A hotel housekeeper has shared the one thing she always does when staying in a hotel room and it’s left many people spooked by the idea. So have you done this before?
A housekeeper has shared the one item she always removes from a hotel room after checking in (stock image)(Image: Getty Images)
You check in, drop your bags, and collapse onto what appears to be an immaculate, freshly-made bed. But beneath the perfectly plumped pillows and crisp white sheets, it might not actually be as clean as it looks.
Regardless of how much guests splash out on their hotel room, most will have one non-negotiable expectation – the room has been spotlessly cleaned since the previous guest checked out. From fresh bed sheets to a sparkling bathroom, a housekeeper’s workload can be gruelling. But guests have been left stunned to discover that some everyday hotel room items are virtually never washed – including a common item on the beds.
Taking to TikTok, a housekeeping manager named Margarita left her followers shocked after posting a video demonstrating the very first thing she does upon arriving at a hotel room during her own personal stays.
“POV: You’re a Housekeeping Manager staying at a hotel,” read the on-screen text, as two women were filmed standing inside a hotel room.
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Armed with tissues in each hand, the pair proceeded to remove the bed runner from the foot of the bed, placing it on the luggage rack well away from where they’d be sleeping. One of the women couldn’t disguise her look of revulsion as they carried out the task.
People disgusted to learn some items are ‘never cleaned’
Numerous hotel housekeepers have previously revealed that bed runners are rarely laundered, unlike the rest of the bed linen, which is washed thoroughly after every guest checks out.
Experts have previously voiced their concerns about bed runners, explaining that their purpose is to catch dirt, shoe scuffs, and germs from luggage, bags, and outdoor clothing placed at the foot of the bed.
Because it serves as a dedicated barrier against outside grime, it can accumulate dust and microscopic dirt left behind by previous guests staying in the room.
Margarita was far from alone in her views, as the comments section quickly filled up with others sharing that they always do exactly the same thing, with one person questioning: “I mean, why aren’t they washed after every guest?”
Another argued: “If it’s a hassle to clean or replace they just shouldn’t have them in the rooms. I don’t need decorative pillows or bed runners.”
A third person added: “Should be a law that all decorative décor like pillows or bed runners need to be washed after each guest or just not provided.”
There’s a cross on the roof, stained glass in the windows and a choir loft upstairs, but this whitewashed three-level building near Sunset Boulevard in Silver Lake is no longer a house of worship.
It’s the Hotel Lucile, a 25-room boutique lodging that opens Sept. 14 with a restaurant and bar in the high-ceilinged sanctuary where churchgoers once gathered. This opening follows more than a decade of controversy and transformation, including a community debate, bankruptcy and the arrival of a new hotelier in 2020.
The new hotelier is Los Angeles-based Casetta Group, which specializes in adapting older structures and has six properties in California and New Mexico, including the Surfrider Hotel in Malibu and Casa Cody in Palm Springs.
When guests arrive at Hotel Lucile, they will find many reminders that the building was constructed as Bethany Presbyterian Church in 1931. But those guests will also see plenty of updates, including 25 guest rooms in the space that once held a church school; a small pool (about 15 feet square); and a rotating display of more than 100 contemporary artworks (many for sale). The organ loft is now a meeting space. The choir loft is retooled as a zone for coffee and drinks. The rooftop is a lounge with downtown views.
1.Bathroom inside a suite.2.Desk inside a premium king room.3.Sitting area inside a suite.(Myung J. Chun / Los Angeles Times)
“The building has lived several lives,” Hotel Lucile general manager Anthony Gutierrez said in an email. “It has always been a place for people to gather.”
The establishment fell idle as developer Dana Hollister took over the lease and sought city permits to convert it into a hotel with alcohol and dancing. Despite opposition from many neighboring homeowners and businesses alarmed by possible traffic impacts, those permits were approved in 2014.
But Hollister declared bankruptcy in 2018 and sold her interest in the property in 2020. That’s when the Casetta Group took over Hollister’s long-term lease from the Presbytery of the Pacific, which owns the property.
This church-to-commerce transition isn’t entirely unique. Across the city and the country, declining attendance has idled many religious buildings, often leading to conversions. In DTLA, the restaurant and event space known as Redbird + Vibiana was previously St. Vibiana’s Cathedral, deconsecrated by the Catholic Church after suffering damages in the 1994 Northridge earthquake. In Beachwood Canyon, the Monastery of the Angels was built as a private mansion and rebuilt by the Catholic Church in 1948 as a monastery. In early 2026, Homeboy Industries bought it from the church and began remaking it into Home of the Angels, a “recovery campus” for people impacted by trauma, substance use disorders and involvement in the justice system.
More church conversions may follow, thanks to California law SB4, passed in 2023 to allow faith-based groups and nonprofit colleges to avoid some local restrictions when converting buildings into affordable housing.
Meanwhile, the Hotel Lucile begins a new chapter, retaining interior arches, masonry, woodwork details and a rooftop cross that the hotel will keep alight at night. (The old church bell, however, will remain silent.)
Because the hotel has no on-site parking, it will rely upon valets and street parking (already tight in the neighborhood) to accommodate the cars of overnight guests and restaurant diners.
The rates begin at $441 nightly, plus a $50 amenity fee. To start, management is offering a “locals rate” of 15% off for guests who can show a California state ID.
“We did preserve as much as we could of the original beams and stained glass,” said Laney Langenstein, who oversees strategy and marketing for Casetta. Though guest rooms have minibars (curated by Erewhon and other partners), Langenstein noted that hotel staffers will also push a martini cart that will “go through the hallways and see if anybody thinks it’s cocktail hour.”
The dinner-only restaurant, Sous Sous, will draw upon cooking traditions of southern France and the American South, seating up to about 120, with occasional live music on the room’s stage. A hotel cafe will be open to guests for breakfast and lunch.
The new look of the hotel was produced by Casetta Hotels and design firm Electric Bowery. Children are permitted at the hotel, but not encouraged by the layout. (Of 25 rooms, 24 have a single king bed and one has two queens. Most rooms have showers, not tubs. There is one suite, which has its own courtyard patio and fountain.)
With an eye to potential expansion later, hotel management has also bought up one of the three immediately neighboring properties.
Meanwhile, now that the hotel is about to open, feelings among neighbors are mixed.
A booth at Sous Sous restaurant.
“When they tried to get a permit for the hotel, we all went to speak against it. But they got the permit,” said Jin Chang, longtime owner of nearby Big Mac’s Liquor on Sunset. Now, Chang said, he’s neutral about the hotel opening and relieved that his mini-mall has its own parking lot.
“What’s the definition of progress?” asked VJ Kesh, a longtime neighborhood resident. “Is this hotel a reflection of Silver Lake? Hell, yes. So I’m in favor.”
George Lucas and Mellody Hobson want their massive spaceship of a museum to be an experience. Across 300,000 square feet and 11 acres of park space, there’s a lot to take in. Staring up at the 90-foot-diameter oculus four stories above the entrance plaza makes one feel like a speck in the galaxy.
Instead of trying to conquer everything on a first visit — there are more than 1,300 works — hit our highlights below. If you aim to walk around the striking building to view a mishmash of masterpieces, children’s illustrations, movie memorabilia that’s heavy on “Star Wars” and comic strips, you’ll have a good time. If you’re hoping to learn about what’s on display or how adjacent pieces relate, curb your enthusiasm. It’s almost as if the museum is making a statement: you don’t need some analysis to connect with the works. If you complain about the collection, the co-founders don’t care. “Is it fine art? It’s finer art because it’s actually telling a story,” Lucas said at a museum party last week.
The 90-foot-diameter oculus provides unique viewing from the fourth-floor gallery.
(Ariana Drehsler / For The Times)
The gee-whiz elevators at the entrance of the museum.
(Ariana Drehsler / For The Times)
Whoosh up in the glass-tube elevators to the massive fourth floor to begin. Best to explore the bulk of the galleries when your gas tank is full. Then head up a floor to see the murals. Take a break at the rooftop Skywalker Grill before ambling to the library and grounds. Skip the first floor’s “History of Narrative Art.” The exhibition is mostly screens, projections and reproductions, with a handful of great works from the 16th and 17th centuries and feels superficial at times. If you care about whether something is an original or a copy, check the gallery labels. Hungry for more detail? There’s a $30 exhibition catalog in the gift shop.
Prepare to get your steps in and feel a little turned around once it opens Sept. 22. Admission is $25 for adults, free for kids.
“Wheel of Fortune” announcer Jim Thornton’s longtime tenure on the popular game show is officially over.
A spokesperson for Sony Pictures Television, which produces “Wheel of Fortune,” confirmed in a statement shared with The Times on Friday that Thornton’s “employment with ‘Wheel of Fortune’ has been terminated, effective immediately,” following an investigation. Sony suspended Thornton on Tuesday amid an ongoing probe into then-unspecified allegations.
A legal representative for Thornton, 61, did not immediately respond to The Times’ request for comment on Friday.
A day before TMZ first reported on the announcer‘s firing, the outlet published numerous photos that show Thornton on his laptop aboard a flight visiting a website that describes itself as a support chat for “people who are attracted to children.” In photos taken by a neighboring passenger, Thornton’s computer screen appears to show messages of one user saying they “saw a couple of cute boys and a hot little girl” at a restaurant they referred to as an “All-you-can-eat Boyfett” and a second user referring to “CP,” commonly shorthand for child pornography. The photos published by TMZ also show Thornton, who is wearing a black jacket embroidered with the “Wheel of Fortune” logo on his sleeve, appearing to type into the chat room.
Thornton’s attorney Allison Hart told TMZ that he became a suicide-prevention advocate after a loved one took their life two years ago and he has since spent time visiting crisis chat rooms to offer “support to individuals suffering from suicidal ideation.” According to TMZ, Thornton claimed an acquaintance from a suicide prevention group sent him a link to an unrelated, non-crisis chat room — the one seen in the photos. Thornton also reportedly said he quickly left the disturbing chat room “once he found out what it was.” Time stamps seen in the photos show Thornton remained in the chat room for nearly an hour.
The passenger complained about Thornton to a flight attendant and shared the photos with the crew, according to TMZ. American Airlines informed the outlet that a passenger was met by law enforcement upon arrival at Los Angeles International Airport on May 14, although the airline did not identify the individual.
Thornton’s attorney also told TMZ earlier this week that he “did not engage in any illegal conduct, was not arrested and has not been charged with any crime.”
“When questioned about the complaint made by a fellow passenger on the flight, law enforcement spoke to him for five minutes or less, immediately determined that no wrongdoing had occurred and told my client he was free to go,” his attorney said.
Thornton’s “Wheel of Fortune” tenure traces back to 2011 following the death of his predecessor, Charlie O’Donnell. His game show credits include “The Price Is Right,” “The Soup,” “Jeopardy!” and “Celebrity Wheel of Fortune.” He has performed voice work for the movie “Monsters, Inc.,” and video games including “Wall-E” and “Mafia II.”
Times staff writer Andrea Flores contributed to this report.
The Chargers’ backup quarterback competition is over — for now.
Despite DJ Uiagalelei outperforming Trey Lance in Thursday’s preseason finale against the Rams, the incumbent was named QB2 once again, as the Chargers announced their initial 53-man roster Sunday evening.
“My mindset has just been stacking days,” Lance said. “As many days as I can have; good days that I could feel good about. Good reps [or] bad reps, I learn from them all.”
Choosing Lance, who is familiar with the role and offensive coordinator Mike McDaniel’s system from their shared time with the San Francisco 49ers, was one of several interesting roster moves the Chargers made on cut-down day.
Most notably, punter and nine-year veteran JK Scott was released alongside running back Jaret Patterson.
It wouldn’t be surprising if the Chargers brought Scott back this week. However, he had a rough preseason, in which he showed abysmal tackling effort and shanked a punt.
“As competitors, yeah, I don’t like seeing that on tape,” special teams coordinator Ryan Ficken said.
Patterson, meanwhile, couldn’t crack a crowded running back room led by Omarion Hampton. Greg Desrosiers Jr. and Amar Johnson also didn’t make the roster despite promising showings during the preseason.
“I feel like I did everything I needed to do to kind of put all the teams on notice [and] put the front office here on notice,” Desrosiers said after rushing for 118 yards and a touchdown against the Rams.
Other intriguing players, such as wideout Dalevon Campbell, outside linebacker Kyle Kennard and linebacker Junior Colson, a third-round pick in 2024, were waived.
Some “bubble” players, though, did make the cut; cornerback Rodney Shelley is one of them.
The undrafted rookie put a bow on a strong camp by earning five tackles and a pretty pass breakup against the Rams. Plus, the Chargers made room for him by trading cornerback Avery Smith to the Seattle Seahawks for a 2027 sixth-round pick. The Chargers also traded defensive lineman TeRah Ewards to the Carolina Panthers for a 2028 sixth-round draft pick.
Jacob Spomer is another undrafted rookie who will remain in Los Angeles.
The offensive lineman impressed during training camp and adds depth after the Chargers assigned offensive lineman Branson Taylor to injury reserve alongside two-way trenches trooper Scott Matlock.
Of course, some waived players could see extended opportunities with the Chargers through the practice squad.
“I can’t really think of anybody that I’m going to tell their football lives are over to,” Chargers coach Jim Harbaugh said Thursday. “I can’t think of one guy I’d say that to. I just don’t believe that.
“I’m probably going to put myself in their shoes and hopefully give them some great advice [on] what to do next. It’s going to be said with encouragement and love, because I truly believe in them.”
I lay on my back and stared at a bright blue painted sky, dappled with puffy clouds. As my mind drifted, the sound of a breeze, created by handheld fans, filled the room. Then came a symphony of chimes, crystal bowls, wave drums and rain sticks. To my right, a black bear cub eyed me curiously.
Soon a thunderous crescendo of gongs arose. I looked to my left, where two endangered polar bears stood on a sheet of ice, ocean looming behind them.
The noises softened and went still. With a resounding clap from participants around the room, I came back to reality.
I wasn’t in a forest, nor the Arctic. And no, I had not recently taken any psychedelic substances. I was at a sound bath in the North American Mammal Hall at L.A.’s Natural History Museum, surrounded by dioramas of taxidermy, meditative instruments and sound healers from the Oso Sound Healing Studio.
Avery Whitmore leads participants in a sound bath.
Hosted earlier this month, the sound bath was the first of two events in the museum’s new Mindfulness Mornings at the Museum series, where guests can experience a meditative practice in the iconic gallery before opening hours. A nearly sold-out yoga session led by SoulPlay Yoga will take place on Sept. 13, and museum organizers hope to host more events after that, said Joel Quizon, the manager of public programs.
The Natural History Museum always looks for ways to “activate the museum space,” Quizon said. Ahead of the sound bath, Oso Sound Healing Studio founder Avery Whitmore said the unconventional space would invite a childlike energy, a deeper connection to animals and introspection.
“Just seeing these older animals, it takes you into another place,” Whitmore said. “It could invite you into a deeper meditation about where we are, where we come from. In that mind state, you might be a little bit more receptive to exploring the same questions about yourself.”
The museum introduced Mindfulness Mornings following the success of its past wellness events — including sound baths that were part of its First Fridays after-hours series. With those events, the lines went “down to the basement,” Quizon said.
The Natural History Museum is an apt venue for mindfulness events as people already see it as an “oasis [in] the city,” said Joel Quizon, the museum’s manager of public programs.
Participants Kenny Mayo of Culver City, left, and Verseilla McCloskey of Long Beach are immersed in sound.
Whitmore, who previously collaborated with the museum during First Fridays in 2025, founded Oso Sound Healing Studio in 2023. He played piano and percussion as a child and later guitar as an adult, but “put all of that away for many years,” he said.
About a decade ago, personal struggle led him to seek out spiritual practices, and that healing guided him toward being of service to others. That led him to attend massage school — not to start a career as a massage therapist, he said, but to learn how to give back to others.
The experience inspired him to learn other healing modalities, including breath work and sound meditation: the latter of which reignited his musical appreciation. “ It helped to revisit that, or reawaken it from another perspective,” Whitmore said.
When I attended the sound bath, about 100 people filled the hall and Whitmore opened the meditation by asking how many new sound bathers were here. More than half of the attendees, including me, raised their hands.
During the practice, participants can peek and see the varied habitats of North America beside them.
Avery Whitmore created a sound bath experience inspired by the unique museum space.
With the overhead lights dimmed and soft light spilling from the dioramas, the displays looked like windows to other worlds. I took a mat next to the American black bears and American badgers, only slightly jealous that the mats next to the large-scale walrus diorama were taken.
The meditation lasted about an hour. In addition to the variety of instruments evoking the sounds of nature, it incorporated breathwork, vocal exercises and a small amount of physical sensation: a refreshing spritz of rose water. Sets of instruments were stationed along every wall of the room, fully encompassing us in sound. Peeking at the animals around me, I couldn’t help but think of them as characters whenever new instruments joined the symphony.
“Definitely the coolest sound healing experience I’ve been to,” said Kenny Mayo, 35, after the sound bath.
“The different stations felt like an orchestra. It was put together in such a beautiful, methodical way, and all of the instruments were harmonizing perfectly. It felt like no matter where you were, there was something close to you,” Mayo said.
Toward the end of the meditation, Whitmore asked participants to envision an animal and invited them to receive its message. Mayo said she thought of a hawk, and found meaning in connecting with the spirits of animals that “don’t exist anymore.”
“It’s a magical thing, to be able to see the history of all the animals, our ancestors,” she said. “We can still connect to the essence.”
I looked at the taxidermy black bear cub, standing energetically on its hind legs, and imagined the future ahead of it; then across the room to the adult polar bears, traversing an icy surface that, beyond the diorama, continues to melt away.
As part of the meditation, participants were invited to think about where they were, and where they’ve come from.
