA+

Up next

Monday: Dodgers (*Eric Lauer, 2-5, 5.37 ERA [1-0, 3.22 ERA with Dodgers]) at Minnesota (Zebby Matthews, 3-4, 4.78 ERA), 4:40 p.m., SportsNet LA, AM 570, KTNQ 1020

Tuesday: Dodgers (*Justin Wrobleski, 8-2, 2.72 ERA) at Minnesota (Joe Ryan, 5-3, 2.99 ERA), 4:40 p.m., SportsNet LA, TBS, AM 570, KTNQ 1020

Wednesday: Dodgers (Shohei Ohtani, 7-2, 1.47 ERA) at Minnesota (*Connor Prielipp, 2-5, 5.17 ERA), 4:40 p.m., SportsNet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Dodgers star Shohei Ohtani announces birth of second child

Shaikin: Why MLB’s Pride Night cap condemnation isn’t the anti-Christian crackdown conservatives claim

Lopez: There might be one advantage to climate change: More home runs at Dodger Stadium

Dodgers Debate: BLISTER WATCH. Should Shohei Ohtani be shut down?

Shaikin: The Dodgers are ruining baseball! Stop them! But first let me vote for all their players

And finally

Vin Scully tells us “Don’t be afraid to dream.” Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

“House of the Dragon” is unveiling the next chapter of its Targaryen family drama.

Premiering Sunday, Season 3 of HBO’s epic fantasy will pick up right after the events of the second season, which ended with Rhaenyra Targaryen (Emma D’Arcy), the displaced would-be ruler of the Seven Kingdoms, finally finding some momentum in her campaign to claim the Iron Throne.

The Targaryen civil war has been a bit of a slow burn so far, though both sides of the family have suffered major casualties. That’s likely to change in Season 3, now that both factions have added key reinforcements.

Why are the Targaryens fighting?

“House of the Dragon” is about the Targaryen war of succession known as the Dance of the Dragons. Rhaenyra’s claim to the Iron Throne stems from her father, King Viserys I, naming her his heir, despite women traditionally being overlooked in the line of succession.

But when King Viserys died, his eldest son Aegon was crowned king instead. King Aegon II is Rhaenyra’s younger half-brother who was born after she had already been announced as Viserys’ heir.

Rhaenyra’s supporters, known as the Blacks, include her uncle-turned-husband Daemon Targaryen and their children, as well as Corlys Velaryon.

Aegon’s faction, the Greens, includes his mother Alicent Hightower, Rhaenyra’s childhood friend; and siblings Helaena (his wife), Aemond and Daeron.

Daemon (Matt Smith) and Rhaenyra (Emma D’Arcy) in “House of the Dragon” Season 3.

(Theo Whiteman / HBO)

What happened in Season 2?

Much of “House of the Dragon” Season 2 involved both sides assembling allies and establishing battle lines — but there was plenty of bloodshed along the way.

The season kicked off with Rhaenyra demanding vengeance against Aemond for killing her son Lucerys. Unfortunately, Daemon’s hired assassins killed Aegon’s young son Jaehaerys instead so any real possibility for a family reconciliation was lost.

The big battle of the season happened at Rook’s Rest, where Princess Rhaenys and her dragon Meleys were killed by Aemond and his dragon Vhagar while fighting Aegon and his dragon Sunfyre. Aegon was severely injured by Aemond and Vhagar in that battle.

Aemond was named Prince Regent in the aftermath, and seized control of the Iron Throne while Aegon recovered.

The Greens made a key alliance with the Triarchy to fortify its naval forces. The Blacks, meanwhile, essentially held open tryouts to find new dragonriders to add more aerial firepower. They also gained more ground troops thanks to Daemon’s efforts in the Riverlands.

How did the season end?

In the Season 2 finale, Alicent took a secret trip to Dragonstone to make a deal with Rhaenyra. She offered to essentially hand over the Iron Throne while Aemond was away if Rhaenyra promised to spare her and her family. When Rhaenyra insisted that Aegon had to die for her to properly claim victory, Alicent agreed.

Unfortunately for them, Aegon had snuck out of King’s Landing with the help of Larys Strong.

Meanwhile, various troops led by Criston Cole, Gwayne Hightower, Jason Lannister and others were on the move.

Aegon (Tom Glynn-Carney) is on the move in “House of the Dragon” Season 3.

(Theo Whiteman / HBO)

Just how many dragons are at this dance?

The Greens have four dragons ridden by the Targaryen siblings, but not all are currently available for battle.

Aegon and his dragon Sunfyre are both injured. Helaena, whose dragon is Dreamfyre, told Aemond that she would not join him in battle. The oldest and largest is Aemond’s dragon Vhagar, who has already triumphed over a couple of Team Black’s dragonriders.

Their youngest brother Daeron rides Tessarion, but they have not yet joined the fray.

The Blacks, meanwhile, currently have seven dragons among them, including Rhaenyra‘s beast Syrax. Daemon, who has the most experience in battle, rides Caraxes. Their children Jacaerys and Baela’s dragons are Vermax and Moondancer, respectively.

Newly added to the mix are lowborn dragonriders of Valyrian descent, Addam of Hull (whose father is Corlys Velaryon), Hugh and Ulf. Their respective dragons are Seasmoke, Vermithor and Silverwing.

There are also some wild dragons in Westeros like the one Rhaena (Daemon’s daughter, Baela’s sister) encounters in the Vale called Sheepstealer.

Dragons will battle in “House of the Dragon” Season 3.

(HBO)

What can we expect from Season 3?

Season 3 will kick off with a massive clash on the sea known as the Battle of the Gullet. This will involve Corlys Velaryon and his fleet trying to fend off an attack by Tyland Lannister and the Triarchy. It’s also no secret that Rhaenyra will make her way back to the Red Keep to claim King’s Landing.

New characters such as Ormund Hightower (Alicent’s cousin) and Daeron Targaryen (Alicent’s youngest son) will officially join the action for the Greens in Season 3. The Blacks can expect reinforcements from the north in the form of the Winter Wolves.

Other loose ends from previous seasons include Rhaena’s quest to tame a wild dragon and the status of Rhaenyra’s youngest children who were sent away for their safety. There is also the mystery around the captivity of Otto Hightower, Alicent’s father.

SACRAMENTO — Zach Neto hit a two-run homer in the ninth inning that gave them their first lead, Denzer Guzman tied the score with a three-run home run in the eighth, and the Angels beat the Athletics 9-7 on Sunday.

Donovan Walton also homered and had three RBIs, while Nolan Schanuel and Jose Siri each added two hits to help the Angels (32-47) split the series after losing the first two games, including blowing an 11-4 lead Friday night.

Nick Kurtz hit his 19th home run, and Zac Gelof had a single and a double to extend his hit streak to 24 games for the A’s (38-40). Kurtz has 55 career homers, tied with Bob Johnson (1933-34) for the most in franchise history through the first two seasons of a career.

Five players drove in runs for the A’s. Joey Meneses had an RBI single in his Athletics debut after being called up from the minors before the game.

Chase Silseth (2-1) had two strikeouts and worked a scoreless eighth for the win. Sam Bachman pitched a 1-2-3 ninth for his first save of the season.

Guzman’s third home run in as many days, a three-run drive off Hogan Harris (3-1), tied the score at 7-7.

After Siri singled with one out in the ninth, Neto belted an 0-and-1 fastball that landed just beyond the fence in left field.

Angels starter Reid Detmers gave up five runs and walked four in six innings.

Gelof singled leading off the game, doubled in the fourth, then reached on an error in the seventh before Kurtz’s home run. His hitting streak is tied for the second-longest in franchise history since 1961.

A’s starter Jack Perkins had eight strikeouts in five innings and gave up four runs.

Up next for the Angels: LHP Sam Aldegheri (2-2, 4.50 ERA) faces the Baltimore Orioles on Monday.

The second series of The Celebrity Traitors will hit screens later this year – and there’s reportedly going to be a huge plot twist that even the producers didn’t see coming

The second series of Celebrity Traitors is set to feature a huge plot twist that has never been seen on the hit BBC show before – that has reportedly left producers “shocked”.

Already being billed as the “most treacherous series so far”, it’s claimed that a third of the contestants will end up as Traitors when the new season starts later this year.

Revealing how the latest celeb series will be different to anything viewers have seen before, a source told The Sun: “Those working on the programme were quite shocked by the approach adopted by the core Traitors. They went on a recruiting spree that has never been seen on either the celebrity or the ‘civilian’ version of the show in the UK.

“Last year, the original three Traitors secretly selected by Claudia remained as a trio throughout the competition — which turned out to be a winning approach. But on the follow-up series, all that changes. There’s a thrilling shift in the balance of power,” the source added.

“Even though the whole programme is based on skullduggery, nobody thought it would reach these levels.”

Filming in the famous Scottish castle is already believed to have wrapped, but fans will have to wait for the show to air to find out who the Traitors are – and which famous faces they will go on to recruit.

This year’s impressive line-up of has already been revealed and there will be 21 contestants on the celebrity version of the show that’s hosted by Claudia Winkleman.

Among those taking part this year is actor Richard E Grant, along with Mick Jagger’s ex Jerry Hall, former EastEnders star Ross Kemp, You’re Beautiful singer James Blunt and Little Mix star Leigh-Anne Pinnock.

Love Island host Maya Jama will also battle it out to win the 2026 series alongside comedians Miranda Hart, Romesh Ranganathan, Rob Beckett, James Acaster, Joe Lycett and Joanne McNally.

Actors Michael Sheen, Sharon Rooney, Bella Ramsey, Myha’la, Sebastian Croft and ex Corrie star Julie Hesmondhalgh have also signed up to the show. Journalist and broadcaster Amol Rajan, boxer and YouTube star King Kenny and mathematician Professor Hannah Fry complete the 2026 line-up.

In the 2025 series, comedian Alan Carr schemed his way to victory after being cast as a traitor. And rumours are already swirling over who this year’s traitors will be.

Perrie Edwards has already predicted that her bandmate Leigh-Anne Pinnock will likely be cast as a traitor because of her affinity for mischief.

Speaking on the Hanging Out with Ant & Dec podcast, she said: “Oh she is so annoying, I already know she is going to annoy me. You don’t understand how infuriating it is, she would lie about silly things so she would do pranks and we’d be like, ‘Leigh-Anne’s that’s…’ and she’d be like ‘it’s a prank’ and I’m like ‘that’s not a prank you’ve just lied, it’s just annoying’. And so I don’t know if I’ve got it in me to watch her do that for a full series.”

*Celebrity Traitors will return to BBC One and iPlayer later this year

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