season

Anyone who has been a new parent knows it’s not easy to do on your own — it really does take a village. And in the latest season of “The Four Seasons,” which returned to Netflix last week, Ginny, played by Erika Henningsen, finds her village as she navigates single parenthood after the sudden death of Nick, played by Steve Carell. While that may sound gloomy — no, terrifying — the comedy series created by Tina Fey, Lang Fisher and Tracey Wigfield keeps the laughs coming, whether they involve the central friend group spreading Nick’s ashes — morbid, I know, but I promise you’ll laugh — a malfunctioning breast pump or making friends with someone who loves to dig really big holes in the sand at the beach. Henningsen dropped by Guest Spot to talk about her character and what she hopes comes next if the show gets a third season.

And if you breeze through the second season’s eight episodes, there’s plenty else to watch this weekend. For more laughs, Mindy Kaling’s latest comedy series, “Not Suitable for Work,” premiered this week with three episodes. The TV creator spoke to Times TV writer Yvonne Villarreal about how the series touches on the heightened feelings Kaling experienced living in New York in her 20s, trying to break into comedy writing. But if you are looking for the complete opposite, the first two episodes of the newest iteration of “Cape Fear” are out today on Apple TV (you may remember the 1991 film version directed by Martin Scorsese and starring Robert De Niro, or even the 1962 version starring Robert Mitchum). The series, which inserts some modern elements and twists, stars Javier Bardem as the villainous Max Cady and Amy Adams as lawyer Anna Bowden, who our television critic says “is low-key forceful as his primary opponent.”

Also in this week’s Screen Gab, our critics recommend a web short that will give you some background on “Backrooms,” as well as a horror film with a similar vibe, and a new nature documentary series. — Maira Garcia

Turn on

Recommendations from the film and TV experts at The Times

Chiwetel Ejiofor in “Backrooms,” which was inspired by Kane Parson’s surrealist web videos.

(A24)

“Backrooms – Presentation” (YouTube), “Buffet Infinity” (VOD)

Last weekend, 20-year-old Kane Parsons became the youngest filmmaker to hit No. 1 at the box office with “Backrooms,” a surrealistic experiment about a furniture salesman (Chiwetel Ejiofor) drawn into a maze of humdrum office space. Peek into the movie’s lore on Parsons’ YouTube channel where his eight and a half minute short, “Presentation,” hints at why Mark Duplass was running around in a lab coat. Or let the feature stand as its own work and watch Simon Glassman’s “Buffet Infinity” instead. Told through snippets of local TV commercials, this morbidly hilarious horror tale is like plopping down on one of the backroom’s couches to channel surf. The bland muzak and cinematography are spot-on, as are the familiar breeds of low-budget pitchmen: the car salesman, the personal injury lawyer, the housewife. But once two neighboring restaurateurs duel over the rights to a special sauce — and one gets defamed and disappeared — these escalating, tense ads reveal a town under siege. Things have gotta be bad when the pawn broker starts rapping about his vast selection of knives. — Amy Nicholson

A pilosaurs in NBC’s “Surviving Earth.”

(NBC)

“Surviving Earth” (NBC, Peacock)

If computer animation is good for anything, it is its ability to bring prehistoric creatures to convincing conjectural life. From Willis O’Brien‘s stop-motion dinosaurs in “The Lost World,” to “Jurassic Park,” to the BBC’s “Walking With Dinosaurs,” we are ever glad to take that trip backward, in increasingly sharp detail. “Surviving Earth,” an eight-part nature documentary cum disaster movie cum action film, adds a thematic twist: extinction. With titles like “When the Earth Burned,” “When the Seas Died” and “When the Forests Collapsed,” it is, on the one hand, a dark tour through a long history of climate crises and population collapse; on the other, per its title, its relatively cheering theme is that life, generally speaking, can handle whatever the planet (or stray asteroid) throws at it. (Humans are not left off the hook; the two episodes out for review each conclude with a visit to our destructive modern world.) As in many nature films, the animals are framed in cute or suspenseful stories that largely involve family and community; territory and travel; and looking for food and not being food. (The more adorable the animal, the more likely it is to escape uneaten, and some of those baby dinos are precious.) It premieres Thursday at 8 p.m. on NBC, and new episodes air weekly, followed by a rebroadcast of “The Americas,” the network’s earlier present-day nature series, and stream on Peacock the next day. — Robert Lloyd

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Kerri Kenney-Silver as Anne and Erika Henningsen as Ginny in Season 2 of “The Four Seasons.”

(Emily V. Aragones/Netflix)

What if you found out you were pregnant? And then your partner died suddenly. Oh, and he hadn’t divorced his wife yet, so there’s no money to support yourself and a new baby. For some people, it would be enough to cause a meltdown and an existential crisis. But in Season 2 of “The Four Seasons,” Ginny takes it all in stride. The character, played by actor Erika Henningsen, forges ahead, has the baby — fathered by the now-deceased Nick — and ends up getting help from the most unexpected person: Anne, her partner’s ex.

The comedy series once again follows the close-knit friend group consisting of Jack (Will Forte) and Kate (Tina Fey), Danny (Colman Domingo) and Claude (Marco Calvani), and the new odd couple, Anne (Kerri Kenney-Silver) and Ginny. This season, they take trips to the Catskills, the Jersey Shore and Italy as they try to navigate grief following Nick’s death, supporting Ginny despite the awkwardness of her situation with Anne, and an international move by Danny and Claude after they decide not to have a child.

Henningsen discussed Ginny’s arc this season and how she connects with Anne, who finds purpose in caring for baby Gino (or Eugene, depending on whom you ask), and what it was like juggling multiple projects along with filming “The Four Seasons.” — M.G.

At the end of the first season of “The Four Seasons,” viewers were hit with a big surprise: Ginny is pregnant. And in Season 2, we see her further along and eventually with a baby. What was it like to play Ginny at this stage in her life, navigating single motherhood? Did you look to anyone for inspiration?

I feel like Ginny’s character arc in this season was a tightrope walk that our writers executed flawlessly. Because, let’s be honest, the situation between Anne and Ginny is a bit bizarre. To quote our show, “there is no Beyoncé song” for what to do when your recently deceased ex-husband’s pregnant girlfriend shows up on the group hiking trip! What myself and the writers really tried to highlight, especially in those early spring episodes, is how scared Ginny feels to be entering motherhood without a partner by her side and how that fear and grief become the dominating force behind her actions. She’s just scrambling for some semblance of confidence and security, to feel like she’s going to be “ready” when the baby arrives. But, as any real mom can attest, there is no ‘“ready” when it comes to a baby. You just take it one day at a time and figure it out as you go. I love that Ginny has that realization toward the middle of the season. She may not be the perfect mom to Gino, but she’s his mom, and getting to play the beach scene where Ginny takes one tiny bold step, alone, into motherhood was super special. In terms of inspiration, I was constantly texting two friends of mine who had just had babies for ways to walk, ways to lay down, ways to stretch, etc. Also, our incredible hair department head, JT Franchuk (shoutout, JT!), was on set with me every day, and I was lucky to have her as a confidant and sounding board as she was seven months pregnant when we began shooting Season 2.

You share many great scenes with Kerri Kenney-Silver, who becomes a surrogate mother to Ginny and grandmother to her baby, despite the history between them. How did you two navigate this dynamic, and what was it like working together?

Kerri Kenney-Silver is truly the greatest scene partner an actor could have for a litany of reasons. Kerri comes from an improv background but is also a technical wordsmith. She’s constantly throwing out new line readings and physical comedy to bounce off of, but is also deeply respectful of the words Tina Fey and company have crafted, so she’s equal parts anchor to a scene as well as a playmate. Kerri and I never tried to nail down one exact “right” way to play a scene. We were constantly adjusting the levers with each take, digging into one another versus backing off, casually throwing away a sentimental line versus staring into one another’s eyes. What we did agree on was to never judge these two characters. Some people might look at our character’s choices as debilitating or selfish, but we both found that Anne and Ginny deeply needed and wanted to be there for one another. In their own little “odd couple” way, they were choosing one another to get through the next tenuous, unknown chapter of life. Oh, and working with Kerri? As I’ve said, “if you’re gonna lose a Steve Carrell, just wait til you gain a Kerri-Kenney Silver.” She is obviously so talented, but also one of the warmest and most welcoming humans I have worked with. And she makes me snort-laugh on a regular basis.

You came up in theater and originated the role of Cady Heron in the Broadway production of “Mean Girls,” based on the film by Fey. You were on Broadway in “Just in Time” last year, too. What has it been like to balance your stage work with your TV work lately?

Honestly? It’s been a lot! I say that with 98% gratitude and 2% “so tired when is vacation?” exhaustion. Last year, I was doing press for “The Four Seasons” while opening a brand-new original Broadway show, while also recording Season 3 of the hit animated series I currently star in, “Hazbin Hotel” [Prime Video]. My days were spent doing interviews in the morning, rushing to Circle in the Square theater for “Just in Time” preview rehearsals in the afternoon, recording episodes of “Hazbin Hotel” on my dinner break, all before heading back to the theater for an 8 p.m. curtain. I remember there was one night I did a SAG panel with Tina, Kerry and Marco on 55th and Broadway that ended at 7:45, and I was in pincurls and fake eyelashes, ready to go onstage opposite Jonathan Groff at 8:15. It is definitely a balancing act, and one I would not be able to navigate without my team and my husband. Nonetheless, I wouldn’t have it any other way. I love how each discipline has started to inform the other: I’ve taken my spontaneity in the voice-over booth onto set, I’ve taken my trust in stillness in front of the camera onto the stage, and I’ve taken my discipline doing eight shows a week into everything. Getting to dip a toe into multiple pools of the entertainment industry is, I think, the only way my brain wants to operate.

If “The Four Seasons” gets a third season, where would you like to see Ginny go?

In a perfect world? I’d love if Danny/Claude planned a fabulous trip to a gay destination like Mykonos that the rest of the group somehow gloms onto. I remember visiting Fire Island for the first time a few summers ago at Tina’s recommendation and loving it so much. I texted her that I never wanted to leave and she basically wrote back, “Yup. Always follow the gays.” So, maybe we will do exactly that in Season 3. Also, on a very specific Ginny note, I will hopefully have a toddler in Season 3 as opposed to a baby (our babies on set were under 6 months old so they definitely fell into the “handle with care” category!), and my dream is to be able to hold one the way Diane Keaton holds her toddler in “Baby Boom.” It’s a perfect moment of physical comedy, and I aspire to re-create it.

What have you watched recently that you are recommending to everyone you know?

“Beef” Season 2 and the recent Rafael Nadal documentary, “Rafa.” Both Netflix. What can I say? I’m loyal. The entire cast in “Beef” is spectacular, and I love the genre-bending the showrunner weaves throughout. You never quite know where you stand, but the twists feel earned and character-driven as opposed to gimmicky. There’s one quasi-bottle episode set in an ER that felt perfectly surreal, claustrophobic and exactly what it feels like to be in the ER on bad health insurance (speaking from 21-year-old experience). “Rafa” is just … no words. I love a sports doc (“The Last Dance” [Netflix], “Prefontaine” [VOD], “The Endless Summer” [Tubi] — you name it), probably because, in my heart of hearts, I just want to be an athlete.

What’s your go-to comfort watch, the movie or TV show you go back to again and again?

I will never tire of watching “The Parent Trap” [Disney+]. It’s perfect. Chessy is a queer icon, Meredith Blake is the “villain” but also get that vineyard honey, one of Lindsay Lohan’s best performances, and what I wouldn’t give to have an ounce of the class that was Natasha Richardson. Every scene is perfect, there’s not a single “skip” on the soundtrack. Also a flawless Maggie Wheeler cameo! Nancy Jane Meyers: You outdid yourself.

ICYMI

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CHAPEL HILL, N.C. — Dean Carpentier popped up with the biggest swing of his life, and the Trojans won their biggest game in more than two decades.

USC baseball stormed back to defeat No. 5 overall seed North Carolina 9-5 in Game 1 of the Chapel Hill Super Regional, a loud start to the program’s first appearance on this stage since 2005.

Carpentier smoked a go-ahead grand slam off North Carolina (48-12-1) reliever Walker McDuffie in the sixth inning, turning a 5-2 deficit into a 6-5 lead and shutting down a previously charged-up Boshamer Stadium. The swing was Carpentier’s first career grand slam and just his 10th home run in his 132-game collegiate career, the defining moment of the day as USC (48-16) tied its largest comeback victory of the season.

“I was sitting on a slider,” Carpentier said. “He’s a slider guy. I got a good pitch to hit, put a good swing on it and it found a way out of here.”

Ace Mason Edwards struggled through his shortest outing of the season, yielding three earned runs in just three innings with four walks. But the Trojan bullpen picked him up, and kept the game close enough for the offense to rally. Chase Herrell, Ben Cushnie and Andrew Johnson gave up just one run over six innings, with Johnson retiring the first eight batters he faced.

USC’s Adrian Lopez (5) celebrates during Game 1 of an NCAA super regional against North Carolina on Friday in Chapel Hill, N.C.

(Laura Wolff/For The Times)

“He’s done that now a couple of times with the bases loaded where he strikes out the side and gets out of it,” USC coach Andy Stankiewicz said of Edwards’ first inning. “It’s in there. That was huge. It was a big momentum swing to get out of that. Unfortunately it’s taxing though; it made him jump up in his pitch count a little bit.”

His successful but ultimately draining first inning led to UNC scoring four in the next two innings, knocking the Trojans into a huge hole and forcing its bullpen to stem the tide. But eventual winning pitcher Herrell picked up two innings with just one earned run given up. Cushnie retired the only batter he faced and the offense went to work from there.

“The job that Chase Herrell did, the job he did in College Station, it’s two back-to-back outings where he has been tremendous for us,” Stankiewicz said. “It’s always Mason and Grant [Govel] — which is great, they deserve all the recognition — but there’s more guys down there that are doing it.”

With the lead and all of the momentum after Carpentier’s grand slam, Stankiewicz pushed his chips to the middle of the table knowing the importance of winning the opener of a best-of-three series. He brought usual Game 3 starter Johnson in out of the bullpen, and he delivered a sensational performance.

Johnson retired the first eight batters he faced and ended up getting the final 11 outs of the game with just two singles allowed, slamming the door shut for his first save of the season.

“You saw the job that he did over in College Station,” Stankiewicz said of Johnson. “It was a big moment, and we needed that again today. He throws strikes, he’s unafraid, he attacks the strike zone and we felt like he was going to make the pitches.”

Johnson’s dominance meant the go-ahead grand slam would have been enough, but USC added three more runs in the seventh. Isaac Cadena drove one in with an RBI groundout, Jack Basseer plated one on on a fielder’s choice and Andrew Lamb — who started the scoring for USC with a solo home run off Ryan Lynch back in the third inning — tacked on one more with a perfectly executed squeeze bunt.

The Trojans have outscored opponents 64-19 during their five-game NCAA tournament winning streak. And are one win away from advancing to the College World Series for the first time since 2001. Game 2 is set for 11 a.m. PDT Saturday on ESPN.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell and I’m wondering why no one ever talks about Roy Hobbs as one of the all-time greats. It’s like he didn’t even exist.

The next part of our “Ask …” series is here, and it’s a big one. Former Dodgers third baseman Justin Turner, now playing for the Tijuana Toros in the Mexican League, has agreed to answer selected questions from Dodgers Dugout readers.

Do I really need to remind you of who Turner is and his feats as a Dodger? I don’t think so. He is one of the most beloved Dodgers in recent times.

Turner agreed to answer questions from readers of this newsletter. Please send me an email with your question to houston.mitchell@latimes.com. Please make sure the subject line reads Ask Justin Turner. I will select some questions for him to answer. His answers will appear in a future newsletter. You have until Sunday at 6 p.m. to send in your question.

Ohtani is a decent player

It appears reports of Shohei Ohtani‘s demise were greatly exaggerated.

On April 24 against the Chicago Cubs, he went 0 for 3, striking out all three times. His batting splits (batting average/OB%/SLG%) dropped to .237/.361/.433), his worst numbers in a few seasons. Stories started to appear everywhere that pitching and hitting is too much for him. The Dodgers needed to give him a lot more days off, or, have him stop pitching altogether, since no one can do what he is trying.

Ohtani heard all of that, I’m guessing, and used it to stoke his competitiveness.

His numbers since April 24:

Hitting: .344/.461/.576. He’s now hitting .301/.420/.521 this season. Last season he hit .282/.392/.622. His power is down, but power is down across the majors this season. At current projections, there will be 400 fewer home runs this season.

On the mound since April 24, Ohtani is 4-2 with an 0.97 ERA.

Will he become the first person to win MVP and Cy Young in the same season? Well, on Wednesday, MLB.com announced the results of a survey of 35 experts, asking them to vote as if the season ended that day. Here are the results:

NL MVP
1. Ohtani
2. James Wood, Nationals
3. Corbin Carroll, Diamondbacks

They didn’t do voting for Cy Young, but most places have Ohtani third right now, behind Cristopher Sánchez of the Phillies and Jacob Misiorowski of the Brewers.

Comparison

The Dodgers have played 63 games this season and are 40-23. How do they compare to last season’s team at the same point in the season?

Record
2026: 40-23
2025: 38-25

Runs per game
2026: 5.24
2025: 5.69

Batting average
2026: .264
2025: .265

OB%
2026: .343
2025: .341

SLG%
2026: .443
2025: .466

Doubles
2026: 108
2025: 106

Triples
2026: 7
2025: 9

Home Runs
2026: 85
2025: 101

Walks
2026: 249
2025: 234

Batter Strikeouts
2026: 483
2025: 515

Grounded into double play
2026: 56
2025: 47

Left on base
2026: 438
2025: 416

Stolen bases
2026: 27
2025: 40

ERA
2026: 3.08
2025: 4.12

Starters’ ERA
2026: 2.96
2025: 3.69

Relief ERA
2026: 3.31
2025: 4.27

Hits per 9 IP
2026: 6.87
2025: 8.09

Walks per 9 IP
2026: 2.79
2025: 3.54

K’s per 9 IP
2026: 8.99
2025: 9.13

IRS%
2026: 26.8%
2025: 23.4%

Don’t be like these people

I’m sure some readers get annoyed when during my semi-annual reminder that it’s only a game, and if you are angry five minutes after a game is over, perhaps you should find a new hobby.

But there was a reminder last week as to why it is so necessary to keep it in mind. The world is a much angrier place now than when I was younger (uh oh, old man rant). I blame social media. Everyone can find their own echo chamber of people who agree with them and never have to see an opposing opinion. And when they do, they can’t handle it (generally speaking, of course).

And the anonymity of social media gives people false bravado, causing them to say things they never would in person. Such was the case Saturday, after Dodgers reliever Tanner Scott had his first blown save in what has been a good season for him.

The next day his wife, Maddie, shared some messages the Scott family received on social media. One of them was, ““Hope this mutt d i e s soon,” on a photo of the Scott’s child on Instagram. And that was the most tame of the messages. All because Tanner Scott blew a save and the Dodgers lost.

Disturbing? That doesn’t begin to describe it. While I’m sure none of the Dodgers Dugout readers are this depraved, it serves as a reminder that these people are human beings trying their best. Be critical of their performance when warranted. But don’t get angry. You should see some of the emails I get after the Dodgers lose two in a row. Some people are just beyond furious, calling players names, etc.

“I don’t speak out often. Ever actually,” Maddie Scott wrote over a screenshot of the hatred she received. “I promise you, you don’t know what it’s like unless you’re living it. When did it stop being a game?”

Astros pitcher Lance McCullers Jr. received death threats after a loss last season, telling reporters, “I understand people are very passionate and people love the Astros and love sports, but threatening to find my kids and murder them is a little bit tough to deal with just as a father, I think. So just as a father, I think there have been many, many threats over the years aimed at me. But I think bringing kids into the equation, threatening to find them or next time they see us in public they’re going to stab my kids to death, things like that, it’s tough to hear as a dad,” McCullers said, in the understatement of the year.

I realize the stupid people doing this are a small, small percentage of any team’s fan base. But, don’t give in to the anger when the Dodgers lose. Be disappointed, sure. But just think, if the worst thing in your day is that the Dodgers lost, then you’ve had a pretty good day.

Scott got the loss Thursday when he gave up a walk-off homer. Disappointing? Sure. Ruin the rest of your night? I hope not.

It’s All-Star time

Time to vote for who you think should start in this year’s All-Star game. You can click here to vote. I still miss the days at Dodger Stadium when ushers (wearing their straw hats) would hand people stacks of ballots. Some ushers even had ballots with the Dodgers already selected for you.

Up next

Friday: Angels (*Reid Detmers, 2-5, 4.63 ERA) at Dodgers (Roki Sasaki, 3-3, 4.59 ERA), 7:10 p.m., Sportsnet LA, KTTV, AM 570, KLAA 830, KTNQ 1020

Saturday: Angels (Jack Kochanowicz, 2-4, 5.23 ERA) at Dodgers (Yoshinobu Yamamoto, 5-4, 2.86 ERA), 7:10 p.m., Sportsnet LA, KCOP 13, AM 570, KLAA 830, KTNQ 1020

Sunday: Angels (José Soriano, 6-4, 2.72 ERA) at Dodgers (Emmet Sheehan, 3-2, 4.50 ERA), 1:10 p.m., Sportsnet LA, KCOP 13, AM 570, KLAA 830, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shaikin: MLB’s wild pitch: Using fan-despised TV blackouts as leverage against players

Dodgers pitcher Tanner Scott’s wife reveals death threats she received about their child

Plaschke: Ryan Ward becomes an unlikely star in memorable Dodger Stadium debut

And finally

Justin Turner‘s walk-off homer against the Cubs in Game 2 of the 2017 NLCS. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

COLLEGE STATION, Texas — As USC baseball coach Andy Stankiewicz noted the next additions that will be made to USC’s refurbished baseball stadium, he paused Monday night as a train rumbled loudly behind Blue Bell Park.

Stankiewicz, 61, smirked at the fitting metaphor after the Trojans clinched their first NCAA super regional berth in 21 years. He, after all, has rebuilt the USC program over his four seasons as head coach.

“Now we have a beautiful stadium,” he said of Dedeaux Field. “We’re going to have a beautiful clubhouse next year, batting cages and all that.”

As Stankiewicz attempted to utter another sentence, the train’s ear-piercing horn sounded.

USC baseball coach Andy Stankiewicz has guided the Trojans to the NCAA super regionals for the first time in 21 years.

(USC Athletics)

“That’s appropriate because we tell people the train’s moving,” Stankiewicz said. “Now we have a train honking its whistle. The train’s moving. We’re certainly excited to see where we’re going.”

The Trojans are definitely going places these days thanks to many players who believed in Stankiewicz’s vision despite knowing their on-campus stadium would be under construction for at least two seasons.

The Trojans had six players on the College Station Regional’s All-Tournament Team. Three of them — Abbrie Covarrubias, Kevin Takeuchi and Andrew Lamb — are upperclassmen who could have been tempted to transfer after they learned that they would be without a home field for two years. Junior shortstop Dean Carpentier is another upperclassman who believed in Stankiewicz.

“You talk about just kind of cornerstones,” Stankiewicz said. “Abbrie and Takeuchi … and Dean Carpentier and Andrew Lamb, these guys, they could have left. … They got here when we had a field, and they chose to stay.

“That’s something that I’m grateful for. It just tells you the quality of young men that they are. They’re here. They got two feet in and said, ‘I’m not going anywhere. I want to help build this program. Then to see the success that, not just Abbrie, but all of them have had, they’re great leaders. They lead by example.”

While Dedeaux Field was under construction, the Trojans played most of their home games in 2024 and 2025 at Irvine’s Great Park, 47 miles and another county away. They practiced at East L.A. College.

Yet, they still reached a regional final in 2025. They have gone a step further this year by climbing out of the losers’ bracket in the regional to eliminate Texas A&M and reach a super regional for the first time since 2005.

The Trojans didn’t just climb out of the losers’ bracket. They rumbled through like a runaway train, dominating with 55 runs over four losers’-bracket wins. They scored 21 of those runs over two victories against SEC power Texas A&M in the regional final.

The Trojans made themselves at home while playing in one of the SEC’s most hostile environments. It was as though the Trojans have grown accustomed to making themselves at home on the road in recent years.

Although parts of Dedeaux Field are still under construction, the Trojans were 32-1 there for the best home record in school history. USC (47-17) eclipsed the 40-win mark for the first time since 2005.

“Obviously being able to play at home this year has been a blessing,” designated hitter Augie Lopez said after he was named the Most Outstanding Player of the College Station Regional. “But the last couple of years we’ve just kinda showed up every day — whether that was in Irvine or East L.A. Community College for practice — just with the same mentality of we’re going to show up and put our work in and dominate no matter where we are.

“Just showing up every day and punching that time card and going to work and just putting your head down and knowing that no matter where you are (or) what home field you have or you don’t have a home field, we’re going to get it done and play quality baseball.”

USC pitcher Grant Govel throws to home against Texas State during an NCAA regional on May 29.

(Sam Craft / Ap Photo/sam Craft)

The 12-time national champions will face North Carolina at the Chapel Hill Super Regional in hopes of reaching their first College World Series since 2001. No player on the current roster was alive when the Trojans won their last national title in 1998.

Only a few were even born when USC made its last super regional appearance in 2005 at Oregon State.

“With the history that this program has, it’s been an honor to wear the Trojan brand on the front of my chest,” Lopez said. “Honestly just knowing that this team is the team to bring USC back to the super regional it’s incredible.

“Honestly, it hasn’t hit me until right now, but we’re just feeling absolutely grateful. I’m super blessed.”

You don’t need to hear the horn to realize USC’s train is moving in the right direction in Stankiewicz’s fourth season at the helm.

Sparks guard Kelsey Plum should be set to return to action on Friday against the Dallas Wings.

Plum, who leads the WNBA in scoring, missed the last three games with a sprained ankle injury she sustained in practice. She practiced in full on Thursday, and head coach Lynne Roberts seemed optimistic that she would play.

“I think so,” Roberts said when asked if Plum would play. “She looks good. Hopefully she can play.”

Plum led the Sparks to a 101-95 win in Las Vegas on May 23 and has been one of the best shooters in the league.

She said she feels ready to play on Friday.

“I hated it,” she said of watching from the bench. “I have been just rehabbing like a maniac, sleeping in a hyperbaric chamber, red lighting my way back.”

In her absence, the Sparks went 1-2 and averaged 83 points, including their worst offensive game of the season on Tuesday in a loss to the Aces.

“She’s kind of the engine that makes everything go,” Roberts said on Thursday. “We’ve sputtered a little bit offensively.”

Before this injury, Plum had missed only four games in her nine-year career because of injury.

The Sparks are 4-5 after starting the season with high hopes to make a return to the postseason.

Since launching at the start of 2025, “The Pitt” has emerged as more than just a hyperrealistic depiction of an embattled American emergency department. Using its hospital setting as a social microcosm, HBO Max’s Emmy-winning juggernaut has explored various systemic issues — including the misogyny that women of color face in the workplace.

“Some of the stories from real physicians and nurses that I’ve spoken to are so crazy. The system feels like it’s 15, 20 years behind other industries,” says Sepideh Moafi, who portrays attending Dr. Baran Al-Hashimi. “There is still this older culture of a boundaryless style of work where [there’s] a lack of understanding and compassion,” with respect to pregnancy and childcare, for working women.

“The Pitt’s” depiction of such subjects includes unflinching attention to microaggressions and unconscious biases. Isa Briones, who plays second-year resident Dr. Trinity Santos, recalls hearing from qualified on-set doctors that “a lot of female physicians will wear their lab coats, because it makes them look like more of an authority.”

“We have a female, half-Asian doctor on our set who consistently says that people talk to the nurse in the room if they’re a white man instead of her,” adds Supriya Ganesh, whose character, fourth-year resident Dr. Samira Mohan, is mistaken for a nurse in Season 2, despite having “DOCTOR” emblazoned on her name tag.

Supriya Ganesh.

(Justin Jun Lee / For The Times)

Nor is the series reluctant to show the other side of the dynamic, as doctors Robinavitch (Noah Wyle) and Langdon (Patrick Ball) lash out against their colleagues in lieu of acknowledging their own flaws. Although the women of “The Pitt” would never compare acting to saving lives, Briones believes that the experiences of women — especially from marginalized communities — share commonalities across many male-dominated industries.

“The entertainment business constantly feels like a boys’ club that you cannot penetrate no matter what you do, because it’s still always going to be these older white men who are making all the decisions,” she says. “That’s why seeing the storyline with Langdon and Robby informed my performance so much, because I know this feeling of being like, ‘Why the f— are these men fist-bumping each other? I’m also here! I’m doing my job too!’”

“As a woman in any field, if you express emotion, if you make your opinion or your voice heard, then it’s like, ‘You’re talking too much. You’re being hysterical,’” Moafi says.

Sepideh Moafi.

(Justin Jun Lee / For The Times)

In holding up a mirror to the healthcare system, showrunner R. Scott Gemmill also wanted to explore the linguistic diversity of its practitioners, allowing his actors of color to reconnect with their mother tongues.

“Language shapes who you are, how you see the world,” Moafi says. Al-Hashimi became a polyglot — speaking English, Farsi and Armenian — in part to curb the effects of a seizure disorder on her temporal lobe, which is crucial for language comprehension. “[Language] connects you to different registers in the body. The rhythms are different, and the emotional access is more immediate.”

During Season 1, Santos — who, like Briones, is half-Filipino — surprised nurses Princess (Kristin Villanueva) and Perlah (Amielynn Abellera) by chiming in on their gossip session in Tagalog. But wanting to show “a more vulnerable side of Santos” this season, Briones worked with her own actor father, Jon Jon, to find a Filipino lullaby that she could sing to baby Jane Doe.

To reflect the 100-plus languages spoken in the Philippines, they selected a Hiligaynon lullaby called “Ili Ili Tulog Anay.” Briones advocated for the scene not to have subtitles: “It should be just this quiet moment that you don’t have to understand [the language] to understand, but also it’s a great moment for people who do speak it to feel that little secret joy.”

For Briones, speaking Tagalog at work has opened up difficult conversations with her immigrant father, who feels shame about not passing down enough cultural knowledge to his children. “I’ve been starting with Rosetta Stone, so I can start conversing with my dad and then he can help me, because I want to be able to talk to my lola and she doesn’t have to work through English,” she says. “This show has reminded me of how important that is to me.”

Isa Briones.

(Justin Jun Lee / For The Times)

Ganesh, who grew up in New Delhi, felt strongly that Mohan should not be fluent in Hindi because of its similarities to Nepali, the language that doctors struggled to identify when treating a patient in the first season. Instead, the actor chose to infuse her own heritage into the character, who uses Tamil as a way to feel connected to her late father.

“She chooses to speak it with her mom, because maybe that’s the only other person she has in her life who she can speak it to,” explains Ganesh, who recalls consulting multiple generations of her own family — and even her on-set coach’s family — for the Tamil dialogue. “She wants to preserve that as much as she can, even though it’s already filtered through her being American and being born in this country.”

That part of Indian American culture will be lost next season, with Ganesh officially departing at the end of Season 2. The actor reiterates that the “creative decision” to write Mohan off was made by executive producers Gemmill, Wyle and John Wells: “They work with such intention on the show and make all the choices that they make for that reason, so I think it’s better to ask them for answers.”

“I’m going to treasure all the memories I had working with these two and everyone else,” Ganesh adds. “It’s been so great just getting all the love from the fans. I feel sad for them, too, that they won’t get to see this character.”

“The representation that you brought to the show is so beautiful,” Briones chimes in. “Seeing the fans ride for you so hard and be like, ‘This was the first time I felt represented on camera,’ it’s really gorgeous to see everyone coming out and celebrating that and celebrating you.”

For her part, Moafi believes that Dr. Mohan will be remembered for the way “she won’t compromise humanity in how she delivers care.” “The power of strength comes from vulnerability, and in order to go fast, you have to slow down,” she adds. “That’s something that is so ingrained in us, as women.”

Williams was a key player for Forest last term, playing in 53 games as they maintained their Premier League status and reached the Europa League semi-finals.

He was named Forest’s player of the season and the City Ground club have opened talks with the Wrexham-born player over a contract extension.

“It’s physically and mentally tough, but we’re professional enough to deal with what gets put in front of us,” Williams added.

“If that’s games every other few days or the travelling, we’re prepared for that and I’ve enjoyed it.

“I’ll be going straight on holiday, having a few cocktails and putting my feet up on the beach.

“We’ll get a couple of weeks off and then straight back into it.”

Nonfiction films and series are among some of the most-watched (and most-discussed) programming on TV. As Emmy season heats up, the directors of six notable contenders share thoughts about their projects.

‘The Yogurt Shop Murders’ (HBO)

“It’s just a famous, famous story in Texas, but particularly Austin,” director Margaret Brown says of the bewilderingly complex case of four teenage girls slain at a yogurt shop in the state’s capital in 1991. “You heard about it all the time at parties. My best friend was like, ‘That story is rabbit hole upon rabbit hole upon rabbit hole — no one knows what really happened. It’s impossible to figure out.’ I liked the idea of something that was impossible to figure out. But when I started doing the interviews, I was like, ‘This is dark, this is deep trauma.’ I’d never watched or done true crime before. I didn’t realize what it would be like to sit with people who hadn’t known what happened to their siblings and children for over 30 years. I remember [thinking], ‘I’ve got to get this right. I can’t mess this up. There’s just too much pain here.’”

‘The American Revolution’ (PBS)

“Leading up to it, I said I just don’t want us drowning in fife-and-drum treacle,” director Ken Burns says of his expansive treatment of America’s origin story, which draws out the experiences of Native Americans and enslaved people as well as the era’s atmosphere of civic discord. “Clearly it’s not, because we’re so existentially challenged by the moment. But the revolution gives us a sense of perspective. Times were more challenging then. More division. More division in the Civil War. More division in Reconstruction. Yes, the threats are unprecedented, but they’re not totally unfamiliar. Mark Twain is supposed to have said history doesn’t repeat itself, but he’s [also] supposed to have said it rhymes. I love that. So like Odysseus, I tie myself to the mast and resist the temptation to put a little neon sign in the film saying, ‘Isn’t this so much like today?’”

‘Sean Combs: The Reckoning’ (Netflix)

“There was so much noise,” says director Alexandria Stapleton, who tracks hip-hop mogul Sean “Diddy” Combs’ rise and shocking fall in this series, executive produced by 50 Cent. “I’m scared for my safety, I’m scared for my career. Then there was every journalist, every giant corporation, trying to chase the same story. Because there was a feeding frenzy, there were a lot of people that were not truthful. It was making sure that we were going after the right people to speak with, and then … making sure that they felt safe emotionally. No one knew who I was interviewing while I was making it. In making a project about a man who’s very connected in media and very good at whatever he wants his narrative to be, there was a very deliberate decision to not drop this project until we literally were a week out.”

‘Ocean With David Attenborough’ (National Geographic)

(Keith Scholey / Silverback Films and Open Planet / National Geographic)

“It’s been weird, because I’ve got older, and he sort of stayed the same, like the Dorian Gray picture,” says Keith Scholey, one of the film’s directors, of the 100-year-old broadcasting legend and naturalist. “He’s still got that huge power and presence and commitment. It comes from the heart. He’s got a huge depth to him, in terms of knowledge, experience, personality … but he’s also very self-effacing. The most boring thing in the world for David Attenborough is David Attenborough. He’s interested in every aspect of the truth, and he loves uncovering that and passing that on to the world. He knows how to present in a way that it’s a performance, but it’s not a performance.”

‘Neighbors’ (HBO)

“Neighbor disputes are a great leveler,” says Harrison Fishman, who co-directs this gonzo excursion into neighborhood feuds with Dylan Redford. “If you think about class and race and politics, all that stuff gets thrown out the window when people are dealing with such small, concrete problems. You quickly start learning why people care so much about the things that they’re fighting for. It becomes a bit like a Trojan horse into learning about aspects of America and things about people that have nothing to do with the dispute. Those tangents are so valuable to us, because it gives context to the dispute. But it also helps people understand who everybody is in our country.”

‘Mr. Scorsese’ (Apple TV)

“We would get together and have these very long conversations,” says director Rebecca Miller, who interviewed American cinema’s great poet of tortured masculinity over five years. “But then in terms of the other voices, I thought, ‘Who knows him best?’ There was this wonderful movie called ‘Crumb,’ by Terry Zwigoff. He interviewed [cartoonist R. Crumb’s] ex-girlfriend at a certain point, and I felt like I got a view into the person, not in a gossipy way, but … trying to get a rounded view. If you only get the front-facing part, you’re not going to get a full sense of who they are. It was very important to me that we hear from the daughters or his wife, that there’s a sense of a person in there.”

PHOENIX — The “Beat L.A.” chants at Chase Field rose and fell for the final four innings, sometimes spurred organically, at other times prompted by the immense videoboard looming above center field.

And as the Dodgers’ offense continued to sputter, the Diamondbacks surged with a trio of home runs, giving the fans exactly what they asked for Monday night.

“Overall, I thought we had some good at-bats and barreled up some balls,” Dodgers right fielder Kyle Tucker said after the 4-1 loss. “But they made some nice plays and we just weren’t able to get the runs across, so just kind of how it goes sometimes.”

Tucker was one of five Dodgers in the starting lineup who went hitless. Designated hitter Shohei Ohtani was the only Dodger with multiple hits (three). And a quiet offensive night for the Dodgers wasted a quality start from starter Emmett Sheehan.

Sheehan held the Diamondbacks (32-27) to two runs and three hits in 6⅓ innings, carrying forward a recent trend for the Dodgers’ rotation, which entered Monday with a National League-best 3.05 ERA.

“I think it’s probably the back half of the rotation,” manager Dave Roberts said before the game. “To see what [Justin Wrobleski’s] done, to see what Roki [Sasaki] has done, to see what Emmet’s done — I think for me we’ve raised the floor of the starting rotation. The top end guys are kind of who they are, which is great. But every night we have a really good chance to win because of the starting pitcher.”

Monday was another one of those nights. But the Dodgers’ offense didn’t hold up its half of the bargain.

Sheehan — like Wrobleski and Sasaki this week — benefited from an uptick in velocity. His fastball averaged 95.9 mph on Monday, a season high and 1.7 mph above his average.

“I think it’s honestly just trying to relax early, and throw harder later in my delivery,” Sheehan said. “Before I was getting a little too tense, and that’s something the coaches mentioned to me. And it’s a bunch of other things too, but we’ve been working hard on it.”

Sheehan’s velocity has fluctuated all season, which he and the team attributed to inconsistent mechanics.

Dodgers starting pitcher Emmet Sheehan delivers during the first inning against the Arizona Diamondbacks on Monday.

(Rick Scuteri / Associated Press)

“It’s definitely been a process,” pitching coach Mark Prior said last month about syncing Sheehan’s delivery. “And it’s been a grind for him. Because he feels like some days he has it, some innings he has it; and other innings he doesn’t. It’s been kind of a roller coaster for him. It’s just part of the game.”

At times, his lower half was opening too quickly, throwing off the way his legs worked with his upper half. But on the days his timing was in sync, his velocity would often tick up, and everything would fall into place.

On Monday he was nearly perfect through the first 5⅓ innings, with the exception of Corbin Carroll’s first-inning double. He’d induced plenty of soft contact, plus three strikeouts, all in the first two innings. All three were put away with sliders.

“I thought he was really good — certainly deserved better,” Roberts said. “The fastball was good, slider was good, used the curveball, minimized hits.”

Then with one out in the sixth, Sheehan tried to work back from a first-pitch ball with a fastball up to Diamondbacks rookie Tommy Troy. The No. 9 hitter roped it beyond left field for his first major league home run.

After the Arizona lineup turned over and Sheehan retired Ketel Marte and Carroll to get out of the inning, Roberts stuck with the right-hander against switch-hitting Geraldo Perdomo and right-handed Nolan Arenado in the seventh.

With one out, Sheehan hung a slider to Arenado, who put the Diamondbacks up with a solo blast. And that would spell the end of Sheehan’s strong outing.

Reliever Jack Dreyer, making his first appearance since being activated off the 15-day injured list (left shoulder discomfort), gave up a two-run homer to Marte in the eighth inning to round out the Diamondbacks’ scoring.

The Dodgers’ offense managed just five hits against Diamondbacks starter Eduardo Rodriguez, and were robbed of two by center fielder Jorge Barrosa, who made diving catches on line drives hit by Will Smith and Andy Pages.

“He made some nice plays out there for them,” Tucker said. “We did all we could really do. Once the ball leaves the bat, it’s out of our hands. So we had some good swings, good at-bats, it just didn’t go our way sometimes.”

The Dodgers eked across a run in the third on a Freddie Freeman groundout with runners on second and third. And the Arizona bullpen faced the minimum over the final three innings.

The Tanner Scott redemption story took a dark, twisted turn Saturday night.

Not because the Dodgers reliever gave up three runs in the eighth inning to the Philadelphia Phillies, blowing a save opportunity and getting tagged with his first loss of the season. Getting knocked around happens.

But comments directed toward Scott’s wife on social media afterward were beyond alarming. Maddie Scott reposted vile comments from one user in particular that threatened not only her and her husband, but also their newborn son.

“When did it stop being a game?” Maddie Scott wrote on an Instagram story that has expired but was captured by the New York Post. “I don’t speak out often. Ever actually. I promise you, you don’t know what it’s like unless you’re living it.”

The answer to her rhetorical question is layered. Maybe baseball stopped being a game when her husband signed a four-year, $72 million contract with the Dodgers before the 2025 season, elevating expectations.

Maybe the end came seven years ago when a Supreme Court ruling led to sports gambling becoming legal. Or maybe fun and games ceased some 20 years ago when Facebook, Twitter and Instagram launched and anonymous threats could be dispatched by anyone with an account.

Death threats directed toward athletes have become disturbingly frequent. Without giving oxygen to the threats by repeating them, Scott is hardly the first pitcher whose family has been targeted after a loss.

Liam Hendriks of the Boston Red Sox, Lance McCullers Jr. of the Houston Astros, Tayler Saucedo of the Seattle Mariners and Cam Schlittler of the New York Yankees are among those who have endured online attacks in the past year.

Scott took heat last year when he pitched poorly in his first season with the Dodgers. Expected to become the team’s closer, the left-hander had an MLB-high 10 blown saves and did not pitch in the postseason.

This year, however, Scott has bounced back admirably. Even after the loss Saturday, he has a sparkling 2.19 earned-run average and five saves.

Matthew Stafford is a master at reading defenses.

The Rams star quarterback manipulates opposing players with his eyes. He knows what he sees.

So the reigning NFL most valuable player can easily anticipate, recognize and digest why moves — on or off the field — are made.

Which brings us to the Rams’ decision to select former Alabama quarterback Ty Simpson with the 13th pick in the NFL draft.

“I understand where the team’s coming from,” Stafford, 38, told reporters last week in his first public comments about a move that stunned many. “Listen, I’m not 25 years old and I get that, so we’re doing everything we can to be as good a football team as we can for now, for the future, for all of it.”

That doesn’t mean Stafford was thrilled about general manager Les Snead and coach Sean McVay spending a first-round pick on his heir apparent.

This, however, is not the San Francisco 49ers trading for Steve Young with Joe Montana on the roster.

But the Rams bypassed an opportunity to give Stafford and an already loaded roster another weapon such as former USC receiver Makai Lemon, who might have provided immediate impact to help them reach and win Super Bowl LXI in February at SoFi Stadium.

Because the Rams showed five years ago that going all in and winning a Super Bowl was worth it, regardless of the perceived and real costs down the road.

Regardless, the Rams are considered among the favorites to return to the Super Bowl for the first time since Stafford led them to victory in Super Bowl LVI at SoFi Stadium.

Like they did before and during that 2021 season, the Rams have done almost everything possible to ensure that owner Stan Kroenke can once again bask in the glory of winning a Super Bowl in the stadium he built.

After losing last season’s NFC championship game, the team quickly signed McVay and Snead — who were entering the final years of their contracts — to long-term extensions.

Then they improved their roster’s main weak spot by trading for All-Pro cornerback Trent McDuffie, and signing cornerback Jaylen Watson — both of whom played on two Super Bowl championship teams with the Kansas City Chiefs.

On May 21, they signed Stafford to a one-year, $55-million extension that could keep him with the team through 2027.

Rams quarterback Matthew Stafford and coach Sean McVay talk during practice on Thursday.

(Jayne Kamin-Oncea / Associated Press)

Whether the 17-year veteran and reigning NFL most valuable player plays beyond 2026 remains to be seen.

But McVay is happy that the future hall of famer will be leading the offense.

“It’s great to be able to have that taken care of,” McVay said in his first news conference with local reporters since April 24, the day after the Rams drafted Simpson.

McVay had spent the previous availability explaining the reason for his somber and dour countenance during an awkward news conference the night before. McVay said he was trying to be respectful of Stafford’s status as the team leader, and that a personal situation also had affected his demeanor.

On the night the Rams drafted Simpson, McVay said he had spoken with Stafford beforehand. When asked what he told Stafford, McVay said, “I’ll keep that between us.”

Last week, when asked about his discussion with McVay, Stafford said, “I’m not going to get in too much to what our conversation was. I appreciate him talking with me about those kinds of things. We have constant dialogue and a great relationship so I appreciate that.”

Stafford said his job as the starting quarterback was to help all players, including Simpson, prepare for the season.

“He’s a guy that asks questions,” Stafford said. “I’ve been trying to answer those as honestly and as thoroughly as I possibly can.

“He’s a smart kid. He’s got talent, obviously. He’s a high draft pick so happy to add good players to our team.”

It is too early to quantify what Simpson has brought to the team, McVay said. The offseason workout program is about “setting foundations” that will help once players are participating in full-speed settings during training camp.

Simpson is on track for a lot of reps when camp begins in late July at Loyola Marymount.

Last year, Stafford was sidelined all of training camp because of a back issue. But he returned before the opener and won his first MVP award.

So the Rams are expected to modify Stafford’s traditional training camp workload — and aim for similar results.

Offseason workouts are going well, Stafford said.

“Throwing it like I know how to throw it and for somebody my age,” he quipped. “I feel pretty good.”

Even with the extension, the Rams and Stafford will continue to talk contract on a year-to-year basis, a practice they have followed since 2024, when Stafford delayed his arrival to training camp because of an impasse.

“I can’t sit there and tell you what it’s going to look like 365 days from now,” he said. “But it’s just one of those deals where I’m doing the best I can to make sure that I can play as long as I can and make sure that my family and I are all on the same page before we embark on whatever season it may be.”

If this season plays out as expected, the Rams could give Stafford another weapon at the trade deadline.

Until then, they’ve guaranteed him plenty of cash.

And motivation.

This article contains spoilers for the series finale of “Hacks.”

After five seasons and (thus far) 12 Emmys, “Hacks” has come to an end. The story of how Deborah Vance (Jean Smart), a 70-something comedian of the Joan Rivers type, and Ava Daniels (Hannah Einbinder), a prickly 20-something comedy writer, came together to resurrect both their careers was a roller coaster ride of intergenerational judgment, wins, setbacks, ruthless behavior, personal growth, power reclamation and much general hilarity.

Deborah sees Ava as entitled and self-righteous, Ava sees Deborah as washed-up and boring. Eventually, of course, they realize they are kindred spirits who do their best work together.

In Season 5, Deborah attempts yet another comeback. Having walked off her late-night show rather than fire Ava in Season 4, she is determined to rewrite her premature obituary by playing Madison Square Garden. When that too is snatched away, she pivots (with much difficulty and hilarity, including a show-stopping monologue by Laurie Metcalf’s tour manager Weed) to Central Park, where she is finally allowed a moment of glory, basking in the adulation of applauding thousands.

But that is not the end of “Hacks.” In the final episode, Deborah reveals she has cancer and rather than undergo treatment, she is choosing to “go out on top” with the aid of a Zurich clinic. She asks Ava to accompany her, after they take a girls trip to Paris. After an emotional meltdown, Ava agrees, hoping to persuade Deborah to change her mind. She does, but only after Deborah realizes that she cannot bear to walk away from the jokes she could write about dying. And so the show ends, with the two women walking arm in arm, first in Paris and then in Las Vegas, working on Deborah Vance’s final show.

Here, Times TV and culture critics Robert Lloyd and Mary McNamara discuss the ending, and legacy, of “Hacks.”

Deborah, left, decides she doesn’t want to get treatment for cancer despite Ava’s protests. Deborah changes her mind when she realizes she could write jokes about dying.

(HBO Max)

Mary McNamara: Hey there, Robert; are you as devastated as I am that we have no more “Hacks” to look forward to? The only solace I can find is the news that creators Lucia Aniello, Paul W. Downs and Jen Statsky are planning to release a DVD box set of the series. And the possibility that there could be a movie sequel — I for one want to see Deborah Vance’s death tour, especially since you know she’ll beat the odds and survive.

Seriously, though, sad as I am to contemplate life without “Hacks,” I am equally thrilled that the show so thoroughly stuck its landing. Finales are always a crap shoot and I appreciated how this season managed to show growth and cosmic justice while never tipping into treacle. I love that everyone ended on a win — including Marty! (Christopher McDonald) — and I didn’t even mind that suddenly Deborah had cancer (what?), was choosing assisted suicide (double what?) or that we were whisked to Paris (sure, I guess, why not?) because it made just enough narrative sense to set up Deborah’s decision to live because she just couldn’t leave good material on the table. “I may not have 30 years, but I do have one more hour,” may be the best line from a TV finale ever.

It is too easy to think of people like Deborah as clawing back their careers for fame, validation or money rather than a deep and essential love of their art. Having Deborah decide to prolong her life with chemo because she could not resist mining this final seam of comedic gold was a coup de grace.

What did you think?

Robert Lloyd: Hail, Mary. Reviewing the first-season finale, I wrote that the series was at heart a romantic comedy. And though many timely points were made along the way about artificial intelligence, the fate of late-night television and the awfulness of rich jerks who control media companies — Deborah’s Madison Square Garden show was undermined by the network head she named on national television in her resignation speech — the show asserted itself as a love story once again in the end. Where earlier seasons had depended on creating friction between Deborah and Ava, this one was mostly of concord, their only real clash being Deborah’s decision, introduced late in the season, to end her life (in a clean, posh way); her climactic change of heart spared us a medical tearjerker, but, believe me, I shed plenty of tears along the way. Unlike most seasons of “Hacks,” the fifth and final was orchestrated very much as a feel-good experience — “Ted Lasso” has nothing on it. A fairy tale, almost, as you point out, full of fairy-tale endings and plot points that were as good as magic. It could be contrived and improbable and old-fashioned in its triumphs snatched from the jaws of defeat, and I completely loved it.

Deborah Vance (Jean Smart) didn’t get the Madison Square Garden show she imagined, but she did get one at Central Park.

(HBO Max)

McNamara: The series had a lot to say about a lot of things (including vengeful power brokers/network executives) that feel particularly pointed now. But I deeply appreciated that while underlining the real obstacles Deborah and Ava faced, the writers showcased and explored how the bad choices each women had made, and defended, also contributed to their situations. Obviously having the great Jean Smart in the driver’s seat helped a lot — she revealed the woman beneath the diva even in Deborah’s most outrageous actions. The writers did not shy away from calling attention to the blatant sexism female comedians faced (and continue to face) or how the “woke” women of Ava’s generation are often able to see that kind of injustice more clearly.

It was, as you say, more rom-com than morality play, and rom-coms are often based on discovering that the differences that initially divide are too often based on, well, to put it in its original form, pride and prejudice. So while there was some hilarious and spot-on commentary about intergenerational miscommunication, there was also a clear message of how important it is for people with vastly different experiences to listen to, and learn from each other, which also feels incredibly important at this moment in time, especially given the show’s essential, and deeply human, respect for creative work. What motivated Deborah and Ava, and virtually every character in “Hacks” — agent Jimmy (Downs), his assistant Kayla (Megan Stalter) and later Randi (Robby Hoffman); Deborah’s staff, including Marcus (Carl Clemons Hopkins), Damien (Mark Indelicato) and Josefina (Rose Abdoo) — was a belief in the importance, and difficulty, of the creative process. It’s something that is rarely, if ever, the work of a single individual — as Deborah finally acknowledges at the opening of the Diva casino. Or as Laurie Metcalf’s Weed makes clear in her hilarious monologue before the Central Park gig.

1

2

1. Creativity isn’t the work of a single individual: Damien (Mark Indelicato), Marcus (Carl Clemons-Hopkins) and Deborah (Jean Smart) at work on the casino. (HBO Max) 2. Deborah’s crew at her Central Park show. (HBO Max)

Lloyd: In a way Deborah’s speech summed up what we’d already been seeing through an especially generous season that served as “Hacks’” tribute to itself and its people. It was a party to which most every significant and many minor characters were invited, including Metcalf and McDonald; Luenell as comedian Miss Loretta; Poppy Liu as Deborah’s personal blackjack dealer, Kiki; Jane Adams as Ava’s mother, Nina; J. Smith-Cameron as Deborah’s estranged sister, Kathy; and Kaitlin Olson as Deborah’s daughter, DJ, who finally got her mom to partner with her on “The Amazing Race” and was allowed to sell her detachable earrings on QVC.

Gifts were distributed widely, including a previously unseen interview with Deborah’s late husband and co-star, Frank (Peter Strauss), giving her credit for their success — credit he had previously accepted for himself — and thus removing a giant thorn that drove the early plot. These kind-hearted acts of closure were performed both for the benefit of these very real, made-up people, and for We the Viewers, who have made them our family. Declarations, or at least demonstrations of love, were abundant, not merely between Deborah and Ava, with the characters acting as our proxies, feeling what we want them to feel, and what we feel for them ourselves. (There are moments this year when Einbinder — whose brilliance Smart could seem to outshine, but who was never less than an equal partner — absolutely killed me, just in the tender way she gazed upon Deborah.) That’s why it’s so hard to let go of a show like this, even when we know it’s time to say goodbye. You can only stretch an arc so far before it breaks.

McNamara: You’re right, of course. But I still want to see the “Hacks” movie.

Cardiff lost head coach Matt Sherratt to Steve Tandy’s backroom staff just a few days before the season started, with forwards boss Corniel van Zyl making the step up to replace him.

“We’re proud of the boys from where we started the season into how we finished,” said van Zyl.

“To end up sixth, with 16 quality teams, I say would make us proud. Unfortunately we couldn’t push on to the next step and that’s the disappointing part.”

Van Zyl guided Cardiff to 11 league victories, with eight of those coming at their Arms Park home.

With only one URC win achieved outside of Wales this season, securing an unlikely play-off victory in South Africa against a former tournament winner was always going to be a tough ask.

The squad landing just a few days before the fixture after a 6,000-mile flight to Cape Town added to their task.

Cardiff flanker Dan Thomas has been one of the shining lights this season and again impressed against Stormers.

The open-side did not want to accept defeat but acknowledged the steps made in the 2025-26 campaign.

“Everyone was happy with how the season went, we made the play-offs which was important for the club, but no-one remembers who loses in quarter-finals,” Thomas told S4C.

“Making the play-offs is important for the club.

“It’s an odd one, we’re happy with how the season has gone, but you want silverware. It is back to the drawing board now and we need to start again.”

Cardiff have signed Australian veteran prop Scott Sio next season, which they will hope shores up a scrum taken apart by Stormers.

“It is obvious, our set-piece needs to improve,” said Thomas.

“The Stormers were dominant and we didn’t cope. We knew it was coming and still couldn’t stop it.

“We know the hard work will start in pre-season.”

A Good Girl’s Guide to Murder has come to an end on BBC and Netflix, but there are plenty of loose ends to tie up in a potential third season

Pip Fitz-Amobi has one final mystery left to unravel.

A Good Girl’s Guide to Murder made its eagerly anticipated return this week for a second thrilling season, adapted from the bestselling novels by Holly Jackson.

On this occasion, Pip Fitz-Amobi (played by Emma Myers) investigates the disturbing disappearance of Jamie Reynolds (Eden H Davies), the elder brother of her friend Connor (Jude Morgan-Collie).

Elsewhere, Max Hastings (Henry Ashton) stands trial for drugging and assaulting female classmates, yet proceedings are thrown into disarray when Jamie surfaces before crucial evidence can be presented.

Now that another compelling six-part series has concluded with a breathtaking cliffhanger, we examine all the loose ends that a potential third season would need to resolve, reports Bristol Live.

**Warning – this article contains major spoilers for A Good Girl’s Guide to Murder season 2 and minor spoilers from the third book, As Good As Dead.**

Will Charlie and Flora face justice?

By the conclusion of Pip’s second investigation, the truth behind Jamie’s disappearance is revealed to be her neighbour Charlie Green (Jack Rowan), who had been hunting for Child Brunswick — the son of a notorious child killer who had lured his sister to her death.

Child Brunswick had been assigned a fresh identity under a witness protection scheme, and is unmasked as security guard Stanley Forbes (Misia Butler). Stanley meets his end in the finale at Charlie’s hands, who subsequently flees alongside his wife Flora (Anna Brindle).

By the season’s conclusion, audiences might question whether police eventually apprehend them. The third instalment in Jackson’s series, As Good As Dead, offers some resolution to this, though the adaptation may potentially pursue an alternative direction.

When will Max Hastings get taking down?

Pip finds herself incensed at the close of the second series when predator Max evades punishment, despite testimony from his victim Becca Bell (Carla Woodcock), after he attributed his offences to murder victim Sal Singh (Rahul Pattni), who couldn’t refute the accusations.

In the final episode, Pip conducts a funeral for Stanley and endures harassment from Max, who appears to have acquired a new girlfriend. She’s additionally enraged by graffiti daubed on a neighbouring structure stating “Child killer burn in hell Child Brunswick”, presumably created by Max or his associates.

Max cannot face retrial, but has Pip devised a plan to bring about his downfall? Again, this matter is explored in As Good As Dead and will presumably feature in the third series.

Who is Pip’s stalker?

Season two featured Pip receiving threatening communications from an unidentified stalker, which could represent further provocations from her adversary Max or potentially sinister warnings from another danger concealed in the darkness.

In the finale, her bedroom suffers an intrusion and she discovers repeated instances of the message “Who will look for you when you’re the one who disappears?” on her laptop.

This enigma provides the foundation for Jackson’s third instalment in the series, so everything will be unveiled should A Good Girl’s Guide to Murder progress.

Will Lauren and Robin split up?

A significant departure from the novels in season two involves the arrival of Max’s cousin, Robin Hastings (Freddie England), who starts a relationship with Pip’s friend Lauren (Yali Topol Margalith).

In the penultimate episode of season two, Lauren is last spotted at a family meal with Robin, Max, and their relatives, suggesting they remain together by the finale.

Nevertheless, in Jackson’s books, Lauren actually starts seeing a character named Ant Lowe, who hasn’t featured in the television adaptation. Fans may consequently witness her romance with Robin take a somewhat different trajectory in the third season.

What’s season three’s storyline?

Fans eager to discover what unfolds next are urged to read the third and concluding book in the series, As Good As Dead.

For non-readers, here’s a brief synopsis, according to HarperCollins: “Pip Fitz-Amobi is haunted by the way her last investigation ended. Soon she’ll be leaving for Cambridge University but then another case finds her… and this time it’s all about Pip.

“Pip is used to online death threats, but there’s one that catches her eye, someone who keeps asking: who will look for you when you’re the one who disappears? And it’s not just online. Pip has a stalker who knows where she lives. The police refuse to act and then Pip finds connections between her stalker and a local serial killer.

“The killer has been in prison for six years, but Pip suspects that the wrong man is behind bars. As the deadly game plays out, Pip realises that everything in Little Kilton is finally coming full circle. If Pip doesn’t find the answers, this time she will be the one who disappears…”

A Good Girl’s Guide to Murder season 2 is available to stream on BBC iPlayer.

OLIVIA Attwood undergoes treatment whilst showing off risqué bum snap as she prepares for bikini season.

The stunning TV star, 35, is topping up her curves with a bum enhancing regimen amid her high-profile romance with Pete Wicks.

Taking to her Instagram Stories Olivia shared a body pic of herself hooked up to a machine at a clinic. 

The reality beauty was snapped face down as the daring bum pic revealed her covered in wires undergoing a treatment known as Truflex.

The non-invasive procedure acts as a muscle stimulant which aims to strengthen, tone, and firm the glutes.

Olivia added the caption: “We are not f****** around this season.”

READ MORE ON OLIVIA ATTWOOD

CRYPTIC LIV

Olivia Attwood hints at trouble in paradise with Pete Wicks in cryptic post

YACHT THE HELL

Olivia Attwood and Pete Wicks snubbed from KISS Ibiza trip

In additional text alongside the risque snap, she penned: “Truflex at @sadaf_jaffari I have had better results with this than emsculpt personally depends on your goal x”

In another one of her recent social media posts Olivia had appeared to have undergone an eye treatment with a mirror selfie showing noticeable swelling around her eyes. 

The photo dump which also showed Olivia appearing downcast in several snaps which had sparked worry with fans that there could be trouble in her relationship.

Looking downcast in one photo, Olivia pouted and didn’t look very impressed.

The images that followed were of her dogs, with a snap being of her taking a selfie in an elevator.

It also included a pic of Olivia beaming whilst getting her hair and makeup done. 

The photos had left people alarmed by the lack of Pete appearing in the post, despite the pair dating for a while now.

But it seemed all was to be good in paradise as eagle-eyed fans spotted a sign that all might be well between the pair.

One person seemed to spot Pete’s dog in one of the snaps.

“Yay to Rodney. Was hoping to spot some subtle Pete hints and also wondered if the dogs are mates with eachother! (So invested),” one person penned.

While another added: “Yes Rodney!!!!!!!”

And a third penned: “Hard launching Rodney!”

“Stitch, Lola & Rodney,” penned another, spelling out how Olivia’s pups Stitch and Lola, were now pally with Pete’s dog Rodney.

“House of the Dragon” Season 3 will see Rhaenyra Targaryen take back King’s Landing — but the war is far from over.

HBO on Friday released the final trailer for the upcoming season of its epic fantasy, which teases brutal battles, many dragons and the Targaryen queen returning to the capital of the Seven Kingdoms to claim the Iron Throne.

“I see you have been merciful,” Alicent Hightower (played by Olivia Cooke) says to her childhood friend (Emma D’Arcy) in the clip. “But the crown is a weight that crushes. You’ll do things that spell death for all involved.”

And if the trailer is any indication, there will be a lot of bloodshed in Season 3.

The second season of “House of the Dragon” left off with Rhaenyra and Alicent plotting for the former to take King’s Landing with minimal resistance in exchange for the latter’s freedom. Unfortunately, Alicent’s promised tribute — her son King Aegon II — has fled his castle so things won’t go exactly as planned.

After a slowburn of a second season, a higher octane Season 3 will kick off with the highly anticipated Battle of the Gullet, a fight at sea that is regarded as one of the bloodiest and most violent clashes in the history of Westeros. “House of the Dragon” showrunner Ryan Condal recently told Entertainment Weekly that the premiere is “arguably the craziest episode of television ever made.”

The new trailer shows that everyone will be reeling in the aftermath. According to the footage, what awaits Rhaenyra during her reign are fearful subjects, conniving enemies, sleepless nights and plenty of anguish.

“In a war, all suffer,” Daemon Targaryen (Matt Smith) says in the trailer.

“House of the Dragon” Season 3 will premiere June 21.

Designated hitter Jacob Johnson hit a go-ahead homer in the ninth inning off Easton Hawk to lift Saint Mary’s to a stunning 3-2 win over top-seeded UCLA in the Los Angeles Regional opener Friday afternoon at Jackie Robinson Stadium.

Johnson’s second solo home run of the game initially only appeared to be a pop-up near the warning track. But as the stadium fell silent, the ball kept sailing — and it eventually cleared the wall over leaping Bruins right fielder Jarrod Hocking.

Saint Mary’s reliever Cam Staton earned the win after getting UCLA shortstop Roch Cholowsky, the expected No. 1 pick in the 2026 MLB draft, to pop out with a runner on first. The right-handed Hawk took the loss.

It marked the first loss by a national No. 1 seed in an NCAA regional opener since the current format was established in 1999.

Hawk previously had given up just three homers on the season and hadn’t surrendered one since March 1 against Mississippi State. Johnson, who went deep to start the day’s scoring in the fourth, recorded his second two-homer game of the season.

UCLA’s Jarrod Hocking strikes out to end eighth inning during a 3-2 loss to Saint Mary’s in the NCAA regionals on Friday.

(Scott Strazzante / For The Times)

Saint Mary’s (35-25) will face the winner of Virginia Tech (2) vs. Cal Poly (3) — who play Friday night — in the winner’s bracket on Saturday at 6 p.m. PDT; UCLA (51-7) will face the loser in the elimination bracket Saturday at 1 p.m.

Friday’s starters, UCLA’s Wylan Moss and Saint Mary’s John Damozonio, dueled. Moss surrendered three hits and one run through five innings, and Damozonio gave up five hits and two runs through seven.

But it was Johnson and the Gaels who survived in the end.

Luka Doncic could be involved in two championship bids this upcoming season.

The Lakers superstar and former Dallas Mavericks general manager Donnie Nelson are leading an investor group that acquired a professional basketball team in Italy, it was announced Friday, with hopes that the franchise could become part of the NBA’s new European venture.

The group plans to move Vanoli Cremona, a team that plays in a northern Italian city about 60 miles southeast of Milan, to Rome, and submitted a bid for the club to join NBA Europe, making Doncic the first player to state his ambition to become part of the NBA’s expansion across the pond.

“I have dreamed about owning a team in Europe for a long time, to finally have this happen is amazing,” Doncic said in a statement. “Vanoli has a great history, and we are ready to take it to the next level in Rome. We have an amazing group of partners, and I really believe we can do something special for basketball in Italy and Europe.”

NBA commissioner Adam Silver said this year that the NBA is working with FIBA, the world governing body for basketball, to begin a stand-alone league in Europe. The league could begin as soon as October 2027 with up to 16 teams hosted in major cities in England, France, Spain, Italy, Germany, Greece and Turkey.

Rome and Milan are the top Italian targets to host NBA Europe teams. Rome, the Italian capital, has not had a Serie A team since 2020, when Virtus Roma ceased operations because of financial difficulties. Vanoli will begin playing in Rome for the 2026-27 season.

“Rome deserves world-class basketball, and we are excited to be bringing it back,” Nelson said in a statement. “Vanoli Cremona has a proud history, and we are committed to honoring that legacy as we build toward an exciting future in Rome. This city has been without top-flight basketball for too long. That changes now. We are bringing the resources, the expertise, and the passion to make this club a source of pride for Rome and for all Italy.”

Nelson, who is the lead investor and managing partner, was the general manager when the Mavericks traded for Doncic on draft night in 2018 and was the architect of Dallas’ 2011 NBA championship team led by German star Dirk Nowitzki. The investor group also includes Valerio Bianchini, a celebrated coach in the Italian league, and Rimantas Kaukėnas, a 17-year pro across European leagues.

The 27-year-old Doncic, who was born in Slovenia and started his professional career with Real Madrid in Spain, is part of a recent wave of international stars taking over the NBA. The last eight most valuable players have been born outside of the United States. Doncic finished fourth in MVP voting this year behind two-time winner Shai Gilgeous-Alexander, who is from Canada, three-time MVP Nikola Jokic, who is from Serbia, and Victor Wembanyama, a 22-year-old Frenchman expected to dominate the league for years.

The NBA played two regular-season games in Europe this season, with the Memphis Grizzlies and Orlando Magic facing off in Berlin and London. Next season, Wembanyama and the San Antonio Spurs will play in his home country against the New Orleans Pelicans and in Manchester, England.

US-based investment firm Castlelake confirmed it is in the ‘early stages’ of weighing up a potential takeover offer for budget airline easyJet following recent speculation

A major investment firm has issued a statement and said it is considering a possible takeover bid for easyJet.

US-based Castlelake confirmed it is in the “early stages” of weighing up a potential offer for the budget airline following recent speculation.

The company stressed that “no approach has been made to the Board of easyJet” and warned there was “no certainty” that a bid would actually happen. Under takeover rules, Castlelake now has until June 26 to either announce a firm intention to make an offer or walk away.

The development comes just days after easyJet insisted it still plans to operate its full summer schedule despite fears over aviation fuel supplies linked to the Iran war.

EasyJet chief executive Kenton Jarvis said the airline had seen “absolutely no issues with fuel supply” at airports across the UK and Europe.

He told the BBC Today programme: “We’ve seen absolutely no issues with fuel supply at any of our airports in the UK, across Europe, or indeed beyond. We stay in very close contact with our fuel suppliers, airports, governments, and they are equally raising no issues looking forward.

“What is true is obviously there’s a lot less oil coming from the Gulf region, but fuel suppliers have successfully diversified with production increased in Norway, in West Africa, in the Americas. Refining capacity for jet fuel has also increased substantially outside of the Gulf region.”

The airline recently reported losses of £552 million for the first half of its financial year – a 40% increase compared with the previous year. Despite the losses, easyJet said demand for the summer holidays remains strong, with travellers continuing to book trips closer to departure dates.

Mr Jarvis said: “Demand seems to be very strong in what we call the late market. As we ran through April, demand was very strong for the month of April. We’re seeing it again in May.

“But as you look further out, people are more cautious. People are waiting and watching, but they are booking as as you approach, and I expect that strong late booking market to run through the summer.”

The airline has also faced disruption linked to the EU’s new biometric border checks. Mr Jarvis described delays caused by the entry-exit system as “completely unacceptable”.

“I’d encourage all the European countries is to use the flexibility that’s been given to them by the European Commission, that they can phase the introduction of this if they see queues in peak times,” he said.

“They can go back to normal border force control with stamping of passports, so they should use this.”

It’s hard to believe we’re approaching the end of May and the midpoint of the year, which means some of our favorite shows have come to a close, including “The Late Show With Stephen Colbert,” which aired its final episode on CBS last week. Our critics and columnists weighed in on Colbert’s tenure as host of “The Late Show” over the years, writing about why he was the risky but right choice to host, his faith and his next chapter. And “Hacks,” starring Jean Smart and Hannah Einbinder, dropped its series finale on HBO Max last night. Times culture columnist Mary McNamara and television critic Robert Lloyd took a moment to discuss the course of the show after five seasons, the characters and why they found the finale satisfying.

While those series have come to an end, a new television show, Prime Video’s “Spider-Noir,” arrived this week with a different take on a beloved superhero, Spider-Man. “Spider-Noir” stars Nicolas Cage as Ben Reilly and his alter ego the Spider. Writer Carlos Aguilar spoke to Cage and co-star Lamorne Morris about their spin on the comic book-based characters they portray, and this week, Karen Rodriguez, who plays Ben’s secretary Janet Ruiz on the show, stopped by Guest Spot to talk about her character, working with the ensemble cast and how she gets a nice prize at the end of the season (be warned, a few spoilers ahead).

Also in this week’s Screen Gab, our writers recommend a trio of newly arrived second seasons and a collection of films based on Homer’s “The Odyssey” that will get you in the mood for Christopher Nolan’s epic arriving later this summer. Vacation screen time can’t come soon enough. — Maira Garcia

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Recommendations from the film and TV experts at The Times

Asif Ali, Poorna Jagannathan and Saagar Shaikh in Season 2 of “Deli Boys.”

(Sandy Morris / Disney)

Season 2 of “The Four Seasons” (Netflix), “Patience” (PBS) and “Deli Boys” (Hulu)

There is a season, goes the song, and there is sometimes a second season. Here’s your chance to turn (turn, turn) on your TV to three fine, finally returning series. Tina Fey’s “The Four Seasons” demonstrates there’s still life in this bumpy midlife friend-com about couples (in flux) who vacation together four times a year because apparently there are people who can afford to do that. (On this year’s itinerary: the Catskills, the Jersey Shore and Italy.) It stars Fey, Colman Domingo, Will Forte and others, and even a little bit of Steve Carell, though his character died at the end of Season 1. (Flashbacks, baby.) “Patience,” a charming British mystery, airing here as part of PBS’ “Masterpiece,” stars charismatic autistic actor Ella Maisy Purvis as a neurodivergent amateur detective, assisting the police in York, England. This season replaces Laura Fraser’s finally understanding detective investigator Bea Metcalf with Frankie Monroe (Jessica Hynes), a less sympathetic successor, but Mark Benton (whom you may know from Britbox’s “Shakespeare & Hathaway: Private Investigators,” or should) as Calvin Baxter is happily still around as the boss. Abdullah Saeed’s hectic, hilarious “Deli Boys” retails the further misadventures of brothers Mir (Asif Ali) and Raj (Saagar Shaikh), who last season stumbled unaware into their late father’s drug business, fronted by a chain of convenience stores. New to the show this season are Fred Armisen as a casino owner, Andrew Rannells as a district attorney and Kumail Nanjiani as the lawyer for the brothers’ Lucky Auntie (Poorna Jagannathan, majestic). — Robert Lloyd

John Turturro, left, Tim Blake Nelson and George Clooney in “O Brother, Where Art Thou?”

(Melinda Sue Gordon / Universal Pictures)

Odysseys (Criterion Channel)

All hail original IP, which is great and all, but sometimes a 3,000-year-old story sticks around for a reason. Homer crystallized the impulse to return home after a long time away from all that is familiar. We’ll watch Matt Damon make that journey in Nolan’s “The Odyssey,” hitting theaters July 17, but until then, Criterion builds anticipation with some of the most notable homeward journeys. Martin Scorsese achieves a kind of cosmic misfortune with 1985’s “After Hours,” in which Griffin Dunne’s yuppie only wants to escape Soho and go back to his apartment after a late-night date gone sour. You can bop to the Coens’ tuneful “O Brother, Where Art Thou?,” a faithful Homeric translation, then check out the Preston Sturges satire “Sullivan’s Travels,” which inspired the Coens’ title. But don’t let David Lynch’s “The Straight Story” pass you by: It was the least name-checked of his films when the director died last year, but it’s one of his most gentle and improbable triumphs, about a road trip via lawn tractor to a dying brother. — Joshua Rothkopf

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Janet Ruiz (Karen Rodriguez) in “Spider-Noir.”

(Aaron Epstein / Prime)

Being exceptionally competent at your job is a superhero power — so says this editor. In “Spider-Noir,” Rodriguez plays Janet, a secretary to private investigator Ben Reilly, a.k.a. the Spider. But Janet is not just someone who sits behind the desk answering phones and filing paperwork. She’s as much a gumshoe as Reilly, walking into a police station with poise and ease to sweet-talk the officer into giving her crucial information on an investigation (all it takes is a good sandwich). Her ability to ask the right questions and find answers puts her on equal ground with Reilly and his best friend Robbie Robertson, the investigative journalist played by Morris, leading her to a rightful promotion at the end of series. Don’t you love it when good old-fashioned hard work gets you ahead?

While Rodriguez has been busy lately with her breakout role in “Spider-Noir,” she has also been at work on “The Hunting Wives,” Netflix’s hit drama in which she plays Deputy Wanda Salazar and is slated to return later this year. The actor spoke to us about going toe to toe with Cage, why she loved working with her various cast mates and what she’s watching now. — M.G.

“Spider-Noir” is a comic book adaption, but it’s also a take on classic noir films. How did you prepare for your role as Janet given the mix of genres?

I had a little more freedom because Janet is strictly based on the Girl Friday archetype from classic noir. So I first started with the scripts. Oren [Uziel]’s vision for Janet was very precise in the writing, and from that arc I wanted to figure out why this particular woman in this particular world and what does she offer the environment that no one else can. Then I delved into “The Maltese Falcon” (Janet was based off of Effie Perine), “Double Indemnity,” “His Girl Friday,” among others. And then I mixed it all in with Nick’s take on Ben Reilly because so much of who Janet is absolutely informed by who Ben is.

Janet is very no-nonsense, especially with Ben, even though he’s her boss. What was it like “managing up” and playing off of Nick’s acting? Have you ever dealt with a boss like that in real life?

Well, I think that what’s great about Janet is that she is no-nonsense but she also has a killer sense of humor and wit. I think it makes her someone who’s very skilled at getting what she wants, a little sugar with the medicine. Nick is the ultimate scene partner — so prepared, so playful and most importantly, unpredictable. For Janet, Ben’s antics are her obstacle in the scene and Nick always made sure Ben gave Janet plenty of obstacles. All I had to do was know Janet is the boss and the voice of reason, then listen and respond to him. We had a great time keeping each other on our toes and I’m so grateful to have had that experience with him. No, I haven’t had a boss like that!

Janet shares a lot of scenes with different characters, like Robbie (Morris), Lonnie (Abraham Popoola) or even Frankie (Cary Christopher), the little boy who’s friendly with Ben. She is very good at connecting with people. How was it creating a rapport with so many different cast mates and was there a scene or moment that stood out to you?

Thank you for saying that! Her ability to connect with people is one of my favorite parts about her. And oh, I loved it. The ensemble acting of it all thrills me. It allows me to explore different facets of the character and it’s just fun to collide with different actors. And this particular cast made it so joyful — they’re all mega-talented but also super-focused and hardworking. We just wanted to make the best show we could.

A moment that stood out to me … I loved seeing Janet’s superpower in the scene with Lonnie, how her kindness and ability to make people feel seen makes her a powerful player in this world. And Abraham Popoola is just magnificent so it was a really fun day on set with him and Lamorne.

In the end Janet and Ben become partners. Was that inevitable given her skills?

I would like to think so! And I think Janet would too! But it still made me cry when I read the episode and when I saw the office door sign with both their names. I think for Janet, too — despite knowing she’s worth it, it is still momentous to have Ben give her her due.

Along with “Spider-Noir,” you’ll be back on “The Hunting Wives” for Season 2 later this year. Anything you can tease about what Wanda Salazar might be up to?

You know Maple Brook is going to give her plenty to do! She’s definitely going to have her hands full this season. And I’m excited because I think fans are in for some shocking moments!

What have you watched recently that you are recommending to everyone you know?

“Ponies” [Peacock]. Oh, and I’ve been watching “The Comeback” [HBO Max], Season 1-3. Lisa Kudrow forever.

What’s your go-to comfort watch, the movie or TV show you go back to again and again?

“The Office” [Peacock]. “Bridget Jones’s Diary” [YouTube, Paramount+]. “Pride and Prejudice,” 2005 vibes [Britbox, Prime Video].

ICYMI

Must-read stories you might have missed

Will Smith crouched, his left knee on the ground and his mitt grazing the dirt as his Team USA teammate Mason Miller strode towards the plate.

From there, the only way for his glove to go was up and through the slider that fell out of the strike zone as the Dominican Republic’s Geraldo Perdomo stopped his swing. But, in a full count, home plate umpire Cory Blaser called it strike three.

Miller threw his hands above his head. Smith pumped his first. And the United States advanced to the World Baseball Classic final.

“That’s the work we do in the cage, and off the machine, and drills, and all that coming to fruition, and being applied to in-game,” Smith said in a recent conversation with The Times.

He has a slim chance of replicating that moment during the season, with the ABS challenge system implemented in MLB. If it had been in play during the WBC — as long as the Dominican Republic had challenges left — Perdomo surely would have used one on the final pitch of that 2-1 game.

And yet, as counterintuitive as it may sound, Smith dedicated time and effort during spring training to improving his framing.

“It’s important because you only get two challenges a game, offensively and defensively,” Smith said. “The whole team only gets those two. So the harder I can make it on the other team to challenge pitches, the better. The more strikes I can get and not have to challenge, the better. I think overall, it almost makes it more important, in a way.”

United States pitcher Mason Miller and catcher Will Smith celebrate a WBC semifinal win over the Dominican Republic.

(Rebecca Blackwell / Associated Press)

Framing had been a weakness in Smith’s game in recent seasons, according to Statcast’s catching metrics. His best season was 2023, when he recorded four runs saved via pitch framing. But he slipped to minus-eight and minus-10 the next two seasons. Entering the Dodgers’ series against the Phillies this weekend, he was at an even zero after 43 games at catcher this season, including 39 starts.

And now, when Smith doesn’t get a call, he has ABS to fall back on. Entering Friday, he’s challenged 41 calls through the ABS system from behind the plate, the 10th-most of any catcher. And he had a 71% success rate, the ninth-best mark among catchers with at least 20 challenges.

Because the catcher has the best vantage point, teams across the majors have made their catchers, not their pitchers, the point men for ABS challenges on defense.

ABS as a skill, however, isn’t just about getting the challenges right. Knowing the right times to take a risk is also key.

“There’s so many games within the game,” Smith said, “and that’s just another one of them.”

As Smith alluded to, under the challenge system — as opposed to fulltime ABS, which MLB also tested in the minors — it’s still possible to steal strikes.

“I like the challenge system because you still have the human error element to the game,” Smith said. “…Everyone always talks about how it’s a game of life, dealing with failure and dealing with ups and downs — the umpire screwing you or catching a break, that’s part of the game.”

Dodgers catcher Will Smith walks to the dugout after the fifth inning of a Dodgers-Marlins game at Dodger Stadium on April 27.

(Ronaldo Bolanos/Los Angeles Times)

Now, the players have recourse for the egregious calls and the biggest moments of the game.

The margins are so slim, however, that if a hitter isn’t convinced enough on a borderline strike call, and the situation dictates caution, he may not challenge.

The same goes for a catcher on a borderline ball call.

That’s where Smith’s work on framing comes in. He describes it as a change in philosophy.

“For me, it’s more just understanding the move,” Smith said. “I had to drill it in a little bit obviously, but more understanding the move of going farther out to get it, working through the ball, more like towards the pitcher, as opposed to letting the ball kind of come back to you. That was just not how I’d ever done it.”

That’s what he did on that last pitch of the WBC semifinals. Moving through the ball creates a more seamless motion, compared to pulling it into the strike zone, making the frame job more convincing. And catching it out in front also stops the ball’s own movement before it gets too far out of the zone.

That’s how Smith made a pitch that appeared to cross the plate below Perdomo’s knees look like a strike from Blaser’s vantage point.

The effect Smith’s spring training work behind the plate will have on the Dodgers’ season will be subtler. Instead of a singular game-defining moment, it’ll be an edge here and there.

But over the course of a long season, that adds up.

Hi, and welcome to another edition of Dodgers Dugout. My name is Houston Mitchell and I sort of wished Chris Taylor had signed a one-day contract to retire as a Dodgers.

Taylor is one of those guys who become a fan favorite because they seem to be wringing every ounce of athletic ability out of their body. We could identify with Taylor, because we could imagine us playing the way he did. Play like Shohei Ohtani? No. But play like Taylor? We could fool ourselves into believing that if we just stuck with it, we could have been Chris Taylor. He was us on the field.

This newsletter began a couple of weeks before the 2015 season. And I believe the first group of angry emails I got about something the Dodgers did was June 19, 2016, when the Dodgers traded pitcher Zach Lee to Seattle for some guy named Chris Taylor.

Lee had been touted as one of the best Dodgers pitching prospects in years. In the minors in 2015, he went 13-6 with a 2.63 ERA. Sure, he had a terrible outing in what turned out to be his only start with the Dodgers (4.2 IP, 11 hits, one walk, three strikeouts, 13.50 ERA), but that could happen to anyone. He was the pitcher of the future. Until he wasn’t. And to trade him for this Taylor guy, who in three seasons with the Mariners hit .240/.296/.296? Surely they could have gotten more for him than that! (They couldn’t and don’t call me Shirley.)

So, Taylor had a steep hill to climb. In 34 games with the Dodgers in 2016, he hit .207. And then, well, there’s a reason why Jerry DiPoto, who was GM of the Mariners for the trade, called it the worst deal he ever made.

Before the 2017 season, the Dodgers, or Taylor, or both, unlocked something offensively. He hit .288/.354/.496 with 34 doubles, 21 homers, 72 RBIs and 17 stolen bases in 2017 while playing five different positions and was a key player on the team that reached the World Series before losing to the Houston Astros*. Taylor hit two homers during the NLCS and one during the World Series. He was named co-MVP of the NLCS with Justin Turner. Little-known fact: He didn’t make the team out of spring training. He was brought up from the minors on April 19, 2017, when Logan Forsythe suffered a broken toe when hit by a pitch. How would Dodger, and Taylor’s, fortunes have changed if Forsythe wasn’t hit by that pitch?

In 2018 he hit .254/.331/.444, with 35 doubles and 17 homers, .262/.333/.462 with 29 doubles and 12 homers in 2019 and .270/.366/.476 during the COVID-shortened 2020 season. He made his first and only All-Star team in 2021. And then the wheels started falling off, as he struggled his last couple of seasons with the team.

Here’s a guy who was with the team from 2016-25, and what do we know about him? Not much. He never sought the spotlight, just did his job every day to the best of his abilities.

“He is the consummate pro, the way he did a trust fall when he got here,” Dodgers president of baseball operations Andrew Friedman said when the Dodgers released Taylor last season. “He came in hungry and wanting to get better, and dove in with our hitting guys, with our position coaches. … He was a huge part of so much success that we’ve enjoyed. Can’t say enough about the human, the worker, the teammate, the player.”

If you dig a little deeper into Taylor, you discover he quietly helped families who were hurt by the devastating wildfires in 2025. His CT3 Foundation raised millions of dollars for organizations in L.A. and his hometown Virginia Beach, including Children’s Hospital Los Angeles, Variety Boys and Girls Club, the Friendship Foundation, Los Angeles Fire Department Foundation, Children’s Hospital of the Kings Daughters, and Roc Solid Foundation.

Taylor’s first career home run was a grand slam with the Dodgers. His 100th career home run was a grand slam with the Dodgers, making him the only player in history whose first and 100th home runs were grand slams!

He appeared in 80 postseason games with L.A., hitting .247/.351/.441 with 13 doubles, nine homers and 26 RBIs. The most important homer may have been his walk-off in the 2021 wild-card game against St. Louis. You can watch that here.

He made an incredible catch in Game 7 of the 2018 NLCS against the Brewers. You can watch that here.

He hit three home runs in Game 5 of the 2021 NLCS against Atlanta. You can watch that here.

He always reminded me of that great quote from the movie “Rudy,” which I am going to alter a bit here:

“You’re 5 foot nothin’, 100 and nothin’, and you have barely a speck of athletic ability … And you’re gonna walk outta here with two World Series rings.”

Thank you, Chris Taylor, for the memories.

*-The Astros cheated during that season and postseason.

Injuries!

Wow, that’s like, three exclamation points in one newsletter. A record. I bought a bunch at the dollar store and need to get rid of them.

Injuries struck the Dodgers this week, and this time not to pitchers.

Kiké Hernández, fresh off the IL, had gone four for four in two games with two doubles and a homer when he came out of Tuesday’s game with what was diagnosed as a torn oblique. He will be out quite a while.

He initially got injured while taking batting practice before his first game back.

“I was pretty embarrassed about it,” Hernández told reporters Wednesday. “I thought it was just weird tightness. Never done an oblique before. So I didn’t really know what I was feeling. Came in today, wasn’t feeling great. I got treatment, but I thought I could play. … Compared to some of the things I’ve played through in the past, it was nothing. And, yeah, it was a little more than nothing.”

On Wednesday. Teoscar Hernández strained his left hamstring while trying to beat out a grounder.

“Don’t know how severe it is; he tested well,” Dave Roberts said after the game. “… There’s just no timeline, but something like that obviously is going to be a few weeks at the minimum. Disappointing. He’s been playing so well and he’s a big part of what we’re doing. So to lose him for any length of time is not great.”

Teoscar had been on a hot streak lately, so it’s doubly infuriating.

Alex Freeland and Ryan Ward were recalled from the minors to replace the injured duo.

Whoops! My bad

Remember that consecutive scoreless innings streak by the bullpen we talked about last time? It ended the night the newsletter came out. Sorry about that.

Up next

Friday: Philadelphia (Zack Wheeler, 4-0, 1.67 ERA) at Dodgers (*Justin Wrobleski, 6-2, 3.07 ERA), 7:15 p.m., Apple TV, AM 570, KTNQ 1020

Saturday: Philadelphia (Andrew Painter, 1-5, 5.40 ERA) at Dodgers (Roki Sasaki, 3-3, 4.93 ERA), 7:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

Sunday: Philadelphia (*Jesús Luzardo, 4-4, 4.38 ERA) at Dodgers (Yoshinobu Yamamoto, 4-4, 3.09 ERA), 1:10 p.m., Sportsnet LA, AM 570, KTNQ 1020

All times Pacific

*-left-handed

In case you missed it

Shaikin: As MLB proposes salary cap, Sacramento pursues team it might not be able to afford

Shaikin: For Dodgers, getting to playoffs is not good enough for Mark Walter. For Lakers?

Kiké Hernández’s oblique shows ‘significant tear’ as utility man returns to IL

How Dodgers pitching coach Mark Prior influenced Eric Lauer at the beginning of his pro career

And finally

Chris Taylor career highlights. Watch and listen here.

Until next time …

Have a comment or something you’d like to see in a future Dodgers newsletter? Email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.