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Tomorrow marks the start of Emmy nominations voting, and we’re marking the occasion with with not one but two issues this week.which means twices as many series, and stories, to catch up with. So let’s get to it!

Cover stories

(Christina House / Los Angeles Times)

It’s rare for an awards roundtable to spark a real debate, but the thoughtful group of actors to appear on our 2026 Emmy Drama Roundtable — Katherine LaNasa (The Pitt”), Billy Magnussen (“The Audacity”), Zahn McClarnon (“Dark Winds”), Tom Pelphrey (“Task”), Michelle Pfeiffer (“The Madison”) and Karolina Wydra (“Pluribus”) — captured my attention with their layered conversation about runaway production.

Considering the economic boon Hollywood has brought to popular shooting locales like Atlanta and New Mexico, the dire consequences for the L.A. film industry and the increasing threat from production zones overseas, the group didn’t agree on one diagnosis, much less solution, to the problem. But in their conversation, these top names in the industry all showed deep concern about what such changes mean for showbiz’s shrinking middle class. “Our crew doesn’t get to go — the people that we know that we need, that we work with, that we make these things with,” as Pelphrey acknowledged. “We get to go wherever the f— we want, actors, directors, but the crew doesn’t.”

(Christina House / Los Angeles Times)

For the guests on our 2026 Emmy Limited Series/TV Movie Roundtable — which included Jamie Bell (“Half Man”), Linda Cardellini (“DTF St. Louis”), Camila Morrone (“Something Very Bad Is Going to Happen”), Michael Peña (“All Her Fault”), Andrew Rannells (“Miss You, Love You”) and Constance Zimmer (“Love Story”) — there’s no predicting which performances will resonate with viewers — or when.

The 2002 live-action adaptation of “Scooby-Doo,” in which Cardellini starred as Velma, has taken on cult status since its premiere, and enjoyed a revival of interest as a new Netflix version announced the cast. Rannells (“Girls”) and Zimmer (“Entourage”) have each seen their roles in epochal HBO comedies revisited by younger generations, who are often viewing the series through a very different lens. Peña, whose comedic flatulence on an “Eastbound & Down” blooper reel is now a viral meme, even wonders if he’ll be remembered for that over more serious fare like “Crash” and “World Trade Center.”

“Is that going to be your In Memoriam thing?” Rannells jokes.

At least Peña, laughing, takes it in stride: “Can you imagine?”

Digital cover: ‘The Boys’

(Bexx Francois / For The Times)

There’s plenty to chew on in contributor Max Gao’s digital cover story on Prime Video’s twisted superhero satire after the conclusion of five gloriously gory seasons, but my personal favorite feature may be the sidebar of memorable from key cast members. Chace Crawford’s on-set snacks of choice? Check. Jack Quaid’s surprising craftiness? Also check. Karen Fukuhara’s struggles with nausea? Ditto. If you are already missing “The Boys” and want to re-live it vicariously through some of its central figures, be sure to read the full piece, which already includes creator Eric Kripke and actors Laz Alonso and Erin Moriarty.

The mayor is in

(Ebru Yildiz/For The Times)

Speaking of double duty, Welsh actor Matthew Rhys showcases his range this season in two very different performances, last fall as a real estate scion suspected of killing his wife in Netflix’s “The Beast in Me” and right now as the put-upon mayor of a possibly cursed island town in Apple TV’s “Widow’s Bay.” One man is menacing, the other faintly absurd, but Rhys embraces the challenges of each role with aplomb — in particular, his physical comedy in the latter has gotten several big laughs out of me.

As contributor Emma Fraser reveals in her interview with Rhys, though, there is one stage direction capable of sending a chill up his spine: dance. “That still makes me shudder,” he says of a line-dancing scene in “The Americans” from 8 years ago. Let’s hope Widow’s Bay doesn’t have an underground swing dancing club.

More stories from this week’s issues

Former EastEnders star Ben Hardy is returning to screens in an Agatha Christie film that also includes a Game of Thrones actor

Former Peter Beale actor Ben Hardy is set to start filming an exciting new ‘whounnit’ based on real-life events.

The new film Eleven Missing Days will also star Vincent Cassel and Felicity Jones and tell the story of Agatha Christie’s real-life disappearance.

The novelist’s disappearance made national and international headlines during the 1920s, with famous names joining the search to find her, including leading politicians and fellow writers such as Arthur Conan Doyle, according to Deadline.

There has been a lot of speculation over what happened to the author, and now 100 years on, some details still remain a mystery.

The synopsis reads for the film: “In December 1926, at the height of her fame, Agatha Christie became front-page news when she vanished in bizarre circumstances from her home.

“In a case of life imitating art, this whodunnit explores the investigation behind her disappearance, strangely resembling an Agatha Christie novel itself, where everyone in her life became a suspect.”

A stellar cast joins Ben Hardy in the forthcoming movie, including Say Nothing star Ryan McParland, Game of Thrones’s Alfie Allen, The Brutalist’s Stacy Martin, Nicole Elizabeth Berger from He’s Watching You, and The Gorge actor Oliver Trevena.

Currently in pre-production, the picture is on course to shoot this summer in the UK.

Who did Ben Hardy play in EastEnders?

The 35-year-old found fame on the BBC soap in 2013 when he arrived in Walford as legendary character Peter Beale. He had taken over the role from Thomas Law, who had played the part between 2006 and 2010 before returning in 2023.

Ben’s version of Peter was most memorable for being caught up in the ‘Who Killed Lucy Beale?’ saga and for dating Lola Peace (Danielle Harold) before rekindling his romance with Lauren Branning (Jacqueline Jossa).

After finding out his own brother Bobby (Eliot Carrington) had killed Lucy, Peter struggled with life in Walford and moved to New Zealand to start a new life in 2015.

In an interview with The Independent, Ben said that he had “been battling it for a year, how to make things work” before ultimately deciding to leave the show.

“I have so much respect for everyone who works on that show, I felt myself getting lazy as an actor,” he explained. “I felt myself constantly going, ‘This scene doesn’t work’.”

Ben went on to say: “That laziness scared me. I said, ‘I have to get out of here’.”

He has since traded in his fruit-and-veg market stall for the bright lights of Hollywood and landed a role in the 2016 film X-Men: Apocalypse.

He also played Roger Taylor in the biopic Bohemian Rhapsody and portrayed the role of Four in the Netflix movie ‘6 Underground’ alongside Ryan Reynolds.

Ben also played Frank McCulled in the film Pixie, Seb in The Voyeurs, Simon in The Girl Before, and Tre in Tagged.

Most recently, he starred as Oliver Jones in the Netflix movie Love at First Sight (2023) and the 2025 horror movie The Conjuring: Last Rites.

EastEnders airs Monday to Thursday on BBC One and iPlayer

Netflix’s new hit drama which is climbing the charts stars the late Song Young Kyu as Ryu Gwang-pil.

K-drama Teach You A Lesson was Song Young Kyu’s final job before his tragic death in 2025.

Netflix has just unveiled a new South Korean drama which is already climbing the UK Top 10 chart alongside shows like The Witness, and viewers have been talking about one star in particular.

The series, which is just one of many Netflix K-dramas, is about a school notorious for violence and the decline of faculty authority, which is turned around by an inspector from the Educational Rights Protection Bureau who uses physical intervention and unconventional methods to discipline delinquent students.

The show, based on the Naver webtoon Get Schooled, stars Song Young-gyu as Ryu Gwang-pil – a member of the National Assembly and the father of student Ryu Jun-hyeong (played by Lee Seung-gyu).

Song Young-kyu, also referred to as Song Young-gyu, was a 55-year-old South Korean actor who was best known for his theatre roles, and he made his film debut in the 2002 movie Turn It Up.

He was best known to international audiences for his roles in Netflix’s Narco-Saints and Disney+’s Big Bet, both released in 2022.

In August 2025, the actor was found dead inside a parked car in Yongin, Gyeonggi Province. There was no signs of foul play according to authorities.

Teach You a Lesson was the show he completed filming on before his death and his posthumous appearance in the series is drawing worldwide attention.

The first episode of the series revolves around school violence and it sees Education Authority Protection Bureau supervisor Na Hwa-jin (Kim Moo-yeol) visit Daehan High School, where student Park Dae-seok (Jung Soo-hyun) died.

The ringleader of the violence, Ryu Jun-hyeong, is the son of Congressman Ryu Kwang-pil, a prominent potential presidential candidate.

Relying on his father’s position of power, Ryu Jun-hyeong looked down on students and staff, committing all kinds of atrocities.

Na Hwa-jin even visited Ryu Kwang-pil directly. However, instead of correcting his son’s wrongdoing, Ryu Kwang-pil tried to block Na Hwa-jin using his position and influence and even attempted to dismantle the Education Authority Protection Bureau altogether.

Song Young Kyu, who is survived by his wife and two daughters, appeared in more than 40 TV dramas and numerous films across three decades.

His role as Chief Choi in the 2019 film Extreme Job, which became one of South Korea’s highest grossing films ever, gained him international attention.

One fan took to X, formerly Twitter, to pay tribute to the star after watching Teach You A Lesson, saying: “I was so focused on the plot of Teach You a Lesson that I didn’t even realise the actor playing the bully’s father in episode one was Song Young-gyu.

“The crazy thing is, I’ve seen him in so many dramas over the years, but while watching this one, all my attention was on the story, the tension, and everything happening on screen.

“It wasn’t until now that it clicked. It’s a strange feeling when you recognise an actor after the fact and remember that they’re no longer here. It makes you look at their scenes differently.

“Supporting actors rarely get the same attention as lead stars, but they’re often the ones who make these dramas feel real. Continue to Rest in Peace, Song Young-gyu.”

Teach You A Lesson is on Netflix now

The 79th Tony Awards went off without a hitch at Radio City Music Hall, Sunday. The show, hosted by Pink, ran just over three hours and was relatively unsurprising when it came to the wins it delivered. Although each year it seems more marquee film and television stars appear in the audience as celebrities of a certain caliber continue to flock to the stage in search of a more authentic—and immediate—connection to their audience.

This year viewers could see Adrien Brody, John Lithgow, Laurie Metcalf, Rose Byrne, Daniel Radcliffe, Nathan Lane, Alden Ehrenreich and more. Despite, or perhaps because of the star power, the show stuck to its expected script with “Schmigadoon!” winning best musical, “Ragtime” best musical revival, “Liberation” best play and “Death of a Salesman” best revival.

Still, the night had enough laughs, groans and tender moments to keep things interesting. Here are seven of our favorites.

Vampires as metaphor for what ails America

Ali Louis Bourzgui used vampires as a metaphor for American folly in his acceptance speech for performance by an actor in a featured role in a musical at the 2026 Tony Awards.

(Theo Wargo / Getty Images for Tony Awards Productions)

Who knew vampires made such a good metaphor for America’s worst excesses? When 26-year-old Ali Louis Bourzgui took to the stage at Radio City Music Hall after an upset win for performance by an actor in a featured role in a musical, he used the undead to poignantly describe the country’s biggest sociopolitical challenges.

“Vampires represent those who have shunned their own humanity in order to achieve a nonexistent sense of superiority. The billionaires will never find happiness from their money. The colonizers will never find fulfillment from the land and lives they steal. The fascists will never find meaning from their conformity, not in this lifetime or eternity,” said Bourzgui, who originated the role of David in the musical adaptation of the cult vampire horror film “The Lost Boys.”

—Jessica Gelt

A Tony trifecta for John Lithgow and Laurie Metcalf

John Lithgow won the third Tony Award of his career at the 2026 Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

It’s always a good feeling when actors we have known and love get rewarded by a well-deserved win, and so it was on Sunday night when John Lithgow and Laurie Metcalf took back-to-back wins early in the show. The former for performance by an actor in a leading role in a play for his portrayal of the controversial, beloved British author Roald Dahl in Mark Rosenblatt’s drama “Giant.” The latter for featured actress for her portrayal of Willy Loman’s protective wife, Linda, in “Death of a Salesman.” The plays were quite different, but the winners shared a very specific honor: the night marked the third Tony win for each actor.

Lithgow won his previous trophies in 1972 and 2002, and Metcalf in 2017 and 2018.

—Jessica Gelt

Nathan Lane is an ‘American theatrical treasure’

Nathan Lane accepts the best revival of a play award for “Death of a Salesman” at the 2026 Tony Awards.

(Theo Wargo / Getty Images for Tony Awards Productions)

Unless Nathan Lane gets a crack at playing King Lear, his Willy Loman in Joe Mantello’s production of Arthur Miller’s “Death of a Salesman” will go down as one of the peak challenges of his acting career. Not winning the Tony for his indefatigable performance must sting, but John Lithgow was favored to win for his brave turn as the baleful Roald Dahl of Mark Rosenblatt’s “Giant.” Lane had to have been prepared but a subtle wince of disappointment could be detected when the camera pryingly caught his immediate reaction.

So it was gratifying to see Lane receive his due from Mantello, who upon accepting his award for directing credited Lane with being the inspiration for the production. And when “Salesman” won for best revival, it was only fitting that Lane accepted the award on behalf of the company about a play that, ultimately, he pointed out, is about a family.

It was a point that Laurie Metcalf, who won for her featured performance as Linda Loman, also raised when she thanked Lane, Christopher Abbott (who played Biff) and Ben Ahlers (who played Happy) —her ferocious Loman family— for making her better.

A three-time Tony-winner already, Lane doesn’t need another trophy to assure him that he’s an American theatrical treasure. But this wasn’t just another Broadway outing for him. This was Miller’s masterwork in a production that will be remembered long after the tally of this year’s Tony Awards are long forgotten.

—Charles McNulty

Joshua Henry is a good person, a great actor and everybody loves him

Joshua Henry won a Tony Award for performance by an actor in a leading role in a musical at the 79th Annual Tony Awards, earning perhaps the most rousing standing ovation of the night.

(Theo Wargo / Getty Images for Tony Awards Productions)

The biggest standing ovation of the night came when Joshua Henry won the award for performance by an actor in a leading role in a musical for his critically acclaimed portrayal of Coalhouse Walker Jr. in the revival of “Ragtime.” Wearing a show-stopping black suit with golden flowers, Henry rushed to the stage as the star-studded crowd leapt to its feet to deliver a rousing standing ovation.

Henry first came to the full attention of fans playing Aaron Burr in the 2017 national tour of “Hamilton,” and has since gone on to distinguish himself as one of Broadway’s most charming and relatable stars. His optimism and kindness shine through, as does his fierce love of his art form, which was apparent as he gave his acceptance speech, thanking — in particular — his first vocal coach for believing in him. He also gave a poignant shout-out to the show’s original cast members Brian Stokes Mitchell and Audra McDonald, and sent all the love to his three young sons.

—Jessica Gelt

Pink had fun, but didn’t seem to know why she was there

Neil Patrick Harris and Pink perform during The 79th Annual Tony Awards at Radio City Music Hall.

(Jenny Anderson / Getty Images for Tony Awards Productions)

Pop star Pink kicked off the show with a wink and a nod to her hit “Lady Marmalade,” and went on to wow the audience with an action-packed opener filled with more than 150 performers and riffs from every Broadway show imaginable, plus a spirited appearance by Megan Thee Stallion. But the line that resonated most came early on when she spun hopelessly on a rope above the stage dressed as Peter Pan and a worried Neil Patrick Harris appeared to ask why she was performing in such an old-fashioned show.

“I just want to show how much I love theater even though I’ve never been on Broadway,” Pink said, still dangling, but nailing a few tricks. “I’m just concerned people might be like, ‘Why’s Pink hosting the Tonys?’”

That wasn’t the first time she seemed to be apologizing to the audience for being there.

—Jessica Gelt

Darren Criss gives happy endings

Darren Criss and Nicole Scherzinger joked it up during the 79th Annual Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

Darren Criss is a Broadway superstar who consistently delivers “Happy endings,” according to co-presenter Nicole Scherzinger.

In what might have been the show’s most racy and deliciously groan-worthy joke, Scherzinger, stood side-by-side with the “Maybe Happy Endings” star to deliver the penultimate awards of the night, and noted, “You gave the world happy endings.”

“I did?” asked Criss, feigning innocence.

“You’re a giver,” said Scherzinger.

The pair took a beat through bubbling titters from the audience before knowingly yelling, “Happy Pride everyone!”

—Jessica Gelt

Leslie Odom Jr. delivers a moving in memoriam

Leslie Odom Jr. performs the In Memorium tribute during The 79th Annual Tony Awards at Radio City Music Hall.

(Theo Wargo / Getty Images for Tony Awards Productions)

Tony Award winner Leslie Odom Jr. sang a soulful rendition of “Without You” from “Rent” during the ceremony’s In Memoriam segment, which honored artists who died in 2025 and 2026, including Diane Keaton and Robert Redford. These annual segments are mournful — and tricky — and the “Hamilton” star managed to create an understated atmosphere that set the perfect tone for the somber projection of recently lost greats such as Robert Duvall, Tom Stoppard and Carmen de Lavallade.

—Jessica Gelt

Ali Louis Bourzgui scored an upset win for performance by an actor in a featured role in a musical for originating the role of David in the musical adaptation of the cult vampire horror film, “The Lost Boys.”

As viewers scrambled to keep their score cards straight — André De Shields was favored to take the trophy for his work in “Cats: The Jellicle Ball” — the 26-year-old Bourzgui went on to deliver the night’s most impassioned, and pointedly political speech.

He began by noting that, “Vampires represent those who have shunned their own humanity in order to achieve a non-existent sense of superiority. The billionaires will never find happiness from their money. The colonizers will never find fulfillment from the land and lives they steal. The fascists will never find meaning from their conformity, not in this lifetime or eternity.”

Through the cheers of an invigorated audience, Bourzgui went on to talk about how “theater is one of the last places people can come to worship the power of true collective human presence.”

At its best, he said, theater helps us see ourselves in a stranger’s story.

“This is dedicated to the beautiful tapestry of immigrant families who make this country really special. May you one day not have to audition for the empathy that should be freely given by this country that benefits from your beauty, for the queer and trans communities who will exist, no matter what people in power try to take away from them.”

Bourzgui, whose father immigrated to America from Morocco, went on to pay tribute to Palestine and his own Arab heritage.

“For the people of Palestine, who deserve a free life, a full life without occupation, for Arabs and their makers and artists, may we continue to tell our stories and show our faces. Our humanity becomes undeniable, and our families can no longer be written off as merely collateral damage, may they know the beauty of our kisses upon his cheek and the romance of a language rooted in passion for love and life itself.”

He wrapped up this speech with a plea for love and empathy.

“If there’s one thing we can learn from vampires, it’s that life is short, but that’s it’s a gift. Find beauty in the ephemeral and gratitude in what is not promised, and always invest in the people that want to see you blossom into your truest self, and hold that space for them in return.”

The 79th Tony Awards return to Radio City Music Hall on Sunday to celebrate the best of Broadway. Pop-star Pink hosts the show for the first time, and while she hasn’t been on Broadway yet herself, her songs have been featured in the musicals “Moulin Rouge!” and “& Juliet.”

The broadcast airs air live beginning at 5 p.m. on CBS and Paramount+, but don’t sleep on the annual pre-show, “The Tony Awards: Act One,” where the first round of Tonys will be presented. It will stream live on free service Pluto TV starting at 3:35 p.m. and be hosted by Tony Award nominee Laura Benanti and actor Tituss Burgess.

Times staff writer Eloise Rollins-Fife wrote a complete guide on how to watch and everything you need to know.

Play

“The Balusters”
“Giant”
“Liberation”
“Little Bear Ridge Road”

Musical

“The Lost Boys”
“Schmigadoon!”
“Titaníque”
“Two Strangers (Carry a Cake Across New York)”

Revival of a play

Arthur Miller’s “Death of a Salesman”
Gina Gionfriddo, “Becky Shaw”
Duncan Macmillan and Jonny Donahoe, “Every Brilliant Thing”
“Fallen Angels”
Robert Icke, “Oedipus”

Revival of a musical

“Cats: The Jellicle Ball”
“Ragtime”
Richard O’Brien’s “The Rocky Horror Show”

Performance by an actress in a leading role in a musical

Sara Chase, “Schmigadoon!”
Stephanie Hsu, “The Rocky Horror Show”
Caissie Levy, “Ragtime”
Marla Mindelle, “Titaníque”
Christiani Pitts, “Two Strangers (Carry a Cake Across New York)”

Performance by an actor in a leading role in a musical

Nicholas Christopher, “Chess”
Luke Evans, “The Rocky Horror Show”
Joshua Henry, “Ragtime”
Sam Tutty, “Two Strangers (Carry a Cake Across New York)”
Brandon Uranowitz, “Ragtime”

Performance by an actress in a leading role in a play

Rose Byrne, “Fallen Angels”
Carrie Coon, “Bug”
Susannah Flood, “Liberation”
Lesley Manville, “Oedipus”
Kelli O’Hara, “Fallen Angels”

Performance by an actor in a leading role in a play

Will Harrison, “Punch”
Nathan Lane, “Death of a Salesman”
John Lithgow, “Giant”
Daniel Radcliffe, “Every Brilliant Thing”
Mark Strong, “Oedipus”

Book of a musical

David Hornsby and Chris Hoch, “The Lost Boys”
Cinco Paul, “Schmigadoon!”
Marla Mindelle, Constantine Rousouli and Tye Blue, “Titaníque”
Jim Barne and Kit Buchan, “Two Strangers (Carry a Cake Across New York)”

Original score

Music: Caroline Shaw, “Death of a Salesman”
Music: Steve Bargonetti, “Joe Turner’s Come and Gone”
Music and lyrics: The Rescues, “The Lost Boys”
Music and lyrics: Cinco Paul, “Schmigadoon!”
Music and lyrics: Jim Barne and Kit Buchan, “Two Strangers (Carry a Cake Across New York)”

Performance by an actor in a featured role in a play

Christopher Abbott, “Death of a Salesman”
Danny Burstein, “Marjorie Prime”
Brandon J. Dirden, “Waiting for Godot”
Alden Ehrenreich, “Becky Shaw”
Ruben Santiago-Hudson, “Joe Turner’s Come and Gone”
Richard Thomas, “The Balusters”

Performance by an actress in a featured role in a play

Betsy Aidem, “Liberation”
Marylouise Burke, “The Balusters”
Aya Cash, “Giant”
Laurie Metcalf, “Death of a Salesman”
June Squibb, “Marjorie Prime”

Performance by an actor in a featured role in a musical

Ali Louis Bourzgui, “The Lost Boys”
André De Shields, “Cats: The Jellicle Ball”
Bryce Pinkham, “Chess”
Ben Levi Ross, “Ragtime”
Layton Williams, “Titaníque”

Performance by an actress in a featured role in a musical

Shoshana Bean, “The Lost Boys”
Hannah Cruz, “Chess”
Rachel Dratch, “The Rocky Horror Show”
Ana Gasteyer, “Schmigadoon!”
Nichelle Lewis, “Ragtime”

Scenic design of a play

Hildegard Bechtler, “Oedipus”
Takeshi Kata, “Bug”
David Korins, “Dog Day Afternoon”
Chloe Lamford, “Death of a Salesman”
David Rockwell, “Fallen Angels”

Scenic design of a musical

dots, “The Rocky Horror Show”
Soutra Gilmour, “Two Strangers (Carry a Cake Across New York)”
Rachel Hauck, “Cats: The Jellicle Ball”
Dane Laffrey, “The Lost Boys”
Scott Pask, “Schmigadoon!”

Costume design of a play

Brenda Abbandandolo, “Dog Day Afternoon”
Qween Jean, “Liberation”
Jeff Mahshie, “Fallen Angels”
Emilio Sosa, “The Balusters”
Paul Tazewell, “Joe Turner’s Come and Gone”

Costume design of a musical

Linda Cho, “Ragtime”
Linda Cho, “Schmigadoon!”
Qween Jean, “Cats: The Jellicle Ball”
Ryan Park, “The Lost Boys”
David I. Reynoso, “The Rocky Horror Show”

Lighting design of a play

Isabella Byrd, “Dog Day Afternoon”
Natasha Chivers, “Oedipus”
Stacey Derosier, “Joe Turner’s Come and Gone”
Heather Gilbert, “Bug”
Heather Gilbert, “The Fear of 13”
Jack Knowles, “Death of a Salesman”

Lighting design of a musical

Kevin Adams, “Chess”
Jane Cox, “The Rocky Horror Show”
Donald Holder, “Schmigadoon!”
Adam Honoré, “Cats: The Jellicle Ball”
Adam Honoré and Donald Holder with 59 Studio, “Ragtime”
Jen Schriever and Michael Arden, “The Lost Boys”

Sound design of a play

Justin Ellington, “Joe Turner’s Come and Gone”
Tom Gibbons, “Oedipus”
Lee Kinney, “The Fear of 13”
Josh Schmidt, “Bug”
Mikaal Sulaiman, “Death of a Salesman”

Sound design of a musical

Kai Harada, “Cats: The Jellicle Ball”
Kai Harada, “Ragtime”
Adam Fisher, “The Lost Boys”
Brian Ronan, “The Rocky Horror Show”
Walter Trarbach, “Schmigadoon!”

Direction of a play

Nicholas Hytner, “Giant”
Robert Icke, “Oedipus”
Kenny Leon, “The Balusters”
Joe Mantello, “Death of A Salesman”
Whitney White, “Liberation”

Direction of a musical

Michael Arden, “The Lost Boys”
Lear deBessonet, “Ragtime”
Christopher Gattelli, “Schmigadoon!”
Tim Jackson, “Two Strangers (Carry a Cake Across New York)”
Zhailon Levingston and Bill Rauch, “Cats: The Jellicle Ball”

Choreography

Christopher Gattelli, “Schmigadoon!”
Ellenore Scott, “Ragtime”
Ani Taj, “The Rocky Horror Show”
Omari Wiles and Arturo Lyons, “Cats: The Jellicle Ball”
Lauren Yalango-Grant and Christopher Cree Grant, “The Lost Boys”

Orchestrations

Doug Besterman and Mike Morris, “Schmigadoon!”
Ethan Popp, Kyler England, Adrianne “AG” Gonzalez and Gabriel Mann, “The Lost Boys”
Lux Pyramid, “Two Strangers (Carry a Cake Across New York)”
Brian Usifer, “Chess”
Andrew Lloyd Webber, David Wilson, Trevor Holder and Doug Schadt, “Cats: The Jellicle Ball”

WASHINGTON — President Trump has tapped Bill Pulte, head of the Federal Housing Finance Agency, to be the acting director of national intelligence — putting a real estate scion and fierce Trump loyalist in a key national security post as the U.S. remains at war with Iran.

Trump made the surprise announcement Tuesday on social media that Pulte would be replacing Tulsi Gabbard, the former Hawaii congresswoman who served as the director of national intelligence.

The Republican president cited Pulte’s work at the FHFA and his role as chair of the mortgage giants Fannie Mae and Freddie Mac, saying that the 38 year-old “has deep experience managing the most sensitive matters in America, the safety and soundness of the Markets, and over 10 Trillion Dollars at Fannie Mae/Freddie Mac, a substantial increase from where it was just 12 months ago.”

Pulte’s sudden elevation to a role coordinating sensitive national security matters is a sign of how Trump is putting a priority on loyalty over a traditional resume full of previous military and intelligence assignments. It’s unclear what national security expertise Pulte has, but he has been a frequent guest on Air Force One as Trump has traveled to Mar-a-Lago, his home and club in Palm Beach, Florida.

As the grandson of the founder of PulteGroup, one of the country’s largest homebuilders, Pulte has cut a combative streak on social media and used his post at the FHFA to attack perceived opponents of the Trump administration.

His time overseeing mortgage finance has been linked with criminal referrals for mortgage fraud by public officials Trump sought to punish, including New York Attorney General Letitia James, a Democrat; Sen. Adam Schiff, D-Calif.; and Lisa Cook, a member of the Federal Reserve, who was nominated by a Democratic president, Joe Biden.

Pulte has famously gone after then-Federal Reserve Chair Jerome Powell for not cutting the central bank’s benchmark interest rates as aggressively as the president wanted. He has also been linked to ideas such as the 50-year mortgage and efforts to lower mortgage rates through the purchase of home loan debt that have not paid off as promised.

Trump said Pulte will keep his other positions even as he fills in for Gabbard, who resigned last month after revealing her husband’s cancer diagnosis.

If formally nominated, Pulte would need to be confirmed by the Senate to hold the position full time.

Boak writes for the Associated Press.

California’s decision to redraw its congressional map to flip as many as five House seats to Democrats in November is poised to play a big and potentially decisive role in the nation’s broader, bare-knuckle fight for control of Congress.

Tuesday’s primary races — where the top two candidates will advance to November runoffs — won’t determine which Republicans are ousted in most cases, but they will provide an important first look at voter sentiment and bring the fall’s most crucial head-to-head contests into focus.

“There will be some real cues and signals about what to expect,” said Christian Grose, a redistricting scholar and political science professor at USC. “We’re going to know how strong the Democrats’ chances are going to be based on who advances.”

As one example, Grose pointed to the redrawn 22nd Congressional District in the Central Valley, where incumbent Rep. David Valadao (R-Hanford) is facing challenges from moderate Assemblymember Jasmeet Kaur Bains (D-Delano) and progressive college professor Randy Villegas.

Grose said Bains is probably a stronger challenger than Villegas in a district that’s still a reach for Democrats — even if “either one could probably beat Valadao if 2026 is a big Democratic wave.”

Grose will also be closely watching the race between incumbent Reps. Young Kim (R-Anaheim Hills) and Ken Calvert (R-Corona) in the redrawn Congressional District 40, which covers a swath of inland Orange County and portions of San Bernardino and Riverside counties, including parts of Kim’s and Calvert’s current districts.

The district race wasn’t designed to deliver Democrats a seat, but will produce “one of the first casualties for Republicans from the new map” — months before other expected ousters — if Kim and Calvert don’t both advance.

The national picture

The redistricting war was prompted by President Trump’s unprecedented pressuring of Republican-controlled states to redraw their maps mid-decade for partisan advantage in order to retain control of Congress, given his sinking approval ratings and a history of midterm voters punishing the president’s party.

After Texas Republicans heeded Trump’s call to redraw five districts in their party’s favor, California Democrats responded with Proposition 50, a ballot measure passed by voters in November to sideline the state’s independent redistricting committee and allow Democrats to redraw five congressional districts in their favor.

The war ratcheted up — with more Republican states suddenly considering map changes — after a U.S. Supreme Court decision in April that weakened the 1965 Voting Rights Act and its long-standing protections for majority-Black districts in the South.

Republicans have now acted to redraw congressional maps in Alabama, Florida, Louisiana, Missouri, North Carolina, Ohio and Tennessee, with varying degrees of success, while a battle in Utah could add a single additional Democratic seat there. Attempts in other states have failed, including by the GOP in South Carolina and Democrats in Virginia.

Experts say the net result from the flurry of redistricting will probably be a gain of a handful or more seats for Republicans — but in a year when Democrats are expected to make gains more broadly, leaving control of the House up for grabs. California’s new map is “a huge deal” precisely because that math is so close, said David Wasserman, senior editor and elections analyst for the independent, nonpartisan Cook Political Report.

“Democrats are modest favorites for House control based on the political environment, but also because of California,” Wasserman said in an interview with The Times. “Picking up these four or five seats is a prerequisite to Democrats getting the majority.”

California seats in play

California has 52 seats in the U.S. House of Representatives, by far the most of any state. With their new map, California Democrats are hoping to increase their 43 House seats to 48. That would leave just four seats represented by members of the GOP despite Republicans accounting for a quarter of the state electorate.

But that outcome isn’t guaranteed.

Paul Mitchell, a Democratic redistricting expert who devised California’s new map, said the reconfigured congressional districts had to create a pathway for new Democrats to win additional seats without undermining incumbent Democrats’ reelection. And the result is a map with three pretty safe pickups for Democrats, and two districts that are “100% on the table, ready for Democrats to win,” but will nonetheless “require shoe-leather and grit.”

The redrawn congressional district boundaries enacted by Proposition 50 promise to shake up at least three seats, experts said.

Congressional District 1: Held by the late Rep. Doug LaMalfa (R-Richvale) for 13 years until his death in January, the district is currently rural and conservative, stretching from the Sacramento outskirts through Redding to the Oregon border and California’s northeastern corner. Under the state’s new congressional district map, it loses some of its rural reaches and picks up liberal coastal communities, and favors a Democrat such as state Sen. Mike McGuire, who is one of the leading candidates.

Congressional District 3: The seat is currently held by Rep. Kevin Kiley (I-Rocklin) and stretches from the Sacramento suburbs through Lake Tahoe and south along the Nevada border. Under the new map, it holds more tightly to the Sacramento suburbs, favoring a Democrat.

The changes were enough to convince an incumbent Democrat, Rep. Ami Bera (D-Elk Grove), to leave his current district — Congressional District 6, which includes the city of Sacramento and the suburbs of Roseville and Rocklin in Placer County — and run in District 3 instead.

Meanwhile, Kiley did the reverse. He quit the Republican Party, became an independent and announced he would be leaving District 3 and running instead in District 6 — the one Bera is leaving — against a slate of new Democratic challengers.

Congressional District 41. The seat is now held by Calvert, a 17-term incumbent, and currently stretches from Corona to the Coachella Valley. The new map made the district more liberal, losing voters in Riverside County and gaining them in Los Angeles County, and Calvert decided to run instead in Kim’s redrawn but still Republican-leaning Congressional District 40 that is just to the west.

The two toughest flips for Democrats, experts said, are Congressional District 22, Valadao’s heavily Latino district in the Central Valley, followed by Congressional District 48 in San Diego and Riverside counties, where Rep. Darrell Issa (R-Bonsall) decided to retire rather than run for reelection.

Valadao is viewed as especially vulnerable because of his recent support for Medicaid cuts, but he has proved resilient in the past. Meanwhile, his two leading Democratic challengers, Bains and Villegas, are in a bitter fight, with Bains receiving Democratic establishment support and Villegas winning endorsements from prominent progressives.

In Issa’s district, moderate Republican San Diego County Supervisor Jim Desmond is running against several infighting Democrats, including San Diego Councilwoman Marni von Wilpert and former Obama labor official Ammar Campa-Najjar.

Not new, or over

Jeff Wice, a New York Law School professor who was involved in California redistricting efforts in 2010, said the state “has long played hardball politics on redistricting,” including when then-Rep. Phil Burton, a powerful San Francisco Democrat, bragged more than 40 years ago that the complex congressional boundaries he’d crafted for Democrats were his “contribution to modern art.”

But in five decades studying redistricting, Wice said he has never seen such “politically driven, partisan politics” as are occurring now across the nation, which he said have “no root in law, reason or fairness” — and are only likely to continue.

“This state-by-state war is far from over, and may continue all the way through 2030,” he said. “A lot of it depends on the outcome of this November’s election.”

Wasserman said the country has “entered an era of no-holds-barred redistricting,” and he also sees redistricting efforts continuing — including in California, where they would present a distinct threat to the state’s few remaining Republicans.

Michael Li, senior counsel in the Democracy Program at the Brennan Center for Justice at NYU Law, said California is a “big part of the story” this election cycle, thanks to Proposition 50. “Democrats in California proved to be very determined and resourceful and managed to get that done, and right now California is the big offset to Republican gerrymandering around the country,” he said.

But what will come of it all — in California and across the country — is still to be determined.

“When you’re gerrymandering, you’re making a bet that you know what the politics of the future will look like, and it’s hard to predict,” he said. “It’s a high-risk, high-reward venture.”

Perrie Edwards has explained why Leigh-Anne Pinnock has likely been cast as a traitor after her former Little Mix bandmate was announced as part of the lineup for the hit BBC show

Perrie Edwards has explained why Leigh-Anne Pinnock has likely been cast as a traitor on the next series of Celebrity Traitors. The Little Mix star, 32, was asked for her opinion after her bandmate Leigh-Anne, 34, was announced as part of the lineup for the upcoming edition of Claudia Winkleman‘s hit BBC series.

Earlier this year, comedian Alan Carr schemed his way to victory after being cast as a traitor and now that Leigh-Anne, along with a host of other huge names like Love Island host Maya Jama and Coronation Street legend Julie Hesmondhalgh have been chosen to enter the famous castle as either a Faithful or a Traitor, Perrie has weighed in

Speaking on the Hanging Out with Ant & Dec podcast, she implied she’d be a good traitor because of her affinity for mischief: “Oh she is so annoying, I already know she is going to annoy me. You don’t understand how infuriating it is, she would lie about silly things so she would do pranks and we’d be like, ‘Leigh-Anne’s that’s…’ and she’d be like ‘it’s a prank’ and I’m like ‘that’s not a prank you’ve just lied, it’s just annoying’. And so I don’t know if I’ve got it in me to watch her do that for a full series.”

Despite her enthusiasm and ability to come up with a theory for her bandmate, Perrie admitted that this will be the first time she has ever seen the hit game show.

She said: “I’ve never seen it, never! I can’t get into it but now I am going to have to because Leigh-Anne’s on it and so I need to watch it now!”

Initially, the star avoided using words and simply shared two emojis after the announcement was made that she was set to take part. She posted a looking eyes emoji as well as an emoji covering its faces with its hands to signal she isn’t sure what she’s signed herself up for in the new season.

Leigh-Anne will line up with some huge names in the industry, including Michael Sheen and Jerry Hall. The 21-star list also includes Richard E Grant and Miranda Hart.

Also taking part is BBC presenter Amol Rajan, The Last of Us actress Bella Ramsey and comedian James Acaster – not to be mixed up with You’re Beautiful singer James Blunt, who has also signed up. Comedy stars Joanne McNally and Joe Lycett, and social media content creator King Henry were also announced.

Industry actress Myha’la and BBC maths guru Professor Hannah Fry. Rob Beckett with be bringing laughs alongside TV sidekick Romesh Ranganathan, flanked by former EastEnder Ross Kemp and My Mad Fat Diary star Sharon Rooney.

Game of Thrones actor Sebastian Croft completes the line-up as former Strictly Come Dancing presenter Claudia gets ready to choose her Traitors.

While they will all take part exactly like the usual Traitors series, rather than take any winnings themselves, the celebrity players will be donating anything they get from the potential £100,000 jackpot to their chosen charities

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

In a few days, Los Angeles voters will be casting ballots for city attorney — and in a few months, they could be voting to sharply diminish the city attorney’s authority.

The city’s Charter Reform Commission has proposed splitting the city attorney’s office into two parts — an elected city prosecutor, charged with handling criminal misdemeanors, and a mayor-appointed and City Council-confirmed city attorney who would represent the city in civil cases and advise the mayor, city council and city departments.

The City Council is reviewing the recommendation as part of sweeping changes to city government, including expanding the council from 15 to 25 seats, which could go before voters in the Nov. 3 general election.

The proposed changes to the city attorney’ office, however, come in the midst of a heated primary campaign, where incumbent Hydee Feldstein Soto is up against three challengers, including a state deputy attorney general and a deputy district attorney.

Both of those challengers say plans to bifurcate the city attorney’s office are rooted in longstanding conflicts between Feldstein Soto and the City Council.

Council members have expressed frustration over her handling of rising costs from an outside law firm, where the payout amount has grown to nearly $7.5 million — with some attorneys billing the city roughly $1,300 an hour.

And last year, City Council took a 12-0 vote to direct Feldstein Soto to withdraw an effort to halt a federal judge’s order prohibiting LAPD officers from targeting journalists with crowd control weapons.

“When I first heard about this idea, I thought it was probably the greatest indictment of the current city attorney that I’ve heard yet,” said John McKinney, a Los Angeles County deputy district attorney who is running for city attorney in Tuesday’s primary.

McKinney opposes the bifurcation, saying it will cause overlap and confusion. “If she was doing a good job … we wouldn’t even be having this discussion,” he said.

Marissa Roy, another candidate in the race, hasn’t taken a position on bifurcation but said Feldstein Soto’s actions triggered the proposed change.

“The only reason that bifurcation, or splitting the city attorney’s office, is even going to be going before voters is because we’ve had an incumbent city attorney who has gone so rogue to politicize the role,” said Roy, a deputy state attorney general.

Roy said accused Feldstein Soto of inappropriately blocking an affordable housing project in Venice. And in her office’s role of drafting ordinance language, Roy said, Feldstein Soto has returned to city council ordinance language that isn’t “faithful to the intent of the drafter.”

Feldstein Soto said the proposal to bifurcate the office has nothing to do with her performance.

“This issue comes up every single time charter reform comes up,” Feldstein Soto said. “To me this is all political opportunism.”

Feldstein Soto has opposed the split, and former city attorneys have also come out against it, saying an appointed position threatens the independence of the city attorney’s office, takes away from voters the right to elect a city attorney and could cost taxpayers money in order to split the office.

In a March letter to the Charter Reform Commission, Feldstein Soto said an attorney “serving at the pleasure” of the mayor and city council would face an “innate, human pressure to harmonize legal advice with the political goals of the appointing officials.”

“I have been able to provide honest, accurate legal advice to the Mayor, City Council, Controller and departments — even when that advice is unwelcome — precisely because I am an independently elected officeholder with an ultimate duty to the public,” she wrote. “An appointed City Attorney, serving at the pleasure of the Mayor and City Council, faces enormous political pressure on all of these issues, behind closed doors, cloaked in privilege without an independent voice.”

Burt Pines, a former city attorney who served from 1973 to 1981, deeply opposes the bifurcation proposal, citing the threat to independence as the largest issue at stake. As city attorney, he said, he was empowered to tell city officials when a proposed action was unlawful and refuse to support it.

“You want to be able to call the shots as you see them, true to the law,” Pines said in an interview.

Advocates say other cities have bifurcated offices, and splitting it could reduce conflict and provide a clear delineation of roles.

After consulting with experts and good governance groups, the commission agreed the benefits of bifurcation outweighed the negatives, and it passed unanimously by the commission.

“It was easy to get consensus on this,” said Raymond Meza, chair of the commission. The commission’s proposal calls for the city attorney to be nominated by the mayor, and confirmed by the City Council.

In its report, the commission said that “the current structure creates conflicts when the same office advises the city and prosecutes cases. Separation provides clearer roles, reduces conflicts, and allows each function to be performed effectively.”

Other cities have different models for the city attorney’s office: Long Beach has a similar model with bifurcated duties, while New York City has legal representation split up several ways. The San Francisco City Attorney provides legal representation for the city and county of San Francisco, and the San Francisco District Attorney’s Office handles criminal cases in the city and county.

Mike Bonin, executive director of the Pat Brown Institute, said he has seen the question of splitting the office come up with at least three different city attorneys to varying degrees.

“Given that the city attorney is an elected position, there’s always going to be somebody who doesn’t like them,” Bonin, a former city council member, said. “You need to divorce the question from the occupant and focus on the role — the charter is not about a particular person, the charter is about the function of the office.”

Spencer Pratt is a showboat, a loudmouth, a troll and a self-proclaimed villain who seems willing to say anything in his quest to be the next mayor of Los Angeles.

Little wonder that his critics rolled their eyes when the former reality television star told CNN host Elex Michaelson a few weeks ago that his campaign role model is Jesus Christ, because “he was a politician.” How on earth did Pratt — a man who tosses insults with the ease of someone spitting loogies — come off boasting that his political hero was the Prince of Peace?

But anyone who ridicules the exchange as a blasphemous moment by a deluded wannabe isn’t paying attention — which is exactly the error that has allowed Pratt to storm L.A. politics. He isn’t running on an explicitly Christian message — that would be risky in a city with large Jewish, Catholic and secular constituencies. But the proud born-again evangelical is channeling the zeal of an old-fashioned tent revival, even if some of his rhetoric falls far outside the bounds of the Good Book.

In his recent memoir, Pratt recounted his conversion — actor Stephen Baldwin baptized him in a river during the 2009 season of the reality show “I’m a Celebrity, Get Me Out of Here.” Before that, his Christianity had consisted of wearing a black diamond cross necklace he described as “thirty grand of Jesus bling” bought from a Beverly Hills boutique. Pratt credits his faith with providing direction at a low moment in his life, as he embraced Jesus with such fervor that a pastor told him to stop joining altar calls so much during church services — once was enough.

“I needed the receipt stamped weekly,” Pratt wrote, “like a parking validation, just to make sure it stuck.”

Seventeen years later, he’s still seeking that affirmation.

The memoir comes off as a millennial version of “The Confessions of St. Augustine” — perhaps the most famous literary example of someone who saw their wreck of a life not as a series of mistakes to apologize for but as necessary failures on the road to grace. That’s why Pratt and his followers don’t see his sketchy past as a disqualifier, but rather his biggest strength. Only someone who says he was reborn in the inferno of the Palisades fire could possess the clarity and willpower needed to bring salvation to an accursed land, they argue.

In another era, Pratt would have been a welcome edition to the roster of bombastic Southern California preachers a la Aimee Semple McPherson, Chuck Smith and Gene Scott, as well as radio titans such as George Putnam and John Kobylt. His claims that only he can deliver us from damnation and that we need to repent of City Hall’s status quo at the ballot box are nothing less than a modern-day gospel to his followers. Pratt feels the pulse of L.A.’s civic malaise far better than Mayor Karen Bass or another of his opponents, City Councilmember Nithya Raman. Like any good pastor, he knows how to distill that discontent into soundbites and stories.

That’s why the self-designated “Pratt Daddy” has cast this moment in L.A. history as a modern-day Armageddon, urging voters to wage war against apostates and usher in a Second Coming, lest the city continue its supposed descent into hell. He admits in his memoir to holding “epiphanies and apocalyptic visions” in equal measure — no wonder he told a Canadian podcaster in March that life for him is a “spiritual battlefield” where “however I can be to stop evil at this point feels like a purpose.”

Spencer Pratt is shown on a television while journalists work during the 2026 Los Angeles mayoral debate at Skirball Cultural Center on May 6.

(Jason Armond / Los Angeles Times)

Far from me to criticize someone’s faith. But I urge Pratt to reacquaint himself with the words of the messiah in whose path he professes to follow. Humility, frugality, turning the other cheek — it’s what Jesus taught and what Pratt has long rejected.

Nowhere does Pratt need more of refresher on Jesus’ lessons than when it comes to homeless people.

Instead of offering compassion or viable initiatives, Pratt consistently calls the unhoused “zombies,” “vagrants,” “drug addicts” and “bums,” with a particular fixation on the naked ones. He vowed to ABC 7 recently that he would push people off L.A.’s streets and onto federal land — like herding stray wildlife. The mayoral hopeful added that “scam homeless nonprofits” exacerbate homelessness, which must have been news to Scripture-based organizations such as the Los Angeles Catholic Worker, Union Rescue Mission and the Salvation Army, which have been trying to help homeless people since before Pratt was born.

Pratt also told ABC 7 reporter Josh Haskell that most of L.A.’s homeless are not locals.

“These people, when I unplug them … they’re all going to Seattle, where the mayor will welcome them,” Pratt proclaimed.

Jesus would not only roll out the welcome mat for homeless people — he would embrace them.

Spencer, what New Testament book says that your crude campaign against the most destitute among us is holy?

Christ never looked down on itinerants, famously saying, “The Son of man hath not where to lay his head.” In the Book of Mark, when Jesus sent his disciples out into the world, he told them to bring no food or money, because good people would take care of them.

“And if any place will not welcome you or listen to you, leave that place and shake the dust off your feet as a testimony against them,” Jesus said.

Christ did do some name calling, but his ire was directed at the powerful, the braggarts, the hypocrites — the Pratts of his time. The Nazarene saved his kindest words for the meek, the poor, the peacemakers — who are sorely lacking in Pratt’s caravan of disaffected liberals, Trumpers and the wealthy. Christ didn’t offer counsel to the comfortable but to outcasts — lepers, prostitutes, people possessed by demons or afflicted with disease — whose modern-day contemporaries live on our streets and whom Pratt World blames for all of L.A.’s ills.

Jesus especially embraced outsiders — the Canaanite woman he initially compared to a dog because she sought help for her daughter, the Samaritan lady at the well, the Roman centurion in the Book of Matthew of whom Jesus proclaimed, “I have not found so great faith” anywhere in Israel. Pratt would have rounded up all of them in donkey carts and dumped them in Babylon, if he had been around back then.

I understand how frustrating it is to see homeless encampments in neighborhoods and to deal with unhoused people who disrupt one’s day, as my wife does at her restaurant in Santa Ana. But whenever annoyance gets the better of me, I remember what Jesus told his followers: “Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me,” warning that he would keep this in mind on Judgment Day.

Those who didn’t take his advice? “Depart from me, ye cursed,” Christ thundered, “into everlasting fire, prepared for the devil and his angels.”

Christianity — and good society — calls for us to look to our better angels, not to demonize others, as Pratt regularly does. He knows this too.

“When the whole world hates you,” Pratt wrote, “it’s comforting to think at least the big guy upstairs has your back, so long as you repent.”

But repentance means admitting you’ve done wrong. Instead, Pratt is doubling down on his anti-homelessness nastiness as more and more people join his crusade.

Let’s see how many Angelenos embrace this false prophet on election day.

China’s decision to send a largely academic delegation instead of senior defence leadership to the Shangri La Dialogue in Singapore has been described by Australia as a missed opportunity for strategic engagement at a time of rising regional tensions.

Australian Defence Minister Richard Marles said the Asia Pacific region needs greater strategic reassurance from Beijing, particularly given China’s ongoing military expansion and its growing influence across the Indo Pacific.

The Shangri La Dialogue is the region’s most prominent defence and security forum, bringing together senior ministers, military leaders, and policymakers from across the world to discuss security challenges and regional stability.

For the second consecutive year, China’s Defence Minister Dong Jun did not attend the meeting, with Beijing instead sending a delegation made up mainly of academics and military experts.

Why It Matters

The absence of senior Chinese defence officials comes at a sensitive moment for regional security dynamics.

Australia and its allies have repeatedly raised concerns about China’s rapid military buildup, which is widely regarded as the largest conventional expansion since the Second World War. Regional governments argue that this military growth has not been matched by sufficient transparency or reassurance about China’s long term intentions.

The lack of direct high level engagement at forums such as the Shangri La Dialogue limits opportunities to reduce misunderstandings, build trust, and manage rising tensions through dialogue.

For countries in the Indo Pacific, especially smaller states, the absence of senior Chinese representation can increase uncertainty about regional security and long term strategic balance.

Key Stakeholders

China

China’s approach reflects a more controlled engagement strategy in defence diplomacy, relying on lower profile participation while continuing to expand military capabilities and regional influence.

Australia

Australia views sustained dialogue as essential for regional stability, while simultaneously strengthening its alliance with the United States and deepening defence cooperation across the Indo Pacific.

United States

The United States remains a central security partner in the region and continues to position itself as a counterbalance to China’s military rise through alliances and defence agreements.

Regional Partners

Countries such as Japan, the Philippines, Malaysia, and others attending the forum are closely watching China’s engagement level as they navigate their own security concerns in a shifting regional order.

Future Outlook

If China continues limiting senior level participation in regional defence forums, diplomatic channels for managing tensions in the Indo Pacific may become more constrained. This could increase reliance on bilateral alliances and military deterrence rather than multilateral dialogue.

At the same time, ongoing military expansion by China will likely keep regional security concerns elevated, particularly among Southeast Asian and Pacific nations.

However, if future editions of the Shangri La Dialogue see higher level Chinese participation, it could open pathways for improved communication and reduced strategic mistrust.

For now, the gap between China’s military rise and its diplomatic engagement remains a key concern for regional powers seeking stability in an increasingly competitive Indo Pacific environment.

With information from Reuters.

Penny Smith was one of the familiar faces of ITV’s GMTV alongside Lorraine Kelly and Eamonn Holmes, but left the show in 2010

TV icon Penny Smith made a triumphant return to daytime telly.

The popular presenter was famous for her role on GMTV and joined as the main newsreader in April 1993 and remained on the show until June 2010.

The star – who worked alongside Eamonn Holmes, Lorraine Kelly and John Stapleton among others – was treated to clips of her best bits on her final day in the studio.

She was also reunited with Curtis Stigers, her former partner from BBC’s singing show Just The Two of Us, who serenaded her with his hit You’re All That Matters To Me.

Now, 67-year-old Penny has made a comeback on another daytime show when she landed a slot as a roving reporter on BBC’s Morning Live on Friday, May 29 – and fans were delighted to see her return.

Penny presented a special segment investigating the chaos faced by tourists caught up in the EU’s new fingerprint scanner during the show which was hosted by Gethin Jones and Michelle Ackerley, reports the Daily Mail.

Penny was out on the ground at Manchester chatting to people travelling through the airport while also meeting up with a young woman who missed her flight due to the chaos.

She then tried a number of different substances on her hands, from water to moisturiser and an alcohol wipe, to see how it impacted the results on the fingerprint scanner. All produced different results.

Penny’s return to daytime television was welcomed by viewers who took to social media to express their delight.

One said: ‘Can we please see more of Penny Smith on Morning Live?’ while another said: ‘Great to see Penny Smith back on TV’.

Penny began her career as a reporter and feature writer on the Peterborough Evening Telegraph in 1977.

Penny later helped launch Sky News in February 1989, and four years later she joined GMTV, where she stayed until 4 June 2010.

She has since hosted several radio shows, including the weekday breakfast show on BBC London, Talk Radio, and Magic Classical.

Elsewhere, she has appeared on Have I Got News for You, Just the Two of Us, and Never Mind the Buzzcocks.

Last year, she reunited with former GMTV co-star Eamonn during a short stint on GB News. At the time, Eamonn said: “I’m delighted to be working with Penny again after all these years.”

Morning Live is on BBC One weekdays at 9.30am and BBC iPlayer

Anna Maxwell Martin takes on an intimidating new role that’s miles away from Motherland in this gripping Apple TV drama

The new Cold War thriller features some very recognisable names.

Apple TV’s highly anticipated For All Mankind spin-off Star City is finally here and has received rave reviews across the board.

Taking viewers back to the 1970s in this alternate version of history in which the Soviet Union won the space-race, the series picks up with the Russian politicians, engineers, cosmonauts, and KGB agents overseeing more missions to the Moon.

While the USSR is still basking in the victory of becoming the first nation to put a man on the Moon in 1969, tensions are running high as the threat of the US still looms large during the Cold War.

The series begins today (Friday, 29th May) with six more episodes coming each Friday until a riveting finale on 10th July.

But who is in the cast of Star City? From a major sitcom star to actors from some of the most acclaimed dramas of the past few years, let’s take a closer look at where you’ve seen them before.

Star City’s main cast

Rhys Ifans – Chief Designer

Welsh film and TV icon Rhys Ifans portrays the secretive figure at the head of the Star City program, known only as the chief designer.

You’ll have seen him recently as Otto Hightower in House of the Dragon, HBO’s popular Game of Thrones spin-off, as well as portraying Xenophilius Lovegood in the Harry Potter franchise and as Curt Connors/The Lizard in The Amazing Spider-Man, a role he reprised in Spider-Man: No Way Home.

His performance as comedy legend Peter Cook in Channel 4’s Not Only But Always won him a BAFTA TV award, and he is also well-known for his role as Spike in Notting Hill opposite Hugh Grant.

Anna Maxwell Martin – Lyudmilla Raskova

Anna Maxwell Martin plays the head of Star City’s KGB surveillance department, Lyudmilla Raskova, in a performance the Guardian has described as “terrifying”.

Martin has appeared in a huge range of popular British dramas, including Line of Duty, Ludwig, and ITV’s Until I Kill You, which won her an International Emmy Award.

She has also won BAFTA TV Awards for her roles in Bleak House and Poppy Shakespeare and is well-known among comedy fans for playing Julia Johnstone in the hit BBC sitcom Motherland.

Agnes O’Casey – Irina Morozova

Irina Morozova, a recent KGB recruit at Star City, is portrayed by English and Irish actress Agnes O’Casey.

O’Casey has landed supporting roles in major dramas in the 2020s, including Dangerous Liaisons, Wolf Hall: The Mirror and the Light, and Netflix’s Black Doves.

On the big screen she has appeared in Small Things Like These with Cillian Murphy and in The Miracle Club, Dame Maggie Smith’s final film.

Alice Englert – Anastasia Belikova

Anastasia Belikova is an untested female cosmonaut in the Soviet space program and portrayed by Australian actress Alice Englert.

Previously best known for her film roles, she has appeared in Ginger & Rosa with Elle Fanning, Beautiful Creatures with Alden Ehrenreich, and Netflix’s The Power of the Dog with Benedict Cumberbatch, which was directed by her mother Jane Campion.

Englert also appeared with O’Casey in Dangerous Liaisons, as well as BBC’s The Serpent and Jonathan Strange & Mr Norrell, and made her directorial debut with the 2023 film Bad Behaviour starring Jennifer Connelly.

Solly McLeod – Sasha Polivanov

Sasha Polivanov is described as “a reckless cosmonaut who has yet to live up to his potential” and is portrayed by Solly McLeod.

McLeod is a British actor known for playing the title role in ITV’s adaptation of Tom Jones, and has also played Ser Joffrey Lonmouth in two episode of House of the Dragon with Star City co-star Ifans.

He is also set to appear in the major upcoming films Practical Magic 2 and Anxious People, adapted from the bestselling novel by Fredrik Backman.

Adam Nagaitis – Valya Mironov

In contrast to Sasha, Valya is a respected cosmonaut in the Star City program brought to life by British actor Adam Nagaitis. Nagaitis previously portrayed a Russian firefighter in HBO’s acclaimed miniseries Chernobyl.

He has also appeared in the film The Last Duel with Matt Damon and Adam Driver, as well as TV series The Responder, The Agency and A Thousand Blows.

Ruby Ashbourne Serkis – Tanya Mironova

Ruby Ashbourne Serkis is the actress daughter of The Lord of the Rings star Andy Serkis and will be portraying Tanya, the wife of one of Star City’s cosmonauts.

She has previously appeared in TV series Shardlake and I, Jack Wright, as well as two recent Cillian Murphy films; Netflix’s Steve and the Peaky Blinders movie, The Immortal Man.

Josef Davies – Sergei Nikulov

Josef Davies portrays Sergei Nikulov, a young engineering prodigy working at Soviet Ground Control. Davies is best known as Sören in Young Wallander and he has also appeared in Andor, Grace, and Agatha Christie’s Seven Dials, as well as the hit WWI film 1917.

Supporting cast and guest stars

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Star City also features an extensive cast of supporting stars. They include:

• David Dencik (The Assassin) as Maxim Tarasov
• Eliot Salt (Rivals) as Vika Yegorova
• Ellie Piercy as Galina
• Robin Berry as Rem Balabanov
• Chris Leaney as Viktor
• Eadie Johnson as Zoya Morozova
• Aurelijus Pocius as Zhenya

There are also some major names and rising stars making guest appearances throughout the first season. They include:

• Niamh Algar (The Iris Affair) as Yana Akhmatova
• Jenny Walser (Heartstopper) as Leonova
• Sam Strike (Outer Range) as Pavel Fetisov
• Ian Drysdale as Doctor Borovsky
• Sam Wilkinson as Alexei Leonov
• Neringa Bulotaité as Natalia Ivanovna
• Sean Gilder as Vladimir Belikov
• Jamie de Courcey as Stanislav Kalinsky
• Fadily Camara as Celine
• Michael James as Galytzin
• Šarūnas Datenis as Arkady
• Priya Kansara (Bridgerton) as Lakshmi, a gifted scientist

Star City continues Fridays on Apple TV.

Eleanor Tomlinson is returning to screens in the new Channel 5 thriller The Fortune

Poldark actress Eleanor Tomlinson is returning to television screens as she leads the cast in a gripping new Channel 5 drama.

The 34-year-old actress is famed for playing Demelza Poldark on the BBC period drama across all five seasons from 2015 to 2019.

The character was the devoted wife of Ross Poldark, played by Aidan Turner, an army officer who returns to his native Cornwall after the American Revolutionary War in 1783.

Following her exit from Poldark, Tomlinson played Louisa Bryne in the period drama The Forsytes and Mary Brighton in The Nevers, a Victorian-set drama. However, the actress will now be appearing in the modern psychological thriller The Fortune, reports Radio Times.

The Fortune will premiere on Channel 5 on Tuesday, 2 June and follows Tomlinson’s character, Amanda, after she suddenly inherits a vast fortune from a man she has never met or heard of.

With his own family incensed to find out his estate is going to a supposed stranger, battle lines are soon drawn, and threats soon start to fly.

Amanda goes from her regular life of working in a café and being a happily married mother to her life being turned upside down.

Ahead of The Fortune landing on screens, Tomlinson has opened up to Radio Times about the direction of her career following her exit from Poldark.

“I’d done it for five years”, she said, “There are elements I miss, but it was time to do something else, spread my wings and push myself in a different direction.”

When asked which acting role she mostly gets recognised for by fans, she explained: “Poldark is the main one and I get a lot of One Day, and The Forsytes. It’s always nice when they get it right and don’t say, ‘Were you in Game of Thrones?’, ‘No, wrong redhead!’.”

As well as Tomlinson leading the cast, The Fortune also boasts the likes of Harry Potter star Matthew Lewis, All Creatures Great and Small favourite Callum Woodhouse and former EastEnders star Nina Wadia.

Also starring in the Channel 5 drama are Rebecca Front (The Thick of It), Stephen Tompkinson (DCI Banks), Paula Wilcox (Trying), Danielle Walters (Chewing Gum) and Denis Lawson (Bleak House).

The synopsis for The Fortune reads: “Amanda Blakefield’s life is a happy one, with her husband Jimmy and their son Luke. But when Amanda is left an enormous inheritance by a man she has neither met nor heard of before, her life starts to fall apart.

“Amanda becomes embroiled in the world of the Worralls, where Martin Worrall is head of a family bound in past secrets. As Amanda is drawn further and further into past events and relationships, all of their lives are turned upside down.”

It’s now been confirmed that The Fortune will premiere on 5 on Tuesday, June 2 at 9pm, followed by the second episode the following Wednesday evening at the same time.

Few résumés encompass everything from The Benny Hill Show to Grantchester. Even fewer actresses have the range and longevity of Paula Wilcox, who has appeared in more than 60 shows

Paula Wilcox set hearts racing as flirtatious Chrissy Plummer, alongside Sally Thomsett as Jo and Richard O’Sullivan as Robin Tripp, in the 1970s sitcom Man About the House, which shot her to fame.

And, now 76, Paula, who joined the National Youth Theatre, aged 17, will be back on screen on June 5 in a four part psychological drama, The Fortune, on Channel 5. But, despite it ending 50 years ago, after three years and six series, she still gets recognised from Man About the House – a risque comedy about a man sharing a flat with two attractive women.

READ MORE: Emmerdale’s Dylan star reveals shock diagnosis, ‘lovely’ girlfriend and unknown role in Netflix hit

She says: “Now, all these years later, I’d love to do a proper sitcom again.” At the time, however, she found the fanmania difficult to cope with.

Just 23 when she was cast as Chrissy, she says: “I’ve never been very good at handling all that stuff. Richard was wonderful at it. He could be so nice to people. He’d been a child star and so he’d learned how to be very polite to fans. I just never did. You don’t know what to do, you’re scared and then you say, ‘just leave me alone!’ It doesn’t endear you to people. You’d find yourself being a bit rude, rather than just being nice and natural.”

Professionally, Paula got sick of talking about Man About the House. She says: “There was I, playing Juliet or in a Stoppard play. You take yourself a bit seriously and all people wanted to talk about was Man About the House. I was in my 30s and getting on with stuff and I used to get really annoyed and change the subject.”

Paula is now the only member of the cast still working. Richard O’Sullivan, 81, who played Robin, has lived in a retirement home for entertainers since suffering a stroke in 2003 and Sally Thomsett, 70, who played Jo, has retired. Brian Murphy and Yootha Joyce, who played neighbours George and Mildred Roper, are now dead, as is Doug Fisher, who played Robin’s best friend Larry.

Paula says: “I’m in touch with Brian Murphy’s widow, Linda. I still see Richard from time to time and we miss Yootha, Brian and Dougie. We were very close mates.”

Surprisingly, despite playing best friends on screen, the one former cast mate she rarely sees is Sally Thomsett. She says: “I saw her a few years ago, when we all went to see Richard. I’m hardly in touch with her now. Sally has moved and she’s very naughty, because she doesn’t necessarily let you know what her phone number is. So, if she reads this – get in touch!”

When Man About the House ended in 1976, Paula became a screen and stage staple. Alongside an illustrious theatre career, her TV work included the comedies Boomers, Mount Pleasant and Upstart Crow. She also played Laurel Thomas’s mother Hilary Potts in Emmerdale and more recently spent three years in Coronation Street as Elaine Jones, the mum of taxi boss Tim Metcalfe and ex-wife of abusive hospital radio DJ Geoff Metcalfe.

She says: “If there’s a terrific storyline I’d love to go back. I loved working with Joe [Duttine] and Sally [Dynevor]. They were so good, so much fun and so clever. There’s no reason why Eliane couldn’t come back. She’s still Tim’s mother after all. He can’t get rid of her.”

Paula attributes her 57-year career to “being up for things,” explaining: “I like being challenged; I always have a go. I’ve done some weird and wacky things, so I think people have been aware of me in different genres and spaces. I’ve done one-woman plays; I’m not just on telly or in the West End.”

The Fortune, which has four episodes, tells the story of happily married mum Amanda Blakefield, whose life is turned upside down when she inherits a large amount of money from a man she’s never met or even heard of. While his shocked family is determined to get to the truth, the surprise inheritance turns sour, leading Amanda into a mystery that leaves her questioning everything she thought she knew.

The stellar cast includes Poldark star Eleanor Tomlinson as Amanda, alongside Stephen Tompkinson, Denis Lawson, Rebecca Front and former EastEnders actress Nina Wadia. Paula plays Amanda’s mother Linda, the one person who has the keys to the past.

She says: “She’s an important part of the story, because she knows what happened. She has dementia and is in a care home. She kind of knows everything, but she doesn’t know that she knows. It’s to do with something that went on in her past. She can remember highlights, but, because of the dementia, she goes off into talking about something else, completely unconnected.”

But Paula had doubts about taking on the role. She says: “It’s something that I was a bit wary of. My mum had dementia and it’s absolutely awful. I’ve been asked to play someone with dementia before and I felt it was a bit too close to it. But actually, this part is very different, because she’s a very different woman with a very different story and also, it’s about 15 years ago now, so it’s time to move on.”

Paula, who lives in London with her husband of 35 years, business consultant Nelson Riddle, grew up in Manchester. She began her TV career in 1969, aged 20, playing teenage delinquent Janice Langton in Coronation Street. She recalls: “She was the sister of Ray Langton. I was supposed to be 15 and I’d escaped from Borstal. I came in, laid the law down, nicked some money and then disappeared again.”

Three years later, in 1972, she appeared in an episode of The Benny Hill Show – known for its saucy slapstick humour and sketches featuring scantily clad young women. In its heyday, it attracted audiences of more than 21 million, but Paula quickly realised it wasn’t for her.

She laughs: “I remember thinking: ‘gosh, what am I doing? It just wasn’t my scene really. I think I played his [Benny’s] neighbour in one of the sketches. I remember at one point he asked me to bend over the sofa and I said, ‘ooh, no, I don’t do things like that!’ I think he was trying to sauce it up a bit and I was having none of it. When you’re young you can be quite straightforward like that.”

While declining ratings meant The Benny Hill Show was cancelled in 1989, Paula’s career went from strength to strength. Even now, she has plenty left on her bucket list. She says: “I’ve never worked with the RSC or at the National Theatre, so those are two things that I’d still really like to do. I still get as much pleasure from acting as I ever did and since I’ve passed the age of 50, the parts have got more and more interesting and more fun. You’re not just being cast because you’re cute and because of the way you look. You’re given more challenging things and if you can rise to the challenge, then you get offered them again and that’s very gratifying.”

*Paula Wilcox appears in The Fortune on 5 in June

READ MORE: Emmerdale’s Laura Norton talks wedding plans and tells of her children’s incurable condition

May 22 (Asia Today) — HD Construction Equipment said Friday it signed an agreement with Ukraine’s Mykolaiv regional government to expand cooperation on postwar reconstruction.

The memorandum of understanding was signed Thursday at HD Hyundai’s Global R&D Center in Pangyo, south of Seoul. Attendees included Mykolaiv Gov. Vitaliy Kim, HD Hyundai Vice Chairman Cho Young-cheul and HD Construction Equipment President Moon Jae-young.

The agreement expands cooperation that began in 2023, when HD Construction Equipment worked with the Mykolaiv regional government on construction equipment donations and training.

The two sides agreed to broaden cooperation to include equipment supply, a local training center, service and maintenance support, financing systems and energy infrastructure restoration.

HD Construction Equipment has continued reconstruction talks with Ukrainian government and local officials since the war began. In 2023, Ukraine’s first deputy infrastructure minister, Vasyl Shkurakov, visited the company’s Ulsan campus, leading to further discussions on rebuilding projects.

The company later donated five major pieces of equipment, including excavators and forklifts, to Mykolaiv. The equipment is still being used for emergency recovery and infrastructure restoration work.

HD Hyundai said it plans to pursue a groupwide reconstruction cooperation model combining its construction machinery and energy capabilities.

“We will build a cooperation system that can make a practical contribution to Ukraine’s reconstruction, going beyond simple equipment supply,” Cho said.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260522010006601

Soo-Jin Berry is grateful her name has inspired fans from the Korean community to connect with her.

“For me, it’s just nice that I can represent something so much bigger than softball,” Berry said with a raspy voice after cheering on her UCLA teammates during the Bruins’ NCAA regional wins.

“My name is Korean, so I have a lot of Korean fans that will walk up to me, and they’re like, ‘Oh my gosh, are you Korean? I am too!’”

Berry thrived at Iowa as one of the Big Ten’s most potent hitters, but she chose to end her college career at UCLA even though it meant taking on a smaller role with drastically reduced playing time. Now she is a reliable option as UCLA faces Central Florida in the super regional round, a three-game series that begins at 6 p.m. Friday at the Bruins’ Easton Stadium. The game will air on ESPNU.

UCLAs’ Soo-Jin Berry celebrates hitting a home run against California Baptist on May 15.

(John McCoy / Ap Photo/john Mccoy)

Berry said she joked with her family that UCLA called her as she considered leaving Iowa for other schools before she ever met with the Bruins. Then associate head coach Lisa Fernandez emailed Berry. Bruins head coach Kelly Inouye-Perez then called Berry and they had a two-hour conversation.

“We talked about my life experience in Iowa, and then I kind of knew from the beginning what I wanted, so I made those desires clear to her,” Berry said. “I just want to grow. I just want to have some role on this team because it would mean so much to me. I feel like growing up, everyone’s dream is to go to UCLA, especially for softball.”

When she set foot on the UCLA campus during her recruiting visit, a quarter of the team greeted her, including her former high school teammate and Bruins hitting star Jordan Woolery.

“Jordan was the main person helping me on my visit,” Berry said. “We actually flew in together.”

Since transferring to UCLA, Berry said she learned that she could raise her standard of play while having the best time doing it.

While UCLA was a dream destination, Berry was the last Hawkeye to enter the transfer portal at the end of last season.

“Iowa is a very special place to me, so I don’t have any regrets going there. I loved my time there,” Berry said. “There were just differences between administration and coaching, which I didn’t agree with.”

Berry competed against the Bruins last season, helping Iowa beat UCLA by going 2-for-4 with 4 RBIs and two home runs — the second one in the fifth to help the Hawkeyes extend their lead to 7-4.

Inouye-Perez said after UCLA’s NCAA regional win over South Carolina on Saturday she hasn’t forgotten the game last season when Berry got the best of the Bruins.

“This girl straight beat us last year — she is a pure hitter,” Inouye-Perez said, with Berry sitting next to her.

In 52 games played at Iowa, Berry led the Hawkeyes in RBIs (33), slugging percentage (.589) and extra base hits (21) while recording a .335 batting average (53-158). Her nine home runs put her 10th in Hawkeyes single-season history.

Her on-plate numbers have dropped since joining UCLA’s roster, but her confidence is higher than ever thanks to the supportive techniques provided for Bruins.

“I feel in general I am more comfortable being myself and being more open with my teammates about certain things, so the journaling definitely does help because I can write ‘I belong here,’” Berry said.

She added that she has been able to simplify the situation by trusting the process the coaching staff has implemented for the team.

“Failure is part of the game, and it’s going to happen, and you can’t do anything to avoid it,” Berry said. “So just being OK with failing and knowing if I strike out at this at-bat, what can I change at the next one?”

Berry has accepted coming off the bench and playing any position needed.

“It comes down to the process we have during practice,” Berry said of getting playing time. “Coach Lisa [Fernandez], coach Mysha [Sataraka] and coach [Rob] Schweyer all have full confidence in me.”

When her time was called during the postseason, she contributed to the Bruins advancing as they push to win a national title.

In the regional round, she brought in runs. During the Bruins’ 12-11 walk-off win over California Baptist in the regional opener, Berry hit a three-run home run that helped UCLA take a 7-1 lead.

Berry said she wasn’t getting the outcomes she wanted earlier in the season, but being there for her team when her name was called is special.

Special operations MH-47 Chinooks offloading fuel to other aircraft in the air is one possible future scenario that U.S. Army Special Operations Command (SOCOM) is eyeing as it begins to work out what the future Block III iteration of the twin-rotor helicopter might look like. While hypothetical at this stage, a Chinook capable of operating as an aerial refueling tanker could help address the command’s lack of organic tanker capacity and support its future air assault strategies.

Speaking at the annual SOF Week conference, senior SOCOM officers provided updates on the current status of the highly modified MH-47Gs that provide the heavy-lift muscle for the 160th Special Operations Aviation Regiment, or 160th SOAR, the famous Night Stalkers. As we have reported in the past on multiple occasions, these highly capable aircraft are frequently noted with different modifications cropping up around their airframes.

At this stage, however, SOCOM is beginning to draft possible requirements for the next iteration of special operations MH-47G — the Block III — expected to come online starting around 2032.

“Currently, we’re in Block II,” explained Sean Godfrey, product manager for the MH-47 at Army Special Operations Aviation Command. “We do not currently have what the Block III looks like, but that aircraft’s not going anywhere. It’s going to have to get upgraded over time.”

“Those next big things that we have to figure out would be how to get more out of the system,” Godfrey continued. “That would have to be enabling the aircraft to go further into more environments.” Another area of interest is increasing options for putting modular equipment on and off the aircraft, he added.

“That increased modularity to be able to rapidly take things on and off the aircraft to reconfigure it very quickly, to meet our mission requirements, is something that we’re always looking at,” added Dr. Steve Smith, SOCOM’s program executive officer for Rotary Wing.

“Anything that we do going forward, we’re going to try to make it as modular as possible. We want to go plug things in when we need them, unplug them, and take them off the aircraft when we don’t need them.”

Even with an aircraft offering the performance and capacity of the MH-47, preserving the allowable combat load is always at a premium. Increased modularity might include removing certain protection systems for operations in more-permissive environments, to give operators additional load. The same could be said for navigational systems, as well.

Smith continued: “There might be cases where I want to fill that aircraft with as much fuel as possible, and maybe that MH-47 becomes a flying FARP, and I put it somewhere, and we refuel other aircraft off of them.”

A FARP, or Forward Arming and Refueling Point, is essential for operating from austere forward bases along (or beyond) the battle lines.

This is already a key mission for the MH-47, with the 160th using these aircraft in “Fat Cow” configuration. Filled with extra tanks, the Chinook then serves as a gas station on the ground for other rotary-wing aircraft. This was a tactic famously used in the Bin Laden raid.

At a FARP, aircraft can quickly receive fuel and weapons, even without shutting down their engines. As a result, they can accelerate the fight by dramatically increasing sortie rates, or FARPs can extend the combat range of an aircraft. When it comes to just adding fuel, refueling in mid-air is an even more efficient way of doing this.

“Maybe, maybe we can do in-air refueling off of an MH-47,” Smith mused.

While he admitted that he was “just throwing stuff up against a wall,” at this point, Smith also acknowledged that having more modular systems could make that possible.

“Aerial refueling is an amazing capability,” Smith continued. “It allows us to do a lot of things, but that affects your allowable combat load, right? So, is there a way to do something modular for aerial refueling, so that the system could come on and off quickly, so that would allow us to get maybe something in country, rapidly reconfigured, and then do something else.”

For the Army, the demands for greater range and ability that cover those distances faster are seen as critical capabilities, particularly in the context of any future fight against China across the sprawling expanses of the Pacific.

According to Smith, SOCOM is already looking at the possibility of porting mission equipment from its forthcoming MV-75A Cheyenne II tiltrotors onto the MH-47 Block III, and potentially even the Block II or Block III MH-60 fleets. However, he admitted that, at this stage, there is no funding appropriated for this, or even a formal requirement.

When it comes to making Block III a reality for the MH-47, this would likely follow the same procedure that is currently used to produce special operations Chinooks.

For the MH-47G Block II, specifically, Godfrey explained that the procedure starts with selecting a legacy aircraft, some of which are now more than 60 years old. SOCOM then removes all the mission equipment and software equipment, Godfrey continued, and flies the aircraft to Delaware. Here, the aircraft is essentially torn apart, and the parts to be used are recapitalized and returned to the Boeing production line. After a multi-year process, the Chinook re-emerges as a black-painted MH-47 and then goes to have all its mission equipment fitted. Then it is delivered to the unit.

Once in SOCOM service, Smith explains that “We’re constantly trying to figure out the best ways to increase range, increase payload, increase speed, reduce weight, all while somehow holding flight-hour costs low. And all these things aren’t rolling in the same direction.”

The MH-47’s need for range is an enduring one and is reflected in its regular use of in-flight refueling itself, using the probe-and-drogue method, as also employed by SOCOM MH-60s. Already, the MH-47 features massive sponson fuel tanks compared to the standard Chinook, making them the longest-range assets of the 160th.

But whether or not some kind of palletized or modular aerial refueling capacity comes to the Chinook remains to be seen.

Expanding the “Fat Cow” role and taking the MH-47 tanker to the air would be very enticing for SOCOM. It would give them their own air-to-air refueling assets, rather than relying totally on the Air Force MC-130/HC-130 fleets. As it is, providing fuel at FARPs can be a very high-risk mission for SOCOM, considering they are often working in contested territory. If the same aircraft could be adapted to refuel MH-60s and MH-47s in the air, they would not have to land in some scenarios, and the Army wouldn’t need to call upon external refueling assets, which might not be available or cannot be risked.

It is also worth noting that questions have also emerged about how the Army will ensure there is adequate tanker capacity to support its aerial-refueling-capable MV-75s. As delivered, all Cheyenne IIs will have the capacity to have a probe fitted, the Army has confirmed, even those in non-SOCOM units, although the exact mix of how many ‘big Army’ MV-75s will get the probe and how many won’t is yet to be determined. Bell, the MV-75’s prime contractor, and the Army have both suggested that tanker drones like the U.S. Navy’s forthcoming MQ-25 Stingray could help extend the Cheyenne II’s reach. An adapted MH-47 could provide another answer, although one with drastically different performance.

Recent operations in South America and in the Middle East have underscored the need for long-range missions by Special Operations Aviation Command. The prospect of a potential conflict with China across the vast expanses of the Pacific means that longer-range platforms, of all kinds, are an increasing area of interest, and the 160th’s heavy-lifting, far-flying Chinooks are no exception.

Contact the author: thomas@thewarzone.com

Arbeloa says he will not be coaching the team next season, amid reports that Jose Mourinho is returning to the club.

Alvaro Arbeloa has confirmed he will leave his role as Real Madrid coach at the end of a trophy-less season.

“Yes,” Arbeloa said at a news conference on Friday when asked to confirm that he would not be coaching the team next season, amid widespread reports that veteran manager Jose Mourinho is returning to the club.

Los Blancos host Athletic Bilbao on Saturday at the Santiago Bernabeu in their final La Liga match of a turbulent campaign.

Real Madrid President Florentino Perez appointed Arbeloa to replace Xabi Alonso in January.

The Spaniard, Arbeloa, said he would not work as a member of Mourinho’s staff if the Portuguese coach is appointed as his successor.

“Mou has a fantastic technical team, he’s got good people around him, if he comes to Madrid he will come with his team,” said Arbeloa.

“There’s no chance that I would be with him. Then, my future … from Monday I’ll think about that.”

Arbeloa, who played at Madrid from 2009-2016 and later coached there at the youth level, said he hoped this match was a “see you later” rather than a goodbye.

“I hope it’s a see you later… I’ve always considered this my home, I’ve belonged to Madrid for 20 years in various roles,” said Arbeloa.

“It will be my last game this season as coach of Real Madrid; I don’t know if it will be the last game of my life as coach of Real Madrid.

“We never know. I’ll try and enjoy it and try to get the win.”

PRINCESS and Junior Andre have stepped out to support dad Peter Andre’s exciting new role in an immersive experience.

As the brother and sister duo’s mum Katie Price desperately searches for husband Lee Andrews, Junior, 20, and Princess, 18, have been supporting their dad’s new Mama Mia! The Party role at a glitzy bash.

Heading out on Wednesday night, the Andre family put on a united display with Junior’s girlfriend Jasmine Orr, 25, and Pete’s wife Emily, 36.

The family headed to the gala night of Mamma Mia! The Party at The O2 Arena in the capital.

In the immersive experience, Peter, 53, plays the role of Nikos, a very charismatic and charming owner of the family-run Greek taverna.

The Andres attending the gala this week comes as Junior and Princess’ mother Katie, 47, continues to plead for her husband to be found.

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The self-proclaimed businessman disappeared last week, with his wife Katie claiming he had been “kidnapped” and confirming earlier today she still hasn’t heard from him in almost a week.

Katie revealed how Lee, 43, had “disappeared” last week, after he failed to fly back to the UK for a Good Morning Britain appearance.

Lee told Katie in a voicenote that he needed an “exit stamp” to leave Dubai when he was claiming to be coming back to the UK.

But after he failed to get on a plane, Katie sensationally claimed he had been kidnapped and that the last she’d heard from him, he was in the back of a van with cable ties on his arms.

A source close to the ex glamour model told us earlier this week: “Lee is officially a missing person now.

At the weekend, Katie said: “I know there is all this speculation but something really serious has happened.”

Lee’s mum, Trisha, issued a desperate plea for the return of her son this week.

Asked if she had a message for those who knew Lee’s whereabouts, Trisha, who has filed a Missing Persons report with the British Embassy, told The Sun: “Please bring my son back.”

When asked about whether he had been kidnapped, Trisha replied: “I don’t know, he could have been.

“I’ve not seen the video.

“I don’t know the laws out there but I wouldn’t have thought they’d use cables. Wouldn’t they put handcuffs on?”

Trisha, who works as a travelling medium doing readings, confirmed she had a close relationship with Lee, who was born and raised in Nottinghamshire.

With sadness, she admitted she had not heard from him since last week when he disappeared. 

Trisha continued: “He has been there [in Dubai] for 22 years.

“It’s been six years since I went to Dubai. It’s been three or four years since he’s been here.”

Lee’s whereabouts is still unknown, with his wife Katie keen to get him found as soon as possible.

Renfield, a movie based on characters from Bram Stoker’s novel Dracula, is airing tonight and fans have praised hailed the film “funny and deliciously entertaining’

A movie perfect for fans of Dracula is heading to the small screen.

American action comedy horror film Renfield was originally released in 2023 and Film4 is showing the film at 9pm on Wednesday (May 20) evening.

Inspired by characters from Bram Stoker’s 1897 novel Dracula and its 1931 feature film adaptation, the film features Nicholas Hoult as the titular character and co-stars Awkwafina, Ben Schwartz, Shohreh Aghdashloo, Brandon Scott Jones, Adrian Martinez and Nicolas Cage.

The story follows Renfield who, after decades as a grueling servant for Dracula, seeks a new purpose in life. Viewers who have already watch the movie have offered their review online.

One fan penned: “I came for Nicolas Cage and was not disappointed. He played an amazing Dracula in the modern world.” Nicolas Cage was born to play and he appropriately chews up the scenery whenever he is on screen. This movie is a lot of fun thematically and visually.”

A third person said: “Renfield hits all the right notes. The humour is dark, witty and at times profound. The film delivers plenty of gore and bloodshed to satisfy fans of the horror genre.”

A fourth agreed: “Funny, well-crafted, and deliciously entertaining, Renfield isn’t short of bite.”

According to reports, Cage prepared for his role as Dracula by observing the distinctive ways the character was portrayed on screen by Bela Lugosi, Frank Langella, and Gary Oldman.

“What can I bring that will be different?”, he said, “I want it to pop in a unique way. We’ve seen it played well, we’ve seen it play not so well, so what can we do?

“So I’m thinking to really focus on the movement of the character … and that perfect tone of comedy and horror.”

Cage mentioned An American Werewolf in London, Ring and Malignant as inspirations for the role.

The film is Cage’s first live-action film by a major studio since Ghost Rider: Spirit of Vengeance.

The film’s black-and-white opening scenes recreate the events of Dracula with Cage and Hoult respectively inserted in place of Bela Lugosi and Dwight Frye as Count Dracula and Renfield, with Helen Chandler and Edward Van Sloan appearing as Mina Seward and Abraham Van Helsing via archive footage.